WEBVTT

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<v Speaker 1>Hey, this is Brian wanting to let you know that

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<v Speaker 1>the Movie Film Podcast now has a Patreon. If you

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<v Speaker 1>head over to patreon dot com slash moviefilm Podcasts and

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<v Speaker 1>hit subscribe for only five dollars a month, you'll gain

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<v Speaker 1>access to a special feed where you'll find every commentary

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<v Speaker 1>we've ever recorded and every episode we do moving forward

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<v Speaker 1>add free and without any interruptions. We are very grateful

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<v Speaker 1>for our sponsors, and our free feed isn't going anywhere,

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<v Speaker 1>but we wanted to offer an option we believe is

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<v Speaker 1>the most satisfying way to enjoy the show, no ads,

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<v Speaker 1>no interruptions. Your subscription will also go a long way

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<v Speaker 1>and helping to support us and helping to sustain production

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<v Speaker 1>of this show. So if you're interested, in able and

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<v Speaker 1>want to enjoy the most satisfying way to enjoy the podcast,

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<v Speaker 1>please head over to Patreon dot com slash moviefilm podcast

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<v Speaker 1>and subscribe. We'd be very grateful and now on with

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<v Speaker 1>the show. Welcome Friends Podcasts podcast show Jacky and Brian.

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<v Speaker 2>They're talking about the group. I guess I'd like to

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<v Speaker 2>talk to you about a fresh start in a new world.

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<v Speaker 2>You're not in Kansas, anymore. You're on Pandora.

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<v Speaker 1>The concept is to drive these remotely controlled bodies Coda avatars.

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<v Speaker 2>You should not be here. I need to help Quorish

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<v Speaker 2>is no longe and there's no stopping.

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<v Speaker 1>Hip going up against gunships.

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<v Speaker 2>Well, I guess you better stop here, Avatar. This film

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<v Speaker 2>has not yet rated. Welcome to a movie film commentary track.

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<v Speaker 2>My name is Zaki Hassan. I'm here with Brian Hall.

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<v Speaker 1>Hey, how's it going, Zachie?

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<v Speaker 2>Brian? Have you ever woken up and wished you belong

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<v Speaker 2>to the Omatakaya?

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<v Speaker 1>Uh? Yeah? You know what's funny though, those dreams, I

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<v Speaker 1>can't tell which is the dream and if my reality

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<v Speaker 1>is more the dream itself.

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<v Speaker 2>You know you say it sounds to me like you

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<v Speaker 2>wish that you were Turuk Makto.

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<v Speaker 1>Well, as I'm fumbling lines from the movie over here

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<v Speaker 1>that I'm trying to repeat, I actually thought about googling

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<v Speaker 1>things in NAVI for this opening to try to say

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<v Speaker 1>to you, And now I'm like, oh, he did it.

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<v Speaker 2>Damn it.

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<v Speaker 1>I could have like I could have kept.

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<v Speaker 2>Up with him. You know, Awa is very disappointed in you.

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<v Speaker 2>That's all I know.

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<v Speaker 3>What else is new?

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<v Speaker 1>Yeah? No, no, you know what, I'm gonna save it

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<v Speaker 1>because we've got plenty of time ahead.

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<v Speaker 3>I'm gonna keep this brief.

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<v Speaker 2>We got some time to fill. We are watching Avatar,

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<v Speaker 2>the two thousand and nine film that made almost three

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<v Speaker 2>billion dollars since its release. So this is a this

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<v Speaker 2>is this, This is the most beloved not beloved film

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<v Speaker 2>of all time.

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<v Speaker 1>It's a case study, right, Yeah, I I am.

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<v Speaker 2>I'm endlessly fascinated by the More more than the film,

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<v Speaker 2>I'm fascinated by the discourse by all the people every

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<v Speaker 2>few years or like, nobody cares about Avatar because it

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<v Speaker 2>hasn't left any cultural footprint. And I would disagree with

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<v Speaker 2>that assertion, if only because it has left the cultural

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<v Speaker 2>footprint of people wondering where its cultural footprint is.

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<v Speaker 1>That's pretty good.

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<v Speaker 2>Yeah, you know we Yeah, we got to Avatar Fire

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<v Speaker 2>and Ash. That's that's due out in the weeks ahead.

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<v Speaker 2>As we're recording this, and and I thought, hey, you

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<v Speaker 2>know what what better time than to than right now

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<v Speaker 2>to to visit that magical, far off land of Pandora.

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<v Speaker 1>I'm excited because this isn't a movie I've watched a

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<v Speaker 1>lot over the years, so this was kind of I

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<v Speaker 1>remembered a lot of it. Yeah, but you know, it

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<v Speaker 1>was still kind of fresh watching again this week. So

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<v Speaker 1>I'm excited to have this conversation with you.

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<v Speaker 2>And certainly, I mean, you know, we we do try

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<v Speaker 2>to let movies ferment a little before we'd give them

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<v Speaker 2>the old commentary treatment. And and there's something to realize,

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<v Speaker 2>Oh my gosh, this movie is sixteen years old already.

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<v Speaker 1>Yeah, right, wild.

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<v Speaker 2>I mean, when when we started doing this show, it

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<v Speaker 2>was a mere three years old. And back in those days,

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<v Speaker 2>we spent a big chunk of the early and not

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<v Speaker 2>even like the first two thirds of this show's life

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<v Speaker 2>being like Avatar sequel, I'll believe that when it happens, And.

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<v Speaker 1>Isn't that a funny artifact? And then now in the

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<v Speaker 1>past couple of years, we've gotten two sequels.

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<v Speaker 2>Yeah, so you know, never never bet against James Cameron

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<v Speaker 2>is the takeaway. Yep. But we are watching we're watching

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<v Speaker 2>the theatrical version. By the way, we should say, oh right, yeah,

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<v Speaker 2>there's there's like an extended cut and then there's like

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<v Speaker 2>the super duper standed cut, and we're watching neither of those.

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<v Speaker 2>But but for the purposes of backs drop on this,

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<v Speaker 2>I watched the three hour version, did you.

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<v Speaker 1>Oh, I considered it, but I didn't. Yeah.

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<v Speaker 2>I was like, I watched it, and I was like, well,

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<v Speaker 2>I you know, I mean, if I figure, I'll be

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<v Speaker 2>able to notice the differences and you know, add some

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<v Speaker 2>context to the discussion that we're having. And then I

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<v Speaker 2>was like, have I seen this before? And I think

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<v Speaker 2>I have, but I don't remember because you know, they

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<v Speaker 2>re released the movie in theaters a few years ago. Anyway,

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<v Speaker 2>we'll talk about yeah, yeah, yeah, for this, if you

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<v Speaker 2>want to watch along with us, we're doing the theatrical cut,

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<v Speaker 2>the two hours and forty two minute version.

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<v Speaker 1>Yeah, please create a halou with us, and let's go

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<v Speaker 1>for a ride on an eleu.

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<v Speaker 2>You see, you got this, You get this. You sound

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<v Speaker 2>like one of the people. So we're gonna we're gonna

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<v Speaker 2>get started right right this moment, Brian. So we'll do

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<v Speaker 2>the usual thing. We'll go one, two, three, play again.

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<v Speaker 2>If you want to watch along with us, you can.

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<v Speaker 2>If not, uh, you know, we'll certainly try to keep

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<v Speaker 2>the conversation interesting enough to have you engaged for the

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<v Speaker 2>for the entire almost three hours. Uh. So let's do this. Ready,

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<v Speaker 2>I'm ready, and here we go one, two, three, play it.

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<v Speaker 1>Right?

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<v Speaker 2>So the version I'm watching says twentieth Century Studios, how

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<v Speaker 2>about you, Sam? Yeah, so that's a little swapperoo that

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<v Speaker 2>Disney did.

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<v Speaker 3>Yeah right.

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<v Speaker 2>Even though this this this film predates the Disney purchase

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<v Speaker 2>of twenty eeth century Fox by a cool decade.

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<v Speaker 3>Wow, man, it's like, where do you even begin?

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<v Speaker 1>Well, I will say I did remember things that I

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<v Speaker 1>didn't see in this version, so I must have seen

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<v Speaker 1>the extended version at some point, Like I remember in

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<v Speaker 1>the beginning seeing Jake kicked out of a bar.

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<v Speaker 3>Yes, that's right, right, which.

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<v Speaker 2>I kind of So that's that that I knew was

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<v Speaker 2>not in this cut. And yeah it I think it

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<v Speaker 2>was a really good idea to have that in it initially.

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<v Speaker 2>And it's odd that they made that cut because you're

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<v Speaker 2>looking at three minutes tops, you know, and it is

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<v Speaker 2>that you'd be adding to a two hours and forty

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<v Speaker 2>two minute movie, you know.

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<v Speaker 1>Yeah.

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<v Speaker 2>Yeah.

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<v Speaker 1>And then it basically it gives you a little glimpse

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<v Speaker 1>of what life is like on Earth and how Jake

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<v Speaker 1>really doesn't have anything that's right.

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<v Speaker 2>But he does have he has a sense of doing

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<v Speaker 2>the right thing.

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<v Speaker 1>Yes, Oh that's right. That's right. Yeah, he's like doing

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<v Speaker 1>something kind of noble, like defending someone or something. Right.

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<v Speaker 2>Yeah. So there's a guy who's who's beating up on

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<v Speaker 2>his girlfriend in a bar, and Jake, who is in

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<v Speaker 2>a wheelchair, intervenes and ends up getting tossed out, at

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<v Speaker 2>which point these these fellas come in and they they're like, hey,

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<v Speaker 2>you know your brother died and that whole thing. So

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<v Speaker 2>instead it's like inter cut into this sequence here, which

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<v Speaker 2>which I guess you know. First of all, I should

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<v Speaker 2>say I remember watching this in the theater and just

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<v Speaker 2>being blown away by how absolutely immersive the three D

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<v Speaker 2>was in this sequence.

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<v Speaker 1>I isn't that amazing? I mean, yeah, you say, sixteen

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<v Speaker 1>years I remember this too as if I just saw it.

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<v Speaker 1>I remember seeing those water droplets yep, in three D.

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<v Speaker 1>It's a great little tease, isn't it. Where he's like, oh,

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<v Speaker 1>you like the little little water drop there, check this out,

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<v Speaker 1>And then he goes into that I don't know what

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<v Speaker 1>it is, like hibernation bay or something, and it's just

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<v Speaker 1>like whoa. It just goes so deep.

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<v Speaker 3>And there's people floating around.

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<v Speaker 2>I mean this Oh yeah, good, sorry, just real quick, yeah,

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<v Speaker 2>I mean, just to put a button on that prologue

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<v Speaker 2>sequence that got cut out. It wasn't very much, and

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<v Speaker 2>I just to echo the point you were making, I

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<v Speaker 2>think it showed us the state of just how shitty

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<v Speaker 2>life is on earth. Yeah, and I think it would

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<v Speaker 2>have provided at a necessary contrast, because we don't get

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<v Speaker 2>that at all in in the in in this version.

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<v Speaker 2>And you know, I don't think it would have been

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<v Speaker 2>that much of a burden in terms of the run time,

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<v Speaker 2>So kind of kind of a weird choice that honestly.

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<v Speaker 1>Yeah, I mean I guess in a way, if I

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<v Speaker 1>didn't know it existed, I would still think that, oh,

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<v Speaker 1>this is a great exposition efficient at the beginning here,

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<v Speaker 1>and I get it. And it's sad that his brother

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<v Speaker 1>died and they you know, he can do this. It'll

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<v Speaker 1>give his life some purpose. I mean, I'll hear.

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<v Speaker 2>Well, yes and no, because because the one of the

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<v Speaker 2>single loudest critiques of this film following its release was

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<v Speaker 2>that our main character, Jake Sully played by Sam Worthington,

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<v Speaker 2>is a bit of a cipher. Yes, right, I mean

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<v Speaker 2>he's sort of he you know, he he's a pastiche

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<v Speaker 2>of similar characters in similar movies, and we don't get

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<v Speaker 2>a clear sense of what drives him, and I I

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<v Speaker 2>think whatever little bits of character development you could sneak

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<v Speaker 2>in and the crevices would have been helpful.

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<v Speaker 1>Well, I definitely agree with that, yes, with some character things,

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<v Speaker 1>but I also feel like I saw some of the

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<v Speaker 1>people that they considered for Jake, you know, including Jake, Jillenhall,

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<v Speaker 1>Matt Damon, I think even Channing Tatum James Cameron talked

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<v Speaker 1>about recently, and I was like, all three of those

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<v Speaker 1>people with the same role, the same script, they have

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<v Speaker 1>a little bit more persona, you know what I mean,

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<v Speaker 1>just even in their their voices, in their mannerisms that

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<v Speaker 1>I think would have rounded out Jake a little bit

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<v Speaker 1>more so he doesn't feel so cipher like. And I

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<v Speaker 1>feel bad saying that because I do like Sam Worthington.

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<v Speaker 1>I was talking about this with my brother. He's very

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<v Speaker 1>good in this, Like he feels like in real life

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<v Speaker 1>what this guy would be like. But this isn't real life,

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<v Speaker 1>you know what I mean. This is a movie, and

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<v Speaker 1>we need especially if he's going to become this blue

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<v Speaker 1>creature that looks like every other two hundred blue creatures

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<v Speaker 1>I'm looking at, he really needs to pop, you know

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<v Speaker 1>what I mean, Like, I mean, that is like a

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<v Speaker 1>I came away from this movie.

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<v Speaker 3>Okay, let's go even back.

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<v Speaker 1>It's interesting to me that this is a movie when

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<v Speaker 1>you just say Avatar, think of Avatar. Speaking for myself,

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<v Speaker 1>I think it inspires a reaction like maybe even like

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<v Speaker 1>a snicker, like you know what I mean, which is

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<v Speaker 1>too bad because as I was watching this, especially the

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<v Speaker 1>back half of this movie, I was like, you know,

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<v Speaker 1>this movie's really cool. Like it it's got a lot

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<v Speaker 1>we'll talk about a lot of it, but at the

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<v Speaker 1>end of the day, I think it really does what

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<v Speaker 1>James Cameron set out to do, and he dazzles when

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<v Speaker 1>it's time to dazzle, you know. And for me, speaking

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<v Speaker 1>for myself, he made me feel when he wanted me

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<v Speaker 1>to feel. But there's it's hard to take the whole

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<v Speaker 1>thing seriously because these people, I think I still can't

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<v Speaker 1>get over the fact that they do look like three

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<v Speaker 1>hundred blue walking talking cats, you know what I mean,

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<v Speaker 1>Versus like Dances with Wolves, which is a very similar story.

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<v Speaker 1>When I take that movie very seriously, yeah, you know,

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<v Speaker 1>and feel very moved by it, and in this one,

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<v Speaker 1>I feel like there is like a good, you know, straightforward, compelling,

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<v Speaker 1>enough story here, but you can't help but stifle a

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<v Speaker 1>little bit of a snicker as you observe portions of it.

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<v Speaker 1>And I feel like that is just always going to

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<v Speaker 1>be attached to the experience.

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<v Speaker 2>I yeah, I I okay. So a couple of thousand,

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<v Speaker 2>number one and we were talking about this before we

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<v Speaker 2>started recording. I have now seen this film four times, totally, okay,

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<v Speaker 2>right once I saw it in the theater during its

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<v Speaker 2>initial run. Yeah, and then in twenty nineteen, so I

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<v Speaker 2>didn't revisit it for ten years. In twenty nineteen, I

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<v Speaker 2>wrote a piece for the paper doing like a ten

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<v Speaker 2>year look back at Avatar. So I put it on

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<v Speaker 2>and I was like, it's all right, and it's fine,

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<v Speaker 2>you know. In my thing, I actually wrote the verdict,

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<v Speaker 2>it's dot dot dot fine. And then and then they

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<v Speaker 2>re released this one to theaters, you know, three years

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<v Speaker 2>ago or whatever it was two years ago, whenever the

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<v Speaker 2>last one came out just before that, and I was like, oh,

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<v Speaker 2>this is great. And then I watched this again. It

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<v Speaker 2>was commentary, and I had to space that out over

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<v Speaker 2>three days, you were, you know, just because it's long.

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<v Speaker 2>And I was like it's fine. I'm like, I think

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<v Speaker 2>that the big screen and the three D is like

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<v Speaker 2>a magical part of the mix. This is like the

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<v Speaker 2>Scooby snack that gets the whole thing going. You know.

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<v Speaker 1>You see the American flag by the way in the

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<v Speaker 1>background with the blinds and the like machine.

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<v Speaker 3>Have you ever noticed it?

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<v Speaker 2>Yeah? Yeah, very clever and actually real quick before before

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<v Speaker 2>you go further, I want to just point out, while

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<v Speaker 2>Stephen Lang is front and center, yes, what a freaking

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<v Speaker 2>great bad guy. I was just yeah, I was like,

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<v Speaker 2>chef's kiss. There's a scene later where he's drinking coffee

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<v Speaker 2>while just all all kinds of ungodly shit he unleashed,

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<v Speaker 2>just going on. I'm like, this is a guy who

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<v Speaker 2>loves being a bad guy.

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<v Speaker 1>Dude, I wrote down when he is watching them annihilate

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<v Speaker 1>the tree and he's standing in that like warship and

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<v Speaker 1>he's sipping coffee and he goes, let's make this quick.

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<v Speaker 1>I want to be home by dinner. I was like, whoa,

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<v Speaker 1>And it's him too, you know, like his Yeah, he's perfect.

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<v Speaker 1>I was thinking, if they hadn't used the name I

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<v Speaker 1>know this came first, but if they hadn't used the

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<v Speaker 1>name Lockjaw in one battle after another, like he could

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<v Speaker 1>totally be like Colonel Lockjaw.

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<v Speaker 2>Okay, sorry you were saying. I didn't mean to interrupt you.

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<v Speaker 1>No, no, well, I have so many things before I

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<v Speaker 1>even started this, and I hadn't watched this in years.

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<v Speaker 1>I don't even know it more than five six seven.

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<v Speaker 1>I didn't see it when it was re released, but

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<v Speaker 1>I literally, you know, like when a song you think

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<v Speaker 1>of a song, you think of like the hook, like

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<v Speaker 1>a little like appear in your head. For some reason,

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<v Speaker 1>I was like, oh yeah, Zachie and I are watching Avatar,

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<v Speaker 1>and I was like, eat your ass like Jujubes for

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<v Speaker 1>some reason that line. And I couldn't even remember when

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<v Speaker 1>it said or why he says it, but I just

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<v Speaker 1>kept thinking, your eyes like Juju Be's. And so when

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<v Speaker 1>I saw him rallying his troops here and he's warning

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<v Speaker 1>everyone basically about how dangerous Pandora is, He's like, everything

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<v Speaker 1>out there wants to kill you and eat your eyes

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<v Speaker 1>like Juju Bests.

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<v Speaker 2>You're like he said it, he said the thing.

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<v Speaker 1>He said it? No, so yeah, I like it's funny,

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<v Speaker 1>Like I I I feel like even if I mentioned

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<v Speaker 1>to people like oh yeah, Zaki and I are doing

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<v Speaker 1>a commentary and Avatar this week.

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<v Speaker 3>There's a little bit of a h.

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<v Speaker 1>You know, kind of attached to it. I mean with

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<v Speaker 1>almost every single person I brought it up with, and

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<v Speaker 1>then I watch it and I'm like, yeah, that is there.

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<v Speaker 1>But at the end of the day, like it's pretty good.

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<v Speaker 1>I don't know, like that was kind of my feeling.

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<v Speaker 1>Although I want to I want to agree with you.

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<v Speaker 1>I did find I had a wandering eye a little

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<v Speaker 1>bit occasionally watching this at home, which I don't tend

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<v Speaker 1>to do when I'm watching stuff, like I try to

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<v Speaker 1>keep my phone away from me, and so there is that,

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<v Speaker 1>like it is a different experience. Yeah, and it's funny.

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<v Speaker 1>I think that's something. There was such a conversation about

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<v Speaker 1>this came out two thousand and nine. He was promising sequels.

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<v Speaker 1>The years were going by, we weren't getting sequels, and

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00:16:16.000 --> 00:16:19.799
<v Speaker 1>then that conversation was started. Does anyone even like remember Avatar,

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<v Speaker 1>Like things from Avatar haven't seeped into the culture. We

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<v Speaker 1>don't repeat lines, you don't see people on Avatar t shirt?

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<v Speaker 2>Well you clearly did repeat Jujub has never left me

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<v Speaker 2>and I see you.

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<v Speaker 3>I remember joking about I see.

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<v Speaker 1>You with you ever ever since it came out, But

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00:16:37.080 --> 00:16:40.679
<v Speaker 1>that became part of the conversation. And then the sequel

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00:16:40.720 --> 00:16:42.879
<v Speaker 1>comes out and everyone's like.

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<v Speaker 2>And by the way, speaking of I don't know how

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<v Speaker 2>many times I said, who's got my goddamn cigarette? Right right?

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<v Speaker 1>I'm just doing which by the way, I read that

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<v Speaker 1>that cigarette is CGI. I don't know if it's a

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<v Speaker 1>prop in the smoke of CGI or something, which I

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<v Speaker 1>that was amazing because I didn't notice, which reminded me.

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<v Speaker 1>I watched the latest fifth season of Stranger Things recently,

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00:17:02.919 --> 00:17:05.559
<v Speaker 1>and why non a writer is smoking the most obvious

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<v Speaker 1>CGI cigarette I've ever seen in my life, and I

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<v Speaker 1>was like, Wow, funny progressed in our CGI cigarettes. But no,

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<v Speaker 1>just what I'm basically trying to get at is what

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<v Speaker 1>we have learned. So the sequel comes out, Everyone's like,

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<v Speaker 1>there's no way he can do this again. We've had

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<v Speaker 1>this conversation for over a decade. These movies don't last

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<v Speaker 1>in the consciousness, and he's like, the only way this

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<v Speaker 1>movie can be successful is if it becomes the biggest

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<v Speaker 1>movie of all time. And everyone's like, you shouldn't say

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00:17:30.240 --> 00:17:32.599
<v Speaker 1>things like that, mister Cameron, and then it becomes, you know,

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<v Speaker 1>the most successful movie of all time or second or

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00:17:34.480 --> 00:17:37.119
<v Speaker 1>whatever it is. And so I think then we all

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<v Speaker 1>had the realization these movies rock in theaters, yep, And

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<v Speaker 1>we don't take them home with us, we don't watch

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00:17:46.599 --> 00:17:51.039
<v Speaker 1>them on Disney Plus. But when the next one comes out,

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<v Speaker 1>we're all going and like and that's not even like dismissive.

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<v Speaker 1>It's like, that's what these movies exist to do for us.

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<v Speaker 1>These are, that's right, theatrical experiences. We will all go

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<v Speaker 1>and enjoy together and make it the third highest grossing

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00:18:05.640 --> 00:18:08.119
<v Speaker 1>movie of all time or whatever, and then we will

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<v Speaker 1>move on from it until the next one, and we.

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<v Speaker 3>Go back to the theater, which is what other movie exists.

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<v Speaker 2>Like that, That's what I'm saying, man. I mean, it

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<v Speaker 2>occupies a very specific space. And you and I are

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<v Speaker 2>well established in terms of wanting the theatrical experience to

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<v Speaker 2>remain central to movie going. And while it may not

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<v Speaker 2>remain central, here's at least one thing that is central,

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<v Speaker 2>and that we'll get people going into the theater, you know.

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<v Speaker 1>And I mean that's strangely, I mean, that was kind

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<v Speaker 1>of what Spielberg and Lucas predicted several years ago, right,

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<v Speaker 1>that the theater going would become more niche, and it

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<v Speaker 1>would have to be these big event type movies that

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<v Speaker 1>would actually get people out of their homes versus being

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<v Speaker 1>willing to check out some sort of mid you.

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<v Speaker 3>Know, budgeted drama or something.

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<v Speaker 1>And it feels like, as that's become more and more true,

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<v Speaker 1>it may be less you know, oh it's a block

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<v Speaker 1>of Godzilla or whatever. Those are in the mix now,

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00:19:10.240 --> 00:19:13.440
<v Speaker 1>but those might even become more like HBO Max exclusives

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00:19:13.559 --> 00:19:16.240
<v Speaker 1>or something, and it's going to be the avatars. They're like, no,

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<v Speaker 1>you go to the theater for this, and that's where

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<v Speaker 1>this thing is the thing and what it's for. And

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<v Speaker 1>you know what I mean.

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<v Speaker 2>Oh yeah, I mean when you've got an eighty five

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<v Speaker 2>inch TV high deaf at home, I mean, you know,

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<v Speaker 2>it gets it gets harder to justify, you know, getting

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<v Speaker 2>something that different from from theatrical. But I mean again, Avatar,

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<v Speaker 2>when you're looking when you're doing the IMAX three D,

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<v Speaker 2>I mean, it's it's it's it's unique, you know, totally totally.

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<v Speaker 2>Here's Giovanni Rubisi as Paul Reiser.

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<v Speaker 1>Oh yeah, yeah, you're so right. It's yeah, one thing.

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<v Speaker 2>We can tell about about James Camera, and he has

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<v Speaker 2>he has certain storytelling, you know, peculiarity, it's one of them.

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<v Speaker 2>He's not a fan of big corporation, right, and I

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<v Speaker 2>respect that.

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<v Speaker 1>Yeah, yeah, I.

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<v Speaker 2>Mean this is this is This is one thing that

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00:20:10.359 --> 00:20:13.119
<v Speaker 2>becomes very clear to me watching this film is that

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00:20:13.200 --> 00:20:17.519
<v Speaker 2>it's very earnest, yes, and its heart is very much

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<v Speaker 2>on its sleeve about where where its loyalties are. You know,

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00:20:22.079 --> 00:20:27.200
<v Speaker 2>this is not it's not particularly subtle, no, right, And

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00:20:27.200 --> 00:20:30.119
<v Speaker 2>and that was that was the critique. It took a

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00:20:30.119 --> 00:20:31.880
<v Speaker 2>lot up back when it came out, like oh, it's

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00:20:31.920 --> 00:20:36.400
<v Speaker 2>so it's Dune and fern Gully and dances with Wolves

390
00:20:36.440 --> 00:20:37.920
<v Speaker 2>and da da da dah film in the blank, right,

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00:20:38.079 --> 00:20:41.240
<v Speaker 2>John Carter, you know, even though that came later. But

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00:20:41.279 --> 00:20:45.559
<v Speaker 2>what you realize is that this for for a lot

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00:20:45.599 --> 00:20:51.079
<v Speaker 2>of folks, this is their first that story, and so

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00:20:51.240 --> 00:20:53.640
<v Speaker 2>it needs to kind of be at that level because

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<v Speaker 2>because it's making a broader point, and I think an

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00:20:57.279 --> 00:21:03.799
<v Speaker 2>important one, right, because it's about valuing nature and recognizing

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00:21:04.119 --> 00:21:07.559
<v Speaker 2>how we're all connected. I mean that's good. We don't

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<v Speaker 2>have to be on Pandora to love the earth, right,

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00:21:12.319 --> 00:21:15.000
<v Speaker 2>and to recognize that there are forces that are trying

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00:21:15.039 --> 00:21:20.960
<v Speaker 2>to take it away from us. And I really like

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00:21:21.079 --> 00:21:23.759
<v Speaker 2>that that's the story he's telling. He's clearly very passionate

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00:21:23.799 --> 00:21:28.480
<v Speaker 2>about that, and I think it means something very different

403
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<v Speaker 2>to the people who were nine when this came out

404
00:21:31.000 --> 00:21:33.240
<v Speaker 2>versus who were twenty nine when it came out.

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<v Speaker 1>I completely agree with that, and I would it's kind

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00:21:37.599 --> 00:21:41.079
<v Speaker 1>of fascinating, I think maybe for you and I where

407
00:21:41.079 --> 00:21:43.240
<v Speaker 1>there's movies that come out and we're like, huh oh,

408
00:21:43.240 --> 00:21:44.440
<v Speaker 1>that was the thing, and we just kind of move

409
00:21:44.519 --> 00:21:46.079
<v Speaker 1>on because we were thirty five when we saw it

410
00:21:46.160 --> 00:21:48.640
<v Speaker 1>or something, and then ten years goes by and you

411
00:21:48.720 --> 00:21:51.359
<v Speaker 1>find out that there's a generation of people passionate about

412
00:21:51.400 --> 00:21:53.240
<v Speaker 1>that thing because they saw it when they were an

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00:21:53.319 --> 00:21:56.920
<v Speaker 1>enterten and I'd be very curious. I haven't really heard

414
00:21:57.519 --> 00:22:00.200
<v Speaker 1>kids who have grown up since this came out if

415
00:22:00.240 --> 00:22:03.160
<v Speaker 1>this is in their you know, beloved Cannon.

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00:22:04.240 --> 00:22:06.720
<v Speaker 2>Well, I can't speak to Beloved Cannon, but I mean,

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<v Speaker 2>just anecdotally back and forth with my students who are now,

418
00:22:09.839 --> 00:22:13.559
<v Speaker 2>you know, like eighteen nineteen, right, so they were little

419
00:22:13.559 --> 00:22:16.160
<v Speaker 2>teeny tinies when this one came out. You know, they

420
00:22:16.200 --> 00:22:19.960
<v Speaker 2>speak with great affinity for both this and the sequel,

421
00:22:20.079 --> 00:22:22.880
<v Speaker 2>So okay, it's definitely in the mix, you know.

422
00:22:24.160 --> 00:22:26.599
<v Speaker 1>Yeah, And it's like you were saying, though, it's like

423
00:22:26.759 --> 00:22:32.519
<v Speaker 1>how straightforward it is. It's very simply stated, easy to understand,

424
00:22:32.720 --> 00:22:35.400
<v Speaker 1>universal themes. You can see why this was the biggest

425
00:22:35.440 --> 00:22:38.519
<v Speaker 1>movie in the world, Like the whole world could lock

426
00:22:38.599 --> 00:22:39.680
<v Speaker 1>into this story.

427
00:22:40.680 --> 00:22:41.039
<v Speaker 2>Yeah, you know.

428
00:22:42.039 --> 00:22:43.759
<v Speaker 3>I mean you could even watch it with the sound

429
00:22:43.799 --> 00:22:45.920
<v Speaker 3>off and follow it, you know.

430
00:22:46.000 --> 00:22:48.920
<v Speaker 2>Very much so, and that was clearly Cameron's intent, you know.

431
00:22:48.960 --> 00:22:52.480
<v Speaker 2>I mean, I think he did probably sand off a

432
00:22:52.519 --> 00:22:56.799
<v Speaker 2>lot of the subtlety or the subtler edges, and that's

433
00:22:56.880 --> 00:23:00.279
<v Speaker 2>kind of a shame. I mean, you know, this sequence here,

434
00:23:00.519 --> 00:23:02.920
<v Speaker 2>I remember reading about how one of the earliest versions

435
00:23:03.400 --> 00:23:07.480
<v Speaker 2>has Jake sort of got onto the grass and instead

436
00:23:07.519 --> 00:23:11.519
<v Speaker 2>of running, you know, he sort of he collapses to

437
00:23:11.559 --> 00:23:15.119
<v Speaker 2>his knees and starts to cry, you know, And I

438
00:23:15.160 --> 00:23:17.599
<v Speaker 2>almost wish they would have kept something like that in.

439
00:23:18.000 --> 00:23:21.640
<v Speaker 1>You know, I agree, I agree. I thought that was

440
00:23:21.680 --> 00:23:23.359
<v Speaker 1>what was going to happen, Like I thought he was

441
00:23:23.400 --> 00:23:24.799
<v Speaker 1>going to burst out the door and kind of fall

442
00:23:24.920 --> 00:23:27.480
<v Speaker 1>or something and get the hang of it, which is

443
00:23:27.519 --> 00:23:29.680
<v Speaker 1>interesting because then it made me think, you know, there's

444
00:23:29.680 --> 00:23:35.400
<v Speaker 1>this kind of famous anecdote where James Cameron wanted to

445
00:23:35.440 --> 00:23:38.359
<v Speaker 1>make Jurassic Park. That's right, you know, when that book

446
00:23:38.599 --> 00:23:42.279
<v Speaker 1>was coming out, and then Spielberg got it first, and

447
00:23:42.319 --> 00:23:44.839
<v Speaker 1>Cameron said, you know what, it's probably for the best

448
00:23:44.880 --> 00:23:46.279
<v Speaker 1>because if I had made it, I would.

449
00:23:46.119 --> 00:23:49.079
<v Speaker 3>Have made Aliens with dinosaurs. It would have been r rated.

450
00:23:49.200 --> 00:23:50.960
<v Speaker 1>And then you see what Spielberg did, and he made

451
00:23:50.960 --> 00:23:54.039
<v Speaker 1>something for everybody, for kids, and like dinosaurs are for kids,

452
00:23:54.440 --> 00:23:57.200
<v Speaker 1>My movie would have been the wrong movie, right, And

453
00:23:57.519 --> 00:24:00.359
<v Speaker 1>I think that's so interesting, you know, you know, it's

454
00:24:00.400 --> 00:24:04.319
<v Speaker 1>sort of like a Disney movie, is what he said, Like,

455
00:24:04.359 --> 00:24:06.279
<v Speaker 1>you know, I wouldn't made the Disney movie version of that,

456
00:24:06.400 --> 00:24:08.200
<v Speaker 1>which is funny. I was thinking about that as I

457
00:24:08.240 --> 00:24:10.240
<v Speaker 1>was watching this, because I thought, this, it feels like

458
00:24:10.240 --> 00:24:13.480
<v Speaker 1>a Disney movie, you know, and it's funny that that's

459
00:24:13.519 --> 00:24:15.720
<v Speaker 1>coming from James Cameron, right.

460
00:24:15.759 --> 00:24:20.799
<v Speaker 2>Right, well, and I think that's part of the reason

461
00:24:20.920 --> 00:24:23.880
<v Speaker 2>why he didn't really skip a beat after the the

462
00:24:23.920 --> 00:24:27.799
<v Speaker 2>Disney purchase of Fox, right. I mean, you have to

463
00:24:27.839 --> 00:24:29.920
<v Speaker 2>imagine that they're just staying out of his way. They're like, hey,

464
00:24:29.960 --> 00:24:32.079
<v Speaker 2>just keep doing what you're doing because there's no real

465
00:24:34.799 --> 00:24:38.000
<v Speaker 2>you know, conflict with that company's goals, you know.

466
00:24:38.599 --> 00:24:41.640
<v Speaker 1>And which is kind of interesting too, because you know,

467
00:24:42.000 --> 00:24:45.720
<v Speaker 1>James Cameron had this relationship with Fox, made Titanic, biggest

468
00:24:45.720 --> 00:24:47.839
<v Speaker 1>movie in the world, and he had an eighty page

469
00:24:47.839 --> 00:24:51.559
<v Speaker 1>treatment for this, a version of what would become that.

470
00:24:51.720 --> 00:24:54.640
<v Speaker 2>This is like post true Lies, pre Titanic.

471
00:24:54.240 --> 00:24:58.359
<v Speaker 1>Yeah, middle nineties basically, but he was realizing that the

472
00:24:58.400 --> 00:25:01.759
<v Speaker 1>technology wasn't there, but when it looked like it could

473
00:25:01.839 --> 00:25:04.039
<v Speaker 1>possibly be there, which I think happened after Lord of

474
00:25:04.039 --> 00:25:07.200
<v Speaker 1>the Rings, right, he saw Gollum yeah, and Davy Jones

475
00:25:07.240 --> 00:25:09.599
<v Speaker 1>and one of the Pirates movies and was like, maybe

476
00:25:09.680 --> 00:25:11.599
<v Speaker 1>we could do this, and so he presented it to

477
00:25:11.640 --> 00:25:15.880
<v Speaker 1>Fox and Fox was like, I don't know, man, you know,

478
00:25:15.960 --> 00:25:18.680
<v Speaker 1>like this is a lot. We're not so sure. So

479
00:25:18.799 --> 00:25:22.319
<v Speaker 1>then Cameron went and spoke with Disney, and Disney's like,

480
00:25:22.400 --> 00:25:25.920
<v Speaker 1>we're in, and so then Fox was like, who, we'll

481
00:25:25.920 --> 00:25:28.119
<v Speaker 1>hold on and then they exercise their first right of refusal,

482
00:25:28.279 --> 00:25:30.079
<v Speaker 1>was like, all right, well Disney wants it, you know,

483
00:25:30.480 --> 00:25:32.400
<v Speaker 1>we'll take it. And of course that was the right gamble.

484
00:25:32.480 --> 00:25:35.519
<v Speaker 1>But it's funny that Disney was interested in it, because

485
00:25:35.519 --> 00:25:38.359
<v Speaker 1>this does feel disney esque, and then Disney would eventually

486
00:25:38.400 --> 00:25:41.039
<v Speaker 1>get it because Disney.

487
00:25:41.240 --> 00:25:44.359
<v Speaker 2>I mean even before the purchase, the whole world of

488
00:25:44.400 --> 00:25:47.880
<v Speaker 2>Pandora Disneyland thing was in development, right, this is before

489
00:25:48.680 --> 00:25:52.960
<v Speaker 2>Yeah yeah, So I mean, you know, the overlap is

490
00:25:52.960 --> 00:25:56.799
<v Speaker 2>as clear as day. M hm. It is interesting to me,

491
00:25:56.880 --> 00:25:58.680
<v Speaker 2>by the way. We you know, I think I think

492
00:25:58.720 --> 00:26:03.839
<v Speaker 2>overall the effects work holds up pretty darn well. Uh.

493
00:26:04.079 --> 00:26:08.720
<v Speaker 2>There are moments of like Uncanny Valley that like, like,

494
00:26:08.759 --> 00:26:10.839
<v Speaker 2>I don't think I ever get used to that first

495
00:26:10.880 --> 00:26:14.519
<v Speaker 2>shot of Grace in her avatar body.

496
00:26:14.920 --> 00:26:18.839
<v Speaker 3>When they introduce her in the Stanfordshire. Yeah, yeah, her

497
00:26:18.880 --> 00:26:20.039
<v Speaker 3>face I get pretty good.

498
00:26:20.759 --> 00:26:22.880
<v Speaker 2>Yeah, there's just I think it's just because we're so

499
00:26:23.240 --> 00:26:27.039
<v Speaker 2>we know what Sigourney Weaver sounds like sure sure, sure,

500
00:26:27.079 --> 00:26:31.440
<v Speaker 2>sure right, like and it's it's not you know, it's

501
00:26:31.440 --> 00:26:33.640
<v Speaker 2>not like she's voicing a cartoon character. It's meant to

502
00:26:33.680 --> 00:26:36.200
<v Speaker 2>be a you know, a room let person. By the way,

503
00:26:36.200 --> 00:26:43.559
<v Speaker 2>here's Michelle Rodriguez playing her character. Yeah, she's got like

504
00:26:43.599 --> 00:26:45.400
<v Speaker 2>one lane. It's a good she does it well.

505
00:26:45.519 --> 00:26:48.400
<v Speaker 1>But she's you know, oh yeah, I like her. I

506
00:26:48.400 --> 00:26:50.000
<v Speaker 1>mean I remember seeing her all the way back in

507
00:26:50.079 --> 00:26:53.799
<v Speaker 1>Girl Fight. You know, she's special, like she she really

508
00:26:53.839 --> 00:26:56.759
<v Speaker 1>popped in that movie. And she's found her thing, you know,

509
00:26:56.880 --> 00:26:59.400
<v Speaker 1>so I'm happy she's hung in there well. In two

510
00:26:59.440 --> 00:27:02.480
<v Speaker 1>thousand and nine, the early part of the year saw

511
00:27:02.519 --> 00:27:06.599
<v Speaker 1>her character Letty die in in Uh Fast and Furious,

512
00:27:08.039 --> 00:27:11.279
<v Speaker 1>and then at the at the very end of the

513
00:27:11.359 --> 00:27:13.279
<v Speaker 1>year she dies again on screen. So she got doubled it.

514
00:27:13.319 --> 00:27:14.799
<v Speaker 2>I mean, Letty came back later, but as far as

515
00:27:14.880 --> 00:27:15.920
<v Speaker 2>men you she was, she was dead.

516
00:27:16.359 --> 00:27:21.079
<v Speaker 1>Yeah, no, but touching on the oh so he Actually

517
00:27:21.079 --> 00:27:22.680
<v Speaker 1>I wasn't gonna say this, but when Lang says that

518
00:27:22.960 --> 00:27:25.880
<v Speaker 1>there's low gravity, I was like, Oh, that's like a

519
00:27:26.039 --> 00:27:28.359
<v Speaker 1>nice thing to throw in there for when the bodies

520
00:27:28.359 --> 00:27:31.039
<v Speaker 1>look a little floaty when they're jumping. Yeah.

521
00:27:31.079 --> 00:27:31.359
<v Speaker 2>I don't know.

522
00:27:31.440 --> 00:27:35.319
<v Speaker 1>I don't know if that was a consideration. We talk

523
00:27:35.359 --> 00:27:37.920
<v Speaker 1>about that sometimes with visual effects, where they can miss

524
00:27:37.920 --> 00:27:40.759
<v Speaker 1>a little bit of the the theft, you know, like

525
00:27:40.759 --> 00:27:44.000
<v Speaker 1>when you see a CGR car crash into something, Like

526
00:27:44.039 --> 00:27:45.599
<v Speaker 1>in my head, I always think like it's missing the

527
00:27:45.680 --> 00:27:48.880
<v Speaker 1>kuchunk that you would feel or sense when you see

528
00:27:48.880 --> 00:27:51.319
<v Speaker 1>a real car hit something. Sometimes they nail it and

529
00:27:51.359 --> 00:27:54.880
<v Speaker 1>you're like, oh, they got the kachunk. But yeah, to

530
00:27:54.920 --> 00:27:57.240
<v Speaker 1>your point, I think sometimes when they leap and land

531
00:27:57.279 --> 00:28:00.799
<v Speaker 1>on things, you can sense the lack of connection, yeah,

532
00:28:00.839 --> 00:28:03.240
<v Speaker 1>between the characters and the things they're touching, and then

533
00:28:03.319 --> 00:28:05.359
<v Speaker 1>like when they're holding ropes or when they're being bound

534
00:28:05.400 --> 00:28:06.559
<v Speaker 1>by things, you can kind of.

535
00:28:07.200 --> 00:28:14.279
<v Speaker 2>Yeah, because you can't you can't exactly articulate gravity in

536
00:28:14.319 --> 00:28:19.440
<v Speaker 2>a computer, you know it like the weight of movement,

537
00:28:19.519 --> 00:28:20.880
<v Speaker 2>you know. Sometimes it's tricky.

538
00:28:21.359 --> 00:28:23.440
<v Speaker 3>Yeah, And I mean for this that's the thing too.

539
00:28:23.440 --> 00:28:24.960
<v Speaker 1>I wish I could go back to my two thousand

540
00:28:25.000 --> 00:28:28.119
<v Speaker 1>and nine Eyes because I do remember being blown away

541
00:28:28.119 --> 00:28:30.279
<v Speaker 1>by this, and I feel a lot of it is

542
00:28:30.319 --> 00:28:33.920
<v Speaker 1>still mind blowing for me. I think when it's nighttime

543
00:28:34.039 --> 00:28:36.599
<v Speaker 1>it's a little less successful. But whenever it's daylight and

544
00:28:36.640 --> 00:28:39.480
<v Speaker 1>you see those trees and there's some sort of haze

545
00:28:39.559 --> 00:28:42.680
<v Speaker 1>going on, and you see the military vehicles in the air,

546
00:28:43.319 --> 00:28:45.200
<v Speaker 1>and even like you can see more of the pores

547
00:28:45.880 --> 00:28:49.000
<v Speaker 1>on right all the daytime stuff.

548
00:28:48.759 --> 00:28:50.480
<v Speaker 3>I'm like, this still looks incredible.

549
00:28:50.640 --> 00:28:53.119
<v Speaker 2>It holds up remarkably well. Yeah, I mean you can.

