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Speaker 1: The TheBus radio mystery theater presents.

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Speaker 2: Come in and.

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Speaker 3: Welcome. I am E. G. Marshall. Our tale is all

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about dying.

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Speaker 1: Not about death, but about the actual moment of dying

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and how it should.

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Speaker 3: Be approached and dealt with.

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Speaker 1: I think a lot about the moment of dying my own,

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of course. I picture myself in a beautiful and rather

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picturesque bed, something I don't own at the moment, but

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I have time.

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Speaker 3: I'll get around to it. My lovely wife who will survive.

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Speaker 1: Me, holding my feeble hand, my children at the foot

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of the beautiful bed, looking at me tenderly, and me

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looking softly at them and saying softly.

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Speaker 3: It's good. Heavens, what will I say?

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Speaker 1: I've been so busy setting the scene, I haven't got

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around the thinking of anything to say.

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Speaker 4: Aren't you tell me?

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Speaker 5: All right?

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Speaker 3: I can't why, No, it's easy, I can.

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Speaker 5: Not quight No, But you'll love it here.

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Speaker 6: Later maybe maybe later, but when as soon as I'm

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finished here, I guess if you are finished, my.

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Speaker 3: Friend, don't you know that?

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Speaker 7: Not quite not quite finished, not quite yet, Oh but

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you are finished.

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Speaker 1: Our mystery drama death is so Trivial was written especially

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for the Mystery there by els Eric and stars Tony

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Robert and Christopher TABORI m it seems most strange to

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me that men should fear seeing death unnecessary. End will

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come when it will come.

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Speaker 3: Those words were written by William Shakespeare.

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Speaker 1: The important line is the last one will come when

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it will come, not when it is expected, not when

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it is convenient, not even when it is desired. No

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death will come when it will come, which is the

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theme of our strange tale. There I was walking to

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work as usual, taking deep breadths to expand my lung,

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was noting the time at regular intervals to be certain

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might arrive at the library on the top, waiting for

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every street crossing light.

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Speaker 3: When I was dead, well, I suppose that.

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Speaker 6: The thumb were the last to come out of my mouth,

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and nobody.

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Speaker 5: Heard it but me.

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Speaker 3: The next fountain to reach.

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Speaker 6: My ears were so incredibly beautiful that I lay quietly

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in the street and listened.

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Speaker 3: What else, after all, was there for me to do?

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Speaker 6: There were voices, a marvelous blend of voices, coming from

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far far away, and I knew. I don't know how

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I knew, but I knew that these were the voices

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of those who had died before me, and they were

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summoning me to join them in a place of eternal joy.

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I was about to do so, indeed, I was anxious

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to do so, when suddenly it had never happened to

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me before in all my twenty four years.

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Speaker 7: Suddenly I became absolutely furious.

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Speaker 8: Believe somebody, why is there a policemen around?

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Speaker 6: And you didn't I heard some young female school for

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a policeman, But I didn't care much. I James Blake,

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was enjoying a sensation.

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Speaker 3: I had not felt since when. I can't remember when.

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It must have been many many years before, yet I

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had once.

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Speaker 6: It's because it swept over me.

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Speaker 3: I felt such a surge of help and.

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Speaker 6: Strength and power that it was impossible for me to

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think of myself as it's dead, which is what I

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most certainly was dead.

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Speaker 3: I'm hearing that I was dead.

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Speaker 4: I saw the whole thing.

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Speaker 6: That man got in the car.

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Speaker 8: That's a crazy man. I thought you were doing sixty

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miles an hour.

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Speaker 4: I was very nasty, went right next through the red light.

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Speaker 5: He never slowed down, let alone stop.

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Speaker 3: I think he was drunk.

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Speaker 8: It must have been driving. I got one of those

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expensive thought cars.

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Speaker 4: I mean it was yellow. Yeah, yes, I'm positive it

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was yellow. Unfortunately I didn't get the license number.

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Speaker 8: And this poor man, it really is dead, isn't he?

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Speaker 4: Are you gonna take him to the moors?

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Speaker 6: I listened with a sort of detached interest. The police

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questioned a few other people who have seen the accidents

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the end of my life, and everyone said, yes, the

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light had been with me. I hadn't had a chance.

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Speaker 9: The driver must have.

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Speaker 6: Been drunk or stone, et cetera, et cetera.

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Speaker 3: It all seems very unimportant, and I was completely.

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Speaker 6: Absorbed in my own new sensation, deep implacable anger.

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Speaker 4: Who what what's the ambulance for?

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Speaker 3: Oh?

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Speaker 4: Oh, you're gonna take him to the city hospital. Do

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you think there's a chance.

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Speaker 5: Oh?

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Speaker 8: I hope so, but he certainly looks dead to me still,

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if there's any chance at all.

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Speaker 6: I watched them put my used up body in the ambulance,

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and I knew everyone would do his duty.

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Speaker 3: I didn't care.

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Speaker 6: I knew I was dead, and I was furious.

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Speaker 4: I certainly hope there's a chance for him, I do hope.

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Speaker 6: So there I was all alone, somewhere between heaven and

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the well, not even my body to hold me in

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place man, and the quiet dimmed. One small voice, one

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sweet small voice, separated itself from all the others and

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spoke to me.

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Speaker 4: What's the matter, James?

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Speaker 3: Well? Who you speaking to me?

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Speaker 4: Of course?

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Speaker 3: Aren't you going to join us? Uh? I can't, But

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you'll love it here? May maybe later, later, maybe.

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Speaker 6: Wendy, soon as I'm finished here, I guess.

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Speaker 4: But you are finished, you know that, but not quite.

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Speaker 3: Not quite finished, not quite yet.

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Speaker 4: Well, of course, if you wanna stay in limbo forever?

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Speaker 3: Is that where I am in limbo?

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Speaker 4: Well, you're not with the dead and you're not with

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the living.

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Speaker 3: What would you call it? Am I a ghost?

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Speaker 6: Of course not.

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Speaker 4: You have to be properly dead before you can be

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a ghost. I don't know what you are really. However,

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if that's the way you want it.

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Speaker 6: Don't go away?

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Speaker 3: Oh please, don't go away.

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Speaker 4: What do you want me to do?

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Speaker 5: I don't wanna live in limbo?

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Speaker 3: Couldn't you sort of stick around in a while? What more?

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I need someone to talk to right now?

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Speaker 4: If you're a funny one, you are.

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Speaker 3: Now, what's so funny about me?

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Speaker 6: Most people in your situation, which I might remind you,

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is scarcely unique can't wait to join us.

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Speaker 4: You keep hanging back for some reason.

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Speaker 3: I can't father.

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Speaker 6: I I I want to join you, especially now that

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you and I have met, well sort of met.

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Speaker 4: Why don't we really meet? Why not, James?

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Speaker 6: You seem to know my name, but I don't know yours.

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We don't bother much with names here. When I was alive,

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they called me Cynthia. What a beautiful name, Cynthia. I

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do want to join you, then, why don't you Because

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I'm so angry? Uh, I don't want you to see

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me for the first time, all all wild up like this.

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Speaker 3: I'm not like this. Weally never have been.

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Speaker 8: Well.

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Speaker 6: If you wanna stay in Rimbo indefinitely, Cynthia, how can

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I explain it to you so you'll understand?

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Speaker 3: It's the senselessness, a pure, utter idiocy of it.

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Speaker 6: I don't know why, but suddenly I can't stand it.

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Speaker 3: I suppose because it happened to me.

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Speaker 6: I know people have to die, but but not so trivially,

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not because somebody ran through a red light.

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Speaker 5: Not for that.

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Speaker 4: It's benown to happen, Oh, Cynthia.

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Speaker 6: I never thought it would happen to me, to die

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in such.

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Speaker 3: A stupid senseless way.

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Speaker 4: How did you think it would happen?

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Speaker 6: I don't know, but all my life I've been so sensible,

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sensible above everything else, never caused trouble, never got mixed

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up in anything, never an egg way.

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Speaker 5: You do understand what course I do?

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Speaker 2: And now.

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Speaker 6: Well, I may not have had much of a life.

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As I look back on it, it wasn't much, but

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it could have changed. And anyway, damn it, it was mine,

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and no boozed up bonehead had the right to snatch

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it away from me. I'm so mad.

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Speaker 3: I a spit.

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Speaker 6: Oh shame, Cynthia. You may not believe this, but like

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this second, I feel.

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Speaker 3: More alive than I ever did while I was living.

