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<v Speaker 1>Welcome. This is Marsha for Radio I, and today I

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<v Speaker 1>will be reading National Geographic magazine dated January twenty twenty six,

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<v Speaker 1>which is donated by the publisher as a reminder. RADIOI

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<v Speaker 1>is a reading service intended for people who are blind

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<v Speaker 1>or have other disabilities that make it difficult to read

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<v Speaker 1>printed material. Please join me now for the continuation of

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<v Speaker 1>the article I began last time rethinking regional disasters. On

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<v Speaker 1>March eleventh, twenty eleven, a section of the Pacific Plate

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<v Speaker 1>east of the Japanese mainland shifted at a spot eighteen

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<v Speaker 1>miles below the surface, releasing energy equivalent to two million

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<v Speaker 1>Hiroshima bombs. Seismic waves reached Japan's main island, Hanshu less

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<v Speaker 1>than a minute later. While around one hundred people were

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<v Speaker 1>killed by the quake, many more in estimated twenty thousand

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<v Speaker 1>lost their lives in the tsunami that followed. Further havoc

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<v Speaker 1>was wrecked by the nuclear reactor at Fukushima, which suffered

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<v Speaker 1>a core mailtdown after floodwaters snuffed out the plant's generators.

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<v Speaker 1>The total economic damage caused by the quake exceeded three

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<v Speaker 1>hundred billion dollars, which ultimately led to a raft of

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<v Speaker 1>new protections and ways to use the land. With seventy

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<v Speaker 1>with seven hundred sixty million dollars of funding in place,

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<v Speaker 1>Big began a period of discussion with stakeholders, not just

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<v Speaker 1>local residents, but also city agencies like the Parks Department.

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<v Speaker 1>This work is collaborative in nature, Seagull says. In the

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<v Speaker 1>design field, we're used to being the genius with a

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<v Speaker 1>pen that does the sketch, but this work really requires

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<v Speaker 1>collaboration and compromise and listening. You have to be open

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<v Speaker 1>to relinquishing control a little bit. It's famously hard to

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<v Speaker 1>get anything built in New York City. The Mayor's office

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<v Speaker 1>demanded nature changes that nearly doubled the prime cost, and

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<v Speaker 1>neighborhood residents protested not being consulted about the revised plan,

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<v Speaker 1>but eventually the wrinkles were ironed out and construction began

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<v Speaker 1>in twenty twenty. The first section of the ESCR project

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<v Speaker 1>opened in twenty twenty three, followed in twenty twenty five

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<v Speaker 1>by the first sections of East River Park, whose remaining

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<v Speaker 1>sections are slated to open in twenty twenty seven. The

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<v Speaker 1>whole dry line is expected to be finished sometime in

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<v Speaker 1>the twenty thirties, few of the most creative elements from

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<v Speaker 1>the original big U prop proposal made the transition to

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<v Speaker 1>physical reality. Neither a reverse aquarium nor the wide overpasses

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<v Speaker 1>were ultimately deemed practicable, but other innovative features were included,

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<v Speaker 1>like seventy seven foot long floodgates that slide out sideways

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<v Speaker 1>when needed, and the overall spirit of playfulness endured. As

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<v Speaker 1>we approached the top of the berm Ziggi pauses to

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<v Speaker 1>relieve himself on a newly planted shrub. Overhead, a subway

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<v Speaker 1>rumbles across the Wingsburg Bridge. A couple of teenage bicyclists

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<v Speaker 1>come rolling over the new swooping pedestrian tide arched bridge,

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<v Speaker 1>fabricated in Italy and installed in a single night, that

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<v Speaker 1>connects the park to the city. Two men are arranging

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<v Speaker 1>charcoal in one of the grills, set amid an archipelago

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<v Speaker 1>of cheerful green umbrellas. Beyond, sunlight sparkles on the Blue River.

