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Speaker 1: You're listening to Mattconnorton Unleashed on WMNH ninety five point three.

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Speaker 2: Right now, the American radio premiere of the new single

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short Life from the band Pacific A's.

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Speaker 3: Think and Fallen move the sun. So my god, you

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see the sable man love sor and singer. Take it

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Inlish without regression, so laughter, not see me, you've got along.

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Speaker 2: You're sure.

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Speaker 1: Something be let.

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Speaker 3: The ships just kidding you comforts She leans across.

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Speaker 4: The bod to comf.

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Speaker 1: Does nothing. No, no, the dress.

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Speaker 5: Something got long dress stems.

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Speaker 6: It's a long time.

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Speaker 2: So right now, the American radio premiere of the new

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single from Naked Without It. This is called My Sister.

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Will you are a soap.

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Speaker 7: Boxed minor with your daily mail hatred read anything from

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the village that you have.

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Speaker 1: I ain't got no sooners food but a mind of mine.

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Speaker 7: I've been thinking on my feet since I left home,

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up with your two one on attitude driving.

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Speaker 1: Me and serve my words fail.

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Speaker 8: You use your own brand.

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Speaker 1: For you are not a young man.

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Speaker 7: I can't believe he's say the twistic generation in this

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landage so green. But you're a tick tick tick tick

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tick with the dope.

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Speaker 1: Giv it is.

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Speaker 7: I give you every chance, but you keep up sliding

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in all the changes to the city must be up.

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Speaker 1: It's a pillbird or my mama.

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Speaker 8: Don't kill you, then, men of my sister s w.

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Speaker 7: I'll watch you sneak off and don't face there like

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a man. I'll put this in into words that even

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you will understand.

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Speaker 8: As long as you get your own work, you will

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stay here till the earth one word for me. It's

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the end for you, my friend.

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Speaker 6: But you're a tick tick tick tictic dope.

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Speaker 1: Give it in.

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Speaker 6: I give you whatever she asked.

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Speaker 1: That you keep up side of the changes to the city.

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Speaker 6: Might be up.

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Speaker 3: It's a herbod.

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Speaker 8: If my mama don't kill you, then my sister, with.

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Speaker 1: That this that you grow up at the people that

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you hate.

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Speaker 7: Every one you picture there is an enemy of the stakes.

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Speaker 8: I think that you might twice give the children where

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you're roll.

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Speaker 7: But you can hide and ride the rails up the

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seats that you have socause you'll have sick tick tick

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tickick with you giving in and I give you every chance,

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but you can keep on siding in the changes to

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the sixty I still up.

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Speaker 8: That's a pill, but if my mama don't kill you,

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then my sister. Welcome everybody, Here we go.

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Speaker 2: It is that time again. Matt Connorton unleashed and we

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are live from the studios of wm n H ninety

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five point three FM and Glorious Manchester, New Hampshire. Today

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is a Saturday, September twenty seven, twenty twenty five, and

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I am not alone. Jenny don Best, Good morning, Sunshine.

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Jenny is here at the news table and let me

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get these mics up. We got a couple of guys

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here who've actually been on the show a number of times,

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but they've got some new music and one of them

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brought a guitar with them. We've got Jam Tomorrow. You

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of the guys from Jam Tomorrow here with us in studio. Welcome, gentlemen. Hello,

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Oh I can barely hear you. Let me figure out

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why we got a We got a little bit of

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a different mic setup because uh, these guys are gonna

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be playing live.

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Speaker 1: Let's see you got my vanity Mike rock in here.

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Speaker 2: Yes, yes, there we go.

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Speaker 1: I can hear.

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Speaker 2: Put the camera on you there too, so we can

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see you. So MHP is here. Hello, that's easier to

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say that way, yeah, MHP and uh and Mark is Mark?

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How do you say your last name? Bad?

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Speaker 7: Nay?

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Speaker 2: Yeah, Okay, I've never been sure. It depends sometimes.

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Speaker 1: Yeah, that's not how much whiskeys in BOLTHD.

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Speaker 2: I Got YOUA, I Got YOUA. So Uh, you guys

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got a new song that we're gonna play in a

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moment and uh and then you guys are gonna play live.

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So excited about that? What's the new? Do you want

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to tell us about the h the new single?

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Speaker 9: Yeah, so we haven't even dropped this one yet. You

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are getting hot wax here. This song is called twenty two.

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Speaker 1: We've played it for three or four years.

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Speaker 9: We may have actually played it on your show live

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in the past, but we recorded it in the studio

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and actually had a horn with us, which we've never recorded.

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Speaker 1: I've never watched horns recorded before.

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Speaker 9: It's sort of a stacking process where you you lay

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down a line and then you come back to the

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beginning and you lay down a fifth over that or

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whatever your interval is, and then you go back to

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the beginning game and you lay another interval over that

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lies down a chord, which is why there's always horn

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sections and never one horn player playing with the band live,

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which I never even thought about it.

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Speaker 1: It makes perfect sense, but.

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Speaker 9: It was really cool to watch it actually unfold.

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Speaker 1: So we had a lot of fun.

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Speaker 9: This song's about the triumphs of the Tarot deck, sort

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of a psychedelic.

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Speaker 1: Journey through them. Okay, and this one's called twenty two.

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Speaker 2: Okay, very good, very good. And by the way, so

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this is a world radio premiere. Well you know what

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that means.

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Speaker 8: It means this your listensminate.

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Speaker 10: World premiere, traveling through the world past boats and boat temptationes.

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Speaker 8: As Christesses in love look my way and wis.

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Speaker 9: But the world with the way to the world's in

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my cherry eyes.

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Speaker 1: And that magic.

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Speaker 11: My just free and engine, got my bag, I gotten

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my dog.

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Speaker 8: I'm stepping did not hurt legend.

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Speaker 12: As the cards are debating, always been every don't care

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for me, and they the fool, have to fag the.

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Speaker 9: I need to have the strength to hold the lion

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sight and stand alone in the darn.

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Speaker 1: And holding out the lion as a wheel of fortune spends.

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Speaker 8: Is justice on my side?

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Speaker 9: And they hang me upside down, my hands behind.

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Speaker 4: The tie, jump the food the strange After Edgine.

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Speaker 1: Got my back, I got my dog.

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Speaker 13: I'm stepping off of Legend.

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Speaker 4: At the deck fan town.

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Speaker 12: See how fad is cool, carefree, don't care for me.

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I have to play the fool have to play the food.

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Speaker 8: And I spelled death.

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Speaker 9: Unmistakable, A man on the water to uclass and unclass foot.

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Speaker 8: That's the devil finds being a change.

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Speaker 9: I can see the table fall, but I avoid the lighting.

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Speaker 4: Somehows came in all.

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Speaker 8: Just food.

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Speaker 4: Freeing at the edges, got my lad and I got.

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Speaker 8: Night out out, stepping up by let.

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Speaker 1: As the car rain down, drown again the food carefree,

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You don't care for me?

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Speaker 9: I have they hear the fool have pigging the food.

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A woman like a star has pictures in her hand

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as the moon shines over all the creatures of the

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sea and love. But the sun is rising in the

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angel Trumpet's judgment. Time the world is outs and we

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can only light.

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Speaker 4: Jumped the fool sprea the edge, gotten.

