Speaker 1: Hello, and welcome to Deep Blue Sea the podcast I
am Mark, I hate that, Mal Hoffmeyer.
Speaker 2: And I am Jay.
Speaker 3: Is that the Turkey Point Nuclear Facility cluet Welcome you
aboard Deep Blue See the podcast continuing our Year of
Reptiles twenty twenty six, All snakes and gators and that
kind of thing. Oh yeah, and this is Megapython versus Gatoroid.
What is Megapython versus Gatoroid? Great question. It's a film
about Mega It's not one megapython, it's a bunch of megapythons.
And it's not one gatoroid. It's a whole bunch of gatoroids.
Twenty eleven Asylum Monster Movie starring Tiffany and Debbie Gibson,
amongst others, the.
Speaker 1: Stars of Mega Purana and Mega Shark Versus Giant Octopus.
Speaker 3: There are two films we have yet to cover, but
will one day. I haven't seen either yet. I have
One plays an environmental activist, the other plays cop and
they both get caught up in this battle. They both
cause and get caught up in this battle between the
Megabythons and the gators on steroids. So this film stars
two musical icons and there is a third one who
cameos Mickey Dolan's of the Monkeys Crips Up. So it
seems only right we have somebody from a musical podcast
to come and join us. And it also seems right
because we haven't seen him for well over a year.
January twenty twenty five was the last night this guy appeared,
despite being our most regular guest prior to that. This
is his seventeenth appearance on the show. From Lyrically in
the Window and a Bunch of the Shows, Nick kree Hack, Nick,
welcome back to the show.
Speaker 2: Thank you guys so much for having me. You got
to mix it up on the algorithm every so often.
That's the that's the key.
Speaker 1: You know what's great about it out here? You know
I'm jumping into that. I was. I was texting Nick
about this and because of this movie, I started listening
to Tiffany, like Tiffany and Debbie Gibson music, like I know,
like a Tiffany song. I knew adb Debbie Gibson song,
but I like dove into the me. I dove into
their discography. I learned that Debbie Gibson's the youngest artist
to have a number one hit. She has four number
one hits that she has the solo songwriting credit on,
so she was writing. Yeah, she was like writing her
own stuff in the eighties and like winning songwriter awards
and then tiff But like I was listening to music though,
But then all I wanted to listen to was the
Tiffany song I Think We're Alone Now. It's a it's
a cover, but I was like, I should listen to
some Debbie Gibson. I'm like, or I could listen to
I Think We're Alone Now again, and I'm like, Okay,
I should listen to other Tiffany songs like wait, or
I could listen to I Think We're Alone Now again,
And then I could listen to the Billy Joel Armstrong
cover of a Couver. I could listen to that. So
it basically just was me listening to I Think We're
Alone Now a lot.
Speaker 2: Yeah, Yeah, it's it's it's so catchy and such a
good song, even the original Tommy James and Dondell's that's
a classic. Yeah, and my opinion, maybe better than the
cover Weird and Now's parody I Think I'm a Clone
now pretty great?
Speaker 1: A clone?
Speaker 2: Oh gosh, Yeah, I haven't heard that it's always to me,
always hanging around.
Speaker 1: My favorite weird Al songs one about him killing his
neighbor Larry.
Speaker 2: I like that one.
Speaker 1: He's like, Hey, do you remember that guy Larry next door?
He was a neighborhood clown. But he's like, like, he's
like that, but then he drove Larry out to the
middle of the forest and put him in a big
plastic bag. He's like, if the cops ever find him,
who knows what they'll say. But I'm sure if O
Larry was with us today, he'd have to agree that
it was a pretty good gag. So like he murdered him,
and he's like, Larry would probably laugh about it. Well,
it's a good song, Okay.
Speaker 3: My favorite weird Ol song is Constipated Complicated because that's
the first one I heard, and I didn't realize that
he was a guy who'd done so many of these,
and so I just listened to that one a bunch
and then I just go, oh, wait, this guy has
done other songs. I've heard a few of them here
and there, but that's the one I've heard a thousand times.
Speaker 2: True really liked albutquerque that's always been like I haven't
been a big one that's like a twenty minute opus
for and it's so nonsensical and ridiculous, like, but I
love it.
Speaker 1: True story. I'm kind of an Avril Leviner.
Speaker 3: Okay, And she's come up before in the show.
Speaker 1: The other day, I had that girlfriend I have satellite
radio and is like two thousands on you know, tens
on two thousands one of those, and that girlfriend song
came out, Hey, hey you yeah, and Malory's in the
backseat going I don't like this one, dad, So you go,
no way, no way, yeah, no way, and then so
I had I changed it, but she very rarely does that,
but she was just not down for the vibe of
like girlfriend. I just like, I like the blunt force
trauma of an Avril Levine song.
Speaker 2: And so yeah, she's directed to the point, why are
you going to make things so complicated? I don't want
eat around the bush.
Speaker 1: Like I don't want metaphors. She's like, hey, I don't
like your girlfriend. It's time you get a new one.
Where other songs are like you know you belong, like
just really soft. She's like, yo, ditch that broad get
with me. I like, I like the Canadian sas coming
from the tiny musician.
Speaker 2: Especially because it's Canada and typically we look at them
it's like, oh they're friendly, they're nice, or like hey,
if you don't mind, sorry, you know that whole bit.
But instead she's just like, get out of here.
Speaker 1: She has another song called what the hell where like
her boyfriend just whinds a lot. So she's gonna go
mess around with a bunch of dudes just to like
She's like, I was good for a long time, but
you're paying the butts. I'm gonna fool around with a
bunch of dudes, imagine. And I love it. But like
it's so blunt and I love it so much, and like,
you know, I know that she had lyme disease. And
getting back to the movie, so did Debbie Gibson, who's
a psychopath in this movie for sure.
Speaker 3: So Debbie Gibson and Tiffany both, let's keep it on
the music for a bit. They both have songs in
the film. Yeah, original do we have a preference between
Debbie Gibson's snake Charmer and Tiffany's Serpentine?
Speaker 2: Neither both terrible? Correct.
Speaker 1: I was to him, I was like, I'm dead inside,
like this is this like this is killing me.
Speaker 3: That's why when you say you watch this film, when
any can listen to the more music is I've watched
this film and thought, I've never listened to these two
ever again beyond I think we're on now. I don't
think I've heard a song either of them have ever done,
and I don't think I will seek beyond that.
Speaker 1: Debnie Gibson was big business. She's in like the songwriting
Hall of Fame in America. She was one of the first.
I mean, I guess that's fine. I didn't know about
S Club seven. I guess that's true.
Speaker 2: You didn't, so I mean, but I remember S Club seven.
Speaker 1: They're mall phase like they played in malls, and they
were just big. And I guess Tiffany was more of a,
you know, write songs kind of for her ballad singer,
whereas Debbie Gibson is more of a singer songwriter. And
it was fun. I never knew that, and I really
enjoyed it. Yeah, we've talked a lot about FF. We
talked about music too, so I learned a lot about
Debbie Gifts. Okay, real quick, guys, So this the first
half of this movie enthralled me, and then it completely
lost me. But doctor Nikki Riley is a psychopath. She
is a doction who she's like taking invasive species. So
Burmese pythons have wrecked havoc on the Florida Everglades and
I've talked about this a lot. I did a documentary
in grad school about them, and like how they're just
blowing up the eCos they're invasive and people get paid
to kill them. You get trade, you get you get trained,
and then you kill them and then you get paid
for it because they're just wiping out the populace. And
here's doctor Nikki Riley going to ped stores and then
just unleashing invasive spe like this is how CUDSU spreads,
Like this is how beatles spread. She's like just dumping
invasive species and she's a doctor and she's like.
