1 00:00:28,640 --> 00:00:34,320 Speaker 1: Welcome to the Great Detectives of Old Time Radio from Boise, Idaho. 2 00:00:34,640 --> 00:00:38,399 This is your host, Adam Graham. In a moment, we're 3 00:00:38,439 --> 00:00:42,560 going to introduce you to Martin Caine Private Detective. First, 4 00:00:42,600 --> 00:00:44,640 I do want to encourage you to check out our 5 00:00:44,719 --> 00:00:48,679 other podcast, particularly as we're getting into the Christmas season. 6 00:00:48,799 --> 00:00:52,320 I want to highlight the amazing world of radio where 7 00:00:52,479 --> 00:00:56,840 starting tomorrow we will be bringing you Christmas specials on 8 00:00:57,200 --> 00:01:02,119 that podcast every other day through Christmas Eve. We have 9 00:01:02,240 --> 00:01:04,959 four great specials for you. Also on the Old Time 10 00:01:05,079 --> 00:01:08,560 Radio Snackwagon, we have a special Christmas Tree that you 11 00:01:08,599 --> 00:01:12,920 can hear on Monday at snackwagon dot net. And of course, 12 00:01:12,959 --> 00:01:16,879 our Christmas programming for Great Detectives of Old Time Radio 13 00:01:17,079 --> 00:01:23,159 starts tomorrow now Onto Martin Kain Private Detective. Martin Kain 14 00:01:23,359 --> 00:01:27,879 is a forgotten multimedia franchise that really had a huge 15 00:01:27,959 --> 00:01:32,120 present in nineteen forty nine into the early nineteen fifties. 16 00:01:32,840 --> 00:01:38,519 The series premiered over mutual radio and on television over NBC. 17 00:01:39,280 --> 00:01:42,959 The NBC TV version was one of the first popular 18 00:01:43,079 --> 00:01:49,040 TV detective franchise, with each episode broadcast live. William Gargan 19 00:01:49,200 --> 00:01:51,599 started in the rule to start with but would be 20 00:01:51,719 --> 00:01:56,480 succeeded by Lloyd Nolan, Lee Tracy, and finally Mark Stevens, 21 00:01:56,560 --> 00:02:00,519 who will hear today will The series was popular due 22 00:02:00,519 --> 00:02:05,480 to it being broadcast live. Most of the episodes from 23 00:02:05,519 --> 00:02:10,479 this run were lost, although a few surviving recordings have 24 00:02:10,800 --> 00:02:15,439 surfaced and have been released by various public domain DVD 25 00:02:15,599 --> 00:02:20,360 companies and are available online. However, Martin Kine was so 26 00:02:20,599 --> 00:02:26,000 popular that there was a syndicated TV version starring Gargan 27 00:02:26,240 --> 00:02:29,599 and filmed in Europe that was released in nineteen fifty 28 00:02:29,680 --> 00:02:34,240 seven to cash in on the character's popularity. In addition 29 00:02:34,319 --> 00:02:39,000 to radio and television, there was also a two issue 30 00:02:39,080 --> 00:02:43,680 comic book released in nineteen fifty by Fox Features. Now 31 00:02:43,719 --> 00:02:47,879 there are said to be twenty nine radio episodes of 32 00:02:48,039 --> 00:02:54,319 Martin Kain in existence, at least that's what Wikipedia tells me. However, 33 00:02:54,599 --> 00:02:59,479 none of them are actually available or in circulation to play. 34 00:02:59,680 --> 00:03:03,599 This episode we have is from nineteen fifty three, but 35 00:03:03,680 --> 00:03:07,759 according to the Encyclopedia of Old Time Radio, the Martin 36 00:03:07,879 --> 00:03:11,639 Kaine radio series, which had moved to NBC, signed off 37 00:03:11,680 --> 00:03:16,080 the air in nineteen fifty two, and this is listed 38 00:03:16,120 --> 00:03:20,039 on various websites as a traditional old time radio program, 39 00:03:20,159 --> 00:03:23,560 but it's a bit more complicated. This is a recording 40 00:03:23,759 --> 00:03:28,879 of the audio broadcast over the TV band. For analog TV, 41 00:03:29,039 --> 00:03:33,800 the audio was broadcast on a slightly different frequency than 42 00:03:33,840 --> 00:03:37,439 the video, and then the television combined them. However, during 43 00:03:37,520 --> 00:03:43,199 that period of analog television, there existed TV band radios 44 00:03:43,439 --> 00:03:46,120 where you could listen to what was being played on 45 00:03:46,240 --> 00:03:49,960 television even if you couldn't see it. I remember seeing 46 00:03:50,000 --> 00:03:52,919 one of these back in the late nineteen eighties. Such 47 00:03:52,919 --> 00:03:58,360 a device does not currently exist for digital television signals. 48 00:03:58,840 --> 00:04:02,560 I feel comfortable playing this episode because this is something 49 00:04:02,599 --> 00:04:05,639 that people would have listened to on their radios during 50 00:04:05,680 --> 00:04:09,919 the golden age of radio. And I'm excited to hear 51 00:04:10,080 --> 00:04:13,240 this episode. I've been looking forward to it for quite 52 00:04:13,280 --> 00:04:14,800 a while. I'm not going to a lot of little 53 00:04:14,879 --> 00:04:18,279 technicality ruin it, and it'll be interesting to hear how 54 00:04:18,319 --> 00:04:22,600 this works out. So here from October twenty ninth, nineteen 55 00:04:22,680 --> 00:04:25,759 fifty three is Martin Caine, Private Detective. 56 00:04:31,600 --> 00:04:34,800 Speaker 2: The makers of those increasingly popular cigarettes. 57 00:04:37,480 --> 00:04:38,680 Speaker 3: Sento the cigarette with. 58 00:04:38,720 --> 00:04:45,120 Speaker 2: Fireless nicotine on course, cigarettes that fill to the smoke 59 00:04:45,240 --> 00:05:00,120 but not the taste. Present Martin Caine, starring Mark Stephens, m. 60 00:05:00,240 --> 00:05:48,680 Speaker 4: H m hmmm, y what's your name? Don't try anything? 