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<v Speaker 1>Caalaroka Shark Media. Hello Shunning back with your daily comedy news.

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<v Speaker 1>In case you haven't noticed, everything in the world has

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<v Speaker 1>to be a controversy. Well, they're putting the Seinfeld Show

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<v Speaker 1>out on four K blu ray. Seems like a harmless thing.

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<v Speaker 1>What could go wrong? Fans are hoping that the four

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<v Speaker 1>K release doesn't ruin the show like Netflix did. Crack

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<v Speaker 1>dot com looked into this. First of all, the box

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<v Speaker 1>set will cost two hundred and fifty dollars. What are

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<v Speaker 1>you insane? My DVD set is perfectly fine. Fans are

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<v Speaker 1>worried about which aspect ratio the four K disc version

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<v Speaker 1>of Seinfeld will be in. You see, the Netflix version,

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<v Speaker 1>not unlike the HD ramaster that aired on TBS, reframed

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<v Speaker 1>and cropped the original four x three box image to

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<v Speaker 1>accommodate modern widescreen TVs, but in doing so they've ruined

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<v Speaker 1>certain jokes. For example, in the episode The Couch where

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<v Speaker 1>Jerry discovers that Poppy has pete on the sofa. In

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<v Speaker 1>the Netflix widescreen version, they edited in a blatantly manufactured

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<v Speaker 1>close up shot of the pea stain because it wasn't

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<v Speaker 1>clearly visible in the cropped wide shot, which completely throws

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<v Speaker 1>off the subtle timing of the reveal. Good news we

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<v Speaker 1>are hearing. The new four K Blu ray of Seinfeld

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<v Speaker 1>will feature the original one point three to three by

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<v Speaker 1>one aspect ratio, but that version will only be released

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<v Speaker 1>as a limited edition. The standard Blu ray will be

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<v Speaker 1>one point seven eight by one. Another concern, Netflix's four

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<v Speaker 1>K scan employed color correction that looks different from the

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<v Speaker 1>original show. For example, in the Netflix version, Jerry's apartment

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<v Speaker 1>looks way greener. By the way, if you want to

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<v Speaker 1>deep dive in this feed, somewhere down there, I went

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<v Speaker 1>into a rabbit hole one day about Jerry's bookcase. Now

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<v Speaker 1>that the stuff is in high depth. In one of

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<v Speaker 1>the early episodes, you can see Jerry's bookshelf where he's

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<v Speaker 1>got VHS movies. They're clearly porn movie if you read

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<v Speaker 1>the title. Somewhere there's an episode about that, but we

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<v Speaker 1>don't have time for that today. I have to tell

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<v Speaker 1>you about Paul Sheer in the ketchup controversy. Paul Sheer

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<v Speaker 1>was on the Subway Takes web series and said restaurants

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<v Speaker 1>need to stop with the artisanal ketchup. Heines has perfected it.

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<v Speaker 1>We don't need your mango chutney ketchup. I just want

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<v Speaker 1>the sugar. I want the taste of Heines. Sheer went

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<v Speaker 1>on further, Instead of restaurants are going to be serving burgers,

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<v Speaker 1>fries should not be extra host Kareem Rama agreed, said,

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<v Speaker 1>if I go to place and the burger doesn't say

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<v Speaker 1>burger and fries, you have to buy the burger for

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<v Speaker 1>eight dollars actually eighteen dollars in New York City, plus

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<v Speaker 1>another seven dollars for fries, and then they bring out

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<v Speaker 1>the artisanal ketchup. Paul Sheer said, in you're recking the experience.

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<v Speaker 1>I don't even enjoy the fries, and the fries are

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<v Speaker 1>the best port You can give me a little thing

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<v Speaker 1>of fries like this. Don't treat me like an animal.

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<v Speaker 1>They then express sympathy for the restaurant employees who were

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<v Speaker 1>in the kitchen crushing tomatoes to make the from scratch ketchup.

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<v Speaker 1>She said, I don't know how you make it, but

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<v Speaker 1>I don't think anyone knows. That's why it's so bad.