Speaker 2: You guys are hunters.
Speaker 1: You guys are and like I'm like, you yelling at
people about hunting, but you're unleashing You're you're like wrecking
havoc to the ecosystem and then you're yelling at hunters. Yeah,
And it's the craziest, Like it's she's the craziest character
I think I've seen in cinema in.
Speaker 2: All calling them cowards with signs hunters of cowards. Meanwhile,
she's like snooping around, let's set up secret cameras and
we'll catch people in the act and let's do this,
and like just sneaking around and stuff like it's just
really it's kind of it's a lot. It's a lot.
And like Jay said, she says she's a doctor, but
what she's a doctor of nothing.
Speaker 3: It's not slogan writing because hunters of cowards, stop the madness.
It is a bad but like she's a guys.
Speaker 1: Burmese pythons are not native from Thailand. Yeah, they are
not native to the Everglades. They are not. You don't
want them there, like you don't you don't introduce invasive species,
and it's it's but then she's yelling at everybody else
and those are the worst type of people. When it's
like you are unleashing hell on the Everglades and you're
murdering gators. But then you're like, yeah, hey, hey Ja,
we might have to be a bach. The word bach
is use a lot the other word. But I don't
want jad to bleep stuff like they're always calling. And
then she's like swearing at Tiffany.
Speaker 2: Yeah.
Speaker 1: Yeah.
Speaker 3: The line that made laugh the most was somebody had
prch for breakfast. Say that about that? That provokes an
outburst from me.
Speaker 2: They want to get edgy, Like, let's get edgie. What
are we going to say? I know what we're going
to say, and we're going to say it a lot.
Speaker 3: So many times. It's referenced in the IMDb. Parendic guidance
is that that word has said a.
Speaker 2: Lot drink every time.
Speaker 1: And so they call her a crazy, cold blooded snake
loving biach mm hmm. She's crazy though, like this is.
And she gets through two assistance murdered. She just leaves them.
And one of them is Ardent Show, who voiced Roomy
in K Pop Demon Hunters, which I love. Yeah, did
a Roomy but man, I was really but then when
it got to the action and just filmed in La
on like an alley, it completely lost me. But but
you know they filmed this in La But all right,
so the steroid chef, mhm, I've seen that guy in Florida, right.
A lot of my friends got on HGH right out
of high school. So it's like, yeah, okay, I get it.
Dators yep. Pythons, yep, tank tops yep, v nex yep,
hunting permits for crocodiles and alligator sorry, yep. Like it's
very Florida, and so I like that, but I learned
who was filmed in LA. But they do, they do
nail Florida.
Speaker 2: That's the thing too, is when you find out to La,
it's like they kind of do it. Not justice one
hundred percent, but you had me fooled. Yeah, they absolutely
had me fold And that's the magic of the movies.
Speaker 3: M saying yeah, I watched I watched the film with
my wife. Always entertaining to watch these films with my wife.
She hates these kinds of films. I had assumed, so
we've seen a bunch of these kind of things. I
had assumed there would be no snake footage, like real
snake footage, because she's terrified of snakes. This film opens
with like twenty minutes of snake footage, so she had
so she had like obscure the screen cut her for
an hour.
Speaker 2: She could just waiting for Godsmack to start.
Speaker 3: But it's always always enjoyable watching this kind of dialogue
and this kind of acting alongside somebody who hates these.
Speaker 1: Kinds of films, man, But it had me in the
beginning because I just kept going, what like when when
that when her fiance dies? When when Dustin dies? And
he gets that? Just talk to me, Just talk to
me for a long.
Speaker 2: Yeah, tell me what the weddings. How great the wedding
was gonna be. I'm like, hey, this early.
Speaker 1: In the movie, it's justin, right, and then Justin and
then crazy doctor Nicky shows up. It's like, it's your
fault that you're your Beyonce died because you're hunting and
you're just going this lady's legitimately a psycho path.
Speaker 3: Me hunting the invasive species she let out into the
into the swamp, which we don't spoiler, but well we
see it in your opening scene. Yeah it's Tiffany doesn't
find later, but yeah, she just goes into the episodes.
He puts all these snakes in a sack and just
opens the sack at the swamp page. I don't know
if that's the best way of releasing snakes. They're a
kind of different. Is put me in one sack? I
don't know. I'm not gonna do it. It seems to work.
Speaker 1: And then justin dies, justin dies, and also drinking whiskey
in the summer and Florida outside. Don't do it.
Speaker 2: You're gonna burn your hand on that flask. Right, It's
like cutting the seatbelt when you get into your car.
It's the execs Oh, I don't want that whiskey now, No.
Speaker 3: Thank you.
Speaker 1: It's humid. You're sweat as soon as you step outside,
your sweating, right, yeah, And then you drink and that
makes you have to go to the bathroom more, and
then you're you're out of you're dehydrated, and you're in
the Everglades and it's a hundred degrees and.
Speaker 2: The whiskey's got to be like sacchering at that point,
Like it's just gotta be just horrifying.
Speaker 1: I would. I mean, if it was like a vodka
red bull, that'd be very Florida, so I'd accept that.
But no one ever told me that that was in there.
Speaker 3: Blask of vodka.
Speaker 1: And a hip, nice sugary just slamming hot vodka red
bulls on a hot Florida sunny day.
Speaker 2: And it's just all we need now is a little
lime twist.
Speaker 1: I think I told you guys this once. I did
so many vodka Red bulls. One night, I just ran
home from a club when I was in college. I
just I was in this place called Chubby's, and I
had a bunch of them, and I was just feeling
like I couldn't be contained, and so I just ran home.
Speaker 2: I couldn't be contained.
Speaker 1: I didn't want to be in there, you know what
I mean, Like I was like, I am, I got
too much going on inside me right now to like
be here.
Speaker 2: And so if way running home, I think I'm alone now.
Speaker 1: So I think my heart rate got to about three
hundred and apparently I slammed the front door open you
drop kick it, and there was like my buddy was
there with his girlfriend a bunch of her friends, and
I walked inside the house and I just fell down,
and I guess I crawled to my door and I
tried to unlock it, but I couldn't find the key.
So then my roommate tried to help, and I yelled
at him until I found the right key, and then
I opened it, crawled in and closed the door and
didn't hear from me like the rest of the night.
Speaker 2: Dude, you were mad dogging before mad dogging was cool?
Speaker 3: Question you're running across the surface of a.
Speaker 1: Swims Yeah, a lizard. I was thinking more being there,
like just jogging across.
Speaker 3: But no, I was thinking Dash and the Incredibles. But sure,
this is much of me.
Speaker 1: I had the like shell necklace around my neck, the
white shell necklace. Too much hair gel, you could say
it shell. This is before whax. I was using gel.
So I had like I could have stabbed you if
I I ran straight at you with my head down,
just cutting through the sideburns, Florida air, just sideburns like
I was.
Speaker 2: Did you gel the sideburns? Did you let those puppies
room free?
Speaker 1: You never jell a sideburn?
Speaker 2: Okay, that's making sure, making sure.
Speaker 1: No man remembering the office space means like, have you
ever said you have a case in the Mondays and
the guy goes, no man, no man. Yeah that's reaction.
That's my reaction to gel and the sideburns.
Speaker 2: No batman, no man.
Speaker 1: Yeah, I took this way off. But you know, no,
it's pretty much. This could have been in the movie
and no one would have noticed. Maybe I was in
the background.
Speaker 2: Run red Bull.
