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Speaker 1: The Rightful Airs are here with us live in studio. Welcome, Hey,

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great to be here. We have John Montalto. Is that

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any saying perfect? Was it really? Yeah? Okay?

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Speaker 2: Good?

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Speaker 1: And Sonny Barretto. Yeah, okay, excellent, So welcome to both

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of you. It's nice to have you here. And I'm

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kind of adjusting these mics on the fly because the

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Rightful Airs are going to play live for us in studio.

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By the way, So where does the name come from?

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Speaker 3: That's an interesting question. I think we just really we're

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thinking about kind of being the heirs to a lot

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of different music while we were growing up, all these great,

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great influences that we had, and we just wanted to

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be songwriters. So it's Rightful with a write, yes, And

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it's really kind of reflecting that, you know, we're songwriters,

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but we're airs to a huge legacy of diverse music,

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rock and roll and other influences.

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Speaker 1: I was reading on your website something from another interview

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that you had done, where what have you said something

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about at a certain point you stopped worrying about genres

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and just worrying about kind of which is interesting. It

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sort of relates to a conversation that Jenny and I

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were having with our previous guests in the second hour.

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Eli le love about not worrying about trying to fit

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into a particular genre or style, but just doing the

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music that you want to do, you know, and letting

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it come out organically. And it sounds like that's kind

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of your approach.

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Speaker 3: Yeah, I mean we have, We've stumbled into so many

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different types of songs that we can't really say that

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we're you know, strictly Americana or anything like that. You know,

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We've got some songs that sound a little Latin and

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things like that that you know, just they happen, and

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we don't want to really exclude them. We just want

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to let them flow.

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Speaker 1: Yeah, No, that makes sense. That makes sense. And how

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long is how long has The Rightful Airs existed as

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a duo? How long have you been doing this?

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Speaker 4: Well, we had over the anniversary of our first song

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creation was November September.

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Speaker 1: Fourth, seven years seven years.

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Speaker 5: Now, Yeah, seven years.

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Speaker 4: We've been writing collectively.

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Speaker 1: Over the course of that time. I mean, how many

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how many songs have you written and recorded together?

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Speaker 4: Well, we've written over thirty songs. We've recorded ten.

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Speaker 3: Yeah, about ten, we recorded.

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Speaker 4: Ten and we're in pre production for our next project.

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We have fifteen new songs which we're going to start.

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We're going to start work on at the end of November.

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Speaker 1: Okay, do you sir Lecoin schiefer? Okay, excellent, excellent. Do

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you want to play something live for us? We played

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a studio track. We have a couple others we can

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play over the course of the time that we have together.

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But I'm dining here.

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Speaker 4: You play live, Oh, but we're happy to play. We're

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going to play you all brand new material.

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Speaker 1: So we're oh, fantastic, all right.

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Speaker 3: So this next song is called in My World, and

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it just kind of came up, as you know, instead

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of complaining about the way things are, which I think

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a lot of us, you know, in this kind of election,

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you're all griping about what we like and don't like.

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I said, you know what if I just wrote a

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song about what I really like? And that's what this

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song is really about.

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Speaker 1: Okay, all right, fantastic.

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Speaker 6: In my world there's no trap because we already got there.

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In my world, there's no hung because there's nothing that

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is not ship.

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Speaker 7: We always stop being laying the hand, we always give

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what we all can here.

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Speaker 8: Here in my world.

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Speaker 6: In my world, there's no worries because we know nobody

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is not nice.

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Speaker 8: In my world, there's.

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Speaker 9: No sorrow because we all see that we've got race.

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Speaker 6: We always turn them music on.

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Speaker 8: We always have a party on here.

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Speaker 5: Here in my world.

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Speaker 8: Just get yours on down here for you with joy,

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life more feeling batters, the best time you could have

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here in my world. In my world, there's no.

