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Speaker 1: Welcome to the Great Detectives of Old Time Radio from Boise, Idaho.

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This is your host, Adam Graham. In a moment, we're

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going to bring you this week's episode of Danger with Grainger.

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But first I do want to encourage you. If you're

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enjoying the podcast, please follow us using your favorite podcast software.

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And today's program is brought you a part by the

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financial support of our listeners. You can support the show

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on a one time basis support Dot Great Detectives dot

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net and become one of our ongoing Patreon supporters for

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as a little last two dollars for a month at

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Patreon dot Great Detectives dot net. But now it's time

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for this week's episode. Paula Crane is.

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Speaker 2: Threatened Danger were Greener. Hello, is this Steve Granger.

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Speaker 3: Yes it is I'm calling from Paula.

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Speaker 2: Hell, yeah, I haven't seen you for a long time.

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Speaker 4: I called you invite you up to say hey over

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the weekend. Are you free to come up?

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Speaker 2: Certainly? Am you okay?

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Speaker 4: The six thirty five tree off this afternoon, I mean

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the station.

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Speaker 3: I'll be there, Paula certainly won't be a treat to

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get a nice relaxing weekend let me tell.

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Speaker 2: You what it means.

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Speaker 4: It might not be so relaxing.

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Speaker 5: Granger over here.

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Speaker 2: Oh hi, Falla, wonderful to see you again.

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Speaker 5: Bring your luggage, I got the car.

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Speaker 2: Okay, Hey, you certainly look like a million faller.

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Speaker 5: I can't see I feel that way. That's why I

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got you up here.

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Speaker 2: You mentioned the weekend might not be relaxing. What's the trouble? Beautiful?

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Speaker 5: Twice so far this week, somebody's tried to kill me.

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Speaker 3: It's a Steve Granger, private detective with a story set

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in a luxurious lakeshore country home, a beautiful setting for murder.

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In just a moment, I'll take you back to one

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of my most interesting cases. Paula Crane, who had invited

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me to spend the weekend with him, was a girl

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in her late twenties, strictly the park avenue type, the

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kind the columnists referred to as glamorous in shorts on

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the top. She could cause the average professional swimming suit

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advocate to go back to the old fashioned nitress. And

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this was the girl whom somebody had tried to dispatch

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from this weary world two times. I made a pull

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a car up before we got to her place. Now, Paula,

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let's hear about these two attempts on your life.

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Speaker 5: Well, the first was about a week ago. I got

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up early to take a swim in the lake and

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I was about halfway across to the little island in

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the middle of the lake when I heard a shot

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and there was a splash in the water near me.

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I dived under a state underwater as long as I could,

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then made the island and hid in some bushes till

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I saw my mother and Richard come down to the

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beach on the mainland.

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Speaker 2: It was Richard.

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Speaker 5: Well, when father died, mother remarried a man named Arthur Loomis.

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He had a daughter, Anne, and Richard is Anne's husband,

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my brother in law. They're all up with the cottage

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just now, I scept for my stepfather. He's away on

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a business trip.

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Speaker 2: Well, let's get back to the shooting. What happened after

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you saw your mother and Richard on the beach, I.

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Speaker 5: Waved to them. Richard called out and asked if I

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wanted him to come out and roll me back. I

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said no, and about an hour later I started to

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swim back to shore. That was when the other shot

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was fired.

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Speaker 2: You see, Well, let's get this car started.

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Speaker 3: Seems to me that the sooner i'd take a look

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around fair Haven, the butter.

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Speaker 2: Well, this certainly is a beautiful spot.

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Speaker 5: There's the cottage up ahead.

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Speaker 3: Call it a cottage. Looks like a country club. See

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how many rooms have you got in that hotel?

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Speaker 5: Fifteen?

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Speaker 2: I wonder what the poor people are doing.

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Speaker 5: Well, there's mother coming towards us. Don't say anything, please,

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of course.

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Speaker 6: Well, darling, is this your friend?

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Speaker 5: Yes, mother, I'd like to present Steve Bringe.

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Speaker 2: How do you miss Lomas?

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Speaker 6: Not that at all, Not that at all, mother, Really tall,

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dark attractor, my mind.

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Speaker 5: I'll show you to your room. Then, perhaps you'd like

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to go for a swim before dinner. Well, don't tell

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me you're afraid of the water. Besides, I want your

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opinion on a new breathing suit I have.

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Speaker 3: I'll break out my judge's badge and be with you

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in five minutes.

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Speaker 5: We'll grainge here. I see you're ready for your swim.

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Speaker 2: Yeah, how do you like my suit?

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Speaker 3: You don't go around in public like that, though, Why,

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it's nothing.

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Speaker 2: That's exactly what I mean.

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Speaker 3: After I swim, Paula and I dressed drove into the

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village for dinner.

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Speaker 2: I got back around ten.

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Speaker 5: Thanks for a wonderful evening. Just having you around makes

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me feel secure.

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Speaker 2: Thanks. Paula, lock your door. I watched the girl walk.

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Speaker 3: Into a room, heard the click of the lock. Then

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I turned into my own room, snapped on the light,

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and started untacking my bag. Then I just sat by

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the window and listened to the calm, peaceful night sounds.

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Speaker 2: Why, Paula, I thought you were in bed.

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Speaker 5: Come to my room, please right, be quiet. I don't

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want to awaken anyone.

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Speaker 2: Well, what's wrong.

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Speaker 5: It's my cat? Look over there?

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Speaker 2: Is it dead?

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Speaker 5: She just died very strangely too.

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Speaker 2: Oh.

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Speaker 5: I always have a glass of milk at night. The

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cook puts it in my room. Tonight when I've walked

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in here, Junior, that's the cat was on a night

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stand lapping up the milk. Almost a third of the

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glass was gone.

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Speaker 2: I'd over in a nightstand.

