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<v Speaker 4>You are now listening to True Murder The most shocking

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<v Speaker 4>killers in true crime history and the authors that have

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<v Speaker 4>written about them Gasey, Bundy, Dahmer, The Nightstalker vck. Every

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<v Speaker 4>week another fascinating author talking about the most shocking and

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<v Speaker 4>infamous killers in true crime history. True Murder with your

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<v Speaker 4>host journalist and author Dan Zufanski.

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<v Speaker 5>Good Evening. On September sixteenth, nineteen twenty two, the bodies

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<v Speaker 5>of Reverend Edward Hall and Eleanor Mills were found beneath

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<v Speaker 5>the Crabapple Tree on an abandoned farm outside of New Brunswick,

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<v Speaker 5>New Jersey. The killer had ranged the bodies in opposed

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<v Speaker 5>conveying intimacy. The murder of Hall, All, a prominent clergyman

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<v Speaker 5>whose wife, Francis Hall, was a proud heiress with illustrious

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<v Speaker 5>ancestors and ties to the Johnson and Johnson dynasty, would

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<v Speaker 5>have made headlines on its own, but when authorities identified

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<v Speaker 5>Eleanor Mills as a choir singer from his church married

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<v Speaker 5>to the church sexton, the story shocked locals and sent

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<v Speaker 5>the scandal ricocheng around the country. Fueling the nascent tabloid industry.

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<v Speaker 5>This provincial double murder on a lonely lover's lane would

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<v Speaker 5>soon become one of the most famous killings in American history,

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<v Speaker 5>a veritable crime of the century. The bumbling local authorities

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<v Speaker 5>failed to secure any indictments, however, and it took a

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<v Speaker 5>swash buckling crusade by the editor of a circulation hungary

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<v Speaker 5>Hearst tabloid to revive the case and bring it to

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<v Speaker 5>trial at last. Blood and Ink freshly chronicles what remains

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<v Speaker 5>one of the most electrifying but forgotten murder mysteries in

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<v Speaker 5>US history. It also traces the birth of American tabloid journalism,

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<v Speaker 5>pandering to the masses with sordid tales of life, love, sex, money,

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<v Speaker 5>and murder. The book that we're featuring this evening is

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<v Speaker 5>Blood and Ink, The scandalous jazz age double murder that

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<v Speaker 5>hooked America on true crime. With my special guests, author

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<v Speaker 5>and Vanity Fair correspondent Joe Pompeo, Welcome to the program,

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<v Speaker 5>and thank you so much for this interview. Joe Pompeo,

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<v Speaker 5>thank you, thank you so much. You write in your

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<v Speaker 5>introduction on February first, twenty and nineteen. You're at this

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<v Speaker 5>Somerset County Prosecutor's office in Summerville, New Jersey. Tell us

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<v Speaker 5>about this experience and before we start telling this incredible saga.

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<v Speaker 1>Sure, so this was sort of at the beginning stages

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<v Speaker 1>of of my research. I had started working on this

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<v Speaker 1>on the proposal for this book in the fall of

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<v Speaker 1>twenty eighteen. There's a great archive of some of the

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<v Speaker 1>original records from the prosecutor's office that's at Rutgers and

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<v Speaker 1>their Special Collections archival department. I had gone through that

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<v Speaker 1>and all the information they have there, all the documents

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<v Speaker 1>they have.

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<v Speaker 3>It's based on the evidence.

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<v Speaker 1>From the actual prosecutor's office in Somerset County, New Jersey,

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<v Speaker 1>which is where this case was was investigated and tried.

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<v Speaker 1>So I wanted to actually go in shoot the prosecutor's

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<v Speaker 1>office and also, you know, to look at the some

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<v Speaker 1>of this stuff firsthand. But also because I knew that

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<v Speaker 1>they also had some of the physical evident evidence from

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<v Speaker 1>the crimes, which which obviously was not in the boxes

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<v Speaker 1>of documents, which I was able to mine at the

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<v Speaker 1>at the Rutgers Library. So I made an appointment with

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<v Speaker 1>you know, the evidence custodian who you know, keeps you know,

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<v Speaker 1>all of all the evidence for all of the active

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<v Speaker 1>crimes happening in Somerset County, but as well this one,

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<v Speaker 1>you know, historical trophe.

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<v Speaker 3>Of evidence that they've that they've kept.

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<v Speaker 1>So they let me come in for the morning and

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<v Speaker 1>you know, spend about half a day going through all

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<v Speaker 1>this stuff. You know, so some of it was, you know,

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<v Speaker 1>the stuff I'd already seen. You know, there's witness lists,

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<v Speaker 1>there's autopsies, there's you know, detective Corus bond ins, all

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<v Speaker 1>sorts of good first hand documents. But also, you know,

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<v Speaker 1>the most thrilling part of the experience is when you

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<v Speaker 1>know one, you know, there's just one guy who works

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<v Speaker 1>in the evidence unit took me to an adjoining room

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<v Speaker 1>and said, here.

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<v Speaker 3>You can go, you can go through all these tots.

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<v Speaker 1>And we started going through these toats full of physical evidence. So,

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<v Speaker 1>for instance, I picked up the glasses of the murdered

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<v Speaker 1>reverend that he was wearing at the time he died.

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<v Speaker 3>They're now snapped into.

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<v Speaker 1>I held stockings, a pair of shrivelled black stockings that

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<v Speaker 1>belonged to choir singer Eleanor Mills.

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<v Speaker 3>Again, presumably she was murdered in these.

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<v Speaker 1>I held a key piece of evidence, which was this

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<v Speaker 1>day calendar that had belonged to this woman who became

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<v Speaker 1>the star witness of the trial, Jane Gibson, also known

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<v Speaker 1>as the Pig Woman. I mean, there was just tons

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<v Speaker 1>of stuff there that was that was fascinating. There was

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<v Speaker 1>handkerchiefs found in the crime scene. Some of the best

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<v Speaker 1>physical evidence, the most historically significant physical evidence, is actually

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<v Speaker 1>encased in a little display, you know, downstairs, kind of

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<v Speaker 1>on the way to the Somerset County Courthouse. So that's

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<v Speaker 1>where you can anyone, any visitor really from the public,

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<v Speaker 1>can go and see the scarf that Eleanor Mills wore.

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<v Speaker 1>They can see the famous panama hat that covered the

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<v Speaker 1>reverend's face when the bodies were discovered. But you know,

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<v Speaker 1>being able to hold some of this stuff, it was

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<v Speaker 1>just a thrill, you know, really a morbid thrill. But

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<v Speaker 1>I had become a student of this crime, and I

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<v Speaker 1>was now suddenly holding pieces of it. I had this

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<v Speaker 1>tangible connection to this case I'd been researching. But also,

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<v Speaker 1>you know, I was the other part of my book

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<v Speaker 1>focuses on the coverage of this famous crime and how

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<v Speaker 1>that affected the crime, and particularly the emergence of the

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<v Speaker 1>tabloid newspapers in the nineteen twenties and how.

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<v Speaker 3>That played into the crime.

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<v Speaker 1>And I was talking with the evidence custodian about this,

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<v Speaker 1>how I had also had this newspaper angle and I

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<v Speaker 1>mentioned the Hearst tabloid that famously revived this case, the

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<v Speaker 1>Daily Mirror, and he said, oh, just the Daily Mirror,

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<v Speaker 1>and he said, hold on a second, and he got up,

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<v Speaker 1>and he came back a few months later and he

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<v Speaker 1>held up handed me this sort of packet of old

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<v Speaker 1>newspapers that were just wrapped in plastic, not like preserved

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<v Speaker 1>and you know, an acid free box things should be.

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<v Speaker 1>And they were about you know, ten original copies of

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<v Speaker 1>the Delhi Mirror from the time of the trial. And

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<v Speaker 1>it was just amazing to you know, very carefully unfold these,

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<v Speaker 1>you know, as bits of you know, brittle newsprint is

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<v Speaker 1>like crumbling off the edges, and I'm trying not to

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<v Speaker 1>damage them at all, but to lay them out and

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<v Speaker 1>see original copies of this obscure very very now rare

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<v Speaker 1>Perst tabloid from nineteen twenty six. So that was, you know,

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<v Speaker 1>all on all, it was a very very productive day

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<v Speaker 1>of research and a fun one.

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<v Speaker 5>Let's get to a day in question, September sixteenth, nineteen

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<v Speaker 5>twenty two, at least in terms of bodies being discovered.

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<v Speaker 5>Pearl Bomber, which is fifteen year old, and Ray Schneider,

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<v Speaker 5>twenty three year old, found the two bodies in New Brunswick.

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<v Speaker 5>You say, along the railway corded between Manhattan and Philadelphia.

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<v Speaker 5>New Brunswick. Tell us what they find and what they

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<v Speaker 5>do once they realized their discovery.

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<v Speaker 3>Well, they're strolling down this, you know, sort of notorious

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<v Speaker 3>lover lane in the morning.

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<v Speaker 1>Obviously we should note the very inappropriate age difference here,

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<v Speaker 1>a fifteen year old girl, a twenty three year old

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<v Speaker 1>man who is married, but a strange from his wife.

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<v Speaker 1>But nonetheless they are there for the exact reason you'd expect.

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<v Speaker 1>And they come across what Pearl observes and to be

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<v Speaker 1>what she thinks are two people sleeping. And she comments

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<v Speaker 1>to Ray, look at those people over there sleeping, and

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<v Speaker 1>he says, I don't you know, don't don't.

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<v Speaker 3>Don't bother them, don't worry about it.

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<v Speaker 1>They walk past, they go into a clearing. One thing

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<v Speaker 1>leads to another. They come back some minutes or moments later,

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<v Speaker 1>and Pearl immediately is nervous. She sees the bodies once again,

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<v Speaker 1>they creep closer, they realize these are two dead bodies.

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<v Speaker 1>There's not you know, in their recollections that exist in

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<v Speaker 1>the records I was able to find. Of the original

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<v Speaker 1>witness statements. They didn't describe the bodies in great detail.

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<v Speaker 1>It wouldn't be till some of the other people that

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<v Speaker 1>arrived at the crime scene that we would get a

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<v Speaker 1>fuller picture. But they presumably thought they could tell these

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<v Speaker 1>people were dead. They presumably saw some bullet wounds because

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<v Speaker 1>when they ran to a nearby house to phone the authorities,

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<v Speaker 1>they said that these people had been shot. But basically

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<v Speaker 1>they came upon to what they thought was a sousing

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<v Speaker 1>couple on a lover's lane, perhaps there for the same reason.

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<v Speaker 1>They were there and it's turned out to be two corpses,

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<v Speaker 1>and they were the ones who first, you know, rang

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<v Speaker 1>the alarm bell about this.

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<v Speaker 5>Now detectives coming. There's a problem with jurisdiction. Can you

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<v Speaker 5>explain that?

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<v Speaker 1>Yeah, So the bodies were you know, New Brunswick, New Jersey,

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<v Speaker 1>is in the county of Middlesex.

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<v Speaker 3>So the victims.

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<v Speaker 1>And also Pearl and Ray they were coming from New

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<v Speaker 1>Brunswick on this into this curve of rural hinderland the

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<v Speaker 1>edge of town, and they cross onto this abandoned farm

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<v Speaker 1>which veers into Somerset County in the town of Franklin.

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<v Speaker 1>And you know, it's not entirely clear at first where

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<v Speaker 1>the bodies lie to a late person. But the first

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<v Speaker 1>patrol officers that arrived from New Brunswick, you know, who

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<v Speaker 1>do see a more gruesome scene here. They observe that

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<v Speaker 1>these bodies are very carefully laid out in this way

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<v Speaker 1>that it's clear suggests that these were lovers of some sort.

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<v Speaker 1>They you know, his arm is outstretched and her head

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<v Speaker 1>is resting on it. Her hand is on his thigh.

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<v Speaker 1>There's there's love letters placed between them. There's a calling

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<v Speaker 1>card place near his foot. It was a very precise arrangement,

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<v Speaker 1>and one of the one of the cops, thought to himself,

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<v Speaker 1>it looked almost like a mortician had done this. But

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<v Speaker 1>in any case, one of them says, you know, this

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<v Speaker 1>is no case of ours, because he recognized that they

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<v Speaker 1>had crossed into Somerset County. So they phone their superiors

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<v Speaker 1>to call the Somerset County Detectives to come and take

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<v Speaker 1>take over this crime.

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<v Speaker 3>Scene.

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<v Speaker 1>But even as the case progressed, there was still a

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<v Speaker 1>question of you know, where had where had where had.

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<v Speaker 3>These two people been killed?

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<v Speaker 1>Were they killed in Middlesex County, in New Brunswick and

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<v Speaker 1>then brought to this place in Somerset County or where

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<v Speaker 1>they killed here.

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<v Speaker 3>Where their bodies were found.

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<v Speaker 1>So there was kind of this dual tracked and probe

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<v Speaker 1>that unfolded between the authorities in Somerset and Middlesex that

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<v Speaker 1>led to, you know, certain tensions and certain differences of

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<v Speaker 1>opinion and created a little bit of you know, contributed

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<v Speaker 1>to sort of the bumbling nature of the probe.

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<v Speaker 5>Talk about bumbling nature of the probe and that police

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<v Speaker 5>don't aren't able to secure the scene from curious onlookers

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<v Speaker 5>that arrive almost immediately. But the tabloids and the newspapers

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<v Speaker 5>enter this story almost immediately. Again, police don't keep media

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<v Speaker 5>away from these crime scenes. And there's an Albert Cardinal

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<v Speaker 5>from the Daily Home News and he arrives on the

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<v Speaker 5>scene and does, as you write, a more thorough examination

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<v Speaker 5>or investigation of what police had just found and made

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<v Speaker 5>his report. What did he find in terms of you

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<v Speaker 5>talk about letters, but also a card that was found

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<v Speaker 5>by the foot of this unknown men, and how does

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<v Speaker 5>it come. What are the circumstances in which he's the

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<v Speaker 5>man and woman are identified?

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<v Speaker 1>Yeah, so she You know, as you say, this is

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<v Speaker 1>a small town. Gossips flying. People start getting wind of

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<v Speaker 1>this pretty quickly. This reporter arrives at the scene pretty

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<v Speaker 1>early on. He's the first reporter of men many, many

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<v Speaker 1>who will cover this story over the next four years.

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<v Speaker 1>He notices some of the details that definitely suggest this

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<v Speaker 1>is a major story, that it's a scandal.

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<v Speaker 3>Again. He he's very keen on looking at the love letters.

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<v Speaker 1>He's told actually maybe in one of the good things

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<v Speaker 1>that the cups dated the scene.

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<v Speaker 3>He asks if he can pick them up.

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<v Speaker 1>They say you better or not, But nonetheless he kind

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<v Speaker 1>of leans down and he transcribes some bit of texts

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<v Speaker 1>from the love letters that he could see on the

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<v Speaker 1>top few pages. And he picks up the calling card

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<v Speaker 1>that is seen at the foot of the murdered man.

