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<v Speaker 1>Hey, Street Walkers. This is a throwback episode with seven

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<v Speaker 1>time Emmy Award winning actor Ed Asner. Ed appeared on

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<v Speaker 1>the show twice, but his first appearance on the show

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<v Speaker 1>was July twenty fifth, twenty eighteen, and it was such

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<v Speaker 1>a compelling and fun episode I decided that it needed

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<v Speaker 1>to be revisited. So enjoy this throwback episode. Tell a

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<v Speaker 1>friend and thanks for listening.

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<v Speaker 2>I believe that everybody has a story and I'm fascinated

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<v Speaker 2>to hear them, So come with me as we take

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<v Speaker 2>a walk down Fascination Street.

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<v Speaker 1>Welcome back, guys. This episode is my chat with Hollywood

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<v Speaker 1>legend Ed Asner. Depending on your age, you know Ed

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<v Speaker 1>Asner from the Mary Tyler Moore Show, Lou Grant, even

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<v Speaker 1>the Pixar movie Up. In this episode, we talk about

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<v Speaker 1>Mary Tyler Moore Show, Lou Grant, and Up, of course,

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<v Speaker 1>but we also talk about his new book, The Groucy Historian,

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<v Speaker 1>an old time lefty defends our constitution against right wing

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<v Speaker 1>hypocrites and nutjobs. We talk about his touring one Man show,

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<v Speaker 1>A Man and his Prostate, and he even tells us

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<v Speaker 1>a really cool story about him. Gavin McLeod and Ted

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<v Speaker 1>Knight enjoy guys, this is Ed Asner. And then Hi,

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<v Speaker 1>mister Asner.

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<v Speaker 3>Good.

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<v Speaker 1>Hi, this is Steve Owens with Fascination Street Podcast. How

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<v Speaker 1>you doing? I am doing well? Well, mister Asner. First,

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<v Speaker 1>I just want to thank you so much for taking

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<v Speaker 1>this time. I'm I'm a huge fan, have been for

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<v Speaker 1>my entire life, so this means a lot to me.

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<v Speaker 1>Thank you very much, sir, Thank you, Thank you. Now,

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<v Speaker 1>first of all, can I call you Ed?

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<v Speaker 3>Oh? Absolutely?

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<v Speaker 1>Or would you prefer I call you yit Zach? Well,

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<v Speaker 1>since I'm not Hebrew, I won't call you that. How's that? Well,

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<v Speaker 1>mister Asner? You have been Oh see I already messed up?

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<v Speaker 1>See how I am?

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<v Speaker 3>You are? You mess up?

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<v Speaker 1>Well?

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<v Speaker 3>Ed?

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<v Speaker 1>Everybody knows who you are. Mostly it depends on the generation,

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<v Speaker 1>but either from Mary Tyler Moore Show or Lou Grant

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<v Speaker 1>even roots, the younger generations know you as the the

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<v Speaker 1>gratsy old man from that Pixar movie. Up. What do

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<v Speaker 1>you get the most recognition from?

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<v Speaker 3>Well, some think what I've received more?

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<v Speaker 1>Really Well, that's all.

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<v Speaker 4>That's a number of man, Yeah it was.

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<v Speaker 1>I wanted to talk to you about that. So Mary

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<v Speaker 1>Tyler Moore was a half hour sit Tom based on

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<v Speaker 1>a television news room, and then your character spun off

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<v Speaker 1>to your own show, which was converted to a one

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<v Speaker 1>hour comedy in a newspaper office. How does that work?

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<v Speaker 3>Comedy?

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<v Speaker 1>I'm sorry, I'm in a one hour drama, So how

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<v Speaker 1>did that work out?

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<v Speaker 3>Worked on?

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<v Speaker 1>What made everybody decide to spend lou grantoff into a

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<v Speaker 1>one hour drama?

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<v Speaker 3>Nothing like that? Had it really existed before? The market

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<v Speaker 3>team good for it. They didn't seem to think that

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<v Speaker 3>they could continue creating comedy with network TV. So the

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<v Speaker 3>two producers had been identified with newspapers before. They found

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<v Speaker 3>it an intriguing hole to dive into, and as they

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<v Speaker 3>died and all the people they've got along with them,

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<v Speaker 3>nobody ever done newspapers before or shot about them.

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<v Speaker 1>Well, I think it worked out really well. Why did

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<v Speaker 1>it end?

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<v Speaker 3>I was outspoken on El Salvador Nicaragua. At the time,

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<v Speaker 3>I was deemed a loud mouth and branded by others

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<v Speaker 3>as a commie a commy.

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<v Speaker 4>Yeah, all right.

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<v Speaker 1>Do you think that that's the only time that you

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<v Speaker 1>being outspoken off camera has impacted your career?

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<v Speaker 3>Yes?

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<v Speaker 1>Yeah, gotcha. I'm probably gonna jump around a little bit.

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<v Speaker 1>You were in the service like before before you started acting? Right?

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<v Speaker 3>Yeah?

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<v Speaker 1>Which branch Army?

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<v Speaker 3>Core?

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<v Speaker 1>And did you go anywhere overseas France? Who? Nice? Was

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<v Speaker 1>there any good memories of that time?

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<v Speaker 3>It was a wonderful experience. I will be grateful to

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<v Speaker 3>Uncle Sam all my life for taking me across the ocean.

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<v Speaker 4>Have you been back since I've been back to France?

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<v Speaker 3>Yeah?

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<v Speaker 1>Oh cool? When did you decide that you wanted to

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<v Speaker 1>get into acting?

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<v Speaker 3>Oh, I've been touring with the idea in the back

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<v Speaker 3>of my mind. Not consciously so, but I think he was.

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<v Speaker 3>You just didn't think of those terms in those days.

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<v Speaker 3>You didn't think that's how you made a living in life.

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<v Speaker 3>I didn't think I naturally, I wasn't handsome, so I

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<v Speaker 3>couldn't think of becoming a leading man. So I tried

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<v Speaker 3>out for a play in college. I ended up doing

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<v Speaker 3>the lead, and I came to realize that theater acting

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<v Speaker 3>was more than being handsome and being a leading man.

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<v Speaker 1>What more?

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<v Speaker 3>What more?

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<v Speaker 1>Yeah, you said, it's more than just being handsome. What

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<v Speaker 1>is it?

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<v Speaker 3>The examiner of a human condition under many different circumstances?

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<v Speaker 1>Nice? What do you get personally out of it? Each time?

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<v Speaker 3>I think it became therapy. For me, it became a

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<v Speaker 3>means of transporting myself into somebody else, alleviating the load

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<v Speaker 3>of not liking who I was.

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<v Speaker 1>Was that an issue?

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<v Speaker 3>I think?

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<v Speaker 1>So are you over it?