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Speaker 3: Now, yes, first you shot at Now someone puts poison

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in your milk.

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Speaker 5: I told you somebody is trying to kill me.

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Speaker 2: I'll continue in this interesting story in a minute.

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Speaker 3: This was not exactly a putty situation. Paula's cat lying

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stiff on.

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Speaker 2: The floor of a room. I'll tell you a curiosity.

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Speaker 3: Killed the cat, but this one got his by being

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greedy and diving at the milk left for his mistress.

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Paula broke out one of the cars and we drove

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into the village to the drug store. Luckily it was open.

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The druggist, who fancied himself as a chemist, made a

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quick check on what was left of the glass of milk.

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He came back wearing a face as sober as of pallbearers.

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Miss Porter, there's enough er sennek in this glass to

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kill off a whole family.

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Speaker 2: It was a pretty scared girl.

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Speaker 3: And I drove back to the cottage and saw into

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her room, making a careful check of the room. First,

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I warned her to keep her door locked. Then I

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went poison hunting. This was one of the four bathrooms

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the house affected. I went over other medicine chest from

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aspirins to toothpotter, no poison of any kind, and made

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the rarms of remaining three bathrooms.

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Speaker 2: They were as empty of poisonous Old mother Hubbard's covered.

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Speaker 3: Down in the kitchen, I went through all the cabinets,

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from apples to apricots to anchovies.

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Speaker 2: No arsenic through a window.

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Speaker 3: I noticed the garage and went that way. When I

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got there, I moved inside further around for a light

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switch inflicted on. This was a five car job, was

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only slightly smaller than the ours itself. The cars in

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it went from the fifteen undred dollar price to the

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category where one doesn't mention money because it's so distasteful.

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Then I found a garden cabinet on one side of

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the garage on a shelf. I saw it sitting between

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a garden spray and a hand trowel. It was insect

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potter and contained arsenake. I started back to the house.

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Speaker 7: All right, you gave your hands.

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Speaker 2: Now what walk ahead of me?

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Speaker 7: Up at the house?

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Speaker 2: One moment? Who are you? You don't walk off? Shoot you,

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Paula Crane's brother in law.

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Speaker 3: Just walk at all, because if you are, I might

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mention that I'm a new house guest.

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Speaker 2: Steve Granger.

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Speaker 7: If you're a house guest, you're doing sneaking around the garage.

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What were you going to do with that packet of

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bug poison or.

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Speaker 3: Some ants in my room? I figured there'd be some

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insect poison around. I found it back there. It's on

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my way to the house.

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Speaker 2: I'm supposed to believe that. I see no reason why not.

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Let's wake up Paula. She'll identify me.

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Speaker 4: Well.

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Speaker 3: I looked very surprised to see me at the receiving

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end of a gun, but recovered enough to introduce her

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brother in law, formerly as Richard Terrace. We wait until

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she closed and locked her door, and then Terrace and

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I went downstairs for a nightcap.

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Speaker 2: You are grang yup. Thanks, I'm sorry I acted the

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way I did. Forget it, will you?

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Speaker 7: You see, I've been perturred recently. I'm a very light sleeper,

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and I've been prowled around.

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Speaker 2: Have you seen any of them? No? How long has

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this been going on? For? About a week?

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Speaker 7: Well, I'm going to bed, how about you?

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Speaker 2: Yeah? Me too.

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Speaker 7: Oh I'm going to give you a hand with that

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bug poison.

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Speaker 3: No, no, thanks, Sure, I can take care of that madam myself.

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My night's sleep was a restless one. After the rumble

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of Manhattan twenty four hours a day, the night sounds

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up here sounded terrifying as a jungle. In the morning,

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I took a sample of the insect power and the

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glass that held the poisoned milk. Went down to the

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village had them wrapped and addressed to a certain place

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in Manhattan. Then I got to a telephone. I made

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a call him, my newspaper friend, Carol Hendrix.

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Speaker 2: Rick, Hi, and those.

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Speaker 4: Sound eeezie boy, what the heck are you doing in

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fair Haven?

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Speaker 2: Kind of out of your class, isn't it? Yeah?

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Speaker 3: You think only you guys ever get up amongst the

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big stuff. Huh Say listen, cal I want you to

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do me a little favor. Okay, sure, anytime, Steve, you

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know that, send me down a little parcel addressed to you.

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Speaker 2: I want you to take it down to the lab.

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Do I sniff a little.

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Speaker 4: Bit of funny business going on among those million dollar baby.

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Speaker 2: You might got a long enough nose.

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Speaker 4: What golfer cap brother Hendrick wants.

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Speaker 2: The story, You'll get it if there is one.

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Speaker 6: It's a deal.

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Speaker 3: I put the package containing the poison glass and the

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insect powder on the next mail train, then went back

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to Paula Crane's cottage. A mother informed me that she'd

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gone to a girlfriends for the day.

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Speaker 2: This was evening.

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Speaker 3: Mother, Richard Terrace, his wife Ann, and I were sitting

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on a wide porch.

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Speaker 6: You've seen preoccupied, mister Granger for me.

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Speaker 2: Oh, I was just just dreaming. I guess.

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Speaker 6: I'm glad you came up to visit Cala. She's been

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rather unhappy lately. If I didn't know her so well,

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I think she was as rough. She certainly displays all

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the systems.

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Speaker 2: Wonder where she disappeared to when she came home. She

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went right up to her room.

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Speaker 6: Mister Granger, if you want to play Romeo, you'll find

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her down at the lake.

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Speaker 3: Shore her thanks, and I can take her head to

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Wait Granger, I'll go along.

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Speaker 2: How about you, Anne?

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Speaker 6: No, thanks, I'll stay here.

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Speaker 5: I'm beginning to catch a cold.

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Speaker 2: Take care.

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Speaker 7: You've known Paula for some time?

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Speaker 2: Yeah? Yeah, I met her in New York some years back.