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<v Speaker 1>And he picks up the card and printed in bold

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<v Speaker 1>Gothic text that says the Reverend Edward W. Hall And

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<v Speaker 1>this was someone, you know, a prominent minister from town

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<v Speaker 1>that would have been well known in the community. This

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<v Speaker 1>is a fairly small provincial town, New Brunswick, sort of

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<v Speaker 1>a burgeoning manufacturing and academic and industrial hub, but nonetheless

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<v Speaker 1>still a small town. This reporter, you know, immediately realizes

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<v Speaker 1>that this is, you know, maybe even a bigger story.

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<v Speaker 1>Then he thought, you know, it's not your run of

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<v Speaker 1>the mill homicide, between this curious staging of the bodies

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<v Speaker 1>and the fact there's a very prominent local person involved

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<v Speaker 1>next to someone who is an unknown woman who's clearly

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<v Speaker 1>not his wife. So he rushes back to the newsroom

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<v Speaker 1>to get the first thing to press. One of his colleagues,

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<v Speaker 1>another reporter named Frank Diner, whose son I actually is

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<v Speaker 1>still alive. He's in his early nineties, and I actually

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<v Speaker 1>spoke to him for the book. He shows up a

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<v Speaker 1>little bit later when the crime scene has devolved into

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<v Speaker 1>this sort of circus and they're still trying to figure

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<v Speaker 1>out who is this woman. And this reporter happened to

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<v Speaker 1>live near around the corner from the mansion where Reverend

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<v Speaker 1>Hall lived with his wife, Francis Hall, who's this very wealthy,

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<v Speaker 1>wealthy heiress, this sort of prominent woman with illustrious ancestors,

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<v Speaker 1>and this reporter, Frank Dyner, lived around the corner from them,

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<v Speaker 1>and he says, you know, I think I can identify

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<v Speaker 1>this woman because he knows he knew something everyone else did,

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<v Speaker 1>and he knew about the gossip that was fairly hot

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<v Speaker 1>around town that the minister was known to be quote friendly,

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<v Speaker 1>I think, as he described it, with a woman named

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<v Speaker 1>Eleanor Mills who was a choir singer in the t

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<v Speaker 1>So he goes and finds the detective of Somerset County

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<v Speaker 1>who's leading this case, George Tauten, and he said, I

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<v Speaker 1>think I could identify her, and they bring her over

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<v Speaker 1>and he says, that's Eleanor Mills.

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<v Speaker 3>So he identified Frank Diner.

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<v Speaker 1>This reporter is the one who identifies Eleanor Mills as

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<v Speaker 1>the choir singer. And now there's really no doubt about

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<v Speaker 1>what's going on there. There's philandering clergyman who has been

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<v Speaker 1>having an affair with a member of his church who's

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<v Speaker 1>in the choir, who's also married to the church sexton.

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<v Speaker 3>So you know, immediately you could see how this was.

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<v Speaker 1>Just catnip for the newspapers, you know, not just locally

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<v Speaker 1>but all over the country, and it became a massive

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<v Speaker 1>story that you drove the news was on front pages

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<v Speaker 1>for months to come.

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<v Speaker 5>What does George Tauten and the authorities do? How do

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<v Speaker 5>they progress with questioning of people? There is obviously some

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<v Speaker 5>people to speak to the husband of the woman found,

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<v Speaker 5>and obviously Francis Hall, the wife of the slain reverence.

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<v Speaker 5>So how do police progress in this investigation?

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<v Speaker 1>They actually they go after the cook golded widower for

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<v Speaker 1>Jim Mills. They start, you know, as soon as they

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<v Speaker 1>officially he kind of got got wind of this through

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<v Speaker 1>through back channels because you know, the news was starting.

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<v Speaker 3>To fly all over town and you heard about.

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<v Speaker 1>It through his sister in law, Eleanor's sister, when he

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<v Speaker 1>had gone to her house, you know, seeing if she

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<v Speaker 1>had knew anything about where his wife might be after

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<v Speaker 1>being missing for almost two days. But he goes back

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<v Speaker 1>to his house, the detectives are there, They give him

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<v Speaker 1>the news. They pretty much interrogate him right away, but

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<v Speaker 1>they are more deferential in their questioning of Francis Paul.

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<v Speaker 1>They wait a day, they give her time to compose

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<v Speaker 1>and let this sink in, and they go the next

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<v Speaker 1>day and you know they are they give her a

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<v Speaker 1>pretty They give a serious interview, but they're also pretty

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<v Speaker 1>They sort of tiptoe around the elephant in the room

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<v Speaker 1>and say, you know, were you aware of any close

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<v Speaker 1>friendship between your husband and missus Mills. You know, they

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<v Speaker 1>you know, sort of handle hard with kid gloves to

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<v Speaker 1>an extent. That's kind of the first interrogations. But from

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<v Speaker 1>there it was just, you know, this this torrent of

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<v Speaker 1>gossip and intrigue and leads, and you know, it just quickly,

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<v Speaker 1>it quickly spiraled and they had, you know, no shortage

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<v Speaker 1>of intriguing leads to pursue.

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<v Speaker 5>You say that francis you right, that she denies knowing

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<v Speaker 5>anything of any behavior untoward by her husband. And Jim

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<v Speaker 5>Mills is interviewed and says almost the same thing, that

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<v Speaker 5>he did not suspect his wife of anything untoward. What

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<v Speaker 5>do authorities make of both of those people's claims and

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<v Speaker 5>how do they go and what and where do they

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<v Speaker 5>go from there?

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<v Speaker 1>In terms of leads, I suspect privately they didn't buy

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<v Speaker 1>it because you know, the newspapers they were they were

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<v Speaker 1>reporting so much that was coming out of the investigation.

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<v Speaker 1>They clearly had you know, chatty detectives and officials they

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<v Speaker 1>were talking to.

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<v Speaker 3>So that's how a lot of this, you.

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<v Speaker 1>Know, the details about this clearly well known affair started

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<v Speaker 1>to leak out in the newspapers. They were reporting on

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<v Speaker 1>gossip that church people knew about. You know, they were

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<v Speaker 1>choir member who saw them arm in arm in New

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<v Speaker 1>York City, or you know, this incident that happened at

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<v Speaker 1>the Jersey Shore when it was clear that Eleanor was

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<v Speaker 1>upset because the reverend left early.

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<v Speaker 3>Things like that.

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<v Speaker 1>I mean, the newspapers are flooded with this stuff, so,

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<v Speaker 1>you know, and it's not clear who their sources are,

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<v Speaker 1>but seems clear in retrospect looking at the historical record,

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<v Speaker 1>they were getting this stuff from inside the investigation. So

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<v Speaker 1>the police weren't buying it. But nonetheless they didn't have

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<v Speaker 1>anything very firm. You know, they had bungled the sort

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<v Speaker 1>of securing the crime scene. They didn't have a murder weapon.

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<v Speaker 3>You know, Jim.

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<v Speaker 1>Mills had a fairly decent alibi. Francis Hall had, you know,

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<v Speaker 1>a very detailed story about you know, leaving the house

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<v Speaker 1>and going to look with her brother who lived with her,

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<v Speaker 1>Willie Stevens, going to look for her husband at the

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<v Speaker 1>church the night he disappeared in the middle of the night.

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<v Speaker 3>You know, I think I guess in the absence of

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<v Speaker 3>any smoking gun.

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<v Speaker 1>At first, they're they're taking these people at their word,

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<v Speaker 1>and they, you know, have really not much concrete evidence

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<v Speaker 1>to go on, and I think probably not much of

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<v Speaker 1>an appetite to really aggressively pursue this.

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<v Speaker 3>This him in from this very prominent local family.

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<v Speaker 1>So the case takes kind of a number of twists

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<v Speaker 1>and devolves into this side show where they circle back

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<v Speaker 1>to Ray and Pearl, who had found the bodies, because

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<v Speaker 1>you know, it was kind of there's some suspicious things.

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<v Speaker 1>His the reverend's gold watch was missing, so you know,

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<v Speaker 1>Frances and hert camp were very keen to portray this

378
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<v Speaker 1>it must have been a robbery gone awry.

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<v Speaker 3>But the question was if it was a robbery and.

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<v Speaker 1>The watch was taken, why hadn't it turned up in

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<v Speaker 1>any pawn shops. And they sort of suspected that maybe Ray,

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<v Speaker 1>who was this sort of you know nair duell cobording

383
00:18:32.240 --> 00:18:36.599
<v Speaker 1>with a teenage girl and you know, in between jobs

384
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<v Speaker 1>he couldn't hold down and in the doghouse with his wife,

385
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<v Speaker 1>maybe he had stolen it. Could these could these young

386
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<v Speaker 1>people have been actually more involved than they let on.

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<v Speaker 1>It's curious that they were the ones who found the body.

388
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<v Speaker 1>So they circle back to them and they pull in

389
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<v Speaker 1>also some of their friends, and detectives basically give Ray

390
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<v Speaker 1>and a friend of his name Clifford Hayes, the third

391
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<v Speaker 1>degree all night and Ray, under immense pressure from from

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<v Speaker 1>a from detectives, thrilling him with no sleep, comes up

393
00:19:02.039 --> 00:19:05.160
<v Speaker 1>with this story, this outrageous story about how they had

394
00:19:05.160 --> 00:19:07.920
<v Speaker 1>been out around town the night before and he and

395
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<v Speaker 1>his friends, some of his guy friends, saw Pearl with

396
00:19:11.480 --> 00:19:14.000
<v Speaker 1>her drunk father. Her father was sort of, you know,

397
00:19:14.160 --> 00:19:16.960
<v Speaker 1>no good guy. He owns like a low rent speakeasy,

398
00:19:17.079 --> 00:19:18.759
<v Speaker 1>and he was a drunk and had a criminal record.

399
00:19:18.799 --> 00:19:21.519
<v Speaker 1>And they see Pearl and her father, you know, walking

400
00:19:21.960 --> 00:19:24.799
<v Speaker 1>you know, in the direction of this this farmland where

401
00:19:24.799 --> 00:19:28.039
<v Speaker 1>the crime occurred, and and Ray's telling of the story,

402
00:19:28.039 --> 00:19:30.480
<v Speaker 1>they tried to they followed them around and they lost

403
00:19:30.519 --> 00:19:31.039
<v Speaker 1>track of them.

404
00:19:31.039 --> 00:19:31.759
<v Speaker 3>But then they come.

405
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<v Speaker 1>Upon this farm and they see these two people, you know,

406
00:19:35.359 --> 00:19:38.079
<v Speaker 1>fooling around in the brush and it's very dark, and

407
00:19:38.640 --> 00:19:41.119
<v Speaker 1>Ray's friend, for some reason, out of you know, in

408
00:19:41.160 --> 00:19:43.920
<v Speaker 1>a sudden show of honor or whatever, pulls out a

409
00:19:43.960 --> 00:19:46.680
<v Speaker 1>gun and shoots them. And then only when Ray strikes

410
00:19:46.720 --> 00:19:48.880
<v Speaker 1>a match does he see that they didn't shoot Pearl.

411
00:19:49.000 --> 00:19:50.960
<v Speaker 1>He didn't shoot pro in her father. He shot this

412
00:19:51.119 --> 00:19:53.559
<v Speaker 1>these these strangers, they didn't know who they were. So

413
00:19:53.559 --> 00:19:56.759
<v Speaker 1>it's clearly a ludicrous story. But the police are so

414
00:19:57.039 --> 00:20:00.400
<v Speaker 1>the prosecution is so eager just to have some something point.

415
00:20:00.440 --> 00:20:02.440
<v Speaker 3>They charged this poor guy, Clifford Hayes.

416
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<v Speaker 1>But you know, no one buys it. There's an outcry

417
00:20:04.599 --> 00:20:07.480
<v Speaker 1>in town. The newspapers aren't buying it. And George Taught,

418
00:20:07.480 --> 00:20:09.519
<v Speaker 1>and he was a lead detective, he kind of knows

419
00:20:09.599 --> 00:20:13.000
<v Speaker 1>this is not legit and he gets ready to fess up.

420
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<v Speaker 3>So then they're back to square one.

421
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<v Speaker 1>And it's only then where they make a decision based

422
00:20:18.240 --> 00:20:21.559
<v Speaker 1>on a new witnesses that emerges that the focus will

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<v Speaker 1>become Francis Hall and her family.

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<v Speaker 5>Before we talk about that, we you write about that

425
00:20:26.839 --> 00:20:31.400
<v Speaker 5>Francis Noel Stevens Hall came from New Jersey Royalty on

426
00:20:31.440 --> 00:20:35.640
<v Speaker 5>both sides, the Stephens, the Stevens and the Carpenters, and

427
00:20:35.680 --> 00:20:40.000
<v Speaker 5>she took immense pride in her noble ancestry. Her granddad,

428
00:20:40.200 --> 00:20:43.880
<v Speaker 5>Ebenezer Stevens, was the stuff of grade school history books.

429
00:20:43.880 --> 00:20:46.559
<v Speaker 3>You write, great great great granddad, great great dad.

430
00:20:46.680 --> 00:20:51.480
<v Speaker 5>Yes, and so anyway, when you talk about Francis we

431
00:20:51.599 --> 00:20:55.680
<v Speaker 5>also you introduce a character, Phil Pain. So tell us

432
00:20:55.680 --> 00:20:59.839
<v Speaker 5>who Phil pain is and his role in this story.

433
00:21:00.039 --> 00:21:00.599
<v Speaker 3>Phil Payne.

434
00:21:00.640 --> 00:21:02.839
<v Speaker 1>At the time of the murders, he has just been

435
00:21:03.079 --> 00:21:06.160
<v Speaker 1>made editor of managing editor, which was which was the

436
00:21:06.200 --> 00:21:08.400
<v Speaker 1>highest position at the time of the d of the

437
00:21:08.400 --> 00:21:11.680
<v Speaker 1>New York Daily News, which was America's first tabloid. It

438
00:21:11.720 --> 00:21:14.119
<v Speaker 1>was founded a few years earlier by a guy named

439
00:21:14.160 --> 00:21:16.880
<v Speaker 1>Joseph Madill Patterson who was the scion of the Medill

440
00:21:17.119 --> 00:21:20.960
<v Speaker 1>family that controlled the Truck Cargo Tribune. You know, a

441
00:21:21.000 --> 00:21:23.039
<v Speaker 1>wealthy heir who had struck out on his own and

442
00:21:23.079 --> 00:21:26.319
<v Speaker 1>created a tabloid newspaper, which was, you know, a new

443
00:21:26.359 --> 00:21:30.799
<v Speaker 1>innovation in America. And Phil, Phil Payne became was promoted

444
00:21:30.839 --> 00:21:32.880
<v Speaker 1>to editor a week before the murders happened, so he

445
00:21:33.559 --> 00:21:35.759
<v Speaker 1>obviously the Daily News was all over the story.

446
00:21:35.799 --> 00:21:37.200
<v Speaker 3>He had a star reporter.

447
00:21:36.920 --> 00:21:41.480
<v Speaker 1>Named Julia Hartman that you know, landed different exclusives and scoops.

448
00:21:41.519 --> 00:21:42.319
<v Speaker 3>Along the way.

449
00:21:42.839 --> 00:21:45.559
<v Speaker 1>You know what what you know, Phil Payne at the time,

450
00:21:45.759 --> 00:21:48.480
<v Speaker 1>Francis Hall would not have probably known who this guy was.

