Speaker 1: Welcome to the Great Detectives of Old Time Radio from Boise, Idaho.
This is your host, Adam Graham. In a moment, we're
going to bring you this week's episode of Danger with Grainger.
But first I do want to encourage you. If you're
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Patreon dot Great Detectives dot net. But now it's time
for this week's episode. Paula Crane is.
Speaker 2: Threatened Danger were Greener. Hello, is this Steve Granger.
Speaker 3: Yes it is I'm calling from Paula.
Speaker 2: Hell, yeah, I haven't seen you for a long time.
Speaker 4: I called you invite you up to say hey over
the weekend. Are you free to come up?
Speaker 2: Certainly? Am you okay?
Speaker 4: The six thirty five tree off this afternoon, I mean
the station.
Speaker 3: I'll be there, Paula certainly won't be a treat to
get a nice relaxing weekend let me tell.
Speaker 2: You what it means.
Speaker 4: It might not be so relaxing.
Speaker 5: Granger over here.
Speaker 2: Oh hi, Falla, wonderful to see you again.
Speaker 5: Bring your luggage, I got the car.
Speaker 2: Okay, Hey, you certainly look like a million faller.
Speaker 5: I can't see I feel that way. That's why I
got you up here.
Speaker 2: You mentioned the weekend might not be relaxing. What's the trouble? Beautiful?
Speaker 5: Twice so far this week, somebody's tried to kill me.
Speaker 3: It's a Steve Granger, private detective with a story set
in a luxurious lakeshore country home, a beautiful setting for murder.
In just a moment, I'll take you back to one
of my most interesting cases. Paula Crane, who had invited
me to spend the weekend with him, was a girl
in her late twenties, strictly the park avenue type, the
kind the columnists referred to as glamorous in shorts on
the top. She could cause the average professional swimming suit
advocate to go back to the old fashioned nitress. And
this was the girl whom somebody had tried to dispatch
from this weary world two times. I made a pull
a car up before we got to her place. Now, Paula,
let's hear about these two attempts on your life.
Speaker 5: Well, the first was about a week ago. I got
up early to take a swim in the lake and
I was about halfway across to the little island in
the middle of the lake when I heard a shot
and there was a splash in the water near me.
I dived under a state underwater as long as I could,
then made the island and hid in some bushes till
I saw my mother and Richard come down to the
beach on the mainland.
Speaker 2: It was Richard.
Speaker 5: Well, when father died, mother remarried a man named Arthur Loomis.
He had a daughter, Anne, and Richard is Anne's husband,
my brother in law. They're all up with the cottage
just now, I scept for my stepfather. He's away on
a business trip.
Speaker 2: Well, let's get back to the shooting. What happened after
you saw your mother and Richard on the beach, I.
Speaker 5: Waved to them. Richard called out and asked if I
wanted him to come out and roll me back. I
said no, and about an hour later I started to
swim back to shore. That was when the other shot
was fired.
Speaker 2: You see, Well, let's get this car started.
Speaker 3: Seems to me that the sooner i'd take a look
around fair Haven, the butter.
Speaker 2: Well, this certainly is a beautiful spot.
Speaker 5: There's the cottage up ahead.
Speaker 3: Call it a cottage. Looks like a country club. See
how many rooms have you got in that hotel?
Speaker 5: Fifteen?
Speaker 2: I wonder what the poor people are doing.
Speaker 5: Well, there's mother coming towards us. Don't say anything, please,
of course.
Speaker 6: Well, darling, is this your friend?
Speaker 5: Yes, mother, I'd like to present Steve Bringe.
Speaker 2: How do you miss Lomas?
Speaker 6: Not that at all, Not that at all, mother, Really tall,
dark attractor, my mind.
Speaker 5: I'll show you to your room. Then, perhaps you'd like
to go for a swim before dinner. Well, don't tell
me you're afraid of the water. Besides, I want your
opinion on a new breathing suit I have.