Speaker 1: Yeah, maybe you saw me running across the swamp jay.
Speaker 2: And they thought it was a gator?
Speaker 1: Is that No, that's a hot fire. He's got to
have vocarebel on him again.
Speaker 2: He's mad dogs across the Everglades. That's the gator Matan
call you hear it?
Speaker 1: I am happy though. Spoilers that Tiffany and Debbie get
it at the end.
Speaker 3: Cool, Yeah, it's surprising.
Speaker 1: Yeah, and just and then the one guy who lives
what doctor Diego or Teas. Everyone's insulting him the entire film,
The Witch Doctor the Indian.
Speaker 2: Yeah, they're like that that Indian shows up so oho.
I know it's twenty eleven, but come on now this
pump the breaks on that. Please.
Speaker 1: And then they named the park after them, but they
should be nowhere, like they should not be named after them.
They're the ones responsible for all this.
Speaker 2: Yeah, big time.
Speaker 3: Sure, but they picked terrible pictures. Have to grapes on
the sign on the plank, so that's fine.
Speaker 2: I don't think that was real, No, absolutely, c G.
Speaker 3: I know you don't think someone great that.
Speaker 2: Absolutely.
Speaker 1: They did not spend the money on that.
Speaker 2: They spent all the money on CGI and even then
they had enough to pay for a lot of other stuff.
Speaker 1: Guys. You know what else I love about this movie.
There's a dynamite depot. Mm hmm, I need the key
the dynamite depot And you're like, what is there, guys,
I'm telling you, Like, I'm like, there's a dynamite depot.
Like this is getting good.
Speaker 2: They really did film this from Florida.
Speaker 3: He's like, I really liked is the the Morphing montage
half halfway through because like because the listeners. If you
haven't watched Megapithe Dessigatory, the general plot is, uh, snakes
are released by doctor Nicky Rody. They they kind of
just reached out into the wild. They kind of grow,
It's unclear as to that. They're not noticed.
Speaker 1: Theories.
Speaker 3: They just grow big and they start eating all the
alligators and so park ranger Stereohara Tiffany wants to fight
back with bigger gators. So she gets these these steroids,
these experimental steroids, injects them in raw chickens with the
help of Catherine Juice and from Desperate House Webs, who
is the best part of this film. Yes, injectment, absolutely.
They inject them into raw chickens, feed the gates to chickens,
and the gators gators grow huge and it cans, like
a cycle of gators eating, jesting steroids, laying eggs, snakes
eating the eggs, growing huge, laying eggs, gates eating the
snakes eating the eggs, growing huge, play eggs, et cetera,
until you get kaiju sized snakes and alligators. And there's
a montage in the middle where you see that cycle
and real horrendous cgi of like snakes distorting and stretching,
alligators lumping out all over the place, and real close
up like big zooms in of DNA strands and microbes
and mitosis.
Speaker 2: And it's crazy because a lot of the gator footage
and snakes, it's like they copy and pasted it. Yeah,
Like there's times where there's a gator in the forefront,
ground gat in the background, and they're both doing the
same motions as if they were like a video game
crowd in a football game. Like it blew my mind,
not even like different timing or anything like that, Like
they're just hanging out doing the same thing.
Speaker 3: Like what there's one shot of just before Justin is killed,
there's a guy he's with who also gets killed. He
like he's leaning against the trails and in the background
an alligator swims past it, but it's but it's not.
It's just like a dark line across the surface of
the water. But it's also going across the surface of
him in the foreground. So they didn't like crop it
at his shoulder. It's going across like his face.
Speaker 1: There's no time, there's no time.
Speaker 2: We got to get this out.
Speaker 1: There's no time.
Speaker 2: It's a masterpiece.
Speaker 1: I watched the Almighty Thor movie that knocked off Thor,
and this it's Thor walking on the street. But they
didn't bother clearing it. I don't think they had pas.
So people were just randomly walking down the street looking
at him when he's whiting, and they weren't extras. I
can guarantee that they were just like, what's happening here?
And they didn't They just kept it. So, yeah, thats
a show studio does.
Speaker 3: There's a shot at the end of this, the very
fight climax, when there's a crowd of people and they're
doing a speech and then and the crowd are all applauding,
and you show a shot of the crowd and no
one is clapping. Yeah, it just looks bored and listless,
and they're just like at some of them they want
to be. But the audio is like.
Speaker 1: And it's just people. Remember like if you have a gun,
pull it and everyone pulls guns.
Speaker 3: It was different direction.
Speaker 2: Yes, the most ridiculous thing. I was like, everyone is
strapped here. Then some guy runs out of bolts, throws
his shoe. Another guy is using like one of the
serving traces like a shield. What are you protecting?
Speaker 3: Yeah, this is against alligators, the size of garbage trucks.
Speaker 1: Yeah.
Speaker 2: Also the sound alone. Everyone should be deaf in that
tent at that moment, all the guns firing at once,
Everyone's like covering their ears and then fire like awful.
Speaker 1: You know who directed this?
Speaker 3: Yeah, the director of pet Cemetery.
Speaker 1: Yeah, and like she did Madonna like a virgin, like.
Speaker 3: She's she did so many music Mick.
Speaker 1: Jaggers, Sting, Madonna, Janet Jackson, Rod Stewart, Chris Isaac.
Speaker 2: It's like what happened?
Speaker 1: Well, No, she's just a woman director, I think in
the Who's you know, she's getting the work she can,
Like you direct pet cemetery, then you don't get much
work from it.
Speaker 3: Just because she's a woman. She can direct better than this.
Speaker 1: Mouth No one could direct better than this though, No
so this movie shot in a day. Like this movie,
they have no time, there's no time, like they just
I think she just needed a paycheck and they're just
like the two that Debbie Debbie Gibson and I don't
know if you guys know the story, but what Mega
Shark versus Giant Octopus. That thing went viral online because
of the insane trailer, So Asylum got some heat. And
then they made Mega Piranha, which features like the guy
bicycle kicking the piranhas and it's pretty funny, so that
one went popular. So I think when you jump on
this one, you're kind of I don't know, I think
you kind of have some heat, you know, and but yeah,
then you have I just feel bad like Mary Lambert
does pet cemetery, pet cemetery to like every single music
video you could think of Tales from the Crypt, and
then she's kind of relegated to do to doing stuff
like that. It's just a bummer. I don't like it.
Speaker 2: I just want to put yeah, yeah, it really is
too because you see like what horror and what terror
can be like from pet cemetery, right, you know, she
has that in her wheelhouse, but you get it feels
like just a run of the mill. Is if they
already knew the shots, they just needed someone to show
up and go action and cut all right on to
the next one. There's no there's all of this has
to be first take. There's no second take, let alone
a third take. Here.
Speaker 1: I know there's a script to Nick because like they're
just going like, you don't.
Speaker 2: Have fun with this one? Great? Great, good next scene, yeah, next,
and they just swipped the page.
Speaker 1: I just I just feel bad because she had directed
some really kind of good stuff and then you come
and do this movie. But you know, it's a paycheck.
You probably shot it in two weeks, you get paid,
it's done, and you have Wie Gibson and Tiffany, So
I mean whatever.
Speaker 2: I don't hang out and tell stories or something. I
don't know, but it's it's it is. It is a
bummer because you want to see more and and you
want better. But what do you you know what I mean, like,
what do you like? You said it's a paycheck? What
do you do at that point?