61 00:05:48,720 --> 00:05:53,920 Speaker 3: I said, what's your name? Thompson? Albert Thompson? Something wrong, officer? 62 00:05:55,279 --> 00:05:57,160 Are you sure that's the man? He's the one I saw? 63 00:05:57,160 --> 00:05:57,959 All right? He did it? 64 00:05:58,120 --> 00:05:58,279 Speaker 5: Did? 65 00:05:58,399 --> 00:06:00,519 Speaker 4: What what's your talk talking about? 66 00:06:01,120 --> 00:06:03,079 Speaker 3: You? I saw you running out of that store after 67 00:06:03,079 --> 00:06:05,680 the shooting. You killed that store keeper. I don't know 68 00:06:05,680 --> 00:06:07,199 what you're talking about? What store? 69 00:06:07,600 --> 00:06:09,600 Speaker 4: I haven't done an he's the one. 70 00:06:09,639 --> 00:06:10,319 Speaker 3: I'll sweat it. 71 00:06:10,759 --> 00:06:15,160 Speaker 6: Come along, look off yourself, office, please, I'll need you to. 72 00:06:24,120 --> 00:06:31,319 Speaker 3: Oh no, nohing's going to happen that safe place, Yes, sir, yes, there, 73 00:06:31,360 --> 00:06:36,120 anytime you want it for the grand jury, he'll be there. Well, 74 00:06:36,120 --> 00:06:42,000 thank you. I'll be checking with you right along, right. Well. 75 00:06:42,040 --> 00:06:44,160 Speaker 6: The DA is a very happy man. He's got a 76 00:06:44,199 --> 00:06:47,959 sense case against Albert Thompson. Oh what did you drop 77 00:06:48,000 --> 00:06:48,519 in for Kane? 78 00:06:48,759 --> 00:06:50,720 Speaker 3: Congratulations? What'd you do? 79 00:06:51,480 --> 00:06:51,800 Speaker 7: Not me? 80 00:06:51,879 --> 00:06:54,040 Speaker 8: It's you, the rates, the medals, lieutenant, you and your department. 81 00:06:54,040 --> 00:06:55,639 The way you solve that murder. That's pretty good. 82 00:06:56,319 --> 00:06:58,480 Speaker 6: Well, the whole case just kind of walked in here. 83 00:06:58,720 --> 00:07:01,199 Fred Wallace, the guy who spot Thompson at that bus stop, 84 00:07:01,240 --> 00:07:01,560 he's the one. 85 00:07:01,600 --> 00:07:03,480 Speaker 3: He gets all the credit. Have you got anything new 86 00:07:03,519 --> 00:07:04,040 on Thompson. 87 00:07:04,560 --> 00:07:06,480 Speaker 6: Well, the identification looks pretty solid. 88 00:07:06,519 --> 00:07:08,879 Speaker 3: King, He's got a smart lawyer, Ed Randall. 89 00:07:09,000 --> 00:07:10,680 Speaker 8: He could beat you in court unless you come up 90 00:07:10,720 --> 00:07:13,000 with more evidence, including the murder weapon. 91 00:07:13,279 --> 00:07:15,920 Speaker 3: Yeah, we're working on it. You know came had taken. 92 00:07:15,959 --> 00:07:18,879 Speaker 6: That robbery was about two hundred bucks when we examined Thompson. 93 00:07:18,920 --> 00:07:21,399 Speaker 3: He had two hundred and seven bucks on him. Maybe 94 00:07:21,480 --> 00:07:22,040 saved it up. 95 00:07:22,759 --> 00:07:25,160 Speaker 6: Yeah, how his wife didn't know anything about it? 96 00:07:25,639 --> 00:07:27,680 Speaker 8: Look, lieutenant, and a fella's planning on buying his wife 97 00:07:27,720 --> 00:07:28,839 a new coat for her birthday. 98 00:07:28,879 --> 00:07:31,319 Speaker 3: He doesn't tell her what he's stating up for. Tell me, 99 00:07:31,439 --> 00:07:33,399 how do you know so much about Thompson? He's Ed 100 00:07:33,480 --> 00:07:37,879 Randall's client. So Ed Randald's a client of mine. Oh, 101 00:07:38,000 --> 00:07:42,839 he thinks Thompson's innocent. Thinks that your witness made a mistake. 102 00:07:43,279 --> 00:07:45,120 A good lawyer, smart too. 103 00:07:47,040 --> 00:07:50,959 Speaker 6: Oh you you think the witness made a mistake too. 104 00:07:51,480 --> 00:07:51,800 I don't know. 105 00:07:51,879 --> 00:07:53,639 Speaker 3: That's why I'm hard to find out. He sure picked 106 00:07:53,680 --> 00:07:56,560 a tough way to make a living. Some guys climb mountains. 107 00:07:56,600 --> 00:07:59,120 Speaker 6: You won't even get off the ground. Fred Wallace made 108 00:07:59,160 --> 00:08:01,480 a positive butification, by the way, I. 109 00:08:01,439 --> 00:08:04,759 Speaker 3: Called his house. You've taken him somewhere wide for his 110 00:08:04,879 --> 00:08:05,319 health gate. 111 00:08:05,519 --> 00:08:08,040 Speaker 8: Oh, come on, Lieutenant Thompson couldn't hurt anybody. 112 00:08:08,079 --> 00:08:10,240 Speaker 3: He has gonny mob connections. He's just a little guy 113 00:08:10,240 --> 00:08:12,800 that fell in the great big hole. I want to 114 00:08:12,800 --> 00:08:15,680 see Wallace. You're wasting your time, Kane, and that's straight. 115 00:08:16,600 --> 00:08:18,000 You're convinced that Thompson's Gilly. 116 00:08:18,000 --> 00:08:18,399 Speaker 6: I can't be. 117 00:08:18,519 --> 00:08:18,959 Speaker 3: Not yet. 118 00:08:19,399 --> 00:08:22,120 Speaker 6: Well, I'm only about ninety percent convinced because we still 119 00:08:22,160 --> 00:08:22,920 haven't found the gun. 120 00:08:23,639 --> 00:08:27,160 Speaker 3: However, Fred Wallace kind of makes up for it. I 121 00:08:27,240 --> 00:08:30,040 still want to see him. Well you don't see him, 122 00:08:30,040 --> 00:08:45,200 all right, but not alone. I'll be there too. Everything 123 00:08:45,240 --> 00:09:00,000 all right, mister Wallace. Fine, huh yeah, yes, sir? Are they? 124 00:09:00,080 --> 00:09:00,919 Speaker 4: What are the commissioners? 