550
00:28:53.240 --> 00:28:55.880
<v Speaker 2>I mean they busted their ass back then to sort

551
00:28:55.880 --> 00:28:57.440
<v Speaker 2>of have the movie stand the test of time, and

552
00:28:57.480 --> 00:29:00.839
<v Speaker 2>I think they succeeded. Yeah. Actually, speaking of two thousand

553
00:29:00.839 --> 00:29:03.000
<v Speaker 2>and nine Eyes, I'll tell you one thing. I distinctly

554
00:29:03.000 --> 00:29:05.960
<v Speaker 2>remember watching this opening night and this part right here.

555
00:29:06.400 --> 00:29:09.000
<v Speaker 2>I was like, Oh, okay, this is how the movie

556
00:29:09.119 --> 00:29:13.000
<v Speaker 2>is gonna end, introducing this vehicle this I was like, Oh,

557
00:29:13.119 --> 00:29:15.559
<v Speaker 2>so Quorich is in his Avatar and Jake is going

558
00:29:15.640 --> 00:29:17.559
<v Speaker 2>to be in his Avatar and they're gonna have a

559
00:29:17.640 --> 00:29:19.000
<v Speaker 2>throw it. I was like, yeah, right here. When he

560
00:29:19.000 --> 00:29:20.720
<v Speaker 2>does that, I was like, Oh, that's the ending of

561
00:29:20.720 --> 00:29:24.680
<v Speaker 2>the movie right there. Wow, that's pretty good. I remember

562
00:29:24.799 --> 00:29:28.359
<v Speaker 2>very distinctly being like, mental note, but let's put a

563
00:29:28.359 --> 00:29:30.359
<v Speaker 2>pin in that and we'll come back to it. That

564
00:29:30.440 --> 00:29:37.559
<v Speaker 2>is really funny. It is funny though, because the title

565
00:29:38.519 --> 00:29:43.960
<v Speaker 2>of the film has no bearing on anything after this movie.

566
00:29:44.079 --> 00:29:45.079
<v Speaker 2>I was thinking about that.

567
00:29:45.279 --> 00:29:50.160
<v Speaker 1>M It's like the knives Out movies, where it's like, right,

568
00:29:50.480 --> 00:29:52.400
<v Speaker 1>wake up, dead Man, a knives out movie.

569
00:29:52.440 --> 00:29:54.960
<v Speaker 2>It's like I was like, I was like, no one's

570
00:29:55.000 --> 00:29:57.880
<v Speaker 2>an Avatar anymore. Literally, no one is an Avatar anymore.

571
00:29:59.319 --> 00:30:00.839
<v Speaker 3>That's a great point.

572
00:30:01.319 --> 00:30:03.799
<v Speaker 2>It's a great all the NAVI like Colonel Koritch is

573
00:30:03.839 --> 00:30:06.000
<v Speaker 2>a Navy, but he's like a real Navy now, you know,

574
00:30:07.599 --> 00:30:09.759
<v Speaker 2>you know Grace, No, it's not even Grace, it's what

575
00:30:10.039 --> 00:30:12.279
<v Speaker 2>the daughter. I mean, every every noave character is an

576
00:30:12.319 --> 00:30:15.400
<v Speaker 2>actual navy Yeah.

577
00:30:14.799 --> 00:30:16.599
<v Speaker 1>How funny.

578
00:30:16.799 --> 00:30:18.480
<v Speaker 3>See this this stuff is stunning.

579
00:30:18.799 --> 00:30:22.039
<v Speaker 2>No, it's beautiful. Yeah, I mean it looks and in

580
00:30:22.160 --> 00:30:25.640
<v Speaker 2>four K especially, man, it looks like Planet Earth or something,

581
00:30:25.680 --> 00:30:27.720
<v Speaker 2>you know, the documentary series.

582
00:30:28.200 --> 00:30:29.799
<v Speaker 1>But I mean if the creatures look good, but even

583
00:30:29.839 --> 00:30:33.279
<v Speaker 1>like the nave here or there, I guess they're the avatars.

584
00:30:33.279 --> 00:30:35.799
<v Speaker 1>But well, this stuff, like I mean, the misty treaties

585
00:30:35.799 --> 00:30:36.480
<v Speaker 1>and everything just.

586
00:30:36.400 --> 00:30:38.799
<v Speaker 3>Looks like you said, looks like the Earth documentary.

587
00:30:39.440 --> 00:30:42.359
<v Speaker 1>But I don't know. Something about the characters in sunlight

588
00:30:43.079 --> 00:30:45.640
<v Speaker 1>really makes it look amazing. And then I feel like

589
00:30:45.640 --> 00:30:48.240
<v Speaker 1>they become a little more cartoon looking when.

590
00:30:48.079 --> 00:30:50.920
<v Speaker 2>It's when you've got like the luminescence at night and stuff.

591
00:30:52.119 --> 00:30:58.079
<v Speaker 2>You know, I think partly because you know, the sunlight

592
00:30:59.200 --> 00:31:01.720
<v Speaker 2>forces us to view it through the lens of what

593
00:31:01.759 --> 00:31:04.440
<v Speaker 2>we know, what's familiar. You know, it's a great point

594
00:31:04.720 --> 00:31:06.359
<v Speaker 2>and it has to be animated that way, and then

595
00:31:06.400 --> 00:31:11.799
<v Speaker 2>you know it it becomes a cgi wonderland and it's

596
00:31:11.839 --> 00:31:13.480
<v Speaker 2>beautiful to look at it. But yeah, it feels a

597
00:31:13.480 --> 00:31:14.920
<v Speaker 2>little more more unnatural.

598
00:31:15.400 --> 00:31:20.200
<v Speaker 1>Yeah, well kind of interesting. I mean speaking of you know,

599
00:31:20.240 --> 00:31:26.400
<v Speaker 1>the bioluminescence, uh nighttime look of the planets and and

600
00:31:26.440 --> 00:31:30.559
<v Speaker 1>even the characters themselves. I mean, all this stuff came

601
00:31:30.599 --> 00:31:35.039
<v Speaker 1>from dreams, which is a familiar story with James Cameron, right,

602
00:31:35.079 --> 00:31:39.960
<v Speaker 1>Like he imagined the Terminator coming out of like rubble

603
00:31:40.039 --> 00:31:41.880
<v Speaker 1>in a nightmare, like a fiery rubble.

604
00:31:41.920 --> 00:31:44.519
<v Speaker 2>And he's like, I want to have whatever weird spicy

605
00:31:44.599 --> 00:31:46.160
<v Speaker 2>sushi or whatever shit he's eaten.

606
00:31:46.720 --> 00:31:50.160
<v Speaker 3>Well, I was gonna say so. So he as a kid.

607
00:31:50.039 --> 00:31:53.000
<v Speaker 1>Had a dream about like a bioluminescent planet where when

608
00:31:53.000 --> 00:31:56.920
<v Speaker 1>you took steps it lit up beneath your foot. And

609
00:31:56.920 --> 00:32:00.119
<v Speaker 1>then his mom, he says, had a dream about a

610
00:32:00.200 --> 00:32:06.480
<v Speaker 1>twelve foot tall blue woman with six breasts, and and

611
00:32:06.519 --> 00:32:08.519
<v Speaker 1>so then he was like, well the breast didn't work,

612
00:32:08.519 --> 00:32:10.480
<v Speaker 1>so we got rid of that. But like not a

613
00:32:10.519 --> 00:32:13.279
<v Speaker 1>bad not a bad dream, huh. And I was like, yeah,

614
00:32:13.400 --> 00:32:15.759
<v Speaker 1>the Camerons have very profitable dreams.

615
00:32:16.240 --> 00:32:20.279
<v Speaker 2>Geez. Meanwhile, and well my mom has. My mom has

616
00:32:20.359 --> 00:32:26.920
<v Speaker 2>dreams where I'm not a disappointment to her, right, And

617
00:32:26.960 --> 00:32:37.920
<v Speaker 2>then she was I'm joking. I'm sure I'm not a disappointment. No,

618
00:32:39.279 --> 00:32:47.799
<v Speaker 2>I see you, thanks man. See see the navvy grace.

619
00:32:48.839 --> 00:32:53.119
<v Speaker 2>There is something uncanny Valley about her, more so than

620
00:32:53.359 --> 00:32:55.960
<v Speaker 2>than any of the other ones, and I don't know

621
00:32:56.000 --> 00:32:56.559
<v Speaker 2>why that is.

622
00:32:57.079 --> 00:33:00.559
<v Speaker 1>You know what's strange, though, is I I will say,

623
00:33:00.680 --> 00:33:03.319
<v Speaker 1>she's the one that looks most distinctive, more so than

624
00:33:03.359 --> 00:33:06.400
<v Speaker 1>any of the others, and she has a little bit

625
00:33:06.400 --> 00:33:09.680
<v Speaker 1>more of a human nose. Maybe that helps me identify

626
00:33:09.680 --> 00:33:11.839
<v Speaker 1>her more as Sigourney Weaver, whereas.

627
00:33:13.079 --> 00:33:13.839
<v Speaker 3>Yeah, I don't know.

628
00:33:13.920 --> 00:33:18.200
<v Speaker 1>I just I feel like it doesn't help that they

629
00:33:18.200 --> 00:33:21.119
<v Speaker 1>look so similar and that they don't act very different

630
00:33:21.160 --> 00:33:25.039
<v Speaker 1>from one another than Novi. And then it makes me

631
00:33:25.079 --> 00:33:27.400
<v Speaker 1>think of the sequel. I remember that he has these

632
00:33:27.519 --> 00:33:29.680
<v Speaker 1>kids and they're like the main characters in those And

633
00:33:30.319 --> 00:33:32.559
<v Speaker 1>you know, I saw the movie. I enjoyed it enough,

634
00:33:32.599 --> 00:33:35.400
<v Speaker 1>but I don't remember any of them or their personalities,

635
00:33:36.200 --> 00:33:37.759
<v Speaker 1>you know, So it's not like I'm really important to

636
00:33:37.759 --> 00:33:41.839
<v Speaker 1>see you don't remember. Look, yeah, you know what I mean.

637
00:33:42.000 --> 00:33:46.680
<v Speaker 1>So it's exactly. But but I'm eager to see the

638
00:33:46.680 --> 00:33:50.720
<v Speaker 1>new one because I know it'll be an experience. But

639
00:33:50.799 --> 00:33:53.200
<v Speaker 1>it would be nice if I could lock onto these

640
00:33:53.279 --> 00:33:54.599
<v Speaker 1>characters better than I do.

641
00:33:55.440 --> 00:33:57.680
<v Speaker 2>So Jake Sully kind of an idiot.

642
00:33:57.480 --> 00:33:59.680
<v Speaker 1>Huh, just touching everything.

643
00:34:00.119 --> 00:34:02.079
<v Speaker 2>Yeah, I'm like, hey, stupid, why don't you Why don't

644
00:34:02.079 --> 00:34:06.279
<v Speaker 2>you just like uh, you know, uh, hold back slightly,

645
00:34:06.720 --> 00:34:09.320
<v Speaker 2>like carry yourself with I mean, he's supposed to be

646
00:34:09.320 --> 00:34:11.800
<v Speaker 2>a marine. He's not a moron, right.

647
00:34:11.639 --> 00:34:14.039
<v Speaker 1>Right right this Actually that would be kind of interesting. Yeah,

648
00:34:14.079 --> 00:34:16.440
<v Speaker 1>if he was just like the dopey brother, like he

649
00:34:16.519 --> 00:34:19.960
<v Speaker 1>was Uncle buck you know what I mean? Whoa, that's

650
00:34:20.000 --> 00:34:22.800
<v Speaker 1>the movie I want to see where Uncle Bucket but

651
00:34:22.840 --> 00:34:25.719
<v Speaker 1>his scientist brother couldn't you know, got killed, so he

652
00:34:25.800 --> 00:34:28.360
<v Speaker 1>has to go. And then they play wild thing by tone.

653
00:34:28.400 --> 00:34:36.039
<v Speaker 1>Look in the trailer, whoa, everything glows playing the drums

654
00:34:36.079 --> 00:34:38.320
<v Speaker 1>on things.

655
00:34:39.559 --> 00:34:47.039
<v Speaker 2>I think this Christmas. I'm I'm I'm in man. Yeah,

656
00:34:47.519 --> 00:34:51.960
<v Speaker 2>I think the first you know whatever. However, many minutes

657
00:34:52.000 --> 00:34:54.159
<v Speaker 2>of this movie we're into a lot of it is

658
00:34:54.280 --> 00:34:57.159
<v Speaker 2>like the throat clearing because when you think about it,

659
00:34:57.280 --> 00:35:00.800
<v Speaker 2>like the whole business of what the avatar is and

660
00:35:00.880 --> 00:35:04.440
<v Speaker 2>how it works and the DNA and everything. They they

661
00:35:04.800 --> 00:35:09.079
<v Speaker 2>speed ramp past it as much as they can, Yeah,

662
00:35:09.519 --> 00:35:12.960
<v Speaker 2>because it's all a bunch of argyll bargle. Yeah yeah, yeah,

663
00:35:13.000 --> 00:35:15.559
<v Speaker 2>And it's just you got to figure out how to

664
00:35:15.639 --> 00:35:18.719
<v Speaker 2>get Jake into this body? Why does it you know?

665
00:35:19.280 --> 00:35:21.320
<v Speaker 2>But it's not his body. They made for his brother,

666
00:35:21.360 --> 00:35:23.559
<v Speaker 2>and so he's not there, you know, like that's all

667
00:35:23.599 --> 00:35:26.360
<v Speaker 2>the the stuff that you just have to get past. Which,

668
00:35:26.760 --> 00:35:28.039
<v Speaker 2>going back to what I was saying earlier, it makes

669
00:35:28.039 --> 00:35:29.679
<v Speaker 2>it even more funny to me that the movie is

670
00:35:29.760 --> 00:35:33.639
<v Speaker 2>called Avatar, because it is kind of like a generic

671
00:35:33.760 --> 00:35:37.440
<v Speaker 2>nothing of a title. Yeah, you know what I mean.

672
00:35:39.360 --> 00:35:41.280
<v Speaker 2>I almost feel like they should have called it Pandora.

673
00:35:41.320 --> 00:35:42.480
<v Speaker 2>That would have been a better title.

674
00:35:43.440 --> 00:35:43.960
<v Speaker 1>Yeah.

675
00:35:44.599 --> 00:35:45.119
<v Speaker 3>Yeah.

676
00:35:45.480 --> 00:35:47.760
<v Speaker 1>Well, and then for the sequels, like you were saying earlier,

677
00:35:47.840 --> 00:35:52.679
<v Speaker 1>he certainly or Fire and Ash yeah you know, yeah,

678
00:35:52.800 --> 00:35:55.280
<v Speaker 1>I don't know, maybe the music service wouldn't allow it

679
00:35:55.400 --> 00:35:55.719
<v Speaker 1>or something.

680
00:35:55.880 --> 00:35:58.719
<v Speaker 2>Oh that's a good point. Yeah, no idea. Well, speaking

681
00:35:58.760 --> 00:36:01.760
<v Speaker 2>of music, thing that really did stick out to me

682
00:36:01.840 --> 00:36:05.440
<v Speaker 2>this time was how much I miss James Horner.

683
00:36:05.840 --> 00:36:09.760
<v Speaker 1>I had the same feelings. He is just man, talk

684
00:36:09.800 --> 00:36:11.840
<v Speaker 1>about someone like you just hear a few notes from

685
00:36:11.840 --> 00:36:16.079
<v Speaker 1>the man. Yeah, and he just I don't know, chills.

686
00:36:16.400 --> 00:36:20.920
<v Speaker 1>He really he's so good at sweeping this, you know,

687
00:36:21.000 --> 00:36:26.960
<v Speaker 1>I think of you know, obviously Titanic, Brave Heart rocketeer,

688
00:36:28.000 --> 00:36:30.159
<v Speaker 1>you know what I mean, Like he just captures grandeur

689
00:36:30.159 --> 00:36:35.320
<v Speaker 1>and sweepingness and I don't know, majesty so well, yeah,

690
00:36:35.559 --> 00:36:37.159
<v Speaker 1>I just oh gosh, I miss him.

691
00:36:37.519 --> 00:36:40.760
<v Speaker 2>Yeah, I you know, because because he did not do

692
00:36:40.840 --> 00:36:44.280
<v Speaker 2>the music for well either Seaguals. But I think he

693
00:36:44.280 --> 00:36:45.960
<v Speaker 2>had started writing music for the first time. But I

694
00:36:45.960 --> 00:36:48.320
<v Speaker 2>mean obviously not at all involved in in the most

695
00:36:48.320 --> 00:36:50.320
<v Speaker 2>recent one, which I have seen and you have not.

696
00:36:50.360 --> 00:36:52.719
<v Speaker 2>We should mention as a as a little stick pin

697
00:36:52.800 --> 00:36:56.400
<v Speaker 2>in time here and having just seen the third one

698
00:36:56.960 --> 00:37:00.760
<v Speaker 2>back to back with this one, this one after like, man,

699
00:37:01.880 --> 00:37:02.880
<v Speaker 2>he's really missed.

700
00:37:03.199 --> 00:37:06.639
<v Speaker 3>Oh really Okay, I mean not even like I don't.

701
00:37:06.639 --> 00:37:08.840
<v Speaker 2>I don't mean that to sound like a ding on

702
00:37:08.840 --> 00:37:11.360
<v Speaker 2>on the new movie, but I'm just like, the score

703
00:37:11.639 --> 00:37:13.280
<v Speaker 2>doesn't do what this one does for me.

704
00:37:13.519 --> 00:37:16.679
<v Speaker 1>You know, I do remember, as someone who maybe saw

705
00:37:16.679 --> 00:37:22.079
<v Speaker 1>the movie twice, this the first one, then saw the sequel,

706
00:37:22.960 --> 00:37:26.000
<v Speaker 1>I do remember hearing like the four note theme, you know,

707
00:37:26.039 --> 00:37:26.480
<v Speaker 1>the don.

708
00:37:27.960 --> 00:37:28.239
<v Speaker 2>That's more.

709
00:37:28.960 --> 00:37:34.639
<v Speaker 1>But I remember thinking like, oh, yeah, I'm I'm back

710
00:37:34.679 --> 00:37:38.119
<v Speaker 1>in like a place that I enjoy yeah, like and

711
00:37:38.360 --> 00:37:41.519
<v Speaker 1>I give that credit to Horner. He created something that

712
00:37:41.599 --> 00:37:44.159
<v Speaker 1>I enjoyed hearing that made me feel like I enjoyed

713
00:37:44.159 --> 00:37:47.000
<v Speaker 1>being there, you know, it gave me an emotional feeling.

714
00:37:47.599 --> 00:37:50.480
<v Speaker 2>Yeah, So just well that that that isn't the new

715
00:37:50.519 --> 00:37:52.840
<v Speaker 2>and you'll definitely hear that, but you know, James Horner

716
00:37:52.960 --> 00:37:57.960
<v Speaker 2>was what really was singular. You know, he's been I

717
00:37:58.000 --> 00:38:01.440
<v Speaker 2>mean for he's been gone for ten years now recording this. Wow.

718
00:38:02.159 --> 00:38:05.840
<v Speaker 1>But yeah, but I I think along with what you're saying,

719
00:38:05.880 --> 00:38:08.119
<v Speaker 1>it's it's not just the themes, and the themes are great,

720
00:38:08.159 --> 00:38:10.280
<v Speaker 1>but it's the music that's in between the themes also,

721
00:38:10.440 --> 00:38:13.840
<v Speaker 1>like the underscore underscore, and you know, he you even

722
00:38:13.880 --> 00:38:16.039
<v Speaker 1>hear a little bit of alien in this, you know

723
00:38:16.079 --> 00:38:17.719
<v Speaker 1>where you hear that what sounds like someone hitting a

724
00:38:17.760 --> 00:38:21.519
<v Speaker 1>steel Annville, you know, you know, like and it just

725
00:38:21.519 --> 00:38:23.400
<v Speaker 1>gives you this real like sense of urgency.

726
00:38:23.519 --> 00:38:27.119
<v Speaker 3>And yeah, he was he was one of the masters.

727
00:38:27.840 --> 00:38:32.039
<v Speaker 2>Yeah, I I remember, you know, and James Cameron, sorry,

728
00:38:32.119 --> 00:38:34.599
<v Speaker 2>James Horner was known even when he was alive for

729
00:38:34.880 --> 00:38:37.599
<v Speaker 2>you know, he would reuse many of his motives, you know,

730
00:38:38.400 --> 00:38:40.000
<v Speaker 2>and at the time, you know, you would sort of

731
00:38:40.079 --> 00:38:43.000
<v Speaker 2>nudge him good naturedly about that. And now it's like, ah,

732
00:38:43.320 --> 00:38:45.039
<v Speaker 2>that's that thing that he did all the time and

733
00:38:45.079 --> 00:38:48.800
<v Speaker 2>nobody else did or does, you know, so you miss

734
00:38:48.800 --> 00:38:50.320
<v Speaker 2>it even more, you know, and I love how it

735
00:38:50.360 --> 00:38:54.760
<v Speaker 2>makes me feel, Yeah, like there's this way it's like you.

736
00:38:54.719 --> 00:38:56.840
<v Speaker 1>Know he is oh yeah, yeah, the horn.

737
00:38:58.199 --> 00:38:58.440
<v Speaker 2>Yep.

738
00:38:59.119 --> 00:39:01.239
<v Speaker 3>Yeah, you'll hear any movie he scores, you'll hear that.

739
00:39:01.760 --> 00:39:06.280
<v Speaker 2>Yep. It's so funny.

740
00:39:06.280 --> 00:39:10.559
<v Speaker 3>I'm admiring. What are we thirty minutes in? Just about

741
00:39:10.559 --> 00:39:11.400
<v Speaker 3>thirty two minutes in.

742
00:39:13.320 --> 00:39:17.400
<v Speaker 1>Just the well the efficiency I was you were talking

743
00:39:17.400 --> 00:39:20.079
<v Speaker 1>about it earlier, but just how quickly. There's a lot

744
00:39:20.119 --> 00:39:23.320
<v Speaker 1>to explain, but they do it as efficiently as possible.

745
00:39:23.920 --> 00:39:24.480
<v Speaker 1>I get it.

746
00:39:25.039 --> 00:39:27.039
<v Speaker 3>And he's already in his avatar and he's on.

747
00:39:27.000 --> 00:39:28.920
<v Speaker 1>A hunt and it's like twenty some minutes in, Like

748
00:39:28.920 --> 00:39:33.159
<v Speaker 1>that's pretty great. And then I don't know, just watching

749
00:39:33.199 --> 00:39:35.039
<v Speaker 1>this with the sound off and you know, seeing this

750
00:39:35.119 --> 00:39:39.199
<v Speaker 1>warrior about to you know, shoot Jake. But then these

751
00:39:39.400 --> 00:39:42.440
<v Speaker 1>magical little fluffy things come down to land on the

752
00:39:42.519 --> 00:39:45.760
<v Speaker 1>arrow like telling her no, Like it's that's just making

753
00:39:45.840 --> 00:39:48.840
<v Speaker 1>it's making me feel something, you know. It's like it's

754
00:39:48.880 --> 00:39:51.320
<v Speaker 1>I got to give the movie that, Like it's it's

755
00:39:51.360 --> 00:39:56.400
<v Speaker 1>still somehow can't shake a little bit of a silliness,

756
00:39:58.000 --> 00:39:59.639
<v Speaker 1>you know, this movie, but.

757
00:39:59.760 --> 00:40:06.159
<v Speaker 2>It also works, you know, I agree. And by the way,

758
00:40:06.280 --> 00:40:09.039
<v Speaker 2>those magical fluffy things they're called taylu by the.

759
00:40:10.360 --> 00:40:12.639
<v Speaker 1>Please don't do you have something like open in front

760
00:40:12.679 --> 00:40:18.599
<v Speaker 1>of you, like yeah, I just pulled it up. It's amazing.

761
00:40:19.360 --> 00:40:20.320
<v Speaker 1>Excuse me, Brian.

762
00:40:21.679 --> 00:40:30.800
<v Speaker 2>But I remember, like after this movie came out reading

763
00:40:31.000 --> 00:40:34.800
<v Speaker 2>articles about people who left the movies and were like

764
00:40:34.960 --> 00:40:39.840
<v Speaker 2>depressed that they didn't live on Pandora. You know, yeah,

765
00:40:39.920 --> 00:40:43.559
<v Speaker 2>same and and and I remember, you know, people kind

766
00:40:43.559 --> 00:40:46.719
<v Speaker 2>of chuckled and or pointed fingers at those type of stories.

767
00:40:47.360 --> 00:40:51.159
<v Speaker 2>But I think that speaks to sort of the purity

768
00:40:51.599 --> 00:40:55.039
<v Speaker 2>of what Cameron was attempting to do.

769
00:40:56.599 --> 00:40:57.199
<v Speaker 1>Escape One.

770
00:40:57.719 --> 00:41:02.480
<v Speaker 2>Yeah, he wanted to create a place that, in addition

771
00:41:02.639 --> 00:41:06.119
<v Speaker 2>to offering escapism, felt so immersive that you felt like

772
00:41:06.519 --> 00:41:10.679
<v Speaker 2>you felt like Jake when he lies down in his

773
00:41:10.719 --> 00:41:13.280
<v Speaker 2>little that that bed and he you know, and he's

774
00:41:13.960 --> 00:41:17.199
<v Speaker 2>in his knobby body. That's what he wanted audiences to feel.

775
00:41:17.760 --> 00:41:19.119
<v Speaker 1>Yeah.

776
00:41:19.480 --> 00:41:23.119
<v Speaker 2>And look, you know, money doesn't lie. I mean, this

777
00:41:23.239 --> 00:41:28.639
<v Speaker 2>movie did not make three billion dollars almost from hate watching.

778
00:41:29.559 --> 00:41:31.719
<v Speaker 3>Yeah, yeah, that's a great point, Like.

779
00:41:32.199 --> 00:41:34.239
<v Speaker 2>You have to you have to look at that. It's

780
00:41:34.239 --> 00:41:35.920
<v Speaker 2>one thing if the movie tanks, you say, Okay, well

781
00:41:35.960 --> 00:41:38.159
<v Speaker 2>it didn't succeed. No, no, you make that kind of

782
00:41:38.159 --> 00:41:40.800
<v Speaker 2>money because people are going back again and again to

783
00:41:40.880 --> 00:41:41.239
<v Speaker 2>watch it.

784
00:41:42.679 --> 00:41:44.440
<v Speaker 1>You know, I want to comment on what you just said,

785
00:41:44.480 --> 00:41:48.320
<v Speaker 1>You're so right. I hadn't appreciated it enough. But the

786
00:41:49.000 --> 00:41:53.960
<v Speaker 1>world is so immersive, every detail. And one of the

787
00:41:53.960 --> 00:41:56.719
<v Speaker 1>things that's been driving me crazy in the past maybe

788
00:41:56.760 --> 00:42:02.079
<v Speaker 1>ten ish years, is when you see characters in another

789
00:42:02.199 --> 00:42:06.760
<v Speaker 1>planet or a weird sort of space, it doesn't really

790
00:42:07.960 --> 00:42:12.079
<v Speaker 1>go that far back visually, like I mean, one of

791
00:42:12.119 --> 00:42:15.280
<v Speaker 1>the first examples that comes to mind is Rise of Skywalker,

792
00:42:15.920 --> 00:42:20.760
<v Speaker 1>when Ray is in the Emperor's Arena and it's so

793
00:42:21.239 --> 00:42:25.280
<v Speaker 1>vague the space that she's in. It's all dark and

794
00:42:25.320 --> 00:42:27.320
<v Speaker 1>shadowy and almost like they didn't quite know what they

795
00:42:27.360 --> 00:42:29.119
<v Speaker 1>wanted to put there and then just decided, what if

796
00:42:29.119 --> 00:42:30.320
<v Speaker 1>we didn't put anything? You know.

797
00:42:31.719 --> 00:42:33.880
<v Speaker 3>And I know this isn't a great.

798
00:42:33.679 --> 00:42:36.920
<v Speaker 1>Example, but I think of Deadpool and Wolverine where they're

799
00:42:36.960 --> 00:42:39.280
<v Speaker 1>in that wasteland, and which it is a wasteland, to

800
00:42:39.280 --> 00:42:41.760
<v Speaker 1>be fair, but it also reminds me of a lot

801
00:42:41.800 --> 00:42:44.719
<v Speaker 1>of these settings we see now that are you know,

802
00:42:44.840 --> 00:42:48.079
<v Speaker 1>dropped in through visual effects, that our characters are wandering

803
00:42:48.159 --> 00:42:49.599
<v Speaker 1>through in other planets where there's just.

804
00:42:51.039 --> 00:42:54.800
<v Speaker 3>It's just kind of nothing, you know what I mean.

805
00:42:54.800 --> 00:42:57.480
<v Speaker 1>There's not a lot of texture or detail or anything

806
00:42:57.559 --> 00:43:00.679
<v Speaker 1>behind them. It's just it's very vague. It's more like

807
00:43:00.719 --> 00:43:03.079
<v Speaker 1>a color that they're wandering through, you know, like a

808
00:43:03.119 --> 00:43:07.519
<v Speaker 1>ground and sort of a out of focus you know, background,

809
00:43:08.000 --> 00:43:11.360
<v Speaker 1>and this, Yeah, this feels like a place that I

810
00:43:11.360 --> 00:43:13.840
<v Speaker 1>can imagine walking through. I can close my eyes and

811
00:43:13.920 --> 00:43:15.760
<v Speaker 1>picture what it would be like to walk on those

812
00:43:15.800 --> 00:43:18.239
<v Speaker 1>branches and there the vines and.

813
00:43:18.199 --> 00:43:20.760
<v Speaker 2>All of that, you know, and well and and see.

814
00:43:21.000 --> 00:43:25.840
<v Speaker 2>I think what that gets to is how deeply you

815
00:43:26.000 --> 00:43:30.199
<v Speaker 2>think through the fantasy environment your characters are in, right,

816
00:43:30.239 --> 00:43:32.800
<v Speaker 2>because you could be like, oh, you know, everything these

817
00:43:32.840 --> 00:43:35.159
<v Speaker 2>days it's they're not shooting on real location. Everything's on

818
00:43:35.199 --> 00:43:37.159
<v Speaker 2>a green screen, right. Well, I mean this is obviously

819
00:43:37.280 --> 00:43:43.639
<v Speaker 2>green screen, right, but you know, as what I read

820
00:43:43.760 --> 00:43:48.840
<v Speaker 2>is that Cameron took you know, Zoe Saldana and Sam

821
00:43:49.000 --> 00:43:52.519
<v Speaker 2>Arthington to Hawaii and they were just trapesing through the

822
00:43:53.079 --> 00:44:00.360
<v Speaker 2>forests to get a feel for what that's like, you know. Yeah,

823
00:44:00.400 --> 00:44:05.440
<v Speaker 2>and we know he's so he's so a detail oriented

824
00:44:05.880 --> 00:44:08.760
<v Speaker 2>that he would really want all of the footfalls and

825
00:44:08.760 --> 00:44:13.559
<v Speaker 2>everything to really have have, you know, to have some

826
00:44:13.679 --> 00:44:17.000
<v Speaker 2>degree of physics behind it, you know. And I think

827
00:44:17.360 --> 00:44:19.360
<v Speaker 2>unfortunately we're in a time now where there's a sense

828
00:44:19.360 --> 00:44:21.719
<v Speaker 2>of like, oh, just have the CGI artists to do

829
00:44:21.880 --> 00:44:26.159
<v Speaker 2>it and without giving them the proper runway to really

830
00:44:26.760 --> 00:44:28.320
<v Speaker 2>execute maximally. Right.

831
00:44:28.719 --> 00:44:30.639
<v Speaker 1>I'm glad you said that, because yeah, there's nothing wrong

832
00:44:30.679 --> 00:44:32.840
<v Speaker 1>with the visual effects or the visual effects artists. It's

833
00:44:32.880 --> 00:44:36.679
<v Speaker 1>a lack of you know, thinking things through and it's like, well,

834
00:44:36.679 --> 00:44:38.159
<v Speaker 1>what's back there, Like I don't know, fill it in,

835
00:44:38.920 --> 00:44:42.159
<v Speaker 1>you know, whereas James Cameron, like this place exists in

836
00:44:42.199 --> 00:44:47.719
<v Speaker 1>his mind and obviously he has you know, the cachet

837
00:44:47.760 --> 00:44:50.199
<v Speaker 1>that he has where he could have Fox pay him

838
00:44:50.199 --> 00:44:54.079
<v Speaker 1>for eighteen months just to develop a world, you know,

839
00:44:54.559 --> 00:44:56.639
<v Speaker 1>and hire artists to come up with all these things.

840
00:44:56.679 --> 00:45:01.960
<v Speaker 1>Not everybody has that luxury. But you know, his passion

841
00:45:02.599 --> 00:45:05.239
<v Speaker 1>for this and the proof that this has existed for

842
00:45:05.320 --> 00:45:07.199
<v Speaker 1>decades in his mind is all on screen here.

843
00:45:08.719 --> 00:45:13.320
<v Speaker 2>That's really I you know, I think anybody who signs

844
00:45:13.400 --> 00:45:16.840
<v Speaker 2>up to work for James Cameron knows what they're getting,

845
00:45:18.320 --> 00:45:20.719
<v Speaker 2>you know, and he's going to be exacting. But I mean,

846
00:45:20.760 --> 00:45:24.599
<v Speaker 2>to his credit, he holds himself to a high standard

847
00:45:24.639 --> 00:45:26.960
<v Speaker 2>in terms of the movies that are put out there.

848
00:45:27.000 --> 00:45:29.880
<v Speaker 2>You know. Yeah, I heard tell that, Like he kept

849
00:45:29.880 --> 00:45:33.599
<v Speaker 2>a nail gun on him and if anybody's phone rang,

850
00:45:34.880 --> 00:45:38.440
<v Speaker 2>he would nail it to the wall, and I'm like,

851
00:45:38.480 --> 00:45:42.039
<v Speaker 2>what kind of frickin dumb ass person he would show

852
00:45:42.119 --> 00:45:45.280
<v Speaker 2>up on, of all sets, a James Cameron set without

853
00:45:45.280 --> 00:45:46.360
<v Speaker 2>your phone silenced?

854
00:45:48.480 --> 00:45:51.280
<v Speaker 1>Yeah, you know, I mean I've heard I've heard stories

855
00:45:51.320 --> 00:45:53.760
<v Speaker 1>about you know, they make crew T shirts that are

856
00:45:53.800 --> 00:45:56.400
<v Speaker 1>just blocks of text of all the insults that he

857
00:45:56.559 --> 00:46:00.159
<v Speaker 1>lobbed during the entire shoot. And they're like they're not

858
00:46:00.199 --> 00:46:03.800
<v Speaker 1>even like, you know, like clever and creative, They're just like,

859
00:46:03.840 --> 00:46:05.320
<v Speaker 1>you know what, effing idiot.

860
00:46:05.559 --> 00:46:08.159
<v Speaker 3>You know, they're just very mean.

861
00:46:08.920 --> 00:46:09.119
<v Speaker 2>You know.

862
00:46:09.159 --> 00:46:12.599
<v Speaker 1>But it's like people are like, yeah, James Cameron, It's

863
00:46:12.639 --> 00:46:14.880
<v Speaker 1>just it's just one of those people that can kind

864
00:46:14.920 --> 00:46:15.559
<v Speaker 1>of get away with that.

865
00:46:16.360 --> 00:46:18.199
<v Speaker 2>Yeah, I mean, I I don't think I would. I

866
00:46:18.199 --> 00:46:22.079
<v Speaker 2>would want to be anywhere anywhere near a film set,

867
00:46:22.320 --> 00:46:24.559
<v Speaker 2>like a James Cameron film set. I'd love to sit

868
00:46:24.639 --> 00:46:26.679
<v Speaker 2>at a table and talk about like freaking like like

869
00:46:26.760 --> 00:46:29.960
<v Speaker 2>Blade Runner with him or something. Yeah, you know, like

870
00:46:30.039 --> 00:46:32.159
<v Speaker 2>not even movies he's made, just movies he likes.

871
00:46:32.519 --> 00:46:32.920
<v Speaker 3>Mm hmm.

872
00:46:32.960 --> 00:46:33.840
<v Speaker 1>Actually I would do.

873
00:46:35.400 --> 00:46:37.840
<v Speaker 2>And as I said before, I'd be like, so, so, Jim,

874
00:46:37.840 --> 00:46:39.400
<v Speaker 2>what do you think of Stockton Rush? And then I

875
00:46:39.480 --> 00:46:43.239
<v Speaker 2>just kind of sit lean back for the next eighteen

876
00:46:43.280 --> 00:46:45.159
<v Speaker 2>hours as he just went off. You know.

877
00:46:45.840 --> 00:46:48.199
<v Speaker 1>But that's the thing, right, like you don't we don't

878
00:46:48.239 --> 00:46:51.599
<v Speaker 1>get a lot of long form interviews with him. But

879
00:46:51.679 --> 00:46:54.840
<v Speaker 1>with this latest you know, Fire and Ash coming out,

880
00:46:54.880 --> 00:46:57.039
<v Speaker 1>he has done a couple of podcasts and I've.

881
00:46:56.920 --> 00:46:59.800
<v Speaker 3>Gobbled them up because I'm very interested to hear what

882
00:47:00.559 --> 00:47:01.440
<v Speaker 3>what's on his mind.

883
00:47:01.880 --> 00:47:03.760
<v Speaker 2>Yeah, well, I mean, sorry, that.

884
00:47:03.719 --> 00:47:06.400
<v Speaker 1>Cracks me up by the way, where these like magical

885
00:47:06.440 --> 00:47:08.719
<v Speaker 1>creatures are like choosing him and being like you are

886
00:47:08.719 --> 00:47:11.039
<v Speaker 1>the chosen one, and he's just flicking them away like

887
00:47:11.079 --> 00:47:13.880
<v Speaker 1>stop it at that cracks.

888
00:47:13.559 --> 00:47:14.039
<v Speaker 2>Me up.

889
00:47:16.079 --> 00:47:16.400
<v Speaker 1>Anyway.

890
00:47:16.400 --> 00:47:22.239
<v Speaker 2>Sorry, I had to point that out. No, what was

891
00:47:22.280 --> 00:47:31.199
<v Speaker 2>I saying? Yeah, yeah, I think that the desire that

892
00:47:31.239 --> 00:47:36.239
<v Speaker 2>he has to give all of this authenticity is you know,

893
00:47:37.119 --> 00:47:39.960
<v Speaker 2>it's reflected in sort of the exacting nature, and I

894
00:47:40.000 --> 00:47:43.559
<v Speaker 2>think that's part of why fifteen years later, we're able

895
00:47:43.559 --> 00:47:46.599
<v Speaker 2>to look at this this frame right here and say

896
00:47:46.599 --> 00:47:50.719
<v Speaker 2>it's a beautiful frame and it still holds up. They

897
00:47:50.719 --> 00:47:53.920
<v Speaker 2>didn't cut corners and that makes the difference, you know. Yep,

898
00:47:54.679 --> 00:47:58.280
<v Speaker 2>It's it's somewhat ironic because the first time I ever

899
00:47:58.320 --> 00:48:02.840
<v Speaker 2>heard the phrase and his temporary film is Forever was

900
00:48:04.280 --> 00:48:07.599
<v Speaker 2>attributed to Peter Jackson on the Lord of the Rings trilogy.

901
00:48:08.239 --> 00:48:11.519
<v Speaker 3>Oh interesting, I was for me it was Zamechas.

902
00:48:12.400 --> 00:48:16.960
<v Speaker 2>Yeah, right, I think with regards to the future, probably right, Yeah,

903
00:48:17.079 --> 00:48:19.679
<v Speaker 2>And that was a quote that I you know, I

904
00:48:19.760 --> 00:48:23.159
<v Speaker 2>put it in my well, maybe Zamechas conveyed it to

905
00:48:23.239 --> 00:48:26.199
<v Speaker 2>Peter Jackson because they he produced The Frighteners.

906
00:48:27.000 --> 00:48:29.519
<v Speaker 3>Oh interesting, Oh interesting, yeah.

907
00:48:29.360 --> 00:48:32.119
<v Speaker 2>Right, But anyway, I remember that quote as something like,

908
00:48:32.159 --> 00:48:34.199
<v Speaker 2>you know, you put in the effort at this stage.

909
00:48:34.199 --> 00:48:35.800
<v Speaker 2>It's it's hard, but I mean, this is a movie

910
00:48:35.840 --> 00:48:39.039
<v Speaker 2>that's going to live forever. And I contrast that with

911
00:48:39.679 --> 00:48:41.320
<v Speaker 2>and I've told you about this before when you watch

912
00:48:41.320 --> 00:48:45.119
<v Speaker 2>the behind the scenes footage of the Hobbit trilogy, where

913
00:48:45.280 --> 00:48:49.119
<v Speaker 2>Peter Jackson is is somewhat like just a husk of

914
00:48:49.159 --> 00:48:53.159
<v Speaker 2>a man, right trying to you know, because because that movie,

915
00:48:53.280 --> 00:48:55.159
<v Speaker 2>that trilogy was supposed to be two movies, and then

916
00:48:55.199 --> 00:48:57.119
<v Speaker 2>at the eleventh hour Warner Brothers like, no, it's going

917
00:48:57.199 --> 00:48:59.159
<v Speaker 2>to be three, and he has to sort of contrive

918
00:48:59.360 --> 00:49:02.760
<v Speaker 2>an ending, a cliffhanger for movie two to lead into

919
00:49:02.760 --> 00:49:04.920
<v Speaker 2>movie three. And you see him on this sid it's

920
00:49:04.960 --> 00:49:06.800
<v Speaker 2>just a green screen, and he's like and then you're

921
00:49:06.840 --> 00:49:09.760
<v Speaker 2>gonna go like this, this, this, and he's like acting

922
00:49:09.800 --> 00:49:11.880
<v Speaker 2>out motions and these actors like okay, you know, the

923
00:49:12.039 --> 00:49:15.760
<v Speaker 2>kind of shruggling shoulders and that sequence in the film.

924
00:49:15.880 --> 00:49:18.519
<v Speaker 2>I will just say, even though I like that trilogy,

925
00:49:18.719 --> 00:49:23.960
<v Speaker 2>that sequence is not it's not great. Sure, sure, because

926
00:49:24.079 --> 00:49:27.320
<v Speaker 2>you see the stitches a little bit, you know, and

927
00:49:27.519 --> 00:49:32.639
<v Speaker 2>you know, it's like even Peter Jackson got broken a

928
00:49:32.639 --> 00:49:38.400
<v Speaker 2>little bit, you know, And so I respect that James

929
00:49:38.400 --> 00:49:42.880
<v Speaker 2>Cameron at this point, correct me if I'm wrong. This

930
00:49:43.000 --> 00:49:46.840
<v Speaker 2>right here. Avatar it's the only filmmaker driven franchise left

931
00:49:46.880 --> 00:49:47.280
<v Speaker 2>in town.

932
00:49:48.519 --> 00:49:49.679
<v Speaker 1>Yeah.

933
00:49:50.480 --> 00:49:53.800
<v Speaker 2>Yeah, he's the only one who's got the juice yea

934
00:49:53.880 --> 00:49:55.519
<v Speaker 2>to be like, we're gonna do it my way. My

935
00:49:55.639 --> 00:49:59.639
<v Speaker 2>way is the only way, and that's it, you know.

936
00:49:59.719 --> 00:50:01.360
<v Speaker 2>And I think part of it is because he can

937
00:50:01.360 --> 00:50:03.400
<v Speaker 2>be like, look, you guys want to make an Avatar

938
00:50:03.440 --> 00:50:08.159
<v Speaker 2>without me, go nuts, right try, you know, right right,

939
00:50:09.159 --> 00:50:09.559
<v Speaker 2>good luck.

940
00:50:09.639 --> 00:50:10.480
<v Speaker 3>That's a good point.

