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Speaker 1: You hired me to keep a mob from mentioning man.

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Now you want me to hand them over. Just which

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side of that badger are you going to stand behind? Sheriff?

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Have done? Will travel starrying Mister John Dayner as Paladin,

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San Francisco, eighteen seventy five, The Carlton Hotel, headquarters of

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a man called Paladin. This is excellent cherry. Hey boy,

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my compliments to the management.

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Speaker 2: Oh he thought i'd tell him about compliments later. And

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we started, and they asked me to give you a bill.

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Speaker 1: Ooh uh, it's a good idea.

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Speaker 2: Not tell him a compliment, to remind them you were on.

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Speaker 1: Take us back to them, tell him it will be

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settled in a week's time.

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Speaker 2: Oh, they say, happy.

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Speaker 1: Then bring me some more sherry. After that, you better

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run up and pack my clothes. You're going well again

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to a place called Arcadia, and to a man named Grayson.

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Oh what poor It depends on mister Grayson. He happens

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to be a sheriff, and he happens to have a prisoner.

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Everyone wants to lynch you know you coming, not yet,

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but send him a wire. You have gone with travel correct.

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Arcadia was an ugly town setting an ugly notch between

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two ugly mountains. Not the kind of place a man

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wants to come to after two days of pot riding.

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Not the kind of people a man wants to meet

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when he's too tired to understand anger, too weary to

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care about the sea. The greeting committee was a weather

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boned woman flanked by a pair of burly men. I

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walked to where they stood blocking the boardwalk.

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Speaker 3: You got business in town?

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Speaker 1: Yes?

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Speaker 3: Who with the sheriff about the Briggs murder?

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Speaker 1: Yes?

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Speaker 4: What's your name, mister Paladin?

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Speaker 5: Get on your horse, Paladin and keep going. We don't

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need outside help.

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Speaker 6: Save him.

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Speaker 5: Briggs with my son. I'm sorry, mister Briggs, not missus Briggs.

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It's widow Briggs, no husband, no son, just widow Briggs.

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Speaker 1: Good day, ma'am.

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Speaker 7: Excuse me, Erry, You will both go back to the ranch.

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Speaker 8: Get Tom here, Tell him the sheriff's tired. That's gone

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to that.

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Speaker 1: Great captain Jeff Grayson. My name is Paladine.

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Speaker 4: Oh, come in, palad Sorry about that gun in the belly?

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Speaker 1: Is just that.

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Speaker 4: I gotta be a mic careful about who walks in here.

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Speaker 1: I'm not bad, not yet, it can be.

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Speaker 4: They wanna hang my prisoner without a trial. I'm glad

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to see you, Palatine. I guess I don't have to

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tell you that, but I suppose I ought to tell you.

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Speaker 1: It'll be just the two of us.

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Speaker 4: I can't get any more help.

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Speaker 1: Have they tried anything yet? Just talk so far? Huh?

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But they know the judge will be in from Plasi wednesday.

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I gave you'll do more than just talk before he

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gets here.

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Speaker 4: Oh oh, excuse me, Papa, my daughter, Julia, Miss Paladin?

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Speaker 1: How his imonstration?

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Speaker 7: How how do you do?

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Speaker 3: I can I take these cookies to in?

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Speaker 7: Papa?

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Speaker 4: Sure, come along, Miss Paladin. You can have a look

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at our prison. Hello Andy, Well, mister Grayson, Hello Julia,

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Hello Andy.

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Speaker 3: I I I don't finished dating these cookies? Andy, Andy, Julia,

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last night I heard and now did it keep you awake?

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Speaker 4: I pretended it was you calling to me that it

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was time for us to go and it picnic out.

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Speaker 6: To the old barn and try.

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Speaker 3: One of these cookies.

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Speaker 4: I pretended it was you.

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Speaker 3: Calling Andy, Andy.

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Speaker 4: Andy, alright, Judie, tell them let's go out for him.

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Speaker 1: How long has he been like that?

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Speaker 4: Since he was a child. He follows Julia around like

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a puppy as for years.

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Speaker 1: Man like that can't be held responsible for us.

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Speaker 4: I try to tell that to the wit of Briggs.

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They found Andy and the old.

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Speaker 1: Smith Barn near the body. Jim had been stab between

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the shoulder blades with a steak or spike or something

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like that.

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Speaker 4: Nobody ever did find out what it was. They say,

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a person like Andy probably didn't know he'd.

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Speaker 1: Done it, just sat there.

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Speaker 4: You know, judging isn't my job keeping a mob back?

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Speaker 1: Is it that it be easier to do if we

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could establish some reasonable doubt about its guilty. Is there

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anything about Barn any murder weapon? Nothing? You know, there's

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a murder weapon somewhere. Our job is to find it.

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There's always something something to kill with, something to hate over,

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something to be said, something to explained, something to be done.

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Then again, there's always the exception, the one.