125 00:09:00,960 --> 00:09:06,440 Speaker 3: Says this guy's food bill? Oh okay, Lieutenants Wallace. Uh, 126 00:09:06,639 --> 00:09:09,919 this is uh Martin Kane, mister Thomas Wallace. 127 00:09:10,039 --> 00:09:13,080 Speaker 6: Kane's a private detective right now. He's working for Thompson's. No, yeah, 128 00:09:13,360 --> 00:09:16,080 I see, he'd he'd like to ask a few questions. 129 00:09:16,559 --> 00:09:19,440 Speaker 8: Uh, mister Wallace, you're sure you couldn't have been mistaken 130 00:09:19,440 --> 00:09:23,840 in your identification? No, sir, what makes you so positive 131 00:09:23,840 --> 00:09:25,519 it was Thompson you saw running out of the shop 132 00:09:25,559 --> 00:09:26,519 after you heard the shots? 133 00:09:27,519 --> 00:09:36,320 Speaker 3: Just was that's all? Tellbody was wearing a hat? A hat, yeah, hat, Yes, 134 00:09:36,600 --> 00:09:39,399 yes he was. Thompson. Doesn't more I have? Mister Wallace 135 00:09:39,639 --> 00:09:42,320 never does, never has, well, he could have on this job, Kane. 136 00:09:42,360 --> 00:09:44,320 Do I have to talk to him? Why not, mister Wallace? 137 00:09:44,399 --> 00:09:46,320 We're both after the same thing, aren't we? The truth? 138 00:09:46,759 --> 00:09:48,639 That's just why I went after that policeman the moment 139 00:09:48,679 --> 00:09:52,240 I saw Thompson. It's my duty as a citizen. 140 00:09:52,960 --> 00:09:55,080 Speaker 9: You think I like hanging around this hotel room, not 141 00:09:55,159 --> 00:09:57,600 being able to go about my normal business. Everything, My 142 00:09:57,720 --> 00:10:00,600 name is spread all over the newspapers. I have to 143 00:10:00,679 --> 00:10:01,600 testify that trial. 144 00:10:01,879 --> 00:10:04,519 Speaker 3: It's the right thing to do. You're okay? 145 00:10:04,639 --> 00:10:06,440 Speaker 6: Most people would be afraid to stick out the next 146 00:10:07,200 --> 00:10:08,840 We could use more men like mister Wallace. 147 00:10:09,080 --> 00:10:09,279 Speaker 10: Yeah. 148 00:10:10,159 --> 00:10:12,600 Speaker 8: Civic virtue is a great thing, Lieutenant, as long as 149 00:10:12,639 --> 00:10:13,759 it doesn't convict the wrong man. 150 00:10:14,200 --> 00:10:15,279 Speaker 3: Why would I do a thing like that? 151 00:10:16,399 --> 00:10:20,480 Speaker 8: Just a mistake, mister Wallace, A simple, ordinary human mistake. 152 00:10:20,559 --> 00:10:23,120 It happens all the time, every day, just like it 153 00:10:23,200 --> 00:10:26,559 happened here. You couldn't possibly see Thompson run out of 154 00:10:26,600 --> 00:10:28,799 that store. He was clear across town at the time. 155 00:10:29,159 --> 00:10:33,759 Speaker 3: That's what he says. I should telling mister Wallace, what 156 00:10:33,960 --> 00:10:37,039 was the weather that day? Kind of a question is that? 157 00:10:37,240 --> 00:10:37,879 Would you answered? 158 00:10:37,919 --> 00:10:38,200 Speaker 6: Please? 159 00:10:39,159 --> 00:10:42,519 Speaker 9: I don't see what difference it makes act. I think 160 00:10:42,559 --> 00:10:44,720 it was a nice day. Yes, it's a nice, warm day. 161 00:10:45,360 --> 00:10:46,639 Speaker 3: The man who ran out of the store. Was he 162 00:10:46,720 --> 00:10:49,639 wearing a topcoat? He could add? Was he? 163 00:10:50,679 --> 00:10:50,720 Speaker 7: No? 164 00:10:50,879 --> 00:10:52,600 Speaker 3: I just told you it was a warm day. Wouldn't 165 00:10:52,600 --> 00:10:53,399 be wearing a top coat. 166 00:10:53,600 --> 00:10:55,799 Speaker 8: Your logic is good, mister Wallace, but your memory is bad. 167 00:10:56,519 --> 00:10:59,000 It was a warm day and Thompson was wearing a topcoat. 168 00:10:59,279 --> 00:11:00,759 The people who desire I was so square to that. 169 00:11:01,399 --> 00:11:02,480 Speaker 3: He's just trying to trick me. 170 00:11:02,720 --> 00:11:02,840 Speaker 1: Now. 171 00:11:02,919 --> 00:11:04,960 Speaker 8: I just want you to think and think hard, mister Wallace. 172 00:11:04,960 --> 00:11:06,399 Isn't possible that you made a mistake in. 173 00:11:06,399 --> 00:11:10,440 Speaker 9: Your identification, Mister King, I'm not a fool. If I 174 00:11:10,559 --> 00:11:13,000 listened to you and change my story, I'd be a fool. 175 00:11:13,440 --> 00:11:16,120 Some people would say I was scared off, others that 176 00:11:16,159 --> 00:11:19,840 I was bought off. No, I said it was Albert Thompson. 177 00:11:20,559 --> 00:11:22,320 And Albert Thompson it stays. 178 00:11:24,840 --> 00:11:29,600 Speaker 3: Well convinced. Nope, But I got a better chance of 179 00:11:29,679 --> 00:11:30,320 talking back to. 180 00:11:30,399 --> 00:11:40,159 Speaker 10: Tide Albertson here, Missus Thompson, Thanks, why don't you go 181 00:11:40,320 --> 00:11:42,519 right on here and now wait out here for mister King. 182 00:11:53,240 --> 00:11:53,639 Speaker 3: Alfred. 183 00:11:58,240 --> 00:12:13,120 Speaker 4: Oh you're right. Yeah, yeah, they're treating me. 184 00:12:15,320 --> 00:12:16,440 Speaker 7: Mister Randall's here with me. 185 00:12:17,799 --> 00:12:21,440 Speaker 4: He said he was coming. He's a very fine lawyer. 186 00:12:21,799 --> 00:12:22,039 Speaker 5: Let me. 187 00:12:23,120 --> 00:12:24,519 Speaker 3: He tried to get him lower the bail. 188 00:12:25,080 --> 00:12:26,480 Speaker 7: He's still working very hard. 189 00:12:26,759 --> 00:12:27,159 Speaker 4: Yeah, I know. 190 00:12:29,799 --> 00:12:30,440 Speaker 3: They won't do it. 191 00:12:32,240 --> 00:12:35,720 Speaker 8: My guard told me that twenty five thousand dollars is 192 00:12:35,759 --> 00:12:37,000 the lowest Bailey ever heard. 