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<v Speaker 1>Its oil.

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<v Speaker 2>I'm back midnight viewers to midnight viewing. My god, here

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<v Speaker 2>it is. It's a superhero event. It's the Fantastic Four. No,

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<v Speaker 2>not that one. We're talking about the very first iteration,

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<v Speaker 2>the first cinematic, live action iteration of the Fantastic Four.

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<v Speaker 2>It's our first unreleased film here on midnight viewing, making

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<v Speaker 2>it difficult to find, or at least it was for

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<v Speaker 2>many years when we were all trying here to talk

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<v Speaker 2>with me about. This is my co host here at

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<v Speaker 2>midnight viewing. This is HBHB. How you doing.

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<v Speaker 3>What's going on? Man, I'm doing great. It's Clobren time.

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<v Speaker 3>Follow on. Let's get into this. I'm very excited. As

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<v Speaker 3>always I say that every week, but I'm really excited.

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<v Speaker 3>This was one that I wanted to do for a

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<v Speaker 3>long time.

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<v Speaker 2>Let's talk Fantastic Four first and foremost, off the top,

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<v Speaker 2>who's your favorite member of the four?

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<v Speaker 3>Probably Ben Grimm. Probably The thing.

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<v Speaker 2>Now is that for the Hybraic parallels, I.

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<v Speaker 3>Knew you were gonna come up with the fact that

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<v Speaker 3>he's a member of the Tribe's it's probably part of it.

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<v Speaker 3>But he's such he is the best hearted one of

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<v Speaker 3>the whole bunch. He's truly the monster with the heart

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<v Speaker 3>of gold. He's the gentle giant, and he will go

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<v Speaker 3>to any length to protect his family, to do what's right.

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<v Speaker 3>He's just he looks fucking cool. I love Ben Grim.

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<v Speaker 3>Who's your favorite if we're.

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<v Speaker 2>Talking the Misbegotten Mess that was those two films from

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<v Speaker 2>the early two thousands. From those movies, my favorite is

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<v Speaker 2>Johnny Storm because it's Chris Evans I love naturally.

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<v Speaker 3>Yeah, I mean that is the right answer, by the way.

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<v Speaker 2>But realistically, overall, with the Fantastic War through the ages,

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<v Speaker 2>it's become clear to me that Sue Storm is not

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<v Speaker 2>much of a character, or at least was never really

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<v Speaker 2>presented cinematically that way, and neither was Johnny Storm. Johnny

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<v Speaker 2>Storm is really obnoxious to me as a character, and

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<v Speaker 2>worse than both of them is Read Richards, who I

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<v Speaker 2>find to be a straight up villain the Marvel universe.

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<v Speaker 2>So I'm gonna go with obviously the thing as well.

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<v Speaker 2>He is much cooler, having a rock guy who's funny

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<v Speaker 2>and who's sweet and who falls in love and wants

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<v Speaker 2>to be rid of this gift quote unquote. He's the

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<v Speaker 2>only one who really gets fucked by the Transformation.

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<v Speaker 3>Yeah, can I put it in an honorable mention though, Herbie,

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<v Speaker 3>if we're talking, the thing is my favorite of the

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<v Speaker 3>entire like Fantastic Four, kind of continue him. But if

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<v Speaker 3>I'm really being honest or at least an honorable mention,

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<v Speaker 3>my favorite depiction of a member of Fantastic Four, I

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<v Speaker 3>think you know where maybe you know where I'm going

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<v Speaker 3>with this it is it's got to be Bill Murray

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<v Speaker 3>as the Human Torch in the nineteen seventy five Fantastic

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<v Speaker 3>Four radio drama.

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<v Speaker 2>Anyone here has seen a flaming teenager.

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<v Speaker 3>I knew you were going to remember it. It's it

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<v Speaker 3>all serious. I mean, it's bizarre number one that Bill Murray,

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<v Speaker 3>our Bill Murray. The Bill Murray is doing is voicing

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<v Speaker 3>this sort of braddy superhero. But I will say, like

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<v Speaker 3>anyone who's listened to those that radio show, it's actually

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<v Speaker 3>probably the most slavishly adherent to the original comic. So

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<v Speaker 3>there is that. It's got that going for it, but

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<v Speaker 3>it is very It's a distinctly odd experience to hear

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<v Speaker 3>one of the greatest voices in comedy playing the brash

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<v Speaker 3>Johnny Storm. So I had to mention that at least

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<v Speaker 3>we can move on now, but I wanted to mention that.

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<v Speaker 2>We're only moving on, but we're actually moving backward. What's

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<v Speaker 2>your history with Fantastic for Were you a reader of

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<v Speaker 2>the comic?

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<v Speaker 3>I was. I can't say that it was my favorite,

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<v Speaker 3>but I certainly collected it and read it during my

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<v Speaker 3>prime comic book collecting phase, which is probably pre high

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<v Speaker 3>school around that time, so I was a pretty big

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<v Speaker 3>reader of it. It can't I also can't say that

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<v Speaker 3>I was a devoted reader of the original sixties run

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<v Speaker 3>because some of those I found a little bit. They're

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<v Speaker 3>very dated. Let's say now. I recognize the importance and

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<v Speaker 3>I love the fact that they're this iconic superhero team.

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<v Speaker 3>But I read it quite a bit, and I was

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<v Speaker 3>a big fan of the what ifs that featured the

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<v Speaker 3>Fantastic Four.

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<v Speaker 2>Yeah, I myself never read Fantastic Four. I could never

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<v Speaker 2>get into them. I didn't. I understood the family dynamic

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<v Speaker 2>of it, and I knew they were Marvel's familial heart

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<v Speaker 2>as it were. But I only became interested in Fantastic

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<v Speaker 2>Four when it involved their greatest villain, Galactus, more specifically

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<v Speaker 2>Galactus's herald noorin Rad, the Silver Surfer, who is one

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<v Speaker 2>of my top ten Marvel characters. I love how existential

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<v Speaker 2>and just what a horrific situation that character finds himself in.

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<v Speaker 2>I never really dug too much into the comics, although

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<v Speaker 2>I very, very happily watched all of the cartoons from

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<v Speaker 2>the sixties and seventies and whatever we were getting in

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<v Speaker 2>the eighties, any iteration of the Fantastic Four animated I

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<v Speaker 2>was down for.

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<v Speaker 3>I also, if we're talking about the comic or extensions

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<v Speaker 3>of the comic, I do want to make one recommendation

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<v Speaker 3>to you and the audience at large. It's a book

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<v Speaker 3>that came out in two thousand and three called Unstable Molecules.

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<v Speaker 3>Are you familiar with it? Father Malone? No?

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<v Speaker 2>Hippit me to it.

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<v Speaker 3>It's written by a guy named James Stern, and it

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<v Speaker 3>posits that the Fantastic Four were actually real normal people

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<v Speaker 3>that inspired the Marvel bullpen of the late fifties to

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<v Speaker 3>create the Fantastic Four comic. In the book, it's funny

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<v Speaker 3>that you talk about how Read Richards is your least

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<v Speaker 3>favorite member, because in this book he is the worst.

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<v Speaker 3>He's this stuffy, self absorbed Columbia professor who is dating Sue,

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<v Speaker 3>but pays her no mind and is very self absorbed.

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<v Speaker 2>Like I said, I mean, Richard's in every iteration of

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<v Speaker 2>the Fantastic Four, but this.

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<v Speaker 3>Is like a real world version of read Richards no powers.

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<v Speaker 3>These are just real people that, like I said, inspired this.

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<v Speaker 3>Johnny is a bitter aloof teenager who never got over

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<v Speaker 3>the death of his parents, and he is inspired to

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<v Speaker 3>run away eventually spoiler alert by a Beatnick Ben is

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<v Speaker 3>a friendly, go lucky boxing trainer, but he has issues

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<v Speaker 3>with rage and sexual addiction. In this, God Stop It

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<v Speaker 3>and It's great, and Sue is torn between trying to

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<v Speaker 3>raise her younger brother and failing at it, and also

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<v Speaker 3>living under the strictures of that time period and the

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<v Speaker 3>things that it forced young women to adhere to. It's sad,

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<v Speaker 3>it's funny, it's uncomfortable, it's exceedingly creative, and it won

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<v Speaker 3>the Eisner Award for Best Limited Series two thousand and four.

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<v Speaker 3>It's You're not gonna get any there's no superpowers, there's

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<v Speaker 3>no super villains, there's none of that. It's just a

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<v Speaker 3>super creative look at what if this was the inspiration

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<v Speaker 3>for the Fantastic Four.

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<v Speaker 2>It's great, sounds like a drag man.

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<v Speaker 3>It's I'm maybe under selling the the humor and the

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<v Speaker 3>sort of the the coolness of the concept. It's really

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<v Speaker 3>I'm not gonna deny that it's sad and poignant, but

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<v Speaker 3>it's great. It's what a create. It has a little

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<v Speaker 3>bit of that Watchman thing where at the end there's

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<v Speaker 3>a bibliography that goes through what happened to them, interviews

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<v Speaker 3>with the real people. It's very cool. If you like

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<v Speaker 3>the Watchman, you'll like this.

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<v Speaker 2>Father Malone, well, I do like the Watchman. Who doesn't

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<v Speaker 2>like Watchmen? Of course? And what about after Watchmen? Do

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<v Speaker 2>you like after Watchmen?

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<v Speaker 3>I is that an aftermash joke that you're making because

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<v Speaker 3>it was a before Watchman? Was there an after Watchman too?

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<v Speaker 2>Oh? No, I'm thinking of before Watchman. That's how little

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<v Speaker 2>mind I paid to it.

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<v Speaker 3>Before Watchman was just okay, I can't speak to you.

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<v Speaker 2>What do you know what? It's not just okay? Let

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<v Speaker 2>me tell you something. Maybe the comedy Edward Blake friends

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<v Speaker 2>with the Kennedys. What fuck are you talking about? That's

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<v Speaker 2>not what happened.

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<v Speaker 3>He's the guy in the Grassy Knoll for fuck's sake.

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<v Speaker 2>Yeah, man, Look the grassy noll thing. I don't think

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<v Speaker 2>is next necessarily in the comic, but was portrayed in

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<v Speaker 2>the film like it's a I think it's hinted at

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<v Speaker 2>maybe in the comic. But yeah, of course he was.

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<v Speaker 2>He probably did that for fun. I don't think he

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<v Speaker 2>was even under orders anyway.

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<v Speaker 3>I don't remember much about before Watchman, but let's see.

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<v Speaker 2>You know what around this time period when America is

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<v Speaker 2>we were also hopeful and then I hope died thanks

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<v Speaker 2>to the comedian. Right around that time, Marvel's The First

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<v Speaker 2>Family was born. They wouldn't get any sort of actual

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<v Speaker 2>live action adaptation for many years, but they almost sooner

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<v Speaker 2>than the one we eventually got in the early twenty

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<v Speaker 2>first century, Right around nineteen ninety one ninety two, there

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<v Speaker 2>became an opportunity where a film comingy look, everyone at

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<v Speaker 2>some point or another option to Marvel property and then

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<v Speaker 2>found out that it was unfilmable for them, or making

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<v Speaker 2>a superhero movie is not as easy as they think.

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<v Speaker 2>And up until now, the only actual feature film released

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<v Speaker 2>under the Marvel imprint was Howard the Duck by nineteen

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<v Speaker 2>ninety three.

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<v Speaker 3>What about the Captain America movie that.

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<v Speaker 2>Was never released? Was it the Albert is the Albertqune

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<v Speaker 2>movie with Matt Salinger and fucking oh my god, Scott

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<v Speaker 2>Pollen as the Italian Red Skull. I know what's it

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<v Speaker 2>going on, Captain. Hey, I don't know.

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<v Speaker 3>I did see a poster for it in the theater.

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<v Speaker 3>That doesn't mean that it was released, But because I

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<v Speaker 3>saw the Fantastic Four poster too.

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<v Speaker 2>I don't believe it was released, sir, because I saw

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<v Speaker 2>the same poster, and you know me, I was stoked

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<v Speaker 2>for a Captain America movie. Sure did not happen, and

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<v Speaker 2>then O man man when it did not. When I

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<v Speaker 2>finally saw it, which was came out on video pretty

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<v Speaker 2>pretty quickly, as soon as the straight to video became

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<v Speaker 2>a thing. What never came to video was the promised

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<v Speaker 2>Fantastic Four movie, the one that showed up on Film

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<v Speaker 2>Threat magazine, which was a national publication. It was a

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<v Speaker 2>periodical of note.

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<v Speaker 3>It's a very polite way of categorizing it.

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<v Speaker 2>Although I will say I was an avid reader of

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<v Speaker 2>Film Threat. I don't know if you were.

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<v Speaker 3>If I was, I love Film Threat.

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<v Speaker 2>They certainly covered a lot of what was actual independent,

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<v Speaker 2>underground cinema at the time. These were hard to find.

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<v Speaker 2>Features in most cases Fantastic four.

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<v Speaker 3>I was.

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<v Speaker 2>I gave pause when I saw this on the cover.

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<v Speaker 2>I was like, what are they doing?

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<v Speaker 4>Man?

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<v Speaker 2>Also around nineteen ninety three, then this ended up being

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<v Speaker 2>made at Corman Studios. I lived three blocks from Corman Studios.

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<v Speaker 2>Had no idea what was going on behind those doors,

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<v Speaker 2>and else I would have busted my way in and

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<v Speaker 2>worked on this movie. HB. How did we get here?

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<v Speaker 3>In terms?

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<v Speaker 2>Constantine Films has the rights to Fantastic Four? Right, Sorry,

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<v Speaker 2>their copyright is going to run out. It's as tale

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<v Speaker 2>as old as time.

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<v Speaker 3>Yeah, so they needed to see It's a little murky.

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<v Speaker 3>I thought you had to at least have a movie

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<v Speaker 3>in production before that copyright ran out in order to

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<v Speaker 3>have it renew itself. That's a little bit murky. And

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<v Speaker 3>we'll get into the ins and outs of how it

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<v Speaker 3>pertains to finas the Fantastic Four. But he it's my

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<v Speaker 3>understanding that the guy was a barn what's his last name?

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<v Speaker 3>Barrent Constantine man, sorry, Baron Constantine. He went to Lloyd

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<v Speaker 3>Kaufman at Trauma to try and get a quickie film made,

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<v Speaker 3>and he turned him down because he figured it was

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<v Speaker 3>too big of a budget. For trauma to handle. He

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<v Speaker 3>then went to Roger Corman, and Roger Korman approved. I

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<v Speaker 3>believe it was the biggest budget up to that point

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<v Speaker 3>for any Corman film, which was a million dollars to

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<v Speaker 3>fast track this movie and get it into production, and

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<v Speaker 3>everything happened very quickly. But there was there was no

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<v Speaker 3>indication at least to the creatives dealing with this, the actors,

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<v Speaker 3>the director, the editors, any of these people that this

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<v Speaker 3>was anything but a genuine theatrical release. Everybody was stoked,

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<v Speaker 3>like we were that, Wow, this is a fantastic four

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<v Speaker 3>movie's actually going to be made, and we want to

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<v Speaker 3>make this the best thing that we can make it.

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<v Speaker 2>Yeah. Plenty of stories of people walking around the halls

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<v Speaker 2>of Korman studios with that script in their hand, going

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<v Speaker 2>who's making this? We are? And yeah, So Corman agrees

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<v Speaker 2>to provide a million and a half to against constantin Films,

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<v Speaker 2>one million dollars. So Constant is actually putting up the

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<v Speaker 2>million dollars. Korman is putting up a million and a

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<v Speaker 2>half in production costs, which means he's using his studios

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<v Speaker 2>and his equipment and his staff and everything, and who

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<v Speaker 2>knows what he's paying them whatever. So basically, this movie

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<v Speaker 2>is being made for one million dollars, even though we're

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<v Speaker 2>told it's double that budget. I'm getting I'm guessing yeah.

