Speaker 1: We do have some great guests today on the show,
as I mentioned, and we're going to open with and
I'm going to bring uh, bring her MIC's up there,
so Je, let's see if I can do this. Jennifer
Hausin Chuck good job, is that right?
Speaker 2: Yes?
Speaker 1: Okay, good yes? Also known as neon Gypsy. Correct or
is neon Gypsy the name of the band? Or are
you the neon Gypsy?
Speaker 3: It can be either or really because you know, we're
trying to just bring the brand wherever we go, so
whether whether it's me, you know, solo or sometimes it's
different projects, so it always stays Neon Gypsy, just for
a little bit of consistency.
Speaker 1: Sure. Sure, And we're going to be playing in a
moment studio track that you recently. This was this just
came out right, your rendition of Ron Rudolph front right.
Speaker 3: Well, we actually recorded it last year, but it was
a really last minute thing and it didn't get any
airtime because it was just it was too close to Christmas.
So this is really the debut of it for sure.
Speaker 2: Oh very good. So that this has not been played
on the.
Speaker 1: Radio before, no, not really, So this is the world
radio premiere. It really is we like those here we
like to do the world radio premiere is.
Speaker 3: Happening right here in Manchester.
Speaker 2: That that is fantastic. No, we appreciate that.
Speaker 1: By the way, I learned something so I mentioned this
too yesterday or no, yesterday, yeah, yesterday, when I posted
a quick preview video about today's show.
Speaker 2: All my life, I thought the name of the song
was run Round Rudolph.
Speaker 3: Exactly, me too, yes, And it was a real tongue
twister when I was trying to do the lyrics because
all my life that's what I thought it was too,
so I had to undo it many times.
Speaker 4: But yeah, yeah, I just.
Speaker 3: Learned that as well.
Speaker 2: Where did you record this?
Speaker 3: We recorded at Studio fifty one, which is our home studio.
After COVID a lot of people started to go, you
know and get in their own studios, so we're finally
set up with all the equipment we need and we
recorded it right in Portland, Maine.
Speaker 1: By the way, for those you brought stickers, I'm gonna
puld these up in front of the camera here that's
in front of me for people watching online, so we
should too, and Jenny will be excited.
Speaker 2: She loves stickers.
Speaker 1: Here's the uh we get that right in front of
the camera Studio fifty one sticker. So you were just
talking about Studio fifty one and the school neon gypsy
sticker too.
Speaker 2: I love the logo. Who designed the logo? Did you
do that?
Speaker 5: Or yeah?
Speaker 3: I'm a graphic designers. That's one of the renditions. But
really they're holographic and sparkly. We'll make sure to get
you those.
Speaker 2: Yeah, yeah, no, that's cool though, I dig it.
Speaker 4: Yeah, thank you.
Speaker 1: So, So this track, so you recorded this at Studio
fifty one, Yes, okay.
Speaker 3: Yeah, yeah.
Speaker 2: Do you record other artists there too or is it
just your material for that Now.
Speaker 3: We're opening it up to other artists as well, so,
and we're thinking about doing some collaborations as well too,
just for the fun of it, because sometimes the music
industry gets a little stressful when you're just trying to
get out there, whether you're getting out to just play
and get paid or whether you're just you know, trying
to get your stuff out there. Yeah, I really need
to keep the fun in it and the collaboration. So
we'll be having different artists from the area come in.
We're just going to do different collaborations with originals outstanding
and some covers to but yeah, very cool.
Speaker 1: Well, so for anyone who's interested in recording there, this
will kind of give you an idea of what kind
of a sound you can get. And let's give this
a spin and then we'll come back and Jennifer is
going to play for us today too. She brought her guitar,
so really looking forward to that.
Speaker 2: But here it is.
Speaker 1: This is run Rudolph Run as I now know the
correct the correct name of this classic song.
Speaker 2: Chuck Berry did this originally correct?
Speaker 3: Yeah, and it was written in nineteen fifty eight, nineteen
fifty eight, So that's that's why we have that title
stuck in our head. Yes, if you weren't born, then
you do it all your life?
Speaker 2: Has that exactly exactly all right?
Speaker 1: Here it is Run Rudolf Run Eon Gipsy.
