WEBVTT

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<v Speaker 1>KFI AM six forty. You're listening to Dean Sharp, the

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<v Speaker 1>House Whisper on demand on the iHeart Radio app camp

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<v Speaker 1>I am forty by Dreaming and ad everywhere on the

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<v Speaker 1>iHeart Radio app. Welcome to Home. I'm Dean Sharp, the

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<v Speaker 1>house Whisperer, custom home Designer, custom home builder, and today

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<v Speaker 1>your guide to better understand that place where you live.

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<v Speaker 1>Today on the show, we are going to talk about

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<v Speaker 1>the secrets of ISH. What the heck are you talking about? Dean?

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<v Speaker 1>A little bit more on that in a couple of minutes,

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<v Speaker 1>but basically it comes down to this. My favorite way

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<v Speaker 1>to describe eclectic decor in a house. The eclectic design

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<v Speaker 1>of decor in a house is kind of a symphony

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<v Speaker 1>of right, a lot of different things coming together but

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<v Speaker 1>making one melody. My favorite way to describe how to

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<v Speaker 1>do that is to master the secrets of ISH. And

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<v Speaker 1>you hang tight, and I'm gonna explain exactly what ISH

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<v Speaker 1>means and hopefully it will make sense to you. It's

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<v Speaker 1>a big poll today, it really is. Today and tomorrow

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<v Speaker 1>we're going to be discussing this. I'm in the mood

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<v Speaker 1>to discuss decor with you and to solve some really

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<v Speaker 1>significant problems that most people struggle with when it comes

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<v Speaker 1>to their decor, and that is at the very root

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<v Speaker 1>of most homeowners' issues with decor, the fact that it

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<v Speaker 1>doesn't feel pure enough for them. It doesn't feel like

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<v Speaker 1>those magazine spreads look. And I'm gonna explain why that

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<v Speaker 1>is and why you don't have to worry about that.

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<v Speaker 1>I'm gonna let you off the hook. But we're still

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<v Speaker 1>going to put some serious effort into figuring out a

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<v Speaker 1>decore theme for your home that include bludes, all sorts

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<v Speaker 1>of different eclectic elements, which of course is life, and

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<v Speaker 1>we're going to figure out how to do it right

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<v Speaker 1>this weekend. That's our goal, So the rest of December

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<v Speaker 1>kind of oriented towards a designed and decor. Next week

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<v Speaker 1>we'll be talking about furniture buying and the difference between vintage, antique, retro,

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<v Speaker 1>and nostalgic. You're not gonna want to miss that as well.

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<v Speaker 1>But today and tomorrow these two shows the secrets of

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<v Speaker 1>ish how to pull off eclectic design properly in your home.

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<v Speaker 1>Don't go anywhere. Let me introduce you to our awesome

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<v Speaker 1>team that's here today. Sam of course on the board.

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<v Speaker 1>Good morning, fan, Good morning, Dean. How you doing today.

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<v Speaker 1>I'm good, I'm good. Sam's there, wrestling are not so

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<v Speaker 1>live studio audience and all. We've a joy to work with.

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<v Speaker 1>Producer Ritchie of course standing by to take your call,

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<v Speaker 1>always already taking calls. The phone lines are open, by

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<v Speaker 1>the way eight three three two, Ask Dean A three

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<v Speaker 1>three the numeral two. Ask Dean A three three two

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<v Speaker 1>Ask Dean. The phone lines are open now. And of course,

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<v Speaker 1>as always, we will be going to the phones this morning.

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<v Speaker 1>Anything that's got you scratching your head about your home,

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<v Speaker 1>give me a call. Doesn't matter, design, construction, diy. I

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<v Speaker 1>am here to help you figure it out. A three

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<v Speaker 1>three two Ask Dean. Richie will tell you everything you

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<v Speaker 1>need to know. He'll pop you into the queue. You

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<v Speaker 1>can listen to the show while you wait. And of

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<v Speaker 1>course Saturday morning is always a good time to give

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<v Speaker 1>it a shot because traffic is light on Saturday mornings.

