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Speaker 1: Attention to pass. We've now we can tell us nine.

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Speaker 2: O'c j.

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Speaker 3: The one tonight? What do they wanted to do? What

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I want to? Don't know what I want to be

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fle So when you show.

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Speaker 2: Don't what.

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Speaker 4: I can't wait tramljail, I will do this wrong.

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Speaker 2: Tell you little.

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Speaker 3: Share to rollo that's what FOT.

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Speaker 5: Show me what you want, Show.

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Speaker 1: Me what you do.

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Speaker 3: I don't know, don't like time shot that do.

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Speaker 2: Whoa the night?

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Speaker 3: I can't wait tramway.

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Speaker 2: Night jail.

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Speaker 4: I got the CA billing this wall. Wat to do.

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Speaker 2: The wh God?

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Speaker 3: You know I want to.

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Speaker 2: So so so.

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Speaker 6: What girl.

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Speaker 3: Wing on the dies? You know the dam the night?

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Who I can't wait? Can't wada.

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Speaker 2: The night.

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Speaker 3: Girl? I want a girl really just the night when

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I didn't wa I can't water.

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Speaker 2: Tell me that girl.

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Speaker 3: You know the nab.

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Speaker 2: Wow, I can't wait.

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Speaker 3: My nye.

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Speaker 6: Way.

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Speaker 7: Then you're listening to double um and H.

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Speaker 8: The Commander don't get Supreme Lena.

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Speaker 9: Matzell coming, Welcome everybody, Here we go.

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Speaker 5: It is that time again. Matt Connerton unleashed and we

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are live from the studios of w M n H

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ninety five point three, f M and glorious, little cold

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a little cold out, but glorious Manchester, New Hampshire. Of course,

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you can also stream the show at w m n

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H radio dot org or go to my website Matt

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connorton dot com slash live for all of your live

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streaming options, social media links, contact infos, archives, et cetera,

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et cetera. Today is Saturday, December seven, twenty twenty four.

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Welcome everybody. We have a very busy show for you.

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Before we get into that, though, just a quick explanation

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of what I played to open the show. So if

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you're not a Kiss fan, you probably have no idea

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what that was. If you are a Kiss fan, you

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do that is. That is a version of the song

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turn on the Night from their nineteen eighty seven album

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Crazy Nights. This YouTuber, Frankenstein Creations took the original version

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of that song and remixed it and basically stripped out

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the keyboards. And I love when I find anything like

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that online. Kiss is my favorite band, and my one

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complaint about that particular album is I never liked the keyboards.

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It's the only album where there really was a lot

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of synth in the mix along with the guitars, but

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I remember having a con station with a friend of

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mine in school when I was a kid, and I

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remember saying, you know, let bon Jovi be bon Jovi.

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I need Kiss to be kiss. I don't understand why

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the synthesizer in these songs, but you know it was

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it was a time when that was common. But anyway,

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so Frankenstein Creations they took the keyboards out of that

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song and remixed it, and I just love it. I

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love the new version. But I'm always like that. I generally,

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really my entire life, nothing against keyboards, but in rock music,

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I'd rather, you know, take out the keyboards and turn

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up the guitars, you know what I mean. That's that's me,

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and that's a lot of people because the complaint that

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I had about that one album is the same complaint

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that most Kiss fans have about that one album. The

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songs are really strong, but why do you need all

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this keyboard? And like I said, this is really the

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only album where they did that. About maybe a year ago,

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there was a box set that came out of Black

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Sabbath of the the Tony Martin era of Black Sabbath,

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and only diehard Black Sabbath fans know what I'm talking about,

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because you know, if you're someone who's not necessarily a

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big fan, but obviously everyone knows Black Sabbath, you know,

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to you, when you think of lead singers of Black Sabbath,

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you think of Ozzy Osbourne, you think of Ronnie James Dio,

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But they actually had several others along the way, but

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Tony Martin of the of all the people who sang

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for Sabbath, because for a long time it was a

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revolving door, the Tony Martin era is probably the most

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dominant in terms of output. Well, actually, Tony Martin, in fact,

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sang on more Black Sabbath albums than Ronnie James Dio did,

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so his contributions to the band were large. And they

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had put out a box set of completely remixed and

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remastered all the Tony Martin era albums of Black Sabbath.

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And my favorite Black Sabbath song is from one of

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those albums. In fact, it's it's the title track from

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the album Forbidden, which came out in ninety four, and

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I remember going on YouTube. I didn't buy the box set,

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but I went on YouTube and I found the remixed

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and remastered version of Forbidden. They completely all they did

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was take the keyboards out. That's basically all Tony Iomi

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did when he remixed it, just took the keyboards completely

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out of it and turned the guitars up. Oh it

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sounded amazing, So you just don't need all those synthesizers.

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But it was a product of the eighties that you know,

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kind of carried over into the nineties in some cases.

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But anyway, so I just really like that the remix

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of turn on the Night by Kiss completely free of keyboards,

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so you can really hear the guitars and everything. Let's see,

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So we've got a big show for you today. Daniel

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Shamroth is going to be skyping in from the UK

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in just a couple of moments, so I'm going to

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play his newest single, the home demo of Skyscraper really great,

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and then we'll play another song at the end of

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our conversation. Then in the second hour, we have Vero

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g who's been on the show before. She's going to

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be calling in. And then after that we have Dave

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Strong who was on the show several months ago. He

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has a brand new song with well Casey Darren, who

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has been on the show several times it's Dave Strong

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and Soda and if you're if you happen to be

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watching online. By the way, you can see I'm wearing

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my Soda shirt.

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Speaker 1: So o t a h.

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Speaker 5: The band that Casey Darren is in. They teamed up

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to do a cover of a mighty Mighty Boston song

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called this Time of Year. So we're going to play

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that and we'll talk to Dave when he calls in

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and then in the third hour. I'm really excited. Regals

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a great band from the area. Love these guys. They

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are going to be live in studio with us, and

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I think they're going to come in and play, so

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that will be very very cool. Jenny and I ran

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into two of the guys we're playing at the Shaskiene

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a few weeks ago, and just absolutely amazing. They's such

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a such a great band. But let's go ahead and

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play this and then when we come back after this song,

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we should have Daniel Shamrock on Skype with us. But

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this is this is called Skyscraper. This is the he's

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calling it the home demo version. It's just a strip

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down acoustic version of the song. But great songwriter and

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I love his voice and this will be his first

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time on the show, so we'll be getting to know him.

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I check this out, Daniel Shamroth skyscraper, head up, pig.

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Speaker 10: Of the clouds, looking down on crowds of people.

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Speaker 6: They got no clue where I am?

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Speaker 11: Then?

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Speaker 3: Makes me feel so free?

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Speaker 6: Do you want to walk around hanging.

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Speaker 10: Out of bizing windows? Million things to talk about?

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Speaker 6: Made feel so free? Like Sky's scrap.

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Speaker 10: Strowing in your mind, Sky's scrap.

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Speaker 6: Scraping sky getting higher and higher?

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Speaker 2: Hi?

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Speaker 12: You ever hider.

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Speaker 6: Ther shoe? Are your shoe?

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Speaker 2: WI?

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Speaker 6: How you and hideer? Like Sky's scream?

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Speaker 10: Do you wanna walk around hanging out of the thousand windows?

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Million things to talk about? Making me feel so free?

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Speaker 3: Some of kilming down night. Nothing's gonna change you don't

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ever field sign our ride, I will let you fall.

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Speaker 6: He's a scascrep scrolling in your mind, scas scrapper scraping

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sky get in higher and higher? How you're in higher?

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Speaker 13: You?

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Speaker 3: I you are?

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Speaker 6: How You're in higher? Like scascrap? Yes you uies you are.

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Speaker 2: This?

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Speaker 3: Ui is you are?

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Speaker 11: This?

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Speaker 3: Ui is you are?

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Speaker 5: Oh my god, what a voice? What a great song too?

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That is skyscraper. That is Daniel Shamrock all the way

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from the UK, and I believe we have him on Skype, Daniel.

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Speaker 1: Is that you? I'm here? Yeah, can you hear me? Okay?

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Speaker 5: Absolutely, absolutely, welcome to the program. I love that song.

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Speaker 1: Oh cheers, Matt, Thanks for having me.

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Speaker 5: Absolutely absolutely. By the way, where in the UK are you? Exactly?

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Speaker 1: So I'm down in the southwest of England in the UK,

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which is well, I'm actually in a place called Plymouth

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at the moment, which is I think you've got a

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place called Plymouth where you are?

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Speaker 5: We we do, we have We have all kinds of uh,

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especially in this part of the country, of course, we

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have all kinds of cities with duplicate names. I'm in

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Manchester for example, and of course.

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Speaker 1: Exactly I was. I was on Google Maps having earlier.