Speaker 5: Run, Don Rude All Santa, do they get to town.
Speaker 6: Santa Magame, hurry down the can take the freeway, Run
Don Rudolf being a lercal run Okay, yeah, saying Santa,
do you don't at child?
Speaker 7: What have you been longing for?
Speaker 8: No?
Speaker 9: I'm for Christmas is a rocking ball lectric guitar n
away when boodof w isn't that got shooting star?
Speaker 5: Run roun Boudoll Santa? Do I get to child.
Speaker 10: Santa?
Speaker 11: Take him hurry down.
Speaker 6: I'm he can take the freeway.
Speaker 9: Hour run down boodof Beleric Right, okay, run run.
Speaker 5: Rude all Santa, don't I get to child? Sign make ahead?
Speaker 12: Tell him he can take the freeway.
Speaker 9: Now, run don budda reel like America?
Speaker 7: Round Okay, saying saying that to you, my girl child,
what would please you?
Speaker 5: Wants to get.
Speaker 9: A little baby doll that can grass, sleep, drink and whet.
Speaker 10: The way.
Speaker 7: Win brudof Wizar like a saber chet.
Speaker 5: Run don rudof Santa go, I'm man.
Speaker 6: Get your time, Shad, make a ryn im he can
take the freeway down, run.
Speaker 5: Down bud off feeling like America? Right, okay, t.
Speaker 2: Run Rudolph run. That is Leon Gipsy.
Speaker 1: That is a brand new and uh yeah, Jennifer, we
were talking kind of off air. You're gonna be recording
more at the at Studio fifty one. You've got a
bunch of originals you're going to.
Speaker 4: Be doing right right. Yeah.
Speaker 3: Some of the songs actually are thirty years old when
I wrote them, I put them in a book, close
a book, put it away forever, and then resurface them,
and I actually still really liked them. We just upgraded
the music, but we've got about five to seven that
are literally waiting for me to get in the studio.
Brian did all his parts, and it's all on me
to get down there with vocals and recording the guitar,
and it's going to be all rock. So there's when
I play out, it's acoustic. But I really wanted to
bring the rock portion into playing because I love that aspect.
But more often than not, if I'm playing out, I
play acoustic.
Speaker 1: Oh okay, okay, So do you do a lot of
shows just you? Or does Brian join you for the
acoustic shows.
Speaker 3: This is relatively new with taking a different approach to
a band. I've been in a lot of renditions of
bands before, and what I've ended up finding is that,
of course, you know, bands are family. You know, sometimes
it works, sometimes it doesn't. Dynamics are you know, always
very tricky, and everyone that comes into a band brings
their own style and or flavor, and you know, it
worked on different variety of levels. But I really wanted
to refocus and have it be Neon Gypsy brand of
what we're bringing out there. So we're doing it a
little different this time. And instead of saying, dude, I
want to start a band and then you like Noah
drummer and you pull people in that you just know,
what we're doing is we're creating the brand, the sound,
the music ourselves in studio and then we're putting the
brand out there and hopefully what people do musicians as
they say, wow, I love that sound, I love that feel,
and when they come into the project, they're bringing that
particular vibe so that we're not changing, you know, like
coming in and you know, sounding like Greg Almonds because
of some dude that comes in that likes Greg Almonds,
you know, or you know what I mean. Yeah, So
we're doing it a little bit differently and we're attracting
the musicians that we feel fit the actual brand.
Speaker 1: Yeah yeah, well, because yeah, you want to attract obviously,
not not only musicians for the band, but for the
for the studio too. You want people to come and record,
I assume so right yeah, yeah, and uh yeah no
uh run Rudolph runs. It sounds great, is it?
Speaker 13: Just now?
Speaker 12: Who?
Speaker 2: So do you have Is it just you and Brian
on the track or are there other musicians who play
on the track.
Speaker 3: On that particular one, we had Keoni Ben come in,
a musician that is a bass player that we knew, Okay,
so he did play bass on that And as far
as that goes, Rick Ash is a drummer in the
area who will come in and play with.
Speaker 4: Us as well.
Speaker 2: Okay.
