WEBVTT

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<v Speaker 1>If there's a sound you could copyright for retirement, maybe

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<v Speaker 1>it's the muffled thunker for library. But being dropped into

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<v Speaker 1>the return shoot bore the quiet argument between two different

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<v Speaker 1>dwart book carts bumping in a hallway with the four

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<v Speaker 1>that was never in a century quite level the library

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<v Speaker 1>where I started volunteering after my last day on Rat

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<v Speaker 1>seventeen in Nelson Heights, branch red brick odd editions, a

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<v Speaker 1>whiff of wax polish, and the cardboard tan of years

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<v Speaker 1>of paper offered all of these in a single busy morning.

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<v Speaker 1>My first shift was mainly meant to be a trial run,

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<v Speaker 1>just shelving and sorting, but the desk supervisor, Genine, greeted

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<v Speaker 1>me with a rare opening the in tick desk single handed,

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<v Speaker 1>just for one hour to see your system attests. I

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<v Speaker 1>was sure she had that fees for putting people through

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<v Speaker 1>minor gauntlets and seemed to relish finding out who could

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<v Speaker 1>think a round clatter. It suited me. After thirty five

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<v Speaker 1>years in a postal service, handling the unpredictable arrivals and

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<v Speaker 1>vanishments of paper, things seemed like home. There were returns

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<v Speaker 1>from every corner of the city, thick coled manuals, dog

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<v Speaker 1>teed mysteries, slick as new cook books, and spiny children's

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<v Speaker 1>books with strange creatures on their hard covers. They came

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<v Speaker 1>in stacks, sometimes under trembling hands of seniors, or wedged

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<v Speaker 1>and folded arms by apparent wrangling a toddler. Some people

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<v Speaker 1>return their books with a grin, others with an apologetic

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<v Speaker 1>mumble about overjufines and lost slips. I took it all

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<v Speaker 1>with slow nod, marking things in by hand, then in

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<v Speaker 1>the art clunky tablets. The library had just started rolling

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<v Speaker 1>out half way through as I reached for the next

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<v Speaker 1>book from an unruly heap, a sweet looking picture book

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<v Speaker 1>with cloud stitched sheep high glanced down the return slip

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<v Speaker 1>yellow increase at a corner was stamped clearly returned by

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<v Speaker 1>six March twenty twenty nine. I blinked, then actually double

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<v Speaker 1>checked the cover copyright twenty eighteen, fine stamp in blue striking,

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<v Speaker 1>the brisk not faded at all. The rest of the

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<v Speaker 1>card was filled with recent plausible dates. This is the

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<v Speaker 1>first time I can remember being both amused and a

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<v Speaker 1>little disoriented by a date, which is saying something when

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<v Speaker 1>you've spent decades sorting holiday cards in October. I held

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<v Speaker 1>up the book for a second, looking around, and waved

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<v Speaker 1>the slip Apollo, who was passing by in the corridor,

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<v Speaker 1>A cheerful twenty something children's librarian with the Herbert's permanently

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<v Speaker 1>trailing her neck, paula quick opinion for a rookie. Did

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<v Speaker 1>I just time jump, she laughed, leaning in to check,

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<v Speaker 1>though the crazy returned slips again. Must have slipped through

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<v Speaker 1>from the South branch. They always mess up the dates,

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<v Speaker 1>or she shrugged, almost mischievously, Or it's just the kids

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<v Speaker 1>or something. One came back last month's stamped for twenty

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<v Speaker 1>seventy four. There was something in her tone, caught between

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<v Speaker 1>a joke and a brush off, that I noticed in

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<v Speaker 1>my work. You get a third deer for when someone

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<v Speaker 1>is stone moalling with Hima, or when a story hides

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<v Speaker 1>somewhere else. Entirely, I set the book aside to jaculator.

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<v Speaker 1>If I noticed a pattern, maybe I'd give myself a

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<v Speaker 1>prize for observation, or just file it away as one

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<v Speaker 1>of those institutional Quirk's libraries collect along with audible donors

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<v Speaker 1>and mysterious stains. But the next stack contained an old

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<v Speaker 1>dan or pin quart a paperback, the Hobboken Chicken Emergency.

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<v Speaker 1>It spine cracked, but reparable would a pale slip stamp

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<v Speaker 1>returned sixteen April nineteen fifty seven on a book published

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<v Speaker 1>in nineteen eighty two. The stamp was black. The card

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<v Speaker 1>itself looked deliberately old, not weather by age, but with

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<v Speaker 1>a cream color and machine cut I'd only seen in

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<v Speaker 1>my childhood libraries. The ink was sharp, as if it

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<v Speaker 1>had only just a memory of rubber and pressure. I

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<v Speaker 1>thumbed through the book, nothing out of place. I stacked

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<v Speaker 1>it in the questionable pile I was making uninstinct to

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<v Speaker 1>two more children's books join it, both with odd slips,

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<v Speaker 1>one stamped for in the future, another with the name

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<v Speaker 1>scrolled in a style that looked like the nineteen thirties,

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<v Speaker 1>Why Abbess Asal and a curly dipping hand. I leaned back,

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<v Speaker 1>fiding the urge to comment to a strange of five books,

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<v Speaker 1>four implausible dates, three different kinds of paper, and at

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<v Speaker 1>least two fake DearS. Who was trying to amuse themselves?

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<v Speaker 1>Some jokers shelving books with forgeries, or one of the

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<v Speaker 1>night's staff playing a prank. Maybe it was standard every

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<v Speaker 1>library's got something a bit bent about it, a note

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<v Speaker 1>that never quite matches the rest of the court. Jeanein

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<v Speaker 1>strove pass hair, short blue sweater, announcing a Davenport delivery,

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<v Speaker 1>her mouth set for briskness. Janine questioned, for you, I

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<v Speaker 1>called waving the daynelpincutter with its nineteen fifty seven return slip.

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<v Speaker 1>I tried for casual. Do we run a time travel

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<v Speaker 1>program here? She gave me the faint smile you give

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<v Speaker 1>to some one, return into a long, warm joke and

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<v Speaker 1>didn't slow down much. Other branches problem. Probably if it's

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<v Speaker 1>not on the digital log, just file it in tick anomalies.

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<v Speaker 1>But the book wasn't published. And told the eighties. She

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<v Speaker 1>shrugged and nothing in her face gave way. But when

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<v Speaker 1>she replied, it was quicker and lighter than I expected. Well,

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<v Speaker 1>maybe the book got there early library time. Then she

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<v Speaker 1>was gone. Conversation closed, but not before giving the slip

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<v Speaker 1>a second, very brief rown. I left my growing stack

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<v Speaker 1>of a question marks next to the desk cafel, not

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<v Speaker 1>to let them mix with reshelving. By the end of day,

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<v Speaker 1>nobody had asked about them. As the lights flickered and

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<v Speaker 1>the clatter faded, and I clocked out, I felt to

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<v Speaker 1>tickle deep in my chest, to quiet wad on earth

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<v Speaker 1>with just the right flavor of delight, no sign of trouble,

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<v Speaker 1>only the opening of a door into some gentle, slow,

99
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<v Speaker 1>unfolding mischief. My second week on intake routine made it

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<v Speaker 1>easier to poke at the edges of oddity. The Nelson

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<v Speaker 1>Heights Library was neither big city grand nor rural crant

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<v Speaker 1>to building designed for a hundred years of temporary solutions.

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<v Speaker 1>Enter through the old brick arch, passed the scuffed blue

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<v Speaker 1>pillows from the nineteen sixties edition. I make it to

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<v Speaker 1>the staff office one minute to eight for sign engine,

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<v Speaker 1>never missed a late slip in the middle. Circulation ran

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<v Speaker 1>like small streams into tributaries. Kit bounced into the staf

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<v Speaker 1>for story time. Old whom men arrived in pairs for chess,

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<v Speaker 1>but the battered local newspapers, and a college girl Hannah

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<v Speaker 1>unfolded maps with the care you'd give anti glace. Here.

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<v Speaker 1>Tyan didn't move fast, except when people argued about who

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<v Speaker 1>had a hold on the only good sequel in town.

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<v Speaker 1>Jeanine ran things with a clipped efficiency, barely needing to

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<v Speaker 1>check the screen to remember a face or a book's

115
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<v Speaker 1>wandering habits. Mister Ray, the cataloger had an unpredictable supply

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<v Speaker 1>of dry, low volume puns and an endless affection for

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<v Speaker 1>the old systems. He'd been there since Watergate by his

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<v Speaker 1>own math, and could smell a spurious barkoot four shelves away. Paula,

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<v Speaker 1>in comparison, was a comet, always fast, always cheery, speaking

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<v Speaker 1>in Bursa but newy, but providers but tolerating. The annal

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<v Speaker 1>of messes are part of the heritage. That first fortnight,

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<v Speaker 1>I explored the stack spangled maze between my shelving shifts.

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<v Speaker 1>The halls twisted, often literally near the old reference wing,

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<v Speaker 1>the wall's flash between decca white tile and poor gray concrete,

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<v Speaker 1>as EF decorators tried to outlast each other. Lighting changed

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<v Speaker 1>mid corridor from amber pulled to pale hospital glow. The

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<v Speaker 1>back rooms, especially where old returns lingered awaiting decision, seemed

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<v Speaker 1>to her new doors. I found myself wheeling a card

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<v Speaker 1>on to a landing that, in theory was a dead end,

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<v Speaker 1>except there was a bathroom door sign that didn't match

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<v Speaker 1>the building's font. Nobody else seemed to find any of

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<v Speaker 1>this unusual. When started to mention another of these micromisteries.

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<v Speaker 1>Mister Ray only nodded quarks of the old system, he said,

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<v Speaker 1>as if that explained not only books but bricks themselves.

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<v Speaker 1>Bookcott came and when Paula claimed that some carts held

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<v Speaker 1>haunted returns, meaning books that no matter where Rochelle turned

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<v Speaker 1>up off by one row in six hours or less,

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<v Speaker 1>we traded bobs about whether the new barcoding tech could

139
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<v Speaker 1>utwhit cursed narrative drift. I discovered, with a slight catch

140
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<v Speaker 1>in my breath, that one particular copy of the Joy

141
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<v Speaker 1>of Cooking appeared, unsuccessfully reshelved in different systems, three days

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<v Speaker 1>in a row, each time with the new return slip appended,

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<v Speaker 1>each with a date thirty years apart. The card catalog

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<v Speaker 1>in three half a symbol cabinets was tucked away under

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<v Speaker 1>a do not move arco's pending sign. Half the drower's

146
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<v Speaker 1>boxed and rubber banded type just in case, Janine told

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<v Speaker 1>me when I half jokingly asked if anyone used it.