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It's like it's mad there's like Portsmouth, which we've got Portsmouth, Manchester, Yeah, Plymouth, Yeah,

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you know New England obviously.

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Speaker 5: Yeah, absolutely absolutely. Uh well, so welcome to the show.

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Tell me about the Tell me about these home demo songs,

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because my understanding is from what I read, so these

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are these have all been recorded before, but these are

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new versions of them, kind of stripped down and acoustic.

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Speaker 1: These are no these are just literally just home home demos,

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oh okay, bedroom recordings. So so that that that song there, Skyscraper,

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I recorded that with a friend of mine just in

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his bedroom set up a few years ago, oh okay,

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and I forgot all about it and he found it

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on his laptop one night when we were drunk. He

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was like, oh, I found this song. I was like,

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this actually sounds pretty cool. So I sent it to

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my label and they were like, they were like, they

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loved it and they just wanted to put it straight out.

201
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So we've we've been putting out as like a series

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of just demo recordings. Oh but earlier this year, I

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recorded a record with Grammy winning producer called Guy Massey,

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which was a which is a really good experience. He's

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recorded like he was at Abbey Road for ten years

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that he's worked with like on Beatles records, and he

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worked with Oasis and some really big you know, some

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big artists, So that was that was amazing. But yeah,

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we've just been kind of going with the kind of

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homemade home demos the last few releases, and it seems

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to be going down really well. People really like it.

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Speaker 5: I think, no they sound incredible. I'm actually kind of

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stunned when you say that you had recorded that song

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and then you kind of forgot about it, because it's

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so good. It's like, how do you forget about it?

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But that's amazing.

217
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Speaker 1: Yeah, I write, I write lots of songs, so I

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just kind of, yeah, I've kind of always written lots

219
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of songs and then yeah, I've just kind of forgotten

220
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about those ones. But yeah. I send it to Scott,

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who I worked with at the label, and he was like,

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we got to put this out. This is great.

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Speaker 5: Yeah.

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Speaker 1: Yeah, So yeah, I'm glad. I'm glad we I'm glad

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we found it that drunken night.

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Speaker 5: Yeah, no doubt, no doubt. Yeah, It's something we talk

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about a lot on the show. It's remarkable to live

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in a time where there's so many different ways that

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you can record, and yeah, you can do something like

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like you said, just you know, recording something in somebody's

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bedroom and have it, you know, just come out so

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great and then and then be able to put it

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out and it just sounds you know, when you have

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something that sounds like it could have been recorded that way,

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or it could have been recorded in a million dollar studio.

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You don't know the difference exactly.

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Speaker 1: I mean that there's subtle, subtle differences that you hear.

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I mean the acoustic the record I recorded earlier this year,

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and that was in a big studio in London, and

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you know, we put some live strings on it and

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it had so few it's quite an acoustic record, but

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it's got a few touches to it, so you can

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sort of subtly hear the differences. Whereas but yeah, there's

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not a huge difference in a way. You know, like

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and what I'm doing would just be these home demos

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because it's just me and a guitar and a voice.

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You know, there's there's not that much production involved. Really,

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it's just if you get the vocals sounding nice, get

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the guitar sounding level, you know you're away.

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Speaker 5: You know absolutely. Are there more of these coming or

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have you released?

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Speaker 3: Yeah?

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Speaker 1: Yeah, we literally just released a new another home demo yesterday.

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I'm releasing like one one track a month. Oh okay,

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I can find you can you can find these all

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on my Spotify. If you go to Daniel Shamrock on Spotify,

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you'll you'll hear you'll find all of these or I

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released a song yesterday called sol on Fire, and then

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we're going to be releasing yeah, every every every month

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going into next year. So yeah, keep an eye out

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if you want to hear some more music.

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Speaker 5: I'm glad you mentioned that Soul on Fire. Well, I

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do have it in front of me here. We'll actually

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play that when we and the segment.

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Speaker 1: What's that wicked? Thank you very much?

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Speaker 5: Absolutely no, no, glad to do it. Yeah, no, I

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was going to play I was going to play something

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of yours at the end, and that's that's perfect since

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it just came out. How many how many more of

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these do you have? You say, so you're releasing one

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a month, How many more do you have or do

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you even know yet? Are you still finding? Are you

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still finding things?

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Speaker 1: I've got a few more from this from this session

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that we did a few years ago. Yeah, So I'm

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going to be releasing a few more of these, and

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then I'm going back into the studio early next year

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and I'll record some some I've allay new stuff that

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I want to want to record, so I'll be releasing

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lots of new music. So yeah, there's plenty plenty more

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where that came from.

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Speaker 5: Excellent excellent. I'm curious about influences, especially in terms of

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not only your songwriting, but you're singing. I love your

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voice and you've you've got one of those voices, you know.

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You You kind of remind me a little bit of

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some different people, but I can't quite pin it down.

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I can't think of anyone who sounded exactly.

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Speaker 1: But I was going to say, who do I remind

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you of? Because I find that interesting?

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Speaker 14: Yeah?

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Speaker 5: Well, actually, oh what the hell? The guy from I

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can't I can't remember his name, but the singer from

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the band America. Are you familiar with that band?

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Speaker 1: Okay, yeah, yeah, I know I know them.

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Speaker 5: Yeah yeah, yeah, yeah, yeah you kind of you kind

296
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of remind me of him. I cannot remember his name, unfortunately,

297
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but it's in the it's in the back of my brain.

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But yeah, I was thinking about that. Yeah, yeah, But

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like who who's a big influence on you?

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Speaker 13: So?

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Speaker 1: I grew up over here in the UK with the

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like britpop in the nineties, so it was all kind

303
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of Oasis and Blur and yeah, those kind of English

304
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britpop bands. But also so that was a big influence.

305
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Oasis where influence on me, but also kind of sixties

306
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bands like Beatles and you know, the Stones and the

307
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Kinks and all those kind of bands, and then lots

308
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of singer songwriters you know, massively into like Neil Young,

309
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Bob Dylan, you know, all those kind of guys. Just

310
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people that sit you know, you can do something with

311
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a guitar, just guitar and a vocal and a song.

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Speaker 11: You know.

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Speaker 1: I've always loved that kind of simplistic approach, you know. Yeah,

314
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so yeah, all that kind of stuff. Really loads of stuff.

315
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Tom Petty, I love, I love Tom Petty. I was

316
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listening to I was watching the Tom Petty documentary a

317
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few nights ago, the one about what you know you're

318
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a Tom Petty fan.

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Speaker 5: I am. I'm a casual fan. I don't you know.

320
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I never had all the albums. But you have to understand.

321
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You have to understand in America, if you turn on

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any classic rock station and you listen for an hour,

323
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you're going to hear a Tom Petty song.

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Speaker 1: So you can hear Tom Pey song.

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Speaker 15: Yeah.

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Speaker 1: Yeah, so I'm a big Tom Petty fan. I love

327
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some of his, like more sort of solo sticky stuff

328
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as well. Yeah, so yeah, loads of stuff, loads of stuff,

329
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but yeah, big big Beatles fans. That's one of my

330
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kind of major loves musically, is you know all the

331
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Lennon McCartney stuff, and yeah, yeah, I love all of that. Yeah.

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Speaker 5: Now, based on what you've told me, I assume that

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you started writing songs at a really young age. Am

334
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I correct?

335
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Speaker 1: Yeah, So basically I picked up the guitar when I

336
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picked up my dad's guitar when I was probably ten

337
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or something, ten or eleven, Yeah, and just as soon

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as I could play like three chords, I just started

339
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trying to write songs. And it was this really weird thing,

340
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like I don't know where that came from. You know,

341
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I've had no musical training or you know, no formal

342
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classes or anything like that. But I just kind of

343
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just felt compelled to kind of try and carve a

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song out out of something, you know, and that's just

345
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always stayed with me. So yeah, I just love I

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love writing songs. That's just what I do.

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Speaker 3: Yeah.

348
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Speaker 5: It's interesting what you say about how you don't even

349
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know where it came from because you didn't have any

350
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musical training, and I've I've kind of realized over the years.

351
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I think I think music is one of the few

352
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things well, actually, well, let me broadening it out a

353
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little bit. I think creating art, yeah, more broadly is

354
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one of those few things that can be just just

355
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really sort of intuitive for some people. Because you know,

356
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anything else that you try to do, you have to

357
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kind of you know, there's some sort of training involved.

358
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If you want to be a nuclear physicist, for example,

359
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you know, that's not something you can intuitively figure out.

360
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But when it comes to when it comes to music,

361
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people people are some people are able to just kind

362
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of intuitively figured it out, figure out how to play guitar,

363
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figure out how to sing. Most of the vocalists I

364
00:21:39,839 --> 00:21:42,119
talked to you never had any formal training. They just

365
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they just can't do it.