Speaker 1: Take it and get out of there. You know it's
kind of nice too, You're like, I just I made
an asylum film, Like I remember guys who made movies
for the Cannon Old Group back in the day, Like,
I don't think any of those directors took big hits
because they're like, we were just making movies for Cannon
films and they were crazy. So you just you're getting
hired to make a Cannon film. So I think this
one is just I got hired to make an asylum
movie and it was a paycheck and it's bad, but
it's purposely I guess one of the movie's purposely bad.
You you can't it can't get you to it can't
destroy your career. Does that make sense because you're like,
it's an asylum film. I made an asylum film.
Speaker 2: Yeah, because I guess you could do the whole like
critics could say like, oh, it's purposely bad or oh
they're you know, they're just winking at the camera. They
know what they were doing with this one. They came
in with this intent. It's like, yeah, but did they
or did like at some point they were like, no,
this scene's gonna be really good. Like I don't know,
I feel like if I'm going to go into something
like this, like I want to make it the best
possible thing and not like an awful soap opera version
of a you know, Hallmark film with some CGI critters
in there. Like I don't know, I would feel like,
let's really go for it, or if you're gonna make
it a comedy, go for comedy with it, and and
don't even bother with some of the other stuff.
Speaker 1: Like I'm guessing she got the job two days before filming. Yeah,
there's no rehearsals, no money, Like they don't do extras
really in these movies. There's a few extras. All right.
We have two weeks. You have no lighting. We're building
one tent. That's all you get. The rest of it.
We're shooting in the alleys. You will never see the animals,
you know, you won't know where they are. We have
some b roll from other movies, and we got Debbie.
You know, Debbie can't scream too loud because she has
a concert next week, which was true. And then they're like,
oh and then we got Tiffany here, so just knock
it out. So here's the days. Don't go over time,
have this done. So I really, even if you like,
I think if she tried to make this good, they'd
be pissed.
Speaker 2: Yeah, because there's it doesn't even feel real at times,
and you can because there's moments like when they're amongst
the shipping containers and they're finding the eggs and stuff,
like you can kind of see the blurred edges around
the actors. I'm like, was everything a green screen? The
speech that's given at the end, and how all of
a sudden they zoom out over the big part They
just like superimposed like that group from like a different
shot onto something else, and it's like, where's the believability
and this where's like let me let me feel this
world or give me something. Don't just like that's good
and then we're just gonna photoshop it later. Like it
becomes a bummer after a while. At that point you're
spending more post production than you are there was no
pre production. Then you are like in production itself. It's
like what ten ninety ten production ninety post.
Speaker 1: I mean it's gotta be.
Speaker 3: Right, yeah, But like even then not a lot of time.
That ninety is still like two weeks maybe three.
Speaker 1: So this is what I read. They shoot in two
weeks or less, and then they keep the hours to
twelve hour shooting days so they don't have to pay
for overtime, because overtime gets expensive. So it's not you know,
some of these move you know, Evil Dead, it's shot
in a cur amount days, but they were shooting twenty
hour days. So this one they're like listening up two
weeks twelve hours, do not go over and then they're
like shoot ten pages a day. Yeah, I think that's it.
Speaker 2: That's and at what point, like, it's not like it's fun.
It's not like they all got together and said, hey,
we're just gonna goof off for a couple of weeks
and make a fun movie or something like really low budget,
but there was love put into it. It does feel manufactured,
and because there's like just a lack of any kind
of love or interest even in the project, it comes
through in the performances where everything just feels just like
I'm going to default to this or I'm gonna do
what I think should be and it none of it
matches up, and it's just it's totally all over the place,
and it's a bummer because, like I said, like it
could have been like, hey, let's just get really good,
and then everything feels kind of silly and and whimsical,
like a wet, hot American summer, but with you know,
I mean critters in there, like you could have that
kind of energy here, but it's just it's lost in
it and there's like, I don't know, it's it's a bummer.
And then the pacing is awful. When we got to
the the the Gala event, I'm like, Oh, we're gonna
wrap this up pretty soon. And then I looked at
the runtime, I'm like, huh, like there's like this is nuts.
Speaker 1: I don't even want to compare it to a really
good movie, but what's what's like a decent movie that's
two and a half hours.
Speaker 3: Deep Impact.
Speaker 1: Deep Impact is an hour longer than this movie, but
it feels three hours shorter than watching like watching Megapython.
Like you said, there's no flow, Nick, there's no anything,
there's no through line. It starts, stops, and it takes
so like by the end of it, you're pretty exhausted
because it feels so much longer because of the lack
of any flow going on. I think it's just meant
for like I think this was the early like GIF
world right where you're just hoping like mega sharks, first
giant Octavists had the shark jumping out of the air
and eating the plane, which was I kind of someone
made an infographic on how fast the shark had to
be going, and maybe that's what influenced me to start
doing all my data. I don't know, but like and like,
I think they're they want to have like fun viral
clips that can be shared on YouTube, so they're going
for that in this movie, but that never happened.
Speaker 3: There's there's not many things like other than I guess
towards the end you've got the alligators stumbling through the
mole and you've got a snake heating a train. But
there's not a lot of like big giffable jiffable moments.
Speaker 1: Maybe just the Tiffany versus Debbie of it all, like.
Speaker 3: The slap fight in the in the water the girl, Like.
Speaker 1: It's like Freddy versus Jason, but with two pop idols.
Speaker 2: Yeah, and it's so weird because I'm like, oh, we're
gonna do like a cat fight thing, and then it's like, okay,
like a stereotypical cat fight kind of thing, and then
there's like okay, now there's food involved, Like is this
supposed to be like weirdly like sexual to an extent,
like should it be tatillating, tantalized like and then they
get into the water and it's like, okay, maybe like
this is supposed to be kind of like edgy and
maybe we'll see some outlines of stuff. Like even then,
I'm just like, can we finish this up and get
back to the movie, Like this has become a waste
of time for me. I think the funniest thing about
this movie is when they're it didn't even dawn on me.
They're talking like, yeah, we got a monkey to perform
for the gala, and I'm thinking they're gonna bring in
a cage and he's gonna do a routine where he's
you know, juggling bananas or doing something or you know,
clapping or it's gonna be one of those you know,
you turn the crank on a machine and he's dancing
around and then he out comes Mickey Dolons. I'm like, Okay,
a funny that it's a monkey to ease, but be
what is he doing here? We're going from eighties to sixties, Like.
Speaker 3: Do you think that was an intentional uh misdirect? I'm saying,
I've got a monkey arrive again in an hour and
it being Mickey Duddans. What do you think that was?
Just like, oh yeah, we got like we got a
monkey Keming is one of them.
Speaker 2: I'm willing to bet and that made up on the
day we got Mickey Dolans for an hour.
Speaker 1: Yea, oh okay, let's do.
Speaker 2: It, hey, guys, refusing to sing guess who I saw
at the grocery store. Oh no, we'll make a bit
like you'll get eaten before you even say a word, like.
Speaker 1: And you know what though he The way he shows
up though, was very believable because between all the cons
and commercials and sets I worked on, so many people
show up and they're like, oh, I just I need
the green room. Yeah, I'm just jet like you show
me what the green room is. That brought back some
memories for me. I never enjoyed people just showing up
like I just I just need a green room. I
need a coffee, Like, so, Mickey, don't nail that. I
just want to put that out there, guys.
Speaker 2: He probably wasn't even acting.
Speaker 1: I hated that so much, Like.
Speaker 4: No, just I just gotta get it.
Speaker 1: I gotta get to the green room. She just got
a drillered some meat. I just need the recenter, you know,
and here I am on four hours of sleep, you know,
like working fifteen hours a day, and the guy's like, yeah,
you know, I caught this charter from uh Nantucket. You
need to sit in my trailer for a little bit.
