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<v Speaker 1>Hollo. I'm walking stories all the time. Glad you are here.

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<v Speaker 1>Let's get into it. I arrived on a Thursday, just

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<v Speaker 1>ahead of what the hotel calendar grandly called the Great

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<v Speaker 1>Lakeside Reading Retreat. I'd chosen the place, an old hotel

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<v Speaker 1>draped in history and likened by a broad Vermont lake,

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<v Speaker 1>as much out of weariness as curiosity. Retirement, despite what

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<v Speaker 1>people tell you, is an acquired taste, one i'd not

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<v Speaker 1>quite gotten used to. My wife and I had uprooted

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<v Speaker 1>for her daughter's job in Minneapolis. But I'd somehow found

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<v Speaker 1>myself with too many afternoons, not enough of my own chores,

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<v Speaker 1>and a vague ache for mystery. A week at this

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<v Speaker 1>retreat sounded just right, words, walks, and hopefully a new

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<v Speaker 1>notebook full of impressions to make sense of my unscheduled life.

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<v Speaker 1>I'd been assigned Room seventeen. A stroke of luck, said

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<v Speaker 1>missus fallen at the desk, since it were one of

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<v Speaker 1>the brightest with views you'll remember. She spoke in the

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<v Speaker 1>polished but punctured way of someone managing the same property

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<v Speaker 1>for decades, Friendly, curious, brisk, sarcastic at the edges. When

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<v Speaker 1>she handed me my brass key. I felt foolishly like

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<v Speaker 1>I ought to tip her for the privilege of mystery.

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<v Speaker 1>The climb to the second floor was a lesson in patience.

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<v Speaker 1>The stairs creaked, the carpet whispered with the footprints of years,

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<v Speaker 1>and shadows seemed to cling to the base boards in

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<v Speaker 1>odd places. The door to seventeen still bore a faint

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<v Speaker 1>stencil faded from gold. Inside the room had a pleasing geometry,

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<v Speaker 1>two upholstered chairs, a walnut desk, a reading lamp with

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<v Speaker 1>a slightly cracked parchment shade, and a wide window set

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<v Speaker 1>deep in a creamy wall. I set my suit case

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<v Speaker 1>on the sturdy bed spread and circled the room, tracing

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<v Speaker 1>the edge of a dustless bureau, as if by old reflex.

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<v Speaker 1>The window drew me almost before I'd finished unzipping the bag.

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<v Speaker 1>I peered out. The view at first matched every hope

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<v Speaker 1>I had carried with me. Bare trees, their branches and

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<v Speaker 1>etching against the sky, slouched over the winter d old

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<v Speaker 1>garden beyond ice clung to the edge of the wide lake,

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<v Speaker 1>and gentle snow tumbled silently, thinning as it crossed the view.

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<v Speaker 1>The whole landscape had that hushed particular to a March snow,

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<v Speaker 1>neither deep nor determined, but enough to sketch the ground

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<v Speaker 1>in white and turn the air opalescent. My mind skipped

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<v Speaker 1>a step snow. The forecast all week had boasted the opposite,

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<v Speaker 1>a rare Vermont heat wave, sixty degrees in sun, enough

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<v Speaker 1>to bring out the first daffodils. I fished my foam

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<v Speaker 1>from my inner coat pocket, thumbed it on, sure enough

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<v Speaker 1>the cheerful blue icon, a cartoon sun reading sixty four

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<v Speaker 1>degrees f mostly sunny, with a low of only forty two,

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<v Speaker 1>no mention of snow, no advisories, no sudden storms. I

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<v Speaker 1>looked back out. The flakes still drifted even as I stared.

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<v Speaker 1>A pair of gray juncos hopped under bare hydranger, scattering

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<v Speaker 1>powder with their wings. I stood up straight, trying to

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<v Speaker 1>think rationally old glass, perhaps some film on the pane.

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<v Speaker 1>I reached up, tapped gently, solid, cold and clear. I

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<v Speaker 1>stepped away, paced the room, then, in a moment's whimsy,

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<v Speaker 1>strode out into the hallway. The air was distinctly warm,

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<v Speaker 1>carrying a hint of lilac from some air freshener, or

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<v Speaker 1>perhaps just the memory of spring. After a moment's consideration,

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<v Speaker 1>I returned to my room and braced myself for a

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<v Speaker 1>colder reality. But inside that hush had faded. The room

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<v Speaker 1>was no colder. Only the window seen the same snow undisturbed,

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<v Speaker 1>gently falling as dusk pressed through the trees, a trick

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<v Speaker 1>of the light. I told myself it must be too

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<v Speaker 1>many hours in airports, too little sleep, Or perhaps I'd

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<v Speaker 1>grown so addicted to the ordinary pleasant strangeness of hotels, strangers, smells,

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<v Speaker 1>weird pillows, all that anticipation, that my mind had decided

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<v Speaker 1>to invent a little atmospheric drama of its own. I laughed, gently,

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<v Speaker 1>dropped my scarf on to the arm chair, and wondered

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<v Speaker 1>for a moment how often whether forecasters got it wrong

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<v Speaker 1>up here? I told myself, I'd look again, really look later,

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<v Speaker 1>when I was less traveladdled. For now. I poured myself

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<v Speaker 1>a glass of tap water, watched a last flake swirl

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<v Speaker 1>against the glass, and sat down to write, March Room seventeen,

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<v Speaker 1>snow impossible. By breakfast the next morning, my mind had

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<v Speaker 1>reset itself to the gentle eccentricities of the hotel. I woke,

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<v Speaker 1>as always before sunrise. The habits of thirty years in

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<v Speaker 1>a class room, refusing to retire with the rest of me.

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<v Speaker 1>The room was darker than I expected. The window sill

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<v Speaker 1>rhymed with what looked like frost, but I ignored it

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<v Speaker 1>for the moment in favor of my morning notebook ritual,

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<v Speaker 1>three pages by hand before coffee. Old teacher's tricks die hard.

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<v Speaker 1>I still write in block caps, as if I might

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<v Speaker 1>some day be called to explain my thinking to others.

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<v Speaker 1>This morning, my pages circled around how lazy and restless

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<v Speaker 1>I had felt since moving, how strange it was to

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<v Speaker 1>be somewhere. My face was a secret again from my door.

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<v Speaker 1>The hallway tilted slightly down its boards, so uneven I

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<v Speaker 1>had to step sideways in places at risk of stepping

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<v Speaker 1>into a groove or sticky patch of wax. The old

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<v Speaker 1>hotel had that once grand, now cozy feeling that only

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<v Speaker 1>places with careful owners truly possess. The walls carried photographs

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<v Speaker 1>in tarnished brass frames, wedding groups from the twenties. A

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<v Speaker 1>dog perched atop snow banks, three women wading at the

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<v Speaker 1>lake shore. Someone missus Fallen presumably had arranged them not

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<v Speaker 1>in neat rows, but in what seemed a map of

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<v Speaker 1>shifting personal memory. I followed the morning smells. Slow brewing

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<v Speaker 1>coffee cinnamon muffins would smoke from somewhere beyond, though it

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<v Speaker 1>was too warm for the fire places to be in use.

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<v Speaker 1>The lounge where breakfast was offered opened onto a semicircle

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<v Speaker 1>of mismatched arm chairs and low tables, scattered with newspapers, notepads,

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<v Speaker 1>and the odd pair of abandoned glasses. The crowd was earnest,

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<v Speaker 1>half chatty, and half dream like. Missus Fallen presided from

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<v Speaker 1>a seat by the doorway, a paperback resting on her

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<v Speaker 1>lap so confidently it threatened to be a prop. She

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<v Speaker 1>looked over the assembled guests like a chest master at

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<v Speaker 1>the board. She greeted me with a nod as if

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<v Speaker 1>I'd been attending these breakfasts for years, and with a whisper,

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<v Speaker 1>handed me a menu that I soon realized was almost unnecessary.

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<v Speaker 1>The options ran classic oatmeal with dried cherries, soft scrambled eggs, toast,

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<v Speaker 1>a compot of overripe apples. The staff moved quietly, almost reverently,

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<v Speaker 1>as though to disturb the routine would violate the spell.

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<v Speaker 1>At a table near the window sat mister Canning bald

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<v Speaker 1>except for a price of heroic combed over hair, flipping

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<v Speaker 1>through the New York Times crossword and muttering words under

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<v Speaker 1>his breath. He wore two pens clipped to his shirt

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<v Speaker 1>pocket and had, I later learned, been summering and some

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<v Speaker 1>times wintering in the hotel for over a decade since

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<v Speaker 1>his wife's death. He offered me a half salute as

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<v Speaker 1>I passed on a faded rose couch. A woman with

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<v Speaker 1>cropped hair and heavy glasses scribbled in a bound note

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<v Speaker 1>book so intently she missed her tea cooling beside her.

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<v Speaker 1>This was Elina, already legendary among the group for her poetry,

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<v Speaker 1>her staccato laugh, and an indifference to both routine and interruptions.

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<v Speaker 1>I would learn later that she treated oddities much like

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<v Speaker 1>the rest of us treat off handed weather, a curiosity perhaps,

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<v Speaker 1>but rarely a real disruption. Pete, the night manager, was

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<v Speaker 1>stacking juice glasses behind the counter, grinning that easy, eager

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<v Speaker 1>grin that only people knew to their jobs seem able

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<v Speaker 1>to give. When I complimented the marmalade, he approached with

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<v Speaker 1>a semi conspiratorial tone and asked, first time here. When

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<v Speaker 1>I nodded, he replied, you'll find it grows on you.

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<v Speaker 1>All sorts of hidden corners, ask if you need local

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<v Speaker 1>hikes or where to get real pie tell. Structure itself

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<v Speaker 1>encouraged these pockets of conversation. The lounge, the small library

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<v Speaker 1>with bay windows and ancient encyclopedias. The segmented hallways branching

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<v Speaker 1>in unexpected directions, staircases that seemed to arrive at slightly

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<v Speaker 1>different heights depending on how tired you were. Some doors

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<v Speaker 1>were permanently closed. One bore a lock whose key Misses

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<v Speaker 1>Fallen alone managed The building held both temporary and long

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<v Speaker 1>haul guests, with missus Fallen assigning rooms by arcane principle,

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<v Speaker 1>or so it seemed. Everyone swore there was a system.