193 00:12:36,799 --> 00:12:45,559 Speaker 4: Of for a murderer. When mister Barnes came to see 194 00:12:45,639 --> 00:12:50,000 me from the office, wanted to know if you needed 195 00:12:50,039 --> 00:12:52,240 any money, what'd you tell him? 196 00:12:53,480 --> 00:12:57,000 Speaker 7: I thank him very much. I told him we'd manage. 197 00:13:04,320 --> 00:13:09,039 He said, he said, all your friends believe in. 198 00:13:09,120 --> 00:13:12,159 Speaker 1: You, Helen. 199 00:13:14,720 --> 00:13:17,000 Speaker 4: Mister Randolds very optimistic. 200 00:13:17,120 --> 00:13:20,759 Speaker 3: He thinks this mister Kane is sure to find some 201 00:13:20,840 --> 00:13:21,440 new evidence. 202 00:13:25,440 --> 00:13:29,840 Speaker 4: Yeah. I may not even have to go to trial. Hell, 203 00:13:29,840 --> 00:13:44,879 amn't I Helen, I Helen. I want you to meet 204 00:13:44,879 --> 00:13:45,480 Martin Kane. 205 00:13:45,720 --> 00:13:49,720 Speaker 3: Hello, Missus Thompson, can you help? I don't know yet. 206 00:13:49,879 --> 00:13:52,279 Have you talked to Wallace? Yeah, I talked to him. 207 00:13:52,279 --> 00:13:54,120 He'll make an excellent witness for the state. 208 00:13:56,639 --> 00:13:57,360 Speaker 4: How do you see it in. 209 00:14:00,200 --> 00:14:00,879 Speaker 3: It's not good. 210 00:14:02,200 --> 00:14:02,879 Speaker 4: It's not bad. 211 00:14:03,799 --> 00:14:05,240 Speaker 11: District Attorney's office has been. 212 00:14:05,159 --> 00:14:07,080 Speaker 3: Working just as hard as we have, and you got 213 00:14:07,159 --> 00:14:08,399 enough for indictment. 214 00:14:09,799 --> 00:14:13,159 Speaker 4: Pretty hands, see Alberdar. 215 00:14:13,519 --> 00:14:17,000 Speaker 3: Main problem is your alibi. If we can only prove 216 00:14:17,080 --> 00:14:19,360 that you were nowhere near that store when it happened. 217 00:14:19,440 --> 00:14:24,159 But I wasn't. I was on my way home. A 218 00:14:24,320 --> 00:14:25,519 dozen people must have seen me. 219 00:14:25,600 --> 00:14:27,879 Speaker 8: Two dozen, one hundred people could have seen you, mister Thompson. 220 00:14:28,000 --> 00:14:30,080 Nobody ever sees you on a subway or a bus. 221 00:14:31,120 --> 00:14:34,639 I'm afraid you have no alibi, and I'll keep right 222 00:14:34,679 --> 00:14:36,320 on working mainly on finding the gun. 223 00:14:36,440 --> 00:14:37,799 Speaker 3: A big job of the yours in court. 224 00:14:38,519 --> 00:14:40,679 Speaker 11: I know I'll need everything you can get me to 225 00:14:40,679 --> 00:14:45,360 shake wallace and cross examination. Oh, let's not give up 226 00:14:45,440 --> 00:14:49,840 the ship. You never can tell about juries. Sometimes they 227 00:14:49,919 --> 00:14:51,159 go for the stranger's story. 228 00:14:52,240 --> 00:14:53,919 Speaker 4: What's strange about albt story? 229 00:14:54,320 --> 00:14:55,120 Speaker 3: That's the truth? 230 00:14:56,039 --> 00:14:57,399 Speaker 4: Well, he'd never heard a soul. 231 00:14:57,200 --> 00:14:58,039 Speaker 7: And its lif. 232 00:15:00,039 --> 00:15:03,720 Speaker 3: He isn't a hard working man. What jury would believe 233 00:15:03,759 --> 00:15:04,600 he's a murderer. 234 00:15:14,440 --> 00:15:18,639 Speaker 6: Yes, yes, I know, Inspector, Yes, sir, I know this 235 00:15:18,799 --> 00:15:21,879 isn't that big. But the well, the district attorney's been 236 00:15:21,919 --> 00:15:25,919 on my neck all week. Yeah, he says he's got 237 00:15:25,960 --> 00:15:27,639 to have the gun that killed Thompson or else. 238 00:15:30,159 --> 00:15:30,559 Speaker 3: That's right. 239 00:15:31,799 --> 00:15:37,440 Speaker 6: So I put all the men I could spare on it, sir, No, sir, no, sir, 240 00:15:37,559 --> 00:15:44,240 nothing so far? What, well, Inspector. I think my men 241 00:15:44,360 --> 00:15:48,600 know their jobs. I pick most of them myself. Yes, sir, 242 00:15:49,759 --> 00:15:50,240 that's all right. 243 00:15:50,240 --> 00:15:51,120 Speaker 3: I understand you. 244 00:15:52,639 --> 00:15:53,440 Speaker 4: Yes, I certainly do. 245 00:15:54,480 --> 00:15:55,960 Speaker 6: Well, Thank you, inspector. 246 00:15:57,000 --> 00:15:57,360 Speaker 7: Good night. 247 00:16:08,320 --> 00:16:12,799 Speaker 3: Want some cane warm tonight? Not for a private detective? 248 00:16:13,919 --> 00:16:14,440 What do you want? 249 00:16:15,480 --> 00:16:16,159 Speaker 6: I want some help? 250 00:16:16,759 --> 00:16:19,679 Speaker 3: Still working for at Randall, that's right. Well, don't come 251 00:16:19,720 --> 00:16:21,679 around saying when you quit. Maybe that'll be too late 252 00:16:22,279 --> 00:16:24,360 for Albert Thompson. Oh for you, lieutenant. You want to 253 00:16:24,360 --> 00:16:26,320 find the gun, don't you? What do you think. 254 00:16:27,679 --> 00:16:28,039 Speaker 5: I get it? 255 00:16:28,159 --> 00:16:32,679 Speaker 3: All right? Get fired. I don't know whether it'll be 256 00:16:32,720 --> 00:16:35,559 the inspector first or maybe neither. 