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<v Speaker 1>The Heinz factory has figured out something that no one

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<v Speaker 1>else could duplicate. By the way I'm doing this like borderline,

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<v Speaker 1>half assed, angry Jerry Seinfeld and like Paul Shear was

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<v Speaker 1>pretty soft spoken. Hey, Sarah Silverman, who do you feel

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<v Speaker 1>like is killing it right now? Sarah? It's told the

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<v Speaker 1>Columbus Dispatch. Taking a torrow, she goes at a joke

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<v Speaker 1>from every angle. When you think she's exhausted at every

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<v Speaker 1>possible angle, she finds a new one. There's nobody like

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<v Speaker 1>Robbie Hoffman, Moe Welch and Naomi Expergan, Tim Robinson. He

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<v Speaker 1>has a show on Netflix. Sketches are about fifteen to sixteen

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<v Speaker 1>minutes each, just hilarious. You have to watch it, Sarah.

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<v Speaker 1>How does it feel to have a multi generational audience now?

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<v Speaker 1>Sarah said, I love it. I've always loved that. I

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<v Speaker 1>do a bunch of odd jobs. Sometimes it's good whether

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<v Speaker 1>you know me from Monk or stand up or wreck

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<v Speaker 1>at Ralph. I have r rated stuff and g rated stuff.

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<v Speaker 1>It's cool, Sarah Silverman, What if you weren't a comedian?

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<v Speaker 1>What we'd be doing? Sarah said, I can think of

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<v Speaker 1>three things. I'd work with animals, elephants or chimps. Those

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<v Speaker 1>are two things. Or I'd be a teacher. That's the

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<v Speaker 1>third thing. Part of me likes the idea of high

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<v Speaker 1>school kids. This is ego talking. I feel like I

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<v Speaker 1>can really shape them kindergarten for the same reason I

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<v Speaker 1>really like kids talking to kids. Their lives are so different.

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<v Speaker 1>Hour is feeling like you have grown to be someone

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<v Speaker 1>who would protect you as a child. That's huge, Or

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<v Speaker 1>I'd work with mentally challenged adults. I don't know if

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<v Speaker 1>you know this. Saturday Night Live is turning fifty this year,

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<v Speaker 1>and we're going to talk about it every day. Ago

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<v Speaker 1>Nuotam says, we literally work in an office building, which

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<v Speaker 1>he spoke to The Wall Street Journal. I'm talking to

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<v Speaker 1>people coming in for their nine to five scanning their

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<v Speaker 1>badges as I'm doing the same thing to go make

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<v Speaker 1>hahas and put on a costume. How does the week go? Monday,

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<v Speaker 1>the staff meets the week's host and floats ideas. Tuesday

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<v Speaker 1>group dinner with the host, followed by night time writing sessions.

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<v Speaker 1>Wednesday a readthrough followed by an initial selection of sketches,

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<v Speaker 1>which triggers production on everything from props to costumes. Thursday

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<v Speaker 1>and Friday a rehearsals and filming of pre tape promos

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<v Speaker 1>and sketches. A Saturday night and eight pm dress rehearsal

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<v Speaker 1>that determines what makes the live show. At eleven thirty,

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<v Speaker 1>mikey Day explained how the roommate thing works. He says,

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<v Speaker 1>we just get paired there randomly, like college roommates. Heidi

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<v Speaker 1>Girdner said, my first year was really hard for me

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<v Speaker 1>to knock on doors and think anybody would want to

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<v Speaker 1>write with me. Not because people weren't welcoming, because I

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<v Speaker 1>thought I was following the rules of senior junior, sophomore

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<v Speaker 1>freshman Keenan Thompson's Where's by the rule of making himself available.

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<v Speaker 1>He says, I remind people, hey, I'm always down to

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<v Speaker 1>be the hot dog vendor. Will Ferrell has a new project.

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<v Speaker 1>It's called Street Justice. Will will play dirty Harry type

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<v Speaker 1>who goes about taking justice into his own hands. I

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<v Speaker 1>don't know, I could say that working. I also think

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<v Speaker 1>the days of Will Ferrell doing Will Ferrell's style comedy

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<v Speaker 1>have passed. I could be wrong. Jimmy Fallon talked about

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<v Speaker 1>his new comedy album Holiday Seasoning features some big names

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<v Speaker 1>like the Jonas Brothers and Megan Fee Stallion and Dolly Parton.

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<v Speaker 1>There's also some non music people from comedy like Will

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<v Speaker 1>Ferrell and Chelsea Handler and then checking both boxes weird out.