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<v Speaker 1>By the sound of her voice, even a just in

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<v Speaker 1>case was who was drawn the world, it seemed now

150
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<v Speaker 1>belonged to the barcode. But even the newest off it

151
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<v Speaker 1>tags were no match for the circulation quirks. I began

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<v Speaker 1>to track, always around the process of return. I made

153
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<v Speaker 1>a habit of reading each and ticks slip, partly from boredom,

154
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<v Speaker 1>hotly out of habit. By midweek I'd found five more

155
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<v Speaker 1>examples odd ball dates, missing years, names that sounded faintly literary,

156
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<v Speaker 1>samped in fresh blue. Every time I mentioned it to

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<v Speaker 1>a staffer, the anterer fell between joking and a warning

158
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<v Speaker 1>not to take library life too seriously. It was on

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<v Speaker 1>my six shift, late Friday afternoon, rain barely tapping off

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<v Speaker 1>the aluminum frame library, nearly ready to close, coffee just

161
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<v Speaker 1>cooling at my elbow, that I seriously considered I was

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<v Speaker 1>missing something. I had by then set aside a suspiciously

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<v Speaker 1>tidy half stack of books under the desk. There were

164
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<v Speaker 1>more of them than I could write off as one

165
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<v Speaker 1>night prank or date entry fumble. One book and unknown

166
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<v Speaker 1>poetry collection Boundaries of the Inn and Sea, stitched in

167
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<v Speaker 1>matt Navy, presented a particularly neat problem its returned slip overlapping.

168
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<v Speaker 1>Another was stamped with a return date from twenty forty

169
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<v Speaker 1>three and signed in smooth leaping ink by Sea anglo

170
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<v Speaker 1>at supervisor. There was no such supervisor, and in twenty

171
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<v Speaker 1>forty three at Bee well either a hundred or a

172
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<v Speaker 1>work of fiction. Yet the ink was real. My thumb

173
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<v Speaker 1>came away faintly blue. After closing, When Jeanne was filing

174
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<v Speaker 1>the last box of repairs, I decided to stat my

175
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<v Speaker 1>strange slips in front of her with a flourish the

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<v Speaker 1>janine these days slok, they're getting creative, She glanced briefly

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<v Speaker 1>brow raised. Sism was a mess before their renovation. You know,

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<v Speaker 1>you get used to it eventually, she said, eventually, with

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<v Speaker 1>a particular energy, like it wasn't really a joke, but

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<v Speaker 1>coded for something you either ignore or accept. At that,

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<v Speaker 1>her voice floated up from the read and corner the

182
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<v Speaker 1>retired English teacher mister Anders, who'd started coming in after

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<v Speaker 1>his wife passed, mostly for conversation in Thinck Dickens's novels.

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<v Speaker 1>You think these are odd? I remember when everything was

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<v Speaker 1>by hand and the book sometimes went missing for decades.

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<v Speaker 1>They always turned up again. Eventually, nobody ever explained it.

187
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<v Speaker 1>I waited for more, but he only smiled ice far away.

188
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<v Speaker 1>I took it home that first month, like a puzzle

189
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<v Speaker 1>bit in a folder. Slip after slip that made no

190
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<v Speaker 1>internal sense, but all seemed to belong in some small

191
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<v Speaker 1>way to the rhythm of the place. Most anomalies in

192
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<v Speaker 1>life shovel under the sun of attention, mill that's misroded,

193
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<v Speaker 1>a mislabeled box, a digit scaped. These I thought would

194
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<v Speaker 1>be the same, Yet each time I checked, reality gave

195
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<v Speaker 1>me another tiny contradiction, like a spot that moved but

196
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<v Speaker 1>could never be entirely scrubbed away. One Saturday morning, I

197
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<v Speaker 1>decided to line up every odd slip. I'd collected a dozen,

198
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<v Speaker 1>then a baker's dozen, now almost two file folders full.

199
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<v Speaker 1>I'd color corded them by era or whatever they seemed

200
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<v Speaker 1>to mimick. Faded gulls with fountain pen lines, bright purple

201
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<v Speaker 1>stamps with digital print hups beneath an aerial font. The

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<v Speaker 1>biggest defenders bore names like y Abs or aunt Kester,

203
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<v Speaker 1>neither of whom I could find on the staff roster,

204
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<v Speaker 1>old staff photos, or even Google. Down a coffee and

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<v Speaker 1>a listless attempt at Sudoku, I let my former postman's

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<v Speaker 1>eye for patterns take over. I double checked the staff log.

207
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<v Speaker 1>No m Kester, not even a retired version, not even

208
00:09:45.840 --> 00:09:47.799
<v Speaker 1>in an early staff list that mister Ray Captain has

209
00:09:47.840 --> 00:09:50.919
<v Speaker 1>batted Tan Binder. I scrolled back through the digital system

210
00:09:50.960 --> 00:09:53.440
<v Speaker 1>in nothing since at least the Midmanuts one thousand, nine

211
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<v Speaker 1>hundred eighties, not even an obituary who then was stamping books.

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<v Speaker 1>As recently as last month, more than one book seemed

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<v Speaker 1>to collect odd slips, especially the well loved ones that

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00:10:03.440 --> 00:10:08.120
<v Speaker 1>cycle FASTUS thrillers, cook books, annotated city maps. Sometimes a

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00:10:08.120 --> 00:10:10.559
<v Speaker 1>cookbook returned with a slip stamp nineteen twenty one, or

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00:10:10.600 --> 00:10:13.759
<v Speaker 1>called when it was published in nineteen eighty five and

217
00:10:13.840 --> 00:10:16.360
<v Speaker 1>in a neat leaping skirt to our Franklin sobed lib.

218
00:10:16.960 --> 00:10:19.000
<v Speaker 1>The more I compare it, the more names repeated, but

219
00:10:19.039 --> 00:10:21.080
<v Speaker 1>with no connection to any known person in or out

220
00:10:21.120 --> 00:10:24.679
<v Speaker 1>of the library community. Monday, in a law I asked Paula,

221
00:10:24.720 --> 00:10:26.919
<v Speaker 1>who was prepping the new story Time flyer, do these

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00:10:26.960 --> 00:10:29.279
<v Speaker 1>make sense to you? She took a casual occur an,

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00:10:29.360 --> 00:10:32.279
<v Speaker 1>so quick as always. Ah, the children's section gets a wallace,

224
00:10:32.320 --> 00:10:34.720
<v Speaker 1>returns old slips mixed in with new ones. But that's

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00:10:34.799 --> 00:10:37.000
<v Speaker 1>just little kids playing and make believe. If there are more,

226
00:10:37.360 --> 00:10:40.159
<v Speaker 1>maybe blamed the dad's playing library at home that didn't

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00:10:40.240 --> 00:10:42.039
<v Speaker 1>quite fit some slip names had a way of being

228
00:10:42.039 --> 00:10:44.600
<v Speaker 1>too old fashioned or too early modern for any one

229
00:10:44.639 --> 00:10:47.279
<v Speaker 1>to conjure. By accident, I took to checking the old

230
00:10:47.320 --> 00:10:50.480
<v Speaker 1>card catalog drawer by drawer when nobody else needed something

231
00:10:50.519 --> 00:10:52.960
<v Speaker 1>from under the sign in ther Sea drawer. As a

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00:10:53.039 --> 00:10:55.240
<v Speaker 1>kind of experiment, I rifled through check out cards from

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00:10:55.279 --> 00:10:58.480
<v Speaker 1>the sixties four In a volume of local bird guides,

234
00:10:58.559 --> 00:11:00.360
<v Speaker 1>I found the yellow and slip marked in aale blue

235
00:11:00.360 --> 00:11:03.080
<v Speaker 1>borrow room says est to chew one hundred eighty eight

236
00:11:03.080 --> 00:11:05.240
<v Speaker 1>miles with a phone number too short to be modern,

237
00:11:05.320 --> 00:11:08.200
<v Speaker 1>stamped up behind in nineteen ninety one, two thousand nine,

238
00:11:08.480 --> 00:11:12.080
<v Speaker 1>and then oddly twenty twenty seven one hundred eighty eight

239
00:11:12.080 --> 00:11:15.759
<v Speaker 1>wells didn't exist in city directories before the seventies. Near

240
00:11:15.799 --> 00:11:19.000
<v Speaker 1>By another card boris surname that belonged unmistakably to a

241
00:11:19.000 --> 00:11:21.960
<v Speaker 1>famous but fictional film character, borrowed in nineteen eighty four

242
00:11:21.960 --> 00:11:24.960
<v Speaker 1>and again in twenty nineteen. There were cards with addresses

243
00:11:24.960 --> 00:11:27.440
<v Speaker 1>that came and went as houses did, sometimes jump into

244
00:11:27.559 --> 00:11:30.159
<v Speaker 1>or three digits, as if the city itself were stuttling

245
00:11:30.200 --> 00:11:33.240
<v Speaker 1>around the libraryes or a memory. Out of ply frustration,

246
00:11:33.440 --> 00:11:36.240
<v Speaker 1>I put the matter to Groupershell volunteers, the junior high

247
00:11:36.279 --> 00:11:38.480
<v Speaker 1>kid helping for service credit, the grandparent who ran the

248
00:11:38.519 --> 00:11:41.000
<v Speaker 1>quiet reading hour, an accountant turned novelist who was prone

249
00:11:41.000 --> 00:11:44.120
<v Speaker 1>alarm pauses. Is there a secret to these lips? Or

250
00:11:44.120 --> 00:11:46.840
<v Speaker 1>am I missing? And in joke? The responses ranged from

251
00:11:46.879 --> 00:11:49.679
<v Speaker 1>shoulder shrugs, wow, they always had issues tracking the branches

252
00:11:49.720 --> 00:11:51.639
<v Speaker 1>after the merger, to more cryptic ones of Some books

253
00:11:51.679 --> 00:11:54.360
<v Speaker 1>get bored if left too long, said the novelist, entirely

254
00:11:54.399 --> 00:11:58.080
<v Speaker 1>straight faced. But the contradiction refused to settle into something simple.

255
00:11:58.639 --> 00:12:01.120
<v Speaker 1>When I checked the physical copis of high circulation books,

256
00:12:01.200 --> 00:12:04.000
<v Speaker 1>I found that somewhere living documents. Each week, pencil notes

257
00:12:04.000 --> 00:12:06.399
<v Speaker 1>in the margins would change erased clean, only for new

258
00:12:06.399 --> 00:12:09.440
<v Speaker 1>ones to appear. In one case a paragraph about pancakes,

259
00:12:09.519 --> 00:12:11.639
<v Speaker 1>or place last week's comment about fried rice in the

260
00:12:11.639 --> 00:12:15.080
<v Speaker 1>same wobb we hand, but but different advice. Sometimes a

261
00:12:15.200 --> 00:12:18.159
<v Speaker 1>returned slip would be pasted over another dates overlapping, as

262
00:12:18.159 --> 00:12:20.519
<v Speaker 1>if both histories wanted to be present. But light a paper.