Speaker 3: I'll break out my judge's badge and be with you
in five minutes.
Speaker 5: We'll grainge here. I see you're ready for your swim.
Speaker 2: Yeah, how do you like my suit?
Speaker 3: You don't go around in public like that, though, Why,
it's nothing.
Speaker 2: That's exactly what I mean.
Speaker 3: After I swim, Paula and I dressed drove into the
village for dinner.
Speaker 2: I got back around ten.
Speaker 5: Thanks for a wonderful evening. Just having you around makes
me feel secure.
Speaker 2: Thanks. Paula, lock your door. I watched the girl walk.
Speaker 3: Into a room, heard the click of the lock. Then
I turned into my own room, snapped on the light,
and started untacking my bag. Then I just sat by
the window and listened to the calm, peaceful night sounds.
Speaker 2: Why, Paula, I thought you were in bed.
Speaker 5: Come to my room, please right, be quiet. I don't
want to awaken anyone.
Speaker 2: Well, what's wrong.
Speaker 5: It's my cat? Look over there?
Speaker 2: Is it dead?
Speaker 5: She just died very strangely too.
Speaker 2: Oh.
Speaker 5: I always have a glass of milk at night. The
cook puts it in my room. Tonight when I've walked
in here, Junior, that's the cat was on a night
stand lapping up the milk. Almost a third of the
glass was gone.
Speaker 2: I'd over in a nightstand.
Speaker 3: Now, yes, first you shot at Now someone puts poison
in your milk.
Speaker 5: I told you somebody is trying to kill me.
Speaker 2: I'll continue in this interesting story in a minute.
Speaker 3: This was not exactly a putty situation. Paula's cat lying
stiff on.
Speaker 2: The floor of a room. I'll tell you a curiosity.
Speaker 3: Killed the cat, but this one got his by being
greedy and diving at the milk left for his mistress.
Paula broke out one of the cars and we drove
into the village to the drug store. Luckily it was open.
The druggist, who fancied himself as a chemist, made a
quick check on what was left of the glass of milk.
He came back wearing a face as sober as of pallbearers.
Miss Porter, there's enough er sennek in this glass to
kill off a whole family.
Speaker 2: It was a pretty scared girl.
Speaker 3: And I drove back to the cottage and saw into
her room, making a careful check of the room. First,
I warned her to keep her door locked. Then I
went poison hunting. This was one of the four bathrooms
the house affected. I went over other medicine chest from
aspirins to toothpotter, no poison of any kind, and made
the rarms of remaining three bathrooms.
Speaker 2: They were as empty of poisonous Old mother Hubbard's covered.
Speaker 3: Down in the kitchen, I went through all the cabinets,
from apples to apricots to anchovies.
Speaker 2: No arsenic through a window.
Speaker 3: I noticed the garage and went that way. When I
got there, I moved inside further around for a light
switch inflicted on. This was a five car job, was
only slightly smaller than the ours itself. The cars in
it went from the fifteen undred dollar price to the
category where one doesn't mention money because it's so distasteful.
Then I found a garden cabinet on one side of
the garage on a shelf. I saw it sitting between
a garden spray and a hand trowel. It was insect
potter and contained arsenake. I started back to the house.
Speaker 7: All right, you gave your hands.
Speaker 2: Now what walk ahead of me?
Speaker 7: Up at the house?
Speaker 2: One moment? Who are you? You don't walk off? Shoot you,
Paula Crane's brother in law.
Speaker 3: Just walk at all, because if you are, I might
mention that I'm a new house guest.
Speaker 2: Steve Granger.
Speaker 7: If you're a house guest, you're doing sneaking around the garage.
What were you going to do with that packet of
bug poison or.
Speaker 3: Some ants in my room? I figured there'd be some
insect poison around. I found it back there. It's on
my way to the house.
Speaker 2: I'm supposed to believe that. I see no reason why not.
Let's wake up Paula. She'll identify me.
Speaker 4: Well.
