1 00:00:00,800 --> 00:00:03,640 Speaker 1: W m n H rips the novels. 2 00:00:06,599 --> 00:00:11,279 Speaker 2: You're listening to Matt Connorton Unleashed w M n H 3 00:00:11,400 --> 00:01:47,879 ninety five point three. 4 00:01:00,240 --> 00:01:13,239 Speaker 3: H of course, Vampires, of course, Children of the Night. 5 00:01:17,519 --> 00:01:29,319 Speaker 4: Of course, sleep Walkers of course, Living day. 6 00:01:35,040 --> 00:01:37,319 Speaker 5: Hi, Hi. 7 00:01:38,920 --> 00:01:39,079 Speaker 6: Hi. 8 00:01:42,000 --> 00:01:52,280 Speaker 1: We are the grayyard shift with day to join. 9 00:01:52,200 --> 00:02:01,120 Speaker 7: Us to bring out the dark this again. 10 00:02:05,719 --> 00:02:30,319 Speaker 8: Tonight, bye the sun, just like. 11 00:02:31,960 --> 00:02:41,240 Speaker 1: Just like well with Becca, by no. 12 00:02:46,479 --> 00:02:55,199 Speaker 7: Days until the day breaks, we. 13 00:02:55,400 --> 00:03:04,039 Speaker 6: Are not to know night. 14 00:03:10,800 --> 00:03:21,120 Speaker 7: We are but break godship with do you to join us? 15 00:03:25,879 --> 00:03:29,719 You bray out the darkness again. 16 00:03:34,039 --> 00:04:14,639 Speaker 1: For tonight, but by the soon. We are the great 17 00:04:14,800 --> 00:04:15,719 yard Ship. 18 00:04:19,800 --> 00:04:31,360 Speaker 7: We tell him to join us, bring out the darkness again. 19 00:04:35,560 --> 00:05:21,800 Speaker 6: For tonight, but by the sun. 20 00:05:06,000 --> 00:05:07,120 Speaker 1: Of course. 21 00:05:08,639 --> 00:05:09,079 Speaker 5: That I. 22 00:05:16,240 --> 00:05:29,480 Speaker 9: Of course, children and the nights sucourse, speed. 23 00:05:29,279 --> 00:05:40,199 Speaker 1: Waters, I colors, living. 24 00:05:46,360 --> 00:05:46,560 Speaker 6: Night. 25 00:05:48,240 --> 00:06:01,360 Speaker 1: H Right, we are the great yard Ship. Good Day 26 00:06:02,839 --> 00:06:03,920 to join us. 27 00:06:08,839 --> 00:06:14,319 Speaker 7: To bring out the gardeness again. 28 00:06:16,879 --> 00:06:28,000 Speaker 10: At tonight. Good Bye the Sun. We are the bry out. 29 00:06:28,839 --> 00:06:49,000 Speaker 7: Ship, with you to join us bring out the doness. 30 00:06:50,800 --> 00:07:00,319 Speaker 1: Forget Fortnight's night by. 31 00:07:02,399 --> 00:07:41,839 Speaker 11: F love it. That is the darkness. The band is 32 00:07:41,879 --> 00:07:44,199 dead Harrison, and we're gonna talk with dead Harrison in 33 00:07:44,319 --> 00:07:46,519 just a moment. But welcome everybody. We have entered our 34 00:07:46,600 --> 00:07:49,240 number three New Marrow trace of Matt Connorton Unleashed and 35 00:07:49,279 --> 00:07:52,639 we are live in studio here at w M n 36 00:07:52,839 --> 00:07:55,639 H ninety five point three f M and Glorious Manchester, 37 00:07:55,759 --> 00:07:57,319 New Hampshire. And of course you can stream the show 38 00:07:57,360 --> 00:07:59,600 from anywhere. Just go to Matt connorton dot com slash 39 00:07:59,680 --> 00:08:02,439 live for all your live streaming options, social media links, 40 00:08:02,480 --> 00:08:05,800 contact Infosho, archives, et cetera, et cetera. Today is Saturday, 41 00:08:05,839 --> 00:08:09,600 October eighteen, twenty twenty five, and Dad Harrison is here. 42 00:08:09,639 --> 00:08:13,120 Welcome guys. You guys got to be in the five 43 00:08:13,160 --> 00:08:16,519 timers club by now right for Unleashed, Maybe more than. 44 00:08:16,439 --> 00:08:20,800 Speaker 12: That over our long history together, I'm sure. 45 00:08:21,000 --> 00:08:22,800 Speaker 11: Yeah, yeah, I feel like you've been on the show, 46 00:08:22,959 --> 00:08:25,399 like might be in the double digits. I don't know. 47 00:08:27,439 --> 00:08:29,199 I love that song that I love the ending. That's 48 00:08:29,240 --> 00:08:29,639 so cool. 49 00:08:29,800 --> 00:08:38,159 Speaker 13: It's thank you, It's definitely it's definitely got a little 50 00:08:38,279 --> 00:08:39,559 ode typo negative. 51 00:08:39,720 --> 00:08:40,360 Speaker 11: Yes, you know. 52 00:08:41,919 --> 00:08:43,679 Speaker 13: One of our great influencers. 