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<v Speaker 1>At six o'clock. You and me, we're up. That's a

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<v Speaker 1>good thing, So give me a call. You can take

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<v Speaker 1>advantage of the fact that you've gotten up before most people.

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<v Speaker 1>Uh everybody. Say hello to my buddy ii Leen Gonzalez.

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<v Speaker 2>Hello and good morning. I want to call you sunshine.

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<v Speaker 2>Are we just so bright and cheery? Really?

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<v Speaker 1>Yeah? Drugs I need some of that. And by drugs,

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<v Speaker 1>I just mean caffeine. Yeah, just an drink bold cup

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<v Speaker 1>of coffee right here, just like gets me up and roll.

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<v Speaker 2>Gets to running.

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<v Speaker 1>How you doing this morning? Doing great?

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<v Speaker 2>I'm drinking my herbal tea.

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<v Speaker 1>Maybe I need to well there you go? What uh

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<v Speaker 1>what flavor of herbal tea? This one?

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<v Speaker 2>Actually it's it's a limited pumpkin spice rebost from Trader Joe's.

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<v Speaker 1>Oh, I love real. I never know how to pronounce me.

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<v Speaker 2>I never know how to say it.

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<v Speaker 1>I was hoping I said that, right, really be really

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<v Speaker 1>obos It is good anyway, So all right, well, yeah

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<v Speaker 1>you're on You're on the stick. There you got it

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<v Speaker 1>going on? Uh, sitting across the table from me, also

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<v Speaker 1>drinking coffee. My better half, clearly, my design partner, the

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<v Speaker 1>co founder, co owner of House whisper Can. That's it.

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<v Speaker 1>There's your spirit animal, h my best friend in all

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<v Speaker 1>the world. Tina is here. Welcome home. Thanks ye all right,

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<v Speaker 1>So everybody who's wondering about Tina's recovery, you all know

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<v Speaker 1>that we had an unexpected surgery for her, It's all fine,

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<v Speaker 1>it's all good, it's all good, it's all good. But

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<v Speaker 1>it was a it was a somewhat stressful way to,

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<v Speaker 1>you know, get rolling into Thanksgiving and the Christmas season,

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<v Speaker 1>for sure. And she has a long recovery ahead of her,

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<v Speaker 1>several several weeks still to go. But she is a beast.

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<v Speaker 1>She is strong. And everybody, the doctors, everyone is like

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<v Speaker 1>shocked at how well she's recovering. And we've now entered

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<v Speaker 1>the phase. First, first couple of weeks, a lot of

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<v Speaker 1>nurse mating. I was doing double duty on everything around

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<v Speaker 1>the house. I'm still doing more than my share, because

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<v Speaker 1>you know, we're giving the kids some space to recover.

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<v Speaker 1>But I got to tell you we have entered the phase,

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<v Speaker 1>just so you know, of Dean saying, Tina, sit down,

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<v Speaker 1>don't do that. What are you doing not picking that up?

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<v Speaker 1>Don't do that. Yesterday afternoon, we got a call from

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<v Speaker 1>our daughter in law saying, oh, I'm running a little late.

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<v Speaker 1>And our granddaughter Olivia goes to school like a couple

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<v Speaker 1>of blocks from our house up the hill, and Tina's like, oh,

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<v Speaker 1>I'll just walk up there and get her. I'm like,

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<v Speaker 1>what are you talking about I'm not doubting that you

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<v Speaker 1>were going to do it. I knew you were going

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<v Speaker 1>to do it if I didn't stop you, and I'm

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<v Speaker 1>not doubting that you would have successfully done it. But

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<v Speaker 1>that's not has turned into slow her down, lower down,

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<v Speaker 1>slower down. Uh So, anyway, just so everybody knows Tina's here,

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<v Speaker 1>She's feeling bright, cheery, strong, things are good and that

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<v Speaker 1>that is my early Christmas present this year for sure.