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Speaker 2: Chance that there is nothing.

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Speaker 4: Huh down the street.

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Speaker 1: With Oh Briggs get in the near of the room, jeredy,

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But you won't let him have him. She'd have brought

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more money if you wanted to purse a showdown. Now,

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mister Paladin, the one writing Caliko, who is he? Tom Chisholm?

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He is a friend, Jim Briggs, he might be trouble.

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I'll handle a chirp.

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Speaker 4: It's my job.

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Speaker 1: Just stay inside, Grayson, Along is it? Briggs? Who's that?

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Speaker 3: Mister Briggs named Paladin?

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Speaker 1: Get tall and loose, mister Paladin, and your guns just

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tied load. No, he seemed to tell a cutting a

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notch on you. You want to try him as a chisholm.

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Speaker 4: Just might be I could beat you.

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Speaker 3: Great.

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Speaker 8: Tom thinks the time said that. We've got to even

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think for my son, Jim, for your friends.

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Speaker 1: This man figuring to stop it.

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Speaker 3: Oh, he's got me tense.

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Speaker 8: Tell me you, Grayson. He's turning Andy over to us.

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Speaker 7: Paladin.

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Speaker 1: He stays here until he gets a third trial.

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Speaker 8: Grayson will give the boy a fair trial.

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Speaker 1: You'll hang him.

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Speaker 3: I ain't hit Ardue points with you.

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Speaker 8: You're an outsider. The town don't like gunslingers moving in,

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and we're taking matters into our own hands. The men

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are coming back with me at three o' truck.

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Speaker 9: We want Andy van.

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Speaker 1: I hope you ain't got a good sense, missus Briggs

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thinks you've got. I'd like to cut an not yournn

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to count of you.

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Speaker 7: Three o'clock shop.

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Speaker 2: Come on tom.

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Speaker 3: She just won't rest until she sees Andy hanging from

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a tree Falladin.

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Speaker 4: Maybe I got you into something bigger than we can

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both handle.

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Speaker 1: You've got two hours, mister Grayson.

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Speaker 4: What can be done in two hours?

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Speaker 1: I don't know, but there has to be some explanation.

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A man in American explained he as a child's mind. Man,

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even a man like Andy doesn't kill someone and then

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hide the weapon and use without hiding the body or

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trying to get away. There's no way of knowing how

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Andy's mind would work. Besides, would have bragged and the

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others wouldn't listen to words. No, No, it has to

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be something they can see. I'm going out to that barn.

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Speaker 3: I want to go too. I want to help Judi

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and is my friends maybe the only friend he's ever had.

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Speaker 1: The Grayson's way, I think it's a good idea. Julia, Yes, Julia.

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Why would Jim Brigg just come up here?

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Speaker 3: Why not?

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Speaker 9: He might have come up here with somebody he's He

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was quite the.

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Speaker 1: Bold drummer woman. Yes, jealous woman might have killed him.

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Speaker 3: Yes, Yes, he had a lot of friends, but he

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was true to none of them.

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Speaker 9: Why any of a of a dozen people could have

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killed him, like oo ooh. There was Bessie Carrida in

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the Baltimore House, and Bessy doesn't let many men run.

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Speaker 3: Roughshot on her. And there's Jill Princess, she taught school

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last year.

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Speaker 2: And then there's a Marty dealer Jim had a.

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Speaker 9: Terrible fight with a few months ago. She pulled a

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knife on him. Then, and then there's Jim's own mother.

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She used to get jealous of any women Jim had

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got furious about.

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Speaker 3: And then.

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Speaker 6: And then, and then there was you, Hush.

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Speaker 1: Were you a friend of his?

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Speaker 3: Well, miss Paladin?

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Speaker 1: Were you?

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Speaker 3: Yes?

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Speaker 1: Is that saddle spike over there on the world the

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weapon that killed Jim.

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Speaker 3: Briggs, Yes, Miss Caroladan.

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Speaker 4: And they didn't do it. Oh, I am the one

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who killed him.

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Speaker 3: How I pushed him against it?

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Speaker 7: I didn't mean to.

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Speaker 9: It was an accident.

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Speaker 1: Go on.

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Speaker 3: I met Jim here. It was the first time it

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used to have in his way. He took it for granted.

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Speaker 9: He tried to kiss me and I pushed him and.

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Speaker 1: You ran away. Yes, he died without knowing that Andy

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was somewhere around.

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Speaker 9: Yes, I couldn't tell Papa. He never believed that that

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was the first time that I met Jim here, it

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would have destroyed him.

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Speaker 1: A man's life depends on you, Julia. Julia, you'll have

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to tell your father. I know. We rode back to

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Arcadia without speaking anymore. There wasn't any more to be said,

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but there was a lot more to be done. A

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man's life had to be saved, and another man's life

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had to be ruined. Julia, what is it.

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Speaker 4: Allan?