53 00:08:43,919 --> 00:08:46,120 Speaker 11: Yes, yes, what album is that? From? 54 00:08:47,000 --> 00:08:47,440 Speaker 12: Which one? 55 00:08:47,559 --> 00:08:48,759 Speaker 11: The Darkness? Yeah? 56 00:08:49,000 --> 00:08:53,000 Speaker 12: That would be the story of the Mold Trust Oldest Yes. 57 00:08:53,080 --> 00:08:56,600 Speaker 14: Yes, so it's not from that at all Oh no, 58 00:08:56,759 --> 00:08:57,279 the Darkness. 59 00:09:00,600 --> 00:09:08,759 Speaker 12: That would be the single, that would be, that would be. 60 00:09:10,200 --> 00:09:12,759 Speaker 11: We've been doing this too long, guys, Yeah, yeah, you 61 00:09:12,799 --> 00:09:15,000 guys have You guys have a lot of music. You 62 00:09:15,080 --> 00:09:16,679 have a large catalog of music. 63 00:09:17,080 --> 00:09:17,159 Speaker 15: Uh. 64 00:09:17,399 --> 00:09:20,039 Speaker 11: So let's start here, you know, you know the tradition. 65 00:09:20,120 --> 00:09:22,080 Andre will start with you if you could eat. Please 66 00:09:22,120 --> 00:09:24,200 introduce yourselves. Tell us who you are, what you do 67 00:09:24,240 --> 00:09:24,639 in the band. 68 00:09:25,399 --> 00:09:28,919 Speaker 13: I am Andre also known as Dre the Undead. Uh 69 00:09:29,720 --> 00:09:35,919 lead singer and uh some rhythm guitar playing. Yes, yeah, 70 00:09:36,799 --> 00:09:41,320 uh yeah, just uh being out there a whole lot 71 00:09:41,399 --> 00:09:43,639 more than behind the kit. Yes, we have the next 72 00:09:43,759 --> 00:09:46,120 person in line that's taken that place. 73 00:09:46,440 --> 00:09:50,759 Speaker 16: Yes, yes, I am Thrax and I am one of 74 00:09:51,039 --> 00:09:54,159 one of the the drummers in this band because obviously 75 00:09:54,480 --> 00:09:58,440 you you are a and we're the drummer for for 76 00:09:58,559 --> 00:10:01,840 Dead Harrison. But here, I I think I've been in 77 00:10:02,080 --> 00:10:08,600 since what twenty nineteen? Yes, I think it was wave Breakers, Yeah, 78 00:10:08,679 --> 00:10:12,679 but yeah, wave Breakers on in Hampton Beach. The place 79 00:10:12,720 --> 00:10:15,960 doesn't exist anymore Cloud nine, Oh no, rest. 80 00:10:17,440 --> 00:10:20,879 Speaker 12: But to the next to me, Hey, I am Sean 81 00:10:20,919 --> 00:10:21,279 the Dead. 82 00:10:21,360 --> 00:10:24,240 Speaker 17: I am the lead guitar player and do a lot 83 00:10:24,279 --> 00:10:28,000 of backup singing and screaming and fun stuff like that. 84 00:10:28,480 --> 00:10:32,120 Speaker 15: Yes, yes, Jason, and I'm Jason Skull's the bass player, 85 00:10:32,159 --> 00:10:34,600 and I also do some backup vocals as well. 86 00:10:34,879 --> 00:10:37,600 Speaker 11: Yes, yes. So when did Dead Harrison start? How long 87 00:10:37,720 --> 00:10:38,399 is that Harrison in? 88 00:10:39,000 --> 00:10:39,120 Speaker 5: Uh? 89 00:10:40,200 --> 00:10:45,320 Speaker 11: In total? Because originally because there was before before tracks? 90 00:10:45,559 --> 00:10:45,679 Speaker 6: Is that? 91 00:10:46,840 --> 00:10:48,399 Speaker 18: Well you went through three names before. 92 00:10:49,840 --> 00:10:53,279 Speaker 11: Well I used to call you at I know, but 93 00:10:53,480 --> 00:10:55,519 are you? Are you officially? Like you're just tracks for 94 00:10:55,600 --> 00:10:56,519 everything now, including this? 95 00:10:56,679 --> 00:10:58,639 Speaker 18: I mean I'm trying to but no, I like it. 96 00:10:58,759 --> 00:11:01,600 Speaker 11: I like it. It's cool. So before before Thrax was 97 00:11:01,639 --> 00:11:03,679 in the band though, so when you were, because you 98 00:11:03,720 --> 00:11:05,200 guys were at three piece for a long time, right 99 00:11:05,279 --> 00:11:08,200 you were, you were playing drums and that was so 100 00:11:08,320 --> 00:11:10,279 that was the original iteration of the band. So when 101 00:11:10,320 --> 00:11:12,039 did that start? It seems like you guys have been 102 00:11:12,039 --> 00:11:12,840 around a long time. 103 00:11:12,960 --> 00:11:16,159 Speaker 13: Yeah, two thousand and eight time frame, two thousand and eight, 104 00:11:17,080 --> 00:11:22,440 at least ten years of us like just the fifteen Yeah, 105 00:11:22,480 --> 00:11:24,200 here's just the three of us yea. And it was 106 00:11:24,279 --> 00:11:26,519 like after like the ten and eleven years, just like 107 00:11:28,360 --> 00:11:30,799 I want somebody