451
00:21:48.720 --> 00:21:51.839
<v Speaker 1>And Phil Payne was clearly you know, aware of her

452
00:21:51.880 --> 00:21:54.000
<v Speaker 1>because his newspaper was was covering her in this very

453
00:21:54.039 --> 00:21:56.720
<v Speaker 1>unflattering light and sort of you know, tormenting her one

454
00:21:56.759 --> 00:21:59.359
<v Speaker 1>time she you know, tried. They had all these photographers

455
00:21:59.359 --> 00:22:01.960
<v Speaker 1>around because the tabloid press when it emerged, the whole

456
00:22:02.000 --> 00:22:03.880
<v Speaker 1>idea was that it should be photo driven and it

457
00:22:03.960 --> 00:22:07.240
<v Speaker 1>was all about having big photographs and putting characters on

458
00:22:07.319 --> 00:22:07.839
<v Speaker 1>the pages.

459
00:22:07.920 --> 00:22:10.079
<v Speaker 3>And so they were really agressive about photography.

460
00:22:10.240 --> 00:22:12.720
<v Speaker 1>And you know, Francis Hall tried to dodge one of

461
00:22:12.720 --> 00:22:14.599
<v Speaker 1>their photographers, but he got a shot anyway, and they

462
00:22:14.599 --> 00:22:16.519
<v Speaker 1>put it on the front page and the caption was

463
00:22:16.559 --> 00:22:19.359
<v Speaker 1>something like, you know, Francis widow Missus Hall tried to

464
00:22:19.640 --> 00:22:21.440
<v Speaker 1>dodger Camerman, but we got the best of her.

465
00:22:21.519 --> 00:22:21.680
<v Speaker 4>You know.

466
00:22:21.880 --> 00:22:24.079
<v Speaker 1>So there was clearly like some element where you know,

467
00:22:24.200 --> 00:22:26.359
<v Speaker 1>he is a tormentor of Francis Hall.

468
00:22:26.440 --> 00:22:29.519
<v Speaker 3>But neither of them knew that four years later.

469
00:22:29.319 --> 00:22:33.240
<v Speaker 1>In a new chapter of this crime, they would really become,

470
00:22:33.519 --> 00:22:35.920
<v Speaker 1>you know, Phil Pain would become her mortal enemy.

471
00:22:36.039 --> 00:22:40.920
<v Speaker 5>You talk about star reporter and Phil Payin really encouraging

472
00:22:41.279 --> 00:22:47.759
<v Speaker 5>his women correspondence and newspaper women. And Julia Hartman stumbles across,

473
00:22:47.880 --> 00:22:52.519
<v Speaker 5>or stumbles upon an amazing lead and this woman named Gibson,

474
00:22:52.599 --> 00:22:55.240
<v Speaker 5>the pig farmer, as you call her. What happens? What

475
00:22:55.279 --> 00:22:58.440
<v Speaker 5>does she have to say to Hartman, the big.

476
00:22:58.279 --> 00:22:58.799
<v Speaker 3>Woman she got?

477
00:22:58.799 --> 00:23:01.160
<v Speaker 1>You know, Hartman is the first order as far as

478
00:23:01.200 --> 00:23:03.880
<v Speaker 1>I was able to glean for my research that learned

479
00:23:03.880 --> 00:23:04.319
<v Speaker 1>about her.

480
00:23:04.359 --> 00:23:04.680
<v Speaker 3>She wasn't.

481
00:23:04.720 --> 00:23:07.400
<v Speaker 1>She didn't break the news and the pig Woman, Jam Gibson,

482
00:23:07.480 --> 00:23:11.279
<v Speaker 1>the pig woman, is with the newspapers pejoratively nicknamed her

483
00:23:11.400 --> 00:23:13.240
<v Speaker 1>because she was a pig farmer. She lived on this

484
00:23:13.799 --> 00:23:15.960
<v Speaker 1>farm that was kind of next to up the road

485
00:23:16.000 --> 00:23:18.079
<v Speaker 1>from the farm where the bodies were discovered. But she

486
00:23:18.200 --> 00:23:21.240
<v Speaker 1>had come forward amidst this sort of side show with

487
00:23:21.279 --> 00:23:23.799
<v Speaker 1>where this poor local kid was railroaded and charged and

488
00:23:23.839 --> 00:23:28.400
<v Speaker 1>then released. Jim Gibson comes forward to the detectives quietly

489
00:23:28.680 --> 00:23:30.440
<v Speaker 1>and says, you know, I didn't want to get involved

490
00:23:30.440 --> 00:23:32.480
<v Speaker 1>in this whole thing, but I couldn't let that poor

491
00:23:32.559 --> 00:23:34.400
<v Speaker 1>kid go down for this when I knew it happened

492
00:23:34.480 --> 00:23:36.799
<v Speaker 1>because I was there, And she, you know, comes out

493
00:23:36.839 --> 00:23:40.160
<v Speaker 1>with this pretty amazing tale of having been riding on

494
00:23:40.480 --> 00:23:43.640
<v Speaker 1>her favorite mule named Jenny, down De Russy's Lane, this

495
00:23:43.640 --> 00:23:45.960
<v Speaker 1>this dirt road that was the lover's lane where this

496
00:23:46.039 --> 00:23:49.319
<v Speaker 1>all sort of took place, and she is out.

497
00:23:49.160 --> 00:23:50.799
<v Speaker 3>Supposedly looking for a porn thief.

498
00:23:50.839 --> 00:23:53.400
<v Speaker 1>It's you know, sometime around ten at night, and she

499
00:23:53.440 --> 00:23:55.839
<v Speaker 1>doesn't she doesn't find what she's looking for, and she

500
00:23:55.880 --> 00:23:58.319
<v Speaker 1>turns around and head back home. But she hears voices

501
00:23:58.359 --> 00:24:01.200
<v Speaker 1>and she and Jenny tried a little closer, and she

502
00:24:01.440 --> 00:24:04.799
<v Speaker 1>claims that she witnessed this murder. She heard four shots,

503
00:24:05.119 --> 00:24:08.559
<v Speaker 1>she heard a woman cry out, Oh, Henry. Henry Stevens

504
00:24:08.839 --> 00:24:11.279
<v Speaker 1>was the name of Francis Hall's brother. She also had

505
00:24:11.279 --> 00:24:14.640
<v Speaker 1>a cousin named Henry, so that was a key detail.

506
00:24:14.759 --> 00:24:17.279
<v Speaker 1>And Jen Gibson tells the story to detectives. Eventually, the

507
00:24:17.319 --> 00:24:20.720
<v Speaker 1>press learns about this mystery witness. They find out about her.

508
00:24:20.759 --> 00:24:24.160
<v Speaker 1>She starts talking to them, she starts her story becomes richer,

509
00:24:24.200 --> 00:24:27.400
<v Speaker 1>it becomes more elaborate, with different tellings, you know, different

510
00:24:27.400 --> 00:24:29.640
<v Speaker 1>details are shifting this way and that, but you know,

511
00:24:29.680 --> 00:24:31.640
<v Speaker 1>at the end of at the core, it's sort of

512
00:24:31.680 --> 00:24:35.160
<v Speaker 1>the same story. And this is finally what gives the

513
00:24:35.240 --> 00:24:38.279
<v Speaker 1>authorities something to go on, and they pretty much just

514
00:24:38.359 --> 00:24:40.400
<v Speaker 1>run with this. And she was a very she was

515
00:24:40.440 --> 00:24:44.039
<v Speaker 1>a theatrical sort of recontour, you know, with sort of

516
00:24:44.079 --> 00:24:48.440
<v Speaker 1>a checkered past and a backstory that didn't really check out.

517
00:24:48.480 --> 00:24:50.640
<v Speaker 1>So she was definitely not the most credible witness, but

518
00:24:50.720 --> 00:24:53.160
<v Speaker 1>she was what they had. They finally had someone who

519
00:24:53.200 --> 00:24:55.359
<v Speaker 1>claimed to be an eyewitness to this crime.

520
00:24:55.559 --> 00:24:59.279
<v Speaker 5>Now, along with this witness, they put together some other

521
00:24:59.440 --> 00:25:03.119
<v Speaker 5>what they believe witnesses and put this case together for prosecution.

522
00:25:03.519 --> 00:25:06.400
<v Speaker 5>What happens when it's finally to the grand jury. What

523
00:25:06.519 --> 00:25:11.759
<v Speaker 5>happens at this court case And it's pretty dramatic testimony

524
00:25:11.799 --> 00:25:16.400
<v Speaker 5>that Gibson does. Gibson gives at this court courthouse as well,

525
00:25:16.440 --> 00:25:17.480
<v Speaker 5>So tell us about that.

526
00:25:17.759 --> 00:25:20.599
<v Speaker 1>She gives more dramatic testimony in nineteen twenty six, which

527
00:25:20.599 --> 00:25:22.680
<v Speaker 1>which I'm sure we'll get to. But they call a

528
00:25:22.680 --> 00:25:28.200
<v Speaker 1>grand jury and they try to get indictments, and they

529
00:25:28.279 --> 00:25:31.599
<v Speaker 1>really hinge on the pit on Jane Gibson and her story,

530
00:25:31.640 --> 00:25:34.440
<v Speaker 1>even though there's all sorts of other, you know, bits

531
00:25:34.480 --> 00:25:38.559
<v Speaker 1>of intrigue, and you know, they believe that other members

532
00:25:38.599 --> 00:25:41.119
<v Speaker 1>of the church had sort of been, you know, resentful

533
00:25:41.160 --> 00:25:43.039
<v Speaker 1>of the minister and the choir singer and had been

534
00:25:43.079 --> 00:25:45.599
<v Speaker 1>spying on them and intercepting their love notes. And that's

535
00:25:45.640 --> 00:25:48.799
<v Speaker 1>how Francis found out about their plans to meet that

536
00:25:49.039 --> 00:25:51.759
<v Speaker 1>that's sort of the working theory. But really what they

537
00:25:51.799 --> 00:25:55.200
<v Speaker 1>have is an eyewitness who says they were there for

538
00:25:55.240 --> 00:25:58.319
<v Speaker 1>the murder. So that's really what the case the grand

539
00:25:58.400 --> 00:26:01.400
<v Speaker 1>jury comes down to. But she's not a strong enough

540
00:26:01.440 --> 00:26:05.000
<v Speaker 1>witness to convince a grand jury to return any indictments.

541
00:26:05.119 --> 00:26:08.359
<v Speaker 3>And at that point, you know, it sort of fizzles out.

542
00:26:08.720 --> 00:26:12.039
<v Speaker 1>They there's no indictments and it you know, the press,

543
00:26:12.640 --> 00:26:13.319
<v Speaker 1>the party's over.

544
00:26:13.359 --> 00:26:15.119
<v Speaker 3>They don't really have much more to cover. It fades

545
00:26:15.160 --> 00:26:17.559
<v Speaker 3>from the headlines, and this is the end of nineteen

546
00:26:17.759 --> 00:26:18.279
<v Speaker 3>twenty two.

547
00:26:18.559 --> 00:26:21.480
<v Speaker 1>But you know, as the book chronicles, you know, there

548
00:26:21.559 --> 00:26:24.240
<v Speaker 1>was this sort of this this tabloid war that was

549
00:26:24.319 --> 00:26:28.039
<v Speaker 1>that was on the horizon, and that would ultimately sort

550
00:26:28.079 --> 00:26:30.000
<v Speaker 1>of be the catalyst for how this case comes back

551
00:26:30.039 --> 00:26:30.720
<v Speaker 1>four years later.

552
00:26:30.880 --> 00:26:33.799
<v Speaker 5>Let's use this as an opportunity to stop for a

553
00:26:33.839 --> 00:26:36.440
<v Speaker 5>second to hear from our sponsor, which is zip recruiter.

554
00:26:36.920 --> 00:26:39.920
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555
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556
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557
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558
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559
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560
00:27:00.079 --> 00:27:04.240
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561
00:27:04.279 --> 00:27:08.799
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562
00:27:08.839 --> 00:27:12.039
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563
00:27:12.119 --> 00:27:16.279
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564
00:27:16.440 --> 00:27:19.400
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565
00:27:19.519 --> 00:27:24.920
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566
00:27:25.279 --> 00:27:31.519
<v Speaker 5>m u r der, ZipRecruiter dot com slash murder. ZipRecruiter

567
00:27:31.799 --> 00:27:35.200
<v Speaker 5>the smartest way to hire Now, Joe, we talked about

568
00:27:35.240 --> 00:27:40.920
<v Speaker 5>the Grand Jury. Despite this supposed eyewitness, this look like

569
00:27:41.000 --> 00:27:44.480
<v Speaker 5>a promising witness, this Skipson woman, the pig woman as

570
00:27:44.680 --> 00:27:47.240
<v Speaker 5>referred to in the press, the grand jury could not

571
00:27:47.400 --> 00:27:51.400
<v Speaker 5>indicte and put this matter aside. So you say that

572
00:27:51.480 --> 00:27:55.759
<v Speaker 5>this was just the beginning of these tabloid wars. What

573
00:27:55.920 --> 00:27:59.960
<v Speaker 5>happens with all the people involved, especially Bill Payne.

574
00:28:00.119 --> 00:28:01.720
<v Speaker 1>So in the you know, even though this sort of

575
00:28:02.079 --> 00:28:06.160
<v Speaker 1>disappeared from the headlines. Phil Payne, the editor of The

576
00:28:06.200 --> 00:28:08.279
<v Speaker 1>Daily News, which at the time that was still the

577
00:28:08.319 --> 00:28:11.400
<v Speaker 1>only tabloid in America, this is now early nineteen twenty three.

578
00:28:11.640 --> 00:28:14.359
<v Speaker 1>He's the first one that tries to bring this case

579
00:28:14.400 --> 00:28:17.680
<v Speaker 1>back to life, and he comes up with an outrageous

580
00:28:17.720 --> 00:28:20.839
<v Speaker 1>plan because his star reporter, Julia Hartman, had learned that

581
00:28:21.279 --> 00:28:24.680
<v Speaker 1>Jim Mills, the the widower you know, had kind of

582
00:28:24.839 --> 00:28:27.759
<v Speaker 1>blown under the spell, as it were, of the spiritualism

583
00:28:27.799 --> 00:28:30.440
<v Speaker 1>revival that was sweeping America, and he believed in ghosts

584
00:28:30.440 --> 00:28:33.920
<v Speaker 1>in the other worldly and he was sort of a dim, meek,

585
00:28:34.319 --> 00:28:35.000
<v Speaker 1>sort of dud.

586
00:28:34.880 --> 00:28:35.359
<v Speaker 3>Of a guy.