941
00:50:10.639 --> 00:50:14.039
<v Speaker 1>And it's I heard him on a podcast. I wish

942
00:50:14.079 --> 00:50:16.679
<v Speaker 1>I could remember which one it was, but and he

943
00:50:16.760 --> 00:50:19.239
<v Speaker 1>was even saying, you know, about the changing landscape of

944
00:50:19.400 --> 00:50:23.320
<v Speaker 1>theatrical movies, and he was like, there's just not an

945
00:50:23.320 --> 00:50:27.480
<v Speaker 1>ecosystem for another meed to happen. Yeah, and he's like,

946
00:50:27.559 --> 00:50:29.960
<v Speaker 1>so I get to make this, He's like, but there

947
00:50:30.000 --> 00:50:32.239
<v Speaker 1>could be someone else out there who's got this a

948
00:50:32.320 --> 00:50:34.880
<v Speaker 1>thing like this living in their brain and they'll never

949
00:50:34.880 --> 00:50:38.159
<v Speaker 1>get to share it with anybody. And so then you

950
00:50:38.159 --> 00:50:42.440
<v Speaker 1>know you've got like these you know, exciting filmmakers coming up.

951
00:50:43.400 --> 00:50:48.760
<v Speaker 1>What's the guy Predator bad Lands? Oh yeah, Dan Trackenberg

952
00:50:49.800 --> 00:50:53.159
<v Speaker 1>and and I bet he's got something in there like this,

953
00:50:53.440 --> 00:50:56.119
<v Speaker 1>but like, he's gonna have to keep making Predator movies

954
00:50:56.159 --> 00:50:59.559
<v Speaker 1>and I like them, but that's the only thing that

955
00:50:59.559 --> 00:51:02.320
<v Speaker 1>people are a trust to be made in this moment.

956
00:51:02.519 --> 00:51:05.679
<v Speaker 1>And so it's kind of like cool, but like, what

957
00:51:05.719 --> 00:51:07.920
<v Speaker 1>are we missing out on? That could be the thing

958
00:51:07.960 --> 00:51:10.320
<v Speaker 1>that you could be, the new thing you could be

959
00:51:10.360 --> 00:51:11.920
<v Speaker 1>dining out on for the next twenty years.

960
00:51:12.000 --> 00:51:14.280
<v Speaker 2>You know, that's really something. Yeah. I mean, Avatar could

961
00:51:14.320 --> 00:51:17.480
<v Speaker 2>only happen because the movie before it was Titanic.

962
00:51:18.000 --> 00:51:20.559
<v Speaker 1>Oh, I mean yeah, you think about if Titanic hadn't happened,

963
00:51:21.280 --> 00:51:23.840
<v Speaker 1>we still might we might not have gotten Avatar from

964
00:51:23.840 --> 00:51:26.440
<v Speaker 1>even James Cameron. Titanic allows you to be.

965
00:51:26.320 --> 00:51:30.559
<v Speaker 3>Like blue people that cost three hundred million, Okay, Yeah, yeah.

966
00:51:30.719 --> 00:51:34.760
<v Speaker 2>That's exactly it. Yeah, so did you know that Dad

967
00:51:34.800 --> 00:51:36.360
<v Speaker 2>here is played by Wes Study.

968
00:51:37.320 --> 00:51:40.440
<v Speaker 1>I did because I had done some research before I

969
00:51:40.480 --> 00:51:42.119
<v Speaker 1>watched it, but I don't know that I would have

970
00:51:42.440 --> 00:51:43.000
<v Speaker 1>remembered that.

971
00:51:43.199 --> 00:51:44.679
<v Speaker 2>Yeah. I looked it up after. I was like, well,

972
00:51:44.719 --> 00:51:45.960
<v Speaker 2>I'll be damned. I love West Study.

973
00:51:45.960 --> 00:51:51.800
<v Speaker 1>He's a great Yeah. Yeah, you know, I thought was

974
00:51:51.840 --> 00:51:53.360
<v Speaker 1>kind of interesting by the way, and some of the

975
00:51:53.400 --> 00:51:57.199
<v Speaker 1>research I did, so, you know, Fox obviously took a

976
00:51:57.239 --> 00:52:00.880
<v Speaker 1>big gamble, and this was kind of you know, speaking

977
00:52:00.920 --> 00:52:02.920
<v Speaker 1>of like a blank check, you know, like Cameron's earned

978
00:52:02.920 --> 00:52:06.960
<v Speaker 1>his blank check movies. The one thing that they wouldn't

979
00:52:07.000 --> 00:52:10.079
<v Speaker 1>allow him to do was because he wanted to make

980
00:52:10.119 --> 00:52:13.079
<v Speaker 1>this shoot it in three D. He wanted the action

981
00:52:13.199 --> 00:52:17.880
<v Speaker 1>sequences to be at forty eight frames per second. Oh okay, gotchay,

982
00:52:17.920 --> 00:52:20.440
<v Speaker 1>And so they were like no, that was like a

983
00:52:20.480 --> 00:52:22.519
<v Speaker 1>line that they drew, like, you know, all movies are

984
00:52:22.559 --> 00:52:24.679
<v Speaker 1>twenty four frames, this is going to be twenty four frames.

985
00:52:25.199 --> 00:52:26.719
<v Speaker 3>What I thought was interesting.

986
00:52:26.800 --> 00:52:30.199
<v Speaker 1>Was then when he re released it, the action sequences

987
00:52:30.280 --> 00:52:33.320
<v Speaker 1>arened forty eight frames per second. Because after he made,

988
00:52:33.400 --> 00:52:35.519
<v Speaker 1>you know, a three billion dollar movie, he could be

989
00:52:35.599 --> 00:52:38.079
<v Speaker 1>there like, uh, yeah, I guess what you're paying for

990
00:52:38.239 --> 00:52:39.039
<v Speaker 1>on this re release.

991
00:52:39.239 --> 00:52:42.320
<v Speaker 2>The thing I hate forty eight fps. It drives me bananas.

992
00:52:42.320 --> 00:52:42.920
<v Speaker 3>Well, it's gonna say.

993
00:52:42.920 --> 00:52:46.639
<v Speaker 1>And then the second one had that during the action

994
00:52:46.719 --> 00:52:49.079
<v Speaker 1>sequences forty eight frames per so he got to do

995
00:52:49.159 --> 00:52:52.000
<v Speaker 1>it on first go, and I assumed the third one

996
00:52:52.079 --> 00:52:55.159
<v Speaker 1>has it. It does yeah, yeah, and so yeah, yearning

997
00:52:55.280 --> 00:52:55.719
<v Speaker 1>load it?

998
00:52:56.039 --> 00:52:57.639
<v Speaker 2>I load it? Yeah, tell tell me?

999
00:52:57.679 --> 00:52:59.199
<v Speaker 3>Why can you? Can you describe it?

1000
00:52:59.239 --> 00:53:00.920
<v Speaker 1>What it it looks?

1001
00:53:01.159 --> 00:53:04.000
<v Speaker 2>I can't. Well, and actually, real quick, before you know,

1002
00:53:04.199 --> 00:53:06.920
<v Speaker 2>you talk about how this movie very much falls into

1003
00:53:07.039 --> 00:53:09.280
<v Speaker 2>the tropes of these type of pictures. You know, the

1004
00:53:09.639 --> 00:53:13.519
<v Speaker 2>character Sutek who initially is like you know this outside

1005
00:53:13.559 --> 00:53:15.400
<v Speaker 2>or whatever. It's like you know, you you you know

1006
00:53:15.440 --> 00:53:17.239
<v Speaker 2>the rhythms of these things. Oh, it's like that's the

1007
00:53:17.320 --> 00:53:20.079
<v Speaker 2>guy who's gonna hate him initially, and then they're gonna

1008
00:53:20.079 --> 00:53:22.960
<v Speaker 2>become best friends, you know, right, he's he's wind in

1009
00:53:23.000 --> 00:53:25.440
<v Speaker 2>his hair or whatever, you know, all the things, you know,

1010
00:53:26.079 --> 00:53:27.679
<v Speaker 2>and so again you always have to look at it

1011
00:53:27.679 --> 00:53:29.639
<v Speaker 2>from the lens of like, Okay, but imagine this is

1012
00:53:29.679 --> 00:53:34.159
<v Speaker 2>somebody's first time watching this, right, they'll appreciate that character progression.

1013
00:53:35.239 --> 00:53:37.440
<v Speaker 2>But but yeah, forty eight frames for a second. I

1014
00:53:37.440 --> 00:53:39.679
<v Speaker 2>think I told this story many many moons ago, so

1015
00:53:40.039 --> 00:53:42.639
<v Speaker 2>at this point it's been long enough. My first encounter

1016
00:53:42.719 --> 00:53:45.159
<v Speaker 2>with forty eight frames a second was actually watching the

1017
00:53:45.199 --> 00:53:50.039
<v Speaker 2>first Hobbit film, an unexpenditure, and it was it was

1018
00:53:50.199 --> 00:53:53.480
<v Speaker 2>IMAX three D forty eight frames a second, and I

1019
00:53:53.480 --> 00:53:55.039
<v Speaker 2>don't know what it was. I think it was that

1020
00:53:55.159 --> 00:53:59.119
<v Speaker 2>particular mix of ingredients. It's like it's like The Jokers,

1021
00:53:59.199 --> 00:54:03.039
<v Speaker 2>Poisons and bat nine where certain things together, and that

1022
00:54:03.159 --> 00:54:05.280
<v Speaker 2>was the mix. And about a third of the way

1023
00:54:05.360 --> 00:54:09.079
<v Speaker 2>into that movie, I was like, I'm gonna throw up

1024
00:54:09.280 --> 00:54:12.079
<v Speaker 2>or pass out. And since I got up and I

1025
00:54:12.159 --> 00:54:15.639
<v Speaker 2>left the theater and I literally did pass out, wow,

1026
00:54:16.559 --> 00:54:18.679
<v Speaker 2>because one of the people working at the theater woke

1027
00:54:18.719 --> 00:54:23.079
<v Speaker 2>me up. Really, so you were like not for long,

1028
00:54:23.119 --> 00:54:28.199
<v Speaker 2>maybe maybe for maybe thirty seconds if that, but for

1029
00:54:28.239 --> 00:54:32.679
<v Speaker 2>sure I was, you know, like I was like, what happened?

1030
00:54:32.679 --> 00:54:35.920
<v Speaker 2>You know? Yeah? So that's obviously that's like a data

1031
00:54:35.920 --> 00:54:39.280
<v Speaker 2>point where a bad mix. It didn't happen with with

1032
00:54:39.280 --> 00:54:43.719
<v Speaker 2>with the avatar. But to me, weirdly, even though forty

1033
00:54:43.760 --> 00:54:45.800
<v Speaker 2>eight frames a second, see, that was my point of

1034
00:54:45.840 --> 00:54:50.159
<v Speaker 2>view right there. The AMC guys like, hey, buddy, you okay,

1035
00:54:50.320 --> 00:54:55.440
<v Speaker 2>you know, I think forty eight frames a second is

1036
00:54:55.679 --> 00:54:59.000
<v Speaker 2>meant to be closer to normal movement, right, that's the

1037
00:54:59.559 --> 00:55:05.119
<v Speaker 2>filmmak impetus behind it. Sure, but I think that well,

1038
00:55:05.159 --> 00:55:07.639
<v Speaker 2>and I think, sorry, I think Cameron wants it because

1039
00:55:07.679 --> 00:55:11.559
<v Speaker 2>it reduces like the jutter that happens when the camera's

1040
00:55:11.599 --> 00:55:12.639
<v Speaker 2>moving around fast.

1041
00:55:13.039 --> 00:55:16.000
<v Speaker 1>So there's like a you know, the so for three D.

1042
00:55:16.119 --> 00:55:18.440
<v Speaker 3>He thinks it's a better experience if you're seeing less flicker.

1043
00:55:18.880 --> 00:55:22.639
<v Speaker 2>But here's the problem. To me, it looks like video

1044
00:55:22.679 --> 00:55:24.079
<v Speaker 2>game cutscenes.

1045
00:55:24.360 --> 00:55:27.119
<v Speaker 1>Yeah, or like a soap opera, you know. It's like

1046
00:55:27.119 --> 00:55:29.639
<v Speaker 1>that terrible motion smoothing thing on your exactly.

1047
00:55:29.719 --> 00:55:32.960
<v Speaker 2>It's too smooth, you know. I think that that persistence

1048
00:55:33.000 --> 00:55:37.400
<v Speaker 2>of vision and sort of there's an aspect of twenty

1049
00:55:37.440 --> 00:55:39.159
<v Speaker 2>four frames a second that lets your brain do some

1050
00:55:39.239 --> 00:55:44.559
<v Speaker 2>of the work that gives it more smoothness weirdly than

1051
00:55:45.400 --> 00:55:47.519
<v Speaker 2>forty eight frames a second. And so I hate it.

1052
00:55:47.599 --> 00:55:51.519
<v Speaker 2>I just don't like it. And I think in my

1053
00:55:51.719 --> 00:55:54.079
<v Speaker 2>you know, now, one, two, three avatars I've seen with

1054
00:55:54.199 --> 00:55:57.840
<v Speaker 2>that forty eight frames a second, it it's distracting because

1055
00:55:58.800 --> 00:56:01.440
<v Speaker 2>the character scene don't have it, And then you go

1056
00:56:01.519 --> 00:56:07.039
<v Speaker 2>to wide shots with action and it's very prominent and yeah,

1057
00:56:07.280 --> 00:56:11.280
<v Speaker 2>yeah that that transition is very distracting.

1058
00:56:12.039 --> 00:56:14.480
<v Speaker 1>Yeah, yeah, mixing them. If you're gonna do the whole

1059
00:56:14.519 --> 00:56:19.519
<v Speaker 1>thing one way, maybe you'll calibrate. But yeah, I'm trying.

1060
00:56:19.519 --> 00:56:21.440
<v Speaker 3>Remember the first time I ever saw it was that

1061
00:56:21.519 --> 00:56:23.039
<v Speaker 3>Will Smith movie Gemini Man.

1062
00:56:23.760 --> 00:56:25.840
<v Speaker 2>Yes, oh that's right, Yeah, which.

1063
00:56:25.679 --> 00:56:29.480
<v Speaker 1>I remember is seeing just for that reason, like I

1064
00:56:29.480 --> 00:56:30.800
<v Speaker 1>didn't have a lot of interest in it, but I

1065
00:56:30.840 --> 00:56:32.239
<v Speaker 1>was like, I want to see what that looks like

1066
00:56:32.880 --> 00:56:35.440
<v Speaker 1>because I hadn't seen to that point, and I was like, yeah,

1067
00:56:35.480 --> 00:56:37.079
<v Speaker 1>I just I don't know, it doesn't do anything for me.

1068
00:56:38.559 --> 00:56:41.519
<v Speaker 2>Yeah, I know filmmakers seem to have just a heart

1069
00:56:41.559 --> 00:56:43.800
<v Speaker 2>on for it, but some of them do.

1070
00:56:43.920 --> 00:56:47.559
<v Speaker 1>Yeah, I know, well Jackson and then ang Lee remember that,

1071
00:56:47.639 --> 00:56:49.559
<v Speaker 1>and it was like maybe even like.

1072
00:56:49.559 --> 00:56:51.960
<v Speaker 2>Listen Gemini Man, Anglee, wasn't that him? Or that was

1073
00:56:52.000 --> 00:56:54.079
<v Speaker 2>John who directed that Gemini Man?

1074
00:56:54.320 --> 00:56:56.039
<v Speaker 1>Actually, I literally.

1075
00:56:55.639 --> 00:56:58.199
<v Speaker 3>Just I had it up and then I wasn't it Angley?

1076
00:56:58.880 --> 00:57:00.440
<v Speaker 1>Maybe I don't even remember.

1077
00:57:01.360 --> 00:57:05.039
<v Speaker 2>That movie was pretty pretty mid Yeah is that funny?

1078
00:57:05.280 --> 00:57:08.800
<v Speaker 1>Yeah? Oh yeah he did that Billy was it Billy.

1079
00:57:08.599 --> 00:57:09.800
<v Speaker 3>Lyn's Halftime Walk?

1080
00:57:09.880 --> 00:57:13.280
<v Speaker 2>That was another one where yeah, the whole thing was Yeah,

1081
00:57:13.280 --> 00:57:15.119
<v Speaker 2>I just think I don't think people like it, you know,

1082
00:57:16.800 --> 00:57:21.320
<v Speaker 2>I think we're used to the image that twenty four

1083
00:57:21.360 --> 00:57:24.840
<v Speaker 2>frames a second gives us. M hm, you know, well

1084
00:57:24.840 --> 00:57:27.000
<v Speaker 2>to your point, I don't like the jumping between them.

1085
00:57:27.480 --> 00:57:29.599
<v Speaker 2>I find that distracting very much.

1086
00:57:29.639 --> 00:57:33.199
<v Speaker 1>So yeah, yeah, not like this is it like a

1087
00:57:33.239 --> 00:57:38.000
<v Speaker 1>whole story thing where it's basically these scientists have studied

1088
00:57:38.000 --> 00:57:40.239
<v Speaker 1>these people for a long time, and obviously they're the

1089
00:57:40.239 --> 00:57:42.480
<v Speaker 1>ones who would like to connect. But this this guy

1090
00:57:42.519 --> 00:57:44.840
<v Speaker 1>somehow found his way in is he gets this guy

1091
00:57:44.840 --> 00:57:45.960
<v Speaker 1>who's a little jealous of it.

1092
00:57:46.360 --> 00:57:49.199
<v Speaker 2>Now, didn't you get the sense that that norm like

1093
00:57:49.239 --> 00:57:52.400
<v Speaker 2>that would be more of a thing that he's jealous

1094
00:57:52.400 --> 00:57:54.840
<v Speaker 2>of Jake? And right, like it almost feels like that

1095
00:57:54.960 --> 00:57:57.480
<v Speaker 2>was something that maybe they thought of early on and

1096
00:57:57.519 --> 00:57:58.719
<v Speaker 2>they just decided not to do.

1097
00:57:59.679 --> 00:58:01.800
<v Speaker 1>Yeah, I mean it's it's here, we get it in

1098
00:58:01.840 --> 00:58:04.840
<v Speaker 1>this scene, but it's not something that continues, I guess, right.

1099
00:58:04.840 --> 00:58:08.239
<v Speaker 2>I mean, by by the second act, you know, they're

1100
00:58:08.280 --> 00:58:10.880
<v Speaker 2>they're sympatico. But it almost it almost felt like that

1101
00:58:10.920 --> 00:58:13.280
<v Speaker 2>would have been some kind of a plot line.

1102
00:58:13.519 --> 00:58:15.199
<v Speaker 1>I could see that. I mean, maybe it was in

1103
00:58:15.320 --> 00:58:18.679
<v Speaker 1>his director's cut that's like over three hours and then

1104
00:58:18.719 --> 00:58:19.320
<v Speaker 1>they're like this.

1105
00:58:19.719 --> 00:58:22.119
<v Speaker 2>The super duper extendo version.

1106
00:58:22.760 --> 00:58:24.840
<v Speaker 1>Yeah, yeah, which I actually have.

1107
00:58:25.000 --> 00:58:25.639
<v Speaker 2>I have.

1108
00:58:26.159 --> 00:58:27.519
<v Speaker 1>I had a friend that worked at Fox and he

1109
00:58:27.559 --> 00:58:29.840
<v Speaker 1>got me the Blu ray that has all the additions.

1110
00:58:30.239 --> 00:58:32.000
<v Speaker 1>Now I'm kind of regretting I didn't watch the longer

1111
00:58:32.119 --> 00:58:34.679
<v Speaker 1>version so I could have it as comparison, right now.

1112
00:58:34.599 --> 00:58:40.199
<v Speaker 2>Yeah, the three hour cut. It's see, it's weird because

1113
00:58:40.199 --> 00:58:43.360
<v Speaker 2>that's what I watched. And other than that, that prologue sequence,

1114
00:58:43.360 --> 00:58:45.800
<v Speaker 2>that's the thing that sticks out as the most like,

1115
00:58:45.840 --> 00:58:47.840
<v Speaker 2>oh yeah, that definitely wasn't in the theatrical. The rest

1116
00:58:47.880 --> 00:58:51.119
<v Speaker 2>of it is. It's all just texture mostly, you know,

1117
00:58:51.599 --> 00:58:53.559
<v Speaker 2>And I I think, you know, we've talked about this

1118
00:58:53.639 --> 00:58:58.039
<v Speaker 2>before where I think Cameron's instincts are pretty good in

1119
00:58:58.159 --> 00:59:02.159
<v Speaker 2>terms of what to what to cut for the theatrical

1120
00:59:02.199 --> 00:59:05.039
<v Speaker 2>and knowing that he can he can he can make

1121
00:59:05.119 --> 00:59:07.360
<v Speaker 2>his longer version anyway, you know, because he's done that

1122
00:59:07.679 --> 00:59:09.159
<v Speaker 2>with Alien, he did it with T two.

1123
00:59:10.519 --> 00:59:15.199
<v Speaker 1>Yeah, yeah, abyss, you know that's right, Yeah, almost every

1124
00:59:15.280 --> 00:59:16.119
<v Speaker 1>almost everyone.

1125
00:59:16.199 --> 00:59:18.760
<v Speaker 2>Yeah, it's interesting. Yeah, I think other than like Titanic

1126
00:59:18.880 --> 00:59:24.320
<v Speaker 2>and True Lies, you know. Yeah, and you know, like

1127
00:59:24.400 --> 00:59:26.519
<v Speaker 2>Aliens is a good example, right because the special edition

1128
00:59:26.559 --> 00:59:28.960
<v Speaker 2>I think is pretty darn good. But if if, if

1129
00:59:29.000 --> 00:59:33.000
<v Speaker 2>you if you're just coming in and you're not already

1130
00:59:33.000 --> 00:59:36.639
<v Speaker 2>on board, then you know, what theatrical cut gives you

1131
00:59:36.760 --> 00:59:37.639
<v Speaker 2>is is plenty.

1132
00:59:38.760 --> 00:59:40.960
<v Speaker 1>I kind of feel that way about the Abyss, although

1133
00:59:41.039 --> 00:59:44.880
<v Speaker 1>I mean it significantly alters the other that one, I

1134
00:59:45.079 --> 00:59:46.639
<v Speaker 1>feel like you're in the minority on because I think

1135
00:59:46.679 --> 00:59:49.239
<v Speaker 1>most people tend to prefer that the director's cutter the

1136
00:59:49.280 --> 00:59:50.119
<v Speaker 1>special I like.

1137
00:59:50.280 --> 00:59:51.800
<v Speaker 3>The changes to the third act.

1138
00:59:52.599 --> 00:59:55.159
<v Speaker 1>I would keep the director's cut third act, but I

1139
00:59:55.159 --> 00:59:58.320
<v Speaker 1>feel like he adds some things that just move a

1140
00:59:58.320 --> 01:00:01.920
<v Speaker 1>little bit of the snap remove you know, it lacks

1141
01:00:01.920 --> 01:00:04.760
<v Speaker 1>a little snap for the first two acts that I

1142
01:00:04.800 --> 01:00:08.480
<v Speaker 1>prefer in the theatrical cut. But I do like, yeah,

1143
01:00:08.960 --> 01:00:11.280
<v Speaker 1>everything that happens in the third act, which is a

1144
01:00:11.280 --> 01:00:15.599
<v Speaker 1>lot more. But anyway, we avatar.

1145
01:00:16.440 --> 01:00:19.119
<v Speaker 2>Yeah, so well, we were talking about, you know, at

1146
01:00:19.199 --> 01:00:22.119
<v Speaker 2>least for me, the little bit of Uncanny Valley with

1147
01:00:22.320 --> 01:00:25.360
<v Speaker 2>the Grace Nave, I don't get that at all.

1148
01:00:25.599 --> 01:00:30.400
<v Speaker 3>With Natiri, she's the best. To me, I think the

1149
01:00:30.440 --> 01:00:31.199
<v Speaker 3>best realized.

1150
01:00:31.360 --> 01:00:36.840
<v Speaker 2>That's amazing. What's crazy is it is clearly Zoe Saldana, Yes,

1151
01:00:37.320 --> 01:00:39.159
<v Speaker 2>Like I mean you can see that it is her,

1152
01:00:39.320 --> 01:00:42.199
<v Speaker 2>and yet it is not her, it's extraordinary.

1153
01:00:42.599 --> 01:00:47.519
<v Speaker 1>You know. Yeah, And I just feel, I don't know,

1154
01:00:48.320 --> 01:00:52.159
<v Speaker 1>I kind of wonder too if there was like tears

1155
01:00:52.760 --> 01:00:55.280
<v Speaker 1>to the level of detail.

1156
01:00:55.239 --> 01:00:57.159
<v Speaker 3>For certain shots where it's like, Okay, this is kind.

1157
01:00:57.079 --> 01:00:59.719
<v Speaker 1>Of like a more wide shot. Maybe we don't need

1158
01:00:59.719 --> 01:01:02.679
<v Speaker 1>to go as hard on this just for the sake

1159
01:01:02.719 --> 01:01:05.239
<v Speaker 1>of time, you know, money or whatever. But then sometimes

1160
01:01:05.239 --> 01:01:07.239
<v Speaker 1>you see these close up shots in the tirie where

1161
01:01:07.239 --> 01:01:10.159
<v Speaker 1>there's like sun behind her and you can see, you know,

1162
01:01:10.199 --> 01:01:15.360
<v Speaker 1>the light through her hair like this, the detail on

1163
01:01:15.400 --> 01:01:17.679
<v Speaker 1>her is insane. I feel like I noticed it more

1164
01:01:17.719 --> 01:01:18.719
<v Speaker 1>on her than anyone else.

1165
01:01:19.119 --> 01:01:25.800
<v Speaker 2>Yeah, well, I think that the challenge is she has

1166
01:01:25.840 --> 01:01:28.519
<v Speaker 2>to look alien, but she's also kind of gotta look

1167
01:01:28.559 --> 01:01:29.639
<v Speaker 2>hot too, right.

1168
01:01:29.599 --> 01:01:32.119
<v Speaker 1>Like, yeah, because we need to, you know, understand our

1169
01:01:32.440 --> 01:01:34.039
<v Speaker 1>human character falling in love with her.

1170
01:01:34.199 --> 01:01:37.400
<v Speaker 2>Right And that's kind of that's a balancing act, you know.

1171
01:01:40.719 --> 01:01:42.880
<v Speaker 3>But I hadn't even thought about it till right now.

1172
01:01:43.480 --> 01:01:44.280
<v Speaker 3>But it is interesting.

1173
01:01:44.280 --> 01:01:46.719
<v Speaker 1>I feel like Sigourney Weaver's avatar is the only one

1174
01:01:46.760 --> 01:01:51.159
<v Speaker 1>that looks more it looks more human like than any

1175
01:01:51.159 --> 01:01:51.760
<v Speaker 1>of the others.

1176
01:01:51.880 --> 01:01:54.119
<v Speaker 2>I think that's the problem, is it looks too much

1177
01:01:54.199 --> 01:01:58.360
<v Speaker 2>like her. Yeah, that's the That's why it irks me

1178
01:01:58.400 --> 01:01:58.760
<v Speaker 2>a little.

1179
01:01:59.400 --> 01:02:02.639
<v Speaker 3>So like when she smiles or something, You're like, that

1180
01:02:02.639 --> 01:02:03.320
<v Speaker 3>doesn't look great.

1181
01:02:04.239 --> 01:02:09.960
<v Speaker 2>Yeah, because because the the the Kiri character her the

1182
01:02:10.159 --> 01:02:14.599
<v Speaker 2>Grace's daughter, who also Sigourney he replaced. I don't get

1183
01:02:14.639 --> 01:02:18.639
<v Speaker 2>that same uncanny valley with her, not in the same

1184
01:02:18.639 --> 01:02:22.840
<v Speaker 2>way these. Look at these, I mean look at the

1185
01:02:22.840 --> 01:02:28.039
<v Speaker 2>the the the just bonkers vision that James Cameron has.

1186
01:02:28.079 --> 01:02:30.079
<v Speaker 2>You know, let's on these mountains.

1187
01:02:29.760 --> 01:02:34.599
<v Speaker 1>That float, you know, yeazing beautiful in these like vines

1188
01:02:34.679 --> 01:02:38.159
<v Speaker 1>connecting some of them, and like, yeah, it's it's gorgeous.

1189
01:02:39.960 --> 01:02:44.199
<v Speaker 2>Gotta be honest, though, I I like how the ships

1190
01:02:44.239 --> 01:02:48.719
<v Speaker 2>are very like Ron Cobb alien alien style. I mean,

1191
01:02:48.840 --> 01:02:52.480
<v Speaker 2>they feel like they could fit into his Aliens universe,

1192
01:02:52.559 --> 01:02:53.920
<v Speaker 2>you know, James Cameron.

1193
01:02:53.840 --> 01:02:54.519
<v Speaker 3>That's a great point.

1194
01:02:54.519 --> 01:02:56.400
<v Speaker 1>I didn't think about that, but that's probably why I

1195
01:02:56.480 --> 01:02:57.840
<v Speaker 1>like them.

1196
01:02:58.159 --> 01:03:00.840
<v Speaker 2>And and yet I mean, look at this right here

1197
01:03:01.119 --> 01:03:03.360
<v Speaker 2>like that, I mean that could be the Salaco you know,

1198
01:03:04.119 --> 01:03:10.440
<v Speaker 2>m yeah, but it but juxtaposed with this utterly, utterly

1199
01:03:11.679 --> 01:03:14.880
<v Speaker 2>transporting you know, fantasia around them, I think that's what

1200
01:03:14.960 --> 01:03:21.400
<v Speaker 2>that's what makes it work for me. You know, this was.

1201
01:03:23.199 --> 01:03:24.960
<v Speaker 1>Actually there was two things that I was going to

1202
01:03:25.000 --> 01:03:26.719
<v Speaker 1>bring up. Well, you know, I'll bring this up first.

1203
01:03:27.360 --> 01:03:31.280
<v Speaker 1>I always find it fascinating when new languages are created

1204
01:03:32.039 --> 01:03:32.639
<v Speaker 1>for films.

1205
01:03:32.880 --> 01:03:34.480
<v Speaker 2>Oh yeah, like.

1206
01:03:34.400 --> 01:03:37.760
<v Speaker 1>What a like that's wild, Like that just feels like

1207
01:03:37.800 --> 01:03:40.559
<v Speaker 1>a lot of work, you know, coming up with I

1208
01:03:40.599 --> 01:03:43.599
<v Speaker 1>don't know, sentence structures and certain words and how to

1209
01:03:43.639 --> 01:03:46.800
<v Speaker 1>pronounce them. And so they yeah, they brought in a

1210
01:03:46.880 --> 01:03:50.519
<v Speaker 1>linguist for this movie and created the Navi language from scratch.

1211
01:03:51.360 --> 01:03:51.679
<v Speaker 1>I don't know.

1212
01:03:51.679 --> 01:03:52.840
<v Speaker 3>I just find that kind of amazing.

1213
01:03:53.360 --> 01:03:55.000
<v Speaker 1>Yeah, you know, and they, I mean, they do that

1214
01:03:55.079 --> 01:03:58.559
<v Speaker 1>for a lot of films, but you know, well Lord

1215
01:03:58.559 --> 01:04:02.719
<v Speaker 1>of the Rings, right, Elvin and everything that's right, I

1216
01:04:02.719 --> 01:04:04.800
<v Speaker 1>don't know, And so I just think it's it's it's

1217
01:04:04.840 --> 01:04:07.480
<v Speaker 1>one thing to make a movie and it takes place

1218
01:04:07.480 --> 01:04:09.559
<v Speaker 1>in Japan and you learn some Japanese words, you're like, oh,

1219
01:04:09.639 --> 01:04:11.039
<v Speaker 1>I know a few of these words, and you kind

1220
01:04:11.079 --> 01:04:13.360
<v Speaker 1>of can build off of that. But here it's like

1221
01:04:13.440 --> 01:04:16.079
<v Speaker 1>this just comes from absolutely nowhere, and you've got to

1222
01:04:16.159 --> 01:04:19.400
<v Speaker 1>learn all this language and then have someone tell you

1223
01:04:19.400 --> 01:04:23.480
<v Speaker 1>you're doing it wrong, you know, right, I don't know.

1224
01:04:24.800 --> 01:04:25.880
<v Speaker 3>It's always impressive to me.

1225
01:04:29.800 --> 01:04:31.639
<v Speaker 1>And I was reading too when they were considering it,

1226
01:04:31.719 --> 01:04:33.480
<v Speaker 1>just well they came up with about a thousand words,

1227
01:04:33.639 --> 01:04:35.920
<v Speaker 1>and they were like Cameron's order was, and it has

1228
01:04:36.000 --> 01:04:39.239
<v Speaker 1>to sound nice to the audience, you know what I mean.

1229
01:04:39.280 --> 01:04:41.960
<v Speaker 1>So it's like just now go get to work. Yeah, yeah,

1230
01:04:42.000 --> 01:04:44.880
<v Speaker 1>like something that's pleasing to listen to. I don't know,

1231
01:04:45.280 --> 01:04:46.280
<v Speaker 1>it's interesting.

1232
01:04:47.559 --> 01:04:52.079
<v Speaker 2>There. There's one bit of backstory in the in the

1233
01:04:52.320 --> 01:04:55.199
<v Speaker 2>special edition that I thought was I don't believe it's

1234
01:04:55.320 --> 01:04:58.840
<v Speaker 2>it's in this It's where Grace talks about how how

1235
01:04:59.039 --> 01:05:03.960
<v Speaker 2>NITII had a sister. Oh, and she taught both of them,

1236
01:05:04.000 --> 01:05:06.880
<v Speaker 2>like that's why she said, Na Tiri and her sister

1237
01:05:06.920 --> 01:05:08.639
<v Speaker 2>were like two of her best students. And the sister

1238
01:05:08.719 --> 01:05:14.519
<v Speaker 2>was killed by the by the Marines or whatever. And

1239
01:05:14.519 --> 01:05:20.000
<v Speaker 2>and I'm like, you know, I definitely I understand cutting it,

1240
01:05:20.079 --> 01:05:22.039
<v Speaker 2>probably just just for the sake of pacing. But I

1241
01:05:22.079 --> 01:05:24.559
<v Speaker 2>also thinks as a bit of backstory, I think that's

1242
01:05:24.599 --> 01:05:29.360
<v Speaker 2>that's helpful just in terms of broadening out the world

1243
01:05:29.400 --> 01:05:33.760
<v Speaker 2>before we get here. You know, this stuff all looks

1244
01:05:34.159 --> 01:05:35.119
<v Speaker 2>Oh it's fantastic.

1245
01:05:35.800 --> 01:05:37.840
<v Speaker 1>Yeah, And I mean she looks and I was talking

1246
01:05:37.840 --> 01:05:42.679
<v Speaker 1>about you know, heft and weight and things like the

1247
01:05:42.719 --> 01:05:45.239
<v Speaker 1>way that she's positioned on that thing and soaring through

1248
01:05:45.239 --> 01:05:48.719
<v Speaker 1>the air like that, you know, it just it looks

1249
01:05:48.800 --> 01:05:54.840
<v Speaker 1>very good. Yeah, this was one of the first times

1250
01:05:54.880 --> 01:05:57.719
<v Speaker 1>I remember reading about and maybe it was developed for

1251
01:05:57.719 --> 01:06:02.800
<v Speaker 1>this film. But Cameron had a virtual camera system, okay,

1252
01:06:02.960 --> 01:06:05.719
<v Speaker 1>where he could you know. I had read that the

1253
01:06:05.800 --> 01:06:09.719
<v Speaker 1>acting portion of this was captured in like thirty one days,

1254
01:06:10.320 --> 01:06:12.960
<v Speaker 1>you know, because why not, right, Like, you don't have

1255
01:06:13.000 --> 01:06:15.400
<v Speaker 1>to set up shots. They're literally just in like an

1256
01:06:15.400 --> 01:06:19.960
<v Speaker 1>open area in these capture suits. Act out the whole movie.

1257
01:06:19.960 --> 01:06:22.159
<v Speaker 1>Then you have the data, put it into a computer.

1258
01:06:22.719 --> 01:06:27.079
<v Speaker 1>Then Cameron goes in and crafts, well, let's make this

1259
01:06:27.159 --> 01:06:29.519
<v Speaker 1>a close up, you know, like it just he's got

1260
01:06:29.559 --> 01:06:31.519
<v Speaker 1>all of it. It can be anything he wants, so he

1261
01:06:31.519 --> 01:06:33.599
<v Speaker 1>can choose, well, let's swoop around this, let's look at

1262
01:06:33.599 --> 01:06:35.800
<v Speaker 1>this from behind, let's put the camera up hi over here,

1263
01:06:36.159 --> 01:06:38.679
<v Speaker 1>just with everything he's already captured in the thirty days.

1264
01:06:39.199 --> 01:06:42.119
<v Speaker 1>But when he was there capturing that stuff, he had

1265
01:06:42.119 --> 01:06:46.679
<v Speaker 1>a virtual camera system where he could look through the

1266
01:06:46.719 --> 01:06:49.400
<v Speaker 1>camera and see what the actors would kind of look

1267
01:06:49.480 --> 01:06:51.920
<v Speaker 1>like in a rudimentary way as their characters, but also

1268
01:06:52.000 --> 01:06:55.400
<v Speaker 1>see forest behind them, you know, like fill in the background.

1269
01:06:55.760 --> 01:06:59.400
<v Speaker 1>He said it was like a big, powerful game engine.

1270
01:06:59.519 --> 01:07:01.800
<v Speaker 1>You know, we're like he sing, so he could get

1271
01:07:01.840 --> 01:07:03.239
<v Speaker 1>an idea of what it would look like if they

1272
01:07:03.239 --> 01:07:05.159
<v Speaker 1>were in a big open field versus, oh, they're on

1273
01:07:05.199 --> 01:07:06.559
<v Speaker 1>top of a mountain or you know.

1274
01:07:07.199 --> 01:07:10.000
<v Speaker 3>Yeah, but I feel like I've seen that since. But

1275
01:07:10.280 --> 01:07:12.079
<v Speaker 3>I think that might have been something he developed for

1276
01:07:12.159 --> 01:07:13.280
<v Speaker 3>this right.

1277
01:07:14.239 --> 01:07:16.559
<v Speaker 2>By the way, one one effect that doesn't get commented

1278
01:07:16.559 --> 01:07:19.000
<v Speaker 2>on nearly enough is how they how they made Jake's

1279
01:07:19.079 --> 01:07:25.840
<v Speaker 2>legs look you know, atrophye, emaciated, you know, emaciated. Yeah,

1280
01:07:26.320 --> 01:07:28.639
<v Speaker 2>very subtle effect, but effective, you know.

1281
01:07:29.239 --> 01:07:33.679
<v Speaker 1>Yeah, I was reading that they found someone who didn't

1282
01:07:33.679 --> 01:07:35.199
<v Speaker 1>have use of their legs, who was kind of the

1283
01:07:35.239 --> 01:07:41.000
<v Speaker 1>same build as Worthington, and they made molds and so

1284
01:07:41.679 --> 01:07:46.159
<v Speaker 1>Worthington his legs are like hidden in the wheelchair. He's

1285
01:07:46.199 --> 01:07:48.480
<v Speaker 1>in a wheelchair and then they have the prosthetic things.

1286
01:07:48.679 --> 01:07:49.199
<v Speaker 2>That's great.

1287
01:07:49.559 --> 01:07:54.920
<v Speaker 1>Yeah, yeah, it's effective for sure.

1288
01:07:57.360 --> 01:07:57.960
<v Speaker 2>And that's the thing.

1289
01:07:58.000 --> 01:08:00.519
<v Speaker 1>I forgot about that component, by the way, Sorry, just

1290
01:08:00.599 --> 01:08:04.320
<v Speaker 1>I forgot about the component where he's someone yeah, who's

1291
01:08:04.360 --> 01:08:07.840
<v Speaker 1>lost the ability to walk, and then through this experience

1292
01:08:07.920 --> 01:08:11.760
<v Speaker 1>he's able to you know, walk and run and jump

1293
01:08:11.800 --> 01:08:14.159
<v Speaker 1>again like that. That's just like a component i'd forgotten

1294
01:08:14.159 --> 01:08:14.920
<v Speaker 1>about his character.

1295
01:08:15.480 --> 01:08:18.840
<v Speaker 2>Yeah, and you know they established that early on, where

1296
01:08:19.199 --> 01:08:23.479
<v Speaker 2>you know, if you have the means, then you don't

1297
01:08:23.359 --> 01:08:26.520
<v Speaker 2>have to be be crippled, you know. And and Korich,

1298
01:08:26.600 --> 01:08:30.399
<v Speaker 2>Colonel Korich says, you know, you do you function as

1299
01:08:30.399 --> 01:08:33.720
<v Speaker 2>our you know, as our trojan horse, then you know

1300
01:08:33.760 --> 01:08:37.239
<v Speaker 2>you'll get your legs back. Mm hmm. But and that's

1301
01:08:37.319 --> 01:08:42.199
<v Speaker 2>where I think having you know, showing that the prologue

1302
01:08:42.199 --> 01:08:44.399
<v Speaker 2>sequence of how just how shitty life is on Earth,

1303
01:08:44.439 --> 01:08:46.000
<v Speaker 2>where I think that would have been helpful just in

1304
01:08:46.079 --> 01:08:49.000
<v Speaker 2>terms of really cementing for Jake, like, Okay, I get

1305
01:08:49.000 --> 01:08:52.159
<v Speaker 2>my legs back, but what kind of what kind of

1306
01:08:52.159 --> 01:08:53.600
<v Speaker 2>life do I want to live? You know?

1307
01:08:58.359 --> 01:09:01.359
<v Speaker 1>Interesting to the subtle different and says between the Avatars

1308
01:09:01.359 --> 01:09:06.680
<v Speaker 1>and the true Nave, where the Nave have less fingers, yeah, right,

1309
01:09:06.760 --> 01:09:10.760
<v Speaker 1>like the avatars have five fingers on each hand and

1310
01:09:10.880 --> 01:09:14.359
<v Speaker 1>they have excuse me, they have eyebrows, the avatars.

1311
01:09:13.920 --> 01:09:19.960
<v Speaker 2>Right, don't see. I also think it's interesting that it's

1312
01:09:20.079 --> 01:09:24.800
<v Speaker 2>not meant to be like they're hiding who they are

1313
01:09:25.000 --> 01:09:28.840
<v Speaker 2>from the Noave, Like the Nave they know the drill,

1314
01:09:29.000 --> 01:09:31.159
<v Speaker 2>you know, right right. And I was thinking, I was

1315
01:09:31.199 --> 01:09:34.399
<v Speaker 2>like I kind of like that, because it it sort

1316
01:09:34.399 --> 01:09:37.479
<v Speaker 2>of implies that they're not morons.

1317
01:09:36.960 --> 01:09:39.159
<v Speaker 1>You know, yeah, right right right, you.

1318
01:09:39.079 --> 01:09:41.079
<v Speaker 2>Know, it gives them the courtesy of being treated like

1319
01:09:41.119 --> 01:09:42.520
<v Speaker 2>intelligent people, you know.

1320
01:09:42.680 --> 01:09:45.840
<v Speaker 1>But to them are hue or are the avatars? Is

1321
01:09:45.840 --> 01:09:47.239
<v Speaker 1>it like if we were to see the guy from

1322
01:09:47.319 --> 01:09:50.399
<v Speaker 1>Men in Black and the Edgar suit, like you one,

1323
01:09:50.600 --> 01:09:54.640
<v Speaker 1>just like you, let's shoot some hoops and he's like

1324
01:09:54.640 --> 01:09:57.119
<v Speaker 1>like hobbling everywhere, like does it?

1325
01:09:58.079 --> 01:10:00.600
<v Speaker 2>Well? I think it's it's more like the the you know,

1326
01:10:00.760 --> 01:10:03.199
<v Speaker 2>the little alien guy inside the head, you know.

1327
01:10:03.279 --> 01:10:09.600
<v Speaker 1>Yeah, I no idea much better. Yeah, yeah, all this

1328
01:10:09.600 --> 01:10:12.600
<v Speaker 1>stuff looks amazing, the way the light's bouncing off of them.