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<v Speaker 3>I'm not entirely in love with myself, but I guess

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<v Speaker 3>I'm over it.

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<v Speaker 1>All right. So when did you decide that you wanted

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<v Speaker 1>to run for the Screen Actors Still President.

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<v Speaker 3>When many of the friends I was surrounded by felt

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<v Speaker 3>that I had to do it to save the union.

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<v Speaker 1>That's what I was going to ask. So did you

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<v Speaker 1>do it for because you wanted to make specific changes?

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<v Speaker 3>Yeah, we had just been involved in a big strike

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<v Speaker 3>at that time. I had been allied with the liberal

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<v Speaker 3>wing of the union at that Prior to that time,

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<v Speaker 3>I felt that we should not have settled a strike

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<v Speaker 3>that quickly or that cheaply. So my friends felt that

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<v Speaker 3>I should run and present to the membership of the

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<v Speaker 3>union a more aggressive presidency.

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<v Speaker 1>And were you able to make the changes that you wanted,

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<v Speaker 1>or at least send it in that direction.

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<v Speaker 3>You're never to make the changes you want. There's always

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<v Speaker 3>something that gets in the way, or you find that

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<v Speaker 3>by making change in one sense, you're increasing the burden

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<v Speaker 3>in another sense. So it's time wasted.

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<v Speaker 1>But it took you two terms to figure that out though, right, yeah,

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<v Speaker 1>more than that, more than two terms.

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<v Speaker 3>Yeah, I was on the board after that. I was

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<v Speaker 3>ha been on the opposition, so to speak, up until

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<v Speaker 3>recently when I finally retired from the board, so that

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<v Speaker 3>the battle's still go gone.

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<v Speaker 1>Do you think that SAG protected the actors more then

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<v Speaker 1>or now?

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<v Speaker 4>I don't think they do it now, really, not at all.

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<v Speaker 3>Huh No, they've got big. One of my main reasons

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<v Speaker 3>I did not want to see the merger take place

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<v Speaker 3>because they hadn't solved the problems of portability, portability of pension,

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<v Speaker 3>portability of healthcare, and they still haven't done.

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<v Speaker 1>Do you think they will in your lifetime?

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<v Speaker 3>Probably not.

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<v Speaker 1>Well, well, that's a little disheartening. Let's move on to

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<v Speaker 1>something else. So you've been nominated for I think it's

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<v Speaker 1>over twenty Emmys, right, and you won a couple?

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<v Speaker 3>What do you mean a couple? You don't know how

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<v Speaker 3>to count?

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<v Speaker 1>Oh, how well that is? I heard it was eight.

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<v Speaker 1>That's why I because I heard once somebody said it

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<v Speaker 1>was seven, and then somebody else said it was eight.

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<v Speaker 3>Now, well, I won a Canadian Emmy as well. So

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<v Speaker 3>that makes it eight.

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<v Speaker 1>Wow, where do you keep.

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<v Speaker 3>Them all strewn about the house?

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<v Speaker 1>Nice? Does any one of them stand out as more

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<v Speaker 1>important or special to you?

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<v Speaker 3>Not? Really, not really. The first one was a treasure,

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<v Speaker 3>a surprise, though, I'm just surprised. The second became the

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<v Speaker 3>confirmation of the first, and it goes on like that. No,

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<v Speaker 3>I haven't received any in a long time, so I

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<v Speaker 3>was I got one now that would signify it. You

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<v Speaker 3>folks haven't forgotten me.

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<v Speaker 1>I don't think anybody is likely to forget you anytime.

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<v Speaker 4>In the new future.

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<v Speaker 1>Okay, So you were born in Kansas City. Yeah, and

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<v Speaker 1>when is the last time you went back to Kansas City?

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<v Speaker 3>Well, my brother funeral a year before last.

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<v Speaker 1>Well that is super sad, and I apologize.

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<v Speaker 3>I'm sorry, No, Internet have to apologize.

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<v Speaker 1>So I was in Kansas City, probably about two years ago.

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<v Speaker 1>And there's this thing. I don't know if if it

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<v Speaker 1>was there when you were younger, or if you've been

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<v Speaker 1>back since it's been up, but I guess some farmers

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<v Speaker 1>found in a field like a sunken riverboat. It was

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<v Speaker 1>full of it was like a walmart. It was full

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<v Speaker 1>of everything that they would drop off to the local

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<v Speaker 1>general stores up and down the river, but it sank full,

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<v Speaker 1>and so they dug it up and turned it into

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<v Speaker 1>like this museum. And it's called the Arabia and it's

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<v Speaker 1>right it's right there in Kansas City on the border

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<v Speaker 1>between Missouri and Kansas, and if you haven't been, you

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<v Speaker 1>should really check it out because it is historical and amazing.

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<v Speaker 1>It's my favorite thing about Kansas City. What year was it, David,

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<v Speaker 1>the actual boat, Like, when did it go down? Yeah,

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<v Speaker 1>somewhere like in the eighteen forties, I think, And then

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<v Speaker 1>the river moved and it ended up being like in

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<v Speaker 1>the middle of a farmer's cornfield or something, and they

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<v Speaker 1>dug it up.

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<v Speaker 4>No kidding, Yeah, no kidding.

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<v Speaker 3>I haven't heard a thing about it.

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<v Speaker 4>Wow.

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<v Speaker 1>When I was there, I spent about three and a

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<v Speaker 1>half hours just oohing and eyeing over every single thing.

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<v Speaker 1>It was so amazing. It's like a Walmart sank.

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<v Speaker 4>But a Walmart.

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<v Speaker 1>Yeah yeah. And there's there's everything from tools to you know,

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<v Speaker 1>door knobs and keys and knives and uh, there's beads

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<v Speaker 1>and dishes and jewelry, just everything that you would find

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<v Speaker 1>at the general stores. You know, one hundred and fifty

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<v Speaker 1>years ago. It's amazing. It really is cool.

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<v Speaker 3>Where it is it on the Missouri side or on

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<v Speaker 3>the Kansas side.

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<v Speaker 1>I think it's on the Missouri side. But like, I

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<v Speaker 1>had never heard of it. But when I was there,

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<v Speaker 1>I was asking some people what I should go do

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<v Speaker 1>while my wife was at work that day, and and

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<v Speaker 1>that suggestion came up. And I'm sure glad it did.

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<v Speaker 1>I've told everybody I could about it. It's amazing.

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<v Speaker 3>What was your wife working on?

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<v Speaker 1>My wife builds psychiatric hospitals around the country, and she

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<v Speaker 1>was building. She was building one there and while she was,

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<v Speaker 1>you know, I had went. I had she was there

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<v Speaker 1>to finalize some things, and while she was doing that,

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<v Speaker 1>I went to the Arabia.

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<v Speaker 3>Well.

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<v Speaker 1>She's really sweet and she's been doing it for about

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<v Speaker 1>twenty five year years, so she's really good at it well.