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Speaker 6: There must be other people, people right here in this town,

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who are gonna die for no reason at all, just

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by accident, Cynthia, I can't leave this earth till I

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stop all these ridiculous.

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Speaker 4: Deaths, all of them.

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Speaker 3: All of them.

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Speaker 6: I'm gonna dedicate my entire afterlife to it.

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Speaker 3: I shall not have died in.

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Speaker 9: Vain medical Examiner's office, Doctor.

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Speaker 2: Carling Rallier, this is doctor Hatch. Glad you're there.

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Speaker 3: I came in early, first damned job.

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Speaker 10: You know, Yes, I know, and that's why I hate

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to tell you, but you may have to go alone.

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Speaker 3: You said alone. You're you're not coming in?

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Speaker 2: Well, my uh wife's not well.

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Speaker 3: Oh I'm sorry.

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Speaker 2: Maybe nothing serious. But on the other hand, you'll be

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able to manage, won't you.

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Speaker 5: Oh?

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Speaker 3: I think so.

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Speaker 6: Nobody's been brought in yet.

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Speaker 5: Uh, I'll spot you soon.

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Speaker 3: Looks like a dead one to me.

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Speaker 9: Put 'em on the table, boys and let me have

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a loo fort.

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Speaker 6: Run over by an automobile. Doctor Hatch, looks like a

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dead one to me.

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Speaker 2: Well you know the procedure, doctor Crowley, just for your.

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Speaker 6: Head, Yes, sir, I will.

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Speaker 2: I'll be in as soon as I feel I canna

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leave my wife.

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Speaker 5: Oh a doctor Hatch, Eh, yeah, what is it?

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Speaker 3: Maybe this one is be.

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Speaker 6: Dead after all, I can't see him times of respiration.

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Speaker 3: But on the other hand, he.

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Speaker 6: Looks, he looks looks how he looks so angry?

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Speaker 2: Doctor?

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Speaker 6: I bet I get to him right away. I never

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saw anybody look so angry.

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Speaker 3: You must be alive.

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Speaker 6: Nobody could be dead and look so so enraged.

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Speaker 4: How do you intend to part saying on your actor life?

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Speaker 3: Well, well, I haven't point figured that out. This is

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a very new to me.

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Speaker 4: You understand I see dogs starting along highway?

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Speaker 5: You too?

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Speaker 3: Are you interested in dog? Anybody anything? We're on the highway.

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Speaker 4: You just get to the intersection, Jackson Bugabard.

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Speaker 3: That's a terrible intersection. Nobody stops for anybody.

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Speaker 6: Now, marvelous how you can get around when you've got

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nobody in there?

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Speaker 3: Here, little white dog, curly.

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Speaker 6: Down or silly little thing.

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Speaker 4: Don't see that big blue station liking it's going to

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hit him, don't.

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Speaker 6: I've got it, got him from there, I've saved him.

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Speaker 4: You'll probably get run over anyhow, one of these things.

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Speaker 3: No he won't, No, he won't. I'm going to keep

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my eye on him.

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Speaker 4: What about all the others?

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Speaker 3: Them too?

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Speaker 6: And cats and people and everybody?

240
00:13:53,039 --> 00:13:56,120
Speaker 3: H then's there? Why did it take me too.

241
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Speaker 6: Long to find out what I was born to do?

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00:13:59,039 --> 00:14:00,039
Speaker 4: I could have spit by a.

243
00:14:00,039 --> 00:14:02,600
Speaker 3: Whole like doing this, Crincian.

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Speaker 6: My after life is going to be a hundred times

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more exciting.

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Speaker 3: Than my life ever.

247
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Speaker 11: Once I can't understand you and all my friends, the

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official muscles should be completely relau Come in.

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Speaker 4: Oh h, I I know I I'm not supposed to

250
00:14:28,039 --> 00:14:28,679
be here.

251
00:14:29,000 --> 00:14:30,919
Speaker 6: Now, you're certainly not supposed to be here.

252
00:14:31,159 --> 00:14:33,759
Speaker 8: But I I saw the accident, and I was interested

253
00:14:33,799 --> 00:14:36,120
in this. The officer said they'd bring him here.

254
00:14:37,320 --> 00:14:38,759
Speaker 5: H Is that him?

255
00:14:38,840 --> 00:14:40,399
Speaker 3: Look, you can't come in here.

256
00:14:40,480 --> 00:14:43,279
Speaker 8: I I just wanna know if there's any hope.

257
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Speaker 2: M may I clean.

258
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Speaker 3: There's no hope.

259
00:14:48,320 --> 00:14:51,519
Speaker 6: Yes, that's him.

260
00:14:51,559 --> 00:14:56,000
Speaker 3: He's dead. Oh my gosh, what is it? What he's moved?

261
00:14:56,679 --> 00:14:57,440
He's moved.

262
00:14:58,480 --> 00:14:59,840
Speaker 4: I I didn't see him moved.

263
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Speaker 11: No.

264
00:15:00,679 --> 00:15:02,919
Speaker 3: I mean when you knocked at the door. I was

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trying to find his pulse. There wasn't any.

266
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Speaker 5: His arms were straight down at his side.

267
00:15:07,919 --> 00:15:08,639
Speaker 3: Now look at.

268
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Speaker 12: Them, God, just like he was hugging something or carrying something.

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Speaker 3: This man can't be dead. He can't be.

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Speaker 1: I had always thought that at the moment of dying,

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the soul separated itself from the body and went his

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own way, while the body stayed behind, to be finally

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disposed of with some degree of circumspection at a greater

274
00:15:41,840 --> 00:15:46,000
or lesser expense. But what if a particular soul is

275
00:15:46,039 --> 00:15:49,440
too stubborn to leave the body it has inhabited for

276
00:15:49,480 --> 00:15:55,559
so long, too stubborn and too angry. I'll be back

277
00:15:55,600 --> 00:16:06,799
shortly with that too, Our hero James Blake appears to

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00:16:06,840 --> 00:16:10,039
be leading a double life in spite of the fact

279
00:16:10,679 --> 00:16:11,440
that he is dead.

280
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Speaker 3: His spirit is floating in the ether.

281
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Speaker 1: Between heaven and Earth, pausing only long enough to save

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00:16:18,240 --> 00:16:22,720
some innocent from accidental demise. While his body lies on

283
00:16:22,759 --> 00:16:26,559
a slab at the city hospital, watched with both horror

284
00:16:26,600 --> 00:16:30,679
and fascination by a nervous intern and a young girl.

285
00:16:31,399 --> 00:16:33,879
Speaker 3: He doesn't look mad anymore mad.

286
00:16:34,480 --> 00:16:36,399
Speaker 6: When they first brought him in, he had such a

287
00:16:36,399 --> 00:16:39,120
look on his face you wouldn't believe a person could

288
00:16:39,200 --> 00:16:42,679
look so so angry as that somebody had played a

289
00:16:42,720 --> 00:16:44,320
dirty trick on him and he wanted.

290
00:16:44,120 --> 00:16:45,000
Speaker 5: To get even. Well.

291
00:16:45,120 --> 00:16:47,080
Speaker 4: Uh, a man who has just been run over.

292
00:16:47,000 --> 00:16:50,720
Speaker 8: A dead many positively is dead.

293
00:16:51,360 --> 00:16:53,440
Speaker 3: As hard as his beating, he isn't breathing.

294
00:16:53,519 --> 00:16:55,159
Speaker 4: Well, couldn't he be enough?

295
00:16:55,519 --> 00:16:58,679
Speaker 3: Well, we'll watch him a call it coma uh maybe

296
00:16:58,960 --> 00:16:59,559
or a shock.

297
00:17:00,360 --> 00:17:02,759
Speaker 6: Even so, there ought to be some sign of life,

298
00:17:03,440 --> 00:17:04,480
even if it's very faint.

299
00:17:04,960 --> 00:17:07,039
Speaker 4: There's gotta be some reason why he's got his arms

300
00:17:07,039 --> 00:17:08,680
that caught his dead like that, and.

301
00:17:08,720 --> 00:17:11,960
Speaker 6: His hands, I mean, his fingers are bent like like

302
00:17:12,039 --> 00:17:14,920
he was, I don't know, like he was.

303
00:17:14,960 --> 00:17:19,440
Speaker 4: Sort of crazily something like, but he was carrying a baby.

304
00:17:21,160 --> 00:17:29,400
Speaker 6: Excuse me, Oh sure, medical examiner, Dr Crowley, Doctor Crowley, everything.