587
00:28:35.640 --> 00:28:38.440
<v Speaker 1>And they came up with this plan to try to

588
00:28:38.480 --> 00:28:41.119
<v Speaker 1>scare him into confessing to his wife's murder. That you know,

589
00:28:41.200 --> 00:28:43.240
<v Speaker 1>kind of what pivoted went in a different direction. He said,

590
00:28:43.240 --> 00:28:44.599
<v Speaker 1>you know, let's look at the let's look at the

591
00:28:44.640 --> 00:28:48.039
<v Speaker 1>husband now. And you know, Phil Paying gets some buy

592
00:28:48.119 --> 00:28:51.119
<v Speaker 1>in from from the authorities who have nothing to lose,

593
00:28:51.240 --> 00:28:54.599
<v Speaker 1>and he has another one of his prominent female reporters

594
00:28:54.640 --> 00:28:59.039
<v Speaker 1>the time, named Bernadine sold who would later become Hollywood socialite,

595
00:28:59.079 --> 00:29:02.720
<v Speaker 1>has her pretend to be a fortune teller and they

596
00:29:02.960 --> 00:29:05.960
<v Speaker 1>deck out her apartment to be like a fortune teller's layer,

597
00:29:06.119 --> 00:29:09.079
<v Speaker 1>with you know, all sorts of elaborate decor and incense

598
00:29:09.119 --> 00:29:11.799
<v Speaker 1>wafting and they send Jim Mills this invitation on this

599
00:29:11.960 --> 00:29:14.559
<v Speaker 1>spooky letter had they drew up, and they invite him

600
00:29:14.599 --> 00:29:17.640
<v Speaker 1>to a you know, a reading in this in this

601
00:29:18.039 --> 00:29:22.000
<v Speaker 1>Manhattan apartment that has been transformed into you know, a

602
00:29:22.039 --> 00:29:25.759
<v Speaker 1>medium's den. And this actually happens in the winter of

603
00:29:26.319 --> 00:29:30.880
<v Speaker 1>February nineteen twenty three. Jim goes, he sits down this

604
00:29:30.920 --> 00:29:34.200
<v Speaker 1>fake medium whose name was was They called her Madame Astra.

605
00:29:34.359 --> 00:29:37.079
<v Speaker 1>She puts on a show Phil Payne, the detectives and

606
00:29:37.119 --> 00:29:40.160
<v Speaker 1>a stenographer like hiding behind a curtain, right, and they're

607
00:29:40.319 --> 00:29:43.000
<v Speaker 1>they're really like trying to scare Jim Mills into confessing that,

608
00:29:43.039 --> 00:29:45.599
<v Speaker 1>you know, she pretends to conjure Eleanor's spirit into the

609
00:29:45.720 --> 00:29:46.839
<v Speaker 1>room and this goes on.

610
00:29:46.799 --> 00:29:49.480
<v Speaker 3>For a while and they can't get him to crack.

611
00:29:49.640 --> 00:29:52.440
<v Speaker 1>But this was an example of you know, tabloids today

612
00:29:52.680 --> 00:29:54.480
<v Speaker 1>they continue to be known for sort of you know,

613
00:29:54.640 --> 00:29:59.519
<v Speaker 1>stunty journalism and spending certain ethical rules that you know.

614
00:29:59.519 --> 00:30:02.839
<v Speaker 3>More august newspapers would look down on.

615
00:30:03.200 --> 00:30:05.440
<v Speaker 1>And that was kind of the first attempt of like

616
00:30:05.720 --> 00:30:08.279
<v Speaker 1>tabloid press to bring this case back because they knew

617
00:30:08.319 --> 00:30:10.720
<v Speaker 1>it would mean glory for the newspaper. They knew it

618
00:30:10.720 --> 00:30:13.599
<v Speaker 1>would mean big circulation, and the Daily News had become

619
00:30:13.640 --> 00:30:15.799
<v Speaker 1>the biggest paper in America. So it was on this

620
00:30:15.920 --> 00:30:19.039
<v Speaker 1>like upward track and it was surpassing all the broadsheets,

621
00:30:19.079 --> 00:30:21.759
<v Speaker 1>and you know, the following year again the case is

622
00:30:21.839 --> 00:30:23.880
<v Speaker 1>just you know, it is, you know, the people in

623
00:30:24.279 --> 00:30:27.400
<v Speaker 1>the American readership has moved on to other new sensations,

624
00:30:27.440 --> 00:30:30.079
<v Speaker 1>of which there were many in the roaring twenties. Then Hurst,

625
00:30:30.119 --> 00:30:33.079
<v Speaker 1>William Randolph Hurst, you know, he's been he's sort of

626
00:30:33.119 --> 00:30:35.839
<v Speaker 1>invested by the Daily News and he realizes, oh, I

627
00:30:35.880 --> 00:30:37.599
<v Speaker 1>need to start a tabloid of my own, so he

628
00:30:37.640 --> 00:30:40.000
<v Speaker 1>creates one called the Daily Mirror that comes.

629
00:30:39.799 --> 00:30:42.599
<v Speaker 3>In the scene. It's now a direct rival to the

630
00:30:42.680 --> 00:30:43.359
<v Speaker 3>Daily News.

631
00:30:43.799 --> 00:30:47.759
<v Speaker 1>A third media entrepreneur, who is this wildly eccentric character

632
00:30:47.880 --> 00:30:51.000
<v Speaker 1>named Bernard McFadden. He creates a third tabloid called the

633
00:30:51.000 --> 00:30:54.160
<v Speaker 1>New York Evening Graphic in nineteen twenty four. So now

634
00:30:54.200 --> 00:30:56.680
<v Speaker 1>by the you know, two years after the murders in

635
00:30:56.720 --> 00:30:59.640
<v Speaker 1>September nineteen twenty four, there are three tabloids in New

636
00:30:59.680 --> 00:31:04.000
<v Speaker 1>York City, and now the Evening Graphic decides it wants

637
00:31:04.039 --> 00:31:05.559
<v Speaker 1>to try to revive the case, so they send a

638
00:31:05.599 --> 00:31:08.319
<v Speaker 1>reporter down to New Brunswick go He talks to the

639
00:31:08.799 --> 00:31:10.839
<v Speaker 1>Pig Woman every day. He thinks he's onto something. He

640
00:31:10.839 --> 00:31:13.359
<v Speaker 1>thinks he has the solution. And their plan literally was

641
00:31:13.519 --> 00:31:16.680
<v Speaker 1>for their debut issue. They wanted to solve this case

642
00:31:16.720 --> 00:31:18.279
<v Speaker 1>and put it on the front page because they knew

643
00:31:18.319 --> 00:31:20.039
<v Speaker 1>it would you know, it would sell like crazy.

644
00:31:20.160 --> 00:31:22.599
<v Speaker 3>And they took a stab at this and this, and.

645
00:31:22.799 --> 00:31:26.599
<v Speaker 1>At the eleventh hour McFadden and his other executives decide

646
00:31:26.640 --> 00:31:28.400
<v Speaker 1>they don't have enough. This is you know, we don't

647
00:31:28.400 --> 00:31:30.680
<v Speaker 1>want to get sued here. They kind of, you know,

648
00:31:30.720 --> 00:31:32.920
<v Speaker 1>back away. This reporter. He keeps going out to New

649
00:31:32.920 --> 00:31:36.279
<v Speaker 1>Brunswick throughout the fall. He's like desperate, he really wants

650
00:31:36.359 --> 00:31:39.880
<v Speaker 1>to try to solve this case. Eventually, you know, the

651
00:31:39.920 --> 00:31:41.920
<v Speaker 1>Mirror is just like, we're done with this, and again

652
00:31:41.960 --> 00:31:43.519
<v Speaker 1>it kind of goes away.

653
00:31:43.880 --> 00:31:46.880
<v Speaker 3>But Phil Paine, he was he was aware of this.

654
00:31:46.960 --> 00:31:49.960
<v Speaker 1>You know, there's the tabloid sort of circles in Manhattan

655
00:31:49.960 --> 00:31:51.559
<v Speaker 1>at the time were small, and he was friendly with

656
00:31:51.599 --> 00:31:54.079
<v Speaker 1>people at the Graphic And when he becomes editor of

657
00:31:54.079 --> 00:31:56.079
<v Speaker 1>The Mirror in nineteen twenty five, because he had a

658
00:31:56.119 --> 00:31:59.160
<v Speaker 1>falling out with Patterson at the News, Hirst immediately hires

659
00:31:59.279 --> 00:32:01.880
<v Speaker 1>him and and his mission now is to catch the

660
00:32:01.960 --> 00:32:05.240
<v Speaker 1>daily news and beat the daily news. And Phil Payne starts,

661
00:32:05.440 --> 00:32:08.640
<v Speaker 1>you know, there's all sorts of things that tabloids did

662
00:32:08.880 --> 00:32:10.920
<v Speaker 1>to try to juice their circulation, and some of it

663
00:32:10.960 --> 00:32:13.559
<v Speaker 1>was contests, and some of it was, you know, just

664
00:32:13.640 --> 00:32:17.599
<v Speaker 1>stunty escapades or whatever it was. But no outrageous stories

665
00:32:17.599 --> 00:32:21.720
<v Speaker 1>sold newspapers. And Phil Payn was very astute about that.

666
00:32:22.000 --> 00:32:24.799
<v Speaker 1>So by nineteen twenty five, late nineteen twenty five, he's

667
00:32:24.839 --> 00:32:27.240
<v Speaker 1>at the Mirror, he's on a mission, and he decides

668
00:32:27.759 --> 00:32:30.559
<v Speaker 1>once again to send reporters back down to New Brunswick

669
00:32:30.599 --> 00:32:33.200
<v Speaker 1>and try to try to revive this case once and

670
00:32:33.240 --> 00:32:35.160
<v Speaker 1>for all, and he actually succeeds.

671
00:32:35.279 --> 00:32:38.200
<v Speaker 5>So his focus at one time with you say, with

672
00:32:38.319 --> 00:32:42.279
<v Speaker 5>this spiritualist astra was to try to get a confession

673
00:32:42.319 --> 00:32:45.559
<v Speaker 5>out of Jim Mills. What is the focus now based

674
00:32:45.599 --> 00:32:49.000
<v Speaker 5>on some of those reporters and the information that given

675
00:32:49.079 --> 00:32:49.559
<v Speaker 5>to them.

676
00:32:49.880 --> 00:32:51.240
<v Speaker 3>I think they went back down there.

677
00:32:51.319 --> 00:32:53.440
<v Speaker 1>I think he still had Jim Mills and his crosshairs

678
00:32:53.440 --> 00:32:55.119
<v Speaker 1>when he went back into this whole thing. And this

679
00:32:55.160 --> 00:32:57.720
<v Speaker 1>would have been like late nineteen twenty five, early nineteen

680
00:32:57.759 --> 00:32:59.799
<v Speaker 1>twenty six, But he sends a reporter down a couple

681
00:32:59.799 --> 00:33:02.480
<v Speaker 1>of porters to do some reconnaissance and they start talking

682
00:33:02.480 --> 00:33:05.480
<v Speaker 1>to people and they start finding out hearing things that

683
00:33:05.519 --> 00:33:06.559
<v Speaker 1>paint a different picture.

684
00:33:07.039 --> 00:33:09.079
<v Speaker 3>And it paints this picture that the Mirror.

685
00:33:08.759 --> 00:33:12.599
<v Speaker 1>Believes suggests that it was actually Francis Hall and her brothers,

686
00:33:12.640 --> 00:33:15.200
<v Speaker 1>her family that were involved in this. There was all

687
00:33:15.200 --> 00:33:18.319
<v Speaker 1>this fishy stuff they learned, and they believe that this family,

688
00:33:18.319 --> 00:33:20.559
<v Speaker 1>this powerful family, that he was able to cover up their

689
00:33:20.559 --> 00:33:22.359
<v Speaker 1>involvement in this crime. So they had a lot of

690
00:33:22.680 --> 00:33:26.599
<v Speaker 1>circumstantial little revelations and you know, bits of intrigue that

691
00:33:26.640 --> 00:33:29.119
<v Speaker 1>they picked up on. But it wasn't until they found

692
00:33:29.480 --> 00:33:32.000
<v Speaker 1>something of a smoking gun in this one guy who

693
00:33:32.720 --> 00:33:36.000
<v Speaker 1>had become married to one of the two maid who

694
00:33:36.039 --> 00:33:38.039
<v Speaker 1>worked in the Hall home and lived in the Hall

695
00:33:38.200 --> 00:33:40.759
<v Speaker 1>mansion in nineteen twenty two and was present on the

696
00:33:40.839 --> 00:33:42.880
<v Speaker 1>night when Reverend Edward Hall disappeared.

697
00:33:42.880 --> 00:33:44.160
<v Speaker 3>Her name was Louise Geist.

698
00:33:44.400 --> 00:33:47.279
<v Speaker 1>The guy she married was named Arthur Real, and he

699
00:33:47.440 --> 00:33:51.359
<v Speaker 1>was in fact an himself, an armchair amateur detective who

700
00:33:51.400 --> 00:33:53.039
<v Speaker 1>was obsessed with this case and wanted to solve it,

701
00:33:53.119 --> 00:33:56.240
<v Speaker 1>so he kind of made his way into Luis Guyst's charms.

702
00:33:56.240 --> 00:33:58.359
<v Speaker 1>They ended up getting married. She didn't know this, of course,

703
00:33:58.400 --> 00:34:01.079
<v Speaker 1>but didn't work out. They became a strange so he

704
00:34:01.200 --> 00:34:04.039
<v Speaker 1>was sort of this jilted and bittered. They were still married,

705
00:34:04.119 --> 00:34:08.400
<v Speaker 1>but he was kind of an embittered partner, and he

706
00:34:08.480 --> 00:34:13.159
<v Speaker 1>comes forward claiming that Luis Geist had confessed to him

707
00:34:13.320 --> 00:34:16.800
<v Speaker 1>in private during their during their during their marriage, that

708
00:34:17.239 --> 00:34:21.199
<v Speaker 1>she and the hall's gardener had actually accompanied Francis and

709
00:34:21.239 --> 00:34:23.840
<v Speaker 1>her brothers to the farm when the murders were committed,

710
00:34:23.840 --> 00:34:26.159
<v Speaker 1>that they had that they were there when the murders

711
00:34:26.199 --> 00:34:29.239
<v Speaker 1>were committed, and that she suggested to him that they

712
00:34:29.239 --> 00:34:31.639
<v Speaker 1>had been paid handsomely for their silence. So he puts

713
00:34:31.679 --> 00:34:35.719
<v Speaker 1>all this into a notarized document that serves as a

714
00:34:35.719 --> 00:34:38.679
<v Speaker 1>marriage moment. The Mirror kind of assists with this, so

715
00:34:39.320 --> 00:34:42.079
<v Speaker 1>you know, they're kind of playing a role in in

716
00:34:42.119 --> 00:34:44.679
<v Speaker 1>a way that was perhaps inappropriate. But between that and

717
00:34:44.719 --> 00:34:48.239
<v Speaker 1>also they were able to find track down the calling

718
00:34:48.280 --> 00:34:50.639
<v Speaker 1>card that from the crime scene, the one we talked

719
00:34:50.639 --> 00:34:54.199
<v Speaker 1>about earlier, They track it down at some fingerprint expert

720
00:34:54.199 --> 00:34:57.559
<v Speaker 1>in Newark who had assisted with investigation four years earlier.

721
00:34:57.800 --> 00:34:59.800
<v Speaker 1>He had somehow like the card had been in his possession.