Speaker 3: I looked very surprised to see me at the receiving
end of a gun, but recovered enough to introduce her
brother in law, formerly as Richard Terrace. We wait until
she closed and locked her door, and then Terrace and
I went downstairs for a nightcap.
Speaker 2: You are grang yup. Thanks, I'm sorry I acted the
way I did. Forget it, will you?
Speaker 7: You see, I've been perturred recently. I'm a very light sleeper,
and I've been prowled around.
Speaker 2: Have you seen any of them? No? How long has
this been going on? For? About a week?
Speaker 7: Well, I'm going to bed, how about you?
Speaker 2: Yeah? Me too.
Speaker 7: Oh I'm going to give you a hand with that
bug poison.
Speaker 3: No, no, thanks, Sure, I can take care of that madam myself.
My night's sleep was a restless one. After the rumble
of Manhattan twenty four hours a day, the night sounds
up here sounded terrifying as a jungle. In the morning,
I took a sample of the insect power and the
glass that held the poisoned milk. Went down to the
village had them wrapped and addressed to a certain place
in Manhattan. Then I got to a telephone. I made
a call him, my newspaper friend, Carol Hendrix.
Speaker 2: Rick, Hi, and those.
Speaker 4: Sound eeezie boy, what the heck are you doing in
fair Haven?
Speaker 2: Kind of out of your class, isn't it? Yeah?
Speaker 3: You think only you guys ever get up amongst the
big stuff. Huh Say listen, cal I want you to
do me a little favor. Okay, sure, anytime, Steve, you
know that, send me down a little parcel addressed to you.
Speaker 2: I want you to take it down to the lab.
Do I sniff a little.
Speaker 4: Bit of funny business going on among those million dollar baby.
Speaker 2: You might got a long enough nose.
Speaker 4: What golfer cap brother Hendrick wants.
Speaker 2: The story, You'll get it if there is one.
Speaker 6: It's a deal.
Speaker 3: I put the package containing the poison glass and the
insect powder on the next mail train, then went back
to Paula Crane's cottage. A mother informed me that she'd
gone to a girlfriends for the day.
Speaker 2: This was evening.
Speaker 3: Mother, Richard Terrace, his wife Ann, and I were sitting
on a wide porch.
Speaker 6: You've seen preoccupied, mister Granger for me.
Speaker 2: Oh, I was just just dreaming. I guess.
Speaker 6: I'm glad you came up to visit Cala. She's been
rather unhappy lately. If I didn't know her so well,
I think she was as rough. She certainly displays all
the systems.
Speaker 2: Wonder where she disappeared to when she came home. She
went right up to her room.
Speaker 6: Mister Granger, if you want to play Romeo, you'll find
her down at the lake.
Speaker 3: Shore her thanks, and I can take her head to
Wait Granger, I'll go along.
Speaker 2: How about you, Anne?
Speaker 6: No, thanks, I'll stay here.
Speaker 5: I'm beginning to catch a cold.
Speaker 2: Take care.
Speaker 7: You've known Paula for some time?
Speaker 2: Yeah? Yeah, I met her in New York some years back.
I feel sorry for her. She hasn't been the same
since her father died. Oh, there she is Paula Cara Company.
Speaker 4: I love it.
Speaker 5: Come over and sit down, you through, especially you Grangers?
Speaker 2: Well thanks?
Speaker 5: How do you like it out here?
Speaker 2: Love it? Love?
Speaker 3: It brings out the Daniel Boone and me. All I
need is a canoe, my rifle and three Indians.
Speaker 5: We have everything but the Indians. Oh do you have
a match?
Speaker 7: Sorry, I'm fresh at I'm not too, Will you mind Granger?
There is some in the living room at the house.
Speaker 2: Moving back to the house, something struck me.
Speaker 3: I thought I remembered seeing Richard Terrace pick up a
pack of matches just before we walk down, the meat fallowing.
As I neared the house, I could hear the voices
of missus Loomis and Anne.
Speaker 2: I stopped.
