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Speaker 1: Hello, and welcome to Deep Blue Sea the podcast I

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am Mark, I hate that, Mal Hoffmeyer.

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Speaker 2: And I am Jay.

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Speaker 3: Is that the Turkey Point Nuclear Facility cluet Welcome you

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aboard Deep Blue See the podcast continuing our Year of

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Reptiles twenty twenty six, All snakes and gators and that

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kind of thing. Oh yeah, and this is Megapython versus Gatoroid.

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What is Megapython versus Gatoroid? Great question. It's a film

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about Mega It's not one megapython, it's a bunch of megapythons.

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And it's not one gatoroid. It's a whole bunch of gatoroids.

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Twenty eleven Asylum Monster Movie starring Tiffany and Debbie Gibson,

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amongst others, the.

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Speaker 1: Stars of Mega Purana and Mega Shark Versus Giant Octopus.

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Speaker 3: There are two films we have yet to cover, but

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will one day. I haven't seen either yet. I have

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One plays an environmental activist, the other plays cop and

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they both get caught up in this battle. They both

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cause and get caught up in this battle between the

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Megabythons and the gators on steroids. So this film stars

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two musical icons and there is a third one who

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cameos Mickey Dolan's of the Monkeys Crips Up. So it

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seems only right we have somebody from a musical podcast

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to come and join us. And it also seems right

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because we haven't seen him for well over a year.

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January twenty twenty five was the last night this guy appeared,

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despite being our most regular guest prior to that. This

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is his seventeenth appearance on the show. From Lyrically in

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the Window and a Bunch of the Shows, Nick kree Hack, Nick,

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welcome back to the show.

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Speaker 2: Thank you guys so much for having me. You got

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to mix it up on the algorithm every so often.

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That's the that's the key.

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Speaker 1: You know what's great about it out here? You know

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I'm jumping into that. I was. I was texting Nick

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about this and because of this movie, I started listening

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to Tiffany, like Tiffany and Debbie Gibson music, like I know,

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like a Tiffany song. I knew adb Debbie Gibson song,

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but I like dove into the me. I dove into

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their discography. I learned that Debbie Gibson's the youngest artist

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to have a number one hit. She has four number

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one hits that she has the solo songwriting credit on,

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so she was writing. Yeah, she was like writing her

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own stuff in the eighties and like winning songwriter awards

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and then tiff But like I was listening to music though,

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But then all I wanted to listen to was the

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Tiffany song I Think We're Alone Now. It's a it's

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a cover, but I was like, I should listen to

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some Debbie Gibson. I'm like, or I could listen to

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I Think We're Alone Now again, and I'm like, Okay,

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I should listen to other Tiffany songs like wait, or

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I could listen to I Think We're Alone Now again,

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And then I could listen to the Billy Joel Armstrong

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cover of a Couver. I could listen to that. So

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it basically just was me listening to I Think We're

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Alone Now a lot.

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Speaker 2: Yeah, Yeah, it's it's it's so catchy and such a

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good song, even the original Tommy James and Dondell's that's

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a classic. Yeah, and my opinion, maybe better than the

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cover Weird and Now's parody I Think I'm a Clone

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now pretty great?

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Speaker 1: A clone?

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Speaker 2: Oh gosh, Yeah, I haven't heard that it's always to me,

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always hanging around.

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Speaker 1: My favorite weird Al songs one about him killing his

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neighbor Larry.

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Speaker 2: I like that one.

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Speaker 1: He's like, Hey, do you remember that guy Larry next door?

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He was a neighborhood clown. But he's like, like, he's

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like that, but then he drove Larry out to the

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middle of the forest and put him in a big

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plastic bag. He's like, if the cops ever find him,

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who knows what they'll say. But I'm sure if O

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Larry was with us today, he'd have to agree that

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it was a pretty good gag. So like he murdered him,

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and he's like, Larry would probably laugh about it. Well,

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it's a good song, Okay.

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Speaker 3: My favorite weird Ol song is Constipated Complicated because that's

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the first one I heard, and I didn't realize that

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he was a guy who'd done so many of these,

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and so I just listened to that one a bunch

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and then I just go, oh, wait, this guy has

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done other songs. I've heard a few of them here

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and there, but that's the one I've heard a thousand times.

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Speaker 2: True really liked albutquerque that's always been like I haven't

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been a big one that's like a twenty minute opus

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for and it's so nonsensical and ridiculous, like, but I

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love it.

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Speaker 1: True story. I'm kind of an Avril Leviner.

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Speaker 3: Okay, And she's come up before in the show.

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Speaker 1: The other day, I had that girlfriend I have satellite

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radio and is like two thousands on you know, tens

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on two thousands one of those, and that girlfriend song

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came out, Hey, hey you yeah, and Malory's in the

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backseat going I don't like this one, dad, So you go,

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no way, no way, yeah, no way, and then so

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I had I changed it, but she very rarely does that,

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but she was just not down for the vibe of

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like girlfriend. I just like, I like the blunt force

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trauma of an Avril Levine song.

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Speaker 2: And so yeah, she's directed to the point, why are

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you going to make things so complicated? I don't want

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eat around the bush.

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Speaker 1: Like I don't want metaphors. She's like, hey, I don't

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like your girlfriend. It's time you get a new one.

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Where other songs are like you know you belong, like

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just really soft. She's like, yo, ditch that broad get

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with me. I like, I like the Canadian sas coming

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from the tiny musician.

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Speaker 2: Especially because it's Canada and typically we look at them

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it's like, oh they're friendly, they're nice, or like hey,

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if you don't mind, sorry, you know that whole bit.

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But instead she's just like, get out of here.

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Speaker 1: She has another song called what the hell where like

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her boyfriend just whinds a lot. So she's gonna go

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mess around with a bunch of dudes just to like

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She's like, I was good for a long time, but

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you're paying the butts. I'm gonna fool around with a

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bunch of dudes, imagine. And I love it. But like

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it's so blunt and I love it so much, and like,

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you know, I know that she had lyme disease. And

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getting back to the movie, so did Debbie Gibson, who's

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a psychopath in this movie for sure.

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Speaker 3: So Debbie Gibson and Tiffany both, let's keep it on

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the music for a bit. They both have songs in

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the film. Yeah, original do we have a preference between

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Debbie Gibson's snake Charmer and Tiffany's Serpentine?

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Speaker 2: Neither both terrible? Correct.

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Speaker 1: I was to him, I was like, I'm dead inside,

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like this is this like this is killing me.

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Speaker 3: That's why when you say you watch this film, when

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any can listen to the more music is I've watched

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this film and thought, I've never listened to these two

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ever again beyond I think we're on now. I don't

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think I've heard a song either of them have ever done,

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and I don't think I will seek beyond that.

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Speaker 1: Debnie Gibson was big business. She's in like the songwriting

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Hall of Fame in America. She was one of the first.

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I mean, I guess that's fine. I didn't know about

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S Club seven. I guess that's true.

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Speaker 2: You didn't, so I mean, but I remember S Club seven.

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Speaker 1: They're mall phase like they played in malls, and they

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were just big. And I guess Tiffany was more of a,

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you know, write songs kind of for her ballad singer,

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whereas Debbie Gibson is more of a singer songwriter. And

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it was fun. I never knew that, and I really

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enjoyed it. Yeah, we've talked a lot about FF. We

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talked about music too, so I learned a lot about

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Debbie Gifts. Okay, real quick, guys, So this the first

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half of this movie enthralled me, and then it completely

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lost me. But doctor Nikki Riley is a psychopath. She

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is a doction who she's like taking invasive species. So

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Burmese pythons have wrecked havoc on the Florida Everglades and

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I've talked about this a lot. I did a documentary

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in grad school about them, and like how they're just

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blowing up the eCos they're invasive and people get paid

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to kill them. You get trade, you get you get trained,

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and then you kill them and then you get paid

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for it because they're just wiping out the populace. And

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here's doctor Nikki Riley going to ped stores and then

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just unleashing invasive spe like this is how CUDSU spreads,

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Like this is how beatles spread. She's like just dumping

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invasive species and she's a doctor and she's like.

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Speaker 2: You guys are hunters.

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Speaker 1: You guys are and like I'm like, you yelling at

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people about hunting, but you're unleashing You're you're like wrecking

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havoc to the ecosystem and then you're yelling at hunters. Yeah,

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And it's the craziest, Like it's she's the craziest character

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I think I've seen in cinema in.

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Speaker 2: All calling them cowards with signs hunters of cowards. Meanwhile,

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she's like snooping around, let's set up secret cameras and

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we'll catch people in the act and let's do this,

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and like just sneaking around and stuff like it's just

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really it's kind of it's a lot. It's a lot.

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And like Jay said, she says she's a doctor, but

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what she's a doctor of nothing.

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Speaker 3: It's not slogan writing because hunters of cowards, stop the madness.

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It is a bad but like she's a guys.

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Speaker 1: Burmese pythons are not native from Thailand. Yeah, they are

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not native to the Everglades. They are not. You don't

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want them there, like you don't you don't introduce invasive species,

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and it's it's but then she's yelling at everybody else

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and those are the worst type of people. When it's

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like you are unleashing hell on the Everglades and you're

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murdering gators. But then you're like, yeah, hey, hey Ja,

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we might have to be a bach. The word bach

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is use a lot the other word. But I don't

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want jad to bleep stuff like they're always calling. And

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then she's like swearing at Tiffany.

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Speaker 2: Yeah.

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Speaker 1: Yeah.

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Speaker 3: The line that made laugh the most was somebody had

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prch for breakfast. Say that about that? That provokes an

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outburst from me.

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Speaker 2: They want to get edgy, Like, let's get edgie. What

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are we going to say? I know what we're going

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to say, and we're going to say it a lot.

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Speaker 3: So many times. It's referenced in the IMDb. Parendic guidance

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is that that word has said a.

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Speaker 2: Lot drink every time.

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Speaker 1: And so they call her a crazy, cold blooded snake

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loving biach mm hmm. She's crazy though, like this is.

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And she gets through two assistance murdered. She just leaves them.

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And one of them is Ardent Show, who voiced Roomy

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in K Pop Demon Hunters, which I love. Yeah, did

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a Roomy but man, I was really but then when

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it got to the action and just filmed in La

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on like an alley, it completely lost me. But but

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you know they filmed this in La But all right,

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so the steroid chef, mhm, I've seen that guy in Florida, right.

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A lot of my friends got on HGH right out

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of high school. So it's like, yeah, okay, I get it.

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Dators yep. Pythons, yep, tank tops yep, v nex yep,

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hunting permits for crocodiles and alligator sorry, yep. Like it's

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very Florida, and so I like that, but I learned

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who was filmed in LA. But they do, they do

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nail Florida.

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Speaker 2: That's the thing too, is when you find out to La,

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it's like they kind of do it. Not justice one

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hundred percent, but you had me fooled. Yeah, they absolutely

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had me fold And that's the magic of the movies.

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Speaker 3: M saying yeah, I watched I watched the film with

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my wife. Always entertaining to watch these films with my wife.

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She hates these kinds of films. I had assumed, so

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we've seen a bunch of these kind of things. I

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had assumed there would be no snake footage, like real

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snake footage, because she's terrified of snakes. This film opens

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with like twenty minutes of snake footage, so she had

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so she had like obscure the screen cut her for

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an hour.

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Speaker 2: She could just waiting for Godsmack to start.

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Speaker 3: But it's always always enjoyable watching this kind of dialogue

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and this kind of acting alongside somebody who hates these.

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Speaker 1: Kinds of films, man, But it had me in the

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beginning because I just kept going, what like when when

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that when her fiance dies? When when Dustin dies? And

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he gets that? Just talk to me, Just talk to

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me for a long.

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Speaker 2: Yeah, tell me what the weddings. How great the wedding

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was gonna be. I'm like, hey, this early.

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Speaker 1: In the movie, it's justin, right, and then Justin and

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then crazy doctor Nicky shows up. It's like, it's your

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fault that you're your Beyonce died because you're hunting and

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you're just going this lady's legitimately a psycho path.

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Speaker 3: Me hunting the invasive species she let out into the

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into the swamp, which we don't spoiler, but well we

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see it in your opening scene. Yeah it's Tiffany doesn't

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find later, but yeah, she just goes into the episodes.

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He puts all these snakes in a sack and just

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opens the sack at the swamp page. I don't know

250
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if that's the best way of releasing snakes. They're a

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kind of different. Is put me in one sack? I

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don't know. I'm not gonna do it. It seems to work.

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Speaker 1: And then justin dies, justin dies, and also drinking whiskey

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in the summer and Florida outside. Don't do it.

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Speaker 2: You're gonna burn your hand on that flask. Right, It's

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like cutting the seatbelt when you get into your car.

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It's the execs Oh, I don't want that whiskey now, No.

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Speaker 3: Thank you.

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Speaker 1: It's humid. You're sweat as soon as you step outside,

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your sweating, right, yeah, And then you drink and that

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makes you have to go to the bathroom more, and

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then you're you're out of you're dehydrated, and you're in

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the Everglades and it's a hundred degrees and.

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Speaker 2: The whiskey's got to be like sacchering at that point,

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Like it's just gotta be just horrifying.

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Speaker 1: I would. I mean, if it was like a vodka

267
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red bull, that'd be very Florida, so I'd accept that.

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But no one ever told me that that was in there.

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Speaker 3: Blask of vodka.

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Speaker 1: And a hip, nice sugary just slamming hot vodka red

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bulls on a hot Florida sunny day.

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Speaker 2: And it's just all we need now is a little

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lime twist.

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Speaker 1: I think I told you guys this once. I did

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so many vodka Red bulls. One night, I just ran

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home from a club when I was in college. I

277
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just I was in this place called Chubby's, and I

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had a bunch of them, and I was just feeling

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like I couldn't be contained, and so I just ran home.

280
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Speaker 2: I couldn't be contained.

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Speaker 1: I didn't want to be in there, you know what

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I mean, Like I was like, I am, I got

283
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too much going on inside me right now to like

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be here.