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<v Speaker 3>And it's a good thing that you have somebody who

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<v Speaker 3>is first.

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<v Speaker 1>It's a good thing sometimes. But when she gets all

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<v Speaker 1>psychiatry on me, I want to get all mad and

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<v Speaker 1>say to knock it off.

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<v Speaker 3>Well, that's yeah, it is.

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<v Speaker 1>It's hard to say. It's hard to win a fight

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<v Speaker 1>around here.

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<v Speaker 3>I know that there are controls in your life, that

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<v Speaker 3>there are limits.

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<v Speaker 1>Well, how dare you?

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<v Speaker 3>Yeah, I'm not married right now, I'm I sure could

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<v Speaker 3>use some limits.

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<v Speaker 1>No, really no, So if.

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<v Speaker 3>Your wife wants to change affiliations.

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<v Speaker 1>I'll ask him. I will let her know. She did

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<v Speaker 1>want me to let you know that she had a

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<v Speaker 1>crush on you when back in the in the Mary

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<v Speaker 1>Tyler More days.

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<v Speaker 3>Well, tell her she has good peace.

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<v Speaker 1>Oh, I will tell her that. So I think that

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<v Speaker 1>you have an ed Asner foundation? Is that right?

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<v Speaker 3>Well, we're starting one. Yes. My son and his wife

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<v Speaker 3>are creating the ed Asner I don't know what the

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<v Speaker 3>exact name of it is. It's trying to create counseling

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<v Speaker 3>and coaching and tutorship. I'm ready for children, but it's

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<v Speaker 3>the center for achieving flowering.

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<v Speaker 1>Is it for a particular autism?

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<v Speaker 3>It's certainly one of the things to be considered. But

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<v Speaker 3>I mean any social burdens would hopefully be handled there,

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<v Speaker 3>be it a d D or be it downs whatever.

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<v Speaker 1>What inspired this my son and his daughter.

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<v Speaker 3>My son has been vice president with Autism Speaks and

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<v Speaker 3>just recently left the Autism Society, so he's been planning

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<v Speaker 3>it for a couple of years.

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<v Speaker 1>Now, gotcha, Well, I will make before I put this up.

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<v Speaker 1>I'll make sure and get that website where people can

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<v Speaker 1>go to donate and to see what they can do

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<v Speaker 1>to help.

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<v Speaker 3>Yeah, that would be a big help and would be

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<v Speaker 3>certainly most welcome.

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<v Speaker 1>So you were in a couple of movies with Elvis Presley,

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<v Speaker 1>if I'm not mistaken, is that right?

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<v Speaker 3>Yeah?

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<v Speaker 1>Did you have any scenes with him?

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<v Speaker 3>Well, sure, not in Kid Gallahad to speak of, but

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<v Speaker 3>in Change of Habit I did.

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<v Speaker 1>And what was your impression of him, because by then

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<v Speaker 1>you were you had been acting probably for longer than him,

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<v Speaker 1>I would assume. Oh yeah, So what did you think

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<v Speaker 1>about how his acting chops?

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<v Speaker 3>Well, the Kid Galahad, right at the beginning of his success,

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<v Speaker 3>he had a bunch of good old boys as an entourage,

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<v Speaker 3>and he was in the midst of practicing karate. I

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<v Speaker 3>think his hand one hand was broken at the time.

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<v Speaker 3>But he was a good old boy and he was

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<v Speaker 3>the bell of the ball and a good guy.

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<v Speaker 1>Really.

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<v Speaker 3>Oh yeah, And the same applied when when he did

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<v Speaker 3>Change of Habit. He was a good guy there too.

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<v Speaker 3>He never stopped being a good guy. Yeah, let's have

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<v Speaker 3>an entourage at that point, but he was much more alluring.

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<v Speaker 3>He was quite the chick magnet?

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<v Speaker 1>Weren't you? Also?

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<v Speaker 3>What makes you think? So?

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<v Speaker 1>I feel like there's some stories.

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<v Speaker 3>But what do you mean there was stories?

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<v Speaker 4>No?

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<v Speaker 3>I just feel like, let's let me hear the skinny.

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<v Speaker 1>Hey, street walkers, here's a word from our sponsors. Let's

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<v Speaker 1>get back into it. I just feel like I've heard

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<v Speaker 1>tale of you being a man about town.

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<v Speaker 3>I used uber.

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<v Speaker 1>I don't know.

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<v Speaker 3>I just got you a lift.

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<v Speaker 1>Man, No, I am, I am not well. When I'm

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<v Speaker 1>in l A, I us uber. It's way easier than

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<v Speaker 1>trying to drive in that town.

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<v Speaker 4>Good lord, God, it's horrible.

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<v Speaker 3>Yes, really become horrible.

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<v Speaker 1>It is terrible.

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<v Speaker 3>Yes, yes, yes, yes.

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<v Speaker 1>Tell me about Ted. Night you guys worked on screen?

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<v Speaker 1>Did all did y'all have a relationship off screen? Were

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<v Speaker 1>your friends?

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<v Speaker 3>Oh? We used to go out every every Friday night

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<v Speaker 3>after the show with our wives and have dinner drinks.

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<v Speaker 3>We were the cats meow.

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<v Speaker 1>The cats me ow. Did you guys?

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<v Speaker 4>Ever?

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<v Speaker 1>I don't know. Did you guys learn anything from each

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00:16:41.799 --> 00:16:43.480
<v Speaker 1>other as far as acting? Ever?

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<v Speaker 3>Well, I saw what it what it was like. Could

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<v Speaker 3>be the funniest man I ever knew, and that was Ted.

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00:16:52.000 --> 00:16:55.799
<v Speaker 3>He was I'm a teenage, so it was easy to

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<v Speaker 3>pick up hints watching him. The best story I can

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00:16:59.799 --> 00:17:03.559
<v Speaker 3>tell yeah about that one time Gavin and I were

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<v Speaker 3>walking along. Ted was in the midst of a rehearsing

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<v Speaker 3>a scene because the guys watch this and tell me

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00:17:10.880 --> 00:17:13.880
<v Speaker 3>what you think. Joy watching It was a very funny scene.

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<v Speaker 3>He was very funny. He said, now we're gonna do

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00:17:16.720 --> 00:17:18.799
<v Speaker 3>it again. I'm going to do it a different way,

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00:17:19.200 --> 00:17:21.799
<v Speaker 3>and I want you to tell me how they compare

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<v Speaker 3>for you. So he did a different way. It was

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<v Speaker 3>still funny, almost as funny as the first. Thank you.