Speaker 8: I'm telling you for the last time, I'm not trying
to put.
Speaker 5: Up with it any longer.
Speaker 6: Three and I won't listened to another word.
Speaker 5: Yes you will.
Speaker 8: I thought it might stop when she brought Steve Granger
up here.
Speaker 5: She Kevin knows he's good looking in.
Speaker 6: Her for the last time, I don't want to hear anymore.
Speaker 5: Otherwise, don't you face it. She's been trying to cause
trouble between Richard and me ever.
Speaker 6: Since we were married.
Speaker 5: Did she hates me?
Speaker 6: And if you wish to continue this ridiculous conversation, that
looked one thing. Paula is in love with Richard. She's
always been in love with Richard before you two were married.
And I might add this, You married Richard while Paula
was abroad on a trip.
Speaker 8: Are you intimating that I tel Ritchard away from her?
And it certainly looked like it very well I did,
and I'm going to keep Richard even if something happens
to Paula, and I sincerely.
Speaker 5: Hope it does.
Speaker 3: Sometimes you can be just plain lucky, like this time,
overhearing a bit of a conversation that throws a sudden
revealing light on things. Because if ever I heard cold
hatred in the girl's voice, I heard it. Then in
Anne's just a minute, I'll bring you the climax of
the case. Things seem to be clearing up a little bit.
The talk I overheard between Anne and Missus Lunath seemed
to provide the motive for the attempts on Paula Crane's
life was a lucky thing that Richard Terras had sent
me back for some matches. I sneaked into the house,
came up with some matches, and moved back towards the
lake without being seen.
Speaker 2: There was a rustling noise behind me.
Speaker 3: I crept into the shadows as quiet as a bird
dog flushing at quail.
Speaker 2: It was Anne Terrace, a slim little.
Speaker 3: Shadow, who slipped behind a convenient tree to do a
little eavesdropping.
Speaker 2: I decided to do the same thing.
Speaker 5: Richard, we simply can't go on this way. I can't
stand it.
Speaker 7: Palla, you're acting very foolishly about this whole thing.
Speaker 5: In the morning, you're going to ask for a divorce.
Speaker 7: I told you twenty times I don't want a divorce.
I'm not going to get a divorce. And I want
you to let me alone think it.
Speaker 5: Over the knife and meet me on the island at
seven o'clock in the morning. And Richard, yes, you have
your choice, be there or be sorry.
Speaker 3: I watched Anne Terras, who had taken in every word,
slop past without noticing me. I hung around a bit longer,
gave Paula Crane and Richard Terras a head started, and
moved back to the house myself. In my room, I
suddenly felt a first as I helped myself from a
water pitcher on the night stand. I thought about the
triangle that existed in this house, a thoroughly unpleasant one
involving a married couple of the stepsister. This would be
a good time to see Paula Crane. I started to
get up and never made it. I looked at the moon,
which must have gone Pixie because it was moving in
a slow, tight circle. I shook my head from this time,
the lonely lunar eye was doing a figure eight.
Speaker 2: I tried to get up once more.
Speaker 9: But uh, yeah, yeah, what is it?
Speaker 5: It's me, mister Granger.
Speaker 6: Aren't you coming down to breakfast?
Speaker 2: Oh yeah, yeah, missus Louis in the morning, of course, right,
I'll be right down. I got up.
Speaker 3: My mouth felt like it had been rinsed with a
blows water from a hundred year old schooner, and I
realized I'd been mickeyed with a capital thin.
Speaker 2: But I made it to the breakfast room.
Speaker 6: Sit down, mister Granger. Have some coffee.
Speaker 2: Thanks morning, Richard. Morning.
Speaker 6: Do you feel bad this morning, mister Granger?
Speaker 2: Oh I feel wonderful. It's wonderful.
Speaker 5: We use that hand, Richard.
Speaker 7: I don't know she's gone up somewhere.
Speaker 5: Morning.