263
00:12:21.159 --> 00:12:24.120
<v Speaker 1>That afternoon, mister Ray was in a catalog room fixing

264
00:12:24.120 --> 00:12:27.000
<v Speaker 1>a stuck drawer with a brass ruler. I asked half

265
00:12:27.039 --> 00:12:29.080
<v Speaker 1>as a joke, you ever seen a return slip that

266
00:12:29.120 --> 00:12:32.200
<v Speaker 1>didn't believe in time. He set the ruler down, adjusted

267
00:12:32.200 --> 00:12:34.720
<v Speaker 1>his wire framed glasses at his beard, and said, some

268
00:12:34.799 --> 00:12:37.200
<v Speaker 1>books have a mind of their own. Back before the computers,

269
00:12:37.399 --> 00:12:40.840
<v Speaker 1>there were always wandering, reckless names, that drifted addresses nobody'd

270
00:12:40.879 --> 00:12:42.759
<v Speaker 1>heard of, saw a book returned before it was even

271
00:12:42.799 --> 00:12:44.840
<v Speaker 1>bought more than once. There is a reason we keep

272
00:12:44.840 --> 00:12:48.240
<v Speaker 1>the backup files. Don't you think it's odd? He smiled,

273
00:12:48.240 --> 00:12:50.720
<v Speaker 1>an old man's privilege to be amused rather than disturbed

274
00:12:50.759 --> 00:12:53.799
<v Speaker 1>by small violations of order. Worry about the ones that

275
00:12:53.919 --> 00:12:56.399
<v Speaker 1>never come back. The rest, well, they find their place again,

276
00:12:56.600 --> 00:12:59.360
<v Speaker 1>or you do after a while. There was something deeply

277
00:12:59.399 --> 00:13:02.720
<v Speaker 1>comforting in and how nobody seemed particularly bothered. Maybe the

278
00:13:02.879 --> 00:13:05.320
<v Speaker 1>very point of a library wasn't just a fixed memory,

279
00:13:05.440 --> 00:13:07.559
<v Speaker 1>but to allow a little drift, a bit of shared myth.

280
00:13:08.080 --> 00:13:10.360
<v Speaker 1>By the end of the month, my curiosity had gone

281
00:13:10.360 --> 00:13:13.360
<v Speaker 1>from idle to methodical. I kept a special folder under

282
00:13:13.360 --> 00:13:16.279
<v Speaker 1>the intic desk, anomaly sit stone file, with every card

283
00:13:16.279 --> 00:13:18.759
<v Speaker 1>and oddity annotated, and pen a new kind of postal bag,

284
00:13:18.840 --> 00:13:22.720
<v Speaker 1>sorted by mystery. Rather than address. One rainy evening, walking

285
00:13:22.720 --> 00:13:24.919
<v Speaker 1>through the book repay room, I discovered the Boundaries of

286
00:13:24.960 --> 00:13:28.600
<v Speaker 1>the Inn Sea Poetry Mythology again. This time the final

287
00:13:28.639 --> 00:13:31.159
<v Speaker 1>page which had been missing was back in place, complete

288
00:13:31.200 --> 00:13:33.759
<v Speaker 1>with a return slip from twenty thirty three Gluton sideways

289
00:13:34.399 --> 00:13:37.080
<v Speaker 1>on the in papers, some one had lightly penciled two verses,

290
00:13:37.240 --> 00:13:39.399
<v Speaker 1>only for them to vanish three days later, with new

291
00:13:39.440 --> 00:13:41.360
<v Speaker 1>notes feathered in as if the book had been taken

292
00:13:41.399 --> 00:13:44.840
<v Speaker 1>apart under built. Every night I began systematic and persons.

293
00:13:45.559 --> 00:13:47.639
<v Speaker 1>I'd pull the same book in two different branches, one

294
00:13:47.639 --> 00:13:51.360
<v Speaker 1>from children's, one from adult fiction, and the annotations sometimes matched,

295
00:13:51.639 --> 00:13:54.279
<v Speaker 1>sometimes didn't, but the slips always offer different names in

296
00:13:54.279 --> 00:13:57.960
<v Speaker 1>impossible gaps in chronology. On one especially odd Monday, I

297
00:13:58.080 --> 00:14:00.279
<v Speaker 1>check out a children's biography that a co ding to

298
00:14:00.320 --> 00:14:02.519
<v Speaker 1>its return slip had been borrowed and brought back by

299
00:14:02.519 --> 00:14:05.279
<v Speaker 1>the same tea Evans five times in nineteen sixty five,

300
00:14:05.519 --> 00:14:08.960
<v Speaker 1>nineteen seventy two, nineteen ninety eight, and twenty twenty four.

301
00:14:09.559 --> 00:14:13.120
<v Speaker 1>Each signature matched their tea with an exaggerated loop. I

302
00:14:13.159 --> 00:14:15.600
<v Speaker 1>was now sure these weren't isolated clerical fumbles or the

303
00:14:15.600 --> 00:14:18.240
<v Speaker 1>work of a single prankster. The error, if it was

304
00:14:18.279 --> 00:14:20.919
<v Speaker 1>an error, conducted itself like a slow moving river, always

305
00:14:20.960 --> 00:14:24.799
<v Speaker 1>rearranging its own banks, never bothering to apologize. But perhaps

306
00:14:24.840 --> 00:14:27.200
<v Speaker 1>the biggest shift came in realizing that while the paper

307
00:14:27.240 --> 00:14:30.320
<v Speaker 1>told one story, the people told three or four. Whenever

308
00:14:30.360 --> 00:14:32.919
<v Speaker 1>I'd asked, Janine should say half the card catalog is

309
00:14:32.960 --> 00:14:36.240
<v Speaker 1>fiction anyway. Yet mister Ray would defend the book's provements,

310
00:14:36.279 --> 00:14:40.440
<v Speaker 1>Paul would jerk about imagination. The only consistent thing was inconsistency.

311
00:14:41.080 --> 00:14:43.720
<v Speaker 1>I decided to put it to the test. Whenever I

312
00:14:43.759 --> 00:14:46.440
<v Speaker 1>double checked the book's records covers of circulation logs from

313
00:14:46.480 --> 00:14:50.519
<v Speaker 1>the nineteen eighties onward, the difference is multiplied. Sometimes according

314
00:14:50.519 --> 00:14:52.720
<v Speaker 1>to the lock. The same individual borrowed a book every

315
00:14:52.720 --> 00:14:55.879
<v Speaker 1>ten years, identical signature, never once in notice of a

316
00:14:55.960 --> 00:14:59.799
<v Speaker 1>deceased or moved away, in convenient as it was. Sometimes

317
00:14:59.799 --> 00:15:02.039
<v Speaker 1>the the same title contained a history in flux, or

318
00:15:02.039 --> 00:15:04.879
<v Speaker 1>a row of borrowings that disappeared, then returned, sometimes with

319
00:15:04.960 --> 00:15:08.399
<v Speaker 1>the dates reordered, sometimes with a retroactive overdue warning. If

320
00:15:08.440 --> 00:15:10.879
<v Speaker 1>the physical prediction of reality was the paper slip, the

321
00:15:10.919 --> 00:15:13.440
<v Speaker 1>reality in this building was a ghost humming through the wires,

322
00:15:13.519 --> 00:15:16.919
<v Speaker 1>the stacks, and the community memory. I think the turning

323
00:15:16.919 --> 00:15:18.960
<v Speaker 1>point for me was in a conversation with mister Ray.

324
00:15:19.279 --> 00:15:22.399
<v Speaker 1>Just before closing on a windy Thursday, we were inspecting

325
00:15:22.440 --> 00:15:25.000
<v Speaker 1>a trolley full of recent returns and sharing stories over

326
00:15:25.080 --> 00:15:28.559
<v Speaker 1>instant coffee. I rituel now established between us. Maybe the

327
00:15:28.559 --> 00:15:30.639
<v Speaker 1>books don't care as much about what's true as we do.

328
00:15:30.799 --> 00:15:34.159
<v Speaker 1>I offered, it was only half a joke. He laughed,

329
00:15:34.240 --> 00:15:37.279
<v Speaker 1>slow and soft. Some books never quite decide who they've

330
00:15:37.320 --> 00:15:40.519
<v Speaker 1>belonged to or when. Sometimes I think they are just

331
00:15:40.559 --> 00:15:42.799
<v Speaker 1>as careful as we are, writing themselves till they like

332
00:15:42.840 --> 00:15:45.159
<v Speaker 1>what they see. That stayed with me. I took to

333
00:15:45.200 --> 00:15:47.840
<v Speaker 1>watching each evening for changes that, though only appeared when

334
00:15:47.840 --> 00:15:51.240
<v Speaker 1>the building was full, busy readers, shifting groups, splacards rattling

335
00:15:51.320 --> 00:15:54.759
<v Speaker 1>like nervous ghosts. Occasionally a book there seen stubborn about

336
00:15:54.759 --> 00:15:56.960
<v Speaker 1>its slip or annetition, would revert to something I'd never

337
00:15:57.000 --> 00:15:59.759
<v Speaker 1>seen before, matching a story A just overheard from a patron,

338
00:15:59.799 --> 00:16:02.279
<v Speaker 1>tall looking at a table. It was difficult not to

339
00:16:02.320 --> 00:16:05.240
<v Speaker 1>wonder if we were all unconsciously tuning the record together,

340
00:16:05.360 --> 00:16:07.679
<v Speaker 1>letting the facts float a little, shifting the stones. Because

341
00:16:07.720 --> 00:16:10.240
<v Speaker 1>everyone remembered the river is a bit wider, or shallower,

342
00:16:10.320 --> 00:16:14.279
<v Speaker 1>or farther east. A possibility startled me. If what mattered

343
00:16:14.279 --> 00:16:16.399
<v Speaker 1>in a library was less what truly happened than what

344
00:16:16.480 --> 00:16:19.639
<v Speaker 1>was convincingly remembered, than even chaos had his place. The

345
00:16:19.720 --> 00:16:22.080
<v Speaker 1>contradiction was no longer just in the cards, but in

346
00:16:22.080 --> 00:16:23.879
<v Speaker 1>a kind of collective a need to come invention. No

347
00:16:23.960 --> 00:16:26.279
<v Speaker 1>single slip or nay more annotation could be counted unto

348
00:16:26.279 --> 00:16:29.440
<v Speaker 1>stay the facts, and the librarians were always writing or

349
00:16:29.519 --> 00:16:32.799
<v Speaker 1>counted as a record. Late one afternoon, after a long

350
00:16:32.799 --> 00:16:35.840
<v Speaker 1>shuffle reshelving biographies, mister Ray caught me eyeing the sub

351
00:16:35.879 --> 00:16:38.399
<v Speaker 1>basement door, where old inventory was kept and rumors of

352
00:16:38.480 --> 00:16:41.639
<v Speaker 1>lost ledges abounded. If you really want to see library

353
00:16:41.639 --> 00:16:44.720
<v Speaker 1>times behaving, he said, voice pitched for mischief, try the

354
00:16:44.720 --> 00:16:47.840
<v Speaker 1>basement archouve. Sometimes boxes will lie about what's inside. We

355
00:16:47.960 --> 00:16:50.720
<v Speaker 1>keep a list just in case. With a wink, he

356
00:16:50.840 --> 00:16:53.759
<v Speaker 1>handed me a battered access key, metal scar from dozens

357
00:16:53.759 --> 00:16:56.919
<v Speaker 1>of hands invitation and dare in one. I waited until

358
00:16:56.960 --> 00:16:59.600
<v Speaker 1>the next slow morning rain, feathering the glass, and asked

359
00:16:59.639 --> 00:17:02.120
<v Speaker 1>Janine if she needed anything brought up from below old reference.