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<v Speaker 3>I'm going to do it a third way, and you

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00:17:32.319 --> 00:17:34.839
<v Speaker 3>let me know what's the third way. It was funny

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00:17:34.839 --> 00:17:39.200
<v Speaker 3>too and different. Finally, he ended up settling on the

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00:17:39.240 --> 00:17:43.480
<v Speaker 3>first method with some modification, and Kevin and I looked

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00:17:43.519 --> 00:17:47.960
<v Speaker 3>and sell of a bit. We struggled to get it

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00:17:48.039 --> 00:17:51.480
<v Speaker 3>right the first time and hopefully it's the best that

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00:17:51.559 --> 00:17:56.200
<v Speaker 3>we get, and he Kevin liarly waltzes through and comes

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<v Speaker 3>up with three different interpretations, all of which are enormously salable.

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<v Speaker 3>So that shows you these comic capacities.

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<v Speaker 1>What a great story. Thank you for that. So you

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00:18:09.759 --> 00:18:15.000
<v Speaker 1>have been on TV, movies, Broadway and you do voiceovers,

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00:18:15.559 --> 00:18:18.839
<v Speaker 1>Is there any one of those that you prefer now

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00:18:18.920 --> 00:18:20.960
<v Speaker 1>that you're a little bit older.

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00:18:21.400 --> 00:18:25.640
<v Speaker 3>Well, Broadway's not a top Broadway never never did enough

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00:18:25.680 --> 00:18:30.559
<v Speaker 3>to satisfy me. Working and working and reworking and working

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00:18:30.599 --> 00:18:35.559
<v Speaker 3>and reworking with TV, you're going to approach to a

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00:18:35.599 --> 00:18:41.160
<v Speaker 3>great job in refining the results film. I had the

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00:18:41.240 --> 00:18:45.759
<v Speaker 3>pleasure of doing helf with John Favreau. That was a delight.

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00:18:46.200 --> 00:18:48.839
<v Speaker 3>As much as I hate to say it, I prefer

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<v Speaker 3>film to stage. Stage is the way you is, where

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00:18:52.799 --> 00:18:55.960
<v Speaker 3>you start, where you learn, So you got to do it.

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<v Speaker 1>That makes sense. What about voice acting? Voiceovers?

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<v Speaker 3>I love it, I love it.

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00:19:02.039 --> 00:19:03.680
<v Speaker 4>Yeah, I've done a lot of it.

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<v Speaker 3>I did radio in high school.

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<v Speaker 1>Oh cool.

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<v Speaker 3>Yeah, I was busy being the devoiced continental lover most

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00:19:13.240 --> 00:19:18.319
<v Speaker 3>of the time. What are you laughing at.

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<v Speaker 1>Me?

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<v Speaker 3>No, sir, you better than not laugh at me.

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<v Speaker 1>I have a question about the movie Up. I was

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00:19:27.000 --> 00:19:29.880
<v Speaker 1>looking at the Wikipedia page for that movie, and it

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00:19:30.039 --> 00:19:33.160
<v Speaker 1>says that that movie's budget was one hundred and seventy

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<v Speaker 1>five million dollars. That can't be true, can it?

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<v Speaker 3>They didn't spend it on me?

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<v Speaker 1>Do you think it was mostly advertising?

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<v Speaker 3>I don't know where that money went. Oh maybe it was.

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00:19:47.279 --> 00:19:51.160
<v Speaker 3>I don't know. I have no idea. According we didn't

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00:19:51.200 --> 00:19:51.640
<v Speaker 3>see it. Dar.

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00:19:51.880 --> 00:19:55.359
<v Speaker 1>According to that same article, it made seven hundred and

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00:19:55.480 --> 00:19:58.559
<v Speaker 1>thirty five million dollars worldwide. Did you see any of

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00:19:58.559 --> 00:19:59.559
<v Speaker 1>that money?

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00:20:00.079 --> 00:20:02.160
<v Speaker 3>Oh? Not enough of it.

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00:20:05.319 --> 00:20:07.799
<v Speaker 1>So you are well, I guess right now you're taking

368
00:20:07.799 --> 00:20:11.279
<v Speaker 1>a break, but back when August comes, you're gonna continue

369
00:20:11.400 --> 00:20:14.480
<v Speaker 1>your one man show, A Man in his Prostate? Is

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<v Speaker 1>that right?

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<v Speaker 4>Yeah, tell me.

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<v Speaker 1>A little bit about that show. What's it well, besides

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<v Speaker 1>your prostate, what's it about?

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<v Speaker 3>Well? My It was written by Ed Weinberger, who was

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<v Speaker 3>a producer writer on The marytoll Moore Show and has

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<v Speaker 3>been very successful since. It's a wonderful show. The wonderful

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<v Speaker 3>show which talks about the fact that every sixteen minutes

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<v Speaker 3>a man dies of cancer, prostate cancer in this country

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<v Speaker 3>and at the same time giving you that information, alerting

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00:20:48.559 --> 00:20:53.599
<v Speaker 3>you to that information. I perform It's Attack of Prostate

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<v Speaker 3>Titus on a cruise shiped Italy to gales of laughter.

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00:21:00.240 --> 00:21:01.079
<v Speaker 1>It sounds awesome.

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00:21:01.680 --> 00:21:04.359
<v Speaker 3>Yeah, it is so wonderful package.

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<v Speaker 1>I would encourage everybody listening to go to a Man

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00:21:07.200 --> 00:21:10.680
<v Speaker 1>at Hisprostate dot com and see where it's showing where

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00:21:10.680 --> 00:21:13.640
<v Speaker 1>it's touring. I will be picking back up in August

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00:21:14.440 --> 00:21:17.359
<v Speaker 1>in New York, Connecticut, and Rhode Island. I'm sure it

388
00:21:17.440 --> 00:21:19.960
<v Speaker 1>might be other places, So check that website to find out.

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00:21:20.440 --> 00:21:23.039
<v Speaker 3>And if you don't like the show, Steve will refund

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00:21:23.079 --> 00:21:23.559
<v Speaker 3>your money.

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00:21:23.680 --> 00:21:26.440
<v Speaker 1>See that's what I will do. Wait a minute, hold on, now,

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00:21:27.279 --> 00:21:29.720
<v Speaker 1>what is it. I don't want to do that. I

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00:21:29.720 --> 00:21:32.119
<v Speaker 1>don't want to replace anybody's money. Why don't you just

394
00:21:32.240 --> 00:21:34.079
<v Speaker 1>tell them that it's going to be a good show

395
00:21:34.160 --> 00:21:35.200
<v Speaker 1>and they will enjoy it.

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00:21:35.680 --> 00:21:38.920
<v Speaker 3>That's it. If you're not happy with the show, Steve

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00:21:38.960 --> 00:21:40.160
<v Speaker 3>will refund your money.

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<v Speaker 1>Thanks.

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00:21:41.880 --> 00:21:41.960
<v Speaker 4>Ed.

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00:21:44.480 --> 00:21:46.200
<v Speaker 1>All right, So same thing I.