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<v Speaker 1>All Right, y'all, when we come back, we are going

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<v Speaker 1>to dive into what is he talking about the secrets

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<v Speaker 1>of issues all about pulling off eclectic decor in your home.

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<v Speaker 1>It's going to be one of the greatest challenges I

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<v Speaker 1>think I've done thus far in eight years of doing

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<v Speaker 1>this show to describe this to you in ways that

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<v Speaker 1>really make a difference. But I think we can do it.

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<v Speaker 1>I think we can do it to talk about eclectic

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<v Speaker 1>decoor themes for your home over the audio airwaves, and

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<v Speaker 1>we'll do it all can if I bean sharp the

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<v Speaker 1>house whisper, Hey, whether you live in a condo or

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<v Speaker 1>home as a cottage or a castle, it doesn't matter.

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<v Speaker 1>I am here to help you take it to the

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<v Speaker 1>next level. The rules, the principles of design, of construction,

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<v Speaker 1>of good quality craftsmanship. They do not change all across

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<v Speaker 1>the board, or at least, let me put it this way,

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<v Speaker 1>they shouldn't change all across the board. And I'm here

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<v Speaker 1>to make sure in your life that they don't and

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<v Speaker 1>haven't changed all across the board. We want the very

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<v Speaker 1>best for you and your home. We are going to

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<v Speaker 1>dive in right now to the secrets of ish. I'm

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<v Speaker 1>just going to remind you that our phone lines are

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<v Speaker 1>open as well. The number to reach me just a bit.

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<v Speaker 1>When I go to the phones, you can call now

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<v Speaker 1>and get into the queue. Eight three three two ask

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<v Speaker 1>Dean A three three the numeral two. Ask Dean eight

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<v Speaker 1>three three two, ask Dean. Producer Richie's standing by. He's

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<v Speaker 1>ready to take your call. He'll tell you everything you

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<v Speaker 1>need to know. Pop you into the queue, and who

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<v Speaker 1>knows You and me put our heads together. We'll solve

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<v Speaker 1>that thing that's got you scratching your head about your house.

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<v Speaker 1>All right, all right, Dean, So what what is this thing? Okay? Now,

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<v Speaker 1>I already said that the top of the show. Favorite

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<v Speaker 1>way to describe eclectic design. Okay, And by the way,

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<v Speaker 1>the dictionary defines eclectic as deriving ideas, style, or taste

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<v Speaker 1>from a broad and diverse range of sources. There you go, right,

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<v Speaker 1>that's eclectic, meaning there's just a lot of different things

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<v Speaker 1>coming into play. It actually comes for those of you

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<v Speaker 1>who are word nerds or history nerds like me. The

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<v Speaker 1>word eclectic comes from ancient Greek. It's an ancient Greek

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<v Speaker 1>word for choose, to choose, and it was a name

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<v Speaker 1>given actually in about the seventeenth century to a whole

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<v Speaker 1>category of ancient philosophers who didn't necessarily belong to any

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<v Speaker 1>one school of thought or another, but who picked and

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<v Speaker 1>chose ideas from all sorts of different schools of thought

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<v Speaker 1>in order to build their own personal philosophy. Those are

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<v Speaker 1>pretty relatively grounded philosoph in my thinking, because they because

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<v Speaker 1>they lived in the real world and so anyway, so

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<v Speaker 1>the word eclectic comes all the way to us from

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<v Speaker 1>ancient Greece and the these ancient schools of philosophy. But

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<v Speaker 1>for us today, we're talking about eclectic decor inside your house.

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<v Speaker 1>Not Christmas decor, just decorr. We're just designing the the

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<v Speaker 1>everyday decor inside your home this weekend. That's our goal.