366
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Speaker 1: Definitely. I mean obviously you can. You can learn tricks,

367
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and you can learn ways of doing things. I mean,

368
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like I'm not I always say like, I'm not a

369
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great musician. You know I'm I'm I'm a good steady

370
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rhythm guitarist. You know I can. But for me, I

371
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sit down with a guitar and that that's just a

372
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tool so I can find a melody and come up

373
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with the song. You know, That's what it's all about.

374
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For me. Yeah, but yeah, I mean if you listen

375
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to my songs when I was like fifteen, you know,

376
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compared to now, there's been a progression. I'd like to

377
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think there's been a big progression. You know. Oh I

378
00:22:15,160 --> 00:22:18,279
am in the way I write lyrics, you know, just

379
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with a bit more life experience, you know, that kind

380
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of stuff, and you do hone your craft as you

381
00:22:22,559 --> 00:22:25,400
get older, of course, but yeah, some of those, some

382
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of those songs I wrote when I was like thirteen,

383
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you know, I wouldn't really want anyone to play them

384
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on the radio, you know what I mean?

385
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Speaker 2: Right right?

386
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Speaker 5: Well, so I am curious did any of that really

387
00:22:36,759 --> 00:22:39,640
early material survive. I can't remember who it was, but

388
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I had one guest on the show who had written

389
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a song when he was like twelve years old, and

390
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I asked him, do you still play that today? And

391
00:22:47,039 --> 00:22:48,880
not expecting him to say yes, and he was like, yeah,

392
00:22:48,880 --> 00:22:49,480
actually I do.

393
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Speaker 1: I was like, wow, listen, any songs that I wrote

394
00:22:53,440 --> 00:22:56,880
from that age have been hidden away, hidden in a

395
00:22:56,960 --> 00:22:59,160
safe and locked away, and he has been thrown away.

396
00:23:00,400 --> 00:23:02,119
Speaker 5: Do you remember the first song you ever wrote?

397
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Speaker 1: You'll laugh about this. I can't believe I'm actually saying

398
00:23:05,799 --> 00:23:08,200
this out loud, but yeah. So one of the first

399
00:23:08,240 --> 00:23:09,920
songs I ever wrote was a song called The Guy

400
00:23:10,039 --> 00:23:14,319
Upstairs as an Alien, and I can still yeah, I'm

401
00:23:14,359 --> 00:23:15,519
not going to sing it for you now, but I

402
00:23:15,559 --> 00:23:17,920
can still sort of remember the melody of that.

403
00:23:18,240 --> 00:23:19,599
Speaker 6: Yeah, you know that, you know.

404
00:23:19,799 --> 00:23:21,680
Speaker 1: But I was just I was just kind of learning

405
00:23:22,000 --> 00:23:25,240
how to put words and you know, make things rhyme,

406
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and just just learning the basics, you know. But yeah, yeah, yeah,

407
00:23:29,640 --> 00:23:31,440
it's just been It's always been something that I've just

408
00:23:31,519 --> 00:23:35,519
been curious about and loved, you know. Yeah, and that

409
00:23:35,680 --> 00:23:37,960
never goes away, you know, and I think I'll be

410
00:23:38,279 --> 00:23:41,759
tinkering around on the guitar, you know, into my old age.

411
00:23:41,799 --> 00:23:43,440
You know. It's just something I absolutely love.

412
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Speaker 5: Yeah, Is that what comes first for you when you write?

413
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Is a melody on the guitar? Or do lyrics ever

414
00:23:49,240 --> 00:23:49,680
come first?

415
00:23:50,559 --> 00:23:53,559
Speaker 1: It comes in different ways, So yeah, sometimes sometimes it

416
00:23:53,640 --> 00:23:55,519
all comes out in one go, like it all just

417
00:23:55,599 --> 00:23:57,920
kind of falls out, and those are generally the best songs,

418
00:23:58,039 --> 00:24:03,039
Like it just falls out fitlessly and it's like the chords,

419
00:24:03,119 --> 00:24:05,599
the melody, all the changes and the breaks, it will

420
00:24:05,640 --> 00:24:07,240
just kind of just comes out and we're going and

421
00:24:07,240 --> 00:24:08,720
you've got to quickly grab a paper and pen and

422
00:24:08,839 --> 00:24:11,960
just get it down. But then sometimes you've got to

423
00:24:12,000 --> 00:24:14,160
really work at work at a song and chip away

424
00:24:14,160 --> 00:24:15,880
at it, and you know what's what you know what

425
00:24:16,000 --> 00:24:17,960
what what word rhymes with that? Or you know what

426
00:24:18,079 --> 00:24:19,799
am I going to do on this after this chorus?

427
00:24:19,960 --> 00:24:24,519
Or you know. So it works in different ways, but generally,

428
00:24:24,599 --> 00:24:27,119
normally I'll kind of play a few chords and then

429
00:24:27,279 --> 00:24:29,039
and then the melody will come in and it will

430
00:24:29,119 --> 00:24:30,680
just kind of take on a life of its own.

431
00:24:31,000 --> 00:24:33,960
But but yeah, I just love just grabbing something out

432
00:24:33,960 --> 00:24:35,640
of the air. You start with nothing, and then suddenly

433
00:24:35,680 --> 00:24:37,799
you've got this this song, you know, out of out

434
00:24:37,880 --> 00:24:41,720
thin air almost and it's like a magical and magical experience, right,

435
00:24:41,759 --> 00:24:42,119
I love it?

436
00:24:42,559 --> 00:24:42,759
Speaker 12: Right?

437
00:24:42,920 --> 00:24:43,119
Speaker 1: Yeah?

438
00:24:43,599 --> 00:24:46,599
Speaker 5: Absolutely. Now, So tell me about what happens when you

439
00:24:46,720 --> 00:24:49,839
play live? Do you Is it always just you solo?

440
00:24:49,960 --> 00:24:51,720
Or do other musicians join you? Or how does that?

441
00:24:51,920 --> 00:24:52,759
Or maybe you have a band?

442
00:24:52,799 --> 00:24:56,559
Speaker 1: I don't know, that's for like, for the for the

443
00:24:56,680 --> 00:24:58,319
last few years, I was playing in an indie band

444
00:24:58,400 --> 00:25:01,640
called the Love Club Oh Okay, and we were actually

445
00:25:01,680 --> 00:25:04,039
signed to we were signed to an American label actually

446
00:25:04,640 --> 00:25:08,240
in LA and so yeah, that was kind of my thing.

447
00:25:08,279 --> 00:25:10,079
It was my songs, but with a band, it was

448
00:25:10,119 --> 00:25:14,000
kind of kind of like a slightly old country indie

449
00:25:14,200 --> 00:25:17,759
kind of vibe. And that was all going really well,

450
00:25:17,839 --> 00:25:20,680
and then we had a coronavirus lockdown down and that

451
00:25:20,839 --> 00:25:22,680
kind of kind of blew everything out of the water

452
00:25:22,759 --> 00:25:25,160
a bit. Yeah, but now I'm just kind of just

453
00:25:25,240 --> 00:25:27,599
doing me and a guitar, just me going out and playing,

454
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playing solo. I'm going to be doing some shows and

455
00:25:30,839 --> 00:25:33,559
going into next year and maybe with a band as well,

456
00:25:33,759 --> 00:25:35,200
just to kind of pad it out a bit. But

457
00:25:35,319 --> 00:25:38,119
it's it's very stripped down, just mostly just me and a.

458
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Speaker 5: Guitar, okay, okay, which is nice in a sense, right

459
00:25:42,599 --> 00:25:44,240
because I mean, you know, being in a band is

460
00:25:44,240 --> 00:25:45,599
great and all, but at least when it's just you

461
00:25:45,680 --> 00:25:49,680
and a guitar, you know, it's certainly simplifive things. You've

462
00:25:49,720 --> 00:25:51,880
got more there's more places you can play, and you

463
00:25:51,960 --> 00:25:54,119
don't have to work around anyone else's schedule, and.

464
00:25:54,440 --> 00:25:57,240
Speaker 1: So that's exactly yeah, Yeah, there's less people to fall

465
00:25:57,279 --> 00:26:00,000
out with unless you start and start an argument with yourself,

466
00:26:00,200 --> 00:26:01,279
you know exactly.

467
00:26:02,200 --> 00:26:03,680
Speaker 5: I've played in a lot of bands, but I never

468
00:26:03,759 --> 00:26:05,640
did a solo acoustic thing. So I've always been a

469
00:26:05,680 --> 00:26:07,960
little bit you know, I've always wondered what that must

470
00:26:08,000 --> 00:26:09,599
be like and the you know, the freedom that comes

471
00:26:09,640 --> 00:26:09,839
with that.

472
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Speaker 6: What did you say the name of what did you say?

473
00:26:12,720 --> 00:26:13,319
Speaker 9: The name of the band?