722
00:34:59.840 --> 00:35:03.159
<v Speaker 1>They take it and they find fingerprint experts who are

723
00:35:03.159 --> 00:35:06.239
<v Speaker 1>willing to testify that the card, you know, it bore

724
00:35:06.280 --> 00:35:10.800
<v Speaker 1>a fingerprint that had distinct similarities to that of Willie Stevens,

725
00:35:10.800 --> 00:35:14.679
<v Speaker 1>who was Princess's other brother, the sort of oddball childlife

726
00:35:14.800 --> 00:35:17.639
<v Speaker 1>character who lived in the mansion with her and couldn't

727
00:35:17.639 --> 00:35:20.159
<v Speaker 1>really manage his own finances or affairs. So they take

728
00:35:20.239 --> 00:35:23.440
<v Speaker 1>this dossier they've compiled, which has these few, you know,

729
00:35:23.599 --> 00:35:27.559
<v Speaker 1>fairly juicy things and then just a lot of circumstantial

730
00:35:27.880 --> 00:35:29.719
<v Speaker 1>you know, intrigue or whatever, and they go to the

731
00:35:29.760 --> 00:35:32.519
<v Speaker 1>governor of New Jersey at the time. You know who

732
00:35:32.559 --> 00:35:34.480
<v Speaker 1>Phil Payne would have would have known because he was

733
00:35:34.519 --> 00:35:38.000
<v Speaker 1>from Hudson County, and Hudson County, which is where Jersey

734
00:35:38.039 --> 00:35:41.920
<v Speaker 1>City is, is the seat of the powerful Democratic machine

735
00:35:42.079 --> 00:35:44.800
<v Speaker 1>of the nineteen twenties, which is run by Frank Haig,

736
00:35:44.920 --> 00:35:48.119
<v Speaker 1>the infamous party boss. So Phil Payne was a resident,

737
00:35:48.119 --> 00:35:49.800
<v Speaker 1>he would have would have, you know, had some connections

738
00:35:49.800 --> 00:35:53.840
<v Speaker 1>to these people. And they basically take this dossier and

739
00:35:53.880 --> 00:35:55.599
<v Speaker 1>they say, okay, well, you.

740
00:35:55.559 --> 00:35:57.280
<v Speaker 3>Know, we're going to reopen this thing.

741
00:35:57.360 --> 00:35:59.599
<v Speaker 1>You'll get all of the scoops, We'll give you everything first,

742
00:35:59.800 --> 00:36:03.039
<v Speaker 1>and he agrees to hold off on certain things initially,

743
00:36:03.079 --> 00:36:06.199
<v Speaker 1>like he withholds details about the calling card. When they

744
00:36:06.280 --> 00:36:09.599
<v Speaker 1>first published this massive expos in July nineteen twenty six.

745
00:36:09.639 --> 00:36:11.800
<v Speaker 3>That immediately puts this.

746
00:36:11.760 --> 00:36:14.360
<v Speaker 1>Back on the national stage and you know, brings the

747
00:36:14.400 --> 00:36:16.400
<v Speaker 1>circus back to town, so to speak.

748
00:36:16.679 --> 00:36:19.840
<v Speaker 5>The role that the Pain has in the Daily Mirror

749
00:36:20.039 --> 00:36:24.880
<v Speaker 5>is very interesting that this would never occur with cooperation

750
00:36:25.119 --> 00:36:29.039
<v Speaker 5>police and investigators, with a newspaper whatsoever, or a journalist.

751
00:36:29.320 --> 00:36:32.519
<v Speaker 5>What is the effort that Pain does in terms of

752
00:36:32.559 --> 00:36:35.719
<v Speaker 5>bringing this investigation to the kind of to the point

753
00:36:35.800 --> 00:36:38.679
<v Speaker 5>that the prosecutors are comfortable with taking it to court.

754
00:36:39.000 --> 00:36:42.079
<v Speaker 1>I mean, he literally they had this this thick dossier

755
00:36:42.079 --> 00:36:44.480
<v Speaker 1>of information that he kept under locking key in the

756
00:36:44.519 --> 00:36:47.239
<v Speaker 1>steel filing cabinet in his office, and he had a

757
00:36:47.280 --> 00:36:50.000
<v Speaker 1>copy of it he stored away in some safety deposit box.

758
00:36:50.039 --> 00:36:51.239
<v Speaker 3>So they had clearly.

759
00:36:50.960 --> 00:36:56.199
<v Speaker 1>Compiled, you know, a fairly substantial bit of evidence or

760
00:36:56.239 --> 00:36:59.280
<v Speaker 1>maybe evidence in quotes. And he called this, he called

761
00:36:59.280 --> 00:37:02.119
<v Speaker 1>this investigation investigation a It was very secretive, but he

762
00:37:02.159 --> 00:37:04.239
<v Speaker 1>basically just took what they had and he had a

763
00:37:04.280 --> 00:37:06.519
<v Speaker 1>meeting with the Attorney General of New Jersey and the governor.

764
00:37:06.559 --> 00:37:08.639
<v Speaker 3>That's all it took. He showed him what they had

765
00:37:08.840 --> 00:37:09.840
<v Speaker 3>and that was really it.

766
00:37:09.880 --> 00:37:13.719
<v Speaker 1>I mean, he single handedly instigated their bible of the investigation.

767
00:37:13.920 --> 00:37:16.000
<v Speaker 5>So tell us about this trial.

768
00:37:16.119 --> 00:37:20.159
<v Speaker 1>Yeah, so they you know, the cases reopened officially, it's

769
00:37:20.320 --> 00:37:24.960
<v Speaker 1>ostensibly the Somerset County prosecutors are involved. There's a new

770
00:37:25.000 --> 00:37:28.119
<v Speaker 1>prosecutor at this time, the one who had prosecuted the

771
00:37:28.119 --> 00:37:31.039
<v Speaker 1>case in nineteen twenty two and also had to work

772
00:37:31.079 --> 00:37:33.760
<v Speaker 1>along a special prosecutor because the state, you know, brought

773
00:37:33.760 --> 00:37:37.400
<v Speaker 1>in some extra help. Nonetheless, he had died a few

774
00:37:37.400 --> 00:37:40.840
<v Speaker 1>months before Pain's investigation started. There's a new prosecutor in

775
00:37:40.840 --> 00:37:42.840
<v Speaker 1>Somerset County. But again it was sort of like the

776
00:37:42.880 --> 00:37:45.119
<v Speaker 1>political machine in Jersey City that was tied to the

777
00:37:45.119 --> 00:37:46.119
<v Speaker 1>governor that were running this.

778
00:37:46.199 --> 00:37:48.800
<v Speaker 3>They have Jersey City detectives that are going down there.

779
00:37:48.840 --> 00:37:52.320
<v Speaker 1>They have state troopers that are assisting, and basically the

780
00:37:52.320 --> 00:37:55.039
<v Speaker 1>governor and his allies, they're pretty much in charge of the investigation.

781
00:37:55.599 --> 00:37:59.119
<v Speaker 1>And they are kind of have this alliance with Pain

782
00:37:59.239 --> 00:38:01.880
<v Speaker 1>and are you know, giving him information, and he to

783
00:38:01.920 --> 00:38:05.360
<v Speaker 1>some extent is probably still giving them information this time.

784
00:38:05.480 --> 00:38:05.679
<v Speaker 5>You know.

785
00:38:05.719 --> 00:38:09.559
<v Speaker 1>They they eventually before too long, they arrest Francis. They

786
00:38:09.559 --> 00:38:12.760
<v Speaker 1>then arrest both of her brothers, her one brother, Henry.

787
00:38:13.119 --> 00:38:16.320
<v Speaker 1>You know, his alibi had initially been seen to be

788
00:38:16.519 --> 00:38:19.559
<v Speaker 1>pretty ironclad. He lived down the shore near the Jersey Shore,

789
00:38:19.599 --> 00:38:22.360
<v Speaker 1>at a town called Lavalette. He claimed he had been

790
00:38:22.440 --> 00:38:24.360
<v Speaker 1>fishing the night of the murders and that there were

791
00:38:24.639 --> 00:38:27.440
<v Speaker 1>you know, multiple other vocals that were fishing on the

792
00:38:27.440 --> 00:38:29.760
<v Speaker 1>beach with him that night, and they they could swear

793
00:38:29.840 --> 00:38:32.960
<v Speaker 1>to that. A new special prosecutor he goes and interviews

794
00:38:33.000 --> 00:38:35.400
<v Speaker 1>some of those guys and they're, you know, they're they're, well,

795
00:38:35.440 --> 00:38:37.599
<v Speaker 1>I don't know if it was definitely the fourteen. You know,

796
00:38:37.800 --> 00:38:40.480
<v Speaker 1>he realizes that maybe Henry's albi was not as tight

797
00:38:40.480 --> 00:38:42.760
<v Speaker 1>as they thought, so they're able to get him. So

798
00:38:42.880 --> 00:38:45.199
<v Speaker 1>now Francis and her two brothers, and also the other

799
00:38:45.280 --> 00:38:48.760
<v Speaker 1>cousin I mentioned, Henry de la Breer Carpenter, they're all

800
00:38:49.119 --> 00:38:52.000
<v Speaker 1>they're all charged. This time, there's no the Grand Juria

801
00:38:52.039 --> 00:38:55.000
<v Speaker 1>doesn't flinch. It's it's a very quick process. The first

802
00:38:55.119 --> 00:38:57.280
<v Speaker 1>one took, you know, several days. This time it's like

803
00:38:57.280 --> 00:38:59.559
<v Speaker 1>a matter of hours, and they're indicted and a trial

804
00:38:59.639 --> 00:39:01.719
<v Speaker 1>date is set to begin on November third.

805
00:39:01.960 --> 00:39:03.840
<v Speaker 5>Let's use this as an opportunity to stop for a

806
00:39:03.880 --> 00:39:06.719
<v Speaker 5>second for these messages Judy was boring.

807
00:39:06.880 --> 00:39:07.199
<v Speaker 4>Hello.

808
00:39:07.519 --> 00:39:10.320
<v Speaker 6>Then Judy discovered jumpacasino dot com.

809
00:39:10.360 --> 00:39:11.880
<v Speaker 3>It's my little escape.

810
00:39:12.039 --> 00:39:13.599
<v Speaker 6>Now Judy is the life of the party.

811
00:39:13.679 --> 00:39:15.800
<v Speaker 3>Oh baby, mam is bringing home the bacon.

812
00:39:15.960 --> 00:39:18.960
<v Speaker 6>WHOA, take it easy, Judy.

813
00:39:19.199 --> 00:39:20.800
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814
00:39:20.840 --> 00:39:23.440
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815
00:39:23.480 --> 00:39:26.559
<v Speaker 6>hundred casino style games joined today and play for free

816
00:39:26.679 --> 00:39:30.639
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817
00:39:30.679 --> 00:39:31.800
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818
00:39:32.039 --> 00:39:32.920
<v Speaker 3>No, we're just necessarily wely.

819
00:39:32.960 --> 00:39:33.639
<v Speaker 5>We're pomitd in my mind.

820
00:39:33.840 --> 00:39:35.679
<v Speaker 6>Plus terms and condition to play se what's every details?

821
00:39:36.519 --> 00:39:36.800
<v Speaker 4>Now?

822
00:39:37.239 --> 00:39:40.480
<v Speaker 5>Tell us about the trial and what was different from

823
00:39:40.480 --> 00:39:42.320
<v Speaker 5>this grand jury hearing.

824
00:39:42.719 --> 00:39:44.400
<v Speaker 3>We just had a lot more this time.

825
00:39:44.960 --> 00:39:47.360
<v Speaker 1>You know, they did have this, you know, this this

826
00:39:47.440 --> 00:39:50.320
<v Speaker 1>sort of revelation from about Luisgeist.

827
00:39:50.559 --> 00:39:51.840
<v Speaker 3>They had this calling card.

828
00:39:52.159 --> 00:39:54.679
<v Speaker 1>Interesting thing is that again, you know, once the case

829
00:39:54.679 --> 00:39:57.880
<v Speaker 1>went to trial, the prosecution really went they went back

830
00:39:57.920 --> 00:40:00.559
<v Speaker 1>to the pig woman again. They again became the focus

831
00:40:00.599 --> 00:40:02.920
<v Speaker 1>of their investigation, you know, and they had they had

832
00:40:03.119 --> 00:40:06.000
<v Speaker 1>to some degree really probed her story. There was a

833
00:40:06.039 --> 00:40:08.400
<v Speaker 1>couple of you know, in nineteen twenty two, they had

834
00:40:08.599 --> 00:40:11.800
<v Speaker 1>you know, brought her into the police station and they

835
00:40:11.880 --> 00:40:15.480
<v Speaker 1>kind of They arranged for Francis and William and Henry

836
00:40:15.480 --> 00:40:16.960
<v Speaker 1>to be there and she was able to get a

837
00:40:16.960 --> 00:40:18.920
<v Speaker 1>look at them, and that's kind of how she identified them.

838
00:40:19.119 --> 00:40:21.480
<v Speaker 1>There was a time also in nineteen twenty two where

839
00:40:21.719 --> 00:40:23.519
<v Speaker 1>they took her to a train station they said, does

840
00:40:23.559 --> 00:40:27.000
<v Speaker 1>anyone stand out? And she starts looking at a guy

841
00:40:27.039 --> 00:40:29.559
<v Speaker 1>and she singles out this guy getting on at the

842
00:40:29.559 --> 00:40:33.159
<v Speaker 1>seven am something trained in the morning, and that guy

843
00:40:33.199 --> 00:40:36.639
<v Speaker 1>was Henry Carpenter. So, you know, she there were reasons

844
00:40:36.800 --> 00:40:38.440
<v Speaker 1>I think they had to believe her. They had also

845
00:40:38.440 --> 00:40:41.920
<v Speaker 1>in nineteen twenty two gone with her and reconstructed this

846
00:40:42.079 --> 00:40:44.599
<v Speaker 1>you know, late night mule ride and had her go

847
00:40:44.719 --> 00:40:46.519
<v Speaker 1>through the whole thing like multiple times.

848
00:40:46.559 --> 00:40:49.199
<v Speaker 3>So they did they did vet her to a.

849
00:40:49.159 --> 00:40:51.639
<v Speaker 1>Certain extent, and I guess, you know, both prosecutors for whatever,

850
00:40:51.760 --> 00:40:55.159
<v Speaker 1>for whatever reason, they believed her story. And I think

851
00:40:55.280 --> 00:40:56.719
<v Speaker 1>there just seemed to be a little more meat on

852
00:40:56.760 --> 00:40:59.920
<v Speaker 1>the bone right this time around. And also just you know,

853
00:41:00.159 --> 00:41:03.119
<v Speaker 1>just the frenzy was bigger. You know, the mirror really

854
00:41:03.159 --> 00:41:07.480
<v Speaker 1>created a splash, and you know, I think that if

855
00:41:07.840 --> 00:41:10.320
<v Speaker 1>this was seen as a second chance to find justice,

856
00:41:10.320 --> 00:41:13.280
<v Speaker 1>and probably you know, anyone in that grand jury would not.