1329
01:10:12.920 --> 01:10:16.800
<v Speaker 2>So this too. For Zoe Saldania, the Star Trek was

1330
01:10:16.800 --> 01:10:19.239
<v Speaker 2>was just a few months before this. Yeah yeah right,

1331
01:10:19.600 --> 01:10:21.520
<v Speaker 2>she too had a pretty good pretty good on nine,

1332
01:10:21.840 --> 01:10:24.439
<v Speaker 2>pretty pretty good on nine, and just a good career

1333
01:10:24.479 --> 01:10:27.840
<v Speaker 2>in general, considering like one of her first gigs was

1334
01:10:27.840 --> 01:10:30.199
<v Speaker 2>was Crossroads opposite Britney Spears.

1335
01:10:30.800 --> 01:10:33.760
<v Speaker 1>Oh yeah, how funny she's done alright?

1336
01:10:33.960 --> 01:10:34.840
<v Speaker 2>Yeah.

1337
01:10:34.880 --> 01:10:38.920
<v Speaker 1>Well I was curious about Sam Worthington because I was like,

1338
01:10:38.960 --> 01:10:40.000
<v Speaker 1>had he done something.

1339
01:10:39.720 --> 01:10:42.159
<v Speaker 2>Before this or he your salvation before this?

1340
01:10:42.520 --> 01:10:45.359
<v Speaker 1>Well it came out the same year. That's right, So

1341
01:10:46.079 --> 01:10:49.520
<v Speaker 1>it wasn't like like this, and this was probably shot,

1342
01:10:49.640 --> 01:10:51.840
<v Speaker 1>I imagine years before he.

1343
01:10:51.920 --> 01:10:56.800
<v Speaker 2>Got Terminator off off of James Cameron's recommendation.

1344
01:10:56.720 --> 01:10:58.479
<v Speaker 1>Okay, and then he did Clash to the Titans the

1345
01:10:58.520 --> 01:10:59.960
<v Speaker 1>next year, and I'm sure that was off of like

1346
01:11:00.039 --> 01:11:02.840
<v Speaker 1>Avatar heat. So this was like kind of a breakout

1347
01:11:02.840 --> 01:11:03.399
<v Speaker 1>for him.

1348
01:11:03.720 --> 01:11:06.720
<v Speaker 2>Yes, yeah, yeah, and I mean he, you know, he,

1349
01:11:07.560 --> 01:11:09.479
<v Speaker 2>I mean, he's never stopped working. He's had a pretty

1350
01:11:09.479 --> 01:11:11.000
<v Speaker 2>good run. But I mean, you know, he did a

1351
01:11:11.039 --> 01:11:16.039
<v Speaker 2>movie called Sabotage opposite Arnold Schwartzenegger, which what's his name,

1352
01:11:16.800 --> 01:11:21.399
<v Speaker 2>David David Air directed, which isn't the worst movie. Actually,

1353
01:11:21.439 --> 01:11:22.279
<v Speaker 2>I think you might enjoy that.

1354
01:11:22.640 --> 01:11:24.720
<v Speaker 1>Okay, Oh yeah, here on is i NDV.

1355
01:11:26.239 --> 01:11:28.840
<v Speaker 2>But this this Christmas if you remember, because this came

1356
01:11:28.880 --> 01:11:31.039
<v Speaker 2>out and right around the same time with Sherlock Holmes

1357
01:11:32.079 --> 01:11:34.359
<v Speaker 2>the first the Robert Downey one, and both ended up

1358
01:11:34.399 --> 01:11:37.079
<v Speaker 2>doing pretty well. And you know, this is one of

1359
01:11:37.119 --> 01:11:43.199
<v Speaker 2>those rising tide lifts all boat situations, because you know,

1360
01:11:43.800 --> 01:11:46.199
<v Speaker 2>it's not like one hit movie is going to swallowp

1361
01:11:46.199 --> 01:11:48.319
<v Speaker 2>all the oxygen. People are going to go to movies,

1362
01:11:48.479 --> 01:11:51.640
<v Speaker 2>they'll see trailers for other movies and they'll come back, like,

1363
01:11:51.720 --> 01:11:55.560
<v Speaker 2>I mean, it's a good movie going environment for all

1364
01:11:55.600 --> 01:12:00.640
<v Speaker 2>the studios. And and the fact that this movie just

1365
01:12:00.720 --> 01:12:05.680
<v Speaker 2>played and played I think a lot well into twenty ten,

1366
01:12:05.960 --> 01:12:07.439
<v Speaker 2>you know, I think a lot of other films ended

1367
01:12:07.479 --> 01:12:08.720
<v Speaker 2>up benefiting as a result of that.

1368
01:12:08.960 --> 01:12:13.640
<v Speaker 1>Yeah. Well, and this was actually helped me. Remember, I mean,

1369
01:12:13.720 --> 01:12:15.319
<v Speaker 1>so this movie, it was a big deal that this

1370
01:12:15.520 --> 01:12:18.239
<v Speaker 1>was in three D. It's like, if you're going to

1371
01:12:18.239 --> 01:12:19.479
<v Speaker 1>see it, you got to see it in three D.

1372
01:12:20.239 --> 01:12:23.000
<v Speaker 1>And then there was that whole run for a while

1373
01:12:23.159 --> 01:12:25.680
<v Speaker 1>where movies are either shot in three D or converted

1374
01:12:25.720 --> 01:12:26.159
<v Speaker 1>to three D.

1375
01:12:26.520 --> 01:12:28.720
<v Speaker 2>Yeah, everyone and their cousin was like, oh, let's just

1376
01:12:29.439 --> 01:12:33.239
<v Speaker 2>you know, legally blonde three let's put that in three

1377
01:12:33.319 --> 01:12:35.560
<v Speaker 2>D or whatever. I mean, you know, like things that

1378
01:12:35.680 --> 01:12:39.279
<v Speaker 2>it's not even remotely appropriate. And most of the post

1379
01:12:39.359 --> 01:12:44.600
<v Speaker 2>produced three D was was disastrous. Yeah, you know, you

1380
01:12:44.640 --> 01:12:47.159
<v Speaker 2>mentioned Clash of the Titans. Unfortunately, Clash of the Titans

1381
01:12:47.159 --> 01:12:51.880
<v Speaker 2>has become the poster child for lousy post produced three D.

1382
01:12:52.800 --> 01:12:54.920
<v Speaker 2>That process has been refined since then. It's gotten a

1383
01:12:54.960 --> 01:12:59.560
<v Speaker 2>lot better. But unfortunately there was a bit of a

1384
01:12:59.560 --> 01:13:03.239
<v Speaker 2>stink because of those early you know, because you had

1385
01:13:04.560 --> 01:13:09.319
<v Speaker 2>Tim Burton's Allis in Wonderland. Yeah, right, that's what happened

1386
01:13:09.319 --> 01:13:11.960
<v Speaker 2>because this was three D, and then Alison's Alison in

1387
01:13:12.000 --> 01:13:15.199
<v Speaker 2>Wonderland very shortly, also in three D, did very well,

1388
01:13:15.199 --> 01:13:17.560
<v Speaker 2>and so the studios are like, oh shit, there's you know,

1389
01:13:17.840 --> 01:13:20.800
<v Speaker 2>people just showing up for three D movies. And so

1390
01:13:20.880 --> 01:13:24.399
<v Speaker 2>you had Clashes the Titans, you had Avatar, the other Avatar,

1391
01:13:24.439 --> 01:13:27.720
<v Speaker 2>the last Airbender movie. Oh was that okay, which is

1392
01:13:27.760 --> 01:13:29.840
<v Speaker 2>the following summer summer of twenty ten, and so that

1393
01:13:30.000 --> 01:13:34.720
<v Speaker 2>was post produced three D and my I remember watching

1394
01:13:34.720 --> 01:13:37.039
<v Speaker 2>that in three D and like my eyes were going

1395
01:13:37.079 --> 01:13:38.479
<v Speaker 2>to rip themselves inside out.

1396
01:13:38.520 --> 01:13:39.600
<v Speaker 1>Oh really it was.

1397
01:13:40.000 --> 01:13:41.520
<v Speaker 3>It was ghastly Okay.

1398
01:13:42.439 --> 01:13:45.840
<v Speaker 2>You know, again, this is fifteen years ago, so the

1399
01:13:45.880 --> 01:13:49.479
<v Speaker 2>process has been substantially improved where I don't think you

1400
01:13:49.479 --> 01:13:52.600
<v Speaker 2>can really tell the difference anymore. Right, But at the time,

1401
01:13:52.680 --> 01:13:55.399
<v Speaker 2>I remember Jim Cameron being like, look, I shot it

1402
01:13:55.680 --> 01:13:58.479
<v Speaker 2>with three D cameras, I'm doing it for real, And

1403
01:13:58.520 --> 01:14:01.199
<v Speaker 2>he was sort of, you know, snickering at all everyone

1404
01:14:01.239 --> 01:14:04.319
<v Speaker 2>trying to you know, grab his coat tails, you know.

1405
01:14:04.560 --> 01:14:06.319
<v Speaker 1>Yeah, but I mean it makes a lot of sense

1406
01:14:06.520 --> 01:14:10.880
<v Speaker 1>studios wanting to do that because you can charge more

1407
01:14:10.920 --> 01:14:11.439
<v Speaker 1>per ticket.

1408
01:14:12.279 --> 01:14:16.159
<v Speaker 2>Yeah, so between IMAX and three D, I mean there

1409
01:14:16.399 --> 01:14:18.479
<v Speaker 2>there's a decent chunk of why this movie did as

1410
01:14:18.520 --> 01:14:19.079
<v Speaker 2>well as it did.

1411
01:14:19.439 --> 01:14:22.239
<v Speaker 1>Yeah, which is funny because yeah, Cameron's got his three

1412
01:14:22.319 --> 01:14:24.640
<v Speaker 1>D and Christopher Nolan, you know, it's such a stand

1413
01:14:24.720 --> 01:14:25.399
<v Speaker 1>for IMAX.

1414
01:14:26.399 --> 01:14:29.399
<v Speaker 3>You know, they got there. It's interesting that they each have.

1415
01:14:29.439 --> 01:14:33.560
<v Speaker 2>What they believe is the Yeah, Nolan is like anti

1416
01:14:33.600 --> 01:14:34.399
<v Speaker 2>three D.

1417
01:14:34.760 --> 01:14:35.479
<v Speaker 3>Oh is he really?

1418
01:14:35.560 --> 01:14:36.880
<v Speaker 2>Oh yeah, he's not. He's not a fan.

1419
01:14:37.039 --> 01:14:38.680
<v Speaker 1>I don't really love it either, to be honest, I

1420
01:14:39.079 --> 01:14:42.720
<v Speaker 1>have had good experiences with it, but by and large

1421
01:14:42.760 --> 01:14:43.560
<v Speaker 1>I don't prefer it.

1422
01:14:43.720 --> 01:14:47.479
<v Speaker 2>I think, by and large, for me, the Avatar movies

1423
01:14:47.520 --> 01:14:47.760
<v Speaker 2>are it.

1424
01:14:48.840 --> 01:14:55.319
<v Speaker 1>Yeah, you know, yeah, I remember I saw oh wow,

1425
01:14:55.359 --> 01:15:00.600
<v Speaker 1>it just completely slipped my mind. Oh Titanic, okay, and

1426
01:15:00.640 --> 01:15:05.520
<v Speaker 1>I was like, this is incredible, okay, and that's clearly

1427
01:15:05.600 --> 01:15:09.319
<v Speaker 1>post produced three D post produced. But it looked amazing,

1428
01:15:09.520 --> 01:15:12.760
<v Speaker 1>truly immersive, and you know when anytime you're on the water,

1429
01:15:13.159 --> 01:15:15.920
<v Speaker 1>it did this crazy thing where I really felt like

1430
01:15:15.960 --> 01:15:18.319
<v Speaker 1>I was on the surface of the water looking at things,

1431
01:15:18.840 --> 01:15:21.399
<v Speaker 1>you know, in front of me. It was if it

1432
01:15:21.479 --> 01:15:24.119
<v Speaker 1>came back in theaters, I would, without question go see

1433
01:15:24.119 --> 01:15:26.319
<v Speaker 1>it again because it was such a cool experience. And

1434
01:15:26.359 --> 01:15:29.920
<v Speaker 1>then Jaws actually when it came out of going three D,

1435
01:15:30.199 --> 01:15:33.720
<v Speaker 1>it was really well done. I you know, it's I

1436
01:15:33.800 --> 01:15:36.359
<v Speaker 1>think those things are at their best when they're not

1437
01:15:36.920 --> 01:15:40.520
<v Speaker 1>calling attention to themselves, right, you know, and they're just

1438
01:15:41.560 --> 01:15:44.319
<v Speaker 1>you almost forget about it. You just are experiencing a

1439
01:15:44.359 --> 01:15:46.680
<v Speaker 1>dimensionality in front of you. You know, people crossing in

1440
01:15:46.720 --> 01:15:48.680
<v Speaker 1>front of you, or trees crossing in front of you

1441
01:15:48.760 --> 01:15:51.439
<v Speaker 1>as people are walking. Right, It's pretty cool.

1442
01:15:52.319 --> 01:15:54.560
<v Speaker 2>Yeah, I mean, I mean old timey three D. I'm

1443
01:15:54.560 --> 01:15:57.039
<v Speaker 2>talking like fifties, sixties, you know, when it when the

1444
01:15:57.119 --> 01:15:59.199
<v Speaker 2>first time it was a fad, you know that that

1445
01:15:59.600 --> 01:16:01.760
<v Speaker 2>they would do like here's a pizza and it's like

1446
01:16:02.319 --> 01:16:04.159
<v Speaker 2>shoving it at the screen, and it's like, well, that's

1447
01:16:04.159 --> 01:16:07.079
<v Speaker 2>not how life works, you know, right right, you just

1448
01:16:07.119 --> 01:16:10.119
<v Speaker 2>sort of moved through life, and that's you know, I

1449
01:16:10.119 --> 01:16:15.159
<v Speaker 2>think there's a naturalism that certainly these films evoke with

1450
01:16:15.680 --> 01:16:16.600
<v Speaker 2>regards to the three D.

1451
01:16:16.840 --> 01:16:18.800
<v Speaker 1>You know, well, and there's so many like this scene

1452
01:16:18.840 --> 01:16:21.880
<v Speaker 1>we're watching right now, is it let me refer to you,

1453
01:16:22.079 --> 01:16:24.399
<v Speaker 1>is it an e klon? Is that what he's taming here?

1454
01:16:25.880 --> 01:16:29.239
<v Speaker 2>I will go ahead and say, maybe.

1455
01:16:29.239 --> 01:16:33.079
<v Speaker 1>Okay, this is one of the scenes that I remember

1456
01:16:33.119 --> 01:16:35.159
<v Speaker 1>most from this movie. It's very cool where he's brought

1457
01:16:35.239 --> 01:16:37.560
<v Speaker 1>up and they're like, okay, well you got to get

1458
01:16:37.600 --> 01:16:39.640
<v Speaker 1>your horse, so to speak. And the way to do

1459
01:16:39.680 --> 01:16:40.760
<v Speaker 1>that is you kind of have to tame it and

1460
01:16:40.800 --> 01:16:42.560
<v Speaker 1>you have to make a connection and then you're bonded

1461
01:16:42.600 --> 01:16:46.880
<v Speaker 1>for life, you know, and just how dangerous it is.

1462
01:16:48.000 --> 01:16:49.960
<v Speaker 1>And then once it works, the way that he connects

1463
01:16:50.039 --> 01:16:51.920
<v Speaker 1>with the creature and the way they're soaring through the

1464
01:16:51.960 --> 01:16:54.079
<v Speaker 1>air with all the mountains floating in the background. I mean,

1465
01:16:54.119 --> 01:16:56.119
<v Speaker 1>I think this was for me when I think of

1466
01:16:56.119 --> 01:16:57.720
<v Speaker 1>this movie. This is one of the scenes I remember,

1467
01:16:57.760 --> 01:16:59.800
<v Speaker 1>and I can imagine being like, yeah, i'd want to

1468
01:16:59.800 --> 01:17:01.960
<v Speaker 1>see is in three D. I want to be on

1469
01:17:02.000 --> 01:17:05.840
<v Speaker 1>that cliff's edge and then soar with that creature.

1470
01:17:06.119 --> 01:17:12.279
<v Speaker 2>Right, I mean, the whole concept of you know, your

1471
01:17:12.319 --> 01:17:15.720
<v Speaker 2>little your little tail doo dad and bonding with the

1472
01:17:15.760 --> 01:17:18.159
<v Speaker 2>thing and then you create this this bond with the animal.

1473
01:17:18.199 --> 01:17:23.880
<v Speaker 2>I mean, it's it's so uh you know, it's so nutty,

1474
01:17:24.000 --> 01:17:26.960
<v Speaker 2>you know. Yeah, I mean it's like nutty in a

1475
01:17:27.000 --> 01:17:29.560
<v Speaker 2>cool way, right, Like like it's like, yah know who

1476
01:17:29.560 --> 01:17:30.640
<v Speaker 2>thinks of this stuff? You know?

1477
01:17:33.039 --> 01:17:34.600
<v Speaker 1>I just feel like i'd be worried about it, like

1478
01:17:34.600 --> 01:17:38.600
<v Speaker 1>getting it dirty, you know, just it was like something

1479
01:17:38.600 --> 01:17:46.079
<v Speaker 1>that shouldn't be exposed. Yeah. Yeah, Like if someone were

1480
01:17:46.119 --> 01:17:48.119
<v Speaker 1>to tell me, like, hey, read my script and it

1481
01:17:48.199 --> 01:17:51.119
<v Speaker 1>had that component in it, I'd be like, uh, I

1482
01:17:51.159 --> 01:17:53.119
<v Speaker 1>don't know, like let me wrap my head around that.

1483
01:17:54.239 --> 01:17:56.319
<v Speaker 1>But then when you watch it and cameraon executes it,

1484
01:17:56.359 --> 01:17:58.279
<v Speaker 1>You're like, yeah, I still, like you said, nutty is

1485
01:17:58.279 --> 01:18:00.079
<v Speaker 1>a great word for it. But it's like, yeah, but

1486
01:18:00.159 --> 01:18:03.279
<v Speaker 1>I get it kind of works. I like the idea

1487
01:18:03.279 --> 01:18:05.800
<v Speaker 1>of the way that they I mean because like you said,

1488
01:18:05.840 --> 01:18:10.279
<v Speaker 1>this movie is all about connection with the earth and with creatures. Oh.

1489
01:18:10.520 --> 01:18:12.399
<v Speaker 1>We we were talking over it, but I wanted to

1490
01:18:12.399 --> 01:18:15.760
<v Speaker 1>call it that scene where that creature earlier that's sort

1491
01:18:15.800 --> 01:18:20.600
<v Speaker 1>of like scary dog thing is you know, following Jake

1492
01:18:20.640 --> 01:18:23.239
<v Speaker 1>and then Terry save his life and she's like, oh, thanks,

1493
01:18:23.239 --> 01:18:25.199
<v Speaker 1>glad you killed that thing and she's like this is

1494
01:18:25.239 --> 01:18:28.239
<v Speaker 1>a bad thing, Like this is you know like that.

1495
01:18:29.680 --> 01:18:32.159
<v Speaker 1>I love that. I love I don't know, Yeah, I

1496
01:18:32.560 --> 01:18:36.479
<v Speaker 1>like that ethos in this movie, you know, the respect

1497
01:18:36.479 --> 01:18:38.319
<v Speaker 1>for everything. Even when we kill something and it's providing

1498
01:18:38.399 --> 01:18:41.520
<v Speaker 1>us food, we thank it, you know. Kind of So

1499
01:18:42.199 --> 01:18:44.880
<v Speaker 1>I don't know the connection thing feels like a nice

1500
01:18:44.960 --> 01:18:47.079
<v Speaker 1>extension of that, a nice component of like, no, like

1501
01:18:47.119 --> 01:18:50.760
<v Speaker 1>you don't just ride this creature, like you truly connect

1502
01:18:50.760 --> 01:18:51.680
<v Speaker 1>with one another.

1503
01:18:51.960 --> 01:18:54.640
<v Speaker 2>Right, it becomes an extension of yourself.

1504
01:18:55.319 --> 01:18:57.199
<v Speaker 1>Yeah, and it's funny then you know where he'll he'll

1505
01:18:57.239 --> 01:18:59.560
<v Speaker 1>tell it, you know, like bank left and so they're

1506
01:18:59.680 --> 01:19:02.159
<v Speaker 1>connect Banks left. Yeah, you can steer it that way.

1507
01:19:03.000 --> 01:19:05.760
<v Speaker 2>I think that, you know, going back to what we

1508
01:19:05.760 --> 01:19:11.119
<v Speaker 2>were talking about earlier, right, like the the conversation about Oh,

1509
01:19:11.199 --> 01:19:13.800
<v Speaker 2>it's it's so much like this other thing or that

1510
01:19:13.880 --> 01:19:17.199
<v Speaker 2>other thing, like it misses, it misses what it's going

1511
01:19:17.279 --> 01:19:19.600
<v Speaker 2>to mean for the people who are entering with this.

1512
01:19:19.760 --> 01:19:21.920
<v Speaker 2>And you know, it's kind it's kind of like you

1513
01:19:21.960 --> 01:19:24.439
<v Speaker 2>look at Star Wars. It's not like Star Wars was

1514
01:19:24.800 --> 01:19:29.319
<v Speaker 2>wholly original Star Wars. Yeah, yeah, self a pastiche of

1515
01:19:29.640 --> 01:19:32.000
<v Speaker 2>Flashcoordon and Buck Rogers and all that stuff, all of

1516
01:19:32.039 --> 01:19:34.279
<v Speaker 2>all of George Lucas's influences and he put them into

1517
01:19:34.279 --> 01:19:36.359
<v Speaker 2>a queens and art and he got, you know, something

1518
01:19:36.520 --> 01:19:39.039
<v Speaker 2>some extraordinary. Well, Cameron's doing the same thing, you know,

1519
01:19:39.680 --> 01:19:43.520
<v Speaker 2>mm hmm. I mean shit, even Terminator is same, right,

1520
01:19:43.560 --> 01:19:46.279
<v Speaker 2>I mean, that's that's Oh's inspiration to t X, Y,

1521
01:19:46.359 --> 01:19:49.119
<v Speaker 2>and Z things, and he kind of shone a new

1522
01:19:49.199 --> 01:19:51.199
<v Speaker 2>light on it absolutely.

1523
01:19:51.279 --> 01:19:53.399
<v Speaker 1>I mean he I was reading some interviews and he

1524
01:19:53.479 --> 01:19:56.319
<v Speaker 1>said that his inspiration was every single science fiction book

1525
01:19:56.319 --> 01:19:59.199
<v Speaker 1>he read as a kid, and he name checked John Carter.

1526
01:19:59.319 --> 01:20:01.800
<v Speaker 2>One hundred percent. I mean, this is so John Carter,

1527
01:20:01.960 --> 01:20:02.159
<v Speaker 2>you know.

1528
01:20:02.560 --> 01:20:02.800
<v Speaker 1>Yeah.

1529
01:20:02.800 --> 01:20:04.800
<v Speaker 2>And the problem is it did John Carter better than

1530
01:20:04.840 --> 01:20:07.680
<v Speaker 2>John Carter, which is why John Carter is now unfortunately

1531
01:20:07.680 --> 01:20:09.199
<v Speaker 2>thought of as John Carter.

1532
01:20:11.359 --> 01:20:14.600
<v Speaker 1>Yeah. Yeah, well, and it's you know, there was a

1533
01:20:14.600 --> 01:20:17.199
<v Speaker 1>lot of criticisms too, saying like, oh, he just remade

1534
01:20:17.239 --> 01:20:20.319
<v Speaker 1>you know, friend Guali or Pocahontas. But he himself I

1535
01:20:21.119 --> 01:20:23.159
<v Speaker 1>actually double check this to see if he actually said this,

1536
01:20:23.239 --> 01:20:25.239
<v Speaker 1>but he's like, oh no, yeah, and Terry's Pocahontas.

1537
01:20:25.880 --> 01:20:26.399
<v Speaker 2>Yeah, you know.

1538
01:20:26.600 --> 01:20:29.159
<v Speaker 3>And so you know, you take the things.

1539
01:20:29.199 --> 01:20:31.560
<v Speaker 1>And but you know what I find interesting about the

1540
01:20:31.560 --> 01:20:34.000
<v Speaker 1>Hole Lucas thing with Star Wars being inspired by all

1541
01:20:34.039 --> 01:20:35.479
<v Speaker 1>the things he loved as a kid. I've brought this

1542
01:20:35.600 --> 01:20:38.560
<v Speaker 1>up many, many times. But the things he loved as

1543
01:20:38.560 --> 01:20:42.279
<v Speaker 1>a kid we're not super familiar with, that's right, Like

1544
01:20:42.439 --> 01:20:46.359
<v Speaker 1>we just know his riff on it. But the things

1545
01:20:46.399 --> 01:20:49.159
<v Speaker 1>that we were passionate about as kids have never gone away,

1546
01:20:50.000 --> 01:20:54.039
<v Speaker 1>like just the way that culture has changed through maybe VCRs.

1547
01:20:54.720 --> 01:20:57.319
<v Speaker 1>You know, we're able to watch these things more easily,

1548
01:20:57.760 --> 01:21:01.239
<v Speaker 1>and Hollywood is like allergic to new ideas, so they

1549
01:21:01.279 --> 01:21:04.199
<v Speaker 1>just keep remaking the things that already exist. So if

1550
01:21:04.239 --> 01:21:06.399
<v Speaker 1>you were then trying to try to make your pastiche

1551
01:21:06.479 --> 01:21:09.079
<v Speaker 1>on Star Wars, which is like almost fifty years old,

1552
01:21:10.119 --> 01:21:13.439
<v Speaker 1>because it's still at the forefront of you know, public consciousness,

1553
01:21:13.439 --> 01:21:15.039
<v Speaker 1>they'd be like, well, you're just riffing on Star Wars.

1554
01:21:15.039 --> 01:21:16.760
<v Speaker 1>You'd be like, well, yeah, but I mean, well Lucas

1555
01:21:16.800 --> 01:21:17.039
<v Speaker 1>did it.

1556
01:21:17.159 --> 01:21:18.279
<v Speaker 3>No one got mad at him.

1557
01:21:18.600 --> 01:21:18.800
<v Speaker 2>You know.

1558
01:21:19.680 --> 01:21:21.279
<v Speaker 3>Is that kind of an interesting phenomenon?

1559
01:21:22.520 --> 01:21:26.359
<v Speaker 2>It is, And it's I mean, I would say it's

1560
01:21:26.359 --> 01:21:30.880
<v Speaker 2>a depressing phenomenon honestly, you know, yeah, because we live

1561
01:21:30.920 --> 01:21:33.800
<v Speaker 2>in a world where we're talking about a potential Matrix

1562
01:21:33.880 --> 01:21:40.880
<v Speaker 2>five instead of the next matrix, and you know, we'll

1563
01:21:40.920 --> 01:21:44.159
<v Speaker 2>never have that experience of what it was like in

1564
01:21:44.199 --> 01:21:46.800
<v Speaker 2>April of ninety nine watching the Matrix for the first

1565
01:21:46.800 --> 01:21:50.079
<v Speaker 2>time and not knowing what the hell we were watching

1566
01:21:50.159 --> 01:21:53.479
<v Speaker 2>and just being enveloved by it. Yeah, or watching the

1567
01:21:53.479 --> 01:21:56.359
<v Speaker 2>first Avatar ten years after that, or you know, you

1568
01:21:56.359 --> 01:21:59.800
<v Speaker 2>know what I mean, like the thrill of the new.

1569
01:22:00.640 --> 01:22:04.479
<v Speaker 2>Uh huh, because because studios don't want the thrill of

1570
01:22:04.520 --> 01:22:09.119
<v Speaker 2>the new, because new means untested mm hmmm, and they don't.

1571
01:22:09.119 --> 01:22:11.800
<v Speaker 1>And when these things cost as much as they do,

1572
01:22:11.840 --> 01:22:14.239
<v Speaker 1>he want are right.

1573
01:22:14.479 --> 01:22:19.680
<v Speaker 2>And and the unfortunate uh you know. Outgrowth of that is,

1574
01:22:19.920 --> 01:22:21.279
<v Speaker 2>you know, just to keep it in the Star Wars

1575
01:22:21.520 --> 01:22:24.239
<v Speaker 2>neighborhood for a second. I think that's what leads to

1576
01:22:25.319 --> 01:22:27.760
<v Speaker 2>the sequel trilogy being I think you and I would

1577
01:22:27.760 --> 01:22:30.560
<v Speaker 2>both agree maybe less than it could have been m hm,

1578
01:22:31.159 --> 01:22:35.800
<v Speaker 2>because it was beset by by safe choices and not

1579
01:22:35.880 --> 01:22:37.880
<v Speaker 2>wanting to second guess.

1580
01:22:37.840 --> 01:22:41.159
<v Speaker 1>You know, yeah, give them what we know they like exactly.

1581
01:22:41.560 --> 01:22:45.399
<v Speaker 2>And that's one thing you can say like or dislike.

1582
01:22:46.159 --> 01:22:51.800
<v Speaker 2>Lucas with the prequels was like, this is what I

1583
01:22:51.880 --> 01:22:57.039
<v Speaker 2>want mm hmm, you know, like like or dislike. And

1584
01:22:57.159 --> 01:22:59.199
<v Speaker 2>you know, eventually it seems like the world sort of

1585
01:22:59.199 --> 01:23:01.960
<v Speaker 2>came around to him where he was, you know, right

1586
01:23:02.279 --> 01:23:05.880
<v Speaker 2>right now, this too, this scene right here, we back

1587
01:23:05.920 --> 01:23:09.239
<v Speaker 2>in O nine. I'm like, okay, so uh literally, I

1588
01:23:09.359 --> 01:23:11.439
<v Speaker 2>was like, so he's going to have like a little

1589
01:23:12.720 --> 01:23:14.399
<v Speaker 2>he's going to lose the trust of the people, and

1590
01:23:14.439 --> 01:23:16.880
<v Speaker 2>then he's gonna ride the giant Lenoptricks and that's how

1591
01:23:16.880 --> 01:23:19.439
<v Speaker 2>he's gonna win their their their trust back, and he's

1592
01:23:19.439 --> 01:23:21.399
<v Speaker 2>going to become the chosen one.

1593
01:23:21.279 --> 01:23:23.279
<v Speaker 1>You know, like right right right.

1594
01:23:23.640 --> 01:23:25.319
<v Speaker 2>So I'm just sort of counting down, you know, I'm

1595
01:23:25.399 --> 01:23:27.840
<v Speaker 2>checking the boxes, like what what beats the story has

1596
01:23:27.880 --> 01:23:29.840
<v Speaker 2>to has to cycle through, you know.

1597
01:23:30.359 --> 01:23:33.920
<v Speaker 1>Yeah. Yeah, although it is satisfying, it still feels satisfying.

1598
01:23:35.159 --> 01:23:37.159
<v Speaker 1>Although we don't really see him tame it, we just

1599
01:23:37.159 --> 01:23:39.640
<v Speaker 1>see him approach it and then show up on it.

1600
01:23:39.800 --> 01:23:42.239
<v Speaker 2>That I So I had that thought. Yeah, I mean

1601
01:23:42.279 --> 01:23:44.039
<v Speaker 2>I was going to bring it up later, but yeah,

1602
01:23:44.560 --> 01:23:48.720
<v Speaker 2>one of the weirdest decisions. I'm like, why not make

1603
01:23:49.000 --> 01:23:54.520
<v Speaker 2>the early taming scene maybe slightly less detailed and then

1604
01:23:55.199 --> 01:24:00.680
<v Speaker 2>demonstrate the challenge of trying to tame the giant leannoptrics later? Yeah,

1605
01:24:01.199 --> 01:24:03.560
<v Speaker 2>that would make that a sequence, you know.

1606
01:24:04.159 --> 01:24:06.600
<v Speaker 1>Yeah, that's that's a tough decision because then you would

1607
01:24:06.600 --> 01:24:13.159
<v Speaker 1>lose the discovery and magic of that moment, which I

1608
01:24:13.199 --> 01:24:15.800
<v Speaker 1>said was like one of my most memorable scenes in

1609
01:24:15.840 --> 01:24:16.439
<v Speaker 1>the movie for me.

1610
01:24:16.640 --> 01:24:19.960
<v Speaker 2>Well, like, I'm not saying cut it entirely, I'm saying

1611
01:24:20.079 --> 01:24:23.479
<v Speaker 2>I'm saying show it as slightly challenging and then and

1612
01:24:23.520 --> 01:24:26.000
<v Speaker 2>then show the latter sequence.

1613
01:24:25.640 --> 01:24:27.000
<v Speaker 1>As much more possible.

1614
01:24:27.119 --> 01:24:29.079
<v Speaker 2>Yeah, you know, and and he doesn't have the benefit

1615
01:24:29.119 --> 01:24:30.800
<v Speaker 2>of anybody telling him what to do, and he has

1616
01:24:30.800 --> 01:24:34.399
<v Speaker 2>to do it all on his own. Yeah. I do

1617
01:24:34.560 --> 01:24:36.479
<v Speaker 2>like all this business where, you know, he's starting to

1618
01:24:36.479 --> 01:24:41.640
<v Speaker 2>grapple with the moral question of what he's doing, you know.

1619
01:24:42.159 --> 01:24:45.079
<v Speaker 1>Yeah, yeah, I mean it's one thing to go in

1620
01:24:45.119 --> 01:24:47.800
<v Speaker 1>there and just feel sort of like a tourist, but

1621
01:24:47.920 --> 01:24:52.880
<v Speaker 1>you're you're developing these real relationships and emotional connections with

1622
01:24:52.920 --> 01:24:56.600
<v Speaker 1>people when you went in knowing you weren't in for

1623
01:24:56.640 --> 01:24:58.439
<v Speaker 1>the long haul. Oh there's the American flag again in

1624
01:24:58.439 --> 01:24:58.920
<v Speaker 1>the background.

1625
01:24:59.199 --> 01:25:00.199
<v Speaker 2>Yeah, that's clever.

1626
01:25:00.399 --> 01:25:05.439
<v Speaker 1>That's very clever. I love this, like Cameron Steely Blue too.

1627
01:25:06.079 --> 01:25:08.960
<v Speaker 2>This is the like whenever we're in in the base,

1628
01:25:09.039 --> 01:25:13.039
<v Speaker 2>we get these very traditionally James Cameron looking shots, you know.

1629
01:25:13.720 --> 01:25:19.199
<v Speaker 1>Yeah, yeah, Yeah. It's a weird time to bring it

1630
01:25:19.279 --> 01:25:21.520
<v Speaker 1>up because we're watching a full live action scene here,

1631
01:25:21.520 --> 01:25:24.760
<v Speaker 1>But I might forget. I saw this fact earlier. I

1632
01:25:24.840 --> 01:25:29.000
<v Speaker 1>was as they were writing those creatures and it looked unbelievable,

1633
01:25:29.079 --> 01:25:31.600
<v Speaker 1>and the waterfalls and the floating rocks. I read that

1634
01:25:33.279 --> 01:25:35.960
<v Speaker 1>some of the scenes took like forty seven hours to

1635
01:25:36.039 --> 01:25:39.960
<v Speaker 1>render Holy which made me think like, oh yeah, like

1636
01:25:40.079 --> 01:25:44.720
<v Speaker 1>when I render this podcast, like especially like a longer

1637
01:25:44.720 --> 01:25:45.960
<v Speaker 1>one like this, it's going to be about two and

1638
01:25:45.960 --> 01:25:46.560
<v Speaker 1>a half hours.

1639
01:25:46.600 --> 01:25:48.279
<v Speaker 3>Like takes a bit of time.

1640
01:25:48.520 --> 01:25:49.159
<v Speaker 2>But you think.

1641
01:25:49.039 --> 01:25:53.239
<v Speaker 1>About like one frame with all that light and all

1642
01:25:53.279 --> 01:25:58.079
<v Speaker 1>the detail and all the you know, just one frame. Yeah,

1643
01:25:58.359 --> 01:26:00.720
<v Speaker 1>oh the size that this movie take up, Like you

1644
01:26:00.960 --> 01:26:03.680
<v Speaker 1>I just don't even think about the logistics of it

1645
01:26:03.760 --> 01:26:06.399
<v Speaker 1>and the server farms and everything they must you know,

1646
01:26:06.439 --> 01:26:09.640
<v Speaker 1>and what if something crashes and it's just even.

1647
01:26:09.479 --> 01:26:10.760
<v Speaker 2>Imagine, Oh my god.

1648
01:26:11.119 --> 01:26:12.920
<v Speaker 3>Yeah, I wouldn't want to be it on this film.

1649
01:26:12.960 --> 01:26:13.960
<v Speaker 3>That's what I'm trying to say.

1650
01:26:15.720 --> 01:26:17.760
<v Speaker 2>You know. I remember Stephen laying in one point talking

1651
01:26:17.800 --> 01:26:19.920
<v Speaker 2>about how he would have liked to play cable.

1652
01:26:20.720 --> 01:26:21.479
<v Speaker 1>Mm hm, I can.

1653
01:26:21.399 --> 01:26:23.399
<v Speaker 2>See that, right, And you just see him here You're like,

1654
01:26:23.399 --> 01:26:26.920
<v Speaker 2>oh yeah, I can, I can. I can totally see that. Yeah, totally.

1655
01:26:31.039 --> 01:26:34.359
<v Speaker 2>So if I'm in this position, they come to me,

1656
01:26:34.600 --> 01:26:39.399
<v Speaker 2>they're like, we need you to do this, uh man,

1657
01:26:39.439 --> 01:26:41.119
<v Speaker 2>I would betray those NAVI so hard.

1658
01:26:41.159 --> 01:26:44.760
<v Speaker 1>I'd just be because because the legs.

1659
01:26:44.800 --> 01:26:46.600
<v Speaker 2>Oh yeah, I want my legs. I'd be I'd be

1660
01:26:46.640 --> 01:26:48.600
<v Speaker 2>I'd be betraying him even after I had my legs.

1661
01:26:48.600 --> 01:26:50.239
<v Speaker 2>I just just just just for sure.

1662
01:26:51.199 --> 01:26:53.920
<v Speaker 1>Well, you know what's funny, actually what they could have

1663
01:26:53.960 --> 01:26:56.119
<v Speaker 1>done here is he's you know, like, hey, man, like,

1664
01:26:56.159 --> 01:26:58.199
<v Speaker 1>don't get lost in the weeds here, like you know,

1665
01:26:58.199 --> 01:27:00.159
<v Speaker 1>you got a mission. I just got your legs approve.

1666
01:27:00.399 --> 01:27:04.039
<v Speaker 1>And then it suddenly cuts now to him having this

1667
01:27:04.079 --> 01:27:05.720
<v Speaker 1>like war pain apply and he's going to be brought

1668
01:27:05.720 --> 01:27:08.680
<v Speaker 1>into the tribe. It feels like it'd be more realistic

1669
01:27:08.720 --> 01:27:10.359
<v Speaker 1>for her to be doing this and her feeling great

1670
01:27:10.399 --> 01:27:16.520
<v Speaker 1>about it and him like uh oh.

1671
01:27:18.239 --> 01:27:22.439
<v Speaker 2>Nah, he's like pulling his imaginary or like his little necklace.

1672
01:27:23.760 --> 01:27:28.159
<v Speaker 1>Yeah, she's like, you know, like clearly in love with him,

1673
01:27:28.199 --> 01:27:29.800
<v Speaker 1>and her parents are all in on it, and.

1674
01:27:30.720 --> 01:27:36.199
<v Speaker 2>Yeah, and of course, Brian, I would not actually betray

1675
01:27:36.239 --> 01:27:43.520
<v Speaker 2>the nobby. My god, you believed me, didn't you People

1676
01:27:43.560 --> 01:27:48.760
<v Speaker 2>listening to this show being like cancel their Patreon, you know.

1677
01:27:51.079 --> 01:27:56.880
<v Speaker 1>But it would be like difficult because I would like

1678
01:27:57.000 --> 01:28:00.600
<v Speaker 1>to go back to like indoor plumbing at some point, sure,

1679
01:28:00.720 --> 01:28:02.119
<v Speaker 1>you know what I mean, But like I don't want

1680
01:28:02.159 --> 01:28:04.199
<v Speaker 1>to betray them either, Like I I'm not sure it

1681
01:28:04.239 --> 01:28:05.119
<v Speaker 1>would be hard, like.

1682
01:28:06.600 --> 01:28:09.479
<v Speaker 3>Circumstances kind of force them into.

1683
01:28:09.640 --> 01:28:12.079
<v Speaker 2>Well, I don't know, Brian, I mean, bounce us off.

1684
01:28:12.119 --> 01:28:12.239
<v Speaker 1>Ya.

1685
01:28:13.000 --> 01:28:16.319
<v Speaker 2>Sure, indoor plumbing has its pluses, But on the other hand,

1686
01:28:16.680 --> 01:28:18.680
<v Speaker 2>just pain in the woods whenever you feel like it,

1687
01:28:19.239 --> 01:28:21.960
<v Speaker 2>wherever you feel like it.

1688
01:28:21.960 --> 01:28:23.399
<v Speaker 3>It's not the peing I have a problem with.

1689
01:28:23.880 --> 01:28:26.119
<v Speaker 2>Okay, Touchet.

1690
01:28:27.279 --> 01:28:30.840
<v Speaker 1>And who says I don't do that now? Anyway, Moving

1691
01:28:30.840 --> 01:28:40.640
<v Speaker 1>on the prayer tree, I like this. I think this

1692
01:28:40.720 --> 01:28:45.359
<v Speaker 1>is very beautiful. Actually, I think the tree looks beautiful,

1693
01:28:45.359 --> 01:28:47.119
<v Speaker 1>but I love the idea again. I mean, as long

1694
01:28:47.119 --> 01:28:49.680
<v Speaker 1>as you're gonna have these little tendrils you know of

1695
01:28:49.800 --> 01:28:52.399
<v Speaker 1>yours that can connect to these things connecting to this

1696
01:28:52.640 --> 01:28:55.319
<v Speaker 1>you know tree that has all the voices of the ancestors,

1697
01:28:55.319 --> 01:28:56.840
<v Speaker 1>It's it's pretty beautiful.

1698
01:28:58.520 --> 01:29:01.840
<v Speaker 2>Well. I like that we create a framework to allow

1699
01:29:02.039 --> 01:29:08.039
<v Speaker 2>for the mystical and sort of supernatural that that has

1700
01:29:08.159 --> 01:29:11.359
<v Speaker 2>like a weirdly grounded framing, you know what I mean,

1701
01:29:12.359 --> 01:29:14.159
<v Speaker 2>you know, And I think I think that manifests in

1702
01:29:14.239 --> 01:29:16.359
<v Speaker 2>ways that are very effective, especially in the later films.

1703
01:29:16.359 --> 01:29:18.760
<v Speaker 2>I mean, I said before you know to me in

1704
01:29:18.960 --> 01:29:21.479
<v Speaker 2>the second film, you know, I don't remember much about it,

1705
01:29:21.520 --> 01:29:25.720
<v Speaker 2>but I remember the end where Jake connects with you know,

1706
01:29:26.159 --> 01:29:30.399
<v Speaker 2>the whatever, the the underwater you know, version of a

1707
01:29:30.680 --> 01:29:34.960
<v Speaker 2>or whatever, and he sees his son who died as

1708
01:29:35.000 --> 01:29:39.039
<v Speaker 2>a little boy. I remember watching that. That's in the

1709
01:29:39.039 --> 01:29:41.159
<v Speaker 2>second one. Yeah, I wouldn't be spoiling the third one,

1710
01:29:41.159 --> 01:29:43.079
<v Speaker 2>but that's at the end of the second one, and

1711
01:29:43.479 --> 01:29:45.239
<v Speaker 2>I remember getting very emotional watching that.

1712
01:29:45.479 --> 01:29:49.399
<v Speaker 1>You know, you know, I mean, you're making me remember,

1713
01:29:50.720 --> 01:29:53.239
<v Speaker 1>you know, like you were saying, people watch this movie.

1714
01:29:53.600 --> 01:29:55.600
<v Speaker 1>It was reported that a lot of people, yeah, felt this.