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<v Speaker 1>Each room had its peculiarities, slanting light, squealing pipes, the

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<v Speaker 1>odor of tobacco or mint or neither. The staff retained

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<v Speaker 1>that perfect balance between knowing and not knowing, present but discreet,

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<v Speaker 1>aware but never intrusive. Discussion at breakfast. Beyond the crossword

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<v Speaker 1>which mister Canning solved loudly, looped and curled around the

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<v Speaker 1>familiar interests of a retreat. Which authors were most likely

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<v Speaker 1>to provoke, disagree agreement, which view made for the best

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<v Speaker 1>reading which year the scones had reached transcendence. Several returned

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<v Speaker 1>guests joked about how charming the building was, or how

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<v Speaker 1>the quirks kept you honest, but nothing more precise was offered.

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<v Speaker 1>When I made a passing remark about my room being

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<v Speaker 1>drafty or the view being painterly, Elena looked up and

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<v Speaker 1>blinked owlishly, as if to say, is that the nature

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<v Speaker 1>of old buildings? Mister Canning grunted non committally. After breakfast,

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<v Speaker 1>there were suggested activities readings in the library, slow walks

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<v Speaker 1>along a lakeside path where melting snow alternated with candy

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<v Speaker 1>bright crocuses, and this was my favorite time to sit

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<v Speaker 1>pen in hand. Unhurried. As the day began to open,

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<v Speaker 1>I spent the first part of the afternoon skimming a

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<v Speaker 1>slim book of Vermont history in a patch of sun

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<v Speaker 1>on the window sill for an hour. The small crowd

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<v Speaker 1>of literati drifted through the library, leafing through stacked volumes

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<v Speaker 1>and exchanging polite theories about Chekhov and thorough In this

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<v Speaker 1>first day, nothing about the hotel felt especially odd. Apart

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<v Speaker 1>from its practiced eccentricity. The delightfully cluttered reading nooks, the

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<v Speaker 1>Betty lamp still glowing in the stairwell, the overstuffed mail

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<v Speaker 1>cubby behind the front desk. I felt, if anything wrapped

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<v Speaker 1>in ritual repetition. Everyone seemed to know their orbit. But

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<v Speaker 1>that sense of repetition also allowed for looseness, things you

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<v Speaker 1>could notice if you kept your eyes open just a

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<v Speaker 1>bit wider than usual. That evening, just as the group

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<v Speaker 1>discussion on regional storytelling was winding down, I returned to

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<v Speaker 1>Room seventeen, intending to jot a few notes on what

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<v Speaker 1>I had overheard, something about the way Elena paused as

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<v Speaker 1>Stanza had grabbed at my memory. My key stuck, as

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<v Speaker 1>if reluctant to allow me privacy. But once inside, I

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<v Speaker 1>found the room had retained its gentle chill. The window

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<v Speaker 1>again drew my attention, not because I was seeking strangeness,

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<v Speaker 1>but because the dusk seemed to deepen there faster than

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<v Speaker 1>in the hallway. I moved forward quietly, my notebook still

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<v Speaker 1>in hand. The garden below was shrouded in snow more

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<v Speaker 1>than before, deeper. Curling in among the shrubs and dusting

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<v Speaker 1>the iron tables with bright powder, someone a shape indistinct

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<v Speaker 1>walked in the near distance, head bowed against what looked

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<v Speaker 1>like a windy squall. I watched the snow swirl higher,

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<v Speaker 1>the light changing to a blue, almost violet at the edges.

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<v Speaker 1>I frowned. Suddenly insistent, I snapped my notebook closed and

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<v Speaker 1>strode out into the hallway, the heavy door rattling faintly

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<v Speaker 1>behind me. The corridor was brisk, even a little warm,

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<v Speaker 1>now unmistakably tinged with spring air. Determined, I made my

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<v Speaker 1>way downstairs, weaving past guests reading in the alcoves, and

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<v Speaker 1>stepped through the antique double doors into the parking circle.

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<v Speaker 1>The outside was muddy, the sweet, sharp smell of new

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<v Speaker 1>earth everywhere. The grass, tough and bruised by boots, ran

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<v Speaker 1>all the way to the lake, where a few slabs

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<v Speaker 1>of ice hunched together on the shore. There was no

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<v Speaker 1>snow at all, and certainly no chill dense enough to

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<v Speaker 1>warrant a scarf. I paused, half laughing, half annoyed at myself.

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<v Speaker 1>I looked back up at the hotel's wings, trying to

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<v Speaker 1>compute angles. If I stood here, Room seventeen would be

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<v Speaker 1>two floors up, third window from the left. What I

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<v Speaker 1>saw instead was my own reflection caught in the dusky glass,

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<v Speaker 1>no sign of snow, only the yellow of lamp light

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<v Speaker 1>and the shadow of some one moving within. No trace

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<v Speaker 1>of winter, no one walking in the garden. Dismissing it

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<v Speaker 1>as some trick, perhaps a reflection burned in my brain,

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<v Speaker 1>a childhood memory intruding on real sight, I turned to

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<v Speaker 1>retrace my steps inside. Pete greeted me from his spot

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<v Speaker 1>at the front desk, where he was untangling a foam cord.

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<v Speaker 1>He caught my expression and grinned weathers confounding out there

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<v Speaker 1>to night. Huh. I hesitated, then mentioned lightly that I

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<v Speaker 1>had seen snow from my window, A lot of snow,

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<v Speaker 1>not just a patch micro climates, Pete said, eyes twinkling.

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<v Speaker 1>Vermont's famous for it. Sometimes I think this hotel exists

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<v Speaker 1>in its own little bubble. Could be the insulation. These

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<v Speaker 1>old walls play games with the senses. He winked. But

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<v Speaker 1>it was the wink of some one reciting a line

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<v Speaker 1>learned from those before him. I decided, as I trailed

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<v Speaker 1>back up stairs to pay more attention. The next day,

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<v Speaker 1>I made a mental chart hallway temperature, window scene, physical

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<v Speaker 1>reality outside. The teacher in me was hungry for data

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<v Speaker 1>even of the unscientific, subjective kind. I wrote a note

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<v Speaker 1>in my journal and propped it on the lamp, a

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<v Speaker 1>promise to myself to test things properly come morning. The

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<v Speaker 1>second morning, I rose, made my bed, another habit of

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<v Speaker 1>the profession, and went straight to the window, notebook in hand.

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<v Speaker 1>This time, the scene outside held none of the gentle

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<v Speaker 1>winter of the day before. Instead, a thick, rolling fog

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<v Speaker 1>covered the lake, slick the guard in mirrored silver. The

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<v Speaker 1>glass itself felt cold, almost damp, as if the mist

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<v Speaker 1>pressed directly against it. I pressed my ear to the pane,

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<v Speaker 1>expecting silence, but fancied I could hear the slap of tiny,

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00:14:12.600 --> 00:14:16.399
<v Speaker 1>invisible waves on ice. I dressed quickly and made my

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<v Speaker 1>rounds tea in the lounge, a quick chat with a

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<v Speaker 1>returning guest about the merits of reading aloud, and a

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<v Speaker 1>dash outside with a borrowed scarf. The air outdoors was clean,

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<v Speaker 1>almost balmy, sunlight glancing through birch trees on the far

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<v Speaker 1>side of the hotel lot, no fog at all. The

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<v Speaker 1>sky was empty, clear, a few crows shouting from the

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<v Speaker 1>tree tops. I pulled out my phone again, another promise

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<v Speaker 1>of a warm, sun bright day. The contradictions were holding

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00:14:44.200 --> 00:14:48.600
<v Speaker 1>and growing more insistent. I began to keep notes time, temperature,

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<v Speaker 1>what each window in the hall showed. That afternoon, during

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<v Speaker 1>the group reading session in the library, I excused myself

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<v Speaker 1>and returned to Room seventeen. Thunder unmistakable rumbled through the windows, whirled,

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<v Speaker 1>and the gray water of the garden pond trembled with

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<v Speaker 1>spattering rain. In reality, beyond the glass of the main lounge,

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00:15:08.159 --> 00:15:12.840
<v Speaker 1>sunlight curled through budding maples. I began to test, tapping

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00:15:12.840 --> 00:15:16.399
<v Speaker 1>the glass, peering sideways, holding my hand flat for any

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00:15:16.440 --> 00:15:20.120
<v Speaker 1>sign of projection or layering. I checked the frame for seams.

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<v Speaker 1>The window opened no more reluctantly than expected. When I

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00:15:24.519 --> 00:15:27.919
<v Speaker 1>cracked it, a cold draft swept in, sharper than what

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<v Speaker 1>I had felt anywhere else in the building, carrying the

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00:15:30.679 --> 00:15:35.200
<v Speaker 1>electric tang of a coming storm. I leaned out altogether,

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<v Speaker 1>too far for comfort, and saw only the hotel's white

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<v Speaker 1>painted wall, its metal drain pipe cold against my palm.

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<v Speaker 1>The real garden staggered below in its muddy, marched thor.

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<v Speaker 1>When I tried to bring some one up peat who

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<v Speaker 1>was switching over laundry between floors, he peered around agreeably,

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<v Speaker 1>shrugged and said some rooms keep a chill old pipes, maybe,

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00:15:56.279 --> 00:16:00.120
<v Speaker 1>but his voice had the ring of practiced uncertainty. I

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<v Speaker 1>started to record the distinctions more obsessively, listing each detail

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<v Speaker 1>inside Room seventeen, thickening fog at seven zero zero, a

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<v Speaker 1>m a woman in a navy coat walking the garden

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<v Speaker 1>path at nine fifteen, but on checking no one was out.