257 00:16:35,759 --> 00:16:35,799 Speaker 7: Do. 258 00:16:35,840 --> 00:16:39,399 Speaker 3: I want to help me? Hey, Kane, you holding out 259 00:16:39,440 --> 00:16:39,600 on me? 260 00:16:41,279 --> 00:16:41,480 Speaker 6: Hey? 261 00:16:41,679 --> 00:16:44,279 Speaker 3: Do you know where that gun is? I know where 262 00:16:44,320 --> 00:16:46,120 that gun isn't And I know a little fella that 263 00:16:46,159 --> 00:16:47,480 doesn't know anything at all about it. 264 00:16:47,600 --> 00:16:51,039 Speaker 8: Albert Thompson, Caine, say what you've got to say, all right, 265 00:16:51,120 --> 00:16:52,639 you won't find the gun until you find the man 266 00:16:52,679 --> 00:16:54,960 who used it, and it was Albert Thompson. You've already 267 00:16:55,039 --> 00:16:57,519 proved that. Yeah, you've had your best man out looking 268 00:16:57,519 --> 00:16:59,039 for the gun and they can't find it. They've questioned 269 00:16:59,279 --> 00:17:01,879 every enemy, every friend that Thompson ever had. They looked 270 00:17:01,879 --> 00:17:03,360 every place where he could have bought a rent of 271 00:17:03,399 --> 00:17:05,640 the gun. And they're gonna keep right on looking, keep 272 00:17:05,680 --> 00:17:06,799 on looking from now until next year. 273 00:17:06,799 --> 00:17:08,839 Speaker 3: But they're gonna come up with nothing. Maybe and maybe not. 274 00:17:09,000 --> 00:17:12,039 We'll see, lieutenant, Stop wasting time and look. Tell me 275 00:17:12,119 --> 00:17:13,400 what you want to or take off. 276 00:17:13,759 --> 00:17:16,519 Speaker 8: Get me a run down a description of every every 277 00:17:16,640 --> 00:17:18,240 stick up artist that looks like Thompson. 278 00:17:18,359 --> 00:17:19,799 Speaker 3: Oh, from crying out loud? 279 00:17:20,119 --> 00:17:22,759 Speaker 6: Can there be fifty one hundred five hundred? I don't know, 280 00:17:22,799 --> 00:17:24,440 and I can't spare a crew on the fire to 281 00:17:24,480 --> 00:17:26,559 find out. Yeah, and then you find him, and while 282 00:17:26,559 --> 00:17:28,079 you're right it, try and find a witness who saw 283 00:17:28,160 --> 00:17:30,200 him do it. Meantime, I'll go along with Thompson. 284 00:17:30,240 --> 00:17:31,240 Speaker 3: I got a witness for him. 285 00:17:32,279 --> 00:17:41,440 Speaker 6: They're kind of great, guess sir, Oh she did. Yeah, 286 00:17:41,480 --> 00:17:47,960 that's too bad. No, No, I didn't think of that. Well, 287 00:17:48,039 --> 00:17:51,599 all I can do is keep right after yes, or 288 00:17:51,640 --> 00:17:53,160 of course, as soon as I get anything. 289 00:17:56,359 --> 00:18:00,319 Speaker 3: District Attorney. They just took missus Thompson to tell you 290 00:18:01,200 --> 00:18:06,200 a complete nervous collapse. How much being new about that? 291 00:18:06,359 --> 00:18:06,960 Speaker 7: Is that? Kane. 292 00:18:07,039 --> 00:18:09,519 Speaker 6: Everything we've got so far says that Thompson did it. 293 00:18:10,000 --> 00:18:12,359 You show the DA one solid fact on the other 294 00:18:12,400 --> 00:18:14,680 side of the ledger, and Thompson's practically. 295 00:18:14,319 --> 00:18:15,960 Speaker 3: A free man. Look, will you get me the rundown. 296 00:18:15,960 --> 00:18:17,519 I'll try to get that fact and you show it 297 00:18:17,599 --> 00:18:24,519 to the DA. Did you ever meet missus Thompson? 298 00:18:27,720 --> 00:18:36,599 Speaker 12: Real nice woman, that's right, Starry, meet me in the 299 00:18:36,640 --> 00:18:38,119 photo gallery in five minutes. 300 00:18:39,720 --> 00:18:45,480 Speaker 6: This better be good, Kane, for everybody's sake, especially for 301 00:18:45,599 --> 00:18:46,200 my clients. 302 00:18:47,519 --> 00:18:53,400 Speaker 3: If we miss we get another. He doesn't an this 303 00:18:53,599 --> 00:19:10,480 is his last time at bat well, kata. I hope 304 00:19:10,519 --> 00:19:13,319 you play your Texas. I had three men working on 305 00:19:13,400 --> 00:19:16,839 that list all night, Thanks Retunnan. Only nine names, huh, 306 00:19:17,039 --> 00:19:17,440 that's right. 307 00:19:17,480 --> 00:19:20,039 Speaker 6: Out of about four hundreds, we eliminated everyone who didn't 308 00:19:20,079 --> 00:19:22,680 correspond at least roughly that Thompson's physical description. 309 00:19:23,039 --> 00:19:26,759 Speaker 3: Only two possibilities. Three are in prison, thre are on 310 00:19:26,839 --> 00:19:29,160 the West coast. Two were in the hospital at the time, 311 00:19:29,200 --> 00:19:30,359 and the other two right here in New. 312 00:19:30,319 --> 00:19:35,160 Speaker 6: York, Carl Shaw, Marry Spencer, with a complete rundown on each. 313 00:19:36,640 --> 00:19:40,000 Speaker 3: Okay, this isn't a lending library. 314 00:19:40,480 --> 00:19:42,480 Speaker 8: If I tag one of these guys, I'll buy you 315 00:19:42,599 --> 00:19:44,759 a set of cast iron bookends for your birthday. 316 00:19:44,799 --> 00:19:45,599 Speaker 3: You'll be hearing from me. 317 00:19:48,440 --> 00:19:51,440 Speaker 8: My first possibility. Carl Shaw was working in the garage. 318 00:19:53,799 --> 00:19:56,160 He told me a straight sounding story about not being 319 00:19:56,200 --> 00:19:59,480 crooked anymore. He had a wife and kids now, his 320 00:19:59,640 --> 00:20:03,160 past was really behind him, and so on and so on. 321 00:20:04,240 --> 00:20:06,359 I thought he'd never stopped telling me how he'd become. 322 00:20:06,200 --> 00:20:08,559 Speaker 3: A new man. But all I wanted to hear from 323 00:20:08,640 --> 00:20:09,960 him was his alibi for. 324 00:20:10,000 --> 00:20:10,839 Speaker 8: The time of the killing. 325 00:20:11,640 --> 00:20:16,920 Speaker 3: And he had won. He was working here. The fellow 326 00:20:16,960 --> 00:20:20,519 at the next bench could prove it. Carl Shaw was 327 00:20:20,559 --> 00:20:21,079 in the clear. 