285
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Speaker 2: And so if way running home, I think I'm alone now.

286
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Speaker 1: So I think my heart rate got to about three

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hundred and apparently I slammed the front door open you

288
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drop kick it, and there was like my buddy was

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there with his girlfriend a bunch of her friends, and

290
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I walked inside the house and I just fell down,

291
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and I guess I crawled to my door and I

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tried to unlock it, but I couldn't find the key.

293
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So then my roommate tried to help, and I yelled

294
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at him until I found the right key, and then

295
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I opened it, crawled in and closed the door and

296
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didn't hear from me like the rest of the night.

297
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Speaker 2: Dude, you were mad dogging before mad dogging was cool?

298
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Speaker 3: Question you're running across the surface of a.

299
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Speaker 1: Swims Yeah, a lizard. I was thinking more being there,

300
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like just jogging across.

301
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Speaker 3: But no, I was thinking Dash and the Incredibles. But sure,

302
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this is much of me.

303
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Speaker 1: I had the like shell necklace around my neck, the

304
00:15:06,679 --> 00:15:09,960
white shell necklace. Too much hair gel, you could say

305
00:15:10,000 --> 00:15:12,679
it shell. This is before whax. I was using gel.

306
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So I had like I could have stabbed you if

307
00:15:14,480 --> 00:15:16,360
I I ran straight at you with my head down,

308
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just cutting through the sideburns, Florida air, just sideburns like

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I was.

310
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Speaker 2: Did you gel the sideburns? Did you let those puppies

311
00:15:25,639 --> 00:15:26,120
room free?

312
00:15:26,200 --> 00:15:27,399
Speaker 1: You never jell a sideburn?

313
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Speaker 2: Okay, that's making sure, making sure.

314
00:15:30,240 --> 00:15:33,759
Speaker 1: No man remembering the office space means like, have you

315
00:15:33,759 --> 00:15:35,039
ever said you have a case in the Mondays and

316
00:15:35,120 --> 00:15:38,360
the guy goes, no man, no man. Yeah that's reaction.

317
00:15:39,960 --> 00:15:41,720
That's my reaction to gel and the sideburns.

318
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Speaker 2: No batman, no man.

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Speaker 1: Yeah, I took this way off. But you know, no,

320
00:15:48,840 --> 00:15:50,360
it's pretty much. This could have been in the movie

321
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and no one would have noticed. Maybe I was in

322
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the background.

323
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Speaker 2: Run red Bull.

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00:15:55,120 --> 00:15:58,559
Speaker 1: Yeah, maybe you saw me running across the swamp jay.

325
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Speaker 2: And they thought it was a gator?

326
00:16:01,919 --> 00:16:04,759
Speaker 1: Is that No, that's a hot fire. He's got to

327
00:16:04,759 --> 00:16:05,879
have vocarebel on him again.

328
00:16:06,879 --> 00:16:12,360
Speaker 2: He's mad dogs across the Everglades. That's the gator Matan

329
00:16:12,440 --> 00:16:13,159
call you hear it?

330
00:16:14,559 --> 00:16:17,440
Speaker 1: I am happy though. Spoilers that Tiffany and Debbie get

331
00:16:17,480 --> 00:16:17,960
it at the end.

332
00:16:18,519 --> 00:16:19,600
Speaker 3: Cool, Yeah, it's surprising.

333
00:16:19,720 --> 00:16:23,759
Speaker 1: Yeah, and just and then the one guy who lives

334
00:16:23,879 --> 00:16:27,000
what doctor Diego or Teas. Everyone's insulting him the entire film,

335
00:16:27,080 --> 00:16:28,960
The Witch Doctor the Indian.

336
00:16:29,759 --> 00:16:32,639
Speaker 2: Yeah, they're like that that Indian shows up so oho.

337
00:16:32,960 --> 00:16:35,039
I know it's twenty eleven, but come on now this

338
00:16:36,279 --> 00:16:37,960
pump the breaks on that. Please.

339
00:16:38,279 --> 00:16:40,960
Speaker 1: And then they named the park after them, but they

340
00:16:41,000 --> 00:16:44,240
should be nowhere, like they should not be named after them.

341
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They're the ones responsible for all this.

342
00:16:46,279 --> 00:16:47,480
Speaker 2: Yeah, big time.

343
00:16:47,759 --> 00:16:51,440
Speaker 3: Sure, but they picked terrible pictures. Have to grapes on

344
00:16:51,559 --> 00:16:53,720
the sign on the plank, so that's fine.

345
00:16:53,960 --> 00:16:59,399
Speaker 2: I don't think that was real, No, absolutely, c G.

346
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Speaker 3: I know you don't think someone great that.

347
00:17:02,960 --> 00:17:03,559
Speaker 2: Absolutely.

348
00:17:04,160 --> 00:17:05,759
Speaker 1: They did not spend the money on that.

349
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Speaker 2: They spent all the money on CGI and even then

350
00:17:09,400 --> 00:17:12,079
they had enough to pay for a lot of other stuff.

351
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Speaker 1: Guys. You know what else I love about this movie.

352
00:17:14,559 --> 00:17:17,839
There's a dynamite depot. Mm hmm, I need the key

353
00:17:18,079 --> 00:17:22,279
the dynamite depot And you're like, what is there, guys,

354
00:17:22,680 --> 00:17:25,400
I'm telling you, Like, I'm like, there's a dynamite depot.

355
00:17:25,559 --> 00:17:26,799
Like this is getting good.

356
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Speaker 2: They really did film this from Florida.

357
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Speaker 3: He's like, I really liked is the the Morphing montage

358
00:17:37,240 --> 00:17:41,680
half halfway through because like because the listeners. If you

359
00:17:41,720 --> 00:17:45,839
haven't watched Megapithe Dessigatory, the general plot is, uh, snakes

360
00:17:45,839 --> 00:17:50,000
are released by doctor Nicky Rody. They they kind of

361
00:17:50,039 --> 00:17:52,559
just reached out into the wild. They kind of grow,

362
00:17:52,759 --> 00:17:54,839
It's unclear as to that. They're not noticed.

363
00:17:54,960 --> 00:17:55,279
Speaker 1: Theories.

364
00:17:55,279 --> 00:17:57,079
Speaker 3: They just grow big and they start eating all the

365
00:17:57,119 --> 00:18:02,480
alligators and so park ranger Stereohara Tiffany wants to fight

366
00:18:02,559 --> 00:18:07,119
back with bigger gators. So she gets these these steroids,

367
00:18:07,240 --> 00:18:10,799
these experimental steroids, injects them in raw chickens with the

368
00:18:10,880 --> 00:18:13,240
help of Catherine Juice and from Desperate House Webs, who

369
00:18:13,319 --> 00:18:18,200
is the best part of this film. Yes, injectment, absolutely.

370
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They inject them into raw chickens, feed the gates to chickens,

371
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and the gators gators grow huge and it cans, like

372
00:18:25,200 --> 00:18:29,440
a cycle of gators eating, jesting steroids, laying eggs, snakes

373
00:18:29,440 --> 00:18:32,079
eating the eggs, growing huge, laying eggs, gates eating the

374
00:18:32,079 --> 00:18:34,680
snakes eating the eggs, growing huge, play eggs, et cetera,

375
00:18:34,880 --> 00:18:40,640
until you get kaiju sized snakes and alligators. And there's

376
00:18:40,680 --> 00:18:43,119
a montage in the middle where you see that cycle

377
00:18:43,319 --> 00:18:49,039
and real horrendous cgi of like snakes distorting and stretching,

378
00:18:49,160 --> 00:18:52,799
alligators lumping out all over the place, and real close

379
00:18:52,880 --> 00:18:57,920
up like big zooms in of DNA strands and microbes

380
00:18:57,960 --> 00:18:58,839
and mitosis.

381
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Speaker 2: And it's crazy because a lot of the gator footage

382
00:19:01,839 --> 00:19:04,839
and snakes, it's like they copy and pasted it. Yeah,

383
00:19:04,960 --> 00:19:07,000
Like there's times where there's a gator in the forefront,

384
00:19:07,000 --> 00:19:09,240
ground gat in the background, and they're both doing the

385
00:19:09,279 --> 00:19:12,559
same motions as if they were like a video game

386
00:19:12,680 --> 00:19:15,440
crowd in a football game. Like it blew my mind,

387
00:19:15,799 --> 00:19:18,039
not even like different timing or anything like that, Like

388
00:19:18,079 --> 00:19:19,799
they're just hanging out doing the same thing.

389
00:19:19,960 --> 00:19:24,799
Speaker 3: Like what there's one shot of just before Justin is killed,

390
00:19:25,480 --> 00:19:27,519
there's a guy he's with who also gets killed. He

391
00:19:27,680 --> 00:19:30,519
like he's leaning against the trails and in the background

392
00:19:30,559 --> 00:19:32,839
an alligator swims past it, but it's but it's not.

393
00:19:33,000 --> 00:19:35,359
It's just like a dark line across the surface of

394
00:19:35,400 --> 00:19:37,720
the water. But it's also going across the surface of

395
00:19:37,799 --> 00:19:40,720
him in the foreground. So they didn't like crop it

396
00:19:40,759 --> 00:19:42,680
at his shoulder. It's going across like his face.

397
00:19:43,240 --> 00:19:45,359
Speaker 1: There's no time, there's no time.

398
00:19:45,559 --> 00:19:46,720
Speaker 2: We got to get this out.

399
00:19:46,799 --> 00:19:47,599
Speaker 1: There's no time.

400
00:19:47,839 --> 00:19:48,799
Speaker 2: It's a masterpiece.

401
00:19:48,920 --> 00:19:51,839
Speaker 1: I watched the Almighty Thor movie that knocked off Thor,

402
00:19:52,519 --> 00:19:56,000
and this it's Thor walking on the street. But they

403
00:19:56,000 --> 00:19:58,680
didn't bother clearing it. I don't think they had pas.

404
00:19:58,720 --> 00:20:01,640
So people were just randomly walking down the street looking

405
00:20:01,680 --> 00:20:04,279
at him when he's whiting, and they weren't extras. I

406
00:20:04,279 --> 00:20:07,240
can guarantee that they were just like, what's happening here?

407
00:20:07,519 --> 00:20:11,839
And they didn't They just kept it. So, yeah, thats

408
00:20:11,839 --> 00:20:12,960
a show studio does.

409
00:20:13,799 --> 00:20:15,480
Speaker 3: There's a shot at the end of this, the very

410
00:20:15,519 --> 00:20:20,200
fight climax, when there's a crowd of people and they're

411
00:20:20,200 --> 00:20:22,799
doing a speech and then and the crowd are all applauding,

412
00:20:23,160 --> 00:20:25,839
and you show a shot of the crowd and no

413
00:20:25,880 --> 00:20:29,960
one is clapping. Yeah, it just looks bored and listless,

414
00:20:30,000 --> 00:20:31,680
and they're just like at some of them they want

415
00:20:31,680 --> 00:20:33,640
to be. But the audio is like.

416
00:20:35,880 --> 00:20:39,920
Speaker 1: And it's just people. Remember like if you have a gun,

417
00:20:40,000 --> 00:20:41,599
pull it and everyone pulls guns.

418
00:20:42,000 --> 00:20:44,200
Speaker 3: It was different direction.

419
00:20:44,480 --> 00:20:47,519
Speaker 2: Yes, the most ridiculous thing. I was like, everyone is

420
00:20:47,559 --> 00:20:50,000
strapped here. Then some guy runs out of bolts, throws

421
00:20:50,079 --> 00:20:52,920
his shoe. Another guy is using like one of the

422
00:20:52,960 --> 00:20:55,720
serving traces like a shield. What are you protecting?

423
00:20:56,240 --> 00:20:59,960
Speaker 3: Yeah, this is against alligators, the size of garbage trucks.

424
00:21:00,519 --> 00:21:00,720
Speaker 1: Yeah.

425
00:21:00,960 --> 00:21:06,359
Speaker 2: Also the sound alone. Everyone should be deaf in that

426
00:21:06,440 --> 00:21:08,880
tent at that moment, all the guns firing at once,

427
00:21:09,119 --> 00:21:12,799
Everyone's like covering their ears and then fire like awful.

428
00:21:13,680 --> 00:21:14,640
Speaker 1: You know who directed this?

429
00:21:15,640 --> 00:21:17,240
Speaker 3: Yeah, the director of pet Cemetery.

430
00:21:17,359 --> 00:21:21,640
Speaker 1: Yeah, and like she did Madonna like a virgin, like.

431
00:21:21,559 --> 00:21:23,400
Speaker 3: She's she did so many music Mick.

432
00:21:23,319 --> 00:21:27,920
Speaker 1: Jaggers, Sting, Madonna, Janet Jackson, Rod Stewart, Chris Isaac.

433
00:21:27,559 --> 00:21:28,599
Speaker 2: It's like what happened?

434
00:21:30,279 --> 00:21:32,839
Speaker 1: Well, No, she's just a woman director, I think in

435
00:21:32,920 --> 00:21:34,920
the Who's you know, she's getting the work she can,

436
00:21:35,079 --> 00:21:37,160
Like you direct pet cemetery, then you don't get much

437
00:21:37,160 --> 00:21:38,359
work from it.

438
00:21:38,480 --> 00:21:40,279
Speaker 3: Just because she's a woman. She can direct better than this.