401
00:21:46.160 --> 00:21:50.519
<v Speaker 3>Can do for you, my friend, and widen your audience,

402
00:21:50.720 --> 00:21:53.759
<v Speaker 3>widen't your appeal. I'll do it.

403
00:21:54.359 --> 00:21:57.279
<v Speaker 1>Hey, guess what, Ed, I'm going to tell everybody that

404
00:21:57.400 --> 00:22:00.200
<v Speaker 1>you said we're friends. I have it on recording. You

405
00:22:00.240 --> 00:22:01.119
<v Speaker 1>said we're friends.

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00:22:01.680 --> 00:22:04.000
<v Speaker 3>I'll deny I when I asked me, But go ahead.

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00:22:04.480 --> 00:22:09.640
<v Speaker 1>Oh man, okay, So your people sent me your book.

408
00:22:10.000 --> 00:22:13.279
<v Speaker 1>Your book is called The Grouchy Historian, an old time

409
00:22:13.359 --> 00:22:17.119
<v Speaker 1>lefty defends our constitution against right wing hypocrites and nutjobs.

410
00:22:17.440 --> 00:22:21.200
<v Speaker 1>Now this book was I'm in san Antonio, Texas.

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00:22:21.559 --> 00:22:23.759
<v Speaker 3>Aha, I've been there.

412
00:22:24.039 --> 00:22:25.759
<v Speaker 1>Why oh basic training?

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00:22:26.319 --> 00:22:28.039
<v Speaker 3>Hey, don't get up.

414
00:22:28.039 --> 00:22:34.720
<v Speaker 1>But he was me, pal, when were you here?

415
00:22:35.720 --> 00:22:38.079
<v Speaker 3>I was invited there, and I was I was quite.

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00:22:37.839 --> 00:22:41.960
<v Speaker 1>Pleased with Well, consider yourself invited back.

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00:22:42.480 --> 00:22:45.119
<v Speaker 3>Thank you, it would not be burdenshome.

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00:22:45.720 --> 00:22:49.000
<v Speaker 1>Oh that's good to hear. Good to hear. So your

419
00:22:49.000 --> 00:22:51.640
<v Speaker 1>people sent me this book. But then I found out

420
00:22:51.680 --> 00:22:55.000
<v Speaker 1>that you read the audio book yourself. So I bought

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00:22:55.039 --> 00:22:56.480
<v Speaker 1>the audiobook and listened to that.

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00:22:57.160 --> 00:22:59.359
<v Speaker 3>Ah, you already listen to it?

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00:22:59.519 --> 00:23:02.200
<v Speaker 1>Yes, sir, I did every bit of it, and I

424
00:23:03.319 --> 00:23:07.680
<v Speaker 1>was delighted. It was charming, it was funny. I found

425
00:23:07.720 --> 00:23:08.680
<v Speaker 1>it educational.

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<v Speaker 3>Yeah, definitely. Is that?

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00:23:11.640 --> 00:23:15.920
<v Speaker 1>So since I have this actual hard copied paper book

428
00:23:16.279 --> 00:23:19.039
<v Speaker 1>and I've already listened to the audiobook, I'm gonna go

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00:23:19.039 --> 00:23:21.759
<v Speaker 1>ahead and give away this copy of the book to

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00:23:21.839 --> 00:23:23.359
<v Speaker 1>one of my listeners. You okay with that?

431
00:23:24.119 --> 00:23:24.880
<v Speaker 3>Yeah?

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00:23:25.000 --> 00:23:27.039
<v Speaker 4>It has a signature, it does not.

433
00:23:28.160 --> 00:23:32.079
<v Speaker 3>Well, you can tell them send it to me. Whoever

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00:23:32.119 --> 00:23:33.319
<v Speaker 3>you award the book to.

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00:23:33.839 --> 00:23:37.440
<v Speaker 1>I'll tell you what. I will mail you the book

436
00:23:37.440 --> 00:23:41.200
<v Speaker 1>cover jacket and then you can sign that and then

437
00:23:41.359 --> 00:23:43.039
<v Speaker 1>send it back to me, and then I'll give it away.

438
00:23:43.079 --> 00:23:43.480
<v Speaker 1>How's that?

439
00:23:44.119 --> 00:23:47.599
<v Speaker 3>Oh? No, wait, do you stay out? Who want it?

440
00:23:48.039 --> 00:23:51.680
<v Speaker 3>And then I can I can address it to them personally.

441
00:23:51.920 --> 00:23:53.319
<v Speaker 1>Oh that's an even better idea.

442
00:23:54.680 --> 00:23:55.799
<v Speaker 4>I love it, you idiot.

443
00:23:58.000 --> 00:24:02.079
<v Speaker 1>Okay, So let's talk about this book. Ed Weinberger helped

444
00:24:02.119 --> 00:24:03.000
<v Speaker 1>you write this book?

445
00:24:03.200 --> 00:24:06.279
<v Speaker 3>Also, Yeah, yeah, what do you want to say?

446
00:24:06.599 --> 00:24:08.200
<v Speaker 1>I wanted you to tell me why you wrote it.

447
00:24:08.559 --> 00:24:13.960
<v Speaker 3>Well, I've been hearing for years, as has he how

448
00:24:14.079 --> 00:24:19.480
<v Speaker 3>Republicans claim they own the goddamn Constitution, that only they

449
00:24:19.519 --> 00:24:24.279
<v Speaker 3>can interpret it, that they are the ears to the Irisalists,

450
00:24:24.640 --> 00:24:28.079
<v Speaker 3>but a lot of crap. We just wanted the American

451
00:24:28.240 --> 00:24:33.599
<v Speaker 3>people to start thinking before themselves and will claiming the

452
00:24:33.720 --> 00:24:39.400
<v Speaker 3>Constitution as their document, not belonging to Republicans generally.

453
00:24:40.079 --> 00:24:43.200
<v Speaker 1>Gotcha? How much research went into making this book?

454
00:24:43.599 --> 00:24:47.640
<v Speaker 3>Great deal. If you see all the attributions.

455
00:24:47.000 --> 00:24:49.279
<v Speaker 1>It appears like this was a lot of research went

456
00:24:49.319 --> 00:24:50.480
<v Speaker 1>into making this book.

457
00:24:50.799 --> 00:24:51.119
<v Speaker 3>It is.

458
00:24:52.359 --> 00:24:55.640
<v Speaker 1>It is very detailed, and it dives deep into stuff

459
00:24:55.680 --> 00:24:57.680
<v Speaker 1>that I never heard of before. A lot of it

460
00:24:57.759 --> 00:24:59.119
<v Speaker 1>I had never heard before.