Speaker 3: So yeah, we definitely, you know, we'll bring in people
for bass and drums and the instruments that obviously we're
not playing. Yeah, for some of the recorded originals that
are coming out, we actually hired somebody in Africa who
did all the percus because they can they can mike
every single you know, you know, drum on their on
their you know sound. Yeah, and you know, and then
obviously when we're playing local we'll pull in local musicians.
Speaker 1: So it's amazing too. This is a subject that comes
up on the show a lot. It's amazing to live
in a time where you can do, like what you
just said, like work with somebody in Africa, you know,
and send tracks back and forth.
Speaker 2: And and I also think, you know, I you refer to.
Speaker 1: The pandemic earlier and how that, you know, kind of
changes the dynamics of things. Obviously, it was a terrible experience,
the pandemic, but you know, we have to find these
silver linings where we can, and I think one of
the few silver linings is it really kind of forced
a lot of creative people to find new ways to create.
And obviously the ability to you know, send tracks back
and forth with people in other parts of the world,
We've had that for a long time. But I think
when the pandemic showed up, it kind of forced people
who maybe were resistant to doing that to try it.
And it opened up new ways to be creative that
maybe people hadn't considered before, you know, and I think
I think now musicians are much more open to that,
and and being able to that was pretty cool, right,
being able to collaborate with.
Speaker 2: Somebody on Africa.
Speaker 7: Yeah, you know.
Speaker 3: Yeah, And you know, creativity should not be limited by money,
and it was for me for for decades.
Speaker 14: You know.
Speaker 3: I started playing and singing in bands and getting creative,
you know, in high school and back then it was
four tracks and those are relatively you know, easy to
get and just noodle around with the.
Speaker 2: Creative fuel task him. Yeah, I had one, you know,
and we had.
Speaker 3: I've always had a home studio, and you know, just
getting the creative idea out there and on back then tape,
you know, kept the creative floak going and it made
me feel like, well, this is why I want to
do it, and kept the passion in it, you know,
the moment that I couldn't access that anymore, or maybe
it got beyond technology that I could even really want
to deal with, Yeah, is you know it should it
should be something that all musicians can access. And I
think that home studios do that for people. And honestly,
I think at this point people don't have to spend
you know, thousands of dollars to get a great track,
and you honestly, I mean, I'm okay with not having
a big name on on our tracks, yeah, you know, yeah,
and totally fine with, uh with doing it at home.
Speaker 2: So yeah, yeah, do you want to do you want
to play? So I'm dying to hear you play live? Yeah,
yeah we did.
Speaker 1: Uh we did a little sound check before the When
you're the first guest on the show in the morning,
you actually get a sound check, and uh, you sound
you sounded amazing. Just a little bit that I heard,
so I'm really looking forward to this. If you are
just joining us, neon gipsy here with us live in
studio on this Saturday.
Speaker 2: Morning, this cold Saturday morning. So what are you going
to play for us?
Speaker 13: Well?
Speaker 4: I got some originals for you.
Speaker 3: This is okay, this is let's start with come on Up.
I guess le's see if I can get my fingers
work in it's freezing outside.
Speaker 10: What is it like to like?
Speaker 2: Yeah, it feels like it's a cold morning. Yeah.
Speaker 3: This one's called come on Up. We're recording this one
in studio, full rock version.
Speaker 2: Okay.
Speaker 3: So anytime I play an acoustic I always picture a
full rock band in the back in in in my mind.
So I'm playing as a rock star on I call
it my axe acoustic.
Speaker 2: Okay.
Speaker 3: So this is called come on Up?
Speaker 2: All right?
Speaker 12: Not on need drag noted small one, not need.
Speaker 10: Just need it agam in and.
Speaker 12: Look oum up either. He don't need much need you
to come on.
Speaker 15: Now?
Speaker 12: Don't need a baby you.
Speaker 10: Turn the TV. Oh no, don't need to Gossie show.
Speaker 16: Don't need you again in the loove?
Speaker 10: Hom up.
Speaker 15: Yeah loo.
Speaker 12: Oh, come on, I don't need a diamond.
Speaker 10: No full length. First, No, don't need to go up ten.
Speaker 13: In and I don't need you, don't hold up many doors,
come on up, don't.