439
00:21:40,359 --> 00:21:44,680
Speaker 1: Mouth No one could direct better than this though, No

440
00:21:44,759 --> 00:21:47,920
so this movie shot in a day. Like this movie,

441
00:21:49,160 --> 00:21:51,519
they have no time, there's no time, like they just

442
00:21:52,039 --> 00:21:54,400
I think she just needed a paycheck and they're just

443
00:21:54,440 --> 00:21:58,640
like the two that Debbie Debbie Gibson and I don't

444
00:21:58,640 --> 00:22:01,200
know if you guys know the story, but what Mega

445
00:22:01,240 --> 00:22:04,279
Shark versus Giant Octopus. That thing went viral online because

446
00:22:04,279 --> 00:22:07,200
of the insane trailer, So Asylum got some heat. And

447
00:22:07,200 --> 00:22:10,319
then they made Mega Piranha, which features like the guy

448
00:22:10,359 --> 00:22:12,599
bicycle kicking the piranhas and it's pretty funny, so that

449
00:22:12,640 --> 00:22:15,400
one went popular. So I think when you jump on

450
00:22:15,480 --> 00:22:17,599
this one, you're kind of I don't know, I think

451
00:22:17,599 --> 00:22:21,720
you kind of have some heat, you know, and but yeah,

452
00:22:21,799 --> 00:22:25,119
then you have I just feel bad like Mary Lambert

453
00:22:25,119 --> 00:22:29,160
does pet cemetery, pet cemetery to like every single music

454
00:22:29,200 --> 00:22:32,480
video you could think of Tales from the Crypt, and

455
00:22:32,480 --> 00:22:34,920
then she's kind of relegated to do to doing stuff

456
00:22:34,960 --> 00:22:36,519
like that. It's just a bummer. I don't like it.

457
00:22:36,640 --> 00:22:38,759
Speaker 2: I just want to put yeah, yeah, it really is

458
00:22:38,799 --> 00:22:42,640
too because you see like what horror and what terror

459
00:22:42,759 --> 00:22:45,200
can be like from pet cemetery, right, you know, she

460
00:22:45,359 --> 00:22:48,240
has that in her wheelhouse, but you get it feels

461
00:22:48,240 --> 00:22:50,480
like just a run of the mill. Is if they

462
00:22:50,519 --> 00:22:52,599
already knew the shots, they just needed someone to show

463
00:22:52,680 --> 00:22:56,319
up and go action and cut all right on to

464
00:22:56,400 --> 00:22:58,680
the next one. There's no there's all of this has

465
00:22:58,720 --> 00:23:01,519
to be first take. There's no second take, let alone

466
00:23:01,559 --> 00:23:02,519
a third take. Here.

467
00:23:02,839 --> 00:23:05,319
Speaker 1: I know there's a script to Nick because like they're

468
00:23:05,319 --> 00:23:09,000
just going like, you don't.

469
00:23:09,039 --> 00:23:14,000
Speaker 2: Have fun with this one? Great? Great, good next scene, yeah, next,

470
00:23:14,200 --> 00:23:15,240
and they just swipped the page.

471
00:23:16,720 --> 00:23:19,359
Speaker 1: I just I just feel bad because she had directed

472
00:23:19,400 --> 00:23:24,440
some really kind of good stuff and then you come

473
00:23:24,440 --> 00:23:27,960
and do this movie. But you know, it's a paycheck.

474
00:23:28,079 --> 00:23:32,000
You probably shot it in two weeks, you get paid,

475
00:23:32,079 --> 00:23:35,079
it's done, and you have Wie Gibson and Tiffany, So

476
00:23:35,160 --> 00:23:35,960
I mean whatever.

477
00:23:37,039 --> 00:23:39,799
Speaker 2: I don't hang out and tell stories or something. I

478
00:23:39,799 --> 00:23:43,920
don't know, but it's it's it is. It is a

479
00:23:43,960 --> 00:23:46,440
bummer because you want to see more and and you

480
00:23:46,519 --> 00:23:49,119
want better. But what do you you know what I mean, like,

481
00:23:49,119 --> 00:23:51,319
what do you like? You said it's a paycheck? What

482
00:23:51,319 --> 00:23:52,359
do you do at that point?

483
00:23:52,960 --> 00:23:54,559
Speaker 1: Take it and get out of there. You know it's

484
00:23:54,640 --> 00:23:56,119
kind of nice too, You're like, I just I made

485
00:23:56,160 --> 00:23:59,359
an asylum film, Like I remember guys who made movies

486
00:23:59,359 --> 00:24:01,599
for the Cannon Old Group back in the day, Like,

487
00:24:01,640 --> 00:24:03,559
I don't think any of those directors took big hits

488
00:24:03,559 --> 00:24:05,279
because they're like, we were just making movies for Cannon

489
00:24:05,319 --> 00:24:07,920
films and they were crazy. So you just you're getting

490
00:24:07,960 --> 00:24:09,680
hired to make a Cannon film. So I think this

491
00:24:09,720 --> 00:24:12,119
one is just I got hired to make an asylum

492
00:24:12,160 --> 00:24:14,720
movie and it was a paycheck and it's bad, but

493
00:24:14,720 --> 00:24:17,960
it's purposely I guess one of the movie's purposely bad.

494
00:24:19,039 --> 00:24:21,920
You you can't it can't get you to it can't

495
00:24:21,920 --> 00:24:23,920
destroy your career. Does that make sense because you're like,

496
00:24:24,160 --> 00:24:26,319
it's an asylum film. I made an asylum film.

497
00:24:26,599 --> 00:24:28,599
Speaker 2: Yeah, because I guess you could do the whole like

498
00:24:28,640 --> 00:24:31,119
critics could say like, oh, it's purposely bad or oh

499
00:24:31,160 --> 00:24:33,200
they're you know, they're just winking at the camera. They

500
00:24:33,240 --> 00:24:34,720
know what they were doing with this one. They came

501
00:24:34,759 --> 00:24:37,200
in with this intent. It's like, yeah, but did they

502
00:24:37,680 --> 00:24:39,319
or did like at some point they were like, no,

503
00:24:39,400 --> 00:24:41,640
this scene's gonna be really good. Like I don't know,

504
00:24:41,640 --> 00:24:43,160
I feel like if I'm going to go into something

505
00:24:43,200 --> 00:24:44,839
like this, like I want to make it the best

506
00:24:44,839 --> 00:24:49,200
possible thing and not like an awful soap opera version

507
00:24:49,480 --> 00:24:54,559
of a you know, Hallmark film with some CGI critters

508
00:24:54,559 --> 00:24:56,519
in there. Like I don't know, I would feel like,

509
00:24:56,920 --> 00:24:58,400
let's really go for it, or if you're gonna make

510
00:24:58,400 --> 00:25:01,440
it a comedy, go for comedy with it, and and

511
00:25:01,559 --> 00:25:03,519
don't even bother with some of the other stuff.

512
00:25:03,720 --> 00:25:10,319
Speaker 1: Like I'm guessing she got the job two days before filming. Yeah,

513
00:25:10,400 --> 00:25:14,279
there's no rehearsals, no money, Like they don't do extras

514
00:25:14,319 --> 00:25:17,279
really in these movies. There's a few extras. All right.

515
00:25:17,640 --> 00:25:22,599
We have two weeks. You have no lighting. We're building

516
00:25:22,640 --> 00:25:24,759
one tent. That's all you get. The rest of it.

517
00:25:24,799 --> 00:25:28,319
We're shooting in the alleys. You will never see the animals,

518
00:25:28,440 --> 00:25:30,359
you know, you won't know where they are. We have

519
00:25:30,440 --> 00:25:33,720
some b roll from other movies, and we got Debbie.

520
00:25:33,880 --> 00:25:35,880
You know, Debbie can't scream too loud because she has

521
00:25:35,920 --> 00:25:39,799
a concert next week, which was true. And then they're like,

522
00:25:39,839 --> 00:25:42,720
oh and then we got Tiffany here, so just knock

523
00:25:42,799 --> 00:25:45,880
it out. So here's the days. Don't go over time,

524
00:25:46,200 --> 00:25:51,240
have this done. So I really, even if you like,

525
00:25:51,920 --> 00:25:54,119
I think if she tried to make this good, they'd

526
00:25:54,119 --> 00:25:54,680
be pissed.

527
00:25:55,240 --> 00:25:59,319
Speaker 2: Yeah, because there's it doesn't even feel real at times,

528
00:25:59,359 --> 00:26:02,200
and you can because there's moments like when they're amongst

529
00:26:02,240 --> 00:26:04,480
the shipping containers and they're finding the eggs and stuff,

530
00:26:04,519 --> 00:26:06,640
like you can kind of see the blurred edges around

531
00:26:06,640 --> 00:26:10,160
the actors. I'm like, was everything a green screen? The

532
00:26:10,200 --> 00:26:12,000
speech that's given at the end, and how all of

533
00:26:12,000 --> 00:26:14,079
a sudden they zoom out over the big part They

534
00:26:14,200 --> 00:26:17,880
just like superimposed like that group from like a different

535
00:26:17,880 --> 00:26:21,400
shot onto something else, and it's like, where's the believability

536
00:26:21,440 --> 00:26:23,680
and this where's like let me let me feel this

537
00:26:23,799 --> 00:26:27,359
world or give me something. Don't just like that's good

538
00:26:27,359 --> 00:26:29,720
and then we're just gonna photoshop it later. Like it

539
00:26:29,759 --> 00:26:32,359
becomes a bummer after a while. At that point you're

540
00:26:32,359 --> 00:26:35,119
spending more post production than you are there was no

541
00:26:35,160 --> 00:26:37,559
pre production. Then you are like in production itself. It's

542
00:26:37,559 --> 00:26:40,640
like what ten ninety ten production ninety post.

543
00:26:42,279 --> 00:26:43,039
Speaker 1: I mean it's gotta be.

544
00:26:43,039 --> 00:26:46,680
Speaker 3: Right, yeah, But like even then not a lot of time.

545
00:26:46,839 --> 00:26:51,079
That ninety is still like two weeks maybe three.

546
00:26:51,640 --> 00:26:54,599
Speaker 1: So this is what I read. They shoot in two

547
00:26:54,640 --> 00:26:58,880
weeks or less, and then they keep the hours to

548
00:26:59,000 --> 00:27:01,759
twelve hour shooting days so they don't have to pay

549
00:27:01,759 --> 00:27:07,880
for overtime, because overtime gets expensive. So it's not you know,

550
00:27:07,920 --> 00:27:09,880
some of these move you know, Evil Dead, it's shot

551
00:27:09,920 --> 00:27:11,440
in a cur amount days, but they were shooting twenty

552
00:27:11,440 --> 00:27:13,960
hour days. So this one they're like listening up two

553
00:27:14,000 --> 00:27:18,160
weeks twelve hours, do not go over and then they're

554
00:27:18,200 --> 00:27:22,359
like shoot ten pages a day. Yeah, I think that's it.

555
00:27:23,160 --> 00:27:27,559
Speaker 2: That's and at what point, like, it's not like it's fun.

556
00:27:27,720 --> 00:27:29,680
It's not like they all got together and said, hey,

557
00:27:29,759 --> 00:27:31,920
we're just gonna goof off for a couple of weeks

558
00:27:31,920 --> 00:27:34,559
and make a fun movie or something like really low budget,

559
00:27:34,799 --> 00:27:38,240
but there was love put into it. It does feel manufactured,

560
00:27:38,319 --> 00:27:41,519
and because there's like just a lack of any kind

561
00:27:41,519 --> 00:27:44,160
of love or interest even in the project, it comes

562
00:27:44,200 --> 00:27:47,000
through in the performances where everything just feels just like

563
00:27:47,279 --> 00:27:49,720
I'm going to default to this or I'm gonna do

564
00:27:49,759 --> 00:27:52,799
what I think should be and it none of it

565
00:27:52,880 --> 00:27:55,640
matches up, and it's just it's totally all over the place,

566
00:27:55,680 --> 00:27:58,000
and it's a bummer because, like I said, like it

567
00:27:58,039 --> 00:27:59,960
could have been like, hey, let's just get really good,

568
00:28:00,440 --> 00:28:04,039
and then everything feels kind of silly and and whimsical,

569
00:28:04,359 --> 00:28:07,039
like a wet, hot American summer, but with you know,

570
00:28:07,079 --> 00:28:09,039
I mean critters in there, like you could have that

571
00:28:09,200 --> 00:28:12,559
kind of energy here, but it's just it's lost in

572
00:28:12,599 --> 00:28:16,000
it and there's like, I don't know, it's it's a bummer.

573
00:28:16,119 --> 00:28:19,519
And then the pacing is awful. When we got to

574
00:28:19,720 --> 00:28:25,240
the the the Gala event, I'm like, Oh, we're gonna

575
00:28:25,240 --> 00:28:26,839
wrap this up pretty soon. And then I looked at

576
00:28:26,880 --> 00:28:33,240
the runtime, I'm like, huh, like there's like this is nuts.

577
00:28:33,599 --> 00:28:35,480
Speaker 1: I don't even want to compare it to a really

578
00:28:35,519 --> 00:28:38,000
good movie, but what's what's like a decent movie that's

579
00:28:38,039 --> 00:28:39,000
two and a half hours.

580
00:28:39,960 --> 00:28:40,720
Speaker 3: Deep Impact.

581
00:28:41,039 --> 00:28:43,880
Speaker 1: Deep Impact is an hour longer than this movie, but

582
00:28:44,079 --> 00:28:48,839
it feels three hours shorter than watching like watching Megapython.

583
00:28:48,880 --> 00:28:52,680
Like you said, there's no flow, Nick, there's no anything,

584
00:28:52,880 --> 00:28:57,319
there's no through line. It starts, stops, and it takes

585
00:28:57,359 --> 00:28:59,759
so like by the end of it, you're pretty exhausted

586
00:29:00,279 --> 00:29:03,640
because it feels so much longer because of the lack

587
00:29:03,680 --> 00:29:08,279
of any flow going on. I think it's just meant

588
00:29:08,359 --> 00:29:11,960
for like I think this was the early like GIF

589
00:29:12,599 --> 00:29:15,279
world right where you're just hoping like mega sharks, first

590
00:29:15,279 --> 00:29:17,000
giant Octavists had the shark jumping out of the air

591
00:29:17,039 --> 00:29:19,559
and eating the plane, which was I kind of someone

592
00:29:19,599 --> 00:29:21,440
made an infographic on how fast the shark had to

593
00:29:21,480 --> 00:29:23,480
be going, and maybe that's what influenced me to start

594
00:29:23,480 --> 00:29:25,960
doing all my data. I don't know, but like and like,

595
00:29:26,000 --> 00:29:28,119
I think they're they want to have like fun viral

596
00:29:28,160 --> 00:29:30,960
clips that can be shared on YouTube, so they're going

597
00:29:31,000 --> 00:29:32,480
for that in this movie, but that never happened.

