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Speaker 1: Welcome to the Great Detectives of Old Time Radio from

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Boise Adohol. This is your host, Adam Graham. In a moment,

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we're going to bring you this week's episode of Dragnet.

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But first I want to encourage you, if you're enjoying

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the podcast, to please follow us using your favorite podcast software.

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channels to grow. Today's program is also brought to you

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can support the show on a one time basis by

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one three. That's Peelbox one five nine thirteen, Boise, Idaho

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eight three seven one five. I want to thank John

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more per month. Thank you so much for your support.

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Well now from May the third, nineteen fifty one, It's

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the Big Casey.

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Speaker 2: The story you are about to hear is true, only

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the names have been changed to protect the innocent. You're

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a detective sergeant. You're assigned a homicide detail. You go

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to an apartment house and answer to her shooting and

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dead body call. Her husband tells you it's suicide. The

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facts show.

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Speaker 3: It to be murder.

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Speaker 4: Your job find out.

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Speaker 5: Drag Man, the documented drama of an actual crime. While

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the next thirty minutes, in cooperation with the Los Angeles

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Police Department, you will travel step by step on the

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side of the law through an actual case transcribed from

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official police violence, from beginning to end, from crime to punishment.

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Drag Net is the story of your police force in action.

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Speaker 6: It was Sunday, March ninth, was Wendy in Los Angeles.

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We were working the day watch out of homicide detail.

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My partner's Ben Romero, the boss's that brown cheap of detectives.

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Speaker 3: My name is Friday.

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Speaker 6: Was four thirty five pm when we got to the

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first floor of the Kelsey Apartment Hotel, Apartment one twelve.

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Speaker 3: Hi Joe Ben, Hi, Hey, how are you? What have

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you got here?

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Speaker 7: The woman's dead shot to the right temper with a

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forty five automatic husband claims a suicide. What's the name, mister, missus?

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Andrew Robertson. My wife's name was Marie. That's mister Robertson

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right over here.

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Speaker 3: There's a crime. I've been called how about ten minutes ago? Fine,

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mister Robertson. This is Sergeant Romero, Sergeant Friday. How do

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you do? How you have you? Questioned mister Robertson.

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Speaker 8: No, not yet, mister Robertson, do you want to tell

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us what happened here?

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Speaker 9: I had just gotten back from the corner grocery store.

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My wife and I had a little argument going. It

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started before I left for this door, and it was

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still on when I got back. I see she was

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fixing chicken fried steaks for dinner, putting a flour on him.

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We had a few more words, and I went over

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and sat on the devonport right where I am now.

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Speaker 3: She was standing there in the doorway to the kitchen.

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Speaker 9: She said something that set me off, and I guess

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I got pretty mad and said a few things. And

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she went back over that little night stand there by

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the door to the kitchen. That one right there, Yeah,

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that's it. That's where I keep my army automatic. She

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pulled it out of the drawer and backed up into

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the kitchen. She put the gun to her head and

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said this will put an end to the argument once

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and for all. I yelled at her and tried to

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stop her, but I was too late. She pulled the

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trigger and fell right.

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Speaker 3: There where she is. What'd you do?

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Speaker 4: Then?

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Speaker 9: I went upstairs to Ted Carlton's place. He lives in

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two twelve, right above us. We don't have a phone here.

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I asked him to call the police and send for

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an ambulance.

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Speaker 3: Did you go over to see how badly your wife

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was shot?

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Speaker 4: Yeah?

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Speaker 3: I forgot to tell you. The minute she fired, I

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rushed right over to her, but I was too late.

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Speaker 4: She was dead.

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Speaker 10: Now did you touch anything in here? Move anything at all?

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Speaker 9: No, they're not a thing. I've been sitting here ever

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since I got back down from Ted's room.

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Speaker 3: Upstairs. I see Joe.

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Speaker 8: Yeah, empty cartridge casing here on the floor. Yeah, when

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Jones gets here, we'll measure the distance.

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Speaker 10: Just a minute. We can put this saucer over till

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the crime lab gets here.

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Speaker 3: Hiley, all right, crime labs there fridday. The joon will

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highly Oh Joe Manley free mind?

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Speaker 6: Would you mind taking mister Robertson downtown. We'll be right

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down since you finish up here. All right, you see

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you later.

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Speaker 3: Thanks a lot.

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Speaker 10: Hereing, let's go.

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Speaker 8: All that we got here, shot through the right temple?

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Husband clamed suicide. What's under the saucer?

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Speaker 3: Empty casing?

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Speaker 8: Looks like she was flowering meat? Huh, that's what the

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husband says.

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Speaker 11: Yeah, that's probably what that is in the barrel of

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the automatic there.

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Speaker 8: Yeah, we noticed that waste baskets shore full, isn't it?

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Speaker 3: Yeah?

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Speaker 8: I like temple forty five automatic.

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Speaker 3: Yeah.

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Speaker 8: If she shot herself in the kitchen, how do you

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figure the empty case and got out there in the

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living room position of the body doesn't want then that'll

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be get miguel a photographer?

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Speaker 3: Ada, I add, well, what do you want to shoot?

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Speaker 8: Well, don't you get an overall of the room first

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and grab one in the kitchen there?

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Speaker 3: All right?

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Speaker 8: Way do I get that saucer off the casing?

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Speaker 3: End?

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Speaker 10: Okay?

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Speaker 3: Right now?

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Speaker 12: You want to move over there loft.

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Speaker 3: Oh yeah, thanks, all right, you want the kitchen.

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Speaker 8: Right from where you are on. Now it's good. We

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can get out of your way here.

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Speaker 3: Okay, this is fine.

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Speaker 10: M m.

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Speaker 8: Now right over the body, let me get that chattis

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down to here.

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Speaker 12: You are that much room to work with me.

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Speaker 3: Can you get it all in there?

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Speaker 10: Yeah?

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Speaker 3: I think so.

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Speaker 8: Use the waste basket as your outside line here in

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kitchen sink on the other side. You can't get the

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sink in when you send up for the waste basket

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only fine, Just use that as your right hand side line.

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Speaker 3: H m m. Okay.

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Speaker 10: So why do you Fellas finished up in here? We're

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gonna rou upstairs in that way?

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Speaker 3: Okay, Joe moment, where do you want to go? First?

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Do twelve? And that's this Ted Carlton Robertson mentioned in it.

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Speaker 8: Yeah, the Fellaws was supposed to have called in for him.

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Speaker 10: All right, you know here it is right the headstairs.

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Speaker 3: Yes, police officers you, mister Calton, Yes, that's right. Comment.

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Thank you very much. This is an awful thing, isn't it.

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Speaker 10: Yes, sir, we understand that you're a friend of the Robertsons.

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Speaker 3: Yes I am. Have you found out anything. Yet you

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think Andy killed her? We don't know. We haven't completed

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that investigation.

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Speaker 13: Oh, I see, I'll bet that's the way it was.

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I hate to say that, but from all indications, it

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certainly looks that way. How do you mean the argument

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is shouting and then that single shot. I don't know,

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but it sure struck me that Andy did it?

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Speaker 3: When did the arguments? Was it prolonged? You know? What

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do you mean when it's stuck? What time? You know?

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Speaker 13: This one today started about three thirty when Andy got

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back from the Star. But they've been arguing ever since

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I've known them.

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Speaker 3: How long have you known them?

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Speaker 13: About two years? Those two never should have gotten married

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to begin with.

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Speaker 3: If I'm any judge, are you marry No, sir, I'm not.

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Speaker 6: What if you could tell us, did missus Robertson never

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say anything that would lead you to believe that she

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was in fear of her life?

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Speaker 4: Well, yes she did.

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Speaker 13: One time Andy stalked out of the apartment down there

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and Marie came up here.

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Speaker 3: To see me.

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Speaker 13: She was in tears, all broken up about it. As

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usual during these spats, she said, I'll try to remember

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exactly how she put it. She said, Andy gets so

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mad sometimes I think he's going to kill me.