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<v Speaker 1>For a moment, you can almost forget that it's really

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<v Speaker 1>all flood control. Infrastructure on Takia and the dry Line

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<v Speaker 1>represent some of the most ambitious reconstruction projects in the world,

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<v Speaker 1>and their proponents would like them to serve as models

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<v Speaker 1>for how planners can dream big even in the face

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<v Speaker 1>of urgent need. But there are a lot more places

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<v Speaker 1>in the world that are smaller and that will never

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<v Speaker 1>command large scale resources for redevelopment, and yet they are

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<v Speaker 1>still managing to implement impressive visions of the future. There

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<v Speaker 1>are some little guys out there that are doing some

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<v Speaker 1>unbelievable stuff all around the world, says ConA Gray, president

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<v Speaker 1>of the American Society of Landscape Architects, which held a

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<v Speaker 1>series of conferences in twenty twenty five about disaster recovery

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<v Speaker 1>around the United States. Take the mountain town of Paradise,

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<v Speaker 1>home to twenty six thousand, five hundred people before it

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<v Speaker 1>bore the brunt of the Camp megafire that swept across

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<v Speaker 1>two hundred forty square miles of northern California in twenty eighteen.

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<v Speaker 1>Built along the top of a wooded ridge, Paradise was

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<v Speaker 1>essentially wiped off the map. Eighty five percent of its

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<v Speaker 1>structures were destroyed, and eighty five people died in the aftermath.

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<v Speaker 1>The town enlisted Pittsburgh based architecture firm Urban Design Associates

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<v Speaker 1>to collaborate on a recovery plan that would both help

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<v Speaker 1>prevent catastrophe from recurring and result in a place that

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<v Speaker 1>was more economically resilient and enjoyable to live in very long.

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<v Speaker 1>The firm's principal first visited Paradise less than a month

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<v Speaker 1>after the fire, when the town was still sealed off.

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<v Speaker 1>We had to go through secure ready to get in

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<v Speaker 1>long recalls. It was like nothing I'd ever seen. The

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<v Speaker 1>majority of buildings had been burned to the ground. There

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<v Speaker 1>were burned out vehicles lining the streets. Everything was black,

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<v Speaker 1>except it looked like there were pumpkins all over town.

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<v Speaker 1>These were large propane canisters that the paint had burned

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<v Speaker 1>off of, and then when the rains had come, they'd rusted,

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<v Speaker 1>so there were bright orange. The rebuilding process was run

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<v Speaker 1>by the town's government, which didn't have a lot of

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<v Speaker 1>resources at its disposal. Unlike in on Takia, where the

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<v Speaker 1>national government funded a citywide reconstruction, the building of Paradise

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<v Speaker 1>was largely left to the individual lot owners, many of

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<v Speaker 1>whom had to wait for insurance payments to come through.

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<v Speaker 1>All the town could do was write codes and ordinances

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<v Speaker 1>to guide change and lobby for state and federal money

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<v Speaker 1>to fund improvement projects. We had a very large community

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<v Speaker 1>engagement process, Long says. The overriding message that we heard

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<v Speaker 1>was please don't redesign our town. We just want a

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<v Speaker 1>better version of what we had before. To make the

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<v Speaker 1>town more fire resilient. The plan called for expanding the

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<v Speaker 1>street grid to provide for better escape routes, varying electricity

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<v Speaker 1>infrastructure that can cause wildfires, requiring fire resistant materials in

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<v Speaker 1>rebuilt homes, and removing dangerously flammable trees and debris from

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<v Speaker 1>around all structures. It also envisioned an overall improvement in

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<v Speaker 1>equity and quality of life by creating a walkable downtown,

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<v Speaker 1>adding green space, and building a network of bike and

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<v Speaker 1>pedestrian trails. The plan has been only partially implemented. The

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<v Speaker 1>town is still struggling to find funding for a new

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<v Speaker 1>sewer system and is back to less than half its

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<v Speaker 1>pre fire population, which is holding back its ambitions for

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<v Speaker 1>the revitalized downtown. But the healing is underway. For several years,

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<v Speaker 1>it has been the fastest growing community in California. They're

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<v Speaker 1>building back and there's a lot of community pride, Long says.