Speaker 6: Everybody, now, darling, don't tell me that you feel bad,
too awful.
Speaker 5: Just like I've been drugged.
Speaker 2: Did you say drugged, Paula? I did?
Speaker 5: And I want some air. Stranger hop out going for
a canoe ride the exercise?
Speaker 3: Are doing you good, young woman? If I wiggled my eyebrows,
my head had fall off.
Speaker 5: Come on, you need sunshine, Granger. Somebody jiped us all
last night, didn't I?
Speaker 2: They did? If we all drink water.
Speaker 5: We all apparently did. There's a fresh picture of water
placed in each realm nightly.
Speaker 2: First your cat gets it with the milk.
Speaker 5: First I was shot at correct.
Speaker 2: Then the cat Anonymus had drugged.
Speaker 5: Why you're at the detective you tell me?
Speaker 2: I think it might be Anne.
Speaker 6: Why do you see that?
Speaker 2: Let's come out into the open fall. You got a
stepsister who hates you.
Speaker 5: Whatever gave you that idea?
Speaker 3: Two conversations I overheard one between Anne and your mother,
the second between you and Richard Terrace. You overheard that
little lady you're asking for trouble and heard it too.
Speaker 5: I'm glad I hate her. Richard and I were going
to be mad when she moved in.
Speaker 2: It's the same. Are in the wrong and you know it. Say,
doesn't somebody live on the little island?
Speaker 5: No, why you got a.
Speaker 2: Picture of the doll and the white bathing suit.
Speaker 5: That must be Anne. She probably left the house early
and swam over here.
Speaker 2: Let's turn around and go back.
Speaker 5: No, I've got something to say to Lanne, and it
might as well be now.
Speaker 2: And mind if we come over it must be sleeping.
Speaker 5: Come on, Stranger, that spot in a white suit? Is
she dead?
Speaker 2: She is shut right through the hearty? Oh what doll?
We do notify the police and tell Richard.
Speaker 5: Stranger what that's my bathing suit?
Speaker 2: She's wearing yours?
Speaker 5: Yes, don't you see? Somebody thought it.
Speaker 2: Was me and.
Speaker 3: Paula Crane and I am headed back to the mainland
in an ira asure. We notified the sheriff first, then
Richard Terrace. He insisted on going back out to the
island with us immediately.
Speaker 5: Richard, I don't know what to say. And oh Anne, Richard, please,
Paul I asked her to.
Speaker 2: Let me alone.
Speaker 7: If it hadn't mean for you, Ann would probably still
be alive. Richn She was wearing your suit, wasn't she?
Whoever killed with you Richard dull And I wish it
had been you. You hated her ever since Anne and
I got married. I'll say it easy, Richard William. And
when the sheriff gets here, I'll have something to say
to him too. Now get away, both of you.
Speaker 2: I want to be alone with Ann.
Speaker 5: But Richard, how will you get there?
Speaker 2: Let me alone? Paula Ranger.
Speaker 5: You've got to find out who shot and killed poor Anne.
Speaker 3: I intend to, and first I'm going to talk to
your mother. But before I had my talk with Missus Loomis,
there was something I had to do first. This was
my own room. The water picture was empty. There was
just enough moisture left for one taste. That taste had
enough dope inant to knock a Republican right out of
his party.
Speaker 2: The other rooms were the same.
Speaker 3: The pictures were empty, but contained enough moisture to give
me what I wanted. The last room was Missus Loomis's frommember,
the dar came the odor of smoke.
Speaker 2: I wasted no more time, mister.
Speaker 6: Cranger, don't care you come into my room without knocking.
Speaker 2: Why are you doing at fire, Missus Lomis?
Speaker 6: Nothing?
Speaker 2: I think I better take a look at that, Missus Lonelis,
how dare you wow? What have we here? A red
bathing suit?
Speaker 3: Mister missus Loomis, did you know that Anne was shot
and killed this morning?
Speaker 5: Anne shot?
Speaker 2: Yes?