Speaker 17: Need much, need you trying to come on, don't much.
Jenna coma much, Jenna coma.
Speaker 5: Big rock finish baby.
Speaker 7: I love it.
Speaker 11: I love it.
Speaker 1: If you are just joining us, Neon Gypsy is there
with us alive in studio, and that's that's great.
Speaker 5: Yeah.
Speaker 2: Is everything kind of high.
Speaker 4: Energy that that you do or.
Speaker 10: A lot of it.
Speaker 3: Or and or as high energy as it is dynamic? Yes,
dynamics or high energy.
Speaker 2: Yeah.
Speaker 3: So I have a slower, slower song where you know,
the bridge kind of just kicks up and when we
get that recorded full band, it'll just be like a
wall of sound. Yeah, the bridge, you know, and then
comes back down. So yeah, dynamics.
Speaker 2: Yeah, yeah. Now are you the primary songwriter? Do you
write everything?
Speaker 3: Or actually, Brian my guitarist, my you are.
Speaker 1: Mine, the mysterious Brian right, he's over there, he's over
there on the corner.
Speaker 3: Yeah, Brian writes a lot of cool stuff on electric guitar,
lead riffs and stuff, and then I'll write the lyrics.
Usually I wrote this song music lyrics, and so you know,
it's it's kind of a give or take really, yeah,
or collaboration. But the songs I have here today I
wrote and lyrics and the music.
Speaker 2: Yeah, yeah, excellent. Do you have how many? How many
songs have you written? Do you think?
Speaker 1: Like it's probably hard to put a number on it,
But I mean you strike me as someone who probably
has written a lot. You probably write a lot?
Speaker 2: Like ever yeah, like like like can you put a number,
like a vaguely probably.
Speaker 3: I was one of those kids.
Speaker 13: I was.
Speaker 3: I was not cool. I'm still I'm still reaching for
that goal. But I was one of those kids that's
you know, in grade school high school, sat in my
room with a notebook and I pined over my pen
and paper, writing mostly lyrics what I thought was poetry,
and the saddest day of my life was my absolute
favorite high school poetry teacher looked at the stuff I
was bringing in. He said, you know, you make a
you make a really great lyric writer. And I was insulted. Really,
I was insulted at the time because I had not
started playing music and I wanted to be a poet,
and so I went in with all my writings and toils,
you know, on wielding my pen and came in I'll
emo and he's like, you know, and I was really
offended at that point. And then I started playing a guitar.
So you know, I probably have hundreds of songs, but
it's like a sketch. You know, not every sketch is
going to be great, sure, but you know you can
pull pieces of those here and there, smash things together,
you know, scratch it whatever. But that song that I
just sang, I wrote, put in a book, closed the book,
and then packed the book away and then didn't open.
Speaker 2: It for twenty years, kidding.
Speaker 3: So that song's actually thirty years old, which is dating myself. Yeah,
so that was resurrected.
Speaker 2: Do you remember the first song you ever wrote, actually, one.
Speaker 3: Of the first songs I ever did write I can
play today called Fifth Dimension kidding, Yeah, And I wrote
that in high school, you know, sitting on my bed,
like I said, toiling and writing poet. It was poetry
at the time, and that's also resurfaced. And the thing
that's changed about that is the music the way I
played it, not so much the chords, but the playing
has changed.
Speaker 11: Yea.
Speaker 3: And that one is, yeah, that one just keeps I figure,
if songs keep resurfacing, then they must be worth something,
you know, to me at least, right, you know, So
those those are the ones that resurface.
Speaker 2: But yeah, that's pretty cool. It's something that you wrote
so early. You know that it survives, you know, right, Yeah.
Speaker 10: Well I wrote it.
Speaker 3: My aunt got me an old k guitar at a
just a thrift shop somewhere for like twenty bucks, and
you needed tetanna shots to you know, even play the strings.
