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Speaker 1: I keep going back and forth on whether to post this.

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Part of me thinks writing it out will help me

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process it, and part of me thinks I sound like

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a lunatic. But whatever, here it goes. I do cleanouts

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for a living, foreclosures, mostly, some abandoned rentals, a couple

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of horder situations a year. Basically, once a bank or

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a landlord takes a property back and they call guys

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like me to go in and we just get everything

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out so they could sell it or they could rent

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it again. It's not glamorous work. Most days. It's just

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garbage bags and trying not to gag. See a lot

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of sad stuff, you know, family photos, people left behind,

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kid toys. One time a dog crate with a door

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still zip shut. I want to talk about that. One

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point is I've been in a lot of empty houses now.

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I've never had anything happen that I couldn't explain. That is,

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until three weeks ago, this place was a foreclosure. It's

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been empty at least a year, probably more. Had that

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wet wood smell that houses get when nobody runs the

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heat for a while there's no power. Windows were grimy,

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barely see through them. The standard stuff. Honestly, I've seen

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way worse. It was working the upstairs bedrooms. Tiny closet

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in the back bedroom, bearly big enough for a rod

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and some hangers. There are a few coats still hanging,

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and behind them on the floor there was this metal

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lock box they've kind of keep documents in, you know,

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the fireproof ones, the ones from Walmart whatever. There's a

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part where I have to be honest about something because

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people keep asking me, well, why didn't you just leave?

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Answer is because at this point, nothing weird happened yet

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it was just it was a box in a closet.

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I open boxes containers in these houses literally every day,

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because sometimes there's stuff worth salvaging, and sometimes there's stuff

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what the bank needs to know about the box. The

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box wasn't locked. It wasn't even latched all the way

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inside one of those old clunky Polaroid cameras. Pack of film,

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stack of photos, face down. They look blank on the back,

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you're just white. Picked them up, flipped through them. One

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slid off the stack and landed on my forearm and

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my sleeve was pushed up past my glove. Except it

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didn't land it it stuck, you know, flat against my

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skin stuck like a sticker or like wet paper, except

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it wasn't wet and immediately cold, not cool, cold like

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I pressed an ice cube onto my arm. I pulled

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it off quick. It made that sound you know when

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you when you peel tape off skin, that ripping TACKI sound,

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and it took a second to come free. It was

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this white rectangle on my arm where it had been.

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I don't mean it was pale. I mean it was

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like it was white, like the color had been sucked

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out of my skin if you took a photo and

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erased one square of it down to nothing. I was

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still looking at that, trying to figure out what the

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hell when I noticed the photo in my other hand.

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It was changing, It was developing whatever the word is,

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you know when a polaroid goes from blank to showing

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an image. Except what it was showing was skin. It

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was showing my skin. I could see the freckle that

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I have near my elbow. It was my arm, and

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right in the middle of the image was this dark

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square shape. I looked at my arm, I looked at

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the photos same spot that my arm started hurting, you know,

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not like a cut or sting. More like, okay, you know,

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when you press your thumb really hard into a muscle

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and you hold it, that that ache, but in a

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spot where there was no reason for it to hurt.

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The white rectangle on my skin started going purple while

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I watched, not spreading out like a like a bruise

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normally does. It's like filling in, you know. The color

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was filling in from the edges towards the center, staying

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perfectly inside the rectangle shape, like something was coloring it

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in from underneath. Put the photo down on the floor

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and pain didn't stop. The photo finished developing, and it

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showed my arm with the bruise, the same shape, same size,

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same location, like it would it had taken a picture

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of something that hadn't happened yet, and then then it

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it made it happen. I left, Okay. I want to

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say that I was calm about it, but honestly, I

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just kind of I walked out fast, didn't run, but

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I definitely wasn't casual about it. So the next morning,

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the bruise looks like it's been there for days, right,

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dark in the middle, tender when I pressed on it,

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perfectly rectangular, which I shouldn't have to tell you is

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not how bruises work. In the center of it, still

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lighter than the rest, almost pale. Also, and this is

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gonna sound weird, but I swear my hair stopped growing

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inside that rectangle, like that patch of skin, like it

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wasn't mine anymore, that could been replaced with something that

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looked like skin but wasn't exactly. I should have left

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it alone. I know that. You know that, everyone reading

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this knows that. But I went back to the house

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told myself I needed to finish the job, because I do.

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They don't pay me if I don't finish, and I'm

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not about to lose a contract because I got freaked

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out by a piece of film. The box is still there.