You know, I have a waffle. You're just Yeah, I
hated that. I hated that job when I had to
do it.
Speaker 2: Was it a dry waffle or did they want the
accoutrement with it?
Speaker 1: I don't know. Just I would just tell them to
tell me exactly what they wanted, and then I don't.
One time I had to get a coffee for someone
and a comic con in Toronto, but there was no
coffee in the green room or anywhere, so I had
to sneak into a Toronto Canada Grows like it was
like a plant convention by sweet talked my way in there,
found a coffee, bought the coffee, he brought it back,
brought it to the lady and she goes, oh, you
didn't bring a sugar creamer, And like, I just almost
died inside. I probably should have brought that, but I
was just so stressed out because I was also running
the floor. Yeah, I hated that memory. Nick, I'm not
gonna say who it was.
Speaker 2: I'm sorry.
Speaker 1: Sorry. Maybe that's why I got Maybe that's why I
got triggered from the monkey sequence.
Speaker 2: Next time you're can you're just driving past the Tim Hortons.
Speaker 1: Yeah right, I just and then like I should just
bring like the next person who asked, I bring like
fourteen Dreamers and eighteen Sugars.
Speaker 2: Oh no, thanks, I like my coffee blazing exactly.
Speaker 1: I just pulled Joe Pashy from Home alone a freck.
Speaker 2: Of Hey, better than a Joe Pesci and jfk.
Speaker 1: Oh. Yeah, these movies aren't Jay, It's just these movies
are Uh.
Speaker 3: You're not normally on these episodes, Mark, you don't normally
cover these these asylum films.
Speaker 2: The problem is, I'm used to shout out Will Slater,
I'm used to doing this for Exploding Helicopter. Yeah yeah,
or Will's like, hey, what do you think of this?
And I'm like, yeah, okay.
Speaker 3: Yeah, Nick, So you picked this like unscene saying that
it sounded in well, uh, you said that between this
or Mega Shark versus Crocosaurus, which Will I think We'll wait,
we haven't done any of the Mega Shark films, so
We'll wait and do that as a franchise next year,
so you'll be back. You'll be back for Crocosaurus then.
But this was like reptile versus reptile. Actually I said
to Mark, we can do we can. Both of these
have been either have Tiffany and Deb Gibson or jilliel
White and Robert Piccado and were in the other one Tiffanyson. So, Nick,
did it live up to your expectations?
Speaker 2: Yes, yes I did. I was not expecting a lot
and it barely met that bar. Even my wife was like,
what movie are you watching? And I'll watch it with you.
I'm like, you're not gonna want to watch it. She's like,
what's it about? And I told her the title. She's like,
you know that's all you.
Speaker 1: Yeah. I just got up at five am one morning
and like got it because I was like, I don't
want to submit. I don't want to make Megan watch this.
So I got up really early.
Speaker 3: So, I mean, my wife was going to bed and
I'm just gonna watch a film for podcasts. I'll hang
around for a bit. And she did sit through the
whole thing. She was laptopping. Yeah, there's a lot when
there's an early scene where a snake eats a dog
above the dog and the snake gets gets shot with
a gun. Explain it to the gun snake gets shot,
and like you see the remains of the dog and
the snake kind of on the ground, and she kind
of looked up and goes like that that doesn't even
look like anything, because it doesn't.
Speaker 1: It can't.
Speaker 3: It's just a mass. It's just like a there's no
distinct pause or I didn't say I didn't want to
see a shot of a dead dog. I want to see,
but this just looked like a slurry, like some I
don't know what, a curry of some kind. Perhaps it
just looked odd and indistinct and horrendous.
Speaker 2: And then again it just takes away from it too,
because it's like, where's the love, where's the like, let's
get creative. We've had fifty bucks. How can we make
it look crazy? And it's just it's not. It's it's
cut paste. Keep going done at this time, and then
off we go and probably never talk to each other again,
you know what I mean. It's not like a summer
camp where it's like we'll write to each other all
the time. No, It's like, as soon as I get home,
I'm forgetting all of your guys's names, I'm forgetting your address.
I'm not even gonna write K I T in your
yearbook because I don't want you reaching out to me.
Speaker 1: You know when you do those those you have like
a I don't know an event, or you you like,
work with a crew of people for about a week
and then you kind of bond for life. This is
not one of those movies. All just get out of there.
Speaker 3: M So we're all big fans of makeing pythons.
Speaker 1: Listen, I like I got it. I was in the beginning, guys.
I was at the beginning of the movie. I was like,
this lady's crazy and everything she's saying is wrong. And
I found that to be kind of endearing. But then
it just lost me.
Speaker 2: Yeah, these pythons could be my favorite line. These pythons
could be right next to you and you wouldn't even
know it.
Speaker 5: M hm.
Speaker 3: They do. There's a lot of There are some setups,
like the guy early on saying like the snakehead stays
alive for an hour after it's chopped off, and then
Debbie Gibson capt snakehead at the end she get she
gets like cut in half.
Speaker 2: This snake.
Speaker 3: Fit in Yeah, I just learned how it bisected her,
because yeah, she went inside it.
Speaker 1: But I.
Speaker 3: Was frustrated by the inconsistencies in the size of these creatures.
This isn't science. Isn't the film to be annoyed at
the science or the continuity. But they the snakes seem
regular size when already from the bag, but then they
are encountered as being big snakes not long after that.
And then after that someone finds a bunch of snake
a because I'm like, these eggs are huge, the snakes
must be huge too. It's like we've already seen huge snakes.
What And it's just it could keeps on going. People
being surprised by how things out despite having seen how
big they are scenes earlier. I get like growing, but
the CGI isn't growing for much of it anyway. They
irritated to me.
Speaker 2: How big is this snake? Before it's too big to
be shocked by it? Like if you look at your window,
how big does snake have to be? If you just
be like huh instead of like I just now I
have to change my shorts.
Speaker 1: What kind of snap are you? Telling you like a
really big rattle snake like a water.
Speaker 2: Example, Yeah, just like a big big how big is snake?
Before You're just like huh, Like it doesn't even phasee
you because after a while, like you were saying, Jay,
these snakes, you know me, Like, what are you really
shocked and scared about at this point?
Speaker 1: Yeah? If I'm if I'm scooting through the Everglades and
I see like a twelve foot python length, full diameter
length but just fast, yeah, and you're just then I'd
be like I'm out like and even grown up around
alligators like I did. There were some gators where we
canoed right and you would just have gators on the side.
Like one time my dad tried to ram the canoe
into a group of alligators with me up front. What Yeah,
not a good idea, but like I remember one time,
I was true story and he was laughing the whole time. Yeah, yeah,
that was my life.
Speaker 3: Shoka, yep, yep, one time what you told me about you?
Speaker 1: One time though, I was canoeing and a gigantic we're
talking something swum underneath the canoe and you're so used
to him in Florida, you don't really you're just like
there's an alligator. I distinctly remember seeing it and going
that one's huge, Like I didn't stop, but you know,
it went under our canoe. It could have blackwatered us.
Speaker 3: And I.
Speaker 1: I really do I was like, that was a big
one like that. So I don't know how big it was,
but I do remember that feeling, nick if that makes sense,
where yeah, like that one was like yikes, I don't know.
I still remember that feeling. So I don't know how
big you have to it has to be, but I
do I do remember that, like just feeling how big
that one was underneath the canoe. So I don't know,
twelve foot gate or two.
Speaker 2: I would say, okay, yeah, but bigger than twelve foot.
After you're just like okay.