857
00:41:13.480 --> 00:41:15.199
<v Speaker 1>You know, it might have felt a certain degree of

858
00:41:15.239 --> 00:41:18.639
<v Speaker 1>pressure to not make the same mistake as they may

859
00:41:18.679 --> 00:41:20.280
<v Speaker 1>have thought of four years earlier.

860
00:41:20.599 --> 00:41:22.280
<v Speaker 5>What's the verdict at this trial.

861
00:41:22.440 --> 00:41:25.360
<v Speaker 1>Yeah, so it's a four week trial. This is where

862
00:41:25.400 --> 00:41:27.960
<v Speaker 1>this dramatic testimony from the pig woman happened. She had

863
00:41:28.000 --> 00:41:31.039
<v Speaker 1>been suffering from cancer and other ailments, and she was

864
00:41:31.039 --> 00:41:34.000
<v Speaker 1>in a hospital in Jersey City, and she is transported

865
00:41:34.000 --> 00:41:37.280
<v Speaker 1>by ambulance over four hours slowly on this sort of

866
00:41:37.280 --> 00:41:40.599
<v Speaker 1>like parade like procession where there's cars of reporters following

867
00:41:40.639 --> 00:41:43.400
<v Speaker 1>her and police and people along the roadways cheering. It

868
00:41:43.480 --> 00:41:45.440
<v Speaker 1>was a complete circus, you know, there was there had

869
00:41:45.519 --> 00:41:47.960
<v Speaker 1>been hundreds of reporters from all over the country that

870
00:41:48.000 --> 00:41:51.960
<v Speaker 1>descended on Summerville where the trial was taking place, and she.

871
00:41:52.000 --> 00:41:55.239
<v Speaker 3>Testifies from a hospital bed in the courtroom. It's very dramatic.

872
00:41:56.079 --> 00:41:59.239
<v Speaker 3>Francis and her brothers are pretty good on the stand.

873
00:41:59.360 --> 00:42:04.639
<v Speaker 1>They sort of withstand the very aggressive questioning of the prosecutor,

874
00:42:04.639 --> 00:42:08.239
<v Speaker 1>Alexander Simpson. In the end, it really comes down to

875
00:42:08.320 --> 00:42:10.320
<v Speaker 1>these two key pieces of evidence.

876
00:42:10.559 --> 00:42:13.000
<v Speaker 3>Amongst you know, one hundred and seventy eight witnesses who.

877
00:42:12.880 --> 00:42:16.119
<v Speaker 1>Testified, and hours and hours of fingerprint testimony really was

878
00:42:16.159 --> 00:42:17.800
<v Speaker 1>about the card, the calling card.

879
00:42:17.800 --> 00:42:19.079
<v Speaker 3>And the pig woman's testimony.

880
00:42:19.119 --> 00:42:20.920
<v Speaker 1>I think take the pig woman out of it, because

881
00:42:20.960 --> 00:42:23.079
<v Speaker 1>just no one believed her, and the prosecution did a

882
00:42:23.159 --> 00:42:27.039
<v Speaker 1>really good job of taking apart her life story and.

883
00:42:27.079 --> 00:42:28.719
<v Speaker 3>Think the lies she had been caught in.

884
00:42:28.840 --> 00:42:31.159
<v Speaker 1>You know, she the story she told about her life

885
00:42:31.199 --> 00:42:34.119
<v Speaker 1>was very different than what the public record revealed, and

886
00:42:34.159 --> 00:42:37.599
<v Speaker 1>they really tore her apart and were able to completely

887
00:42:37.639 --> 00:42:39.719
<v Speaker 1>diminish her credibility. So I don't think any of the

888
00:42:39.760 --> 00:42:42.440
<v Speaker 1>twelve men in this, because they all were men in this.

889
00:42:42.440 --> 00:42:43.480
<v Speaker 3>Jury believed her.

890
00:42:43.760 --> 00:42:46.599
<v Speaker 1>But there were a couple of people on the jury

891
00:42:47.079 --> 00:42:49.960
<v Speaker 1>I think two in fact, who were swighed by the

892
00:42:50.000 --> 00:42:52.760
<v Speaker 1>fingerprint evidence, you know, because this was something where you

893
00:42:52.800 --> 00:42:55.159
<v Speaker 1>did have experts, you know, there was the prosecution had

894
00:42:55.199 --> 00:42:58.679
<v Speaker 1>experts who had been with the fingerprint experts with the NYPD,

895
00:42:58.920 --> 00:43:02.039
<v Speaker 1>or had studied with the more vanced fingerprinting agencies in Europe,

896
00:43:02.079 --> 00:43:05.400
<v Speaker 1>and they swore that you know, there was these five

897
00:43:05.480 --> 00:43:06.119
<v Speaker 1>or six.

898
00:43:06.119 --> 00:43:08.480
<v Speaker 3>Ridgi characteristics as I believe they're.

899
00:43:08.239 --> 00:43:10.760
<v Speaker 1>Called, that left no doubt in their minds that Willie

900
00:43:10.880 --> 00:43:14.079
<v Speaker 1>Stevens fingerprint was on this calling card. The defense argued

901
00:43:14.119 --> 00:43:15.760
<v Speaker 1>you know, how do we know what the real providence

902
00:43:15.800 --> 00:43:17.800
<v Speaker 1>of this card is? And phil Pain got this and

903
00:43:17.840 --> 00:43:20.719
<v Speaker 1>isn't that suspicious? And did they could they have doctored something?

904
00:43:20.760 --> 00:43:23.039
<v Speaker 3>Could this? Could Willy's fingerprint not have ended up there

905
00:43:23.039 --> 00:43:23.920
<v Speaker 3>by some innocent means?

906
00:43:23.960 --> 00:43:26.719
<v Speaker 1>That was kind of the way they rebutted the testimonia

907
00:43:26.760 --> 00:43:29.719
<v Speaker 1>of the fingerprint experts the prosecution put forward. But in

908
00:43:29.719 --> 00:43:32.880
<v Speaker 1>the end, I think those two holdouts who felt swayed

909
00:43:32.880 --> 00:43:35.079
<v Speaker 1>by the card, they were swayed in the other direction,

910
00:43:35.239 --> 00:43:38.159
<v Speaker 1>and the jury returned a verdict, if not guilty, they

911
00:43:38.239 --> 00:43:38.840
<v Speaker 1>acquitted them.

912
00:43:39.360 --> 00:43:42.800
<v Speaker 5>What happens with the reaction from the press, you.

913
00:43:42.719 --> 00:43:46.880
<v Speaker 1>Know, the press, they go nuts. Obviously throughout the whole trial,

914
00:43:46.960 --> 00:43:48.519
<v Speaker 1>this was like, you know, this was like the O. J.

915
00:43:48.639 --> 00:43:51.440
<v Speaker 1>Simpson trial, you know. And then it wasn't just the tabloids. Obviously,

916
00:43:51.480 --> 00:43:54.400
<v Speaker 1>the tabloids were doing some of the most lurid and

917
00:43:55.280 --> 00:43:58.519
<v Speaker 1>photo driven coverage that really, you know, turned some of

918
00:43:58.559 --> 00:44:02.400
<v Speaker 1>these people into characters, really you know, showed you know,

919
00:44:02.800 --> 00:44:04.199
<v Speaker 1>they showed people what they looked like.

920
00:44:04.280 --> 00:44:06.280
<v Speaker 3>They you know, they blew them up on the front page.

921
00:44:06.320 --> 00:44:09.039
<v Speaker 1>They had these elaborate cartoons about them, and they made

922
00:44:09.039 --> 00:44:11.840
<v Speaker 1>their coverage something The whole idea of the tabloids was

923
00:44:12.039 --> 00:44:15.280
<v Speaker 1>this should be fun and entertaining as well as informative.

924
00:44:15.559 --> 00:44:15.960
<v Speaker 3>So it was.

925
00:44:15.960 --> 00:44:19.119
<v Speaker 1>It was really a sort of an innovative, innovative form

926
00:44:19.119 --> 00:44:21.400
<v Speaker 1>at the time. But the whole press, all of America,

927
00:44:21.440 --> 00:44:24.440
<v Speaker 1>they were all over this, and the jury, I think

928
00:44:24.440 --> 00:44:27.039
<v Speaker 1>the decision, you know, it was a huge I don't know,

929
00:44:27.079 --> 00:44:30.719
<v Speaker 1>people were surprised because the pig woman's testimony was so bad.

930
00:44:30.760 --> 00:44:32.920
<v Speaker 1>I don't think anyone expected that this was going to

931
00:44:33.000 --> 00:44:34.639
<v Speaker 1>go any way other than it did.

932
00:44:34.679 --> 00:44:36.960
<v Speaker 3>Even the prosecutor, Alexander Simpson.

933
00:44:36.639 --> 00:44:39.639
<v Speaker 1>He didn't even come back to court for when the

934
00:44:39.760 --> 00:44:42.480
<v Speaker 1>verdict was was announced. He just stayed in Jersey City.

935
00:44:42.599 --> 00:44:46.079
<v Speaker 1>I think he knew the case was tanked. And you know,

936
00:44:46.079 --> 00:44:49.519
<v Speaker 1>there was all sorts of elements of in rural Summerville

937
00:44:49.559 --> 00:44:51.960
<v Speaker 1>and Somerset County where this trial occurred. You know, there

938
00:44:52.039 --> 00:44:55.079
<v Speaker 1>was taxpayers who sort of resented all this, this trouble

939
00:44:55.079 --> 00:44:57.119
<v Speaker 1>that had been brought on their town by this by

940
00:44:57.119 --> 00:45:01.280
<v Speaker 1>this tabloid newspaper, and that population was very sort of partisan,

941
00:45:01.760 --> 00:45:04.719
<v Speaker 1>I think, probably more towards defense, whereas in New Brunswick,

942
00:45:04.840 --> 00:45:08.719
<v Speaker 1>you know, where these rich people and their associates were

943
00:45:08.760 --> 00:45:11.320
<v Speaker 1>really looking for them to be exonerated. There was more

944
00:45:11.400 --> 00:45:14.599
<v Speaker 1>appetite for the trial in New Brunswick, but in Somerville,

945
00:45:14.639 --> 00:45:16.920
<v Speaker 1>I think there was a relief among the local press

946
00:45:17.000 --> 00:45:19.800
<v Speaker 1>that it was over and justice had been done. The Mirror,

947
00:45:20.239 --> 00:45:22.719
<v Speaker 1>this was a huge blow to them, you know, because

948
00:45:22.760 --> 00:45:25.480
<v Speaker 1>they had really Phil Pain at one point had written

949
00:45:25.519 --> 00:45:28.280
<v Speaker 1>in an editorial like the mystery has been solved. They

950
00:45:28.320 --> 00:45:31.159
<v Speaker 1>were very confident and cocky about it. But afterwards they

951
00:45:31.159 --> 00:45:33.760
<v Speaker 1>got sued, you know, they eventually had to settle. Hirst

952
00:45:34.000 --> 00:45:38.800
<v Speaker 1>eventually settled with Francis and Henry Carpenter and I believe

953
00:45:39.119 --> 00:45:41.920
<v Speaker 1>Willie Stevens for some large sum That was, you know,

954
00:45:42.000 --> 00:45:45.400
<v Speaker 1>the largest libel settlement in American press history at the time.

955
00:45:45.519 --> 00:45:46.800
<v Speaker 3>So, you know, so it was a big It was

956
00:45:46.800 --> 00:45:47.719
<v Speaker 3>a blow to the Mirror.

957
00:45:47.760 --> 00:45:52.079
<v Speaker 1>But again Hurst, he just wanted Phil Pain to keep

958
00:45:52.119 --> 00:45:55.639
<v Speaker 1>growing circulation, and he said, you know, Phil Pain, in

959
00:45:55.679 --> 00:45:58.639
<v Speaker 1>his correspondence with Hurst, was very he was very worried.

960
00:45:58.679 --> 00:46:01.800
<v Speaker 1>You know, he apologetic about this libel suit and he said,

961
00:46:01.840 --> 00:46:03.599
<v Speaker 1>you know, don't worry, I'll fight this. And he in

962
00:46:03.599 --> 00:46:07.000
<v Speaker 1>a fact had retained Alexander Simpson, the prosecutor who had

963
00:46:07.039 --> 00:46:09.880
<v Speaker 1>prosecuted the case as his personal attorney and HIRSTI don't

964
00:46:09.920 --> 00:46:11.840
<v Speaker 1>worry as long as you get me after he was

965
00:46:11.880 --> 00:46:15.480
<v Speaker 1>after a five hundred thousand average weekday circulation. As long

966
00:46:15.480 --> 00:46:18.079
<v Speaker 1>as you get that five hundred thousand circulation, that's all

967
00:46:18.079 --> 00:46:20.400
<v Speaker 1>I want, so pretty much pain. You know, it was

968
00:46:20.400 --> 00:46:22.360
<v Speaker 1>a black guye for him, and he didn't want to

969
00:46:22.440 --> 00:46:23.639
<v Speaker 1>let it go, but he had to move on.

970
00:46:23.599 --> 00:46:26.320
<v Speaker 3>To the next things, you know, to keep Hirst happy.

971
00:46:26.480 --> 00:46:31.079
<v Speaker 5>Before we talk about the fate of Phil Payin very interestingly,

972
00:46:31.440 --> 00:46:34.360
<v Speaker 5>what happens with this story. I know it goes away,

973
00:46:34.920 --> 00:46:40.519
<v Speaker 5>but what happens in terms of any information coming forward later.

974
00:46:40.599 --> 00:46:43.519
<v Speaker 1>There's not a lot of that until many years later,

975
00:46:43.639 --> 00:46:45.639
<v Speaker 1>which is where the book ends up.

976
00:46:45.760 --> 00:46:46.119
<v Speaker 3>I think.

977
00:46:46.440 --> 00:46:49.280
<v Speaker 1>You know, even between nineteen twenty two and nineteen twenty six,

978
00:46:49.400 --> 00:46:51.440
<v Speaker 1>even as this was not being covered at all the

979
00:46:51.480 --> 00:46:54.599
<v Speaker 1>detective there would always be some stray, little short news

980
00:46:54.719 --> 00:46:56.840
<v Speaker 1>article that they had a new lead or this and that,

981
00:46:56.920 --> 00:46:59.280
<v Speaker 1>but you know, it was all you don't know what they.

982
00:46:59.199 --> 00:47:01.000
<v Speaker 3>Were talking about. You don't know how credible it was.

983
00:47:01.079 --> 00:47:03.000
<v Speaker 1>There may have some degree of that, but I think

984
00:47:03.079 --> 00:47:07.320
<v Speaker 1>that the appetite was just now completely diminished. You know,

985
00:47:07.880 --> 00:47:10.760
<v Speaker 1>the state had been embarrassed sort of twice because this

986
00:47:10.920 --> 00:47:14.480
<v Speaker 1>was kind of you know, this national circus had descended

987
00:47:14.559 --> 00:47:16.800
<v Speaker 1>on New Jersey and they it seemed that their officials

988
00:47:16.840 --> 00:47:20.159
<v Speaker 1>couldn't you know, bring it to justice properly. So I

989
00:47:20.239 --> 00:47:22.719
<v Speaker 1>think probably all parties involved, it was time to put

990
00:47:22.760 --> 00:47:24.039
<v Speaker 1>this behind everyone.