You know, the strings had never been changed. But I
was around music all of my life. So my grandparents,
you know, everyone in our family Germans, Pollockx Ukrainians, they
all played music and it didn't matter what it was,
whether it was the harmonica, the guitar, banjo, you know,
whatever poke music. So we were surrounded by it, but
we never really called ourselves musicians. It was just part
of what we did to celebrate and have fun. So
I've always seen my my grandfather playing guitar, but he
didn't really know chords, you know. He would to just
kind of tune the guitar to an open tuning and
pluck away at it. And so I learned how to
play without knowing what chords I was playing, and often
just play by sound, you know, or he you know,
hearing what I'm doing. So I wrote that particular song
that we're talking about not knowing chords, OK, And I
still don't. And that's why I always say I'm not
really you know, I'm not really a quote musician.
Speaker 4: I don't read music.
Speaker 2: You know me either. I never learned to read music.
Speaker 3: I just simply did it for expression.
Speaker 2: Yeah, so yeah, you want to you want to play
another one? I'm doing here more. Yeah, I'm sound great.
Speaker 3: I'm still warming up my fingers, So I apologize, but yeah,
this is the this is the song called Fifth Dimension.
I'm just gonna tune up a little bit.
Speaker 4: Yeah, yeah, this this song is actually about.
Speaker 3: Well fifth dimension basically, if you know, if you're if
you're on a different plane, if somebody can they see you,
can they hear you, can they understand you?
Speaker 8: You know?
Speaker 3: It was actually one of my poetic days where I
was getting really deep in emo.
Speaker 4: Yeah, and this was recorded, uh, you know a few
years ago, but it was.
Speaker 3: Right before pandemic and then the world closed down and
I lost track of where the actual wave file went
and all the stem files and so we're going to
be re recording this one. Okay, yeah, this is called
Fifth Dimension.
Speaker 2: Beyond Gypsy live in studio.
Speaker 10: Watch up, please there Linger.
Speaker 12: Hollad bown your.
Speaker 8: Mind maybe there and I can see honor your thoughts
of long mind? Did not pay her send to the dementa.
Speaker 10: Watches star her.
Speaker 12: I didn't of me?
Speaker 8: Did my hairs into in dementia?
Speaker 12: Won't you see?
Speaker 16: I think of me?
Speaker 12: Won't you still believe?
Speaker 9: And No?
Speaker 10: No believe in me?
Speaker 17: Yeah, Magah believe in.
Speaker 7: No, no.
Speaker 2: Watch of thieves.
Speaker 16: Let me see.
Speaker 10: Home with your rides.
Speaker 18: Maybe they're I won't have them gool No the uta
they shun night, did not fair.
Speaker 16: Hells into dim dementia?
Speaker 10: Want to steal her?
Speaker 16: I think of me?
Speaker 10: Did not fair hair hell.
Speaker 16: S into in dementia.
Speaker 7: Won't you steal her?
Speaker 12: I think of me.
Speaker 16: We'll just still believe in me.
Speaker 8: No, no.
Speaker 10: Believe in nagging.
Speaker 15: Maggy.
Speaker 5: Believe in me. No believe in Naggy.
Speaker 2: That was the first one you wrote. You were off
to a great start. I really like that.
Speaker 3: It sounded a lot different. It definitely wasn't as upbeat
as you said.
Speaker 4: I think you said it.
Speaker 3: Do you always played I don't know what you just said.
But when I originally wrote it, it was pretty sing songy. Yeah,
and I didn't really have a lot of confidence when
I was playing and singing.
Speaker 4: I was singing secretly, you know, in my room.
Speaker 3: Yeah, never sang in front of anyone, and so everything
was pretty mellow and kind of safe when I first wrote.
So that that was you know again, put it away
in a book for twenty years, come back to it
with more confidence, with more attitude, and you know, yeah,
and that's what that's what that brings to the table.
Speaker 2: Yeah, dynamics. No, that was great. Yeah, yeah, I really
liked that a lot. Absolutely, thank you.
Speaker 1: Now, when you record the album, how many how many
tracks you're gonna record? Have you settled on that when
you do the because you're gonna do a full album, right,
is that the plant?
Speaker 3: Well, we were thinking about singles just because you have
a lot more to talk about more often.
Speaker 2: True, that's true.
Speaker 10: Yeah, And.
Speaker 3: I like that idea, you know, because you're always fresh.