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<v Speaker 1>And you know, as the dictionary says, we're talking about

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<v Speaker 1>what happens when you've got ideas, style, or taste from

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<v Speaker 1>a broad, diverse range of sources, instead of what's the

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<v Speaker 1>more considered today pure And I'm using my air quotes there,

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<v Speaker 1>pure themes of design. That's how I feel about that.

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<v Speaker 1>I mean, I love strong themes of design, don't get

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<v Speaker 1>me wrong. But when we start going for purity, you know,

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<v Speaker 1>it's like every everything in history, right, You're in Nazi

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<v Speaker 1>Germany's talking about racial purity. It's like, yeah, you know what, buddy,

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<v Speaker 1>let's get into that conversation and you show me somebody

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<v Speaker 1>who's actually racially pure, whatever the heck that means. I've

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<v Speaker 1>gone to twenty three and me, I know, what a mishmash,

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<v Speaker 1>what a mutt I am? And so are you? Okay?

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<v Speaker 1>That's life. So I think it actually can work really well.

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<v Speaker 1>But I got to tell you, the more eclectic that

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<v Speaker 1>you think you are, the more you've got to follow

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<v Speaker 1>certain rules in order to pull this off the right way.

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<v Speaker 1>As I said, my favorite way to describe eclectic is

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<v Speaker 1>a symphony of diversity. And I think that's our goal,

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<v Speaker 1>bringing all these divergent elements together. So that they're essentially

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<v Speaker 1>singing one tune and really round out the picture of

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<v Speaker 1>the vibe of your house. Our little cottage, I think,

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<v Speaker 1>is a really good example of this, because people often

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<v Speaker 1>ask us, oh my gosh, I love the feel inside

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<v Speaker 1>your house. What style of design do you call this?

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<v Speaker 1>And you know, here's it. I'm giving this away right

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<v Speaker 1>before we take another break here, Tina and I often say, well,

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<v Speaker 1>it's early twentieth century ish. That's what we call the

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<v Speaker 1>design of our house. The decor style in our house.

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<v Speaker 1>It's early twentieth century ish. And by ish, I mean

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<v Speaker 1>are there some Victorian elements? Yeah, it's Victorian ish. Are

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<v Speaker 1>there some craftsmen arts and crafts elements? Yeah, there are some.

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<v Speaker 1>It can be described as arts and craft ish, a

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<v Speaker 1>little art deco ish, little nineteen twenties and thirties ish,

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<v Speaker 1>also a little forties and early fifties ish. You see

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<v Speaker 1>what I'm saying, The ish in your decor, the secrets

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<v Speaker 1>of ish. These are the little bumper zones where one

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<v Speaker 1>style pushes up against another and yet still works. And

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<v Speaker 1>those are the secrets of ish that we're tackling this weekend.

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<v Speaker 1>All right, so much more on this. You're listening to

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<v Speaker 1>Home with Dean Sharp on demand from KFI AM six

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<v Speaker 1>forty KFI AM six forty and live streaming in HD

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<v Speaker 1>everywhere on the iHeart Radio app. Dean Sharp the House

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<v Speaker 1>whisper here with you on this lovely Sun's coming up

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<v Speaker 1>Saturday morning here in December. It is the seventh of December.

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<v Speaker 1>Can you believe it? It's Saturday, December seventh. Ugh, I

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<v Speaker 1>hope you are enjoying this December. Hope you're enjoying your

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<v Speaker 1>holiday season. We're talking about decor not decorating for Christmas

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<v Speaker 1>or the holidays, just decorating. And I tend to do

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<v Speaker 1>this as we roll into the end of the year.

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<v Speaker 1>Spend a lot of time during the year talking about

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<v Speaker 1>construction stuff and larger themes of architectural design and so on.

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<v Speaker 1>And then I think it maybe it's just the fact

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<v Speaker 1>that we're all decorating some and we're thinking about that

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<v Speaker 1>and kind of a soft landing to the end of

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<v Speaker 1>the year. I like talking about things that are a

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<v Speaker 1>little bit more decor oriented because I think I have

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<v Speaker 1>your attention in that regard. And of course, today, as

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<v Speaker 1>you know, we're talking on a subject that I consider

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<v Speaker 1>a tough one. To communicate to a lot of people.