328 00:20:22,599 --> 00:20:24,000 Speaker 4: What will it be, mister Kane. 329 00:20:24,279 --> 00:20:29,200 Speaker 3: A little information, Charlie on. A guy named Larry Spencer. Well, 330 00:20:30,359 --> 00:20:34,559 he comes around, regular customer. He was so a couple 331 00:20:34,599 --> 00:20:37,880 of weeks ago. The last night he showed up again, 332 00:20:38,480 --> 00:20:42,359 I'll come, says he was away vacation. He wouldn't have 333 00:20:42,359 --> 00:20:44,000 gone away around the day after. 334 00:20:43,920 --> 00:20:49,240 Speaker 8: Columbus Day, would he? What on October thirteenth, the Druggist 335 00:20:49,319 --> 00:20:54,319 was killed in a heist. Yesterday they indicted a man 336 00:20:54,400 --> 00:20:55,839 named Albert Thompson for the murder. 337 00:20:57,160 --> 00:21:02,359 Speaker 3: Twenty eight between those two dates, Larry Spencer decides he 338 00:21:02,440 --> 00:21:05,599 needs a vacation. That's quite a coincidence, isn't it. Oh, 339 00:21:05,640 --> 00:21:08,559 excuse me, mister, Charlie. I've got customers, mister, I know 340 00:21:08,640 --> 00:21:10,720 you got customers. You got customers because he still got 341 00:21:10,759 --> 00:21:11,200 a license. 342 00:21:11,359 --> 00:21:13,279 Speaker 8: Remember when I proved that those high school kids didn't 343 00:21:13,279 --> 00:21:14,119 take up their booze here? 344 00:21:15,559 --> 00:21:18,279 Speaker 3: I remember what Spencer has been up to lately. I 345 00:21:18,400 --> 00:21:21,559 don't know, honest, do you got any money? 346 00:21:22,000 --> 00:21:22,119 Speaker 7: Oh? 347 00:21:22,160 --> 00:21:23,720 Speaker 3: I let him run a tab once in a while. 348 00:21:24,319 --> 00:21:25,440 The last one had me worried. 349 00:21:25,640 --> 00:21:27,720 Speaker 6: Oh why Well, when he didn't show up those couple 350 00:21:27,759 --> 00:21:29,240 of weeks, I figured he was going for good. 351 00:21:29,759 --> 00:21:34,240 Speaker 3: And yesterday he came in and settled up. Okay, Charlie, 352 00:21:35,359 --> 00:21:35,880 thanks lot? 353 00:21:58,960 --> 00:21:59,400 Speaker 5: Oh is it? 354 00:22:04,559 --> 00:22:06,400 Speaker 3: Hi came? I'm telling Gray phone to come on in. 355 00:22:07,319 --> 00:22:10,759 Ill'm mister Wallace. Well, mister Kane, how are you What 356 00:22:10,839 --> 00:22:12,799 do you want? I want you to look at the picture, 357 00:22:12,839 --> 00:22:19,960 mister Wallace? What pictures? Well? 358 00:22:21,640 --> 00:22:21,960 Speaker 4: Who's this? 359 00:22:22,480 --> 00:22:24,640 Speaker 3: Where'd you get this? A? Guy named Larry Spencer. 360 00:22:24,680 --> 00:22:27,079 Speaker 12: He's got a police record, he's got a hobby also 361 00:22:27,200 --> 00:22:28,400 holding up store keepers. 362 00:22:29,240 --> 00:22:31,119 Speaker 3: Are you sure, mister Wallace, this isn't the man you 363 00:22:31,200 --> 00:22:32,319 saw run out of that store. 364 00:22:32,799 --> 00:22:33,680 Speaker 5: What are you trying to do to me? 365 00:22:33,759 --> 00:22:35,400 Speaker 8: Mister kelmind what I'm trying to do to you? Think 366 00:22:35,400 --> 00:22:37,039 of Albert Thompson. Are you sure this isn't the man 367 00:22:37,079 --> 00:22:38,640 you saw run out of the store after the shooting. 368 00:22:40,359 --> 00:22:42,680 Speaker 9: No, I told you once before. You're not going to 369 00:22:42,720 --> 00:22:45,000 make a fool of me, not now or not on 370 00:22:45,079 --> 00:22:47,880 a witness. Dad, I'm not changing my story. 371 00:23:05,359 --> 00:23:05,839 Speaker 6: That of Gray. 372 00:23:06,599 --> 00:23:08,799 Speaker 3: Oh as Kane say, I'm great, you got my message. 373 00:23:09,519 --> 00:23:13,240 Listen to some of the boys down the hall brought 374 00:23:13,279 --> 00:23:16,319 in a quite a gay crapshooter. One of them was 375 00:23:16,400 --> 00:23:17,039 Larry Spencer. 376 00:23:17,640 --> 00:23:18,480 Speaker 5: You want me to hold him? 377 00:23:18,799 --> 00:23:19,119 Speaker 7: I don't know. 378 00:23:19,200 --> 00:23:21,480 Speaker 3: Do you get anything on him? Nope? I was hoping 379 00:23:21,559 --> 00:23:23,319 to well, there's no point in holding him. He won't 380 00:23:23,319 --> 00:23:25,119 do me and he good in the tank. You think 381 00:23:25,160 --> 00:23:26,200 he'll lead you to the gun? Huh? 382 00:23:26,400 --> 00:23:26,720 Speaker 7: I don't know. 383 00:23:26,759 --> 00:23:28,400 Speaker 8: I think he's got his sash to win some nice 384 00:23:28,480 --> 00:23:30,039 quiet place ready for another job. 385 00:23:30,160 --> 00:23:30,799 Speaker 1: He'll write that. 386 00:23:31,519 --> 00:23:32,039 Speaker 6: How's it look? 387 00:23:32,559 --> 00:23:34,440 Speaker 3: I made a contact with a friend of his. All 388 00:23:35,240 --> 00:23:37,680 now his girlfriends works in the Diamond dance place. I'm 389 00:23:37,680 --> 00:23:39,640 going over there now. Hey, you don't care how you 390 00:23:39,680 --> 00:23:41,839 spend your money. Do you let me know if it 391 00:23:41,920 --> 00:23:52,960 was with it? Will you? Sandy should forgot about Spencer fast. 392 00:23:53,720 --> 00:23:56,400 She's been dancing with that new guy all evening. He 393 00:23:56,440 --> 00:23:58,839 would need to get me an a ticket. I'd answer 394 00:23:58,880 --> 00:24:01,839 them for free. Well, I hope Spencer doesn't come in. 395 00:24:01,960 --> 00:24:04,319 That's all sanded be awful. 