360
00:17:02.200 --> 00:17:06.000
<v Speaker 1>Perhaps she barely glanced up. If you find an original

361
00:17:06.039 --> 00:17:09.000
<v Speaker 1>French dictionary, that's mine. Otherwise, don't let the boxes multiply

362
00:17:09.119 --> 00:17:11.960
<v Speaker 1>on you. The basement was as I'd expected, pickled light,

363
00:17:12.000 --> 00:17:14.319
<v Speaker 1>aisles of label dust with the kush of things waiting

364
00:17:14.319 --> 00:17:18.400
<v Speaker 1>for rediscovery. Boxes sat in pyramids, stacks organized by someone

365
00:17:18.400 --> 00:17:20.519
<v Speaker 1>whom we either trusted in chaos were no longer believed

366
00:17:20.559 --> 00:17:24.519
<v Speaker 1>in numbers at all. Newspapers half bound in twine microvumbriels,

367
00:17:24.559 --> 00:17:28.279
<v Speaker 1>the odd vhsque set walls of abandoned computer pots. In

368
00:17:28.359 --> 00:17:31.400
<v Speaker 1>one corner, under a fireproof blanket was an unlabeled box

369
00:17:31.440 --> 00:17:35.279
<v Speaker 1>marked in black pen do not shelve reference inside three books,

370
00:17:35.440 --> 00:17:38.279
<v Speaker 1>one children's at this cartoon style, a batter of French cookbook,

371
00:17:38.359 --> 00:17:41.480
<v Speaker 1>and an illustrated almanac, each with a touched and slit

372
00:17:41.680 --> 00:17:43.839
<v Speaker 1>each stamp for years far in the future twenty eighty

373
00:17:43.920 --> 00:17:46.000
<v Speaker 1>nine for the cookbok, full of recipes that, as far

374
00:17:46.039 --> 00:17:48.400
<v Speaker 1>as I could tell, required ingredients not sold in any

375
00:17:48.400 --> 00:17:51.759
<v Speaker 1>market now twenty ninety six. For the almanac. The slup's

376
00:17:51.839 --> 00:17:55.839
<v Speaker 1>name knew never seen librarians s choudhurry a greeves with

377
00:17:55.920 --> 00:17:58.519
<v Speaker 1>initials typed and then crossed out, replaced by fresh call

378
00:17:59.079 --> 00:18:01.720
<v Speaker 1>on closer inspect small edits to These slips had a

379
00:18:01.759 --> 00:18:03.960
<v Speaker 1>paid since they were packed in an added return date,

380
00:18:04.000 --> 00:18:07.200
<v Speaker 1>a margin note about special shelving. Sequent I turned to

381
00:18:07.200 --> 00:18:11.119
<v Speaker 1>the books themselves. Their annotations didn't match the shelf coppers upstairs.

382
00:18:11.160 --> 00:18:14.039
<v Speaker 1>One outside notes in careful French. Another contained a recipe

383
00:18:14.039 --> 00:18:16.960
<v Speaker 1>for a nutritional gel Peelanto Bay Cp. Forty nine, which

384
00:18:17.000 --> 00:18:20.160
<v Speaker 1>did not exist in any other version. The Almanac included

385
00:18:20.160 --> 00:18:22.279
<v Speaker 1>a description of a city festival that, as far as

386
00:18:22.319 --> 00:18:24.960
<v Speaker 1>I recall, was never held. I pulled my phone to

387
00:18:25.039 --> 00:18:28.119
<v Speaker 1>check nothing in city histories, not in mister rais carefully

388
00:18:28.200 --> 00:18:30.759
<v Speaker 1>and ex festival list. With a box in hand and

389
00:18:30.839 --> 00:18:33.839
<v Speaker 1>a rising sense of gentle delighted disorientation, I brought it

390
00:18:33.920 --> 00:18:36.960
<v Speaker 1>upstairs for review. When I showed Janine and mister Ray,

391
00:18:37.079 --> 00:18:40.519
<v Speaker 1>they shared a sharp look, more curious than alarmed. Together

392
00:18:40.720 --> 00:18:43.319
<v Speaker 1>we decided to test the special shelving secrets suggested by

393
00:18:43.359 --> 00:18:45.759
<v Speaker 1>the slits shelving. The future dated cookook in different places

394
00:18:45.759 --> 00:18:48.519
<v Speaker 1>in the reference section, making notes as we went for

395
00:18:48.599 --> 00:18:51.680
<v Speaker 1>one brief hour. Nearby reference books began to update themselves.

396
00:18:51.759 --> 00:18:53.920
<v Speaker 1>The City Almanac gained a brand new ol entry for

397
00:18:53.960 --> 00:18:56.759
<v Speaker 1>a festival of adaptive lanterns, then reverted by closing time

398
00:18:56.759 --> 00:18:59.759
<v Speaker 1>to a standard winter calendar. The French Cuok gained, then

399
00:18:59.799 --> 00:19:02.680
<v Speaker 1>Lows lost a set of annotated vegan recipes twice over

400
00:19:02.920 --> 00:19:06.039
<v Speaker 1>depending on wharen When we shelved the anomaly book, it

401
00:19:06.079 --> 00:19:08.559
<v Speaker 1>was like the air itself rippled, or more precisely, like

402
00:19:08.599 --> 00:19:10.359
<v Speaker 1>the memory of what blonde in a book danced at

403
00:19:10.359 --> 00:19:12.480
<v Speaker 1>the edge of decision, depending on who was looking and

404
00:19:12.519 --> 00:19:15.759
<v Speaker 1>who was present. We called it inventory night. In informal

405
00:19:15.799 --> 00:19:18.000
<v Speaker 1>gathering were staff and a few regular patrons agreed to

406
00:19:18.079 --> 00:19:20.559
<v Speaker 1>join in trying as a group to test the reference shelves.

407
00:19:21.240 --> 00:19:23.920
<v Speaker 1>Mister Ria laid out as batteredless, Paul contributed from the

408
00:19:24.000 --> 00:19:27.799
<v Speaker 1>children's wing, and even mister Arnos lingered quietly bemused as

409
00:19:27.839 --> 00:19:30.799
<v Speaker 1>we placed books, compared records, and ask group members to

410
00:19:30.839 --> 00:19:33.440
<v Speaker 1>recall events or recipes or maps. The library scene to

411
00:19:33.480 --> 00:19:37.519
<v Speaker 1>briefly aligned to everyone's expectations. One City History gained an

412
00:19:37.640 --> 00:19:40.000
<v Speaker 1>entire summer parade of the March of Magpie's on page

413
00:19:40.039 --> 00:19:42.319
<v Speaker 1>one hundred ten after Janine's war. She remembered it from

414
00:19:42.319 --> 00:19:45.240
<v Speaker 1>her childhood. The book conferreed her for the night, firmly

415
00:19:45.279 --> 00:19:48.359
<v Speaker 1>for the entry to vanish by morning. Another participant, a

416
00:19:48.400 --> 00:19:51.240
<v Speaker 1>young Chefney Malof, recognized her vegan recipe in the cookok

417
00:19:51.319 --> 00:19:53.920
<v Speaker 1>that didn't belong to nineteen seventy eight, though she insisted

418
00:19:53.920 --> 00:19:56.920
<v Speaker 1>she copied it years ago. The rest of us drew diagrams,

419
00:19:56.960 --> 00:20:00.279
<v Speaker 1>took notes, compared logs. None of us could ex explain

420
00:20:00.319 --> 00:20:03.039
<v Speaker 1>why the maps too expended or contracted to favor different

421
00:20:03.079 --> 00:20:05.559
<v Speaker 1>decades depending on which wing of the library we worked in.

422
00:20:06.240 --> 00:20:09.759
<v Speaker 1>Nobody paniced. Instead, there was a strange collective exhilaration AMoD

423
00:20:09.799 --> 00:20:12.319
<v Speaker 1>I recall from great school science fairs that sense of

424
00:20:12.359 --> 00:20:15.880
<v Speaker 1>the extraordinary hiding in plain sight. The air carried more laughter,

425
00:20:16.079 --> 00:20:19.119
<v Speaker 1>more midnight debate, the night herd and years. I realized

426
00:20:19.119 --> 00:20:21.920
<v Speaker 1>then that curiosity when shared souls feared the way sunlight

427
00:20:21.920 --> 00:20:24.880
<v Speaker 1>erodes old spiderweb. By midnight, as we wrapped up in

428
00:20:24.880 --> 00:20:26.839
<v Speaker 1>the rest drifted out into the froste air, I stood

429
00:20:26.839 --> 00:20:29.119
<v Speaker 1>at the entrance to circulation, holding one of the oldest,

430
00:20:29.200 --> 00:20:31.400
<v Speaker 1>most spattered books in my folder, a City Gquizittier that

431
00:20:31.400 --> 00:20:34.000
<v Speaker 1>have forever lottered on the shelf, collecting slits from every ear.

432
00:20:34.720 --> 00:20:36.880
<v Speaker 1>I checked the in paper and for the first time

433
00:20:36.960 --> 00:20:38.599
<v Speaker 1>saw my own name written in what looked like my

434
00:20:38.680 --> 00:20:41.559
<v Speaker 1>hand but dated for three years ahead. The pattern was

435
00:20:41.599 --> 00:20:43.680
<v Speaker 1>now clear in a way no record could have explained

436
00:20:43.920 --> 00:20:46.759
<v Speaker 1>the libraries, truth moved with us, with our prisons and memory.