Speaker 1: Oh wait, no wait, what do you mean?
Speaker 3: Like when is a snake too big to be surprised?
Speaker 1: Yeah? Yeah, wait what Oh I missed your.
Speaker 3: Like I think any size snake.
Speaker 2: Still if I.
Speaker 1: Walked outside, If I walked outside and there was a
thirty foot anaconda hanging from a tree, I would just
run and I would make sure my cats weren't outside.
I would lock every door and.
Speaker 2: Just like never go outside ever again that's it.
Speaker 1: I would yeah, if I saw if I saw the
anaconda from the first antaconda in a tree in my backyard,
I don't think I could be blase about it.
Speaker 3: But I think what Nick's trying to get. If you
see a snake that's big enough to eat a train,
would you be like huh?
Speaker 2: Would you be like ah, screaming hysterics, Like at that point,
I'm genuinely considering checking now permanently to live in this world.
Speaker 1: That's snake, that bag. That's a good point, Shi, I
would be more afraid of a thirty foot anaconda in
my backyard than a seven hundred meter behemoth going across
four hundred, because I would, like you said, I would
be too busy questioning humanity and what is real anymore?
Like you're not afraid at that moment, You're like everything
I know is a lie. Yes, we're in a world
of monsters now, Like I think that's contemplation.
Speaker 3: Whereas mist happen. The mist happened and I didn't know.
Speaker 1: Sorry I missed your question. Thanks for explaining it, Jay,
But yeah, if you see it, if you see it,
If I see a thirty foot an a con in
my backyard. I'm gonna poop myself, right, Yeah, I'm gonna
I'm worried about my cats, worried about my daughter. I'm
running inside. But like like I said, a seven hundred
meter one, you're just.
Speaker 3: There's nothing I can do about this. Yeah, I am
that I'm here.
Speaker 1: I can lock my front door, but that's gonna mean nothing.
Speaker 2: You know, if the snake wants to come in the house,
it's gonna come.
Speaker 1: It's gonna flatten the house.
Speaker 3: It's gonna eat the house.
Speaker 1: So yes, that's the question.
Speaker 3: Yeah, there is, because the amount of people in this
film who like have a fairly small handgun and are
firing that fairy small handgun at something the size of
a skyscraper and are expecting it to do anything. It's
ridiculous and aiming wildly. If I if it's all it
just kind of gun in hand facing different directions, it's
just gonna firing what's running away, you know what, Shoot
in that.
Speaker 2: Direction because maybe we'll put the snake there. Great, all right,
Now do another take where you're in that direction.
Speaker 1: You know, we'll put on whatever that Who knows, you
might have missed this conversation Nick, where I'd said on
a podcast that I would love to kill Chathulhu, like
just have that on my resume. So just like Deep Rising,
I literally blow upch Thulu. Would you want to kill it? Like,
would you want to like be have that in it
like on your resume as well?
Speaker 2: I think I do, but I also don't because if
you take him out right, what's going to take its place?
What's in that number two slot that's going Finally, now
it's my turn to exactly Rick Thulu comes around, and
then it's your fault and people are coming to you like, well,
you did it once, you gotta go do it again.
It's like, I can't do this again.
Speaker 1: I can't get on another jet ski and shoot my
way through a hallway. You don't have that kind of
budget and hoping it explodes as I'm careening out with
it with an actress from a Bond movie.
Speaker 2: Gas prices are crazy, yeah, tariffs on items, we don't
know how much it's going to cost now, inflation a nightmare.
If you're it's a whole different battle.
Speaker 1: Rick Thulu would come for me, though I.
Speaker 3: Have a plunge out. I'm sorry, brother.
Speaker 1: Is that that's his twin? This is his cousin. Yes,
brothers Cathus dou his cousin's ricklu.
Speaker 3: I would want to kill Cthul because probably it's just
the one in dated species. If you put on your CV,
people are like, you're an in dangered species killer. You're
that dentist who killed that lion.
Speaker 2: Man.
Speaker 1: If it's trying to kill me, I'm gonna blow it up.
Like so if I'm in a cruise liner in my
family's there in Thulu attacks, it's on anything I can do,
I'll throw a fire fire extinguisher in his mouth and
say smile and be and blow it up. And this
is your whole problem. But if is lounging in the
Pacific mine in its own business, I'm not gonna vomb.
Speaker 3: It, right I. I think that's the difference between Kiddingkthu
to save yourself and your family and then putting that
on your LinkedIn profile.
Speaker 2: I think you get people that are gonna come to
you about that. They're gonna email you like I've got
a Cthulhu problem, and it's like, no, you don't like
ignore spam emails like and then at that point, what
do you what do you do? After that? You just
go have dinner somewhere, you can breakfast the next day.
There's nothing you could do that's gonna surpass or eclipse that.
You still probably have a job. There's no money to
be made in killing the Cthulhu like that.
Speaker 3: That was just one. You killed it. Yeah, you can
tell the story like so much.
Speaker 2: Yeah, you're not. It's not gonna when you start to
the debris of the body. It's not gonna have the
winning lotto numbers. So you're set for a little bit,
like you did it.
Speaker 3: Yeah, you can go in Kobat and talk to him
for a night, and that's about it.
Speaker 1: You and I would do. I'll go find another one,
another creature, and we've already discussed two. I would like,
Jay said, I would plays land mines down and have
a big foot with his big feet step on it
and blow them up. That way when I played that way,
when I played two lies in the truth or to
truth and a lie.
Speaker 3: I killed, I killed, and I killed I killed.
Speaker 1: The Yeah, like Lockness, I killed Cthulhu, I killed Bigfoot
and I killed the loch Ness monster.
Speaker 3: That's the truth and the light tactic. Do you need
to do two ridiculous things?
Speaker 5: I don't have any so then people be like, what
what So that's my goal, all right?
Speaker 1: And here's Naomi Salfman also wrote this. You have Mary
Lambert directed it, Naomi Sealfman wrote it, and then you
have Tiffany and Debbie Gibson. But I want to read
some of them. I want to read some of the
movies that Naomi elle Selfman has written. My Nanny Stole
My Life? Okay, the serial killer seduced me, a daughter's deceit,
her deadly Groom, My Nightmare, Landlord, who stole My daughters?
Who stole question Mark, I Almost married a serial killer,
twin Beat, a snow Globe, Christmas Alone for Christmas, Bikini
spring Break, Barely Legal. Oh there we go, Mega Python, Verse, Gateroid,
Mega Shark, first Crocosaurs and then she has one called
Number one Cheerleader Camp eighteen year Old Virgin, twenty twelve
Doomsday that came out when twenty twelve was out, and Doomsday,
I would presume, so twenty twelve Doomsday knocked off two
disaster movies, and then Evil Eyes and then a movie
called A Rock and a Hard Place and then arranged marriage.
I want this.
Speaker 3: I want this, IMDb, not of these sound like they
could be adult films, but I don't think they are.
Like she wrote a film called Bone Alone. Sounds like
an adult film, it's not. It's a home alone film
starring a dog.
Speaker 2: That's kind of it's yeah, is it shot? If it
was a shot for shot and it's a dog, all people,
but Kevin a dog, I would I'd watch that in
a heartbeat. I would pay and not even show up.
I would just pay for the movie ticket and just
make sure it gets that money.
Speaker 3: Okay, And it sounds it's when a family visits Grandma's
house and Christmas Eve, they leave their dog at home alone,
and when Burke has tried to take the present swims
of the tree, the dog must use every trick at
nose to stop them. So it is home alone, but
with a dog.