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<v Speaker 1>Then missus fallen herself at the front desk, Mister Canning

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00:16:18.519 --> 00:16:21.440
<v Speaker 1>zooming through a crossword. In the lounge. I plotted what

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<v Speaker 1>little I could see from the window with what was

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00:16:23.600 --> 00:16:27.039
<v Speaker 1>real outside, by walking the halls and reading the guest

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00:16:27.080 --> 00:16:30.919
<v Speaker 1>logs left near the entrance. In the evenings, the snow

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00:16:30.960 --> 00:16:35.519
<v Speaker 1>would return, an unhurried, soft, piling snow. But from Elena's room,

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<v Speaker 1>Room three, on the other wing, there was nothing but

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<v Speaker 1>the honest warmth of a spring night and the last

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00:16:41.399 --> 00:16:45.840
<v Speaker 1>light on young grass. I asked Elena about it, describing

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<v Speaker 1>as casually as I could the weather patterns from my room.

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<v Speaker 1>She shrugged, gazed, sliding away, as though my question was

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<v Speaker 1>an intrusion on a decade of indifference. That's just old glass.

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00:16:57.000 --> 00:17:00.559
<v Speaker 1>Han filters everything at a poet's eye, and you'll see

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00:17:00.600 --> 00:17:03.960
<v Speaker 1>all kinds of storms that aren't there. Her answer was

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00:17:04.079 --> 00:17:07.599
<v Speaker 1>edged with humor, but not quite dismissive. She seemed content

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00:17:07.680 --> 00:17:11.480
<v Speaker 1>to let the room tell its own story. Curious, I

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00:17:11.559 --> 00:17:15.559
<v Speaker 1>tested physical explanations, the possibility of some clever light trick,

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00:17:15.839 --> 00:17:18.960
<v Speaker 1>may be a layered window or old filter. None of

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00:17:18.960 --> 00:17:21.759
<v Speaker 1>it held up to scrutiny. When I ran my finger

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00:17:21.839 --> 00:17:25.079
<v Speaker 1>along the ledge, I found only dust, and the cold

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00:17:25.200 --> 00:17:28.759
<v Speaker 1>was deafinite, but ordinary in its own right. I half

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00:17:28.799 --> 00:17:32.079
<v Speaker 1>expected to discover a screen projecting an old film, but

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00:17:32.119 --> 00:17:35.799
<v Speaker 1>there was only the solidity of wood and pain. I

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00:17:35.880 --> 00:17:40.880
<v Speaker 1>kept noticing people outside, sometimes bundled, sometimes not, forming odd

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00:17:40.920 --> 00:17:44.799
<v Speaker 1>little contradictions. One night, unable to sleep, I caught sight

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00:17:44.839 --> 00:17:47.319
<v Speaker 1>of a woman in an old fashioned hat walking quickly

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00:17:47.359 --> 00:17:50.680
<v Speaker 1>through the snowy path, lamp in hand. The hour was

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00:17:50.759 --> 00:17:53.720
<v Speaker 1>close to midnight. The next morning, when I mentioned it

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<v Speaker 1>to Pete as I passed the front desk, he insisted,

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<v Speaker 1>without looking up from the keys, that no guest had

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00:17:59.640 --> 00:18:02.559
<v Speaker 1>left the building after eleven, and in any case, there'd

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00:18:02.559 --> 00:18:06.559
<v Speaker 1>be no snow since February. At breakfast, I tried again,

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00:18:06.720 --> 00:18:09.960
<v Speaker 1>posing the oddities differently. I asked Elena if she'd ever

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00:18:10.000 --> 00:18:12.960
<v Speaker 1>noticed her view changing in odd ways. She peered at

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00:18:12.960 --> 00:18:16.240
<v Speaker 1>me with curiosity than a shrug. Every day looks different

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00:18:16.279 --> 00:18:19.799
<v Speaker 1>if you stare long enough. Mister Cannon grumbled whether obeys

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00:18:19.839 --> 00:18:23.160
<v Speaker 1>its own rules up here and returned to his puzzle. Pete,

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00:18:23.200 --> 00:18:26.319
<v Speaker 1>perhaps more receptive, offered a grin and said, you should

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00:18:26.319 --> 00:18:29.440
<v Speaker 1>hear about the draft ghosts. Nobody's fixed that, since the

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00:18:29.480 --> 00:18:33.880
<v Speaker 1>eighties place is famous for weird chills, makes a good

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00:18:33.960 --> 00:18:38.400
<v Speaker 1>story anyway. Missus Fallen changed the subject with effortless speed,

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00:18:38.839 --> 00:18:41.960
<v Speaker 1>steering the conversation to a debate on whether the best

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00:18:42.000 --> 00:18:45.079
<v Speaker 1>local writers came from the south or the northeast of

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00:18:45.119 --> 00:18:49.160
<v Speaker 1>the state. Not all the offhand comments felt so pointed.

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00:18:49.599 --> 00:18:52.480
<v Speaker 1>One morning, lingering by the tea cart near the lounge,

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00:18:52.599 --> 00:18:56.319
<v Speaker 1>I overheard two guests chatting. One a middle aged man

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<v Speaker 1>with an accent I couldn't place. Joked, my room's always

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00:18:59.640 --> 00:19:03.839
<v Speaker 1>stuff in July, even in January. Guess the HVACX haunted.

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00:19:04.440 --> 00:19:08.559
<v Speaker 1>His companions snorted. I nearly joined the conversation, but thought

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00:19:08.640 --> 00:19:11.920
<v Speaker 1>better of it. Instead, I kept my eye on the

314
00:19:11.960 --> 00:19:15.359
<v Speaker 1>line up at the breakfast buffet, looking for pattens who

315
00:19:15.400 --> 00:19:18.480
<v Speaker 1>sat near the windows, who didn't, who commented on the

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00:19:18.599 --> 00:19:22.480
<v Speaker 1>view and who ignored it altogether. No one seemed to

317
00:19:22.519 --> 00:19:25.839
<v Speaker 1>share my exact trouble, but the puzzle's outline was forming.

318
00:19:26.400 --> 00:19:29.759
<v Speaker 1>I started, out of both boredom and obsession to wander

319
00:19:29.759 --> 00:19:33.119
<v Speaker 1>different halls, eyes darting to each window that faced the

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00:19:33.160 --> 00:19:36.559
<v Speaker 1>gardens or the lake. Some rooms I could see had

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00:19:36.599 --> 00:19:40.640
<v Speaker 1>people moving in them, shapes passing at strange hours, curtains

322
00:19:40.680 --> 00:19:44.599
<v Speaker 1>twitching open before dawn, guests staring absently at weather that

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00:19:44.759 --> 00:19:49.039
<v Speaker 1>may or may not have existed during a slow Tuesday afternoon.

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<v Speaker 1>Mister Canning, ever, the crossword devotee, ever reluctant to indulge

325
00:19:53.279 --> 00:19:57.079
<v Speaker 1>in small talk, became my accidental ally. We sat across

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00:19:57.079 --> 00:19:59.519
<v Speaker 1>from each other in the lounge, sharing space, but not

327
00:19:59.559 --> 00:20:02.640
<v Speaker 1>conversation until I noticed he was struggling with a clue

328
00:20:02.920 --> 00:20:07.160
<v Speaker 1>atmospheric phenomenon four letters starts with D. Out of habit,

329
00:20:07.240 --> 00:20:10.680
<v Speaker 1>I muttered dew. He grinned, a burst of delight surfacing

330
00:20:10.720 --> 00:20:13.559
<v Speaker 1>and said, you're a teacher by training. I take it.

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<v Speaker 1>We fell into conversation, swapping tips and stories of the

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00:20:17.799 --> 00:20:21.640
<v Speaker 1>city versus the country. As our talk wound through crossword

333
00:20:21.640 --> 00:20:26.079
<v Speaker 1>puzzles and bad puns, I found myself mentioning almost by accident,

334
00:20:26.400 --> 00:20:30.079
<v Speaker 1>the strangeness in Room seventeen, the snow that never matched

335
00:20:30.079 --> 00:20:35.119
<v Speaker 1>the outside, the odd thunder storms at noon. I expected dismissal,

336
00:20:35.440 --> 00:20:39.799
<v Speaker 1>a wise crack about retirement and boredom. He surprised me.

337
00:20:40.160 --> 00:20:43.960
<v Speaker 1>He leaned, in voice dropping Room five. I haven't seen

338
00:20:44.079 --> 00:20:47.160
<v Speaker 1>rain from my window in what five years now, even

339
00:20:47.200 --> 00:20:50.720
<v Speaker 1>when there's thunder over the lake, just blue sky every time.

340
00:20:51.240 --> 00:20:54.839
<v Speaker 1>Figured the tree line shielded my view. But he trailed off,

341
00:20:55.079 --> 00:20:58.880
<v Speaker 1>then laughed uncomfortably, as if it were somehow embarrassing to admit.

342
00:20:59.880 --> 00:21:02.519
<v Speaker 1>I seized on it. You've never seen rain at all,

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00:21:03.119 --> 00:21:07.200
<v Speaker 1>not a single drop, he replied, almost with pride. Once

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00:21:07.400 --> 00:21:11.279
<v Speaker 1>during that big nor'easter last November, there was a rainbow outside,

345
00:21:11.559 --> 00:21:14.759
<v Speaker 1>and I opened the curtains and nothing, just cloudless sky.

346
00:21:15.240 --> 00:21:18.920
<v Speaker 1>I chalked it up to bad luck. My mind raced

347
00:21:19.000 --> 00:21:21.880
<v Speaker 1>with the implications. Have you ever checked with some one

348
00:21:21.880 --> 00:21:26.160
<v Speaker 1>else another room? He shook his head. Didn't seem worth it.