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Speaker 1: Julia has something to tell you, mister Grayson. What is

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the jud.

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Speaker 3: But I have to tell you. I killed Jim Briggs.

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No I did, Pop I did.

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Speaker 9: It's j o' clock. We come for him.

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Speaker 4: You tell him, mister Palladin, Say where you are, Paladin,

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and I'll kill you.

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Speaker 1: Put the gun away, Grace, and he's a clod of vegetable.

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What's he got to live for? And he didn't kill him?

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Say back, I've got to protect my daughter. Nothing will

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happen to Julia with an accident. No one will blame her.

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It's the things together, Judiu. Sorry, mister Grayson, Please Paladin,

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she's my daughter. Stay with him. Julian's Briggs, chiss him.

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Listen to me. There's no need for this sort of thing.

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We can talk, talk, don't try it. I've got fun.

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Have more bullets for five more men. That's the way

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it has to be.

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Speaker 9: Is one of those bullets for me, mister Paladin, Missus Briggs,

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it's time.

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Speaker 3: You knew.

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Speaker 1: I killed your son, Julia and and the almost ready

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mister Grayson almost stages leaving pretty soon. So many years

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thinking I was a man of principle, upholding the law,

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and then I find myself acting like a criminal, or

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a human being or just a father.

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Speaker 4: No, no, not where my job is concerned.

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Speaker 1: You're only a man, Grayson, not a monument. The best

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man is only that way because he's a human being.

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Speaker 4: Maybe I'm gonna give up. It's bad just the same.

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Speaker 1: No, that would accomplish nothing.

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Speaker 4: That must be a bad excuse for her father. She

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couldn't even trust me to come to me tell me

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what she'd done.

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Speaker 1: Uh so that's what's bothering me. Perhaps it be best

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if you knew the truth.

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Speaker 2: Come on, what are we gonna do?

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Speaker 4: No matter what I'm doing, you just watch, just stand

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and watch.

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Speaker 7: It was going away stay now, don't you?

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Speaker 3: And yeah it yes, Andy, you'll like it.

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Speaker 9: There'll be nice people to take care of him.

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Speaker 7: Things to do.

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Speaker 1: No, watch ready kill him?

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Speaker 3: Oh yes, already, come on, you come on with.

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Speaker 4: Me like her.

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Speaker 6: You wasn't trying to hurt me. So my friend, friend, Yes, friend,

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it's all right now.

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Speaker 1: And yes, it's all right now. You knew, yeah, I knew, Julia,

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take him outside, Come on, Andy.

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Speaker 4: And they killed Jim Briggs after all?

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Speaker 1: Of course, how did you know? Well, it didn't make

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sense to me either. Julia hadn't confessed immediately. None of

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it was really an accident caused by Briggs forcing his

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attentions on her. And then Briggs was slammed against the

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saddle hook higher than my shoulder, and Julia couldn't have

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on that. It had to be someone with strength enough

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to lift him. And he saw her struggling with Briggs

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and moved into protector. Don't ask her about it. She

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wants it this way, all right.

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Speaker 4: I can't let Andy go free.

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Speaker 1: That hospital can take better care of him than any jail,

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and lynchmard, Yeah, I guess so, mister Grayson. You keep

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right on wearing that bench. You've done a good job

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for this time and for your daughter.

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Speaker 2: Oh he's all I don't see you come in and

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already you're going out?

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Speaker 7: Where to?

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Speaker 1: How come I got back from my kady an hour ago? Oh?

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You have dinner at the wharf.

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Speaker 2: But now it's after dark. Call where you go? Opera dancing?

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Speaker 1: Driving in park for a walk?

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Speaker 2: He's a walk, he's dark?

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Speaker 1: Why not?

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Speaker 2: Hello?

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Speaker 1: Why not?

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Speaker 2: Why are you pretty lonely out there?

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Speaker 6: Foggy damp?

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Speaker 2: Foggle around? Pretty fooky?

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Speaker 1: I think, Hey boy, have you ever walked around San

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Francisco out to dark? You can try it sometimes. San

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Francisco is a wonderful city, filled with excitement, adventures, just

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a sort of night to find him?

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Speaker 2: Ah, do you feel good?

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Speaker 1: I feel fine and so good night?

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Speaker 2: Good night meets a palady? No to a bad nice

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man like Me's a party?

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Speaker 1: Hey, goodbye? Have gun will travel. Created by Herb Medal

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and Sam row Is, produced stand directed by Norman McDonald

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and stars John Dayner as Paladin with Ben Wright as

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hey Boy. Tonight's story was written by John Huba and

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adapted for radio by John Dawson. Featured in the cast

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were Lynn Allen, Harry Bottel, Virginia Gregg, Barney Phillips, and

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Richard Perkins. Hugh Douglas speaking join us again next week

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for Have gun, Will Travel in the tale of to

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trigger happy suitters with hair trigger tempers on Gun Smoke

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next on the CDs radio network,