1715
01:29:55.800 --> 01:29:58.479
<v Speaker 2>But look at that right there that you see Zoe's

1716
01:29:58.520 --> 01:29:59.520
<v Speaker 2>Heldana's face right.

1717
01:29:59.520 --> 01:30:00.680
<v Speaker 3>Oh, she's so emotive.

1718
01:30:01.199 --> 01:30:03.199
<v Speaker 1>I think she's the most, Like I said, I think

1719
01:30:03.239 --> 01:30:09.359
<v Speaker 1>her character is the best realized. Yeah, it looks like

1720
01:30:09.399 --> 01:30:11.119
<v Speaker 1>you said, it looks like like her.

1721
01:30:11.479 --> 01:30:12.800
<v Speaker 3>It's very emotive.

1722
01:30:12.880 --> 01:30:17.159
<v Speaker 1>But Worthington's is I don't know it's good, but sorry,

1723
01:30:17.199 --> 01:30:19.239
<v Speaker 1>it sounds like I'm claning on him. I just wish

1724
01:30:19.239 --> 01:30:22.000
<v Speaker 1>they all felt as distinctive and a motive as she does.

1725
01:30:22.199 --> 01:30:24.279
<v Speaker 1>And I don't do you know.

1726
01:30:24.359 --> 01:30:26.000
<v Speaker 2>You know what would be funny right here is we

1727
01:30:26.079 --> 01:30:29.520
<v Speaker 2>got this great like three D amazing four case goes

1728
01:30:29.600 --> 01:30:32.399
<v Speaker 2>and then we cut to like grainy hand crank footage

1729
01:30:32.439 --> 01:30:36.239
<v Speaker 2>of like a train entering a tunnel like a rocket

1730
01:30:36.279 --> 01:30:39.800
<v Speaker 2>taking off, like.

1731
01:30:39.760 --> 01:30:42.720
<v Speaker 3>An oil drill in the desert, a little pump or whatever.

1732
01:30:42.760 --> 01:30:49.840
<v Speaker 2>Yeah, sorry you were saying no, but again, well he

1733
01:30:49.880 --> 01:30:50.479
<v Speaker 2>says it here.

1734
01:30:50.520 --> 01:30:52.520
<v Speaker 1>But yeah, as they're like starting to like make love

1735
01:30:52.600 --> 01:30:57.279
<v Speaker 1>or whatever, it would be like again him like, but

1736
01:30:57.439 --> 01:30:59.239
<v Speaker 1>he does it in a much more tactful way where

1737
01:30:59.279 --> 01:31:01.319
<v Speaker 1>he wakes up in his pod. It's like what am

1738
01:31:01.319 --> 01:31:06.560
<v Speaker 1>I doing? Yeah, which, uh yeah, oh this. I was

1739
01:31:06.600 --> 01:31:08.159
<v Speaker 1>gonna say something, but now I'm like caught up in

1740
01:31:08.159 --> 01:31:10.239
<v Speaker 1>the movie this. I like this. I love this whole

1741
01:31:10.479 --> 01:31:13.640
<v Speaker 1>conceit here like waking up and it's like, really, you know,

1742
01:31:13.680 --> 01:31:16.279
<v Speaker 1>they share this intimate moment, but then this like thrashing

1743
01:31:16.319 --> 01:31:19.960
<v Speaker 1>machine or thresher or whatever, like coming through and and

1744
01:31:20.039 --> 01:31:22.479
<v Speaker 1>him him not being in the pot. I remember loving

1745
01:31:22.479 --> 01:31:25.960
<v Speaker 1>that the first time I saw it, Like the whole idea, Yeah,

1746
01:31:25.960 --> 01:31:28.159
<v Speaker 1>what a great idea, you know, if you're going to

1747
01:31:28.199 --> 01:31:30.119
<v Speaker 1>play with it. The fact that he's not always present

1748
01:31:30.199 --> 01:31:33.359
<v Speaker 1>in that body, right, and when she needs him to move,

1749
01:31:33.720 --> 01:31:39.479
<v Speaker 1>he's not there. So Okay, we were talking about how,

1750
01:31:39.600 --> 01:31:41.600
<v Speaker 1>you know, we have some sort of like mixed dish

1751
01:31:41.840 --> 01:31:43.279
<v Speaker 1>probably feelings on this movie.

1752
01:31:43.840 --> 01:31:47.640
<v Speaker 2>Yeah, but I was honestly from this point to the end.

1753
01:31:47.760 --> 01:31:49.239
<v Speaker 2>It it always is cracking for me.

1754
01:31:49.319 --> 01:31:51.000
<v Speaker 1>You were just you just took it right out of

1755
01:31:51.000 --> 01:31:54.359
<v Speaker 1>my mouth, like so yeah. Well, unfortunately, just due to

1756
01:31:54.399 --> 01:31:56.319
<v Speaker 1>the week that I had, I had to split this up,

1757
01:31:56.359 --> 01:31:58.640
<v Speaker 1>which I didn't want to do, but I did. And

1758
01:31:59.239 --> 01:32:02.399
<v Speaker 1>the first half of the movie I was like, yeah, no,

1759
01:32:02.439 --> 01:32:05.680
<v Speaker 1>I remember, this is really beautiful and innovative, and you know,

1760
01:32:05.720 --> 01:32:08.560
<v Speaker 1>I understand why these tropes connect. But yes, from this

1761
01:32:08.600 --> 01:32:11.840
<v Speaker 1>moment on, I'm like, this movie's really good, like it

1762
01:32:11.960 --> 01:32:17.159
<v Speaker 1>really yeah, like he said, crackles, it connects, it works,

1763
01:32:17.359 --> 01:32:20.640
<v Speaker 1>it's thrilling. Well and when real quick I did the tree.

1764
01:32:20.760 --> 01:32:22.119
<v Speaker 1>That's what did it for me. When I saw the

1765
01:32:22.159 --> 01:32:24.159
<v Speaker 1>tree go down after they had shared that moment and

1766
01:32:24.199 --> 01:32:28.680
<v Speaker 1>we heard the ancestors' voices, I felt really genuinely sad

1767
01:32:29.119 --> 01:32:31.399
<v Speaker 1>seeing that tree come down, and that was when I

1768
01:32:31.439 --> 01:32:33.640
<v Speaker 1>was like, oh, I'm really connecting with this.

1769
01:32:34.520 --> 01:32:38.800
<v Speaker 2>You know. Well, well, James Cameron would say he did

1770
01:32:38.840 --> 01:32:39.880
<v Speaker 2>his job then, right.

1771
01:32:39.920 --> 01:32:43.680
<v Speaker 1>Yeah, he would be like, no shit, it is Cameron, baby,

1772
01:32:45.199 --> 01:32:47.800
<v Speaker 1>what do you think was gonna happen? Shut up?

1773
01:32:50.520 --> 01:32:56.079
<v Speaker 2>Probably what he said that sounds that sounds about about right. Yeah,

1774
01:32:57.319 --> 01:33:01.119
<v Speaker 2>Jivanni were basis such a freaking dudeude. I love this.

1775
01:33:01.359 --> 01:33:04.239
<v Speaker 1>He's like chomping on food and he puts his one

1776
01:33:04.479 --> 01:33:12.800
<v Speaker 1>finger on the like the joystick. It's so good. And

1777
01:33:12.840 --> 01:33:15.800
<v Speaker 1>I mean obviously he's playing like yeah mustache spoiler, but

1778
01:33:15.880 --> 01:33:19.960
<v Speaker 1>like he's playing it well yep, so do you have mouthful?

1779
01:33:20.119 --> 01:33:20.399
<v Speaker 2>See?

1780
01:33:20.439 --> 01:33:22.880
<v Speaker 1>He moved so good.

1781
01:33:25.800 --> 01:33:29.199
<v Speaker 2>Now, now you may not recognize Jake Sully in his

1782
01:33:29.399 --> 01:33:33.680
<v Speaker 2>in his NAVI Avatar, but Colonel Korich has no problem.

1783
01:33:35.279 --> 01:33:36.600
<v Speaker 2>He catches that ship right away.

1784
01:33:37.600 --> 01:33:43.239
<v Speaker 1>That is that is very true. I just like everything

1785
01:33:43.239 --> 01:33:45.640
<v Speaker 1>about this. I think it's devastating watching the tree get

1786
01:33:45.720 --> 01:33:49.159
<v Speaker 1>knocked over. I like that machine because it's very scary,

1787
01:33:49.600 --> 01:33:51.720
<v Speaker 1>and I love the idea of him, like how do

1788
01:33:51.720 --> 01:33:53.359
<v Speaker 1>he stopped at the thing while you don't? So you

1789
01:33:53.359 --> 01:33:55.520
<v Speaker 1>go up and you damage its camera so I can't

1790
01:33:55.520 --> 01:33:56.279
<v Speaker 1>see any longer.

1791
01:33:56.720 --> 01:33:58.000
<v Speaker 3>Right, that's good.

1792
01:33:59.199 --> 01:34:02.239
<v Speaker 1>And then of course, yeah, now you have all the

1793
01:34:02.279 --> 01:34:05.600
<v Speaker 1>conflict right where he represents the outsiders and he has

1794
01:34:05.640 --> 01:34:07.800
<v Speaker 1>to confess to like, well, yeah I knew they wanted

1795
01:34:07.800 --> 01:34:10.439
<v Speaker 1>the thing under the tree. And then everybody hates you,

1796
01:34:10.520 --> 01:34:14.119
<v Speaker 1>and you know we've been here before if you watch movies.

1797
01:34:14.119 --> 01:34:17.479
<v Speaker 1>But like it, just but I I'll be.

1798
01:34:17.520 --> 01:34:21.279
<v Speaker 2>Darned if I didn't didn't feel it, well, that's the thing, right,

1799
01:34:21.319 --> 01:34:27.479
<v Speaker 2>I mean it, at roughly this point in the runtime

1800
01:34:27.520 --> 01:34:30.319
<v Speaker 2>of Dances with Wolves, you're like fully on board with

1801
01:34:30.800 --> 01:34:35.479
<v Speaker 2>John Dunbar joining you know, the you know whatever whatever

1802
01:34:35.479 --> 01:34:37.119
<v Speaker 2>the nation is that he ends up joining that in

1803
01:34:37.119 --> 01:34:41.239
<v Speaker 2>that film, you know, like you're you're you're fully You're like, oh,

1804
01:34:41.439 --> 01:34:46.119
<v Speaker 2>the American military, they're the bad guys, you know. And

1805
01:34:46.640 --> 01:34:50.560
<v Speaker 2>so Cameron, I mean, the front end of the movie

1806
01:34:50.680 --> 01:34:54.119
<v Speaker 2>is all just like laying that track very methodically to

1807
01:34:54.159 --> 01:34:58.000
<v Speaker 2>get us here and here is the story. He clearly

1808
01:34:58.560 --> 01:35:00.840
<v Speaker 2>was like really antsy to get us into, you know.

1809
01:35:01.600 --> 01:35:05.079
<v Speaker 2>And we know that because because the second and third

1810
01:35:05.159 --> 01:35:10.560
<v Speaker 2>film are just fully you know, we're fully not novefied

1811
01:35:10.600 --> 01:35:14.760
<v Speaker 2>by then, you know, right, which.

1812
01:35:14.600 --> 01:35:16.920
<v Speaker 1>By the way, I meant to bring this up earlier

1813
01:35:16.960 --> 01:35:20.960
<v Speaker 1>when Ribci first showed up. But unobtainium, Yeah, I haven't

1814
01:35:21.000 --> 01:35:21.760
<v Speaker 1>really talked about that.

1815
01:35:22.119 --> 01:35:23.000
<v Speaker 2>It's a real term.

1816
01:35:23.359 --> 01:35:28.199
<v Speaker 3>It's a real term, and I think most people trip

1817
01:35:28.239 --> 01:35:29.479
<v Speaker 3>over it, that's right.

1818
01:35:29.520 --> 01:35:29.680
<v Speaker 2>You know.

1819
01:35:29.720 --> 01:35:32.359
<v Speaker 1>Actually I brought up watching this movie to my brother

1820
01:35:32.399 --> 01:35:35.960
<v Speaker 1>and he went unobtainedingum, and I was like, yeah, like,

1821
01:35:36.920 --> 01:35:40.239
<v Speaker 1>and I think the mistake Cameron made was not pointing

1822
01:35:40.319 --> 01:35:44.640
<v Speaker 1>out that it's a real term that people use and

1823
01:35:44.680 --> 01:35:48.800
<v Speaker 1>that maybe they cheekily decided to call this mineral that

1824
01:35:48.960 --> 01:35:52.079
<v Speaker 1>and then it stuck, like one sentence would have explained that,

1825
01:35:52.159 --> 01:35:56.640
<v Speaker 1>and then we'd understand. But if you don't understand that,

1826
01:35:56.720 --> 01:35:59.359
<v Speaker 1>it's like a concept, you know, science fiction writers used

1827
01:35:59.399 --> 01:36:02.760
<v Speaker 1>to use for like a magic mineral that you know,

1828
01:36:04.760 --> 01:36:09.119
<v Speaker 1>you know, you get stuck on how silly it sounds,

1829
01:36:09.319 --> 01:36:11.439
<v Speaker 1>and you're like, that's all James Cameron. He came up

1830
01:36:11.439 --> 01:36:12.960
<v Speaker 1>with all this stuff, but he couldn't come up with

1831
01:36:13.000 --> 01:36:15.439
<v Speaker 1>a better name for this mineral, like right, you know,

1832
01:36:15.520 --> 01:36:17.239
<v Speaker 1>I think if he had let us in on the joke,

1833
01:36:17.880 --> 01:36:19.359
<v Speaker 1>people wouldn't talk about it as much.

1834
01:36:19.600 --> 01:36:22.279
<v Speaker 2>I agree. I remember writing in my review at the

1835
01:36:22.319 --> 01:36:24.640
<v Speaker 2>time like something to the fact of like, oh what

1836
01:36:24.640 --> 01:36:26.680
<v Speaker 2>what mcguffinite was taking?

1837
01:36:26.720 --> 01:36:30.119
<v Speaker 3>Yea, yeah, yeah, yeah exactly. Yeah, I mean I think

1838
01:36:30.119 --> 01:36:31.319
<v Speaker 3>that's how it sounds to everyone.

1839
01:36:31.640 --> 01:36:35.199
<v Speaker 2>Yeah yeah, but it is an actual term used by

1840
01:36:35.199 --> 01:36:36.439
<v Speaker 2>engineers and whatnot.

1841
01:36:36.800 --> 01:36:38.600
<v Speaker 1>Yeah, it describes a I just pulled it up so

1842
01:36:38.640 --> 01:36:40.840
<v Speaker 1>I could say it more clearly, a material that is

1843
01:36:40.840 --> 01:36:43.239
<v Speaker 1>perfect for an application but does not exist.

1844
01:36:44.960 --> 01:36:49.720
<v Speaker 3>So like, yeah, mcguffin, mcguffinite that's good.

1845
01:36:53.000 --> 01:36:57.800
<v Speaker 1>Yeah, or here says sci fi enthusiasts use it for

1846
01:36:57.880 --> 01:37:00.640
<v Speaker 1>any fictional substance that is needed to build a certain

1847
01:37:00.680 --> 01:37:02.439
<v Speaker 1>device that is crucial to the plot.

1848
01:37:03.880 --> 01:37:05.000
<v Speaker 2>Yeah.

1849
01:37:05.319 --> 01:37:09.279
<v Speaker 3>Yeah, everybody used inother movies. It's been in other books

1850
01:37:09.279 --> 01:37:09.720
<v Speaker 3>and things.

1851
01:37:09.760 --> 01:37:13.239
<v Speaker 2>But yeah, why don't you You guys, you make your

1852
01:37:13.239 --> 01:37:17.279
<v Speaker 2>own avatar and have have makeed the you know, three

1853
01:37:17.279 --> 01:37:21.239
<v Speaker 2>billion dollars and called the substance whatever you want right

1854
01:37:21.399 --> 01:37:22.000
<v Speaker 2>right there?

1855
01:37:24.479 --> 01:37:34.600
<v Speaker 1>Oh boy, popping the notes. I love the wheel his

1856
01:37:34.680 --> 01:37:37.800
<v Speaker 1>meat out of here. He has like such a funny line.

1857
01:37:37.800 --> 01:37:41.479
<v Speaker 1>So I remember earlier he says something about any shaved tail, Louis.

1858
01:37:42.720 --> 01:37:46.119
<v Speaker 1>I was like, shaved tail Louis. So I actually googled

1859
01:37:46.119 --> 01:37:48.039
<v Speaker 1>it because I was curious. And it has to do

1860
01:37:48.079 --> 01:37:51.319
<v Speaker 1>with like the cavalry and when people were like, you know,

1861
01:37:52.000 --> 01:37:54.840
<v Speaker 1>lower ranking soldiers, they would shave the tail their horses,

1862
01:37:54.880 --> 01:37:57.439
<v Speaker 1>so you knew it's almost like having the you know,

1863
01:37:57.520 --> 01:38:02.960
<v Speaker 1>beware a driving student stick around a ares.

1864
01:38:03.319 --> 01:38:04.520
<v Speaker 2>I had no idea. Yeah.

1865
01:38:08.760 --> 01:38:10.680
<v Speaker 3>I do love his look too, like the claw marks

1866
01:38:10.720 --> 01:38:11.359
<v Speaker 3>on the side.

1867
01:38:11.119 --> 01:38:11.600
<v Speaker 1>Of his head.

1868
01:38:11.840 --> 01:38:12.479
<v Speaker 2>Oh that's great.

1869
01:38:12.560 --> 01:38:13.640
<v Speaker 1>Yeah, yeah, yeah, it's great.

1870
01:38:13.640 --> 01:38:17.319
<v Speaker 2>Well, and he even says, like, now that I think

1871
01:38:17.359 --> 01:38:19.600
<v Speaker 2>about it, is it in this version or the a

1872
01:38:19.600 --> 01:38:22.119
<v Speaker 2>special edition, but like he he could have got it fixed,

1873
01:38:22.119 --> 01:38:24.119
<v Speaker 2>but he's like, he likes the way it looks.

1874
01:38:24.760 --> 01:38:26.840
<v Speaker 3>Yeah no, that's in the theological version.

1875
01:38:27.159 --> 01:38:29.479
<v Speaker 2>Okay. I'm like, yeah, if I had cool, like a

1876
01:38:29.560 --> 01:38:31.000
<v Speaker 2>cool scar, i'd probably keep it.

1877
01:38:31.199 --> 01:38:33.520
<v Speaker 1>Uh huh uh huh. He's got to be cool looking

1878
01:38:33.520 --> 01:38:37.279
<v Speaker 1>the obviously exactly. Yes, it just so happens. It's pretty cool.

1879
01:38:37.319 --> 01:38:39.199
<v Speaker 1>But that was what his point he was making was

1880
01:38:39.199 --> 01:38:42.920
<v Speaker 1>that he underestimated the planet and that was the last

1881
01:38:42.920 --> 01:38:43.760
<v Speaker 1>time he'll ever do that.

1882
01:38:44.359 --> 01:38:49.560
<v Speaker 2>Yeah, that's right, that's right. Yeah, gotta gotta be like Quorich, Brian,

1883
01:38:50.680 --> 01:38:51.479
<v Speaker 2>be like Kortch.

1884
01:38:53.720 --> 01:38:56.439
<v Speaker 3>It's just funny too, Like the scientists like the trees.

1885
01:38:56.479 --> 01:38:58.840
<v Speaker 1>It's a network, it's connected to their deity. And Rebece

1886
01:38:58.920 --> 01:39:03.119
<v Speaker 1>is like who can hairs? He's so good at doing

1887
01:39:03.159 --> 01:39:12.720
<v Speaker 1>what he is at, you know, like whatever executive. Yeah no,

1888
01:39:12.800 --> 01:39:13.399
<v Speaker 1>there's the idea.

1889
01:39:13.520 --> 01:39:14.840
<v Speaker 3>What the hell have you been smoking?

1890
01:39:14.920 --> 01:39:15.239
<v Speaker 2>Ha ha?

1891
01:39:18.239 --> 01:39:18.680
<v Speaker 1>That's good.

1892
01:39:20.159 --> 01:39:22.720
<v Speaker 2>But I mean what you know what Grace is saying,

1893
01:39:22.760 --> 01:39:24.920
<v Speaker 2>you know, the wealth of this world isn't in the ground,

1894
01:39:24.960 --> 01:39:26.960
<v Speaker 2>it's all around us. I mean, that's that's our world,

1895
01:39:27.000 --> 01:39:30.760
<v Speaker 2>you know, and we don't value it. You know, it

1896
01:39:30.880 --> 01:39:33.920
<v Speaker 2>is remarkable. And we look at what's going on right

1897
01:39:33.960 --> 01:39:37.800
<v Speaker 2>now where you know, the AI industry is built on

1898
01:39:37.960 --> 01:39:42.479
<v Speaker 2>the pillage of our natural resources. I mean, this is

1899
01:39:42.479 --> 01:39:46.279
<v Speaker 2>truly a fight for the future that is happening right now.

1900
01:39:47.000 --> 01:39:53.600
<v Speaker 2>Right where's our Jake Sully, God, damn it, where's our

1901
01:39:53.640 --> 01:39:55.800
<v Speaker 2>where's our tour motto? Or whatever?

1902
01:39:59.079 --> 01:40:01.439
<v Speaker 1>But yeah, you know, get like a line or two

1903
01:40:02.000 --> 01:40:04.439
<v Speaker 1>where they describe Earth and they say that there's no

1904
01:40:04.560 --> 01:40:09.039
<v Speaker 1>green left. Yeah, right, But I mean, I don't know,

1905
01:40:09.079 --> 01:40:12.840
<v Speaker 1>maybe we don't need to see it, but it there's

1906
01:40:12.840 --> 01:40:16.439
<v Speaker 1>something you know, Yeah, I guess poetic or about it

1907
01:40:16.520 --> 01:40:19.439
<v Speaker 1>right where we've we've run out of green. We ran

1908
01:40:19.479 --> 01:40:21.119
<v Speaker 1>our green into the ground. So now we're going to

1909
01:40:21.199 --> 01:40:24.319
<v Speaker 1>a poor, beautiful planet and we're gonna do the same

1910
01:40:24.359 --> 01:40:25.039
<v Speaker 1>thing there.

1911
01:40:27.439 --> 01:40:29.720
<v Speaker 2>Right And and you know, I mean I think it's

1912
01:40:29.840 --> 01:40:36.600
<v Speaker 2>worth you know, thinking about how for all of the

1913
01:40:36.680 --> 01:40:39.399
<v Speaker 2>sort of tropiness of this story. And you know, we've

1914
01:40:39.399 --> 01:40:44.039
<v Speaker 2>seen these these patterns before. It's like whose side does

1915
01:40:44.079 --> 01:40:49.119
<v Speaker 2>the story put us on? Right? It's not the colonizers,

1916
01:40:49.239 --> 01:40:52.880
<v Speaker 2>you know, And that speaks to something basic about like

1917
01:40:54.000 --> 01:40:56.479
<v Speaker 2>we have it all of us, an inherent recognition of

1918
01:40:56.560 --> 01:40:58.640
<v Speaker 2>like what is right and what is wrong?

1919
01:40:58.920 --> 01:41:08.640
<v Speaker 1>You know, Yeah, and then stories like this can you know, illuminate,

1920
01:41:08.920 --> 01:41:11.239
<v Speaker 1>like maybe you can, even in the real world, start

1921
01:41:11.239 --> 01:41:14.600
<v Speaker 1>to lose sight of certain things just because of reasons.

1922
01:41:15.000 --> 01:41:17.399
<v Speaker 3>I mean this is like like, um, you.

1923
01:41:17.359 --> 01:41:21.039
<v Speaker 2>Know how many how many people planted a tree because

1924
01:41:21.039 --> 01:41:24.479
<v Speaker 2>of watching Avatar? You know, I don't know that stuff matters,

1925
01:41:24.600 --> 01:41:25.800
<v Speaker 2>you know, right.

1926
01:41:27.880 --> 01:41:29.720
<v Speaker 1>Yeah, that's what good science fiction can do though, right,

1927
01:41:29.720 --> 01:41:31.479
<v Speaker 1>Like it heightens everything, but then it helps it.

1928
01:41:31.720 --> 01:41:33.159
<v Speaker 3>Like wait a minute, that reminds.

1929
01:41:32.880 --> 01:41:36.439
<v Speaker 2>Me of I mean, look, I remember watching Planet of

1930
01:41:36.439 --> 01:41:40.359
<v Speaker 2>the Apes as a little kid, and that that film.

1931
01:41:40.479 --> 01:41:41.960
<v Speaker 2>I mean, you know you don't. I don't need to

1932
01:41:42.000 --> 01:41:43.880
<v Speaker 2>tell you this, but it had a very profound impact

1933
01:41:43.960 --> 01:41:48.279
<v Speaker 2>on me in terms of how we treat animals and

1934
01:41:48.319 --> 01:41:51.560
<v Speaker 2>how we think of our role and all this, you know,

1935
01:41:51.840 --> 01:41:55.520
<v Speaker 2>at a very young age for me, and so truly,

1936
01:41:55.640 --> 01:41:59.800
<v Speaker 2>like when I always I always imagine the ten year

1937
01:41:59.840 --> 01:42:02.399
<v Speaker 2>old watching something like this and how is it playing

1938
01:42:02.439 --> 01:42:02.720
<v Speaker 2>for them?

1939
01:42:03.000 --> 01:42:06.359
<v Speaker 1>Mm hm, you know, I like this moment, by the way,

1940
01:42:06.399 --> 01:42:08.279
<v Speaker 1>I didn't remember this, and it's not like they really

1941
01:42:08.319 --> 01:42:12.119
<v Speaker 1>dig into it, but where Ribisi's like, look, we need

1942
01:42:12.119 --> 01:42:13.880
<v Speaker 1>the thing under the tree, so we're gonna do the

1943
01:42:13.920 --> 01:42:17.079
<v Speaker 1>thing we gotta do. But then they're Sigourney Weaver and

1944
01:42:17.119 --> 01:42:21.239
<v Speaker 1>Worthington are like, like, there's people there, there's like kids there,

1945
01:42:21.279 --> 01:42:23.920
<v Speaker 1>like them trying to explain how important it is means

1946
01:42:23.920 --> 01:42:27.079
<v Speaker 1>nothing to this executive. But when they're like there's kids, women, children,

1947
01:42:27.119 --> 01:42:28.920
<v Speaker 1>like you're gonna kill women and children. And he has

1948
01:42:28.960 --> 01:42:32.880
<v Speaker 1>this moment like one hour. Yeah, like I like that

1949
01:42:33.359 --> 01:42:38.239
<v Speaker 1>at least a moment of humanity. Yeah, and he'll he'll

1950
01:42:38.239 --> 01:42:39.960
<v Speaker 1>do it even if those people don't move. He'll do

1951
01:42:40.000 --> 01:42:42.520
<v Speaker 1>it in an hour, I'm sure. But yeah, I kind

1952
01:42:42.520 --> 01:42:44.439
<v Speaker 1>of liked that, and I realize also you just kind

1953
01:42:44.439 --> 01:42:45.760
<v Speaker 1>of need it for the story to get him back

1954
01:42:45.760 --> 01:42:46.119
<v Speaker 1>out there.

1955
01:42:46.119 --> 01:42:49.159
<v Speaker 3>But like, I don't know, it resonated with me this time.

1956
01:42:49.199 --> 01:42:50.880
<v Speaker 2>Well, yeah, I know I agree with that, and I

1957
01:42:50.960 --> 01:42:53.640
<v Speaker 2>also think, you know, partly like you know, Colonel Korich

1958
01:42:53.720 --> 01:42:55.119
<v Speaker 2>is our Johnny mustache twirlers.

1959
01:42:55.239 --> 01:42:56.720
<v Speaker 3>Yes, he will not be moved.

1960
01:42:57.079 --> 01:42:59.439
<v Speaker 2>Yeah, and we only need one of him, you know.

1961
01:43:00.039 --> 01:43:00.960
<v Speaker 3>Yeah, that's a good point.

1962
01:43:01.600 --> 01:43:05.960
<v Speaker 2>Yeah, this moment, I mean, honestly, it it plays. Look

1963
01:43:06.000 --> 01:43:10.479
<v Speaker 2>at her face. You know, it's remarkable how well the

1964
01:43:10.520 --> 01:43:14.840
<v Speaker 2>cgi and the performance intermingle. For just look at that,

1965
01:43:15.159 --> 01:43:17.760
<v Speaker 2>Look at it. Look at it, look at the emotions

1966
01:43:17.840 --> 01:43:20.960
<v Speaker 2>all playing on her face. Yeah, extraordinary.

1967
01:43:21.399 --> 01:43:26.079
<v Speaker 1>Yeah, I remember this even from the first time I

1968
01:43:26.119 --> 01:43:29.520
<v Speaker 1>watched it, like the how how much it hurt to

1969
01:43:29.600 --> 01:43:32.000
<v Speaker 1>watch her anguish?

1970
01:43:32.079 --> 01:43:36.680
<v Speaker 2>Yeah, after I betrayed those Nave, I wouldn't feel a thing, Brian,

1971
01:43:36.720 --> 01:43:45.840
<v Speaker 2>I'll tell you not me. Oh no, they're blue and weird.

1972
01:43:52.479 --> 01:43:55.760
<v Speaker 2>This this bit bit too, actually, I think is very

1973
01:43:55.760 --> 01:44:00.239
<v Speaker 2>interesting where you know, the they get pulled out of

1974
01:44:00.239 --> 01:44:03.479
<v Speaker 2>their their avatar bodies, right, so they're just you know,

1975
01:44:03.880 --> 01:44:08.000
<v Speaker 2>it's just the the avatars, and yet the Nave carry

1976
01:44:08.159 --> 01:44:12.119
<v Speaker 2>those avatars with them mm hmm. Like we see a

1977
01:44:12.159 --> 01:44:14.880
<v Speaker 2>scene later where they're they're taking graces, you know, like

1978
01:44:14.960 --> 01:44:17.239
<v Speaker 2>she's being carried in like a in like a you know,

1979
01:44:17.279 --> 01:44:22.520
<v Speaker 2>in a what are you you know, uh, like a

1980
01:44:22.600 --> 01:44:25.920
<v Speaker 2>stretcher kind of thing. And I'm like, to me, like

1981
01:44:25.960 --> 01:44:34.800
<v Speaker 2>the respect they have even then, m right, like yeah, yeah, yeah.

1982
01:44:34.840 --> 01:44:39.479
<v Speaker 3>All this stuff is i mean, visually incredible, but it's

1983
01:44:39.520 --> 01:44:41.680
<v Speaker 3>it's it's beautiful.

1984
01:44:41.199 --> 01:44:45.239
<v Speaker 1>And devastating the destruction, you know, Like I I I

1985
01:44:45.319 --> 01:44:49.479
<v Speaker 1>thinking about that nothing in the frame is real, right,

1986
01:44:49.880 --> 01:44:53.680
<v Speaker 1>and it looks so real is amazing, but also like

1987
01:44:53.760 --> 01:44:56.199
<v Speaker 1>I'm I'm like you said the rest of this movie.

1988
01:44:56.279 --> 01:44:59.840
<v Speaker 1>I'm if if I was having moments where I was

1989
01:44:59.840 --> 01:45:02.479
<v Speaker 1>having a hard time plugging in earlier, maybe by certain

1990
01:45:02.479 --> 01:45:04.479
<v Speaker 1>things like I am completely locked in now and it

1991
01:45:04.520 --> 01:45:06.640
<v Speaker 1>really breaks my heart washing them destroy this tree.

1992
01:45:10.119 --> 01:45:13.600
<v Speaker 2>Yeah, I think in terms of I mean, they've established

1993
01:45:13.600 --> 01:45:15.760
<v Speaker 2>the emotional stakes, but I was thinking in terms of

1994
01:45:15.800 --> 01:45:19.479
<v Speaker 2>creating something immersive. One thing Cameron does it's very smart,

1995
01:45:19.560 --> 01:45:21.600
<v Speaker 2>is I mean, he takes advantage of what he can

1996
01:45:21.680 --> 01:45:23.760
<v Speaker 2>do with his camera and this and that, but he

1997
01:45:23.920 --> 01:45:28.640
<v Speaker 2>doesn't he shoots it as if it's a real environment. Right, Yes,

1998
01:45:28.720 --> 01:45:32.680
<v Speaker 2>So the camera isn't swooping in and out and doing

1999
01:45:32.720 --> 01:45:36.640
<v Speaker 2>stuff that's very obviously phony. Yes, because that's something I

2000
01:45:36.640 --> 01:45:38.720
<v Speaker 2>see a lot of filmmakers do and it pisses me off.

2001
01:45:39.159 --> 01:45:41.479
<v Speaker 1>I know, I know we've talked about this because yes,

2002
01:45:41.560 --> 01:45:43.880
<v Speaker 1>me too. I'm like, if when you're moving the camera

2003
01:45:44.239 --> 01:45:46.319
<v Speaker 1>in a way that a camera can't move. Now, to

2004
01:45:46.359 --> 01:45:48.479
<v Speaker 1>be fair, I've enjoyed it in the past in some

2005
01:45:48.600 --> 01:45:51.960
<v Speaker 1>like older David Fincher movies, like it felt like a novelty,

2006
01:45:52.079 --> 01:45:54.399
<v Speaker 1>like Fight Club or like Panic Room when the camera

2007
01:45:54.439 --> 01:45:56.920
<v Speaker 1>goes through the coffee pot or whatever. Right, right, right,

2008
01:45:56.960 --> 01:46:00.199
<v Speaker 1>But yeah, when you're you're doing like action sequences and

2009
01:46:00.239 --> 01:46:04.039
<v Speaker 1>the camera's like swooping down and up and through this

2010
01:46:04.159 --> 01:46:07.000
<v Speaker 1>and whatever, then it feels like a video game. It

2011
01:46:07.039 --> 01:46:09.840
<v Speaker 1>doesn't feel tethered to any sort of reality, that's right,

2012
01:46:10.119 --> 01:46:12.920
<v Speaker 1>And so then I don't care because then I'm like,

2013
01:46:12.960 --> 01:46:16.600
<v Speaker 1>nothing's at stake that I'm witnessing here, right, you know?

2014
01:46:16.680 --> 01:46:18.760
<v Speaker 1>And so yeah, I think you know, Cameron does like

2015
01:46:18.800 --> 01:46:21.159
<v Speaker 1>you said, he does it so well here where he's

2016
01:46:21.159 --> 01:46:24.359
<v Speaker 1>putting the camera even though there is no camera where

2017
01:46:24.399 --> 01:46:26.520
<v Speaker 1>only a camera could go. And I remember Christopher Nolan

2018
01:46:26.560 --> 01:46:29.079
<v Speaker 1>talking about that with Interstellar, when he was doing a

2019
01:46:29.119 --> 01:46:30.920
<v Speaker 1>lot of visual effects. He was like, I made it

2020
01:46:30.960 --> 01:46:32.840
<v Speaker 1>look like the camera was attached to the wing of

2021
01:46:32.880 --> 01:46:36.079
<v Speaker 1>the spacecraft because that's what we're used to seeing from

2022
01:46:36.159 --> 01:46:38.560
<v Speaker 1>real footage to spacecraft. So in your brain you're like,

2023
01:46:38.600 --> 01:46:41.680
<v Speaker 1>I'm looking at a real spacecraft, and I think that's

2024
01:46:41.800 --> 01:46:43.560
<v Speaker 1>that's what the greats, that's how they think.

2025
01:46:44.880 --> 01:46:48.159
<v Speaker 2>Yeah, you know, that was something the old not the old,

2026
01:46:48.239 --> 01:46:51.560
<v Speaker 2>the the reboot of Battlestar Galactica, which is itself kind

2027
01:46:51.560 --> 01:46:53.439
<v Speaker 2>of old now because it's like twenty plus years. But

2028
01:46:53.439 --> 01:46:55.640
<v Speaker 2>but Ronald D. Moore, he talked about how when they

2029
01:46:55.640 --> 01:46:59.560
<v Speaker 2>were doing their the external like space battle footage that

2030
01:46:59.600 --> 01:47:03.560
<v Speaker 2>theypproached it like if if there was a news photographer

2031
01:47:03.600 --> 01:47:06.640
<v Speaker 2>in space, how what would you be seeing? You know?

2032
01:47:07.239 --> 01:47:10.800
<v Speaker 2>And and camera does something very similar where like you know,

2033
01:47:10.920 --> 01:47:12.640
<v Speaker 2>the camera there will be kind of a zoom in,

2034
01:47:12.840 --> 01:47:17.760
<v Speaker 2>but it's as if somebody's filming it, you know. And

2035
01:47:17.760 --> 01:47:20.680
<v Speaker 2>and it was like documentary style or documentary style. Yeah,

2036
01:47:20.720 --> 01:47:21.920
<v Speaker 2>and and I think that.

2037
01:47:22.000 --> 01:47:26.239
<v Speaker 1>Helps a lot, you know, I agree, I agree, And

2038
01:47:26.279 --> 01:47:27.039
<v Speaker 1>then I.

2039
01:47:26.960 --> 01:47:29.279
<v Speaker 2>Feel like that I love I love this bit right

2040
01:47:29.319 --> 01:47:33.279
<v Speaker 2>here though, just her her heartbreak as she's like, just help.

2041
01:47:33.159 --> 01:47:40.039
<v Speaker 3>Us, you know, yeah, yes, yes, yeah, yeah h.

2042
01:47:41.560 --> 01:47:43.880
<v Speaker 1>They have to depend on them in some way because

2043
01:47:43.920 --> 01:47:47.840
<v Speaker 1>they know, you know those people, they know those people,

2044
01:47:48.359 --> 01:47:52.439
<v Speaker 1>and they think there's there's something so sad about watching

2045
01:47:52.439 --> 01:47:55.319
<v Speaker 1>them with their bows and arrows shooting at the ships

2046
01:47:55.319 --> 01:47:59.840
<v Speaker 1>and you just see the arrows just you know, you

2047
01:48:00.159 --> 01:48:00.680
<v Speaker 1>not connecting.

2048
01:48:00.760 --> 01:48:03.199
<v Speaker 3>Just think think thing thin ting off of the ships.

2049
01:48:03.279 --> 01:48:06.000
<v Speaker 2>I mean actually, in this moment for Michelle Rodriguez, I

2050
01:48:06.000 --> 01:48:07.479
<v Speaker 2>loved that where she's like I didn't sign up for

2051
01:48:07.479 --> 01:48:13.640
<v Speaker 2>this shit, you know, because because in every scenario like this,

2052
01:48:13.680 --> 01:48:16.960
<v Speaker 2>and unfortunately this is not unique to science fiction movies

2053
01:48:17.000 --> 01:48:19.439
<v Speaker 2>set on other planets. You know, this is this is

2054
01:48:19.520 --> 01:48:21.880
<v Speaker 2>reflective of things humans have done to other humans. But

2055
01:48:21.880 --> 01:48:25.239
<v Speaker 2>there are always people who say, no, this is not right.

2056
01:48:26.359 --> 01:48:28.920
<v Speaker 2>You know, there have to be you know.

2057
01:48:29.199 --> 01:48:33.760
<v Speaker 1>Yeah, And it's one of those things too where you know,

2058
01:48:33.800 --> 01:48:37.279
<v Speaker 1>sometimes they get recognized and you think like, wow, you're

2059
01:48:37.279 --> 01:48:39.119
<v Speaker 1>a hero, and they get recognized as a hero and

2060
01:48:39.159 --> 01:48:42.239
<v Speaker 1>some people don't. But like both of those people before

2061
01:48:42.279 --> 01:48:44.399
<v Speaker 1>they knew how that what the outcome would be, made

2062
01:48:44.439 --> 01:48:47.039
<v Speaker 1>the hard decision in the moment, and that's amazing.

2063
01:48:47.319 --> 01:48:52.439
<v Speaker 2>Look that right there, what an evil sob as Corus

2064
01:48:52.479 --> 01:48:55.239
<v Speaker 2>is sipping his coffee, you know, you just want to

2065
01:48:55.239 --> 01:48:58.920
<v Speaker 2>see him get his upens for that, you know. Yeah,

2066
01:48:59.000 --> 01:49:01.119
<v Speaker 2>I think I mentioned this to you before. But in

2067
01:49:01.239 --> 01:49:03.359
<v Speaker 2>Zotopia too, which which you know, I just came out

2068
01:49:03.399 --> 01:49:05.119
<v Speaker 2>a few weeks ago. As recording this, this is one

2069
01:49:05.159 --> 01:49:07.600
<v Speaker 2>line that I just love where Judy Hopps's character she

2070
01:49:07.640 --> 01:49:11.239
<v Speaker 2>says the world will never get better if no one

2071
01:49:11.319 --> 01:49:14.720
<v Speaker 2>is brave enough to do the right thing. And man,

2072
01:49:16.000 --> 01:49:21.680
<v Speaker 2>we need that, you know. Yeah, yeah, look at this.

2073
01:49:21.880 --> 01:49:23.720
<v Speaker 2>That's that's horrifying.

2074
01:49:24.039 --> 01:49:28.439
<v Speaker 1>Yeah, well, and speak again. I mean I'm sure none

2075
01:49:28.479 --> 01:49:30.800
<v Speaker 1>of this is real. Yeah, and we're you know, I

2076
01:49:30.840 --> 01:49:33.039
<v Speaker 1>always talk about it. It really bothers me when you

2077
01:49:33.079 --> 01:49:36.760
<v Speaker 1>don't feel the heft. I feel it here. Yeah, I

2078
01:49:36.800 --> 01:49:39.039
<v Speaker 1>think this tree coming down is conveyed really well way

2079
01:49:39.079 --> 01:49:41.399
<v Speaker 1>the way it almost feels like slow motion in the beginning,

2080
01:49:42.319 --> 01:49:45.119
<v Speaker 1>but then when it collides with the ground and yeah,

2081
01:49:45.359 --> 01:49:49.079
<v Speaker 1>seeing all the columns sort of just splinter.

2082
01:49:48.720 --> 01:49:57.960
<v Speaker 2>Apart, right, I mean, I fundamentally this is this is

2083
01:49:58.039 --> 01:50:03.279
<v Speaker 2>reflective of, you know, what happened to Native Americans in

2084
01:50:03.319 --> 01:50:08.359
<v Speaker 2>this country and the way their their culture and tradition

2085
01:50:08.479 --> 01:50:12.840
<v Speaker 2>and legacy were just ripped away from them because they

2086
01:50:12.840 --> 01:50:16.319
<v Speaker 2>were savages, you know. And you know this is something

2087
01:50:16.359 --> 01:50:19.880
<v Speaker 2>that humans do to humans. They do it a lot,

2088
01:50:20.720 --> 01:50:21.159
<v Speaker 2>It's true.

2089
01:50:21.159 --> 01:50:25.000
<v Speaker 1>I mean, yeah, you think about you know, in this

2090
01:50:25.159 --> 01:50:28.159
<v Speaker 1>movie man, all this is just so staggering.

2091
01:50:28.239 --> 01:50:28.920
<v Speaker 2>It looks so good.

2092
01:50:30.520 --> 01:50:33.319
<v Speaker 1>It's like, well, we want this and you're there, so

2093
01:50:33.520 --> 01:50:36.119
<v Speaker 1>move ye yeah, you know, and it almost feels like

2094
01:50:36.800 --> 01:50:40.880
<v Speaker 1>so we you know, mustache twarly. That's literally what happened

2095
01:50:40.920 --> 01:50:44.920
<v Speaker 1>in this country. We want this, so move or we

2096
01:50:45.000 --> 01:50:48.920
<v Speaker 1>will move you. Well, it's hard to Yeah.

2097
01:50:49.640 --> 01:50:53.239
<v Speaker 2>There there's a documentary series that I'm actually watching right now.