Speaker 1: Yeah, so they made She made Bikini spring Break, which
is meant to rip off spring breakers. A group of
co eds from a small conservative college break out of
their shells when their marching band bus breaks down in
Fort Lauderdale during spring break. Mhm, Nick, what did you
do if you found out I wrote all these movies?
Speaker 2: I'm not gonna lie. I'd be kind of bummed out
that I'm just now, Finn, I've known you for how long.
Speaker 3: These movies.
Speaker 2: I'd also be disappointed to myself that I wouldn't have
known and figured it out by now.
Speaker 3: Because you have an imdbat monk.
Speaker 1: You're on the Yeah, I don't update it barely legal now.
On their eighteenth birthday, they set out to lose their virginity.
Speaker 2: Classic as you do.
Speaker 1: We should shoot one with the three of us where
we all play eighteen year olds.
Speaker 2: Yeah, no changeing appearance.
Speaker 1: No da you have your beard like beer shirts, you know,
like I have a wedding ring on because I won't
take it off when I film. And then just it's
just the three of us going like, let's make a.
Speaker 2: Pact, fellas, we're really gonna do it this summer.
Speaker 1: We're gonna go to the shore. I'm gonna lose our virginity.
Speaker 2: Guys, we're still gonna be friends when we go off
to college.
Speaker 1: Right, Jay's like I'm studying. Shut up.
Speaker 2: Roge in my beard.
Speaker 1: Shut up. Jay gets keys from his like mom's station wagon,
and then we just go down and then we go to.
Speaker 2: The scene where one of us runs to jump in
and start the car. But it's like how a man
in the passager seat. This is supposed to be the drivers.
Speaker 1: Just never explained the accent.
Speaker 3: And then the name of it's a tool's neck of him.
Speaker 1: The name of it. It's called barely Legal and it's
just the three of us.
Speaker 2: Jay, where are you from? Fort Lauderdale?
Speaker 1: Wait? Barely Legal? Five?
Speaker 3: I'm from Maryland.
Speaker 2: Yeah.
Speaker 1: Have you guys seen the wire? Is great? Hey, what
do you think about He's definitely American? And don't Nick,
what do you think about Starvros? Help?
Speaker 2: Yes, it is so funny that you mentioned that, because
two days ago on Facebook I got one of those
memory things of.
Speaker 1: Like, hey, and.
Speaker 2: Ten years ago I actually shared a bill with Stavros. Okay, yeah, yeah, yeah,
he was the headliner and I was just one of
like the myriad of over the liner thing. Yeah. It
was really he's funny. I dig him and he's funny.
I appreciate the Baltimore love and uh, everything that he
does for the city. I'm I'm not really a crowd
work kind of comic. I'm more of like a you know,
give me your stand up, give me your jokes, I
want to see what you've been working on, kind of thing,
which he's good at too, and I'm the crowd of
people realize.
Speaker 1: That, are you like? Applausa? Is that what you're talking about?
Speaker 3: What do you mean?
Speaker 1: Like you go to like a conservative crowd and then
you go, hey, guys, Obama was a deal with him
and everyone goes. Or you go to Minneapolis and you're like, hey, Trump,
what's his deal? And everyone goes, oh yeah, So I
mean like, is that what you're talking about?
Speaker 2: Well, I'm talking like when he's on stage and he's like, oh, hey,
you know, what do you do for a living? And
then just starts riffing on what that person does, Like
he doesn't come out and was like, you guys, ever
notice this? And then you know, shades, Yeah, what's up
with lamp shades? Whoever asked for that?
Speaker 1: What if he asked me? And I'm like like kill monsters?
Speaker 2: Okay, what about you? Nice shirt? And then you know
what I mean.
Speaker 3: Stefskis was in a film Cooled, Cool Girl of Cthula.
Have to bring that up right?
Speaker 1: She would hate me?
Speaker 3: He plays Gil Waters. Yeah, blew him up, grinding that
twelved h good.
Speaker 1: I wouldn't if I blew up his cousin. If I
blew up Rick through Lou. I just wouldn't even talk
about it.
Speaker 2: Yeah, like you away.
Speaker 3: You come and kill you?
Speaker 1: I blew up his cousin.
Speaker 2: Well, it depends what's that relationship with him and Rick.
Speaker 1: Would you avenge people murdered a cousin that you're distant with.
Speaker 2: Depends on the cousin. I have a couple of cousins
that I'm distant with, but I still love dearly. We
just don't reach out and talk and hang as much,
mainly because they do live in another part of the country.
But if something happened to them, I would definitely look
into it. I don't know about avenging a death fully,
but I would like I would go to that town
and be like, you guys, hear about this you and
then get out of here, lampshad you guys hear about
my cousin recently, get back.
Speaker 4: In your station wagon and go back to the shore
to lose your virgin where's the stead over there? And
leave us alone.
Speaker 3: I have five cousins. I don't know whether you will live.
They're not like far away way, but I see them
at most once a year. No, I'm not avenging any
of them.
Speaker 1: If someone called me up it was like, Mark, We're
gonna drive over there and beat the tar out of
the guy that took out your cousin. I'm like, I
got you, and then I probably would. I just show
up late and I don't want to get arrested.
Speaker 2: Oh man, gosh, if only I was five minutes sooner.
Speaker 1: I thought you said three five two street.
Speaker 2: God, it's it was daylight savings. I thought it was
a different time, and you guys were all egg on
my face.
Speaker 3: Huh, well you're yeah, how did it go? They're in jail,
So any any more thoughts on that? Make it pathems?
This gatoroid? Do you think heteroid's a good name steroids?
Speaker 2: No, not at all. Now if it was, like if
the specimen was called gatoroid or they like made a
gatoroid gatorade type joke. Sure, But this movie I think
has put a kaibash in me wanting to watch other
movies titled like this or in this face sorry, Like
it's definitely a cap I say that. Now we're watching
three months I'll be on some episode talking about you know,
massive Chicken versus whatever, like mecha horse or whatever. But
like I it's enough to be like I need to
have something with a little culture, something with a message
behind it, something with some meanings. I need to I
need substance again. And I gotta stop eating fast food here.
Speaker 1: I like the word kaibash. You know that's for real
when you say that, Like, you know, I gotta stop
eating you know, snacks. But I gotta put a kaibosh
on that.
Speaker 2: Yeah, I gotta put a kibosh on snickers.
Speaker 1: You're gonna probably gonna do it. I think statistically you
have to.
Speaker 2: And that word is used, yeah, because who's gonna call you?
Speaker 1: I don't know?
Speaker 2: Did you put a kaibosh on that? Yeah? Say did
you though?
Speaker 1: Yeah?
Speaker 2: But did you though? You see that kaibash?
Speaker 1: Bro just took back the kaibosh.
Speaker 3: It's enough. He'll bud films out to a full year
of bird films.
Speaker 2: Oh yeah, absolutely.
Speaker 3: Other than it's like, I don't think of one uh
birdemic pandemic.
Speaker 2: I think it was a second birdemic as I hold
up three fingers.
Speaker 3: Sure, well that's three films gonna have the birds pandemic?
To Rodan, Rodan, should a bird or like a pterodactyl kind.
Speaker 2: Of isn't pterodactyl not a bird?
Speaker 1: If it has wings? Like we could finally do bats
sting raised.
Speaker 3: I think that's something.
Speaker 2: No have wings birds of the ocean, man, I would
be down for that flying fish.
Speaker 1: We could we could wing it.
Speaker 3: That would be the year, right, I think that that
will do it for me. What about angry Birds?