behind the kit. Yeah, I feel like 108 00:11:31,480 --> 00:11:33,240 it needs something a little bit more. 109 00:11:33,320 --> 00:11:38,080 Speaker 11: Right, right, so then, so this configuration has existed for 110 00:11:38,320 --> 00:11:41,919 so since twenty nineteen. Yes, yeah, okay, okay, and then 111 00:11:42,759 --> 00:11:45,360 we should talk about and we'll we'll circle back to it. 112 00:11:45,440 --> 00:11:47,519 Of course, we'll mention it a couple of times during 113 00:11:47,559 --> 00:11:50,120 this hour. But you got a big show tonight and 114 00:11:50,159 --> 00:11:51,919 you're even giving away some CDs for it, so we 115 00:11:51,919 --> 00:11:54,559 should tell people about that. And for those watching online, 116 00:11:54,559 --> 00:11:56,399 if you're watching on Facebook or YouTube or any of 117 00:11:56,440 --> 00:11:59,240 the other various platforms that we stream the video to, 118 00:11:59,440 --> 00:12:01,799 you do have some CDs right there in your hands. 119 00:12:01,879 --> 00:12:05,919 Speaker 13: I have, and there will be more whoever comes to 120 00:12:06,000 --> 00:12:09,600 the show tonight at Terminus Underground for the Shadow Lounge event, 121 00:12:10,000 --> 00:12:12,080 which is also Eleanor's birthday. 122 00:12:13,639 --> 00:12:16,639 Speaker 12: Happy Birthday, Happy birth Happy Birthday. 123 00:12:17,120 --> 00:12:20,840 Speaker 13: And uh so uh this is uh is going to 124 00:12:20,879 --> 00:12:26,159 be a fun little gothy dance party night. And uh yeah, 125 00:12:26,279 --> 00:12:28,720 we'll have some CDs for you. You come over there, 126 00:12:29,080 --> 00:12:31,919 you come and enjoy some tunes, You come and dance 127 00:12:32,000 --> 00:12:34,399 with us, and you just say, hey, I heard you 128 00:12:34,519 --> 00:12:38,120 on the show. And guess what you get A free CD. 129 00:12:38,480 --> 00:12:43,039 Speaker 11: Very nice, very nice. Yes, uh the new CD of course, Uh, 130 00:12:43,720 --> 00:12:47,120 none for all. And this is how many songs are 131 00:12:47,240 --> 00:12:47,919 there's a lot of songs. 132 00:12:49,399 --> 00:12:52,480 Speaker 14: Yeah, yeah, there's a couple extra tracks, but basically ten songs. 133 00:12:52,519 --> 00:12:55,159 Speaker 11: Okay, okay, great you guys. You guys have done a 134 00:12:55,200 --> 00:12:57,200 lot of If you've done any EPs or has it 135 00:12:57,240 --> 00:12:58,919 all been full length albums? I don't remember. 136 00:12:59,120 --> 00:12:59,159 Speaker 3: No. 137 00:12:59,799 --> 00:13:02,279 Speaker 13: The thing is is like, so where the Darkness came 138 00:13:02,360 --> 00:13:06,279 from was kind of based off of an EP, and 139 00:13:06,480 --> 00:13:10,440 so what ended up without what did? There was a 140 00:13:10,639 --> 00:13:14,279 couple of different recording sessions that we did the Darkness 141 00:13:14,440 --> 00:13:15,240 came out of. 142 00:13:17,679 --> 00:13:19,399 Speaker 12: Was that the one with Connor? 143 00:13:19,799 --> 00:13:20,320 Speaker 18: So that was. 144 00:13:23,200 --> 00:13:23,960 Speaker 12: Did the Darkness? 145 00:13:24,039 --> 00:13:26,600 Speaker 17: We did our Bad Moon Rising cover then and then 146 00:13:26,639 --> 00:13:29,679 we also did Black Collar Worker. 147 00:13:31,080 --> 00:13:31,879 Speaker 12: And the Struggle in. 148 00:13:31,919 --> 00:13:36,399 Speaker 13: The Struggle, and then we did a later session with 149 00:13:36,639 --> 00:13:42,600 Joel which was Nameless Dream and End of the Bloodline. 150 00:13:43,600 --> 00:13:50,120 Those two EPs technically will eventually be put together to 151 00:13:50,279 --> 00:13:55,320 be the first half of None for All. So that 152 00:13:55,600 --> 00:13:59,200 EP sect, because you have the story of the Mortuus Ortis, 153 00:13:59,799 --> 00:14:02,200 was the first CD, so that's its own. Then there 154 00:14:02,320 --> 00:14:06,519 was the six songs that were only put out digitally 155 00:14:06,639 --> 00:14:09,919 never physically. Oh okay, so those will eventually be put 156 00:14:09,960 --> 00:14:13,120 onto physical gotcha, And that will be the first part 157 00:14:13,559 --> 00:14:15,639 All for None and none for all. 158 00:14:15,759 --> 00:14:21,679 Speaker 