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<v Speaker 1>Welcome to the Great Adventurers of Old Time Radio from Boise, Idaho.

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<v Speaker 1>This is your host, Adam Graham. In a moment, we're

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<v Speaker 1>going to bring you the final episode of Cloak and Dagger.

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<v Speaker 1>But I do want to encourage you, if you're enjoying

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<v Speaker 1>the podcast, to please follow us using your favorite podcast software.

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<v Speaker 1>And this podcast is made possible by the financial support

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<v Speaker 1>of our listeners. You can support the show on a

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<v Speaker 1>one time basis at support dot Great Detectives dot net,

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<v Speaker 1>or become one of our ongoing Patreon supporters for as

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<v Speaker 1>little ass two dollars per month at Patreon dot Great

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<v Speaker 1>Detectives dot net. But now, from October twenty second, nineteen fifty,

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<v Speaker 1>here is the episode Windfall.

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<v Speaker 2>Willing to undertake a dangerous mission behind enemy lines, knowing

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<v Speaker 2>that you may never return alive. What you have just

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<v Speaker 2>heard is the question asked during the War of agents

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<v Speaker 2>of the OSS. Ordinary citizens to this question answered yes.

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<v Speaker 2>This is Cloak and Dagger, black warfare, espionage, international intrigue.

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<v Speaker 2>These are the weapons of the OSS. In today's adventure, Windfall,

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<v Speaker 2>the part of McAllister is played by Lestra may Jan

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<v Speaker 2>Minor plays Jen and Mike Slade is played by Bill Quinn.

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<v Speaker 2>The story is suggested by actual incidents recorded in the

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<v Speaker 2>Washington files of the Office of Strategic Services, a story

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<v Speaker 2>that can now be told. We had three new guests

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<v Speaker 2>at the lodge at Noirmont that day, and the first

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<v Speaker 2>one blew in just after lunch, and I recognize him

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<v Speaker 2>right away, at least I thought I did. I didn't

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<v Speaker 2>know who he was, you understand, but I thought I

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<v Speaker 2>knew what he was. A fellow American, for one thing,

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<v Speaker 2>and probably a member of the diplomatic mission at Baron.

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<v Speaker 2>I wish now that that was all he had been.

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<v Speaker 3>You have a reservation for me the name Monsieur Heywood,

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<v Speaker 3>Frederick Heywood.

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<v Speaker 4>At one moment, Monsieur, I.

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<v Speaker 2>Made a mental note of that name as I shuffled

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<v Speaker 2>my cards and dealt myself another hand of solitaire. I

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<v Speaker 2>was sitting in the lobby close to the desk, and

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<v Speaker 2>not by accident, either, I made my business to catch

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<v Speaker 2>the names of new arrivals.

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<v Speaker 3>If you know a.

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<v Speaker 2>Man's name, he's usually more willing to sit down at

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<v Speaker 2>the car table with you. And if the guests at

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<v Speaker 2>Noirmont didn't play cards with me, how could I eat well?

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<v Speaker 3>Clerk, do you have the reservation or not. Yes, hit

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<v Speaker 3>is monsieur.

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<v Speaker 4>It was fund in yesterday from ber Your room is

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<v Speaker 4>being prepared.

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<v Speaker 3>Nowson, let me know what it's ready. I'll be in

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<v Speaker 3>the bar. I went to work.

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<v Speaker 2>Then I followed him into the bar. I was sure

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<v Speaker 2>by then that i'd size him upright. A secretary or

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<v Speaker 2>a file clerk could come to the lodge to ski

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<v Speaker 2>and relax. He was right for picking, I figured. I

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<v Speaker 2>found him at a table by the window, looking out

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<v Speaker 2>over the mountains of snow and ice and down into

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<v Speaker 2>the green Valley where Switzerland became France. Not see occupied France.

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<v Speaker 2>Welcome to normal, mister Heywood. Eh, who are you name?

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<v Speaker 3>Slade?

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<v Speaker 2>Mike Slade? I heard you ask for your reservation. I

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<v Speaker 2>couldn't help overhearing your name. You're an American, that's right.

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<v Speaker 2>You mind if I said, now, thanks up here to

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<v Speaker 2>do a little skiing. I suppose perhaps planning to stay long?

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<v Speaker 3>That depends. Oh what a number of things, none of

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<v Speaker 3>which are your business.

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<v Speaker 2>Relax, mister Heywood. You don't have to be afraid to

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<v Speaker 2>talk to me. I'm not on the enemy's side. In fact,

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<v Speaker 2>I'm not on anybody's side. I'm just a plain ordinary

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<v Speaker 2>private citizen.

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<v Speaker 3>Oh and what are you doing in Switzerland, he.

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<v Speaker 2>Asked, So I told him the whole sad story. How

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<v Speaker 2>I shipped out of San Francisco when I was fifteen,

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<v Speaker 2>how I jumped ship in Shanghai, How I'd spent the

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<v Speaker 2>next twenty five years gambling my way around the world

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<v Speaker 2>till I hit it big, knocking over a roulette wheel

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<v Speaker 2>in Paris for a million francs.

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<v Speaker 3>So you're up here blowing your million francs.

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<v Speaker 2>I slid, No, not exactly, didn't last long enough to blow.

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<v Speaker 2>A week after I won it, the Germans marched into Paris,

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<v Speaker 2>and my money wasn't worth a thin diet. I got

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<v Speaker 2>away and landed up here at Walmart. And I'm waiting

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<v Speaker 2>ever since, waiting for what why, for someone to win

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<v Speaker 2>this war?

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<v Speaker 3>Of course, someone anyone, you mean.

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<v Speaker 2>Oh, I'm not too particular, mister hay Wooden, Like I say,

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<v Speaker 2>I don't play sides. I'm what they call a neutral,

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<v Speaker 2>I guess, a neutral American. Well, it's been a long

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<v Speaker 2>time since I was in America. I just want them

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<v Speaker 2>to get the war over with somehow, so Jen and

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<v Speaker 2>I can get out of here. Jen my girl wins

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<v Speaker 2>to hey, which she's one of the skiing instructors here

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<v Speaker 2>at the lodge, and when I go, she's promised to

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<v Speaker 2>go with me.

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<v Speaker 3>I see, I'll go see if I rule ready? Oh

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<v Speaker 3>wait a minute, how about another drink?

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<v Speaker 2>Well?

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<v Speaker 3>Thanks?