Speaker 1: I do it? Yeah, you know whenever my students are
not paying attention in class and like I just stop
and like, stop playing angry birds chicken, And they're like
what I was? I wasn't playing angry I was like, yeah,
stop playing angry birds. Like, well, I wasn't playing very funny.
I should mix it up. Stop pointing, Stop watching Happy
Feet on your phone. Stop watching Barely Legal on your phone. Okay,
I'm good.
Speaker 2: Stop watching Baldly Eagle on your.
Speaker 3: Oh that's got to be a killer eagle film.
Speaker 2: Yeah, the Birds Beaks, the movie The Birds to Peacemaker. Oh,
the movie is just called call Bird Horror car call
k a w call.
Speaker 1: But but I think you have to go. Yeah, Landed.
Speaker 2: A small town is attack. A small town is attacked
by ravens and doesn't know why the ravens are working
together not attacked.
Speaker 1: Can we just talk about the show Wings? Is that
the is that the show Wings.
Speaker 3: We could talk about the film Wings the best Picture
when the TV I don't with Tony Shaloup.
Speaker 1: Yes, sorry, my guy Stephen Webber.
Speaker 3: Why is Stephen Webber? You guy? He's my guy from
Six sun Sets Trap.
Speaker 1: You dead and loving it? But I'm British.
Speaker 2: Stephen mcattie is.
Speaker 1: In amy Asbeck, Thomas A and Church Bring, Patrick Flannery,
Brian Haley, Kelsey Grammer, Tyne Daily. I'm just reading.
Speaker 3: There's a Wikipedia page twelve different animated films about geese.
Speaker 1: Well, yeah, there's a movie called Migration.
Speaker 3: Yeah, it's bad. It's not it's not good. I didn't
like it.
Speaker 2: They give you a migraintion.
Speaker 1: There's one hundred and seventy two episodes of Wings.
Speaker 2: Jay, that face was all I needed. My grats like,
I'm good for the rest of the year.
Speaker 1: See, I was thinking my and why gresion like my gration.
Speaker 2: Well that's the who, that's the Who's verse.
Speaker 1: Migration.
Speaker 3: Okay, So this is.
Speaker 1: I'm trying.
Speaker 3: This is your first time listening to the show, and
if we cover a new film, this is Deep Blue
cy the podcast, I go through I work out how
deep everything on screen takes place at how blue everything
on screen is and how much it takes place at sea. No,
of course, as we all know, Deep Blue C is
approximately fourteen and a half meters deep or forty seven
and a half feet deep, about thirty one percent and
eighty nine cent it takes place at sea. Nick, do
you think Megapython versus Gatoroid is deeper, bluer, and more
at C than Deep Blue cy No, No, and no,
it's correct on all counts. This is up in the air,
whole bunch of helicopters, and they're only like below ground.
I counted when Debbie Gibson's in the cave with the eggs,
I coun't that like underground, even though you can see
she's on ground level, but she's underground, so can that
depth a little bit? Other than that? It's up in
the air. So five point eight meters or nineteen feet
up in the air. Four point three percent blue, not
very blue. This is slightly higher than carry on Cruising,
slightly lower than Renny Harden's twelve rounds blueness four point
three and blue. So it's bluer than shut Nado two,
the second one slightly less blue than Ravenous one hundred
and twenty fifth on our blue ranking, one hundred and
twenty six on our depth ranking. And it's never at sea.
Even when they're at the water, it's not sea, it's swamp,
so zero psentenc. It joins the many, many, many films
that are zero center c. It's down there with all
of them. So yeah, never at sea and thematically not
thematically deeper, not thematically bluer, and Nick, you're not used
of the thematic stuff? We no are we talking about?
Are the other characters? Is there more depth to the characters?
Are thematically deeper? Really sadder?
Speaker 2: A lot of deep cleavage for being honest.
Speaker 3: I mean Tiffany's trying.
Speaker 2: Trying, but you can only grade on so much of
a curve.
Speaker 3: Sure, okay, And like, are a sadder fanatically bluer? And
then are they more lost? Fanatically? Out scene?
Speaker 1: I mean.
Speaker 3: It was a sad scene. Then he is a funny
death but sad scene. I'm just surrounded by giant snakes,
so that's Sad's a big bunch of goose eggs around
for all of these ratings, Nick, do you have anything
you would like to plug there? No, not any of
your many podcasts that you do.
Speaker 2: I was trying to be funny. The Wings Land. There
we go the Wings Minute, where I listen to every
single song and alphabetical order by the band Wings, one
minute at a time. Now, if you head over to
rabbit Hole Podcasts dot com, you can find two programs
that I'm on at the moment. Play MST for me.
That is myself and Jason Soda. We're watching every episode
of Mystery Science Theater three thousand and talking about it.
I've had a whole lot of fun, no spoilers. I'm
only on the third season the show that I was
introduced with by Jay Lyrical Innuendo. Myself and Bubba Weet
were taking a listen to songs from all across the
annals of music history, determining if they're about sex, drugs,
or just go to old fashioned rock and roll. We've
been having a lot of fun with those. Newer episodes
have been recorded. We're very much looking forward to those
coming out. A lot of eighties recently and a lot
of good times to be had with those. Also, if
you ever feel like it, head over Exploding Helicopter. I'm
on a handful of very recent episodes. Talked about Godzella,
King of the Monsters, talked about half past Dead and
Giant Tests Attack versus Mecha Fembot. So you can see
why I think I'm over the whole versus films because
it's been too many of them.
Speaker 3: I think that that Mecha femb episode hasn't come out yet,
so I'm looking forward to that one, okay, I think,
but it might come out with this one.
Speaker 2: Does who knows if it's who knows if it's not.
Buckle up.
Speaker 3: Excellent, mark any.
Speaker 1: Plugs No Wings minute where I watch every episode of
the Stephen Weber starring TV show Wings. I cover it
one minute at a time.
Speaker 3: Awesome and you can probably find that over it movies,
films and flicks dot com. As for me, my new
podcast Wings Minute where I eat as many wings as
I can in a minute. I think that's that's all
the basis we can do with that. Deep at Deeply.
Speaker 1: Where you can find this, I'm going to send you
a gift card.
Speaker 3: I mean to seven Bone would be my preference. That's
my favorite place to get wings in Bournemouth. The fish
caramel chicken wings are delicious. I don't know.
Speaker 2: I'm sorry, we need to break that down. Fish caramel wings.
Speaker 3: It's what they're called it's what it's what they used
to be called. They've changed it now, but it's what
they used to be called fish caramel, Like, what is that?
I ordered them. They're the best thing I've ever eaten.
I don't know, I don't know. Beautiful, the gorgeous, love them.
Ah there, it's just like a kind of a sweet
source on it. It doesn't taste very fish or fishy
at all. But yes, seven Bone check it out. There's
actually they're across the UK, the Great eleven.
Speaker 1: Voucher.
Speaker 3: It's a chicken burger awesome. Yeah, I have a membership.
I go there too often because they're good and I'm addicted.
Speaker 1: I'll get any of the voluture.
Speaker 3: You don't have to see at Deep Blue Seapod this
week and follow us Oliver social media. Deep Blue Seapod
at gmail dot com is our email address. Next week
will be a scene of Deep Blue c Who could
have guessed. I think it's going to be the one
where Susan stops being around in the film. We'll see.
So come back next week for more shark grated fun.
But as for Mega Python versus Gay Troyd, thank you
once again to our wonderful.
Speaker 2: Guest Nick Rehac, Thank you so much for having me.
Speaker 3: Hi have been Jake Lewis, Mark Hoffmeyer will Deep Blue
see you next week.
Speaker 1: Signing out