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I feel sorry for her. She hasn't been the same

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since her father died. Oh, there she is Paula Cara Company.

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Speaker 4: I love it.

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Speaker 5: Come over and sit down, you through, especially you Grangers?

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00:12:58,679 --> 00:12:59,759
Speaker 2: Well thanks?

243
00:13:00,679 --> 00:13:01,639
Speaker 5: How do you like it out here?

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Speaker 2: Love it? Love?

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Speaker 3: It brings out the Daniel Boone and me. All I

246
00:13:05,240 --> 00:13:07,279
need is a canoe, my rifle and three Indians.

247
00:13:07,679 --> 00:13:10,159
Speaker 5: We have everything but the Indians. Oh do you have

248
00:13:10,200 --> 00:13:10,600
a match?

249
00:13:11,840 --> 00:13:15,120
Speaker 7: Sorry, I'm fresh at I'm not too, Will you mind Granger?

250
00:13:15,440 --> 00:13:16,799
There is some in the living room at the house.

251
00:13:21,320 --> 00:13:23,080
Speaker 2: Moving back to the house, something struck me.

252
00:13:23,679 --> 00:13:26,039
Speaker 3: I thought I remembered seeing Richard Terrace pick up a

253
00:13:26,039 --> 00:13:29,600
pack of matches just before we walk down, the meat fallowing.

254
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As I neared the house, I could hear the voices

255
00:13:33,120 --> 00:13:34,399
of missus Loomis and Anne.

256
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Speaker 2: I stopped.

257
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Speaker 8: I'm telling you for the last time, I'm not trying

258
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to put.

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00:13:38,639 --> 00:13:39,440
Speaker 5: Up with it any longer.

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00:13:39,600 --> 00:13:41,480
Speaker 6: Three and I won't listened to another word.

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00:13:41,559 --> 00:13:42,240
Speaker 5: Yes you will.

262
00:13:42,799 --> 00:13:44,679
Speaker 8: I thought it might stop when she brought Steve Granger

263
00:13:44,799 --> 00:13:45,080
up here.

264
00:13:45,320 --> 00:13:46,759
Speaker 5: She Kevin knows he's good looking in.

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Speaker 6: Her for the last time, I don't want to hear anymore.

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Speaker 5: Otherwise, don't you face it. She's been trying to cause

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trouble between Richard and me ever.

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00:13:53,519 --> 00:13:54,360
Speaker 6: Since we were married.

269
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Speaker 5: Did she hates me?

270
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Speaker 6: And if you wish to continue this ridiculous conversation, that

271
00:14:00,200 --> 00:14:03,080
looked one thing. Paula is in love with Richard. She's

272
00:14:03,200 --> 00:14:05,799
always been in love with Richard before you two were married.

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00:14:06,399 --> 00:14:09,840
And I might add this, You married Richard while Paula

274
00:14:09,919 --> 00:14:10,840
was abroad on a trip.

275
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Speaker 8: Are you intimating that I tel Ritchard away from her?

276
00:14:13,320 --> 00:14:17,320
And it certainly looked like it very well I did,

277
00:14:18,080 --> 00:14:20,000
and I'm going to keep Richard even if something happens

278
00:14:20,000 --> 00:14:22,320
to Paula, and I sincerely.

279
00:14:21,840 --> 00:14:22,480
Speaker 5: Hope it does.

280
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Speaker 3: Sometimes you can be just plain lucky, like this time,

281
00:14:28,559 --> 00:14:30,720
overhearing a bit of a conversation that throws a sudden

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00:14:30,720 --> 00:14:34,240
revealing light on things. Because if ever I heard cold

283
00:14:34,279 --> 00:14:36,399
hatred in the girl's voice, I heard it. Then in

284
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Anne's just a minute, I'll bring you the climax of

285
00:14:39,720 --> 00:14:51,639
the case. Things seem to be clearing up a little bit.

286
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The talk I overheard between Anne and Missus Lunath seemed

287
00:14:54,759 --> 00:14:57,399
to provide the motive for the attempts on Paula Crane's

288
00:14:57,440 --> 00:15:00,799
life was a lucky thing that Richard Terras had sent

289
00:15:00,840 --> 00:15:04,039
me back for some matches. I sneaked into the house,

290
00:15:04,600 --> 00:15:07,159
came up with some matches, and moved back towards the

291
00:15:07,200 --> 00:15:08,399
lake without being seen.

292
00:15:09,679 --> 00:15:11,399
Speaker 2: There was a rustling noise behind me.

293
00:15:11,759 --> 00:15:13,960
Speaker 3: I crept into the shadows as quiet as a bird

294
00:15:14,000 --> 00:15:15,200
dog flushing at quail.

295
00:15:16,480 --> 00:15:19,200
Speaker 2: It was Anne Terrace, a slim little.

296
00:15:18,960 --> 00:15:21,159
Speaker 3: Shadow, who slipped behind a convenient tree to do a

297
00:15:21,159 --> 00:15:22,120
little eavesdropping.

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00:15:23,200 --> 00:15:25,039
Speaker 2: I decided to do the same thing.

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Speaker 5: Richard, we simply can't go on this way. I can't

300
00:15:27,759 --> 00:15:28,200
stand it.

301
00:15:28,240 --> 00:15:30,480
Speaker 7: Palla, you're acting very foolishly about this whole thing.

302
00:15:30,600 --> 00:15:32,360
Speaker 5: In the morning, you're going to ask for a divorce.

303
00:15:32,480 --> 00:15:34,799
Speaker 7: I told you twenty times I don't want a divorce.

304
00:15:34,840 --> 00:15:36,320
I'm not going to get a divorce. And I want

305
00:15:36,320 --> 00:15:37,639
you to let me alone think it.