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<v Speaker 2>Well, look, if you're not doing anything tonight and you're

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<v Speaker 2>like a little game of stud as got away as

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<v Speaker 2>any to pass the evening up here. Maybe, But I'm

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<v Speaker 2>rather particular about the kind of men I gamble with, Slade,

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<v Speaker 2>especially the kind of Americans. Oh well, I figured some

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<v Speaker 2>guys couldn't help being patriots. Me I had other things

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<v Speaker 2>to worry about, not enough money in my gene to

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<v Speaker 2>pay for my room at the end of the week,

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<v Speaker 2>and no stud game in sight.

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<v Speaker 3>Hello, Mike, Jen, how are your babies?

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<v Speaker 5>Mike came into the bar a few minutes ago, but

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<v Speaker 5>you were talking to somebody here who was.

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<v Speaker 3>A guy named Heywood, an American just checked in from.

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<v Speaker 5>Bern from Bay with Mike. He couldn't have what do

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<v Speaker 5>you mean you left that heavy snow last night? He

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<v Speaker 5>couldn't have come by automobile. And you know perfectly well

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<v Speaker 5>the train from Beern doesn't arrive for another three hours.

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<v Speaker 3>Hey, I forgot about that, And how the devil did

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<v Speaker 3>he get here?

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<v Speaker 6>There's only one way. You must have.

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<v Speaker 3>Walk walked all away from Bern.

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<v Speaker 5>He walked from down there in the valley, he came

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<v Speaker 5>across the French border.

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<v Speaker 2>Maybe you're forgetting there's a war on There aren't any

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<v Speaker 2>Americans touring France these days.

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<v Speaker 5>No, but there are some fighting for France, fighting with

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<v Speaker 5>the French Marquis.

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<v Speaker 6>I don't know what cha an intelligence agents.

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<v Speaker 2>Mike, Hey, wait a minute, Maybe you've got something there

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<v Speaker 2>that would explain why Heywood brush me off that way.

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<v Speaker 2>He must be one of those OSS guys we heard about.

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<v Speaker 2>It was the only answer. I didn't think much of it.

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<v Speaker 2>I figured an OSS agent just out of occupied France

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<v Speaker 2>wouldn't have enough money to finance a game of stud

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<v Speaker 2>So I went looking for someone who would.

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<v Speaker 7>There's two ones, clerk, one for Dot, one for myself.

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<v Speaker 2>Crowds were crowds, and you didn't have to be a

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<v Speaker 2>patriot like Hey would not to like them. But I

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<v Speaker 2>figured that these two guys at the desk were a

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<v Speaker 2>couple of jokers on a holiday.

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<v Speaker 3>They'd be well.

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<v Speaker 2>Healedous, ridiculous, welcome to no gentlemen.

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<v Speaker 3>The clerk, what about those ones? I don't believe I

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<v Speaker 3>quite caught your names. Gentlemen, if you'll please my friend

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<v Speaker 3>dear trying to get accommodation, I am sorry.

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<v Speaker 4>All I can give you and here you and here Vierstadt.

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<v Speaker 3>Is a double room. There are no single ones, No, sir.

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<v Speaker 4>The American who arrived today took the last one.

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<v Speaker 3>Oh an America and the life.

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<v Speaker 2>I'm an American too, slaves. My name Mike Slade. But

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<v Speaker 2>it does not you who just cave.

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<v Speaker 3>No, no, I've been around for nearly three years.

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<v Speaker 2>The new guest is mister Heywood, mister Haywood, eh and

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<v Speaker 2>his room eighteen, Room eighteen.

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<v Speaker 3>I'm in twenty seven myself.

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<v Speaker 2>Gentlemen, if you'd be interested in a friendly game of

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<v Speaker 2>stud poker the saving I'm afraid we are going to

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<v Speaker 2>be busy this evening.

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<v Speaker 7>Yeah, we are going to be a valley busy.

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<v Speaker 2>So that took care of my last chance to put

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<v Speaker 2>some meat on my thin bank roll. Jen and I

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<v Speaker 2>had dinner at the lodge that night. Then I walked

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<v Speaker 2>her back to a cottage above the hotel. The moon

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<v Speaker 2>was bright, dry, snow squeaked under our feet. It was

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<v Speaker 2>the same as any other night at Guamon, seemed the

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<v Speaker 2>same anyway, Even the things we talked about were the same.

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<v Speaker 6>We must be patient, Mike. We will leave Maamo.

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<v Speaker 2>Someday, but when and how We'll never get out until

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<v Speaker 2>I lay my hands on some dough, big dough, I mean,

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<v Speaker 2>not the kind I can win from a bunch of

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<v Speaker 2>yoguls who don't know two pair from a straight.

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<v Speaker 6>Your government would send your home, maybe.

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<v Speaker 2>Mike, Yeah, sure, sure, and shut me in the army.

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<v Speaker 2>Only they don't have any use for a guy in

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<v Speaker 2>my age, and that makes him mutual. Besides, they wouldn't.

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<v Speaker 3>Let you go with me, but I would wait.

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<v Speaker 6>And when the war is.

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<v Speaker 2>No dice, kid, when I go, you go. So the

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<v Speaker 2>answer is still money. It sounds like somebody's been hurt.

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<v Speaker 2>Come on, Honey, done down this way, Mike.

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<v Speaker 6>There's something lying this moose.

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<v Speaker 3>Yeah, yeah, that must be him.

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<v Speaker 6>Mike, Mike, it's the American, mister Heywood.

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<v Speaker 2>It was Hayward, all right, but it didn't look much

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<v Speaker 2>like him anymore. His nose was broken and the rest

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<v Speaker 2>of his face was pushed out of shape. Lord knows

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<v Speaker 2>what else they've done to him.

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<v Speaker 6>Mm hmm mm hmm.

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<v Speaker 2>You all right, take take an easy fellaw. We'll get

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<v Speaker 2>the doctor at the large nose.

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<v Speaker 3>Shure, slave, shure. You want to stand him jam.

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<v Speaker 6>It sounds as if you're saying shore sure, he left

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<v Speaker 6>shure the heel of his left shore back.

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<v Speaker 3>Alice, What what was that? McAllister Joe, he's dead.

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<v Speaker 6>I'll get doctor gon to Mike.

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<v Speaker 2>Never mind doctor Gant the jam. He's dead.

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<v Speaker 5>No, how could it have happened? Do you think you

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<v Speaker 5>very found a rock up there?

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<v Speaker 2>No, baby, he didn't fall of any rock. He fell

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<v Speaker 2>under the hands of a couple of Germans.