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Speaker 6: Mirrors because we all see what is so true. In

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my world, there's no garbage because there's nothing that we

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can't use.

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Speaker 8: We Ohays turn ourselves around.

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Speaker 3: We always pick it off the ground here here in

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my world.

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Speaker 8: Just get your ass on down here for your waist

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jolive on, feeling bat.

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Speaker 9: It's the best time you could have.

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Speaker 8: Here in my world.

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Speaker 6: We Ohays turn the music one. We ohays have up

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Audie on here.

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Speaker 3: Here in my world.

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Speaker 8: Just get your ass on down here for your waist,

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hove off feeling bad. It's the best time you could

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have here in my world. In my nevelt be halle

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may comit jai wa ha ha ha.

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Speaker 1: Very nice, very nice. The Rightful airs with us live

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in studio on this Saturday morning here on Matt Connorton

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Unleashed and you were saying, that's brand new pretty much, excellent, excellent.

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Did I did I ask you before how many you've

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written so far?

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Speaker 8: Ago?

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Speaker 1: Thirty over thirty?

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Speaker 3: Yeah, I mean in the beginning, I think it just

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kind of started out where, you know, when we met,

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I just handed him a poem, and you know, he

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came back to me like in a week with this,

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like this recording of him singing my poem to this

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amazing music, and I was like, wow, this is really amazing.

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Was I was so pleased. And you know what started

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to happen later was, you know, he's so prolific in

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writing all of these amazing tunes that I realized it

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was kind of like solving a puzzle to put the

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lyrics to these amazing tunes. So we probably do more

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of that and less of me like free writing a

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song and then him putting it to music. Although we

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have had that happen in one of the songs that

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we're going to be playing. The he wrote the music

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twice to the to the song. So there's a song

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on our album called Tear It Down. And originally I

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wanted him to I gave him a song called Muscleman,

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and I said, hey, you know, I need music to this,

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and he wrote this like kind of bright and jaunty music,

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and I'm like, that's that's just not you know, bluesy

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enough or you know, I need something like more serious.

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So we held onto the music and that music became

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tear it down. But you'll we'll play for you a

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song called Muscleman later on. That is the kind of

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second generation for that song.

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Speaker 1: Okay, all right, cool, Well let's right now, let's play

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another studio track and then we'll we'll hear you play

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more live. But I'm dying to play the song American

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Dream the radio edit and then maybe we can talk

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about it after. But this is a really great song.

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This is American Dream by the Rightful Airs.

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Speaker 10: Then at the American Treat.

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Speaker 11: Cut things under.

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Speaker 12: It was this.

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Speaker 7: Work on man, she don't want me.

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Speaker 10: I lived and died the American Dream, the same old

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thing today feels so paid, the sinking feeling you will never.

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Speaker 13: Find he saw maney I did everything who with spent

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all I made, packed up bill, left my home for

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a better job.

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Speaker 11: But I was drowned.

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Speaker 12: I'm build up in a whole time.

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Speaker 11: Thus or else could I with thous.

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Speaker 7: I lived and tied the American dreamcasting time. Really what

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they had seen works so damn hard to keep her green.

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I live and die the American entree, you.

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Speaker 10: Know, God of Santa Miracles, take up hill.

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Speaker 5: What else can you do to protect your head, to your.

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Speaker 12: Try and not to get old?

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Speaker 11: And no one to hold a million and a those

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who live just like.

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Speaker 5: Uncertainty.

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Speaker 9: I'm running of our road time, I said, it's up,

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goddamn crime.

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Speaker 7: I live and die the American.

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Speaker 11: Trees packed up on my bride, in my esus.

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Speaker 7: And Sir Blcovis Nancy. I lived untied the American dream.

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SHO tell me what I want to be?

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Speaker 11: The mock.

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Speaker 12: Of them?

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Speaker 11: Up with spending streets? Are you me up chating me?

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Speaker 14: I'll live in on Barber.