11: Oh interesting, interesting, okay? And Mortuous Artists. That was so 159 00:14:21,919 --> 00:14:23,480 when I when I first met you guys, that was 160 00:14:23,519 --> 00:14:26,080 the original. That was like the precursor to Dead Harrison, 161 00:14:26,159 --> 00:14:28,919 right correct? And then what was the change to becoming 162 00:14:29,000 --> 00:14:31,960 Dead Harrison. I don't know, and I'm sure you've told 163 00:14:32,000 --> 00:14:34,039 the story before on the show. I don't remember exactly 164 00:14:34,120 --> 00:14:35,559 how it went, and of course, you know, new our 165 00:14:35,600 --> 00:14:37,759 listeners won't know, like, like, how did how did you 166 00:14:37,840 --> 00:14:41,080 go from from uh, mortuous Artists to becoming Dead Harrison. 167 00:14:41,840 --> 00:14:47,679 Speaker 13: It was nameplay basically, in the first incarnation of trying 168 00:14:48,480 --> 00:14:53,080 and putting together, the guys was thinking of a Halloween 169 00:14:53,320 --> 00:14:56,440 feel and I was just like, oh, you know, Dead 170 00:14:56,519 --> 00:14:58,799 Rising would be cool, But at the same time, it 171 00:14:58,879 --> 00:15:01,720 was a video game. It was that's so I just 172 00:15:01,840 --> 00:15:05,279 threw Dead Rising through a Latin translator and it came 173 00:15:05,399 --> 00:15:08,840 back with mortuous or okay, and so I was like, oh, 174 00:15:09,080 --> 00:15:12,159 that sounds cool. We ran with that for like three years. 175 00:15:12,759 --> 00:15:16,279 Like as the name problem is is everybody kept misspelling 176 00:15:16,360 --> 00:15:19,600 it all I remember that they couldn't remember it and 177 00:15:19,720 --> 00:15:24,159 they couldn't pronounce it. So it was like, ah, we 178 00:15:24,240 --> 00:15:26,159 got to do something different, and so that was a 179 00:15:26,240 --> 00:15:28,840 brainstorming thing where I went back home and I was 180 00:15:28,919 --> 00:15:30,759 just like, I'm going to throw this back into an 181 00:15:30,759 --> 00:15:35,159 English translator from Latin, and it gave me Dead having 182 00:15:35,200 --> 00:15:40,200 a risen. And as I was saying dead having a 183 00:15:40,279 --> 00:15:44,480 risen in my head, for some reason, George Harrison popped 184 00:15:44,519 --> 00:15:46,720 into my head and I was like, Dead having a risen, 185 00:15:47,279 --> 00:15:51,480 Dead Harrison, Ye, I like that, ye, And yeah, so 186 00:15:51,600 --> 00:15:55,519 it had like a little bit of a dark dive 187 00:15:56,080 --> 00:15:59,039 with beginning with Dead, but then Harrison was just kind 188 00:15:59,080 --> 00:16:01,879 of like uplifting. I mean, we could put Harrison too, 189 00:16:01,960 --> 00:16:05,279 like different names and faces and whatnot, but it was 190 00:16:05,399 --> 00:16:08,320 just like it was just developing a character now, you know. 191 00:16:08,960 --> 00:16:12,240 Now it's a little bit more than just a name. 192 00:16:12,440 --> 00:16:12,559 Speaker 4: Well. 193 00:16:12,600 --> 00:16:14,000 Speaker 11: The great thing too about having a name like that 194 00:16:14,120 --> 00:16:16,080 is you don't have to worry that somebody else is 195 00:16:16,120 --> 00:16:20,360 going to have it, you know, whereas what Dead having arisen, 196 00:16:20,480 --> 00:16:22,799 you know, there's probably some there's probably some death metal 197 00:16:22,840 --> 00:16:24,440 band somewhere that has that name already, you know what 198 00:16:24,440 --> 00:16:26,679 I mean, you know, and then then you know, you 199 00:16:26,799 --> 00:16:28,879 go to upload it to Spotify and oh, somebody already 200 00:16:28,879 --> 00:16:31,720 has his name. But but Dad Harrison, you know, chances are. 201 00:16:31,799 --> 00:16:33,840 I mean, I assume you have not encountered another week. 202 00:16:35,080 --> 00:16:38,720 Speaker 17: And we've trademarked the website name and everything, so yeah, 203 00:16:38,960 --> 00:16:43,399 we someone else snagging it, right, Yeah, that's good. Yeah, 204 00:16:43,559 --> 00:16:45,320 And that was another reason why we change it too, 205 00:16:45,360 --> 00:16:47,879 because like the mortuous Orders, you think it's probably some 206 00:16:48,120 --> 00:16:49,159 like really heavy. 