306
00:15:37,559 --> 00:15:39,200
Speaker 5: Over the knife and meet me on the island at

307
00:15:39,200 --> 00:15:41,960
seven o'clock in the morning. And Richard, yes, you have

308
00:15:42,080 --> 00:15:44,559
your choice, be there or be sorry.

309
00:15:47,360 --> 00:15:49,799
Speaker 3: I watched Anne Terras, who had taken in every word,

310
00:15:49,879 --> 00:15:53,879
slop past without noticing me. I hung around a bit longer,

311
00:15:54,320 --> 00:15:57,559
gave Paula Crane and Richard Terras a head started, and

312
00:15:57,679 --> 00:16:01,759
moved back to the house myself. In my room, I

313
00:16:01,799 --> 00:16:04,879
suddenly felt a first as I helped myself from a

314
00:16:04,879 --> 00:16:07,360
water pitcher on the night stand. I thought about the

315
00:16:07,399 --> 00:16:10,720
triangle that existed in this house, a thoroughly unpleasant one

316
00:16:11,320 --> 00:16:15,960
involving a married couple of the stepsister. This would be

317
00:16:16,039 --> 00:16:21,519
a good time to see Paula Crane. I started to

318
00:16:21,559 --> 00:16:23,879
get up and never made it. I looked at the moon,

319
00:16:24,240 --> 00:16:26,320
which must have gone Pixie because it was moving in

320
00:16:26,360 --> 00:16:29,840
a slow, tight circle. I shook my head from this time,

321
00:16:29,879 --> 00:16:31,799
the lonely lunar eye was doing a figure eight.

322
00:16:32,840 --> 00:16:34,240
Speaker 2: I tried to get up once more.

323
00:16:34,039 --> 00:16:46,960
Speaker 9: But uh, yeah, yeah, what is it?

324
00:16:46,960 --> 00:16:48,159
Speaker 5: It's me, mister Granger.

325
00:16:48,639 --> 00:16:50,159
Speaker 6: Aren't you coming down to breakfast?

326
00:16:51,679 --> 00:16:58,039
Speaker 2: Oh yeah, yeah, missus Louis in the morning, of course, right,

327
00:16:58,320 --> 00:17:02,799
I'll be right down. I got up.

328
00:17:02,960 --> 00:17:04,559
Speaker 3: My mouth felt like it had been rinsed with a

329
00:17:04,599 --> 00:17:06,839
blows water from a hundred year old schooner, and I

330
00:17:06,920 --> 00:17:09,000
realized I'd been mickeyed with a capital thin.

331
00:17:09,759 --> 00:17:11,599
Speaker 2: But I made it to the breakfast room.

332
00:17:11,920 --> 00:17:14,559
Speaker 6: Sit down, mister Granger. Have some coffee.

333
00:17:14,920 --> 00:17:17,759
Speaker 2: Thanks morning, Richard. Morning.

334
00:17:18,759 --> 00:17:20,839
Speaker 6: Do you feel bad this morning, mister Granger?

335
00:17:21,079 --> 00:17:24,279
Speaker 2: Oh I feel wonderful. It's wonderful.

336
00:17:24,759 --> 00:17:25,799
Speaker 5: We use that hand, Richard.

337
00:17:25,880 --> 00:17:27,359
Speaker 7: I don't know she's gone up somewhere.

338
00:17:27,920 --> 00:17:28,319
Speaker 5: Morning.

339
00:17:28,359 --> 00:17:32,640
Speaker 6: Everybody, now, darling, don't tell me that you feel bad,

340
00:17:32,720 --> 00:17:34,039
too awful.

341
00:17:34,240 --> 00:17:35,480
Speaker 5: Just like I've been drugged.

342
00:17:36,480 --> 00:17:38,680
Speaker 2: Did you say drugged, Paula? I did?

343
00:17:38,880 --> 00:17:41,599
Speaker 5: And I want some air. Stranger hop out going for

344
00:17:41,640 --> 00:17:42,920
a canoe ride the exercise?

345
00:17:42,960 --> 00:17:45,400
Speaker 3: Are doing you good, young woman? If I wiggled my eyebrows,

346
00:17:45,480 --> 00:17:46,519
my head had fall off.

347
00:17:46,599 --> 00:17:56,839
Speaker 5: Come on, you need sunshine, Granger. Somebody jiped us all

348
00:17:56,960 --> 00:17:58,279
last night, didn't I?

349
00:17:58,359 --> 00:18:00,119
Speaker 2: They did? If we all drink water.

350
00:18:00,119 --> 00:18:03,519
Speaker 5: We all apparently did. There's a fresh picture of water

351
00:18:03,559 --> 00:18:04,680
placed in each realm nightly.

352
00:18:05,920 --> 00:18:07,839
Speaker 2: First your cat gets it with the milk.

353
00:18:08,039 --> 00:18:10,559
Speaker 5: First I was shot at correct.

354
00:18:10,480 --> 00:18:12,880
Speaker 2: Then the cat Anonymus had drugged.

355
00:18:13,119 --> 00:18:15,160
Speaker 5: Why you're at the detective you tell me?

356
00:18:16,440 --> 00:18:17,880
Speaker 2: I think it might be Anne.

357
00:18:18,799 --> 00:18:19,640
Speaker 6: Why do you see that?

358
00:18:19,880 --> 00:18:22,359
Speaker 2: Let's come out into the open fall. You got a

359
00:18:22,400 --> 00:18:23,359
stepsister who hates you.

360
00:18:23,519 --> 00:18:24,920
Speaker 5: Whatever gave you that idea?

361
00:18:25,039 --> 00:18:27,519
Speaker 3: Two conversations I overheard one between Anne and your mother,

362
00:18:27,640 --> 00:18:30,000
the second between you and Richard Terrace. You overheard that

363
00:18:30,160 --> 00:18:32,599
little lady you're asking for trouble and heard it too.