598
00:29:33,039 --> 00:29:36,480
Speaker 3: There's there's not many things like other than I guess

599
00:29:36,480 --> 00:29:38,960
towards the end you've got the alligators stumbling through the

600
00:29:39,319 --> 00:29:43,559
mole and you've got a snake heating a train. But

601
00:29:43,599 --> 00:29:49,039
there's not a lot of like big giffable jiffable moments.

602
00:29:49,279 --> 00:29:52,079
Speaker 1: Maybe just the Tiffany versus Debbie of it all, like.

603
00:29:52,039 --> 00:29:56,880
Speaker 3: The slap fight in the in the water the girl, Like.

604
00:29:56,839 --> 00:29:59,720
Speaker 1: It's like Freddy versus Jason, but with two pop idols.

605
00:30:00,279 --> 00:30:02,640
Speaker 2: Yeah, and it's so weird because I'm like, oh, we're

606
00:30:02,680 --> 00:30:05,079
gonna do like a cat fight thing, and then it's like, okay,

607
00:30:05,160 --> 00:30:07,559
like a stereotypical cat fight kind of thing, and then

608
00:30:07,599 --> 00:30:10,079
there's like okay, now there's food involved, Like is this

609
00:30:10,160 --> 00:30:14,640
supposed to be like weirdly like sexual to an extent,

610
00:30:14,680 --> 00:30:17,759
like should it be tatillating, tantalized like and then they

611
00:30:17,759 --> 00:30:19,960
get into the water and it's like, okay, maybe like

612
00:30:20,000 --> 00:30:21,880
this is supposed to be kind of like edgy and

613
00:30:21,960 --> 00:30:24,880
maybe we'll see some outlines of stuff. Like even then,

614
00:30:24,920 --> 00:30:27,079
I'm just like, can we finish this up and get

615
00:30:27,079 --> 00:30:29,799
back to the movie, Like this has become a waste

616
00:30:29,799 --> 00:30:33,640
of time for me. I think the funniest thing about

617
00:30:33,640 --> 00:30:36,559
this movie is when they're it didn't even dawn on me.

618
00:30:36,599 --> 00:30:38,400
They're talking like, yeah, we got a monkey to perform

619
00:30:38,799 --> 00:30:41,400
for the gala, and I'm thinking they're gonna bring in

620
00:30:41,440 --> 00:30:43,880
a cage and he's gonna do a routine where he's

621
00:30:43,920 --> 00:30:47,359
you know, juggling bananas or doing something or you know,

622
00:30:47,599 --> 00:30:50,039
clapping or it's gonna be one of those you know,

623
00:30:50,119 --> 00:30:52,680
you turn the crank on a machine and he's dancing

624
00:30:52,759 --> 00:30:56,400
around and then he out comes Mickey Dolons. I'm like, Okay,

625
00:30:56,440 --> 00:30:59,680
a funny that it's a monkey to ease, but be

626
00:31:00,039 --> 00:31:03,000
what is he doing here? We're going from eighties to sixties, Like.

627
00:31:03,240 --> 00:31:07,440
Speaker 3: Do you think that was an intentional uh misdirect? I'm saying,

628
00:31:07,519 --> 00:31:09,160
I've got a monkey arrive again in an hour and

629
00:31:09,200 --> 00:31:11,480
it being Mickey Duddans. What do you think that was?

630
00:31:11,480 --> 00:31:13,000
Just like, oh yeah, we got like we got a

631
00:31:13,000 --> 00:31:14,200
monkey Keming is one of them.

632
00:31:14,319 --> 00:31:16,160
Speaker 2: I'm willing to bet and that made up on the

633
00:31:16,279 --> 00:31:17,799
day we got Mickey Dolans for an hour.

634
00:31:18,279 --> 00:31:19,759
Speaker 1: Yea, oh okay, let's do.

635
00:31:19,759 --> 00:31:23,640
Speaker 2: It, hey, guys, refusing to sing guess who I saw

636
00:31:23,720 --> 00:31:25,720
at the grocery store. Oh no, we'll make a bit

637
00:31:25,839 --> 00:31:28,279
like you'll get eaten before you even say a word, like.

638
00:31:28,799 --> 00:31:31,079
Speaker 1: And you know what though he The way he shows

639
00:31:31,160 --> 00:31:34,319
up though, was very believable because between all the cons

640
00:31:34,319 --> 00:31:36,880
and commercials and sets I worked on, so many people

641
00:31:36,920 --> 00:31:38,759
show up and they're like, oh, I just I need

642
00:31:38,759 --> 00:31:41,400
the green room. Yeah, I'm just jet like you show

643
00:31:41,440 --> 00:31:43,680
me what the green room is. That brought back some

644
00:31:44,039 --> 00:31:46,960
memories for me. I never enjoyed people just showing up

645
00:31:47,000 --> 00:31:49,319
like I just I just need a green room. I

646
00:31:49,359 --> 00:31:52,240
need a coffee, Like, so, Mickey, don't nail that. I

647
00:31:52,240 --> 00:31:53,559
just want to put that out there, guys.

648
00:31:53,799 --> 00:31:54,960
Speaker 2: He probably wasn't even acting.

649
00:31:56,599 --> 00:31:58,039
Speaker 1: I hated that so much, Like.

650
00:31:58,000 --> 00:31:59,920
Speaker 4: No, just I just gotta get it.

651
00:32:00,000 --> 00:32:01,359
Speaker 1: I gotta get to the green room. She just got

652
00:32:01,480 --> 00:32:04,240
a drillered some meat. I just need the recenter, you know,

653
00:32:04,279 --> 00:32:07,160
and here I am on four hours of sleep, you know,

654
00:32:07,400 --> 00:32:09,599
like working fifteen hours a day, and the guy's like, yeah,

655
00:32:09,599 --> 00:32:14,359
you know, I caught this charter from uh Nantucket. You

656
00:32:14,440 --> 00:32:15,960
need to sit in my trailer for a little bit.

657
00:32:16,000 --> 00:32:19,079
You know, I have a waffle. You're just Yeah, I

658
00:32:19,119 --> 00:32:21,160
hated that. I hated that job when I had to

659
00:32:21,200 --> 00:32:22,079
do it.

660
00:32:22,079 --> 00:32:23,880
Speaker 2: Was it a dry waffle or did they want the

661
00:32:23,880 --> 00:32:25,000
accoutrement with it?

662
00:32:25,599 --> 00:32:28,319
Speaker 1: I don't know. Just I would just tell them to

663
00:32:28,440 --> 00:32:30,599
tell me exactly what they wanted, and then I don't.

664
00:32:31,079 --> 00:32:32,559
One time I had to get a coffee for someone

665
00:32:32,599 --> 00:32:34,119
and a comic con in Toronto, but there was no

666
00:32:34,200 --> 00:32:35,920
coffee in the green room or anywhere, so I had

667
00:32:35,920 --> 00:32:40,519
to sneak into a Toronto Canada Grows like it was

668
00:32:40,519 --> 00:32:44,200
like a plant convention by sweet talked my way in there,

669
00:32:44,960 --> 00:32:47,240
found a coffee, bought the coffee, he brought it back,

670
00:32:47,319 --> 00:32:48,880
brought it to the lady and she goes, oh, you

671
00:32:48,920 --> 00:32:53,200
didn't bring a sugar creamer, And like, I just almost

672
00:32:53,680 --> 00:32:56,119
died inside. I probably should have brought that, but I

673
00:32:56,160 --> 00:32:57,920
was just so stressed out because I was also running

674
00:32:57,920 --> 00:33:01,400
the floor. Yeah, I hated that memory. Nick, I'm not

675
00:33:01,400 --> 00:33:02,240
gonna say who it was.

676
00:33:02,279 --> 00:33:02,759
Speaker 2: I'm sorry.

677
00:33:02,960 --> 00:33:04,640
Speaker 1: Sorry. Maybe that's why I got Maybe that's why I

678
00:33:04,680 --> 00:33:06,440
got triggered from the monkey sequence.

679
00:33:07,400 --> 00:33:09,640
Speaker 2: Next time you're can you're just driving past the Tim Hortons.

680
00:33:09,759 --> 00:33:14,880
Speaker 1: Yeah right, I just and then like I should just

681
00:33:14,880 --> 00:33:16,680
bring like the next person who asked, I bring like

682
00:33:16,720 --> 00:33:18,559
fourteen Dreamers and eighteen Sugars.

683
00:33:19,480 --> 00:33:21,599
Speaker 2: Oh no, thanks, I like my coffee blazing exactly.

684
00:33:23,480 --> 00:33:26,359
Speaker 1: I just pulled Joe Pashy from Home alone a freck.

685
00:33:26,200 --> 00:33:29,400
Speaker 2: Of Hey, better than a Joe Pesci and jfk.

686
00:33:32,240 --> 00:33:35,680
Speaker 1: Oh. Yeah, these movies aren't Jay, It's just these movies

687
00:33:35,720 --> 00:33:37,359
are Uh.

688
00:33:36,880 --> 00:33:39,240
Speaker 3: You're not normally on these episodes, Mark, you don't normally

689
00:33:39,279 --> 00:33:41,920
cover these these asylum films.

690
00:33:42,480 --> 00:33:45,279
Speaker 2: The problem is, I'm used to shout out Will Slater,

691
00:33:45,319 --> 00:33:49,119
I'm used to doing this for Exploding Helicopter. Yeah yeah,

692
00:33:49,279 --> 00:33:50,839
or Will's like, hey, what do you think of this?

693
00:33:50,920 --> 00:33:52,759
And I'm like, yeah, okay.

694
00:33:53,079 --> 00:33:56,359
Speaker 3: Yeah, Nick, So you picked this like unscene saying that

695
00:33:56,400 --> 00:34:00,119
it sounded in well, uh, you said that between this

696
00:34:00,319 --> 00:34:02,960
or Mega Shark versus Crocosaurus, which Will I think We'll wait,

697
00:34:03,240 --> 00:34:05,000
we haven't done any of the Mega Shark films, so

698
00:34:05,000 --> 00:34:06,599
We'll wait and do that as a franchise next year,

699
00:34:06,920 --> 00:34:08,719
so you'll be back. You'll be back for Crocosaurus then.

700
00:34:09,280 --> 00:34:12,480
But this was like reptile versus reptile. Actually I said

701
00:34:12,519 --> 00:34:14,480
to Mark, we can do we can. Both of these

702
00:34:14,480 --> 00:34:17,960
have been either have Tiffany and Deb Gibson or jilliel

703
00:34:18,000 --> 00:34:26,800
White and Robert Piccado and were in the other one Tiffanyson. So, Nick,

704
00:34:26,880 --> 00:34:28,440
did it live up to your expectations?

705
00:34:30,280 --> 00:34:33,519
Speaker 2: Yes, yes I did. I was not expecting a lot

706
00:34:33,639 --> 00:34:37,320
and it barely met that bar. Even my wife was like,

707
00:34:37,320 --> 00:34:38,840
what movie are you watching? And I'll watch it with you.

708
00:34:38,880 --> 00:34:40,679
I'm like, you're not gonna want to watch it. She's like,

709
00:34:40,679 --> 00:34:42,719
what's it about? And I told her the title. She's like,

710
00:34:42,920 --> 00:34:43,920
you know that's all you.

711
00:34:46,519 --> 00:34:48,199
Speaker 1: Yeah. I just got up at five am one morning

712
00:34:48,239 --> 00:34:49,519
and like got it because I was like, I don't

713
00:34:49,559 --> 00:34:51,480
want to submit. I don't want to make Megan watch this.

714
00:34:52,000 --> 00:34:53,280
So I got up really early.

715
00:34:54,079 --> 00:34:56,000
Speaker 3: So, I mean, my wife was going to bed and

716
00:34:56,199 --> 00:34:59,079
I'm just gonna watch a film for podcasts. I'll hang

717
00:34:59,119 --> 00:35:00,599
around for a bit. And she did sit through the

718
00:35:00,639 --> 00:35:08,880
whole thing. She was laptopping. Yeah, there's a lot when

719
00:35:09,679 --> 00:35:12,440
there's an early scene where a snake eats a dog

720
00:35:13,360 --> 00:35:17,480
above the dog and the snake gets gets shot with

721
00:35:17,519 --> 00:35:20,920
a gun. Explain it to the gun snake gets shot,

722
00:35:21,519 --> 00:35:24,320
and like you see the remains of the dog and

723
00:35:24,360 --> 00:35:26,239
the snake kind of on the ground, and she kind

724
00:35:26,280 --> 00:35:28,119
of looked up and goes like that that doesn't even

725
00:35:28,159 --> 00:35:29,760
look like anything, because it doesn't.

726
00:35:29,960 --> 00:35:30,360
Speaker 1: It can't.

727
00:35:30,679 --> 00:35:33,760
Speaker 3: It's just a mass. It's just like a there's no

728
00:35:33,920 --> 00:35:35,880
distinct pause or I didn't say I didn't want to

729
00:35:35,880 --> 00:35:38,960
see a shot of a dead dog. I want to see,

730
00:35:39,320 --> 00:35:44,480
but this just looked like a slurry, like some I

731
00:35:44,480 --> 00:35:47,119
don't know what, a curry of some kind. Perhaps it

732
00:35:47,239 --> 00:35:51,960
just looked odd and indistinct and horrendous.