349
00:21:26.240 --> 00:21:29.079
<v Speaker 1>Figured the old place had quirks, and who wants to

350
00:21:29.119 --> 00:21:33.440
<v Speaker 1>swap rooms for an experiment? He added arch Buoyed by

351
00:21:33.480 --> 00:21:35.799
<v Speaker 1>the new lead, I cornered a few more guests over

352
00:21:35.839 --> 00:21:40.279
<v Speaker 1>the next day. Most responded with variations on skepticism. There's

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00:21:40.319 --> 00:21:43.680
<v Speaker 1>nothing odd about Room nine, insisted a science fiction writer

354
00:21:43.839 --> 00:21:47.759
<v Speaker 1>from Maine. But a visiting historian, a bluff cheerful woman

355
00:21:47.839 --> 00:21:52.799
<v Speaker 1>in patterned scarves, mentioned her Room number eleven always seems dim,

356
00:21:52.960 --> 00:21:56.400
<v Speaker 1>even when the sun's blinding outside, like looking through a

357
00:21:56.519 --> 00:22:00.480
<v Speaker 1>lamp shade. She'd assumed it was the buildings or orientation,

358
00:22:01.000 --> 00:22:03.279
<v Speaker 1>but when I checked the maps by the front desk,

359
00:22:03.680 --> 00:22:08.119
<v Speaker 1>her window should have caught the full afternoon sun. Fueled

360
00:22:08.119 --> 00:22:10.920
<v Speaker 1>by this, I proposed a test after the reading session,

361
00:22:11.319 --> 00:22:14.839
<v Speaker 1>a whirlwind tour through a selection of rooms, comparing each

362
00:22:14.920 --> 00:22:19.559
<v Speaker 1>window's view with external reality. Pete found the idea hilarious.

363
00:22:19.920 --> 00:22:22.160
<v Speaker 1>This is the closest we get to a field trip.

364
00:22:22.400 --> 00:22:26.079
<v Speaker 1>Should I hand out clipboards? But he agreed to help coordinate,

365
00:22:27.119 --> 00:22:30.759
<v Speaker 1>with a handful of guests in tow Elina, mister Canning,

366
00:22:31.000 --> 00:22:34.559
<v Speaker 1>the historian, and a poet named Sandeep, who delighted in

367
00:22:34.640 --> 00:22:38.640
<v Speaker 1>anything absurd. We parceled out keys and dashed from room

368
00:22:38.680 --> 00:22:42.920
<v Speaker 1>to room, calling out weather conditions as we went. Room

369
00:22:43.000 --> 00:22:47.279
<v Speaker 1>five's window sky so blew. It seemed painted despite dusk outside.

370
00:22:47.720 --> 00:22:51.440
<v Speaker 1>Room eleven dull almost sepia light. Room three matched the

371
00:22:51.480 --> 00:22:56.000
<v Speaker 1>exterior exactly a normal sun warmed world. My room seventeen,

372
00:22:56.279 --> 00:23:00.920
<v Speaker 1>distant fog branches rhymed with ice. Another guest room nine,

373
00:23:01.200 --> 00:23:04.279
<v Speaker 1>nothing but what was honest in the air, sharp clear spring.

374
00:23:05.319 --> 00:23:07.799
<v Speaker 1>As we huddled in the hallway for a moment, comparing

375
00:23:07.920 --> 00:23:11.319
<v Speaker 1>notes and no small amount of laughter, I felt the

376
00:23:11.359 --> 00:23:15.240
<v Speaker 1>first frieeson of something larger than myself. You ever wonder,

377
00:23:15.440 --> 00:23:18.160
<v Speaker 1>Pete said, if the place picks your weather for you,

378
00:23:18.720 --> 00:23:22.720
<v Speaker 1>maybe it gives you whatever you want or whatever you deserve.

379
00:23:23.079 --> 00:23:27.559
<v Speaker 1>Elena counted, straight faced. We returned to the lounge, giddy

380
00:23:27.640 --> 00:23:32.240
<v Speaker 1>and unsettled in equal measure. Missus Fallen appeared, arms folded,

381
00:23:32.480 --> 00:23:35.839
<v Speaker 1>as if she'd anticipated commotion and tolerated it with grace.

382
00:23:36.440 --> 00:23:39.079
<v Speaker 1>When I asked, as directly as I dared, if she

383
00:23:39.160 --> 00:23:42.680
<v Speaker 1>knew which rooms had unusual windows, she offered only a

384
00:23:42.720 --> 00:23:46.960
<v Speaker 1>maddening smile. Every building has its charms, mister Riley, Some

385
00:23:47.119 --> 00:23:50.680
<v Speaker 1>you learned to live with the phenomenon, I realized was

386
00:23:50.720 --> 00:23:55.079
<v Speaker 1>neither isolated nor random. Some guests, accidentally or by tradition,

387
00:23:55.519 --> 00:23:58.799
<v Speaker 1>had lived for years with these inconsistent realities and made

388
00:23:58.799 --> 00:24:01.440
<v Speaker 1>peace with them, or simple learned not to discuss them.

389
00:24:01.839 --> 00:24:05.599
<v Speaker 1>Even Pete, ever hospitable. Admitted staff always tell each other,

390
00:24:05.880 --> 00:24:09.279
<v Speaker 1>don't get attached to one view. If it's beautiful, appreciated,

391
00:24:09.480 --> 00:24:13.200
<v Speaker 1>if it's odd, you'll adjust. That's how it goes. But nobody,

392
00:24:13.319 --> 00:24:17.480
<v Speaker 1>not even missus Fallen, laid claim to an explanation. I

393
00:24:17.559 --> 00:24:22.119
<v Speaker 1>felt the ground shift beneath me. My curiosity, once circumscribed

394
00:24:22.119 --> 00:24:25.519
<v Speaker 1>to the quirks of my room, now stretched wider, spanning

395
00:24:25.599 --> 00:24:29.119
<v Speaker 1>hallways and histories. The rules of the place seemed both

396
00:24:29.240 --> 00:24:33.640
<v Speaker 1>established and unspoken, a tone, a set of possibilities you

397
00:24:33.759 --> 00:24:38.119
<v Speaker 1>might brush past a hundred times before questioning why. It

398
00:24:38.200 --> 00:24:40.960
<v Speaker 1>was in the late afternoon, after a lunch of sweet

399
00:24:41.000 --> 00:24:43.720
<v Speaker 1>bread and cheese in the garden that I stumbled onto

400
00:24:43.720 --> 00:24:46.839
<v Speaker 1>a new path of inquiry. I'd been loitering in the

401
00:24:46.839 --> 00:24:50.599
<v Speaker 1>back lounge, idly fingering through the rack of ancient postcards

402
00:24:50.680 --> 00:24:54.119
<v Speaker 1>donated by decades of former guests, pretty scenes of the

403
00:24:54.160 --> 00:24:58.200
<v Speaker 1>hotel in every kind of weather, rose like dawns, blizzards,

404
00:24:58.480 --> 00:25:02.960
<v Speaker 1>golden afternoons, shimmering on the lake. What struck me and

405
00:25:03.039 --> 00:25:05.880
<v Speaker 1>set the hares rising on my arms was that several

406
00:25:05.920 --> 00:25:08.920
<v Speaker 1>of the postcard scenes echoed exactly what I'd seen in

407
00:25:09.000 --> 00:25:13.160
<v Speaker 1>my window. Fog rolling over an ice bund pond, A sudden,

408
00:25:13.400 --> 00:25:17.000
<v Speaker 1>uncanny thunder storm, throwing tree shadows long over the grass,

409
00:25:17.400 --> 00:25:21.599
<v Speaker 1>that first silent snow dusting the garden path. Even the

410
00:25:21.640 --> 00:25:26.599
<v Speaker 1>shapes the angles seemed repeated. A sudden thought, perhaps the

411
00:25:26.640 --> 00:25:29.160
<v Speaker 1>weather was less about the present than about something else.

412
00:25:29.599 --> 00:25:32.799
<v Speaker 1>Time memory re enactment. I started to note down the

413
00:25:32.880 --> 00:25:35.839
<v Speaker 1>dates on the post cards and cross reference my observations.

414
00:25:36.400 --> 00:25:39.200
<v Speaker 1>A pattern leapt out fog at dawn, as in the

415
00:25:39.240 --> 00:25:43.400
<v Speaker 1>card dated March nineteen thirty one, matched my morning's window view,

416
00:25:43.960 --> 00:25:46.960
<v Speaker 1>a snow scene from nineteen fifty four, same as what

417
00:25:47.000 --> 00:25:51.519
<v Speaker 1>I had seen my first night. My pulse quickened to confirm.

418
00:25:51.640 --> 00:25:53.799
<v Speaker 1>I hunted down the old guest ledgers left in a

419
00:25:53.799 --> 00:25:57.559
<v Speaker 1>glass fronted case near the front desk, lists of notable events,

420
00:25:57.759 --> 00:26:02.559
<v Speaker 1>whether comments scribbled in various As I flipped through, ignoring

421
00:26:02.599 --> 00:26:06.480
<v Speaker 1>Missus Fallan's raised eyebrow, I found more echoes. An evening

422
00:26:06.559 --> 00:26:10.359
<v Speaker 1>squall March twelve, nineteen fifty four, guests marveled at the

423
00:26:10.400 --> 00:26:15.279
<v Speaker 1>sudden hush August thunderstorm. Room eleven presents an odd grayness

424
00:26:15.319 --> 00:26:19.400
<v Speaker 1>at midday. I gathered my findings and hesitantly went to

425
00:26:19.440 --> 00:26:23.359
<v Speaker 1>Missus Fallan hoping for either confirmation or a gracious shutdown.