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<v Speaker 1>Fallon said, I'm so excited about this. I'm proud it's

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<v Speaker 1>a good one. It's a fun project to have. I

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<v Speaker 1>can't believe I have my own Christmas album. It kind

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<v Speaker 1>of makes no sense, but here we are. Somebody had

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<v Speaker 1>put the thought in a Jimmy's head to do an album.

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<v Speaker 1>He said. I recorded one song and it wasn't good.

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<v Speaker 1>It was corny. I don't know what it was. It

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<v Speaker 1>wasn't me. I was like, I'm not good at this.

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<v Speaker 1>Michael Boubla is much better at doing this, Kelly Lark's

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<v Speaker 1>and Mariah Carey, the real singers. That's not what I

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<v Speaker 1>can offer. So I go, I have a comedy song.

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<v Speaker 1>I was working on my iPhone. I had a song

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<v Speaker 1>called Chipmunks and Chestnuts, which is a Roy Orbison inspired

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<v Speaker 1>Slim Whitman Monty Python type of song where a guy

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<v Speaker 1>hits a giant high note that's almost annoying. It makes

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<v Speaker 1>me laughs. I recorded that and I started adding tracks

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<v Speaker 1>to it, and then I go, maybe I won't do

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<v Speaker 1>any covers. I'll do all original songs. I thought that

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<v Speaker 1>was more of a challenge if you can write a

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<v Speaker 1>comedy holiday album. I don't know when the last one was,

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<v Speaker 1>but we're overdue for one, so might as well just

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<v Speaker 1>do it now and have some fun. You get this

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<v Speaker 1>opportunity to create new stuff and just put it out

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<v Speaker 1>there and see what sticks. You know, there's a Bob

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<v Speaker 1>Dylan influenced one. There's a couple college radio type of

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<v Speaker 1>keyboarding jams where I go, yeah, I don't know if

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<v Speaker 1>anyone's going to get this one, but I think it's funny.

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<v Speaker 1>The couple pop jams on there that hopefully can get

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<v Speaker 1>radio play. I like those. It's a roller disco type

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<v Speaker 1>of song called Holiday that I think everybody can get behind.

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<v Speaker 1>He talked about the evolution the lyrics being it's a

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<v Speaker 1>holiday time to celebrate, we'll stay out all night. Then

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<v Speaker 1>you had bass, and you make it more Jackson's more chic.

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<v Speaker 1>Then it turns to that and I go woul. The

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<v Speaker 1>Jonas brothers do this. We sent it over their people

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<v Speaker 1>and they were like, love it, let's do it. They

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<v Speaker 1>recorded their version. They turned it into a real song.

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<v Speaker 1>Jimmy says, don't overthig it, released it, put it out.

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<v Speaker 1>I have Ladys come on the show and sometimes they go, yeah,

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<v Speaker 1>we cut this down. I wrote a hundred three songs.

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<v Speaker 1>We cut it down to ten. I go, you wrote

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<v Speaker 1>on a hundred and three songs. If I ever wrote

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<v Speaker 1>a hundred three songs, my alum would have one hundred

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<v Speaker 1>three songs on it. Are you kidding me? I'd be

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<v Speaker 1>so proud. So don't overthig it. Don't go. Someone's gonna

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<v Speaker 1>make fun of me for this one. Put it out.

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<v Speaker 1>It's something else to listen to. You go, this one's weird,

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<v Speaker 1>but I kind of like it. That is my vibe too,

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<v Speaker 1>Like this podcast. Apparently you like it because you're listening.

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<v Speaker 1>Thank you. Other people might get stupid. I don't care.

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<v Speaker 1>You'll learn that as you get older. Just do your thing.

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<v Speaker 1>As we're working with weird, al found said he's my idol.

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<v Speaker 1>He got famous for his parodies first, but then when

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<v Speaker 1>you buy the album you get into the deeper cuts

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<v Speaker 1>and dear to be stupid and his poke stuff. I

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<v Speaker 1>was writing all these songs for the album, and I

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<v Speaker 1>was trying to hit every holiday I could think of.

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<v Speaker 1>I was thinking about New Year's Eve and there's no

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<v Speaker 1>real happy New Yar's Eve songs. They're all sad. They're

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<v Speaker 1>all depressing. That's covered. There's no missing sad New Year's songs.