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Speaker 1: My bag, I got my dog. I'm stepping up legend.

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Speaker 14: And that I'll do God.

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Speaker 15: Telling up Jeffy, don't can't handle have the hand league, Oh.

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Speaker 1: Oh oh.

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Speaker 2: Blandings A great track that is twenty two The band

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is Jam Tomorrow. We've got two of the guys from

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Jam Tomorrow here in studio with us. Uh, we have

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both MHP and Marker here and no, no Gary, Now,

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Gary Smith is is with you some times?

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Speaker 1: Right?

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Speaker 9: Yeah, he's he actually has five bands and he just

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got I don't know if we can publicly announce it.

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Speaker 1: I'm not going to say it. He just got signed

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with a national act.

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Speaker 16: Oh that.

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Speaker 9: I don't know if we're able to release that information yet.

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So we're going to be seeing less of him. We're

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hoping we're still going to get him in the studio. Yeah,

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pretty much everything, and hopefully live on occasion. But most

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of what you're going to be seeing live is going

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to be Mark and I probably because he's.

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Speaker 1: On a plane from North Carolina right now. And yeah,

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you to.

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Speaker 9: Cancel another kid because he's gonna be in Jamaica.

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Speaker 2: Yeah, he's breaking my heart. He's got a lot going on. Well,

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you know, I always say he's like the busiest musician

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I know. Yeah, literally the busiest musician I know.

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Speaker 9: So we're so proud of him. It's well, yeah, we're

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just honored to be able to play with somebody of

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that talent.

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Speaker 2: Yeah, No, doubt.

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Speaker 1: Yeah, it was his dream for sure.

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Speaker 2: Oh, absolutely absolutely, it was mine thirty years ago, was it? Yeah,

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it's still time, you're still I just want to be

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in my bed at ten o'clock, I understand.

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Speaker 1: Yeah.

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Speaker 2: You guys had a show last night, right then.

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Speaker 9: Yeah, we didn't get back to well, we got back

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to my place at like midnight, and then we sat

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in the driveway for like forty five minutes just talking

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to my car.

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Speaker 1: Really yeah yeah, it was decompressing.

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Speaker 9: Yeah yeah, yeah, and then we'll playing tonight as well.

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We're actually playing at Litherman's Limited and Conquered from four

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to seven, okay, one twenty six Hall Street right between

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extit's twelve and thirteen. I'm hoping we're going to play outside.

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It looks like it's gonna be nice.

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Speaker 2: Yeah, it's supposed to be very nice today. Yeah, outstanding.

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Speaker 1: It's actually attached to six oz three barbecues. Yeah, so

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there will be good food as well as wind beverage.

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Speaker 2: Oh, very nice, very nice. So you guys are gonna

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play live for us, so we are excellent.

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Speaker 9: This is this is an older song. This one comes

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from twenty one. This is from our Thinly Veiled allegory series. Okay,

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if anyone's a fan of those, we have quite a

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few of them. This one's called here there be Dragons.

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Back in the age of exploration, when they'd send cartographers

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out on boats, they would go as far as they

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could based on resources or food or budget or timeline

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or whatever, and they draw their map and then they'd

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say as far as they got, they kind of say,

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here there'd be dragons, which is sort of a way

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of saying like, don't go there. We don't know what's there,

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but I want to come back and map this later.

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So I'm just gonna say dragons here to discourage other

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people from going. Okay, so this song is sort of

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a out uncharted territory when I when I sold the

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business that I used to own.

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Speaker 2: Oh oh yes, all right, very good. Jam tomorrow live

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in studio.

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Speaker 9: Set sail at sunrise for parts on no maybe you're

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not too wise or not yet growth. Set sail a

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day break to break.

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Speaker 8: From the past upon the water, self imposed outcast.

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Speaker 9: Here to be dragon. It's the edge of the map,

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free from antagonism and.

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Speaker 4: All of that.

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Speaker 8: Here to be dragons, the map just dead at the

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mercy of what.

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Speaker 17: Sells high at twelve belts, just blue on blue, with

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the sun as hot as hell, just burning on through

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sells high at midday in this minstrel's eye.

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Speaker 8: Not much to say, be as the world sells by.

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Speaker 9: Here there be dragons on the edge of the mouth,

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free from antagonism, and non, here there be dragons uncertainty.

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Speaker 1: I see.

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Speaker 8: All I know is my g tar and me.

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Speaker 9: Storm song through, storms are through, Storms are through. Storm

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sells down at sunset as a stone rolls in, batten

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down the hatches.

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Speaker 1: As the waves speaking.

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Speaker 9: Down at night, falling as the waves turned white. So

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easy to feel small surrounded by night. Here they be

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dragons the edge of the mouth, free from antagonism, and

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don here to be dragons do nothing canvas seen nothing,

246
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but I want it, if.

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Speaker 6: You know what I'm mean.

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Speaker 9: Here there be dragons, the edge of them now free

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from antagonism, and don.

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Speaker 1: Here they be dragons.

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Speaker 8: None canvy see not what I want you if you

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know what I mean.

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Speaker 2: Hmmm, that's great, guys, Thank you. Love that. Love that.

254
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Get those mics on there, there we go. What's that

255
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called again? Here there be dragged Here there'll be dragons.

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Speaker 1: I love it.

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Speaker 2: I love it. That's one of our first ones actually,

258
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oh really, yeah, no kidding.

259
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Speaker 9: I think we started Our first original was twenty twenty

260
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and then we just trickled them out after that.

261
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Speaker 1: Yeah, I think that was when we did falling into

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place the place.

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Speaker 2: I love that song.

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Speaker 1: I think we might.

265
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Speaker 9: No, we don't have that on the list that I have.

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Speaker 1: We played that twice here.

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Speaker 2: We try to keep it fresh, right right, Yeah, if

268
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you are just showing us we've got two of the

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guys from jam tomorrow or I get well, I guess

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I don't have to say two of the guys, right,

271
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You guys are a jam from Yeah, Yeah.

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Speaker 1: We have additional folks.

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Speaker 9: Gary's often with us, sometimes other people or Nesto Burden

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sometimes joins us on keys. We've had Mike Freeman join

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us on cahone. Yeah, we had was it Brian that

276
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joined us on Hoard? Yes, you actually sat in with

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us for a whole the whole gig at Strange Brew,

278
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which is interesting.

279
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Speaker 1: Yeah, sight unseen.

280
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Speaker 9: Always interesting to play a three hour session with someone

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who's never heard your music before.

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Speaker 1: A lot of fun.

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Speaker 18: Yeah, yeah, are you guys playing a lot? And it

284
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sounds like you've been pretty busy right, Yeah, we had

285
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six gigs in four weeks at this block. Yeah, we

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probably do twenty shows a year. I would guess maybe

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twenty five. Oh, okay, give or take.

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Speaker 1: It's been an interesting one coming up at the ballroom.

289
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Speaker 9: Yeah, we're actually opening up for us stand up Comedy

290
00:22:00,680 --> 00:22:05,079
Real Rockingham Ballroom a week from today from seven to eight.

291
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Tickets are available online. I don't know who the comedians are,

292
00:22:08,640 --> 00:22:11,240
but a friend of mine's their program director and she

293
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invited us to come play after hearing us play at

294
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a charity gig that we did for the Coalition Against

295
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Domestic and Sexual Violence and she was actually their controller

296
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for thirty years until she retired.