733
00:35:52,440 --> 00:35:54,880
Speaker 2: And then again it just takes away from it too,

734
00:35:54,880 --> 00:35:57,320
because it's like, where's the love, where's the like, let's

735
00:35:57,320 --> 00:35:59,559
get creative. We've had fifty bucks. How can we make

736
00:35:59,599 --> 00:36:03,360
it look crazy? And it's just it's not. It's it's

737
00:36:03,480 --> 00:36:06,440
cut paste. Keep going done at this time, and then

738
00:36:06,480 --> 00:36:08,840
off we go and probably never talk to each other again,

739
00:36:09,480 --> 00:36:10,840
you know what I mean. It's not like a summer

740
00:36:10,840 --> 00:36:12,519
camp where it's like we'll write to each other all

741
00:36:12,559 --> 00:36:14,639
the time. No, It's like, as soon as I get home,

742
00:36:14,840 --> 00:36:17,920
I'm forgetting all of your guys's names, I'm forgetting your address.

743
00:36:18,000 --> 00:36:20,119
I'm not even gonna write K I T in your

744
00:36:20,159 --> 00:36:22,039
yearbook because I don't want you reaching out to me.

745
00:36:23,000 --> 00:36:25,480
Speaker 1: You know when you do those those you have like

746
00:36:25,519 --> 00:36:29,320
a I don't know an event, or you you like,

747
00:36:29,360 --> 00:36:31,079
work with a crew of people for about a week

748
00:36:31,159 --> 00:36:32,960
and then you kind of bond for life. This is

749
00:36:32,960 --> 00:36:36,880
not one of those movies. All just get out of there.

750
00:36:38,599 --> 00:36:44,440
Speaker 3: M So we're all big fans of makeing pythons.

751
00:36:44,760 --> 00:36:47,320
Speaker 1: Listen, I like I got it. I was in the beginning, guys.

752
00:36:47,400 --> 00:36:49,800
I was at the beginning of the movie. I was like,

753
00:36:49,840 --> 00:36:53,480
this lady's crazy and everything she's saying is wrong. And

754
00:36:53,559 --> 00:36:56,679
I found that to be kind of endearing. But then

755
00:36:56,719 --> 00:36:57,400
it just lost me.

756
00:36:57,880 --> 00:37:01,320
Speaker 2: Yeah, these pythons could be my favorite line. These pythons

757
00:37:01,360 --> 00:37:03,039
could be right next to you and you wouldn't even

758
00:37:03,079 --> 00:37:03,280
know it.

759
00:37:03,800 --> 00:37:04,119
Speaker 5: M hm.

760
00:37:04,840 --> 00:37:07,679
Speaker 3: They do. There's a lot of There are some setups,

761
00:37:07,719 --> 00:37:11,159
like the guy early on saying like the snakehead stays

762
00:37:11,159 --> 00:37:14,320
alive for an hour after it's chopped off, and then

763
00:37:14,400 --> 00:37:17,760
Debbie Gibson capt snakehead at the end she get she

764
00:37:17,760 --> 00:37:18,920
gets like cut in half.

765
00:37:19,679 --> 00:37:20,800
Speaker 2: This snake.

766
00:37:22,239 --> 00:37:26,880
Speaker 3: Fit in Yeah, I just learned how it bisected her,

767
00:37:27,679 --> 00:37:28,920
because yeah, she went inside it.

768
00:37:29,840 --> 00:37:30,719
Speaker 1: But I.

769
00:37:32,400 --> 00:37:36,400
Speaker 3: Was frustrated by the inconsistencies in the size of these creatures.

770
00:37:36,400 --> 00:37:38,320
This isn't science. Isn't the film to be annoyed at

771
00:37:38,320 --> 00:37:43,119
the science or the continuity. But they the snakes seem

772
00:37:43,360 --> 00:37:46,119
regular size when already from the bag, but then they

773
00:37:46,119 --> 00:37:48,679
are encountered as being big snakes not long after that.

774
00:37:48,920 --> 00:37:51,039
And then after that someone finds a bunch of snake

775
00:37:51,039 --> 00:37:52,960
a because I'm like, these eggs are huge, the snakes

776
00:37:53,039 --> 00:37:55,400
must be huge too. It's like we've already seen huge snakes.

777
00:37:55,920 --> 00:37:59,119
What And it's just it could keeps on going. People

778
00:37:59,159 --> 00:38:01,480
being surprised by how things out despite having seen how

779
00:38:01,480 --> 00:38:05,119
big they are scenes earlier. I get like growing, but

780
00:38:05,159 --> 00:38:08,440
the CGI isn't growing for much of it anyway. They

781
00:38:08,639 --> 00:38:09,440
irritated to me.

782
00:38:10,000 --> 00:38:12,679
Speaker 2: How big is this snake? Before it's too big to

783
00:38:12,719 --> 00:38:15,440
be shocked by it? Like if you look at your window,

784
00:38:15,480 --> 00:38:16,800
how big does snake have to be? If you just

785
00:38:16,800 --> 00:38:20,000
be like huh instead of like I just now I

786
00:38:20,039 --> 00:38:21,119
have to change my shorts.

787
00:38:22,119 --> 00:38:23,960
Speaker 1: What kind of snap are you? Telling you like a

788
00:38:24,000 --> 00:38:27,559
really big rattle snake like a water.

789
00:38:27,519 --> 00:38:31,199
Speaker 2: Example, Yeah, just like a big big how big is snake?

790
00:38:31,199 --> 00:38:34,239
Before You're just like huh, Like it doesn't even phasee

791
00:38:34,239 --> 00:38:36,000
you because after a while, like you were saying, Jay,

792
00:38:36,000 --> 00:38:38,519
these snakes, you know me, Like, what are you really

793
00:38:38,559 --> 00:38:40,000
shocked and scared about at this point?

794
00:38:42,039 --> 00:38:47,440
Speaker 1: Yeah? If I'm if I'm scooting through the Everglades and

795
00:38:47,519 --> 00:38:53,519
I see like a twelve foot python length, full diameter

796
00:38:54,280 --> 00:38:58,760
length but just fast, yeah, and you're just then I'd

797
00:38:58,760 --> 00:39:01,719
be like I'm out like and even grown up around

798
00:39:01,760 --> 00:39:05,599
alligators like I did. There were some gators where we

799
00:39:05,760 --> 00:39:08,320
canoed right and you would just have gators on the side.

800
00:39:08,360 --> 00:39:10,079
Like one time my dad tried to ram the canoe

801
00:39:10,119 --> 00:39:14,199
into a group of alligators with me up front. What Yeah,

802
00:39:14,320 --> 00:39:16,920
not a good idea, but like I remember one time,

803
00:39:17,280 --> 00:39:24,239
I was true story and he was laughing the whole time. Yeah, yeah,

804
00:39:24,280 --> 00:39:24,920
that was my life.

805
00:39:24,920 --> 00:39:29,119
Speaker 3: Shoka, yep, yep, one time what you told me about you?

806
00:39:29,599 --> 00:39:33,639
Speaker 1: One time though, I was canoeing and a gigantic we're

807
00:39:33,679 --> 00:39:37,199
talking something swum underneath the canoe and you're so used

808
00:39:37,239 --> 00:39:39,119
to him in Florida, you don't really you're just like

809
00:39:39,159 --> 00:39:42,440
there's an alligator. I distinctly remember seeing it and going

810
00:39:42,679 --> 00:39:47,360
that one's huge, Like I didn't stop, but you know,

811
00:39:47,360 --> 00:39:50,599
it went under our canoe. It could have blackwatered us.

812
00:39:50,840 --> 00:39:51,000
Speaker 3: And I.

813
00:39:53,159 --> 00:39:55,480
Speaker 1: I really do I was like, that was a big

814
00:39:55,519 --> 00:39:58,760
one like that. So I don't know how big it was,

815
00:39:58,840 --> 00:40:01,800
but I do remember that feeling, nick if that makes sense,

816
00:40:01,920 --> 00:40:07,960
where yeah, like that one was like yikes, I don't know.

817
00:40:08,000 --> 00:40:10,440
I still remember that feeling. So I don't know how

818
00:40:10,440 --> 00:40:11,880
big you have to it has to be, but I

819
00:40:11,920 --> 00:40:15,760
do I do remember that, like just feeling how big

820
00:40:15,760 --> 00:40:19,840
that one was underneath the canoe. So I don't know,

821
00:40:19,920 --> 00:40:20,920
twelve foot gate or two.

822
00:40:21,159 --> 00:40:24,480
Speaker 2: I would say, okay, yeah, but bigger than twelve foot.

823
00:40:24,519 --> 00:40:26,000
After you're just like okay.

824
00:40:26,280 --> 00:40:27,719
Speaker 1: Oh wait, no wait, what do you mean?

825
00:40:27,840 --> 00:40:30,639
Speaker 3: Like when is a snake too big to be surprised?

826
00:40:30,719 --> 00:40:34,360
Speaker 1: Yeah? Yeah, wait what Oh I missed your.

827
00:40:35,760 --> 00:40:37,360
Speaker 3: Like I think any size snake.

828
00:40:37,519 --> 00:40:38,480
Speaker 2: Still if I.

829
00:40:38,480 --> 00:40:41,280
Speaker 1: Walked outside, If I walked outside and there was a

830
00:40:41,320 --> 00:40:46,800
thirty foot anaconda hanging from a tree, I would just

831
00:40:46,880 --> 00:40:49,079
run and I would make sure my cats weren't outside.

832
00:40:49,760 --> 00:40:52,519
I would lock every door and.

833
00:40:52,559 --> 00:40:55,440
Speaker 2: Just like never go outside ever again that's it.

834
00:40:56,199 --> 00:40:59,079
Speaker 1: I would yeah, if I saw if I saw the

835
00:40:59,119 --> 00:41:03,559
anaconda from the first antaconda in a tree in my backyard,

836
00:41:04,360 --> 00:41:06,079
I don't think I could be blase about it.

837
00:41:06,880 --> 00:41:09,119
Speaker 3: But I think what Nick's trying to get. If you

838
00:41:09,159 --> 00:41:11,400
see a snake that's big enough to eat a train,

839
00:41:13,079 --> 00:41:14,840
would you be like huh?

840
00:41:14,960 --> 00:41:20,719
Speaker 2: Would you be like ah, screaming hysterics, Like at that point,

841
00:41:20,760 --> 00:41:25,119
I'm genuinely considering checking now permanently to live in this world.

842
00:41:25,440 --> 00:41:29,679
Speaker 1: That's snake, that bag. That's a good point, Shi, I

843
00:41:29,679 --> 00:41:32,360
would be more afraid of a thirty foot anaconda in

844
00:41:32,360 --> 00:41:38,599
my backyard than a seven hundred meter behemoth going across

845
00:41:39,599 --> 00:41:42,119
four hundred, because I would, like you said, I would

846
00:41:42,159 --> 00:41:45,719
be too busy questioning humanity and what is real anymore?

847
00:41:46,000 --> 00:41:47,920
Like you're not afraid at that moment, You're like everything

848
00:41:47,960 --> 00:41:50,280
I know is a lie. Yes, we're in a world

849
00:41:50,280 --> 00:41:52,840
of monsters now, Like I think that's contemplation.

850
00:41:53,360 --> 00:41:56,480
Speaker 3: Whereas mist happen. The mist happened and I didn't know.

851
00:41:56,760 --> 00:41:58,679
Speaker 1: Sorry I missed your question. Thanks for explaining it, Jay,

852
00:41:58,679 --> 00:41:59,960
But yeah, if you see it, if you see it,

853
00:42:00,280 --> 00:42:01,639
If I see a thirty foot an a con in

854
00:42:01,639 --> 00:42:04,400
my backyard. I'm gonna poop myself, right, Yeah, I'm gonna

855
00:42:04,559 --> 00:42:07,159
I'm worried about my cats, worried about my daughter. I'm

856
00:42:07,199 --> 00:42:10,840
running inside. But like like I said, a seven hundred

857
00:42:10,880 --> 00:42:14,920
meter one, you're just.

858
00:42:14,280 --> 00:42:16,000
Speaker 3: There's nothing I can do about this. Yeah, I am

859
00:42:16,320 --> 00:42:17,000
that I'm here.

860
00:42:17,440 --> 00:42:20,440
Speaker 1: I can lock my front door, but that's gonna mean nothing.

861
00:42:20,599 --> 00:42:22,840
Speaker 2: You know, if the snake wants to come in the house,

862
00:42:23,000 --> 00:42:23,599
it's gonna come.

863
00:42:23,679 --> 00:42:24,559
Speaker 1: It's gonna flatten the house.

864
00:42:24,559 --> 00:42:25,519
Speaker 3: It's gonna eat the house.

865
00:42:27,239 --> 00:42:28,480
Speaker 1: So yes, that's the question.

866
00:42:28,800 --> 00:42:30,880
Speaker 3: Yeah, there is, because the amount of people in this

867
00:42:30,960 --> 00:42:34,000
film who like have a fairly small handgun and are

868
00:42:34,079 --> 00:42:37,400
firing that fairy small handgun at something the size of

869
00:42:37,400 --> 00:42:42,480
a skyscraper and are expecting it to do anything. It's

870
00:42:42,840 --> 00:42:47,880
ridiculous and aiming wildly. If I if it's all it

871
00:42:48,039 --> 00:42:51,119
just kind of gun in hand facing different directions, it's

872
00:42:51,199 --> 00:42:55,039
just gonna firing what's running away, you know what, Shoot

873
00:42:55,079 --> 00:42:55,320
in that.

874
00:42:55,280 --> 00:42:57,719
Speaker 2: Direction because maybe we'll put the snake there. Great, all right,

875
00:42:57,760 --> 00:42:59,480
Now do another take where you're in that direction.

876
00:43:00,079 --> 00:43:01,960
Speaker 1: You know, we'll put on whatever that Who knows, you

877
00:43:02,039 --> 00:43:06,159
might have missed this conversation Nick, where I'd said on

878
00:43:06,199 --> 00:43:09,559
a podcast that I would love to kill Chathulhu, like

879
00:43:09,719 --> 00:43:13,119
just have that on my resume. So just like Deep Rising,

880
00:43:13,280 --> 00:43:18,519
I literally blow upch Thulu. Would you want to kill it? Like,

881
00:43:18,559 --> 00:43:20,880
would you want to like be have that in it

882
00:43:21,000 --> 00:43:22,280
like on your resume as well?