305
00:17:29,640 --> 00:17:34,160
Speaker 3: Well, all right, I guess only doctor Hatch.

306
00:17:34,440 --> 00:17:36,480
Speaker 6: The man that was brought in just a little while ago,

307
00:17:36,720 --> 00:17:38,920
James Blake getting run victim?

308
00:17:39,279 --> 00:17:40,039
Speaker 3: What about him?

309
00:17:40,599 --> 00:17:43,400
Speaker 6: There's no Bible signs, doctor Hatch, none that I can

310
00:17:43,440 --> 00:17:44,119
find anyway.

311
00:17:44,559 --> 00:17:47,200
Speaker 3: But there's something I can't figure it out.

312
00:17:47,799 --> 00:17:49,640
Speaker 6: He was stretched down on the table and I was

313
00:17:49,680 --> 00:17:52,599
looking for a postby both his hands were decided and

314
00:17:53,079 --> 00:17:55,200
what I just left for a few seconds. There was

315
00:17:55,240 --> 00:17:58,240
someone at the door, and when when we when I

316
00:17:58,279 --> 00:18:00,880
got back to him, his arm had moved up to

317
00:18:00,960 --> 00:18:01,559
his chest.

318
00:18:01,920 --> 00:18:02,839
Speaker 3: His elbows were.

319
00:18:02,720 --> 00:18:05,279
Speaker 2: Then reflex action, probably a pure reflex.

320
00:18:05,359 --> 00:18:07,240
Speaker 3: It happened, he says the doctor.

321
00:18:07,440 --> 00:18:10,240
Speaker 2: Uh, I'll try to get in. My wife's still running

322
00:18:10,240 --> 00:18:13,680
your fever, but I'll do my best if you would, sir. Uh,

323
00:18:13,759 --> 00:18:15,160
But you can manage, can't you?

324
00:18:15,799 --> 00:18:16,119
Speaker 4: Uh?

325
00:18:16,400 --> 00:18:20,359
Speaker 3: Outside, Doctor Hatch? How do I so long? Doctor Hatch?

326
00:18:22,519 --> 00:18:24,359
Speaker 13: He says, reflect action.

327
00:18:25,000 --> 00:18:27,559
Speaker 6: I guess that's why he doesn't look angry anymore.

328
00:18:27,160 --> 00:18:30,079
Speaker 4: Too, reflex action in his state.

329
00:18:30,319 --> 00:18:32,440
Speaker 3: There are muscles in the face, you know any of them?

330
00:18:32,559 --> 00:18:34,279
Any Believe me, Doctor.

331
00:18:34,039 --> 00:18:35,319
Speaker 4: Crowley, I know you're upset.

332
00:18:35,359 --> 00:18:37,000
Speaker 9: I'll be all right, I'll manage.

333
00:18:37,880 --> 00:18:42,440
Speaker 8: Look, while you're on the phone, something happened, but well,

334
00:18:42,279 --> 00:18:43,160
what will happened?

335
00:18:43,160 --> 00:18:43,319
Speaker 2: Now?

336
00:18:43,920 --> 00:18:46,640
Speaker 4: He's arm moved again.

337
00:18:47,559 --> 00:18:48,079
Speaker 3: Let me see.

338
00:18:48,759 --> 00:18:51,640
Speaker 8: Now they're stretched out out to the side, up to

339
00:18:51,680 --> 00:18:55,400
the side like he was flying u floading a free fall.

340
00:18:55,279 --> 00:18:56,039
Speaker 3: With a car shoe.

341
00:18:58,720 --> 00:19:01,799
Speaker 4: He's on'm the moving you said, so the sort of waving.

342
00:19:01,839 --> 00:19:02,799
Speaker 3: No, No, they're not.

343
00:19:03,079 --> 00:19:03,880
Speaker 5: No, they're not moving.

344
00:19:04,200 --> 00:19:05,559
Speaker 3: It's not popable for as to.

345
00:19:05,519 --> 00:19:07,200
Speaker 5: Be moving or waving her anything.

346
00:19:07,839 --> 00:19:11,200
Speaker 6: Look, doctor Hatch is gonna try to come in, he said,

347
00:19:11,240 --> 00:19:12,880
So you might get her any minute.

348
00:19:13,920 --> 00:19:30,839
Speaker 13: I'm I'll manage somehow, I'll manage.

349
00:19:26,279 --> 00:19:29,559
Speaker 3: There, sit there, wor are you?

350
00:19:30,759 --> 00:19:30,960
Speaker 5: Oh?

351
00:19:31,279 --> 00:19:34,839
Speaker 3: Having such a good time? I think the lamb was

352
00:19:34,880 --> 00:19:43,160
so fast. It's marvelous the things I have done. Sympia up,

353
00:19:44,079 --> 00:19:48,000
Where are you? I what to tell you? I'm yere,

354
00:19:49,000 --> 00:19:50,920
I'm yea to Cynthia.

355
00:19:51,319 --> 00:19:53,039
Speaker 6: There was a lady at a dinner party and they

356
00:19:53,039 --> 00:19:57,480
were having lamb chops, little tiny lamb chops, and she said, oh, by,

357
00:19:57,599 --> 00:19:59,880
what a treat and how delicious, And she picked one

358
00:19:59,920 --> 00:20:03,559
up her fingers and she started Cynthia.

359
00:20:02,880 --> 00:20:05,920
Speaker 3: It went down the wrong way into.

360
00:20:05,640 --> 00:20:08,519
Speaker 6: Her esophagus, and she was choking, and the other people

361
00:20:08,559 --> 00:20:11,240
pounded her on the back, and she was turning blue,

362
00:20:11,519 --> 00:20:14,559
and I just reached in and pulled out the lamp shop.

363
00:20:15,200 --> 00:20:16,119
Speaker 3: Oh she's all right.

364
00:20:17,119 --> 00:20:19,440
Speaker 5: She was on the point of dying.

365
00:20:19,279 --> 00:20:21,119
Speaker 3: But now she's all right.

366
00:20:21,559 --> 00:20:24,279
Speaker 4: But then I came and let me tell you about

367
00:20:24,279 --> 00:20:27,000
the hold up, the one in the bar. You saw it,

368
00:20:27,240 --> 00:20:28,759
I'm not sure I saw the phone run.

369
00:20:29,359 --> 00:20:32,119
Speaker 6: Well, this one was in a cheap little bar. This

370
00:20:32,200 --> 00:20:34,680
man came in with a gun. He started waving it

371
00:20:34,720 --> 00:20:37,279
around like a crazy man. I'm like, well, somebody's gonna

372
00:20:37,279 --> 00:20:40,000
get killed, for sure. So I went to the police

373
00:20:40,000 --> 00:20:42,160
box on the corner and I turned an alarm, and

374
00:20:42,559 --> 00:20:46,559
sure enough, well, when the hold up man heard the

375
00:20:46,559 --> 00:20:49,160
police siren, he ran out of the bar so fast,

376
00:20:49,240 --> 00:20:52,319
so nobody got well, wait, wait, I haven't been killing.

377
00:20:53,160 --> 00:20:55,759
The hold up man ran down the street saint and

378
00:20:56,039 --> 00:20:57,920
with the police after him, and he turned into an

379
00:20:57,920 --> 00:21:00,000
apartment building and started running up the stairs.

380
00:21:00,359 --> 00:21:01,680
Speaker 3: I guess he was. He was trying to get to

381
00:21:01,720 --> 00:21:04,640
the root. So I followed him. Of course, it was

382
00:21:04,920 --> 00:21:05,599
easy for me.

383
00:21:05,839 --> 00:21:08,559
Speaker 6: So when he got to uh all about the court

384
00:21:08,640 --> 00:21:11,519
for I guess all of a sudden door, open.

385
00:21:11,720 --> 00:21:13,799
Speaker 3: The door to one of the apartments. When it's gone,

386
00:21:13,839 --> 00:21:15,759
I well, uh, the whole hold up.

387
00:21:15,759 --> 00:21:17,960
Speaker 6: Man swiddled around and he had a gun in his hand,

388
00:21:17,960 --> 00:21:19,559
and he pointed in a light at this man standing

389
00:21:19,640 --> 00:21:23,519
in the doorway. I slammed the door so fast, Cynthia.

390
00:21:23,119 --> 00:21:24,119
Speaker 8: Adjusting time.

391
00:21:24,319 --> 00:21:25,880
Speaker 4: That was very nice game.