297
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Speaker 1: And this is her retirement gig.

298
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Speaker 2: So, oh wow, thanks to Pam.

299
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Speaker 9: If she's out there, we're looking forward to playing there.

300
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It'll be very interesting to have a front facing audience

301
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because we don't usually get that where everyone's actually looking

302
00:22:30,799 --> 00:22:33,200
at you versus just having their conversations and enjoying their beers.

303
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Speaker 2: Yeah. Yeah, oh, fantastic, fantastic. You guys want to play

304
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another one?

305
00:22:36,960 --> 00:22:43,000
Speaker 1: Yeah, let's do. It's gonna hurt Mark. This one's really new.

306
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Speaker 9: We just wrote this a couple of years ago.

307
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Speaker 1: And then forgot it.

308
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Speaker 9: Probably actually wrote this in September twenty two and then

309
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it got lost and just got rediscovered about a month ago.

310
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Speaker 1: So we've been playing this lately.

311
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Speaker 9: I really dig this. This might be my favorite of

312
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our new batch of songs. One's called It's Gonna Hurt.

313
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Speaker 2: It's Gonna Hurt Jam Tomorrow live in studio, Darkest.

314
00:23:28,680 --> 00:23:32,279
Speaker 1: Glass crickets singing their song.

315
00:23:34,200 --> 00:23:37,119
Speaker 8: As the passing summer tries to see.

316
00:23:38,599 --> 00:23:43,559
Speaker 1: Long warm winds to see with the.

317
00:23:43,720 --> 00:23:52,200
Speaker 9: First falling leaves, make us believe whatever we want to believe.

318
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Speaker 8: It's gonna hurt the very nat Day.

319
00:24:00,079 --> 00:24:08,200
Speaker 9: Believe in black and white, our shades of gray. It's

320
00:24:08,279 --> 00:24:15,599
gonna hurt the very nats Day. Wearing the pangelum swings

321
00:24:16,599 --> 00:24:24,000
theah the way a feral philosophy, like a gin with

322
00:24:24,119 --> 00:24:30,559
a double lamb, like a genie without a bottle, somehow

323
00:24:30,839 --> 00:24:37,440
summoned again, waiting to build the temple no one has

324
00:24:37,559 --> 00:24:38,799
ever seen.

325
00:24:39,759 --> 00:24:45,319
Speaker 8: Like Jack seeking a giant with just magic bed.

326
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Speaker 1: It's gonna hurt.

327
00:24:49,000 --> 00:24:57,839
Speaker 9: The very nats Day. Wearing the clouds start to roll away.

328
00:25:01,160 --> 00:25:07,400
It's gonna hurt the very nast Stay wearing the pange

329
00:25:07,559 --> 00:25:41,160
lung swings be ay the way, take it. Constant bewilderment

330
00:25:42,079 --> 00:25:47,480
at what we have become? Did I blink too long?

331
00:25:48,480 --> 00:25:50,680
Have my sandence? It's gone now?

332
00:25:52,720 --> 00:25:58,079
Speaker 8: But every time I turn around, trees is off the past.

333
00:25:59,599 --> 00:26:04,200
Speaker 9: The say em old ground, and I know this won't last,

334
00:26:04,359 --> 00:26:05,920
but it does, Yes, it does.

335
00:26:06,559 --> 00:26:12,279
Speaker 8: It's gonna hurt the very naxt stay in the end.

336
00:26:14,920 --> 00:26:15,960
Speaker 1: What did we pay?

337
00:26:19,680 --> 00:26:25,640
Speaker 9: It's gonna heard the very next stay, wear the pang

338
00:26:25,799 --> 00:26:33,920
and long sweet the other way. It's gonna heart in

339
00:26:34,039 --> 00:26:40,200
this crazy vine. Were only like minded?

340
00:26:41,440 --> 00:26:42,279
Speaker 8: Let him side.

341
00:26:42,400 --> 00:26:53,279
Speaker 9: It's gonna heard when we fall apart. It's gonna hurt

342
00:26:53,359 --> 00:26:57,599
it with brooking pots when we fall pond.

343
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Speaker 1: Fall apart.

344
00:27:00,319 --> 00:27:05,240
Speaker 8: The very next day. It's gonna hurt.

345
00:27:07,240 --> 00:27:10,279
Speaker 9: When we fall a bump, when we fall the bomb

346
00:27:10,640 --> 00:27:15,279
very naxt day, the very naxt day.

347
00:27:17,240 --> 00:27:18,119
Speaker 1: It's gonna.

348
00:27:31,240 --> 00:27:34,559
Speaker 2: M hmm. I love it. Great job, guys, Thank you.

349
00:27:34,839 --> 00:27:36,200
Jam Tomorrow is here with us.

350
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Speaker 1: We have fun.

351
00:27:37,440 --> 00:27:38,240
Speaker 2: Live in studio.

352
00:27:39,200 --> 00:27:40,000
Speaker 1: That was good to hang out with.

353
00:27:40,079 --> 00:27:41,720
Speaker 9: We've known each other like almost twenty years now.

354
00:27:41,920 --> 00:27:42,720
Speaker 2: Hasn't been that long.

355
00:27:42,880 --> 00:27:43,440
Speaker 1: I think we.

356
00:27:43,640 --> 00:27:48,759
Speaker 9: Started two thousand and nine with chemicals.

357
00:27:48,480 --> 00:27:49,200
Speaker 2: With chemical distance.

358
00:27:49,279 --> 00:27:54,079
Speaker 1: I believe when we did the defeat concession party. We'll

359
00:27:54,119 --> 00:27:55,920
be plugged in outside of city Hall.

360
00:27:57,240 --> 00:28:00,519
Speaker 9: Oh without a permit with your but you would run

361
00:28:00,559 --> 00:28:01,519
for mayor, Glenn R J.

362
00:28:01,680 --> 00:28:02,920
Speaker 2: Will let the People's mayor.

363
00:28:03,079 --> 00:28:07,559
Speaker 9: Yes, yes, And there were kids skating by and mocking

364
00:28:07,720 --> 00:28:10,440
us and oh yeah that was great, good time. So

365
00:28:10,759 --> 00:28:13,279
that was that was That was our first official show together.

366
00:28:13,359 --> 00:28:16,319
Speaker 2: That was Yeah, that's wild the auto Yep, that's right.

367
00:28:16,400 --> 00:28:17,920
Speaker 9: I think it was Stone Church after that, and then

368
00:28:17,920 --> 00:28:19,359
we sort of decided that we were a thing and

369
00:28:19,440 --> 00:28:20,200
not just a passing.

370
00:28:20,680 --> 00:28:24,279
Speaker 2: Yeah, yeah, yeah, wow, Oh that was that long ago. Well,

371
00:28:24,279 --> 00:28:26,599
the time goes goes fast. I almost hate to say that.

372
00:28:26,680 --> 00:28:29,119
It's such a cliche, but it also is true. As

373
00:28:29,119 --> 00:28:30,279
we get older, it goes faster.

374
00:28:30,440 --> 00:28:31,160
Speaker 9: Ain't that the true?

375
00:28:31,160 --> 00:28:36,119
Speaker 2: I don't like it. Well, should we play another studio track?