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<v Speaker 3>It was all clear by that Heywood had.

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<v Speaker 2>Been an OSS agent, and the only winter sports the

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<v Speaker 2>crowds had come to Noirmar for was torturing and beating him.

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<v Speaker 2>It was tough, plenty tough. But then I still had

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<v Speaker 2>problems too. I unlaced Heywood's left boot and slipped it

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<v Speaker 2>off his foot.

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<v Speaker 6>What are you doing, Mike?

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<v Speaker 3>Finding out what hitlers happened as boys were after.

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<v Speaker 6>Look, the heel slips right off the shoe.

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<v Speaker 3>Yeah, there's something incited.

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<v Speaker 2>Wait a minute, it's a little ceylander.

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<v Speaker 3>It looks like a bullet.

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<v Speaker 2>That's no bullet, baby, it's a cylinder of microfilm microfi chers.

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<v Speaker 2>I don't know whatever it is, it's important, whatever's importance

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<v Speaker 2>is valuable.

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<v Speaker 3>What you think, uh me, I'm thinking about you and me, sweetheart.

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<v Speaker 3>Never mind.

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<v Speaker 2>Now, look, you take this film and get back to

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<v Speaker 2>your cottage and hide it. As far as anybody's concerned.

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<v Speaker 2>You weren't with me when I found Heyward's body.

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<v Speaker 6>I don't understand.

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<v Speaker 3>You will get gone, baby, But what are you going

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<v Speaker 3>to do?

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<v Speaker 2>Not a thing, Just sit around and cool my heels

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<v Speaker 2>and wait for a guy named McAllister. Of course I

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<v Speaker 2>had to report Heywood's death. I reported it to doctor Gunther,

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<v Speaker 2>the house physician at the lodge. Oh, this is terrible,

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<v Speaker 2>such a tragic excident. I didn't say it was an accident, doctor,

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<v Speaker 2>but it was, of course. No wait a minute, he said, so.

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<v Speaker 3>I am the doctor.

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<v Speaker 8>Yeah, but you can't here. Heywoods slipped in terre for

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<v Speaker 8>the lock. We will all do our best to see

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<v Speaker 8>that there's no another such tragedy. Really not sleep. It

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<v Speaker 8>gives the lotch a bad reputation.

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<v Speaker 2>So gun Through had already been briefed by his fellow crowds,

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<v Speaker 2>and Heywood's death was an accident. Well, I was all

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<v Speaker 2>right with me. It didn't hurt my angle a bit.

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<v Speaker 2>The next morning, Guntha got all the guests together in

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<v Speaker 2>the lobby and broke the sad new.

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<v Speaker 9>My friends, that you can all want to pay your

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<v Speaker 9>last respects the victim of this unfortunate accident. Services for

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<v Speaker 9>her Heywood will be heard in the chapel. At three

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<v Speaker 9>o'clock this afternoon turned away and I fell little sick.

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<v Speaker 2>Sometimes these Nazis made it hard for a guy to

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<v Speaker 2>stay strictly neutral, I was thinking. Then a hand clapped

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<v Speaker 2>me on the shoulder.

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<v Speaker 7>Good morning, al Slid, Hello, Kitle, this is well, it said,

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<v Speaker 7>this news about your fellow countryman.

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<v Speaker 3>Yeah, you're all broken up about it, aren't you.

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<v Speaker 7>Doctor guns informs me it was you who found the body.

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<v Speaker 2>In You and doctor Gunha keep each other pretty well informed.

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<v Speaker 3>I was wondering how Slid.

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<v Speaker 7>Yeah, I was wondering if, by any chance, you also

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<v Speaker 7>found something else?

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<v Speaker 3>Whe are you when you keep right on wondering her title?

251
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<v Speaker 2>At most that day, playing solitaire at my favorite table

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<v Speaker 2>near the desk, I wasn't listening for the names of

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<v Speaker 2>poker prospects anymore. I was listening for another name, McAllister,

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<v Speaker 2>but I didn't hear it. At three o'clock I went

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<v Speaker 2>down to the chapel, I figured ioto pay my last

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<v Speaker 2>respects to Heywood too. Was the least I could do,

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<v Speaker 2>considering how much I was going to own. So cheap

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<v Speaker 2>the accidental death of a passing stranger may seem like

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<v Speaker 2>a trivial thing.

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<v Speaker 3>Believe me, my friend, it.

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<v Speaker 2>Was almost over when a big blonde guy sat down

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<v Speaker 2>next to the You're Mike Slayton.

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<v Speaker 3>Yes, that's right. You found Heyward's body last night. What

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<v Speaker 3>was left of him with us? He was still alive, wasn't.

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<v Speaker 2>He his spirit?

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<v Speaker 3>Slightly?

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<v Speaker 1>Lightly?

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<v Speaker 2>Did he say anything? Not much mentioned the name McAllister.

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<v Speaker 2>Maybe I'm McAllister.

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<v Speaker 3>Oh he has gone okay and we are left here alone.

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<v Speaker 3>He gave you something for me? Yeah? Good? When can

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<v Speaker 3>I get it? When can you pay for it? Pay

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<v Speaker 3>for it? That's what I said. I went twenty five

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<v Speaker 3>franks dollars full filthy double.

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<v Speaker 2>I'll watch it. Is that a way to act at

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<v Speaker 2>your buddy's funeral?

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<v Speaker 3>And now, dear friends, let it's all bow our heads

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<v Speaker 3>in prayer.

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<v Speaker 2>The minister's sermon wasn't the only one I've heard that day.

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<v Speaker 2>On the way back to the lodge, McAllister preached one too,

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<v Speaker 2>And you call your flag. MacAllister, You've got my proposition,

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<v Speaker 2>take it or leave it.

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<v Speaker 3>You know what's on that microfilm. You realize, what, what

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<v Speaker 3>do you think I could get that kind of money.

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00:16:01.559 --> 00:16:04.240
<v Speaker 2>You might try the embassy at Vain and if they

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00:16:04.279 --> 00:16:11.159
<v Speaker 2>won't buy it, then maybe Berlin will Berlin, you would

287
00:16:11.200 --> 00:16:14.000
<v Speaker 2>actually shall let film to the Nazis sell out your

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<v Speaker 2>own country. I haven't had a country for a long time.

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00:16:16.039 --> 00:16:18.159
<v Speaker 2>You were born on Amerture, but I've lived in Switzerland

290
00:16:18.159 --> 00:16:18.840
<v Speaker 2>for quite a while.