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<v Speaker 1>We have a lot of them, whether it's all Ang

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<v Speaker 1>Xi or Dan Folberberg or whatever. I wanted a good song.

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<v Speaker 1>You just put on a New Year's Eve party and

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<v Speaker 1>everyone go, this is so silly. I have to dance

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<v Speaker 1>around and picturing mosh pits and picturing people screaming at

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<v Speaker 1>the top of their lungs. It's track number one side

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<v Speaker 1>too me weird Al Yankovic and the Roots. I said

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<v Speaker 1>to him, what do you think of this? He immediately

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<v Speaker 1>got back and said, I'm in. I love it. Do

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<v Speaker 1>you mind if I rewrite a couple of things? I said, yeah,

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<v Speaker 1>let's go. We started going back and forth. In two days,

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<v Speaker 1>he had a full, unrecorded version of it, full sheet

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<v Speaker 1>music of every note and every harmony, advanced stuff. He

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<v Speaker 1>took it next level and he goes, you're gonna get

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<v Speaker 1>a ban on this. I go, I can. I didn't

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<v Speaker 1>think about that before I get a quest love. I go,

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<v Speaker 1>I have a song with weird Al. He's like, I'm in.

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<v Speaker 1>Weird ELL's a legend. He's the only one. I'm so

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<v Speaker 1>honored to work with him. He's my idol. I Wanted

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<v Speaker 1>to Be Weird Al Yankovic. It's a Friday night in

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<v Speaker 1>the Big City. It's the New York Comedy Festival. Six

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<v Speaker 1>o'clock Near Comedy Club, Joke Sista's Comedy Show eight pm,

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<v Speaker 1>Chelsea Music Hall, Bodega Chat Live, Beacon Theater at seven.

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<v Speaker 1>Jeff A. Currie, Miss Pat Town Hall seven o'clock Some

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<v Speaker 1>More the Venue at Hard Rock Hotel. Seven o'clock. Paul

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<v Speaker 1>Ollinger and Friends at Rodney's Comedy Club. Seven o'clock. Askats

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<v Speaker 1>the UCB. It's seven o'clock we Go Horses Out in

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<v Speaker 1>Brooklyn at the Comedy Collective, also at seven. Maria Dakotis

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<v Speaker 1>at the Green Room forty two at seven Steve Fury's

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<v Speaker 1>Comedy Confidential seven o'clock Near Comedy Club, Fibbs and Friends

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<v Speaker 1>hosted by Connor Wood Gramercy Theater seven o'clock, Tiny Idea

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<v Speaker 1>and Little Boy Evil Brooklyn Arthouse. Seven o'clock, Vocabaret at

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<v Speaker 1>caveat seven o'clock. Unchaper Owned Second City seven o'clock. Mecky

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<v Speaker 1>Leaper at the Bellhouse at seven point thirty. Good Luck

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<v Speaker 1>with Maggie Winters in Parker Callahan seven thirty Union Hall,

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<v Speaker 1>Drunk Black History at Little Field at eight. Chris Barnes

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<v Speaker 1>and Nate Meeker co headlined The Gutter. Surprisingly, that One's

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<v Speaker 1>at the Gutter eight o'clock. Out in Williamsburg at eight,

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<v Speaker 1>The Old Man Hustle presents Funny People Comedy Showcase. The

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<v Speaker 1>Standard eight has Oneika McLean Onto some more famous people.

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<v Speaker 1>Eight o'clock. Hank Azaria and the Easy Street Band at

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<v Speaker 1>Brooklyn Bowl. That's Hank Azaria pretending he's Springsteen. I've played

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<v Speaker 1>the impression in the past. It's not bad. It's weird,

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<v Speaker 1>but it's not bad. Jack and Michael Whitehall Live at

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<v Speaker 1>Carnegie Hall at eight o'clock. New York Kings Live at

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<v Speaker 1>two seventy five Park at eight. My Grandmother's Ipatch eight thirty,

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<v Speaker 1>Brooklyn Art House, Paully's Diner, a night of comedy and

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<v Speaker 1>music at eight thirty. Stand Up, New York Matt kauff

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<v Speaker 1>Ear It's Funnier, Brooklyn Comedy Collective eight thirty. Are You

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<v Speaker 1>Garbage and Friends at Chelsea eight thirty, Ucb's Sorry for