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<v Speaker 1>Around the world, many other small communities are responding to

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<v Speaker 1>natural disasters or trying to prepare for them by thinking creatively.

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<v Speaker 1>In twenty twenty two, after having heavy flooding in eastern

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<v Speaker 1>Kentucky and southwestern Virginia destroyed hundreds of homes and killed

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<v Speaker 1>forty five people, officials in Kentucky allocated hundreds of millions

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<v Speaker 1>of dollars to create eight communities totaling five hundred homes

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<v Speaker 1>on high ground. Half of those communities will take advantage

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<v Speaker 1>of a local feature that had long been considered an

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<v Speaker 1>iesore and a nuisance, the flattened hilltops left behind by

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<v Speaker 1>the strip mining of coal. Planners envisioned the sites to

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<v Speaker 1>consist of small clusters of houses, like those being built

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<v Speaker 1>in the Sky View Estates subdivision in the town of Hazzard,

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<v Speaker 1>where proximity will foster a sense of community, and many

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<v Speaker 1>of the homes will be energy efficient and solar powered,

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<v Speaker 1>making them affordable and environmentally friendly. In some places where

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<v Speaker 1>rebuilding seams in, there's also the question of how to

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<v Speaker 1>honor what was lost. One remarkable memorial has arisen in Italy,

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<v Speaker 1>where a series of destructive earthquakes tour through Sicily's Belie

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<v Speaker 1>Valley in January nineteen sixty eight, killing hundreds and leveling

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<v Speaker 1>the relatively isolated village of Gibbelina. Officials decided to rebuild

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<v Speaker 1>on a site a few miles away that had better

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<v Speaker 1>access to the road network, But the original village wasn't

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<v Speaker 1>simply abandoned. Artist Alberto Buri began a decade's long project

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<v Speaker 1>to turn the site into a vast concrete artwork that

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<v Speaker 1>follows the former street grid to entomb the ruins. When

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<v Speaker 1>it was finally finished in twenty fifteen, the project ensured

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<v Speaker 1>no one would ever build there again. Today, however, more

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<v Speaker 1>places are fortifying themselves for the next seemingly imminent threat.

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<v Speaker 1>In Iceland. After an active volcanic area threatened the small

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<v Speaker 1>fishing town of Grindavik in twenty twenty three, officials built

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<v Speaker 1>several miles of dikes to try to divert lava, but

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<v Speaker 1>magma flowed below the surface and dangerous cracks opened in

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<v Speaker 1>the earth. Although the town's residents had already evacuated, lava

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<v Speaker 1>destroyed three homes, and a heavy equipment operator fell into

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<v Speaker 1>a crack and died. Recently, afterducting the most intensive geological

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<v Speaker 1>study ever carried out in Iceland, officials have begun devising

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<v Speaker 1>plans to reinhabit the town. The reconstruction plan calls for

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<v Speaker 1>dozens of homes to be destroyed and for new building

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<v Speaker 1>to be banned in high risk areas. Still, Grindavic residents

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<v Speaker 1>will be on their toes for a long time. Geologists

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<v Speaker 1>say the eruptions could continue for centuries. Unlike in eastern Hansho, Japan.

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<v Speaker 1>The coastal Chilean city of Constitucion has also proved that

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<v Speaker 1>it's possible to rebuild in an inviting way against multiple

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<v Speaker 1>potential disasters after much of it was leveled by the

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<v Speaker 1>one two punch of an earthquake and tsunami in twenty ten.

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<v Speaker 1>To Land architect Alejandro Aravegna worked with the local communities

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<v Speaker 1>to incorporate nature and individualism into the rebuilding and resilience effort.

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<v Speaker 1>Instead of using concrete retaining walls to divert future floodwaters,

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<v Speaker 1>the city planted a forest in a newly created riverfront

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<v Speaker 1>park to reduce their speed and absorb their wave energy.