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Speaker 3: What did they usually argue about, you know, all different things.

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Speaker 13: This particular time that I was telling you about, I

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think it was over his being late for dinner.

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Speaker 10: Aside from this one instance. Is there anything else that

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you can tell us?

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Speaker 13: Well, Andy has a terrible temper that I know. We

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used to go out and bowl once in a while, Marie,

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Andy and myself to stop every time he'd missed a spare.

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You'd think it was the end of the world.

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Speaker 8: Would he usually seem to take it out of his wife.

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Speaker 13: Most of the time, Yeah, although I must say I

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caught it a few times myself. Abusive language. She really

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carried on over nothing at all.

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Speaker 8: Did Robertson leave his wife home alone much of the time.

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Speaker 3: No, not any more than usual.

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Speaker 8: Seems like he always wanted to get home just so

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they could argue.

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Speaker 3: Everybody in the apartment house knows about him.

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Speaker 8: So you said that, missus Robertson came up here after

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that one particular argument.

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Speaker 3: Yes, Well does he come up here often?

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Speaker 13: No, not very often, just when she was unusually upset

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and her nerved her on edge. But only then when

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Andy had rushed out in my head.

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Speaker 8: Well, do you know whether or not Robertson Owen's a gun?

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Speaker 4: Yes?

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Speaker 3: I believe he does.

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Speaker 13: As a matter of fact, I know he does. One night,

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we're having trouble with prowlers and he came up here

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with his automatic. Later on, I think I asked him

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where he got the gun? He said, from the army.

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Is there anything else you can add, mister Cardan, I

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was one.

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Speaker 3: Who call the police. Do that? That's what we understand.

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Didn't Andy tell you?

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Speaker 13: He came up here right after the shot and asked

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me to call the police for him. They don't have

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well exactly how to de tell you?

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Speaker 3: What do you mean? Well?

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Speaker 8: What were his exact words? Can you remember them?

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Speaker 3: Well?

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Speaker 13: He said, my wife's shot, called the police and get

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an ambulance quick.

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Speaker 10: And what was your reaction to this?

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Speaker 13: I'd heard the shot, so I wasn't too surprised. But

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when Andy came running up here, I knew before he

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said a word, you could tell just to look at him,

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you could tell what something was wrong. I had a

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hunch all along that this might happen someday. What's that

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that Andy and Kelly's wife.

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Speaker 6: Ben and I continued questioning the various neighbors in the

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apartment building. Their stories all matched in every detail. The

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Robertsons had been known to.

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Speaker 8: Argue quite frequently and quite loud.

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Speaker 6: None of the neighbors could definitely say that they had

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ever heard Andrew Robertson threaten his wife.

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Speaker 3: All of them volunteered it would be entirely possible. We

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put in a call to R and I.

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Speaker 6: We found that there was no previous record on Andrew

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Robertson nor his wife Marie. Before Lee Jones had finished

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his investigation, Layton fingerprint men had arrived and the men

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from the Coroner's office were standing by for removal of

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the body. We canvassed the neighborhood and checked with the

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various merchants in the area. They could shed no further

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light on the death of Marie Robertson. The coroner removed

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the body from Apartment one twelve, and Lee Jones continued

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with his investigation.

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Speaker 3: Ben and I returned downtown for further interrogation of the suspect.

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Everything I've told you was the truth.

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Speaker 8: Would you mind going over just once more?

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Speaker 3: All right?

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Speaker 9: We had our cause and arguments, and I guess some

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of them were pretty bad.

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Speaker 3: But I'd never do a thing like this to Marie.

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Speaker 8: Where you don't seem very upset about all this.

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Speaker 9: Robinson, I'm not crying, if that's what you mean. I'm

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sorry she had to do it. Tried to stop her,

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but there was nothing I could do.

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Speaker 8: Where you seem to be taking all this pretty well

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under the circumstances.

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Speaker 9: I don't know if I can explain how I feel

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about it. You see, Marie and I want too happy

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the past couple of years. We've been married eight years,

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and I guess from the start we never could hit

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it off. Did you used to argue quite a bit? No,

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at first, we didn't. Just seem that we've drifted apart.

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The last couple of years seemed to fight all the

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time over nothing at all. I honestly believe.

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Speaker 3: We fell out of love.

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Speaker 8: But would you mind telling us again exactly what happened

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this afternoon?

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Speaker 9: First of all, I got up. I always liked to

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sleep on Sundays. She asked me to go to the store.

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That started the argument. She knows I don't like to

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go shopping, but it seemed like she was always forgetting

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something and i'd have to go. When I got back

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from the store. She was making chicken fried steaks for dinner.

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She was putting a flour on the meat. We argued

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back and forth for a minute, and then she stepped

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into the living room. I went over and sat on

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the davenport. Oh my god, we had a few more boys.

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And she went over to the small night stand by

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the kitchen door and took out my army automatic that

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I kept in there. She backed up into the kitchen

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and pointed the gun at her head. Here she said,

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this will end the argument once and for all.

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Speaker 3: So I said.

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Speaker 9: I was on the davenport about twelve feet away from her.

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Speaker 3: I yelled at her, what did you say? Said Marie,

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put that gun down, it's loaded. Before I could reach her,

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she pulled the trigger. Then what'd you do? I rushed

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over to her, but it was too late. She was dead.

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What happened? Then?

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Speaker 9: We don't have a phone, So I rushed upstairs at

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00:14:13,360 --> 00:14:16,759
the apartment right over us ted Calvin's. I asked him

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to phone for the police in the ambulance.

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Speaker 3: Did you tell Carlton about your wife? Yes? I did.

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I told him she'd been shot. Then where'd you go? So,

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00:14:25,200 --> 00:14:27,480
just like I told you, the apartment. I went back

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downstairs and waited in the living room for you people

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to get there. Did you go near your wife's Boddy, No,

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00:14:32,639 --> 00:14:33,039
I did not.

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Speaker 10: Did you always keep that gun loaded?

302
00:14:36,519 --> 00:14:36,759
Speaker 3: Yes?

303
00:14:36,799 --> 00:14:37,159
Speaker 4: I did.

304
00:14:38,279 --> 00:14:40,960
Speaker 9: I always kept it loaded and actuated the shell in

305
00:14:41,000 --> 00:14:44,120
the chamber, but I kept the safety lock on. Ree

306
00:14:44,200 --> 00:14:46,159
knew how to operate the gun because I showed her

307
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for when I was out late. She wasn't strong enough

308
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to actuate it, but she could work the safety.

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Speaker 8: Did your wife ever try to commit suicide before?

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Speaker 3: Not to my knowledge.

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Speaker 10: Well, mister Robertson, you sure that everything you've told.

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Speaker 3: Us is the truth? It's see sort your truth, every

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word of it.

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Speaker 10: Well, sir, here's the way it looks to us. We

315
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think you killed your wife.

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Speaker 4: I didn't.

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Speaker 8: I just lay out a few things for you. We

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talked to your friends and neighbors in your apartment house.

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We have people who are testified to the fact that

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your wife was afraid that you might kill him.

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Speaker 3: If he told one man.

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Speaker 9: Then it isn't true. I don't know what you may

323
00:15:20,039 --> 00:15:21,759
have told somebody, but I didn't kill her.

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Speaker 8: So know, in fact, throughout the entire apartment building that

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00:15:24,519 --> 00:15:26,840
you and your wife had violent quarrels. The kind of

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00:15:26,960 --> 00:15:29,159
argument from on reports, it could easily lead to something

327
00:15:29,200 --> 00:15:29,360
like that.

328
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Speaker 3: I told you, we argued, But I didn't kill Murray.

329
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I couldn't do a thing like that.

330
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Speaker 10: Mister Robertson.

331
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Speaker 8: We've made a preliminary investigation of your apartment.