426
00:26:23.920 --> 00:26:27.839
<v Speaker 1>To my surprise, after a long, silent appraisal of my notes,

427
00:26:28.119 --> 00:26:30.720
<v Speaker 1>she motioned me to follow her to her small, over

428
00:26:30.799 --> 00:26:34.279
<v Speaker 1>full office. She unlocked a drawer with an old fashioned

429
00:26:34.359 --> 00:26:37.759
<v Speaker 1>key and drew out a narrow index file, faded to

430
00:26:37.799 --> 00:26:42.599
<v Speaker 1>the color of milky coffee. Inside were neatly cataloged programs

431
00:26:42.599 --> 00:26:47.319
<v Speaker 1>from bygone annual galas, ball invitations, hand written lists, and

432
00:26:47.400 --> 00:26:52.559
<v Speaker 1>most importantly, archival photographs, many clearly marked with room numbers

433
00:26:52.599 --> 00:26:56.119
<v Speaker 1>and dates. We spent an hour, joined by Pete as

434
00:26:56.119 --> 00:27:00.599
<v Speaker 1>an enthusiastic note taker, cross referencing Room seventy Deane's view

435
00:27:00.799 --> 00:27:04.160
<v Speaker 1>from different eras under every kind of sky, side by

436
00:27:04.240 --> 00:27:07.039
<v Speaker 1>side with my note book. It was clear the moments

437
00:27:07.079 --> 00:27:09.839
<v Speaker 1>I had witnessed through the glass often matched these documented,

438
00:27:10.119 --> 00:27:14.720
<v Speaker 1>sometimes even photographed vignettes from long ago. A foggy dawn,

439
00:27:14.839 --> 00:27:18.359
<v Speaker 1>a snow cloaked midnight, a solar eclipse noted in nineteen

440
00:27:18.400 --> 00:27:23.519
<v Speaker 1>fifty four replayed in strange occurrence. Missus fallen. Never one

441
00:27:23.599 --> 00:27:27.400
<v Speaker 1>to offer more than required, finally, said Wilford Merton built

442
00:27:27.440 --> 00:27:31.240
<v Speaker 1>the place loved weather. There are stories about him. All

443
00:27:31.279 --> 00:27:35.440
<v Speaker 1>these rooms, he said, should remember Pete Excitedly flicking through

444
00:27:35.440 --> 00:27:39.000
<v Speaker 1>the documents, found an old blueprint. The rooms, labeled only

445
00:27:39.039 --> 00:27:43.319
<v Speaker 1>with initials and some notations, indecipherable at first glance, but

446
00:27:43.400 --> 00:27:46.640
<v Speaker 1>clearly meant to be more than mere room numbers. The

447
00:27:46.720 --> 00:27:49.640
<v Speaker 1>more we discovered, the stranger it became. Some of the

448
00:27:49.680 --> 00:27:54.000
<v Speaker 1>longer term residents, mister Canning among them, admitted almost sheepishly,

449
00:27:54.279 --> 00:27:57.000
<v Speaker 1>that their rooms seemed to recall certain kinds of weather,

450
00:27:57.279 --> 00:28:00.799
<v Speaker 1>a pattern persisting for years. The historian from Room eleven

451
00:28:00.880 --> 00:28:04.559
<v Speaker 1>laughed and said, perhaps the past is leaking in. Others

452
00:28:04.680 --> 00:28:09.799
<v Speaker 1>more grounded speculated architectural tricks, specific glass that darkens, or

453
00:28:09.839 --> 00:28:14.519
<v Speaker 1>atmospheric quirks caused by window shape and antique air passageways,

454
00:28:15.119 --> 00:28:18.920
<v Speaker 1>but the evidence was impossible to ignore. The off rooms,

455
00:28:18.960 --> 00:28:21.240
<v Speaker 1>as I began to think of them, were synchronized not

456
00:28:21.319 --> 00:28:23.599
<v Speaker 1>with the current day, but with a kind of memory,

457
00:28:24.000 --> 00:28:28.519
<v Speaker 1>those moments documented by guests, hotel bulletins, and postcard writers

458
00:28:28.559 --> 00:28:32.359
<v Speaker 1>decades earlier. Sometimes even weather that never should have happened.

459
00:28:32.359 --> 00:28:35.720
<v Speaker 1>Here a red dust storm in a nineteen forties photo

460
00:28:36.200 --> 00:28:39.160
<v Speaker 1>never known in Vermont, present in the window of Room

461
00:28:39.240 --> 00:28:43.559
<v Speaker 1>twenty one. According to Sandeep standing in the archive room

462
00:28:43.640 --> 00:28:47.279
<v Speaker 1>that evening, my sense of reality re arranged itself. What

463
00:28:47.400 --> 00:28:51.720
<v Speaker 1>began as a strange inconsistency one window snow against spring

464
00:28:51.839 --> 00:28:55.319
<v Speaker 1>sunshine was now a question far larger and richer than

465
00:28:55.359 --> 00:28:59.359
<v Speaker 1>my original complaint. The hotel, whether by design or by

466
00:28:59.400 --> 00:29:03.119
<v Speaker 1>some deeper, patient trick of architecture or time, itself, seemed

467
00:29:03.119 --> 00:29:06.480
<v Speaker 1>to contain and replay the weather not only of the present,

468
00:29:06.559 --> 00:29:11.720
<v Speaker 1>but of remembered days, sometimes from many decades past. Each room,

469
00:29:11.799 --> 00:29:14.880
<v Speaker 1>it seemed, looked out on a fragment of time whose

470
00:29:14.920 --> 00:29:19.960
<v Speaker 1>boundaries I could not entirely fathom. Missus Fallen, watching Peter me,

471
00:29:20.079 --> 00:29:23.599
<v Speaker 1>with her old, dry smile, offered, we tell guests who ask,

472
00:29:23.960 --> 00:29:27.000
<v Speaker 1>it's best to enjoy what weather you're given. That's the

473
00:29:27.119 --> 00:29:30.400
<v Speaker 1>charm of old places. Yet I could see in the

474
00:29:30.440 --> 00:29:33.359
<v Speaker 1>way she fingered the old keys a trace of wonder

475
00:29:33.359 --> 00:29:37.119
<v Speaker 1>that even she couldn't quite smother. The late sun scattered

476
00:29:37.160 --> 00:29:40.359
<v Speaker 1>gold and honey through the office windows. As Missus Fallen

477
00:29:40.440 --> 00:29:43.839
<v Speaker 1>closed the archive drawer, her ring of keys settling in

478
00:29:43.880 --> 00:29:47.440
<v Speaker 1>her lap with a decided chime. Pete, still hunched over

479
00:29:47.519 --> 00:29:50.599
<v Speaker 1>the tangle of blueprints and post cards, snapped a picture

480
00:29:50.640 --> 00:29:54.519
<v Speaker 1>of a particularly odd room notation. These little weather notes.

481
00:29:54.599 --> 00:29:58.799
<v Speaker 1>They're everywhere, he murmured, voice bright and uncertain. There's a

482
00:29:58.839 --> 00:30:02.920
<v Speaker 1>whole system here. I found myself echoing the cadence of

483
00:30:02.960 --> 00:30:06.839
<v Speaker 1>his uncertainty, lest the impatience of a school room, more

484
00:30:06.880 --> 00:30:11.079
<v Speaker 1>the low pulse of shared mystery. That night, nobody spoke

485
00:30:11.160 --> 00:30:14.960
<v Speaker 1>directly of weather. At dinner, the talk spun out as usual,

486
00:30:15.160 --> 00:30:19.000
<v Speaker 1>of plot of lost books, of the local bakery's rumored resurrection.

487
00:30:19.559 --> 00:30:23.319
<v Speaker 1>But as the meal unfolded, the atmosphere in the lounge shifted.

488
00:30:23.799 --> 00:30:27.000
<v Speaker 1>There was a new electricity. I caught Elena passing a

489
00:30:27.039 --> 00:30:30.680
<v Speaker 1>glance my way, eyes serious above her tea cup, before

490
00:30:30.720 --> 00:30:33.960
<v Speaker 1>she bent her head again to a battered edition of Yeats.

491
00:30:34.519 --> 00:30:38.359
<v Speaker 1>Mister Canning sidled over after the cheesecake, demanding my opinion

492
00:30:38.440 --> 00:30:42.319
<v Speaker 1>on six letter synonyms for remembrance. But beneath his gentle

493
00:30:42.359 --> 00:30:44.960
<v Speaker 1>affect was a question he had yet to ask aloud.

494
00:30:45.599 --> 00:30:49.400
<v Speaker 1>We were a half conspiratorial little society, joined less by

495
00:30:49.400 --> 00:30:52.240
<v Speaker 1>a taste for reading and more by a question no

496
00:30:52.359 --> 00:30:55.759
<v Speaker 1>one seemed able or perhaps willing to form into a

497
00:30:55.799 --> 00:30:59.480
<v Speaker 1>full sentence. It was Pete who brought the subject back,

498
00:30:59.759 --> 00:31:02.319
<v Speaker 1>Siddling up to my cozy arm chair in the library

499
00:31:02.359 --> 00:31:06.160
<v Speaker 1>after dark had fallen, the air outside seethed with peepers

500
00:31:06.240 --> 00:31:10.160
<v Speaker 1>and the metallic breath of spring mud, I told missus fallen,

501
00:31:10.400 --> 00:31:12.880
<v Speaker 1>he said, we ought to look closer at the blueprints.

502
00:31:13.200 --> 00:31:17.000
<v Speaker 1>There are weird symbols. See. He produced his phone thumb

503
00:31:17.119 --> 00:31:21.240
<v Speaker 1>tapping through fuzzy shots from the archives. One blueprint was

504
00:31:21.279 --> 00:31:25.000
<v Speaker 1>stamped with a looping barometric symbol, beside several room numbers,

505
00:31:25.240 --> 00:31:30.240
<v Speaker 1>seventeen among them. Another bore notations almost lyrical dawn Calm

506
00:31:30.359 --> 00:31:34.519
<v Speaker 1>thirty seventeen, scrawled in a precise looping hand. I know

507
00:31:34.599 --> 00:31:37.480
<v Speaker 1>this is nuts, Pete said, But who writes stuff like

508
00:31:37.559 --> 00:31:41.759
<v Speaker 1>perfect frost March three never repeated reflect for missus h

509
00:31:42.000 --> 00:31:45.000
<v Speaker 1>it almost looks like he was what programming the place.

510
00:31:46.079 --> 00:31:49.680
<v Speaker 1>My skepticism wobbled in the face of so much careful oddity.