364
00:18:32,759 --> 00:18:35,160
Speaker 5: I'm glad I hate her. Richard and I were going

365
00:18:35,160 --> 00:18:36,359
to be mad when she moved in.

366
00:18:36,480 --> 00:18:39,799
Speaker 2: It's the same. Are in the wrong and you know it. Say,

367
00:18:41,440 --> 00:18:43,160
doesn't somebody live on the little island?

368
00:18:43,319 --> 00:18:45,279
Speaker 5: No, why you got a.

369
00:18:45,200 --> 00:18:46,799
Speaker 2: Picture of the doll and the white bathing suit.

370
00:18:47,200 --> 00:18:49,720
Speaker 5: That must be Anne. She probably left the house early

371
00:18:49,720 --> 00:18:50,559
and swam over here.

372
00:18:50,640 --> 00:18:52,240
Speaker 2: Let's turn around and go back.

373
00:18:52,319 --> 00:18:55,000
Speaker 5: No, I've got something to say to Lanne, and it

374
00:18:55,119 --> 00:18:56,160
might as well be now.

375
00:19:00,480 --> 00:19:06,839
Speaker 2: And mind if we come over it must be sleeping.

376
00:19:07,279 --> 00:19:16,759
Speaker 5: Come on, Stranger, that spot in a white suit? Is

377
00:19:16,799 --> 00:19:17,799
she dead?

378
00:19:19,400 --> 00:19:24,039
Speaker 2: She is shut right through the hearty? Oh what doll?

379
00:19:24,039 --> 00:19:27,960
We do notify the police and tell Richard.

380
00:19:27,880 --> 00:19:30,599
Speaker 5: Stranger what that's my bathing suit?

381
00:19:30,680 --> 00:19:31,640
Speaker 2: She's wearing yours?

382
00:19:31,799 --> 00:19:34,400
Speaker 5: Yes, don't you see? Somebody thought it.

383
00:19:34,359 --> 00:19:35,000
Speaker 2: Was me and.

384
00:19:37,000 --> 00:19:38,880
Speaker 3: Paula Crane and I am headed back to the mainland

385
00:19:38,880 --> 00:19:42,039
in an ira asure. We notified the sheriff first, then

386
00:19:42,119 --> 00:19:45,680
Richard Terrace. He insisted on going back out to the

387
00:19:45,720 --> 00:19:46,839
island with us immediately.

388
00:19:49,079 --> 00:19:55,119
Speaker 5: Richard, I don't know what to say. And oh Anne, Richard, please,

389
00:19:55,319 --> 00:19:56,240
Paul I asked her to.

390
00:19:56,200 --> 00:19:56,720
Speaker 2: Let me alone.

391
00:19:57,440 --> 00:19:59,119
Speaker 7: If it hadn't mean for you, Ann would probably still

392
00:19:59,160 --> 00:20:01,680
be alive. Richn She was wearing your suit, wasn't she?

393
00:20:02,160 --> 00:20:04,599
Whoever killed with you Richard dull And I wish it

394
00:20:04,640 --> 00:20:07,400
had been you. You hated her ever since Anne and

395
00:20:07,440 --> 00:20:09,160
I got married. I'll say it easy, Richard William. And

396
00:20:09,200 --> 00:20:10,799
when the sheriff gets here, I'll have something to say

397
00:20:10,839 --> 00:20:12,640
to him too. Now get away, both of you.

398
00:20:13,599 --> 00:20:14,640
Speaker 2: I want to be alone with Ann.

399
00:20:15,000 --> 00:20:16,759
Speaker 5: But Richard, how will you get there?

400
00:20:16,839 --> 00:20:21,359
Speaker 2: Let me alone? Paula Ranger.

401
00:20:21,440 --> 00:20:25,039
Speaker 5: You've got to find out who shot and killed poor Anne.

402
00:20:25,279 --> 00:20:29,559
Speaker 3: I intend to, and first I'm going to talk to

403
00:20:29,599 --> 00:20:35,720
your mother. But before I had my talk with Missus Loomis,

404
00:20:36,640 --> 00:20:39,960
there was something I had to do first. This was

405
00:20:40,039 --> 00:20:43,880
my own room. The water picture was empty. There was

406
00:20:44,039 --> 00:20:47,119
just enough moisture left for one taste. That taste had

407
00:20:47,240 --> 00:20:49,519
enough dope inant to knock a Republican right out of

408
00:20:49,559 --> 00:20:51,720
his party.

409
00:20:52,319 --> 00:20:53,519
Speaker 2: The other rooms were the same.

410
00:20:53,880 --> 00:20:57,160
Speaker 3: The pictures were empty, but contained enough moisture to give

411
00:20:57,200 --> 00:21:03,039
me what I wanted. The last room was Missus Loomis's frommember,

412
00:21:03,079 --> 00:21:04,599
the dar came the odor of smoke.

413
00:21:05,839 --> 00:21:09,000
Speaker 2: I wasted no more time, mister.

414
00:21:08,680 --> 00:21:12,119
Speaker 6: Cranger, don't care you come into my room without knocking.

415
00:21:12,240 --> 00:21:14,519
Speaker 2: Why are you doing at fire, Missus Lomis?

416
00:21:14,559 --> 00:21:14,880
Speaker 6: Nothing?

417
00:21:15,200 --> 00:21:17,599
Speaker 2: I think I better take a look at that, Missus Lonelis,

418
00:21:18,920 --> 00:21:22,079
how dare you wow? What have we here? A red

419
00:21:22,160 --> 00:21:22,960
bathing suit?

420
00:21:23,079 --> 00:21:26,200
Speaker 3: Mister missus Loomis, did you know that Anne was shot

421
00:21:26,319 --> 00:21:27,480
and killed this morning?

422
00:21:28,039 --> 00:21:29,400
Speaker 5: Anne shot?

423
00:21:29,920 --> 00:21:30,160
Speaker 2: Yes?