437
00:20:47.319 --> 00:20:50.039
<v Speaker 1>Slip dates and records were ways we translated memory into

438
00:20:50.079 --> 00:20:53.799
<v Speaker 1>matter and back again. The books themselves, the catalog, the routines.

439
00:20:53.839 --> 00:20:56.319
<v Speaker 1>Everything was infrastructure for a deeper process, a patchwork of

440
00:20:56.319 --> 00:20:59.160
<v Speaker 1>collective mind and shifting story. And for the first time

441
00:20:59.200 --> 00:21:01.720
<v Speaker 1>in weeks, I did want to assolve the anomaly, only

442
00:21:01.759 --> 00:21:03.920
<v Speaker 1>to keep watching how a city, its people, and its

443
00:21:03.920 --> 00:21:06.400
<v Speaker 1>passed and future re arrange each other every day, one

444
00:21:06.440 --> 00:21:09.119
<v Speaker 1>check out, one return for the time the city guiztee

445
00:21:09.160 --> 00:21:11.599
<v Speaker 1>balanced in my hand, with that impossible slip bearing my name,

446
00:21:11.599 --> 00:21:13.599
<v Speaker 1>and a day three years too far ahead, the fluorescent

447
00:21:13.640 --> 00:21:16.759
<v Speaker 1>library light bending over the scuff cover. I stood there,

448
00:21:16.799 --> 00:21:19.200
<v Speaker 1>heart quietly tapping, with a mix of embarrassment and thrill,

449
00:21:19.319 --> 00:21:21.839
<v Speaker 1>tracing the shape of my signature, my own, undoubtedly by

450
00:21:21.839 --> 00:21:24.559
<v Speaker 1>the memory of my own. Others made their way out, past,

451
00:21:24.559 --> 00:21:27.720
<v Speaker 1>closing footsteps, softening down the corridor, misake, their laughter echoing

452
00:21:27.720 --> 00:21:30.720
<v Speaker 1>in places the light bulbs never quite reached. I ran

453
00:21:30.759 --> 00:21:33.200
<v Speaker 1>my thumb across the slip, half expecting ning to be wet,

454
00:21:33.319 --> 00:21:35.319
<v Speaker 1>or to smear, or to vanish. The second I tried

455
00:21:35.359 --> 00:21:37.960
<v Speaker 1>to show some one else the library was settling into

456
00:21:38.000 --> 00:21:40.039
<v Speaker 1>its night time hush, though shifting shells and air in

457
00:21:40.079 --> 00:21:42.400
<v Speaker 1>books asleep for the moment, the usual electric come joined

458
00:21:42.440 --> 00:21:44.480
<v Speaker 1>by something else, a sense that the air around me

459
00:21:44.519 --> 00:21:46.720
<v Speaker 1>remembered something I had not yet done, as if I

460
00:21:46.759 --> 00:21:49.119
<v Speaker 1>were part of a performance that hadn't reached its cue.

461
00:21:49.559 --> 00:21:52.680
<v Speaker 1>That night, sleep didn't quite fit. I lay awaken, flat

462
00:21:52.680 --> 00:21:55.960
<v Speaker 1>on Norch Street, inventory cause and marginalia flickering through my mind.

463
00:21:56.720 --> 00:21:59.720
<v Speaker 1>I try it, almost stubbornly, to sort at all slips, dates,

464
00:22:00.000 --> 00:22:03.640
<v Speaker 1>phantom librarians, borrowed recipes, ever, shifting maps. The books that

465
00:22:03.680 --> 00:22:05.920
<v Speaker 1>were wrote themselves were never a group, remembered them together,

466
00:22:06.039 --> 00:22:08.720
<v Speaker 1>but never in perfect agreement. But it was clear now

467
00:22:08.720 --> 00:22:11.319
<v Speaker 1>that the mystery wasn't in clocks or paper or mischief,

468
00:22:11.359 --> 00:22:13.799
<v Speaker 1>even if that's what it had seemed at first. It

469
00:22:13.839 --> 00:22:16.519
<v Speaker 1>didn't hide in tapos or deliberate confusion, but existed because

470
00:22:16.519 --> 00:22:20.839
<v Speaker 1>people me Genine, mister Ray Paula, the chef, mister Andrews Mahla,

471
00:22:20.960 --> 00:22:23.519
<v Speaker 1>even the children with their extra kingdoms, passed memory back

472
00:22:23.559 --> 00:22:26.559
<v Speaker 1>and forth every day, using books as a bridge. What

473
00:22:26.599 --> 00:22:28.240
<v Speaker 1>I was holding on to was not a factual error,

474
00:22:28.240 --> 00:22:30.240
<v Speaker 1>but a record alive in the same way our recollections

475
00:22:30.240 --> 00:22:33.079
<v Speaker 1>are checked out, returned a raised overeddin, ever the same

476
00:22:33.079 --> 00:22:35.799
<v Speaker 1>between two readings, but always feeling somehow like the truth

477
00:22:35.799 --> 00:22:38.359
<v Speaker 1>at the moment you hold it. The next morning, the

478
00:22:38.400 --> 00:22:40.240
<v Speaker 1>fog on Nord Street clung to the brick, and I

479
00:22:40.279 --> 00:22:42.400
<v Speaker 1>greeted it with a kind of anticipation. Were freshed. To

480
00:22:42.440 --> 00:22:45.359
<v Speaker 1>spite the restless night, I arrived at the library before

481
00:22:45.400 --> 00:22:48.200
<v Speaker 1>the first regulars, letting myself in with the walkegen entrusted

482
00:22:48.240 --> 00:22:51.160
<v Speaker 1>me with on Saturdays. At the intick desk, the folders

483
00:22:51.160 --> 00:22:53.359
<v Speaker 1>sat a disturbed, the old anomalies, stacked in the same

484
00:22:53.400 --> 00:22:56.079
<v Speaker 1>patience they'd learned for a hundred years. There was no

485
00:22:56.200 --> 00:22:59.039
<v Speaker 1>point I knew in photocopying the slips yet again, or

486
00:22:59.079 --> 00:23:01.519
<v Speaker 1>in trying to catch the ch change. The notion of

487
00:23:01.559 --> 00:23:03.720
<v Speaker 1>pinning down a phenomenon that lived in a shifting overlap

488
00:23:03.720 --> 00:23:05.880
<v Speaker 1>between what people remembered and what was written, and felt

489
00:23:05.880 --> 00:23:08.279
<v Speaker 1>small now, like consisting the river was only the water

490
00:23:08.359 --> 00:23:10.920
<v Speaker 1>and never the current beneath. I spent the early shift

491
00:23:10.920 --> 00:23:13.720
<v Speaker 1>in a gentle trance of sorting. Every so often my

492
00:23:13.839 --> 00:23:16.039
<v Speaker 1>hand drifted over volumes with odd weight, thinking about what

493
00:23:16.200 --> 00:23:18.480
<v Speaker 1>changed since the night before. The kokook with vegan recipes

494
00:23:18.480 --> 00:23:21.039
<v Speaker 1>had came and when the French dictionary, still eluding Janine

495
00:23:21.039 --> 00:23:22.880
<v Speaker 1>the parade that had surfaced for a single night in

496
00:23:22.880 --> 00:23:25.640
<v Speaker 1>the City Almanac. But the question that now not quiety

497
00:23:25.720 --> 00:23:27.559
<v Speaker 1>wasn't just how the record change, but what drew the

498
00:23:27.559 --> 00:23:30.440
<v Speaker 1>line between them being altered and why. I thought about

499
00:23:30.480 --> 00:23:32.880
<v Speaker 1>the groups, how in the heady moment of inventory night,

500
00:23:32.960 --> 00:23:35.680
<v Speaker 1>a single memory could propagate like rumor the book adopting

501
00:23:35.720 --> 00:23:38.000
<v Speaker 1>and discarding maps with stories to mash who ever read it.

502
00:23:38.599 --> 00:23:40.960
<v Speaker 1>I wanted to see if those boundaries shifted in any pattern,

503
00:23:41.000 --> 00:23:43.640
<v Speaker 1>if memory was truly contagious, or if the physical place

504
00:23:43.640 --> 00:23:46.880
<v Speaker 1>itself is part of brooks and unexpected corridors was nudging

505
00:23:46.880 --> 00:23:50.440
<v Speaker 1>the story along, amplifying some recollections while letting others fade out.

506
00:23:51.119 --> 00:23:53.720
<v Speaker 1>I started by quietly mapping him. I'p had the various wings,

507
00:23:53.720 --> 00:23:56.799
<v Speaker 1>scribbling down features as I moved, Which dax fel at prison,

508
00:23:56.880 --> 00:23:59.000
<v Speaker 1>which seemed closer to the pass, Which book showed the

509
00:23:59.000 --> 00:24:01.079
<v Speaker 1>most change after a particular the early busy story time

510
00:24:01.160 --> 00:24:04.240
<v Speaker 1>or crowded afternoon, The old Art Deco wing glowed creamy

511
00:24:04.279 --> 00:24:07.000
<v Speaker 1>and solid, with titles in gold across the spines. Everything

512
00:24:07.079 --> 00:24:09.799
<v Speaker 1>hunkoed into the thick hush of pass Grunda. The newer

513
00:24:09.799 --> 00:24:13.000
<v Speaker 1>annex modern lines clashing against the rest, felt lighter, maybe

514
00:24:13.000 --> 00:24:15.400
<v Speaker 1>not because of the white walls, but because it collected

515
00:24:15.480 --> 00:24:18.480
<v Speaker 1>energy from people who still expected things to change. The

516
00:24:18.519 --> 00:24:21.160
<v Speaker 1>map for nat At Kanna arrive around ten thirty, rolling

517
00:24:21.160 --> 00:24:23.640
<v Speaker 1>her cutstacked with city pans and surveyor's match she checked

518
00:24:23.640 --> 00:24:26.599
<v Speaker 1>out from other branches. She saw me sketching and offered

519
00:24:26.640 --> 00:24:30.240
<v Speaker 1>an easy comparing the layout to the nineteen fifties. Not exactly,

520
00:24:30.359 --> 00:24:32.680
<v Speaker 1>I said, trying to trace where our more eccentric books

521
00:24:32.680 --> 00:24:35.680
<v Speaker 1>tend to land. Her eyes narrowed in polite confusion, but

522
00:24:35.759 --> 00:24:38.880
<v Speaker 1>she humored me, reaching for her own Printats he know

523
00:24:39.079 --> 00:24:41.359
<v Speaker 1>the map's section is weirder than most. Every so often

524
00:24:41.440 --> 00:24:43.640
<v Speaker 1>the city boundary schief. I had one map last year

525
00:24:43.640 --> 00:24:45.640
<v Speaker 1>that showed an extra revenue. I thought I'd lost my

526
00:24:45.680 --> 00:24:49.240
<v Speaker 1>mind it did any one else see it? Only mister Ray,

527
00:24:49.359 --> 00:24:51.039
<v Speaker 1>He said it must have been a planning error. But

528
00:24:51.079 --> 00:24:53.559
<v Speaker 1>when I showed Pola it was already gone. I thought

529
00:24:53.559 --> 00:24:55.920
<v Speaker 1>about the barid that materialized for an evening and vanished

530
00:24:55.960 --> 00:24:58.680
<v Speaker 1>with the sun rise. Let's check just for Kix. If

531
00:24:58.680 --> 00:25:00.839
<v Speaker 1>the art Deco room's history books match what you have

532
00:25:00.920 --> 00:25:03.880
<v Speaker 1>in your surveys. We hold you heavy city history books

533
00:25:03.920 --> 00:25:06.880
<v Speaker 1>to read and table by the Decco windows. One copy

534
00:25:06.920 --> 00:25:09.079
<v Speaker 1>with a haunted, waxy dust jacket laid out a list

535
00:25:09.119 --> 00:25:12.160
<v Speaker 1>of anual events, including a festival of glass Land, into

536
00:25:12.160 --> 00:25:15.039
<v Speaker 1>a phrase that surfaced and disappeared with the regularity of tides.