291
00:16:20.679 --> 00:16:22.759
<v Speaker 3>Some of its neutrality is rubbed off on me.

292
00:16:29.320 --> 00:16:31.000
<v Speaker 2>I stayed away from Jen all that day because I

293
00:16:31.039 --> 00:16:33.360
<v Speaker 2>didn't want to attract any attention to her. But as

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00:16:33.360 --> 00:16:36.159
<v Speaker 2>soon as it was dark, I started out for her cottage.

295
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<v Speaker 2>I didn't get very far.

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<v Speaker 3>Good evening house led.

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<v Speaker 7>If Yes, stud and Ivish to talk.

298
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<v Speaker 2>The you guys picked funny places for conversation. On the contrary,

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00:16:48.799 --> 00:16:52.720
<v Speaker 2>this fits our needs admirably. Three of us are low and.

300
00:16:52.720 --> 00:16:56.679
<v Speaker 7>We had another conversation last night in a similar pace.

301
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<v Speaker 3>It would regret to have this one end in the

302
00:16:58.679 --> 00:17:02.440
<v Speaker 3>same way that Indeed, Okay, what do you after the

303
00:17:02.519 --> 00:17:05.759
<v Speaker 3>micro film? Of course, just give it to us. I

304
00:17:05.799 --> 00:17:07.119
<v Speaker 3>don't know what you're talking about.

305
00:17:07.480 --> 00:17:10.079
<v Speaker 7>And I suppose we will have to stop the field.

306
00:17:11.319 --> 00:17:15.000
<v Speaker 7>There's arms ver ver stut pinned my arms behind me?

307
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<v Speaker 3>Kinda let me have it square in the face with

308
00:17:17.079 --> 00:17:21.480
<v Speaker 3>a fist is hard. There's a sledgehammer. Where's the microfilm? Straight?

309
00:17:22.319 --> 00:17:24.079
<v Speaker 3>You'll never get it this way? Say not?

310
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<v Speaker 2>You didn't get it away from Hey with this way,

311
00:17:25.960 --> 00:17:29.240
<v Speaker 2>did you? Why don't you meet heads? Get smart? Kill

312
00:17:29.279 --> 00:17:31.000
<v Speaker 2>me and you'll never lay hands on that film. And

313
00:17:31.039 --> 00:17:33.240
<v Speaker 2>if we don't carry you and you might have a chance.

314
00:17:33.880 --> 00:17:37.759
<v Speaker 2>How much would the chance cost a slid? I'm catching

315
00:17:37.839 --> 00:17:40.359
<v Speaker 2>on how much? Well I would have let you have

316
00:17:40.440 --> 00:17:42.480
<v Speaker 2>a cheap before you started to push me around. The

317
00:17:42.519 --> 00:17:48.839
<v Speaker 2>price is gone up. I want fifty fifty thousand marks dollars.

318
00:17:50.119 --> 00:17:59.480
<v Speaker 2>Think it over, boys. They must have seen some logic

319
00:17:59.519 --> 00:18:01.319
<v Speaker 2>in it, because they stopped slugging me and went away

320
00:18:01.359 --> 00:18:03.960
<v Speaker 2>to talk it over. I didn't go to Jen's cottage

321
00:18:04.000 --> 00:18:06.680
<v Speaker 2>after all. I didn't want them following me, So I

322
00:18:06.720 --> 00:18:08.440
<v Speaker 2>went back up to my room. And when I got there,

323
00:18:09.720 --> 00:18:13.319
<v Speaker 2>my door unlocked. The room was a shambles. Somebody had

324
00:18:13.319 --> 00:18:17.960
<v Speaker 2>gone through it like a cyclone. U oss, boys, now,

325
00:18:17.960 --> 00:18:20.119
<v Speaker 2>how to take a room apart, don't you McAllister? When

326
00:18:20.160 --> 00:18:21.799
<v Speaker 2>we have to Did you have to do this?

327
00:18:21.960 --> 00:18:22.079
<v Speaker 3>Oh?

328
00:18:22.480 --> 00:18:24.839
<v Speaker 2>I came up to do it, but those get Stoppa

329
00:18:24.920 --> 00:18:27.880
<v Speaker 2>agents save me the trouble. It was already done. I

330
00:18:27.960 --> 00:18:30.559
<v Speaker 2>was afraid they might have found what they were looking for.

331
00:18:30.640 --> 00:18:32.319
<v Speaker 2>How do you know they didn't? By the condition of

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00:18:32.359 --> 00:18:34.799
<v Speaker 2>your face. They've been working you over, haven't we?

333
00:18:34.960 --> 00:18:37.480
<v Speaker 3>What have it? They wouldn't have bothered if they'd found

334
00:18:37.480 --> 00:18:40.119
<v Speaker 3>the film. You're quite a brain, aren't you. Mccallis.

335
00:18:40.119 --> 00:18:42.720
<v Speaker 2>You're not slaved. If you were, you wouldn't be playing

336
00:18:42.799 --> 00:18:44.920
<v Speaker 2>this game. You're gonna wind up just where Heywood is.

337
00:18:44.960 --> 00:18:47.599
<v Speaker 2>I'll take my chances. You don't know what the doe

338
00:18:47.640 --> 00:18:49.519
<v Speaker 2>means to me. You'd understand you don't know what these

339
00:18:49.519 --> 00:18:52.440
<v Speaker 2>films mean to the Allies, Or maybe you'd understand. Those

340
00:18:52.440 --> 00:18:55.440
<v Speaker 2>are pictures of German maps, Slaid maps, showing the location

341
00:18:55.519 --> 00:18:58.119
<v Speaker 2>of every Nazib two rocket launching site on the French coast.

342
00:18:58.359 --> 00:19:00.880
<v Speaker 2>They could mean the saving of thousands of lives. They

343
00:19:00.880 --> 00:19:03.920
<v Speaker 2>could even mean winning the war or losing it. Does

344
00:19:03.920 --> 00:19:08.400
<v Speaker 2>that make any impression on you? My price is still

345
00:19:08.440 --> 00:19:14.160
<v Speaker 2>the same, all right, Jen, Let me tell you what Heywood.

346
00:19:13.839 --> 00:19:16.039
<v Speaker 3>Went through to get those films. You'll be wasting your time.

347
00:19:16.079 --> 00:19:17.440
<v Speaker 3>My price is still the same.

348
00:19:19.319 --> 00:19:22.480
<v Speaker 2>Okay, you're the guy who has to look in the

349
00:19:22.480 --> 00:19:27.240
<v Speaker 2>mirror at yourself in your shave. I'll be around if you. Oh,

350
00:19:27.279 --> 00:19:32.400
<v Speaker 2>I forgot about this. What this picture was on the floor.