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<v Speaker 3>But everybody, the actors are all excited. These are some

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<v Speaker 3>actual actors of note, Jay Underwood, who was in The

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<v Speaker 3>Boy Who Could Fly and a few other things. These

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<v Speaker 3>aren't just Lightning.

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<v Speaker 2>The Day my kid went punk.

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<v Speaker 3>That's right, I forgot he was in.

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<v Speaker 2>That covered here on the cable box theater Midnight, a

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<v Speaker 2>division of Midnight it was.

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<v Speaker 3>By the way, it should be noted that a lot

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<v Speaker 3>of what we're describing here comes out of a movie,

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<v Speaker 3>a companion piece to Fantastic Four, if you will, called Doomed,

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<v Speaker 3>the Untold story of Roger Corman's Fantastic Four. That it

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00:14:15.360 --> 00:14:19.399
<v Speaker 3>goes into exhaustive detail about everything that we're describing here,

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<v Speaker 3>and it's highly recommended.

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<v Speaker 2>For years, that's all you could see of the movie.

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<v Speaker 2>The documentary had footage of the film in it, and

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<v Speaker 2>the film remained unreleased, so if that you had to

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<v Speaker 2>see Doomed.

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<v Speaker 3>But every like the actors involved were excited because everybody,

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00:14:37.840 --> 00:14:41.000
<v Speaker 3>the director, they saw this as this could be really

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<v Speaker 3>good for their career. They realized they were doing this

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<v Speaker 3>under the constraints of a Roger Corman production, and that's

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<v Speaker 3>that's obvious when you see the movie. But it's also

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<v Speaker 3>pretty clear when you watch The Fantastic four Father Malone,

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<v Speaker 3>that this was made with a lot of love for

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<v Speaker 3>the source material, that no one folding this in. They're

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<v Speaker 3>doing the best they can.

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<v Speaker 2>Yep, they're doing the best they can. See here's the

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<v Speaker 2>thing terribly. Look as a young man when I heard

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<v Speaker 2>that they were doing fantastic for it and it was

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<v Speaker 2>Corman and they were doing for a million dollars, I

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<v Speaker 2>was like, this is going to be the greatest train

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<v Speaker 2>wreck of all time. I cannot wait to see what

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<v Speaker 2>a fucking nightmare this is, right, and that, of course

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<v Speaker 2>film Threat at the time their coverage was we're doing

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<v Speaker 2>our best here, folks, But I would not hear that. Then,

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<v Speaker 2>Oh no, I don't care doing your best. Get out

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<v Speaker 2>of the way. Let somebody else make the fantastic for it.

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<v Speaker 2>Don't hold onto this copyright if you're willing. My thought

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<v Speaker 2>then now too is if the only thing you can

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<v Speaker 2>get going with the movie is this, maybe you shouldn't

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<v Speaker 2>have the rights to the film anyway.

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<v Speaker 3>This is true, and it also bears repeating that this

283
00:15:51.919 --> 00:15:56.279
<v Speaker 3>was obviously a very different time for Marvel movies. Nowadays,

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<v Speaker 3>a Marvel movie like Fantastic Four First Steps, that's a

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<v Speaker 3>big budget, highly anticipated movie. This was a time when

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<v Speaker 3>Marvel couldn't really they couldn't get movies made under their

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00:16:06.080 --> 00:16:09.200
<v Speaker 3>own banner. They didn't have the resources or the infrastructure

288
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<v Speaker 3>any of that, or there wasn't much public interest. Comic

289
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<v Speaker 3>book movies weren't really a thing.

290
00:16:13.919 --> 00:16:16.120
<v Speaker 2>But you're right then we did have Captain America and

291
00:16:16.159 --> 00:16:19.399
<v Speaker 2>we had The Punisher now, which is more disappointing by

292
00:16:19.440 --> 00:16:20.919
<v Speaker 2>the time that they're making this film.

293
00:16:21.399 --> 00:16:23.320
<v Speaker 3>I never saw The Punisher, so I can't speak to

294
00:16:23.360 --> 00:16:25.919
<v Speaker 3>the Punisher. I can't speak to Captain America. And it

295
00:16:26.000 --> 00:16:29.440
<v Speaker 3>was pretty damn disappointing. It wasn't as bad as that

296
00:16:29.559 --> 00:16:33.240
<v Speaker 3>TV show from the seventies with Red Brown is that

297
00:16:33.279 --> 00:16:35.559
<v Speaker 3>his name? The football player who played He's.

298
00:16:35.480 --> 00:16:38.320
<v Speaker 2>Just wearing a fucking motorcycle helmet for his regular helmet.

299
00:16:38.360 --> 00:16:41.960
<v Speaker 3>It's insanity, right, But Scott Pollard was pretty good as

300
00:16:42.000 --> 00:16:43.559
<v Speaker 3>the Italian Red Skull, though.

301
00:16:43.600 --> 00:16:46.000
<v Speaker 2>I have to say, yeah, that's because Scott Polland's awesome,

302
00:16:46.120 --> 00:16:50.200
<v Speaker 2>But it makes no sense he could still be German

303
00:16:50.279 --> 00:16:52.600
<v Speaker 2>Red Skull in Italy? What are they doing? He could

304
00:16:52.600 --> 00:16:53.960
<v Speaker 2>be visiting anyway.

305
00:16:54.279 --> 00:16:57.480
<v Speaker 3>But you're right. The expectations I think for the average

306
00:16:58.279 --> 00:17:01.799
<v Speaker 3>moviegoer fan of the Fantastic Four were probably pretty low

307
00:17:02.320 --> 00:17:05.480
<v Speaker 3>when they heard that Roger Korman was making this picture.

308
00:17:05.519 --> 00:17:10.400
<v Speaker 3>But despite that, there's excitement anyway, because again, there weren't

309
00:17:10.400 --> 00:17:13.599
<v Speaker 3>many comic book movies, let alone one featuring your favorite

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00:17:13.839 --> 00:17:16.559
<v Speaker 3>superhero team, so there had I don't remember at the

311
00:17:16.559 --> 00:17:19.599
<v Speaker 3>time being super excited for it, but there had to

312
00:17:19.640 --> 00:17:22.759
<v Speaker 3>be some excitement of we're getting something like this could

313
00:17:22.799 --> 00:17:25.599
<v Speaker 3>be this could be pretty cool. I'm gonna be cautiously optimistic.

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00:17:25.960 --> 00:17:29.039
<v Speaker 2>Yeah, I say this a lot, but I always feel

315
00:17:29.079 --> 00:17:32.720
<v Speaker 2>like sometimes science fiction fans and comic book fans, all

316
00:17:32.759 --> 00:17:36.480
<v Speaker 2>the genre fans up until recently, because now obviously nerd

317
00:17:36.519 --> 00:17:39.680
<v Speaker 2>culture has exploded in all directions, but we were starved

318
00:17:39.799 --> 00:17:43.000
<v Speaker 2>at a certain point, like any scrap that could fall

319
00:17:43.039 --> 00:17:45.839
<v Speaker 2>off the table that had a cape on it that

320
00:17:45.880 --> 00:17:49.079
<v Speaker 2>we were pretty stoked about it. It always reminds me

321
00:17:49.160 --> 00:17:52.039
<v Speaker 2>of you look at racks and racts of romance novels.

322
00:17:52.079 --> 00:17:54.640
<v Speaker 2>It's like people reading them know they're shit, but they'll

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00:17:54.680 --> 00:17:57.119
<v Speaker 2>just do for now. And that's what we were getting,

324
00:17:57.680 --> 00:18:02.240
<v Speaker 2>like we were, oh, this little bit. We'd even take

325
00:18:02.279 --> 00:18:04.799
<v Speaker 2>Howard the dock. That's the insent, just.

326
00:18:04.759 --> 00:18:07.319
<v Speaker 3>A little like a starving person you give a crust

327
00:18:07.359 --> 00:18:09.960
<v Speaker 3>of bread, they're going to leap upon that crust of

328
00:18:10.000 --> 00:18:13.720
<v Speaker 3>food with like hunger is the best sauce. That's the saying, right,

329
00:18:14.039 --> 00:18:17.440
<v Speaker 3>So anything is better than nothing in this case, Oh,

330
00:18:17.480 --> 00:18:18.480
<v Speaker 3>we believed HB.

331
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<v Speaker 2>I actually aligned to you because that documentary didn't come

332
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<v Speaker 2>out until twenty fifteen.

333
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<v Speaker 3>I was going to I was gonna mention that I

334
00:18:23.880 --> 00:18:25.559
<v Speaker 3>didn't want you. You're on a roll, so I didn't

335
00:18:25.559 --> 00:18:26.319
<v Speaker 3>want to get in your way.

336
00:18:26.400 --> 00:18:30.079
<v Speaker 2>I had seen fantastic, I've seen. I saw Fantastic for

337
00:18:30.279 --> 00:18:33.279
<v Speaker 2>ninety seven, the Rocher Carbin one, like the bootlegs were

338
00:18:33.279 --> 00:18:36.319
<v Speaker 2>pretty quick, they were.

339
00:18:36.400 --> 00:18:39.440
<v Speaker 3>I remember being at a few conventions, even I think

340
00:18:39.680 --> 00:18:41.319
<v Speaker 3>the Weekend of Horror that you and I went to

341
00:18:41.359 --> 00:18:44.759
<v Speaker 3>in high school. I remember seeing those like clamshell boxes

342
00:18:45.720 --> 00:18:48.200
<v Speaker 3>at some exhibitors and going like, oh, this fantastic might

343
00:18:48.200 --> 00:18:50.480
<v Speaker 3>have been the first time I even was really aware

344
00:18:50.480 --> 00:18:55.000
<v Speaker 3>of the Fantastic four Corman movie. But little did I

345
00:18:55.119 --> 00:18:57.799
<v Speaker 3>know that really was it. It was never going to

346
00:18:57.839 --> 00:19:00.160
<v Speaker 3>be released either, as a bonus feature for the two

347
00:19:00.240 --> 00:19:03.279
<v Speaker 3>thousand Movies or anything. And as far as I know,

348
00:19:03.400 --> 00:19:06.559
<v Speaker 3>it's still there's no plan to ever release it, is there?

349
00:19:07.079 --> 00:19:07.240
<v Speaker 5>Oh?

350
00:19:07.319 --> 00:19:10.200
<v Speaker 2>Is it not on Blu ray?

351
00:19:10.400 --> 00:19:10.920
<v Speaker 3>I don't think.

352
00:19:11.119 --> 00:19:13.599
<v Speaker 2>I think it's on a steel book. Didn't I see,

353
00:19:13.799 --> 00:19:17.680
<v Speaker 2>like Adam Scott in the Criterion closet taking it down? Oh,

354
00:19:17.759 --> 00:19:21.000
<v Speaker 2>fantastic for Roger kum. Interestingly, this is not actually directed

355
00:19:21.039 --> 00:19:23.200
<v Speaker 2>by Roger Korman even we called them, even than we

356
00:19:23.240 --> 00:19:25.279
<v Speaker 2>call it a Roger car film.

357
00:19:25.440 --> 00:19:29.519
<v Speaker 3>It's got a special limited edition cover by Mondo, like

358
00:19:29.599 --> 00:19:31.839
<v Speaker 3>a special edition could be, but.

359
00:19:31.839 --> 00:19:34.000
<v Speaker 2>No, I draft TSK cover.

360
00:19:34.799 --> 00:19:37.559
<v Speaker 3>I can still see it that that cheap o case

361
00:19:38.079 --> 00:19:44.599
<v Speaker 3>with the like digitally printed cover poorly, like the color

362
00:19:44.640 --> 00:19:47.519
<v Speaker 3>is all faded and bad looking. And you just knew

363
00:19:47.519 --> 00:19:50.519
<v Speaker 3>that somebody dubbed this off of their own VCR. And

364
00:19:50.559 --> 00:19:53.519
<v Speaker 3>that was the other thing. This we're talking video cassettes.

365
00:19:53.559 --> 00:19:56.799
<v Speaker 3>This wasn't like you're getting a DVD or even like

366
00:19:56.839 --> 00:20:00.160
<v Speaker 3>a CD ROM. This was a video cassette.

367
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<v Speaker 5>Boot from the pages of the world's greatest comic book.

368
00:20:10.640 --> 00:20:16.920
<v Speaker 4>Adventure for heroes on a daring mission in space, but

369
00:20:17.200 --> 00:20:24.799
<v Speaker 4>something went wrong, genetically transformed, they become the most powerful

370
00:20:25.039 --> 00:20:44.400
<v Speaker 4>superheroes of all time, but the forces of evil about

371
00:20:44.440 --> 00:20:46.920
<v Speaker 4>to destroy their cosmic power.

372
00:20:48.759 --> 00:20:51.079
<v Speaker 6>Find them, and.

373
00:20:51.119 --> 00:21:01.519
<v Speaker 5>To survive, they must utilize all their strength to put

374
00:21:01.559 --> 00:21:22.200
<v Speaker 5>an end to their arch nemesis. Dude claubretime The Fantastic Four.

375
00:21:30.240 --> 00:21:33.640
<v Speaker 2>Okay, here we go, Fantastic four. This was made to

376
00:21:33.799 --> 00:21:36.799
<v Speaker 2>be released on May the thirty first, nineteen ninety four.

377
00:21:37.039 --> 00:21:39.880
<v Speaker 2>It was never released. It is ninety minutes. It was

378
00:21:39.960 --> 00:21:43.240
<v Speaker 2>written by Craig Nevius and then rewritten by guy named

379
00:21:43.319 --> 00:21:49.319
<v Speaker 2>Kevin Rock, directed by oly Sassone or Sassoan Oly Sassoni

380
00:21:49.720 --> 00:21:54.200
<v Speaker 2>who Knows. Starring Alex Hyde, White, Jay Underwood, Rebecca Stob,

381
00:21:54.799 --> 00:21:59.880
<v Speaker 2>Michael Bailey, Smith, Carl Scharfalio, Ian Trigger, Kat Green, George

382
00:22:00.160 --> 00:22:06.160
<v Speaker 2>gains for two seconds, and he's very very very good.

383
00:22:06.240 --> 00:22:08.880
<v Speaker 3>He's got he's like fifth or sixth billing, and he's

384
00:22:08.880 --> 00:22:11.000
<v Speaker 3>only in it for literally those two minutes.

385
00:22:11.480 --> 00:22:13.880
<v Speaker 2>He just gets a blowjob from a prostitute and a

386
00:22:13.920 --> 00:22:18.960
<v Speaker 2>podium and he's on his way. Also starring and starring

387
00:22:19.200 --> 00:22:24.839
<v Speaker 2>Joseph Kulp as Victor von Doom, Doctor Doom. Okay, ninety

388
00:22:24.880 --> 00:22:28.200
<v Speaker 2>minutes that I mentioned, it's ninety minutes, that's all right,

389
00:22:28.400 --> 00:22:32.880
<v Speaker 2>here's the thing. I agree with yours and Film Threats

390
00:22:32.920 --> 00:22:37.000
<v Speaker 2>and the Doomed documentaries appraisal that this is a very

391
00:22:37.200 --> 00:22:42.000
<v Speaker 2>earnest film made by serious people. They are not winking

392
00:22:42.319 --> 00:22:47.160
<v Speaker 2>at the product, which was always comic book fans greatest

393
00:22:47.240 --> 00:22:51.200
<v Speaker 2>fear that we were getting Adam West Batman sixty six again.

394
00:22:51.519 --> 00:22:54.039
<v Speaker 2>By now Batman had come out, and Batman was a

395
00:22:54.079 --> 00:22:56.599
<v Speaker 2>serious dude because now it's Michael Keaton, which sounds funny

396
00:22:57.160 --> 00:23:00.440
<v Speaker 2>that he was anyway. So Batman is a serious dude now.

397
00:23:00.440 --> 00:23:03.519
<v Speaker 2>So we're expecting at least our filmmakers to take the

398
00:23:03.599 --> 00:23:08.000
<v Speaker 2>product seriously, to take our characters and the world they're

399
00:23:08.000 --> 00:23:10.559
<v Speaker 2>in seriously, and this one definitely does that.