And what we're hoping to do is, you know, we
have anywhere from five to nine songs between me and
Brian writing, and some of those are just blow your
head off rock, yeah, kind of a combination of a
I wouldn't say classic rock, not really, I don't know rock,
classic rock, contemporary mixed all together, yeah yeah, and then
throwing throwing in a little eighties flair with with his
lead solos and stuff.
Speaker 2: So yeah, yeah, that's another thing too that comes up
a lot on the show.
Speaker 1: As you know, we live in a time where you
can really there's so many different ways you can release music,
so many different strategies you can use. And you know,
like when I was growing up, it was, you know,
an artist would usually the first single would go to radio.
It was always an album, and the first single would
go to radio six eight weeks before the album comes out,
and then the album comes out, and then there's a
second single and so forth and from there. But now
you can do it so many different ways, and you know,
you can just do singles, you can do an EP,
you can a lot of artists that we talk to now,
will it kind of the inverse of how it originally worked,
where instead of releasing an album and then a bunch
of singles, they release a bunch of singles that eventually coalesced.
Speaker 3: Yeah, yeah, I think that's the direction we would go. Yeah, yeah,
I mean. Interestingly enough, a lot of the songs are
kind of very different, but for some reason they they
all seem to work as a storyboard when you put
them together as an album, And I guess that's the
way albums work, right, They're telling a story even though
each song isn't exactly maybe the same genre or.
Speaker 2: Style, right.
Speaker 3: I feel like we have a lot of different stuff
going on, but the dynamics are what keep that cohesive
as an album if you were to put them all together.
Speaker 2: Yeah, no, that makes sense, that makes sense. You want
to you want to play another one? We have time
and want to.
Speaker 3: Yeah, let me see what I got here? I got
another original, which is you know we could do that, well,
we could do a cover.
Speaker 4: I don't know.
Speaker 2: You want you want to play another original?
Speaker 4: Yeah?
Speaker 2: I really like your originals, So.
Speaker 4: Yeah, we'll do that, because that's why I'm here.
Speaker 3: I'm a I am a musician.
Speaker 2: Yes, yes, if you are just joining us, we have
Neon Gypsy live in studio.
Speaker 3: This is a slower one so you can see it
a little bit more mellow.
Speaker 10: All right, now I could see by me off down night.
Speaker 12: Wap for you're to talk to me?
Speaker 19: Tell me it's all right now. I can ask you
on my hand, but I filly, don't expect.
Speaker 16: You to wander stay. Don't you know the time it
has away?
Speaker 10: Were things.
Speaker 16: Like falling the rain coming into the streams.
Speaker 10: Don't you know the.
Speaker 15: Time it.
Speaker 10: Way? Wear?
Speaker 18: Things like pulling the brains down into into the.
Speaker 12: Street, into the street, No one boat.
Speaker 20: I cove been lonely sitting right by go side and
now I could pull your clothes on your sow.
Speaker 10: Tide and now I could tell you pat me your
won that I need.
Speaker 21: That's your known the stone siro, But they cannot be
don't you know the time it has a way wealth?
Speaker 10: Things like falling the.
Speaker 8: Brain damn into the streets not normal time heads away?
Speaker 10: Were things.
Speaker 16: Like pulling the brain damn into into the street.
Speaker 12: It's two streets, no ball.
Speaker 5: Yeah, into streets.
Speaker 16: Now no a no.
Speaker 12: Street the bow.
Speaker 11: Now the.
Speaker 2: That's my favorite one so far. I really like that.
I really like that.
Speaker 1: If you are just joining us neon Gypsy here with
us live in studio on this Saturday morning, sounding fantastic.
Speaker 2: Now, are you what's your show schedule?
Speaker 8: Like?
Speaker 1: Are you playing out a lot or are you more
focused on recording or what's going on? There.
Speaker 3: I was playing out quite a bit as a you know,
a cover artist and then mixing in some of my originals.
Sometimes it was you know, three four times a month,
which was a little too much. I start started feeling
a little more like a machine. It was a lot
of fun, so I'm slowing down a little bit. I
will be playing in January at a really cool place
in Gorham. It's called Sidecar Line in Whiskey Bar, which
is a really swanky place. You pull up a couch
and get your you know, sniffer brandy and just kind
of pontificate about all of the music coming out of
my mouth.