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<v Speaker 1>It's what I call the secrets of Ish. It's all

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<v Speaker 1>about how to pull off eclectic design. So let's dive

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<v Speaker 1>back in. No one I know lives in ruthlessly consistent

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<v Speaker 1>quote magazine spread unquote decore right, the kind of stuff

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<v Speaker 1>that we look at. And maybe I'm dating myself even

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<v Speaker 1>by saying magazine spread, but that's still a reality. I

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<v Speaker 1>still get, you know, an architectural digest coming in the

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<v Speaker 1>mail and showing up. There are still that classic magazine spread.

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<v Speaker 1>So whether you're talking about a Pinterest picture or whatever,

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<v Speaker 1>I'm talking about those idealized decre photos. And you know,

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<v Speaker 1>they took hours to get ready to take this one shot,

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<v Speaker 1>and they eliminated all sorts of real life along the way.

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<v Speaker 1>And that's my point. Nobody lives in those ruthlessly consistent

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<v Speaker 1>spread decre scenarios and those who actually attempt it, and

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<v Speaker 1>believe me, I've got plenty of clients who have wanted

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<v Speaker 1>to attempt it. I discourage it. You know, I want

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<v Speaker 1>us to go a different way because those who attempt

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<v Speaker 1>it are so easily thwarted. Those are they are fragile

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<v Speaker 1>little scenarios. You can be easily thwarted by unexpectedly simple things.

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<v Speaker 1>I'll give you an example. Imagine a stunningly sophisticated, kind

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<v Speaker 1>of Euro style sleek kitchen, right, You've seen them, that

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<v Speaker 1>kind of kitchen scenario. I can bring it to its

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<v Speaker 1>knees in a half second. All I have to do

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<v Speaker 1>is walk into that kitchen, put a dime store refrigerator

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<v Speaker 1>magnet on the fridge that displays this week's kindergarten coloring

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<v Speaker 1>project from your young students, right, and boom, the whole

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<v Speaker 1>thing kind of collapses in on itself. You know what

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<v Speaker 1>I'm saying, because when have you ever seen a spread

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<v Speaker 1>picture like that of a beautiful kitchen with you know,

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<v Speaker 1>this week's coloring project that is art, but you know

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<v Speaker 1>you love it and you know it has to go

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<v Speaker 1>up on the fridge. That's the kind of thing that

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<v Speaker 1>I'm talking about that disrupts that kind of fantasy of

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<v Speaker 1>somehow that there are people out there living in these

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<v Speaker 1>kinds of spaces without any regard to the rest of life.

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<v Speaker 1>Kind of crowding in life itself is eclectic. Life itself

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<v Speaker 1>brings us things from all different angles and sources, and

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<v Speaker 1>sometimes brings things into our home that are important to us,

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<v Speaker 1>but don't necessarily reflect one strong theme of design. That's

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<v Speaker 1>the problem we're trying to solve. That is the problem

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<v Speaker 1>to solve when it comes to beautiful, day in, day

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<v Speaker 1>out living inside a home, what do you do with

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<v Speaker 1>all the stuff that comes into your home? And I'm

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<v Speaker 1>not talking about the junk that just attaches itself to

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<v Speaker 1>you when you go out into the world. There's plenty

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<v Speaker 1>of that, right, I'm talking about actual things that mean

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<v Speaker 1>something to you, gift given by a family member or

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<v Speaker 1>a loved one, you know, whatever the case may be,

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<v Speaker 1>something you just literally fell in love with. You were

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<v Speaker 1>out at a shop or on vacation or something like that,

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<v Speaker 1>and you bring it back home and suddenly you realize, well,

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<v Speaker 1>it doesn't really go with the kind of the rest

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<v Speaker 1>of the theme. So what do most people do? Eventually

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<v Speaker 1>they sort of just abandoned the idea of consistency, and

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<v Speaker 1>a lot of houses just become a missmash, a mishmash

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<v Speaker 1>of things, a patchwork quilt. And yeah, patchwork quilts have

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<v Speaker 1>their charm, I suppose, I think they do. But the

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<v Speaker 1>idea of eclectic decor, let me just be really clear,

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<v Speaker 1>is not about chaos or random diversity or just clutter.