396 00:24:04,519 --> 00:24:10,640 Speaker 7: Sorry, so with that dream boat spent to killing Marry 397 00:24:10,720 --> 00:24:13,039 Spencer killing by you kidding? 398 00:24:18,359 --> 00:24:20,920 Speaker 3: No, I don't get it. What's a guy like you 399 00:24:21,039 --> 00:24:23,400 doing in this place? Maybe I like to dance? 400 00:24:25,039 --> 00:24:25,599 Speaker 1: Oh there we go? 401 00:24:26,279 --> 00:24:30,599 Speaker 3: Yeah, hey you must don't an oil? Will anyway? The 402 00:24:30,680 --> 00:24:43,680 next setting? Well, I could use you. You're getting time little? 403 00:24:43,960 --> 00:24:46,960 I want to sit down. No, I like dancing with 404 00:24:47,079 --> 00:24:53,920 you too much. It's not a job. I like it. Well, 405 00:24:54,039 --> 00:25:00,200 that last one was sure living it up. One ticket. Hey, hey, 406 00:25:00,400 --> 00:25:03,799 Sandy's still dancing with that guy. Do you blame her? 407 00:25:05,279 --> 00:25:06,880 Maybe somebody ought to tell. 408 00:25:06,759 --> 00:25:08,200 Speaker 4: Larry Spencer die. 409 00:25:08,720 --> 00:25:14,680 Speaker 3: Don't mind your own business. Say they look nice together 410 00:25:15,119 --> 00:25:34,079 and make yourself at home. Thanks, I'll get some coffee. 411 00:25:40,160 --> 00:25:42,599 You're awfully night. I'm glad you're here. 412 00:25:48,519 --> 00:25:51,160 Speaker 8: I was glad to be here too, But all I 413 00:25:51,279 --> 00:25:54,200 had in mind was finding out if Larry Spencer used 414 00:25:54,240 --> 00:25:55,119 this flat for a gun? 415 00:25:55,200 --> 00:26:02,759 Speaker 3: Drop? Who's the guy? SAME's Larry Spencer? Girls, tell me 416 00:26:02,799 --> 00:26:04,160 about the guy you're gonna marry him? 417 00:26:05,039 --> 00:26:05,400 Speaker 5: I don't know. 418 00:26:06,720 --> 00:26:09,839 Speaker 3: You haven't helped much, I command, Sandy, No, please let 419 00:26:09,920 --> 00:26:15,680 me say something. You know things, things happen quick, too quick. 420 00:26:16,720 --> 00:26:18,359 If you want something, you have to put out your 421 00:26:18,359 --> 00:26:20,559 hand and grab it or else it goes right by. 422 00:26:22,039 --> 00:26:23,559 Larry thinks fast, he gets thin. 423 00:26:25,319 --> 00:26:28,880 Speaker 5: I never wanted to know how you get what you 424 00:26:28,960 --> 00:26:33,200 want to, don't you? I try, Sandy, only maybe with 425 00:26:33,319 --> 00:26:36,319 you it'd be diffey. It'd be a chance to stop 426 00:26:36,400 --> 00:26:41,240 being scared. Try to tell him every time I see him. 427 00:26:42,119 --> 00:26:44,000 Speaker 3: I don't know. Time rushes blind. 428 00:26:44,039 --> 00:26:45,039 Speaker 8: There's never rough left. 429 00:26:45,279 --> 00:26:48,519 Speaker 3: What are you scared of, Sandy? What Larry done? I 430 00:26:48,559 --> 00:26:50,319 don't want to talk about him? What he done? 431 00:26:50,440 --> 00:26:50,759 Speaker 7: Sandy? 432 00:26:51,640 --> 00:26:52,400 Speaker 3: Why tell me? 433 00:26:53,319 --> 00:26:53,440 Speaker 7: Well? 434 00:26:53,519 --> 00:26:55,799 Speaker 3: Why why do you have to know? Long story? Sandy? 435 00:27:04,680 --> 00:27:04,920 Speaker 7: Hello? 436 00:27:07,359 --> 00:27:13,279 Speaker 3: Oh yeah, yeah, yeah, there is someone here who told you. Hello. 437 00:27:18,359 --> 00:27:23,119 You can ask Lara yourself. He's coming over right now. 438 00:27:48,359 --> 00:27:50,599 What do you want. I'm waiting for you. 439 00:27:52,319 --> 00:27:52,759 Speaker 7: Who is he? 440 00:27:54,039 --> 00:27:54,319 Speaker 11: Friend? 441 00:27:55,240 --> 00:27:55,440 Speaker 4: Oh? 442 00:27:56,440 --> 00:27:59,240 Speaker 3: Get out? Have I ever catch you around here again? 443 00:27:59,319 --> 00:28:02,880 I'll break your face in. Hear me? 444 00:28:03,559 --> 00:28:04,000 Speaker 9: I hear you? 445 00:28:05,480 --> 00:28:06,200 Speaker 3: Who is this guy? 446 00:28:10,039 --> 00:28:10,440 Speaker 7: Let me go? 447 00:28:10,640 --> 00:28:11,079 Speaker 3: I said it? 448 00:28:11,160 --> 00:28:11,400 Speaker 7: With it? 449 00:28:15,440 --> 00:28:17,279 Speaker 3: What do you want? I want you to change places 450 00:28:17,279 --> 00:28:19,519 with a nice little guy that's being framed for murder? 451 00:28:19,759 --> 00:28:22,799 Did you committed? You're nuts? Pretend I went out and 452 00:28:22,920 --> 00:28:24,400 came back on. Beat my face in. 453 00:28:24,599 --> 00:28:25,200 Speaker 8: Let me alone. 454 00:28:25,440 --> 00:28:43,079 Speaker 13: I'm gonna start paying you off now, Sandy, help me. 455 00:28:56,319 --> 00:28:57,720 Thanks Sannie for not helping him. 456 00:28:59,680 --> 00:29:05,559 Speaker 3: Okay, couldn't not after what you said. I always thought 457 00:29:05,640 --> 00:29:10,599 Larry was a small time he killed somebody. Get the 458 00:29:10,680 --> 00:29:11,319 gun here. 459 00:29:13,799 --> 00:29:14,039 Speaker 4: Came? 460 00:29:15,559 --> 00:29:18,319 Speaker 3: I told you, didn't I do you want something? You 461 00:29:18,400 --> 00:29:23,119 have to reach out and get it? Will I will 462 00:29:23,119 --> 00:29:25,640 I ever see you again if you ever need me. Sandy, 463 00:29:26,440 --> 00:29:27,200 you're ever in trouble? 464 00:29:28,359 --> 00:29:28,680 Speaker 4: Why now? 465 00:29:28,680 --> 00:29:29,960 Speaker 3: I want to start the wheels rolling for some of 466 00:29:30,039 --> 00:29:32,559 your ways. A ton of great please. 