332
00:15:39,039 --> 00:15:40,919
Speaker 6: You say your wife killed herself. Let me show you

333
00:15:41,000 --> 00:15:42,559
some of the flaws in your story here.

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00:15:42,879 --> 00:15:44,480
Speaker 3: All I can say is what I've told you is

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00:15:44,519 --> 00:15:45,759
the truth. I didn't kill her.

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00:15:45,879 --> 00:15:47,519
Speaker 6: Now, you told us that your wife went to the

337
00:15:47,600 --> 00:15:48,879
night standing and got the gun.

338
00:15:49,000 --> 00:15:52,120
Speaker 3: That's right. How did she pick up the automatic? What

339
00:15:52,240 --> 00:15:52,639
do you mean?

340
00:15:52,720 --> 00:15:55,639
Speaker 9: Well, how'd she take it from the drawer like anyone

341
00:15:55,639 --> 00:15:57,559
would pick up a gun by the butt?

342
00:15:58,320 --> 00:15:59,840
Speaker 3: She picked it up like anybody would. It was going

343
00:15:59,919 --> 00:16:02,799
to you did, and you're sure about that? Positive?

344
00:16:03,200 --> 00:16:04,759
Speaker 10: She didn't touch anything but the butt.

345
00:16:05,519 --> 00:16:08,159
Speaker 3: Well, she had part of her hand on the trigger.

346
00:16:07,879 --> 00:16:09,519
Speaker 8: We know that, But she didn't touch any other part

347
00:16:09,519 --> 00:16:10,039
of the weapon.

348
00:16:10,600 --> 00:16:12,519
Speaker 3: She did not. You didn't have time we then, how

349
00:16:12,559 --> 00:16:13,480
do you account.

350
00:16:13,080 --> 00:16:14,799
Speaker 8: For the fact that we found traces of flower on

351
00:16:14,840 --> 00:16:15,679
the barrel of the gun?

352
00:16:16,039 --> 00:16:18,399
Speaker 3: Oh sure she was flowering me? Well, how'd the flower

353
00:16:18,440 --> 00:16:21,159
get on the barrel? I don't know. Well.

354
00:16:21,200 --> 00:16:22,919
Speaker 6: Wasn't it true that when you approached her where the

355
00:16:22,919 --> 00:16:25,919
automatic pointed at her, she tried to ward off the shot.

356
00:16:25,679 --> 00:16:28,159
Speaker 3: With her hand. Isn't that how the flower got on

357
00:16:28,159 --> 00:16:29,559
that barrel? That isn't true.

358
00:16:29,879 --> 00:16:33,200
Speaker 8: Now you said your wife was putting flour on some steaks.

359
00:16:32,879 --> 00:16:35,000
Speaker 3: That's right. How do you account for the fact.

360
00:16:34,759 --> 00:16:36,320
Speaker 8: That we didn't find any flower on the butt of

361
00:16:36,320 --> 00:16:39,240
the gun we'd belonged, or on the drawer of the

362
00:16:39,279 --> 00:16:41,840
knight stand where you say she first picked up the automatic.

363
00:16:42,679 --> 00:16:45,279
Speaker 3: I can't answer that. I don't know what all this means.

364
00:16:45,440 --> 00:16:47,519
Speaker 6: It means that unless you've got some kind of explanation,

365
00:16:47,600 --> 00:16:49,399
we have to assume that you're lying that you killed

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00:16:49,399 --> 00:16:49,840
your wife.

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00:16:50,840 --> 00:16:52,720
Speaker 3: I don't know how to explain all these things, but

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00:16:52,759 --> 00:16:53,559
I didn't kill her.

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00:16:54,000 --> 00:16:57,200
Speaker 8: Mister Robertson, you say you were an army man. Isn't

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00:16:57,200 --> 00:16:58,519
that what you told us how to your apartment?

371
00:16:59,080 --> 00:17:00,840
Speaker 3: Yes, I was a sergeant than the army during the

372
00:17:00,919 --> 00:17:03,519
last war. What outfit were you in? I was an

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00:17:03,559 --> 00:17:06,759
instructor in side arm weapons or sat an Army air base.

374
00:17:06,839 --> 00:17:08,680
Speaker 8: Then you'd be somewhat of an authority on the Colt

375
00:17:08,759 --> 00:17:10,680
forty five caliber automatic pistol, wasn't it.

376
00:17:11,319 --> 00:17:13,559
Speaker 3: I guess I would. Yeah, that was one of the

377
00:17:13,559 --> 00:17:15,119
weapons I instructed.

378
00:17:14,599 --> 00:17:17,200
Speaker 8: In you'd know all about the system of ejection employed

379
00:17:17,200 --> 00:17:18,720
by the coke coming on there forty five.

380
00:17:18,599 --> 00:17:22,519
Speaker 3: Automatic, Yes, I would. The empty casing ejects to the right,

381
00:17:22,920 --> 00:17:25,799
up and back. Is that correct? Yes? Right.

382
00:17:26,119 --> 00:17:28,079
Speaker 8: In other words, if you were pointing a forty five

383
00:17:28,079 --> 00:17:29,920
at me and you pulled the trigger, the empty casing

384
00:17:29,920 --> 00:17:32,119
would eject to your right up and fall on the

385
00:17:32,119 --> 00:17:33,839
floor to the rear on your right side.

386
00:17:34,440 --> 00:17:36,960
Speaker 3: A right, Yeah, that's what it would end up.

387
00:17:38,039 --> 00:17:41,359
Speaker 8: You still maintained that your wife shot herself, Yes, I do.

388
00:17:42,240 --> 00:17:43,359
Where was she standing when she.

389
00:17:43,359 --> 00:17:46,279
Speaker 3: Pulled the trigger? Because I told her before? In the kitchen?

390
00:17:46,599 --> 00:17:48,480
How was she standing? What do you mean?

391
00:17:48,519 --> 00:17:53,599
Speaker 9: Which way was she facing? Let's see, facing me? That's

392
00:17:53,680 --> 00:17:55,440
right in the kitchen, with her back to the sink,

393
00:17:55,480 --> 00:17:58,519
facing out toward me. And where were you on the

394
00:17:58,559 --> 00:18:00,440
devenport in the living room facing huh?

395
00:18:00,640 --> 00:18:00,680
Speaker 3: No?

396
00:18:01,480 --> 00:18:03,880
Speaker 8: Bearing in mind what we've already discussed and agreed upon

397
00:18:04,000 --> 00:18:07,359
concerning the ejection system of forty five, how do you

398
00:18:07,400 --> 00:18:09,599
account for the fact that the empty casing was found

399
00:18:09,640 --> 00:18:12,240
in the living room six feet and four inches from

400
00:18:12,279 --> 00:18:12,799
the kitchen.

401
00:18:14,039 --> 00:18:15,519
Speaker 3: Let's see, I'll figure it for you.

402
00:18:16,440 --> 00:18:18,400
Speaker 8: The empty casing should have been fun on the floor

403
00:18:18,400 --> 00:18:20,400
of the kitchen, somewhere to the right and rear of

404
00:18:20,440 --> 00:18:20,880
your wife.

405
00:18:21,599 --> 00:18:22,359
Speaker 3: Isn't that about him?

406
00:18:23,400 --> 00:18:26,000
Speaker 9: I don't understand. Why are you trying to prove me guilty.

407
00:18:26,359 --> 00:18:28,000
I've told you, and I swear to you, I didn't

408
00:18:28,079 --> 00:18:28,759
kill my wife.

409
00:18:28,799 --> 00:18:31,359
Speaker 6: Well, it'd be a physical impossibility for that emptication to

410
00:18:31,400 --> 00:18:33,559
have landed anywhere but in the kitchen. If your wife

411
00:18:33,640 --> 00:18:36,720
had pulled the trigger that automatic, how about that?

412
00:18:38,000 --> 00:18:41,319
Speaker 3: What can I say? Please believe what I'm telling you.