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<v Speaker 1>To make a new housing more affordable, displaced residents were

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<v Speaker 1>given half built houses that they could complete themselves using

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<v Speaker 1>their own material and ideas. Today, many of them stand

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<v Speaker 1>as completed homes. Andy Fox, a professor of landscape architecture

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<v Speaker 1>at North Carolina State University, thinks that smaller communities that

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<v Speaker 1>build back better after a natural disaster could be more

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<v Speaker 1>generally useful models for future recovery efforts than big, expensive

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<v Speaker 1>projects like the dry line. If these ideas work in

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<v Speaker 1>really small communities that have limited resources, then you can

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<v Speaker 1>scale them up into places that have lots more resources.

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<v Speaker 1>They can be bigger and better, he says. In on Takia,

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<v Speaker 1>Imren balances carefully as he walks back toward his shop

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<v Speaker 1>along a narrow ridge of dirt separating two newly dug foundations,

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<v Speaker 1>Passing a row of unfinished storefronts, he points to one

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<v Speaker 1>after another. The owner of this shop died, he says.

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<v Speaker 1>The owner of that shop died, and that one over

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<v Speaker 1>there too, And not just the owner, but their whole families, children, parents, grandparents, everyone.

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<v Speaker 1>This is a city where almost everyone has been profoundly traumatized.

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<v Speaker 1>Everyone has lost loved ones, and everyone knows people whose

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<v Speaker 1>loss has been so soul breaking that they wonder if

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<v Speaker 1>they can go on. I talked to one Turkish architect

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<v Speaker 1>who told me that after pouring himself into the rebuilding

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<v Speaker 1>project for a year, he now avoids coming to Antakia

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<v Speaker 1>because the experience of hearing people's stories has become too

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<v Speaker 1>painful for him. In his shop, Imren swipes through photos

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<v Speaker 1>of his friends and relatives work gone. He pauses on one,

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<v Speaker 1>a fellow weightlifter who was coach, mentor and dear friend.

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<v Speaker 1>After the earthquake, Immrens spent weeks looking for him. He

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<v Speaker 1>finally located his body within the ruins of a gym

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<v Speaker 1>fifty two days after the quake. How is it possible

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<v Speaker 1>for a place to come back better after that kind

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<v Speaker 1>of loss? For his part, Yemez feels that the void

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<v Speaker 1>that has been created is all the more reason to

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<v Speaker 1>build a better version of Ontakia to make sure that

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<v Speaker 1>pain on such a scale is never felt here again.

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<v Speaker 1>And this isn't the only place in the world that

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<v Speaker 1>needs this kind of vision. There is so much damage

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<v Speaker 1>that needs to be repaired, not just from natural disasters,

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<v Speaker 1>but from human made ones as well. So many places

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<v Speaker 1>need to be made safe and good. So many things

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<v Speaker 1>are doable, he says, so many things are changeable. What

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<v Speaker 1>Yemez and his colleagues are doing in Antarchia is an experiment,

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<v Speaker 1>and they hope that if it's a success, it can

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<v Speaker 1>be replica by others. The idea is to heal and

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<v Speaker 1>create a place where people can be secure and lead

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<v Speaker 1>their best lives together as a community. This can be

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<v Speaker 1>a model, he says, for any city in the world

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<v Speaker 1>that needs it. Yumez anticipates that the first shops in

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<v Speaker 1>the rebuilt region will begin opening in February, with residents

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<v Speaker 1>moving into their new homes soon after. Even with all

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<v Speaker 1>the pain, he feels optimistic when this is finished, I

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<v Speaker 1>think it will be a happy place for people, a

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<v Speaker 1>place that connects human to human. Grin Davik, Iceland volcanic eruptions.

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<v Speaker 1>When a volcanic area rumbled to life in twenty twenty three,

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<v Speaker 1>the Icelandic government began constructing a series of barriers designed

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<v Speaker 1>to hold back the flow of lava. Over the past

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<v Speaker 1>two years, nine eruptions have released lava flows that have

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<v Speaker 1>threatened Grindavic. By carefully studying the area's geology, scientists and

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<v Speaker 1>engineers are determining where the town may be impacted next.