424
00:21:31,880 --> 00:21:34,440
Speaker 3: Here you all set to toss a red bathing suit

425
00:21:34,480 --> 00:21:39,000
into the fireplace was not much. One of people up

426
00:21:39,000 --> 00:21:41,839
here always start up fireplaces during the hottest month of

427
00:21:41,880 --> 00:21:42,200
the year.

428
00:21:42,279 --> 00:21:44,039
Speaker 6: This is my home and if I want a fire

429
00:21:44,119 --> 00:21:45,000
I shot one.

430
00:21:45,000 --> 00:21:46,279
Speaker 2: To burn up bathing suits.

431
00:21:47,039 --> 00:21:49,359
Speaker 6: Get out of here, mister Grainger. You know that a

432
00:21:49,440 --> 00:21:49,920
truth like.

433
00:21:49,880 --> 00:21:53,359
Speaker 3: This, Missus Loomis. And I'm very excited about Anne's murder.

434
00:21:54,440 --> 00:21:56,880
You're more interested in this red bathing suit? Is it

435
00:21:56,880 --> 00:21:57,880
because you shot.

436
00:21:57,680 --> 00:21:58,359
Speaker 2: And killed her?

437
00:21:58,920 --> 00:21:59,799
Speaker 6: Suppose I did?

438
00:22:00,759 --> 00:22:01,400
Speaker 2: Why would you?

439
00:22:01,920 --> 00:22:02,599
Speaker 6: Because she was.

440
00:22:02,599 --> 00:22:06,279
Speaker 7: Ruining my daughter's life, my real daughter, Paula, my remaining

441
00:22:06,319 --> 00:22:07,240
married to Richard Terracey.

442
00:22:07,319 --> 00:22:09,319
Speaker 5: Yes, that's why I killed her.

443
00:22:09,359 --> 00:22:11,839
Speaker 3: And you were burning the bathing suit because you didn't

444
00:22:11,839 --> 00:22:14,400
want anybody to know you'd been swimming early this morning.

445
00:22:14,480 --> 00:22:18,920
Speaker 5: Right, that's right. Mother, The sherif is down. What are

446
00:22:18,920 --> 00:22:20,200
you doing with that bathing suit?

447
00:22:20,319 --> 00:22:22,799
Speaker 2: Paula? Whose suit? Is this?

448
00:22:23,000 --> 00:22:28,079
Speaker 5: Why it belonged to Anne? What's going on here?

449
00:22:28,400 --> 00:22:33,039
Speaker 3: Your mother has just confessed to Anne's murder. What she

450
00:22:33,160 --> 00:22:36,200
was just going to burn this suit? That suit might

451
00:22:36,200 --> 00:22:38,720
have proved that she swam to the island this morning.

452
00:22:38,839 --> 00:22:41,759
Speaker 5: Oh Granger, really look at the size of that suit.

453
00:22:42,039 --> 00:22:44,079
Mother couldn't get into it if she lost forty pound.

454
00:22:44,119 --> 00:22:46,400
Speaker 3: I want to make a little check, Missus Loomis. Turn around, right,

455
00:22:46,759 --> 00:22:50,319
turn around, let's see what are you doing? Just checking

456
00:22:50,359 --> 00:22:52,599
the back of your head, Missus Lolis to see if

457
00:22:52,640 --> 00:22:54,160
your hair is wet.

458
00:22:54,680 --> 00:22:58,359
Speaker 2: That's not so. You couldn't have swum over to the island.

459
00:22:58,200 --> 00:23:00,200
Speaker 5: Of course not, Paula.

460
00:23:00,480 --> 00:23:02,119
Speaker 2: I'd like to see if your hair is wet.

461
00:23:02,240 --> 00:23:02,880
Speaker 5: Keep away from me.

462
00:23:03,880 --> 00:23:06,720
Speaker 3: You tipped yourself when you mentioned that your mother couldn't

463
00:23:06,720 --> 00:23:09,119
get into that suit but you could.

464
00:23:09,359 --> 00:23:10,640
Speaker 5: Wet hair doesn't prove a thing.

465
00:23:10,720 --> 00:23:13,279
Speaker 3: Other things do, though, Like the pictures that held the water,

466
00:23:13,960 --> 00:23:16,200
one had been emptied, some had remains of dope, and

467
00:23:16,240 --> 00:23:19,039
some didn't. Hands didn't for one yours for another.

468
00:23:19,079 --> 00:23:21,119
Speaker 5: Are you saying that eyeshot at Maybe.

469
00:23:20,880 --> 00:23:23,599
Speaker 3: I'd like to bet that you deliberately let and hear

470
00:23:23,640 --> 00:23:26,359
your talk with Richard Terrace last night. You know she'd

471
00:23:26,400 --> 00:23:27,920
be on an island if it killed her.

472
00:23:27,759 --> 00:23:28,279
Speaker 2: And a dip.

473
00:23:28,400 --> 00:23:29,200
Speaker 5: You're insane.

474
00:23:29,359 --> 00:23:31,880
Speaker 3: You probably stole a suit, forcing her to wear yours.

475
00:23:32,119 --> 00:23:34,559
You swam after in the red suit. You killed her,

476
00:23:34,880 --> 00:23:37,160
and your mother saw you do it. That's why she

477
00:23:37,200 --> 00:23:38,160
wanted to take the blade to.

478
00:23:38,079 --> 00:23:39,079
Speaker 5: Protect your mister Granger.

479
00:23:39,119 --> 00:23:40,200
Speaker 6: Please don't say anymore.

480
00:23:40,240 --> 00:23:42,920
Speaker 3: I was a front man for you, Paula. When Anne died,

481
00:23:42,960 --> 00:23:45,359
it looked like the bullet was intended for you. You

482
00:23:45,400 --> 00:23:48,279
would probably try to pin it on Richard, and I

483
00:23:48,319 --> 00:23:49,920
would make a beautiful alibi for you.