413
00:18:41,400 --> 00:18:43,440
Speaker 8: I didn't do it, not according to the evidence.

414
00:18:44,039 --> 00:18:45,319
Speaker 3: I don't understand any of this.

415
00:18:46,200 --> 00:18:49,119
Speaker 8: Well, here's the way we've got it reconstructed. You had

416
00:18:49,160 --> 00:18:52,160
a quarrel, you got the gun. You met your wife

417
00:18:52,160 --> 00:18:53,359
at the doorway to the kitchen.

418
00:18:53,599 --> 00:18:54,720
Speaker 3: You pointed the gun at her.

419
00:18:55,240 --> 00:18:57,079
Speaker 6: She tried to ward it off with her left hand,

420
00:18:57,200 --> 00:18:59,920
leaving flower on the barrel of the gun. You fired,

421
00:19:00,319 --> 00:19:02,440
and the casing was thrown up and back to the right,

422
00:19:02,759 --> 00:19:04,480
where it landed on the rug of the living room.

423
00:19:04,519 --> 00:19:07,440
Speaker 8: The testimony of the neighbors, the flower on your wife's hand,

424
00:19:07,759 --> 00:19:10,839
the position of the empty case, Robertson your.

425
00:19:10,880 --> 00:19:13,279
Speaker 3: D I don't know why all these things are the

426
00:19:13,319 --> 00:19:14,279
way you say they are.

427
00:19:14,480 --> 00:19:14,680
Speaker 8: We do.

428
00:19:14,880 --> 00:19:16,799
Speaker 10: We don't believe your wife committed suicide.

429
00:19:17,079 --> 00:19:27,039
Speaker 3: You think about it? Come on, Ben, Yeah, Well what.

430
00:19:27,119 --> 00:19:29,960
Speaker 6: Do you think evidence we've got so far has got

431
00:19:30,039 --> 00:19:33,599
him ten Yeah? With all that proof, he still refuses

432
00:19:33,680 --> 00:19:35,799
to cop out something doesn't jad.

433
00:19:36,119 --> 00:19:37,480
Speaker 3: Maybe we can find out why.

434
00:19:47,759 --> 00:19:49,440
Speaker 4: You are listening to drag net.

435
00:19:57,240 --> 00:20:00,559
Speaker 6: We had Gene Bechtel take Andrew Robertson's statement. We had

436
00:20:00,599 --> 00:20:03,559
his testimony that his wife had committed suicide, a fact

437
00:20:03,559 --> 00:20:06,359
that he couldn't prove and that we could disprove. We

438
00:20:06,519 --> 00:20:10,480
had before us the final investigation, All evidence was taken

439
00:20:10,519 --> 00:20:13,279
to the crime lab for analysis, but photographs taken at

440
00:20:13,319 --> 00:20:16,319
the scene were developed and brought in for careful checking in.

441
00:20:16,359 --> 00:20:17,799
Speaker 10: Accordance with Robertson's story.

442
00:20:18,279 --> 00:20:20,799
Speaker 6: Both he and his deceased wife were given paraffine tests

443
00:20:21,119 --> 00:20:23,720
to determine the presence of night trates. Both of them

444
00:20:23,720 --> 00:20:26,440
were finger printed and latent Prince Details started to check

445
00:20:26,519 --> 00:20:29,039
them out. Two teams of men were sent out to

446
00:20:29,079 --> 00:20:32,319
talk with the close relatives of the two people. Sunday,

447
00:20:32,359 --> 00:20:35,519
March ninth, seven p m. We got a call from

448
00:20:35,559 --> 00:20:37,559
Lieutenant Lee Jones that he had the final results of

449
00:20:37,640 --> 00:20:38,359
his investigation.

450
00:20:38,960 --> 00:20:40,519
Speaker 3: We went over to the second floor of the Central

451
00:20:40,559 --> 00:20:41,839
Station Crime Lab.

452
00:20:43,839 --> 00:20:46,440
Speaker 8: Got a couple of things for you. Okay, how'd you

453
00:20:46,480 --> 00:20:47,440
make out with Robertson?

454
00:20:47,680 --> 00:20:49,960
Speaker 10: Well, he insisted it was suicide. What's your idea on it?

455
00:20:50,039 --> 00:20:54,359
Speaker 8: And let me show you what we've got all right? Yeah,

456
00:20:54,400 --> 00:20:54,759
look at this.

457
00:20:56,279 --> 00:20:57,920
Speaker 3: I'm picture of the forty five casing.

458
00:20:58,039 --> 00:21:00,319
Speaker 8: That's why I take a close look at it right

459
00:21:00,440 --> 00:21:05,119
here in particular. Yeah, you notice this one edge is

460
00:21:05,160 --> 00:21:06,200
a little crimped here.

461
00:21:08,000 --> 00:21:08,759
Speaker 3: Ejector marks.

462
00:21:08,880 --> 00:21:11,960
Speaker 8: No, here are your ejector marks up here? See this

463
00:21:12,160 --> 00:21:13,799
crimping is something entirely different.

464
00:21:14,279 --> 00:21:14,680
Speaker 3: What is it?

465
00:21:15,039 --> 00:21:17,880
Speaker 8: You remember where you found this case? Six feet four

466
00:21:17,920 --> 00:21:20,160
inches into the living room, That's right, And we wondered

467
00:21:20,200 --> 00:21:22,200
how it could have been thrown that far by the ejector.

468
00:21:22,240 --> 00:21:24,680
If the husband's story is true, the ejector didn't do that.

469
00:21:25,359 --> 00:21:29,319
I wanted too. On close inspection, I noticed this crimping.

470
00:21:30,400 --> 00:21:32,319
Let me show you how this casing got out there

471
00:21:32,359 --> 00:21:37,480
in the living room. Here's an identical forty five caliber

472
00:21:37,559 --> 00:21:38,559
called empty casey.

473
00:21:38,680 --> 00:21:40,640
Speaker 11: Yeah, well, place it here on the floor on a

474
00:21:40,680 --> 00:21:44,319
piece of carpeting. The same thickness that was in their kitchen. LINOLEA,

475
00:21:45,359 --> 00:21:48,720
I'll watch this, I'll step on it, hitting it from

476
00:21:48,799 --> 00:21:54,720
an angle. There's your answer to that. When the husband

477
00:21:54,799 --> 00:21:57,839
ran over to his wife's side, but he say he did.

478
00:21:57,839 --> 00:21:58,960
Speaker 3: He answer about the size of it.

479
00:21:59,160 --> 00:22:02,160
Speaker 8: He stepped on the case, seeing accidentally and certainly not

480
00:22:02,319 --> 00:22:04,799
caring about it at that moment, bounced out in the

481
00:22:04,920 --> 00:22:09,920
living room just like a tiddley wing had. Notice the

482
00:22:10,000 --> 00:22:15,319
casing now the crimping. Check it against the photo. Yeah,

483
00:22:16,160 --> 00:22:20,720
looks exactly the same way it matches. Then the flower

484
00:22:20,799 --> 00:22:23,079
and the barrel of the gun. It was flower, by

485
00:22:23,079 --> 00:22:25,599
the way, Did it figure in for your colored Well.

486
00:22:25,519 --> 00:22:27,480
Speaker 6: Yeah, we figured the wife was trying to ward off

487
00:22:27,559 --> 00:22:28,000
the gun.

488
00:22:27,920 --> 00:22:28,839
Speaker 3: When he pointed it at it.

489
00:22:29,359 --> 00:22:32,160
Speaker 8: Certainly in the logical deduction. Let me show you how

490
00:22:32,240 --> 00:22:36,359
it really got on there hands.

491
00:22:36,400 --> 00:22:37,119
Speaker 3: That shot of the.

492
00:22:37,160 --> 00:22:41,400
Speaker 8: Kitchen out there, Notice the waste basket here, pretty full.