376
00:28:36,279 --> 00:28:37,720
Speaker 1: Yeah, let's do that. We've got.

377
00:28:39,359 --> 00:28:42,319
Speaker 2: We got uh. You guys wanted to play White Whale, right,

378
00:28:42,400 --> 00:28:43,920
that's uh, that's one of the new Yeah.

379
00:28:43,799 --> 00:28:46,359
Speaker 9: Let's do White Whale. This is one that Gary who's

380
00:28:46,359 --> 00:28:47,920
not here, got in a car accident a few years ago.

381
00:28:47,920 --> 00:28:48,839
Speaker 1: He's a he's a race driver.

382
00:28:48,920 --> 00:28:51,000
Speaker 9: He was doing still climb and his steering wheel fell

383
00:28:51,039 --> 00:28:52,559
off and he hit a tree at like sixty five

384
00:28:52,640 --> 00:28:54,920
miles an hour without hitting the brakes, totaled, the car

385
00:28:55,000 --> 00:28:56,519
broke a bunch of bones. He was laid up for

386
00:28:56,519 --> 00:28:58,519
a couple of months. Yeah, I visited him a couple

387
00:28:58,559 --> 00:28:59,920
of times and he had he could play his tight

388
00:29:00,079 --> 00:29:01,759
little tenor guitar because it's all he could fit around

389
00:29:01,759 --> 00:29:03,279
the hardware that was sticking out of his body. And

390
00:29:03,599 --> 00:29:06,079
while he was sitting and we wrote this song with

391
00:29:06,240 --> 00:29:08,039
him on tenor guitar and then went to record it

392
00:29:08,279 --> 00:29:09,720
and he's like, I think this needs something, and so

393
00:29:09,759 --> 00:29:11,359
he hopped on keys and he played keys on it

394
00:29:11,440 --> 00:29:13,519
as well. And then then we actually brought Mike Freeman,

395
00:29:13,880 --> 00:29:16,200
our Cohen player, in to sit on a kit after

396
00:29:16,279 --> 00:29:17,920
the fact, and he was the last thing that we recorded,

397
00:29:17,920 --> 00:29:19,799
which is kind of an awkward way to record drums.

398
00:29:20,079 --> 00:29:22,799
So they're they're a little jazzy as it were. But yeah,

399
00:29:22,839 --> 00:29:25,480
this song is called White Whale, and it's just sort

400
00:29:25,519 --> 00:29:27,720
of about impermanence, as it were.

401
00:29:27,960 --> 00:29:31,279
Speaker 2: All Right, this is White Whale, jam tomorrow, check this out.

402
00:30:07,359 --> 00:30:13,519
Speaker 9: Sometimes you find the dream, Sometimes you find you've woke

403
00:30:13,720 --> 00:30:14,359
in up.

404
00:30:16,160 --> 00:30:18,799
Speaker 1: Some things aren't what they see.

405
00:30:20,000 --> 00:30:23,319
Speaker 9: Sometimes you spill yourm damn cover.

406
00:30:25,000 --> 00:30:28,920
Speaker 1: Sometimes you look back. I had a dream.

407
00:30:29,480 --> 00:30:36,400
Speaker 16: You think you have, but what you've got right now

408
00:30:38,319 --> 00:30:45,359
in all that bad, no one will write the book.

409
00:30:47,559 --> 00:30:53,200
Speaker 1: No one will tell That's say it in a hundred years.

410
00:30:53,440 --> 00:30:57,519
No one will care about your wide will.

411
00:31:00,759 --> 00:31:06,279
Speaker 8: No one will write the book, No one will tell

412
00:31:06,839 --> 00:31:07,920
the sale.

413
00:31:09,440 --> 00:31:13,200
Speaker 19: One hundred years, no one would care about the winden

414
00:31:13,440 --> 00:31:23,920
that filled your safe, about the windden that filled your safe.

415
00:31:35,759 --> 00:31:38,559
Speaker 1: Like a body where the soul.

416
00:31:40,480 --> 00:31:53,720
Speaker 20: Has departed, still walking around, still walking around, empty hearted, not.

417
00:31:53,880 --> 00:32:02,880
Speaker 9: Quite sureing all of this even started, Like a body

418
00:32:03,799 --> 00:32:04,920
wearing the soul.

419
00:32:06,920 --> 00:32:16,039
Speaker 1: Has departed. No one will write the book, no one

420
00:32:16,160 --> 00:32:18,039
will sell. Let's say.

421
00:32:19,759 --> 00:32:24,640
Speaker 21: In a hundred years, no one will care about your

422
00:32:24,759 --> 00:32:31,079
wide Well, no one will write the book.

423
00:32:31,960 --> 00:32:35,680
Speaker 1: No one will sell Lets say.

424
00:32:37,319 --> 00:32:40,759
Speaker 22: In a hundred years, no one will care about the

425
00:32:40,960 --> 00:32:49,559
winten that build your save, about the.

426
00:32:49,720 --> 00:32:52,000
Speaker 1: Whinnen that filled your safe.

427
00:33:03,559 --> 00:33:09,759
Speaker 9: New leaves are growing outside my front door.

428
00:33:12,359 --> 00:33:18,480
Speaker 1: New leaves that burn't there before. And yet.

429
00:33:21,160 --> 00:33:30,119
Speaker 9: All leaves well they're just last year around Now these

430
00:33:30,240 --> 00:33:40,039
leaves are the same but different somehow. No one will

431
00:33:40,240 --> 00:33:46,160
ride book. No one will sell the same.

432
00:33:47,920 --> 00:33:53,720
Speaker 1: A hundred years. No one will care about your wide ways.

433
00:33:56,920 --> 00:34:05,000
No one will ride the book will say.

434
00:34:05,519 --> 00:34:09,199
Speaker 19: A hundred years, no one will care about the win

435
00:34:09,599 --> 00:34:11,880
that Phil Josee.

436
00:34:17,039 --> 00:34:20,199
Speaker 8: About them win that Phil jose.

437
00:34:26,360 --> 00:34:29,000
Speaker 1: Who win that Phil jose.

438
00:34:35,039 --> 00:34:35,199
Speaker 9: Hm.

439
00:34:35,360 --> 00:34:37,800
Speaker 2: That is beautiful. That is called White Whale. And the

440
00:34:37,880 --> 00:34:40,000
band is Jam Tomorrow. We've got the guys from Jam

441
00:34:40,039 --> 00:34:42,599
Tomorrow here in studio with us. And by the way,

442
00:34:42,639 --> 00:34:44,960
Gary Smith is in the chat room. I mentioned this

443
00:34:45,000 --> 00:34:46,480
while the song was playing, and he says, Hey, I

444
00:34:46,559 --> 00:34:47,079
know that song.

445
00:34:47,960 --> 00:34:50,559
Speaker 1: That's that Gary Yoh?

446
00:34:50,639 --> 00:34:52,039
Speaker 2: Do you guys want to play you guys want to

447
00:34:52,039 --> 00:34:53,119
play another live one for us?

448
00:34:54,079 --> 00:34:55,039
Speaker 9: What do you want to play?

449
00:34:55,079 --> 00:34:57,880
Speaker 1: Mark? Do you want to even Fall? Or bean Hollow?