351
00:19:32.440 --> 00:19:34.480
<v Speaker 2>I accidentally stepped on it and broke the frame.

352
00:19:34.519 --> 00:19:37.319
<v Speaker 3>How me have that? I noticed the inscription to Mike

353
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<v Speaker 3>with all my love Jen. Okay, okay, let's have it.

354
00:19:40.640 --> 00:19:45.000
<v Speaker 3>She's the skiing instructor, isn't she beautiful? Girl? Be a

355
00:19:45.039 --> 00:19:48.559
<v Speaker 3>shame if anything happened to that face? Is that a threat?

356
00:19:48.599 --> 00:19:53.240
<v Speaker 2>Mccallosy No, oh, the osays doesn't go in for torturing women.

357
00:19:53.920 --> 00:19:56.880
<v Speaker 2>Maybe we're too sentimental. Why would anybody want to touch

358
00:19:56.960 --> 00:19:59.319
<v Speaker 2>her because she's helping you play your little angle? What

359
00:19:59.480 --> 00:20:00.200
<v Speaker 2>makes you think?

360
00:20:00.279 --> 00:20:03.039
<v Speaker 3>So? Just a guess. And if I can guess, it's

361
00:20:03.039 --> 00:20:07.119
<v Speaker 3>so can Kitle and Erstadt. And they're not a bit sentimental.

362
00:20:17.799 --> 00:20:19.720
<v Speaker 2>It took me a while to fall asleep after that,

363
00:20:19.920 --> 00:20:23.119
<v Speaker 2>but I managed it finally. Couldn't have been much later

364
00:20:23.160 --> 00:20:30.559
<v Speaker 2>when the phone beside my bed woke me up. Yeah, Mike, Jen, Baby,

365
00:20:30.599 --> 00:20:31.079
<v Speaker 2>what's the matter.

366
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<v Speaker 3>I've got to talk to you.

367
00:20:32.200 --> 00:20:41.480
<v Speaker 2>Mike, come to the cottage right away. I was scared

368
00:20:41.519 --> 00:20:44.160
<v Speaker 2>then all the way over, Machallous's words kept ringing in

369
00:20:44.200 --> 00:20:45.519
<v Speaker 2>my ears, and I was scared to.

370
00:20:45.440 --> 00:20:46.079
<v Speaker 3>Look at her face.

371
00:20:46.119 --> 00:20:48.559
<v Speaker 2>But there was nothing the matter with it. When I

372
00:20:48.559 --> 00:20:51.200
<v Speaker 2>got there, the only mark center with the marks of

373
00:20:51.240 --> 00:20:52.880
<v Speaker 2>worry and a guilty conscience.

374
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<v Speaker 6>I couldn't sleep, Mike. I had to call you. I've

375
00:20:55.720 --> 00:20:56.839
<v Speaker 6>been thinking about it.

376
00:20:56.720 --> 00:20:59.240
<v Speaker 3>All night, about my new business enterprise.

377
00:20:59.279 --> 00:21:02.200
<v Speaker 5>I suppose you mean, yes, trying to make money out

378
00:21:02.200 --> 00:21:03.119
<v Speaker 5>of those microfilms.

379
00:21:03.119 --> 00:21:05.839
<v Speaker 6>It's wrong, Darling. We can't go through with it.

380
00:21:05.880 --> 00:21:08.680
<v Speaker 2>Too bad, says McAllister. Was here, Yes, yes, he was

381
00:21:08.720 --> 00:21:10.079
<v Speaker 2>waving a flag all over the place.

382
00:21:10.200 --> 00:21:12.720
<v Speaker 6>What he said, madsense, He told me what was on

383
00:21:12.759 --> 00:21:15.559
<v Speaker 6>the film. He made me say how Hayward had suffered.

384
00:21:15.160 --> 00:21:16.759
<v Speaker 3>To get it. I'm surprised you didn't turn it over

385
00:21:16.799 --> 00:21:17.680
<v Speaker 3>THEE I wouldn't.

386
00:21:17.359 --> 00:21:19.359
<v Speaker 6>Do that, you know it. But I want you to

387
00:21:19.400 --> 00:21:20.240
<v Speaker 6>turn it over to him.

388
00:21:20.279 --> 00:21:25.279
<v Speaker 3>I will for twenty five grand, Mike, for nothing.

389
00:21:25.359 --> 00:21:28.160
<v Speaker 6>Because they belonged to him rightfully, and because they'll help

390
00:21:28.240 --> 00:21:29.240
<v Speaker 6>the Allies win the world.

391
00:21:29.319 --> 00:21:32.480
<v Speaker 5>No dice, baby, Mike, do you want those vile metal

392
00:21:32.519 --> 00:21:33.319
<v Speaker 5>s Natzi's too win?

393
00:21:33.440 --> 00:21:36.440
<v Speaker 3>All I want is my twenty five Jeeves, and then

394
00:21:36.440 --> 00:21:37.519
<v Speaker 3>you and I can get out of here.

395
00:21:38.839 --> 00:21:39.720
<v Speaker 6>Not you and I.

396
00:21:39.960 --> 00:21:41.279
<v Speaker 3>Mike what.

397
00:21:42.799 --> 00:21:45.880
<v Speaker 6>I won't go with you under those conditions.

398
00:21:46.519 --> 00:21:47.839
<v Speaker 3>You don't mean that I do. I do.

399
00:21:49.480 --> 00:21:52.319
<v Speaker 6>I love you, Mike, but I couldn't go on loving

400
00:21:52.359 --> 00:21:54.720
<v Speaker 6>you if you did a thing like this. I come

401
00:21:54.759 --> 00:21:55.240
<v Speaker 6>to hate you.

402
00:21:56.160 --> 00:21:56.359
<v Speaker 3>Jen.

403
00:21:56.559 --> 00:21:58.519
<v Speaker 6>I'm sorry, Darling, It's true.

404
00:22:01.039 --> 00:22:05.000
<v Speaker 2>Well, Mike, I've waited twenty five years for break like this.

405
00:22:06.119 --> 00:22:08.079
<v Speaker 2>I'm not going to let it run down the drain,

406
00:22:09.240 --> 00:22:13.960
<v Speaker 2>not even for you. If you don't want to go okay,

407
00:22:14.000 --> 00:22:14.839
<v Speaker 2>I'll be traveling along.