484
00:23:50,160 --> 00:23:52,000
Speaker 5: All right, I killed her.

485
00:23:52,160 --> 00:23:53,000
Speaker 2: Let's put that gun down.

486
00:23:53,119 --> 00:23:55,960
Speaker 3: That's another mistake you made. You should have dropped the

487
00:23:55,960 --> 00:23:56,720
gun into the lake.

488
00:23:57,279 --> 00:23:59,119
Speaker 5: I think you and Eye Grange. You will leave by

489
00:23:59,160 --> 00:24:02,119
the back way. You know too much for your own good.

490
00:24:01,559 --> 00:24:03,279
He did mother get out of the way.

491
00:24:09,680 --> 00:24:12,200
Speaker 3: Well, friends, that's a story. I'll be back to wrap

492
00:24:12,279 --> 00:24:24,880
up the case in just a minute. Paula Crane fired

493
00:24:25,000 --> 00:24:27,440
just too late because I had her on and the

494
00:24:27,480 --> 00:24:30,640
shot went over the ceiling. The sheriff rushed upstairs when

495
00:24:30,680 --> 00:24:33,039
he heard the story, took it to the local jail.

496
00:24:34,279 --> 00:24:36,200
Some weeks later, Richard Terris and I were in my

497
00:24:36,279 --> 00:24:37,480
office waiting for something.

498
00:24:37,880 --> 00:24:39,240
Speaker 7: You should have told me that night that you were

499
00:24:39,240 --> 00:24:40,240
a private detective.

500
00:24:40,480 --> 00:24:42,599
Speaker 2: Oh I couldn't. I was working for Paula.

501
00:24:42,960 --> 00:24:46,640
Speaker 3: I was a ralibi story of the shots poisoning the cats.

502
00:24:46,680 --> 00:24:47,880
He set it up pretty nice.

503
00:24:48,039 --> 00:24:50,279
Speaker 7: The chemist to whom Karl Hendrick took the glass in

504
00:24:50,319 --> 00:24:53,039
the insect pot of his testimony was damaging too.

505
00:24:53,640 --> 00:24:56,319
Speaker 2: This is it. I will know what happened.

506
00:24:57,720 --> 00:25:08,799
Speaker 3: Hello, I see thanks. Jerry found of guilty, life imprisonment.

507
00:25:09,240 --> 00:25:12,400
That's not fair. She should have been executed. A rich

508
00:25:13,680 --> 00:25:17,640
all A love freedom more than anything. Life imprisonment is

509
00:25:17,680 --> 00:25:27,079
the worst sentence she could get. Again, you just heard

510
00:25:27,119 --> 00:25:29,680
one of the most interesting cases in my files.

511
00:25:30,359 --> 00:25:34,000
Speaker 2: I have another one for him, so be around next time.

512
00:25:42,000 --> 00:25:46,880
Speaker 1: Welcome back. Well, a good episode, Loss of Suspects, Little Clothes,

513
00:25:47,039 --> 00:25:51,240
summer ad Herrings, and a good reveal at the end.

514
00:25:51,519 --> 00:25:57,160
I like the idea of Granger being really bothered by

515
00:25:57,200 --> 00:26:00,759
the sounds of the countryside as someone who lives in

516
00:26:00,839 --> 00:26:04,440
New York City. Now I've heard it stood out to

517
00:26:04,519 --> 00:26:09,480
me people complaining about very, very large cities like New

518
00:26:09,559 --> 00:26:13,680
York and Los Angeles and the constant noise there, But

519
00:26:13,839 --> 00:26:16,880
it never occurred to me in the reverse that this

520
00:26:16,920 --> 00:26:20,519
would be a bother to people who live in the city.

521
00:26:20,599 --> 00:26:25,640
But it does make sense. I also appreciated the conclusion

522
00:26:26,039 --> 00:26:32,559
and grangers realization that life in prison was actually the

523
00:26:32,599 --> 00:26:37,079
punishment that Paula would hate most, and his ability to

524
00:26:37,160 --> 00:26:40,359
see that does speak to who is as a character. Well,

525
00:26:40,400 --> 00:26:43,839
now let's turn to some listener comments and feedback, and

526
00:26:43,920 --> 00:26:50,440
we start out on Spotify with some comments regarding the

527
00:26:50,519 --> 00:26:58,000
episode The Triangle affair, Dino flags something I miss Barrister. Oops, Yeah,

528
00:26:58,200 --> 00:27:03,440
that would not be in appropriate term for New York

529
00:27:03,599 --> 00:27:07,200
based audio drama. And I mean, they are trying to

530
00:27:07,240 --> 00:27:11,079
make this as New York as possible, but there are

531
00:27:11,359 --> 00:27:14,519
so many you know, there's these little slips that will

532
00:27:14,559 --> 00:27:18,480
stand out, like even the way they say garage, well

533
00:27:18,599 --> 00:27:21,240
they don't say garage, which I guess is part of

534
00:27:21,279 --> 00:27:26,079
the problem that makes it sound so odd to American ears.

535
00:27:26,519 --> 00:27:30,839
Harrison writes, this might be me imagining things, but Granger

536
00:27:31,000 --> 00:27:35,920
seemed harsher in his reportee with everyone. I don't know

537
00:27:35,960 --> 00:27:40,920
if that's a reference to that particular episode or overall.