400
00:23:11.119 --> 00:23:16.359
<v Speaker 3>It does. It's not the greatest story. There are clearly

401
00:23:16.519 --> 00:23:20.680
<v Speaker 3>concessions to things like budget and what have you, but

402
00:23:21.359 --> 00:23:25.519
<v Speaker 3>it's not the train wreck that everybody feared it would be.

403
00:23:25.599 --> 00:23:29.799
<v Speaker 3>I will say this. We've talked about those incredible Hulk

404
00:23:30.279 --> 00:23:32.640
<v Speaker 3>TV movies that came after the fact, the one with

405
00:23:32.720 --> 00:23:36.119
<v Speaker 3>Thor and the one with Daredevil and so forth. I

406
00:23:36.200 --> 00:23:38.680
<v Speaker 3>will say I think this is at least on a

407
00:23:38.759 --> 00:23:43.559
<v Speaker 3>par with the one with Thor, if not better than

408
00:23:43.599 --> 00:23:49.000
<v Speaker 3>that one. That one. I think is. It's too much

409
00:23:49.000 --> 00:23:51.680
<v Speaker 3>of a departure from who thor is, and it's just

410
00:23:51.720 --> 00:23:54.480
<v Speaker 3>not made with all that much care and creativity. But

411
00:23:54.559 --> 00:23:57.640
<v Speaker 3>this you can tell. Like you said, it's very earnest

412
00:23:57.680 --> 00:24:02.680
<v Speaker 3>and the story, while not the greatest story, is very

413
00:24:02.720 --> 00:24:05.920
<v Speaker 3>comic book like. It's fairly true to the source material.

414
00:24:06.519 --> 00:24:09.279
<v Speaker 2>If this were I say this a lot about origin

415
00:24:09.400 --> 00:24:13.200
<v Speaker 2>story movies for comic book characters. If this were a

416
00:24:13.400 --> 00:24:17.079
<v Speaker 2>pilot for a television series, I would say this is

417
00:24:17.119 --> 00:24:19.880
<v Speaker 2>a great fucking pilot. Everyone should seek it out and

418
00:24:19.920 --> 00:24:22.559
<v Speaker 2>watch it. Look what they did, the fact that this

419
00:24:22.960 --> 00:24:30.240
<v Speaker 2>is a theatrically minded feature that is ultimately a fucking

420
00:24:30.440 --> 00:24:33.720
<v Speaker 2>dodge so they can maintain the rights to the characters.

421
00:24:35.559 --> 00:24:38.720
<v Speaker 2>It's Sully's my take on the film. It doesn't the

422
00:24:39.559 --> 00:24:42.680
<v Speaker 2>let me put it this way. The sort of naked

423
00:24:43.000 --> 00:24:48.920
<v Speaker 2>greed on display balances out the earnestness of the cast

424
00:24:49.000 --> 00:24:51.400
<v Speaker 2>and crew. So now I have to just judge the

425
00:24:51.440 --> 00:24:52.319
<v Speaker 2>movie as.

426
00:24:52.200 --> 00:24:54.799
<v Speaker 3>Is, of course, and I would say, I think if

427
00:24:54.839 --> 00:24:56.720
<v Speaker 3>you asked the or if you talk to the actors,

428
00:24:57.200 --> 00:24:59.920
<v Speaker 3>they would ask you to judge this movie on its marria.

429
00:25:00.119 --> 00:25:02.759
<v Speaker 3>It's as opposed to all the baggage that it comes

430
00:25:02.759 --> 00:25:06.480
<v Speaker 3>freighted with so on those on that basis alone, Father Malone,

431
00:25:06.519 --> 00:25:08.599
<v Speaker 3>did you were you entertained? Did you enjoy it?

432
00:25:09.119 --> 00:25:13.000
<v Speaker 2>I was entertained, definitely, and I did have a good

433
00:25:13.039 --> 00:25:15.920
<v Speaker 2>time watching it. Was I scratching my head a lot.

434
00:25:16.599 --> 00:25:19.079
<v Speaker 2>Was I wondering what the fuck is going on? Several times?

435
00:25:20.640 --> 00:25:21.680
<v Speaker 3>Me too? Yeah?

436
00:25:22.480 --> 00:25:25.680
<v Speaker 2>Did I immediately go? Wait? Is that supposed to be

437
00:25:26.319 --> 00:25:30.720
<v Speaker 2>the mole Man? Yes? All of these things? H me, yes,

438
00:25:31.119 --> 00:25:32.079
<v Speaker 2>what's the story here?

439
00:25:32.640 --> 00:25:35.720
<v Speaker 3>So it's the Origin story. It starts with the Origin

440
00:25:35.759 --> 00:25:39.519
<v Speaker 3>and other fantastic four that I think most people probably

441
00:25:39.559 --> 00:25:43.119
<v Speaker 3>know at this point. There are some alterations and some

442
00:25:43.319 --> 00:25:47.519
<v Speaker 3>streamlining happening in this one. Starts out Victor von Dune

443
00:25:48.079 --> 00:25:51.839
<v Speaker 3>and read our classmates, just like in the comic book.

444
00:25:52.400 --> 00:25:55.160
<v Speaker 2>But this is mental by the way that we're starting

445
00:25:55.160 --> 00:25:57.759
<v Speaker 2>with them as young people. I get what they're doing,

446
00:25:58.000 --> 00:26:01.000
<v Speaker 2>but it's fucking crazy that this is a ten near jump. Anyway,

447
00:26:01.039 --> 00:26:04.000
<v Speaker 2>please continue. These guys are these are guys who Here's

448
00:26:04.039 --> 00:26:07.079
<v Speaker 2>George Gaines by the way, from fucking the Commandant Lassarde

449
00:26:07.160 --> 00:26:12.599
<v Speaker 2>from police Academy is giving them this nonsense, fucking generic

450
00:26:13.359 --> 00:26:14.839
<v Speaker 2>lecture out of college.

451
00:26:15.279 --> 00:26:18.559
<v Speaker 3>Yeah, he's so, what's happening? Is there's a comet called

452
00:26:18.559 --> 00:26:22.400
<v Speaker 3>Colossus that's going to come very close to Earth. I

453
00:26:22.400 --> 00:26:24.119
<v Speaker 3>think it's meant to be a stand in for like

454
00:26:24.160 --> 00:26:25.880
<v Speaker 3>Haley's Comet, and.

455
00:26:26.000 --> 00:26:28.160
<v Speaker 2>Which was all the rage in the nineteen eighties.

456
00:26:28.599 --> 00:26:31.400
<v Speaker 3>It was not so much in the nineties. But we'll

457
00:26:31.839 --> 00:26:35.720
<v Speaker 3>we'll slip past that Doom and read Richard's are they've

458
00:26:35.720 --> 00:26:39.559
<v Speaker 3>built some sort of machine, some device that will siphon

459
00:26:39.839 --> 00:26:42.519
<v Speaker 3>energy from this was a little bit vague. I think

460
00:26:42.559 --> 00:26:45.200
<v Speaker 3>that they're looking to make a device that can harness

461
00:26:45.279 --> 00:26:48.279
<v Speaker 3>energy from this comet. Because it's going so close to

462
00:26:48.319 --> 00:26:51.000
<v Speaker 3>the Earth, it's going to be some sort of clean energy.

463
00:26:51.759 --> 00:26:55.799
<v Speaker 3>There's a malfunction because Reid wanted to go over the

464
00:26:55.799 --> 00:26:59.200
<v Speaker 3>figures the second time and Victor did not, which is

465
00:26:59.440 --> 00:27:04.799
<v Speaker 3>close to the book. There's an explosion. Doom is presumed dead,

466
00:27:05.680 --> 00:27:08.599
<v Speaker 3>but it's he's actually not dead. He has confederates from

467
00:27:08.680 --> 00:27:13.880
<v Speaker 3>his home country of Latveria that, for reasons that are

468
00:27:13.960 --> 00:27:15.240
<v Speaker 3>a little bit murky.

469
00:27:15.279 --> 00:27:17.720
<v Speaker 2>They save him, a little bit murky.

470
00:27:18.359 --> 00:27:22.039
<v Speaker 3>They take him back to his home country. And then

471
00:27:22.079 --> 00:27:26.799
<v Speaker 3>we flashed forward ten more years and I'm sure I'm

472
00:27:26.799 --> 00:27:27.759
<v Speaker 3>glossing over some things.

473
00:27:27.759 --> 00:27:31.880
<v Speaker 2>Oh no, I mean, basically before the craziness Ben, and

474
00:27:31.960 --> 00:27:36.880
<v Speaker 2>we meet Ben and his relationship with Read Richard's and

475
00:27:37.000 --> 00:27:41.039
<v Speaker 2>they're like, Read is like he's in the most hilarious

476
00:27:41.240 --> 00:27:45.319
<v Speaker 2>sort of here's signage to indicate where we are. The

477
00:27:45.599 --> 00:27:51.359
<v Speaker 2>Storm family like boarding house where it's Storms, Sue Storm's

478
00:27:51.440 --> 00:27:55.000
<v Speaker 2>mom and young Sue Storm and young Johnny Storm are

479
00:27:55.039 --> 00:27:58.759
<v Speaker 2>like playing video games in the because they're kids.

480
00:27:59.160 --> 00:28:01.160
<v Speaker 3>So that was irving, by the way, so it's not.

481
00:28:01.079 --> 00:28:05.480
<v Speaker 2>All creepy that little girl is obsessed with older man

482
00:28:05.759 --> 00:28:09.279
<v Speaker 2>Read and to the point of, by the way, okay,

483
00:28:09.319 --> 00:28:12.079
<v Speaker 2>as earnest as everyone was, let's call this fucking movie

484
00:28:12.119 --> 00:28:15.960
<v Speaker 2>when it's bullshit, because it's the fucking most bullshit line.

485
00:28:16.000 --> 00:28:21.319
<v Speaker 2>Everything he's dreaming. She actually says that. She actually presses

486
00:28:21.400 --> 00:28:24.559
<v Speaker 2>her hands against her cheek and watches him walk up

487
00:28:24.559 --> 00:28:27.599
<v Speaker 2>the stairs and says, Read, he's so dreaming.

488
00:28:28.319 --> 00:28:30.720
<v Speaker 3>The only thing missing her little hearts that are shooting

489
00:28:30.759 --> 00:28:33.559
<v Speaker 3>out from her head as she's doing this. But that,

490
00:28:33.759 --> 00:28:35.359
<v Speaker 3>but like I said that, that part of it was

491
00:28:35.400 --> 00:28:39.960
<v Speaker 3>creepy to me because it's vic Reid and Ben are

492
00:28:40.319 --> 00:28:43.359
<v Speaker 3>just those are the actors. They don't change like when

493
00:28:43.400 --> 00:28:43.960
<v Speaker 3>they age.

494
00:28:44.000 --> 00:28:47.559
<v Speaker 2>It's just them they do because they've spray painted Alex

495
00:28:47.640 --> 00:28:51.240
<v Speaker 2>Hyde White's with the white Yeah, yeah, giving him the

496
00:28:51.319 --> 00:28:53.680
<v Speaker 2>gull wing hair the ash special.

497
00:28:54.559 --> 00:28:57.519
<v Speaker 3>But it's and it may be true to the book

498
00:28:57.759 --> 00:28:59.839
<v Speaker 3>because I know that Sue was meant to be much

499
00:29:00.079 --> 00:29:01.000
<v Speaker 3>younger than Reid.

500
00:29:01.440 --> 00:29:04.160
<v Speaker 2>But it's one of cares just started with all of

501
00:29:04.200 --> 00:29:05.720
<v Speaker 2>them graduated.

502
00:29:05.960 --> 00:29:08.000
<v Speaker 3>They didn't need to they could have. They didn't need

503
00:29:08.000 --> 00:29:11.200
<v Speaker 3>to have this ten year jump because it didn't really

504
00:29:11.240 --> 00:29:14.400
<v Speaker 3>add much and it only made me uncomfortable because there

505
00:29:14.559 --> 00:29:18.240
<v Speaker 3>is Sue Storm at eleven or twelve years old mooning

506
00:29:18.279 --> 00:29:21.200
<v Speaker 3>over Reid Richards and you know that they're going to

507
00:29:21.200 --> 00:29:25.799
<v Speaker 3>be romantically involved eventually. So that's a very odd thing

508
00:29:25.960 --> 00:29:30.119
<v Speaker 3>to have to grapple with. But anyway, they.

509
00:29:30.000 --> 00:29:33.599
<v Speaker 2>See that Transformers movie with with Mark Wahlberg, where like

510
00:29:33.640 --> 00:29:37.920
<v Speaker 2>a major plot point is that his daughter is involved

511
00:29:37.920 --> 00:29:40.519
<v Speaker 2>with an older man, and like at one point, the

512
00:29:40.839 --> 00:29:45.000
<v Speaker 2>older man character recites like the Statutes of Limitations for

513
00:29:45.119 --> 00:29:49.319
<v Speaker 2>like minors, and have you seen this movie? It's insanity, man.

514
00:29:50.079 --> 00:29:53.279
<v Speaker 3>I don't think I've seen any of those Transformer.

515
00:29:52.799 --> 00:29:54.480
<v Speaker 2>Movies, So I just want to tell you about it.

516
00:29:54.559 --> 00:29:56.960
<v Speaker 2>Like takes out like a farm. It's clearly at that

517
00:29:57.039 --> 00:29:59.759
<v Speaker 2>time Michael Bay was being accused of untour.

518
00:30:01.079 --> 00:30:05.440
<v Speaker 3>Sure, but it's this is a little some of the storytelling,

519
00:30:05.440 --> 00:30:09.599
<v Speaker 3>and this is a little suspect. But nevertheless, they we

520
00:30:09.720 --> 00:30:12.000
<v Speaker 3>flash forward. Now Read killed Bay.

521
00:30:12.119 --> 00:30:16.039
<v Speaker 2>He's so dreamy, so Read.

522
00:30:15.920 --> 00:30:19.200
<v Speaker 3>Is it's ten years later. Read has built his rocket ship.

523
00:30:20.119 --> 00:30:24.599
<v Speaker 3>Apparently the comet is this colossus comet is still orbiting

524
00:30:24.599 --> 00:30:27.160
<v Speaker 3>the Earth. Somehow it's ten years later. Maybe it's made

525
00:30:27.200 --> 00:30:31.640
<v Speaker 3>its return trip. That was left uncertain in my mind. Anyway,

526
00:30:31.720 --> 00:30:34.799
<v Speaker 3>Now he's going to take this ship up and do

527
00:30:35.039 --> 00:30:39.119
<v Speaker 3>an experiment, a similar kind of thing he Inveigel's Ben

528
00:30:39.400 --> 00:30:40.440
<v Speaker 3>to pilot.

529
00:30:40.079 --> 00:30:42.960
<v Speaker 2>It's Ben as a pilot, so that makes sense. And

530
00:30:43.000 --> 00:30:47.880
<v Speaker 2>then for his astrophysicist and or co pilot and or

531
00:30:47.960 --> 00:30:50.319
<v Speaker 2>other technicians, the Storm kids.

532
00:30:50.359 --> 00:30:54.319
<v Speaker 3>Of course, Johnny Storm in the book he was young too,

533
00:30:55.119 --> 00:30:56.960
<v Speaker 3>but I think in that case it was more like

534
00:30:57.000 --> 00:30:59.920
<v Speaker 3>he was like a prodigy. He was a good mechanically,

535
00:31:00.119 --> 00:31:01.920
<v Speaker 3>so he was going to be an asset to the crew,

536
00:31:02.200 --> 00:31:06.720
<v Speaker 3>whereas in this case, not that Underwood plays him badly,

537
00:31:06.839 --> 00:31:09.240
<v Speaker 3>but he's just a he's just a teenager, and it's

538
00:31:09.559 --> 00:31:13.480
<v Speaker 3>it's unclear why what qualifies him to go on this spaceflight.

539
00:31:13.839 --> 00:31:16.640
<v Speaker 2>He's a hyperactive dummy here in the movie, he.