474
00:26:13,440 --> 00:26:16,920
Speaker 1: Was the Last que the Loft as in like up

475
00:26:16,960 --> 00:26:20,680
in the Lost the Loft t Yeah, the Loft Club.

476
00:26:20,960 --> 00:26:23,599
Speaker 5: Yeah yeah, Now that is anything that you did with

477
00:26:23,680 --> 00:26:25,319
that band? Is that available online?

478
00:26:26,240 --> 00:26:28,200
Speaker 1: Yeah, that's all on That's all on Spotify, So you

479
00:26:28,240 --> 00:26:29,599
can go and go and hear that as well. We

480
00:26:29,960 --> 00:26:35,640
did a collaboration with Lisa Lobe if you know Lisa Lobe. Yeah, yeah, yeah, yeah,

481
00:26:35,680 --> 00:26:37,359
we did a song. We did a song with her

482
00:26:37,440 --> 00:26:41,160
actually called which is a song mind called Flicker, and

483
00:26:41,279 --> 00:26:43,799
she put a verse on one of the songs and

484
00:26:43,960 --> 00:26:46,240
that actually got onto the Billboard chart. So that was

485
00:26:46,319 --> 00:26:49,160
a kind of a song that kind of did something

486
00:26:49,200 --> 00:26:52,279
in America. Yeah, so you can you can go and

487
00:26:52,359 --> 00:26:54,599
he hear that on Spotify.

488
00:26:55,119 --> 00:26:58,119
Speaker 5: Oh, that's that's very cool. Do you have any plans

489
00:26:58,200 --> 00:27:00,359
to get back to being in a band. I mean,

490
00:27:00,400 --> 00:27:03,079
it sounds like the solo acoustic things working out pretty well.

491
00:27:03,240 --> 00:27:03,440
Speaker 16: Yeah.

492
00:27:03,759 --> 00:27:05,640
Speaker 1: I'm really enjoying doing what I'm doing at the moment,

493
00:27:05,720 --> 00:27:07,640
to be honest, it's you know, I've got a really

494
00:27:07,640 --> 00:27:09,559
good label that I work with here in the UK,

495
00:27:09,759 --> 00:27:13,279
and and we just we just work really well together,

496
00:27:13,400 --> 00:27:15,960
and you know, I get a song, I can record

497
00:27:16,240 --> 00:27:18,559
record that, they put the record out and suddenly's out

498
00:27:18,559 --> 00:27:20,960
on Spotfy and it's just it's just a nice, nice,

499
00:27:21,079 --> 00:27:24,319
nice setup and it seemed to work really well. So yeah,

500
00:27:24,440 --> 00:27:26,359
I'm kind of happy doing doing things as they are

501
00:27:26,400 --> 00:27:28,799
at the moment. I'll probably put a little band together

502
00:27:28,880 --> 00:27:31,920
to go and to do some of these songs next year,

503
00:27:31,960 --> 00:27:34,799
as I said. But but yeah, yeah, I'm happy as

504
00:27:34,839 --> 00:27:35,359
I am, I think.

505
00:27:36,160 --> 00:27:39,039
Speaker 5: And then now, so you're working with Guy Massey. Has

506
00:27:39,079 --> 00:27:40,960
that already begun or is that coming up?

507
00:27:41,440 --> 00:27:41,680
Speaker 12: Yeah?

508
00:27:41,799 --> 00:27:44,160
Speaker 1: So that's that's the record. That's the record I did

509
00:27:44,200 --> 00:27:48,039
earlier this year, earlier this year, so it's called so

510
00:27:48,119 --> 00:27:51,720
that's that's when we recorded in London. So that's that

511
00:27:52,160 --> 00:27:57,200
was called Major Companion and it's a six track EP. Yeah,

512
00:27:57,240 --> 00:27:59,240
And I was I was talking about him earlier, so

513
00:27:59,319 --> 00:28:02,319
guys kind of he's won two Grammy Awards. He's like, yeah,

514
00:28:02,400 --> 00:28:05,599
he's remastered all the Beatles records and yeah, he's just

515
00:28:05,680 --> 00:28:09,319
worked with like everybody, So that was like a really

516
00:28:09,400 --> 00:28:11,359
cool experience for me to go and to go and

517
00:28:11,400 --> 00:28:13,680
see how he works, you know, and being his in

518
00:28:13,839 --> 00:28:17,440
his world. So that was Yeah, that was super cool. Yeah,

519
00:28:17,440 --> 00:28:19,160
and we put we put some strings on a couple

520
00:28:19,200 --> 00:28:21,279
of the couple of the tracks and we recorded in

521
00:28:21,400 --> 00:28:26,400
a studio called conk In in London, which is belongs

522
00:28:26,440 --> 00:28:29,880
to the Kinks. It's the Kinks Recording studio. So that

523
00:28:29,960 --> 00:28:31,279
was that was a really cool experience.

524
00:28:31,359 --> 00:28:33,160
Speaker 5: Oh wow, Oh that's extremely cool.

525
00:28:34,000 --> 00:28:34,200
Speaker 1: Yeah.

526
00:28:34,559 --> 00:28:38,160
Speaker 5: Is that intimidating at all working with somebody like guy Massey?

527
00:28:38,240 --> 00:28:40,759
I mean that's you know, he's a heavy Yeah.

528
00:28:40,880 --> 00:28:43,119
Speaker 1: I really thought it was going to be and then

529
00:28:43,359 --> 00:28:45,960
I met him and he just got completely just put

530
00:28:46,079 --> 00:28:49,079
put me at ease, like within seconds. He was just like, yeah,

531
00:28:49,160 --> 00:28:51,400
come in, have a couple of you know, sit down

532
00:28:51,400 --> 00:28:53,880
and chatting him. He's called his you know, Gold Records

533
00:28:53,920 --> 00:28:55,960
on the Wall or whatever, you know, and I was like, whoa.

534
00:28:57,279 --> 00:28:59,599
But he's just really down to earth, really lovely guy

535
00:29:00,559 --> 00:29:04,039
and an amazing producer, Like really cool guy to work with.

536
00:29:04,440 --> 00:29:06,400
You know, we had a lot to talk about, you know,

537
00:29:06,480 --> 00:29:08,200
we're into the same kind a lot of the records

538
00:29:08,240 --> 00:29:10,440
that I loved growing up listening to in my teams,

539
00:29:10,480 --> 00:29:13,880
Like he was involved in the in the recording, so

540
00:29:14,000 --> 00:29:17,119
it was like, yeah, it was like it was quite

541
00:29:17,119 --> 00:29:19,599
a big deal for me. But yeah, a really great

542
00:29:19,640 --> 00:29:21,480
guy and a great producer.

543
00:29:22,240 --> 00:29:24,400
Speaker 5: By the way, you mentioned this is a little off subject,

544
00:29:24,440 --> 00:29:27,480
but I'm just curious because you mentioned oesis earlier. What

545
00:29:27,720 --> 00:29:30,400
what how are things looking over there? Did they already

546
00:29:30,640 --> 00:29:32,559
they haven't played those shows yet, right, I know, I

547
00:29:32,640 --> 00:29:35,200
know tickets on sale, but no.

548
00:29:35,440 --> 00:29:37,400
Speaker 1: So so so with my band The Love Club, we

549
00:29:37,440 --> 00:29:40,880
actually managed to support Nol Gallagher. Oh my god, ye ago,

550
00:29:41,160 --> 00:29:44,400
which was which is this amazing experience at this at

551
00:29:44,400 --> 00:29:46,920
this old castle they do these big outdoor gigs at

552
00:29:46,960 --> 00:29:50,680
place called Powder and Castle, and and that was that

553
00:29:50,839 --> 00:29:52,519
was like he's like one of my heroes. So that

554
00:29:52,759 --> 00:29:56,839
was like amazing and amazing thing to get anywhere near oh,

555
00:29:57,319 --> 00:30:00,440
being on a stage with him. So that was a

556
00:30:00,480 --> 00:30:02,240
real highlight for me. But yeah, so when when I

557
00:30:02,279 --> 00:30:04,000
heard they're getting back together, it was like, you know,

558
00:30:04,160 --> 00:30:06,079
me and all my friends who are big Oasis fans,

559
00:30:06,119 --> 00:30:08,559
were like, you know, very excited. But there was this

560
00:30:08,640 --> 00:30:10,839
big clamor for tickets and you know, tickets were going

561
00:30:10,880 --> 00:30:14,960
for like stupid money, you know, yeah, three four hundred

562
00:30:15,000 --> 00:30:18,960
pounds of tickets, sometimes five hundred pounds a ticket, you know. Yeah,

563
00:30:20,000 --> 00:30:23,079
so it's it's a big deal. It's a big deal

564
00:30:23,160 --> 00:30:23,920
over here for sure.