538
00:27:41,119 --> 00:27:45,200
I guess I have listened to some detectives that can

539
00:27:45,240 --> 00:27:48,880
be really, really harsh. I mean, when I think about it,

540
00:27:48,960 --> 00:27:54,640
the guys who can just be like totally in your

541
00:27:54,839 --> 00:28:01,160
face rude, like most of the times characters like lou

542
00:28:01,359 --> 00:28:07,799
Dana or Mockhammer or Larry Kent. Steve Granger is not

543
00:28:08,119 --> 00:28:13,440
in that league. I do think Granger does have It's

544
00:28:13,519 --> 00:28:16,759
not like the world's strictest code, but he does have

545
00:28:16,839 --> 00:28:23,400
a very solid moral code and rules by that he

546
00:28:23,519 --> 00:28:29,799
plays by and he does not like people who cross

547
00:28:29,920 --> 00:28:32,759
that boundary, which we kind of saw on this episode

548
00:28:33,160 --> 00:28:38,519
as even before he suspected Paula was a murderer. He

549
00:28:38,680 --> 00:28:43,839
called her on the carpet about her immorality, So he

550
00:28:44,079 --> 00:28:49,480
can really have a strong reaction to people that he

551
00:28:49,680 --> 00:28:54,920
finds to be distasteful. But again, he is not anywhere

552
00:28:54,960 --> 00:28:59,839
near the most severe, and having been exposed to the

553
00:29:00,359 --> 00:29:06,559
more severe, was I just kind of I guess I'm unfazed, Hi,

554
00:29:06,759 --> 00:29:12,119
Steve Granger. Then we have a comment from the Matte's

555
00:29:12,279 --> 00:29:15,480
falcon over on the site called X be me listen

556
00:29:15,480 --> 00:29:18,759
to Adam Graham's wrap up of this one. First, be

557
00:29:18,880 --> 00:29:22,480
intrigued by the talk of patients versus salider and what

558
00:29:22,680 --> 00:29:25,240
is the green lantern doing in this tied to a

559
00:29:25,279 --> 00:29:28,799
convict victim? Roll it back and be delighted as the

560
00:29:28,839 --> 00:29:32,000
pieces come together in this table. You found a new

561
00:29:32,039 --> 00:29:35,119
way to listen. Anyone else who tries to let me

562
00:29:35,200 --> 00:29:38,359
know how that works for you. And then we have

563
00:29:38,480 --> 00:29:44,559
some comments on our listeners survey on Blueberry po Riots

564
00:29:44,680 --> 00:29:50,279
love the Great Detective Shows. Tim Rit's been listening many

565
00:29:50,359 --> 00:29:55,119
years since the beginning beginning Adam's amazing consistency is remarkable.

566
00:29:55,720 --> 00:30:01,759
Maybe for a treat play looks Champagne for Caesar, Well,

567
00:30:01,839 --> 00:30:05,039
I would not be close to the idea of doing that.

568
00:30:06,119 --> 00:30:10,880
It is the type of thing where I would need

569
00:30:11,119 --> 00:30:16,039
either some chief of detectives Patreon to request it or

570
00:30:16,079 --> 00:30:19,119
for it to work out as something that would fit

571
00:30:19,279 --> 00:30:24,319
in an amazing world of radio series. But I'll keep

572
00:30:24,359 --> 00:30:27,559
that suggestion in mind. Thanks so much. Well, now it's

573
00:30:27,680 --> 00:30:31,039
time to thank our Patreon supporter of the day. Thank

574
00:30:31,119 --> 00:30:35,519
you to Kelly, Patreon supporter since February of twenty twenty,

575
00:30:35,759 --> 00:30:40,599
currently supporting the podcast at the Shawmus level of four

576
00:30:40,640 --> 00:30:43,400
dollars or more per month. Thanks so much for your support, Kelly.

577
00:30:43,480 --> 00:30:46,480
That will do it for today. If you're enjoying the podcast,

578
00:30:46,519 --> 00:30:50,839
please follow us using your favorite podcast software and be

579
00:30:50,960 --> 00:30:53,599
sure to rate and review the podcast wherever you download

580
00:30:53,640 --> 00:30:56,519
it from. We will be back next Monday with another

581
00:30:56,559 --> 00:30:59,240
episode of Danger with Granger, but join us back here

582
00:30:59,279 --> 00:31:01,519
tomorrow for the Big Story.

583
00:31:01,160 --> 00:31:10,640
Speaker 2: Where Frankie, Frankie, where are you? Never listen? Never round

584
00:31:10,680 --> 00:31:19,279
when I want them? Frankie shit again. Someday he'll do

585
00:31:19,359 --> 00:31:20,519
something terrible. I know.

586
00:31:22,599 --> 00:31:23,079
Speaker 5: Get out.

587
00:31:23,519 --> 00:31:25,039
Speaker 2: Didn't you hear me? Call you?

588
00:31:25,079 --> 00:31:25,680
Speaker 4: Get out of here?

589
00:31:25,799 --> 00:31:28,359
Speaker 2: Leave me alone? What are you doing now? What crazy thing?

590
00:31:29,599 --> 00:31:32,519
What's in that box? I told you? Leave me? Alone.

591
00:31:33,000 --> 00:31:34,799
Speaker 7: You want to come in the shed again, if you

592
00:31:34,839 --> 00:31:36,359
ought to come sneaking in on me again, if you

593
00:31:36,359 --> 00:31:37,440
ever ask me again what I'm doing.

594
00:31:37,559 --> 00:31:40,160
Speaker 2: Watch in his box, so help me out.

595
00:31:40,160 --> 00:31:40,559
Speaker 1: Bring you.

596
00:31:41,599 --> 00:31:43,640
Speaker 5: I'll take a hammer and I'll bring you to debt.

597
00:31:43,920 --> 00:31:46,279
Speaker 1: I hope you'll be with us then. In the meantime,

598
00:31:46,400 --> 00:31:50,480
send your comments to Box thirteen at Great Detectives dot net.

599
00:31:50,559 --> 00:31:55,680
Follow us on Twitter, Radio detackers. Check us out on Instagram, Instagram,

600
00:31:55,799 --> 00:32:00,359
dot com slash Great Detactives from Boy Siatta Ho. This

601
00:32:00,599 --> 00:32:03,039
is your host, Adam Graham signing off.