493
00:22:41,319 --> 00:22:41,559
Speaker 3: Isn't it.

494
00:22:41,640 --> 00:22:43,960
Speaker 8: Yeah, we noticed that when we're out there. What you

495
00:22:44,039 --> 00:22:48,319
probably didn't know this is their Here's a blow up

496
00:22:48,359 --> 00:22:51,720
of just that section where the waste basket was. Can

497
00:22:51,799 --> 00:22:53,680
you see what's on the top of the stuff in

498
00:22:53,799 --> 00:22:54,480
the basket pack?

499
00:22:55,240 --> 00:22:58,920
Speaker 3: Yeah? Hold over here a little might soon. Yeah, it

500
00:22:58,920 --> 00:22:59,920
looks like a flower sack.

501
00:23:00,160 --> 00:23:03,920
Speaker 8: That's find an empty flower sack. Now figuring the position

502
00:23:04,000 --> 00:23:07,200
of the body in relation to that wastebasket. When she dropped,

503
00:23:07,200 --> 00:23:10,920
the gun fell from her hand, striking the wastebasket, bouncing

504
00:23:11,039 --> 00:23:13,000
off and landing on the floor where you found it.

505
00:23:13,319 --> 00:23:15,759
Speaker 3: And you said when she dropped the gun you figured

506
00:23:15,799 --> 00:23:16,480
it was suicide.

507
00:23:16,720 --> 00:23:18,279
Speaker 8: It's beginning to shape up that way.

508
00:23:18,799 --> 00:23:20,599
Speaker 3: There was no flower found on the butt of the gun.

509
00:23:20,880 --> 00:23:23,559
Speaker 8: That part of the automatic didn't come in contact.

510
00:23:23,200 --> 00:23:24,119
Speaker 4: With the flower sack.

511
00:23:24,519 --> 00:23:26,000
Speaker 3: Yeah, at least she was flowering meat.

512
00:23:26,440 --> 00:23:28,519
Speaker 11: There were no traces of it on her right hand,

513
00:23:28,839 --> 00:23:32,559
on the palm, just on the back and checking the clothing,

514
00:23:32,680 --> 00:23:35,960
we found streaks of flour where she could have wiped

515
00:23:36,000 --> 00:23:38,039
her hands clean before picking up the gun.

516
00:23:38,519 --> 00:23:40,200
Speaker 8: Yeah, and out there we could only see the backs

517
00:23:40,200 --> 00:23:41,799
of her hand the corner checked that through.

518
00:23:42,279 --> 00:23:43,440
Speaker 10: What doesn't look like a killer.

519
00:23:44,039 --> 00:23:47,839
Speaker 8: And there's more here. As you know, we ran paraffin

520
00:23:47,960 --> 00:23:50,960
tests on both the victim and Robinson. Yeah, here's the

521
00:23:51,039 --> 00:23:56,319
results of the test. See Andrew robertson no nitrates negative,

522
00:23:56,559 --> 00:24:00,240
Marie robertson evidence of nitrates positive. She fired a gun,

523
00:24:00,319 --> 00:24:04,440
he didn't and that's it. There's something else. Here's the

524
00:24:04,559 --> 00:24:09,279
report from Layton Prince smudgers one good thumbprint right hand

525
00:24:09,759 --> 00:24:13,359
belonging to Marie Robertson, indicating she was the last one

526
00:24:13,440 --> 00:24:14,240
to handle the weapon.

527
00:24:14,839 --> 00:24:15,759
Speaker 3: Well, that's about edla.

528
00:24:15,960 --> 00:24:16,880
Speaker 8: No, that's more fare.

529
00:24:19,279 --> 00:24:22,640
Speaker 11: Now, this shot was taken facing the east wall of

530
00:24:22,680 --> 00:24:25,319
the kitchen. That's the wall that would be on anyone's

531
00:24:25,400 --> 00:24:28,759
left sitting on the davenport in the front room. Wouldn't

532
00:24:28,799 --> 00:24:31,839
be possible to see that wall from the davenport, wouldn't

533
00:24:31,839 --> 00:24:34,240
that right? You can see the white X where we

534
00:24:34,400 --> 00:24:38,319
located the slut relative to the position of the body.

535
00:24:39,279 --> 00:24:42,319
If she was standing holding the gun at approximately a

536
00:24:42,440 --> 00:24:45,359
right angle with the side of her head, the bullet

537
00:24:45,400 --> 00:24:48,559
would come to rest approximately four inches below the.

538
00:24:48,599 --> 00:24:49,319
Speaker 8: Crown of her head.

539
00:24:49,799 --> 00:24:52,440
Speaker 11: Does a check out the corner says she was five

540
00:24:52,480 --> 00:24:55,039
to four. The bullet was found at a height of

541
00:24:55,160 --> 00:24:59,000
five and one eighth proving that she shot herself rather

542
00:24:59,079 --> 00:25:02,640
than anyone else do judging from the inclination of the bullet,

543
00:25:03,519 --> 00:25:05,119
as you know, this is critical.

544
00:25:05,319 --> 00:25:06,960
Speaker 8: Yeah, from what it's worth.

545
00:25:07,119 --> 00:25:10,559
Speaker 11: The condition of the wound indicates that it was inflicted

546
00:25:10,640 --> 00:25:14,160
from extreme close range fair point when you consider that

547
00:25:14,240 --> 00:25:17,240
most people wouldn't submit to being shot from close range

548
00:25:17,240 --> 00:25:19,960
without a struggle or unless taken by surprise.

549
00:25:20,119 --> 00:25:24,400
Speaker 8: And from all reports we know she wasn't taking nice spend. Yeah,

550
00:25:24,480 --> 00:25:27,640
that's a fella, that's all I have, thanksfully, it's sure enough.

551
00:25:30,839 --> 00:25:34,599
Crime lab Jones. Yeah right here, just a minute, read

552
00:25:34,640 --> 00:25:35,000
the one of you.

553
00:25:35,200 --> 00:25:35,839
Speaker 3: Rightly, I'll get it.

554
00:25:37,640 --> 00:25:39,440
Speaker 4: Thank ridy.

555
00:25:40,640 --> 00:25:49,359
Speaker 3: Oh hi, Harry, he did have what's that? Yeah? Do

556
00:25:49,480 --> 00:25:55,480
you have a letter with you? Yeah? Yeah, right Harry,

557
00:25:55,480 --> 00:25:56,119
Thank you very much.

558
00:25:56,319 --> 00:26:00,559
Speaker 10: Bye, Harry Freemant just left. Marie Robe person's mother.

559
00:26:01,000 --> 00:26:03,480
Speaker 3: What do you have to say? Well, three much? Say

560
00:26:03,559 --> 00:26:04,960
she gave him a letter. He's on his way in

561
00:26:05,039 --> 00:26:05,400
with it now.

562
00:26:05,559 --> 00:26:08,480
Speaker 6: Was written by Marie Robertson says something about taking her

563
00:26:08,480 --> 00:26:10,920
own life. Her mother says that the husband couldn't have

564
00:26:10,960 --> 00:26:13,400
done it, says the daughter's shown indication in the past

565
00:26:13,480 --> 00:26:14,119
of wanting.

566
00:26:13,960 --> 00:26:16,000
Speaker 3: To take her own life, right, not about sayings.

567
00:26:16,920 --> 00:26:18,920
Speaker 11: It makes a few kind of grow a dozen. Yeah,

568
00:26:19,200 --> 00:26:21,519
find a man clear a charge instead of having to

569
00:26:21,599 --> 00:26:23,880
hang him up. Come on, Ben, right, well you head

570
00:26:24,079 --> 00:26:25,759
back cross the street where till I get my coat.

571
00:26:25,799 --> 00:26:26,279
Speaker 4: I'll go with you.

572
00:26:26,359 --> 00:26:27,880
Speaker 8: What for I want to say? Him too.