565
00:30:24,079 --> 00:30:26,759
Speaker 5: Yeah. Absolutely. Oasis is one of my favorite bands from

566
00:30:26,799 --> 00:30:31,240
the nineties and my my favorite so oh yeah, Acquiess

567
00:30:31,359 --> 00:30:34,680
is my favorite Oasis song, which originally was a B side,

568
00:30:35,160 --> 00:30:38,119
but but then they performed it on Saturday Night Live.

569
00:30:38,640 --> 00:30:42,240
I was like, how cool was that performing a B side?

570
00:30:42,960 --> 00:30:44,920
Speaker 1: Totally And that's why I love no Gallagher because some

571
00:30:44,960 --> 00:30:47,240
of his best songs were B sides, you know. Yeah,

572
00:30:47,440 --> 00:30:49,839
and that song, that song Skyscraper that I wrote, it's

573
00:30:49,920 --> 00:30:51,799
kind of people have said to me, it sounds a

574
00:30:51,880 --> 00:30:54,000
bit like a like an Oasis B side or something.

575
00:30:54,039 --> 00:30:57,160
It's got that kind of vibe to it. I think, yeah,

576
00:30:58,200 --> 00:31:01,279
but yeah, yeah, some of my favorite favorite records of

577
00:31:01,559 --> 00:31:04,000
theirs the kind of hidden the hidden gems that you

578
00:31:04,079 --> 00:31:06,599
know you find on a B side somewhere. Yeah.

579
00:31:07,759 --> 00:31:10,240
Speaker 5: I feel like it's kind of a British thing where

580
00:31:10,599 --> 00:31:14,920
artists will put, well, we'll put on a B side

581
00:31:15,039 --> 00:31:18,039
something that is not available anywhere else because a lot

582
00:31:18,079 --> 00:31:19,759
of them. Like when I was growing up, I noticed this.

583
00:31:19,839 --> 00:31:22,279
A lot of American artists, the B side is just

584
00:31:22,720 --> 00:31:24,960
another song on the album, you know what I mean.

585
00:31:25,839 --> 00:31:29,119
But a lot of British artists seem to really insist

586
00:31:29,200 --> 00:31:32,279
on making the B side something completely separate that you

587
00:31:32,400 --> 00:31:35,160
can't get anywhere else, which I always thought was really cool.

588
00:31:36,240 --> 00:31:38,799
Speaker 1: Definitely, I think it started with with the Beatles because

589
00:31:38,839 --> 00:31:41,440
they were really wanted to make sure that the fan

590
00:31:41,799 --> 00:31:43,960
sort I saw an interview with Paul McCartney talking about this,

591
00:31:44,079 --> 00:31:45,759
and he was like, he wanted to make sure that

592
00:31:45,839 --> 00:31:48,160
the fans were getting the most for their money. So

593
00:31:48,240 --> 00:31:50,400
when they when they buy the when they buy the

594
00:31:50,519 --> 00:31:54,200
you know, the seven inch single or whatever, you know,

595
00:31:54,319 --> 00:31:56,160
they try and make sure that there was a lot

596
00:31:56,200 --> 00:31:57,799
of good material on there. So they try and make

597
00:31:57,799 --> 00:31:59,119
sure that the B side was as good as the

598
00:31:59,160 --> 00:32:01,400
A side, just like the double A sides and all

599
00:32:01,440 --> 00:32:04,240
of that stuff. And so I think it was just

600
00:32:04,440 --> 00:32:06,839
what O Wastins We're doing was trying to continue that

601
00:32:06,920 --> 00:32:09,839
tradition of trying to give people good quality music. You know,

602
00:32:09,920 --> 00:32:12,000
they paying money for a for a single, you know,

603
00:32:12,240 --> 00:32:13,640
and they want to make sure that they get two

604
00:32:13,720 --> 00:32:16,000
good songs it's not just one one good song and

605
00:32:16,079 --> 00:32:17,839
a and a filler on the B side.

606
00:32:17,640 --> 00:32:20,640
Speaker 5: You know, yeah, yeah, I always respected that and uh,

607
00:32:20,839 --> 00:32:22,759
you know, Noel is one of those guys too who's

608
00:32:22,759 --> 00:32:26,160
always writing, so you know, yeah, it makes sense. He's

609
00:32:26,240 --> 00:32:27,319
he's got plenty of music.

610
00:32:27,839 --> 00:32:31,079
Speaker 1: Oh yeah, absolutely, yeah, he's not he's not sure of

611
00:32:31,160 --> 00:32:32,240
a song or two for sure.

612
00:32:34,279 --> 00:32:36,039
Speaker 17: So what so, so what do you have?

613
00:32:36,480 --> 00:32:37,279
Speaker 6: What do you have coming up?

614
00:32:37,359 --> 00:32:37,680
Speaker 3: Daniel?

615
00:32:37,799 --> 00:32:41,039
Speaker 5: So you've got you're you're continuing to release Uh are

616
00:32:41,119 --> 00:32:42,359
these home?

617
00:32:42,400 --> 00:32:42,599
Speaker 2: Doown?

618
00:32:42,640 --> 00:32:43,359
Speaker 5: I was once a month?

619
00:32:44,240 --> 00:32:46,400
Speaker 1: That's it. So yeah, song came out yesterday's song on

620
00:32:46,480 --> 00:32:50,680
Fire and then there'll be some We'll be releasing the

621
00:32:50,799 --> 00:32:53,200
song every month going into the new year. I'll be

622
00:32:53,240 --> 00:32:56,200
going back into the studio early next year to record

623
00:32:56,279 --> 00:32:58,039
some new stuff and then and then going out and

624
00:32:58,119 --> 00:32:59,839
doing some shows and hopefully some festivals.

625
00:33:00,160 --> 00:33:03,119
Speaker 5: Summer outstanding outstanding.

626
00:33:02,720 --> 00:33:03,720
Speaker 1: Yeah, yeah, yeah.

627
00:33:03,880 --> 00:33:06,200
Speaker 5: Any any plans to get to America in the future.

628
00:33:07,480 --> 00:33:09,880
Speaker 1: Well, yeah, we were really close to having an American

629
00:33:09,960 --> 00:33:13,079
tour with the band. It was all being lined up

630
00:33:13,160 --> 00:33:15,400
and then and then because we did the Nol Gallagher

631
00:33:15,519 --> 00:33:18,519
support and then the album came out and then everything

632
00:33:18,599 --> 00:33:21,279
was going great and then we got some American radio

633
00:33:21,359 --> 00:33:23,160
and that was all going great. And then and then

634
00:33:23,160 --> 00:33:24,640
they were going to bring us over for a talk

635
00:33:24,680 --> 00:33:28,000
because it was obviously an American label. Yeah, and then

636
00:33:28,640 --> 00:33:31,440
and then obviously coronavirus hit, so we couldn't go anywhere.

637
00:33:31,559 --> 00:33:32,920
You know. It was like no one could do anything,

638
00:33:33,000 --> 00:33:35,359
and it just really like not the stuffing out of

639
00:33:35,400 --> 00:33:37,559
the whole the whole thing. But yeah, I'd love to

640
00:33:37,559 --> 00:33:39,319
I'd love to come over. I'd love to come over

641
00:33:39,359 --> 00:33:41,839
at some point. So yeah, in the future, i'd love

642
00:33:41,880 --> 00:33:44,000
to come. And I've been to America a few times

643
00:33:44,079 --> 00:33:47,400
and I absolutely love it, you know. I spent some

644
00:33:47,519 --> 00:33:50,680
time in Seattle and Miami and a few other places,

645
00:33:50,799 --> 00:33:51,880
so yeah, I love it.

646
00:33:52,319 --> 00:33:52,960
Speaker 5: Nice. Nice.

647
00:33:53,200 --> 00:33:53,400
Speaker 14: Yeah.

648
00:33:53,440 --> 00:33:57,279
Speaker 5: Seattle's obviously a very in terms of American music, a

649
00:33:57,440 --> 00:34:00,319
very influential place, especially in the nine is you know

650
00:34:00,480 --> 00:34:02,119
all those all those bands.

651
00:34:02,039 --> 00:34:05,759
Speaker 1: Yeah yeah, yeah, yeah, yeah, Nirvana and yeah, Jimmy Hendrix.

652
00:34:06,160 --> 00:34:07,839
That's the whole thing from Seattle, isn't it.

653
00:34:08,280 --> 00:34:10,400
Speaker 5: Oh yes, yes, there you go. I forgot about that.