2098
01:50:53.279 --> 01:50:58.520
<v Speaker 2>It's called Kevin Costner's The West and it's worth watching. Actually,

2099
01:50:58.560 --> 01:51:00.640
<v Speaker 2>you should check it out. It's it's it on my

2100
01:51:00.640 --> 01:51:03.359
<v Speaker 2>my voodoo. You know. It's just looking at how the

2101
01:51:03.399 --> 01:51:07.239
<v Speaker 2>West was settled, you know, and so much of we're talking,

2102
01:51:07.359 --> 01:51:10.000
<v Speaker 2>you know, the eighteen hundreds nineteen hundreds is the the

2103
01:51:10.000 --> 01:51:14.479
<v Speaker 2>Indian Wars, you know, as as just bit by bit

2104
01:51:14.560 --> 01:51:19.840
<v Speaker 2>their lands are taken from them, for for for baubles

2105
01:51:20.119 --> 01:51:22.079
<v Speaker 2>and broken promises, you know, right.

2106
01:51:22.319 --> 01:51:25.079
<v Speaker 1>And I mean it's obviously it's happened all over the

2107
01:51:25.279 --> 01:51:28.880
<v Speaker 1>It's not unique to the United States.

2108
01:51:28.199 --> 01:51:34.680
<v Speaker 2>It's human history, yeah, exactly. Yeah, but that's that's the

2109
01:51:34.680 --> 01:51:38.680
<v Speaker 2>purpose stories like this can serve, is to play them

2110
01:51:38.680 --> 01:51:43.439
<v Speaker 2>out against a fantasy backdrop. But you know, the parallels

2111
01:51:43.479 --> 01:51:47.239
<v Speaker 2>are are apparent enough where you can where you can

2112
01:51:47.520 --> 01:51:51.079
<v Speaker 2>where you can plot them. You know, they killed West

2113
01:51:51.119 --> 01:51:52.119
<v Speaker 2>study goddamn it.

2114
01:51:53.479 --> 01:51:59.159
<v Speaker 1>Yeah, this like, yeah, I really it was devastated seeing

2115
01:51:59.159 --> 01:52:02.159
<v Speaker 1>that big chunk of wood sticking out of his stomach. Yeah,

2116
01:52:04.479 --> 01:52:08.119
<v Speaker 1>that was something I wasn't expecting. Upon revisit. I thought

2117
01:52:08.119 --> 01:52:09.520
<v Speaker 1>I was just going to go, oh, yeah, this movie

2118
01:52:09.520 --> 01:52:11.600
<v Speaker 1>looks really cool and it's you know, it's kind of fun,

2119
01:52:11.640 --> 01:52:14.920
<v Speaker 1>and I was surprised that I did get caught up in.

2120
01:52:14.920 --> 01:52:24.039
<v Speaker 3>It emotionally's Aldana. Man, she's incredible in this She.

2121
01:52:23.680 --> 01:52:27.439
<v Speaker 2>She really, I mean, especially in this film just MVP.

2122
01:52:28.039 --> 01:52:30.720
<v Speaker 3>Yeah, And you know, I think.

2123
01:52:32.439 --> 01:52:34.800
<v Speaker 1>A lot of people, you know, we know that this

2124
01:52:34.840 --> 01:52:38.640
<v Speaker 1>is motion capture, right, so these aren't just characters that

2125
01:52:38.680 --> 01:52:41.640
<v Speaker 1>have been created in a computer exclusively. It's you know,

2126
01:52:41.720 --> 01:52:44.199
<v Speaker 1>these actors, they had these dots on their bodies. So

2127
01:52:44.239 --> 01:52:48.720
<v Speaker 1>the movement is literally the actors, you know, and their

2128
01:52:48.760 --> 01:52:53.000
<v Speaker 1>faces the dots and the close camera attached to their faces.

2129
01:52:53.039 --> 01:52:54.760
<v Speaker 1>And you know, a lot of that's been poured it over,

2130
01:52:55.319 --> 01:52:59.880
<v Speaker 1>but I think Cameron feels that there's still not enough

2131
01:52:59.880 --> 01:53:02.119
<v Speaker 1>on understanding of how much it's like no, no, no, like,

2132
01:53:02.159 --> 01:53:06.319
<v Speaker 1>don't think of these as animated characters, like these are performances.

2133
01:53:06.319 --> 01:53:10.159
<v Speaker 1>And I feel like in this go around with the

2134
01:53:10.199 --> 01:53:12.760
<v Speaker 1>third movie, he's really and I wonder if it's because

2135
01:53:12.800 --> 01:53:16.439
<v Speaker 1>now he's kind of angling for like being performance awards,

2136
01:53:16.439 --> 01:53:19.039
<v Speaker 1>performance awards, yeah, and just saying like no, no, no, like

2137
01:53:19.079 --> 01:53:23.840
<v Speaker 1>these are not animated characters, like these are representations of

2138
01:53:24.159 --> 01:53:25.399
<v Speaker 1>actors performances.

2139
01:53:25.560 --> 01:53:30.840
<v Speaker 2>Yeah. Well, I remember Andy serkis making that paint point,

2140
01:53:31.000 --> 01:53:34.319
<v Speaker 2>ye know, early and often with regards to his portrayal

2141
01:53:34.359 --> 01:53:36.920
<v Speaker 2>of variety of characters, but certainly Caesar in the in

2142
01:53:36.960 --> 01:53:40.520
<v Speaker 2>the Apes trilogy where you know, again and again it

2143
01:53:40.560 --> 01:53:42.880
<v Speaker 2>was like, this is digital makeup. You know, that was

2144
01:53:42.880 --> 01:53:47.960
<v Speaker 2>how they viewed it, digital makeup. Yeah, you know. And

2145
01:53:48.159 --> 01:53:54.920
<v Speaker 2>and it's tricky, right because because I think the problem

2146
01:53:55.119 --> 01:54:01.720
<v Speaker 2>is that the discussion of the technology is so binary

2147
01:54:02.079 --> 01:54:08.000
<v Speaker 2>that either the technology, the digital technology is being foregrounded

2148
01:54:08.039 --> 01:54:13.119
<v Speaker 2>at the expense of the actors or vice versa. Yeah, sure, sure, right,

2149
01:54:13.319 --> 01:54:17.600
<v Speaker 2>because like you don't have Caesar without Andy Serkis, but

2150
01:54:17.640 --> 01:54:20.680
<v Speaker 2>you also don't have Caesar without wetted digital working their

2151
01:54:20.720 --> 01:54:25.159
<v Speaker 2>asses up. You have a truly unique creation because of

2152
01:54:25.159 --> 01:54:27.000
<v Speaker 2>both of those elements. And you know, I think it's

2153
01:54:27.039 --> 01:54:33.800
<v Speaker 2>just it's I think I think lay people don't grasp

2154
01:54:34.399 --> 01:54:37.159
<v Speaker 2>the nuances of how both of them are intertwined. It's

2155
01:54:37.199 --> 01:54:37.880
<v Speaker 2>not just one or.

2156
01:54:37.800 --> 01:54:42.680
<v Speaker 1>The other, and it doesn't cancel out the amazingness of

2157
01:54:42.720 --> 01:54:43.199
<v Speaker 1>either one.

2158
01:54:43.640 --> 01:54:46.640
<v Speaker 2>Yeah, you know, I mean clearly, like we said, I mean, look,

2159
01:54:46.680 --> 01:54:50.119
<v Speaker 2>we can see zoe sld On, Zoey Saildan's face in

2160
01:54:50.279 --> 01:54:54.359
<v Speaker 2>a in this alien you know, creature, right, and it's

2161
01:54:54.119 --> 01:54:57.359
<v Speaker 2>it's because her performance is so clear to see. But

2162
01:54:58.199 --> 01:54:59.920
<v Speaker 2>the effects folks did their thing too.

2163
01:55:00.279 --> 01:55:01.199
<v Speaker 1>Yeah.

2164
01:55:01.279 --> 01:55:03.199
<v Speaker 2>By the way, I love how deleepe row here who

2165
01:55:03.199 --> 01:55:07.000
<v Speaker 2>plays Max, he basically plays like the same guy a

2166
01:55:07.079 --> 01:55:08.439
<v Speaker 2>year later in Inception.

2167
01:55:08.920 --> 01:55:09.680
<v Speaker 1>Yeah that's right.

2168
01:55:09.840 --> 01:55:12.840
<v Speaker 2>Yeah, he's kind of got his got his niche.

2169
01:55:12.960 --> 01:55:19.039
<v Speaker 1>Yeah, that's funny. But we're moving. I'm just thinking about

2170
01:55:19.039 --> 01:55:21.319
<v Speaker 1>this in like a like a script level too. It's like,

2171
01:55:21.319 --> 01:55:23.600
<v Speaker 1>we don't spend a lot of time wallowing in the cell.

2172
01:55:23.640 --> 01:55:25.239
<v Speaker 1>It's literally they're in the cell and then they get

2173
01:55:25.279 --> 01:55:28.079
<v Speaker 1>broken out. It's very very fast, but it works.

2174
01:55:28.119 --> 01:55:37.079
<v Speaker 2>I'm not missing it. So this too. I remember, you know, nine,

2175
01:55:38.119 --> 01:55:40.680
<v Speaker 2>doing movie Math and being like, Okay, Grace is the

2176
01:55:40.720 --> 01:55:44.640
<v Speaker 2>mentor figure, so she's gonna have to die. Jake can

2177
01:55:44.680 --> 01:55:47.680
<v Speaker 2>claim his destiny on his own like I had. I

2178
01:55:47.720 --> 01:55:50.279
<v Speaker 2>had tracked that probably a third of the way through.

2179
01:55:50.479 --> 01:55:54.880
<v Speaker 1>Oh wow, I don't remember thinking that much about it

2180
01:55:54.880 --> 01:55:56.960
<v Speaker 1>as I was watching it. I was probably just I

2181
01:55:56.960 --> 01:55:57.439
<v Speaker 1>don't know.

2182
01:55:57.760 --> 01:55:59.239
<v Speaker 2>I was doing a lot of I mean, I think

2183
01:55:59.279 --> 01:56:01.039
<v Speaker 2>I just that sort of just how my brain works,

2184
01:56:01.039 --> 01:56:02.520
<v Speaker 2>where I'm like, Okay, I think this is gonna happen,

2185
01:56:02.560 --> 01:56:04.279
<v Speaker 2>and then either it does or it doesn't. You know.

2186
01:56:04.479 --> 01:56:07.479
<v Speaker 1>Yeah, sometimes sometimes I'll do that. I was actually when

2187
01:56:07.479 --> 01:56:09.119
<v Speaker 1>the Tree went down. There's a little part of me

2188
01:56:09.159 --> 01:56:10.159
<v Speaker 1>that was like, all right, that's the end of the

2189
01:56:10.199 --> 01:56:13.279
<v Speaker 1>second act and then like we've lost everything, and then

2190
01:56:13.279 --> 01:56:15.359
<v Speaker 1>we have to take what we've learned and rally again.

2191
01:56:15.399 --> 01:56:17.119
<v Speaker 1>And you know, like I was thinking that a little bit.

2192
01:56:17.199 --> 01:56:22.960
<v Speaker 2>But yeah, I love this bit here where Korich steps out.

2193
01:56:23.000 --> 01:56:25.359
<v Speaker 2>He didn't even have his gas mask on.

2194
01:56:25.520 --> 01:56:26.520
<v Speaker 1>Yes, I lost it too.

2195
01:56:26.960 --> 01:56:30.239
<v Speaker 2>You know, he's just like f these guys, man. Yeah,

2196
01:56:30.439 --> 01:56:32.720
<v Speaker 2>I a bastard, just a rat bastard.

2197
01:56:32.800 --> 01:56:35.680
<v Speaker 1>This guy he would like wade into lava, yeah, just

2198
01:56:36.000 --> 01:56:37.720
<v Speaker 1>to fire upon these people.

2199
01:56:42.000 --> 01:56:45.199
<v Speaker 2>It's funny too because Stephen laying in tombstone is such

2200
01:56:45.239 --> 01:56:49.039
<v Speaker 2>a little weasel, right, and and it's like these are

2201
01:56:49.079 --> 01:56:51.039
<v Speaker 2>like the poles of his performances. You know.

2202
01:56:51.279 --> 01:56:52.000
<v Speaker 1>Yeah.

2203
01:56:52.079 --> 01:56:55.920
<v Speaker 2>He was in the two thousand Fugitive television series. He

2204
01:56:55.960 --> 01:56:56.760
<v Speaker 2>was the one armed man.

2205
01:56:57.199 --> 01:57:00.960
<v Speaker 1>Oh interesting, Yeah, yeah, yeah, which you liked by the way, right, man,

2206
01:57:01.199 --> 01:57:01.920
<v Speaker 1>Let's good show.

2207
01:57:02.000 --> 01:57:05.279
<v Speaker 2>Yeah, that that freaking show. I don't think I've ever

2208
01:57:05.319 --> 01:57:08.800
<v Speaker 2>been as emotionally invested in a show not getting canceled

2209
01:57:08.840 --> 01:57:11.560
<v Speaker 2>as the Futuitive. I think. I think when that show ended,

2210
01:57:11.600 --> 01:57:13.159
<v Speaker 2>it kind of broke a little piece of me that

2211
01:57:13.159 --> 01:57:17.159
<v Speaker 2>that never got fixed. No, like, let me put it

2212
01:57:17.159 --> 01:57:20.560
<v Speaker 2>this way. I never before and ever since. I called

2213
01:57:21.159 --> 01:57:24.800
<v Speaker 2>Les Moonvez's office and left a message saying, please don't cancel.

2214
01:57:24.600 --> 01:57:27.640
<v Speaker 3>A few really ye wow, that's how.

2215
01:57:27.600 --> 01:57:28.560
<v Speaker 2>Much I love that show.

2216
01:57:28.680 --> 01:57:31.439
<v Speaker 1>You know what I did once out here in California,

2217
01:57:31.479 --> 01:57:34.600
<v Speaker 1>for some reason, McDonald's didn't have the shamrock shake, and

2218
01:57:34.680 --> 01:57:39.079
<v Speaker 1>so I wrote McDonald's headquarters, Wow, okay, and I was like,

2219
01:57:39.119 --> 01:57:42.199
<v Speaker 1>why don't any of the Los Angeles McDonald's have shamrock shakes?

2220
01:57:42.399 --> 01:57:44.840
<v Speaker 1>And maybe they just weren't in my area. I don't know,

2221
01:57:44.920 --> 01:57:47.399
<v Speaker 1>but by gum, now we have shamrock shakes.

2222
01:57:47.479 --> 01:57:50.279
<v Speaker 2>I'm just I will believe you made that happen.

2223
01:57:51.039 --> 01:57:58.319
<v Speaker 1>So it just shows where our passions lie. But yes,

2224
01:57:58.359 --> 01:58:01.920
<v Speaker 1>I love Quartz. Yeah, bus out there doesn't care about

2225
01:58:01.920 --> 01:58:02.600
<v Speaker 1>the atmosphere.

2226
01:58:02.640 --> 01:58:04.680
<v Speaker 2>And then then this guy runs out handsome his oxygen.

2227
01:58:04.720 --> 01:58:05.640
<v Speaker 2>I see, Oh yeah, I guess I.

2228
01:58:05.600 --> 01:58:08.359
<v Speaker 3>Should be exactly just a yeah thanks and puts it on.

2229
01:58:09.680 --> 01:58:14.640
<v Speaker 1>Yeah.

2230
01:58:14.680 --> 01:58:15.520
<v Speaker 3>You know, it was interesting.

2231
01:58:15.520 --> 01:58:18.359
<v Speaker 1>I was. I couldn't remember what critics thought of this,

2232
01:58:19.399 --> 01:58:22.279
<v Speaker 1>and it's somewhere in the eighties, I think on Rotten Tomatoes,

2233
01:58:22.720 --> 01:58:25.399
<v Speaker 1>and but I saw like everyone from like Ebert to

2234
01:58:25.399 --> 01:58:28.479
<v Speaker 1>even Steven Spielberg. They compared the experience of watching this

2235
01:58:28.600 --> 01:58:30.319
<v Speaker 1>to seeing Star Wars for the first Yeah.

2236
01:58:30.399 --> 01:58:32.880
<v Speaker 2>Yeah, I remember Ebert saying that. Yeah yeah. I was like,

2237
01:58:32.920 --> 01:58:41.600
<v Speaker 2>oh wow, I'm actually curious if my if they have

2238
01:58:41.720 --> 01:58:44.600
<v Speaker 2>my review for it up on you know, Rotten Tomatoes

2239
01:58:44.680 --> 01:58:48.000
<v Speaker 2>or whatever. Yeah, for for this one, yeah, yeah, I

2240
01:58:48.000 --> 01:58:50.159
<v Speaker 2>don't have to look after this. That's always my favorite

2241
01:58:50.199 --> 01:58:51.960
<v Speaker 2>thing when I pull up a movie on Voodoo and

2242
01:58:52.000 --> 01:58:55.319
<v Speaker 2>I go to the reviews and I see your little blurb,

2243
01:58:55.720 --> 01:58:59.399
<v Speaker 2>and sometimes it's very surprising, like oh wow, you know, yeah,

2244
01:58:59.880 --> 01:59:02.279
<v Speaker 2>might quote from some random thing that I forgot I reviewed.

2245
01:59:02.680 --> 01:59:06.399
<v Speaker 1>Man, you have the defense to me the definitive review

2246
01:59:06.479 --> 01:59:11.279
<v Speaker 1>of Rocky four, which is I actually, if you do

2247
01:59:11.279 --> 01:59:15.600
<v Speaker 1>you remember it exactly? You basically say like how it's

2248
01:59:15.640 --> 01:59:17.520
<v Speaker 1>like kind of a paradox, how the movie isn't very

2249
01:59:17.520 --> 01:59:20.079
<v Speaker 1>good but it's also like very good.

2250
01:59:20.600 --> 01:59:22.239
<v Speaker 2>Yes, okay, yeah I do remember that.

2251
01:59:22.279 --> 01:59:23.800
<v Speaker 3>How do you say it perfectly?

2252
01:59:23.960 --> 01:59:24.920
<v Speaker 2>I'll have to find the quote.

2253
01:59:25.199 --> 01:59:27.640
<v Speaker 1>Yeah, it's like, how kind of movie that's like not

2254
01:59:27.720 --> 01:59:30.159
<v Speaker 1>be that good but also be this good or something

2255
01:59:30.199 --> 01:59:38.720
<v Speaker 1>like that. I'm like, yeah, Rocky four, No, it's interesting too.

2256
01:59:38.720 --> 01:59:42.399
<v Speaker 1>I mean, this movie was nominated for Best Picture, you know,

2257
01:59:42.479 --> 01:59:47.000
<v Speaker 1>for being such a that's right, you know, everybody, I

2258
01:59:47.000 --> 01:59:51.279
<v Speaker 1>think could easily be like, oh yeah, the space Ferngully

2259
01:59:51.399 --> 01:59:55.279
<v Speaker 1>and the Pocahontas and you know, it's very on the nose,

2260
01:59:55.319 --> 01:59:57.640
<v Speaker 1>the exposition and the bad guys are very bad and whatever.

2261
01:59:57.680 --> 02:00:00.600
<v Speaker 1>But this movie was nominated for Best Picture, and it

2262
02:00:00.640 --> 02:00:04.399
<v Speaker 1>pitted James Cameron for Best Director against his ex wife

2263
02:00:04.439 --> 02:00:05.840
<v Speaker 1>Catherine Bigelow for The hurt Locker.

2264
02:00:06.319 --> 02:00:08.520
<v Speaker 3>I think that was what I read. That was the

2265
02:00:08.520 --> 02:00:11.359
<v Speaker 3>first time the next couple had competed against it.

2266
02:00:11.399 --> 02:00:17.239
<v Speaker 2>Wow. Well it was also like the biggest gap in

2267
02:00:18.000 --> 02:00:21.479
<v Speaker 2>like budgets. It was like the most expensive movie and

2268
02:00:21.520 --> 02:00:25.079
<v Speaker 2>the least expensive movie. You know. Oh that's interesting because

2269
02:00:25.079 --> 02:00:27.479
<v Speaker 2>the hurt Locker costs like eight dollars and thirty seven

2270
02:00:27.520 --> 02:00:30.000
<v Speaker 2>cents to make, you know, right, I mean it was

2271
02:00:30.039 --> 02:00:36.000
<v Speaker 2>it was real like, I mean, not to diminish the craft,

2272
02:00:36.000 --> 02:00:37.640
<v Speaker 2>but I mean they had to work close to the

2273
02:00:37.760 --> 02:00:40.319
<v Speaker 2>chest to really get that movie made, you know, And

2274
02:00:40.359 --> 02:00:44.600
<v Speaker 2>obviously James Cameron had a lot more resources at his disposal. Right,

2275
02:00:46.680 --> 02:00:50.119
<v Speaker 2>So here's here's that. Here's that Rocky four quote. Yes, yes,

2276
02:00:50.840 --> 02:00:53.319
<v Speaker 2>it's a bad movie, no doubt, but at the same time,

2277
02:00:53.399 --> 02:00:56.439
<v Speaker 2>and somewhat paradoxically, it's also a great movie. Figure that

2278
02:00:56.479 --> 02:00:56.840
<v Speaker 2>one out.

2279
02:00:57.199 --> 02:01:00.479
<v Speaker 1>Yeah, I mean, that's that's it. That's it should be

2280
02:01:00.479 --> 02:01:02.279
<v Speaker 1>on the box. And I mean that in a good way,

2281
02:01:02.319 --> 02:01:03.319
<v Speaker 1>because I love that movie.

2282
02:01:09.560 --> 02:01:12.039
<v Speaker 3>This sory tells the creatures like, got an idea, but

2283
02:01:12.039 --> 02:01:12.920
<v Speaker 3>you're not gonna like it.

2284
02:01:13.079 --> 02:01:22.920
<v Speaker 1>Yeah, you know. I I'm just looking at all the

2285
02:01:22.920 --> 02:01:25.000
<v Speaker 1>devastation here and then now we got this new creature

2286
02:01:25.039 --> 02:01:27.600
<v Speaker 1>we're catching up with and talking about, like how Cameron

2287
02:01:27.640 --> 02:01:30.159
<v Speaker 1>had this whole world realized. And sometimes when he talks

2288
02:01:30.199 --> 02:01:33.720
<v Speaker 1>about it, he'll even name check creatures as if we

2289
02:01:33.800 --> 02:01:37.159
<v Speaker 1>know what he's talking about, you know, And in some

2290
02:01:37.199 --> 02:01:39.159
<v Speaker 1>ways it can kind of make it seem like what

2291
02:01:39.239 --> 02:01:39.880
<v Speaker 1>a dork you know.

2292
02:01:40.039 --> 02:01:42.119
<v Speaker 2>See, But real quick, this right here, I mean we

2293
02:01:42.279 --> 02:01:46.199
<v Speaker 2>just we just I was gonna say we montage passed.

2294
02:01:46.199 --> 02:01:49.000
<v Speaker 2>We didn't even know YadA YadA, YadA, YadA passed to

2295
02:01:49.039 --> 02:01:49.600
<v Speaker 2>be the most.

2296
02:01:49.399 --> 02:01:51.159
<v Speaker 3>Difficult thing he's done in the movie so far.

2297
02:01:51.760 --> 02:01:53.760
<v Speaker 2>That odd choice. Odd choice.

2298
02:01:53.960 --> 02:01:58.720
<v Speaker 1>Yeah, but no, I I you know what I mean.

2299
02:01:58.760 --> 02:02:00.720
<v Speaker 1>And I've heard him talking about his rights rooms for

2300
02:02:00.760 --> 02:02:03.199
<v Speaker 1>the sequels, and he's like, you know, we even sometimes

2301
02:02:03.199 --> 02:02:05.079
<v Speaker 1>we just we don't even speak in English. Well we'll

2302
02:02:05.319 --> 02:02:07.520
<v Speaker 1>say things in NAVI terms because we're just so immersed

2303
02:02:07.520 --> 02:02:10.520
<v Speaker 1>and you're just like, that just sounds so weird, But

2304
02:02:10.560 --> 02:02:12.680
<v Speaker 1>at the same time, that's exactly what I want to

2305
02:02:12.760 --> 02:02:15.640
<v Speaker 1>the guy making these movies, right, That's why they work,

2306
02:02:15.720 --> 02:02:17.720
<v Speaker 1>That's why they're so potent, that's why they're so rich,

2307
02:02:18.079 --> 02:02:18.279
<v Speaker 1>you know.

2308
02:02:18.359 --> 02:02:18.920
<v Speaker 3>And and.

2309
02:02:20.319 --> 02:02:22.520
<v Speaker 1>I love that he's such a dork for these things,

2310
02:02:22.600 --> 02:02:25.159
<v Speaker 1>Like he cares about this world so much. And even

2311
02:02:25.199 --> 02:02:26.720
<v Speaker 1>when this came out, he was talking about he was

2312
02:02:26.760 --> 02:02:31.319
<v Speaker 1>going to write novels, you know, filling in backstory, and

2313
02:02:31.399 --> 02:02:33.319
<v Speaker 1>he's talked about all the sequels he's going to make.

2314
02:02:33.359 --> 02:02:36.119
<v Speaker 1>And you know, I'm in the camp where that does

2315
02:02:36.319 --> 02:02:37.800
<v Speaker 1>make me sad a little bit because I want to

2316
02:02:37.840 --> 02:02:39.279
<v Speaker 1>see him do other things as well.

2317
02:02:39.720 --> 02:02:41.520
<v Speaker 3>Right, But I got to say, there's something.

2318
02:02:41.359 --> 02:02:44.880
<v Speaker 1>I really admire about him being all in on this.

2319
02:02:44.960 --> 02:02:47.520
<v Speaker 1>He really cares about it, and it's going to show

2320
02:02:47.560 --> 02:02:48.159
<v Speaker 1>up on screen.

2321
02:02:49.680 --> 02:02:53.520
<v Speaker 2>He clearly, you know, spent a lot of time and

2322
02:02:53.600 --> 02:02:57.560
<v Speaker 2>sort of emotional energy building out this world in his mind.

2323
02:02:58.720 --> 02:03:05.960
<v Speaker 2>And they're something exhilarating about that, you know, like to

2324
02:03:06.520 --> 02:03:09.479
<v Speaker 2>have something that that that goes so deep and so

2325
02:03:09.600 --> 02:03:11.920
<v Speaker 2>wide and it's like you just want to you want

2326
02:03:11.920 --> 02:03:13.960
<v Speaker 2>to let everybody know all the things you've dreamed up,

2327
02:03:14.039 --> 02:03:21.680
<v Speaker 2>you know. I think, you know, just taking it back

2328
02:03:21.720 --> 02:03:24.199
<v Speaker 2>to Star Wars, like, I think that's the dilemma that

2329
02:03:24.279 --> 02:03:30.279
<v Speaker 2>George Lucas ran into with the prequels, is like he

2330
02:03:30.279 --> 02:03:33.279
<v Speaker 2>He's like, hey, here's more stories in this world that

2331
02:03:33.359 --> 02:03:37.079
<v Speaker 2>I created, and it was you know, the reaction was like, yeah,

2332
02:03:37.119 --> 02:03:40.479
<v Speaker 2>but it's not enough like those other things, so we

2333
02:03:40.600 --> 02:03:41.840
<v Speaker 2>hate you.

2334
02:03:42.439 --> 02:03:49.159
<v Speaker 1>Right, yeah, And it really does feel like it affected him.

2335
02:03:49.439 --> 02:03:51.600
<v Speaker 2>I think. So, you know, I think I think Star

2336
02:03:51.640 --> 02:03:53.319
<v Speaker 2>Wars fans killed Star Wars.

2337
02:03:53.359 --> 02:03:57.800
<v Speaker 1>You know, yeah, like he doesn't do as many interviews

2338
02:03:57.960 --> 02:04:00.359
<v Speaker 1>or you know, get trying to get emotional or you know,

2339
02:04:00.479 --> 02:04:02.680
<v Speaker 1>he keeps things close to the chest, it seems, but

2340
02:04:02.800 --> 02:04:04.760
<v Speaker 1>every now and then something will slip where he's like, well,

2341
02:04:04.760 --> 02:04:05.399
<v Speaker 1>people hated it.

2342
02:04:05.479 --> 02:04:08.319
<v Speaker 3>So I was like, all right, fine, you'll see.

2343
02:04:08.199 --> 02:04:11.119
<v Speaker 1>These moments where it reveals how he really feels and

2344
02:04:11.119 --> 02:04:13.279
<v Speaker 1>you're like, oh, we hurt his feelings, Like that breaks

2345
02:04:13.319 --> 02:04:17.159
<v Speaker 1>my heart. Yeah, I gave it. I think one of

2346
02:04:17.199 --> 02:04:20.560
<v Speaker 1>the most special things the modern world has been able

2347
02:04:20.560 --> 02:04:23.800
<v Speaker 1>to enjoy, and we crapped on him.

2348
02:04:24.000 --> 02:04:27.520
<v Speaker 2>It's just it's wasted on a bunch of piece of

2349
02:04:27.560 --> 02:04:31.560
<v Speaker 2>shit assholes who are miserable and they want everybody else

2350
02:04:31.560 --> 02:04:36.199
<v Speaker 2>to be miserable. That's how I feel. You don't have

2351
02:04:36.239 --> 02:04:36.880
<v Speaker 2>to cosign that.

2352
02:04:37.039 --> 02:04:38.359
<v Speaker 3>But no, no, no no.

2353
02:04:40.840 --> 02:04:42.720
<v Speaker 1>By the way, so the turn here with the brother,

2354
02:04:42.800 --> 02:04:44.760
<v Speaker 1>I do love this shot where he shows up on

2355
02:04:44.880 --> 02:04:48.000
<v Speaker 1>like the Untamable Beast or it's been tamed five times

2356
02:04:48.000 --> 02:04:50.560
<v Speaker 1>in their history since like the beginning of the dawn

2357
02:04:50.640 --> 02:04:51.239
<v Speaker 1>of their history.

2358
02:04:51.359 --> 02:04:53.520
<v Speaker 2>I think what we needed was when he goes up

2359
02:04:53.680 --> 02:04:56.399
<v Speaker 2>to climb the thing whatever, the camera just pans down

2360
02:04:56.439 --> 02:05:00.640
<v Speaker 2>and there's just the bodies of all the people who

2361
02:05:00.680 --> 02:05:02.800
<v Speaker 2>who died trying to try it.

2362
02:05:02.920 --> 02:05:07.680
<v Speaker 1>Oh yeah, right, Well I was gonna say I love

2363
02:05:07.720 --> 02:05:10.560
<v Speaker 1>this shot where he so he he rides up on

2364
02:05:10.600 --> 02:05:13.079
<v Speaker 1>this thing and everyone's like kneeling for him, and even

2365
02:05:13.239 --> 02:05:15.640
<v Speaker 1>Terry is like damn, like I thought he was like before.

2366
02:05:16.640 --> 02:05:18.079
<v Speaker 1>But then he goes up to the brother and he's

2367
02:05:18.119 --> 02:05:20.880
<v Speaker 1>just like, what's up. And then the way that it's

2368
02:05:20.920 --> 02:05:23.640
<v Speaker 1>framed is like you see the creature behind him, like

2369
02:05:23.800 --> 02:05:27.800
<v Speaker 1>it's over the brother's shoulder on Jake, and then that

2370
02:05:27.840 --> 02:05:30.000
<v Speaker 1>creature like the camera even like tilts up just a

2371
02:05:30.079 --> 02:05:32.760
<v Speaker 1>little bit to capture the creature spreading its wings like

2372
02:05:32.800 --> 02:05:35.439
<v Speaker 1>it's like a flex. I just love how the camera work,

2373
02:05:35.479 --> 02:05:39.600
<v Speaker 1>even as like yeah, damn dude, like like how it

2374
02:05:39.680 --> 02:05:41.520
<v Speaker 1>must be perceived by the brother, like well, what choice

2375
02:05:41.520 --> 02:05:44.960
<v Speaker 1>do I have, Like yeah, okay, you're the guy.

2376
02:05:45.119 --> 02:05:47.439
<v Speaker 2>Yeah yeah, you don't mess around with that.

2377
02:05:48.439 --> 02:05:50.000
<v Speaker 3>It's just such a funny and I just love the

2378
02:05:50.000 --> 02:05:50.720
<v Speaker 3>way that's captured.

2379
02:05:54.359 --> 02:05:59.000
<v Speaker 2>So I, I, uh, I just pulled up Rotten Tomatoes

2380
02:05:59.000 --> 02:06:03.640
<v Speaker 2>as we're talking, and I found they have my review.

2381
02:06:03.640 --> 02:06:08.840
<v Speaker 2>This is from from twenty nineteen. Oh, and I said

2382
02:06:08.840 --> 02:06:10.960
<v Speaker 2>rewatching it with fresh eyes ten years later. The movies

2383
02:06:11.000 --> 02:06:13.760
<v Speaker 2>pluses and minuses both rise into much starker relief. The

2384
02:06:13.880 --> 02:06:18.920
<v Speaker 2>verdict it's fine. But here's what I find am using

2385
02:06:18.920 --> 02:06:21.800
<v Speaker 2>more than my review whatever. Right underneath there is a

2386
02:06:21.840 --> 02:06:24.359
<v Speaker 2>review by Ed Koch as in former mayor of New

2387
02:06:24.439 --> 02:06:27.760
<v Speaker 2>York Ed Koch, What's who? I guess did movie reviews?

2388
02:06:28.239 --> 02:06:30.960
<v Speaker 2>H and he says, in my opinion, Avatar has been

2389
02:06:31.000 --> 02:06:34.319
<v Speaker 2>hyped beyond the point of forgiveness. We know where he

2390
02:06:34.399 --> 02:06:34.800
<v Speaker 2>landed on.

2391
02:06:34.800 --> 02:06:40.600
<v Speaker 1>All right, all right, Oh, I was going to touch

2392
02:06:40.600 --> 02:06:43.119
<v Speaker 1>on this moment a little earlier, but.

2393
02:06:44.600 --> 02:06:47.760
<v Speaker 3>You know, just I was started bringing up about how

2394
02:06:47.760 --> 02:06:48.720
<v Speaker 3>people around the world.

2395
02:06:48.800 --> 02:06:51.439
<v Speaker 1>Some people are just getting really connected with this movie

2396
02:06:51.479 --> 02:06:54.520
<v Speaker 1>and yeah, living it and stuff. And I think the reason,

2397
02:06:54.800 --> 02:06:58.399
<v Speaker 1>like you brought up was, you know, he created this tangible,

2398
02:06:59.199 --> 02:07:01.720
<v Speaker 1>beautiful place that like, why wouldn't you want to visit it?

2399
02:07:01.760 --> 02:07:02.399
<v Speaker 2>You know, right?

2400
02:07:02.520 --> 02:07:04.600
<v Speaker 1>Some people wish they could step into the film. And

2401
02:07:04.640 --> 02:07:08.720
<v Speaker 1>I remember this moment where everyone is surrounded surrounding the

2402
02:07:08.800 --> 02:07:10.640
<v Speaker 1>tree and they have their arms around each other and

2403
02:07:10.680 --> 02:07:13.479
<v Speaker 1>they're kind of doing this like chant or prayer or something.

2404
02:07:14.800 --> 02:07:19.319
<v Speaker 1>And I remember not thinking a ton about it, but

2405
02:07:19.439 --> 02:07:22.119
<v Speaker 1>I remember my brother saying, he's like, I love that moment.

2406
02:07:22.720 --> 02:07:23.880
<v Speaker 3>I was like, oh, really, why is that?

2407
02:07:23.920 --> 02:07:28.880
<v Speaker 1>And he's like connection, you know, like community, like you know,

2408
02:07:28.960 --> 02:07:30.800
<v Speaker 1>it's not like neighbors who have their fences up and

2409
02:07:30.800 --> 02:07:33.279
<v Speaker 1>don't speak with one another, Like they've come together to

2410
02:07:33.399 --> 02:07:35.920
<v Speaker 1>rally for this thing that they want to happen. And

2411
02:07:35.960 --> 02:07:39.560
<v Speaker 1>he just really emotionally connected to the connectedness of all this.

2412
02:07:39.640 --> 02:07:41.960
<v Speaker 1>And I was like, Oh, that's it's funny because I didn't.

2413
02:07:42.439 --> 02:07:43.960
<v Speaker 1>I didn't at first, and now I think about it

2414
02:07:43.960 --> 02:07:46.960
<v Speaker 1>because of him. But there's just so many things that

2415
02:07:47.000 --> 02:07:49.079
<v Speaker 1>you could connect with in this movie.

2416
02:07:49.079 --> 02:07:50.119
<v Speaker 3>And I just find that.

2417
02:07:50.520 --> 02:07:52.439
<v Speaker 2>Well and if I can just add to that, I

2418
02:07:52.479 --> 02:07:54.760
<v Speaker 2>think what Grace is saying just before she dies or

2419
02:07:54.800 --> 02:07:59.800
<v Speaker 2>she's like, you know she's real, you know, yeah, yeah, yeah, yes,

2420
02:08:00.520 --> 02:08:05.239
<v Speaker 2>spirituality right, and you know that that sense of even

2421
02:08:05.279 --> 02:08:10.840
<v Speaker 2>when we leave, you know where our loved ones can

2422
02:08:10.880 --> 02:08:13.680
<v Speaker 2>still find us, you know. I mean, who wouldn't want that?

2423
02:08:13.880 --> 02:08:17.119
<v Speaker 2>You know? I mean, yeah, I was reading sorry, just

2424
02:08:17.119 --> 02:08:19.279
<v Speaker 2>real quick, I was reading an article this morning about

2425
02:08:19.319 --> 02:08:22.319
<v Speaker 2>how you've got these AI companies that are saying, oh,

2426
02:08:22.359 --> 02:08:26.319
<v Speaker 2>you know, like when when your grandparents die or whatever,

2427
02:08:26.399 --> 02:08:28.720
<v Speaker 2>you can feed their personality into an AI and create

2428
02:08:28.760 --> 02:08:32.079
<v Speaker 2>an AI avatar of them to communicate with. And I'm like,

2429
02:08:32.159 --> 02:08:36.359
<v Speaker 2>what kind of fresh hellscape? Like what kind of messed

2430
02:08:36.479 --> 02:08:40.439
<v Speaker 2>up dystopian e fing shit are we having to live

2431
02:08:40.439 --> 02:08:41.640
<v Speaker 2>through every goddamn day.

2432
02:08:41.960 --> 02:08:45.479
<v Speaker 1>It's I mean it's literally a black mirror episode, I think, right.

2433
02:08:45.479 --> 02:08:49.720
<v Speaker 2>You know, and and you know, the the inverse of

2434
02:08:49.760 --> 02:08:53.159
<v Speaker 2>that is this this idea of like, no, you get

2435
02:08:53.199 --> 02:08:56.479
<v Speaker 2>to you know, you you move on from this plane,

2436
02:08:56.640 --> 02:09:01.279
<v Speaker 2>but you're part of something bigger and and you know

2437
02:09:01.880 --> 02:09:03.680
<v Speaker 2>your people can still find you, you know. I mean

2438
02:09:03.680 --> 02:09:05.800
<v Speaker 2>that's something that we would all love to have, you know.

2439
02:09:06.199 --> 02:09:10.800
<v Speaker 1>Yeah, yeah, yeah, I just don't feel like, I mean,

2440
02:09:10.840 --> 02:09:12.560
<v Speaker 1>I think I'm saying something obvious, but I just don't

2441
02:09:12.560 --> 02:09:13.279
<v Speaker 1>think that's healthy.

2442
02:09:14.319 --> 02:09:17.399
<v Speaker 2>I mean, it's not obviously, and yet we have people

2443
02:09:17.479 --> 02:09:19.840
<v Speaker 2>falling in love with chat bots.

2444
02:09:20.720 --> 02:09:22.399
<v Speaker 1>I was gonna say, and it's gonna appeal to the

2445
02:09:22.439 --> 02:09:26.159
<v Speaker 1>people that maybe have the tendency to get most lost

2446
02:09:26.319 --> 02:09:28.359
<v Speaker 1>in those sorts of things. It's gonna be very unhealthy

2447
02:09:28.359 --> 02:09:31.439
<v Speaker 1>for people. Well, yeah, and and and that sort of thing.

2448
02:09:32.239 --> 02:09:35.880
<v Speaker 2>You know, there's a lot being said these days about

2449
02:09:35.920 --> 02:09:38.560
<v Speaker 2>the crisis of loneliness, right, And this is obviously something

2450
02:09:38.600 --> 02:09:42.119
<v Speaker 2>that gets talked about a lot when it comes to

2451
02:09:42.159 --> 02:09:45.239
<v Speaker 2>young men, right, But just more broadly, I think people

2452
02:09:45.279 --> 02:09:50.079
<v Speaker 2>are lonely, right. And you know, I think about, like,

2453
02:09:50.119 --> 02:09:53.279
<v Speaker 2>for me, I lead a pretty busy life and you know,

2454
02:09:53.279 --> 02:09:56.399
<v Speaker 2>I got my kids and whatever. But for me, one

2455
02:09:56.439 --> 02:09:59.079
<v Speaker 2>of the joys of any given week is me hopping

2456
02:09:59.079 --> 02:10:02.600
<v Speaker 2>on Mike and chatting with you and just doing this

2457
02:10:02.840 --> 02:10:05.119
<v Speaker 2>because we're just we're just shooting the ship. And how

2458
02:10:05.239 --> 02:10:08.520
<v Speaker 2>much that means for me, just as like I get

2459
02:10:08.560 --> 02:10:11.319
<v Speaker 2>to do something where I'm just having fun and shooting

2460
02:10:11.359 --> 02:10:13.880
<v Speaker 2>the ship. And I think about, like, how many people

2461
02:10:13.920 --> 02:10:17.279
<v Speaker 2>don't have that person they can just about whatever, Like

2462
02:10:17.359 --> 02:10:20.159
<v Speaker 2>in I mean, granted we're not occupying the same space,

2463
02:10:20.199 --> 02:10:22.079
<v Speaker 2>but you're a real human being as far as I know.

2464
02:10:23.600 --> 02:10:26.399
<v Speaker 2>And how many people don't have that just there shoot

2465
02:10:26.399 --> 02:10:31.039
<v Speaker 2>the ship friend, yeah sure, right yeah, And in the

2466
02:10:31.079 --> 02:10:35.600
<v Speaker 2>absence of that, those needs manifest in weird, unhealthy ways.

2467
02:10:35.800 --> 02:10:43.720
<v Speaker 1>Right right. Yeah, Yeah, that's that's I feel very thankful

2468
02:10:43.760 --> 02:10:45.920
<v Speaker 1>for it. And like I I appreciate all the people

2469
02:10:45.960 --> 02:10:47.680
<v Speaker 1>who are listening right now and the people who reach

2470
02:10:47.680 --> 02:10:50.000
<v Speaker 1>out to us and they continue the conversation.

2471
02:10:50.119 --> 02:10:52.039
<v Speaker 3>I mean, that's what I've always viewed this as.

2472
02:10:52.039 --> 02:10:53.640
<v Speaker 1>Like I always think when we watch a movie and

2473
02:10:53.680 --> 02:10:55.600
<v Speaker 1>then you go to like a restaurant or a coffee

2474
02:10:55.600 --> 02:10:57.479
<v Speaker 1>shop afterwards, and you just want to you got to

2475
02:10:57.520 --> 02:10:59.760
<v Speaker 1>talk about it. It's not even it's not quite a review,

2476
02:11:00.119 --> 02:11:03.479
<v Speaker 1>just a conversation about what you've just witnessed and all

2477
02:11:03.520 --> 02:11:05.199
<v Speaker 1>the thoughts that are fresh in your mind. And I

2478
02:11:05.239 --> 02:11:08.479
<v Speaker 1>love to join our conversation, you know. I love having

2479
02:11:08.479 --> 02:11:09.880
<v Speaker 1>it with you, and I love that people join in

2480
02:11:09.880 --> 02:11:10.439
<v Speaker 1>on it as well.