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Speaker 10: I lived and tied the American Dream. I'm still in

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love with my country. My rockin will will keep me free.

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I lived and the American Dream.

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Speaker 1: I really like that song a lot. That is American dream.

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That is the rightful heirs who are here with us

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live in studio, and uh yeah, I'm curious to hear

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the story behind that song. Very very topical, shall we say.

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Speaker 3: Well, you know you know how sometimes you're just kind

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of like talking to somebody and you kind of make

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a phrase that just kind of like sticks. So I

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think I said something along lines of like oh, I've

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lived and died the American Dream, and John's like, oh,

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that's a song, and he just kind of kept noodling it,

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and he came up with the chorus right away, and

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then he I think already had a piece of like

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a verse that went with it, and why don't you

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talk about how you constructed it?

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Speaker 4: But we had the we had the chorus to the song,

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and trying to fit what a verse would be match that.

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There was a song idea that popped into my head

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that was twenty five years old that never did anything

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with that just fit perfectly. And once we had that

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structure in place, Sonny was able to compete the whole

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lyric idea.

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Speaker 1: Yeah, and who's on that? Larry Campbell was on that

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song with him.

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Speaker 3: So Larry Campbell has I think three Grammys. He's playing

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I think pedal steel guitar on a lot of our

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tracks and on this particular track as well, right and.

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Speaker 4: On and on Tear It Down. He also plays guitar

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and pedal steel as well.

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Speaker 3: Yeah, we also have Josh Dion on drums.

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Speaker 4: And Danny Lewis the keyboard player for government. You played

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on all tracks.

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Speaker 1: Oh okay, Oh wow.

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Speaker 13: You said something.

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Speaker 8: I had nothing. I said nothing, you had something?

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Speaker 11: Ter down.

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Speaker 8: I did everything for you. Just tear it down. It's

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the only thing to do. I've been waiting, you've been praying.

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I've been praying. You've been waiting. Tear it down. Can't

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get anything from you. Just tear it down. It's the

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only thing we did that's loner.

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Speaker 15: You should really go back almost be.

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Speaker 16: Tail it down to the ground, down to the gram.

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Speaker 8: I don't like it when you're lazy. You don't like

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it when I'm crazy. Tear it down. Is there no alternative?

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Just tear it down. Is there any way to your

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forgiving me for living living, for your giving? Tear down?

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We had everything, it's you. Just tear it down. I

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will always sing to you.

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Speaker 12: Up to all.

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Speaker 15: You Just not build that on your room.

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Speaker 8: That Just do it down.

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Speaker 15: He started down better rock eye, youn it. You should

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really go back almost sweet.

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Speaker 14: To the ground, down to the ground. You will start

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when I must finished?

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Speaker 8: Could I know to live?

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Speaker 17: Really we build no blaze of glory. How could we

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just d the story build it up? But it's our

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time town.

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Speaker 8: Just tear it all down.

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Speaker 17: Tear it all down and move all from.

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Speaker 8: We should I'm not staying willing and layon. You're not

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laying where I'm stayin ho town. We'll give in to

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grab the teachers. Take it down live where you would

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rather would be. You're a bricking.

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Speaker 15: I can't build the struggle while you can wear it down.

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Speaker 8: Hold turn down.

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Speaker 18: To the ground, very very catchy.

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Speaker 1: I like it that is, tear it down. We've got

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the rightful heirs here with us, live in studio on

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this Saturday morning. Uh, let's go and try that, Mike John,

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try talking into that. Oh, I think we're onto something here.

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Keep keep keep talking. Well, Uh, that's that's a that's

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much better. Yeah, we were. We were getting some buzz

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earlier that whether it was not not helpful. Yeah, that's

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that's that's a big improvement. I can actually hear you

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plug that mic into a different channel. So yeah, so

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we have the rightful airs with us. Uh, live in

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studio with us. You want to you want to play

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another live one for us?