461
00:24:59.519 --> 00:25:03.799
<v Speaker 3>Yeah, Ed, Ed did almost all of the research. I

462
00:25:03.839 --> 00:25:09.880
<v Speaker 3>have another friend, young lawyer who aided him. The pretty

463
00:25:10.000 --> 00:25:14.240
<v Speaker 3>rock solid on their bases of interpretation.

464
00:25:15.359 --> 00:25:18.839
<v Speaker 1>What inspired you to get John Amos to read that

465
00:25:19.000 --> 00:25:20.440
<v Speaker 1>particular section of the book.

466
00:25:20.880 --> 00:25:24.160
<v Speaker 3>Well, John had worked at Mary Tayler Worshow we were friends.

467
00:25:24.799 --> 00:25:28.319
<v Speaker 3>He played for Kansas City in notes days. John used

468
00:25:28.319 --> 00:25:31.319
<v Speaker 3>to build himself as the most traded pro football player

469
00:25:31.559 --> 00:25:35.480
<v Speaker 3>in the sport. He's a wonderful guy and he's a

470
00:25:35.480 --> 00:25:36.039
<v Speaker 3>good actor.

471
00:25:36.519 --> 00:25:39.279
<v Speaker 1>He's a great actor. Yeah, when you picked up the

472
00:25:39.319 --> 00:25:40.960
<v Speaker 1>phone and called him and asked him to be a

473
00:25:41.000 --> 00:25:44.000
<v Speaker 1>part of this, was he excited? Was he skeptical?

474
00:25:44.720 --> 00:25:47.440
<v Speaker 3>Yes, of course he was. I told him I'd beat

475
00:25:47.480 --> 00:25:49.079
<v Speaker 3>the crap out of him if he didn't do it.

476
00:25:49.160 --> 00:25:53.680
<v Speaker 3>So he said, yeah, ed and he did.

477
00:25:54.359 --> 00:25:57.400
<v Speaker 1>Nice. Have you done any speaking tours with this book.

478
00:25:57.960 --> 00:26:02.359
<v Speaker 3>I've done book signings and I have appeared jointly talking

479
00:26:02.400 --> 00:26:05.400
<v Speaker 3>about it in a few places, not a lot.

480
00:26:05.640 --> 00:26:07.920
<v Speaker 1>Well, I think you should come to San Antonio and

481
00:26:07.960 --> 00:26:09.319
<v Speaker 1>do one just for me.

482
00:26:10.359 --> 00:26:14.119
<v Speaker 3>You know, I'm all for that, but with the me

483
00:26:14.319 --> 00:26:18.440
<v Speaker 3>too gangs out there, I'd be very careful about how

484
00:26:18.519 --> 00:26:23.279
<v Speaker 3>you expose yourself, not set yourself up to be depredated

485
00:26:23.359 --> 00:26:25.759
<v Speaker 3>by the me too ladies.

486
00:26:26.319 --> 00:26:28.720
<v Speaker 1>So being in the business as long as you've been

487
00:26:28.759 --> 00:26:29.960
<v Speaker 1>in the business.

488
00:26:29.720 --> 00:26:30.559
<v Speaker 3>Would you agree?

489
00:26:31.079 --> 00:26:34.720
<v Speaker 1>I absolutely agree. Being in the business as long as

490
00:26:34.759 --> 00:26:37.599
<v Speaker 1>you have been. Did you see a lot of the

491
00:26:37.640 --> 00:26:40.279
<v Speaker 1>behavior that inspired the me Too movement?

492
00:26:40.920 --> 00:26:44.079
<v Speaker 3>No, I didn't see it, And of course I have

493
00:26:44.279 --> 00:26:47.839
<v Speaker 3>been a huge the times myself of being too forward

494
00:26:48.200 --> 00:26:52.279
<v Speaker 3>in my approach to women. I am aggressive, and thank

495
00:26:52.319 --> 00:26:55.880
<v Speaker 3>god I have never I have never forced myself on

496
00:26:56.000 --> 00:26:59.680
<v Speaker 3>any woman that I know of, and I hopefully step

497
00:26:59.759 --> 00:27:03.200
<v Speaker 3>for incite chapter and verse to me, and I will

498
00:27:03.599 --> 00:27:09.079
<v Speaker 3>either acknowledge my sins or combat it any way I can.

499
00:27:09.799 --> 00:27:15.279
<v Speaker 3>I was never aware of another male's misusage because it's

500
00:27:15.319 --> 00:27:18.440
<v Speaker 3>a private I'm sure even a Harvey Wartstin do a

501
00:27:18.519 --> 00:27:21.559
<v Speaker 3>lot of his depredation in trust.

502
00:27:21.880 --> 00:27:25.079
<v Speaker 1>Yeah, I think so. Tell me about touring. I think

503
00:27:25.119 --> 00:27:28.559
<v Speaker 1>you played Franklin Delano Roosevelt for quite a while on

504
00:27:28.640 --> 00:27:31.039
<v Speaker 1>Broadway or well, I toured the country.

505
00:27:31.039 --> 00:27:32.839
<v Speaker 3>Did it for about four years?

506
00:27:33.160 --> 00:27:36.519
<v Speaker 1>Now, that's a long time. How was traveling?

507
00:27:36.880 --> 00:27:36.920
<v Speaker 4>Like?

508
00:27:37.039 --> 00:27:39.240
<v Speaker 1>How how are you with that kind of travel?

509
00:27:39.759 --> 00:27:43.039
<v Speaker 3>Well, I'm traveling as much with man and his prustate.

510
00:27:43.519 --> 00:27:47.240
<v Speaker 3>I don't blossom well with travel, but it's the only

511
00:27:47.319 --> 00:27:48.799
<v Speaker 3>way we get to show out there.

512
00:27:49.319 --> 00:27:51.720
<v Speaker 1>And why do you do it? I mean, I'm pretty

513
00:27:51.759 --> 00:27:54.759
<v Speaker 1>sure that you probably don't need the money to pay

514
00:27:54.799 --> 00:27:55.480
<v Speaker 1>your bills, so.

515
00:27:55.440 --> 00:28:01.640
<v Speaker 3>Which I do in your own goddamn business.

516
00:28:04.599 --> 00:28:12.799
<v Speaker 1>Oh my gosh, that might be the name of this episode. Oh, Ed,

517
00:28:12.880 --> 00:28:14.920
<v Speaker 1>you are a delight to talk to you, my friend.

518
00:28:15.440 --> 00:28:16.519
<v Speaker 3>Well you're a good question.

519
00:28:17.160 --> 00:28:18.079
<v Speaker 1>I appreciate that.

520
00:28:18.720 --> 00:28:21.160
<v Speaker 3>Well, I sure want to meet your wife.

521
00:28:22.079 --> 00:28:26.319
<v Speaker 1>Yes, you do. She's beautiful, she is gorgeous.

522
00:28:26.640 --> 00:28:28.759
<v Speaker 3>I said, tell her I need some headwork.