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<v Speaker 1>Officials are using maps of potential danger zones to decide

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<v Speaker 1>where residents can safely return. Paradise, California, creating a new

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<v Speaker 1>standard the camp fire of twenty eighteen was both the

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<v Speaker 1>deadliest and most destructive wild lands fire in California history,

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<v Speaker 1>with eighty five fatalities, most of them in the town

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<v Speaker 1>of Paradise, an unincorporated community until nineteen seventy nine. The

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<v Speaker 1>town had grown up without a master plan, and aspects

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<v Speaker 1>of its layout would prove dangerous when fires swept over it.

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<v Speaker 1>Many of its streets, for instance, ended in cul de sacs,

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<v Speaker 1>from which escape was practically impossible. A post fire long

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<v Speaker 1>term recovery plan has eliminated dead ends and calls for

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<v Speaker 1>other improvements yet to be implemented, such as buried electrical

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<v Speaker 1>transmission lines. To reduce future fire risk, new homes must

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<v Speaker 1>be surrounded by defensible space, free of flammable vegetation, and

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<v Speaker 1>built of fire resistant materials. Other measures like bike and

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<v Speaker 1>pedestrian trails will increase the residence quality of life. Next article.

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<v Speaker 1>Elephants talk with their trunks. A new study shows that

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<v Speaker 1>they exhibit communication traits once thought unique to primates for years.

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<v Speaker 1>Scientists believe that when elephants swung their trunks or flapped

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<v Speaker 1>their ears at humans in certain scenarios, they might be

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<v Speaker 1>gesturing to communicate their wants, but no one had proved

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<v Speaker 1>this in experiments. Then two years ago, a research team

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<v Speaker 1>began studying semi captive African savannah elephants near Victoria Falls

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<v Speaker 1>in Zimbabwe. The animals were offered either a tray with

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<v Speaker 1>apples or an empty one. If given the empty tray,

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<v Speaker 1>they would use up to thirty eight different gestures to

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<v Speaker 1>ask for the apples, but only when the experimenter was there.

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<v Speaker 1>The most surprising thing was that they were so creative,

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<v Speaker 1>says University of Vienna biologist Vesta Julietti, a lead researcher.

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<v Speaker 1>It's as if they're really thinking about what to do next.

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<v Speaker 1>Until now, such flexible intentional signa using many gestures had

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<v Speaker 1>only been documented in apes and a few other primates.

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<v Speaker 1>As Eluteri noted, the discovery that this kind of communication

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<v Speaker 1>isn't unique to primates opens the door to exploring how

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<v Speaker 1>this behavior exists outside of the elephant human dynamic. Next,

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<v Speaker 1>the team will study wild elephants to see if, as expected,

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<v Speaker 1>they gesture to one another during activities like foraging, greeting,

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<v Speaker 1>and playing. This by Kelsey Nowakowski. Next how to build

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<v Speaker 1>the perfect hike Around the world. Trail designers are quietly

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<v Speaker 1>employing surprising techniques to engineer awe. You've probably felt it

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<v Speaker 1>without even knowing why. Inside the creative science that's transforming

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<v Speaker 1>your time. Outside this article by Gloria Lieu. In southern Patagodia,

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<v Speaker 1>a trail ascends a mountain to a renowned and beautiful lake.

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<v Speaker 1>The trail was formed over several decades by climber's intent

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<v Speaker 1>on scaling the ground spires of Argentina's Fitzroy Chain. Climbers,

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<v Speaker 1>being who they are, walked straight up the mountain from

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<v Speaker 1>their camp at the chalky and rushing Rio Blanco below.

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<v Speaker 1>In the nineteen nineties, hikers began to outnumber the climbers,

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<v Speaker 1>drawn by the site of the Emerald Lake, surrounded by

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<v Speaker 1>an amphitheater of rock and ice. The trail eventually took

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<v Speaker 1>the name of the lake Laguna de ros Trace, colloquially

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<v Speaker 1>translated as Lake of the Three Peaks, and over the

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<v Speaker 1>next thirty years, the number of visitors who flocked to

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<v Speaker 1>the nearby town of el Chatten to hike the fourteen

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<v Speaker 1>mile out and back trail swelled from roughly thirty a

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<v Speaker 1>day to three thousand. As these crowds trampled through the

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<v Speaker 1>vegetation exposed soil that was carried away by wind and water.