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Everything was where I left it, except the top photo

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on the stack wasn't blanket anymore, developed on its own overnight,

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sitting in a dark closet and an empty house with

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nobody there. The image was the closet floor, the box,

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and a hand reaching for it, my hand from earlier,

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but the angle was wrong. Was taken from inside the closet,

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from up high, like from the shelf above the rod

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looking down at me opening the box. Nothing was on

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that shelf I checked when I first found the box,

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there was nothing up there. I picked the photo up.

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I had my work gloves on this time, because I'm

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I'm dumb, but I'm not that dumb. I mean twitched.

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Did you do to understand what I mean? I don't

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mean that it moved because my hand was shaking. I

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mean the photo itself spasmm like a like a muscle,

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like something alive. One quick twitch and then still again.

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The image started getting darker while I held it. The

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shadows in the closet and the picture were getting deeper,

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the inside of the box going black, way blacker than

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it should have been. And then something leaned forward out

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of that darkness in the photo. Was not a face,

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so everyone asks me, was it a face? No, it was.

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It was more like a a face shaped dark spot,

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like if if darkness had layers, and something pushed through

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from behind. My bruise lit up, felt like someone put

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a cigarette out of my arm. I dropped the photo.

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I yanked my glove off because my palm was burning

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now too, red rectangle in the center of my palm,

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same size as the photo edge, right where my fingers

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gripped it through the gloves. So obviously I took the

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whole box home. Yeah, I know, I know. I don't

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have a good explanation for why I did that, except

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that I think I was already past the point of

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making smart decisions. I think when something impossible happens to you,

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your brain just kind of it stops running the is

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this a good idea? Program starts running the I need

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to understand this program, and you do stupid things. Kitchen table.

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I dump everything out, camera, film, stack of photos. I'm

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just sitting there staring at it like it's going to

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explain itself. The camera clicks, My hands were on my lap.

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I wasn't touching it. It clicked by itself. The mechanical

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sound of a polaroid taking a picture, and then the

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motor noise. Then a photo slid out of the front,

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slid across the table, stopped right in front of me.

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I don't mean it traveled because the table is tilted

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to My table isn't tilted. It slid across the flat

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surface and it stopped in front of me like someone

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pushed it. I didn't pick it up. I just sat

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there and I watched it develop. It was me sitting

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at my kitchen table. From across the room, like from

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the doorway to the living room. In the picture, my

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left hand was up. There was a black square in

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my palm about the red mark that was actually there.

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It was black like a hole. My real hand started

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burning deep, not surface level, like the pain was coming

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from inside my hand, from the bones or the tendons

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or whatever is in there. I ran to the sink.

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I held it under the cold water. It didn't help

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at all. I watched the skin of my palm go white,

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then red, and then this dark, angry color, perfect square

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edges like it was printed on me. The camera was

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pointed at me from the table. The lens was facing me.

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I had dumped it out randomly, and somehow it landed

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pointed right at my chair, or it moved, I don't know.

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I grabbed of admits, shoved the camera in a metal

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trash can and dumped all the film and photos in

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after it, and I put the lid on top, and

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I wrapped the whole thing in packing tape, took it

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to the garage. Felt like I was disposing of a

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body or something, but to urgent care for my hand.

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The nurses wrapped it up, asked what I touched, I said,

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I touched an old camera. She gave me this look

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like she wanted to ask for more, but didn't. They

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gave me burn cream and they sent me home. And

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that night I woke up because I heard it that sound,

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the polaroid mikes, the click, and then the whirring, right

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next to my head. Camera was on my nightstand, the

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fresh photo sitting right next to it. I left it

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in the garage. I taped the lid. I know I did.

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The next photo showed my hand bandaged up, except in

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the photo the bandages were soaked through. They were dark saturated.

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My actual hands started itching under the bandage, then stinging,

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then this pulling feeling like something under my skin was

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being plugged sideways. I ripped the bandage off and the

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burn had changed. The skin inside the rectangle was smooth,

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not scarred, smooth, but like like new shiny, like a

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different type of skin had been installed there. And in

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the dead center was a gray mark. It looked like

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a like a doorway, tiny rectangular doorway shape in the

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middle of my palm. Camera clicked again. Another photo came out,

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then another one, then another one. I didn't think. I

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grabbed it with the kitchen tongs, ran to the bathroom,

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threw it in the tub, dumped bleach, tile cleaner, drain

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opener and everything under the sink on top of it.