408
00:22:16.440 --> 00:22:21.039
<v Speaker 7>I don't think you'll be traveling anywhere just yet a slide.

409
00:22:25.359 --> 00:22:27.720
<v Speaker 2>It was titled and just behind it was Verstadt, and

410
00:22:27.799 --> 00:22:30.599
<v Speaker 2>both of them carried Lucas. Before I could move, Verstat

411
00:22:30.599 --> 00:22:33.240
<v Speaker 2>had used his the butter had clipped me on the head.

412
00:22:33.720 --> 00:22:33.960
<v Speaker 3>I know.

413
00:22:34.480 --> 00:22:38.000
<v Speaker 2>I remember hearing Jen scream and feeling myself crumbling toward

414
00:22:38.039 --> 00:22:44.000
<v Speaker 2>the floor. When I came to, I couldn't move my

415
00:22:44.119 --> 00:22:46.680
<v Speaker 2>arms on my legs. It took me a minute.

416
00:22:46.400 --> 00:22:48.599
<v Speaker 3>To figure out why I was tied with a chair.

417
00:22:49.640 --> 00:22:52.160
<v Speaker 2>Slowly the room came back and focused, and I saw

418
00:22:52.160 --> 00:22:53.359
<v Speaker 2>the two Guestapo agents.

419
00:22:54.240 --> 00:22:56.920
<v Speaker 3>Then I saw Jen. What they've been doing get your

420
00:22:56.960 --> 00:22:58.920
<v Speaker 3>hands off of your filthy rights. Don't touch her.

421
00:22:58.799 --> 00:23:01.519
<v Speaker 7>Again, being I need to touch a her sleeve if

422
00:23:01.519 --> 00:23:03.799
<v Speaker 7>you will corporate with us better than cheers been doing.

423
00:23:03.880 --> 00:23:06.559
<v Speaker 2>Where is the microfilm hair sleeves? You still think you're

424
00:23:06.559 --> 00:23:07.440
<v Speaker 2>gonna find out for free?

425
00:23:07.480 --> 00:23:12.079
<v Speaker 3>Huh yeah, me think so? Where is the microfilm hairsleeve? Along?

426
00:23:12.160 --> 00:23:14.359
<v Speaker 3>You tell us where it is? All right, all right,

427
00:23:14.799 --> 00:23:17.759
<v Speaker 3>stop it. I'll tell you to stop it.

428
00:23:18.279 --> 00:23:23.720
<v Speaker 7>We have stopped her slid my Please tell us, okay

429
00:23:24.359 --> 00:23:25.200
<v Speaker 7>a microfilm is?

430
00:23:29.839 --> 00:23:29.880
<v Speaker 10>It?

431
00:23:30.000 --> 00:23:32.119
<v Speaker 2>Came from outside through the window that revolve a shot

432
00:23:32.759 --> 00:23:34.640
<v Speaker 2>fierce that let out a groan and dropped the floor.

433
00:23:34.720 --> 00:23:36.599
<v Speaker 2>Titdle dropped the floor too, but he hadn't been hit.

434
00:23:37.200 --> 00:23:38.759
<v Speaker 2>He flicked the light switches, he went down.

435
00:23:38.839 --> 00:23:39.599
<v Speaker 3>The room went black.

436
00:23:40.880 --> 00:23:42.680
<v Speaker 2>The advantage was all his now he was in the

437
00:23:42.759 --> 00:23:45.839
<v Speaker 2>pitch black room. Whoever was outside was moving around on

438
00:23:45.880 --> 00:23:48.599
<v Speaker 2>the bright moonlight, made even brighter by the snow. I

439
00:23:48.640 --> 00:23:53.279
<v Speaker 2>saw a title's gun spit the gun outside, answered. I

440
00:23:53.359 --> 00:23:55.759
<v Speaker 2>was still tied hand and foot to the chair. There

441
00:23:55.759 --> 00:23:59.160
<v Speaker 2>wasn't anything I could do, or was there. I remember

442
00:23:59.160 --> 00:24:01.559
<v Speaker 2>that the light switch was just over my head. I

443
00:24:01.640 --> 00:24:03.680
<v Speaker 2>worked until I got my chair turned around, so I

444
00:24:03.720 --> 00:24:06.400
<v Speaker 2>was facing the wall. I started butting up with at

445
00:24:06.440 --> 00:24:07.039
<v Speaker 2>the switch.

446
00:24:06.799 --> 00:24:07.240
<v Speaker 3>With my head.

447
00:24:07.799 --> 00:24:10.640
<v Speaker 2>Three times I missed it. Fourth time it clicked. The

448
00:24:10.759 --> 00:24:13.599
<v Speaker 2>room was flooded with light. Kidle was outlined at the

449
00:24:13.640 --> 00:24:24.079
<v Speaker 2>window like a sitting duck. It wasn't any great surprise

450
00:24:24.160 --> 00:24:26.400
<v Speaker 2>when a tall blonde guy walked in a minute later.

451
00:24:26.759 --> 00:24:29.720
<v Speaker 3>He started one timing. Looks as if you had to

452
00:24:29.960 --> 00:24:32.119
<v Speaker 3>choose signs after all, Slaine, Yeah.

453
00:24:32.039 --> 00:24:36.359
<v Speaker 10>It looks as if maybe I did ms. You are right, Jen,

454
00:24:38.119 --> 00:24:44.079
<v Speaker 10>I'll be fine, sure, baby, Yes, Mike, thank you, mister McAllister.

455
00:24:45.039 --> 00:24:48.119
<v Speaker 3>I should have said that to McAllister. Thanks.

456
00:24:48.640 --> 00:24:53.119
<v Speaker 6>That's okay, Mike, And I don't you see now, don't

457
00:24:53.160 --> 00:24:54.400
<v Speaker 6>you understand.

458
00:24:54.480 --> 00:24:55.720
<v Speaker 3>I don't know what you're talking about?

459
00:24:55.759 --> 00:24:58.680
<v Speaker 6>You do? You must the difference between here and those

460
00:24:58.920 --> 00:25:03.200
<v Speaker 6>horrible roots. It's the whole point, Mike. That's why you

461
00:25:03.359 --> 00:25:05.359
<v Speaker 6>can't hold onto that microfilm.

462
00:25:06.200 --> 00:25:11.240
<v Speaker 2>Oh yeah, yeah, the microfilm. I've been thinking about that.

463
00:25:12.359 --> 00:25:15.559
<v Speaker 2>You've decided to give it to me. No, I haven't, McCallister.