523
00:28:29.200 --> 00:28:33.160
<v Speaker 1>Oh my goodness, I probably I probably won't tell her

524
00:28:33.200 --> 00:28:33.680
<v Speaker 1>that part.

525
00:28:34.200 --> 00:28:34.640
<v Speaker 3>Why not?

526
00:28:35.039 --> 00:28:37.000
<v Speaker 1>Oh I don't know. Hashtag me too.

527
00:28:39.839 --> 00:28:43.640
<v Speaker 3>Oh no, I'm not talking. I'm not talking sexually.

528
00:28:43.960 --> 00:28:45.960
<v Speaker 1>Oh okay, you idiot.

529
00:28:46.039 --> 00:28:51.200
<v Speaker 3>You think I would talk like that to you.

530
00:28:51.319 --> 00:28:53.279
<v Speaker 1>Oh my gosh, you're so refreshing.

531
00:28:54.759 --> 00:28:56.480
<v Speaker 3>I hope your wife finds me that way.

532
00:28:56.559 --> 00:28:59.400
<v Speaker 1>Oh my goodness. What do you what's on the horizon?

533
00:28:59.400 --> 00:29:02.160
<v Speaker 1>What do you got play besides pimping this book and

534
00:29:02.279 --> 00:29:04.960
<v Speaker 1>finishing this man at his prospect tour? What else do

535
00:29:05.000 --> 00:29:05.680
<v Speaker 1>you got going on?

536
00:29:05.960 --> 00:29:09.480
<v Speaker 3>Well, you know, you speak of horizon. And as I

537
00:29:09.559 --> 00:29:13.079
<v Speaker 3>look out over the Pacific, and as I reached the

538
00:29:13.240 --> 00:29:17.480
<v Speaker 3>edge of the horizon, I see ships coming, and I

539
00:29:17.480 --> 00:29:20.359
<v Speaker 3>see the top of their masts, and then as they

540
00:29:20.440 --> 00:29:23.000
<v Speaker 3>get closer, I see more and more of their masks.

541
00:29:23.200 --> 00:29:27.680
<v Speaker 3>So it seems like they're sailing on a circle. So

542
00:29:27.799 --> 00:29:30.759
<v Speaker 3>I have a theory that the world is around?

543
00:29:31.039 --> 00:29:31.960
<v Speaker 1>Are you messing with me?

544
00:29:32.680 --> 00:29:34.160
<v Speaker 3>Why would I mess with you?

545
00:29:34.279 --> 00:29:37.279
<v Speaker 1>Sailor you don't really think the world's round?

546
00:29:37.960 --> 00:29:39.920
<v Speaker 3>I certainly are beginning to.

547
00:29:39.880 --> 00:29:43.079
<v Speaker 1>Think, so, well, that is a fantastic idea. I'll have

548
00:29:43.119 --> 00:29:44.640
<v Speaker 1>to think about that and get back to you.

549
00:29:45.200 --> 00:29:49.599
<v Speaker 3>By that sea thing I told you about the Gulf,

550
00:29:49.680 --> 00:29:53.759
<v Speaker 3>and look at their horizon and watch boats coming towards you,

551
00:29:54.200 --> 00:29:57.200
<v Speaker 3>and you'll see it starts with the mass, and then

552
00:29:57.240 --> 00:30:00.680
<v Speaker 3>as they get more and more, be more mass formas

553
00:30:00.680 --> 00:30:04.119
<v Speaker 3>and finally the boat. I think you'll find I'm right.

554
00:30:04.599 --> 00:30:06.599
<v Speaker 1>Well, I think you might just be.

555
00:30:07.319 --> 00:30:10.160
<v Speaker 3>Well to hear somebody corroborate me.

556
00:30:10.960 --> 00:30:13.599
<v Speaker 1>One of my favorite TV shows that didn't last very

557
00:30:13.599 --> 00:30:17.160
<v Speaker 1>long was Studio sixty on the Sunset Strip? Do you Have?

558
00:30:17.920 --> 00:30:21.079
<v Speaker 1>Do you have any stories? Or do your hold? Do

559
00:30:21.119 --> 00:30:22.799
<v Speaker 1>you remember that show fondly?

560
00:30:23.599 --> 00:30:26.160
<v Speaker 3>Well? I liked what he wrote for me. He's a

561
00:30:26.240 --> 00:30:29.680
<v Speaker 3>great writer, but I felt he was wasting too much

562
00:30:29.720 --> 00:30:33.279
<v Speaker 3>time on the love stories of the young people when

563
00:30:33.319 --> 00:30:39.240
<v Speaker 3>he could have been involving everybody dramatically with me. I'm

564
00:30:39.240 --> 00:30:42.240
<v Speaker 3>sure the show would have lasted had he done more

565
00:30:42.279 --> 00:30:42.599
<v Speaker 3>of that.

566
00:30:43.119 --> 00:30:45.519
<v Speaker 1>Yeah, I think if he focused more on you, I

567
00:30:45.559 --> 00:30:46.640
<v Speaker 1>think the show's still be on.

568
00:30:47.279 --> 00:30:53.119
<v Speaker 3>Yeah, of course, Well, I love every time I'm saying

569
00:30:53.119 --> 00:30:53.960
<v Speaker 3>his words.

570
00:30:54.279 --> 00:30:56.599
<v Speaker 1>Well, it was my it was my favorite TV show

571
00:30:57.119 --> 00:31:00.039
<v Speaker 1>when it was on, and it broke my heart and

572
00:31:00.119 --> 00:31:00.920
<v Speaker 1>it got canceled.

573
00:31:01.640 --> 00:31:02.559
<v Speaker 3>I'm sorry to hear that.

574
00:31:02.799 --> 00:31:04.319
<v Speaker 1>Well, thank you. I appreciate that.

575
00:31:04.680 --> 00:31:07.039
<v Speaker 3>We'll send your heart to me with the with the

576
00:31:07.079 --> 00:31:10.480
<v Speaker 3>book cover and I'll try to repair.

577
00:31:10.079 --> 00:31:11.960
<v Speaker 1>It and also send my wife.

578
00:31:12.519 --> 00:31:15.359
<v Speaker 3>Yeah, all that too. Yeah, I'll pay the postage on

579
00:31:15.440 --> 00:31:15.880
<v Speaker 3>that one.

580
00:31:19.960 --> 00:31:23.319
<v Speaker 1>Well, I appreciate that. Is there anything Is there anything

581
00:31:23.359 --> 00:31:25.759
<v Speaker 1>that you wanted to talk about that I didn't bring up?

582
00:31:26.519 --> 00:31:29.839
<v Speaker 3>Well, you haven't mentioned your mistress.

583
00:31:30.279 --> 00:31:33.279
<v Speaker 1>Oh I never mentioned her. That's that's how she stays

584
00:31:33.279 --> 00:31:34.079
<v Speaker 1>a mistress.