511
00:31:50.279 --> 00:31:53.880
<v Speaker 1>A builder with a poetic streak, I suggested, or just

512
00:31:53.960 --> 00:31:59.160
<v Speaker 1>an eccentric's game. He grinned wide and sheepish. Sure, but

513
00:31:59.279 --> 00:32:02.039
<v Speaker 1>you can feel it right. I've lived in old buildings,

514
00:32:02.079 --> 00:32:05.680
<v Speaker 1>nothing like this, Sandeep said. His room showed desert light

515
00:32:05.759 --> 00:32:09.720
<v Speaker 1>this afternoon, a burnt orange twilight right about four, when

516
00:32:09.759 --> 00:32:13.440
<v Speaker 1>the outside was nothing but drizzle. That's not Vermont. What

517
00:32:13.480 --> 00:32:15.640
<v Speaker 1>would it take, for I don't know a house to

518
00:32:15.680 --> 00:32:20.519
<v Speaker 1>remember another landscape. His question caught me. Was it possible

519
00:32:20.519 --> 00:32:23.279
<v Speaker 1>for a place to accumulate whether the way it accumulates

520
00:32:23.319 --> 00:32:26.960
<v Speaker 1>stories retelling conditions, not just as an echo of memory,

521
00:32:27.240 --> 00:32:30.960
<v Speaker 1>but as a tangible daily experience. I tried to recall

522
00:32:31.000 --> 00:32:33.759
<v Speaker 1>any law from my own homes or the old city school.

523
00:32:34.039 --> 00:32:38.000
<v Speaker 1>Nothing close A place imbued with sentiment, yes, but not

524
00:32:38.160 --> 00:32:42.599
<v Speaker 1>with seasons. What does missus Fallan think, I asked After

525
00:32:42.640 --> 00:32:45.720
<v Speaker 1>a beat. He let his breath out with a chuckle.

526
00:32:46.240 --> 00:32:49.039
<v Speaker 1>She's so good at not answering, isn't she. I think

527
00:32:49.079 --> 00:32:52.000
<v Speaker 1>she really does know something, or she's playing the long

528
00:32:52.160 --> 00:32:56.039
<v Speaker 1>joke on us. It was late, and I excused myself

529
00:32:56.039 --> 00:32:58.640
<v Speaker 1>with a half hearted grin, the weight of the day

530
00:32:58.720 --> 00:33:02.519
<v Speaker 1>making my thoughts heavy and slow. Climbing back to seventeen,

531
00:33:02.920 --> 00:33:05.839
<v Speaker 1>I paused on each landing, heart beating, not with fear,

532
00:33:06.160 --> 00:33:10.359
<v Speaker 1>but with a thick, searching anticipation, as if upon turning

533
00:33:10.400 --> 00:33:13.640
<v Speaker 1>the next corner, some kernel of the answer might unspool

534
00:33:13.640 --> 00:33:17.000
<v Speaker 1>in the air and make itself heard. Not for the

535
00:33:17.039 --> 00:33:20.559
<v Speaker 1>first time, I remembered some advice from my teaching days.

536
00:33:21.039 --> 00:33:23.880
<v Speaker 1>If a puzzle grows more complex, the more carefully you

537
00:33:23.920 --> 00:33:26.720
<v Speaker 1>attend to it, you might be asking the wrong question.

538
00:33:27.839 --> 00:33:31.599
<v Speaker 1>The next morning, rain pattered steadily, at least outside Within

539
00:33:31.680 --> 00:33:35.759
<v Speaker 1>Room seventeen, the window staged yet another scene, golden haze

540
00:33:35.839 --> 00:33:39.000
<v Speaker 1>leaves turning. Late September. In my note book, I drew

541
00:33:39.000 --> 00:33:41.559
<v Speaker 1>a line down the middle of each page, dividing window

542
00:33:41.640 --> 00:33:45.839
<v Speaker 1>from world, a teacher's instinct for comparison. Eventually, the column

543
00:33:45.839 --> 00:33:50.559
<v Speaker 1>headed window swelled with more verbs, shines, hushes, beckons. The

544
00:33:50.559 --> 00:33:55.880
<v Speaker 1>world line sounded plainer, drips, thaws, thuds. At breakfast, I

545
00:33:55.920 --> 00:33:58.880
<v Speaker 1>set my coffee on the table near Aleena, my mind

546
00:33:59.000 --> 00:34:02.359
<v Speaker 1>brimming with the weight of evidence and contradiction. She was

547
00:34:02.359 --> 00:34:06.640
<v Speaker 1>scribbling as ever, head bent low. I decided on directness.

548
00:34:07.079 --> 00:34:11.119
<v Speaker 1>Do you believe it? I asked quietly. She glanced up.

549
00:34:11.199 --> 00:34:15.320
<v Speaker 1>I brow arched which part ghost, weather or poetic architecture?

550
00:34:16.320 --> 00:34:20.679
<v Speaker 1>Doesn't it unsettle you? Her smile came slow, wry, a

551
00:34:20.719 --> 00:34:24.199
<v Speaker 1>little tired. It did. Years ago. My room used to

552
00:34:24.239 --> 00:34:27.480
<v Speaker 1>show the first frost every morning, regardless of the month.

553
00:34:27.800 --> 00:34:31.159
<v Speaker 1>I wrote five poems about it. Eventually I realized I

554
00:34:31.199 --> 00:34:33.800
<v Speaker 1>missed frost, so maybe the room gave me what I

555
00:34:33.880 --> 00:34:38.400
<v Speaker 1>really wanted. She sipped her tea. Considering, I stopped looking

556
00:34:38.440 --> 00:34:41.880
<v Speaker 1>for reasons after that, in the crook of her words,

557
00:34:42.119 --> 00:34:45.440
<v Speaker 1>I found a path. Perhaps the real anomaly wasn't the

558
00:34:45.480 --> 00:34:49.840
<v Speaker 1>misaligned weather, but the piece others made with it. After

559
00:34:49.880 --> 00:34:52.880
<v Speaker 1>the mid morning reading, Pete cornered me by the old papon.

560
00:34:53.400 --> 00:34:57.639
<v Speaker 1>Just for nostalgia, he said, grin intact. Let's try something,

561
00:34:57.880 --> 00:35:01.000
<v Speaker 1>he said, a bunch of us. We can log every

562
00:35:01.000 --> 00:35:04.639
<v Speaker 1>one's window set times, room numbers all at once. If

563
00:35:04.639 --> 00:35:08.840
<v Speaker 1>there's a pattern we're missing, maybe it'll show up soon,

564
00:35:09.000 --> 00:35:13.159
<v Speaker 1>Pete mister canning Elena reluctantly. The historian and I had

565
00:35:13.199 --> 00:35:15.599
<v Speaker 1>assembled in the lounge with a pile of room keys

566
00:35:15.639 --> 00:35:20.119
<v Speaker 1>scavenged from Missus Fallan's lock box. Sandeep recruited herself her word,

567
00:35:20.239 --> 00:35:22.960
<v Speaker 1>not mine, eager to inject the process with what she

568
00:35:23.039 --> 00:35:27.599
<v Speaker 1>called poetic method amid scientific boredom, we split into pairs,

569
00:35:27.880 --> 00:35:31.239
<v Speaker 1>each assigned to a handful of rooms, each equipped with watch,

570
00:35:31.400 --> 00:35:36.760
<v Speaker 1>notebook and the bare minimum of preconceptions. Missus Fallan informed

571
00:35:36.880 --> 00:35:39.800
<v Speaker 1>just as we finished our division of labor, only shook

572
00:35:39.840 --> 00:35:42.760
<v Speaker 1>her head and muttered, mind you don't get lost, and

573
00:35:42.880 --> 00:35:47.079
<v Speaker 1>bring the keys back. The task in retrospect was as

574
00:35:47.159 --> 00:35:54.519
<v Speaker 1>much performance. As experiment, we found through the hallways, testing seventeen, five, eleven, three, nine,

575
00:35:54.800 --> 00:35:58.360
<v Speaker 1>twenty one, and a few mysterious rooms reserved for storied

576
00:35:58.440 --> 00:36:05.360
<v Speaker 1>guests of seasons past. We compared views times, whether outside light, drizzle, peepers, loud,

577
00:36:05.519 --> 00:36:09.159
<v Speaker 1>a gray sky and window scenes that made nonsense of chronology,

578
00:36:09.239 --> 00:36:13.159
<v Speaker 1>or place mountain peaks under low winter sun, a pond

579
00:36:13.239 --> 00:36:16.519
<v Speaker 1>brimming with red dusk, even a moment where Room nine,

580
00:36:16.760 --> 00:36:21.320
<v Speaker 1>generally normal, flickered briefly just before noon, with a shadow

581
00:36:21.400 --> 00:36:25.639
<v Speaker 1>too elongated for the day. The data, when compiled, only

582
00:36:25.719 --> 00:36:29.920
<v Speaker 1>disoriented further. Peete drew up a chart sketches and times

583
00:36:29.960 --> 00:36:33.960
<v Speaker 1>flying nowhere close to matching, he muttered, and not all

584
00:36:33.960 --> 00:36:37.199
<v Speaker 1>Old Vermont either. Sand Deep swears her room had a

585
00:36:37.320 --> 00:36:40.760
<v Speaker 1>view of red cliffs like Utaw. Tell me that's not weird.

586
00:36:41.880 --> 00:36:45.519
<v Speaker 1>It was beautiful, but undeniably weird. The more we looked,

587
00:36:45.719 --> 00:36:47.800
<v Speaker 1>the less it seemed the hotel was anchored to a

588
00:36:47.800 --> 00:36:52.760
<v Speaker 1>single time or climate. Some rooms favored particular days, always

589
00:36:52.800 --> 00:36:56.320
<v Speaker 1>the same, Autumn, always dusk, always the hush of snow.

590
00:36:57.000 --> 00:37:00.400
<v Speaker 1>Others leapt restlessly December in the morning and all August.