450
00:34:57,960 --> 00:35:03,079
Or Killing Time? All right, so we're gonna do bean Hollow.

451
00:35:03,159 --> 00:35:04,559
We haven't done this song in a long time.

452
00:35:05,199 --> 00:35:08,400
Speaker 9: Bean Hollow is actually a beach in California on Route one,

453
00:35:08,880 --> 00:35:14,719
sort of between Monterey and Santa Cruz roughly speaking, and

454
00:35:15,920 --> 00:35:17,559
you can camp there as long as you pack out,

455
00:35:17,559 --> 00:35:18,119
which you pack in.

456
00:35:18,519 --> 00:35:20,400
Speaker 1: And I spent way too much time there.

457
00:35:20,320 --> 00:35:23,360
Speaker 9: When I was supposed to be at college, which is

458
00:35:23,519 --> 00:35:25,760
probably why I don't have a degree. But I have

459
00:35:25,880 --> 00:35:28,239
a beautiful song, and it's one of my favorite places

460
00:35:28,280 --> 00:35:29,920
in the world. And I'm actually gonna be going back

461
00:35:29,960 --> 00:35:32,000
there in another month and change.

462
00:35:32,599 --> 00:35:33,360
Speaker 1: Look up pictures.

463
00:35:33,400 --> 00:35:35,239
Speaker 9: It's just a beach, but it's a beautiful beach if

464
00:35:35,239 --> 00:35:37,400
you like California beaches, and how can you not. It's

465
00:35:37,440 --> 00:35:40,480
a kind of the quintessential beautiful landscape California beach.

466
00:35:40,559 --> 00:35:41,320
Speaker 2: So okay, it's a.

467
00:35:41,320 --> 00:35:43,960
Speaker 9: Song about my experiences there when I was supposed to

468
00:35:44,000 --> 00:35:44,880
be doing other things.

469
00:35:45,239 --> 00:36:09,039
Speaker 2: All right, jam tomorrow live in studio, and.

470
00:36:09,679 --> 00:36:11,000
Speaker 1: I really call.

471
00:36:13,480 --> 00:36:25,559
Speaker 9: Sometime before the fall, when life was glowy on with unknowing,

472
00:36:28,199 --> 00:36:38,599
when we had no fear, when life was here, when tomorrow.

473
00:36:39,039 --> 00:36:39,960
Speaker 8: Couldn't end.

474
00:36:41,679 --> 00:36:49,559
Speaker 23: With ladders, we wouldn't say. Drive out to the ocean side.

475
00:36:51,199 --> 00:36:56,840
Just too mid, someplace too high, Drive out.

476
00:36:57,320 --> 00:37:03,280
Speaker 8: To the ocean side. Can I confide.

477
00:37:04,119 --> 00:37:04,559
Speaker 24: In you?

478
00:37:08,599 --> 00:37:18,639
Speaker 1: Confide you? And I remember.

479
00:37:20,920 --> 00:37:32,960
Speaker 13: One last September, the poetry unread, the potent words unset,

480
00:37:35,320 --> 00:37:37,719
When we took no cart.

481
00:37:39,920 --> 00:37:42,360
Speaker 1: To be was the call.

482
00:37:43,800 --> 00:37:47,239
Speaker 8: Went tomorror couldn't be seen.

483
00:37:48,880 --> 00:37:52,079
Speaker 1: With word, We couldn't breath.

484
00:37:53,760 --> 00:37:59,639
Speaker 25: Try out to the ocean side, just a mind, some

485
00:38:00,079 --> 00:38:08,199
place to high? Drive out to your ocean side? Can

486
00:38:08,360 --> 00:38:09,840
I decide?

487
00:38:11,199 --> 00:38:34,719
Speaker 1: When you decide with you? And somehow iron vision.

488
00:38:36,000 --> 00:38:49,519
Speaker 9: Someplace beyond to vision, someplace by the sea, spin it quietly.

489
00:38:51,360 --> 00:38:52,840
Speaker 8: Where we were not.

490
00:38:53,000 --> 00:39:06,360
Speaker 9: We bod happened when tomorrow was like today, remembering when

491
00:39:06,440 --> 00:39:12,400
we used to say, drive out to the ocean, SA,

492
00:39:14,199 --> 00:39:20,079
just about it, some place to h drive out to

493
00:39:20,280 --> 00:39:21,679
the ocean, SA.

494
00:39:23,360 --> 00:39:31,280
Speaker 8: Can I watch the tide with you? Watch the time

495
00:39:31,800 --> 00:39:44,039
with you, Watch the tide with you, Watch the tide

496
00:39:44,280 --> 00:39:44,800
with you?

497
00:39:47,960 --> 00:39:52,079
Speaker 2: Mm hmm. Outstanding, outstanding jam tomorrow is here with us

498
00:39:52,159 --> 00:39:55,119
live in studio. If you're just joining us, sounding amazing

499
00:39:55,960 --> 00:39:59,599
and absolutely absolutely, I'm thinking, I know we have one

500
00:39:59,639 --> 00:40:01,320
more suit track that you wanted to get in. I'm

501
00:40:01,360 --> 00:40:03,199
thinking we'll save that for the end of the segment,

502
00:40:03,360 --> 00:40:05,559
which which won't be too far away because the time

503
00:40:05,599 --> 00:40:12,000
does go quickly, as we discussed earlier. Indeed, as we speak, yes, yes,

504
00:40:12,320 --> 00:40:14,599
what what should do you guys have anything this weekend?

505
00:40:14,639 --> 00:40:15,639
You have any shows this weekend?

506
00:40:15,639 --> 00:40:18,400
Speaker 9: We show yea we should know about Lytheran's limited today

507
00:40:18,480 --> 00:40:22,079
from four to seven. That's outside. We're hoping in Conquered

508
00:40:22,159 --> 00:40:24,679
on Hall Street. That'll be that'll be a great set.

509
00:40:24,760 --> 00:40:27,519
That's gonna be a pretty original, heavy set. And then

510
00:40:27,880 --> 00:40:30,599
a week from today we're playing at the Rockingham Ballroom,

511
00:40:30,679 --> 00:40:32,719
we'll be opening up for their stand up comedy act.

512
00:40:32,800 --> 00:40:35,159
That will be seven to eight. Tickets are available on

513
00:40:35,280 --> 00:40:40,880
their website. That's Rockingham Ballroom. Following we have a gig

514
00:40:40,960 --> 00:40:44,079
at Aviva Tratcheria in Bedford on the tenth, which is

515
00:40:44,119 --> 00:40:46,800
the following Friday. We'll be playing outside there as well.

516
00:40:46,840 --> 00:40:48,760
That's a great venue. We had so much fun. It's

517
00:40:48,760 --> 00:40:51,920
a big fire pit. The audience was super engaged. It

518
00:40:52,039 --> 00:40:54,639
was just it was outside. The energy was amazing. That

519
00:40:54,800 --> 00:40:57,599
was a great gig, and the food's awesome. And then

520
00:40:57,639 --> 00:40:59,440
I think, I think we've got a break after that.

521
00:41:00,079 --> 00:41:01,719
I think we actually don't have anything for the rest

522
00:41:01,760 --> 00:41:04,639
of October. After that, We've we've been playing out pretty heavily.