2481
02:11:10.520 --> 02:11:12.880
<v Speaker 2>Yeah, And I mean I mean that stuff matters, right,

2482
02:11:12.880 --> 02:11:16.319
<v Speaker 2>because it's just it's just human connection. Yeah, And and

2483
02:11:16.399 --> 02:11:19.279
<v Speaker 2>like I said, I mean, it's being drained out of

2484
02:11:19.319 --> 02:11:23.119
<v Speaker 2>our day to day existence, and so then you have, hey,

2485
02:11:23.159 --> 02:11:29.399
<v Speaker 2>you want you want, you know, cgi Grandma to tell

2486
02:11:29.439 --> 02:11:31.520
<v Speaker 2>you she loves you. Here you go, and people people

2487
02:11:31.520 --> 02:11:33.119
<v Speaker 2>are gonna be like, oh cool, all right.

2488
02:11:35.079 --> 02:11:35.479
<v Speaker 3>Yeah.

2489
02:11:35.680 --> 02:11:37.880
<v Speaker 1>I don't know, man, I don't know. All I know

2490
02:11:38.079 --> 02:11:40.399
<v Speaker 1>is twenty thirty years from now are not going to

2491
02:11:40.439 --> 02:11:45.119
<v Speaker 1>look like anything I would have imagined even now. I

2492
02:11:45.119 --> 02:11:49.119
<v Speaker 1>was gonna say, like ten twenty years ago. But no, seriously,

2493
02:11:49.199 --> 02:11:51.279
<v Speaker 1>you know by the way that shot, when I think

2494
02:11:51.319 --> 02:11:54.520
<v Speaker 1>about rendering and time and all that stuff, that shot

2495
02:11:54.560 --> 02:11:57.640
<v Speaker 1>with all those flying creatures going over the crashing waves.

2496
02:11:57.680 --> 02:12:04.079
<v Speaker 2>Yeah, gorgeous. Well, and we're talking twenty nine, right, so

2497
02:12:04.199 --> 02:12:08.560
<v Speaker 2>how long like now, render times have probably gotten shorter? Yeah, yeah,

2498
02:12:08.640 --> 02:12:12.079
<v Speaker 2>So I mean how much time was spent just rendering

2499
02:12:12.119 --> 02:12:13.800
<v Speaker 2>out so much of this movie? Yeah?

2500
02:12:14.000 --> 02:12:16.520
<v Speaker 1>Man, you think about sticking with James Caermon. I mean

2501
02:12:16.520 --> 02:12:19.439
<v Speaker 1>that water tentacle in the Abyss. I was like, yeah, man,

2502
02:12:19.479 --> 02:12:21.960
<v Speaker 1>that took like seven months to render, like who knows

2503
02:12:21.960 --> 02:12:22.880
<v Speaker 1>in nineteen eighty nine.

2504
02:12:22.920 --> 02:12:26.640
<v Speaker 2>You know, isn't that amazing? Twenty years between the Abyss

2505
02:12:27.039 --> 02:12:27.840
<v Speaker 2>and Avatar?

2506
02:12:28.439 --> 02:12:29.399
<v Speaker 3>That is amazing?

2507
02:12:29.760 --> 02:12:30.039
<v Speaker 2>Right?

2508
02:12:31.640 --> 02:12:37.479
<v Speaker 1>You know? I know the movie Babylon is a little polarizing. Yeah, yeah,

2509
02:12:37.520 --> 02:12:41.159
<v Speaker 1>and she's all movie, yeah, Margot, Robbie, and yeah it

2510
02:12:41.840 --> 02:12:47.000
<v Speaker 1>and rightfully so it's flawed, but there's a lot of thing.

2511
02:12:47.159 --> 02:12:49.800
<v Speaker 1>There's enough things in there that resonated with me and

2512
02:12:49.840 --> 02:12:52.039
<v Speaker 1>that I found kind of powerful that I can't help

2513
02:12:52.079 --> 02:12:55.359
<v Speaker 1>but think of it like fondly and one of the

2514
02:12:55.359 --> 02:12:56.119
<v Speaker 1>things that happened, I'm.

2515
02:12:56.000 --> 02:12:58.079
<v Speaker 3>Just gonna spoil it. Basically, there's like a guy.

2516
02:12:59.600 --> 02:13:02.359
<v Speaker 1>Who work in pictures and he goes through all these

2517
02:13:02.359 --> 02:13:05.680
<v Speaker 1>things and you know, ups and downs, and you know,

2518
02:13:05.920 --> 02:13:08.439
<v Speaker 1>even when you're having the worst day possible, it can

2519
02:13:08.800 --> 02:13:11.520
<v Speaker 1>wind up with you getting the shot and that shot

2520
02:13:11.560 --> 02:13:13.760
<v Speaker 1>could live forever and it was worth it, you know.

2521
02:13:14.159 --> 02:13:17.000
<v Speaker 1>And the movie ends with him many many years later,

2522
02:13:17.960 --> 02:13:19.520
<v Speaker 1>you know. I think this is like the thirties or

2523
02:13:19.520 --> 02:13:21.880
<v Speaker 1>twenties or something like that. And then it ends and

2524
02:13:21.920 --> 02:13:23.520
<v Speaker 1>I want to say the fifties or sixties, and he

2525
02:13:23.560 --> 02:13:26.359
<v Speaker 1>walks into a movie theater like I'm gonna go watch

2526
02:13:26.399 --> 02:13:28.479
<v Speaker 1>a movie, and he's an old man and he sits

2527
02:13:28.520 --> 02:13:30.600
<v Speaker 1>down and I don't remember what movie it starts with,

2528
02:13:31.399 --> 02:13:34.439
<v Speaker 1>but then it has this thing where it shows singing

2529
02:13:34.439 --> 02:13:37.000
<v Speaker 1>in the rain, and then it shows the French connection,

2530
02:13:37.359 --> 02:13:39.079
<v Speaker 1>and then it shows back to the future, and then

2531
02:13:39.079 --> 02:13:41.560
<v Speaker 1>it shows Terminator too, and you see the you know,

2532
02:13:41.600 --> 02:13:44.800
<v Speaker 1>the liquid metal visual effect, and then it goes to

2533
02:13:44.960 --> 02:13:52.760
<v Speaker 1>Avatar and it's basically the movies, like they're the movies, Yeah, exactly,

2534
02:13:53.119 --> 02:13:56.359
<v Speaker 1>but it's like they will continue going, they will continue

2535
02:13:56.399 --> 02:13:59.119
<v Speaker 1>to innovate, and they will dazzle in different ways and

2536
02:13:59.159 --> 02:14:02.479
<v Speaker 1>in ways that you know, like it'll never stop and

2537
02:14:02.520 --> 02:14:04.600
<v Speaker 1>it will continue evolving and showing us things you never

2538
02:14:04.600 --> 02:14:06.920
<v Speaker 1>could have imagined. And then it cuts back to him

2539
02:14:07.479 --> 02:14:11.279
<v Speaker 1>in like nineteen fifty or sixty something. I don't know.

2540
02:14:11.319 --> 02:14:13.840
<v Speaker 1>I just and I know that was itself was a

2541
02:14:13.840 --> 02:14:17.119
<v Speaker 1>polarizing scene for people, but I found it beautiful.

2542
02:14:17.560 --> 02:14:20.840
<v Speaker 2>That's interesting. Now you say that was polarizing. Why that scene?

2543
02:14:21.920 --> 02:14:25.520
<v Speaker 1>It was weird? You know, because or weird? Did that

2544
02:14:25.560 --> 02:14:26.119
<v Speaker 1>sum it up for you?

2545
02:14:26.199 --> 02:14:26.520
<v Speaker 2>Zachy?

2546
02:14:26.600 --> 02:14:27.159
<v Speaker 1>It was weird?

2547
02:14:28.399 --> 02:14:28.920
<v Speaker 2>I think it was.

2548
02:14:29.000 --> 02:14:32.039
<v Speaker 1>It just felt like incongruous or something with everything we'd

2549
02:14:32.039 --> 02:14:34.279
<v Speaker 1>seen because it was a period movie and then all

2550
02:14:34.279 --> 02:14:38.159
<v Speaker 1>of a sudden you're seeing images from Avatar and you're like, what, Like,

2551
02:14:38.199 --> 02:14:40.720
<v Speaker 1>I think some people just didn't make the leap with

2552
02:14:40.840 --> 02:14:43.399
<v Speaker 1>it because it's I don't have impression this sticks the

2553
02:14:43.479 --> 02:14:47.479
<v Speaker 1>right word, but you know, it's like, like, what, he's

2554
02:14:47.520 --> 02:14:49.039
<v Speaker 1>watching a movie and all of a sudden he's seeing

2555
02:14:49.039 --> 02:14:51.159
<v Speaker 1>the future. I don't understand. Why are we watching all

2556
02:14:51.199 --> 02:14:54.239
<v Speaker 1>these movies from the future, right, I don't know, but

2557
02:14:54.239 --> 02:14:56.560
<v Speaker 1>it was to me, it was a feeling, and I

2558
02:14:56.600 --> 02:14:59.359
<v Speaker 1>really loved that feeling because maybe I'm I'm very passionate

2559
02:14:59.399 --> 02:15:00.359
<v Speaker 1>about these things.

2560
02:15:00.840 --> 02:15:04.560
<v Speaker 3>Yeah, and so I I don't know, I don't even

2561
02:15:04.560 --> 02:15:05.319
<v Speaker 3>remember how I got on.

2562
02:15:05.239 --> 02:15:07.159
<v Speaker 1>This, but oh, because we're talking about the leap from

2563
02:15:07.479 --> 02:15:10.640
<v Speaker 1>Abyss the Abyss, yeah, only in twenty years, and I remember,

2564
02:15:10.680 --> 02:15:12.439
<v Speaker 1>I think that's what I loved about that sequence, was

2565
02:15:12.520 --> 02:15:17.079
<v Speaker 1>just seeing the leaps made in seconds. Yeah, you know.

2566
02:15:17.199 --> 02:15:19.319
<v Speaker 1>And and it's about the people. That movie is about

2567
02:15:19.319 --> 02:15:21.560
<v Speaker 1>the people who make these things and how much they

2568
02:15:21.600 --> 02:15:22.840
<v Speaker 1>mean to them. And there are a lot of work

2569
02:15:22.880 --> 02:15:25.760
<v Speaker 1>and they could ruin your life and they could also

2570
02:15:25.840 --> 02:15:29.359
<v Speaker 1>give you one of the most profound days of your life.

2571
02:15:29.439 --> 02:15:31.199
<v Speaker 1>You know. Just it's all of it. It's all of

2572
02:15:31.199 --> 02:15:32.760
<v Speaker 1>it at once, and I feel like that's what that

2573
02:15:33.119 --> 02:15:35.920
<v Speaker 1>montage at the end is kind of encapsulating and how

2574
02:15:35.920 --> 02:15:37.199
<v Speaker 1>they make people feel.

2575
02:15:38.359 --> 02:15:43.079
<v Speaker 2>Wow, that's really something. Yeah.

2576
02:15:43.159 --> 02:15:46.000
<v Speaker 1>But it also the same movie has literally has an

2577
02:15:46.000 --> 02:15:51.640
<v Speaker 1>elephant crapping onto the screen. So there's that too, you know,

2578
02:15:51.720 --> 02:15:57.720
<v Speaker 1>there is that too. It's a mixed bag now again

2579
02:15:57.800 --> 02:16:01.239
<v Speaker 1>going into all the components that Cameron, I don't think

2580
02:16:01.239 --> 02:16:03.279
<v Speaker 1>it was. It could have been calculated, but I feel

2581
02:16:03.279 --> 02:16:05.199
<v Speaker 1>like all these things are probably important to him, but

2582
02:16:05.399 --> 02:16:07.359
<v Speaker 1>just things for people to latch onto. Like we were

2583
02:16:07.359 --> 02:16:09.960
<v Speaker 1>just talking about, we have this moment where he's very

2584
02:16:09.960 --> 02:16:12.880
<v Speaker 1>confident he's tamed this untamable beast. He's about to go

2585
02:16:12.880 --> 02:16:15.800
<v Speaker 1>into battle, but he also takes a moment to kneel

2586
02:16:15.840 --> 02:16:18.079
<v Speaker 1>and pray. Yeah, you know, it kind of reminds me

2587
02:16:18.079 --> 02:16:19.920
<v Speaker 1>of that moment I always love in The Phantom Menace

2588
02:16:20.840 --> 02:16:23.079
<v Speaker 1>with a Qui Goun where it's like the heat of

2589
02:16:23.119 --> 02:16:25.920
<v Speaker 1>battle with Darth Maul, but then when he's got one

2590
02:16:26.000 --> 02:16:29.960
<v Speaker 1>moment where they're separated, he takes a moment to center himself.

2591
02:16:30.279 --> 02:16:32.920
<v Speaker 2>And Darth Maul is pacing back and forth like a

2592
02:16:32.959 --> 02:16:36.440
<v Speaker 2>caged animal. Yes, yes, but difference be dartham.

2593
02:16:36.319 --> 02:16:40.159
<v Speaker 3>Light center and yeah, meditating and there's just something.

2594
02:16:40.239 --> 02:16:42.479
<v Speaker 1>Oh, by the way, I love that. Sorry, that moment

2595
02:16:42.520 --> 02:16:44.559
<v Speaker 1>where the ships are taking off and one of them

2596
02:16:44.680 --> 02:16:47.799
<v Speaker 1>hits a soldier out did you see that? It hits

2597
02:16:47.840 --> 02:16:49.639
<v Speaker 1>him and knocks his hat off and you see him going.

2598
02:16:49.559 --> 02:16:52.559
<v Speaker 2>Ah, no, I missed that. I love that.

2599
02:16:52.600 --> 02:16:54.319
<v Speaker 3>I wonder if that was on purpose or it was

2600
02:16:54.319 --> 02:16:55.200
<v Speaker 3>a happy accident.

2601
02:16:55.239 --> 02:16:56.920
<v Speaker 1>But it just adds a reality.

2602
02:16:56.520 --> 02:17:00.760
<v Speaker 2>To it, you know, as you're talking about about you know,

2603
02:17:00.920 --> 02:17:06.239
<v Speaker 2>the that meditation, you know, I wonder if it would

2604
02:17:06.239 --> 02:17:10.200
<v Speaker 2>have been worth delving into who Jake is. I mean,

2605
02:17:10.520 --> 02:17:12.680
<v Speaker 2>you know that those deleted scenes or that, you know,

2606
02:17:12.879 --> 02:17:17.040
<v Speaker 2>that get into his fundamental unhappiness with life on earth.

2607
02:17:17.079 --> 02:17:19.479
<v Speaker 2>You know, they tease at it, but you know, the

2608
02:17:19.559 --> 02:17:24.239
<v Speaker 2>idea that he finds what he finds among the nove

2609
02:17:25.719 --> 02:17:30.520
<v Speaker 2>you know, the the piece that he finds, the love

2610
02:17:30.600 --> 02:17:32.600
<v Speaker 2>that he finds. How is it different from who he

2611
02:17:32.719 --> 02:17:35.680
<v Speaker 2>was before? Yeah? I don't feel like we get enough

2612
02:17:35.719 --> 02:17:39.239
<v Speaker 2>of that, Like we get we get enough where sort

2613
02:17:39.239 --> 02:17:41.239
<v Speaker 2>of like the broad strokes are pretty clear, you know,

2614
02:17:41.319 --> 02:17:44.479
<v Speaker 2>and just sort of the the general uh you know,

2615
02:17:45.799 --> 02:17:47.680
<v Speaker 2>movements of these types of stories, but you know a

2616
02:17:47.719 --> 02:17:48.360
<v Speaker 2>little bit more.

2617
02:17:49.399 --> 02:17:53.879
<v Speaker 1>Yeah, yeah, I agree. I think it would make everything

2618
02:17:54.319 --> 02:18:02.920
<v Speaker 1>even richer. Feel Yeah, those suits, this this tech.

2619
02:18:02.799 --> 02:18:05.959
<v Speaker 2>Is so great. I love it. The what the tech,

2620
02:18:06.040 --> 02:18:09.879
<v Speaker 2>you know, the hardware and everything. Yeah, I'm kind of

2621
02:18:09.879 --> 02:18:13.840
<v Speaker 2>surprised we don't have these by now. I'm gonna say,

2622
02:18:13.840 --> 02:18:15.399
<v Speaker 2>I'm glad we don't have these right now.

2623
02:18:15.799 --> 02:18:18.879
<v Speaker 1>You know, you're right. I mean, obviously they could help it,

2624
02:18:19.680 --> 02:18:21.360
<v Speaker 1>you know, I was gonna say they could help it.

2625
02:18:21.200 --> 02:18:23.280
<v Speaker 3>You know with lifting heavy things and whatever.

2626
02:18:23.319 --> 02:18:25.239
<v Speaker 1>But maybe we you know, we just do robots, don't

2627
02:18:25.280 --> 02:18:27.200
<v Speaker 1>we Like why you you know.

2628
02:18:27.159 --> 02:18:29.440
<v Speaker 2>I'm glad we don't have ED two O nine's right now.

2629
02:18:29.559 --> 02:18:32.000
<v Speaker 1>You know it's like touche yeah, because it would be

2630
02:18:32.079 --> 02:18:35.040
<v Speaker 1>used to like rob Banks. Basically, yeah, let's be grateful,

2631
02:18:35.200 --> 02:18:39.440
<v Speaker 1>you know, rip vault doors off all bad news.

2632
02:18:39.479 --> 02:18:39.680
<v Speaker 2>You know.

2633
02:18:41.319 --> 02:18:43.799
<v Speaker 1>Man, that's a movie I want to see now, where

2634
02:18:43.840 --> 02:18:47.000
<v Speaker 1>like someone somehow like it's fired from a company or something,

2635
02:18:47.040 --> 02:18:49.639
<v Speaker 1>so they steal one of these like powerloaders, and they're

2636
02:18:49.639 --> 02:18:52.360
<v Speaker 1>going to use it to like rob Banks. So it's

2637
02:18:52.360 --> 02:18:55.360
<v Speaker 1>not like the future future like where everything around is dazzling.

2638
02:18:55.360 --> 02:18:57.399
<v Speaker 1>It's like kind of the world we know, but someone

2639
02:18:57.559 --> 02:19:02.719
<v Speaker 1>as like you know, it's stole one and they use

2640
02:19:02.760 --> 02:19:05.399
<v Speaker 1>it for crazy things. Can a funny movie.

2641
02:19:05.799 --> 02:19:07.959
<v Speaker 2>I think you need to start writing it all right.

2642
02:19:10.600 --> 02:19:15.479
<v Speaker 2>I mean that this is the you know, the dilemma

2643
02:19:15.799 --> 02:19:19.000
<v Speaker 2>of a lot of technology is is you know these

2644
02:19:19.000 --> 02:19:21.920
<v Speaker 2>sci fi movies show like, oh, all this stuff that's

2645
02:19:21.920 --> 02:19:25.639
<v Speaker 2>so cool looking. But like usually these are cautionary tales. Yeah,

2646
02:19:25.719 --> 02:19:28.600
<v Speaker 2>and we tend not to pay attention to the cautionary part.

2647
02:19:28.719 --> 02:19:29.920
<v Speaker 3>They're like, hey, we can build that.

2648
02:19:30.399 --> 02:19:35.639
<v Speaker 1>Yeah you know, yeah, I mean yeah, the AI and

2649
02:19:35.799 --> 02:19:37.600
<v Speaker 1>the Terminator series cautionary tale.

2650
02:19:38.719 --> 02:19:42.719
<v Speaker 2>Yeah. It has been amusing watching Cameron, you know, when

2651
02:19:42.719 --> 02:19:45.120
<v Speaker 2>he chimes in on the AI boom and kind of

2652
02:19:45.200 --> 02:19:48.239
<v Speaker 2>just being incredulous, like, didn't you guys pay attention?

2653
02:19:48.399 --> 02:19:51.879
<v Speaker 1>You know, yeah, I guess yeah, were you listening or

2654
02:19:51.920 --> 02:19:55.879
<v Speaker 1>we just thinking it's cool when his arm turns into

2655
02:19:55.879 --> 02:20:02.120
<v Speaker 1>a blade. You didn't even listen to my story? You know,

2656
02:20:02.280 --> 02:20:04.360
<v Speaker 1>we're about to go in this amazing battle. But this

2657
02:20:04.559 --> 02:20:06.959
<v Speaker 1>was seeing them with all the warpaint. This reminded me.

2658
02:20:06.959 --> 02:20:10.159
<v Speaker 1>I saw this story and I double checked this to

2659
02:20:10.200 --> 02:20:16.120
<v Speaker 1>make sure this was real. But apparently James Cameron visited

2660
02:20:16.159 --> 02:20:21.959
<v Speaker 1>a Brazilian rainforest several times after receiving outcries from tribal

2661
02:20:22.040 --> 02:20:25.879
<v Speaker 1>leaders oh wow that were inspired by this film, and

2662
02:20:27.120 --> 02:20:29.680
<v Speaker 1>you know, they wanted to highlight things that were happening

2663
02:20:29.719 --> 02:20:31.319
<v Speaker 1>to their land that they weren't happy about, and so

2664
02:20:31.360 --> 02:20:33.600
<v Speaker 1>they went to James Cameron. And so James Cameron went

2665
02:20:33.600 --> 02:20:37.479
<v Speaker 1>out to go meet with them. And during one visit,

2666
02:20:37.559 --> 02:20:40.399
<v Speaker 1>he was like covered in war paint and had a

2667
02:20:40.399 --> 02:20:43.840
<v Speaker 1>spear in his hand and met with all these indigenous

2668
02:20:43.920 --> 02:20:47.600
<v Speaker 1>leaders to plan a battle to stop the construction of

2669
02:20:47.639 --> 02:20:52.239
<v Speaker 1>a proposed dam. Wow, And all I thought was, you

2670
02:20:52.360 --> 02:20:57.600
<v Speaker 1>just have no idea where James Cameron is On a Wednesday.

2671
02:20:58.680 --> 02:21:00.760
<v Speaker 1>He could be at the bottom of the ocean floor

2672
02:21:02.200 --> 02:21:04.799
<v Speaker 1>where he could be covered in war paint planning a

2673
02:21:04.879 --> 02:21:07.360
<v Speaker 1>battle with indigenous leaders to stop the building of.

2674
02:21:07.280 --> 02:21:10.639
<v Speaker 2>A Damn Like you just I want a Saturday Morning

2675
02:21:11.040 --> 02:21:13.760
<v Speaker 2>animated yes, called the Adventures of James Cameron. It would

2676
02:21:13.760 --> 02:21:16.760
<v Speaker 2>be like the old Mister t cartoon. Yes, yes, he's

2677
02:21:16.799 --> 02:21:19.680
<v Speaker 2>in a bus with a team of gymnasts, I guess,

2678
02:21:19.680 --> 02:21:24.879
<v Speaker 2>and they're you know, helping native tribes, you know, just

2679
02:21:24.959 --> 02:21:25.959
<v Speaker 2>every week. You never know.

2680
02:21:26.399 --> 02:21:28.360
<v Speaker 1>He would he'd be in his headquarters. He'd have to

2681
02:21:28.360 --> 02:21:31.280
<v Speaker 1>have some sort of talking animal sidekick. You know. I

2682
02:21:31.280 --> 02:21:33.280
<v Speaker 1>had like a little did he do? Did he? Did?

2683
02:21:33.280 --> 02:21:33.319
<v Speaker 2>He?

2684
02:21:33.399 --> 02:21:33.559
<v Speaker 1>Did?

2685
02:21:33.559 --> 02:21:33.879
<v Speaker 2>He did?

2686
02:21:33.920 --> 02:21:33.959
<v Speaker 3>He?

2687
02:21:34.159 --> 02:21:34.280
<v Speaker 2>Oh?

2688
02:21:34.280 --> 02:21:38.399
<v Speaker 1>Oh they need me you know in Brazil, So he

2689
02:21:38.479 --> 02:21:41.840
<v Speaker 1>gets in his pod or whatever you want.

2690
02:21:45.360 --> 02:21:46.040
<v Speaker 2>I'd watch it.

2691
02:21:46.120 --> 02:21:48.479
<v Speaker 1>I would too if it looked like those old eighties

2692
02:21:48.479 --> 02:21:49.559
<v Speaker 1>cartoon Yeah, yeah, oh.

2693
02:21:49.479 --> 02:21:52.879
<v Speaker 2>Yeah, he I have told you about this before, but

2694
02:21:52.959 --> 02:21:56.200
<v Speaker 2>he had this this terrific documentary series called James Cameron's

2695
02:21:56.920 --> 02:21:57.920
<v Speaker 2>History of Science Fiction.

2696
02:21:58.399 --> 02:22:00.840
<v Speaker 3>Yes, I remember that, dude.

2697
02:22:01.000 --> 02:22:04.680
<v Speaker 2>You I mean, you got you got all these talking

2698
02:22:04.719 --> 02:22:07.559
<v Speaker 2>heads talking about you know, theoretical stuff and the various

2699
02:22:07.559 --> 02:22:09.559
<v Speaker 2>films and stuff. But to me, the centerpiece of this

2700
02:22:09.719 --> 02:22:12.440
<v Speaker 2>entire series is James Cameron sitting at a table with

2701
02:22:12.760 --> 02:22:17.200
<v Speaker 2>George Lucas, with Steven Spielberg, with Ridley Scott, with Christopher Nolan,

2702
02:22:18.079 --> 02:22:22.959
<v Speaker 2>and and you know, these guys are like there, they

2703
02:22:23.040 --> 02:22:28.200
<v Speaker 2>are so much the top of their class that there's

2704
02:22:28.239 --> 02:22:30.319
<v Speaker 2>not even any competition anymore, you know what I mean.

2705
02:22:31.120 --> 02:22:33.079
<v Speaker 2>And so it's just you get to see them just

2706
02:22:33.120 --> 02:22:37.280
<v Speaker 2>shoot the shit. You get to see Christopher Nolan and

2707
02:22:37.920 --> 02:22:41.920
<v Speaker 2>James Cameron talking about time travel. Hmmm, right, Like.

2708
02:22:42.520 --> 02:22:43.680
<v Speaker 3>How have I not watched this?

2709
02:22:44.040 --> 02:22:46.639
<v Speaker 2>I mean you you will, you will absolutely love this series.

2710
02:22:46.760 --> 02:22:49.559
<v Speaker 1>Yeah, I mean, I just find Cameron to be such

2711
02:22:49.559 --> 02:22:52.719
<v Speaker 1>an interesting person. And he's obviously brilliant, and he knows

2712
02:22:52.760 --> 02:22:55.479
<v Speaker 1>he's brilliant. So sometimes he can be a little you know, yeah,

2713
02:22:55.799 --> 02:22:58.440
<v Speaker 1>challenging listen to, but like, we don't get a lot

2714
02:22:58.479 --> 02:23:01.639
<v Speaker 1>of that, and I do, and Joy hearing his thoughts. So, yeah,

2715
02:23:01.639 --> 02:23:04.200
<v Speaker 1>I'm surprised I haven't watched that off to do that, right.

2716
02:23:05.120 --> 02:23:05.440
<v Speaker 2>I like it.

2717
02:23:06.399 --> 02:23:08.079
<v Speaker 1>Rodriguez has got the war paint.

2718
02:23:12.000 --> 02:23:14.479
<v Speaker 2>Yeah, kind of a bummer. She taps out.

2719
02:23:14.280 --> 02:23:20.680
<v Speaker 1>Here, Yeah, a little unceremoniously, right, Yeah, it'd be nice

2720
02:23:20.719 --> 02:23:21.959
<v Speaker 1>if but she goes out a hero.

2721
02:23:22.200 --> 02:23:23.719
<v Speaker 3>She does, and she did the right thing.

2722
02:23:26.559 --> 02:23:29.239
<v Speaker 1>That was my feeling when I that's kind of it, right,

2723
02:23:29.239 --> 02:23:30.280
<v Speaker 1>Like she just kind of crashes.

2724
02:23:30.319 --> 02:23:32.000
<v Speaker 2>I kind of wish she had taken something out with her.

2725
02:23:32.440 --> 02:23:34.280
<v Speaker 2>I think we get another shot doing it.

2726
02:23:34.319 --> 02:23:44.760
<v Speaker 1>Okay, I can't remember. So I love this, Like, I

2727
02:23:44.799 --> 02:23:48.760
<v Speaker 1>think this is a really emotional battle. You know, we

2728
02:23:48.920 --> 02:23:51.000
<v Speaker 1>know what the stakes are and we want to see

2729
02:23:51.000 --> 02:23:53.719
<v Speaker 1>them stop these people from destroying their planet and everything.

2730
02:23:54.639 --> 02:23:56.479
<v Speaker 1>And I remember this. If you were to ask me

2731
02:23:56.520 --> 02:23:59.360
<v Speaker 1>the plot of Avatar one, I'd be able to tell you,

2732
02:24:00.079 --> 02:24:03.680
<v Speaker 1>honestly don't remember the plot of Avatar too. And I don't.

2733
02:24:03.680 --> 02:24:06.120
<v Speaker 1>I don't mean that to like, you know, sound like

2734
02:24:06.159 --> 02:24:07.280
<v Speaker 1>a jerk, Like I just don't.

2735
02:24:07.840 --> 02:24:14.639
<v Speaker 2>No. So I had a similar thought because well with

2736
02:24:14.680 --> 02:24:16.440
<v Speaker 2>regards to the second one, but even the third one,

2737
02:24:16.479 --> 02:24:18.680
<v Speaker 2>which you know I've seen about about two weeks ago,

2738
02:24:18.680 --> 02:24:20.799
<v Speaker 2>as were recording this, and I was telling you before

2739
02:24:20.799 --> 02:24:25.040
<v Speaker 2>we got on. I was like, I kind of remember

2740
02:24:25.079 --> 02:24:28.680
<v Speaker 2>what it's about, right, right, right, But I think these

2741
02:24:28.719 --> 02:24:33.280
<v Speaker 2>movies are about feelings. Yeah, yeah, that's that's really it, right,

2742
02:24:33.680 --> 02:24:37.719
<v Speaker 2>And and I think the feelings are what gets you

2743
02:24:37.799 --> 02:24:39.799
<v Speaker 2>to come back, if not to the specific films, to

2744
02:24:39.840 --> 02:24:42.959
<v Speaker 2>the world. Yeah, you know, like I told you, like

2745
02:24:43.280 --> 02:24:45.559
<v Speaker 2>my clearest memory, so yeah, see this is where Trudy,

2746
02:24:45.760 --> 02:24:48.600
<v Speaker 2>like we see her check out.

2747
02:24:48.840 --> 02:24:52.440
<v Speaker 3>Okay, we see your ship crash.

2748
02:24:52.479 --> 02:24:55.440
<v Speaker 2>But but like the my clearest memory of movie two

2749
02:24:55.760 --> 02:24:59.440
<v Speaker 2>is when Jake sees his his grown son who died,

2750
02:24:59.440 --> 02:25:02.319
<v Speaker 2>but he sees as a little child. And I remember

2751
02:25:02.319 --> 02:25:03.520
<v Speaker 2>what that made me feel.

2752
02:25:03.319 --> 02:25:07.760
<v Speaker 1>Like hmmm, you know, like I remember the boy connecting

2753
02:25:07.799 --> 02:25:11.120
<v Speaker 1>with that whale. Yep, and I liked it, Like, yeah,

2754
02:25:11.159 --> 02:25:12.719
<v Speaker 1>it's right, it's feelings. You're right.

2755
02:25:13.760 --> 02:25:16.319
<v Speaker 2>And I will say this about Movie three. If you

2756
02:25:16.319 --> 02:25:18.760
<v Speaker 2>ever wanted to see a bunch of whales put another

2757
02:25:18.799 --> 02:25:21.920
<v Speaker 2>whale on trial, well, hey, your whale is coming in.

2758
02:25:23.040 --> 02:25:25.440
<v Speaker 3>I swear I don't know if you're making it up

2759
02:25:25.799 --> 02:25:26.120
<v Speaker 3>like that.

2760
02:25:26.760 --> 02:25:27.959
<v Speaker 2>I assure you I am not.

2761
02:25:29.000 --> 02:25:31.000
<v Speaker 1>You know, I I know I'm going to be disappointed

2762
02:25:31.040 --> 02:25:35.120
<v Speaker 1>because I'm picturing them sitting upright in a human courtroom.

2763
02:25:35.520 --> 02:25:38.559
<v Speaker 2>Are you picturing like the dolphins in that Simpsons episode.

2764
02:25:38.399 --> 02:25:41.879
<v Speaker 1>Right right, yeah, yeah, yeah, yeah, but I'm still I'm

2765
02:25:41.879 --> 02:25:46.159
<v Speaker 1>still interested. So Snorky or whatever.

2766
02:25:48.360 --> 02:25:50.319
<v Speaker 2>That was, you picked that one as one of your favorites.

2767
02:25:50.319 --> 02:25:53.840
<v Speaker 2>If I recall of your of the Treehouse of Horror, yep, yeah, yeah, yeah,

2768
02:25:53.879 --> 02:25:56.040
<v Speaker 2>I remember that was the Dolphin.

2769
02:25:56.559 --> 02:25:59.079
<v Speaker 1>It was very funny, but also I remember it went

2770
02:25:59.280 --> 02:26:04.280
<v Speaker 1>really dark, especially for those those horror ones go dark anyway,

2771
02:26:04.879 --> 02:26:06.879
<v Speaker 1>but that one I remember being like, wow, like this

2772
02:26:07.000 --> 02:26:10.559
<v Speaker 1>is all the humans march into the ocean.

2773
02:26:10.959 --> 02:26:11.680
<v Speaker 2>Yeah, that's right.

2774
02:26:15.559 --> 02:26:18.000
<v Speaker 1>We've had some good sort of I don't know call

2775
02:26:18.079 --> 02:26:20.719
<v Speaker 1>him set pieces, but moments here, like we had the

2776
02:26:20.760 --> 02:26:23.840
<v Speaker 1>brother when he goes into that one ship, right and

2777
02:26:23.879 --> 02:26:25.120
<v Speaker 1>he's battling all those guys.

2778
02:26:25.319 --> 02:26:25.719
<v Speaker 2>That's right.

2779
02:26:25.799 --> 02:26:28.399
<v Speaker 1>Yeah, it's kind of striking when you see the nave

2780
02:26:28.719 --> 02:26:32.239
<v Speaker 1>next to humans, you forget that they're ten peece auld

2781
02:26:32.239 --> 02:26:35.120
<v Speaker 1>their size. Yeah, but it's cool like seeing him in

2782
02:26:35.120 --> 02:26:37.120
<v Speaker 1>there and slow mo using his bow and taking all

2783
02:26:37.159 --> 02:26:37.719
<v Speaker 1>those guys out.

2784
02:26:37.760 --> 02:26:38.959
<v Speaker 3>But ultimately.

2785
02:26:40.159 --> 02:26:44.000
<v Speaker 2>I also like that in terms of the story, you know,

2786
02:26:45.760 --> 02:26:50.719
<v Speaker 2>Jake doesn't assume leadership of the people. You know, he

2787
02:26:51.120 --> 02:26:55.200
<v Speaker 2>once he's you know, conquered the giant leon optics. He's

2788
02:26:55.239 --> 02:26:57.000
<v Speaker 2>not like, all right, I'm the boss now. He's like, look,

2789
02:26:57.000 --> 02:26:59.079
<v Speaker 2>I'm here to help, but you need to lead kind

2790
02:26:59.120 --> 02:27:01.559
<v Speaker 2>of thing. Yeah, and then that guy gets taken off

2791
02:27:01.600 --> 02:27:03.840
<v Speaker 2>the board, and then at that point Jake steps up.

2792
02:27:04.040 --> 02:27:05.600
<v Speaker 3>Yeah, and that's that's a great point.

2793
02:27:05.760 --> 02:27:09.000
<v Speaker 1>Yeah, I want to be like, this is my tribe now.

2794
02:27:09.000 --> 02:27:15.280
<v Speaker 2>Yeah, exactly, Neil bitch like that might have been countering

2795
02:27:15.319 --> 02:27:15.760
<v Speaker 2>to it.

2796
02:27:20.520 --> 02:27:22.920
<v Speaker 1>This is good. I'd forgotten about these creatures, so I

2797
02:27:22.959 --> 02:27:24.920
<v Speaker 1>was like, oh, yeah, these guys, these are perfect.

2798
02:27:24.639 --> 02:27:26.120
<v Speaker 3>To take these people off the board.

2799
02:27:26.440 --> 02:27:29.079
<v Speaker 2>Well, that guy who just got got pounded and flattened.

2800
02:27:29.120 --> 02:27:31.559
<v Speaker 2>He comes back as as one of the Nave clones

2801
02:27:31.600 --> 02:27:34.639
<v Speaker 2>alongside Koricho in two and three.

2802
02:27:34.639 --> 02:27:35.079
<v Speaker 3>It's funny.

2803
02:27:35.079 --> 02:27:36.799
<v Speaker 1>I do remember that. Actually, you know what, The thing

2804
02:27:36.840 --> 02:27:39.959
<v Speaker 1>I remember most about two, which I freaking loved is

2805
02:27:40.000 --> 02:27:42.399
<v Speaker 1>when Korich sees his skeleton.

2806
02:27:42.639 --> 02:27:44.440
<v Speaker 2>Yeah. I thought that was really cool.

2807
02:27:44.520 --> 02:27:46.799
<v Speaker 1>Right, So it's like he's in the NAVI body now,

2808
02:27:46.799 --> 02:27:50.159
<v Speaker 1>but he picks up his own skull and then.

2809
02:27:50.079 --> 02:27:52.680
<v Speaker 3>Crushes it because that iteration of him is no more.

2810
02:27:52.760 --> 02:27:54.760
<v Speaker 1>And I remember thinking that is one of the coolest

2811
02:27:54.760 --> 02:27:57.319
<v Speaker 1>things I've seen in a sci fi movie being.

2812
02:27:57.159 --> 02:27:58.440
<v Speaker 3>Able to do that to yourself.

2813
02:28:02.440 --> 02:28:05.680
<v Speaker 1>We'll get to it. Yeah, here's a couple of years.

2814
02:28:05.760 --> 02:28:08.639
<v Speaker 2>Yeah, I feel like we're we're committing at this point, right.

2815
02:28:12.799 --> 02:28:15.239
<v Speaker 2>You know, as I watched this just real quick, I'm like,

2816
02:28:15.239 --> 02:28:18.479
<v Speaker 2>you know, I don't think I would do well on Pandora.

2817
02:28:18.520 --> 02:28:19.200
<v Speaker 2>I'm just gonna put that.

2818
02:28:19.200 --> 02:28:21.719
<v Speaker 1>That's what I was saying earlier. Man, Like, I get it.

2819
02:28:21.760 --> 02:28:23.600
<v Speaker 1>I'm in love in the tierry. I'm really glad I

2820
02:28:23.639 --> 02:28:25.440
<v Speaker 1>could help, But like I'm kind of feeling like, do

2821
02:28:25.479 --> 02:28:28.399
<v Speaker 1>you want to come back to Seattle with me? You know, like, yeah,

2822
02:28:31.479 --> 02:28:35.079
<v Speaker 1>you're walking around with your ten foot tall Yeah, furry

2823
02:28:35.079 --> 02:28:35.879
<v Speaker 1>blue girlfriend.

2824
02:28:37.680 --> 02:28:38.879
<v Speaker 3>Tell me you don't see it?

2825
02:28:40.280 --> 02:28:40.600
<v Speaker 2>Come on.

2826
02:28:44.079 --> 02:28:46.680
<v Speaker 1>What I was gonna say was, you know, I worked

2827
02:28:47.399 --> 02:28:50.520
<v Speaker 1>on a movie now You See Me, and it had,

2828
02:28:50.559 --> 02:28:52.440
<v Speaker 1>you know, visual effects in it, and it was really

2829
02:28:52.479 --> 02:28:55.520
<v Speaker 1>cool to be in the meetings with Louis La Terrier

2830
02:28:55.639 --> 02:28:57.479
<v Speaker 1>and he would have a laser pointer. They would show

2831
02:28:57.719 --> 02:29:00.879
<v Speaker 1>the visual effects people would show him, you know, the

2832
02:29:00.920 --> 02:29:04.239
<v Speaker 1>shots that involve visual effects, and you'd have a laser pointer.

2833
02:29:04.479 --> 02:29:06.799
<v Speaker 1>And I remember one where there's something projected onto a

2834
02:29:06.840 --> 02:29:09.479
<v Speaker 1>building at the end of the film, and he would

2835
02:29:09.479 --> 02:29:11.200
<v Speaker 1>point and be like, this looks awesome. It does look

2836
02:29:11.239 --> 02:29:14.200
<v Speaker 1>like a projection, but the edges don't quite look like

2837
02:29:14.239 --> 02:29:15.959
<v Speaker 1>the edge of a projection where they would sort of

2838
02:29:16.280 --> 02:29:18.879
<v Speaker 1>taper off or fade or whatever. And I was like, Oh,

2839
02:29:18.959 --> 02:29:22.280
<v Speaker 1>it's like the way that his eyes would study every

2840
02:29:22.360 --> 02:29:24.479
<v Speaker 1>inch of that frame to make sure all of it

2841
02:29:24.559 --> 02:29:27.719
<v Speaker 1>was believable, right. And I remember thinking like, it's amazing

2842
02:29:27.760 --> 02:29:30.840
<v Speaker 1>he's got this eye it. Wow, you know, it's just

2843
02:29:30.920 --> 02:29:33.520
<v Speaker 1>really got to be looking at every corner of the

2844
02:29:33.520 --> 02:29:36.399
<v Speaker 1>frame to do this. And I'm looking at this now

2845
02:29:37.520 --> 02:29:41.639
<v Speaker 1>and all of this isn't real. And you've got people's

2846
02:29:41.760 --> 02:29:45.719
<v Speaker 1>braids flapping in the wind, and you have these little

2847
02:29:45.760 --> 02:29:50.760
<v Speaker 1>you know, flaming fireballs with trailing smoke, and you know,

2848
02:29:51.000 --> 02:29:53.959
<v Speaker 1>just the flutter of the wings of the creatures, the

2849
02:29:53.959 --> 02:29:57.040
<v Speaker 1>way that the wind is playing off of it. How

2850
02:29:57.360 --> 02:30:00.399
<v Speaker 1>do you look at every inch of every second of

2851
02:30:00.440 --> 02:30:05.840
<v Speaker 1>this movie? And you know, like it really takes a

2852
02:30:05.879 --> 02:30:10.840
<v Speaker 1>certain brain, Like I admire it, Like having gotten a

2853
02:30:10.920 --> 02:30:12.840
<v Speaker 1>glimpse of that, it makes me look at that even

2854
02:30:12.840 --> 02:30:15.440
<v Speaker 1>closer and go like, wow, that's incredible, all the things,

2855
02:30:15.879 --> 02:30:18.280
<v Speaker 1>all the detail that he had to have an eye

2856
02:30:18.360 --> 02:30:18.719
<v Speaker 1>for for this.

2857
02:30:20.159 --> 02:30:23.120
<v Speaker 2>Yeah, Well and and you know, going back to what

2858
02:30:23.159 --> 02:30:25.719
<v Speaker 2>we were saying earlier about how he is so exacting

2859
02:30:26.200 --> 02:30:29.000
<v Speaker 2>with his expectations of himself and the people around him.

2860
02:30:29.000 --> 02:30:32.879
<v Speaker 2>I mean, again, it tells you something that there's plenty

2861
02:30:32.879 --> 02:30:34.479
<v Speaker 2>of folks who've worked with him who are like, I

2862
02:30:34.639 --> 02:30:37.520
<v Speaker 2>never want to work with him again, right, But then again,

2863
02:30:37.639 --> 02:30:42.239
<v Speaker 2>he's got a real loyal Coteret, you know, right, And

2864
02:30:42.639 --> 02:30:45.639
<v Speaker 2>that tells you something. I mean, even people who who

2865
02:30:45.799 --> 02:30:48.360
<v Speaker 2>said initially like it wasn't a great time, you know.

2866
02:30:48.440 --> 02:30:51.760
<v Speaker 2>I know, Kate Winslet or you know, Sigourney we were,

2867
02:30:52.879 --> 02:30:55.200
<v Speaker 2>you know, and they've come back, They've come back. You know,

2868
02:30:55.360 --> 02:31:00.239
<v Speaker 2>James Horner famously they clashed on Aliens. Oh interesting, you know,

2869
02:31:00.280 --> 02:31:03.360
<v Speaker 2>and then they ended up having a great relationship on

2870
02:31:03.799 --> 02:31:05.280
<v Speaker 2>this and on Titanic. You know.