991
00:47:24.559 --> 00:47:26.119
<v Speaker 3>For everyone to put this behind.

992
00:47:26.000 --> 00:47:30.119
<v Speaker 5>You talk about Hurst and Phil Payne and the continuum

993
00:47:30.400 --> 00:47:34.440
<v Speaker 5>of them trying to achieve this so many readers per day.

994
00:47:34.719 --> 00:47:38.119
<v Speaker 5>And then Charles Limberg, the American hero, tell us what

995
00:47:38.199 --> 00:47:42.360
<v Speaker 5>happens with Fred Payne in pursuit of tabloids success.

996
00:47:42.639 --> 00:47:44.320
<v Speaker 3>Yeah, so you know there's other here. He's moving on

997
00:47:44.360 --> 00:47:45.079
<v Speaker 3>to the next things.

998
00:47:45.079 --> 00:47:47.920
<v Speaker 1>He's you know, still doing different you know, contests and

999
00:47:48.679 --> 00:47:51.719
<v Speaker 1>circulation stunts. But what he sees is on in nineteen

1000
00:47:51.760 --> 00:47:54.320
<v Speaker 1>twenty seven, after Lindberg has made his famous flight and

1001
00:47:54.320 --> 00:47:57.960
<v Speaker 1>become this national hero and worldwide celebrity, which was a

1002
00:47:58.000 --> 00:48:00.199
<v Speaker 1>media circus in its own right, there was a lot

1003
00:48:00.199 --> 00:48:02.840
<v Speaker 1>of imitators who wanted to do the same. So there

1004
00:48:02.920 --> 00:48:06.159
<v Speaker 1>was different contests and some newspapers were sponsoring them, and

1005
00:48:06.199 --> 00:48:08.239
<v Speaker 1>everyone wanted to be the first flight from from this

1006
00:48:08.320 --> 00:48:11.199
<v Speaker 1>city to that city in Europe, and it became you know,

1007
00:48:11.320 --> 00:48:13.800
<v Speaker 1>one of the many fads of the nineteen twenties, one

1008
00:48:13.840 --> 00:48:16.880
<v Speaker 1>of the many competitive sensations of you know, which also

1009
00:48:16.880 --> 00:48:20.719
<v Speaker 1>included things like boxing and majong and but there was definitely,

1010
00:48:20.800 --> 00:48:23.480
<v Speaker 1>there was definitely flight fever. And phil Pain saw an

1011
00:48:23.519 --> 00:48:25.840
<v Speaker 1>opportunity in this, and he proposed to Hearst and the

1012
00:48:25.920 --> 00:48:30.599
<v Speaker 1>Daily Mirror should sponsor a flight from New York to Rome.

1013
00:48:30.800 --> 00:48:33.000
<v Speaker 1>And this will be this will this will both advance

1014
00:48:33.119 --> 00:48:36.960
<v Speaker 1>the cause of aviation and more cynically, Pain knew this

1015
00:48:37.000 --> 00:48:41.079
<v Speaker 1>would bring more more prominence and readership and attention to

1016
00:48:41.079 --> 00:48:41.800
<v Speaker 1>the Daily Mirror.

1017
00:48:41.960 --> 00:48:44.559
<v Speaker 5>And what happens, unfortunately, I'll.

1018
00:48:44.400 --> 00:48:45.840
<v Speaker 1>Try to give that I'll try to do this without

1019
00:48:45.840 --> 00:48:47.480
<v Speaker 1>too much of a spoiler, but you know, there's a

1020
00:48:47.519 --> 00:48:50.039
<v Speaker 1>there's a Pain doesn't tell Hirst at first that he

1021
00:48:50.079 --> 00:48:53.000
<v Speaker 1>plans to actually go on this journey with these two

1022
00:48:53.079 --> 00:48:56.599
<v Speaker 1>experienced airmail pilots, one of whom had actually been bested

1023
00:48:56.599 --> 00:48:59.000
<v Speaker 1>in the competition that that Limberg won when he when

1024
00:48:59.039 --> 00:49:02.079
<v Speaker 1>he made that historic light. But pretty much Pain is

1025
00:49:02.320 --> 00:49:05.119
<v Speaker 1>setting up or orchestrating all the details for this flight.

1026
00:49:05.400 --> 00:49:07.800
<v Speaker 1>They get, he gets a plane, you know, he starts

1027
00:49:08.039 --> 00:49:08.960
<v Speaker 1>publicizing it.

1028
00:49:08.960 --> 00:49:10.760
<v Speaker 3>It's getting pressed in Europe because they're.

1029
00:49:10.559 --> 00:49:13.159
<v Speaker 1>Going to go to Rome, and you know he it's

1030
00:49:13.199 --> 00:49:16.079
<v Speaker 1>on the radar of Mussolini and the Pope and kill

1031
00:49:16.159 --> 00:49:19.719
<v Speaker 1>Paine had simultaneously he also had a one point proposed

1032
00:49:19.719 --> 00:49:22.320
<v Speaker 1>to Hirst that Musolini should write a column either for

1033
00:49:22.400 --> 00:49:24.840
<v Speaker 1>the syndicated in all Hearst papers or exclusively for the

1034
00:49:25.239 --> 00:49:27.400
<v Speaker 1>Dailing Mirror, because it would bring so much circulation to

1035
00:49:27.440 --> 00:49:29.559
<v Speaker 1>the to the paper. So he was really he was

1036
00:49:29.599 --> 00:49:33.039
<v Speaker 1>an ambitious guy, and he was mischievous, and you know

1037
00:49:33.480 --> 00:49:36.199
<v Speaker 1>there there was things about his journalists, even by the

1038
00:49:36.199 --> 00:49:38.360
<v Speaker 1>stamps end of the day that we were not found.

1039
00:49:38.400 --> 00:49:41.400
<v Speaker 1>But he was a good natured, ultimately good natured, well

1040
00:49:41.519 --> 00:49:45.000
<v Speaker 1>liked person. And Hurst finds out that he's actually planning

1041
00:49:45.039 --> 00:49:47.599
<v Speaker 1>to get into the plane, and he's not happy about that.

1042
00:49:47.639 --> 00:49:50.039
<v Speaker 3>In the meantime, some of these other contests they're.

1043
00:49:49.960 --> 00:49:52.880
<v Speaker 1>Ending in disasters planes are like going down into the ocean,

1044
00:49:53.199 --> 00:49:55.960
<v Speaker 1>including one that had been sponsored by her son, who

1045
00:49:56.000 --> 00:49:57.840
<v Speaker 1>was the time, I believe, the publisher of the San

1046
00:49:57.880 --> 00:50:02.239
<v Speaker 1>Francisco Examiner. I want to and Hurst wants payin to

1047
00:50:02.320 --> 00:50:04.920
<v Speaker 1>call the whole thing off, and he becomes more and

1048
00:50:04.960 --> 00:50:07.800
<v Speaker 1>more adamant about that up until at the very end

1049
00:50:08.079 --> 00:50:10.840
<v Speaker 1>the flight can't take off from Long Island where they

1050
00:50:11.000 --> 00:50:13.679
<v Speaker 1>planned because weather conditions and the runway they are just

1051
00:50:13.679 --> 00:50:16.119
<v Speaker 1>were not working out. So they move it to Old

1052
00:50:16.239 --> 00:50:20.559
<v Speaker 1>Orchard Beach, Maine, where there's this long, natural sand packed

1053
00:50:20.920 --> 00:50:25.519
<v Speaker 1>runway and better weather, and up until literally the eleventh hour,

1054
00:50:25.639 --> 00:50:30.280
<v Speaker 1>pain is getting frantic telegrams from Hurst, begging him, you know,

1055
00:50:30.320 --> 00:50:32.119
<v Speaker 1>I'll pay the pilots the prize money.

1056
00:50:32.880 --> 00:50:33.519
<v Speaker 3>Don't do this.

1057
00:50:33.719 --> 00:50:36.679
<v Speaker 1>But Phil pain Is is just determined and he sends

1058
00:50:36.800 --> 00:50:41.039
<v Speaker 1>he disobeys Hurst's wishes or orders and sort of writes

1059
00:50:41.079 --> 00:50:44.400
<v Speaker 1>Hurst this really fatalistic sounding reply, but also a very

1060
00:50:44.840 --> 00:50:47.079
<v Speaker 1>touching one where he says, I know you've been such

1061
00:50:47.119 --> 00:50:48.079
<v Speaker 1>a good chief.

1062
00:50:48.480 --> 00:50:50.960
<v Speaker 3>Hurst was keeps called the chief my honor and respect

1063
00:50:51.079 --> 00:50:51.840
<v Speaker 3>and love you.

1064
00:50:52.400 --> 00:50:54.159
<v Speaker 1>It was almost there was something very final about it,

1065
00:50:54.199 --> 00:50:55.880
<v Speaker 1>almost as if you know, if I don't come back,

1066
00:50:56.159 --> 00:50:58.800
<v Speaker 1>and this plane, you know it's people are on the

1067
00:50:58.800 --> 00:51:01.880
<v Speaker 1>beach and they're watching it starting to take off, and

1068
00:51:01.920 --> 00:51:05.679
<v Speaker 1>it's really struggling to gain altitude until you know the

1069
00:51:05.760 --> 00:51:10.039
<v Speaker 1>last possible moment it swings out over the ocean and

1070
00:51:10.079 --> 00:51:12.239
<v Speaker 1>it's still kind of like covering a little too close

1071
00:51:12.280 --> 00:51:14.320
<v Speaker 1>to the waves, but then it catches Augusta win, and

1072
00:51:14.360 --> 00:51:17.320
<v Speaker 1>it finally goes up on its journey to Rome into

1073
00:51:17.400 --> 00:51:19.440
<v Speaker 1>the sky, and all the people on the beach, including

1074
00:51:19.480 --> 00:51:23.280
<v Speaker 1>Payne's second wife and the pilots wives, they're they're just thrilled.

1075
00:51:23.599 --> 00:51:26.280
<v Speaker 1>And and Payne's his second wife. Her name was Dorothy Payne.

1076
00:51:26.320 --> 00:51:28.800
<v Speaker 1>She was kind of a actress and showgirl. She hadn't

1077
00:51:28.800 --> 00:51:31.199
<v Speaker 1>appeared in a d. W. Griffith film, and she wrote

1078
00:51:31.199 --> 00:51:33.320
<v Speaker 1>to her saying, you know, with how spun they took off,

1079
00:51:33.400 --> 00:51:35.920
<v Speaker 1>and you know, we're so excited, and pain expects to

1080
00:51:35.960 --> 00:51:39.559
<v Speaker 1>dine with Mussolini, you know, when he arrives tomorrow night.

1081
00:51:39.719 --> 00:51:42.039
<v Speaker 1>And maybe I'll leave it to your listeners to find

1082
00:51:42.079 --> 00:51:45.639
<v Speaker 1>out how how this how this flight ended. But it

1083
00:51:45.719 --> 00:51:48.800
<v Speaker 1>was it was, you know, this one more spectacular stunt,

1084
00:51:48.800 --> 00:51:51.360
<v Speaker 1>probably the biggest stunt of Payne's career. You know, he

1085
00:51:51.480 --> 00:51:54.639
<v Speaker 1>had created this national media circus like the country had

1086
00:51:54.639 --> 00:51:56.920
<v Speaker 1>never seen, and now he was on this historic flight

1087
00:51:57.000 --> 00:51:59.400
<v Speaker 1>to the eternal city. He had captured the world's attention,

1088
00:51:59.840 --> 00:52:02.800
<v Speaker 1>and you know that would alply be his legacy.

1089
00:52:02.880 --> 00:52:05.679
<v Speaker 5>You're write a part of that legacy too, you say.

1090
00:52:05.719 --> 00:52:08.239
<v Speaker 5>True Crime, of course, has been captivating readers for at

1091
00:52:08.280 --> 00:52:11.559
<v Speaker 5>least two hundred years, but the early New York tabloids

1092
00:52:11.639 --> 00:52:14.599
<v Speaker 5>arguably laid the groundwork for the genre as we know

1093
00:52:14.719 --> 00:52:18.079
<v Speaker 5>it today by transforming true crime into something more vivid

1094
00:52:18.119 --> 00:52:21.559
<v Speaker 5>and compelling than a dense wilderness of small font newsprint.

1095
00:52:21.679 --> 00:52:24.320
<v Speaker 1>Yeah, you know, I think it's not that crime and

1096
00:52:24.719 --> 00:52:27.880
<v Speaker 1>the American reader's obsession with crime happened in the nineteen twenties.

1097
00:52:27.920 --> 00:52:30.280
<v Speaker 1>If you go back to you know, the penny papers

1098
00:52:30.400 --> 00:52:32.800
<v Speaker 1>of Victorian and guilded age America. I mean, there was

1099
00:52:32.920 --> 00:52:37.400
<v Speaker 1>all sorts of sensations and murders that people were devouring.

1100
00:52:37.440 --> 00:52:39.639
<v Speaker 1>Same thing with the Yellow Press, the Hurst and Pultzer

1101
00:52:39.639 --> 00:52:42.159
<v Speaker 1>papers in the turn of the century. But the tabloids

1102
00:52:42.280 --> 00:52:44.800
<v Speaker 1>was the first time, like I said, where you had

1103
00:52:44.880 --> 00:52:47.360
<v Speaker 1>this new medium that just it wasn't just you know,

1104
00:52:47.719 --> 00:52:50.559
<v Speaker 1>like a broadsheet if you could picture it. Especially back then,

1105
00:52:50.639 --> 00:52:54.719
<v Speaker 1>it was just this inky, endless, huge lines of texts,

1106
00:52:54.840 --> 00:52:56.960
<v Speaker 1>you know, and I think readers devoured that. But suddenly

1107
00:52:56.960 --> 00:52:59.320
<v Speaker 1>you have these smaller publications that you could open like

1108
00:52:59.320 --> 00:53:01.639
<v Speaker 1>a book, and they had all these amazing, you know,

1109
00:53:01.760 --> 00:53:04.119
<v Speaker 1>eye popping photos in them, and you can really see

1110
00:53:04.119 --> 00:53:06.320
<v Speaker 1>what people looked like, and they were filled with these

1111
00:53:06.440 --> 00:53:08.960
<v Speaker 1>these contests that people loved, and they were filled with

1112
00:53:09.039 --> 00:53:12.719
<v Speaker 1>pictures of you know, scantily clad women, and they really

1113
00:53:12.760 --> 00:53:17.039
<v Speaker 1>focused primarily on scandal and the more lurid, sensational things

1114
00:53:17.039 --> 00:53:19.440
<v Speaker 1>that you know. Patterson when he founded The Daily News

1115
00:53:19.480 --> 00:53:24.639
<v Speaker 1>said that readers loved and he identified those things as sex, slash, love, money,

1116
00:53:24.679 --> 00:53:27.320
<v Speaker 1>and murder, and especially if there's a story that involves

1117
00:53:27.360 --> 00:53:27.719
<v Speaker 1>all three.