883
00:43:23,599 --> 00:43:25,679
Speaker 2: I think I do, but I also don't because if

884
00:43:25,719 --> 00:43:29,280
you take him out right, what's going to take its place?

885
00:43:29,760 --> 00:43:32,679
What's in that number two slot that's going Finally, now

886
00:43:32,719 --> 00:43:37,480
it's my turn to exactly Rick Thulu comes around, and

887
00:43:37,480 --> 00:43:40,280
then it's your fault and people are coming to you like, well,

888
00:43:40,320 --> 00:43:41,800
you did it once, you gotta go do it again.

889
00:43:41,880 --> 00:43:43,400
It's like, I can't do this again.

890
00:43:43,760 --> 00:43:46,239
Speaker 1: I can't get on another jet ski and shoot my

891
00:43:46,280 --> 00:43:48,159
way through a hallway. You don't have that kind of

892
00:43:48,239 --> 00:43:51,440
budget and hoping it explodes as I'm careening out with

893
00:43:51,480 --> 00:43:53,480
it with an actress from a Bond movie.

894
00:43:53,760 --> 00:43:57,559
Speaker 2: Gas prices are crazy, yeah, tariffs on items, we don't

895
00:43:57,599 --> 00:44:00,880
know how much it's going to cost now, inflation a nightmare.

896
00:44:01,079 --> 00:44:02,559
If you're it's a whole different battle.

897
00:44:02,800 --> 00:44:05,400
Speaker 1: Rick Thulu would come for me, though I.

898
00:44:05,280 --> 00:44:07,039
Speaker 3: Have a plunge out. I'm sorry, brother.

899
00:44:07,119 --> 00:44:13,920
Speaker 1: Is that that's his twin? This is his cousin. Yes,

900
00:44:14,079 --> 00:44:19,840
brothers Cathus dou his cousin's ricklu.

901
00:44:20,239 --> 00:44:25,480
Speaker 3: I would want to kill Cthul because probably it's just

902
00:44:25,519 --> 00:44:29,599
the one in dated species. If you put on your CV,

903
00:44:29,719 --> 00:44:31,639
people are like, you're an in dangered species killer. You're

904
00:44:31,679 --> 00:44:33,159
that dentist who killed that lion.

905
00:44:34,239 --> 00:44:34,519
Speaker 2: Man.

906
00:44:34,639 --> 00:44:38,000
Speaker 1: If it's trying to kill me, I'm gonna blow it up.

907
00:44:38,519 --> 00:44:40,000
Like so if I'm in a cruise liner in my

908
00:44:40,039 --> 00:44:43,840
family's there in Thulu attacks, it's on anything I can do,

909
00:44:43,960 --> 00:44:46,320
I'll throw a fire fire extinguisher in his mouth and

910
00:44:46,559 --> 00:44:50,800
say smile and be and blow it up. And this

911
00:44:50,840 --> 00:44:54,000
is your whole problem. But if is lounging in the

912
00:44:54,000 --> 00:44:58,480
Pacific mine in its own business, I'm not gonna vomb.

913
00:44:58,280 --> 00:45:02,559
Speaker 3: It, right I. I think that's the difference between Kiddingkthu

914
00:45:02,719 --> 00:45:05,320
to save yourself and your family and then putting that

915
00:45:05,360 --> 00:45:06,400
on your LinkedIn profile.

916
00:45:07,840 --> 00:45:09,719
Speaker 2: I think you get people that are gonna come to

917
00:45:09,760 --> 00:45:11,840
you about that. They're gonna email you like I've got

918
00:45:11,840 --> 00:45:13,880
a Cthulhu problem, and it's like, no, you don't like

919
00:45:14,000 --> 00:45:17,639
ignore spam emails like and then at that point, what

920
00:45:17,679 --> 00:45:19,679
do you what do you do? After that? You just

921
00:45:19,719 --> 00:45:22,559
go have dinner somewhere, you can breakfast the next day.

922
00:45:22,800 --> 00:45:26,039
There's nothing you could do that's gonna surpass or eclipse that.

923
00:45:26,440 --> 00:45:28,559
You still probably have a job. There's no money to

924
00:45:28,599 --> 00:45:30,320
be made in killing the Cthulhu like that.

925
00:45:30,440 --> 00:45:32,159
Speaker 3: That was just one. You killed it. Yeah, you can

926
00:45:32,199 --> 00:45:34,760
tell the story like so much.

927
00:45:34,960 --> 00:45:37,880
Speaker 2: Yeah, you're not. It's not gonna when you start to

928
00:45:37,880 --> 00:45:39,559
the debris of the body. It's not gonna have the

929
00:45:39,599 --> 00:45:42,000
winning lotto numbers. So you're set for a little bit,

930
00:45:42,159 --> 00:45:43,079
like you did it.

931
00:45:43,800 --> 00:45:45,880
Speaker 3: Yeah, you can go in Kobat and talk to him

932
00:45:45,760 --> 00:45:47,760
for a night, and that's about it.

933
00:45:47,880 --> 00:45:50,639
Speaker 1: You and I would do. I'll go find another one,

934
00:45:51,039 --> 00:45:54,800
another creature, and we've already discussed two. I would like,

935
00:45:54,880 --> 00:45:56,920
Jay said, I would plays land mines down and have

936
00:45:57,000 --> 00:45:59,119
a big foot with his big feet step on it

937
00:45:59,159 --> 00:46:02,119
and blow them up. That way when I played that way,

938
00:46:02,159 --> 00:46:05,360
when I played two lies in the truth or to

939
00:46:05,519 --> 00:46:06,800
truth and a lie.

940
00:46:06,920 --> 00:46:10,840
Speaker 3: I killed, I killed, and I killed I killed.

941
00:46:10,679 --> 00:46:17,639
Speaker 1: The Yeah, like Lockness, I killed Cthulhu, I killed Bigfoot

942
00:46:17,679 --> 00:46:19,199
and I killed the loch Ness monster.

943
00:46:20,840 --> 00:46:24,440
Speaker 3: That's the truth and the light tactic. Do you need

944
00:46:24,480 --> 00:46:25,760
to do two ridiculous things?

945
00:46:26,599 --> 00:46:33,559
Speaker 5: I don't have any so then people be like, what

946
00:46:33,559 --> 00:46:38,000
what So that's my goal, all right?

947
00:46:38,079 --> 00:46:40,679
Speaker 1: And here's Naomi Salfman also wrote this. You have Mary

948
00:46:40,760 --> 00:46:43,280
Lambert directed it, Naomi Sealfman wrote it, and then you

949
00:46:43,320 --> 00:46:45,840
have Tiffany and Debbie Gibson. But I want to read

950
00:46:45,960 --> 00:46:47,559
some of them. I want to read some of the

951
00:46:47,599 --> 00:46:52,159
movies that Naomi elle Selfman has written. My Nanny Stole

952
00:46:52,239 --> 00:46:59,840
My Life? Okay, the serial killer seduced me, a daughter's deceit,

953
00:47:01,360 --> 00:47:06,039
her deadly Groom, My Nightmare, Landlord, who stole My daughters?

954
00:47:06,320 --> 00:47:10,840
Who stole question Mark, I Almost married a serial killer,

955
00:47:12,000 --> 00:47:17,840
twin Beat, a snow Globe, Christmas Alone for Christmas, Bikini

956
00:47:17,880 --> 00:47:23,960
spring Break, Barely Legal. Oh there we go, Mega Python, Verse, Gateroid,

957
00:47:24,800 --> 00:47:27,159
Mega Shark, first Crocosaurs and then she has one called

958
00:47:27,239 --> 00:47:33,480
Number one Cheerleader Camp eighteen year Old Virgin, twenty twelve

959
00:47:33,920 --> 00:47:37,079
Doomsday that came out when twenty twelve was out, and Doomsday,

960
00:47:37,119 --> 00:47:41,119
I would presume, so twenty twelve Doomsday knocked off two

961
00:47:41,119 --> 00:47:46,280
disaster movies, and then Evil Eyes and then a movie

962
00:47:46,320 --> 00:47:51,719
called A Rock and a Hard Place and then arranged marriage.

963
00:47:52,920 --> 00:47:53,480
I want this.

964
00:47:53,840 --> 00:47:56,880
Speaker 3: I want this, IMDb, not of these sound like they

965
00:47:56,920 --> 00:47:59,639
could be adult films, but I don't think they are.

966
00:48:00,079 --> 00:48:02,960
Like she wrote a film called Bone Alone. Sounds like

967
00:48:02,960 --> 00:48:05,079
an adult film, it's not. It's a home alone film

968
00:48:05,119 --> 00:48:05,800
starring a dog.

969
00:48:07,000 --> 00:48:10,840
Speaker 2: That's kind of it's yeah, is it shot? If it

970
00:48:10,920 --> 00:48:14,400
was a shot for shot and it's a dog, all people,

971
00:48:14,719 --> 00:48:18,719
but Kevin a dog, I would I'd watch that in

972
00:48:18,719 --> 00:48:21,920
a heartbeat. I would pay and not even show up.

973
00:48:21,960 --> 00:48:24,119
I would just pay for the movie ticket and just

974
00:48:24,239 --> 00:48:25,519
make sure it gets that money.

975
00:48:26,519 --> 00:48:29,000
Speaker 3: Okay, And it sounds it's when a family visits Grandma's

976
00:48:29,000 --> 00:48:31,039
house and Christmas Eve, they leave their dog at home alone,

977
00:48:31,159 --> 00:48:32,880
and when Burke has tried to take the present swims

978
00:48:32,880 --> 00:48:34,880
of the tree, the dog must use every trick at

979
00:48:34,880 --> 00:48:36,920
nose to stop them. So it is home alone, but

980
00:48:36,960 --> 00:48:37,480
with a dog.

981
00:48:39,920 --> 00:48:44,719
Speaker 1: Yeah, so they made She made Bikini spring Break, which

982
00:48:44,800 --> 00:48:48,920
is meant to rip off spring breakers. A group of

983
00:48:48,920 --> 00:48:51,239
co eds from a small conservative college break out of

984
00:48:51,239 --> 00:48:53,599
their shells when their marching band bus breaks down in

985
00:48:53,639 --> 00:49:02,280
Fort Lauderdale during spring break. Mhm, Nick, what did you

986
00:49:02,280 --> 00:49:04,039
do if you found out I wrote all these movies?

987
00:49:05,280 --> 00:49:07,239
Speaker 2: I'm not gonna lie. I'd be kind of bummed out

988
00:49:07,280 --> 00:49:12,239
that I'm just now, Finn, I've known you for how long.

989
00:49:15,679 --> 00:49:16,119
Speaker 3: These movies.

990
00:49:16,119 --> 00:49:18,320
Speaker 2: I'd also be disappointed to myself that I wouldn't have

991
00:49:18,559 --> 00:49:20,000
known and figured it out by now.

992
00:49:20,639 --> 00:49:22,000
Speaker 3: Because you have an imdbat monk.

993
00:49:23,000 --> 00:49:27,800
Speaker 1: You're on the Yeah, I don't update it barely legal now.

994
00:49:27,840 --> 00:49:30,639
On their eighteenth birthday, they set out to lose their virginity.

995
00:49:31,559 --> 00:49:35,480
Speaker 2: Classic as you do.

996
00:49:36,559 --> 00:49:38,159
Speaker 1: We should shoot one with the three of us where

997
00:49:38,159 --> 00:49:39,519
we all play eighteen year olds.

998
00:49:40,199 --> 00:49:43,679
Speaker 2: Yeah, no changeing appearance.

999
00:49:43,480 --> 00:49:46,679
Speaker 1: No da you have your beard like beer shirts, you know,

1000
00:49:47,000 --> 00:49:50,239
like I have a wedding ring on because I won't

1001
00:49:50,280 --> 00:49:54,760
take it off when I film. And then just it's

1002
00:49:54,800 --> 00:49:56,920
just the three of us going like, let's make a.

1003
00:49:56,840 --> 00:50:00,559
Speaker 2: Pact, fellas, we're really gonna do it this summer.

1004
00:50:01,039 --> 00:50:05,360
Speaker 1: We're gonna go to the shore. I'm gonna lose our virginity.

1005
00:50:06,119 --> 00:50:07,679
Speaker 2: Guys, we're still gonna be friends when we go off

1006
00:50:07,719 --> 00:50:08,199
to college.

1007
00:50:08,280 --> 00:50:15,280
Speaker 1: Right, Jay's like I'm studying. Shut up.

1008
00:50:15,480 --> 00:50:16,280
Speaker 2: Roge in my beard.

1009
00:50:16,320 --> 00:50:20,599
Speaker 1: Shut up. Jay gets keys from his like mom's station wagon,

1010
00:50:21,119 --> 00:50:24,480
and then we just go down and then we go to.

1011
00:50:24,480 --> 00:50:26,599
Speaker 2: The scene where one of us runs to jump in

1012
00:50:26,639 --> 00:50:28,199
and start the car. But it's like how a man

1013
00:50:28,199 --> 00:50:31,599
in the passager seat. This is supposed to be the drivers.

1014
00:50:35,679 --> 00:50:37,199
Speaker 1: Just never explained the accent.

1015
00:50:38,960 --> 00:50:41,440
Speaker 3: And then the name of it's a tool's neck of him.

1016
00:50:41,639 --> 00:50:44,159
Speaker 1: The name of it. It's called barely Legal and it's

1017
00:50:44,199 --> 00:50:45,480
just the three of us.

1018
00:50:45,880 --> 00:50:47,679
Speaker 2: Jay, where are you from? Fort Lauderdale?

1019
00:50:47,800 --> 00:50:49,360
Speaker 1: Wait? Barely Legal? Five?

1020
00:50:50,000 --> 00:50:51,079
Speaker 3: I'm from Maryland.

1021
00:50:51,599 --> 00:50:51,840
Speaker 2: Yeah.