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Speaker 3: Okay, so you just heard tear it down on the

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recorded track there that we submitted, and that was really

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the music that John came up with for this next

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song when I handed him these lyrics and oh you'll

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you'll see these are two totally different songs. This is

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probably a little bit more kind of serious sounding and.

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Speaker 1: Okay, oh now I'm curious.

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Speaker 3: Yeah, so the song is called muscle Man.

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Speaker 1: Okay, rightful Airs live in studio, the right Hilaiirs live

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in studio.

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Speaker 4: The.

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Speaker 8: Musclemade? What don't you move me? If you can? Hey them? Musclemaide,

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Why don't you move me if you can can care?

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A prodigy, no ambition? Can your mirror spin your mission

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on the ViRGE of what? Since I'm urged to say

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the lad hey them musclmade, Why don't you move me

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if you can? Hey them Musclemade? And you know you'd

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move me if you can can care? Watch this love's condition.

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Can't you see what you've been listened? Break free from

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your history and come feel my mistreet Hey them, Musclemade?

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Why don't you move me if you can?

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Speaker 11: Hey them?

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Speaker 8: Musclemade? And oh you could move me if you can

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can can care? What's song on the outside? Or free

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you from your inside. What's on the outside, won't a

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are you.

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Speaker 19: From your ripped tad? That one inside?

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Speaker 8: Hey? Hey hey hey you got how weldy? Hey hey

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hey you got to move Hey the muscleman, what don't

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you move me? If you can?

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Speaker 1: I like it? I like it?

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Speaker 3: Thank you?

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Speaker 1: That is muscleman. The Rightful Airs are here with us

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live in studio on this Saturday morning here on Matt

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Connerton Unleashed playing some tunes. We also played some studio tracks.

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And what have you released so far for studio material?

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Do you just have the one album, the one self

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titled album, or have you put anything else out prior

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to that?

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Speaker 3: That's really all that we've kind of put up there,

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you know, like on Spotify and Apple Music and all

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of that stuff. Is that studio album. We did have

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another song that we had a different producer do, but

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we haven't really released that one. And we've got a

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whole bunch of stuff that we're working on for our

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next go around.

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Speaker 1: Yeah, I would imagine. I mean you're probably constantly writing, right.

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Speaker 3: Yeah, it's just it's kind of like a disease. Yeah,

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it just keeps happening. But yeah, there's nothing we could

303
00:23:27,720 --> 00:23:29,880
do about it. And it's all different, and you know,

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you just got to go with it.

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Speaker 4: Yeah, and just blessed to have such a wonderful songwriting partner.

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For many years, I had gotten to the point where

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I wasn't really able to.

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Speaker 5: Complete anything on my own.

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Speaker 4: Yeah, and then once Sonny and I started writing together,

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all of these wonderful new ideas started coming about.

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Speaker 11: And in the.

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Speaker 4: Thirty five plus years that I've been writing, this is

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the best material that I've really been part of. And

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I've been part of some really great bands in the past,

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so it's really it's really pleasing to to have this

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type of partnership.

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Speaker 1: Yeah, yeah, excellent. Where do you record it? By the way,

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forgive me if I asked you this earlier, I may

319
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have been distracted by the little technical problems we were having,

320
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But where where do you record? Where was this album recorded?

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Speaker 3: Lincoln's Lot Log Cabin in Bronx, New York.

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Speaker 1: So there's a place in the Bronx, a studio called

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Lincoln's Log Cabin.

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Speaker 3: Yeah, Oh, it's wild. It's really like a basement. There's

325
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no there's no log cabin, but it's a house in

326
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the Bronx. And he's got this like basement studio and

327
00:24:45,279 --> 00:24:49,240
all of these amazing artists came there to record our album.