207 00:16:49,159 --> 00:16:52,399 Speaker 12: Everybody a black metal band. Yeah you know you listen 208 00:16:52,440 --> 00:16:56,000 to us. No, it's not quite what we are dis 209 00:16:56,080 --> 00:16:56,440 a point. 210 00:16:59,799 --> 00:17:01,919 Speaker 11: So the show tonight, like who else is playing? 211 00:17:02,039 --> 00:17:02,159 Speaker 8: Is it? 212 00:17:02,320 --> 00:17:03,000 Speaker 11: Is it just you guys? 213 00:17:03,120 --> 00:17:05,839 Speaker 12: Or is that the show tonight that we're playing on 214 00:17:06,079 --> 00:17:08,279 DJ and oh you are so? 215 00:17:08,640 --> 00:17:11,079 Speaker 13: Oh okay, Dred the Dad is going to be spinning 216 00:17:11,160 --> 00:17:15,119 some oh C classics, oh club class. 217 00:17:14,880 --> 00:17:17,000 Speaker 12: Oh wow, okay, and we have a show. 218 00:17:16,920 --> 00:17:20,000 Speaker 14: Next week is oh point, that'll be us. 219 00:17:20,160 --> 00:17:24,039 Speaker 13: That'll be the oh okay on the twenty fifth. 220 00:17:24,319 --> 00:17:25,559 Speaker 11: Oh so tell us about that. 221 00:17:26,319 --> 00:17:27,440 Speaker 12: Oh that's going to be fun. 222 00:17:27,759 --> 00:17:27,880 Speaker 6: Uh. 223 00:17:28,519 --> 00:17:31,559 Speaker 12: I have to kind of pull up the events so 224 00:17:31,640 --> 00:17:33,279 I can make sure that I get well able. 225 00:17:33,279 --> 00:17:36,559 Speaker 18: Blood's going to be on there. Nice Realm oh yeah 226 00:17:36,720 --> 00:17:38,119 yeah with septic. 227 00:17:39,240 --> 00:17:42,079 Speaker 11: Benic Realm. Yeah, they were on last week. They came 228 00:17:42,119 --> 00:17:45,039 in and played acoustic. I was like, wow, this is impressive. 229 00:17:45,319 --> 00:17:48,359 Speaker 13: Actually, I think able Blood is not able to play. 230 00:17:48,599 --> 00:17:53,359 Speaker 11: Oh yeah, but we have which is love which Trot. 231 00:17:53,519 --> 00:17:55,400 Speaker 12: Yeah, they're going to be joining us for that one. 232 00:17:55,880 --> 00:18:00,720 Speaker 17: Benthic Realm Psychomancium that was the other one, then the 233 00:18:00,960 --> 00:18:04,079 Concept Core they're really good, and then we'll be we'll 234 00:18:04,119 --> 00:18:07,000 be headlining. Yeah, and that one starts at seven pm 235 00:18:07,079 --> 00:18:10,200 and it's the ritual of Sam Haynen. 236 00:18:12,880 --> 00:18:23,720 Speaker 11: Who's Sam Hayne No, I'm kidding, Harrison's brother. Yeah, very cool. 237 00:18:23,880 --> 00:18:25,440 We should talk a little bit more too about so 238 00:18:25,440 --> 00:18:29,119 people who aren't familiar with Terminus Underground, like like what 239 00:18:29,160 --> 00:18:31,039 should people know about that? But people haven't been there. 240 00:18:31,079 --> 00:18:32,519 You know what I tell everybody. I always say, the 241 00:18:32,559 --> 00:18:34,440 first time you walk into that, into that room, it's 242 00:18:34,519 --> 00:18:35,720 like walking into a different world. 243 00:18:36,559 --> 00:18:40,799 Speaker 13: Yeah, I mean it's pretty much how it is, because, uh, 244 00:18:41,480 --> 00:18:46,960 what people don't realize is like that place is actually 245 00:18:47,119 --> 00:18:50,480 our rehearsal spot, and so it's grown as like an 246 00:18:50,640 --> 00:18:53,000 art of spot. Also because it's like I have my 247 00:18:53,200 --> 00:18:55,960 art up on the wall, the guys all like we 248 00:18:56,200 --> 00:19:00,279 have all made it into like this cool room. Yeah, 249 00:19:00,680 --> 00:19:02,680 you know, so it has its own feeling, it has 250 00:19:02,920 --> 00:19:06,319 I mean, granted I spent countless hours in there, just decorating, 251 00:19:06,400 --> 00:19:07,759 putting stuff ufling. 