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<v Speaker 1>Your Loss at nine and improvised Broadway Musical with a

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<v Speaker 1>Naughty title at Asylum at nine thirty. Laugh Masters caveat

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<v Speaker 1>nine thirty, Fibbs and Friends hosted by Connor Wood nine thirty,

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<v Speaker 1>Grammercy Kate Owens Cooking with Catherine nine thirty, Strong Force,

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<v Speaker 1>Second City nine thirty, Dan Soder, Town Hall nine forty five,

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<v Speaker 1>Second Show by some More, Second show by Jeffer Curry,

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<v Speaker 1>Tina Frimmel Live ten o'clock at Bellhouse Byron Bauers, Union

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<v Speaker 1>Hall ten Aaron Berg, The Stand at ten Laugh So

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<v Speaker 1>Hard you Don't Cry, and Jenny Hogan and Laura Murley

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<v Speaker 1>ten fifteen, Tiny Cupboard, Pino Noir UCB ten thirty, and

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<v Speaker 1>the Trash King at UCB at eleven fifty nine. You know,

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<v Speaker 1>that was a lot of show. And I don't know

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<v Speaker 1>who's the biggest name, I said, Hank Azaria doing Springsteen,

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<v Speaker 1>Dan Soder. I got a comment here, that's a notch

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<v Speaker 1>down from what a Friday Night at the New York

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<v Speaker 1>Comedy Festival has been in the past, Like a notchdown

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<v Speaker 1>by a lot. But I guess this thing goes another week,

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<v Speaker 1>and if we look ahead to next Friday, you know

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<v Speaker 1>we started seeing people like Gabe Iglesias and maybe some

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<v Speaker 1>bigger names as we get more into this. The other

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<v Speaker 1>thing about the festival, and the festival was never anything

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<v Speaker 1>but great to me. New York City is so big,

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<v Speaker 1>as big as this thing is, as many shows as

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<v Speaker 1>I've just read to you, it's still invisible in New

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<v Speaker 1>York City. New York City is too big for such

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<v Speaker 1>a festival, if that makes any sense. There's a Joan

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<v Speaker 1>Rivers show. Larry Ameros first met Joan in two thousand

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<v Speaker 1>and eight to write material for the Mark Twain Prize.

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<v Speaker 1>He asked Joan if anything was off limits, like which

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<v Speaker 1>you make fun of about the suicide of her late

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<v Speaker 1>husband and manager, Edgar. Joan said, I had ten new

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<v Speaker 1>minutes before they closed the casket. That is also the

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<v Speaker 1>Joan Rivers I know. The play is called Joan and

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<v Speaker 1>it's at the South Coast Repertoire runs through November twenty

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<v Speaker 1>fourth from short Oal Radio four announce some new comedy programs.

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<v Speaker 1>They include What Seriously, a new podcast which combines comedy

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<v Speaker 1>with quirky history. Dan Does Dating is a new sitcom

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<v Speaker 1>from Michael Beck, following a man as he searches for

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<v Speaker 1>love from one terrible day to another. Comedy trio cry

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<v Speaker 1>Babies presents some audio adventures that are a homage to

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<v Speaker 1>Steven Siegal' hype action flicks. Ikkelwick FM is set at

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<v Speaker 1>a dysfunctional northern community radio station, and Stuart Mitchell follows

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<v Speaker 1>up his series Cost of Living with the new Cost

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<v Speaker 1>of Dying, which takes a look at the size of

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<v Speaker 1>the bill that happens when you pass away. Chee John,

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<v Speaker 1>What a great way in the week. I know you're welcome, right,

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<v Speaker 1>And that's your comedy is for today. If you like

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<v Speaker 1>the program, tell a friend about it. They might like

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<v Speaker 1>it too. If you would like the program without commercials,

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<v Speaker 1>this link of the show. Note's tell you how that

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<v Speaker 1>works for an Apple podcast. Click the manner and avail

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<v Speaker 1>yourself with a thirty day free trial and listen to that.

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<v Speaker 1>That's sad. It's an iced coffee with not much left,

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<v Speaker 1>and no Ice had this thing for let's say six

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<v Speaker 1>hours now. Why don't you finish it? John? I take

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<v Speaker 1>my time, Buy me a coffee. Dot com slash daily

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<v Speaker 1>Comedy News, see you tomorrow,