Speaker 3: Here you all set to toss a red bathing suit
into the fireplace was not much. One of people up
here always start up fireplaces during the hottest month of
the year.
Speaker 6: This is my home and if I want a fire
I shot one.
Speaker 2: To burn up bathing suits.
Speaker 6: Get out of here, mister Grainger. You know that a
truth like.
Speaker 3: This, Missus Loomis. And I'm very excited about Anne's murder.
You're more interested in this red bathing suit? Is it
because you shot.
Speaker 2: And killed her?
Speaker 6: Suppose I did?
Speaker 2: Why would you?
Speaker 6: Because she was.
Speaker 7: Ruining my daughter's life, my real daughter, Paula, my remaining
married to Richard Terracey.
Speaker 5: Yes, that's why I killed her.
Speaker 3: And you were burning the bathing suit because you didn't
want anybody to know you'd been swimming early this morning.
Speaker 5: Right, that's right. Mother, The sherif is down. What are
you doing with that bathing suit?
Speaker 2: Paula? Whose suit? Is this?
Speaker 5: Why it belonged to Anne? What's going on here?
Speaker 3: Your mother has just confessed to Anne's murder. What she
was just going to burn this suit? That suit might
have proved that she swam to the island this morning.
Speaker 5: Oh Granger, really look at the size of that suit.
Mother couldn't get into it if she lost forty pound.
Speaker 3: I want to make a little check, Missus Loomis. Turn around, right,
turn around, let's see what are you doing? Just checking
the back of your head, Missus Lolis to see if
your hair is wet.
Speaker 2: That's not so. You couldn't have swum over to the island.
Speaker 5: Of course not, Paula.
Speaker 2: I'd like to see if your hair is wet.
Speaker 5: Keep away from me.
Speaker 3: You tipped yourself when you mentioned that your mother couldn't
get into that suit but you could.
Speaker 5: Wet hair doesn't prove a thing.
Speaker 3: Other things do, though, Like the pictures that held the water,
one had been emptied, some had remains of dope, and
some didn't. Hands didn't for one yours for another.
Speaker 5: Are you saying that eyeshot at Maybe.
Speaker 3: I'd like to bet that you deliberately let and hear
your talk with Richard Terrace last night. You know she'd
be on an island if it killed her.
Speaker 2: And a dip.
Speaker 5: You're insane.
Speaker 3: You probably stole a suit, forcing her to wear yours.
You swam after in the red suit. You killed her,
and your mother saw you do it. That's why she
wanted to take the blade to.
Speaker 5: Protect your mister Granger.
Speaker 6: Please don't say anymore.
Speaker 3: I was a front man for you, Paula. When Anne died,
it looked like the bullet was intended for you. You
would probably try to pin it on Richard, and I
would make a beautiful alibi for you.
Speaker 5: All right, I killed her.
Speaker 2: Let's put that gun down.
Speaker 3: That's another mistake you made. You should have dropped the
gun into the lake.
Speaker 5: I think you and Eye Grange. You will leave by
the back way. You know too much for your own good.
He did mother get out of the way.
Speaker 3: Well, friends, that's a story. I'll be back to wrap
up the case in just a minute. Paula Crane fired
just too late because I had her on and the
shot went over the ceiling. The sheriff rushed upstairs when
he heard the story, took it to the local jail.
Some weeks later, Richard Terris and I were in my
office waiting for something.
Speaker 7: You should have told me that night that you were
a private detective.
Speaker 2: Oh I couldn't. I was working for Paula.
Speaker 3: I was a ralibi story of the shots poisoning the cats.
He set it up pretty nice.
Speaker 7: The chemist to whom Karl Hendrick took the glass in
the insect pot of his testimony was damaging too.
Speaker 2: This is it. I will know what happened.
Speaker 3: Hello, I see thanks. Jerry found of guilty, life imprisonment.
That's not fair. She should have been executed. A rich
all A love freedom more than anything. Life imprisonment is
the worst sentence she could get. Again, you just heard
one of the most interesting cases in my files.