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<v Speaker 1>Parts of the trail gradually expanded into a rock strewn

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<v Speaker 1>abrasion as wide as the two lane highway that leads

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<v Speaker 1>into town. On a cloudy March morning, Ted Jed Talbot,

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<v Speaker 1>forty nine, peered through a device called a clinometer that

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<v Speaker 1>he wore on a necklace as he scouted the woods

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<v Speaker 1>around Laguna Denus traces most problematic pinch point, the rutted

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<v Speaker 1>and extremely steep final one point two miles to the lake.

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<v Speaker 1>He and his partner on the project, forty five year

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<v Speaker 1>old Willie Bittner, were using clinometers to shoot grades or

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<v Speaker 1>find a sustainably grated track across the slope. The pair

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<v Speaker 1>of work together to build new trails and rethink deteriorating

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<v Speaker 1>old ones for decades, and they resemble one another in

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<v Speaker 1>both appearance and spirit, Bearded and woodsy, with a wholesome

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<v Speaker 1>field savviness of Boy Scout troop leaders. Bittner walked ahead

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<v Speaker 1>of Talbot, stopping several yards away. Talbot squinted through the

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<v Speaker 1>clinometer and called adjustments. We can go higher, he said,

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<v Speaker 1>until Bittner reached a ten percent rise about the limit

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<v Speaker 1>of a standard treadmill. Then Talbot walked to him while

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<v Speaker 1>running the GPS tracking amph Gaia on his phone, so

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<v Speaker 1>that as he moved, the app mapped his route up

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<v Speaker 1>the hillside. By the end of the day, ideally it

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<v Speaker 1>would be a track that would become a trail. A

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<v Speaker 1>lot of trail builders rough out a line on a

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<v Speaker 1>map before they venture into the field, but Talbot rarely

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<v Speaker 1>sketches before he scouts, purposely avoiding preconceiving notions of a

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<v Speaker 1>route before he can walk the area. He wants to

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<v Speaker 1>see where the terrain leads him. I feel like the

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<v Speaker 1>guidance from the landscape versus a line I draw in

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<v Speaker 1>the office, leads to a different result, he says. Talbot

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<v Speaker 1>is among the top designers in the booming professional trail

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<v Speaker 1>building industry from the United States to Saudi Arabia to Romania.

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<v Speaker 1>Community planners have realized that finding affordable ways to bring

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<v Speaker 1>people back in touch with nature not only boosts their happiness,

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<v Speaker 1>but also represents a solid investment for tourism. In the

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<v Speaker 1>past decade alone, Talbot has led the design on two

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<v Speaker 1>of the field's stand out projects, both in remote Patagonian locations.

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<v Speaker 1>More than sixty miles of new trails in Perito Moreno

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<v Speaker 1>National Park, created from twenty seventeen to twenty nineteen, and

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<v Speaker 1>over thirty miles of trails around Cave of the Hands,

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<v Speaker 1>a UNESCO World Heritage site in the Pinturas River Canyon,

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<v Speaker 1>designed and built from twenty twenty to twenty twenty four.

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<v Speaker 1>The Perito Moreno project, in particular, was a tour de

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<v Speaker 1>force of trail building in a notoriously rugged and remote

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<v Speaker 1>environment in just two seasons. Talbot and Bittner designed the

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<v Speaker 1>trails and also trained an Argentinian crew of over one hundred,

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<v Speaker 1>many of them mountain guides, to hand build them. The

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<v Speaker 1>nonprofit American Trails recognized it as the most extensive trails

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<v Speaker 1>development and training effort in Patagonian history when granting it

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<v Speaker 1>an International Design Award in twenty nineteen. Now, Talbot has

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<v Speaker 1>been hired by a coalition of El Chatin locals to

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<v Speaker 1>propose a redesign of the famed Laguna Delos Trace trail

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<v Speaker 1>for Argentina's and Ministracion de Park Nazionales a p N.