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<v Speaker 1>Absolutely not about clutter. The idea of eclectic decor is

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<v Speaker 1>the art and science, as it were, of taking diverse

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<v Speaker 1>elements and bringing them together under a theme. And again,

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<v Speaker 1>just to repeat what I started with at the top

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<v Speaker 1>of the show, a symphony, a symphony, all these different instruments,

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<v Speaker 1>all these different materials, all these different players, a symphony

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<v Speaker 1>of diversity all together, you know, playing in harmony, playing

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<v Speaker 1>in a chord with one another, playing nicely together, so

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<v Speaker 1>that we get a beautiful rounded melody. That's that's our goal, okay.

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<v Speaker 1>And so, like I said, you can bring one of

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<v Speaker 1>these magazine spreads to its knees by just a few

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<v Speaker 1>minutes of real life, right, And then there are just

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<v Speaker 1>other elements where we're not even trying to match up

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<v Speaker 1>to some magazine spread. What if you live in an

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<v Speaker 1>older home. What if you live in an early twentieth

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<v Speaker 1>century home, which is happening more and more these days,

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<v Speaker 1>and you're wrestling in a early twentieth century living room,

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<v Speaker 1>wrestling with the right way to integrate a twenty first

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<v Speaker 1>century flat screen TV, okay into a house that was

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<v Speaker 1>built and designed in an era of radio. People just

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<v Speaker 1>just hanging out around the RCA radio right with the

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<v Speaker 1>dog and the tipped head. And that, I mean, that

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<v Speaker 1>was a real thing in the twenties. And there were

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<v Speaker 1>no TVs in the twenties, and so living rooms weren't

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<v Speaker 1>designed for them. And how do you integrate that and

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<v Speaker 1>still maintain this one hundred year old home. That's the

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<v Speaker 1>kind of stuff I'm talking about. Real world decor is

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<v Speaker 1>never pure. Not in the real world. It's always ish. Okay,

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<v Speaker 1>you may live in a modern home, it's modern ish.

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<v Speaker 1>You may live in an arts and crafts bungalow. It's

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<v Speaker 1>arts and crafts ish, Victorian ish, farmhouse ish. Right, A

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<v Speaker 1>good ish wsh is when one style transitions to another

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<v Speaker 1>without conflict. Now, no, it's not easy, and yes there

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<v Speaker 1>are rules. And that list of rules is where we

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<v Speaker 1>go next. Your home, Dean Sharp, the house whisper Kafi,

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<v Speaker 1>Dean Sharp, the house whisper. Welcome home. Just a reminder,

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<v Speaker 1>we're going to be going to the phones right at

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<v Speaker 1>the top of the hour. The number to reach me

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<v Speaker 1>eight three three two ask Dean A three to three

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<v Speaker 1>the numeral two, ask Dean. And of course, regardless of

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<v Speaker 1>what I'm talking about, in the course of any of

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<v Speaker 1>our fine little programs. When it comes to calls, you

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<v Speaker 1>set the agenda. Anything that's on your mind regarding your home, construction, design, DIY, questions, whatever,

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<v Speaker 1>just throw it at me. I promise you we'll put

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<v Speaker 1>our heads together. We will figure out the answer to

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<v Speaker 1>what you've got to scratching your head about your home today.