523
00:41:04,679 --> 00:41:08,960
We had six gigs in four weeks, yeah, culminating with

524
00:41:09,079 --> 00:41:11,199
this one coming up next Saturday. Okay, and then we

525
00:41:11,239 --> 00:41:13,000
got a private music party actually in a couple weeks

526
00:41:13,000 --> 00:41:15,199
after that. But you got to know somebody to get

527
00:41:15,239 --> 00:41:16,000
invited to that one.

528
00:41:16,159 --> 00:41:19,039
Speaker 2: Yeah, yeah, you guys want to play one more live one?

529
00:41:19,119 --> 00:41:22,440
Speaker 9: I would excuse me. This one's called killing Time. It

530
00:41:22,559 --> 00:41:24,480
was a very mythic kind of song. Oh yeah, this

531
00:41:24,559 --> 00:41:26,039
is so we have played this last time?

532
00:41:26,039 --> 00:41:27,639
Speaker 2: Oh you have Yeah, I love this song.

533
00:41:27,800 --> 00:41:29,800
Speaker 9: Yeah, I feel like it was. It got good response,

534
00:41:29,880 --> 00:41:31,960
so I enjoyed playing. My wife helped me write this one.

535
00:41:32,000 --> 00:41:33,440
Speaker 1: Hopefully she's listening on her way to work.

536
00:41:33,559 --> 00:41:37,079
Speaker 9: Nice Hi Charlene, So thank you for joining us once

537
00:41:37,079 --> 00:41:38,760
again as Mark I'm a MHP. We really appreciate you

538
00:41:38,880 --> 00:41:39,559
bringing us on here.

539
00:41:39,480 --> 00:41:42,440
Speaker 2: Man absolutely thank you. Always wonderful to have you jam

540
00:41:42,519 --> 00:41:43,639
tomorrow live in studio.

541
00:42:10,480 --> 00:42:11,760
Speaker 1: There is a song.

542
00:42:13,159 --> 00:42:20,400
Speaker 26: I want to tell from way back deep like a well.

543
00:42:22,679 --> 00:42:24,280
There is a song.

544
00:42:25,880 --> 00:42:33,159
Speaker 1: I need to say. It seems it somehow God away.

545
00:42:35,599 --> 00:42:39,159
I'm just killing time until time kills me.

546
00:42:41,320 --> 00:42:47,559
Speaker 9: A coin for the ferry, mannering for the sea, give

547
00:42:47,760 --> 00:42:51,840
light darkness, give life, fun to clay.

548
00:42:53,480 --> 00:42:55,079
Speaker 8: Till time kills me.

549
00:42:55,480 --> 00:43:13,199
Speaker 1: I'm killing time to day. There is a story.

550
00:43:14,760 --> 00:43:22,400
Speaker 26: From the distant past, before the first became the last.

551
00:43:24,400 --> 00:43:30,760
Speaker 9: There is a story I need to share. Came from

552
00:43:30,880 --> 00:43:38,679
no place and it's going nowhere. I'm just killing time

553
00:43:38,840 --> 00:43:45,440
until time kills me. A coin for the fairy, mandering

554
00:43:46,119 --> 00:43:52,280
for the seed, give light to darkness, give life, un

555
00:43:52,440 --> 00:43:59,320
to play until time kills me. I'm killing time today.

556
00:44:38,599 --> 00:44:45,599
There is a message that must be conveyed from whatever

557
00:44:45,880 --> 00:44:48,199
place you have made.

558
00:44:50,480 --> 00:44:54,599
Speaker 8: There was a message I needed to pass on.

559
00:44:55,719 --> 00:45:02,079
Speaker 1: But it's gone. It's gone, it's gone, gone, gone gone.

560
00:45:03,280 --> 00:45:06,679
I'm just killing time until time kills me.

561
00:45:08,880 --> 00:45:13,000
Speaker 9: A calling for the fairy man ering for the seed,

562
00:45:14,880 --> 00:45:21,719
give light to darkness, give life unto Clay til time

563
00:45:22,000 --> 00:45:28,800
kills me. I'm killing time today. I'm just killing time

564
00:45:28,960 --> 00:45:35,599
until time kills me. A coin for the fairy, mandering

565
00:45:36,119 --> 00:45:43,119
for the sea, give light darkness, give life unto Clay

566
00:45:44,880 --> 00:45:46,599
until time kills me.

567
00:45:47,000 --> 00:46:00,960
Speaker 24: I'm killing time today. I'm killing time today, killing.

568
00:46:00,920 --> 00:46:15,159
Speaker 2: Time to love that song. Great job, guys, great job.

569
00:46:15,760 --> 00:46:19,840
Jam tomorrow here with us alive in studio and let's

570
00:46:19,840 --> 00:46:23,800
see so in a moment, we're gonna we'll uh finish

571
00:46:23,880 --> 00:46:27,679
out with a beautiful Loser, another great studio track. But uh,

572
00:46:27,920 --> 00:46:29,719
where should people go online to keep up with everything

573
00:46:29,760 --> 00:46:30,519
that you guys are doing?

574
00:46:30,559 --> 00:46:30,760
Speaker 16: Where?

575
00:46:30,800 --> 00:46:32,320
Speaker 2: What should our listeners know about?

576
00:46:32,760 --> 00:46:35,480
Speaker 9: So we're kind of Unfortunately I'm no longer on social media.

577
00:46:36,119 --> 00:46:39,880
Oh yes, yeah, Facebook deleted my profile. Wow, I didn't

578
00:46:39,880 --> 00:46:41,920
even know they did. And unfortunately I don't even know

579
00:46:41,960 --> 00:46:43,039
what I did to be proud of.

580
00:46:43,360 --> 00:46:44,960
Speaker 2: They don't uh yeah, they don't like to tell you,

581
00:46:45,320 --> 00:46:45,639
like when.

582
00:46:45,519 --> 00:46:46,840
Speaker 9: You go to jail and they show you the post

583
00:46:46,880 --> 00:46:48,719
and you're like, you're right, you're a naughty boy. You

584
00:46:49,360 --> 00:46:50,800
violated our Zucker standards.

585
00:46:51,079 --> 00:46:52,760
Speaker 2: Uh, they have to tell you what you were arrested

586
00:46:52,840 --> 00:46:53,760
for when you go to jail.

587
00:46:53,960 --> 00:46:54,280
Speaker 1: They don't.

588
00:46:54,320 --> 00:46:56,599
Speaker 2: But social media they don't tell you what you Uh,

589
00:46:57,000 --> 00:46:59,400
they don't always tell you at least what the problem was.

590
00:46:59,519 --> 00:47:01,800
Speaker 9: And I was I was the primary promoter for the band,

591
00:47:01,920 --> 00:47:04,039
and so I no longer am. So Mark posts some

592
00:47:04,079 --> 00:47:06,719
stuff on facebooking and finance at Jam Tomorrow dashed the band.

593
00:47:06,920 --> 00:47:08,280
Oh so you don't confuse it with you know, Jam

594
00:47:08,360 --> 00:47:11,679
Tomorrow the lunchbox, right, Jam tomorrow the Flamethrower The kids

595
00:47:11,760 --> 00:47:12,320
love that one.

596
00:47:12,719 --> 00:47:15,800
Speaker 2: Or Jam tomorrow the jam that's true, Yes, yes, but

597
00:47:15,960 --> 00:47:17,320
you cannot eat today, right.