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Speaker 4: We're really fortunately we recorded the album during COVID and

329
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a lot of these musicians would have been on the

330
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road and they were grounded and they were available to

331
00:25:00,240 --> 00:25:02,720
so we were very, very lucky and fortunate to have

332
00:25:02,759 --> 00:25:05,920
the opportunity to have them come in and really create

333
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our music. And basically we came in with songs just

334
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the way we're playing them today, and from that point

335
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of view, Lincoln had a vision for each and every track,

336
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and we're really we're just really grateful we had the

337
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opportunity to work with Lincoln and with all these magnificent players.

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Speaker 1: Oh excellent, Yeah, excellent. Do you plan to go back

339
00:25:28,519 --> 00:25:30,359
there for recording in the future or are you going

340
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to try somebody else.

341
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Speaker 3: Or Oh, We're definitely going back to Lincoln.

342
00:25:33,720 --> 00:25:38,720
Speaker 4: No, Lincoln's our man, for sure. We're scheduled to meet

343
00:25:38,759 --> 00:25:41,599
with Lincoln at the end of November and to play

344
00:25:41,640 --> 00:25:45,680
him fifteen to fifteen songs, including all of what we

345
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played here today. These are all songs that are going

346
00:25:48,079 --> 00:25:49,400
to be considered for the next project.

347
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Speaker 1: Oh excellent, very good, very good. Do you want to

348
00:25:52,039 --> 00:25:55,960
play another live one. Sure, sure, if you're just joining us,

349
00:25:55,960 --> 00:25:58,400
we have the rightful areas with us alive in studio here,

350
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so you want to be okay.

351
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Speaker 3: So this song's kind of a medley. It's it's two

352
00:26:05,319 --> 00:26:09,680
songs really kind of sandwich together. That just kind of

353
00:26:09,720 --> 00:26:13,039
happened that way. One day John was noodling around and

354
00:26:13,079 --> 00:26:16,039
he just kind of slid from one into the next,

355
00:26:16,079 --> 00:26:18,880
and then it's just kind of we realized they needed

356
00:26:18,880 --> 00:26:23,079
to go together. So the first songs called in Due Time,

357
00:26:23,400 --> 00:26:27,240
and the next song is called the Devil. And you know,

358
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feel free to put your favorite villain in our Devil song.

359
00:26:31,640 --> 00:26:34,400
Think of who you must in these times. I'm sure

360
00:26:34,400 --> 00:26:39,440
everybody's got somebody that they consider might fit the bill here.

361
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Speaker 1: No doubt.

362
00:26:53,759 --> 00:27:03,599
Speaker 5: She knew down upon he's great blackbird screams in Blazzle Week.

363
00:27:05,200 --> 00:27:07,480
Speaker 11: Where she's here and.

364
00:27:07,720 --> 00:27:14,640
Speaker 5: He is gone, no reason left to carry.

365
00:27:17,519 --> 00:27:24,599
Speaker 2: Just take your please inside the land, all questions answered

366
00:27:25,200 --> 00:27:26,680
in your time.

367
00:27:38,279 --> 00:27:43,680
Speaker 12: Won soul tear is all she see.

368
00:27:44,640 --> 00:27:52,759
Speaker 5: From the memory of that day. Now that warmmon has

369
00:27:52,839 --> 00:27:59,119
grown old, the little tear has turned to go.

370
00:28:01,599 --> 00:28:03,440
Speaker 12: Just take your.

371
00:28:02,960 --> 00:28:10,359
Speaker 2: Place inside the land, or questions answer in due time.

372
00:28:10,880 --> 00:28:13,880
Speaker 11: In due time.

373
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Speaker 8: Everything shall be revealed.

374
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Speaker 5: When you look in to the mirror, you say, no

375
00:28:54,480 --> 00:29:00,640
one left to save? Have the image Beagle's clear?

376
00:29:01,559 --> 00:29:04,839
Speaker 12: Who's the master and who's the sleeve?

377
00:29:05,880 --> 00:29:09,680
Speaker 11: And whose rules? To you be?