252 00:19:07,960 --> 00:19:10,119 Speaker 12: I mean, it's just because that's what I do. 253 00:19:10,359 --> 00:19:12,039 Speaker 11: I remember when you were when you were kind of 254 00:19:12,119 --> 00:19:14,079 still building it. Yeah, oh yeah. 255 00:19:14,240 --> 00:19:17,240 Speaker 13: So as it grows, as it like gets new things 256 00:19:17,359 --> 00:19:20,599 and new pieces and moving stuff around and like it's 257 00:19:20,720 --> 00:19:25,640 keeping a very uh homey feel, but at the same 258 00:19:25,759 --> 00:19:30,279 time it kind of has like a cool little nod 259 00:19:30,400 --> 00:19:34,599 to horror vibe, Like it has a creepy element, but 260 00:19:34,759 --> 00:19:37,680 at the same time, like has this really comfortable, Like 261 00:19:38,039 --> 00:19:39,640 you're going to be comfortable dying here? 262 00:19:40,039 --> 00:19:46,119 Speaker 14: Right, It's very it's very inviting there, yeah, ye spot Yeah. 263 00:19:46,279 --> 00:19:46,480 Speaker 11: Yeah. 264 00:19:46,720 --> 00:19:47,559 Speaker 14: Everybody loves it. 265 00:19:48,119 --> 00:19:50,319 Speaker 15: Every every single person I've talked to who's been there, 266 00:19:51,559 --> 00:19:52,519 they're just blown away. 267 00:19:52,680 --> 00:19:52,920 Speaker 14: You know. 268 00:19:53,000 --> 00:19:55,359 Speaker 15: They come in they're just like, I don't believe how 269 00:19:55,440 --> 00:19:57,759 incredible this is. And you can tell that, you know, 270 00:19:57,839 --> 00:20:00,880 Andrea and ellenor just really care about the scene. I 271 00:20:01,039 --> 00:20:03,599 really want to make everybody feel part of it, whether 272 00:20:03,680 --> 00:20:07,119 you're in a band performing or you're an audience member. 273 00:20:07,839 --> 00:20:08,680 Speaker 11: You know, it's just there. 274 00:20:09,039 --> 00:20:10,680 Speaker 14: You know, it's just a good vibe all around. 275 00:20:10,880 --> 00:20:12,039 Speaker 11: Yeah, one hundred percent. 276 00:20:12,240 --> 00:20:17,079 Speaker 13: Yeah, make sure it's loud, impeccable sound yep, an atmosphere 277 00:20:17,759 --> 00:20:20,480 and that community of people that are there. I mean 278 00:20:20,519 --> 00:20:23,920 it's always just been everybody has always because you you 279 00:20:24,079 --> 00:20:28,119 are a smaller group. So like when you have the 280 00:20:28,720 --> 00:20:31,599 smaller group of people that people have to bump into 281 00:20:31,680 --> 00:20:34,799 each other. It stirs conversations, people make new friends. 282 00:20:35,160 --> 00:20:35,680 Speaker 11: Yeah, you know. 283 00:20:35,839 --> 00:20:40,920 Speaker 13: So yeah, that's what makes it like fun and inviting. 284 00:20:41,480 --> 00:20:43,920 Speaker 11: Well, it's kind of a big part of the mission too, right, yeah, 285 00:20:44,119 --> 00:20:47,240 you know of can you talk a little bit about 286 00:20:47,279 --> 00:20:49,119 that too, because you know, you mentioned community, which is 287 00:20:49,119 --> 00:20:50,960 an important word when you're talking about a place like that, 288 00:20:51,039 --> 00:20:53,759 because it's not you know, obviously a sniotypical venue, you know, 289 00:20:53,839 --> 00:20:55,359 and it's not for people who don't know. It's not 290 00:20:55,480 --> 00:20:59,319 a bar, it's not you know, it's uh, I mean 291 00:20:59,359 --> 00:21:01,079 what how do you describe it to people? 292 00:21:01,279 --> 00:21:04,279 Speaker 12: Private music club? Yeah, it's a private music club. 293 00:21:04,319 --> 00:21:07,960 Speaker 13: It's like for people who really want music, they don't 294 00:21:08,000 --> 00:21:10,319 want to go to a place that's just like the 295 00:21:10,440 --> 00:21:12,759 bar vibe, right, you know, this is not a place 296 00:21:12,839 --> 00:21:14,519 for the bar vibe. This is a place to have 297 00:21:14,680 --> 00:21:17,799 that experience, like you can get comfortable, you can sit 298 00:21:17,880 --> 00:21:19,359 on a couch, you can get right up and be 299 00:21:19,599 --> 00:21:23,319 right there with the band, you know, ye bring your 300 00:21:23,359 --> 00:21:28,839 own drinks, so it makes it so much more cost effective, 301 00:21:29,039 --> 00:21:31,279 and at the same time, the. 302 00:21:32,640 --> 00:21:34,880 Speaker 12: Cover pays the bands. 303 00:21:35,519 --> 00:21:38,279 Speaker 13: You know, we're not a bar trying to get people 304 00:21:38,359 --> 00:21:41,640 to come in and feed our business by having bands play. 305 00:21:42,319 --> 00:21:45,079 We are about the bands and showing the talent to 306 00:21:45,160 --> 00:21:48,279 the world and also for them to feel like they 307 00:21:48,359 --> 00:21:51,799 are able to be rewarded with what they do, whether 308 00:21:51,880 --> 00:21:58,119 it's you know, monetarily, but mainly it's like, if you're 309 00:21:58,160 --> 00:22:02,759 a band and you play there, your stage sound is 310 00:22:03,759 --> 00:22:08,079 mint oh yeah, and so getting your stage sound you 311 00:22:08,319 --> 00:22:09,960 just play so much better. 