464
00:25:16.720 --> 00:25:20.440
<v Speaker 2>I'm a gambler, and gamblers don't give things away. All

465
00:25:20.480 --> 00:25:23.799
<v Speaker 2>they do give is a sporting chance. What do you mean,

466
00:25:24.720 --> 00:25:28.400
<v Speaker 2>I'll cut cards with you for the microfilm double enough.

467
00:25:29.119 --> 00:25:30.680
<v Speaker 2>If I get the high card, you will give me

468
00:25:30.720 --> 00:25:33.960
<v Speaker 2>the film, right, and if I get high card, you

469
00:25:34.079 --> 00:25:35.200
<v Speaker 2>pay me fifty thousand.

470
00:25:36.680 --> 00:25:37.240
<v Speaker 3>It's the deal.

471
00:25:37.400 --> 00:25:59.799
<v Speaker 2>Slate Okay, yeah, shovel McCallister, you cut first, one card doesn't.

472
00:26:01.920 --> 00:26:10.440
<v Speaker 3>Well? Six not so good, fellow, go on, slate, cut

473
00:26:12.960 --> 00:26:21.359
<v Speaker 3>well four, I win. There, you win, get them the film?

474
00:26:21.440 --> 00:26:25.680
<v Speaker 2>Jen, all right, Mike, Now, both sides in this war

475
00:26:25.720 --> 00:26:27.839
<v Speaker 2>have cost me money.

476
00:26:28.599 --> 00:26:32.039
<v Speaker 6>There it is mister Mcanithton, and good luck to you.

477
00:26:32.160 --> 00:26:33.839
<v Speaker 3>With his luck, he'll win the worst single handed.

478
00:26:33.920 --> 00:26:39.960
<v Speaker 2>These microfilms will help. Good Bye, Jen, he's see yeah, he's.

479
00:26:39.799 --> 00:26:41.119
<v Speaker 3>Seeing mcal's.

480
00:26:44.480 --> 00:26:49.119
<v Speaker 6>Mike, why did you do it?

481
00:26:49.200 --> 00:26:49.480
<v Speaker 5>Do what?

482
00:26:51.640 --> 00:26:56.839
<v Speaker 6>Here's your card? The one new cut. He wasn't a fool,

483
00:26:57.839 --> 00:26:58.799
<v Speaker 6>it was a thing.

484
00:27:00.400 --> 00:27:00.599
<v Speaker 3>Yeah.

485
00:27:00.640 --> 00:27:06.319
<v Speaker 6>I know you had him beaten. He would have paid

486
00:27:06.319 --> 00:27:07.359
<v Speaker 6>the fiftieth thousand.

487
00:27:08.200 --> 00:27:14.839
<v Speaker 3>That's right, Mark, Why did you do it? I don't know, baby.

488
00:27:16.640 --> 00:27:19.920
<v Speaker 3>I guess some guys just can't helping suckers.

489
00:27:20.440 --> 00:27:24.759
<v Speaker 5>I guess some guys just can't helping patriots.

490
00:27:34.200 --> 00:27:36.000
<v Speaker 3>So we were stuck in Switzerland for a couple of

491
00:27:36.039 --> 00:27:37.000
<v Speaker 3>more years, Jane and I.

492
00:27:37.920 --> 00:27:39.680
<v Speaker 2>There were times when I could have kicked myself for

493
00:27:39.720 --> 00:27:43.799
<v Speaker 2>being a sentimental chump lots of times until a day

494
00:27:43.839 --> 00:27:46.519
<v Speaker 2>came after the war when I ran into McAllister again.

495
00:27:47.920 --> 00:27:49.920
<v Speaker 3>I felt better about it then. I guess you know.

496
00:27:49.960 --> 00:27:52.400
<v Speaker 2>What the Alliant Air Forces did to those Nazi rocket

497
00:27:52.440 --> 00:27:55.519
<v Speaker 2>launching sites along the French coast couldn't have been done

498
00:27:55.519 --> 00:27:58.559
<v Speaker 2>without the microfilm Slave, so you can take some credit

499
00:27:58.640 --> 00:28:01.839
<v Speaker 2>for it. You were the toughest lie the US has

500
00:28:01.920 --> 00:28:06.880
<v Speaker 2>ever had, brother, but you did the job. And once

501
00:28:06.880 --> 00:28:09.920
<v Speaker 2>again the report of another OSS agent closes with.

502
00:28:09.920 --> 00:28:12.240
<v Speaker 3>The words mission accomplished.

503
00:28:12.519 --> 00:28:15.559
<v Speaker 2>Today's story was based on actual incidents recorded in the

504
00:28:15.640 --> 00:28:17.720
<v Speaker 2>Washington files of the USS.

505
00:28:17.640 --> 00:28:22.799
<v Speaker 3>And was brought to you on Cloak and Dagger.

506
00:28:42.720 --> 00:28:46.559
<v Speaker 11>Heard in Today's Cloak and Dagger Adventures, McAllister was Less Tremaine,

507
00:28:46.839 --> 00:28:51.400
<v Speaker 11>Mike Slaide, Bill Quinn, Jan Jan Minor. Others were Grant Richards,

508
00:28:51.480 --> 00:28:56.319
<v Speaker 11>Raymond Edward Johnson, Carl Weber, Charles Irving, Steffan Schnabel, Boris Applin,

509
00:28:56.480 --> 00:28:59.920
<v Speaker 11>Paul Arnold, and Jerry Jarrett. The script was written by

510
00:29:00.279 --> 00:29:03.119
<v Speaker 11>Field and the music was under the direction of John Guard.

511
00:29:03.599 --> 00:29:08.440
<v Speaker 11>Sound effects by Jerry McGee, engineering by Joe Silva. Today's

512
00:29:08.440 --> 00:29:11.559
<v Speaker 11>OSS Adventure was based on the book Clokndagger by Corey

513
00:29:11.599 --> 00:29:15.839
<v Speaker 11>Fard and Alistair McBain. This program was produced by Lewis G.

514
00:29:16.039 --> 00:29:19.799
<v Speaker 11>Collen and Alfred Hollander and under the direction and supervision

515
00:29:19.799 --> 00:29:20.640
<v Speaker 11>of Sherman Marx.