1022
00:50:56,519 --> 00:51:00,960
Speaker 1: Have you guys seen the wire? Is great? Hey, what

1023
00:51:01,000 --> 00:51:06,800
do you think about He's definitely American? And don't Nick,

1024
00:51:06,840 --> 00:51:08,599
what do you think about Starvros? Help?

1025
00:51:08,719 --> 00:51:13,280
Speaker 2: Yes, it is so funny that you mentioned that, because

1026
00:51:13,320 --> 00:51:15,639
two days ago on Facebook I got one of those

1027
00:51:15,679 --> 00:51:16,880
memory things of.

1028
00:51:16,840 --> 00:51:18,239
Speaker 1: Like, hey, and.

1029
00:51:20,280 --> 00:51:27,000
Speaker 2: Ten years ago I actually shared a bill with Stavros. Okay, yeah, yeah, yeah,

1030
00:51:27,039 --> 00:51:29,079
he was the headliner and I was just one of

1031
00:51:29,119 --> 00:51:32,159
like the myriad of over the liner thing. Yeah. It

1032
00:51:32,199 --> 00:51:35,800
was really he's funny. I dig him and he's funny.

1033
00:51:35,840 --> 00:51:38,880
I appreciate the Baltimore love and uh, everything that he

1034
00:51:38,960 --> 00:51:42,719
does for the city. I'm I'm not really a crowd

1035
00:51:42,760 --> 00:51:44,920
work kind of comic. I'm more of like a you know,

1036
00:51:44,960 --> 00:51:46,519
give me your stand up, give me your jokes, I

1037
00:51:46,519 --> 00:51:48,360
want to see what you've been working on, kind of thing,

1038
00:51:49,119 --> 00:51:51,280
which he's good at too, and I'm the crowd of

1039
00:51:51,280 --> 00:51:52,400
people realize.

1040
00:51:52,000 --> 00:51:54,440
Speaker 1: That, are you like? Applausa? Is that what you're talking about?

1041
00:51:54,840 --> 00:51:55,320
Speaker 3: What do you mean?

1042
00:51:55,599 --> 00:51:57,719
Speaker 1: Like you go to like a conservative crowd and then

1043
00:51:57,719 --> 00:52:00,599
you go, hey, guys, Obama was a deal with him

1044
00:52:00,639 --> 00:52:07,519
and everyone goes. Or you go to Minneapolis and you're like, hey, Trump,

1045
00:52:07,599 --> 00:52:11,519
what's his deal? And everyone goes, oh yeah, So I

1046
00:52:11,519 --> 00:52:12,960
mean like, is that what you're talking about?

1047
00:52:13,199 --> 00:52:15,800
Speaker 2: Well, I'm talking like when he's on stage and he's like, oh, hey,

1048
00:52:15,800 --> 00:52:17,239
you know, what do you do for a living? And

1049
00:52:17,280 --> 00:52:20,719
then just starts riffing on what that person does, Like

1050
00:52:20,800 --> 00:52:22,480
he doesn't come out and was like, you guys, ever

1051
00:52:22,559 --> 00:52:26,480
notice this? And then you know, shades, Yeah, what's up

1052
00:52:26,480 --> 00:52:28,519
with lamp shades? Whoever asked for that?

1053
00:52:29,679 --> 00:52:35,880
Speaker 1: What if he asked me? And I'm like like kill monsters?

1054
00:52:35,880 --> 00:52:37,960
Speaker 2: Okay, what about you? Nice shirt? And then you know

1055
00:52:37,960 --> 00:52:38,320
what I mean.

1056
00:52:39,599 --> 00:52:43,320
Speaker 3: Stefskis was in a film Cooled, Cool Girl of Cthula.

1057
00:52:45,480 --> 00:52:46,519
Have to bring that up right?

1058
00:52:46,840 --> 00:52:47,480
Speaker 1: She would hate me?

1059
00:52:48,559 --> 00:52:54,840
Speaker 3: He plays Gil Waters. Yeah, blew him up, grinding that

1060
00:52:54,920 --> 00:52:56,559
twelved h good.

1061
00:52:57,559 --> 00:53:00,199
Speaker 1: I wouldn't if I blew up his cousin. If I

1062
00:53:00,199 --> 00:53:02,079
blew up Rick through Lou. I just wouldn't even talk

1063
00:53:02,079 --> 00:53:02,519
about it.

1064
00:53:02,800 --> 00:53:05,480
Speaker 2: Yeah, like you away.

1065
00:53:06,760 --> 00:53:07,639
Speaker 3: You come and kill you?

1066
00:53:07,800 --> 00:53:08,719
Speaker 1: I blew up his cousin.

1067
00:53:09,000 --> 00:53:11,519
Speaker 2: Well, it depends what's that relationship with him and Rick.

1068
00:53:11,679 --> 00:53:14,840
Speaker 1: Would you avenge people murdered a cousin that you're distant with.

1069
00:53:15,360 --> 00:53:17,719
Speaker 2: Depends on the cousin. I have a couple of cousins

1070
00:53:17,719 --> 00:53:20,000
that I'm distant with, but I still love dearly. We

1071
00:53:20,159 --> 00:53:22,800
just don't reach out and talk and hang as much,

1072
00:53:23,519 --> 00:53:25,719
mainly because they do live in another part of the country.

1073
00:53:27,079 --> 00:53:29,119
But if something happened to them, I would definitely look

1074
00:53:29,159 --> 00:53:31,480
into it. I don't know about avenging a death fully,

1075
00:53:31,559 --> 00:53:35,960
but I would like I would go to that town

1076
00:53:36,079 --> 00:53:38,719
and be like, you guys, hear about this you and

1077
00:53:38,760 --> 00:53:41,840
then get out of here, lampshad you guys hear about

1078
00:53:41,840 --> 00:53:44,079
my cousin recently, get back.

1079
00:53:43,920 --> 00:53:46,559
Speaker 4: In your station wagon and go back to the shore

1080
00:53:46,599 --> 00:53:50,119
to lose your virgin where's the stead over there? And

1081
00:53:50,239 --> 00:53:54,159
leave us alone.

1082
00:53:55,280 --> 00:53:57,760
Speaker 3: I have five cousins. I don't know whether you will live.

1083
00:53:58,960 --> 00:54:00,840
They're not like far away way, but I see them

1084
00:54:00,880 --> 00:54:03,559
at most once a year. No, I'm not avenging any

1085
00:54:03,559 --> 00:54:03,880
of them.

1086
00:54:04,639 --> 00:54:06,880
Speaker 1: If someone called me up it was like, Mark, We're

1087
00:54:06,920 --> 00:54:08,320
gonna drive over there and beat the tar out of

1088
00:54:08,360 --> 00:54:10,440
the guy that took out your cousin. I'm like, I

1089
00:54:10,480 --> 00:54:12,840
got you, and then I probably would. I just show

1090
00:54:12,880 --> 00:54:14,599
up late and I don't want to get arrested.

1091
00:54:14,840 --> 00:54:18,039
Speaker 2: Oh man, gosh, if only I was five minutes sooner.

1092
00:54:18,320 --> 00:54:20,639
Speaker 1: I thought you said three five two street.

1093
00:54:21,000 --> 00:54:23,800
Speaker 2: God, it's it was daylight savings. I thought it was

1094
00:54:24,280 --> 00:54:27,199
a different time, and you guys were all egg on

1095
00:54:27,239 --> 00:54:27,719
my face.

1096
00:54:27,840 --> 00:54:32,239
Speaker 3: Huh, well you're yeah, how did it go? They're in jail,

1097
00:54:32,280 --> 00:54:34,960
So any any more thoughts on that? Make it pathems?

1098
00:54:35,079 --> 00:54:38,800
This gatoroid? Do you think heteroid's a good name steroids?

1099
00:54:39,039 --> 00:54:41,920
Speaker 2: No, not at all. Now if it was, like if

1100
00:54:41,960 --> 00:54:45,199
the specimen was called gatoroid or they like made a

1101
00:54:45,239 --> 00:54:49,960
gatoroid gatorade type joke. Sure, But this movie I think

1102
00:54:50,519 --> 00:54:53,039
has put a kaibash in me wanting to watch other

1103
00:54:53,119 --> 00:54:56,840
movies titled like this or in this face sorry, Like

1104
00:54:56,960 --> 00:55:00,840
it's definitely a cap I say that. Now we're watching

1105
00:55:00,880 --> 00:55:03,719
three months I'll be on some episode talking about you know,

1106
00:55:04,119 --> 00:55:08,760
massive Chicken versus whatever, like mecha horse or whatever. But

1107
00:55:09,199 --> 00:55:12,320
like I it's enough to be like I need to

1108
00:55:12,400 --> 00:55:15,719
have something with a little culture, something with a message

1109
00:55:15,719 --> 00:55:18,239
behind it, something with some meanings. I need to I

1110
00:55:18,280 --> 00:55:21,320
need substance again. And I gotta stop eating fast food here.

1111
00:55:21,559 --> 00:55:23,679
Speaker 1: I like the word kaibash. You know that's for real

1112
00:55:23,760 --> 00:55:25,480
when you say that, Like, you know, I gotta stop

1113
00:55:25,480 --> 00:55:29,679
eating you know, snacks. But I gotta put a kaibosh

1114
00:55:29,719 --> 00:55:29,920
on that.

1115
00:55:30,079 --> 00:55:32,320
Speaker 2: Yeah, I gotta put a kibosh on snickers.

1116
00:55:33,000 --> 00:55:36,480
Speaker 1: You're gonna probably gonna do it. I think statistically you

1117
00:55:36,559 --> 00:55:36,800
have to.

1118
00:55:37,119 --> 00:55:40,360
Speaker 2: And that word is used, yeah, because who's gonna call you?

1119
00:55:40,400 --> 00:55:40,679
Speaker 1: I don't know?

1120
00:55:40,679 --> 00:55:43,760
Speaker 2: Did you put a kaibosh on that? Yeah? Say did

1121
00:55:43,840 --> 00:55:44,199
you though?

1122
00:55:44,519 --> 00:55:44,719
Speaker 1: Yeah?

1123
00:55:44,760 --> 00:55:48,719
Speaker 2: But did you though? You see that kaibash?

1124
00:55:48,800 --> 00:55:52,159
Speaker 1: Bro just took back the kaibosh.

1125
00:55:53,400 --> 00:55:56,960
Speaker 3: It's enough. He'll bud films out to a full year

1126
00:55:57,039 --> 00:55:57,960
of bird films.

1127
00:55:58,199 --> 00:55:59,199
Speaker 2: Oh yeah, absolutely.

1128
00:55:59,239 --> 00:56:02,119
Speaker 3: Other than it's like, I don't think of one uh

1129
00:56:02,280 --> 00:56:04,119
birdemic pandemic.

1130
00:56:04,920 --> 00:56:06,880
Speaker 2: I think it was a second birdemic as I hold

1131
00:56:06,960 --> 00:56:08,840
up three fingers.

1132
00:56:08,320 --> 00:56:11,599
Speaker 3: Sure, well that's three films gonna have the birds pandemic?

1133
00:56:11,719 --> 00:56:19,079
To Rodan, Rodan, should a bird or like a pterodactyl kind.

1134
00:56:18,920 --> 00:56:20,840
Speaker 2: Of isn't pterodactyl not a bird?

1135
00:56:21,039 --> 00:56:25,000
Speaker 1: If it has wings? Like we could finally do bats

1136
00:56:25,239 --> 00:56:25,880
sting raised.

1137
00:56:25,880 --> 00:56:27,079
Speaker 3: I think that's something.

1138
00:56:27,960 --> 00:56:32,480
Speaker 2: No have wings birds of the ocean, man, I would

1139
00:56:32,559 --> 00:56:33,880
be down for that flying fish.

1140
00:56:34,039 --> 00:56:35,280
Speaker 1: We could we could wing it.

1141
00:56:35,920 --> 00:56:39,559
Speaker 3: That would be the year, right, I think that that

1142
00:56:39,599 --> 00:56:43,239
will do it for me. What about angry Birds?

1143
00:56:43,800 --> 00:56:46,039
Speaker 1: I do it? Yeah, you know whenever my students are

1144
00:56:46,239 --> 00:56:48,239
not paying attention in class and like I just stop

1145
00:56:48,280 --> 00:56:52,559
and like, stop playing angry birds chicken, And they're like

1146
00:56:52,559 --> 00:56:54,480
what I was? I wasn't playing angry I was like, yeah,

1147
00:56:54,679 --> 00:56:59,239
stop playing angry birds. Like, well, I wasn't playing very funny.

1148
00:56:59,320 --> 00:57:01,559
I should mix it up. Stop pointing, Stop watching Happy

1149
00:57:01,559 --> 00:57:08,320
Feet on your phone. Stop watching Barely Legal on your phone. Okay,

1150
00:57:08,480 --> 00:57:08,880
I'm good.

1151
00:57:09,639 --> 00:57:11,760
Speaker 2: Stop watching Baldly Eagle on your.

1152
00:57:13,360 --> 00:57:16,800
Speaker 3: Oh that's got to be a killer eagle film.

1153
00:57:16,880 --> 00:57:23,840
Speaker 2: Yeah, the Birds Beaks, the movie The Birds to Peacemaker. Oh,

1154
00:57:24,559 --> 00:57:31,639
the movie is just called call Bird Horror car call

1155
00:57:31,800 --> 00:57:32,800
k a w call.

1156
00:57:32,920 --> 00:57:38,480
Speaker 1: But but I think you have to go. Yeah, Landed.

1157
00:57:39,199 --> 00:57:42,960
Speaker 2: A small town is attack. A small town is attacked

1158
00:57:42,960 --> 00:57:45,960
by ravens and doesn't know why the ravens are working

1159
00:57:46,039 --> 00:57:47,599
together not attacked.

1160
00:57:49,639 --> 00:57:53,519
Speaker 1: Can we just talk about the show Wings? Is that

1161
00:57:53,599 --> 00:57:55,000
the is that the show Wings.