392
00:21:26,160 --> 00:21:27,799
Speaker 6: And and then there was this uh woman who got

393
00:21:27,839 --> 00:21:29,799
up in the middle of the night to take some medicine.

394
00:21:29,880 --> 00:21:32,000
And she went into the bathroom and she didn't turn

395
00:21:32,039 --> 00:21:34,599
on the light. Oh, I have done that so many

396
00:21:34,680 --> 00:21:39,160
times since I one. Well, anyway, she took the wrong

397
00:21:39,319 --> 00:21:42,880
medicine out of the medicine chest, the wrong bottle, a bottom.

398
00:21:42,519 --> 00:21:45,880
Speaker 3: Full of something that would have killed her. I knocked

399
00:21:45,880 --> 00:21:47,960
out of her hand. She thought she was just clumsy,

400
00:21:48,240 --> 00:21:49,799
but she did turn on the light.

401
00:21:49,920 --> 00:21:53,799
Speaker 6: And and then, well, imagine.

402
00:21:53,240 --> 00:21:53,960
Speaker 3: How she felt.

403
00:21:54,079 --> 00:21:57,599
Speaker 6: And I can imagine I imagine how I felt.

404
00:21:58,000 --> 00:22:00,799
Speaker 3: Came this. I have a giving you a chance to

405
00:22:00,799 --> 00:22:02,160
say anything? Have I?

406
00:22:02,240 --> 00:22:03,359
Speaker 5: It's just that I am.

407
00:22:03,240 --> 00:22:07,839
Speaker 6: Having such a wonderful time, leading such a wonderful life.

408
00:22:08,160 --> 00:22:12,839
What did you wanna say, Cynthia, I said, listen, I

409
00:22:12,880 --> 00:22:14,240
am listening.

410
00:22:14,599 --> 00:22:17,000
Speaker 3: Can't you hear it? Yeah?

411
00:22:17,039 --> 00:22:20,279
Speaker 6: Who what that jetliner is in trouble things.

412
00:22:21,480 --> 00:22:22,400
Speaker 14: I hear it.

413
00:22:23,440 --> 00:22:24,160
Speaker 5: I hear it.

414
00:22:24,440 --> 00:22:26,960
Speaker 4: Two hundred and fifty eight people on that jetliner.

415
00:22:27,119 --> 00:22:28,960
Speaker 3: I see it. I see it.

416
00:22:29,039 --> 00:22:32,119
Speaker 6: I'm I'm coming. Wait wait for me.

417
00:22:32,880 --> 00:22:37,319
Speaker 3: I'll get there. Oh. I wish I knew.

418
00:22:37,039 --> 00:22:39,559
Speaker 6: About airplanes at the library once.

419
00:22:39,640 --> 00:22:43,240
Speaker 4: I would have got remember projective what it said, you'll remember.

420
00:22:43,680 --> 00:22:44,839
Speaker 5: I don't know.

421
00:22:45,000 --> 00:22:45,920
Speaker 4: We'll think of something.

422
00:22:46,519 --> 00:22:51,279
Speaker 3: My jest, I don't think of something. Uh, wait for me,

423
00:22:52,200 --> 00:22:52,640
Wait for me.

424
00:22:52,720 --> 00:22:55,119
Speaker 5: I'll ring of something. I will, I will.

425
00:22:55,680 --> 00:22:56,599
Speaker 3: I'll get there in time.

426
00:23:00,039 --> 00:23:09,359
Speaker 8: Oh, doctor Crawley, the fingers have been behaving very peculiarly.

427
00:23:09,920 --> 00:23:12,880
Speaker 3: I know. I know first to crooked once in there,

428
00:23:13,640 --> 00:23:16,119
I know, I know all about it. I was standing

429
00:23:16,119 --> 00:23:17,839
there too, you know, I thought.

430
00:23:17,640 --> 00:23:20,799
Speaker 4: All are those all reefs like faction?

431
00:23:21,440 --> 00:23:23,799
Speaker 3: They've got to be, haven't they?

432
00:23:23,680 --> 00:23:24,960
Speaker 4: I I guess they do.

433
00:23:25,480 --> 00:23:26,440
Speaker 6: I mean, what what else?

434
00:23:26,559 --> 00:23:27,599
Speaker 8: You look?

435
00:23:27,680 --> 00:23:27,839
Speaker 2: Now?

436
00:23:28,039 --> 00:23:29,079
Speaker 4: Look at his fingers?

437
00:23:29,240 --> 00:23:32,359
Speaker 3: Why they're moving like man, Doctor.

438
00:23:32,079 --> 00:23:35,720
Speaker 8: Crawley, that's an awful lot of waf Like that's you.

439
00:23:37,279 --> 00:23:43,079
Speaker 3: Maybe that's doctor Hatch. I hope, So hello, hello, rally,

440
00:23:43,599 --> 00:23:45,799
doctor Hatch? Is you call me?

441
00:23:46,119 --> 00:23:46,279
Speaker 2: Yes?

442
00:23:47,279 --> 00:23:49,880
Speaker 6: All right, hey, I'm all right, doctor Hatch.

443
00:23:50,200 --> 00:23:52,440
Speaker 2: Well, my wife's feeling better now.

444
00:23:52,720 --> 00:23:54,359
Speaker 6: Oh that's good, that's fine.

445
00:23:54,559 --> 00:23:55,440
Speaker 3: I'm so glad.

446
00:23:55,759 --> 00:23:58,799
Speaker 2: Well, I'll be leaving the house pretty soon. Uh you

447
00:23:59,000 --> 00:23:59,720
managing all right?

448
00:24:00,559 --> 00:24:04,559
Speaker 3: Managing? No in a way. I mean I'm managing. But

449
00:24:04,640 --> 00:24:07,359
I'll be glad when you get here. Dr Hatch. I'll

450
00:24:07,400 --> 00:24:09,759
be there in a little while, thank you, doctor Hatch.

451
00:24:11,480 --> 00:24:13,880
Doctor Hatch will be here any minute. Everything will be

452
00:24:13,920 --> 00:24:25,000
all right. I hope it's the light. Would I do it?

453
00:24:25,079 --> 00:24:29,440
It bounds to the game. I hope. What's this little gadget?

454
00:24:32,240 --> 00:24:38,759
Speaker 4: What what one for? People who said sends me a

455
00:24:38,880 --> 00:24:40,279
two hundred and fifty?

456
00:24:40,359 --> 00:24:44,240
Speaker 3: And fine? Goodness? That best going yet?

457
00:24:44,480 --> 00:24:45,720
Speaker 4: I think there's a war starting.

458
00:24:46,839 --> 00:24:47,599
Speaker 5: What a war?

459
00:24:48,000 --> 00:24:49,960
Speaker 4: Not of uniforms, guns.

460
00:24:49,839 --> 00:24:54,720
Speaker 3: Looks like mobilization. Sink here. I can't handle a war.

461
00:24:55,000 --> 00:24:58,400
Speaker 4: W of people are going to get killed, Dame, No.

462
00:24:58,640 --> 00:24:59,920
Speaker 5: But all by accident.

463
00:25:01,359 --> 00:25:02,359
Speaker 3: I suppose that's true.

464
00:25:02,480 --> 00:25:03,599
Speaker 4: It is true.

465
00:25:04,160 --> 00:25:09,359
Speaker 6: But to save everybody from getting children of war, Cynthia, I'm.

466
00:25:09,200 --> 00:25:12,400
Speaker 3: Only one, one spirit.

467
00:25:13,000 --> 00:25:15,960
Speaker 4: I'm all by myself, and this thing fare well, maybe

468
00:25:16,000 --> 00:25:16,839
they won't be a war.

469
00:25:18,440 --> 00:25:19,839
Speaker 3: I I just couldn't.

470
00:25:19,519 --> 00:25:20,480
Speaker 5: Handle it by myself.

471
00:25:20,640 --> 00:25:23,839
Speaker 4: Maybe it won't happen if I just had some help.

472
00:25:24,200 --> 00:25:24,880
Speaker 5: Maybe you did.

473
00:25:25,160 --> 00:25:26,680
Speaker 4: Maybe you could save all the people who.

474
00:25:26,519 --> 00:25:34,799
Speaker 6: Are starving, starving, who's a move, starving, starving to death?

475
00:25:35,400 --> 00:25:36,200
Speaker 4: Millions of them?

476
00:25:37,599 --> 00:25:42,720
Speaker 3: But uh, I can't. Why are they starving?

477
00:25:43,200 --> 00:25:44,359
Speaker 4: Well, maybe it's the weather.