573
00:26:27,920 --> 00:26:38,400
Speaker 4: When you're talent, the story you've just heard.

574
00:26:38,400 --> 00:26:41,839
Speaker 2: Was true, only the names were changed to protect the innocent.

575
00:26:42,119 --> 00:26:44,400
Speaker 5: On March twelfth, the hearing was held in the office

576
00:26:44,440 --> 00:26:46,960
of the Coroner, City and County of Los Angeles, State

577
00:26:47,000 --> 00:26:49,400
of California. In a moment the results of that hearing,

578
00:26:58,319 --> 00:27:02,119
Andrew William Robertson was immediate released from custody. A five

579
00:27:02,160 --> 00:27:05,079
to ten form was made out exonerating him from any

580
00:27:05,160 --> 00:27:06,319
complicity in the death.

581
00:27:06,160 --> 00:27:10,160
Speaker 3: Of his wife. Ladies and gentlemen. Mister James M.

582
00:27:10,279 --> 00:27:13,400
Speaker 2: Fox, President of the Southern California Chapter of the Mystery

583
00:27:13,400 --> 00:27:14,240
Writers of America.

584
00:27:15,599 --> 00:27:18,200
Speaker 14: The Edgar Allan Poe Awards of the Mystery Writers of

585
00:27:18,240 --> 00:27:21,599
America are made each year for outstanding contributions in the

586
00:27:21,640 --> 00:27:25,440
field of mystery. This year, by a nationwide vote of

587
00:27:25,559 --> 00:27:28,680
three hundred professional mystery writers, the Radio Award goes to

588
00:27:28,799 --> 00:27:32,240
Dragnet for consistent excellence in the use of the medium

589
00:27:32,319 --> 00:27:35,640
in the best traditions of our craft. The Mystery Writers

590
00:27:35,680 --> 00:27:38,839
of America are happy to present their Edgars statuettes of

591
00:27:38,960 --> 00:27:42,440
Poe to Dragnet's Jim Moser, who writes the scripts, and

592
00:27:42,720 --> 00:27:46,759
a duplicate statuette to Dragnet. Congratulations, mister Moser, Thank you,

593
00:27:46,880 --> 00:27:47,359
mister Fox.

594
00:27:57,599 --> 00:28:02,000
Speaker 5: You have just heard dragnet s authentic cases from official payofs.

595
00:28:02,440 --> 00:28:05,880
Technical advice comes from the Office of Chief of Police W. H. Parker,

596
00:28:06,160 --> 00:28:07,599
Los Angeles Police Department.

597
00:28:12,039 --> 00:28:15,200
Speaker 15: Stay tuned for convers by Next over many NBC stations,

598
00:28:23,519 --> 00:28:24,799
Welcome back to me.

599
00:28:25,000 --> 00:28:29,480
Speaker 1: This episode has always been one that highlighted our hero's

600
00:28:29,599 --> 00:28:34,359
humanity and the fallibility of police officers. It's a case

601
00:28:34,440 --> 00:28:37,079
where Joe Friday and men Ri Merrow got ahead of

602
00:28:37,160 --> 00:28:41,599
the actual evidence and a appropriate interpretation of it in

603
00:28:41,680 --> 00:28:44,680
a haste to close what looked like an open and

604
00:28:44,839 --> 00:28:49,480
shut case, probably influenced by so many cases where people

605
00:28:49,680 --> 00:28:53,000
lied to them and so many instances where the husband

606
00:28:53,079 --> 00:28:56,480
did it. Even the narrator was in on it, saying

607
00:28:56,640 --> 00:29:00,680
the facts indicated that a murder had been That was

608
00:29:00,759 --> 00:29:03,519
a bit off. They didn't really understand the facts or

609
00:29:03,599 --> 00:29:06,240
wait for them to be analyzed, or wait for all

610
00:29:06,319 --> 00:29:11,359
the facts. In the case of the testimony of the

611
00:29:11,440 --> 00:29:14,039
mother in law, I mean Friday used a word like

612
00:29:14,160 --> 00:29:19,799
impossible for where the shellcasing ended up that a lot

613
00:29:19,880 --> 00:29:24,279
of people could have supposed and come up with a

614
00:29:24,440 --> 00:29:28,119
plausible explanation, which of course wouldn't have been evidence. But

615
00:29:28,279 --> 00:29:31,920
it's hard to say, ah, that's impossible. Of Course, trained

616
00:29:32,000 --> 00:29:36,359
police officers have experience and they can read a scene,

617
00:29:36,559 --> 00:29:40,960
and they also have instinct that has been honed by

618
00:29:41,039 --> 00:29:43,799
that experience, but that's not a substitute for the work

619
00:29:43,880 --> 00:29:48,079
of the forensic scientists, and this episode brought that point home.

620
00:29:48,319 --> 00:29:51,480
And Herb Butterfield, I think, you know, we hear him

621
00:29:51,519 --> 00:29:54,559
play a lot of roles in this series, but he

622
00:29:54,920 --> 00:29:59,920
is really good as Lee Jones in professionally bringing home

623
00:30:00,279 --> 00:30:04,480
the evidence and explaining the science and showing what really

624
00:30:04,640 --> 00:30:10,160
happened and how the inconsistencies they saw were explained. To

625
00:30:10,279 --> 00:30:13,480
be fair, some of their analysis may have been thrown

626
00:30:13,519 --> 00:30:16,880
off by the oddities of the space. It occurred in

627
00:30:16,960 --> 00:30:21,079
a small apartment where movement was probably a challenge, but

628
00:30:21,359 --> 00:30:23,680
Jones gets to the bottom of it. And I like

629
00:30:23,799 --> 00:30:25,960
when Ben got to the point of saying, Okay, I

630
00:30:26,039 --> 00:30:29,400
guess I guess you proved we were wrong, and Lisa said, effectively,

631
00:30:29,559 --> 00:30:32,880
wait here are some more reasons you were wrong. Of course,

632
00:30:33,119 --> 00:30:36,079
in a professional setting it should never be about ego,

633
00:30:36,640 --> 00:30:39,599
and certainly not when it comes to law enforcement. It

634
00:30:39,640 --> 00:30:42,160
should be about getting it right and being sure that

635
00:30:42,440 --> 00:30:45,279
justice is done, and they pretty much are with him

636
00:30:45,319 --> 00:30:48,119
and being glad the truth came out, even if it

637
00:30:48,279 --> 00:30:51,400
showed that they made a mistake. I have a comment

638
00:30:51,519 --> 00:30:56,519
from Daniel who emails in and said, and this is

639
00:30:56,559 --> 00:30:59,720
regarding The Big Saint. I started playing this week's episode

640
00:30:59,759 --> 00:31:02,400
of Ragnet The Big Saint and was surprised that it

641
00:31:02,519 --> 00:31:07,039
was the same basic plot as an Ironside TV episode

642
00:31:07,079 --> 00:31:11,240
I'd watched only a few hours earlier. Season one episode twelve,

643
00:31:11,920 --> 00:31:16,279
a very cool howked car updated a bed sixties versus fifties,

644
00:31:16,720 --> 00:31:19,759
but it was even a Cadillac that was used to

645
00:31:19,839 --> 00:31:23,759
catch them. Of course, Ironside took more liberties with the drama,

646
00:31:24,240 --> 00:31:27,359
but it was clearly as inspired by Dragnet or the

647
00:31:27,759 --> 00:31:32,400
actual events that Dragnet was based on. Well, Daniel, thank

648
00:31:32,440 --> 00:31:35,400
you so much for letting me know, and I will

649
00:31:35,559 --> 00:31:40,079
try to get to watch that episode of Ironside. Unfortunately,

650
00:31:40,359 --> 00:31:44,200
all of my extra TV viewing at this point is

651
00:31:44,440 --> 00:31:49,720
taken up by Get Smart. I'm trying to announce the

652
00:31:49,759 --> 00:31:53,200
newsletter kind of got pushed back because of events in

653
00:31:53,240 --> 00:31:55,960
the family, but we are trying to get that first

654
00:31:56,079 --> 00:31:59,880
issue out and for that first issue, I'm watching all

655
00:32:00,119 --> 00:32:03,480
of the episodes from season one of Get Smart. But

656
00:32:03,960 --> 00:32:07,279
would you believe I only have two episodes left? Okay?