378
00:29:18,440 --> 00:29:25,160
Speaker 5: I have seen your face before history has served me.

379
00:29:25,519 --> 00:29:31,279
Will there'll be those who take your hand, But I

380
00:29:31,359 --> 00:29:34,079
won't fall under your spill.

381
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Speaker 11: I won't follow you to haill.

382
00:29:41,319 --> 00:29:48,920
Speaker 5: Would you know the devil? It's be looking to your eyes?

383
00:29:53,640 --> 00:29:56,039
Would you know the devil?

384
00:29:57,680 --> 00:30:00,880
Speaker 8: When it comes as non surprise?

385
00:30:02,519 --> 00:30:02,680
Speaker 12: Men?

386
00:30:02,799 --> 00:30:08,839
Speaker 9: You been help motis you're thinking you can't do no wrong?

387
00:30:11,440 --> 00:30:12,759
Speaker 11: Do you no wrong?

388
00:30:15,319 --> 00:30:16,599
Speaker 12: Do you no wrong?

389
00:30:23,240 --> 00:30:29,200
Speaker 5: Yes, we all do have a shadow, and we almost

390
00:30:29,240 --> 00:30:34,519
make a choice not to give in to what shadow

391
00:30:35,440 --> 00:30:38,440
or to slip in to the board.

392
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Speaker 9: We just need to raisoveice. Would you know the devil

393
00:30:49,200 --> 00:30:59,359
if he looked into your house? Would you know the devil?

394
00:31:00,960 --> 00:31:01,680
Speaker 12: And then it.

395
00:31:01,680 --> 00:31:04,880
Speaker 8: Comes as no surprise.

396
00:31:05,759 --> 00:31:08,200
Speaker 11: When you bad him the task?

397
00:31:08,559 --> 00:31:16,279
Speaker 9: You thinking you can't do no wrong, do no wrong.

398
00:31:18,559 --> 00:31:40,759
Speaker 11: Do no wrong? Would you know the table? Would you

399
00:31:40,799 --> 00:31:42,319
know the table?

400
00:31:43,880 --> 00:31:47,680
Speaker 8: And it comes as no surprise.

401
00:31:48,519 --> 00:31:51,000
Speaker 11: When you paid him the times?

402
00:31:51,319 --> 00:31:54,960
Speaker 8: You thinking you can't do no wrong.

403
00:32:08,079 --> 00:32:11,920
Speaker 1: Oh I like that, Thank you, I like that a lot?

404
00:32:12,160 --> 00:32:15,359
Speaker 4: Thank you so in due time. Was it felt to

405
00:32:15,440 --> 00:32:18,440
me that there just wasn't there. I needed to have

406
00:32:18,559 --> 00:32:21,599
more And it was just that happy accident when I

407
00:32:21,680 --> 00:32:26,559
was doing that figure, just going down that half a

408
00:32:26,599 --> 00:32:29,839
step is where the devil started and that's it's sunny.

409
00:32:30,240 --> 00:32:33,000
Let's try to put these two together. Yeah, and uh,

410
00:32:33,559 --> 00:32:35,119
like I said, it was just a happy accident.

411
00:32:35,240 --> 00:32:37,759
Speaker 1: Yeah, yeah, no, that was very cool. That was very cool.

412
00:32:38,160 --> 00:32:40,359
If you're just joining us, the Rightful Airs are here

413
00:32:40,359 --> 00:32:44,519
with us live in studio before we run out of time,

414
00:32:45,119 --> 00:32:46,720
do you wanna do you want to play one more

415
00:32:46,759 --> 00:32:48,720
and then we'll kind of remind everybody where to find

416
00:32:48,759 --> 00:32:49,200
you online.

417
00:32:49,559 --> 00:32:50,920
Speaker 12: We'd love to thank you. Thank you.