585
00:31:34.880 --> 00:31:39.119
<v Speaker 3>Well, I can you send pictures not.

586
00:31:39.160 --> 00:31:41.559
<v Speaker 1>Of my mistress of my wife? Maybe? Wait what.

587
00:31:43.480 --> 00:31:48.240
<v Speaker 3>Even I'll be glad to slobber and flavor over either

588
00:31:48.279 --> 00:31:48.640
<v Speaker 3>of them.

589
00:31:49.839 --> 00:31:50.799
<v Speaker 1>How very flattering.

590
00:31:53.200 --> 00:31:54.759
<v Speaker 3>I know the way to woman's heart.

591
00:31:55.480 --> 00:31:59.519
<v Speaker 1>I bet you do. Yeah, I bet you. You've never

592
00:31:59.680 --> 00:32:02.079
<v Speaker 1>done that a few times, I'm sure.

593
00:32:02.640 --> 00:32:06.160
<v Speaker 3>Yeah. Unfortunately, my ex wife is not speaking to me

594
00:32:06.279 --> 00:32:09.000
<v Speaker 3>right now, but when she comes to her senses, she'll

595
00:32:09.240 --> 00:32:10.680
<v Speaker 3>just start speaking to me again.

596
00:32:11.319 --> 00:32:13.279
<v Speaker 1>And none of my ex wives speak to me, and

597
00:32:13.319 --> 00:32:18.759
<v Speaker 1>I'm okay with it. I'm on my third marriage right now.

598
00:32:19.200 --> 00:32:24.200
<v Speaker 3>Oh my goodness. Well then I certainly empathize.

599
00:32:24.200 --> 00:32:26.200
<v Speaker 1>And I empathize with you, sir.

600
00:32:26.839 --> 00:32:31.960
<v Speaker 3>Oh good good And I know that you identify with

601
00:32:32.440 --> 00:32:36.400
<v Speaker 3>the problems I speak of and recognize them. And we're

602
00:32:36.440 --> 00:32:37.759
<v Speaker 3>burdge of a feather.

603
00:32:38.119 --> 00:32:39.759
<v Speaker 1>We are. That is the truth.

604
00:32:41.400 --> 00:32:41.480
<v Speaker 3>Ed.

605
00:32:42.519 --> 00:32:47.759
<v Speaker 1>I want to I want to thank you so much

606
00:32:47.799 --> 00:32:52.240
<v Speaker 1>for your time. I know that it's the gratitude, Amard,

607
00:32:52.680 --> 00:32:56.319
<v Speaker 1>absolutely not. You made time for me. I really appreciate it.

608
00:32:56.359 --> 00:32:57.880
<v Speaker 1>I want to let you get back to the rest

609
00:32:57.920 --> 00:32:58.440
<v Speaker 1>of your day.

610
00:32:59.039 --> 00:33:00.960
<v Speaker 3>Thank you, Thank you, what's left of it?

611
00:33:01.200 --> 00:33:03.799
<v Speaker 1>What is left of it? Indeed, I will when this

612
00:33:03.839 --> 00:33:07.160
<v Speaker 1>show comes out, I will put a link to your

613
00:33:07.160 --> 00:33:10.799
<v Speaker 1>book and the link to a man in his prostate

614
00:33:10.960 --> 00:33:13.599
<v Speaker 1>dot com in the show notes so that people can

615
00:33:13.640 --> 00:33:16.160
<v Speaker 1>go there and buy both of those things. Go see

616
00:33:16.160 --> 00:33:18.559
<v Speaker 1>the show and buy the book. The book is phenomenal.

617
00:33:19.000 --> 00:33:21.200
<v Speaker 4>Okay, you guys did a really.

618
00:33:21.039 --> 00:33:22.039
<v Speaker 1>Good job on that book.

619
00:33:22.160 --> 00:33:22.240
<v Speaker 4>Ed.

620
00:33:22.319 --> 00:33:23.119
<v Speaker 1>You should be proud.

621
00:33:23.559 --> 00:33:27.039
<v Speaker 3>I am, I really am, And that's an important.

622
00:33:26.759 --> 00:33:29.240
<v Speaker 1>It is important. Like I said, it opened my eyes

623
00:33:29.319 --> 00:33:30.079
<v Speaker 1>up to a lot of things.

624
00:33:30.119 --> 00:33:33.319
<v Speaker 4>I was unaware of that's great, that's really great.

625
00:33:33.720 --> 00:33:35.440
<v Speaker 3>All right, kiss your wife.

626
00:33:35.799 --> 00:33:39.079
<v Speaker 1>I will kiss her from me, not from you, you scoundrel.

627
00:33:39.599 --> 00:33:45.759
<v Speaker 3>Why what did I do to you?

628
00:33:45.759 --> 00:33:47.519
<v Speaker 1>You're gonna have to let me know when you're headed

629
00:33:47.559 --> 00:33:47.960
<v Speaker 1>this way.

630
00:33:48.599 --> 00:33:52.720
<v Speaker 3>Oh, I have my k with me, so you'll.

631
00:33:52.440 --> 00:33:54.480
<v Speaker 1>Know what the heck. No, man, I just want to

632
00:33:54.480 --> 00:33:55.599
<v Speaker 1>give you a ride, that's all.

633
00:33:56.920 --> 00:34:01.240
<v Speaker 3>Okay, then I'll kill you.

634
00:34:01.400 --> 00:34:04.160
<v Speaker 1>There you go. I appreciate that. Thank you so much.

635
00:34:04.960 --> 00:34:07.480
<v Speaker 1>You have a great rest of your day. Okay, thanks,

636
00:34:07.920 --> 00:34:08.519
<v Speaker 1>thank you, Sarah.

637
00:34:08.559 --> 00:34:11.519
<v Speaker 4>You're a delight really good talking to you.

638
00:34:11.119 --> 00:34:12.960
<v Speaker 1>You too, Bye bye, take care.

639
00:34:15.159 --> 00:34:19.199
<v Speaker 5>Opening music is the song Magnolia from the twenty fourteen

640
00:34:19.280 --> 00:34:25.119
<v Speaker 5>album in Transigence, used with permission from Douglas Miles Clark.

641
00:34:27.480 --> 00:34:30.920
<v Speaker 5>Closing music is Apollo from the two thousand and one

642
00:34:30.960 --> 00:34:36.880
<v Speaker 5>album Into the Known by the band Sapphire. Thanks for

643
00:34:36.920 --> 00:34:39.119
<v Speaker 5>hanging out with us and getting to know a little

644
00:34:39.159 --> 00:34:43.400
<v Speaker 5>bit about our guest. We'll see you next time on

645
00:34:43.639 --> 00:34:44.800
<v Speaker 5>Fascination Shoot.