537
00:25:15.759 --> 00:25:19.759
<v Speaker 1>Hannily for her own maps, eyebrows steadily climbing. This can't be,

538
00:25:19.880 --> 00:25:22.759
<v Speaker 1>she said quietly, on this plan from nineteen eighty two.

539
00:25:22.880 --> 00:25:25.039
<v Speaker 1>There's an amph theater labeled for the festival, but the

540
00:25:25.079 --> 00:25:28.519
<v Speaker 1>lined registry has nothing. We checked the catalog database. There

541
00:25:28.599 --> 00:25:31.680
<v Speaker 1>the festival blinked into existence for three minutes before vanishing again.

542
00:25:31.720 --> 00:25:34.480
<v Speaker 1>When refreshed, I felt for the first time of full

543
00:25:34.480 --> 00:25:36.839
<v Speaker 1>body certainty. This wasn't an error or joke, but a

544
00:25:36.839 --> 00:25:39.480
<v Speaker 1>fluid summing up the books and building, quietly adapting around

545
00:25:39.480 --> 00:25:43.880
<v Speaker 1>the intersection of memory, location and vulnerable certainty. Over lunches

546
00:25:43.880 --> 00:25:45.599
<v Speaker 1>and coffee in the staff room, I drew in the

547
00:25:45.640 --> 00:25:49.839
<v Speaker 1>others with different degrees of openness. Jeanine, guarded as ever,

548
00:25:50.000 --> 00:25:52.279
<v Speaker 1>dismiss my new notes with a gentle If you are lucky,

549
00:25:52.359 --> 00:25:54.400
<v Speaker 1>every library in the country has a story or too

550
00:25:54.400 --> 00:25:56.599
<v Speaker 1>go missing. It is the human touch in the record keeping,

551
00:25:56.799 --> 00:25:59.920
<v Speaker 1>or in our case, the humans mudge. But Jeanine, you've

552
00:26:00.079 --> 00:26:02.759
<v Speaker 1>joke for months that no other libraries cookbook's self update

553
00:26:02.799 --> 00:26:07.359
<v Speaker 1>ap preassed, she grinned, acknowledging the gentle contest. That's fair,

554
00:26:07.440 --> 00:26:10.000
<v Speaker 1>But sometimes community one something to be true so badly

555
00:26:10.079 --> 00:26:11.680
<v Speaker 1>the books just give in. It's not the end of

556
00:26:11.680 --> 00:26:14.200
<v Speaker 1>the world. Besides, you're here on You're now written into

557
00:26:14.240 --> 00:26:16.480
<v Speaker 1>this just as much as you read it. I couldn't

558
00:26:16.559 --> 00:26:19.680
<v Speaker 1>argue my own name on the impossible slit said as much.

559
00:26:20.359 --> 00:26:22.839
<v Speaker 1>Paula meanwhile, leaned him with the gleeful energy of someone

560
00:26:22.839 --> 00:26:25.960
<v Speaker 1>who'd always suspected there was a trick afoot her contribution.

561
00:26:26.359 --> 00:26:28.640
<v Speaker 1>You think children's and my genations could shape the library.

562
00:26:28.720 --> 00:26:31.200
<v Speaker 1>Last month, one cave return a fantasy book, and when

563
00:26:31.240 --> 00:26:32.680
<v Speaker 1>I open it there was a map of an extra

564
00:26:32.799 --> 00:26:35.359
<v Speaker 1>kingdom brought in with colored pencil, not in the original,

565
00:26:35.519 --> 00:26:37.559
<v Speaker 1>but somehow printed to only she and I seemed to

566
00:26:37.559 --> 00:26:39.359
<v Speaker 1>see it. When I showed it to Janine, it was

567
00:26:39.400 --> 00:26:42.519
<v Speaker 1>back to normal. What did the kids say? She just

568
00:26:42.559 --> 00:26:44.559
<v Speaker 1>whispered the kingdom's name like it was a secret she'd

569
00:26:44.599 --> 00:26:46.920
<v Speaker 1>been given. Sometimes I think the library lets us all

570
00:26:46.920 --> 00:26:49.400
<v Speaker 1>co author for a few minutes at a time. Mister

571
00:26:49.440 --> 00:26:53.240
<v Speaker 1>Braystake was gentler, more philosophical. Every library in the world

572
00:26:53.319 --> 00:26:56.000
<v Speaker 1>keeps two stories, the official record and the one everybody

573
00:26:56.000 --> 00:26:58.839
<v Speaker 1>actually remembers. How used to worry about reconciling the two

574
00:26:58.960 --> 00:27:01.319
<v Speaker 1>Now I think recasilation isn't the point. The record is

575
00:27:01.319 --> 00:27:03.599
<v Speaker 1>a living thing. It's only as fixed as a community

576
00:27:03.640 --> 00:27:06.279
<v Speaker 1>that cares about it. In the afternoons, I made my

577
00:27:06.359 --> 00:27:10.000
<v Speaker 1>rounds beyond staff, I canvassed the regulars. The elderly couple

578
00:27:10.000 --> 00:27:12.119
<v Speaker 1>in the corner recalled the romance section being twice as

579
00:27:12.200 --> 00:27:15.559
<v Speaker 1>large were titles nobody else remembered. The local historian insisted

580
00:27:15.559 --> 00:27:17.880
<v Speaker 1>he'd read about his centennial parade, missing from every extant

581
00:27:17.960 --> 00:27:21.599
<v Speaker 1>city record. Marla the chef grumbled about learning a recipe

582
00:27:21.599 --> 00:27:24.359
<v Speaker 1>for orange blossoms, to that, even when she scoured internet,

583
00:27:24.440 --> 00:27:26.839
<v Speaker 1>didn't exist anywhere except in her memory of our batt

584
00:27:26.839 --> 00:27:29.640
<v Speaker 1>of Kupok. With the updating cards, it dawned on me

585
00:27:29.680 --> 00:27:31.640
<v Speaker 1>that what we thought of as anomalist were not glitches.

586
00:27:32.400 --> 00:27:36.039
<v Speaker 1>They were instead something like pressure points. Surfacing were people's

587
00:27:36.039 --> 00:27:38.839
<v Speaker 1>certainty about fruit, about parades, about kingdoms, Robe against the

588
00:27:38.839 --> 00:27:42.599
<v Speaker 1>accumulation of the collective archive. Sometimes the book told the story,

589
00:27:42.680 --> 00:27:44.960
<v Speaker 1>Sometimes we told it to the book. The more I

590
00:27:45.000 --> 00:27:47.559
<v Speaker 1>traced the phenomenon, the less I believe knowledge ever settled

591
00:27:47.559 --> 00:27:50.759
<v Speaker 1>easily into history. I hung up a paper on intake corkboard.

592
00:27:50.920 --> 00:27:53.880
<v Speaker 1>If you remember a book, recipe, event, or even a

593
00:27:53.880 --> 00:27:56.200
<v Speaker 1>shelf that seems not to exist any more, let's talk.

594
00:27:56.880 --> 00:27:58.759
<v Speaker 1>By the end of the week, half a dozen slips

595
00:27:58.799 --> 00:28:02.000
<v Speaker 1>dotted it wrote about the missing amphitheater. A patron remembered

596
00:28:02.000 --> 00:28:04.079
<v Speaker 1>a half translated French novel she had taken out as

597
00:28:04.079 --> 00:28:06.319
<v Speaker 1>a girl but can't find since nineteen eighty four. A

598
00:28:06.400 --> 00:28:08.359
<v Speaker 1>child wrote with elaborate vewls about the Book of the

599
00:28:08.359 --> 00:28:11.599
<v Speaker 1>Shifting Houses. The responses revealed as much about people as

600
00:28:11.599 --> 00:28:14.880
<v Speaker 1>about books. A construction were commumbled about as grand for

601
00:28:14.960 --> 00:28:17.480
<v Speaker 1>the stories see me more real each time stories changed

602
00:28:17.519 --> 00:28:20.279
<v Speaker 1>in a new edition. A college student wandered aloud if

603
00:28:20.279 --> 00:28:22.599
<v Speaker 1>the wing of the library that always fell colder belonged

604
00:28:22.599 --> 00:28:25.559
<v Speaker 1>to the old city. Marla mused, in a little wistful

605
00:28:25.640 --> 00:28:28.119
<v Speaker 1>offered two seat her favorite recipe for Turkish lndel steward

606
00:28:28.160 --> 00:28:30.000
<v Speaker 1>to a community notebook, just to see if it would

607
00:28:30.000 --> 00:28:32.839
<v Speaker 1>show up. Later in the cookbook's margins. It was Paula

608
00:28:32.839 --> 00:28:36.759
<v Speaker 1>who helped me take the idea further lots experiment. She suggested,

609
00:28:37.480 --> 00:28:39.400
<v Speaker 1>take a book with lots of different memories and read

610
00:28:39.440 --> 00:28:42.759
<v Speaker 1>it together in every wing, then compare notes. The perfect

611
00:28:42.759 --> 00:28:45.880
<v Speaker 1>candidate an old, battered edition of city festivals and Parades,

612
00:28:46.000 --> 00:28:48.519
<v Speaker 1>slip History, nearly opig beneath layers of stamp and pencil.