598
00:47:17,440 --> 00:47:19,199
Speaker 9: You can eat it tomorrow or yesterday, but not today,

599
00:47:19,239 --> 00:47:22,480
but not today today. That's actually the origin of the name.

600
00:47:22,519 --> 00:47:24,800
It's actually from through the Looking Glassy Alice is talking

601
00:47:24,840 --> 00:47:26,920
to the Red Queen and she's trying to coax her

602
00:47:26,960 --> 00:47:28,320
and having some jam. But she said, you have Jam

603
00:47:28,360 --> 00:47:30,079
tomorrow and Jam yesterday, but never jam today.

604
00:47:30,480 --> 00:47:31,280
Speaker 16: It's actually funny.

605
00:47:31,320 --> 00:47:33,760
Speaker 2: Last night at the Strange Rew we played and our

606
00:47:33,840 --> 00:47:36,079
name was on the chalkboard and a couple of people like,

607
00:47:36,199 --> 00:47:40,320
so there's a jam tonight we're playing. We're like, uh, yeah,

608
00:47:41,159 --> 00:47:42,199
I can see how that would happen.

609
00:47:42,920 --> 00:47:44,679
Speaker 1: And we're also like the farthest thing from a jam

610
00:47:44,760 --> 00:47:45,599
band that you can imagine.

611
00:47:45,599 --> 00:47:47,000
Speaker 2: That's true, that's true. Yeah.

612
00:47:47,239 --> 00:47:49,000
Speaker 9: So Facebook is really the best place to find us.

613
00:47:49,079 --> 00:47:52,280
We occasionally, when we remember, we post stuff on Gary's

614
00:47:52,280 --> 00:47:54,079
I think it's Gary Smith Music. I don't remember the

615
00:47:54,159 --> 00:47:55,519
name of his website if he's still in the chat,

616
00:47:55,559 --> 00:47:57,119
if you throw it in there, Gary, But Gary does

617
00:47:57,159 --> 00:47:58,920
have a web page for all of his musical enterprises,

618
00:47:58,960 --> 00:48:01,159
and when I remember that he has it, we throw

619
00:48:01,280 --> 00:48:03,480
dates up there. But Facebook is probably the best place

620
00:48:03,480 --> 00:48:05,719
if you just follow us there. We generally post stuff

621
00:48:05,719 --> 00:48:06,920
a couple of weeks before it happens.

622
00:48:07,079 --> 00:48:09,760
Speaker 2: Okay, okay, outstanding, And one more time too for our

623
00:48:09,840 --> 00:48:15,199
live listeners. Sorry, our live listeners. It's early. What's going

624
00:48:15,239 --> 00:48:16,480
on today? You guys got a show today?

625
00:48:16,519 --> 00:48:16,639
Speaker 13: Yep?

626
00:48:16,679 --> 00:48:19,760
Speaker 9: We're playing at Litherman's Limited Brewery and Conquered from four

627
00:48:19,840 --> 00:48:21,679
to seven. You think we're going to be outside. They

628
00:48:21,719 --> 00:48:23,440
do have barbecue, but I'd get there early because the

629
00:48:23,480 --> 00:48:25,519
food can run out. Okay, I'd like to throw out

630
00:48:25,519 --> 00:48:28,880
a quick shout out to our artist. We are so

631
00:48:29,079 --> 00:48:31,559
fortunate in that my friend Jim Bellile lets us use

632
00:48:31,679 --> 00:48:35,039
his paintings for all of our stuff, Like everything you've

633
00:48:35,079 --> 00:48:37,159
ever seen of us has been one of his paintings.

634
00:48:37,440 --> 00:48:39,920
And he's just so kind in that in exchange for

635
00:48:40,039 --> 00:48:42,039
promotion of his website, and I've bought a few of

636
00:48:42,079 --> 00:48:43,760
his paintings because i love him. He lets us use

637
00:48:43,800 --> 00:48:45,320
all of his art for free, which is just such

638
00:48:45,320 --> 00:48:47,159
a beautiful arrangement. And in fact, the last time we

639
00:48:47,199 --> 00:48:50,119
were on your show and we played Killing Time, he

640
00:48:50,239 --> 00:48:53,519
painted three paintings inspired by Killing Time, one of which,

641
00:48:53,559 --> 00:48:55,360
oh well, be the cover for that song when we

642
00:48:55,440 --> 00:48:58,639
dropped the cool version. So hopefully he's tuning in right now.

643
00:48:58,679 --> 00:49:00,559
We love you, Jim, You're just off them. You enhance

644
00:49:00,599 --> 00:49:01,559
our music so much.

645
00:49:02,280 --> 00:49:05,519
Speaker 2: Yeah, that's fantastic. That's fantastic. Well, guys, thank you so much.

646
00:49:05,559 --> 00:49:08,559
Always wonderful to see you both. Absolutely in a moment,

647
00:49:08,599 --> 00:49:11,320
we're gonna play Beautiful Loser, and if you are listening

648
00:49:11,400 --> 00:49:13,639
live on Saturday stick around. Coming up in the second hour,

649
00:49:13,719 --> 00:49:16,719
we have the band The Falls from Across the Pond.

650
00:49:16,800 --> 00:49:18,440
They're gonna be joining us to via WhatsApp or at

651
00:49:18,519 --> 00:49:20,519
least one of the guys is, and we're gonna play

652
00:49:20,559 --> 00:49:22,880
their newest single, which we did do the American radio

653
00:49:22,920 --> 00:49:25,840
premiere for here recently called Between the Lines, and we're

654
00:49:25,880 --> 00:49:27,800
gonna be playing another one of their tracks too. And

655
00:49:27,880 --> 00:49:29,719
then in the third hour, Temptress is going to be

656
00:49:29,800 --> 00:49:33,800
with us live in studio. So another busy show. Lots

657
00:49:33,840 --> 00:49:35,960
coming up, but we're gonna hit this track. Guys, Thank

658
00:49:36,000 --> 00:49:38,239
you again, thanks for having Thank you Man, thank you, Jim,

659
00:49:38,320 --> 00:49:41,639
absolutely absolutely, And here it is. This is Beautiful Loser,

660
00:49:41,920 --> 00:49:44,199
and this is Jam Tomorrow.

661
00:50:03,679 --> 00:50:07,440
Speaker 9: A big hold in the fabric of space and time.

662
00:50:07,920 --> 00:50:12,039
Like I needed a dollar and I had a dime.

663
00:50:13,360 --> 00:50:15,079
Speaker 1: A ben to both ends.

664
00:50:15,000 --> 00:50:19,559
Speaker 9: Of the Mississippi, from the Minnesota Highlands to the New

665
00:50:19,679 --> 00:50:21,239
Orleans Ocean, she grips me.

666
00:50:23,039 --> 00:50:26,239
Speaker 8: And I don't know have had to me.

667
00:50:27,760 --> 00:50:34,280
Speaker 9: Tweet feeling life and living free, keep walking towards where

668
00:50:34,360 --> 00:50:44,119
I finger I might be. God is alive and the

669
00:50:44,320 --> 00:50:49,199
magic is afoot. Some things just won't stay.