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<v Speaker 1>A three to three to two askting that's coming up

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<v Speaker 1>right after the next news break. Okay, back to the

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<v Speaker 1>secrets of Ish collect eclectic design. I said this right

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<v Speaker 1>before the break. Every real world decor is never pure.

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<v Speaker 1>It's always ish, modern ish, farmhouse ish, Victorian ish. That's

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<v Speaker 1>because life just is ish, right, It's it's it's you

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<v Speaker 1>may have a strong theme going there, but you wait

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<v Speaker 1>around long enough and life is going to pepper in

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<v Speaker 1>things from other styles, from other areas, from other locations.

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<v Speaker 1>Just it's just it's it's just impossible to move through

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<v Speaker 1>life and maintain one pure theme. Okay. And so that's

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<v Speaker 1>not a problem, Okay. The problem is when we're trying

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<v Speaker 1>to maintain the pure theme and we're getting frustrated because

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<v Speaker 1>we haven't allowed or the other things so to one

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<v Speaker 1>degree or another, all real design, all real world decor is,

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<v Speaker 1>to one degree or another eclectic, and in other words,

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<v Speaker 1>it has to accommodate various elements. But in order to

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<v Speaker 1>do it right, to really pull it off in a

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<v Speaker 1>beautiful way, there are rules let's start with and this

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<v Speaker 1>is in no particular order, by the way, but let's

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<v Speaker 1>start with one of the important ones. You've got to

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<v Speaker 1>begin with a neutral canvas. If you're going to have

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<v Speaker 1>an eclectic scenario happening in a space, then you want

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<v Speaker 1>to begin with as much as possible a neutral canvas.

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<v Speaker 1>That means that the busyness of what could potentially be

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<v Speaker 1>a busy room or a busy space. In terms of

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<v Speaker 1>design elements, you really need to start with something white, bright,

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<v Speaker 1>and not busy on The walls are going to unite

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<v Speaker 1>the collection, as it were, and floors are going to

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<v Speaker 1>ground the collection, because you know, floors are on the ground.

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<v Speaker 1>But that's not what I mean. I just mean in

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<v Speaker 1>the stylistic sense, a floor really becomes a grounding element

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<v Speaker 1>for your collection of furniture and stuff and things and decor,

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<v Speaker 1>and then the walls are a uniting element. Okay, So

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<v Speaker 1>a good floor that isn't necessarily trying to draw attention

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<v Speaker 1>to itself those are my favorite kinds of floor. Now,

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<v Speaker 1>occasionally we will do a flourish on a floor. When

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<v Speaker 1>do you do that? When do you integrate something really

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<v Speaker 1>tremendously fancy into a floor. If that's something that you're

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<v Speaker 1>jones in to do, you do it in an area where,

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<v Speaker 1>in fact, there are no other competing elements to draw

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<v Speaker 1>you away from it. So, for instance, if if we

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<v Speaker 1>were going to, let's say, do a hardwood floor in

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<v Speaker 1>your house, and you ask me, Dean, can we fancy

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<v Speaker 1>it up? I've got a little bit room in my

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<v Speaker 1>budget and I just want something I want, you know,

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<v Speaker 1>can we do Can we do a rose? Can we

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<v Speaker 1>do a pattern? Can we do a sculpted pattern in

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<v Speaker 1>the floor? Somewhere where can we get fancy with this thing?

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<v Speaker 1>I'm not going to tell you that the living room

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<v Speaker 1>or the family room is the place to do that,

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<v Speaker 1>because that is where the floor is really serving, as

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<v Speaker 1>I said, that grounding element for everything else that's going

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<v Speaker 1>on in the house. Now, the entryway when you first

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<v Speaker 1>step in, if you really want to boom hit somebody

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<v Speaker 1>with the beauty of what they're going to see in

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<v Speaker 1>the rest of your home, the entryway is a perfect

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<v Speaker 1>place and entry way when it comes to smaller homes,

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<v Speaker 1>entry hall when it comes to estate homes. But the

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<v Speaker 1>rule is the same. That's where we don't really have