418
00:32:51,000 --> 00:32:54,039
Speaker 1: Yeah, absolutely no, I like that last one so much.

419
00:32:54,079 --> 00:32:58,880
I just want to hear another live one. Oh great you.

420
00:32:58,920 --> 00:33:02,119
Oh so while you're looking at that too, I'll just

421
00:33:02,160 --> 00:33:05,920
remind our listeners if you're looking for the Rightful Airs online.

422
00:33:05,960 --> 00:33:09,880
So it's rightful with a W W R I T

423
00:33:10,039 --> 00:33:13,039
E f U L and then airs is h E

424
00:33:13,440 --> 00:33:16,519
R I R S for the spelling tom pairt.

425
00:33:17,319 --> 00:33:19,480
Speaker 4: This is another song that's that's quite different.

426
00:33:19,519 --> 00:33:19,640
Speaker 12: Here.

427
00:33:19,720 --> 00:33:24,480
Speaker 4: Let me just make sure, let me just tune this

428
00:33:24,680 --> 00:33:25,039
up here.

429
00:33:25,200 --> 00:33:26,279
Speaker 1: Sure, So this is.

430
00:33:27,720 --> 00:33:30,160
Speaker 3: Kind of like a date night song, like if you know,

431
00:33:30,599 --> 00:33:34,160
just kind of one thing kind of leads into the next.

432
00:33:34,240 --> 00:33:40,240
And the song is called Pepper and uh it's kind

433
00:33:40,240 --> 00:33:42,920
of not like our other songs because it's a little

434
00:33:43,599 --> 00:33:47,720
Latin sounding. Oh okay, all right, don't have much more

435
00:33:47,759 --> 00:33:48,920
to say about this song.

436
00:33:49,200 --> 00:33:51,119
Speaker 4: The song almost didn't come to be. But that's a

437
00:33:51,759 --> 00:33:52,880
story for another time.

438
00:33:53,359 --> 00:33:57,240
Speaker 3: Oh all right, we could say more about that later.

439
00:34:02,920 --> 00:34:07,480
Speaker 8: Bring me a little more pepper, Baby, I'll pour a

440
00:34:07,559 --> 00:34:13,760
little more wine. We can make it together, the baby.

441
00:34:14,039 --> 00:34:15,960
It will really be fine.

442
00:34:16,679 --> 00:34:23,559
Speaker 5: Close your eyes, make a little wish. Yes, I'm your guy.

443
00:34:24,480 --> 00:34:28,840
Speaker 8: Play me some more of your music, honey. I'll make

444
00:34:28,920 --> 00:34:34,920
a really good rhyme. We can play it together, honey,

445
00:34:35,480 --> 00:34:37,800
we can sing it right.

446
00:34:38,119 --> 00:34:45,119
Speaker 5: Take my hand, make a little wisch. Yes, I'm your man,

447
00:34:45,280 --> 00:34:50,559
and you've got me right here. Baby, you've got me

448
00:34:50,880 --> 00:34:52,320
goin crazy.

449
00:34:52,880 --> 00:34:58,039
Speaker 8: Wrap your arms all around me, baby, Turn me towards

450
00:34:58,079 --> 00:35:04,559
the stars. We're still holding each other, darling. That's just

451
00:35:04,800 --> 00:35:07,320
who we are.

452
00:35:06,519 --> 00:35:07,400
Speaker 12: What you are.

453
00:35:08,960 --> 00:35:11,440
Speaker 5: Make a little wish.

454
00:35:11,840 --> 00:35:13,800
Speaker 11: Let's do this all night.

455
00:35:14,119 --> 00:35:18,400
Speaker 8: Slide your hips a bit closer, my love, dance me

456
00:35:18,760 --> 00:35:25,360
through the night. We keep moving together. The baby and

457
00:35:25,639 --> 00:35:27,079
did feel so right?

458
00:35:27,800 --> 00:35:34,719
Speaker 5: Close your eyes, make a little wish. Yes, I'm your god.