467 00:29:49,480 --> 00:29:58,759 Speaker 1: M welcome back. Another episode that reflects the challenge of 468 00:29:59,000 --> 00:30:02,079 eye witness testing. In this case, the stubbornness of the 469 00:30:02,160 --> 00:30:05,720 witness and his pride made it hard for him to 470 00:30:05,799 --> 00:30:09,000 admit he'd made a mistake or could have. The episode 471 00:30:09,039 --> 00:30:13,599 had a mix of solid, talented leads and somewhat amateurish 472 00:30:13,759 --> 00:30:17,799 over the top guest stars with a decent enough mystery, 473 00:30:18,240 --> 00:30:21,799 which kind of fits my experience of the TV episodes 474 00:30:21,839 --> 00:30:25,799 of Martin Kine as well. The actors who played Martin 475 00:30:25,880 --> 00:30:30,839 Kine were all very, very talented performers, but they really 476 00:30:31,240 --> 00:30:35,400 had to carry the show when dealing with the spotty 477 00:30:36,000 --> 00:30:40,359 guest performances. For William Garden, he identified that the show 478 00:30:40,640 --> 00:30:46,799 was casting good looking but untalented actresses, which offended his 479 00:30:46,960 --> 00:30:50,759 sense of professionalism and morality because he viewed it as 480 00:30:50,839 --> 00:30:56,039 them just trying to sell sex in a much less 481 00:30:56,279 --> 00:31:01,240 overway than television just today. I do think that for audio, 482 00:31:01,640 --> 00:31:05,920 without being able to see it, it still worked pretty 483 00:31:05,960 --> 00:31:09,480 well for the most part. The narration by Martin Kin 484 00:31:09,720 --> 00:31:13,599 helps witch I can be a bit superfluous over television, 485 00:31:14,200 --> 00:31:16,519 but I think it is a nice touch over radio 486 00:31:16,680 --> 00:31:21,400 to help the listener's imagination. Mark Stevens was a very 487 00:31:21,640 --> 00:31:25,240 good actor with a solid career as a leading man 488 00:31:25,359 --> 00:31:29,920 in Hollywood in the late nineteen forties and into the 489 00:31:30,079 --> 00:31:34,640 nineteen fifties, and he probably deserves more attention than he gets. 490 00:31:34,720 --> 00:31:38,759 In addition to playing the lead role on Martin Kin. 491 00:31:39,400 --> 00:31:45,319 He also starred in another TV series that was related 492 00:31:45,400 --> 00:31:48,920 to Radio Big Town, and he has a star on 493 00:31:49,039 --> 00:31:52,640 the Walk of Fame in Hollywood for television, although I 494 00:31:52,759 --> 00:31:56,400 kind of sense that is more of a combined thing 495 00:31:56,559 --> 00:31:59,839 for his work both in television and in motion pitch. 496 00:32:00,400 --> 00:32:04,440 We probably should have heard Mark Stevens on the podcast before. 497 00:32:04,559 --> 00:32:07,799 He did a few really good in war films and 498 00:32:07,920 --> 00:32:12,200 also start in the Lux Radio Theater adaptations, and hopefully 499 00:32:12,400 --> 00:32:17,400 we will get to some of those adaptations soon. Well, 500 00:32:17,480 --> 00:32:20,640 now it is time to thank our Patreon supporter of 501 00:32:20,680 --> 00:32:22,799 the day. I want to go ahead and thank our 502 00:32:22,920 --> 00:32:24,920 Patreon support of the day, and I want to thank 503 00:32:25,119 --> 00:32:27,519 Cherry Lee. Chery Lee has been one of our Patreon 504 00:32:27,559 --> 00:32:32,720 supporters since March of twenty eighteen, currently supporting the podcast 505 00:32:32,960 --> 00:32:37,079 at the Master Detective level of fifteen dollars or more 506 00:32:37,160 --> 00:32:40,480 per month. Thanks so much for your support, Sharlee, and 507 00:32:40,680 --> 00:32:44,119 that will actually do it for today. If you're enjoying 508 00:32:44,160 --> 00:32:48,519 the podcast, please follow us using your favorite podcast software, 509 00:32:48,680 --> 00:32:51,920 And if you're enjoying the podcast on YouTube, be sure 510 00:32:52,000 --> 00:32:54,960 to like the video, subscribe to the channel, and mark 511 00:32:55,039 --> 00:33:00,279 the notification bell. We will be back next Tuesday with 512 00:33:00,720 --> 00:33:05,680 a special Christmas Eve episode. But join us back here 513 00:33:05,759 --> 00:33:11,119 tomorrow as our Christmas episodes get under away with broadways 514 00:33:11,279 --> 00:33:11,759 my beat? 515 00:33:11,920 --> 00:33:12,160 Speaker 3: Where? 516 00:33:13,039 --> 00:33:13,599 Speaker 8: Excuse me? 517 00:33:18,200 --> 00:33:18,519 Speaker 9: What is it? 518 00:33:18,559 --> 00:33:19,319 Speaker 1: I can hardly hear you? 519 00:33:21,119 --> 00:33:22,799 Speaker 6: List listen? 520 00:33:23,119 --> 00:33:25,640 Speaker 3: Ny? Can you see what I mean? Why the sarens? 521 00:33:25,640 --> 00:33:29,920 What's the trouble? What trud trick? Take? 522 00:33:29,960 --> 00:33:33,240 Speaker 7: Ulus is in a tree on the Avenue eight playground, Enny, 523 00:33:34,160 --> 00:33:34,559 this lit. 524 00:33:35,119 --> 00:33:39,079 Speaker 1: He's showing anyone to listen to There ain't no I 525 00:33:39,160 --> 00:33:42,119 hope you'll be with us then in the meantime, send 526 00:33:42,160 --> 00:33:46,599 your comments to Box thirteen at Great Detectives dot net, 527 00:33:47,359 --> 00:33:51,279 follow us on Twitter at Radio Detectives, and check us 528 00:33:51,319 --> 00:33:58,319 out on Instagram, Instagram, dot com, slash Great Detectives from Boise, Idaho. 529 00:33:58,799 --> 00:34:01,559 This is your host, Adam Graham signing off.