478
00:25:44,559 --> 00:25:46,960
Speaker 6: Maybe it's you know, too much food in one place

479
00:25:47,039 --> 00:25:50,160
not enough in another. I don't know, James, I can't

480
00:25:50,240 --> 00:25:54,079
change the weather. I can't take food from one place

481
00:25:54,160 --> 00:25:55,559
and put it in another place.

482
00:25:57,160 --> 00:25:59,720
Speaker 3: Cynthia, I'm all alone.

483
00:26:00,920 --> 00:26:02,960
Speaker 4: Didn't come chin up change.

484
00:26:04,079 --> 00:26:09,680
Speaker 5: I can't, not just yet, Sayvia, I can't.

485
00:26:11,559 --> 00:26:13,039
Speaker 3: Not yet.

486
00:26:19,759 --> 00:26:21,640
Speaker 6: I got a different stethoscope.

487
00:26:21,799 --> 00:26:23,160
Speaker 5: I thought maybe the other one.

488
00:26:23,200 --> 00:26:27,400
Speaker 4: Yeah, he's quiet. Now, there's no heartbeat, none at all.

489
00:26:28,160 --> 00:26:29,440
Speaker 3: It wasn't the stethoscope.

490
00:26:29,440 --> 00:26:32,960
Speaker 4: Oh he he's really dead, all right.

491
00:26:34,519 --> 00:26:37,000
Speaker 9: You know, for a minute I thought it was me.

492
00:26:37,680 --> 00:26:39,039
Speaker 6: Thought I was losing my hearing.

493
00:26:39,559 --> 00:26:40,880
Speaker 5: But I couldn't find any pulp.

494
00:26:40,960 --> 00:26:42,640
Speaker 9: I thought maybe I've.

495
00:26:42,440 --> 00:26:46,319
Speaker 6: Gotten number some fight or nervousness or something.

496
00:26:46,519 --> 00:26:47,880
Speaker 4: Are you still massive?

497
00:26:48,119 --> 00:26:50,880
Speaker 3: Well, not as nervous as I was. Now that he's

498
00:26:51,000 --> 00:26:54,559
stopped all that, uh that, you know, recronection.

499
00:26:55,160 --> 00:26:59,559
Speaker 4: Well, he's he's very quiet, very quiet.

500
00:27:00,000 --> 00:27:03,200
Speaker 6: Oh he's dead. Y, I I suppose he is.

501
00:27:03,880 --> 00:27:05,920
Speaker 3: You suppose he is dead? Oh?

502
00:27:05,960 --> 00:27:10,039
Speaker 8: I know that but but what what what are you

503
00:27:10,079 --> 00:27:10,599
staring at?

504
00:27:11,920 --> 00:27:12,119
Speaker 5: Its?

505
00:27:12,119 --> 00:27:13,880
Speaker 3: Say? What about his face?

506
00:27:14,119 --> 00:27:14,839
Speaker 4: Look at it?

507
00:27:15,640 --> 00:27:20,480
Speaker 6: He looks very, very peaceful, Just not the way he's

508
00:27:20,519 --> 00:27:24,000
supposed to look, the way all dead people are supposed

509
00:27:24,039 --> 00:27:24,400
to look.

510
00:27:24,720 --> 00:27:29,960
Speaker 4: I know, but look closest, look at his eyes. Did

511
00:27:31,160 --> 00:27:34,960
you ever see a dead person who was crying.

512
00:27:39,039 --> 00:27:39,319
Speaker 2: Long?

513
00:27:42,400 --> 00:27:47,839
Speaker 1: I've never seen a corpse who cried still. Why shouldn't

514
00:27:47,880 --> 00:27:51,119
the realization that all things are swallowed up in death

515
00:27:51,559 --> 00:27:56,559
be a cause for tears? But how many corpses cry?

516
00:27:56,880 --> 00:27:58,400
Speaker 5: They cry they do for.

517
00:27:58,559 --> 00:28:02,160
Speaker 1: Their own dead, and how many cry for the deaths

518
00:28:02,200 --> 00:28:02,920
of others?

519
00:28:03,559 --> 00:28:06,920
Speaker 3: Cry that they cannot save them all from being swallowed up.

520
00:28:08,000 --> 00:28:17,519
Speaker 6: I'll be back shortly with Act three.

521
00:28:20,079 --> 00:28:23,359
Speaker 1: We left the body of our hero, James Blake, aged

522
00:28:23,359 --> 00:28:27,200
twenty four, lying prone on a table in the headquarters

523
00:28:27,200 --> 00:28:30,480
of the Medical Examiner's office at the City Hospital, while

524
00:28:30,519 --> 00:28:34,240
the spirits of that Thames James Blake floated through the

525
00:28:34,279 --> 00:28:38,000
great spaces between this world and the next, bound on

526
00:28:38,039 --> 00:28:42,279
a great mission to rescue all those destined.

527
00:28:41,839 --> 00:28:45,799
Speaker 6: To die, as he had died by sheer accident. He

528
00:28:45,799 --> 00:28:48,960
hasn't moved for quite a while, and he isn't crying anymore.

529
00:28:49,079 --> 00:28:52,640
Doctor carl him. Do you do you think I ought

530
00:28:52,680 --> 00:28:54,839
to to wipe his eyes?

531
00:28:55,559 --> 00:28:56,599
Speaker 3: A couple of tears left?

532
00:28:57,079 --> 00:28:57,880
Speaker 4: Do you want me to?

533
00:28:58,119 --> 00:28:58,359
Speaker 2: No?

534
00:28:58,359 --> 00:29:01,119
Speaker 3: No, I'll do it after all. Well, I'm the attending physician.

535
00:29:02,680 --> 00:29:04,200
Oh my good to explain.

536
00:29:04,519 --> 00:29:07,880
Speaker 4: H Maybe you won't have to explain anything. He he's

537
00:29:08,079 --> 00:29:08,839
very quiet.

538
00:29:09,599 --> 00:29:10,440
Speaker 3: I wouldn't know how.

539
00:29:11,039 --> 00:29:14,279
Speaker 6: I wouldn't know what to say after I could think

540
00:29:14,319 --> 00:29:15,000
it's dreaked down.

541
00:29:15,279 --> 00:29:17,319
Speaker 4: I'd like, Oh, why don't you go get a drink?

542
00:29:17,559 --> 00:29:18,839
It might help a drink.

543
00:29:19,119 --> 00:29:19,759
Speaker 3: I'm on duty.

544
00:29:19,839 --> 00:29:22,279
Speaker 8: We'll let me go get yourself a cup of coffee. H.

545
00:29:22,519 --> 00:29:24,119
I think it would do you good to get out

546
00:29:24,160 --> 00:29:25,119
of here for a few minutes.

547
00:29:25,480 --> 00:29:26,240
Speaker 3: What a doctor?

548
00:29:26,640 --> 00:29:27,799
Speaker 4: Well, I tell him something?

549
00:29:28,279 --> 00:29:30,920
Speaker 3: Why could you possibly tell him of who? Or who?

550
00:29:31,000 --> 00:29:31,799
Would you say you are?

551
00:29:31,839 --> 00:29:35,000
Speaker 4: Oh, I'll say I'm your You'll see I'm saying.

552
00:29:35,319 --> 00:29:35,480
Speaker 5: Oh.

553
00:29:35,759 --> 00:29:37,359
Speaker 4: Oh, by the way, my my.

554
00:29:37,359 --> 00:29:38,519
Speaker 8: Name is is Daisy.

555
00:29:38,720 --> 00:29:39,480
Speaker 3: My name is Fred.

556
00:29:39,759 --> 00:29:43,000
Speaker 4: Well, go on, said, go get your touch some coffee.

557
00:29:43,000 --> 00:29:43,519
You need it.

558
00:29:44,640 --> 00:29:45,720
Speaker 6: Oh, well, I'll be right.

559
00:29:45,599 --> 00:29:48,559
Speaker 3: Down the hall the nursing station. There's a coffee machine.

560
00:29:49,039 --> 00:29:51,920
Speaker 6: Call me if uh, if he does anything.

561
00:29:51,799 --> 00:29:53,279
Speaker 4: I will don't worry.

562
00:29:53,480 --> 00:29:55,359
Speaker 3: I know he's dead. I'm positive of that.

563
00:29:55,599 --> 00:29:59,759
Speaker 6: But well, you know, I know, well run alone. I

564
00:29:59,799 --> 00:30:01,400
real they appreciate the day.