312 00:22:10,039 --> 00:22:13,160 Speaker 12: So when people see musicians there, they're seeing. 313 00:22:13,000 --> 00:22:16,599 Speaker 13: Them at like the top of their game because it's 314 00:22:16,920 --> 00:22:19,559 all encompassing the feeling of that. 315 00:22:19,960 --> 00:22:24,720 Speaker 11: Yeah. Yeah. My favorite night there that the Jenny and 316 00:22:24,799 --> 00:22:26,200 I have been at was Green Jello. 317 00:22:26,400 --> 00:22:26,920 Speaker 12: Of course. 318 00:22:28,759 --> 00:22:31,000 Speaker 11: It was fun and although I was nervous for you 319 00:22:31,079 --> 00:22:33,200 guys too, because because the whole night, I just it's 320 00:22:33,240 --> 00:22:35,279 just how my mind works. The whole night I was thinking, 321 00:22:35,319 --> 00:22:38,279 I hope nothing gets broken. I really hope nothing gets broken. 322 00:22:38,359 --> 00:22:41,200 There was so many pool noodles, and apparently something did 323 00:22:41,279 --> 00:22:43,920 get broken, but it wasn't anything. Anybody was worried about. 324 00:22:43,920 --> 00:22:50,559 Speaker 14: I guess, yeah, just an artifact, but that was a 325 00:22:50,640 --> 00:22:51,119 lot of fun. 326 00:22:52,079 --> 00:22:54,759 Speaker 11: What are kind of the criteria for, like, because it 327 00:22:54,799 --> 00:22:57,559 seems like you've had quite a few different different kinds 328 00:22:57,599 --> 00:23:01,640 of of artists play there, Like, it's been a wide 329 00:23:01,680 --> 00:23:04,200 variety of artists. It's not in other words, it's not 330 00:23:04,319 --> 00:23:06,279 just all it's not just all metal, it's not just 331 00:23:06,359 --> 00:23:07,319 all hard rocks. 332 00:23:07,519 --> 00:23:09,119 Speaker 12: That's gonna probably change though. 333 00:23:09,720 --> 00:23:13,000 Speaker 13: Really yeah, next year, moving forward, I think we're gonna 334 00:23:13,039 --> 00:23:17,480 go because fortunately, like the things and that was the 335 00:23:17,559 --> 00:23:19,200 whole thing, is the thing that we wanted to do 336 00:23:19,599 --> 00:23:24,279 was just fill that hole that was happening in our 337 00:23:24,359 --> 00:23:27,839 local community of like places to go to see original 338 00:23:27,960 --> 00:23:30,759 music and see good original music, and everything has been 339 00:23:30,920 --> 00:23:36,079 so shut down still or dialed back that people just 340 00:23:36,200 --> 00:23:39,759 are not going out to shows as much. But now 341 00:23:39,839 --> 00:23:42,920 things are kind of coming back, and we've inspired a 342 00:23:42,960 --> 00:23:47,440 couple of other places in town to actually start doing 343 00:23:47,559 --> 00:23:49,920 shows there, So we're gonna start hosting some of them 344 00:23:50,599 --> 00:23:52,039 outside of our place. 345 00:23:52,160 --> 00:23:53,599 Speaker 11: Oh excellent, so excellent. 346 00:23:53,720 --> 00:23:54,400 Speaker 12: We have a couple of. 347 00:23:54,440 --> 00:23:58,759 Speaker 13: Plays like The Spot and kettle Head over there in 348 00:23:59,480 --> 00:24:04,519 Nashville are like focusing more on like having good equipment 349 00:24:05,519 --> 00:24:11,400 and really providing a better experience music listening experience good. 350 00:24:11,759 --> 00:24:14,480 So we're kind of like, it's nice to see that 351 00:24:15,079 --> 00:24:18,480 start happening. But the thing is is, like, you know, 352 00:24:19,119 --> 00:24:22,319 a main street venue is going to be less inclined 353 00:24:22,440 --> 00:24:28,599 to do metal and darker rock, right, So now that 354 00:24:28,720 --> 00:24:32,279 we have those other places out there, we can all 355 00:24:32,319 --> 00:24:35,440 the musicians that have been looking for and where we've 356 00:24:35,480 --> 00:24:39,599 been hosting that void can now go out there to 357 00:24:39,759 --> 00:24:42,839 the general public a little bit easier. But we want 358 00:24:42,920 --> 00:24:45,839 to continue like staying into like the dark and heavy 359 00:24:46,559 --> 00:24:48,680 and so we're going to kind of keep it that 360 00:24:48,960 --> 00:24:51,759 but focus our attention a little bit more into that 361 00:24:51,960 --> 00:24:55,200 genre for the places that are missing in the public realm. 