Speaker 2: I have another one for him, so be around next time.
Speaker 1: Welcome back. Well, a good episode, Loss of Suspects, Little Clothes,
summer ad Herrings, and a good reveal at the end.
I like the idea of Granger being really bothered by
the sounds of the countryside as someone who lives in
New York City. Now I've heard it stood out to
me people complaining about very, very large cities like New
York and Los Angeles and the constant noise there, But
it never occurred to me in the reverse that this
would be a bother to people who live in the city.
But it does make sense. I also appreciated the conclusion
and grangers realization that life in prison was actually the
punishment that Paula would hate most, and his ability to
see that does speak to who is as a character. Well,
now let's turn to some listener comments and feedback, and
we start out on Spotify with some comments regarding the
episode The Triangle affair, Dino flags something I miss Barrister. Oops, Yeah,
that would not be in appropriate term for New York
based audio drama. And I mean, they are trying to
make this as New York as possible, but there are
so many you know, there's these little slips that will
stand out, like even the way they say garage, well
they don't say garage, which I guess is part of
the problem that makes it sound so odd to American ears.
Harrison writes, this might be me imagining things, but Granger
seemed harsher in his reportee with everyone. I don't know
if that's a reference to that particular episode or overall.
I guess I have listened to some detectives that can
be really, really harsh. I mean, when I think about it,
the guys who can just be like totally in your
face rude, like most of the times characters like lou
Dana or Mockhammer or Larry Kent. Steve Granger is not
in that league. I do think Granger does have It's
not like the world's strictest code, but he does have
a very solid moral code and rules by that he
plays by and he does not like people who cross
that boundary, which we kind of saw on this episode
as even before he suspected Paula was a murderer. He
called her on the carpet about her immorality, So he
can really have a strong reaction to people that he
finds to be distasteful. But again, he is not anywhere
near the most severe, and having been exposed to the
more severe, was I just kind of I guess I'm unfazed, Hi,
Steve Granger. Then we have a comment from the Matte's
falcon over on the site called X be me listen
to Adam Graham's wrap up of this one. First, be
intrigued by the talk of patients versus salider and what
is the green lantern doing in this tied to a
convict victim? Roll it back and be delighted as the
pieces come together in this table. You found a new
way to listen. Anyone else who tries to let me
know how that works for you. And then we have
some comments on our listeners survey on Blueberry po Riots
love the Great Detective Shows. Tim Rit's been listening many
years since the beginning beginning Adam's amazing consistency is remarkable.
Maybe for a treat play looks Champagne for Caesar, Well,
I would not be close to the idea of doing that.
It is the type of thing where I would need
either some chief of detectives Patreon to request it or
for it to work out as something that would fit
in an amazing world of radio series. But I'll keep
that suggestion in mind. Thanks so much. Well, now it's
time to thank our Patreon supporter of the day. Thank
you to Kelly, Patreon supporter since February of twenty twenty,
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Speaker 2: Where Frankie, Frankie, where are you? Never listen? Never round
when I want them? Frankie shit again. Someday he'll do
something terrible. I know.
Speaker 5: Get out.
Speaker 2: Didn't you hear me? Call you?
Speaker 4: Get out of here?
Speaker 2: Leave me alone? What are you doing now? What crazy thing?
What's in that box? I told you? Leave me? Alone.
Speaker 7: You want to come in the shed again, if you
ought to come sneaking in on me again, if you
ever ask me again what I'm doing.
Speaker 2: Watch in his box, so help me out.
Speaker 1: Bring you.
Speaker 5: I'll take a hammer and I'll bring you to debt.
Speaker 1: I hope you'll be with us then. In the meantime,
send your comments to Box thirteen at Great Detectives dot net.
Follow us on Twitter, Radio detackers. Check us out on Instagram, Instagram,
dot com slash Great Detactives from Boy Siatta Ho. This
is your host, Adam Graham signing off.