591
00:37:00.440 --> 00:37:04.920
<v Speaker 1>After lunch, guests started to take it personally laying claim

592
00:37:05.000 --> 00:37:10.199
<v Speaker 1>to their favorite scenes. The historian delighted in perpetually shadowed afternoons,

593
00:37:10.639 --> 00:37:14.480
<v Speaker 1>Elena shrugged off hers, saying, give me frost or give

594
00:37:14.519 --> 00:37:18.199
<v Speaker 1>me spring, so long as the coffee's hot. But the

595
00:37:18.199 --> 00:37:20.760
<v Speaker 1>more I thought about it, the less satisfied I was

596
00:37:20.800 --> 00:37:24.559
<v Speaker 1>with the usual narratives. Tricks of architecture explained at best,

597
00:37:24.840 --> 00:37:29.280
<v Speaker 1>small anomalies. Shifted light, an odd chill, but not peering

598
00:37:29.280 --> 00:37:31.760
<v Speaker 1>out in late spring to knock kneed man with a

599
00:37:31.760 --> 00:37:35.360
<v Speaker 1>walking stick trudging through blizzard in period clothes. Not the

600
00:37:35.400 --> 00:37:39.000
<v Speaker 1>flicker of lamps, Not the match between Room five's eternal

601
00:37:39.039 --> 00:37:42.440
<v Speaker 1>blue and a photo dated nineteen seventy three. Not the

602
00:37:42.480 --> 00:37:45.880
<v Speaker 1>replication of a long lost surface eclipsed from another age.

603
00:37:46.719 --> 00:37:50.719
<v Speaker 1>One afternoon, as the group's energy faded, Elena drifted to

604
00:37:50.760 --> 00:37:53.320
<v Speaker 1>my side while we waited for the teapot to draw.

605
00:37:54.159 --> 00:37:57.400
<v Speaker 1>You realize, she said, this place has been full of

606
00:37:57.440 --> 00:38:01.360
<v Speaker 1>travelers since the start. Maybe the room remember more vividly

607
00:38:01.400 --> 00:38:06.679
<v Speaker 1>than any of us. And what do they remember? She paused, thinking,

608
00:38:06.880 --> 00:38:11.840
<v Speaker 1>then smiled, It depends whose looking. That phrase, It depends

609
00:38:11.880 --> 00:38:16.440
<v Speaker 1>whose looking. Landed somewhere between comfort and challenge on impulse,

610
00:38:16.679 --> 00:38:19.840
<v Speaker 1>I cornered. Missus fallen that evening as she was cataloging

611
00:38:19.880 --> 00:38:22.880
<v Speaker 1>books in the small office off the front desk. She

612
00:38:23.000 --> 00:38:26.880
<v Speaker 1>sat sleeves rolled, eyes, tired but still keen as she

613
00:38:26.960 --> 00:38:31.039
<v Speaker 1>ran her finger over a line of novels. Wilford Merton,

614
00:38:31.159 --> 00:38:35.119
<v Speaker 1>the architect. I said, what do you really know of him?

615
00:38:35.400 --> 00:38:38.719
<v Speaker 1>She took a breath, then, after a moment's negotiation with herself,

616
00:38:38.840 --> 00:38:42.920
<v Speaker 1>gestured me to sit. Merton was, oh, what's the words? Theatrical?

617
00:38:43.239 --> 00:38:46.360
<v Speaker 1>He claimed buildings should outlast ordinary use, that a house

618
00:38:46.400 --> 00:38:48.559
<v Speaker 1>ought to give you, not just shelter, but something like

619
00:38:48.559 --> 00:38:51.559
<v Speaker 1>a second life. There are stories every one in the

620
00:38:51.639 --> 00:38:54.480
<v Speaker 1>village has won. He used to walk the property at dawn,

621
00:38:54.599 --> 00:38:57.440
<v Speaker 1>jotting notes about you. Said the hotel would be a

622
00:38:57.440 --> 00:39:01.079
<v Speaker 1>place to revisit perfect days, and not only one's own. Me.

623
00:39:01.519 --> 00:39:05.639
<v Speaker 1>She shrugged. In my grandmother's day, rooms were said to

624
00:39:05.679 --> 00:39:08.519
<v Speaker 1>be tuned. I never put too much faith in it,

625
00:39:08.800 --> 00:39:11.719
<v Speaker 1>but there's always a sliver of truth in old stories.

626
00:39:12.719 --> 00:39:16.840
<v Speaker 1>Do you think it's deliberate, some mechanism? She turned the

627
00:39:16.920 --> 00:39:20.440
<v Speaker 1>question over, slow and careful. I think if it is,

628
00:39:20.559 --> 00:39:24.239
<v Speaker 1>it's nothing. A wrench or screwdriver could fix a pause.

629
00:39:24.760 --> 00:39:27.039
<v Speaker 1>You'll want to see the old records room. Then we

630
00:39:27.239 --> 00:39:30.159
<v Speaker 1>keep it locked for privacy, but I think you've earned

631
00:39:30.199 --> 00:39:33.920
<v Speaker 1>a look. The next morning, aided by Pete's keys and

632
00:39:33.960 --> 00:39:37.039
<v Speaker 1>Missus Fallan's permission, we unlocked the door to the dark,

633
00:39:37.159 --> 00:39:41.639
<v Speaker 1>low ceiling chamber abutting the basement stairs. Stale paper cedar,

634
00:39:41.840 --> 00:39:44.079
<v Speaker 1>and a faint tang of old ink pressed at us

635
00:39:44.239 --> 00:39:47.639
<v Speaker 1>as we flicked on a single bulb overhead. Sunlight didn't

636
00:39:47.639 --> 00:39:52.320
<v Speaker 1>reach here, but the shelves were rich portfolios of architectural drawings,

637
00:39:52.719 --> 00:39:56.199
<v Speaker 1>boxes labeled with years in neat cursive, a stack of

638
00:39:56.239 --> 00:40:00.800
<v Speaker 1>brittle hard cover journals. Pete whistled softly, lifting a sheaf

639
00:40:00.840 --> 00:40:04.920
<v Speaker 1>of diagrams I wateringly technical, and yet beside each window

640
00:40:05.000 --> 00:40:09.400
<v Speaker 1>notation there were not merely numbers and measurements, but poetry. Rain.

641
00:40:09.480 --> 00:40:13.119
<v Speaker 1>At dusk nineteen forty one, sun break after the hurricane

642
00:40:13.440 --> 00:40:18.320
<v Speaker 1>Eclipse six forty two, a m room seventeen guests lingered,

643
00:40:18.440 --> 00:40:24.639
<v Speaker 1>reluctant to leave. Another folder revealed photographs, each annotated Wilford

644
00:40:24.679 --> 00:40:29.159
<v Speaker 1>Merton's hand, again precise. If each window frames a world,

645
00:40:29.320 --> 00:40:31.559
<v Speaker 1>let each offer rest to the soul that needs it.

646
00:40:32.639 --> 00:40:35.840
<v Speaker 1>Missus Fallen, reading over my shoulder, gave a low laugh.

647
00:40:36.400 --> 00:40:38.880
<v Speaker 1>He was obsessed, you know. They say he built the

648
00:40:38.880 --> 00:40:42.039
<v Speaker 1>place for his wife, who could never travel, wanted every

649
00:40:42.079 --> 00:40:44.840
<v Speaker 1>room to carry her somewhere new, if only for a morning.

650
00:40:45.239 --> 00:40:48.960
<v Speaker 1>Of course, people romanticize, but she tilted her head at

651
00:40:48.960 --> 00:40:53.320
<v Speaker 1>the blueprints. It's something more than nostalgia, isn't it. The

652
00:40:53.480 --> 00:40:57.519
<v Speaker 1>architect's journal, more intimate than any guest ledger, confirmed as much.

653
00:40:58.039 --> 00:41:02.559
<v Speaker 1>There were sketches, pains divide with irregular lines, prisms nestled

654
00:41:02.599 --> 00:41:07.440
<v Speaker 1>in corners, strange notes about reflection, ratios and recollection resonance,

655
00:41:08.079 --> 00:41:11.840
<v Speaker 1>and slipped into the final pages A letter to those

656
00:41:11.840 --> 00:41:14.320
<v Speaker 1>who stay here after me. Let it not trouble you

657
00:41:14.440 --> 00:41:18.119
<v Speaker 1>if the view disregards your calendar. Let each vantage be

658
00:41:18.199 --> 00:41:22.159
<v Speaker 1>a channel, a favor to heartbreak and delight alike. May

659
00:41:22.199 --> 00:41:25.280
<v Speaker 1>you dwell inside the day your soul most needs, if

660
00:41:25.320 --> 00:41:28.960
<v Speaker 1>not the one you expected. I read and reread this,

661
00:41:29.440 --> 00:41:33.079
<v Speaker 1>startled at the gentle ambition wrapped in such eccentric language.

662
00:41:33.519 --> 00:41:36.519
<v Speaker 1>I could almost smell the heavy memory of heartbreak for

663
00:41:36.559 --> 00:41:39.400
<v Speaker 1>a wife who could not cross mountains or seas, or

664
00:41:39.440 --> 00:41:42.320
<v Speaker 1>perhaps for the faded golden days of one's own youth,

665
00:41:42.800 --> 00:41:48.519
<v Speaker 1>endlessly sought after, and here seemingly replayed, Pete broke the silence.