540
00:31:16.720 --> 00:31:20.599
<v Speaker 3>Got he very wide eyed, a hyper so they go up,

541
00:31:20.799 --> 00:31:23.440
<v Speaker 3>Oh no, but okay, I'm leaving something out here, so

542
00:31:24.160 --> 00:31:26.720
<v Speaker 3>they here's where it gets a little weird, Father Malone,

543
00:31:26.759 --> 00:31:33.039
<v Speaker 3>so he gets weird everybody, so they Reid realizes that

544
00:31:33.480 --> 00:31:36.200
<v Speaker 3>they need some a force field to protect them from

545
00:31:36.240 --> 00:31:40.319
<v Speaker 3>the cosmic rays, if you will, so he arranges to

546
00:31:40.400 --> 00:31:45.160
<v Speaker 3>have this giant diamond be part of the ship's makeup.

547
00:31:45.920 --> 00:31:50.799
<v Speaker 3>It will protect them from the harmful radiation. But there's

548
00:31:50.839 --> 00:31:54.319
<v Speaker 3>this character who's supposed to be the Moleman, but they

549
00:31:54.319 --> 00:31:57.200
<v Speaker 3>couldn't get the rights to the Moleman, so in this

550
00:31:57.279 --> 00:32:01.920
<v Speaker 3>movie he's called the Jeweler. The Jeweler has an obsession

551
00:32:02.000 --> 00:32:07.119
<v Speaker 3>with Alicia Masters, who is the blind Sculptress from the

552
00:32:07.119 --> 00:32:09.440
<v Speaker 3>book to in order.

553
00:32:09.279 --> 00:32:12.400
<v Speaker 2>To tell people who there is, there's a blind sculptress,

554
00:32:12.519 --> 00:32:15.480
<v Speaker 2>and in this movie, she's been hired by the city

555
00:32:15.519 --> 00:32:18.759
<v Speaker 2>to memorialize the Fantastic Four after they're killed.

556
00:32:19.480 --> 00:32:23.440
<v Speaker 3>But that's after this that's okay, So at this point

557
00:32:23.480 --> 00:32:26.960
<v Speaker 3>she is just a sculpturest okay, and he and the

558
00:32:27.039 --> 00:32:30.240
<v Speaker 3>Jeweler is obsessed with her. So in order to give

559
00:32:30.240 --> 00:32:34.759
<v Speaker 3>her a gift, he steals this diamond and replaces it

560
00:32:34.799 --> 00:32:38.759
<v Speaker 3>with a fake At the same time, Father Malone, doctor

561
00:32:38.880 --> 00:32:43.440
<v Speaker 3>Doom is looking to sabotage their flight because now he's

562
00:32:43.480 --> 00:32:47.359
<v Speaker 3>officially Doctor Doom with the costume and the metal mask

563
00:32:47.440 --> 00:32:47.799
<v Speaker 3>and everything.

564
00:32:48.359 --> 00:32:51.079
<v Speaker 2>Lots of fetish shots, like lots of like shots of

565
00:32:51.119 --> 00:32:54.880
<v Speaker 2>the eyelets and the mouth, just the hooded figure and

566
00:32:54.960 --> 00:32:58.119
<v Speaker 2>lots of the fingers. This okay, we'll get to him soon.

567
00:32:58.240 --> 00:33:02.759
<v Speaker 3>Yeah, so he he figures into this. He also wanted

568
00:33:02.759 --> 00:33:05.480
<v Speaker 3>to say, like I said, sabotage this mission, but he

569
00:33:05.519 --> 00:33:08.920
<v Speaker 3>observes the Jeweler stealing the diamond, so he says, my

570
00:33:09.000 --> 00:33:11.640
<v Speaker 3>work is done. I don't know, have to is perfect.

571
00:33:11.680 --> 00:33:13.599
<v Speaker 2>I loved this part of the script. By the way,

572
00:33:14.400 --> 00:33:17.920
<v Speaker 2>this was so comic bookie, like out of left field.

573
00:33:18.000 --> 00:33:20.839
<v Speaker 2>We should also say that the Jeweler character is like

574
00:33:21.119 --> 00:33:24.039
<v Speaker 2>it's a prosthetic makeup on the character. It's made to

575
00:33:24.119 --> 00:33:26.359
<v Speaker 2>look like. Okay, now we're in the comic book world

576
00:33:26.400 --> 00:33:28.799
<v Speaker 2>once this guy shows up, and this really is when

577
00:33:28.839 --> 00:33:30.799
<v Speaker 2>it turns into a comic book because that's when doctor

578
00:33:30.839 --> 00:33:32.960
<v Speaker 2>Duom arrives as well, and now we're getting shouts of

579
00:33:33.039 --> 00:33:35.359
<v Speaker 2>him in the classic mass. The costume for Doctor Doom,

580
00:33:35.359 --> 00:33:38.279
<v Speaker 2>it should be noted, is fucking awesome in this movie.

581
00:33:38.640 --> 00:33:41.480
<v Speaker 3>That's probably my favorite thing out of the whole movie,

582
00:33:41.720 --> 00:33:44.880
<v Speaker 3>which admittedly is maybe a low bar to get over,

583
00:33:45.000 --> 00:33:49.200
<v Speaker 3>but this is the most comic, accurate version of Doctor

584
00:33:49.240 --> 00:33:52.240
<v Speaker 3>Doom that we've gotten. Even to this day, I would

585
00:33:52.319 --> 00:33:55.640
<v Speaker 3>lay claim to this. It's cheap, it's not perfect, but

586
00:33:56.119 --> 00:33:59.599
<v Speaker 3>they got the mask details really good. It's I'm not

587
00:33:59.720 --> 00:34:03.160
<v Speaker 3>over selling it. It's great. But they go up, the

588
00:34:03.279 --> 00:34:07.279
<v Speaker 3>crew goes up in this rocket. The cosmic rays overwhelmed them.

589
00:34:07.359 --> 00:34:11.000
<v Speaker 2>They crash, They they have lost I am flying in

590
00:34:11.079 --> 00:34:21.960
<v Speaker 2>a rocket in outer spacemember, remember astronaut Jones. No, I

591
00:34:22.000 --> 00:34:23.320
<v Speaker 2>want to share it right now.

592
00:34:24.440 --> 00:34:26.000
<v Speaker 3>You might have to produce it into this.

593
00:34:26.320 --> 00:34:29.199
<v Speaker 2>I'm definitely, I'm definitely going to You're gonna, you're gonna.

594
00:34:29.559 --> 00:34:31.559
<v Speaker 2>You're going to laugh when you hear it. It's fantom.

595
00:34:31.599 --> 00:34:35.280
<v Speaker 3>I'm laughing already. So they crash and they've lost telemetry,

596
00:34:35.360 --> 00:34:37.320
<v Speaker 3>so no one knows where they are, and they're trying

597
00:34:37.360 --> 00:34:41.519
<v Speaker 3>to survive. But they're already the powers are already manifesting themselves,

598
00:34:41.880 --> 00:34:45.840
<v Speaker 3>although in a limited capacity budgetary, but for budgetary reasons.

599
00:34:45.719 --> 00:34:49.559
<v Speaker 2>Like, okay, first of all, the capsule of the spaceship,

600
00:34:49.960 --> 00:34:54.960
<v Speaker 2>everyone is in tinfoil like heat suits. Yeah, and they

601
00:34:55.079 --> 00:34:59.280
<v Speaker 2>needn't be. It's really silly. It's typical Corman thing. They

602
00:34:59.320 --> 00:35:01.719
<v Speaker 2>keep saying this was such a great budget, and obviously

603
00:35:01.760 --> 00:35:04.000
<v Speaker 2>it was. This was their biggest budget at the time,

604
00:35:04.039 --> 00:35:06.719
<v Speaker 2>But if you just looked like a couple of years beforehand,

605
00:35:06.800 --> 00:35:10.840
<v Speaker 2>they did Battle Beyond the Stars, and that movie looks great,

606
00:35:10.960 --> 00:35:13.519
<v Speaker 2>and there's tons and tons of space stuff in it.

607
00:35:13.679 --> 00:35:16.480
<v Speaker 2>All that shit looks great. Here this stuff. Obviously they're

608
00:35:16.480 --> 00:35:19.320
<v Speaker 2>only doing one scene with the outer space, and so

609
00:35:19.360 --> 00:35:21.000
<v Speaker 2>they're not going to pay that much attention to it.

610
00:35:21.000 --> 00:35:22.719
<v Speaker 2>They're not going to spend that much money on it.

611
00:35:22.920 --> 00:35:25.920
<v Speaker 2>But I think about Corman Studio. I remember walking past

612
00:35:25.960 --> 00:35:28.920
<v Speaker 2>Korman Studio like every day, just looking at spaceships lying

613
00:35:28.960 --> 00:35:31.159
<v Speaker 2>around in the parking lot. So it's not like they

614
00:35:31.159 --> 00:35:35.039
<v Speaker 2>didn't have more material. I did not like the cosmic sequence,

615
00:35:35.239 --> 00:35:38.360
<v Speaker 2>other than when they were getting their powers and they

616
00:35:38.360 --> 00:35:41.199
<v Speaker 2>were using the step printing process where they're just using

617
00:35:41.280 --> 00:35:44.880
<v Speaker 2>stock footage of lens flares and shit to approximate like

618
00:35:45.000 --> 00:35:47.840
<v Speaker 2>they've been irradiated. I loved that.

619
00:35:49.000 --> 00:35:52.239
<v Speaker 3>But to your point about how bad some of this looks,

620
00:35:52.320 --> 00:35:56.840
<v Speaker 3>I think it's maybe less a budget thing and more

621
00:35:56.880 --> 00:36:01.000
<v Speaker 3>of According to Doomed the documentary, not only did they

622
00:36:01.559 --> 00:36:03.880
<v Speaker 3>have to make this film cheaply, but they had to

623
00:36:03.880 --> 00:36:07.159
<v Speaker 3>make it very quickly. They were always I think they

624
00:36:07.159 --> 00:36:09.360
<v Speaker 3>only I think the it was like I want to say,

625
00:36:09.360 --> 00:36:12.199
<v Speaker 3>it was like a four or five week shoot, which

626
00:36:12.239 --> 00:36:17.000
<v Speaker 3>is insane for something of this that of this supposed scale,

627
00:36:17.480 --> 00:36:19.480
<v Speaker 3>And that didn't leave a lot of time for post

628
00:36:19.480 --> 00:36:21.480
<v Speaker 3>production work. And I think there were some issues. I

629
00:36:21.519 --> 00:36:22.639
<v Speaker 3>think that the money ran out.

630
00:36:22.880 --> 00:36:25.719
<v Speaker 2>Oh yeah, let's just say, even though we saw a

631
00:36:25.760 --> 00:36:29.079
<v Speaker 2>finished film, this is still not a finished film. Honestly.

632
00:36:29.960 --> 00:36:32.280
<v Speaker 2>There are whole sequences where I'm like, there would be

633
00:36:32.400 --> 00:36:34.880
<v Speaker 2>music here, there should be music here. They didn't even

634
00:36:34.920 --> 00:36:36.039
<v Speaker 2>get that far.

635
00:36:36.719 --> 00:36:39.119
<v Speaker 3>Right on the One of the biggest examples of that

636
00:36:39.400 --> 00:36:42.280
<v Speaker 3>is and they talk about it, and Joseph Kulp talks

637
00:36:42.280 --> 00:36:45.440
<v Speaker 3>about this. So he is acting as doctor doom And

638
00:36:45.440 --> 00:36:48.159
<v Speaker 3>I noticed this as I'm watching it. I said, Poya's

639
00:36:48.199 --> 00:36:50.719
<v Speaker 3>voice is really muffled. Did they not do any ad

640
00:36:50.920 --> 00:36:53.840
<v Speaker 3>R on him, because it's as if he's delivering his

641
00:36:53.960 --> 00:36:57.039
<v Speaker 3>lines with the Yes, he's absolutely not only is he

642
00:36:57.119 --> 00:37:00.280
<v Speaker 3>delivering his lines with the mask on, but they never

643
00:37:00.360 --> 00:37:03.840
<v Speaker 3>had him in to loop his dialogue to make it

644
00:37:04.000 --> 00:37:07.800
<v Speaker 3>more intelligible. So that's just one example of the corner

645
00:37:07.800 --> 00:37:10.119
<v Speaker 3>cutting that took place on this picture.

646
00:37:10.320 --> 00:37:13.159
<v Speaker 2>And you know, all obviously he would know that while

647
00:37:13.199 --> 00:37:15.960
<v Speaker 2>he's acting the fucking part, so he's he's not going

648
00:37:16.079 --> 00:37:19.039
<v Speaker 2>full tilt all the time, and like, even if he

649
00:37:19.079 --> 00:37:21.039
<v Speaker 2>fucks something up, he'd be like, I'm just gonna adr

650
00:37:21.119 --> 00:37:21.639
<v Speaker 2>that anyway.

651
00:37:21.760 --> 00:37:24.400
<v Speaker 3>So yeah, I'll fix it. I'll fix it in post.

652
00:37:24.400 --> 00:37:27.239
<v Speaker 3>It's not a big deal. But there was no post

653
00:37:27.360 --> 00:37:29.239
<v Speaker 3>for the actors. But I guess we'll get back to

654
00:37:29.280 --> 00:37:33.280
<v Speaker 3>that anyway. They get picked up this crashed crew, they

655
00:37:33.280 --> 00:37:35.480
<v Speaker 3>get actually before that we're talking about the special effects,

656
00:37:35.480 --> 00:37:39.159
<v Speaker 3>so lack thereof Johnny never gets to really flame on

657
00:37:39.320 --> 00:37:42.880
<v Speaker 3>until the very end of the movie. So while in

658
00:37:42.920 --> 00:37:46.119
<v Speaker 3>the book he flames on almost immediately and they're arguing

659
00:37:46.119 --> 00:37:48.159
<v Speaker 3>and he flies around and this all he does is

660
00:37:48.159 --> 00:37:52.400
<v Speaker 3>he sneezes and the sneeze causes a flame to shoot out,

661
00:37:52.719 --> 00:37:55.440
<v Speaker 3>and that's it. That's all really, And aside from his

662
00:37:55.880 --> 00:37:58.039
<v Speaker 3>hand lighting on fire a few times, you don't really

663
00:37:58.039 --> 00:38:00.880
<v Speaker 3>get much of Johnny doing the human torch thing.

664
00:38:01.239 --> 00:38:03.880
<v Speaker 2>Not a whole lot of experimentation from the four Once

665
00:38:03.920 --> 00:38:05.920
<v Speaker 2>they get their powers.

666
00:38:05.679 --> 00:38:09.239
<v Speaker 3>You know. So they're picked up by people they believe

667
00:38:09.360 --> 00:38:12.760
<v Speaker 3>to be the army, but it's in fact confederates of

668
00:38:12.840 --> 00:38:17.079
<v Speaker 3>Doctor Doom, and he takes them to what they believe

669
00:38:17.079 --> 00:38:21.840
<v Speaker 3>in the military installation, but it's actually his castle or whatever,

670
00:38:22.320 --> 00:38:26.159
<v Speaker 3>and he's trying to harness their abilities, like he's taking

671
00:38:26.159 --> 00:38:29.679
<v Speaker 3>blood from them, he's burning all these experiments. They finally

672
00:38:29.719 --> 00:38:31.840
<v Speaker 3>figure out that this isn't the military. I don't know

673
00:38:31.880 --> 00:38:34.079
<v Speaker 3>what we're going to get out of here. They By

674
00:38:34.079 --> 00:38:38.440
<v Speaker 3>this point, Ben Grimm has officially become the thing. Actually

675
00:38:38.440 --> 00:38:39.360
<v Speaker 3>before we even get to.

676
00:38:39.320 --> 00:38:41.239
<v Speaker 2>That, let's get to that. Yeah, I want to.