654
00:34:10,519 --> 00:34:13,320
I forgot that. I forgot that he came from there. Yeah,

655
00:34:13,400 --> 00:34:16,800
that's right, absolutely, Uh Daniel, Where should people go online

656
00:34:16,840 --> 00:34:18,840
to keep track? Of everything that you're doing so they

657
00:34:18,880 --> 00:34:21,320
can keep up, especially with these new and by the way,

658
00:34:21,480 --> 00:34:23,519
we would love to be sort of one of your

659
00:34:23,599 --> 00:34:27,480
American radio partners in these promoting these singers as they

660
00:34:27,519 --> 00:34:29,079
come out. If you know, if you send them to us,

661
00:34:29,119 --> 00:34:30,800
we'll we'll play them, we'll premiere them here.

662
00:34:30,960 --> 00:34:33,360
Speaker 1: Brilliant. I really appreciate that. Yeah, well there'll be one.

663
00:34:33,280 --> 00:34:34,440
Speaker 5: A month, so excellent.

664
00:34:34,559 --> 00:34:37,400
Speaker 1: Yeah, yeah, sure, yeah, yeah. You won't be sure of

665
00:34:37,719 --> 00:34:39,679
a few songs, but yeah, so you can, you can,

666
00:34:39,760 --> 00:34:41,360
you can. If you want to hear anything, go into

667
00:34:41,400 --> 00:34:43,559
my Spotify is probably the best thing. So just to

668
00:34:43,639 --> 00:34:47,760
go Daniel Shamrock and you'll find me there. And then

669
00:34:47,920 --> 00:34:51,440
if you want to come chat to me on on socials,

670
00:34:51,480 --> 00:34:55,639
I'm on Instagram, you know all those kind of platforms.

671
00:34:55,760 --> 00:34:57,960
Just if you just go to act Daniel Shamrock, you

672
00:34:58,000 --> 00:35:00,199
can come in the come and chat to me and

673
00:35:00,280 --> 00:35:00,920
see what I'm up to.

674
00:35:01,400 --> 00:35:04,440
Speaker 5: Outstanding, outstanding. All right, So we're gonna we're going to

675
00:35:04,679 --> 00:35:07,280
close out the conversation with this this track, Soul on Fire.

676
00:35:07,360 --> 00:35:08,320
This just came out yesterday.

677
00:35:08,360 --> 00:35:12,159
Speaker 1: You said he just came out yesterday, Yes, brand you outstanding.

678
00:35:12,480 --> 00:35:14,280
Speaker 5: Has this been on American radio at all.

679
00:35:14,760 --> 00:35:16,360
Speaker 1: But you know, I think this is I think this

680
00:35:16,440 --> 00:35:19,079
is a premiere on American radio. So you're the first.

681
00:35:19,320 --> 00:35:22,199
Speaker 5: Awesome, We love it. We love to do that, all right,

682
00:35:22,719 --> 00:35:25,079
Daniel Shamroth. We will talk again in the future, my friend,

683
00:35:25,159 --> 00:35:27,599
no doubt, And thank you so much for joining us today.

684
00:35:28,360 --> 00:35:29,840
Speaker 1: Thanks for having me. Matt appreciates it.

685
00:35:29,920 --> 00:35:32,079
Speaker 5: All right, you got it, take care, take care of

686
00:35:32,119 --> 00:35:34,960
bye bye bye bye. All right, Daniel Shamrock joining us

687
00:35:34,960 --> 00:35:36,840
all the way from the UK. And let's listen to this.

688
00:35:37,000 --> 00:35:38,719
I did listen to this last night. This is another

689
00:35:38,800 --> 00:35:41,800
really really great song. This is called Soul on Fire.

690
00:35:57,159 --> 00:36:10,400
Speaker 18: Countdown, Just cam down, know how it feels, windows feelings, come, dance,

691
00:36:10,519 --> 00:36:14,519
don't hide to learn what are those are?

692
00:36:14,760 --> 00:36:29,639
Speaker 6: The people knows? Set your heart twisted the bad and then.

693
00:36:29,800 --> 00:36:39,480
Speaker 8: Your girl, your girl, start on everyone, don't ride.

694
00:36:40,559 --> 00:36:44,000
Speaker 3: Sagon up your mind, then your girl.

695
00:36:45,159 --> 00:36:47,679
Speaker 2: You've got to fight.

696
00:36:52,679 --> 00:36:53,480
Speaker 14: So long.

697
00:36:53,920 --> 00:37:10,559
Speaker 6: Fight, sit down, sit.

698
00:37:10,519 --> 00:37:14,599
Speaker 3: Down, Know how it feels when those.

699
00:37:16,239 --> 00:37:25,480
Speaker 18: People frown, gentle touch you've made close.

700
00:37:25,159 --> 00:37:37,000
Speaker 8: Your hands, clench your face. Now those other people know

701
00:37:38,199 --> 00:37:40,000
what is going on?

702
00:37:47,840 --> 00:37:55,039
Speaker 19: Siting your heart twisted all about and then you're got

703
00:37:56,280 --> 00:37:59,880
You can't start on everyone.

704
00:38:01,519 --> 00:38:04,119
Speaker 3: Look, don't ride.

705
00:38:05,119 --> 00:38:08,239
Speaker 14: Sat love your mind, then your.

706
00:38:08,280 --> 00:38:11,880
Speaker 2: God give Gord f.

707
00:38:17,159 --> 00:38:18,760
Speaker 6: Soon or five?

708
00:38:39,239 --> 00:38:41,199
Speaker 3: Is this your happen off?

709
00:38:41,360 --> 00:38:42,360
Speaker 2: Is your house?

710
00:38:59,280 --> 00:39:01,599
Speaker 20: How still?

711
00:39:03,159 --> 00:39:09,639
Speaker 21: Then jump count you count start out everyone.

712
00:39:12,519 --> 00:39:18,119
Speaker 22: Rime sand young Man, then job count.

713
00:39:18,880 --> 00:39:26,480
Speaker 20: You've count too soon.

714
00:39:31,880 --> 00:39:33,880
Speaker 5: That is Soul on Fire. That is brand new, just

715
00:39:33,960 --> 00:39:36,960
came out yesterday the great Daniel Shamrock from the UK.

716
00:39:37,119 --> 00:39:39,320
And thank you again to Daniel for joining us this

717
00:39:39,440 --> 00:39:41,719
morning on the show. Coming up in the second hour

718
00:39:41,800 --> 00:39:44,719
we have a vo G for the first half of

719
00:39:44,760 --> 00:39:46,480
the second hour, and then in the second half of

720
00:39:46,559 --> 00:39:48,239
the second hour, if you can follow all this we

721
00:39:48,320 --> 00:39:51,239
have Dave Strong is going to be calling in. He's

722
00:39:51,280 --> 00:39:54,480
got his brand new track is collab. I believe that's

723
00:39:54,519 --> 00:39:57,320
what we say. Now with Soda they did a cover

724
00:39:57,559 --> 00:39:59,960
of This Time of Year by the Mighty Mighty bos Stones.

725
00:40:00,079 --> 00:40:02,320
We'll play that for you a bit later to really

726
00:40:02,360 --> 00:40:04,519
really good. And then in the third hour we have regals.

727
00:40:04,880 --> 00:40:07,519
But thank you again to Daniel Shamrock. That's great. When

728
00:40:07,559 --> 00:40:10,400
that song was on, I realized there was somebody else

729
00:40:10,440 --> 00:40:12,039
he reminds me of Ofry. I was trying to think

730
00:40:12,039 --> 00:40:14,320
of who, and then it suddenly came to me, somebody

731
00:40:14,360 --> 00:40:17,599
from the area Temple Mountain. Our friend Eric from Temple

732
00:40:17,639 --> 00:40:22,400
Mountain or Eric is Temple Mountain sounds like him actually

733
00:40:22,480 --> 00:40:25,280
a little bit and kind of a similar style of

734
00:40:25,400 --> 00:40:29,440
songwriting too, really great, really great. So I might see

735
00:40:29,519 --> 00:40:31,199
during the break if I can try to find I'm

736
00:40:31,239 --> 00:40:34,480
curious to hear Daniel Shamroth's band that he was in

737
00:40:35,679 --> 00:40:39,440
pre Plague the Loft Club. I'm curious about that. But

738
00:40:40,119 --> 00:40:42,400
if you're just joining us, of course, Matt connorton Unleashed.

739
00:40:42,400 --> 00:40:45,119
We are live from the studios of WMNH ninety five

740
00:40:45,119 --> 00:40:48,800
point three FM and Glorious Downtown, well sort of downtown,

741
00:40:48,880 --> 00:40:53,239
it depends on who you ask. Canal Street in Manchester,

742
00:40:53,320 --> 00:40:57,000
New Hampshire. By the way, I want to mention the

743
00:40:57,119 --> 00:41:00,159
next well let me let me mention an event that

744
00:41:00,320 --> 00:41:01,960
just happened, and then we'll talk about the next one.

745
00:41:02,239 --> 00:41:05,679
So I want to congratulate everybody, of course who participated

746
00:41:05,719 --> 00:41:10,159
in the miracle on Elm Street at Bonfire on Wednesday night.