666
00:41:48.960 --> 00:41:52.079
<v Speaker 1>Does this mean the rooms are what attuned to us,

667
00:41:52.360 --> 00:41:54.920
<v Speaker 1>to our mood, or memories, or just the luck of

668
00:41:54.960 --> 00:41:59.599
<v Speaker 1>the draw Missus fallen, eyed him with rare softness. Why

669
00:41:59.639 --> 00:42:03.119
<v Speaker 1>should that, how matter more than the gift? But Pete,

670
00:42:03.280 --> 00:42:06.639
<v Speaker 1>voiced tentative, would not let it rest. Is it really

671
00:42:06.639 --> 00:42:09.920
<v Speaker 1>a gift? Though? If you never know what's real outside

672
00:42:10.760 --> 00:42:14.199
<v Speaker 1>and what's real at all? Sandy piped up, appearing in

673
00:42:14.239 --> 00:42:17.800
<v Speaker 1>the doorway, cheeks flushed. If it's beautiful and it leaves

674
00:42:17.800 --> 00:42:21.360
<v Speaker 1>you better off, maybe we forget to ask it. As

675
00:42:21.400 --> 00:42:24.679
<v Speaker 1>we leaped through every diagram, every plan, one stubborn fact

676
00:42:24.719 --> 00:42:27.840
<v Speaker 1>held There was no obvious mechanism, not a hint of

677
00:42:27.920 --> 00:42:33.039
<v Speaker 1>hidden wires, special glass machinery, no architect's secret lever. The

678
00:42:33.079 --> 00:42:37.039
<v Speaker 1>windows themselves were old, battered in places, but honest every

679
00:42:37.039 --> 00:42:39.360
<v Speaker 1>one in the end reached the same conclusion at the

680
00:42:39.400 --> 00:42:43.360
<v Speaker 1>same time. Whatever Merton had desired, whatever this channel to

681
00:42:43.440 --> 00:42:47.519
<v Speaker 1>remembrance amounted to, the process, was, at least in physical terms,

682
00:42:47.639 --> 00:42:52.039
<v Speaker 1>quietly invisible. For an hour, our little group sat surrounded

683
00:42:52.039 --> 00:42:55.800
<v Speaker 1>by archives, the dust of history, and affection, together combing

684
00:42:55.800 --> 00:42:58.559
<v Speaker 1>the past as if its details could explain the present,

685
00:42:59.239 --> 00:43:03.559
<v Speaker 1>Sandy read allowed the architect's favorite lines, may every window

686
00:43:03.639 --> 00:43:07.320
<v Speaker 1>open on to what remains? And Elina scribbled one brief

687
00:43:07.360 --> 00:43:09.760
<v Speaker 1>poem on the fly leaf of the oldest guest book.

688
00:43:10.039 --> 00:43:15.000
<v Speaker 1>With Missus Falland's reluctant assent, my notes became less analytical,

689
00:43:15.280 --> 00:43:18.480
<v Speaker 1>less the record of contradiction, and more a set of questions.

690
00:43:19.159 --> 00:43:22.199
<v Speaker 1>Was I were we meant to solve this or only

691
00:43:22.239 --> 00:43:25.719
<v Speaker 1>to notice it had happened. When we finished and Pete

692
00:43:25.719 --> 00:43:28.880
<v Speaker 1>had locked the record's room again, Missus Fallan gathered us

693
00:43:28.920 --> 00:43:32.519
<v Speaker 1>briefly behind the lounge counter, as informal as any teacher

694
00:43:32.559 --> 00:43:36.320
<v Speaker 1>in the last minutes before afternoon. Bell I always thought

695
00:43:36.320 --> 00:43:39.559
<v Speaker 1>of this as Merton's joke or his benediction. She said,

696
00:43:40.079 --> 00:43:42.920
<v Speaker 1>if people leave happier, who's to say if the magic

697
00:43:43.039 --> 00:43:46.440
<v Speaker 1>is real or only because they see what they wish.

698
00:43:46.840 --> 00:43:49.679
<v Speaker 1>That evening and the one that followed, the mood shifted

699
00:43:49.679 --> 00:43:53.559
<v Speaker 1>in the hotel. The weather inside windows and outside alike

700
00:43:53.920 --> 00:43:57.239
<v Speaker 1>became less a source of problem than intimacy. I overheard

701
00:43:57.280 --> 00:44:01.760
<v Speaker 1>guests comparing their favorite window scenes, recalling days from youth

702
00:44:01.760 --> 00:44:05.000
<v Speaker 1>in the patterns outside their glass. My room gave me

703
00:44:05.039 --> 00:44:08.800
<v Speaker 1>the winter I missed, mister Canning admitted, I slept better

704
00:44:08.880 --> 00:44:12.639
<v Speaker 1>with the hush of snow. The historian from number eleven

705
00:44:12.960 --> 00:44:16.440
<v Speaker 1>described how she'd grown to crave the oddly eternal twilight,

706
00:44:16.920 --> 00:44:20.239
<v Speaker 1>a sense of time stretched just long enough to finish

707
00:44:20.280 --> 00:44:23.639
<v Speaker 1>a thought. Pete and I, over late Coco in the

708
00:44:23.679 --> 00:44:27.559
<v Speaker 1>kitchen discussed the oldest residence. They say the rooms change

709
00:44:27.599 --> 00:44:30.599
<v Speaker 1>as people change, he mused, I can never tell if

710
00:44:30.639 --> 00:44:33.440
<v Speaker 1>they are joking. He showed me a faded page from

711
00:44:33.480 --> 00:44:36.280
<v Speaker 1>the archives in which a guest from the nineteen seventies

712
00:44:36.320 --> 00:44:39.960
<v Speaker 1>had written, I come to Room thirteen each spring. It

713
00:44:40.039 --> 00:44:43.679
<v Speaker 1>always rains, just as I wish. Nobody minds. They let

714
00:44:43.719 --> 00:44:47.440
<v Speaker 1>me have it. Elina meanwhile handed me a scrap of

715
00:44:47.519 --> 00:44:51.000
<v Speaker 1>new verse weather remembers what we forget, loves us for

716
00:44:51.079 --> 00:44:53.719
<v Speaker 1>our fever and ache, and leaves on the sill frost

717
00:44:53.840 --> 00:44:57.400
<v Speaker 1>enough for longing. She winked, but her tone was gentle,

718
00:44:57.760 --> 00:45:03.119
<v Speaker 1>no longer dismissive. Instead quietly. It dawned on me, quietly,

719
00:45:03.280 --> 00:45:05.599
<v Speaker 1>and then with the certainty of a lesson. Long studded,

720
00:45:05.840 --> 00:45:09.199
<v Speaker 1>but only now understood that the rooms odd weather had

721
00:45:09.199 --> 00:45:11.840
<v Speaker 1>become for many not a glitch in the building, but

722
00:45:11.880 --> 00:45:16.519
<v Speaker 1>a resource comfort nostalgia. The slow reweaving of time around

723
00:45:16.559 --> 00:45:20.000
<v Speaker 1>individual need a place where the landscape out your window,

724
00:45:20.360 --> 00:45:23.239
<v Speaker 1>unbound from the strictness of dates, could heal a little

725
00:45:23.280 --> 00:45:27.559
<v Speaker 1>sense of heartbreak or recollect vanished ease. It was not

726
00:45:27.679 --> 00:45:30.880
<v Speaker 1>the cause that mattered most, but the meaning wound through

727
00:45:30.960 --> 00:45:35.880
<v Speaker 1>every conversation, every year, returned every postcard written home when

728
00:45:35.880 --> 00:45:39.760
<v Speaker 1>one was young. On my last afternoon, I sat one

729
00:45:39.840 --> 00:45:43.119
<v Speaker 1>final time by the deep window in Room seventeen. The

730
00:45:43.159 --> 00:45:47.280
<v Speaker 1>world outside the building was loud with April's renewal, Robin's shouting,

731
00:45:47.639 --> 00:45:51.199
<v Speaker 1>peepers swelling to crescendo, the distant grind of trucks prepping

732
00:45:51.239 --> 00:45:55.000
<v Speaker 1>the road for eager tourists. But within that wide, beloved window,

733
00:45:55.360 --> 00:45:58.960
<v Speaker 1>the scene held to a luminous, impossible autumn, a sky

734
00:45:59.079 --> 00:46:02.559
<v Speaker 1>the color of fresh wheat, oak leaves burning, a still

735
00:46:02.639 --> 00:46:07.039
<v Speaker 1>lake edge bordered in bronze and gold. Just beyond the glass,

736
00:46:07.400 --> 00:46:10.199
<v Speaker 1>a pair of children in woolen coats ambled after a

737
00:46:10.239 --> 00:46:14.239
<v Speaker 1>spatter of geese. Ghosts, memory or wish I did not know.

738
00:46:15.400 --> 00:46:17.960
<v Speaker 1>I opened the casement for a moment. The draft was

739
00:46:18.000 --> 00:46:21.159
<v Speaker 1>cool and true, and sharp with the sweet tang of woodsmoke.

740
00:46:21.679 --> 00:46:24.880
<v Speaker 1>I felt content. The puzzle no longer urgent, but nurtured

741
00:46:24.960 --> 00:46:28.599
<v Speaker 1>by wonder. My note book, half filled now with diagrams,

742
00:46:28.800 --> 00:46:32.360
<v Speaker 1>whether notes, lines of poetry, and guest names, rested open

743
00:46:32.400 --> 00:46:35.320
<v Speaker 1>on the desk, beside a cold cup of tea. In it,

744
00:46:35.480 --> 00:46:39.039
<v Speaker 1>under the column meaning, I wrote, if every window frames

745
00:46:39.039 --> 00:46:41.440
<v Speaker 1>its own world, what days might I be seeing through

746
00:46:41.480 --> 00:46:44.880
<v Speaker 1>all the other untouched windows of my life? There was

747
00:46:44.920 --> 00:46:48.159
<v Speaker 1>a strange generosity in it, a gift not of answer,

748
00:46:48.440 --> 00:46:52.480
<v Speaker 1>but of endless, bearable surprise. I left the page open,

749
00:46:52.760 --> 00:46:55.639
<v Speaker 1>my initials at the bottom, and moved quietly down the

750
00:46:55.679 --> 00:46:59.280
<v Speaker 1>hall as the golden dusk stretched on, knowing that sometimes

751
00:46:59.320 --> 00:47:03.000
<v Speaker 1>wonder is both memory and forecast, and sometimes it only

752
00:47:03.079 --> 00:47:08.320
<v Speaker 1>asks to be witnessed, and that is the end. Thank

753
00:47:08.360 --> 00:47:09.920
<v Speaker 1>you for listening, and I will see you in the

754
00:47:09.920 --> 00:47:13.239
<v Speaker 1>next one.