677
00:38:41.239 --> 00:38:44.119
<v Speaker 3>Talk a little bit about the thing, like what was

678
00:38:44.159 --> 00:38:48.039
<v Speaker 3>your take on the costuming and the effect work around

679
00:38:48.119 --> 00:38:50.719
<v Speaker 3>Ben Grimm Father alone. I'm really curious what your take is.

680
00:38:51.199 --> 00:38:54.119
<v Speaker 2>I remember seeing the magazine cover and thinking, oh man,

681
00:38:54.159 --> 00:38:56.239
<v Speaker 2>we're in for a fucking ride here. This is going

682
00:38:56.320 --> 00:39:00.280
<v Speaker 2>to be fucking dreadful. And but from the very first

683
00:39:00.320 --> 00:39:02.400
<v Speaker 2>time I saw the movie, the best thing about the

684
00:39:02.440 --> 00:39:07.599
<v Speaker 2>movie is the thing. It's not only almost comic accurate

685
00:39:07.840 --> 00:39:13.760
<v Speaker 2>looks wise, but it moves great when it's being shot judiciously.

686
00:39:14.079 --> 00:39:17.760
<v Speaker 2>The articulation of the mouth is really good. When we

687
00:39:17.800 --> 00:39:20.079
<v Speaker 2>first meet him, and he's asking questions like why did

688
00:39:20.119 --> 00:39:22.519
<v Speaker 2>this happen to me? Read what are you doing? All

689
00:39:22.559 --> 00:39:26.320
<v Speaker 2>of that was great. I mean, they only had one suit,

690
00:39:27.079 --> 00:39:30.599
<v Speaker 2>so they don't really when it's Clabern time. It's more

691
00:39:30.719 --> 00:39:36.960
<v Speaker 2>like quick editing time. But I loved the suit. And

692
00:39:37.199 --> 00:39:40.679
<v Speaker 2>I even like the guy who played Ben before he

693
00:39:40.760 --> 00:39:43.559
<v Speaker 2>becomes the thing, because it's just a stuntman afterwards. It's

694
00:39:43.599 --> 00:39:44.800
<v Speaker 2>like a swamp thing situation.

695
00:39:45.320 --> 00:39:48.000
<v Speaker 3>Yeah, so it's two actors. One guy plays Ben Grimm

696
00:39:48.039 --> 00:39:50.519
<v Speaker 3>in human form, and I agree he's very good in this.

697
00:39:51.199 --> 00:39:55.880
<v Speaker 3>And I also agree with you that when it's shot properly,

698
00:39:56.480 --> 00:40:00.039
<v Speaker 3>the articulation of the thing's face and his mouth and

699
00:40:00.159 --> 00:40:04.239
<v Speaker 3>he's talking, there were moments where I was legitimately impressed

700
00:40:04.320 --> 00:40:08.760
<v Speaker 3>because it almost holds up even thirty years later. You

701
00:40:08.800 --> 00:40:14.079
<v Speaker 3>can see him articulating the words that the actor is speaking.

702
00:40:14.119 --> 00:40:18.280
<v Speaker 3>Sometimes it falls apart because it's not shot well. And

703
00:40:18.880 --> 00:40:21.840
<v Speaker 3>the fact that the Ben grim that the thing that

704
00:40:21.920 --> 00:40:26.800
<v Speaker 3>I know from the comics. He's big, right, He's supposed

705
00:40:26.800 --> 00:40:27.960
<v Speaker 3>to be able to go toe to toe with the

706
00:40:28.039 --> 00:40:31.760
<v Speaker 3>Hulk creatures like that. In this case, all you're getting

707
00:40:31.840 --> 00:40:35.159
<v Speaker 3>is kind of a big stunt man with this suit.

708
00:40:35.920 --> 00:40:39.400
<v Speaker 3>He looks a little puny, punier than he should, I think,

709
00:40:39.480 --> 00:40:42.880
<v Speaker 3>And there's something about the suit itself that reads less

710
00:40:43.719 --> 00:40:47.840
<v Speaker 3>like rock and more like it just looks very latexy

711
00:40:48.199 --> 00:40:49.360
<v Speaker 3>that when he moves.

712
00:40:49.079 --> 00:40:52.480
<v Speaker 2>Around, if it comes off at anything, it comes off

713
00:40:52.559 --> 00:40:54.800
<v Speaker 2>like a lizard skin. You're right, it never comes off

714
00:40:54.840 --> 00:40:57.639
<v Speaker 2>like stone. And they could have just maybe thrown in

715
00:40:57.719 --> 00:41:00.320
<v Speaker 2>some sound effects or had some grit falling off him

716
00:41:00.320 --> 00:41:04.320
<v Speaker 2>to maybe sell that just a little bit, because you're right,

717
00:41:04.400 --> 00:41:07.519
<v Speaker 2>they never really even mentioned that he's a rock man.

718
00:41:08.119 --> 00:41:11.280
<v Speaker 3>Yeah, but it's and the fighting is a little bit goofy,

719
00:41:11.440 --> 00:41:14.519
<v Speaker 3>but I do I do think that's clearly a lot

720
00:41:14.559 --> 00:41:18.480
<v Speaker 3>of time and effort went into the servos that worked

721
00:41:18.880 --> 00:41:21.840
<v Speaker 3>the character's face and mouth, so that part was really good.

722
00:41:22.480 --> 00:41:24.719
<v Speaker 3>There's not really much to be said about Sue Storm.

723
00:41:25.119 --> 00:41:28.960
<v Speaker 3>That's really just your typical matted shots of her, like

724
00:41:29.079 --> 00:41:32.920
<v Speaker 3>half visible, half not visible. I think there's one shot

725
00:41:32.920 --> 00:41:36.280
<v Speaker 3>of her shooting like an energy weapon or like a

726
00:41:36.320 --> 00:41:38.840
<v Speaker 3>shield out of her hand, but that's about as far

727
00:41:38.880 --> 00:41:41.000
<v Speaker 3>as it goes with her. And the less said about

728
00:41:41.480 --> 00:41:45.280
<v Speaker 3>read Richard's stretching ability, the better probably.

729
00:41:45.480 --> 00:41:48.400
<v Speaker 2>Oh h okay, so read Richards anytime he stretches. It's

730
00:41:48.519 --> 00:41:51.639
<v Speaker 2>either a practical effect which looks terrible, or it's a

731
00:41:51.800 --> 00:41:56.519
<v Speaker 2>straight up hand animated like stretch where his clothing is

732
00:41:56.559 --> 00:42:00.280
<v Speaker 2>also stretching inexplicably with like his leg stretches out and

733
00:42:00.320 --> 00:42:05.159
<v Speaker 2>tripped somebody. It's I would rather have had no powers

734
00:42:05.239 --> 00:42:08.280
<v Speaker 2>than the powers that we end up seeing and Sue

735
00:42:08.280 --> 00:42:12.199
<v Speaker 2>Storm the way that's presented that drives me crazy. I

736
00:42:12.239 --> 00:42:16.199
<v Speaker 2>don't care if you just have somebody disappear on screen

737
00:42:16.199 --> 00:42:17.960
<v Speaker 2>and it's the same effect that they've been doing since

738
00:42:18.000 --> 00:42:20.800
<v Speaker 2>the fucking Invisible Man in the nineteen thirties, that's fine

739
00:42:20.840 --> 00:42:25.119
<v Speaker 2>by me. But if the person disappears and two characters

740
00:42:25.119 --> 00:42:28.000
<v Speaker 2>are standing on opposite sides of that person and they

741
00:42:28.079 --> 00:42:32.679
<v Speaker 2>open fire, that person hasn't disappeared, they're just no longer visible.

742
00:42:32.880 --> 00:42:35.679
<v Speaker 2>She would still be shot and killed. And that sort

743
00:42:35.679 --> 00:42:39.159
<v Speaker 2>of thing happens over and over again, where she disappears

744
00:42:39.239 --> 00:42:42.159
<v Speaker 2>a second before somebody lunges where she was standing, just

745
00:42:42.280 --> 00:42:45.960
<v Speaker 2>there like a millisecond ago, and suddenly she's not there,

746
00:42:46.039 --> 00:42:48.199
<v Speaker 2>as if she has gone off to some other realm.

747
00:42:48.360 --> 00:42:49.440
<v Speaker 2>That's not how it works.

748
00:42:50.440 --> 00:42:54.960
<v Speaker 3>She's just invisible to the naked eye. She hasn't de materialized,

749
00:42:55.320 --> 00:42:58.039
<v Speaker 3>and that I did think of that myself after the

750
00:42:58.079 --> 00:43:00.760
<v Speaker 3>youmpteenth time, where there's a guy on either side of

751
00:43:00.800 --> 00:43:03.119
<v Speaker 3>her with a rifle and they both opened fire, and

752
00:43:03.199 --> 00:43:05.599
<v Speaker 3>the joke, not the joke, but the idea is because

753
00:43:05.599 --> 00:43:09.280
<v Speaker 3>she's disappeared, they effectively kill each other. But that wouldn't happen.

754
00:43:10.000 --> 00:43:12.159
<v Speaker 3>That that did make me a little bit crazy too.

755
00:43:12.599 --> 00:43:14.760
<v Speaker 2>Moments like that HP just make me want to turn

756
00:43:14.840 --> 00:43:18.320
<v Speaker 2>up the radio or to take these broken wings and

757
00:43:18.400 --> 00:43:22.239
<v Speaker 2>learn to fly again, learn to live so free. Oli

758
00:43:22.440 --> 00:43:27.039
<v Speaker 2>Sassone the filmmaker here. He was a music video guy

759
00:43:27.280 --> 00:43:30.639
<v Speaker 2>all through the nineteen eighties. He did the autograph song

760
00:43:30.960 --> 00:43:33.760
<v Speaker 2>turn Up the Radio video, He did mister Mister's Broken

761
00:43:33.800 --> 00:43:36.960
<v Speaker 2>Wings video. He did a Juice Newton. He did the

762
00:43:37.360 --> 00:43:39.360
<v Speaker 2>It's in the way that you move, It's in the

763
00:43:39.360 --> 00:43:41.719
<v Speaker 2>way that you use it from Eric Clapton.

764
00:43:41.800 --> 00:43:44.480
<v Speaker 3>He did that video, oh from the Color of Money.

765
00:43:44.960 --> 00:43:47.239
<v Speaker 2>Absolutely. He did a Gloria as Stefan. He did a

766
00:43:47.320 --> 00:43:49.559
<v Speaker 2>Jerry he did when Jerry Lee Lewis finally made his

767
00:43:49.599 --> 00:43:52.519
<v Speaker 2>Great Balls of Fire video in conjunction with the movie

768
00:43:52.559 --> 00:43:55.719
<v Speaker 2>That Was his Life in nineteen nineteen eighty nine, this

769
00:43:55.760 --> 00:43:58.519
<v Speaker 2>guy directed it. He directed a John Lee Hooker video.

770
00:43:58.760 --> 00:44:02.360
<v Speaker 2>So my question is, why is this poorly edited? Why

771
00:44:02.440 --> 00:44:04.719
<v Speaker 2>is this one of the most poorly edited films I've

772
00:44:04.719 --> 00:44:07.880
<v Speaker 2>ever seen? There's no musicality. In fact, while I was

773
00:44:07.920 --> 00:44:10.239
<v Speaker 2>watching it, I kept thinking during the action scenes, man,

774
00:44:10.280 --> 00:44:12.599
<v Speaker 2>they should have gotten a music video editor, or they

775
00:44:12.639 --> 00:44:14.519
<v Speaker 2>should have gotten a music video director.

776
00:44:15.159 --> 00:44:18.480
<v Speaker 3>I'm going to chalk that up again to the conditions

777
00:44:18.519 --> 00:44:21.400
<v Speaker 3>in which this was made. That they didn't have a

778
00:44:21.440 --> 00:44:23.960
<v Speaker 3>lot of time, they didn't have a lot of resources.

779
00:44:24.000 --> 00:44:27.280
<v Speaker 3>I think at a certain point they essentially stole the

780
00:44:27.360 --> 00:44:30.639
<v Speaker 3>reels and they worked post production on their own dime.

781
00:44:31.320 --> 00:44:34.400
<v Speaker 3>So under those types of conditions, it's a wonder that

782
00:44:34.840 --> 00:44:37.800
<v Speaker 3>the thing got quote unquote finished at all. You and

783
00:44:37.880 --> 00:44:41.159
<v Speaker 3>I both agree it's not truly finished. But he, I

784
00:44:41.199 --> 00:44:45.440
<v Speaker 3>got to say in that documentary, he was probably the

785
00:44:45.440 --> 00:44:49.400
<v Speaker 3>most endearing of all of the people that had to

786
00:44:49.400 --> 00:44:54.199
<v Speaker 3>deal with this situation because he is like he's He

787
00:44:54.400 --> 00:44:58.800
<v Speaker 3>comes off as a real ham and eggs director. Somebody

788
00:44:58.800 --> 00:45:02.400
<v Speaker 3>who works for hire probably gets it, takes pride in

789
00:45:02.440 --> 00:45:06.119
<v Speaker 3>getting his work done on time and under budget. I

790
00:45:06.159 --> 00:45:09.000
<v Speaker 3>get the sense a lot that this whole situation, when

791
00:45:09.039 --> 00:45:12.039
<v Speaker 3>it once it finally came to light, the reasons for

792
00:45:12.079 --> 00:45:15.719
<v Speaker 3>making this movie that he was probably completely blindsided by

793
00:45:15.760 --> 00:45:19.519
<v Speaker 3>it and probably offended as a filmmaker. That's his he

794
00:45:19.599 --> 00:45:22.039
<v Speaker 3>says often in this movie. You're a filmmaker. You don't

795
00:45:22.039 --> 00:45:25.079
<v Speaker 3>abandon your film when it's taken away from you. You

796
00:45:25.119 --> 00:45:27.480
<v Speaker 3>do the best you can to finish what you can

797
00:45:28.000 --> 00:45:32.480
<v Speaker 3>and turn in something anything. I think that's probably why

798
00:45:32.519 --> 00:45:35.079
<v Speaker 3>this isn't up to those higher standards.

799
00:45:35.519 --> 00:45:39.960
<v Speaker 2>I will say that whoever the cinematographer was, he did

800
00:45:40.000 --> 00:45:43.880
<v Speaker 2>a good job because this is bare bones Roger Kruman bullshit,

801
00:45:44.039 --> 00:45:47.559
<v Speaker 2>and more often than not, it's lit to his best,

802
00:45:47.599 --> 00:45:51.039
<v Speaker 2>to the best of the cinematographer's ability. This never looks

803
00:45:51.119 --> 00:45:54.559
<v Speaker 2>like a sitcom. This looks like it is attempting to

804
00:45:54.639 --> 00:45:58.519
<v Speaker 2>be a feature film from people who are constantly being

805
00:45:58.599 --> 00:46:01.559
<v Speaker 2>thwarted by their boss and their work being sent straight

806
00:46:01.599 --> 00:46:02.079
<v Speaker 2>to video.

807
00:46:02.760 --> 00:46:05.800
<v Speaker 3>You're right, it does. The sheene of the movie. The

808
00:46:05.840 --> 00:46:09.840
<v Speaker 3>look of the movie is actually pretty good. It's I

809
00:46:09.880 --> 00:46:11.440
<v Speaker 3>would put it on a par with have you ever

810
00:46:11.480 --> 00:46:15.000
<v Speaker 3>seen the pilot for the Spirit TV Show with Sam

811
00:46:15.119 --> 00:46:17.800
<v Speaker 3>Jones and Nana Visitor? Have you ever seen that?

812
00:46:18.639 --> 00:46:19.960
<v Speaker 2>No, you should?

813
00:46:20.079 --> 00:46:21.760
<v Speaker 3>That might be something you want to look into for

814
00:46:21.800 --> 00:46:24.960
<v Speaker 3>another episode. It it feels a little bit like that.