747
00:41:10,559 --> 00:41:14,800
Fantastic event, lots of people there, lots of toys were donated,

748
00:41:14,880 --> 00:41:18,960
and of course I donated something. I donated a hypnosiscession

749
00:41:19,000 --> 00:41:23,239
and Jenny donated one of her wonderful Macroma collections or

750
00:41:23,320 --> 00:41:26,559
creations rather well, she has a collection of Macrima creations.

751
00:41:27,039 --> 00:41:31,599
I mentioned that because that also is part of our

752
00:41:31,800 --> 00:41:33,880
the next event that Jenny and I are participating in.

753
00:41:34,239 --> 00:41:37,760
But no, the Miracle looks like another rousing success and

754
00:41:37,800 --> 00:41:40,440
it was great to see everyone there. And the food

755
00:41:40,559 --> 00:41:41,960
was great, by the way, if you haven't had the

756
00:41:42,000 --> 00:41:45,039
food at Bonfire, really really good. I ended up in

757
00:41:45,079 --> 00:41:47,719
a food coma, as Jenny can attest to. I think

758
00:41:47,760 --> 00:41:49,840
I was in bed by ten pm because I ate

759
00:41:49,960 --> 00:41:54,239
so much. I really stuffed myself because it was so good.

760
00:41:54,760 --> 00:41:58,320
But yeah, it was a great event and always wonderful

761
00:41:58,360 --> 00:42:00,239
to be a part of something so positive and to

762
00:42:00,280 --> 00:42:04,800
see so many people there, so so again, congratulations to everybody.

763
00:42:04,840 --> 00:42:06,599
Of course, you know the Morning Show with Peter White

764
00:42:06,639 --> 00:42:10,519
heavily involved in that, Matt Kushane from Hope Hope, NH

765
00:42:10,639 --> 00:42:15,719
and of course Jeff nine in there also participating in

766
00:42:15,840 --> 00:42:18,519
running things, and and of course Pat Mills from Bonfire,

767
00:42:18,880 --> 00:42:21,360
so you know, and and everybody else who was involved.

768
00:42:21,440 --> 00:42:24,239
So congratulations on that. And this was the fifth year

769
00:42:24,760 --> 00:42:28,159
of the Miracles, so really really good. So the next

770
00:42:28,280 --> 00:42:31,320
thing one week from today, the holiday market at Great

771
00:42:31,440 --> 00:42:34,480
North Ale Works Jenny and I will be there, although

772
00:42:34,559 --> 00:42:37,239
I will be arriving late to that event because of

773
00:42:37,280 --> 00:42:39,000
course I have the radio show in the morning, so

774
00:42:39,079 --> 00:42:44,199
i'll be here nine to noon, but it actually but

775
00:42:44,320 --> 00:42:47,519
it'll be going all day. This is what's this is

776
00:42:47,559 --> 00:42:50,719
what's online. Join us for our second holiday market at

777
00:42:50,760 --> 00:42:54,400
Great North ale Works featuring New Hampshire artisans of all

778
00:42:54,519 --> 00:42:59,679
mediums and their festive creations. Gather, shop small and have

779
00:42:59,800 --> 00:43:02,920
a cup of cheer, supporting your community. And by the way,

780
00:43:03,119 --> 00:43:06,280
the shopping small and supporting the community. It's like we

781
00:43:06,519 --> 00:43:09,159
talked about recently with the magical market that our friends

782
00:43:09,199 --> 00:43:12,599
at Sister Witch Company do on Small Business Saturday, that

783
00:43:12,679 --> 00:43:17,039
they did last weekend. So very important to support your

784
00:43:17,079 --> 00:43:18,960
local businesses. I know I harp on this a lot,

785
00:43:19,360 --> 00:43:21,840
not to labor the point, but as I always like

786
00:43:21,920 --> 00:43:25,239
to say, Walmart and Target, they don't need your money,

787
00:43:25,519 --> 00:43:28,960
They'll be just fine. But small businesses do. They need

788
00:43:29,039 --> 00:43:31,639
your support, especially during this critical you know, this is

789
00:43:32,159 --> 00:43:34,360
you know, the holidays, it's it's the fourth quarter of

790
00:43:34,400 --> 00:43:37,840
the year. It's a critical time for retailers of all sizes,

791
00:43:37,920 --> 00:43:41,280
but especially small businesses, local businesses. So you know, even

792
00:43:41,320 --> 00:43:43,760
if you're listening online from another part of the world.

793
00:43:44,119 --> 00:43:46,159
You know, support your small businesses in your area. It

794
00:43:46,280 --> 00:43:49,280
is so important and they really depend on it. And

795
00:43:49,559 --> 00:43:51,599
you know, let's be honest. I mean, you get better

796
00:43:51,679 --> 00:43:55,519
service from small small businesses anyway, right, So so please

797
00:43:55,559 --> 00:43:59,079
support support great businesses like Great north Ale Works, for example,

798
00:43:59,119 --> 00:44:01,639
who are doing this wonderful event one week from today.

799
00:44:01,880 --> 00:44:06,000
So Jenny will be there, she will have her macromay

800
00:44:06,159 --> 00:44:09,039
on sale. She's I still don't know how she does it.

801
00:44:09,199 --> 00:44:12,519
My brain can't do the math, you know what I

802
00:44:12,599 --> 00:44:14,760
mean of how she's able to create these things. It's

803
00:44:14,840 --> 00:44:18,199
really remarkable to me. Just like with her artwork. I

804
00:44:18,320 --> 00:44:20,639
can't my brain can't do the math. I don't understand

805
00:44:20,719 --> 00:44:23,480
how to create these things. So I'm real, I'm really

806
00:44:23,559 --> 00:44:26,119
in awe of what she does. But she will be there,

807
00:44:26,199 --> 00:44:29,360
she'll have those items on sale. Of course, there'll be

808
00:44:29,440 --> 00:44:33,639
other people selling their amazing creations that day. I will

809
00:44:33,679 --> 00:44:35,400
be there, but again I'll be getting there late because

810
00:44:35,440 --> 00:44:37,760
I'll be heading over after the radio show. And I

811
00:44:37,800 --> 00:44:39,719
should mention too, because he has been a guest on

812
00:44:39,800 --> 00:44:41,960
the show at least once, I think maybe a couple times.

813
00:44:42,119 --> 00:44:45,400
Singer songwriter Kevin Horn will be performing that day at

814
00:44:45,400 --> 00:44:47,960
Great North Ale Works as well at four pm. So

815
00:44:49,079 --> 00:44:51,719
please again, another great business in the area that you

816
00:44:51,760 --> 00:44:54,599
should support. They're not a sponsor, but I will mention too,

817
00:44:54,639 --> 00:44:58,480
please support all our wonderful sponsors here at WMNH ninety

818
00:44:58,519 --> 00:45:01,760
five point three FM. I think what we'll do is,

819
00:45:02,599 --> 00:45:09,679
let's play I want to play one more track from

820
00:45:10,920 --> 00:45:14,440
our new friend Daniel Shamroth, because there was another one

821
00:45:14,480 --> 00:45:16,960
that we had talked about. We'll play one more track

822
00:45:17,000 --> 00:45:18,960
and then, like I said, coming up in the second hour,

823
00:45:19,440 --> 00:45:22,480
oh you are the one. Maybe we didn't talk about

824
00:45:22,519 --> 00:45:24,320
this one, but I remember listening to it and I

825
00:45:24,519 --> 00:45:26,840
really really like this one a lot. I like all

826
00:45:26,920 --> 00:45:30,880
of them. But he's just got an amazing voice. Amazing voice,

827
00:45:30,920 --> 00:45:34,360
great songwriter, great voice. Let's give this a spin two again.

828
00:45:34,440 --> 00:45:36,559
This is another one of the home demo home demo

829
00:45:36,920 --> 00:45:39,519
tracks that he's been releasing once a month. And like

830
00:45:39,639 --> 00:45:42,199
I said to him too, you know, well, we're happy

831
00:45:42,239 --> 00:45:46,480
to be the American radio partner in terms of premiering

832
00:45:46,559 --> 00:45:49,400
those songs here in the US. But let's play one

833
00:45:49,440 --> 00:45:50,840
more of his This is called You Are the One,

834
00:45:50,960 --> 00:45:54,400
and then we will soon we will be crossing into

835
00:45:54,480 --> 00:45:57,559
our number two and we will have vo g plenty

836
00:45:57,599 --> 00:45:58,039
more to come.

837
00:46:08,199 --> 00:46:21,159
Speaker 20: M hm h do you want the world?

838
00:46:22,599 --> 00:46:26,920
Speaker 3: Wh need a million? We worred a million?

839
00:46:27,400 --> 00:46:27,960
Speaker 6: Two World?