657
00:32:08,039 --> 00:32:14,160
Would you believe? Would you believe? Ten? Okay? How about twenty?

658
00:32:15,240 --> 00:32:18,559
Not quite that many. But as soon as I give

659
00:32:18,680 --> 00:32:21,920
some free extra TV watching time, I'll check that out.

660
00:32:22,119 --> 00:32:28,680
And I am looking for more reasons to watch episodes

661
00:32:28,720 --> 00:32:32,119
of Ironside and Kojak and all those good things that

662
00:32:32,319 --> 00:32:36,039
have been posted over on Amazon Prime recently. And then

663
00:32:36,279 --> 00:32:40,960
over on the side called X, Bernard writes, Hi, have

664
00:32:41,079 --> 00:32:45,759
you seen any copies of the new Dragnet TV series ever?

665
00:32:45,960 --> 00:32:52,039
Plays Adam. This is the eighty nine to ninety version

666
00:32:52,319 --> 00:32:57,000
fifty two TV episodes, and the answer is yes, I did.

667
00:32:57,240 --> 00:33:00,160
I did not see it when it was originally on

668
00:33:00,319 --> 00:33:04,319
the air. My dad was not someone who would let

669
00:33:06,079 --> 00:33:10,599
nine or ten year old watch modern crime drama. And

670
00:33:11,240 --> 00:33:16,319
I can appreciate that. One of the early forgotten TV

671
00:33:16,599 --> 00:33:23,440
streaming services was called into TV. It was an AD

672
00:33:23,559 --> 00:33:28,839
supported service that was started by Tom Warner and AOL

673
00:33:29,880 --> 00:33:33,559
and it launched in two thousand and five. It came

674
00:33:33,680 --> 00:33:36,960
out onto AOL in two thousand and six, but anyone

675
00:33:37,039 --> 00:33:41,400
could watch it, and they had some TV shows on there,

676
00:33:42,079 --> 00:33:46,839
and at this point I believe that the original Dragnet

677
00:33:47,119 --> 00:33:52,599
and Adam twelve were being licensed at least when I

678
00:33:52,839 --> 00:33:57,759
watched them on Into TV, which I think really kind

679
00:33:57,799 --> 00:34:00,640
of wound down towards the end of the two thousands,

680
00:34:01,559 --> 00:34:06,200
but they were on either Hulu or Netflix one. So

681
00:34:06,519 --> 00:34:11,199
Into TV got the rights to a lot of shows

682
00:34:11,480 --> 00:34:16,360
that were a bit rarer and more off the beaten path,

683
00:34:17,199 --> 00:34:20,920
and among them were The New Dragnet and the New

684
00:34:21,159 --> 00:34:24,920
Adam twelve. And I watched quite a few episodes of

685
00:34:25,119 --> 00:34:27,440
the New Dragnet, a few of the New Adam twelve,

686
00:34:28,199 --> 00:34:33,800
and overall I actually enjoyed the New Dragnet. I don't

687
00:34:33,800 --> 00:34:37,480
think it was great, but it was a pretty good series.

688
00:34:38,000 --> 00:34:42,440
You had two pretty solid lead actors. You had Jeff

689
00:34:42,639 --> 00:34:49,239
Austerhage as a sergeant Vic Daniels and Bernard White as

690
00:34:49,360 --> 00:34:54,039
his partner Karl Molina. And the cases pretty much followed

691
00:34:54,400 --> 00:34:58,199
Dragnet formula, and in terms of the crimes and the

692
00:34:58,239 --> 00:35:03,119
way they portrayed the investigatation work very true to the original.

693
00:35:03,519 --> 00:35:06,719
I enjoyed it, but I can see why it didn't

694
00:35:07,199 --> 00:35:13,079
make it, and it had really two problems.

695
00:35:12,639 --> 00:35:13,360
Speaker 3: Going for it.

696
00:35:13,960 --> 00:35:19,079
Speaker 1: It was too much like the original Dragnet, and it

697
00:35:19,320 --> 00:35:23,199
was not enough like the original Dragnet. On one hand,

698
00:35:24,480 --> 00:35:29,400
it was so much like Dragnet in terms of formula

699
00:35:30,519 --> 00:35:35,159
and approached a case, and even being a half hour

700
00:35:35,360 --> 00:35:41,440
in length. In many ways television had moved on in

701
00:35:41,679 --> 00:35:45,320
police shows. A half hour crime drama in the late

702
00:35:45,480 --> 00:35:49,800
nineteen eighties was a bit unusual, I mean, and it

703
00:35:49,920 --> 00:35:54,000
doesn't bother me because I love them, and I grew

704
00:35:54,119 --> 00:35:57,360
up on a lot of half hour traumas in the

705
00:35:57,480 --> 00:36:02,760
eighties and early nineties, like Rin ten ten, Canine Kopp

706
00:36:02,960 --> 00:36:06,360
or My Secret Identity or the super Boy series. I

707
00:36:06,519 --> 00:36:12,800
have fond memories of chiefly made syndication, and so some

708
00:36:13,000 --> 00:36:16,679
of the issues didn't in that regard didn't bother me.

709
00:36:17,119 --> 00:36:20,320
On the other hand, you just have the lack of

710
00:36:21,199 --> 00:36:26,239
Jack Webb, and I think that is huge for Dragnet.

711
00:36:26,360 --> 00:36:31,039
You can't really overstate how important Jack Webb and Joe

712
00:36:31,159 --> 00:36:34,960
Friday are to the series as a whole. And again,

713
00:36:35,039 --> 00:36:39,199
I think that the actors in there did a really

714
00:36:39,239 --> 00:36:41,960
good job. That's part of the reason why I enjoyed

715
00:36:42,000 --> 00:36:44,599
it a lot more than the New Adam twelve, where

716
00:36:45,119 --> 00:36:48,440
the leads were a bit more spotty. Ohst Age had

717
00:36:48,440 --> 00:36:51,360
a decent career in the seventies and eighties. He was

718
00:36:51,440 --> 00:36:55,320
in the Sackets, among other things, and Bernard White is

719
00:36:55,400 --> 00:36:59,360
still active. He was even in the Marvel Cinematic universe.

720
00:36:59,480 --> 00:37:02,119
But one of them were Jack Webb, and they didn't

721
00:37:02,199 --> 00:37:07,119
quite have that combination. They did make believable every man cops,

722
00:37:07,719 --> 00:37:11,400
but neither one of them was Jack Webb, and the

723
00:37:11,679 --> 00:37:18,119
music they could not. They didn't get the iconic Dragnet music.

724
00:37:18,760 --> 00:37:21,039
They went with more of a kind of a typical

725
00:37:21,280 --> 00:37:25,599
jazzy eighties theme. And it's not bad, but it's kind

726
00:37:25,639 --> 00:37:28,800
of forgettable. But I liked it fine. It's just not

727
00:37:29,199 --> 00:37:34,960
been legally available anywhere for at least the last fifteen

728
00:37:35,079 --> 00:37:40,880
years plus. I did see someone posting an online forum

729
00:37:41,039 --> 00:37:44,960
that there are ways to get it illegally, and while

730
00:37:45,000 --> 00:37:51,440
I enjoyed Knew Dragon, I could not imagine anyone taking

731
00:37:51,559 --> 00:37:57,480
the risk involved with getting illegal content to watch it.