815
00:46:25.159 --> 00:46:27.480
<v Speaker 3>It actually it has a sheene to it. It looks

816
00:46:28.039 --> 00:46:33.000
<v Speaker 3>professionally shot and lit. Where this obviously where Fantastic four

817
00:46:33.079 --> 00:46:35.480
<v Speaker 3>falls apart is mostly in the editing, like you said,

818
00:46:36.000 --> 00:46:39.840
<v Speaker 3>and the special effects. However, one thing I'm sure you're

819
00:46:40.039 --> 00:46:41.559
<v Speaker 3>might be leading up to this, one thing that I

820
00:46:41.599 --> 00:46:45.159
<v Speaker 3>was actually pleasantly surprised by is the fact that this

821
00:46:45.280 --> 00:46:48.679
<v Speaker 3>movie actually had a real score. I wasn't expecting that.

822
00:46:48.760 --> 00:46:50.920
<v Speaker 3>I thought this was going to be source music, like

823
00:46:51.039 --> 00:46:53.880
<v Speaker 3>library music to the nth degree. But they actually got

824
00:46:53.920 --> 00:46:56.679
<v Speaker 3>two guys to come in and compose a score and

825
00:46:56.719 --> 00:46:59.880
<v Speaker 3>have a forty piece orchestra perform it and record it.

826
00:47:00.000 --> 00:48:05.840
<v Speaker 2>I thought that has count for something, definitely counts for something.

827
00:48:05.840 --> 00:48:07.559
<v Speaker 2>There's not enough of it, Like I said, there's whole

828
00:48:07.559 --> 00:48:09.519
<v Speaker 2>portions of the movie where I'm like, where's the music here?

829
00:48:09.519 --> 00:48:14.119
<v Speaker 2>Man and Bravo and Bravo that it's not what At

830
00:48:14.159 --> 00:48:19.199
<v Speaker 2>the time, everyone was just doing Batman. They were all

831
00:48:19.360 --> 00:48:23.159
<v Speaker 2>any superhero related thing that was coming down, either on

832
00:48:23.199 --> 00:48:26.199
<v Speaker 2>television or in the movies. You were getting some variation

833
00:48:26.320 --> 00:48:29.760
<v Speaker 2>of Danny Elfin's either horns or drums, horns or drums.

834
00:48:29.800 --> 00:48:32.760
<v Speaker 2>Even Danny Elfman was sounding exactly like Danny Elfman when

835
00:48:32.760 --> 00:48:34.719
<v Speaker 2>it came to his horns and his drums. Try to

836
00:48:34.719 --> 00:48:37.920
<v Speaker 2>listen to the differences between Dick Tracy and dark Man

837
00:48:38.280 --> 00:48:42.719
<v Speaker 2>and fucking Batman and The Flash and all of the

838
00:48:42.760 --> 00:48:45.480
<v Speaker 2>other Danny. Those are all Danny Elfman scars from around

839
00:48:45.519 --> 00:48:48.440
<v Speaker 2>the same period. What was he doing? Turn one of

840
00:48:48.440 --> 00:48:50.639
<v Speaker 2>those down. You don't need to do Dick Tracy. Can

841
00:48:50.679 --> 00:48:52.920
<v Speaker 2>you think? Can you remember that the Dick Tracy theme

842
00:48:52.960 --> 00:48:53.639
<v Speaker 2>at all right now?

843
00:48:54.480 --> 00:48:58.800
<v Speaker 3>Not even a little bit. Because he became a prisoner

844
00:48:58.800 --> 00:49:01.159
<v Speaker 3>of his own success in terms of the creativity, everything

845
00:49:01.199 --> 00:49:04.039
<v Speaker 3>started sounding the same only from that time period. I

846
00:49:04.039 --> 00:49:06.840
<v Speaker 3>think it's around the time period. That's why a movie

847
00:49:06.880 --> 00:49:09.519
<v Speaker 3>like Midnight Run was such a surprise, because that was

848
00:49:09.559 --> 00:49:12.519
<v Speaker 3>a Danny Elfman soundtrack. But that sounds nothing like any

849
00:49:12.519 --> 00:49:17.960
<v Speaker 3>of the other things. It's guitar forward. It's cool, it's different.

850
00:50:06.559 --> 00:50:10.880
<v Speaker 3>You and I were fiends for Batman when it came out.

851
00:50:11.440 --> 00:50:16.159
<v Speaker 3>We both jumped on that soundtrack. I listened to it constantly.

852
00:50:16.719 --> 00:50:19.239
<v Speaker 3>I got sick of it. I didn't need to hear

853
00:50:19.280 --> 00:50:22.559
<v Speaker 3>it coming out of The Flash or The Simpsons or

854
00:50:22.639 --> 00:50:25.159
<v Speaker 3>any of those things that you just described. It drove

855
00:50:25.239 --> 00:50:26.960
<v Speaker 3>me nuts because it all sounded the same.

856
00:50:27.639 --> 00:50:31.639
<v Speaker 2>I'll say that Midnight Run soundtrack that he did felt

857
00:50:31.679 --> 00:50:34.199
<v Speaker 2>the most appropriate. At the time. I was a big going,

858
00:50:34.239 --> 00:50:36.440
<v Speaker 2>go boying go fan. I'm sure you were too. So

859
00:50:37.079 --> 00:50:40.840
<v Speaker 2>once he started producing scores for movies, it was, first

860
00:50:40.880 --> 00:50:43.320
<v Speaker 2>of all, it was elating because the first one was

861
00:50:43.320 --> 00:50:46.400
<v Speaker 2>Pee Wee's Big Adventure. It was so boingoe but at

862
00:50:46.440 --> 00:50:49.639
<v Speaker 2>the same time so cinematic that it made sense. But

863
00:50:49.719 --> 00:50:51.639
<v Speaker 2>when Midnight Run came out, it was like, Yeah, that's

864
00:50:51.679 --> 00:50:54.360
<v Speaker 2>fucking Danny Aufman because it was guitar and it was

865
00:50:54.960 --> 00:50:59.320
<v Speaker 2>rocky more than anything, and I thought, Wow, he's just

866
00:50:59.360 --> 00:51:02.559
<v Speaker 2>gonna keep this variation going. Like all of these differences

867
00:51:02.559 --> 00:51:06.480
<v Speaker 2>are like his score for his early score for Summer School,

868
00:51:06.639 --> 00:51:28.920
<v Speaker 2>which is like a zydeco score. All that stuff is great, man.

869
00:51:28.960 --> 00:51:31.079
<v Speaker 2>I thought he's just going to be running the gamut here.

870
00:51:31.199 --> 00:51:33.719
<v Speaker 2>But all he was doing was biding his time taking

871
00:51:33.760 --> 00:51:36.760
<v Speaker 2>these jobs until he could start doing his Danny Elfman thing,

872
00:51:36.920 --> 00:51:41.800
<v Speaker 2>which was a child's choir and drums and down.

873
00:51:42.480 --> 00:51:43.360
<v Speaker 3>That's beetlejuice.

874
00:51:44.039 --> 00:51:44.679
<v Speaker 2>That's all of them.

875
00:51:45.159 --> 00:51:47.920
<v Speaker 3>Yeah, that's all of them. And I'm hearing I can

876
00:51:47.960 --> 00:51:50.000
<v Speaker 3>almost hear people listening to this fool and saying, what

877
00:51:50.039 --> 00:51:52.679
<v Speaker 3>about John Williams. This stuff sounds the same, it doesn't.

878
00:51:53.440 --> 00:51:56.679
<v Speaker 3>I reject that because he may be using his tools

879
00:51:56.679 --> 00:51:59.440
<v Speaker 3>are the same the orchestra. But you can't tell me

880
00:51:59.559 --> 00:52:02.519
<v Speaker 3>that soundtrack for Indiana for rad As the lust Arc

881
00:52:03.039 --> 00:52:05.599
<v Speaker 3>is the same as the soundtrack for Superman, which is

882
00:52:05.639 --> 00:52:09.039
<v Speaker 3>the same as a soundtrack for Jaws. I reject that outright.

883
00:52:09.079 --> 00:52:11.199
<v Speaker 3>So anyway, you who have that notion in your head,

884
00:52:11.440 --> 00:52:13.880
<v Speaker 3>get it out right now. So I have not seen

885
00:52:14.000 --> 00:52:16.440
<v Speaker 3>the New Superman yet, but it's my understanding for the

886
00:52:16.480 --> 00:52:20.800
<v Speaker 3>malone that didn't they interpolate his John Williams's theme of

887
00:52:20.880 --> 00:52:22.760
<v Speaker 3>Superman in that movie.

888
00:52:22.639 --> 00:52:27.000
<v Speaker 2>When Superman first comes into action. Yes, there are shades

889
00:52:27.320 --> 00:52:31.000
<v Speaker 2>of the Williams score, which is smart because you're never

890
00:52:31.039 --> 00:52:32.159
<v Speaker 2>going to do anything better.

891
00:52:32.519 --> 00:52:35.360
<v Speaker 3>Ever, it's ever, that's the thing there have been since

892
00:52:35.519 --> 00:52:37.639
<v Speaker 3>let's say, since I don't know did he do this.

893
00:52:38.599 --> 00:52:40.800
<v Speaker 3>What was the last Superman movie he did the soundtrack for?

894
00:52:41.000 --> 00:52:41.840
<v Speaker 3>Was it two or three?

895
00:52:42.440 --> 00:52:45.119
<v Speaker 2>I think it was just Superman Williams so Superman and

896
00:52:45.159 --> 00:52:46.960
<v Speaker 2>then just Superman, and then somebody came in and did

897
00:52:47.039 --> 00:52:49.239
<v Speaker 2>variations on the work he had done for the Because

898
00:52:49.239 --> 00:52:51.239
<v Speaker 2>it was supposed to be one and two, so I'm

899
00:52:51.280 --> 00:52:53.920
<v Speaker 2>sure some of his score was used in two, but

900
00:52:54.280 --> 00:52:57.000
<v Speaker 2>he didn't compose anything new past one.

901
00:52:57.719 --> 00:53:01.559
<v Speaker 3>So let's say, putting aside the Christopher, the original Superman

902
00:53:01.679 --> 00:53:04.440
<v Speaker 3>movies and all the sequels, we're talking about Man of Steel,

903
00:53:05.159 --> 00:53:08.480
<v Speaker 3>the Justice League movies, the all how many Superman movies

904
00:53:08.519 --> 00:53:11.599
<v Speaker 3>have there been since there's Superman Returns. Let's say four

905
00:53:11.639 --> 00:53:17.039
<v Speaker 3>or five Superman movies until the most recent effort. None

906
00:53:17.039 --> 00:53:20.960
<v Speaker 3>of them had any kind of memorable soundtrack. There's a

907
00:53:21.000 --> 00:53:24.800
<v Speaker 3>reason for that. His theme is fucking iconic. That's why

908
00:53:24.840 --> 00:53:27.440
<v Speaker 3>you have to interpolate his theme in the newest one,

909
00:53:27.519 --> 00:53:30.800
<v Speaker 3>because that's what people want. No one will ever live

910
00:53:30.840 --> 00:53:31.199
<v Speaker 3>up to that.

911
00:53:31.800 --> 00:53:36.000
<v Speaker 2>I will say, there's only one score that can compete. Yeah,

912
00:53:36.039 --> 00:53:38.800
<v Speaker 2>it's the song save Me by Remy Zero from the

913
00:53:38.800 --> 00:53:42.400
<v Speaker 2>television series Small Belle. Come on, Baby, Somebody save Me.

914
00:54:15.400 --> 00:54:17.800
<v Speaker 2>You were a big fan of that Small I'm still

915
00:54:17.800 --> 00:54:20.039
<v Speaker 2>a fan of that show Small. I'm still a fan

916
00:54:20.079 --> 00:54:23.639
<v Speaker 2>of that show up until I'm gonna say season seven,

917
00:54:24.199 --> 00:54:29.159
<v Speaker 2>maybe season eight. Here's why I know that it goes

918
00:54:29.199 --> 00:54:32.119
<v Speaker 2>wrong there for me because in its initial run, I

919
00:54:32.199 --> 00:54:35.480
<v Speaker 2>watched the series religiously and I got to about series

920
00:54:35.639 --> 00:54:38.880
<v Speaker 2>seven or season seven, and then I just trailed off.

921
00:54:38.920 --> 00:54:42.679
<v Speaker 2>It just went away. Sometimes that happens with television series, right,

922
00:54:42.840 --> 00:54:45.719
<v Speaker 2>life gets involved. That's a long chunk of time to

923
00:54:46.000 --> 00:54:49.039
<v Speaker 2>invest in a television series. So then I made a

924
00:54:49.079 --> 00:54:52.880
<v Speaker 2>concerted effort. I'm going to rewatch this series from the

925
00:54:52.920 --> 00:54:55.599
<v Speaker 2>beginning and because it had by then ended, and I'm

926
00:54:55.599 --> 00:54:58.199
<v Speaker 2>going to get to the ending, knowing full well that

927
00:54:58.280 --> 00:55:02.039
<v Speaker 2>we were going to get at least briefly Tom Welling

928
00:55:03.079 --> 00:55:06.960
<v Speaker 2>with the s on his chest after ten years, Right,

929
00:55:07.519 --> 00:55:10.079
<v Speaker 2>I'm ready for it. I go to about season seven

930
00:55:10.119 --> 00:55:13.320
<v Speaker 2>and then I just trailed off because I just lost interests.

931
00:55:13.960 --> 00:55:17.599
<v Speaker 2>Basically what happens on that show is as soon as

932
00:55:17.760 --> 00:55:21.320
<v Speaker 2>Lex Luthor is off the show, it is a meandering

933
00:55:21.440 --> 00:55:23.079
<v Speaker 2>and trying to figure out what it is and can

934
00:55:23.159 --> 00:55:25.320
<v Speaker 2>never find its way back ever.

935
00:55:25.719 --> 00:55:27.880
<v Speaker 3>So Rosenbaum is your Lex Luthor.

936
00:55:27.599 --> 00:55:31.159
<v Speaker 2>Then he definitely is my Lex Luthor. Yeah, although Nicholas

937
00:55:31.199 --> 00:55:34.280
<v Speaker 2>Holt we got to get back to back to what

938
00:55:34.320 --> 00:55:36.440
<v Speaker 2>we're talking about here, But I will say Nicholas Holt

939
00:55:36.559 --> 00:55:39.840
<v Speaker 2>is very scary, and that's the first time Lex Luthor

940
00:55:39.880 --> 00:55:41.400
<v Speaker 2>has been that for me. Cool.

941
00:55:41.480 --> 00:55:43.440
<v Speaker 3>I hope to see it soon. Anyway, back to the

942
00:55:43.480 --> 00:55:44.559
<v Speaker 3>Fantastic Four.

943
00:55:44.719 --> 00:55:47.199
<v Speaker 2>I don't even know where we were, Let's talk about

944
00:55:47.239 --> 00:55:49.599
<v Speaker 2>Doctor Doom. So let's just talk you got something to

945
00:55:49.599 --> 00:55:53.519
<v Speaker 2>do there about No, I'm good, right on. Then let's

946
00:55:53.559 --> 00:55:58.599
<v Speaker 2>talk Doctor Doom fully because we've mentioned the costumes. Fantastic

947
00:55:59.000 --> 00:56:02.719
<v Speaker 2>Robert culps on Joseph Kulp, Robert Culp. For those of

948
00:56:02.760 --> 00:56:05.079
<v Speaker 2>you who don't know, it's not going to help you.

949
00:56:05.159 --> 00:56:07.599
<v Speaker 2>If you don't know, you either watched I Spy or you.

950
00:56:07.559 --> 00:56:10.360
<v Speaker 3>Did Greatest American Hero. He was his sidekick.

951
00:56:10.960 --> 00:56:14.599
<v Speaker 2>Yeah, you've either seen Santa's Sleigh or you haven't.

952
00:56:14.800 --> 00:56:17.840
<v Speaker 3>He's he's a very distinctive he. This wasn't like a

953
00:56:17.920 --> 00:56:21.280
<v Speaker 3>total movie star, like a Tom Cruise type, but he

954
00:56:21.599 --> 00:56:24.360
<v Speaker 3>did his fair share of TV a lot of He

955
00:56:24.400 --> 00:56:26.760
<v Speaker 3>probably was on the A Team at some point shows

956
00:56:26.760 --> 00:56:27.559
<v Speaker 3>of that caliber.