565
00:30:02,200 --> 00:30:12,559
Speaker 15: That's all right, friend, mister James Blake, what made you

566
00:30:12,640 --> 00:30:14,079
so unhappy?

567
00:30:14,839 --> 00:30:15,119
Speaker 3: Prince?

568
00:30:15,200 --> 00:30:18,640
Speaker 15: You looked angry and then you looked almost pleased.

569
00:30:20,000 --> 00:30:20,839
Speaker 3: Then you cried.

570
00:30:21,319 --> 00:30:22,039
Speaker 4: Followed you here.

571
00:30:22,839 --> 00:30:25,000
Speaker 8: I was the one who called the police and they

572
00:30:25,079 --> 00:30:28,839
called the ambulance. I I I never telling you when

573
00:30:28,839 --> 00:30:32,960
you were alive, but I've seen you almost constantly since

574
00:30:33,000 --> 00:30:33,960
the moment you died.

575
00:30:35,359 --> 00:30:38,640
Speaker 4: Oh, please tell me why you were angry.

576
00:30:38,240 --> 00:30:39,759
Speaker 6: And tell me why you were pleased.

577
00:30:41,000 --> 00:30:47,039
Speaker 4: Tell me why you cried. Oh, please tell me, mister Blake. Boy,

578
00:30:47,200 --> 00:30:49,119
I I didn't answer.

579
00:30:51,559 --> 00:30:59,400
Speaker 12: As yes, you wish to seak to doctor prow Oh,

580
00:30:59,440 --> 00:31:01,720
oh yes, doctor hat Oh uh.

581
00:31:01,920 --> 00:31:04,160
Speaker 4: Dr Crowley had to step out to him in and

582
00:31:04,240 --> 00:31:06,359
give me right back. He said, to tell you if

583
00:31:06,400 --> 00:31:07,160
you called us.

584
00:31:07,319 --> 00:31:09,279
Speaker 5: Or if you came in, tell him.

585
00:31:09,319 --> 00:31:10,000
Speaker 1: I'll Uh.

586
00:31:10,480 --> 00:31:12,200
Speaker 2: I'm just about to leave the house and I'll be

587
00:31:12,240 --> 00:31:12,960
there about.

588
00:31:12,799 --> 00:31:16,799
Speaker 3: Ten or fifteen minutes. Oh, I'll tell him.

589
00:31:15,279 --> 00:31:15,559
Speaker 2: Uh.

590
00:31:16,880 --> 00:31:29,799
Speaker 4: Oh, please, Jane think, please tell me why you cried. Jane, Well, you,

591
00:31:31,240 --> 00:31:32,480
James and Cynthia.

592
00:31:34,319 --> 00:31:38,839
Speaker 5: I'm here, Cynthia, are you ready to join us?

593
00:31:40,119 --> 00:31:40,480
Speaker 2: Uh?

594
00:31:41,440 --> 00:31:46,160
Speaker 5: No, I don't think so, not yet, you'll like it here.

595
00:31:47,480 --> 00:31:50,119
I still like it here sort of.

596
00:31:50,720 --> 00:31:52,240
Speaker 6: Did I tell you about to stick up at the bank.

597
00:31:52,440 --> 00:31:54,680
Speaker 5: No, you didn't. We haven't walked in a long time.

598
00:31:55,119 --> 00:31:57,920
Speaker 6: Well, this man came into the bank, Uh, had a

599
00:31:57,920 --> 00:31:59,920
gun in his hand, and kept my eye on it.

600
00:32:00,319 --> 00:32:03,720
On the gun, mostly because it wouldn't be any of

601
00:32:03,720 --> 00:32:05,599
my business if he just took some money, as long

602
00:32:05,640 --> 00:32:07,119
as he didn't take somebody's.

603
00:32:06,799 --> 00:32:07,799
Speaker 3: Life, of course.

604
00:32:08,559 --> 00:32:10,680
Speaker 6: Well, well, it was just like every stick up you've

605
00:32:10,680 --> 00:32:11,359
ever read about.

606
00:32:11,480 --> 00:32:12,680
Speaker 3: Was a scene in the movies.

607
00:32:13,400 --> 00:32:15,119
Speaker 14: Uh, the man said, uh, uh.

608
00:32:15,000 --> 00:32:15,880
Speaker 3: There's a stick up.

609
00:32:16,160 --> 00:32:18,799
Speaker 6: And everybody got frightened and simply froze. And the man

610
00:32:18,839 --> 00:32:21,039
went to one of the teller's windows had to tell

611
00:32:21,079 --> 00:32:21,559
her a note.

612
00:32:21,839 --> 00:32:23,160
Speaker 5: They all do it the same way.

613
00:32:23,359 --> 00:32:24,160
Speaker 2: Go what happened?

614
00:32:24,839 --> 00:32:27,480
Speaker 6: Uh, Well, I said, everybody got frightened and froze.

615
00:32:27,519 --> 00:32:30,480
Speaker 3: Everybody did, accept one old lady.

616
00:32:31,359 --> 00:32:33,319
Speaker 5: This old lady wasn't frightened, and.

617
00:32:33,200 --> 00:32:34,200
Speaker 6: She didn't freeze.

618
00:32:34,799 --> 00:32:35,759
Speaker 3: She walked straight.

619
00:32:35,480 --> 00:32:37,000
Speaker 6: Toward the man with the gun. She said, in this

620
00:32:37,119 --> 00:32:37,960
loud sort of a.

621
00:32:37,960 --> 00:32:40,839
Speaker 4: Voice, just what do you think you're doing? Don't like

622
00:32:40,880 --> 00:32:43,720
to take other people's money. Goes to know I'm a

623
00:32:44,079 --> 00:32:46,839
smed of you, but singed of you.

624
00:32:50,640 --> 00:32:52,559
Speaker 6: The man would a gun uh way out of a bank?

625
00:32:52,599 --> 00:32:53,240
Speaker 5: And that was that?

626
00:32:53,519 --> 00:32:55,359
Speaker 4: What about the old lady?

627
00:32:55,680 --> 00:32:58,119
Speaker 6: She cast her check, and then Sheila was what about

628
00:32:58,119 --> 00:32:58,720
the gun truck?

629
00:32:59,319 --> 00:33:02,240
Speaker 3: Oh? Well, I caught the bullets in my head. It's

630
00:33:02,240 --> 00:33:04,240
pretty quite easy once you get the hang of it.

631
00:33:04,680 --> 00:33:05,400
Speaker 6: You've done it off.

632
00:33:05,519 --> 00:33:08,319
Speaker 3: But oh sure, crazy.

633
00:33:08,039 --> 00:33:11,559
Speaker 6: People are always shooting up places that are dumpfending themselves

634
00:33:11,599 --> 00:33:14,119
against people who never meant them any harm, or just

635
00:33:14,160 --> 00:33:14,920
showing off.

636
00:33:15,000 --> 00:33:18,359
Speaker 4: And you down so got a time.

637
00:33:19,240 --> 00:33:21,720
Speaker 6: Well, it's just that there's so much to be done,

638
00:33:21,799 --> 00:33:22,720
and uh, there's just.

639
00:33:22,759 --> 00:33:26,440
Speaker 3: Me to do it. It seems so endless. It just

640
00:33:26,480 --> 00:33:27,599
goes on and on.

641
00:33:29,720 --> 00:33:32,359
Speaker 6: Yes, I am tired, Cynthia.

642
00:33:33,480 --> 00:33:37,200
Speaker 4: Then why don't you stop, come be with us?

643
00:33:38,519 --> 00:33:43,640
Speaker 3: I can't. I not just yet. I think of the

644
00:33:43,720 --> 00:33:45,200
poor innocent.

645
00:33:44,960 --> 00:33:48,319
Speaker 6: People and all the animals.

646
00:33:48,400 --> 00:33:53,400
Speaker 3: Oh I hope I don't start but crying. I will

647
00:33:53,759 --> 00:33:59,519
soon join you, Cynthia, I mean, not just yet.

648
00:34:07,160 --> 00:34:08,599
Speaker 6: I brought some cofee back for you.

649
00:34:08,760 --> 00:34:13,320
Speaker 4: Oh, thank you, said, how uh how is he? Oh

650
00:34:13,360 --> 00:34:16,480
he's been very quiet. Oh doctor Hotch calls. He said,

651
00:34:16,519 --> 00:34:18,800
he'll be here soon. It's ten fifteen minutes or so.

652
00:34:19,159 --> 00:34:19,639
Speaker 3: That's good.