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Didn't even think about the fumes. I probably should have.

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The camera sank to the bottom of the tub. It

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sank wrong. It say, too fast, way too heavy for

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what it was. Then it started whirring loud, not the

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normal sound it makes, angry or faster, like it was

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trying to take photos rapid fire from underwater. My palm

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felt like something was pushing out from inside, pushing against

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my skin from underneath, trying to get through. I yelled,

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I'll admit that I'm not. I'm not gonna pretend I

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was tough about it, I yelled. I almost passed out.

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I had to sit down on the bathroom floor. The

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skin inside the square and my palm cracked along the edges,

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clean straight cracks, and underneath the cracked skin was raw, pink,

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new skin, like something had been pressing into it from

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the inside, molding it. Then the camera stopped everything. Everything stopped,

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the worrying, the pressure in my hand, all of it.

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It just done. I left everything in the tub for

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three days. I didn't go near the bathroom. He used

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the kitchen sink to brush my teeth. I don't care

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if that's gross. And when I finally went in there

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and fish stuff out, the photos were ruined. They warped, swollen,

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fused together. The camera looked partially melted plastic, all warped, discolored,

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and I thought, okay, it's over. Whatever that was is done.

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And I picked it up, top photo from the stack,

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and on the back of it pressed into the surface

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like someone wrote it with a fingernail with the words

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keep still while it develops. That night, my phone wouldn't

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unlod face ID wouldn't work, tried the passcode, tried fingerprint.

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I looked at my fingers. The ridges were gone. My

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fingerprints they were just they were. They were smooth, both hands,

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all ten fingers, smooth like paper, like like photo paper.

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It's been a few weeks now, nothing else that's happened.

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The rectangle scar on my palms still there. Skin inside

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still feels different, tighter, thinner. It's cold sometimes randomly, like

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really cold, staying cold, I felt, and that first photo

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stuck to my arm. My fingerprints still haven't come back.

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I had to set up a new pass code of

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for everything. Couldn't even log into my banking app for

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three days explaining to your bank that you need a

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password reset because a haunted camera stole your fingerprints. Can't

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you just say you forgot it. I don't know what

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was in that camera. I don't know what it was

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trying to do to me. I don't know if that

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gray doorway shape on my palm is what I think

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it is. But sometimes at night, my hand gets cold

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in that spot. It feels like something on the other

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sides pressing back for another picture. So yeah, don't touch

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old polaroids you find in an empty house, because whatever's

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on the other side of that film doesn't just take pictures,

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takes prints. Hey they're kids. It's me, mister Creepy Pasta.

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And before we say good night, I just wanted to

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say thank you so much for watching tonight's video, or

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for listening to tonight's episode or the podcast. I also

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want to say, if you guys like the stories you're

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hearing now, please check out The Creepy Pasta Collection, Volume

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one and Volume two. They're available now on Amazon. They're

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available at Barnes and Noble. They're available wherever you like

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to get books. They're some of the best authors I've

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worked with over the years, of my absolute favorite authors

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and some of my friends, so I'd appreciate it if

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you guys check those things out. There's also an audiobook

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that I wasn't involved with. I don't know why Simon

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and Schuster did that, but they did, so you can

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check that out. Two if you'd like listing the books

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but you just don't want to hear me. As always,

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I want to give a very big thank you to

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everybody who supports me on Patreon, patreon dot com. Slash

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mister creeposted people such as Diana Krauss, Asset System, Benjamin

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two thousand and three, Late Bratler, Bottle cooland Brandon Mendoza, Caltuna,

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Cory x Kinsrion The Code of Best, Daniel Polson, Don

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Taking Kid and Chanted Buns, Eric Anthony Carusoes to being

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fifteen squirrels in a trench coat, Dallaty Gremlin, his nephew, Imo,

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Jerry Hour Minute, Second Time, Jay Kearns Jedi's Pet, Lu Cipher,

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Nick mc flant, piss Red Shadow Cat, Remember the Sun,

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Salty Surprize, sa Marilyn Scary stories fuel Me thirty two

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seclude Simps, Bloody mo Joe Sky, Harper Smiley, The Psychotic

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Sully Man, Colly Sue, Team Leo seventy six, The Chab

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His Brothers, The Ginger Brows, Tommy Walters, Vice Royce, born

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William Wellington, X Reepert sixty nine x X, Lucky Cat xx, Zibol,

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Shadow Gardens and Peaceful Puddah. Thank you all so much

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for being here, and as always, sweet dreams