670
00:50:49,000 --> 00:50:49,480
Speaker 1: Aware of that.

671
00:50:49,880 --> 00:50:56,440
Speaker 9: But reinvention tainted by previous intention won't.

672
00:50:56,239 --> 00:50:57,639
Speaker 8: Save us from those things.

673
00:50:57,719 --> 00:50:58,840
Speaker 1: We just can't mention.

674
00:51:01,440 --> 00:51:04,599
Speaker 10: And I don't know what happened to me?

675
00:51:06,199 --> 00:51:12,840
Speaker 1: Dream feeling live and living free, keep walking towards where

676
00:51:12,920 --> 00:51:14,400
I think I might be.

677
00:51:16,440 --> 00:51:42,559
Speaker 6: Yeah to the bridge, and I don't know what happened

678
00:51:42,760 --> 00:51:43,000
to me?

679
00:51:44,599 --> 00:51:51,199
Speaker 9: Dream feeling live, living free, keep walking towards where I

680
00:51:51,760 --> 00:51:52,800
think I might be.

681
00:51:59,000 --> 00:52:01,119
Speaker 4: Every time with Paul back the curtain.

682
00:52:00,920 --> 00:52:04,840
Speaker 9: We find another curtain, but my mind is we read

683
00:52:05,280 --> 00:52:10,400
and my back is hurting. The only thing I've ever

684
00:52:10,679 --> 00:52:14,679
known for the hurtain is behind every curtain, there's another

685
00:52:14,760 --> 00:52:16,480
curtain and another curtain.

686
00:52:18,280 --> 00:52:21,400
Speaker 1: And I don't know what happened to me.

687
00:52:23,000 --> 00:52:28,719
Speaker 9: Dream feeling life and leave and free, keep walking to

688
00:52:28,880 --> 00:52:38,239
hoods where I think I might be. And I don't

689
00:52:38,360 --> 00:52:44,960
know what happened to me, Dream feeling life and live

690
00:52:45,159 --> 00:52:49,840
and free, keep walking to hoods where I think I

691
00:52:50,039 --> 00:52:50,400
might be.

692
00:52:56,639 --> 00:52:59,719
Speaker 8: And I don't know what happened to me?

693
00:53:01,400 --> 00:53:07,159
Speaker 9: Dream feeling live and live and free, jeep walking to

694
00:53:07,719 --> 00:53:10,519
where I think I might be, Where I think I

695
00:53:10,719 --> 00:54:22,639
might be, And I feel like things are falling into place,

696
00:54:23,800 --> 00:54:25,440
and I feel.

697
00:54:26,679 --> 00:54:28,320
Speaker 1: Like it's the end of the.

698
00:54:28,360 --> 00:54:31,960
Speaker 4: Red Queen's Races, and I feel.

699
00:54:31,960 --> 00:54:39,199
Speaker 8: Like the stars are gonna change because I feel like

700
00:54:39,400 --> 00:54:40,840
this was all just.

701
00:54:42,480 --> 00:54:48,320
Speaker 1: Rearray. As we move from hugs.

702
00:54:47,960 --> 00:54:55,840
Speaker 8: And hand shades. We must remember how our souls end.

703
00:54:59,559 --> 00:55:07,960
Speaker 9: As we move from confidant to confidect, we must remember how.

704
00:55:08,000 --> 00:55:15,320
Speaker 1: Our souls pay. But I feel like thieves are.

705
00:55:15,480 --> 00:55:22,400
Speaker 9: Falling its split, and I feel like it's the end

706
00:55:22,559 --> 00:55:28,280
of the Red Queen's Reggae, And I feel like the storms.

707
00:55:29,480 --> 00:55:35,159
Speaker 8: Are gonna change because I feel like this was all just.

708
00:55:36,960 --> 00:55:38,159
Speaker 1: Re rege.

709
00:55:40,400 --> 00:55:48,280
Speaker 14: And people take too much pride in the way they

710
00:55:48,519 --> 00:55:55,519
pick their side. Split up fits.

711
00:55:55,239 --> 00:55:57,400
Speaker 4: You, them and us.

712
00:56:00,840 --> 00:56:02,800
Speaker 1: Aside seating on the.

713
00:56:05,000 --> 00:56:09,760
Speaker 9: Saw on the plus, But A feel like things are

714
00:56:10,000 --> 00:56:12,000
falling its please.

715
00:56:12,760 --> 00:56:17,719
Speaker 8: And NiFe, like it's the end of the Red.

716
00:56:17,599 --> 00:56:23,199
Speaker 9: Queen's Races, and I feel like the stars like the

717
00:56:23,400 --> 00:56:28,440
stars a gout of shade, because I feel like this

718
00:56:28,840 --> 00:56:30,400
was unjef.

719
00:56:31,599 --> 00:56:32,119
Speaker 1: Rearing.

720
00:56:55,280 --> 00:56:58,719
Speaker 9: As our life has come along separating.

721
00:57:02,119 --> 00:57:10,360
Speaker 8: Well we wish they weren't so as things get.

722
00:57:10,400 --> 00:57:19,800
Speaker 9: More complicated, well we wish we could just know, just know.

723
00:57:22,440 --> 00:57:27,719
But I feel like things are falling its place, and

724
00:57:27,960 --> 00:57:33,360
I feel like it's the end of the Red Queen's Rage.

725
00:57:34,599 --> 00:57:37,519
And A feel like the stars.

726
00:57:38,840 --> 00:57:44,639
Speaker 8: Are gonna change because I feel like this was all just.

727
00:57:46,320 --> 00:57:53,760
Speaker 1: Creer range, and A feel like things aren't falling its place,

728
00:57:54,519 --> 00:57:54,920
and I.

729
00:57:57,719 --> 00:58:02,119
Speaker 8: Like it's the end of the Red Queen's Rat had

730
00:58:02,159 --> 00:58:06,599
a feel like the stars, like the stars are kind

731
00:58:06,679 --> 00:58:07,360
of shape.

732
00:58:08,480 --> 00:58:14,400
Speaker 9: Because I feel like this was all just freer range,

733
00:58:15,480 --> 00:58:17,320
I said, I feel.

734
00:58:17,360 --> 00:58:21,079
Speaker 1: Like this was all just freer range.

735
00:58:35,760 --> 00:58:37,840
Speaker 27: Luigi's Pizza Barron Grill.

736
00:58:38,079 --> 00:58:43,760
Speaker 17: Ere one, Let's raise his lycon hides with toppings all around.

737
00:58:44,320 --> 00:58:46,159
Speaker 1: It's a pizza brio mine.

738
00:58:46,679 --> 00:58:51,199
Speaker 27: Luigi's Pizza Barren Grille, seven twelve Valley Street, Manchester. Come

739
00:58:51,280 --> 00:58:54,360
on in or call six two two one zero two one.

740
00:58:54,800 --> 00:58:58,639
Luigi keeping the tradition alive since nineteen seventy five.

741
00:59:00,400 --> 00:59:02,119
Speaker 8: Fis up for every one.

742
00:59:02,719 --> 00:59:04,519
Speaker 1: Come join a beast to night.

743
00:59:05,400 --> 00:59:09,159
Speaker 8: With these slye sets of it, everything feels so right.

744
00:59:12,079 --> 00:59:14,159
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745
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746
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747
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748
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749
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