1162
00:57:55,280 --> 00:57:57,320
Speaker 3: We could talk about the film Wings the best Picture

1163
00:57:57,320 --> 00:58:01,159
when the TV I don't with Tony Shaloup.

1164
00:58:01,639 --> 00:58:03,840
Speaker 1: Yes, sorry, my guy Stephen Webber.

1165
00:58:04,719 --> 00:58:07,000
Speaker 3: Why is Stephen Webber? You guy? He's my guy from

1166
00:58:07,400 --> 00:58:08,559
Six sun Sets Trap.

1167
00:58:08,639 --> 00:58:12,320
Speaker 1: You dead and loving it? But I'm British.

1168
00:58:12,800 --> 00:58:13,960
Speaker 2: Stephen mcattie is.

1169
00:58:13,880 --> 00:58:23,360
Speaker 1: In amy Asbeck, Thomas A and Church Bring, Patrick Flannery,

1170
00:58:23,920 --> 00:58:27,679
Brian Haley, Kelsey Grammer, Tyne Daily. I'm just reading.

1171
00:58:28,599 --> 00:58:33,800
Speaker 3: There's a Wikipedia page twelve different animated films about geese.

1172
00:58:33,840 --> 00:58:36,000
Speaker 1: Well, yeah, there's a movie called Migration.

1173
00:58:37,280 --> 00:58:39,880
Speaker 3: Yeah, it's bad. It's not it's not good. I didn't

1174
00:58:39,920 --> 00:58:40,039
like it.

1175
00:58:40,840 --> 00:58:41,960
Speaker 2: They give you a migraintion.

1176
00:58:43,280 --> 00:58:46,519
Speaker 1: There's one hundred and seventy two episodes of Wings.

1177
00:58:47,039 --> 00:58:50,599
Speaker 2: Jay, that face was all I needed. My grats like,

1178
00:58:50,639 --> 00:58:52,159
I'm good for the rest of the year.

1179
00:58:52,360 --> 00:58:55,960
Speaker 1: See, I was thinking my and why gresion like my gration.

1180
00:58:56,360 --> 00:58:58,599
Speaker 2: Well that's the who, that's the Who's verse.

1181
00:59:00,159 --> 00:59:00,800
Speaker 1: Migration.

1182
00:59:04,000 --> 00:59:06,679
Speaker 3: Okay, So this is.

1183
00:59:10,280 --> 00:59:11,000
Speaker 1: I'm trying.

1184
00:59:11,840 --> 00:59:13,199
Speaker 3: This is your first time listening to the show, and

1185
00:59:13,239 --> 00:59:14,840
if we cover a new film, this is Deep Blue

1186
00:59:14,880 --> 00:59:17,800
cy the podcast, I go through I work out how

1187
00:59:17,840 --> 00:59:20,880
deep everything on screen takes place at how blue everything

1188
00:59:20,880 --> 00:59:24,559
on screen is and how much it takes place at sea. No,

1189
00:59:24,840 --> 00:59:27,719
of course, as we all know, Deep Blue C is

1190
00:59:27,960 --> 00:59:31,440
approximately fourteen and a half meters deep or forty seven

1191
00:59:31,480 --> 00:59:34,480
and a half feet deep, about thirty one percent and

1192
00:59:34,559 --> 00:59:37,800
eighty nine cent it takes place at sea. Nick, do

1193
00:59:37,840 --> 00:59:43,320
you think Megapython versus Gatoroid is deeper, bluer, and more

1194
00:59:43,320 --> 00:59:46,880
at C than Deep Blue cy No, No, and no,

1195
00:59:47,920 --> 00:59:52,440
it's correct on all counts. This is up in the air,

1196
00:59:52,519 --> 00:59:56,280
whole bunch of helicopters, and they're only like below ground.

1197
00:59:56,559 --> 00:59:59,480
I counted when Debbie Gibson's in the cave with the eggs,

1198
00:59:59,480 --> 01:00:01,760
I coun't that like underground, even though you can see

1199
01:00:01,760 --> 01:00:04,039
she's on ground level, but she's underground, so can that

1200
01:00:04,360 --> 01:00:06,559
depth a little bit? Other than that? It's up in

1201
01:00:06,559 --> 01:00:09,400
the air. So five point eight meters or nineteen feet

1202
01:00:09,440 --> 01:00:13,400
up in the air. Four point three percent blue, not

1203
01:00:13,519 --> 01:00:16,840
very blue. This is slightly higher than carry on Cruising,

1204
01:00:16,880 --> 01:00:20,599
slightly lower than Renny Harden's twelve rounds blueness four point

1205
01:00:20,599 --> 01:00:22,920
three and blue. So it's bluer than shut Nado two,

1206
01:00:23,000 --> 01:00:26,719
the second one slightly less blue than Ravenous one hundred

1207
01:00:26,760 --> 01:00:28,800
and twenty fifth on our blue ranking, one hundred and

1208
01:00:28,840 --> 01:00:31,760
twenty six on our depth ranking. And it's never at sea.

1209
01:00:32,360 --> 01:00:34,920
Even when they're at the water, it's not sea, it's swamp,

1210
01:00:35,159 --> 01:00:38,199
so zero psentenc. It joins the many, many, many films

1211
01:00:38,239 --> 01:00:40,400
that are zero center c. It's down there with all

1212
01:00:40,440 --> 01:00:44,280
of them. So yeah, never at sea and thematically not

1213
01:00:44,360 --> 01:00:48,719
thematically deeper, not thematically bluer, and Nick, you're not used

1214
01:00:48,719 --> 01:00:53,440
of the thematic stuff? We no are we talking about?

1215
01:00:53,800 --> 01:00:56,480
Are the other characters? Is there more depth to the characters?

1216
01:00:56,800 --> 01:00:59,079
Are thematically deeper? Really sadder?

1217
01:01:00,119 --> 01:01:01,960
Speaker 2: A lot of deep cleavage for being honest.

1218
01:01:02,840 --> 01:01:04,280
Speaker 3: I mean Tiffany's trying.

1219
01:01:04,840 --> 01:01:07,360
Speaker 2: Trying, but you can only grade on so much of

1220
01:01:07,360 --> 01:01:07,760
a curve.

1221
01:01:09,039 --> 01:01:14,280
Speaker 3: Sure, okay, And like, are a sadder fanatically bluer? And

1222
01:01:14,320 --> 01:01:16,719
then are they more lost? Fanatically? Out scene?

1223
01:01:16,719 --> 01:01:17,039
Speaker 1: I mean.

1224
01:01:20,039 --> 01:01:22,079
Speaker 3: It was a sad scene. Then he is a funny

1225
01:01:22,079 --> 01:01:25,199
death but sad scene. I'm just surrounded by giant snakes,

1226
01:01:25,719 --> 01:01:29,039
so that's Sad's a big bunch of goose eggs around

1227
01:01:29,400 --> 01:01:34,320
for all of these ratings, Nick, do you have anything

1228
01:01:34,480 --> 01:01:38,159
you would like to plug there? No, not any of

1229
01:01:38,199 --> 01:01:40,039
your many podcasts that you do.

1230
01:01:40,480 --> 01:01:43,000
Speaker 2: I was trying to be funny. The Wings Land. There

1231
01:01:43,039 --> 01:01:45,400
we go the Wings Minute, where I listen to every

1232
01:01:45,480 --> 01:01:49,079
single song and alphabetical order by the band Wings, one

1233
01:01:49,159 --> 01:01:51,519
minute at a time. Now, if you head over to

1234
01:01:51,719 --> 01:01:55,519
rabbit Hole Podcasts dot com, you can find two programs

1235
01:01:55,519 --> 01:01:57,480
that I'm on at the moment. Play MST for me.

1236
01:01:57,559 --> 01:02:00,519
That is myself and Jason Soda. We're watching every episode

1237
01:02:00,679 --> 01:02:03,360
of Mystery Science Theater three thousand and talking about it.

1238
01:02:03,679 --> 01:02:06,079
I've had a whole lot of fun, no spoilers. I'm

1239
01:02:06,079 --> 01:02:08,960
only on the third season the show that I was

1240
01:02:09,000 --> 01:02:12,320
introduced with by Jay Lyrical Innuendo. Myself and Bubba Weet

1241
01:02:12,360 --> 01:02:14,960
were taking a listen to songs from all across the

1242
01:02:15,000 --> 01:02:17,719
annals of music history, determining if they're about sex, drugs,

1243
01:02:17,920 --> 01:02:19,920
or just go to old fashioned rock and roll. We've

1244
01:02:19,960 --> 01:02:21,920
been having a lot of fun with those. Newer episodes

1245
01:02:21,960 --> 01:02:24,280
have been recorded. We're very much looking forward to those

1246
01:02:24,320 --> 01:02:28,119
coming out. A lot of eighties recently and a lot

1247
01:02:28,159 --> 01:02:30,559
of good times to be had with those. Also, if

1248
01:02:30,559 --> 01:02:33,679
you ever feel like it, head over Exploding Helicopter. I'm

1249
01:02:33,719 --> 01:02:36,960
on a handful of very recent episodes. Talked about Godzella,

1250
01:02:37,039 --> 01:02:40,000
King of the Monsters, talked about half past Dead and

1251
01:02:40,199 --> 01:02:44,320
Giant Tests Attack versus Mecha Fembot. So you can see

1252
01:02:44,320 --> 01:02:49,760
why I think I'm over the whole versus films because

1253
01:02:49,760 --> 01:02:51,119
it's been too many of them.

1254
01:02:51,559 --> 01:02:54,320
Speaker 3: I think that that Mecha femb episode hasn't come out yet,

1255
01:02:54,360 --> 01:02:56,320
so I'm looking forward to that one, okay, I think,

1256
01:02:56,840 --> 01:02:58,159
but it might come out with this one.

1257
01:02:58,159 --> 01:03:01,320
Speaker 2: Does who knows if it's who knows if it's not.

1258
01:03:01,559 --> 01:03:02,480
Buckle up.

1259
01:03:03,920 --> 01:03:05,519
Speaker 3: Excellent, mark any.

1260
01:03:05,320 --> 01:03:09,880
Speaker 1: Plugs No Wings minute where I watch every episode of

1261
01:03:10,360 --> 01:03:14,400
the Stephen Weber starring TV show Wings. I cover it

1262
01:03:14,400 --> 01:03:15,199
one minute at a time.

1263
01:03:16,559 --> 01:03:18,679
Speaker 3: Awesome and you can probably find that over it movies,

1264
01:03:18,679 --> 01:03:23,400
films and flicks dot com. As for me, my new

1265
01:03:23,400 --> 01:03:25,400
podcast Wings Minute where I eat as many wings as

1266
01:03:25,400 --> 01:03:30,400
I can in a minute. I think that's that's all

1267
01:03:30,440 --> 01:03:33,360
the basis we can do with that. Deep at Deeply.

1268
01:03:34,719 --> 01:03:36,920
Speaker 1: Where you can find this, I'm going to send you

1269
01:03:36,920 --> 01:03:38,000
a gift card.

1270
01:03:38,719 --> 01:03:41,079
Speaker 3: I mean to seven Bone would be my preference. That's

1271
01:03:41,119 --> 01:03:44,159
my favorite place to get wings in Bournemouth. The fish

1272
01:03:44,239 --> 01:03:46,960
caramel chicken wings are delicious. I don't know.

1273
01:03:47,039 --> 01:03:51,760
Speaker 2: I'm sorry, we need to break that down. Fish caramel wings.

1274
01:03:51,440 --> 01:03:53,360
Speaker 3: It's what they're called it's what it's what they used

1275
01:03:53,400 --> 01:03:54,960
to be called. They've changed it now, but it's what

1276
01:03:54,960 --> 01:03:57,039
they used to be called fish caramel, Like, what is that?

1277
01:03:57,079 --> 01:03:59,199
I ordered them. They're the best thing I've ever eaten.

1278
01:03:59,719 --> 01:04:04,039
I don't know, I don't know. Beautiful, the gorgeous, love them.

1279
01:04:04,239 --> 01:04:07,280
Ah there, it's just like a kind of a sweet

1280
01:04:07,519 --> 01:04:10,519
source on it. It doesn't taste very fish or fishy

1281
01:04:10,599 --> 01:04:14,119
at all. But yes, seven Bone check it out. There's

1282
01:04:14,119 --> 01:04:16,440
actually they're across the UK, the Great eleven.

1283
01:04:17,800 --> 01:04:18,119
Speaker 1: Voucher.

1284
01:04:18,239 --> 01:04:22,159
Speaker 3: It's a chicken burger awesome. Yeah, I have a membership.

1285
01:04:22,760 --> 01:04:27,639
I go there too often because they're good and I'm addicted.

1286
01:04:28,559 --> 01:04:31,199
Speaker 1: I'll get any of the voluture.

1287
01:04:30,880 --> 01:04:33,440
Speaker 3: You don't have to see at Deep Blue Seapod this

1288
01:04:33,480 --> 01:04:36,599
week and follow us Oliver social media. Deep Blue Seapod

1289
01:04:36,639 --> 01:04:40,639
at gmail dot com is our email address. Next week

1290
01:04:40,679 --> 01:04:42,440
will be a scene of Deep Blue c Who could

1291
01:04:42,480 --> 01:04:44,760
have guessed. I think it's going to be the one

1292
01:04:45,119 --> 01:04:50,800
where Susan stops being around in the film. We'll see.

1293
01:04:51,519 --> 01:04:54,280
So come back next week for more shark grated fun.

1294
01:04:54,559 --> 01:04:57,719
But as for Mega Python versus Gay Troyd, thank you

1295
01:04:57,760 --> 01:04:59,119
once again to our wonderful.

1296
01:04:58,760 --> 01:05:01,119
Speaker 2: Guest Nick Rehac, Thank you so much for having me.

1297
01:05:02,199 --> 01:05:07,119
Speaker 3: Hi have been Jake Lewis, Mark Hoffmeyer will Deep Blue

1298
01:05:07,159 --> 01:05:08,079
see you next week.

1299
01:05:08,639 --> 01:05:09,119
Speaker 1: Signing out