653
00:34:20,559 --> 00:34:21,400
Speaker 6: He moved his hand.

654
00:34:21,599 --> 00:34:23,400
Speaker 5: Yeah, just now he moved his hand.

655
00:34:23,960 --> 00:34:27,760
Speaker 6: He's going it again. But he looks like he died.

656
00:34:28,199 --> 00:34:31,159
Speaker 3: I thought you said he was quiet. Who he was again?

657
00:34:31,440 --> 00:34:33,119
Speaker 4: Go to snatching a thing?

658
00:34:34,239 --> 00:34:34,840
Speaker 5: Three times?

659
00:34:35,599 --> 00:34:38,199
Speaker 6: Don't tell me that tree cluck at you now after

660
00:34:38,280 --> 00:34:38,880
all this time?

661
00:34:39,039 --> 00:34:40,400
Speaker 4: But then, who what is it?

662
00:34:40,639 --> 00:34:41,159
Speaker 3: How don't I know?

663
00:34:41,440 --> 00:34:43,280
Speaker 4: It must mean something?

664
00:34:43,880 --> 00:34:45,800
Speaker 3: The man said, How can he mean something?

665
00:34:45,880 --> 00:34:46,000
Speaker 6: Oh?

666
00:34:46,039 --> 00:34:47,960
Speaker 8: I don't know, but I'm weak at it.

667
00:34:49,400 --> 00:34:51,480
Speaker 3: I sat for a minute that he was gonna cry again.

668
00:34:51,840 --> 00:34:53,639
Speaker 4: No, no, he hasn't cried again.

669
00:34:53,679 --> 00:34:57,760
Speaker 6: But oh, friendt he looks so sad.

670
00:34:57,880 --> 00:35:01,599
Speaker 4: I I never thought anybody looks so sad.

671
00:35:08,519 --> 00:35:09,599
Speaker 5: James, where are you?

672
00:35:10,559 --> 00:35:12,880
Speaker 4: I'm worried about you, James, where are you?

673
00:35:14,199 --> 00:35:14,360
Speaker 5: Uh?

674
00:35:14,800 --> 00:35:20,719
Speaker 6: I'm here, Cynthia, Oh my dear, you sounds so tired.

675
00:35:22,480 --> 00:35:24,000
That's because I am tired.

676
00:35:24,840 --> 00:35:25,800
Speaker 4: Tell me what you can do.

677
00:35:28,639 --> 00:35:28,760
Speaker 2: Uh?

678
00:35:28,960 --> 00:35:32,440
Speaker 3: Well? There was this uh, little old couple from Grand Falls.

679
00:35:32,639 --> 00:35:36,320
Uh huh. They were shopping for sewing machine. She thought

680
00:35:36,400 --> 00:35:37,719
she wanted a sewing machine.

681
00:35:39,199 --> 00:35:43,159
Speaker 4: Oh look at that one, hund where which one in

682
00:35:43,320 --> 00:35:44,800
the corner of that window?

683
00:35:45,440 --> 00:35:45,880
Speaker 14: How much?

684
00:35:46,559 --> 00:35:47,760
Speaker 6: I can't speak from here?

685
00:35:48,000 --> 00:35:51,960
Speaker 3: Come on, Daling, don't push me, but you're bullying me.

686
00:35:52,119 --> 00:35:57,119
Speaker 6: I I am not pulling. Oh why father hook, look

687
00:35:57,199 --> 00:35:59,679
at bull there's a windows.

688
00:36:00,239 --> 00:36:03,639
Speaker 8: It must have fallen from that window, led from way

689
00:36:03,840 --> 00:36:04,320
up there.

690
00:36:04,519 --> 00:36:07,119
Speaker 6: Off, somebody's leaning out of the window.

691
00:36:07,559 --> 00:36:09,400
Speaker 5: There's a whole old window.

692
00:36:09,119 --> 00:36:12,800
Speaker 4: Boxes and that's one tho from way up there. Oh,

693
00:36:13,920 --> 00:36:15,719
it could have landed right on top of it.

694
00:36:16,039 --> 00:36:18,920
Speaker 10: Still, there's pose for sure, if you hadn't pused me,

695
00:36:19,119 --> 00:36:20,719
if you hadn't pushed me.

696
00:36:21,199 --> 00:36:23,920
Speaker 4: When I think what might have happened if you hadn't pulled, you.

697
00:36:24,079 --> 00:36:26,400
Speaker 6: Mean if you hadn't pushed me.

698
00:36:26,679 --> 00:36:27,960
Speaker 5: I didn't push.

699
00:36:32,440 --> 00:36:35,440
Speaker 6: That was an easy one, of course. The only easy

700
00:36:35,519 --> 00:36:40,519
is ever class only there's so many of them. I know, Cynthia,

701
00:36:40,679 --> 00:36:42,559
I'll never get around with the walls.

702
00:36:43,679 --> 00:36:48,519
Speaker 3: I'm the famine. I know it's too much, it shut

703
00:36:48,840 --> 00:36:49,599
too much.

704
00:36:50,360 --> 00:36:50,719
Speaker 15: I know.

705
00:36:52,199 --> 00:36:56,519
Speaker 5: Still I have to do what I can sing.

706
00:36:57,679 --> 00:37:01,199
Speaker 6: Close up as a man coming out of his house

707
00:37:01,920 --> 00:37:02,840
on Birch.

708
00:37:02,679 --> 00:37:05,760
Speaker 4: Street, see him carrying a little black man.

709
00:37:06,039 --> 00:37:11,360
Speaker 6: Yeah, that's the worm, Cynthia looks like a doctor gonna

710
00:37:11,400 --> 00:37:13,320
get to him. He doesn't see it.

711
00:37:13,880 --> 00:37:18,800
Speaker 8: He see what James, James, come back, come back.

712
00:37:26,079 --> 00:37:28,320
Speaker 6: I've checked everything for the young teen's time.

713
00:37:28,920 --> 00:37:32,639
Speaker 3: I'm positive he's dead. Imagine.

714
00:37:33,159 --> 00:37:35,039
Speaker 9: I even did that old fashioned trick of holding a

715
00:37:35,119 --> 00:37:36,360
mirror in front of his mouth.

716
00:37:36,199 --> 00:37:37,559
Speaker 6: To see if it would cloud up.

717
00:37:38,000 --> 00:37:41,119
Speaker 4: Well, doctor Hatch will be here soon, Daisy.

718
00:37:41,639 --> 00:37:41,800
Speaker 3: Uh.

719
00:37:42,159 --> 00:37:45,280
Speaker 6: We're not gonna tell him anything, are we, well? Like

720
00:37:45,599 --> 00:37:49,920
like what like uh Mike, all those movements like crying.

721
00:37:50,480 --> 00:37:53,159
Speaker 3: Maybe maybe we just imagined.

722
00:37:52,639 --> 00:37:54,920
Speaker 4: All that, you know, we didn't imagine. If it's not

723
00:37:55,079 --> 00:37:58,400
any of it, I know, but it is the sort

724
00:37:58,440 --> 00:38:00,920
of thing you have to see before you believe it.

725
00:38:01,360 --> 00:38:05,639
Speaker 6: Doctor Hatch didn't see it. He wasn't here morning mowning.

726
00:38:06,440 --> 00:38:07,480
Speaker 14: Try to be late, Crawley.

727
00:38:07,639 --> 00:38:10,639
Speaker 3: And that's all right, doctor Hatch. Uh. Oh, why doctor,

728
00:38:10,800 --> 00:38:11,079
this is?

729
00:38:11,280 --> 00:38:12,119
Speaker 5: Did this is? Daisy?

730
00:38:12,199 --> 00:38:12,320
Speaker 3: Oh?

731
00:38:12,639 --> 00:38:15,840
Speaker 4: Fred said I could stay here. I I saw the accident.

732
00:38:16,119 --> 00:38:18,119
Speaker 6: Oh you're the young lady who answered the phone.

733
00:38:18,360 --> 00:38:18,800
Speaker 5: That's right.

734
00:38:19,000 --> 00:38:21,280
Speaker 3: Oh, don't worry. I wanna set Fred because he'd let

735
00:38:21,360 --> 00:38:23,639
you stay here. Thank you, doctor Hatch. Uh.

736
00:38:23,760 --> 00:38:24,679
Speaker 6: Let's have a look at him.

737
00:38:25,039 --> 00:38:27,960
Speaker 3: Fetch me my step of scrope. Crawley gets her in

738
00:38:28,119 --> 00:38:28,880
my black bag.