2871
02:31:05.520 --> 02:31:07.840
<v Speaker 1>Yeah, what I was gonna say with Kate Winslet, I mean,

2872
02:31:09.799 --> 02:31:12.639
<v Speaker 1>it was a nightmare for her working in all that water, yeah,

2873
02:31:12.879 --> 02:31:14.959
<v Speaker 1>in Titanic, and then she comes back to work with

2874
02:31:15.040 --> 02:31:16.440
<v Speaker 1>Cammon to work in water again.

2875
02:31:17.719 --> 02:31:17.920
<v Speaker 2>You know.

2876
02:31:18.120 --> 02:31:20.120
<v Speaker 1>There you go, it's not just being on set with him,

2877
02:31:20.239 --> 02:31:22.159
<v Speaker 1>She's doing the very thing that I think made life

2878
02:31:22.200 --> 02:31:24.639
<v Speaker 1>miserable for her. So that's yeah, you're right that says something.

2879
02:31:27.120 --> 02:31:29.200
<v Speaker 1>Maybe there's something about seeing the finished product.

2880
02:31:29.600 --> 02:31:32.680
<v Speaker 2>I think that's really what it is, right because because

2881
02:31:33.840 --> 02:31:37.799
<v Speaker 2>with Titanic, I remember, and I'm sure you remember too,

2882
02:31:37.879 --> 02:31:41.479
<v Speaker 2>you know, the eight months to a year before the

2883
02:31:41.520 --> 02:31:44.000
<v Speaker 2>movie came out, everybody just shitting all over it. Yeah

2884
02:31:45.239 --> 02:31:48.879
<v Speaker 2>you know, I mean they were ready to write off

2885
02:31:48.920 --> 02:31:52.559
<v Speaker 2>his career a year in advance, right, And I think

2886
02:31:52.600 --> 02:31:57.239
<v Speaker 2>the last thing they expected, I'm talking pundits, was that

2887
02:31:57.239 --> 02:32:01.440
<v Speaker 2>it would be good. That did not end the calculation.

2888
02:32:01.159 --> 02:32:06.680
<v Speaker 3>Right right, yeah, yeah.

2889
02:32:05.399 --> 02:32:07.799
<v Speaker 2>And yet I love you know, he talked about this

2890
02:32:07.840 --> 02:32:09.959
<v Speaker 2>is in that video that he did for GQ or something.

2891
02:32:09.959 --> 02:32:11.159
<v Speaker 2>It's like an hour long thing.

2892
02:32:11.079 --> 02:32:13.079
<v Speaker 3>In any fair, definitely worth checking out.

2893
02:32:13.120 --> 02:32:15.639
<v Speaker 2>Oh man, so good. And he talks about with Titanic,

2894
02:32:15.840 --> 02:32:19.040
<v Speaker 2>he is a double a double page spread in this book,

2895
02:32:19.040 --> 02:32:21.079
<v Speaker 2>the Art of Titanic, and it's a painting of the

2896
02:32:21.120 --> 02:32:22.639
<v Speaker 2>sinking of the ship. And he goes to the head

2897
02:32:22.639 --> 02:32:24.440
<v Speaker 2>of Fox. He just opens it up to that spread

2898
02:32:24.440 --> 02:32:28.440
<v Speaker 2>points that it goes Romeo and Juliet on that, right,

2899
02:32:28.719 --> 02:32:29.440
<v Speaker 2>and they're.

2900
02:32:29.159 --> 02:32:34.799
<v Speaker 1>Like, go right, I love that though. I remember, you know,

2901
02:32:34.879 --> 02:32:38.079
<v Speaker 1>that's kind of the famous thing too with Aliens, where

2902
02:32:38.120 --> 02:32:40.639
<v Speaker 1>he walked apparently walked into a room and wrote. You know,

2903
02:32:40.959 --> 02:32:42.440
<v Speaker 1>he said he's going to do a sequel to Alien,

2904
02:32:42.440 --> 02:32:45.040
<v Speaker 1>And he writes the word alien on a whiteboard and

2905
02:32:45.159 --> 02:32:46.920
<v Speaker 1>he adds an S and turns it into a dollar

2906
02:32:47.000 --> 02:32:48.479
<v Speaker 1>symbol alien.

2907
02:32:48.520 --> 02:32:52.120
<v Speaker 2>And whether that's true or not, it's sure certainly sounds

2908
02:32:52.319 --> 02:32:52.920
<v Speaker 2>on brand.

2909
02:32:52.959 --> 02:32:57.000
<v Speaker 1>It tracks, It tracks, But I love that. And when

2910
02:32:57.000 --> 02:32:59.000
<v Speaker 1>you've got someone like him and that's all he says

2911
02:32:59.040 --> 02:33:04.879
<v Speaker 1>to you, You're like, I believe you exactly. So the

2912
02:33:05.000 --> 02:33:09.399
<v Speaker 1>terry kind of teamed uh, these crazy creatures. Yeah, yeah,

2913
02:33:09.440 --> 02:33:11.799
<v Speaker 1>but you know that was another moment I liked, which

2914
02:33:11.840 --> 02:33:13.879
<v Speaker 1>could be a little corny or almost Disney, but it's like,

2915
02:33:14.360 --> 02:33:17.319
<v Speaker 1>you know, that's one of their fiercest predators on their planet,

2916
02:33:17.760 --> 02:33:20.760
<v Speaker 1>but when their planet is under attack, they share an

2917
02:33:20.799 --> 02:33:21.920
<v Speaker 1>knowing look with one another.

2918
02:33:23.040 --> 02:33:26.760
<v Speaker 2>Well, Colonel Korus is just that much of an asshole, right,

2919
02:33:27.120 --> 02:33:31.879
<v Speaker 2>It transcends species. They're all like, alf this guy.

2920
02:33:32.600 --> 02:33:37.399
<v Speaker 1>Yeah, we gotta. It's kind of a funn image that look.

2921
02:33:37.799 --> 02:33:39.239
<v Speaker 2>By the time we get here, I'm like, okay, I'm

2922
02:33:39.319 --> 02:33:41.520
<v Speaker 2>checking like the last thing on my bingo card, you.

2923
02:33:41.440 --> 02:33:44.280
<v Speaker 1>Know, right right, yeah, you called it.

2924
02:33:44.559 --> 02:33:49.520
<v Speaker 3>I called it like five for five, And.

2925
02:33:49.479 --> 02:33:51.000
<v Speaker 2>Then I just got up in the middle of the theater,

2926
02:33:51.040 --> 02:33:52.959
<v Speaker 2>and I was like bingo and be like sit.

2927
02:33:52.840 --> 02:34:01.719
<v Speaker 1>Down, sorry, that's hilarious. I was picturing the like one

2928
02:34:01.799 --> 02:34:03.959
<v Speaker 1>other person in there doing the same thing, like you

2929
02:34:04.079 --> 02:34:06.639
<v Speaker 1>two were like doing the same thing, which reminded me.

2930
02:34:07.120 --> 02:34:08.520
<v Speaker 1>And then it made me think of when I saw

2931
02:34:08.520 --> 02:34:11.440
<v Speaker 1>the movie Split and then you realized that it was

2932
02:34:11.440 --> 02:34:12.680
<v Speaker 1>an unbreakable sequel.

2933
02:34:13.239 --> 02:34:13.879
<v Speaker 2>Oh su sure.

2934
02:34:13.920 --> 02:34:15.840
<v Speaker 1>And I remember being in the theater and going no,

2935
02:34:16.600 --> 02:34:19.000
<v Speaker 1>and I remember there was like one other person who

2936
02:34:19.000 --> 02:34:19.479
<v Speaker 1>went what.

2937
02:34:22.000 --> 02:34:24.719
<v Speaker 3>We were kind of like I see you, you know.

2938
02:34:24.680 --> 02:34:28.760
<v Speaker 1>Like like no one else. I remember, having explained it

2939
02:34:28.840 --> 02:34:31.319
<v Speaker 1>to the people I was with, I was like, you understand,

2940
02:34:31.319 --> 02:34:31.520
<v Speaker 1>this is.

2941
02:34:31.520 --> 02:34:34.159
<v Speaker 2>Amazing, both of you two. You lock eyes, you hug,

2942
02:34:34.200 --> 02:34:37.399
<v Speaker 2>You're like, this is what it's like dubs cry exactly.

2943
02:34:41.920 --> 02:34:44.040
<v Speaker 1>By the way, So this is something I didn't even notice,

2944
02:34:44.040 --> 02:34:45.479
<v Speaker 1>but I read it in the trivia, so now I'm

2945
02:34:45.479 --> 02:34:48.920
<v Speaker 1>gonna look for it. But apparently the like war paint

2946
02:34:49.239 --> 02:34:53.239
<v Speaker 1>on the tier, the hand on her is five fingers,

2947
02:34:53.680 --> 02:34:55.040
<v Speaker 1>so it's like jacopplied it.

2948
02:34:56.360 --> 02:34:56.600
<v Speaker 2>Ah.

2949
02:34:56.799 --> 02:34:57.959
<v Speaker 1>I like, that's a great detail.

2950
02:34:58.239 --> 02:34:59.479
<v Speaker 2>I wouldn't have even thought of that.

2951
02:34:59.600 --> 02:35:05.000
<v Speaker 1>Yeah, man, it.

2952
02:35:04.959 --> 02:35:06.440
<v Speaker 2>Looks so good. So there should have been like the

2953
02:35:06.479 --> 02:35:08.159
<v Speaker 2>handprint like on her right butt cheek.

2954
02:35:09.120 --> 02:35:11.920
<v Speaker 1>Yes, that wasn't like, that wasn't worth it. That was

2955
02:35:11.959 --> 02:35:13.559
<v Speaker 1>just like a good game. Let's let's go.

2956
02:35:14.600 --> 02:35:15.920
<v Speaker 3>Let's say, Pandora.

2957
02:35:17.680 --> 02:35:21.440
<v Speaker 2>See this now, this bit here is where you know, shortly,

2958
02:35:22.200 --> 02:35:25.520
<v Speaker 2>you know, NTEREI sees the real Jake and you know, yes,

2959
02:35:25.639 --> 02:35:27.840
<v Speaker 2>you know, and I kind of going back to what

2960
02:35:27.840 --> 02:35:30.079
<v Speaker 2>you're saying before, it'd be funny if he this is

2961
02:35:31.000 --> 02:35:35.200
<v Speaker 2>this is the the dumpy, overweight brother who's kind of homely.

2962
02:35:36.040 --> 02:35:38.879
<v Speaker 3>Right right right the version we pitched at the beginning

2963
02:35:38.879 --> 02:35:39.000
<v Speaker 3>of this.

2964
02:35:39.159 --> 02:35:41.799
<v Speaker 2>Yeah, and he looks nothing like his avatar and she's like,

2965
02:35:42.760 --> 02:35:48.200
<v Speaker 2>my chig. Oh, oh, that's funny.

2966
02:35:50.319 --> 02:35:52.280
<v Speaker 3>He's got a good heart.

2967
02:35:55.680 --> 02:36:06.159
<v Speaker 1>Dunt dun dunce wow thing. Oh man.

2968
02:36:06.280 --> 02:36:09.760
<v Speaker 2>You know we're talking about earlier, you know, James Cameron

2969
02:36:09.879 --> 02:36:11.959
<v Speaker 2>wanting to you want student novels and this and that

2970
02:36:12.000 --> 02:36:16.000
<v Speaker 2>and the other thing, and and ultimately I'm glad none

2971
02:36:16.040 --> 02:36:21.159
<v Speaker 2>of that really happened, because I think this franchise just

2972
02:36:21.319 --> 02:36:23.799
<v Speaker 2>works better as this thing that we get to experience

2973
02:36:23.799 --> 02:36:25.760
<v Speaker 2>in the movie theaters every couple of years. And that's it.

2974
02:36:28.000 --> 02:36:30.719
<v Speaker 1>That's I don't disagree, but I guess that would be

2975
02:36:30.760 --> 02:36:33.719
<v Speaker 1>a really interesting test wouldn't it to what we've just said,

2976
02:36:34.120 --> 02:36:37.120
<v Speaker 1>where this is the thing people show up for in

2977
02:36:37.239 --> 02:36:41.840
<v Speaker 1>theaters for the feeling more than anything else, the experience.

2978
02:36:42.319 --> 02:36:48.040
<v Speaker 1>But would people get into words the stories in a book,

2979
02:36:48.360 --> 02:36:48.760
<v Speaker 1>the character?

2980
02:36:48.799 --> 02:36:51.239
<v Speaker 3>Well, okay, so how actual visual spectacle.

2981
02:36:51.600 --> 02:36:54.520
<v Speaker 2>I'll allow novels because that that's gonna be that's aimed

2982
02:36:54.559 --> 02:36:57.479
<v Speaker 2>at like a niche of a niche anyway. But but

2983
02:36:57.559 --> 02:37:00.000
<v Speaker 2>I don't want your your you know, your Disney Plus

2984
02:37:00.360 --> 02:37:03.440
<v Speaker 2>World of Pandora series or whatever, you know, if that

2985
02:37:03.760 --> 02:37:04.440
<v Speaker 2>none of.

2986
02:37:04.360 --> 02:37:08.000
<v Speaker 3>That okay, if you can't see it in a theater, Yeah.

2987
02:37:07.840 --> 02:37:11.799
<v Speaker 2>I'm like, let let some things just be just be

2988
02:37:11.920 --> 02:37:13.239
<v Speaker 2>a theatrical experience.

2989
02:37:13.479 --> 02:37:16.479
<v Speaker 1>Yeah, and when you're James Cameron, maybe you can put

2990
02:37:16.520 --> 02:37:17.600
<v Speaker 1>your foot down about that thing.

2991
02:37:18.360 --> 02:37:21.719
<v Speaker 2>Yeah. Like I I don't I don't think anything's gonna

2992
02:37:22.079 --> 02:37:25.040
<v Speaker 2>come of Avatar that he doesn't sign off on. And

2993
02:37:25.280 --> 02:37:27.760
<v Speaker 2>I can't imagine he would want a series, you know.

2994
02:37:27.959 --> 02:37:33.239
<v Speaker 1>Yeah, I like this. This is good tension. You know,

2995
02:37:33.280 --> 02:37:35.159
<v Speaker 1>he's suffocating, I can't reach the mask.

2996
02:37:35.479 --> 02:37:37.639
<v Speaker 2>It's a great moment. Yeah, and you know again it

2997
02:37:38.280 --> 02:37:42.600
<v Speaker 2>lets her truly see him and still all in love

2998
02:37:42.600 --> 02:37:43.120
<v Speaker 2>with him, you.

2999
02:37:43.079 --> 02:37:45.520
<v Speaker 3>Know, it is Yeah, jarring.

3000
02:37:46.799 --> 02:37:52.479
<v Speaker 1>Seeing you know her their true sizes, that's right, and

3001
02:37:52.879 --> 02:37:55.360
<v Speaker 1>just even seeing her in that vehicle, you know that

3002
02:37:55.440 --> 02:37:57.680
<v Speaker 1>every like a human would be able to stand up in.

3003
02:37:58.559 --> 02:38:01.319
<v Speaker 2>Yeah, I think the the uh, this is the first

3004
02:38:01.319 --> 02:38:03.799
<v Speaker 2>time we see Nave in this environment.

3005
02:38:04.079 --> 02:38:06.360
<v Speaker 1>M oh yeah, yeah, you're right.

3006
02:38:06.559 --> 02:38:09.000
<v Speaker 2>Right, so there is definitely an adjustment, like we don't

3007
02:38:09.040 --> 02:38:10.680
<v Speaker 2>even see the avatars in this environment.

3008
02:38:10.840 --> 02:38:11.479
<v Speaker 3>That's a good point.

3009
02:38:11.559 --> 02:38:14.040
<v Speaker 2>Yeah, not really, except in the very beginning when Jake,

3010
02:38:14.360 --> 02:38:16.559
<v Speaker 2>you know, when Jake and Norm wake up.

3011
02:38:20.399 --> 02:38:24.440
<v Speaker 1>Mm hmm, yeah, I don't know.

3012
02:38:24.440 --> 02:38:29.280
<v Speaker 2>It could cut to the train entering the the rocket like.

3013
02:38:29.280 --> 02:38:31.159
<v Speaker 3>One of them, just cox and eyebrow, and then.

3014
02:38:32.360 --> 02:38:34.399
<v Speaker 1>Yeah, that's it.

3015
02:38:34.440 --> 02:38:36.280
<v Speaker 3>We just hear it slightly in the distance.

3016
02:38:40.840 --> 02:38:41.920
<v Speaker 1>That's funny.

3017
02:38:42.879 --> 02:38:45.840
<v Speaker 2>She's like, lately, I like this here where Jake is

3018
02:38:45.879 --> 02:38:47.799
<v Speaker 2>like the aliens went back to their world.

3019
02:38:47.879 --> 02:38:48.559
<v Speaker 1>I love that too.

3020
02:38:48.639 --> 02:38:50.920
<v Speaker 3>That's a great line, right yeah.

3021
02:38:51.079 --> 02:38:56.360
<v Speaker 2>Yeah. Giovanni Ribisi, which, by the way, that gave you

3022
02:38:56.399 --> 02:38:56.799
<v Speaker 2>an hour?

3023
02:38:57.639 --> 02:38:58.799
<v Speaker 1>Yeah, yeah, I was the.

3024
02:38:58.760 --> 02:39:01.000
<v Speaker 3>Guy like, but do you remember an hour?

3025
02:39:01.120 --> 02:39:01.440
<v Speaker 2>Come on?

3026
02:39:02.319 --> 02:39:06.440
<v Speaker 1>I read that this Ribisi saying, you know, this isn't over.

3027
02:39:07.399 --> 02:39:09.719
<v Speaker 1>Wasn't in the original version. That was in one of

3028
02:39:09.760 --> 02:39:13.879
<v Speaker 1>the director's cuts. Interesting, ever since when they did the

3029
02:39:13.879 --> 02:39:19.879
<v Speaker 1>theatrical re release, they kept that, so Cameron apparently was like,

3030
02:39:20.120 --> 02:39:23.760
<v Speaker 1>I want to keep that, And every version ever since

3031
02:39:23.879 --> 02:39:27.399
<v Speaker 1>theatrical version has included that scene that was not originally in.

3032
02:39:28.120 --> 02:39:28.920
<v Speaker 2>That's fascinating.

3033
02:39:29.000 --> 02:39:32.840
<v Speaker 3>Yeah, you know this isn't over that.

3034
02:39:32.840 --> 02:39:36.079
<v Speaker 2>That's I mean, don't I don't think you needed that

3035
02:39:36.239 --> 02:39:39.840
<v Speaker 2>to explicitly say a sequels coming. But I suppose since

3036
02:39:39.840 --> 02:39:41.520
<v Speaker 2>you know a sequel's coming, you know, you.

3037
02:39:41.479 --> 02:39:43.399
<v Speaker 1>Know, it adds a nice I don't know, we won't

3038
02:39:43.479 --> 02:39:46.680
<v Speaker 1>call it tension, but just like this is, you've got

3039
02:39:46.719 --> 02:39:49.000
<v Speaker 1>your your ending here, but this there's some things that

3040
02:39:49.040 --> 02:39:49.840
<v Speaker 1>are not resolved.

3041
02:39:50.280 --> 02:39:58.479
<v Speaker 3>Yeah, it gives you a little little hooked there. I guess.

3042
02:39:57.159 --> 02:39:59.760
<v Speaker 1>Something else I read that was kind of interesting. In

3043
02:40:00.479 --> 02:40:06.159
<v Speaker 1>excuse me, the theatrical version Worthington's brother, it says he

3044
02:40:06.239 --> 02:40:09.760
<v Speaker 1>was killed by a gun, but in the extended version

3045
02:40:10.000 --> 02:40:10.639
<v Speaker 1>he says.

3046
02:40:10.399 --> 02:40:11.159
<v Speaker 3>It was a knife.

3047
02:40:11.360 --> 02:40:12.079
<v Speaker 2>It was a knife. Here.

3048
02:40:12.120 --> 02:40:16.879
<v Speaker 3>I wonder what the thinking is why you make it different.

3049
02:40:17.319 --> 02:40:17.840
<v Speaker 2>Yeah.

3050
02:40:18.040 --> 02:40:21.639
<v Speaker 1>Yeah, I mean maybe you shoot different versions to see

3051
02:40:21.639 --> 02:40:25.000
<v Speaker 1>whatever you feel has the most impact. But I wonder

3052
02:40:25.040 --> 02:40:27.159
<v Speaker 1>why he decided, oh, this version will have this and

3053
02:40:27.200 --> 02:40:28.079
<v Speaker 1>that version will have that.

3054
02:40:30.440 --> 02:40:32.879
<v Speaker 2>The Only thing I can think of is that a

3055
02:40:32.959 --> 02:40:36.479
<v Speaker 2>knife implies something happening at close range, and there's something

3056
02:40:37.200 --> 02:40:39.760
<v Speaker 2>more savage about that mmmmmm.

3057
02:40:39.680 --> 02:40:42.159
<v Speaker 3>And more personal about just gun violence.

3058
02:40:42.399 --> 02:40:45.280
<v Speaker 2>Yeah, we don't know the context of the gun violence,

3059
02:40:45.319 --> 02:40:47.639
<v Speaker 2>but we can assume if somebody was stabbed, it happened,

3060
02:40:48.479 --> 02:40:52.479
<v Speaker 2>you know, they were being looked in the eyes by

3061
02:40:52.479 --> 02:40:53.360
<v Speaker 2>whoever did it, you know.

3062
02:40:53.479 --> 02:40:55.239
<v Speaker 3>Yeah, yeah, yeah, yeah, that's a good point.

3063
02:40:55.520 --> 02:40:57.719
<v Speaker 2>I don't know how that matters in terms of the

3064
02:40:57.719 --> 02:41:00.719
<v Speaker 2>overall story, but I mean that would be the difference

3065
02:41:00.799 --> 02:41:11.239
<v Speaker 2>between those two, you know. I like how the scene

3066
02:41:11.239 --> 02:41:14.559
<v Speaker 2>with Grace earlier allows you to set up this ending

3067
02:41:14.600 --> 02:41:16.680
<v Speaker 2>so it doesn't feel arbitrary, you.

3068
02:41:16.639 --> 02:41:20.280
<v Speaker 1>Know, which it might feel more for our hero, right,

3069
02:41:20.520 --> 02:41:22.920
<v Speaker 1>oh gee, you can save the guy, you know, the

3070
02:41:22.959 --> 02:41:23.239
<v Speaker 1>main thing.

3071
02:41:23.319 --> 02:41:25.239
<v Speaker 2>Yeah, right, exactly right.

3072
02:41:25.600 --> 02:41:31.040
<v Speaker 1>But we know this is a thing Papyrus. Yes, yeah,

3073
02:41:31.120 --> 02:41:32.760
<v Speaker 1>we haven't even talked about that yet.

3074
02:41:33.840 --> 02:41:36.879
<v Speaker 2>So there's an SNL sketch called Papyrus, which is probably

3075
02:41:37.559 --> 02:41:40.399
<v Speaker 2>one of my top five SNL sketches of all time

3076
02:41:41.200 --> 02:41:44.719
<v Speaker 2>in terms of their filmed segments, you know. And yeah,

3077
02:41:44.719 --> 02:41:48.239
<v Speaker 2>it's just it's somebody who's obsessing over the fact that Avatar,

3078
02:41:48.360 --> 02:41:52.520
<v Speaker 2>this multi billion dollar blockbuster, used Papyrus for its for

3079
02:41:52.600 --> 02:41:55.760
<v Speaker 2>its marketing font and and it is brilliant.

3080
02:41:56.040 --> 02:42:00.159
<v Speaker 1>It's so it's it's a funny idea, but then it's

3081
02:42:00.280 --> 02:42:03.799
<v Speaker 1>just so expertly executed. Yeah, that it feels not like

3082
02:42:03.840 --> 02:42:06.239
<v Speaker 1>a thriller, but you know just like a I don't know,

3083
02:42:06.280 --> 02:42:11.879
<v Speaker 1>like a horror film or something. This guy just can't grapple. Yeah,

3084
02:42:11.959 --> 02:42:14.200
<v Speaker 1>and he has to chase down the guy who did it,

3085
02:42:14.399 --> 02:42:19.399
<v Speaker 1>you know, get him through like his window did.

3086
02:42:19.760 --> 02:42:22.280
<v Speaker 2>Yeah. So funny.

3087
02:42:22.680 --> 02:42:23.959
<v Speaker 1>Yeah.

3088
02:42:24.000 --> 02:42:26.760
<v Speaker 2>Sam Worthington as our boy, yep, yep.

3089
02:42:26.799 --> 02:42:27.920
<v Speaker 3>You know a couple of things real quick.

3090
02:42:27.959 --> 02:42:29.600
<v Speaker 1>I want to bring up as this is the credits

3091
02:42:29.600 --> 02:42:34.959
<v Speaker 1>are ruling the world of Avatar at Disney World. I believe, Yes, yes,

3092
02:42:35.319 --> 02:42:38.319
<v Speaker 1>never been there, but I'm sure it's amazing. But that's

3093
02:42:38.639 --> 02:42:41.239
<v Speaker 1>you know, before we even got the sequel that opened

3094
02:42:41.319 --> 02:42:44.040
<v Speaker 1>up there, so they probably had to have a good

3095
02:42:44.040 --> 02:42:46.079
<v Speaker 1>inkling from Cameron that it was coming. If they're going

3096
02:42:46.159 --> 02:42:48.959
<v Speaker 1>to invest in all that keep Avatar alive.

3097
02:42:49.399 --> 02:42:50.799
<v Speaker 2>Yeah.

3098
02:42:50.879 --> 02:42:54.120
<v Speaker 1>I thought this was an interesting thing about Matt Damon.

3099
02:42:54.959 --> 02:42:58.120
<v Speaker 1>You know, he turned down doing Avatar and he would

3100
02:42:58.159 --> 02:43:00.440
<v Speaker 1>have netted ten percent of the movie's profits.

3101
02:43:00.239 --> 02:43:01.959
<v Speaker 2>Which was like two hundred and fifty million.

3102
02:43:02.040 --> 02:43:04.120
<v Speaker 3>Yeah, somewhere are like two nine, two hundred ninety million.

3103
02:43:04.159 --> 02:43:06.360
<v Speaker 2>He would have gotten well, And it wasn't like he

3104
02:43:06.440 --> 02:43:09.120
<v Speaker 2>wasn't like, no, that sounds stupid. He was committed to

3105
02:43:09.159 --> 02:43:10.639
<v Speaker 2>the Bourne War movies. Yeah.

3106
02:43:10.719 --> 02:43:12.399
<v Speaker 3>Yeah, I just thought that was interesting.

3107
02:43:12.520 --> 02:43:18.239
<v Speaker 1>And then also this being the number one highest grossing

3108
02:43:18.280 --> 02:43:20.639
<v Speaker 1>movie in the world of all time. Yeah, and it

3109
02:43:20.680 --> 02:43:23.000
<v Speaker 1>was challenged for a minute there by Avengers Endgame.

3110
02:43:23.280 --> 02:43:23.959
<v Speaker 2>That's right, right.

3111
02:43:24.239 --> 02:43:27.079
<v Speaker 1>Endgame got past it for a second there, and then

3112
02:43:27.120 --> 02:43:29.920
<v Speaker 1>they did a re release of Avatar that put it

3113
02:43:29.959 --> 02:43:31.600
<v Speaker 1>back in the number one position.

3114
02:43:31.719 --> 02:43:33.920
<v Speaker 2>But and Cameron said as much. You know when when

3115
02:43:34.079 --> 02:43:37.559
<v Speaker 2>when Endgame displaced Avatar, they're like, what do you think

3116
02:43:37.600 --> 02:43:41.879
<v Speaker 2>about it? He's like, yeah, we'll get it back. I'm like,

3117
02:43:41.920 --> 02:43:43.319
<v Speaker 2>you cocky son of a bitch.

3118
02:43:43.360 --> 02:43:48.360
<v Speaker 1>You're right, yeah, yeah, but I mean, adjusted for inflation,

3119
02:43:48.600 --> 02:43:51.120
<v Speaker 1>Avatar is the second highest grossing movie of all time,

3120
02:43:51.200 --> 02:43:52.440
<v Speaker 1>only behind Gone with the Wind.

3121
02:43:52.760 --> 02:43:53.680
<v Speaker 2>That's extraordinary.

3122
02:43:54.000 --> 02:43:55.760
<v Speaker 3>It was just kind of amazing about Gone with the Wind.

3123
02:43:55.920 --> 02:43:56.440
<v Speaker 2>Good lord.

3124
02:43:57.040 --> 02:44:02.200
<v Speaker 1>Yeah, and it was nominated for nine awards at the

3125
02:44:02.239 --> 02:44:03.120
<v Speaker 1>Academy Awards.

3126
02:44:03.680 --> 02:44:03.959
<v Speaker 2>Wow.

3127
02:44:04.399 --> 02:44:08.120
<v Speaker 1>So I mean just an all around gargantuan success.

3128
02:44:08.399 --> 02:44:12.600
<v Speaker 2>Yeah, which is how people will describe our commentary track.

3129
02:44:12.639 --> 02:44:16.000
<v Speaker 2>I'd like to believe, let's hope, so in years, in

3130
02:44:16.079 --> 02:44:23.440
<v Speaker 2>decades to come. Yeah, it'll be mentioned in the same

3131
02:44:23.479 --> 02:44:26.840
<v Speaker 2>breadth as Avatar, because you have to say Avatar commentary track.

3132
02:44:26.959 --> 02:44:31.559
<v Speaker 1>So you know, we haven't really seen Avatar until you've

3133
02:44:31.639 --> 02:44:33.879
<v Speaker 1>listened to the movie film commentary.

3134
02:44:35.920 --> 02:44:38.959
<v Speaker 2>So other other thoughts. This is now, this is now

3135
02:44:39.000 --> 02:44:41.959
<v Speaker 2>my fifth time watching this movie cumulatively.

3136
02:44:44.280 --> 02:44:47.200
<v Speaker 1>I don't know what this is for me, four ish

3137
02:44:47.600 --> 02:44:51.280
<v Speaker 1>somewhere around there. Yeah, I mean my main takeaway after

3138
02:44:51.360 --> 02:44:53.879
<v Speaker 1>I finished it. I finished watching it this morning, right

3139
02:44:53.879 --> 02:44:58.280
<v Speaker 1>before we hopped on. It's just almost impossible not to

3140
02:44:58.319 --> 02:45:02.559
<v Speaker 1>find poor of it silly. Yeah, you just have to

3141
02:45:02.600 --> 02:45:05.079
<v Speaker 1>grapple with certain things that just feel inherently a little

3142
02:45:05.440 --> 02:45:08.559
<v Speaker 1>silly or or on the nose or whatever. Right, And

3143
02:45:08.680 --> 02:45:11.840
<v Speaker 1>at the same time, I felt sad when it wanted

3144
02:45:11.840 --> 02:45:13.799
<v Speaker 1>me to feel sad. I felt charged up when it

3145
02:45:13.840 --> 02:45:17.799
<v Speaker 1>wanted me to feel charged up. And at the end

3146
02:45:17.840 --> 02:45:22.079
<v Speaker 1>of the day, you know, silliness aside. It works. I

3147
02:45:22.079 --> 02:45:25.760
<v Speaker 1>think this movie works. And it's no surprise it connected

3148
02:45:25.840 --> 02:45:27.879
<v Speaker 1>around the world because the themes, like you said, are

3149
02:45:27.879 --> 02:45:31.079
<v Speaker 1>just so potent and universal.

3150
02:45:32.120 --> 02:45:33.360
<v Speaker 2>I definitely agree with that.

3151
02:45:33.559 --> 02:45:38.040
<v Speaker 1>Yeah, but it is interesting though I mean for not

3152
02:45:38.120 --> 02:45:42.520
<v Speaker 1>to rehash this tired conversation, but like you don't see

3153
02:45:42.639 --> 02:45:44.399
<v Speaker 1>you know, you see people wearing Star Wars shirts or

3154
02:45:44.440 --> 02:45:47.159
<v Speaker 1>Star Wars action figures or whatever, and it's like this movie,

3155
02:45:47.200 --> 02:45:53.719
<v Speaker 1>as popular is it, or successful as it is, just

3156
02:45:53.719 --> 02:45:56.120
<v Speaker 1>doesn't connect in that way. And that's kind of interesting.

3157
02:45:56.600 --> 02:45:59.479
<v Speaker 2>That is interesting. Well, you know, my thing is like

3158
02:46:00.120 --> 02:46:02.280
<v Speaker 2>when that's a point of critique, like oh, you know

3159
02:46:02.440 --> 02:46:05.000
<v Speaker 2>people aren't buying the toys or you know, yeah, people

3160
02:46:05.040 --> 02:46:08.239
<v Speaker 2>aren't wearing the shirts or whatever, I'm like, okay, well,

3161
02:46:10.319 --> 02:46:13.840
<v Speaker 2>maybe think about yourself, like, don't don't be wearing at

3162
02:46:13.920 --> 02:46:15.879
<v Speaker 2>You don't need to wear Avatar shirts, you know, like

3163
02:46:16.600 --> 02:46:18.159
<v Speaker 2>you do. You don't need to play with the toys.

3164
02:46:18.200 --> 02:46:20.000
<v Speaker 2>Do something, do something with your life. What have you

3165
02:46:20.040 --> 02:46:23.000
<v Speaker 2>done with yourself? That's my response.

3166
02:46:23.200 --> 02:46:27.959
<v Speaker 1>Well, I did think that was an interesting conversation, you know, like, oh, yeah,

3167
02:46:27.959 --> 02:46:29.879
<v Speaker 1>I guess that's kind of true when we only had

3168
02:46:29.879 --> 02:46:33.040
<v Speaker 1>the one, it's at this point, well certainly that, but

3169
02:46:33.159 --> 02:46:35.920
<v Speaker 1>also when the second one came out and it succeeded

3170
02:46:37.079 --> 02:46:41.600
<v Speaker 1>just as well. To me, yeah, it's not a critique,

3171
02:46:41.639 --> 02:46:44.559
<v Speaker 1>it's like, well, it's just kind of interesting, you know,

3172
02:46:44.959 --> 02:46:46.520
<v Speaker 1>like these are successes.

3173
02:46:47.120 --> 02:46:49.239
<v Speaker 3>It's just we connect with them in different ways than

3174
02:46:49.280 --> 02:46:50.479
<v Speaker 3>we do with other successes.

3175
02:46:52.280 --> 02:46:55.959
<v Speaker 2>Yeah, I just I think that that's a very that's

3176
02:46:55.959 --> 02:46:59.399
<v Speaker 2>a very corporatized, reductive view when you're only looking at

3177
02:46:59.440 --> 02:47:02.719
<v Speaker 2>it in terms of, oh, what you know, action figures

3178
02:47:02.760 --> 02:47:04.879
<v Speaker 2>are you putting on your shelves or whatever, Like Okay.

3179
02:47:04.600 --> 02:47:07.079
<v Speaker 1>Well that's something Rabisi's character would say.

3180
02:47:07.280 --> 02:47:10.319
<v Speaker 2>That's right, he'll be a Rai. Don't be a Rabisi.

3181
02:47:10.520 --> 02:47:11.680
<v Speaker 1>Yeah character.

3182
02:47:11.680 --> 02:47:15.040
<v Speaker 2>I'm sure Giovanni himself is a very lovely fella, but.

3183
02:47:14.559 --> 02:47:16.879
<v Speaker 1>It's only because I can't remember the name of the character.

3184
02:47:17.079 --> 02:47:20.680
<v Speaker 1>With apologies to Giovanni Rubci Parker. Parker, Well, I like, Rubci,

3185
02:47:20.719 --> 02:47:24.159
<v Speaker 1>better pitch your Rabbisi's out here bringing up this tired

3186
02:47:24.200 --> 02:47:29.559
<v Speaker 1>talking point. I meanwhile, yeah, Giovanni Ruvizi is like restoring

3187
02:47:29.559 --> 02:47:30.840
<v Speaker 1>all these like cameras and.

3188
02:47:31.280 --> 02:47:37.000
<v Speaker 2>You're yeah, right, yeah, he's like a cinematographer and stuff. Yeah, yeah,

3189
02:47:37.040 --> 02:47:40.239
<v Speaker 2>but here we go. Okay, well, Avatar, we have seen it.

3190
02:47:40.920 --> 02:47:43.719
<v Speaker 1>Yeah, and you know what, I enjoyed it. I'm going

3191
02:47:43.760 --> 02:47:46.879
<v Speaker 1>to try to watch the second one again. Yeah, we'll

3192
02:47:46.879 --> 02:47:49.879
<v Speaker 1>see if it sticks. But like I am looking forward

3193
02:47:49.879 --> 02:47:51.719
<v Speaker 1>to the third one. I'm looking forward to the experience.

3194
02:47:52.079 --> 02:47:55.600
<v Speaker 2>Yeah, same, you know I have, I have watched it already,

3195
02:47:55.639 --> 02:47:57.319
<v Speaker 2>but but I know that my kids want to see it,

3196
02:47:57.360 --> 02:47:58.559
<v Speaker 2>and I'm like, you know, yeah I could. I could

3197
02:47:58.559 --> 02:47:59.799
<v Speaker 2>probably sneak in another viewing.

3198
02:48:00.520 --> 02:48:01.479
<v Speaker 3>Yeah, well tell me about that.

3199
02:48:01.479 --> 02:48:03.799
<v Speaker 1>So you you've seen it, it's over three hours, but

3200
02:48:03.879 --> 02:48:06.000
<v Speaker 1>you feel like you would be okay sitting through it again.

3201
02:48:07.000 --> 02:48:08.760
<v Speaker 2>I wouldn't be opposed to it. I mean, I'm not,

3202
02:48:09.000 --> 02:48:11.760
<v Speaker 2>you know, it's like I'm willing to leave the possibility. Oh,

3203
02:48:11.799 --> 02:48:13.840
<v Speaker 2>but it's it's it's not a definite no, but it's

3204
02:48:13.840 --> 02:48:17.799
<v Speaker 2>a hey maybe. And that's something sure. You know I

3205
02:48:18.600 --> 02:48:20.760
<v Speaker 2>told you this earlier with regards to the new film.

3206
02:48:20.760 --> 02:48:23.520
<v Speaker 2>I mean, it doesn't feel short, but it doesn't feel long.

3207
02:48:23.879 --> 02:48:28.319
<v Speaker 2>And okay I did not at any point check my watch,

3208
02:48:28.399 --> 02:48:30.159
<v Speaker 2>So that that tells you something.

3209
02:48:30.479 --> 02:48:32.479
<v Speaker 1>Yeah, well, tell me your your final thoughts on this

3210
02:48:32.520 --> 02:48:33.440
<v Speaker 1>one then Avatar one.

3211
02:48:33.799 --> 02:48:38.440
<v Speaker 2>Well, I think that it's it's a showcase for James

3212
02:48:38.440 --> 02:48:45.319
<v Speaker 2>Cameron's truly astonishing imagination. Yeah, and also a showcase for

3213
02:48:45.399 --> 02:48:50.799
<v Speaker 2>his technical wizardry. He's he has a well documented ego,

3214
02:48:51.200 --> 02:48:56.360
<v Speaker 2>but to his credit, he consistently demonstrates that he has

3215
02:48:56.360 --> 02:49:01.120
<v Speaker 2>every right to that ego. Yeah, you know, and you

3216
02:49:01.159 --> 02:49:05.840
<v Speaker 2>know the fact that this movie conquered the box office

3217
02:49:05.879 --> 02:49:09.600
<v Speaker 2>in a way that seems unlikely to be toppled anytimes

3218
02:49:09.600 --> 02:49:14.159
<v Speaker 2>in barring another you know Avengers endgame situation that that

3219
02:49:14.360 --> 02:49:15.879
<v Speaker 2>says more than enough. You know.

3220
02:49:16.440 --> 02:49:18.000
<v Speaker 1>Yeah, but there we go.

3221
02:49:18.040 --> 02:49:19.879
<v Speaker 2>But those are our thoughts. I know, I know. This

3222
02:49:19.920 --> 02:49:23.159
<v Speaker 2>is a film that certainly draws many of reactions from folks.

3223
02:49:23.200 --> 02:49:25.239
<v Speaker 2>So let us know, let us know your thoughts, Let

3224
02:49:25.319 --> 02:49:28.079
<v Speaker 2>us know your thoughts on our thoughts. You can email

3225
02:49:28.159 --> 02:49:30.760
<v Speaker 2>us those thoughts at Moviefilm Podcasts at gmail dot com.

3226
02:49:30.760 --> 02:49:32.959
<v Speaker 2>You can also hit like on our Facebook page Facebook

3227
02:49:33.000 --> 02:49:35.680
<v Speaker 2>dot com slash movie Film Podcast and message us there.

3228
02:49:36.399 --> 02:49:38.920
<v Speaker 2>As always, please go to Apple Podcasts and leave review,

3229
02:49:38.959 --> 02:49:42.040
<v Speaker 2>leave a star rating. If you're listening to this on YouTube,

3230
02:49:42.079 --> 02:49:45.000
<v Speaker 2>please hit like, hit subscribe, and leave comments there because

3231
02:49:45.000 --> 02:49:46.600
<v Speaker 2>we do read those on the show. We also have

3232
02:49:46.680 --> 02:49:49.200
<v Speaker 2>a Patreon page, Brian Yes. If you head over to

3233
02:49:49.200 --> 02:49:53.719
<v Speaker 2>patreon dot com slash Moviefilm podcast and hit subscribe for

3234
02:49:53.799 --> 02:49:56.360
<v Speaker 2>only five dollars a month, you'll find every commentary we've

3235
02:49:56.399 --> 02:50:00.559
<v Speaker 2>ever done, and you also find every regular episode we do.

3236
02:50:00.680 --> 02:50:04.319
<v Speaker 2>Moving forward absolutely ad free. Our free feed will always

3237
02:50:04.319 --> 02:50:06.760
<v Speaker 2>be available, but this is our way of providing what

3238
02:50:06.799 --> 02:50:09.840
<v Speaker 2>we believe is the most satisfying way to enjoy the show. Plus,

3239
02:50:09.879 --> 02:50:11.879
<v Speaker 2>your subscription goes a long way and helping to support

3240
02:50:12.000 --> 02:50:15.159
<v Speaker 2>us and helping to sustain producing the show. So if

3241
02:50:15.159 --> 02:50:17.520
<v Speaker 2>you're interested in able, please head over to patreon dot

3242
02:50:17.520 --> 02:50:20.559
<v Speaker 2>com slash MOVIEFILM podcast and subscribe.

3243
02:50:20.639 --> 02:50:21.600
<v Speaker 1>We'd be very grateful.

3244
02:50:23.040 --> 02:50:24.799
<v Speaker 2>And if you're looking for me online, you can find

3245
02:50:24.799 --> 02:50:28.120
<v Speaker 2>me on social media at Zaki's Corner. That's z Akis Corner.

3246
02:50:28.159 --> 02:50:30.559
<v Speaker 2>I'm also at the San Francisco Chronicle. I'm also at

3247
02:50:30.559 --> 02:50:32.719
<v Speaker 2>the Wrap and IgM. What about you, Brian.

3248
02:50:32.959 --> 02:50:35.280
<v Speaker 1>You can find episodes I've written of Puppy Dog Pals

3249
02:50:35.280 --> 02:50:39.760
<v Speaker 1>and Young Jedi Adventures streaming on Disney Plus and.

3250
02:50:39.559 --> 02:50:42.000
<v Speaker 2>With that on behalf of my partner Brian Hall. My

3251
02:50:42.079 --> 02:50:44.040
<v Speaker 2>name is Zachie Hassan. This has been our movie film

3252
02:50:44.040 --> 02:50:47.120
<v Speaker 2>commentary track for Avatar. We will catch you next time.

3253
02:50:47.120 --> 02:51:02.319
<v Speaker 2>Thanks folks,