459
00:35:35,639 --> 00:35:39,920
Speaker 8: It's time that you kissed me right there. You could

460
00:35:40,159 --> 00:35:46,239
do that again. We can make love together all night.

461
00:35:46,559 --> 00:35:48,440
It will never end.

462
00:35:49,079 --> 00:35:55,320
Speaker 5: Just take my hand. I've got wa Genie. Yes, I'm

463
00:35:55,400 --> 00:35:56,440
your man and.

464
00:35:57,000 --> 00:35:59,039
Speaker 11: You've got me right here.

465
00:35:59,280 --> 00:36:03,400
Speaker 6: Baby, you've got me going crazy.

466
00:36:10,719 --> 00:36:15,239
Speaker 8: Bring me a little more pepper, Peep, I'll pour a

467
00:36:15,320 --> 00:36:21,639
little more wine. We can't do it together, Beep. We

468
00:36:22,000 --> 00:36:23,360
can do it right.

469
00:36:25,119 --> 00:36:29,880
Speaker 20: We can do it together, the babe, we can do

470
00:36:30,039 --> 00:36:36,599
it right. We can do it together, Babe, we can

471
00:36:36,800 --> 00:36:37,719
do it right.

472
00:36:40,800 --> 00:36:45,320
Speaker 1: That song made me blush. No, that's great. That is

473
00:36:45,360 --> 00:36:49,920
Pepper by the Rightful Airs here with us live in studio.

474
00:36:50,880 --> 00:36:53,000
Where should people go online to keep up with everything

475
00:36:53,039 --> 00:36:54,760
that you're doing? Where's the best place here?

476
00:36:55,360 --> 00:36:59,320
Speaker 3: The Rightful Airs dot com. That's the w R I

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T E f U l H E I R S

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dot com.

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Speaker 4: Okay and Spotify, iTunes, Amazon, all the major music carriers

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you can find us.

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Speaker 1: On Okay, excellent. And do you have any shows this

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weekend that you're playing or when's the next show?

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Speaker 4: No, that's that's something that we're working on, as you know,

484
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in order to play a lot of the venues here,

485
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you do have to know a fair amount of cover songs,

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which we're totally new to us. So we're currently working

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on about fifteen or twenty cover songs so that we

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can put a show together and start playing all the

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local places. Excellent, And just to say, we were from

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New York and when we moved here, we were surprised

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to find that there is really a fantastic music scene here.

492
00:37:43,800 --> 00:37:47,719
Oh yeah, wonderful, wonderful musicians, a lot of opportunities to play,

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so we're happy to be part of it.

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Speaker 1: Yeah, excellent. What brought you you're both from New York? Original? Yes,

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what brought you here?

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Speaker 12: Oh?

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Speaker 3: Just like I think in living in New York after

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a while, I used to have this helicopter that was

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over my house all the time, and I was like,

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you know, I really could use some peace and quiet.

501
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So like, we came up to New Hampshire and it's

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been great. There is no traffic here, at least where

503
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I drive anyway. Yeah, and you know, as long as

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they don't put any more stoplights in, I think it'll

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be an awesome, awesome place to drive all the time.

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So we're loving it.

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Speaker 1: Here excellent, excellent, very very good. Well we'll in a moment,

508
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we'll wrap up. I was thinking about playing this studio

509
00:38:31,199 --> 00:38:36,920
track Jupiter in July that I really like, and as

510
00:38:36,920 --> 00:38:38,280
you said, you know you can get it on all

511
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the streaming platforms. So thank you both for coming in today.

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This has been wonderful.

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Speaker 3: Thank you so much for having me, Thank you for

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having us.

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Speaker 4: And we want to get the word out to the

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public about your show, so we will be promoting it

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on our website and our Facebook page.

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Speaker 1: Oh, thank you, thank you. We appreciate that. We appreciate

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that