957
00:56:27.639 --> 00:56:32.480
<v Speaker 2>You know what My favorite, my favorite Robert Culp performances Colombo. No,

958
00:56:32.639 --> 00:56:34.960
<v Speaker 2>get out of here. I don't watch Colombo. That's your thing.

959
00:56:35.639 --> 00:56:37.519
<v Speaker 3>Oh man, he's great in Colombo, But go ahead.

960
00:56:38.039 --> 00:56:43.039
<v Speaker 2>Mayor Tyler in Turk one eighty two, that's a good call.

961
00:56:43.719 --> 00:56:46.559
<v Speaker 2>When he sees the when he sees the train pulling

962
00:56:46.599 --> 00:56:48.719
<v Speaker 2>in and he noticed and he sees that it's been

963
00:56:49.000 --> 00:56:52.920
<v Speaker 2>graffitoed and that his photo op has now been ruined

964
00:56:52.920 --> 00:56:57.039
<v Speaker 2>once again, and he goes, ah shit like that. That

965
00:56:57.119 --> 00:56:58.679
<v Speaker 2>line reading lives in my brain.

966
00:56:59.199 --> 00:57:01.079
<v Speaker 3>But it's not him and this movie. It's his son

967
00:57:01.840 --> 00:57:05.840
<v Speaker 3>in the Fantastic Four. And we've talked all about Robert Culp.

968
00:57:06.119 --> 00:57:07.199
<v Speaker 3>It's Joseph Culp.

969
00:57:07.280 --> 00:57:10.519
<v Speaker 2>Yes, Joseph Culp a is doctor Victor von Doom, doctor Doom,

970
00:57:10.800 --> 00:57:14.199
<v Speaker 2>the Masked Wonder. He does a lot of hand acting,

971
00:57:14.480 --> 00:57:19.119
<v Speaker 2>obviously Robert Culp's son, Joseph Cupp. Obviously Joseph Culp. Once

972
00:57:19.159 --> 00:57:23.599
<v Speaker 2>he got those gauntlets on and felt those individual little

973
00:57:23.760 --> 00:57:28.719
<v Speaker 2>armor bits over his fingers clicking and clacking, he decided knuckles.

974
00:57:29.000 --> 00:57:32.360
<v Speaker 2>He decided, I know how to play this part entirely

975
00:57:32.400 --> 00:57:33.320
<v Speaker 2>with my hands.

976
00:57:34.480 --> 00:57:38.800
<v Speaker 3>It was that got distracting. But he talks in that

977
00:57:38.920 --> 00:57:44.440
<v Speaker 3>documentary about one of his inspirations was Mussolini. I guess

978
00:57:44.480 --> 00:57:47.159
<v Speaker 3>the director said, watch these Mussolini clips and see how

979
00:57:47.199 --> 00:57:50.559
<v Speaker 3>he's always putting his hands, crossing his arms, doing things

980
00:57:50.639 --> 00:57:52.519
<v Speaker 3>with his hands. And then he did what they did,

981
00:57:52.559 --> 00:57:54.800
<v Speaker 3>like a half and half shot at a shot of

982
00:57:54.880 --> 00:57:57.639
<v Speaker 3>Mussolini and a shot of doctor Doom and you can

983
00:57:57.679 --> 00:58:00.920
<v Speaker 3>see the influence. That's what he's going for. However, there

984
00:58:00.960 --> 00:58:04.559
<v Speaker 3>are moments where it's almost it gets into voguing territory,

985
00:58:04.599 --> 00:58:06.719
<v Speaker 3>where he's doing it a little too much, and it's

986
00:58:06.760 --> 00:58:10.559
<v Speaker 3>a very tight Sometimes it's a very tight shot of

987
00:58:10.760 --> 00:58:13.719
<v Speaker 3>his face with his hands very close to his face.

988
00:58:14.440 --> 00:58:18.360
<v Speaker 3>It's a little distracting, but vocally he I thought he

989
00:58:18.360 --> 00:58:20.800
<v Speaker 3>did a pretty good job despite the mask and having

990
00:58:20.840 --> 00:58:23.800
<v Speaker 3>to really project and maybe this not being the fine

991
00:58:24.000 --> 00:58:26.840
<v Speaker 3>his perceived final vocal take. I thought he did a

992
00:58:26.880 --> 00:58:29.639
<v Speaker 3>pretty good job of embodying doctor.

993
00:58:29.360 --> 00:58:34.199
<v Speaker 2>Doom, Mussolini and Monroe Vogue.

994
00:58:35.679 --> 00:58:37.239
<v Speaker 3>Did you think he? I thought he did pretty good.

995
00:58:37.280 --> 00:58:38.519
<v Speaker 3>What did you think fought him alone?

996
00:58:38.719 --> 00:58:44.119
<v Speaker 2>When the hands started fluttering on screen, I thought, Okay,

997
00:58:44.599 --> 00:58:50.280
<v Speaker 2>here's an actor who feels constrained by that mask and

998
00:58:50.320 --> 00:58:53.920
<v Speaker 2>knowing no one seeing anything he's going to be doing.

999
00:58:54.119 --> 00:58:57.320
<v Speaker 2>So he's doing his best to make his impression, to

1000
00:58:58.960 --> 00:59:02.639
<v Speaker 2>make this his in some way. And then the clickity

1001
00:59:02.679 --> 00:59:05.360
<v Speaker 2>clackiness of the gauntlets themselves made me think, oh, he's

1002
00:59:05.400 --> 00:59:08.079
<v Speaker 2>just having fun with these gauntlets. All of his choices

1003
00:59:08.159 --> 00:59:11.679
<v Speaker 2>just made me keep thinking about his acting choices. Okay,

1004
00:59:12.679 --> 00:59:15.400
<v Speaker 2>those needed to be fucking rained. In not his fault.

1005
00:59:15.400 --> 00:59:19.800
<v Speaker 2>I'm not blaming him. I'm blaming only the director of

1006
00:59:19.840 --> 00:59:23.840
<v Speaker 2>the Turn Up the Radio music video for not fucking

1007
00:59:24.320 --> 00:59:27.800
<v Speaker 2>raining that shit in just through editing. What the fuck man?

1008
00:59:28.039 --> 00:59:32.599
<v Speaker 2>The clickity clacking? What's happening then? Although I do think, yes,

1009
00:59:33.079 --> 00:59:36.360
<v Speaker 2>had that been edited correctly and we have been given

1010
00:59:36.400 --> 00:59:39.039
<v Speaker 2>the performance and they'd given him the time to adr

1011
00:59:39.159 --> 00:59:42.559
<v Speaker 2>all of his dialogue, I think it's a very credible performance.

1012
00:59:42.760 --> 00:59:44.880
<v Speaker 2>I think it's a really good performance of Doctor Doho.

1013
00:59:45.039 --> 00:59:47.920
<v Speaker 2>It's certainly better than anything Julian McMahon did in those

1014
00:59:47.960 --> 00:59:53.519
<v Speaker 2>two big budget, gross fucking movies. And what see better

1015
00:59:53.880 --> 00:59:57.760
<v Speaker 2>than that fucking what twenty fourteen fantastic with the four

1016
00:59:58.119 --> 01:00:01.039
<v Speaker 2>as the a What does that even mean? Fantastia co

1017
01:00:01.239 --> 01:00:02.519
<v Speaker 2>or Fantapha?

1018
01:00:05.000 --> 01:00:10.119
<v Speaker 3>Was Josh Trask Josh Trank Trank? I see Trask Trenk.

1019
01:00:10.480 --> 01:00:13.760
<v Speaker 3>I agree. I was actually curious how you would stack

1020
01:00:13.840 --> 01:00:16.800
<v Speaker 3>him up next to Julian McMahon, because I never look

1021
01:00:17.039 --> 01:00:17.760
<v Speaker 3>rest in Peace.

1022
01:00:18.280 --> 01:00:19.360
<v Speaker 2>I hated him.

1023
01:00:19.760 --> 01:00:22.039
<v Speaker 3>I never thought he was I thought he's a great

1024
01:00:22.079 --> 01:00:26.280
<v Speaker 3>actor in Nip Tuck. He's fantastic. He is not good

1025
01:00:26.320 --> 01:00:27.119
<v Speaker 3>as doctor Doom.

1026
01:00:27.159 --> 01:00:31.760
<v Speaker 2>I'm sorry, he's just playing this kind of laconic version

1027
01:00:31.920 --> 01:00:34.639
<v Speaker 2>of Doctor Doom, and I'm like, that, ain't Doctor Doom.

1028
01:00:34.719 --> 01:00:37.239
<v Speaker 2>Doctor Vuom is the fucking head of Laveria. He was

1029
01:00:37.320 --> 01:00:39.760
<v Speaker 2>his magic. He's fucking bombastic and crazy.

1030
01:00:40.320 --> 01:00:44.119
<v Speaker 3>He looked good though, like his face if you especially

1031
01:00:44.119 --> 01:00:46.719
<v Speaker 3>like if you look at the Secret War limited series

1032
01:00:47.079 --> 01:00:49.840
<v Speaker 3>that is Julian McMahon. If he had been giving the

1033
01:00:49.920 --> 01:00:52.159
<v Speaker 3>right material in the right direction, he could have been

1034
01:00:52.280 --> 01:00:53.760
<v Speaker 3>a really good Doctor Doom.

1035
01:00:54.199 --> 01:00:56.639
<v Speaker 2>Plus I hate all of this, like we have to

1036
01:00:57.039 --> 01:00:59.840
<v Speaker 2>every comic book script does this. We have to re

1037
01:01:00.079 --> 01:01:03.800
<v Speaker 2>write someone's origin in some way for no good reason,

1038
01:01:04.000 --> 01:01:07.159
<v Speaker 2>like in that case, like he's suddenly magnetic now and

1039
01:01:07.199 --> 01:01:12.159
<v Speaker 2>he slowly turns into Doctor Doom like the mask forms

1040
01:01:12.199 --> 01:01:15.199
<v Speaker 2>itself over the course of the movie. Great, that's really clever.

1041
01:01:15.440 --> 01:01:17.360
<v Speaker 2>Do you feel good about yourself that you added that

1042
01:01:17.440 --> 01:01:20.519
<v Speaker 2>to the fucking lore and you like this.

1043
01:01:21.079 --> 01:01:26.079
<v Speaker 3>Got says to be a cloud instead of this skyscraper tall,

1044
01:01:26.599 --> 01:01:30.280
<v Speaker 3>fucking scary alien creature coming to eat your planet.

1045
01:01:30.559 --> 01:01:36.599
<v Speaker 2>That go be crazy so much amorphous cloud in the

1046
01:01:36.639 --> 01:01:40.360
<v Speaker 2>sky and blue lightning and oh yeah, yeah, yeah.

1047
01:01:40.320 --> 01:01:43.559
<v Speaker 3>Yeah, So that's a positive Doctor Doom. In the Fantastic

1048
01:01:43.599 --> 01:01:47.599
<v Speaker 3>four ninety four movie is a positive in my book.

1049
01:01:48.159 --> 01:01:50.960
<v Speaker 2>If they had made this movie, here's what should have

1050
01:01:51.000 --> 01:01:53.559
<v Speaker 2>happened to HP. They should have said they look at

1051
01:01:53.599 --> 01:01:55.559
<v Speaker 2>the suit for Doctor Doom and look at the suit

1052
01:01:55.639 --> 01:01:58.159
<v Speaker 2>for the Thing, and go, we need to rewrite. Right now,

1053
01:01:58.360 --> 01:02:01.079
<v Speaker 2>this is now the fantastic one. This is going to

1054
01:02:01.119 --> 01:02:05.199
<v Speaker 2>be the story of the Thing and Doctor Doom during

1055
01:02:05.239 --> 01:02:08.639
<v Speaker 2>that experiment, getting lost on some other plant and then

1056
01:02:08.719 --> 01:02:11.000
<v Speaker 2>duking it out for tour, and let's spend all the

1057
01:02:11.039 --> 01:02:13.559
<v Speaker 2>money and buy another suit and buy another one for

1058
01:02:13.639 --> 01:02:16.960
<v Speaker 2>him and make this happen, and right now that would

1059
01:02:16.960 --> 01:02:19.960
<v Speaker 2>be a cult classic. We go to see on Friday nights,

1060
01:02:20.719 --> 01:02:22.239
<v Speaker 2>The Thing versus Doom.

1061
01:02:22.960 --> 01:02:24.679
<v Speaker 3>I'm there for it. I'm there.

1062
01:02:25.159 --> 01:02:27.000
<v Speaker 2>Those are the best parts of the movie. Look, other

1063
01:02:27.039 --> 01:02:30.079
<v Speaker 2>performances are good across the board. The performance is pretty good.

1064
01:02:30.119 --> 01:02:33.679
<v Speaker 2>I think Alex Hyde White gets to that sniveling, fucking

1065
01:02:33.760 --> 01:02:35.960
<v Speaker 2>I want to punch you in the face. Read Richard's

1066
01:02:36.280 --> 01:02:39.920
<v Speaker 2>characteristic that I think is essential to that character. Is

1067
01:02:39.920 --> 01:02:41.280
<v Speaker 2>that a compliment? Probably not.

1068
01:02:43.599 --> 01:02:45.960
<v Speaker 3>He's fine. I think he's fine. I'm not going to

1069
01:02:46.039 --> 01:02:52.920
<v Speaker 3>overpraise or underpraise him. I think he's fine. It's nothing special,

1070
01:02:53.480 --> 01:02:56.639
<v Speaker 3>but he doesn't embarrass himself. It's not like he's not

1071
01:02:56.679 --> 01:02:58.599
<v Speaker 3>a bad actor. I can tell that he's a good actor.

1072
01:02:58.960 --> 01:03:01.199
<v Speaker 3>He may just not this may not have been the

1073
01:03:01.280 --> 01:03:04.559
<v Speaker 3>right part for him. And Sue Storm I couldn't really

1074
01:03:04.599 --> 01:03:07.000
<v Speaker 3>get a handle on because she's not really.

1075
01:03:06.920 --> 01:03:10.840
<v Speaker 2>She's completely underwritten. This movie does not pass the Bechdel test.

1076
01:03:11.320 --> 01:03:11.880
<v Speaker 3>Not at all.

1077
01:03:12.400 --> 01:03:12.960
<v Speaker 2>Not at all.

1078
01:03:13.159 --> 01:03:16.360
<v Speaker 3>But then again, some of those are early Fantastic Four

1079
01:03:16.519 --> 01:03:19.920
<v Speaker 3>comic books. She probably probably failed the test as well.

1080
01:03:20.000 --> 01:03:23.000
<v Speaker 3>She's not well written in the early days either. It's

1081
01:03:23.039 --> 01:03:26.400
<v Speaker 3>just a different time. But by nineteen ninety four they

1082
01:03:26.440 --> 01:03:28.079
<v Speaker 3>should have known better and written her.

1083
01:03:29.039 --> 01:03:32.159
<v Speaker 2>Hey, let's write our female lead like a real character

1084
01:03:32.199 --> 01:03:34.639
<v Speaker 2>you would actually want to spend some time with instead

1085
01:03:34.639 --> 01:03:40.559
<v Speaker 2>of just another flighty idiot. He's so dreaming. I don't

1086
01:03:40.559 --> 01:03:43.320
<v Speaker 2>know where we go from HAIRHP, What at the thoughts

1087
01:03:43.360 --> 01:03:43.960
<v Speaker 2>do you have on this?

1088
01:03:45.199 --> 01:03:50.960
<v Speaker 3>I guess ultimately the question is this a success? Should

1089
01:03:51.039 --> 01:03:54.400
<v Speaker 3>this have ever been released? Or is this something that

1090
01:03:54.440 --> 01:03:58.840
<v Speaker 3>maybe was better left as a legend in a vault somewhere.