516
00:29:28.799 --> 00:29:32.839
<v Speaker 1>Welcome Back. In some ways, this episode clse to mind

517
00:29:33.319 --> 00:29:40.480
<v Speaker 1>the film Cossablanca, with an expat trying to maintain neutrality

518
00:29:41.119 --> 00:29:46.119
<v Speaker 1>in a neutral place. Although Mike lacks the heroic backstory

519
00:29:46.160 --> 00:29:49.640
<v Speaker 1>of Rick Wayne, I think Mike is wrong to make

520
00:29:49.720 --> 00:29:52.440
<v Speaker 1>his decision by two things. First of all, in the

521
00:29:52.519 --> 00:29:56.599
<v Speaker 1>Nazis really didn't do much to make friends in the

522
00:29:56.640 --> 00:30:00.680
<v Speaker 1>course of this operation, as was could be said of

523
00:30:00.759 --> 00:30:05.480
<v Speaker 1>most of the war, and through their brutality, particularly towards Jen,

524
00:30:05.759 --> 00:30:09.000
<v Speaker 1>pushed him towards his own country. But I think more

525
00:30:09.039 --> 00:30:15.200
<v Speaker 1>importantly was the service and the approach of OSS men,

526
00:30:15.279 --> 00:30:20.359
<v Speaker 1>in particular McAllister. And this is another key similarity with

527
00:30:20.519 --> 00:30:24.119
<v Speaker 1>Casablanca of the cynic being inspired by the courage of

528
00:30:24.160 --> 00:30:29.640
<v Speaker 1>a dedicated patriot, with McAllister instead of Victor Loslow and

529
00:30:29.839 --> 00:30:34.759
<v Speaker 1>his action obviously more direct and seventy five years later,

530
00:30:34.839 --> 00:30:38.400
<v Speaker 1>I think that inspiration still continues through the stories we've

531
00:30:38.440 --> 00:30:41.279
<v Speaker 1>heard on Cloak and Dagger. The type of people we've

532
00:30:41.319 --> 00:30:45.759
<v Speaker 1>heard about in this series are not the superspies of

533
00:30:45.920 --> 00:30:51.000
<v Speaker 1>James Bond or I Spy, or the men from Uncle

534
00:30:51.119 --> 00:30:56.319
<v Speaker 1>who would become such icons of popular culture. These were

535
00:30:56.920 --> 00:31:01.400
<v Speaker 1>not professional spies, but citizens who took on a dangerous task,

536
00:31:02.119 --> 00:31:05.680
<v Speaker 1>all responding yes to the offer that we heard at

537
00:31:05.680 --> 00:31:08.640
<v Speaker 1>the start of each episode, and at least some of

538
00:31:08.680 --> 00:31:13.640
<v Speaker 1>the people profiled paid with their lives. Some made colossal mistakes,

539
00:31:13.799 --> 00:31:17.319
<v Speaker 1>others were either the victim or the beneficiary of luck.

540
00:31:17.960 --> 00:31:21.119
<v Speaker 1>All took graversk to save the world from a darkness

541
00:31:21.119 --> 00:31:24.279
<v Speaker 1>that threatened it and paid a cost to save it.

542
00:31:24.359 --> 00:31:28.519
<v Speaker 1>Logan Dagger honors these brave men and women and holds

543
00:31:28.599 --> 00:31:34.640
<v Speaker 1>up wonderfully as an exciting adventure series, great drama, and

544
00:31:35.000 --> 00:31:39.279
<v Speaker 1>also a magnificent tribute to the sacrifices of the men

545
00:31:39.359 --> 00:31:42.960
<v Speaker 1>and women of the OSS. I hope you've enjoyed this series.

546
00:31:43.000 --> 00:31:45.480
<v Speaker 1>I've heard a lot of great feedback from so many

547
00:31:45.519 --> 00:31:49.359
<v Speaker 1>of you who have enjoyed this series and really been

548
00:31:49.440 --> 00:31:53.319
<v Speaker 1>surprised by it. It's a great gem that a lot

549
00:31:53.359 --> 00:31:58.440
<v Speaker 1>of people haven't listened to, and for our first adult series,

550
00:31:58.839 --> 00:32:02.319
<v Speaker 1>it really sets a high bar and it's been such

551
00:32:02.319 --> 00:32:04.799
<v Speaker 1>a delight to bring it to you. And now it's

552
00:32:04.960 --> 00:32:08.200
<v Speaker 1>time to thank our Patreon supporter of the day, and

553
00:32:08.279 --> 00:32:12.240
<v Speaker 1>I want to thank Ian, Patreon supporter since September twenty twenty,

554
00:32:12.720 --> 00:32:15.720
<v Speaker 1>currently supporting the podcast at the secret Agent level of

555
00:32:15.759 --> 00:32:18.319
<v Speaker 1>four dollars or more per month. Thanks so much for

556
00:32:18.359 --> 00:32:18.920
<v Speaker 1>your support.

557
00:32:19.000 --> 00:32:19.200
<v Speaker 3>Ian.

558
00:32:19.480 --> 00:32:22.880
<v Speaker 1>And in terms of our series, next Saturday we begin

559
00:32:23.400 --> 00:32:28.039
<v Speaker 1>our holiday break and we'll have an encore presentation for

560
00:32:28.359 --> 00:32:31.720
<v Speaker 1>one of our other podcasts that still fits very well

561
00:32:31.759 --> 00:32:35.960
<v Speaker 1>into the Great Adventurers theme and also fits within the

562
00:32:36.000 --> 00:32:41.079
<v Speaker 1>sort of crime adventure that people would expect for being

563
00:32:41.160 --> 00:32:46.279
<v Speaker 1>cross posted on Great Detectives. However, the Great Adventurers podcast

564
00:32:46.559 --> 00:32:50.759
<v Speaker 1>will be back on Tuesday for one last episode, this

565
00:32:50.880 --> 00:32:55.559
<v Speaker 1>one of Adventure Ahead and the Great Detectives podcast. We

566
00:32:55.799 --> 00:33:00.400
<v Speaker 1>have our Sunday encore coming up tomorrow and then on

567
00:33:00.519 --> 00:33:05.039
<v Speaker 1>Monday our regular lineup with Danger with Granger. In the meantime,

568
00:33:05.240 --> 00:33:10.599
<v Speaker 1>do send your comments to Box thirteen at Greatdetectives dot net,

569
00:33:10.640 --> 00:33:13.960
<v Speaker 1>follow us on Twitter, Radio Detectives, and check us out

570
00:33:14.000 --> 00:33:19.680
<v Speaker 1>on Instagram, Instagram, dot com slash Great Detectives From Boise, Idaho.

571
00:33:20.279 --> 00:33:23.160
<v Speaker 1>This is your host, Adam Graham signing off