613
00:28:49.119 --> 00:28:51.680
<v Speaker 1>We gathered one afternoon in the new annex, myself, Paula,

614
00:28:51.880 --> 00:28:55.480
<v Speaker 1>Mister Ray, Marla Hannah, and two regulars reading a chapter aloud,

615
00:28:55.640 --> 00:28:58.640
<v Speaker 1>each contributing stories of what they'd heard from family on memory.

616
00:28:59.240 --> 00:29:00.920
<v Speaker 1>For an hour on their a sun furun through the

617
00:29:00.920 --> 00:29:03.720
<v Speaker 1>annexes odd mismatched windows, we debated the details of the

618
00:29:03.799 --> 00:29:06.759
<v Speaker 1>Lanton Parade, whether it featured glass floats, whether it was

619
00:29:06.799 --> 00:29:09.319
<v Speaker 1>held in August or October, whether the lemonade was pink

620
00:29:09.400 --> 00:29:12.359
<v Speaker 1>or yellow. By the time we finished, the book itself

621
00:29:12.400 --> 00:29:15.599
<v Speaker 1>reflected our confusionist marged annotation in the margin echoed Marla's

622
00:29:15.640 --> 00:29:18.039
<v Speaker 1>passing joke about the torch dance that nearly set City

623
00:29:18.039 --> 00:29:20.960
<v Speaker 1>Hall ablaze. When we compared the official history book in

624
00:29:21.000 --> 00:29:22.960
<v Speaker 1>the Art deco wing next door, the dance was there

625
00:29:23.039 --> 00:29:25.039
<v Speaker 1>as if always ed been in the main collection, it

626
00:29:25.160 --> 00:29:28.160
<v Speaker 1>was missing. Later, when mister Ray took the same become

627
00:29:28.279 --> 00:29:30.680
<v Speaker 1>for the weekend, he returned it swearing that Lanton Parade

628
00:29:30.759 --> 00:29:33.839
<v Speaker 1>wasn't mentioned at all. We wrote down our recollections before

629
00:29:33.839 --> 00:29:36.279
<v Speaker 1>and after, mapping how our reading changed what any given

630
00:29:36.279 --> 00:29:39.480
<v Speaker 1>book would offer. Next, nobody lost their own memory. Each

631
00:29:39.559 --> 00:29:41.039
<v Speaker 1>was firm in what had always been there for them.

632
00:29:41.039 --> 00:29:45.039
<v Speaker 1>But the record slippery realigned itself for whoever collectively held it.

633
00:29:45.039 --> 00:29:47.720
<v Speaker 1>It became clear the library responded to the expectations and

634
00:29:47.799 --> 00:29:50.720
<v Speaker 1>needs of its users, yes, but also to the space itself.

635
00:29:51.400 --> 00:29:53.880
<v Speaker 1>Hannah and I developed a new chart. When specific books

636
00:29:53.920 --> 00:29:56.319
<v Speaker 1>or genres were shelved in the nineteen seventies annex. They

637
00:29:56.359 --> 00:30:00.200
<v Speaker 1>began picking up details, photographs, and effimmer from later decades

638
00:30:00.279 --> 00:30:03.079
<v Speaker 1>in a Decca wing. Pro war events expanded their influence,

639
00:30:03.200 --> 00:30:06.000
<v Speaker 1>as if location and memory prehabited the same patch of ground.

640
00:30:06.759 --> 00:30:09.039
<v Speaker 1>The next test, we attempted too seed a new event

641
00:30:09.079 --> 00:30:12.480
<v Speaker 1>into the wrecord. Quietly but deliberately, at coffee, I told

642
00:30:12.559 --> 00:30:15.319
<v Speaker 1>Janine a story about a mythical city event to Firefly Festival,

643
00:30:15.359 --> 00:30:17.920
<v Speaker 1>where everyone released paper lanterns down the river to commemorate

644
00:30:17.960 --> 00:30:21.359
<v Speaker 1>Mitamer I described it with invented names, borrowed details, and

645
00:30:21.400 --> 00:30:24.880
<v Speaker 1>a deadline for the annual event. That afternoon, Hannah wandered

646
00:30:24.880 --> 00:30:26.920
<v Speaker 1>back with the most recent year city history in it,

647
00:30:27.039 --> 00:30:29.559
<v Speaker 1>a new footnote describing the firefly Festival with a date

648
00:30:29.640 --> 00:30:32.519
<v Speaker 1>on a passing anecdote. By the next day, the entry

649
00:30:32.599 --> 00:30:34.759
<v Speaker 1>was gone before a brief time story had become record.

650
00:30:35.440 --> 00:30:39.079
<v Speaker 1>It was subtle, never sinister. The knowledge was reciprocal, a

651
00:30:39.160 --> 00:30:42.160
<v Speaker 1>cyclical negotiation. The community supported the slip in the book,

652
00:30:42.279 --> 00:30:44.839
<v Speaker 1>and the book, for a while, supported the community's memory.

653
00:30:45.400 --> 00:30:47.720
<v Speaker 1>No single voice dominated For long, the record and the

654
00:30:47.799 --> 00:30:50.759
<v Speaker 1>archive drifted together, anchored perhaps by the weight of collective

655
00:30:50.759 --> 00:30:53.440
<v Speaker 1>longing or certainty. The more I mapped the holes and

656
00:30:53.519 --> 00:30:56.039
<v Speaker 1>rooms of the building, the more architecture itself seemed to

657
00:30:56.039 --> 00:30:59.240
<v Speaker 1>shape the phenomenon. I dug into archive blueprints and renovation

658
00:30:59.359 --> 00:31:01.599
<v Speaker 1>documents squirrel the way in the City file Room Downtown,

659
00:31:01.880 --> 00:31:04.440
<v Speaker 1>many yellow stamp of dates as erratic as the slips.

660
00:31:05.079 --> 00:31:08.240
<v Speaker 1>There were references to lost rooms, never properly mapped, discrepancies

661
00:31:08.279 --> 00:31:10.279
<v Speaker 1>between where the plan suggested a wall should be and

662
00:31:10.359 --> 00:31:13.880
<v Speaker 1>worre corridor in truth ran an old building supervisor, now

663
00:31:13.920 --> 00:31:16.920
<v Speaker 1>long since retired, recalled half brick doors never matching any

664
00:31:16.920 --> 00:31:19.559
<v Speaker 1>floor plan, a stairwell that dead ended after one landing,

665
00:31:19.559 --> 00:31:21.599
<v Speaker 1>a closet window that looked out on nothing at all.

666
00:31:22.160 --> 00:31:25.119
<v Speaker 1>With mister Ray's help, we tested is further, moving a

667
00:31:25.160 --> 00:31:27.400
<v Speaker 1>battered atlas from the main stacks to the reference wing,

668
00:31:27.480 --> 00:31:29.880
<v Speaker 1>then to the annex. We charted small changes in one

669
00:31:29.960 --> 00:31:32.200
<v Speaker 1>the river moved by a block in another, new roads

670
00:31:32.200 --> 00:31:34.759
<v Speaker 1>snaked into the city diagram, then faded again when we

671
00:31:34.799 --> 00:31:38.119
<v Speaker 1>returned the book floor plans, it turned out, weren't just

672
00:31:38.160 --> 00:31:41.480
<v Speaker 1>products of chance, but reflected the interplay between the library's

673
00:31:41.519 --> 00:31:44.440
<v Speaker 1>own history and the patterns of its patrons. Books placed

674
00:31:44.440 --> 00:31:46.839
<v Speaker 1>in places with heavy for traffic swelled with annotation, but

675
00:31:47.000 --> 00:31:50.599
<v Speaker 1>is left alone for weeks grew silent. Sometimes I catched

676
00:31:50.640 --> 00:31:53.160
<v Speaker 1>myself on a late afternoon, tracing a slow arc through

677
00:31:53.160 --> 00:31:55.400
<v Speaker 1>the old building, feeling the twitch of something just out

678
00:31:55.400 --> 00:31:56.960
<v Speaker 1>of sight, a sense not of being watched, but of

679
00:31:57.000 --> 00:31:59.839
<v Speaker 1>being very gently held in live expectancy by the record

680
00:31:59.839 --> 00:32:02.559
<v Speaker 1>the walls and the stories that had filled them for decades.

681
00:32:03.279 --> 00:32:05.640
<v Speaker 1>I felt an ache of humility and of affection, as

682
00:32:05.680 --> 00:32:08.440
<v Speaker 1>if I were taking part in one lawn unceasing conversation,

683
00:32:08.720 --> 00:32:11.799
<v Speaker 1>one that would continue with were without me. The digital catalog,

684
00:32:12.000 --> 00:32:15.160
<v Speaker 1>so trusted by newcomers and staff alike, proved just as mutable.

685
00:32:15.720 --> 00:32:18.759
<v Speaker 1>On days after group readings or after a particularly lively

686
00:32:18.799 --> 00:32:22.039
<v Speaker 1>children's story hour, it updated itself with new entries, phantom

687
00:32:22.079 --> 00:32:24.440
<v Speaker 1>events of staff names that only appeared for a few

688
00:32:24.440 --> 00:32:28.240
<v Speaker 1>hours before vanishing. I watched Marla, frustrated but entertained, try

689
00:32:28.240 --> 00:32:31.119
<v Speaker 1>writing her missing stew recipe into a returned cookbook unless

690
00:32:31.119 --> 00:32:34.079
<v Speaker 1>other patrons remembered it without the recipe vanished, sometimes replaced

691
00:32:34.079 --> 00:32:36.240
<v Speaker 1>by a different one, at the other times simply dissolving

692
00:32:36.240 --> 00:32:39.880
<v Speaker 1>into blank space recipes. I began to suspect followed the

693
00:32:39.960 --> 00:32:42.440
<v Speaker 1>rules of oral tradition. When a community needed them, the

694
00:32:42.519 --> 00:32:44.920
<v Speaker 1>library applied, but only for as long as the memory

695
00:32:45.039 --> 00:32:48.440
<v Speaker 1>was shared. One afternoon in the Children's Way, Paul hosted

696
00:32:48.440 --> 00:32:51.000
<v Speaker 1>a group reading of an old fairy tale. She let

697
00:32:51.000 --> 00:32:53.440
<v Speaker 1>the children make up new adventures for the characters, and

698
00:32:53.519 --> 00:32:55.759
<v Speaker 1>when she turned the pages afterwards, some of those new

699
00:32:55.799 --> 00:32:59.279
<v Speaker 1>adventures had scribbled themselves briefly into the printed book. Illustrations

700
00:32:59.279 --> 00:33:02.400
<v Speaker 1>expanded and died match to their game. A colleague claimed

701
00:33:02.400 --> 00:33:04.640
<v Speaker 1>she saw whole new paragraphs for an hour, then found

702
00:33:04.640 --> 00:33:07.599
<v Speaker 1>them missing on her next for shelving round. I started

703
00:33:07.599 --> 00:33:09.400
<v Speaker 1>to see how much of the record wasn't about books

704
00:33:09.440 --> 00:33:11.680
<v Speaker 1>at all, but the way we enacted memory together, How

705
00:33:11.720 --> 00:33:14.279
<v Speaker 1>even disagreement, casual or passionate could press a claim on

706
00:33:14.319 --> 00:33:17.960
<v Speaker 1>the archive. I tested this by gathering and disperate crewe Ganine, Hannah,

707
00:33:18.000 --> 00:33:20.759
<v Speaker 1>Mister Ray, Marla Paul had a pair of rigulous read

708
00:33:20.799 --> 00:33:23.079
<v Speaker 1>a passage aloud and asked each to recall it in turn.