Speaker 2: Yeah, that's a really cool place.
Speaker 3: And a few other places that you can find on
Neon Gypsy on my Facebook page for the events. But
right now for twenty twenty five, I do have some
venues in New Hampshire as well, The Barnyard. I'll be
playing there this summer. They haven't quite got their their
schedule together yet. That's a really fun place to play.
Speaker 2: Where is that I'm not familiar with.
Speaker 3: That's in Candya Okay, Yeah, that's a really great venue.
It's an outdoor venue and everybody there that you know,
they're playing corn hole on the side, and you know,
it's just it's such a great vibe, especially in the summer,
and everybody there that just always they listen. You know,
they're not just you know, they're enjoying themselves, but they
really do listen and appreciate the music there. But we
are I'm slowing down a little bit more on the
idea of just play out, play out, play out, and
got to focus on getting in the studio because some
of these songs are so old, you know that now's
the time, like we've got to get this done now
that we got the upgrades in the studio.
Speaker 1: Rolling, So yeah, absolutely absolutely Now now the goal is
to obviously have other musicians coming and record with you, right,
but you're not there yet, I assume with the studio
or you're or maybe you are.
Speaker 2: We are, yeah, we are, okay.
Speaker 3: You know, the only thing we don't have is a
drum room and you know, acoustic drums we work. You know,
I think, what what is nice about home studios or
our studios.
Speaker 4: It's it's a small home studio, but.
Speaker 3: We're working with an e kit so we can just
plug in and you know, keep it simple, make it
a sfortable, you know, so that people can come in
and get creative and you're getting clean sounds coming out
of that without the complication of having a degree to
make up every drum on a kit.
Speaker 2: Yeah.
Speaker 3: Yeah, So we do have musicians coming in right now.
We have Rick Ash that just finished up a track.
Speaker 4: He came in.
Speaker 3: He's from the Mid Coast area in Maine and he
just resurrected a song from the nineties, you know, with
this old band Crazy Knave and Brian and I got
to be a part of that and I got to play.
It's called Blackout Brandy. I got to play Blackout Brandy.
I have a little cameo in the bridge. I get
to play a drunk girl.
Speaker 2: So yeah, okay, okay, so another word, So you're a
Blackout Brandy.
Speaker 3: And I guess I would be.
Speaker 10: Yeah.
Speaker 3: I get a few things that I, you know, say
in there, and then I get to sing just a
little bit and nail it. I'll send you the song
if you look, if you would play it, it would
be awesome. Absolutely, It's a great song that's out there
and ready to go.
Speaker 2: Oh fantastic. Okay.
Speaker 15: Yeah.
Speaker 3: So yeah, artists are welcome to come and visit us.
Like I said, it's just a small, small, but mighty studio,
you know. Okay, but the difference is we just had
a musician come in who actually has a home studio
and he's like, you know, I really don't quite know
what I'm doing to the level of that Brian does
in studio producing and recording. Yeah, and he just wanted
to come in and relax and play. He didn't want
to push the buttons and okay.
Speaker 2: Yeah, so yeah, very cool.
Speaker 1: Now, how do where should people go online to find
out more about Studio fifty one.
Speaker 3: We have a Facebook page, okay, and it's you know,
there's a lot of Studio fifty ones out there, but
you know, we're out of Portland main and look for
the spaceship with the half naked woman on the.
Speaker 4: Logo, okay and with the guitar and that's us.
Speaker 2: Okay, yeah, okay, very cool, very cool. Do you want
to play one more? We have time if you want to.
Speaker 3: I can play a cover tune.
Speaker 2: Yeah sure, yeah, whatever you want. Yeah, all right.
Speaker 1: If you're just joining us, Neon Gypsy is here with
us live in studio. Coming up in the second hour,
we have the Healer Mike McDowell will be here and
then in the third hour the return of Cody Pope
and Byron g And I love having those guys on
the show.
Speaker 2: Always amazing.
Speaker 1: But uh, Neon Gypsy is sounding great here on this
Chilli Saturday morning.
Speaker 3: But I'm getting warmed up a little bit.