840
00:46:30,480 --> 00:46:35,840
Speaker 20: Do you want a song? A song that I'm saying? So,

841
00:46:36,519 --> 00:46:38,480
won't you please sing along?

842
00:46:39,840 --> 00:46:50,840
Speaker 21: You are the world? You are the world. You are

843
00:46:51,599 --> 00:47:03,039
the world, You are the world. The kid you remember

844
00:47:04,800 --> 00:47:07,920
telling him something something that.

845
00:47:08,159 --> 00:47:16,280
Speaker 20: I can't describe. Shan likes some light up my money

846
00:47:17,280 --> 00:47:23,039
but with me team then that she had World.

847
00:47:26,239 --> 00:47:28,119
Speaker 3: You are World.

848
00:47:31,360 --> 00:47:32,119
Speaker 4: You are.

849
00:47:37,559 --> 00:47:39,519
Speaker 3: One that I need.

850
00:48:04,320 --> 00:48:08,480
Speaker 20: Do you have a little shining apart it?

851
00:48:09,599 --> 00:48:15,599
Speaker 12: And there's no stats in the sky, just scared a

852
00:48:15,679 --> 00:48:28,920
look without anyone never seen, no surprise, Juan, World, you

853
00:48:29,320 --> 00:48:30,800
are World.

854
00:48:34,000 --> 00:48:42,239
Speaker 3: You are one that I need?

855
00:49:08,119 --> 00:49:08,920
Speaker 6: You warea.

856
00:49:10,480 --> 00:49:11,960
Speaker 3: What need a million?

857
00:49:13,519 --> 00:49:13,840
Speaker 2: World?

858
00:49:14,280 --> 00:49:22,119
Speaker 20: Million to world? You had a sound so that I'm

859
00:49:22,320 --> 00:49:26,360
sitting So won't you please sen.

860
00:49:41,400 --> 00:49:42,960
Speaker 6: You sound that crazy?

861
00:49:43,320 --> 00:49:53,719
Speaker 2: Now you've made the last use that fighter.

862
00:49:56,079 --> 00:50:05,760
Speaker 3: Until you are wait. Let as me out, stop me y.

863
00:50:09,880 --> 00:50:11,519
Speaker 6: Spot you around.

864
00:50:14,280 --> 00:50:14,800
Speaker 2: Not home?

865
00:50:29,440 --> 00:50:31,280
Speaker 3: You always helped me out.

866
00:50:34,239 --> 00:50:36,239
Speaker 7: You voways bull me straight.

867
00:50:39,000 --> 00:50:39,639
Speaker 6: You make my.

868
00:50:39,880 --> 00:50:41,119
Speaker 14: Eyes flide up.

869
00:50:43,760 --> 00:50:48,679
Speaker 3: When I get sold fraid? Do you wanna help you

870
00:50:48,880 --> 00:50:49,320
and the lad?

871
00:50:52,440 --> 00:50:53,760
Speaker 23: Do you wanna be yellow?

872
00:50:57,400 --> 00:51:02,880
Speaker 3: Don't let me go help it up to lay.

873
00:51:06,639 --> 00:51:10,639
Speaker 2: This would leave now now I don't care.

874
00:51:11,400 --> 00:51:17,960
Speaker 13: Let's go leave now lay now, leady way Scots.

875
00:51:17,440 --> 00:51:19,519
Speaker 2: Up, just go.

876
00:51:21,480 --> 00:51:40,360
Speaker 3: Father to love the hell somehow do whatever it say

877
00:51:43,360 --> 00:51:52,960
until side, until you catch your land? Who hurts me?

878
00:51:53,320 --> 00:51:58,199
Speaker 6: Now? Stop being that way?

879
00:52:01,519 --> 00:52:02,840
Speaker 2: They're down on you.

880
00:52:06,239 --> 00:52:08,119
Speaker 3: Lack a little o tree?

881
00:52:11,519 --> 00:52:16,360
Speaker 7: What what.

882
00:52:20,960 --> 00:52:22,360
Speaker 2: Come up to night?

883
00:52:23,000 --> 00:52:33,400
Speaker 13: Show me the lie in your eyes? Alien dreams ustad.

884
00:52:33,719 --> 00:52:40,760
Let's see if sat your eyes. This's got away now

885
00:52:41,079 --> 00:52:47,679
way now, I don't get Let's get away now way now, lady.

886
00:52:49,360 --> 00:52:50,599
Speaker 3: Scott's roup.

887
00:52:51,920 --> 00:52:52,480
Speaker 2: Just brow.

888
00:52:54,239 --> 00:52:59,000
Speaker 4: Follow today.

889
00:53:16,360 --> 00:53:27,760
Speaker 3: So crazy now you frecking you said the load of fire.

890
00:53:30,400 --> 00:53:31,159
Speaker 2: I'm Julia.

891
00:53:40,840 --> 00:53:45,920
Speaker 5: That was the Loft Club flicker featuring Lisa Lobe. That

892
00:53:46,159 --> 00:53:49,000
was that came up during our conversation with Daniel Shamrock.

893
00:53:49,119 --> 00:53:51,079
So I looked that up really really good. I love that,

894
00:53:51,639 --> 00:53:53,719
very catchy. It's too bad that project didn't work out,

895
00:53:53,719 --> 00:53:57,320
but I do really enjoy Daniel's solo stuff. Let's take

896
00:53:57,400 --> 00:53:59,719
a quick break, show some love to our amazing sponsors,

897
00:54:00,039 --> 00:54:01,719
and coming up an hour number two, we have vog

898
00:54:02,000 --> 00:54:03,360
and then Dave Strong.

899
00:54:03,519 --> 00:54:04,159
Speaker 9: Don't go away.

900
00:54:04,639 --> 00:54:06,039
Speaker 5: There is plenty more to come.

901
00:54:07,880 --> 00:54:08,880
Speaker 14: In times of crisis.

902
00:54:09,079 --> 00:54:11,199
Speaker 23: You need a law firm that stands by your side.

903
00:54:11,519 --> 00:54:15,239
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904
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905
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906
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908
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909
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910
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911
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912
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913
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914
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915
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Speaker 24: Thirty pm in Saturday's ten am to twenty hours. They

916
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917
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918
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919
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Speaker 14: Queen City Cabinet Tree another crowd sponsor of w MNH

920
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921
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922
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Speaker 7: Judy and the crew will take care.

923
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Speaker 14: Of you, bring your appetite and treat your taste buds right.

924
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925
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926
00:55:34,039 --> 00:55:37,119
Speaker 15: Dine in, takeout or make a reservation call six h

927
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928
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929
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Speaker 11: When it comes to keeping WMNH on the air and

930
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938
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Speaker 10: Seven times out of ten.

939
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Speaker 1: We listened to our music at night.

940
00:56:30,800 --> 00:56:34,719
Speaker 15: That's one titled books program Late Night to Light with

941
00:56:34,880 --> 00:56:38,360
DJ Midas right here on WMNH, Manchester.

942
00:56:39,039 --> 00:56:43,760
Speaker 7: Because Saturdays and Sunday nights midnight to four am.

943
00:56:45,079 --> 00:56:50,559
Speaker 17: This hour on WMNH is sponsored by CGI Business Solutions,

944
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located at five Dartmouth Drive in Auburn. They serve all

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business administration, investments and wealth management and customized business insurance solutions.

947
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Their phone number is eight sixty six eight four one

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forty six hundred, or on the web at CGI business

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Solutions dot com.

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Speaker 22: Behold the harmony of airwaves as you immerse yourself in

951
00:57:20,920 --> 00:57:25,400
the captivating frequencies of w MNHLP, the sonic heartbeats of

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00:57:25,559 --> 00:57:29,079
Manchester transcending through the ether at ninety five point three

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megahertz frequency modulation or transmissions M and eate from the

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zenith of one thousand Elm Streets, insur into the hearts

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of our creative realm at one nineteen Canal Street, where.

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Speaker 7: Innovation and sound colugs.

957
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Speaker 22: They're the impro moder of Manchester Public Television Service in

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00:57:44,400 --> 00:57:48,079
the venerable City of Manchester, New Hampshire, USA. Enrich your

959
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auditory jurity with the depth of our license to WESIDENSSPT

960
00:57:51,880 --> 00:57:55,039
your missives do WMNH ninety five to three at gmail

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dot com, or traverse the virtual corridors of Wmnhradio dot

962
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or engage with our sonic vibrations by comminning with us

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through the digital channels or radio records. Eager to enthrall

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you with its mesmerizing, cadencient villain, you would have symmony

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of Boundless.

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Speaker 7: All its hour is won. Dude, w m n H

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rip the novels you're listening to.

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Speaker 1: W m n H.

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Speaker 8: You command God, don't get Supreme Leada, Maxill Cobby

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Speaker 3: Instant