709
00:33:23.680 --> 00:33:26.640
<v Speaker 1>For a magical half hour, our recollection synchronized perfectly. As

710
00:33:26.680 --> 00:33:29.440
<v Speaker 1>soon as we left, the alignment faded, a new divergence appeared.

711
00:33:30.039 --> 00:33:33.039
<v Speaker 1>We chased the idea further, digging through all renovation plans

712
00:33:33.039 --> 00:33:35.559
<v Speaker 1>with building codes that didn't match real rooms, books with

713
00:33:35.599 --> 00:33:38.519
<v Speaker 1>sections that seemed to belong entirely to rumors, group readings

714
00:33:38.519 --> 00:33:42.480
<v Speaker 1>that seeded fleeting consensus into the catalog. Sometimes the early

715
00:33:42.519 --> 00:33:45.359
<v Speaker 1>evidence of a ghostly alignment was a brief collective, of course,

716
00:33:45.400 --> 00:33:48.319
<v Speaker 1>that dissolved by the time coffee was finished. And then,

717
00:33:48.359 --> 00:33:51.440
<v Speaker 1>after weeks of notes and comparisons, patiently thing and watching

718
00:33:51.480 --> 00:33:55.000
<v Speaker 1>memories flare, merge and fade, came the moment everything came together.

719
00:33:55.759 --> 00:33:58.920
<v Speaker 1>It was a slow rain tumbled Thursday. The library was

720
00:33:58.960 --> 00:34:01.160
<v Speaker 1>full in it in group bluff by the periodicals, kids

721
00:34:01.200 --> 00:34:04.599
<v Speaker 1>built cities with foam blocks. The chef Marla handed me

722
00:34:04.640 --> 00:34:08.280
<v Speaker 1>that battered city history again the gazzeteer, She grumbled, look

723
00:34:08.599 --> 00:34:10.719
<v Speaker 1>now it says. I returned it in two thousand and five,

724
00:34:10.800 --> 00:34:13.199
<v Speaker 1>I was still in Chicago. Then we sat down at

725
00:34:13.199 --> 00:34:15.239
<v Speaker 1>an empty table in the reference room. The map spread

726
00:34:15.320 --> 00:34:18.679
<v Speaker 1>between us. Every slip and annotation in the gazeteer shimmered

727
00:34:18.679 --> 00:34:22.000
<v Speaker 1>with erasures and additions. Names jumped through time, events re emerged,

728
00:34:22.039 --> 00:34:25.119
<v Speaker 1>margins thick with cross outs. There in the top corner

729
00:34:25.159 --> 00:34:27.440
<v Speaker 1>of the current slip, my name appeared three times, dates

730
00:34:27.440 --> 00:34:29.920
<v Speaker 1>for two years past the prison and three years in

731
00:34:29.960 --> 00:34:33.079
<v Speaker 1>the future. Marla is as well, and mister Ray's, and

732
00:34:33.119 --> 00:34:35.599
<v Speaker 1>at the very bottom a y abbas dated precisely on

733
00:34:35.639 --> 00:34:38.320
<v Speaker 1>to day. I looked at my own hand for comparison.

734
00:34:38.840 --> 00:34:41.920
<v Speaker 1>The signature was mine, slightly neater perhaps than my usual scroll,

735
00:34:41.960 --> 00:34:45.400
<v Speaker 1>but still mine. Unmistakably so. A cold rulled past through me.

736
00:34:45.519 --> 00:34:47.920
<v Speaker 1>But now for the first time it didn't chill. I

737
00:34:48.000 --> 00:34:50.840
<v Speaker 1>felt quietly ordinary, as if the wreco was returning me

738
00:34:50.880 --> 00:34:53.719
<v Speaker 1>to myself as much as to anyone else. It was

739
00:34:53.760 --> 00:34:56.000
<v Speaker 1>the oddest moment. Marla and I both touching the slip,

740
00:34:56.079 --> 00:34:58.000
<v Speaker 1>then the cap of her pen then the slip again.

741
00:34:58.639 --> 00:35:02.599
<v Speaker 1>How does that happen? She asked, amuse not alarmed forwards

742
00:35:02.599 --> 00:35:05.119
<v Speaker 1>and backwards. Did we already return it? Or haven't we yet?

743
00:35:05.719 --> 00:35:08.519
<v Speaker 1>I shrugged, smiling. Maybe it's all true at once, because

744
00:35:08.519 --> 00:35:10.960
<v Speaker 1>every time the story is needed, it's written again. Maybe

745
00:35:11.000 --> 00:35:13.960
<v Speaker 1>the record is a draft cap forever in pencil. As

746
00:35:14.000 --> 00:35:15.760
<v Speaker 1>I set the book back on the reshelving cot, my

747
00:35:15.800 --> 00:35:19.119
<v Speaker 1>mind played through everything, the slips, the shells, the shifting annotations,

748
00:35:19.239 --> 00:35:22.800
<v Speaker 1>the old room swallowing new corridors. The library now looked,

749
00:35:22.800 --> 00:35:25.039
<v Speaker 1>in every detail, like a system designed to hold not

750
00:35:25.119 --> 00:35:27.440
<v Speaker 1>one truth, but a living overlap, a reality written and

751
00:35:27.519 --> 00:35:30.239
<v Speaker 1>be written with every shared encounter, every group memory, every

752
00:35:30.239 --> 00:35:34.079
<v Speaker 1>hopeful suggestion. Slips were not evidence of error. They were,

753
00:35:34.239 --> 00:35:36.719
<v Speaker 1>I realized, with the sudden, deep warmth, the residue of

754
00:35:36.719 --> 00:35:39.039
<v Speaker 1>every version our community had ever needed to hold on to.

755
00:35:39.800 --> 00:35:42.440
<v Speaker 1>No two people's memory was ever the sum the record's beauty.

756
00:35:42.440 --> 00:35:47.000
<v Speaker 1>Its trustworthiness was in its provisional kindness. Books, slips, catalog entries.

757
00:35:47.000 --> 00:35:49.480
<v Speaker 1>They performed the miracle again and again, creating room for

758
00:35:49.519 --> 00:35:52.480
<v Speaker 1>the story that someone hoped to find. I recalled mister

759
00:35:52.559 --> 00:35:55.239
<v Speaker 1>Ray's phrase, some books never quite decide who they've belonged

760
00:35:55.239 --> 00:35:59.159
<v Speaker 1>to or when he was right, the record wasn't a ledger,

761
00:35:59.239 --> 00:36:02.119
<v Speaker 1>but a living or her. We all performed ourselves here,

762
00:36:02.119 --> 00:36:05.039
<v Speaker 1>returned and borrowed, lost and refound, each time shaping the

763
00:36:05.079 --> 00:36:08.159
<v Speaker 1>library and weighs the building, the community, and time itself

764
00:36:08.199 --> 00:36:11.800
<v Speaker 1>quietly allowed. Walking through the stacks with the Rochelle City History,

765
00:36:11.840 --> 00:36:13.920
<v Speaker 1>my name nowither for some future date. I caught Janine's

766
00:36:13.920 --> 00:36:19.159
<v Speaker 1>conspiratorial glance. Another miracle. She teased, something like that, or

767
00:36:19.239 --> 00:36:21.639
<v Speaker 1>just a reminder. Libraries always know who needs to belong.

768
00:36:22.639 --> 00:36:25.039
<v Speaker 1>Shoving the gazeteer, I stood for a moment, fingers trailing

769
00:36:25.079 --> 00:36:27.519
<v Speaker 1>the spine, feeling quietly both part of the record and

770
00:36:27.559 --> 00:36:30.599
<v Speaker 1>the record itself. The boundary between what had happened and

771
00:36:30.679 --> 00:36:32.599
<v Speaker 1>what would happen had never been fixed, and I was

772
00:36:32.639 --> 00:36:36.000
<v Speaker 1>glad for it. Every patron, it seemed, was forever involved

773
00:36:36.039 --> 00:36:38.119
<v Speaker 1>in the making, and were making not just of the stories,

774
00:36:38.199 --> 00:36:41.159
<v Speaker 1>but of the community itself. I closed the book gently,

775
00:36:41.199 --> 00:36:45.079
<v Speaker 1>the slip still inside, not exactly proof, but perfectly real.

776
00:36:45.679 --> 00:36:48.039
<v Speaker 1>All around me the library hummed with small acts of

777
00:36:48.039 --> 00:36:51.599
<v Speaker 1>remembering and forgetting, of discovery and restoration as people came

778
00:36:51.639 --> 00:36:54.400
<v Speaker 1>and went, and the stories bent, always a little toward

779
00:36:54.440 --> 00:36:57.119
<v Speaker 1>those who needed them most. I looked once more at

780
00:36:57.119 --> 00:36:59.280
<v Speaker 1>the return slip with my name dated a week from now,

781
00:36:59.320 --> 00:37:01.159
<v Speaker 1>and felt the profere joy of being a borrow and

782
00:37:01.199 --> 00:37:04.079
<v Speaker 1>a returner at the same time. Perhaps that's where all

783
00:37:04.119 --> 00:37:06.280
<v Speaker 1>knowledge was, not the fixed keeping of fact, but the

784
00:37:06.320 --> 00:37:09.519
<v Speaker 1>kind return of possibility, creative and provisional, like the library,

785
00:37:09.800 --> 00:37:12.360
<v Speaker 1>like memory, like community itself. Each draft of the slip

786
00:37:12.360 --> 00:37:14.320
<v Speaker 1>holy true for a moment to all who loved it,

787
00:37:15.840 --> 00:37:18.360
<v Speaker 1>and that is the end. Thank you for listening, and

788
00:37:18.400 --> 00:37:22.960
<v Speaker 1>I will see you in the next one.