Speaker 2: Yeah yeah, it's warming up in here too. I closed
the door.
Speaker 4: That helps.
Speaker 3: My fingers are the last to get circulations. Yeah yeah,
all right, I'll play play cover to room for you.
Speaker 2: I wonder if you'll know who this is?
Speaker 14: Okay, in those Sunshine one gee's gone, it's no longer
when she he's waiting, you know, sun Show, and she's gone.
Speaker 16: She's going to.
Speaker 3: Know any times she goes away.
Speaker 12: One too, when this time she gone.
Speaker 19: Want to if she's gone on stay here, you know
sun Show.
Speaker 10: When she's gone, she's going away to No.
Speaker 16: Anytimes she goes away.
Speaker 12: Now, no one no no no no no no no
no no no no no.
Speaker 10: No no no no no, no, no, no, no, no no.
Speaker 7: One, no.
Speaker 22: Gonna let hersello gain no suncha when she go yeah,
no no no no, no, no, no, no, no, no, no,
no no.
Speaker 1: Oh fantastic, fantastic Neon Gypsy here with us alive in
studio and hey, but before we wrap up in a moment,
we're gonna close out the segment with We're gonna play
I'm gonna play Run Rudolph Run again, the new studio track.
So we're very glad to feature that today as well.
But where should people go online? What's the best place
to go to keep up with everything that you're doing
right now?
Speaker 3: It's Facebook. I am on Instagram as well, got to
get a little better about that. But on Facebook you
can find me on gypsy and there's there's actually two
profiles out there. I just can't get that other one off.
It's been hacked. So just look for the current one
you'll find out of Portland. Yeah, and then Studio fifty
one is just simply at Studio fifty one, look for
the big ufo, yeah logo with the with the half
naked lady playing a guitar.
Speaker 1: Well, you know what, for those watching online, put the
camera on me. There you go, there's a for for
those of you watching, there's the word show.
Speaker 2: There's the sticker. So very nice, very nice. Well, thank
you so much, Jennifer. This has been this has been amazing.
Speaker 3: Thank you so much for having me.
Speaker 4: I really appreciate it.
Speaker 2: Absolutely.
Speaker 1: We'll do it again in the future, especially where you've
got more studio tracks coming up, so.
Speaker 3: That'd be awesome.
Speaker 2: Thank you, absolutely, absolutely, And if you are listening live
on Saturday morning, stick around the Healer.
Speaker 1: Mike McDowell is coming up. I'm gonna have to go
let him in when he's uh when he arrives. He's
keeping me posted and it's a little chilly out there
this morning.
Speaker 2: After all.
Speaker 1: We will close out the segment with once again, this
is the studio track, Run Rudolph Run.
Speaker 2: This is Neon Gipsy's run.
Speaker 5: Don Rude all Santa? Do they get to town Santa
Maga hor Town?
Speaker 6: They can take the freeway?
Speaker 9: Run Don Rudolf be a a memcal right, Okay, yeah,
saying Santa don't a child?
Speaker 5: Why have you been a leg ball?
Speaker 10: No for Christmas?
Speaker 17: Is a rocking ball?
Speaker 5: Electric jar.
Speaker 10: Go away?
Speaker 5: When boodof w isn' I gotta shoot the store? Run
Don rudof Santa? Do I get to child Santah?
Speaker 11: Tag him horn?
Speaker 5: He can take the freeway hour.
Speaker 13: Run down boot beating Americ round?
Speaker 5: Okay, Run run rudall Santa? Do I get to ChIL.
Speaker 7: Santa?
Speaker 5: Big ahead.
Speaker 7: Tell him he can take the freeway now.
Speaker 11: Run don bud be like America round.
Speaker 7: Saying saying that to you, my girl child, what would
please you?
Speaker 5: Wants to get.
Speaker 7: A little baby doll.
Speaker 9: They can grass, sleep, drink and wht not away went brudo,
whiz like a saber chet run un rudo Sanada may
get to town.
Speaker 5: SAA make Americ twn.
Speaker 9: He can take the freeway down, run don buda, feeling
like America.
Speaker 11: Right, Okay, no non goo gop run no gop run,
non go run, no run non goomic roy, let me
go down