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<v Speaker 1>a lot of furniture, do we. You know, you don't

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<v Speaker 1>walk into the entryway and find a sofa just sitting

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<v Speaker 1>right there. You got a little space just for people

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<v Speaker 1>to stand. Therefore, the floor is exposed and it's not

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<v Speaker 1>competing with so many other elements, and it's not really

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<v Speaker 1>playing a supporting role there. It will play a supporting

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<v Speaker 1>role elsewhere in the home, But in the entryway that's

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<v Speaker 1>where you can jush up that floor and throw an

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<v Speaker 1>inset pattern or a border or something that just kind

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<v Speaker 1>of throws it off its normal kilter. That's the great

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<v Speaker 1>place for that. Otherwise, use a floor in its textural

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<v Speaker 1>and colorized beauty to lay a foundation to ground out

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<v Speaker 1>everything else that's happening in the room. Not too busy,

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<v Speaker 1>not too busy, and then the walls absolutely not too busy.

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<v Speaker 1>Now that's not to say that an eclectic decor, again,

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<v Speaker 1>as I've said so many times, can't benefit and can't

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<v Speaker 1>integrate with a feature wall of color in a room,

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<v Speaker 1>but not a cave of color and That's what happens

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<v Speaker 1>when somebody typically goes for all of the walls and

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<v Speaker 1>the ceilings in a room all a bold, non neutral color,

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<v Speaker 1>it gets really cavy, almost oppressively. So in fact, I

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<v Speaker 1>would say usually oppressively. So I much prefer and of

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<v Speaker 1>course it's a designer's choice, but you know, I'm right

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<v Speaker 1>about these six. I prefer features of color. Go you know,

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<v Speaker 1>pick a wall and go bold and crazy on that wall,

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<v Speaker 1>but just one so that it sets a really strong

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<v Speaker 1>tone itself. And you can actually use that bold feature

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<v Speaker 1>wall color as one of the connectors. Because the next

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<v Speaker 1>rule that we're going to talk about when we reach

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<v Speaker 1>turned to the subject is the eighty twenty rule. Now

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<v Speaker 1>I mentioned this during our live audience show. I mentioned

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<v Speaker 1>the eighty twenty rule because we had the folks from

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<v Speaker 1>Aldac up on stage decorating a Christmas tree, and one

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<v Speaker 1>of the issues with a Christmas tree every year is

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<v Speaker 1>very much the same. It's like a microcosm of the

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<v Speaker 1>trouble with the rest of the house because somebody had

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00:28:27.880 --> 00:28:32.279
<v Speaker 1>brought up like I love these beautifully themed and decorated

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00:28:32.359 --> 00:28:35.359
<v Speaker 1>Christmas trees, but I have ornaments from my childhood and

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00:28:35.440 --> 00:28:38.119
<v Speaker 1>I have ornaments that people have gifted me and I've

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<v Speaker 1>got this and that that means so much to us,

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00:28:40.880 --> 00:28:43.720
<v Speaker 1>and they don't run with that theme. And so the

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<v Speaker 1>question was, how can you do a stunning kind of

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<v Speaker 1>department store window Christmas tree and still integrate things from

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<v Speaker 1>my own personal life into it. Well, it's the same

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<v Speaker 1>answer that we give for the rest of the house.

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<v Speaker 1>It's the same problem, isn't it. And one of the

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<v Speaker 1>solutions is the eighty twenty rule. And the eighty twenty

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<v Speaker 1>rule allows us to integrate one of those bold color

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<v Speaker 1>feature walls. What is it? You'll have to wait till

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<v Speaker 1>we return to this topic because right after the news,

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<v Speaker 1>we're going to the phones go nowhere. You're listening to

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<v Speaker 1>Dean Sharp, the House Whisperer on KFI. You're listening to

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<v Speaker 1>Home with Dean Sharp on demand from KFI AM six

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<v Speaker 1>forty