1118
00:53:27.800 --> 00:53:28.920
<v Speaker 3>That was like the cream of the crop.

1119
00:53:28.960 --> 00:53:32.199
<v Speaker 1>And that was precisely what the All Mills murder was,

1120
00:53:32.239 --> 00:53:33.000
<v Speaker 1>the Whole Mills case.

1121
00:53:33.039 --> 00:53:35.119
<v Speaker 3>It was a swirl of those of those elements.

1122
00:53:35.119 --> 00:53:37.320
<v Speaker 1>So I think this was the first time people in

1123
00:53:37.360 --> 00:53:41.599
<v Speaker 1>the tabloid newspapers and the tabloid press were consuming this

1124
00:53:41.679 --> 00:53:45.840
<v Speaker 1>sort of you know, true crime news in a way

1125
00:53:45.880 --> 00:53:49.039
<v Speaker 1>that was designed as entertainment. The Daily Mirror their motto,

1126
00:53:49.440 --> 00:53:53.840
<v Speaker 1>their slogan was ninety percent entertainment, ten percent information. That

1127
00:53:53.880 --> 00:53:56.119
<v Speaker 1>was the whole idea behind it, and that's what was

1128
00:53:56.199 --> 00:53:58.559
<v Speaker 1>new about those publications of the time.

1129
00:53:58.599 --> 00:53:59.239
<v Speaker 3>And they did some.

1130
00:53:59.159 --> 00:54:02.800
<v Speaker 1>Really outrageous things that hadn't been done before, and you know,

1131
00:54:03.119 --> 00:54:05.599
<v Speaker 1>all sorts of As I said, they kind of created

1132
00:54:05.599 --> 00:54:07.679
<v Speaker 1>a new culture for media that I think you can

1133
00:54:07.760 --> 00:54:10.920
<v Speaker 1>trace a line from that directly to you know, the

1134
00:54:11.000 --> 00:54:15.400
<v Speaker 1>National Inquirer, or Court TV and reality television. It's all

1135
00:54:15.440 --> 00:54:20.159
<v Speaker 1>the same, the sensibility of turning sort of eccentric, sometimes

1136
00:54:20.199 --> 00:54:25.039
<v Speaker 1>unfortunate characters into these you know, kind of mega personalities

1137
00:54:25.079 --> 00:54:26.920
<v Speaker 1>that other ordinary people.

1138
00:54:26.800 --> 00:54:27.639
<v Speaker 3>Become obsessed with.

1139
00:54:27.719 --> 00:54:30.400
<v Speaker 1>I think I think that the tabloids kind of, you know,

1140
00:54:30.519 --> 00:54:33.480
<v Speaker 1>the first to really hit on that formula, and it

1141
00:54:33.519 --> 00:54:35.760
<v Speaker 1>continues today. And we should should note that, you know,

1142
00:54:36.159 --> 00:54:39.199
<v Speaker 1>talk about you know, big personalities that you know, are

1143
00:54:39.239 --> 00:54:41.480
<v Speaker 1>are kind of become titans because of the tabloids.

1144
00:54:41.480 --> 00:54:42.599
<v Speaker 3>This this was Donald Trump.

1145
00:54:42.639 --> 00:54:46.079
<v Speaker 1>You know, he became a towering figure, sort of ridiculous

1146
00:54:46.119 --> 00:54:49.559
<v Speaker 1>towering figure, but but nonetheless a towering figure because of

1147
00:54:49.599 --> 00:54:52.599
<v Speaker 1>the coverage he got from the Daily News, this same

1148
00:54:52.599 --> 00:54:55.119
<v Speaker 1>paper that started it all, and the New York Post

1149
00:54:55.199 --> 00:54:57.400
<v Speaker 1>at the time in the early late eighties and early nineties.

1150
00:54:57.440 --> 00:55:00.679
<v Speaker 1>I mean, they turned Trump into the you know what

1151
00:55:00.840 --> 00:55:03.679
<v Speaker 1>he was, what he became. So I think that I

1152
00:55:03.679 --> 00:55:06.880
<v Speaker 1>think it shows you could trace that all back.

1153
00:55:06.840 --> 00:55:10.039
<v Speaker 3>To this moment of media in the nineteen twenties.

1154
00:55:10.320 --> 00:55:16.679
<v Speaker 5>You say that these tabloids still have their descendants. But

1155
00:55:16.760 --> 00:55:19.280
<v Speaker 5>what we talked about too, is that Bill Pain was

1156
00:55:19.320 --> 00:55:23.000
<v Speaker 5>able with the Daily Mirror to launch this investigation or

1157
00:55:23.000 --> 00:55:25.880
<v Speaker 5>this reinvestigation, and he tried. They tried as hard as

1158
00:55:25.880 --> 00:55:28.719
<v Speaker 5>they could, very much like the most papers with the

1159
00:55:28.719 --> 00:55:31.920
<v Speaker 5>most integrity, to bring these people, these killers. They tried

1160
00:55:31.920 --> 00:55:34.639
<v Speaker 5>to attempt to bring these people to justice, and they

1161
00:55:34.639 --> 00:55:39.159
<v Speaker 5>weren't successful. But unlike the tabloids of today and following,

1162
00:55:39.199 --> 00:55:42.320
<v Speaker 5>I think, and some of the tactics and antics that

1163
00:55:42.400 --> 00:55:47.159
<v Speaker 5>he employed with this tabloid example with Jim Mills and

1164
00:55:47.199 --> 00:55:51.119
<v Speaker 5>that questioning with this spiritualist, but regardless, they still brought

1165
00:55:51.360 --> 00:55:55.400
<v Speaker 5>attempted to bring these killers to justice and to show

1166
00:55:55.440 --> 00:56:00.400
<v Speaker 5>that the prosecution was self hampered in basically prosecuting rats

1167
00:56:00.480 --> 00:56:04.119
<v Speaker 5>because of her incredible wealth and her status.

1168
00:56:04.239 --> 00:56:06.199
<v Speaker 1>Yeah, I don't think it was an entirely you know,

1169
00:56:06.280 --> 00:56:08.840
<v Speaker 1>cynical motive at play. I think that phil Pain did

1170
00:56:08.880 --> 00:56:11.320
<v Speaker 1>want to see justice, and he wanted the glory of

1171
00:56:11.880 --> 00:56:14.760
<v Speaker 1>his tabloid being, you know, the vehicle led.

1172
00:56:14.639 --> 00:56:15.239
<v Speaker 3>To that justice.

1173
00:56:15.239 --> 00:56:17.559
<v Speaker 1>You know, tabloids are very they could be very righteous

1174
00:56:17.599 --> 00:56:20.320
<v Speaker 1>and even sanctimonious in their causes when they believe in something.

1175
00:56:20.400 --> 00:56:22.719
<v Speaker 1>You know, even today, especially in Great Britain, we see this.

1176
00:56:22.800 --> 00:56:25.920
<v Speaker 1>You know, tabloids they go on crusades, sure, and they

1177
00:56:26.079 --> 00:56:30.239
<v Speaker 1>advocate for things, and sometimes, you know, they they achieve

1178
00:56:30.320 --> 00:56:32.639
<v Speaker 1>some very good things the Only News has done. You know,

1179
00:56:32.719 --> 00:56:35.559
<v Speaker 1>they've they've won Pulitzer Prizes in the years that followed,

1180
00:56:35.599 --> 00:56:38.719
<v Speaker 1>you know, I think and even even the most the

1181
00:56:38.719 --> 00:56:41.559
<v Speaker 1>tabloids we think of as the most ridiculous or or

1182
00:56:41.719 --> 00:56:44.039
<v Speaker 1>you know, got you know, trash gy. I mean, the

1183
00:56:44.119 --> 00:56:48.000
<v Speaker 1>National Inquirer has even broken stories that had that were

1184
00:56:48.000 --> 00:56:51.000
<v Speaker 1>a public service, that had big public impact. And the

1185
00:56:51.039 --> 00:56:54.400
<v Speaker 1>tactics they employ are not the same that the traditional

1186
00:56:54.440 --> 00:56:55.599
<v Speaker 1>press would use.

1187
00:56:55.639 --> 00:56:56.559
<v Speaker 3>But sometimes they.

1188
00:56:56.440 --> 00:56:59.920
<v Speaker 1>Do achieve, you know, an honorable result or at least

1189
00:57:00.159 --> 00:57:02.559
<v Speaker 1>that that has public import And I think that is

1190
00:57:02.599 --> 00:57:05.400
<v Speaker 1>the thing about tabloid newspapers that can get lost because

1191
00:57:05.400 --> 00:57:06.760
<v Speaker 1>we do just think of them as kind of this

1192
00:57:06.960 --> 00:57:10.880
<v Speaker 1>trashy you know, sort of down market scandal sheets or whatever.

1193
00:57:10.920 --> 00:57:12.840
<v Speaker 1>But you know, I think of something like the National

1194
00:57:12.880 --> 00:57:16.840
<v Speaker 1>Inquirer when they broke this story about Jeff Bezos and

1195
00:57:16.880 --> 00:57:18.880
<v Speaker 1>his affair, and then it was later revealed that they

1196
00:57:18.920 --> 00:57:20.840
<v Speaker 1>had seemed that they had been bribing him with the

1197
00:57:20.880 --> 00:57:26.400
<v Speaker 1>threat of releasing a very indecent photograph of his other regions.

1198
00:57:26.440 --> 00:57:28.360
<v Speaker 1>You know, I think of like Phil Pain but hiding

1199
00:57:28.360 --> 00:57:30.679
<v Speaker 1>behind that curtain, you know, like when when they were

1200
00:57:30.679 --> 00:57:32.039
<v Speaker 1>trying to entrap.

1201
00:57:31.840 --> 00:57:34.960
<v Speaker 3>This this poor guy into confessing to a crime.

1202
00:57:35.000 --> 00:57:37.199
<v Speaker 1>You know, I see a through line, but I don't

1203
00:57:37.199 --> 00:57:40.119
<v Speaker 1>think there's always an ill motive at play. And I

1204
00:57:40.199 --> 00:57:42.639
<v Speaker 1>don't think that Phil phil pain because he was you know,

1205
00:57:42.639 --> 00:57:45.320
<v Speaker 1>he did have honor. He's someone that he had physical

1206
00:57:45.320 --> 00:57:48.360
<v Speaker 1>impairments that prevented him from being able to fight in

1207
00:57:48.360 --> 00:57:50.199
<v Speaker 1>World War One, but he volunteered with the Knights of

1208
00:57:50.199 --> 00:57:52.880
<v Speaker 1>Columbus Warriors Service and he became, you know, sort of

1209
00:57:53.039 --> 00:57:56.840
<v Speaker 1>correspondent out out there, and you know, he champions a

1210
00:57:56.840 --> 00:57:58.920
<v Speaker 1>lot of young women at these tabloids that might not

1211
00:57:59.000 --> 00:58:01.920
<v Speaker 1>have been able to rise to prominence in the other

1212
00:58:02.239 --> 00:58:03.639
<v Speaker 1>traditional broadsheets of the day.

1213
00:58:03.639 --> 00:58:04.559
<v Speaker 3>You know, he was he was.

1214
00:58:04.559 --> 00:58:06.639
<v Speaker 1>He was mischievous, he was a mad cap, but he

1215
00:58:06.719 --> 00:58:08.239
<v Speaker 1>wasn't like a terrible guy.

1216
00:58:08.280 --> 00:58:10.960
<v Speaker 3>I think he had good intentions and was well meaning, and.

1217
00:58:10.920 --> 00:58:13.519
<v Speaker 1>I think he got probably caught up to an extent

1218
00:58:13.599 --> 00:58:17.320
<v Speaker 1>in this this quest for more glory and more circulation

1219
00:58:17.679 --> 00:58:18.840
<v Speaker 1>and ultimately more power.

1220
00:58:19.039 --> 00:58:21.719
<v Speaker 5>Absolutely, I want to thank you very much, Joe Pompeo

1221
00:58:21.800 --> 00:58:24.400
<v Speaker 5>for coming on and talking about your new Blood and Ink,

1222
00:58:24.519 --> 00:58:27.920
<v Speaker 5>the scandalous jazz Age double murder that hooked America on

1223
00:58:27.960 --> 00:58:30.239
<v Speaker 5>true crime. Do you have a website and do any

1224
00:58:30.280 --> 00:58:33.559
<v Speaker 5>other social media and when was this book released or

1225
00:58:33.599 --> 00:58:34.360
<v Speaker 5>to be released?

1226
00:58:34.559 --> 00:58:36.599
<v Speaker 1>Well, I'm not sure when your podcast will come out,

1227
00:58:36.599 --> 00:58:39.199
<v Speaker 1>but if it's after September thirteenth, they will have been

1228
00:58:39.239 --> 00:58:43.239
<v Speaker 1>released on Tuesday, September thirteenth from William Morrow and HarperCollins.

1229
00:58:43.360 --> 00:58:46.519
<v Speaker 3>Listeners. You can go to Blood and Dot Inc.

1230
00:58:46.880 --> 00:58:49.360
<v Speaker 1>Which has you know, lots of stuff on there about

1231
00:58:49.360 --> 00:58:51.920
<v Speaker 1>how to order the book and some other good things.

1232
00:58:51.960 --> 00:58:54.880
<v Speaker 1>And I'm also doing a newsletter which they could find

1233
00:58:54.920 --> 00:58:59.119
<v Speaker 1>at Joe Pompeo got substack dot com. I'm trying to

1234
00:58:59.320 --> 00:59:02.360
<v Speaker 1>every once a week offer some sort of like bonus

1235
00:59:02.480 --> 00:59:06.360
<v Speaker 1>content or special outtakes and things like that for fans

1236
00:59:06.360 --> 00:59:08.719
<v Speaker 1>of the story, and also keep people up to date

1237
00:59:08.760 --> 00:59:12.480
<v Speaker 1>with recommendations on other historical true crime and narrative history

1238
00:59:12.519 --> 00:59:15.800
<v Speaker 1>that's coming out. So that's Joepompeo dot substack dot com.

1239
00:59:15.920 --> 00:59:18.639
<v Speaker 1>Or you can also go to bloodd dot Inc. You

1240
00:59:18.639 --> 00:59:21.400
<v Speaker 1>can also find my substack newsletter there. It's probably the best,

1241
00:59:21.559 --> 00:59:23.679
<v Speaker 1>the best way to follow me find out how to

1242
00:59:23.679 --> 00:59:24.039
<v Speaker 1>follow me.

1243
00:59:24.199 --> 00:59:24.440
<v Speaker 4>Great.

1244
00:59:24.639 --> 00:59:27.280
<v Speaker 5>Thank you so much, Joe Pompeio Blood and Ink The

1245
00:59:27.360 --> 00:59:31.480
<v Speaker 5>scandalous jazz age double murder that hooked America on true crime.

1246
00:59:31.679 --> 00:59:33.920
<v Speaker 5>Been a fascinating interview. Thank you so much and you

1247
00:59:33.960 --> 00:59:36.800
<v Speaker 5>have a great evening. Joe Pompeo, thanks thanks for having me.

1248
00:59:36.840 --> 00:59:37.199
<v Speaker 5>Good night,