732
00:37:57,920 --> 00:38:00,559
There are some clips you can find on line, and

733
00:38:00,800 --> 00:38:04,639
I think certainly the opening sequence. But yeah, it's a

734
00:38:04,719 --> 00:38:09,519
series that got unfortunately memory hold. But it's worthwhile if

735
00:38:09,599 --> 00:38:12,800
you're a big Dragnet fan and want more. Now, if

736
00:38:12,840 --> 00:38:16,119
you want more of a nineteen eighties take on Dragnet

737
00:38:16,199 --> 00:38:22,679
that veers closer to the original, then I actually recommend Mathnet,

738
00:38:22,920 --> 00:38:26,000
which has got pretty much all of its episodes have

739
00:38:26,079 --> 00:38:32,280
been posted on YouTube. Was a PBS parody for the

740
00:38:32,440 --> 00:38:38,760
kids program Square One that eventually practically devoured Square one TV.

741
00:38:39,599 --> 00:38:43,760
The theme music is very close to the original, although

742
00:38:43,840 --> 00:38:47,239
it's a little bit different, and I think the humor

743
00:38:47,400 --> 00:38:51,800
and the relationship between the two partners is a lot

744
00:38:52,039 --> 00:38:57,480
closer to what you saw on television with Dragnet. Now,

745
00:38:57,599 --> 00:39:03,119
I'm a bit biased towards Mathnet, because without Mathnet, I

746
00:39:03,280 --> 00:39:07,760
probably wouldn't be doing this podcast. It was Mathnet which

747
00:39:07,840 --> 00:39:13,239
got me interested in the nineteen sixties Dragnet TV series,

748
00:39:13,280 --> 00:39:19,280
which got me interested in the nineteen fifties Dragnet TV series,

749
00:39:19,320 --> 00:39:22,079
which got me interested in the radio series, which got

750
00:39:22,159 --> 00:39:26,760
me more broadly interested in old time radio in general.

751
00:39:27,159 --> 00:39:30,000
But at any rate, thank you for the question, Bernard,

752
00:39:30,079 --> 00:39:34,000
really appreciate it. Then we turned to the Apple podcast Or,

753
00:39:34,119 --> 00:39:40,159
where we have a new review from scholar Ace Records,

754
00:39:40,199 --> 00:39:44,559
who writes a wide variety that changes semi regularly with

755
00:39:44,639 --> 00:39:47,199
a different show six days a week. There is a

756
00:39:47,280 --> 00:39:49,880
show for anyone. There have been a few over the

757
00:39:50,000 --> 00:39:52,760
years that I haven't connected with, but with six shows

758
00:39:52,800 --> 00:39:55,320
a week, this is a trifle. I know some have

759
00:39:55,440 --> 00:39:58,440
a problem with Adam's voice and or commentary, but this

760
00:39:58,639 --> 00:40:01,599
is not the best basis of the podcast. I want

761
00:40:01,599 --> 00:40:05,119
to appreciate the historical contact and for those who don't,

762
00:40:05,320 --> 00:40:07,800
there is a skip button and Adam always puts in

763
00:40:07,920 --> 00:40:10,840
a small pause between his opening and the start of

764
00:40:10,880 --> 00:40:14,159
the radio show. Again, if you like detective shows, this

765
00:40:14,320 --> 00:40:16,719
is the best in the genre. Well, thanks so much.

766
00:40:16,760 --> 00:40:19,920
I appreciate you taking the time to leave a review

767
00:40:20,320 --> 00:40:22,880
and provide a bit of a counterbalance to the sort

768
00:40:22,920 --> 00:40:26,239
of negative Some of the negative reviews that have been

769
00:40:26,360 --> 00:40:30,679
left there which went don't rate out because we don't

770
00:40:30,800 --> 00:40:35,440
want to dwell on non constructive negativity. And then we

771
00:40:35,639 --> 00:40:39,320
turn to our listener survey where Scott in Beaverton roots

772
00:40:39,440 --> 00:40:42,119
thank you for a great show. Well, thanks so much, Scott.

773
00:40:42,840 --> 00:40:46,400
And now it's time to think our Patreon supporter of

774
00:40:46,599 --> 00:40:49,639
the day, and I want to go ahead and thank Idle,

775
00:40:50,159 --> 00:40:54,400
Patreon supporter since April twenty twenty one, currently supporting the

776
00:40:54,440 --> 00:40:57,079
podcast at the rookie level of two dollars or more

777
00:40:57,119 --> 00:40:59,679
per month. Thanks so much for your support, and that

778
00:40:59,719 --> 00:41:02,679
will do it for today. If you're enjoying the podcast,

779
00:41:02,760 --> 00:41:07,199
please follow us using your favorite podcast software. And if

780
00:41:07,239 --> 00:41:10,480
you're enjoying the podcast on YouTube, be sure to lock

781
00:41:10,559 --> 00:41:13,960
the video, subscribe to the channel, and mark the notification bell.

782
00:41:14,519 --> 00:41:17,079
And now to the part I'm having to re record

783
00:41:17,679 --> 00:41:21,360
because I was so used to Dragnet being on Saturday

784
00:41:21,519 --> 00:41:25,119
and being the end of our programming week. But we

785
00:41:25,280 --> 00:41:30,159
will be back next Thursday with another episode of Dragnet.

786
00:41:30,480 --> 00:41:34,679
But join us back here tomorrow for yours truly, Johnny Dollar.

787
00:41:34,840 --> 00:41:38,480
Speaker 16: Where Look well, I already told the cops that Claire

788
00:41:38,639 --> 00:41:41,920
was here in the club last evening, all evening until midnight,

789
00:41:42,119 --> 00:41:43,880
out in the barn most of the time.

790
00:41:43,960 --> 00:41:44,960
Speaker 10: What difference does it make?

791
00:41:45,000 --> 00:41:47,639
Speaker 14: How about the rest of the time we were talking

792
00:41:47,840 --> 00:41:48,800
here in my office.

793
00:41:49,039 --> 00:41:50,440
Speaker 3: Just the tool, just the tool of us.

794
00:41:50,480 --> 00:41:52,320
Speaker 14: And now, look, dal Like, what it boils down.

795
00:41:52,199 --> 00:41:55,239
Speaker 16: To is you've each got alibis from one another.

796
00:41:55,360 --> 00:41:56,519
Speaker 4: Huh that's right.

797
00:41:57,519 --> 00:42:00,960
Speaker 8: Look, nosey boy, Claire didn't kill At.

798
00:42:00,880 --> 00:42:04,480
Speaker 16: The moment, I wasn't thinking so much about her. Wait

799
00:42:04,519 --> 00:42:06,840
a minute, if you're trying to pin this on me,

800
00:42:07,840 --> 00:42:11,000
you and Claire have been pretty friendly, Santas. She benefits

801
00:42:11,039 --> 00:42:13,320
to the tune of one hundred grand by Benton's death.

802
00:42:13,760 --> 00:42:16,800
Speaker 8: Look dallat you blowing smoke in the wrong direction.

803
00:42:17,000 --> 00:42:19,000
Speaker 10: I like the arrangement the way it was.

804
00:42:20,320 --> 00:42:23,280
Speaker 3: Why should I try to change it? That's a good question,

805
00:42:23,760 --> 00:42:25,079
So just let it drop.

806
00:42:26,159 --> 00:42:28,480
Speaker 14: You getting me, you've got nothing to worry about, Santus.

807
00:42:29,480 --> 00:42:31,039
Speaker 3: If you've got nothing top I hope.

808
00:42:30,920 --> 00:42:33,719
Speaker 1: You'll be with us then in the maintime. Send your

809
00:42:33,760 --> 00:42:38,719
comments to Box thirteen at Greatdetectives dot neit, follow us

810
00:42:38,920 --> 00:42:44,360
on Twitter at Radio Detectives, and check us out on Instagram, Instagram,

811
00:42:44,599 --> 00:42:49,639
dot com, slash Great Detectives from Boise Ataho. This is

812
00:42:49,719 --> 00:42:52,239
your host, Adam Graham. Sign and off.