739
00:38:29,920 --> 00:38:33,239
Speaker 5: Y he's dead, isn't uh.

740
00:38:33,280 --> 00:38:34,400
Speaker 3: He certainly looks sad to me.

741
00:38:34,880 --> 00:38:38,239
Speaker 6: Oh, say, you know, I damned they didn't make it

742
00:38:38,360 --> 00:38:40,679
this morning. Damn this thing happened?

743
00:38:40,760 --> 00:38:41,599
Speaker 4: Oh what was that?

744
00:38:42,480 --> 00:38:43,480
Speaker 6: Coming out of my house?

745
00:38:43,559 --> 00:38:44,960
Speaker 3: I slipped on some ice.

746
00:38:45,760 --> 00:38:49,360
Speaker 10: Now imagine that I lost my balance completely. I tried

747
00:38:49,400 --> 00:38:53,360
to stop myself every which way, but I couldn't. I thought, great, Scott,

748
00:38:53,880 --> 00:38:56,159
I'm lucky if I wind up with it's nothing worse

749
00:38:56,199 --> 00:39:00,400
than a concussion, and lucky if I don't kill myself.

750
00:39:00,960 --> 00:39:03,079
Speaker 5: Then you know what happened. I swear to you.

751
00:39:03,639 --> 00:39:05,000
Speaker 6: My head was an inch from the.

752
00:39:05,079 --> 00:39:08,599
Speaker 3: Sidewalk when all of a sudden I righted myself.

753
00:39:09,400 --> 00:39:10,119
Speaker 4: How did you do that?

754
00:39:10,760 --> 00:39:10,960
Speaker 3: Down?

755
00:39:11,079 --> 00:39:14,960
Speaker 10: I final I I if I just did, I must

756
00:39:15,039 --> 00:39:18,679
have been a muscle coordination than I thought. I swear

757
00:39:18,719 --> 00:39:21,360
I felt that though somebody had caught hold of me

758
00:39:22,000 --> 00:39:26,039
and put me back on my feet. Well, this one instead,

759
00:39:26,079 --> 00:39:30,360
all right? Been dead for almost an hour, I'd say, yeah,

760
00:39:30,760 --> 00:39:35,079
about an hour. Hey, look at him? What is it,

761
00:39:35,239 --> 00:39:39,840
doctor Hatch. Look at the expression on his face. I

762
00:39:39,960 --> 00:39:44,239
never saw it a dad I looked like that. He's smiling, big,

763
00:39:44,440 --> 00:39:49,079
broad smile. Never saw such a happy looking Courts in

764
00:39:49,199 --> 00:39:52,199
my life, actually smiling.

765
00:40:01,880 --> 00:40:04,400
Speaker 4: Sinvia right here changed.

766
00:40:05,719 --> 00:40:08,199
Speaker 6: It's wonderful to see you, Cynthia.

767
00:40:09,079 --> 00:40:10,039
Speaker 3: After all, it's time.

768
00:40:11,159 --> 00:40:15,440
Speaker 6: It's wonderful that then you, jain, is this where we're

769
00:40:15,480 --> 00:40:16,000
going to live?

770
00:40:17,000 --> 00:40:20,559
Speaker 3: This is where we all live? It's beautiful.

771
00:40:21,320 --> 00:40:22,639
Speaker 4: I knew you'd like it.

772
00:40:24,039 --> 00:40:31,599
Speaker 3: I do like it, Cynthia. I tried, I really did try.

773
00:40:32,199 --> 00:40:33,679
Speaker 5: I know you did change.

774
00:40:34,760 --> 00:40:39,039
Speaker 3: I helped the few people then you did. But I

775
00:40:39,199 --> 00:40:40,519
couldn't do it all alone.

776
00:40:41,320 --> 00:40:43,840
Speaker 6: Nobody passed, Cinthia.

777
00:40:45,679 --> 00:40:52,679
Speaker 16: Imagine a war where no one got killed. Yes, imagine

778
00:40:52,719 --> 00:41:02,360
a world where nobody starved to death. You're smiling, Pallala,

779
00:41:04,199 --> 00:41:05,800
They're all waiting points.

780
00:41:16,960 --> 00:41:21,079
Speaker 1: I was always and took in strains that might create

781
00:41:21,199 --> 00:41:24,519
a soul under the ribs of death, so wrote the

782
00:41:24,599 --> 00:41:26,840
great poet of the seventeenth century.

783
00:41:26,639 --> 00:41:27,320
Speaker 3: John Milton.

784
00:41:28,119 --> 00:41:31,559
Speaker 1: And with the music of the heavenly voices, James Blake

785
00:41:31,719 --> 00:41:35,400
enters the place of everlasting Blitz, having given at least

786
00:41:35,440 --> 00:41:38,480
a portion of himself to his fellow man. If not

787
00:41:38,719 --> 00:41:53,599
in life, then in death. Who knows what happens to

788
00:41:53,760 --> 00:41:58,679
us when life has left us? Certainly not I Why

789
00:41:58,760 --> 00:42:01,639
couldn't it be that the soul lingers for a while,

790
00:42:02,599 --> 00:42:04,840
as long as no one really knows for sure what

791
00:42:05,000 --> 00:42:08,199
the soul does when stripped of its body, why not pretend?

792
00:42:09,199 --> 00:42:13,199
Why not imagine that it leaves the body gracefully and

793
00:42:13,280 --> 00:42:18,039
a little regretfully, pausing to consider what it is losing

794
00:42:18,679 --> 00:42:19,880
before dashing.

795
00:42:19,639 --> 00:42:22,239
Speaker 3: Off to see what it is gaining.

796
00:42:23,039 --> 00:42:27,599
Speaker 1: Our cast included Tony Roberts, Christopher the Bori, Suzanne Grossman,

797
00:42:27,760 --> 00:42:31,679
Brian Rayburn and Dan Acko. The entire production was under

798
00:42:31,719 --> 00:42:38,599
the direction of Hymon Brown and now a preview of

799
00:42:38,719 --> 00:42:39,719
our next tale.

800
00:42:40,159 --> 00:42:42,400
Speaker 5: So let me tell that body to that place.

801
00:42:42,639 --> 00:42:45,000
Speaker 3: Please please, Rachel, don't talk like that.

802
00:42:45,199 --> 00:42:48,800
Speaker 5: I let go bring me.

803
00:42:49,400 --> 00:42:51,760
Speaker 3: Rachel. You're so star you can do anything.

804
00:42:52,559 --> 00:42:56,559
Speaker 4: You can do anything, Rachel, You'll bring me back.

805
00:42:56,920 --> 00:43:00,599
Speaker 3: Rachel. Well, I I I for the people.

806
00:43:02,280 --> 00:43:03,440
Speaker 5: Honey, you are wonderful.

807
00:43:04,719 --> 00:43:07,599
Speaker 4: I know, I know there are things you can do.

808
00:43:08,679 --> 00:43:12,199
Speaker 6: Oh, Barnie, promise, Why.

809
00:43:13,599 --> 00:43:16,679
Speaker 5: I promise, and I'll help.

810
00:43:17,679 --> 00:43:20,639
Speaker 4: I'll try as hard as I can to help it

811
00:43:21,239 --> 00:43:21,880
and to two up.

812
00:43:22,239 --> 00:43:24,119
Speaker 3: We do it together.

813
00:43:24,199 --> 00:43:25,119
Speaker 5: We we can do it.

814
00:43:26,079 --> 00:43:30,079
Speaker 6: We can springle that radio.

815
00:43:30,159 --> 00:43:34,079
Speaker 1: Mystry Theater were sponsored in part by important Dino rose Wyan.

816
00:43:34,960 --> 00:43:36,840
Speaker 3: This is Eg Marshall inviting you to.

817
00:43:36,880 --> 00:43:41,280
Speaker 1: Return to our Mystry Theater for another adventure in the macabre.

818
00:43:42,480 --> 00:43:45,519
Speaker 3: Until next time, Pleasant.

819
00:43:45,880 --> 00:44:08,000
Speaker 14: Dreams the Tree Theater comes to you from.

820
00:44:08,039 --> 00:44:11,280
Speaker 6: CBS Radio and Radio eighty seven WWL.

821
00:44:11,400 --> 00:44:14,159
Speaker 10: Here in New Orleans, our studio is located in the

822
00:44:14,360 --> 00:44:15,800
historic Old French Bars.

823
00:44:16,159 --> 00:44:17,119
Speaker 14: Eight minutes half