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<v Speaker 1>The main problem with the current path is at its

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<v Speaker 1>route straight up the mountain channels water and forcess hikers

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<v Speaker 1>to displace rocks and dirt as they scrabble up the

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<v Speaker 1>steep slope. The section Talbot is assessing rises about fifteen

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<v Speaker 1>hundred feet and at some points attains the steepness of

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<v Speaker 1>a black diamond ski run. It culminates in a near

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<v Speaker 1>vertical rock staircase that becomes a treacherous creek when it rains,

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<v Speaker 1>and a two way traffic jam during peak hours, often

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<v Speaker 1>at the same time. The eroded trail is dangerous and

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<v Speaker 1>also not much fun to hike. The energy on this

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<v Speaker 1>final section is anxious. Talbot tells me hikers are stuck

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<v Speaker 1>in a bottle neck and its physically gruelling too. As

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<v Speaker 1>we walked through the thick forest of Linga beech trees,

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<v Speaker 1>Talbot says, you have one chance to make a scar

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<v Speaker 1>on this landscape. I don't take that responsibility lightly. He

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<v Speaker 1>aims to make that scar. Surgical trail builders want to

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<v Speaker 1>design and build roots that transport and delight us and

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<v Speaker 1>stand up to the accumulated impacts of our footfall. The

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<v Speaker 1>final project is more than a path through the woods,

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<v Speaker 1>as a reflection of our relationship with the natural world.

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<v Speaker 1>Erosion in is the nemesis of any trail unmitigated, it

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<v Speaker 1>can turn the most beautiful track into a gaping wound.

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<v Speaker 1>Water Winded people are the culprits, but water is the

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<v Speaker 1>most problematic, relentlessly flowing down the path of least resistance

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<v Speaker 1>and carving deep ruts. Focused water can do more damage

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<v Speaker 1>to a trail than any user, states the International Mountain

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<v Speaker 1>Bike Association's Trail Solutions Manual. Most trail building techniques thus

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<v Speaker 1>focus on managing hydrology through grade A sleeps a slope's steepness.

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<v Speaker 1>A sustainable trail follows guidelines that can read like a

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<v Speaker 1>civil engineering manual. The half rule, for example, states that

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<v Speaker 1>the grade of a trail shouldn't exceed half the grade

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<v Speaker 1>of the slope it's built on, lest its channel water

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<v Speaker 1>instead of shedding it. Trails also incorporate rolling grade reversals

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<v Speaker 1>undulations that drain water at low points and are out sloped,

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<v Speaker 1>meaning the outer edge is slightly downhill, in order to

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<v Speaker 1>facilitate water shedding. They're generally no steeper than ten percent

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<v Speaker 1>on average, which prevents user caused erosion. Sustained grades greater

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<v Speaker 1>than that will cause hikers to loosen more dirt as

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<v Speaker 1>they work harder to travel uphill or down. Many trails

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<v Speaker 1>in the United States weren't built with these principles in mind,

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<v Speaker 1>in part because they weren't built at all. Early hiking

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<v Speaker 1>trails often subsumed what are called legacy trails or old

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<v Speaker 1>game trails, Native American paths, and other human and animal thoroughfares.

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<v Speaker 1>Trails that were constructed beginning in the nineteenth century, especially

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<v Speaker 1>in the Northeast, often went straight up mountains. While many

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<v Speaker 1>of the practices of sustainable trail building were established from

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<v Speaker 1>the nineteen twenties onward by trail builders in agencies raging

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<v Speaker 1>from the Civil Civilian Conservation Corps to the U. S.

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<v Speaker 1>Forest Service, Arguably no group did more to popularize the

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<v Speaker 1>idea of sustainable trail building in the modern era than

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<v Speaker 1>mountain bikers. The International Mountain Bicycling Association organized in nineteen

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<v Speaker 1>eighty eight in response to hiker's fears that cyclists would

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<v Speaker 1>destroy trails, and it helped promote guidelines through its nationwide

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<v Speaker 1>trail building program and its Trail Solutions Handbook. In the

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<v Speaker 1>nineties and early two thousands, when sustainable design was taking

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<v Speaker 1>hold of trail building, a lot of us had the

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<v Speaker 1>zell of the newly converted recalls Alaska Bay's trail builder

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<v Speaker 1>Gabe Travis, who helped Talbot design trails in Perito Moreno.