1091
01:03:59.320 --> 01:04:01.480
<v Speaker 3>I guess that's where That's the only place we can

1092
01:04:01.519 --> 01:04:03.079
<v Speaker 3>go from here. Do you think it's as good or

1093
01:04:03.079 --> 01:04:04.559
<v Speaker 3>bad as the legend suggests?

1094
01:04:04.960 --> 01:04:07.800
<v Speaker 2>I think had they just dumped it onto video cassette

1095
01:04:07.840 --> 01:04:11.440
<v Speaker 2>in nineteen ninety four or ninety five, then it would

1096
01:04:11.480 --> 01:04:16.440
<v Speaker 2>just be a curiosity, the same way the Nick Fury

1097
01:04:16.519 --> 01:04:19.360
<v Speaker 2>movie is a curiosity which you can go watch. David

1098
01:04:19.360 --> 01:04:21.960
<v Speaker 2>Hasselhoff as Nick Fury. It's out there, Nick Fury, Agent

1099
01:04:21.960 --> 01:04:24.440
<v Speaker 2>of Shield. Go check it out. It's readily available. Written

1100
01:04:24.440 --> 01:04:26.800
<v Speaker 2>by David Goyer, Mister, he wrote a bunch of He

1101
01:04:26.800 --> 01:04:29.159
<v Speaker 2>wrote all those again Chris Nolan movies, so he must

1102
01:04:29.199 --> 01:04:31.239
<v Speaker 2>be a good writer. Yeah, check out his work on

1103
01:04:31.360 --> 01:04:35.199
<v Speaker 2>the David Hasselhoff Nick Fury movie. Anyway. Yeah, I think

1104
01:04:35.239 --> 01:04:37.960
<v Speaker 2>had this movie come out then we wouldn't be talking

1105
01:04:37.960 --> 01:04:40.800
<v Speaker 2>about it right now other than in relation to this

1106
01:04:40.880 --> 01:04:43.440
<v Speaker 2>new one coming out, and I don't think we would

1107
01:04:43.440 --> 01:04:45.320
<v Speaker 2>be speaking as favorably about it.

1108
01:04:45.679 --> 01:04:49.280
<v Speaker 3>I agree. I think being suppressed, for lack of a

1109
01:04:49.280 --> 01:04:51.480
<v Speaker 3>better word, is probably the best thing that could have

1110
01:04:51.519 --> 01:04:55.440
<v Speaker 3>ever happened to this movie. Not speaking of the fact

1111
01:04:55.480 --> 01:04:57.719
<v Speaker 3>that the actors didn't get any sort of a boost

1112
01:04:57.920 --> 01:04:59.480
<v Speaker 3>from the picture, I'm not sure they would have if

1113
01:04:59.480 --> 01:05:03.760
<v Speaker 3>this had been dumped onto video. But something that is

1114
01:05:05.039 --> 01:05:08.840
<v Speaker 3>you can only find in bootlegs and handed from geeked

1115
01:05:08.960 --> 01:05:11.880
<v Speaker 3>geek over the years. It gives it cachet that it

1116
01:05:11.880 --> 01:05:15.239
<v Speaker 3>wouldn't have had otherwise. But if I'm judging this purely

1117
01:05:15.360 --> 01:05:18.400
<v Speaker 3>on the film's merit, I don't think we would We

1118
01:05:18.440 --> 01:05:21.679
<v Speaker 3>certainly wouldn't be talking about this movie now if this

1119
01:05:21.760 --> 01:05:23.920
<v Speaker 3>had just come out and gone, because it would have

1120
01:05:24.000 --> 01:05:25.840
<v Speaker 3>just been like it was a goofy attempt at doing

1121
01:05:25.840 --> 01:05:29.360
<v Speaker 3>the Fantastic Four. There's no other there's nothing more to

1122
01:05:29.400 --> 01:05:32.480
<v Speaker 3>add to the story. But this makes it a curiosity.

1123
01:05:32.880 --> 01:05:35.679
<v Speaker 2>Here's what I will say about this. And because apparently

1124
01:05:35.719 --> 01:05:37.840
<v Speaker 2>this is just a property where it's going to continue

1125
01:05:37.880 --> 01:05:40.000
<v Speaker 2>to happen to Thank god it's back at Marvel, because

1126
01:05:40.360 --> 01:05:43.639
<v Speaker 2>the Josh Trank movie is the exact same story. That's

1127
01:05:43.679 --> 01:05:46.039
<v Speaker 2>them holding onto the fucking copyright because it was going

1128
01:05:46.119 --> 01:05:51.159
<v Speaker 2>to revert back to Marvel. And given that comparison, watch this.

1129
01:05:51.679 --> 01:05:54.480
<v Speaker 2>Do not watch the Josh Trank movie. This is one

1130
01:05:54.639 --> 01:05:57.920
<v Speaker 2>thousand times better than that. This one has the spirit

1131
01:05:58.000 --> 01:06:00.639
<v Speaker 2>of the movie. As we've said, you and feel that

1132
01:06:00.719 --> 01:06:03.840
<v Speaker 2>everyone is pulling in one direction, and that direction is

1133
01:06:03.960 --> 01:06:07.320
<v Speaker 2>let's make a good movie here and are really only

1134
01:06:07.480 --> 01:06:10.760
<v Speaker 2>our budget is tripping us up here. Look, part of

1135
01:06:10.800 --> 01:06:13.840
<v Speaker 2>that budget should have been spent on a professional screenwriter

1136
01:06:14.000 --> 01:06:17.400
<v Speaker 2>beyond Chris Nevius, who I know. He's written some movies

1137
01:06:17.400 --> 01:06:21.199
<v Speaker 2>that people like I don't, and I think his script

1138
01:06:21.239 --> 01:06:23.079
<v Speaker 2>is good here, but it needed to punch up from

1139
01:06:23.079 --> 01:06:27.000
<v Speaker 2>somebody who maybe knew the comics better, or New Action

1140
01:06:27.079 --> 01:06:29.159
<v Speaker 2>better something I don't know. There was something missing here.

1141
01:06:29.519 --> 01:06:32.000
<v Speaker 2>The limitations are there, and the limitations are in the direction.

1142
01:06:32.719 --> 01:06:36.519
<v Speaker 2>Also the budget, there are a lot of limitations. Nevertheless,

1143
01:06:37.000 --> 01:06:40.320
<v Speaker 2>if you put all of those limitations together, what you

1144
01:06:40.440 --> 01:06:43.199
<v Speaker 2>get here is a thousand times better than a big

1145
01:06:43.280 --> 01:06:48.559
<v Speaker 2>budget twentieth century Fox movie with a CG lead as

1146
01:06:48.639 --> 01:06:53.840
<v Speaker 2>the thing and perhaps the most ununified Fantastic Four of

1147
01:06:53.880 --> 01:06:57.480
<v Speaker 2>all time, featuring the stupidest version of Victor vondhom I

1148
01:06:57.480 --> 01:07:00.079
<v Speaker 2>have ever fucking seen. And I actually like that actor.

1149
01:07:00.199 --> 01:07:01.920
<v Speaker 2>I'm not holding it out on it. I'm not taking

1150
01:07:01.960 --> 01:07:04.599
<v Speaker 2>anything out on him, but that version of Doctor doom

1151
01:07:04.960 --> 01:07:08.079
<v Speaker 2>Is makes Julian McMahon look great.

1152
01:07:08.559 --> 01:07:11.280
<v Speaker 3>Yeah, it's as you said earlier, like I in watching

1153
01:07:11.280 --> 01:07:14.400
<v Speaker 3>this movie, I was I don't think I was ever bored.

1154
01:07:14.519 --> 01:07:18.519
<v Speaker 3>I might have been confused, but I was pretty consistently entertained.

1155
01:07:18.519 --> 01:07:22.719
<v Speaker 3>And that's that's pretty cool. It was ninety minutes pretty

1156
01:07:22.719 --> 01:07:23.480
<v Speaker 3>well spent.

1157
01:07:23.679 --> 01:07:26.119
<v Speaker 2>It's fleet to foot man ninety minutes that that trank

1158
01:07:26.199 --> 01:07:28.159
<v Speaker 2>movie is more than two outs. Anyway, I'm gonna stop

1159
01:07:28.159 --> 01:07:30.559
<v Speaker 2>baging on it. Where can people find this? Do you

1160
01:07:30.559 --> 01:07:32.000
<v Speaker 2>think is it on the YouTube?

1161
01:07:32.039 --> 01:07:35.960
<v Speaker 3>Maybe it is on the YouTube. You can also get

1162
01:07:36.239 --> 01:07:38.760
<v Speaker 3>I'm sure you can get copies on eBay if you

1163
01:07:38.800 --> 01:07:41.960
<v Speaker 3>want to go that route. Conventions. I bet you this

1164
01:07:42.039 --> 01:07:44.480
<v Speaker 3>is still being sold at conventions, maybe Comic Con.

1165
01:07:44.880 --> 01:07:47.440
<v Speaker 2>Oh man, not probably in the disc form now. He

1166
01:07:47.559 --> 01:07:49.960
<v Speaker 2>probably just put this in your computer. Here's a thumb drive.

1167
01:07:50.400 --> 01:07:52.639
<v Speaker 2>Here's a thumb drive. It's fantastic. Far on it. Man,

1168
01:07:52.679 --> 01:07:54.639
<v Speaker 2>you got the I got what you need here in

1169
01:07:54.719 --> 01:07:56.159
<v Speaker 2>this thum drive.

1170
01:07:56.400 --> 01:07:59.840
<v Speaker 3>It's probably remastered now and remastered in quotes. Of course,

1171
01:08:00.400 --> 01:08:03.800
<v Speaker 3>you can't remaster something that you can't get the source

1172
01:08:03.840 --> 01:08:04.639
<v Speaker 3>material back for.

1173
01:08:04.760 --> 01:08:06.920
<v Speaker 2>Ooh, do you think there's a fan edit of this

1174
01:08:07.039 --> 01:08:09.480
<v Speaker 2>where somebody has gone in and made the effects better?

1175
01:08:10.239 --> 01:08:12.360
<v Speaker 3>No, but now you're making me want to try to

1176
01:08:12.360 --> 01:08:14.400
<v Speaker 3>seek that out, because you can do.

1177
01:08:14.480 --> 01:08:16.439
<v Speaker 2>I'll tell you what it is on home computer, folks.

1178
01:08:16.520 --> 01:08:19.279
<v Speaker 2>If we find anything worth your time, it'll be in

1179
01:08:19.359 --> 01:08:22.159
<v Speaker 2>the show notes section. I'll put a link just to

1180
01:08:22.159 --> 01:08:23.880
<v Speaker 2>the fucking YouTube thing. So you can see what we're

1181
01:08:23.880 --> 01:08:27.560
<v Speaker 2>talking about in general, but if somebody's done something super cool,

1182
01:08:27.600 --> 01:08:31.600
<v Speaker 2>we'll also put it there until next time HP, which

1183
01:08:31.600 --> 01:08:34.239
<v Speaker 2>will be very soon. Oh my god, we're gonna be

1184
01:08:34.239 --> 01:08:36.920
<v Speaker 2>working together too often. Now, where can people find you

1185
01:08:36.920 --> 01:08:39.439
<v Speaker 2>if you're not hanging out here at midnight Viewing? All right?

1186
01:08:39.520 --> 01:08:42.119
<v Speaker 3>So I co host The Night Mister Walter is a

1187
01:08:42.199 --> 01:08:46.319
<v Speaker 3>taxi podcast with my esteemed co host right here father alone.

1188
01:08:47.119 --> 01:08:49.560
<v Speaker 3>I am also an occasional guest in the Culture Cast

1189
01:08:49.600 --> 01:08:53.960
<v Speaker 3>with Chris Dashu. I host the Noise Junkies music podcast.

1190
01:08:54.039 --> 01:08:58.399
<v Speaker 3>And I have a bandcampsite HP Music Place dot bandcamp

1191
01:08:58.520 --> 01:08:59.279
<v Speaker 3>dot com.

1192
01:09:00.119 --> 01:09:02.199
<v Speaker 2>Immediately and check out HPE's music. He does all of

1193
01:09:02.199 --> 01:09:04.640
<v Speaker 2>the music for everything I'm involved with. You're hearing it

1194
01:09:04.680 --> 01:09:06.399
<v Speaker 2>at the beginning and the end of this show. All

1195
01:09:06.399 --> 01:09:09.439
<v Speaker 2>the different variations of midnight viewing actually, because each one

1196
01:09:09.520 --> 01:09:12.960
<v Speaker 2>has its own specific theme, all for mister HP. So

1197
01:09:13.279 --> 01:09:15.640
<v Speaker 2>go check him out. And as for me, you know

1198
01:09:15.680 --> 01:09:18.119
<v Speaker 2>what's happening here. It's midnight viewing. We're on twice a week.

1199
01:09:18.159 --> 01:09:20.640
<v Speaker 2>It's killing me slowly. I'll be dead soon. Just keep

1200
01:09:20.720 --> 01:09:24.560
<v Speaker 2>tuning in until that happens. And oh, what's this is? Friday.

1201
01:09:24.840 --> 01:09:28.760
<v Speaker 2>Monday will be another Fantastic Four that will be Father

1202
01:09:28.800 --> 01:09:32.640
<v Speaker 2>Malone's weekly roundup. That will be the latest Fantastic Four movie.

1203
01:09:32.880 --> 01:09:37.319
<v Speaker 2>That'll be Monday the latest, And then next Friday, Oh

1204
01:09:37.359 --> 01:09:40.720
<v Speaker 2>my god, Next Friday HP will be the start of

1205
01:09:40.760 --> 01:09:43.920
<v Speaker 2>a new fest unless they've come up with a better title.

1206
01:09:43.960 --> 01:09:46.880
<v Speaker 2>Nobody's come up with it yet. But next week's Next

1207
01:09:46.920 --> 01:09:52.520
<v Speaker 2>Friday begins Predator Fest. Ah shit, Starting with the original

1208
01:09:52.760 --> 01:09:55.520
<v Speaker 2>Arnold Schwarzenegger. We're gonna get to the chopper. We're gonna

1209
01:09:55.520 --> 01:09:57.920
<v Speaker 2>talk about the fucking tie business. We're gonna drill it.

1210
01:09:57.960 --> 01:10:00.640
<v Speaker 2>We're gonna find ourselves buried in LA's deepest an Alabama.

1211
01:10:00.680 --> 01:10:05.279
<v Speaker 2>Tick you and me, baby, Continue next Friday, everybody. Until then,

1212
01:10:05.439 --> 01:10:07.880
<v Speaker 2>I'm gonna leave you with a bit of dialogue from

1213
01:10:07.880 --> 01:10:09.119
<v Speaker 2>the Fantastic Four movie.

1214
01:10:09.359 --> 01:10:15.439
<v Speaker 7>Read help me. We were friends once, remember.

1215
01:10:18.840 --> 01:10:19.600
<v Speaker 5>Hang on, Victor.

1216
01:10:23.399 --> 01:10:26.199
<v Speaker 7>You see you have not the courage to strike the

1217
01:10:26.239 --> 01:10:30.079
<v Speaker 7>final blow. Do you, just as ten years ago you

1218
01:10:30.279 --> 01:10:34.319
<v Speaker 7>failed in a moment of triumph, you betrayed me. The

1219
01:10:34.479 --> 01:10:38.399
<v Speaker 7>losses was to be ours together, and now it stands

1220
01:10:38.479 --> 01:10:42.319
<v Speaker 7>between us. You still have a chance to read go on,

1221
01:10:42.960 --> 01:10:46.439
<v Speaker 7>save me. Do not think for a moment I shall

1222
01:10:46.439 --> 01:10:50.159
<v Speaker 7>have a rest until I have it is rightfully mine.

1223
01:10:50.840 --> 01:11:09.319
<v Speaker 1>Here's to the future, my friend, exist.

1224
01:11:24.920 --> 01:12:00.119
<v Speaker 6>Sis Sis sist y