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<v Speaker 1>But it soon became apparent that trails adhering blindly to

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<v Speaker 1>the rules of sustainable design were getting cut by users.

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<v Speaker 1>We started to realize that meeting the needs of the

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<v Speaker 1>intended users just as important a rule of sustainability, Travis says.

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<v Speaker 1>Over time, trail designers became savvier in the art of

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<v Speaker 1>managing hiker behavior and designing toward the goals of a

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<v Speaker 1>trail's target user group. Because if a trail doesn't go

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<v Speaker 1>where users want to go, or how up or down

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<v Speaker 1>a hill efficiently, for instance, for a fourteen er summit trail,

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<v Speaker 1>they will create their own roots, called social trails or

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<v Speaker 1>desire lines. Desire lines or lack thereof, are the evidence

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<v Speaker 1>of a trail. Trail builders grasp of not only the

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<v Speaker 1>hard sciences of the trade hydrology, geology, and geography, but

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<v Speaker 1>also psychology. Trail builders know you can't just stop people

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<v Speaker 1>from doing what they want to do, says Robert Moore,

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<v Speaker 1>author of On Trails and Exploration. Hences blocking desire lines

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<v Speaker 1>in New York City parks, for example, simply get stopped down,

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<v Speaker 1>the art becomes shaping people's desires instead of thwarting it.

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<v Speaker 1>War says, if we do all this stuff really well,

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<v Speaker 1>people will never know we did anything. Says Colorado, Colorado

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<v Speaker 1>based trail builder Scott Gordon, they don't feel like they're

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<v Speaker 1>being managed. In Perito Moreno, Talbot highlighted a clumsy attempt

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<v Speaker 1>at user management, putting to what he calls a gardening

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<v Speaker 1>path that was built after his tenure, a trail bordered

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<v Speaker 1>by pebbles on either side. Besides drawing the hiker's eye

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<v Speaker 1>from the environment, bordered trails trap water and feel like

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<v Speaker 1>a prison for the hiker, he says, borrowing an idea

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<v Speaker 1>from trail builder Troy Scott Parker, author of natural surface

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<v Speaker 1>Trails by Design, rebellious hikers will walk outside them. Talbot

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<v Speaker 1>prefers to use confidence markers, large stones placed intermittently to

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<v Speaker 1>suggest the route when needed. It's even better if he

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<v Speaker 1>can just hide the trail from you. And Perito Moreno,

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<v Speaker 1>Talbot and Bittner design the trails to be invisible from

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<v Speaker 1>other points in the park by nestling them among the terrain.

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<v Speaker 1>They'd flag a section of trail, walk to another vantage point,

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<v Speaker 1>and make sure they couldn't see the flags. Not only

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<v Speaker 1>does this tactic create a sense of wilderness and solitude,

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<v Speaker 1>but hikers are less likely to cut a trail if

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<v Speaker 1>they can't see where it's going. Directional changes turns can

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<v Speaker 1>also interrupt flow and encourage trail cutting, so Talbot deploys

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<v Speaker 1>them thoughtfully, avoiding stacks of frequent and visible switchbacks. When

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<v Speaker 1>he does turn a trail, he tries to wind it

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<v Speaker 1>around a small rise in terrain so the exit can't

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<v Speaker 1>be seen from the entrance. He also favors climbing turns,

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<v Speaker 1>wide uphill bends where a hiker is gaining elevation while

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<v Speaker 1>turning over switchbacks, which kill more momentum and are easier

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<v Speaker 1>to cut. But it's a tenuous balance. This concludes readings

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<v Speaker 1>from National Geographic Magazine for today. Your reader has been Marsha.

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<v Speaker 1>Thank you for listening, Keep on listening, and have a

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<v Speaker 1>great day.