362 00:24:55,359 --> 00:25:00,160 Speaker 11: Interesting. Yeah, yeah, no, I think that's great. That's very exciting. Well, 363 00:25:00,160 --> 00:25:02,000 I think we should play So we're gonna play another 364 00:25:02,200 --> 00:25:05,559 Dad Harrison track and we're gonna play one three nine. 365 00:25:05,680 --> 00:25:07,960 But tell us about this What should we know about 366 00:25:07,960 --> 00:25:09,640 this song? Because this is an older one, right. 367 00:25:10,039 --> 00:25:12,000 Speaker 15: This is a much older one from when we used 368 00:25:12,039 --> 00:25:16,000 to practice at the Morgue over here, you know, Morgan's 369 00:25:16,119 --> 00:25:22,160 and and we were practicing in this tiny room, like 370 00:25:22,240 --> 00:25:24,160 one of the smallest rooms you could possibly be in 371 00:25:24,559 --> 00:25:26,519 this was this is when we were a three piece, 372 00:25:26,559 --> 00:25:28,759 you know, so long ago, and it was so small. 373 00:25:28,799 --> 00:25:30,319 I'm like I had to stand in front of the 374 00:25:30,440 --> 00:25:34,440 door to perform or to you know, to play, yeah, 375 00:25:34,480 --> 00:25:37,119 and I'd have to like you know, physically not be 376 00:25:37,279 --> 00:25:38,519 in front of the door so that we could get 377 00:25:38,559 --> 00:25:42,200 in and out. But we were in room one thirty nine, 378 00:25:42,720 --> 00:25:45,000 and I just yeah, and I just had this idea 379 00:25:45,039 --> 00:25:47,279 because it was early on and we're trying to write 380 00:25:47,359 --> 00:25:50,000 songs for a first album and songs you know, to 381 00:25:50,039 --> 00:25:50,680 play out live. 382 00:25:50,880 --> 00:25:52,039 Speaker 14: Yeah, and I just had this song. 383 00:25:52,079 --> 00:25:53,920 Speaker 15: You know, like what if I wrote something about this 384 00:25:54,119 --> 00:25:56,480 room and the music the stuff that comes out of 385 00:25:56,559 --> 00:25:59,440 this Yeah, And so it just kind of came together 386 00:25:59,519 --> 00:26:02,920 as a store where it turned into this you know, 387 00:26:03,039 --> 00:26:06,519 this guy going down like a dark cord or like 388 00:26:06,960 --> 00:26:10,519 you know, way deep underground, just like someplace where nobody 389 00:26:10,640 --> 00:26:14,119 is and just in there and you know it's just 390 00:26:14,359 --> 00:26:17,359 dark as hell, and you know, it comes upon a 391 00:26:17,480 --> 00:26:20,839 door that's just like like what is this? It's just 392 00:26:20,960 --> 00:26:23,279 different than everything else. It's just like there's something about it, 393 00:26:23,799 --> 00:26:25,799 and you know he's like there and he's like checking 394 00:26:25,839 --> 00:26:28,160 it out, and it's just like you know, it's like 395 00:26:28,200 --> 00:26:30,759 a portal. It's like dark, it's dark, but there's a 396 00:26:30,880 --> 00:26:33,880 glow to it. It's hot but it's cold at the 397 00:26:33,920 --> 00:26:37,240 same time. And then basically he ends up going inside 398 00:26:37,279 --> 00:26:40,680 this room and then he goes mad, like in the room, 399 00:26:40,720 --> 00:26:42,920 he can't get out. It's just, you know, all this 400 00:26:43,079 --> 00:26:44,200 evil stuff is happening. 401 00:26:44,720 --> 00:26:44,839 Speaker 6: You know. 402 00:26:44,880 --> 00:26:47,759 Speaker 15: I was like, I took the idea of us performing 403 00:26:47,799 --> 00:26:49,599 and then just like you know, it made it a 404 00:26:49,640 --> 00:26:53,559 lot darker, not about us at all, but yeah, it 405 00:26:54,000 --> 00:26:54,960 turned out really well. 406 00:26:55,160 --> 00:26:57,880 Speaker 14: And you know, I'm proud of writing that one. 407 00:26:58,079 --> 00:26:59,359 Speaker 11: Yeah, for sure. Nice. 408 00:27:00,079 --> 00:27:02,519 Speaker 12: That one's from the story of mortu ressortis our first album. 409 00:27:02,559 --> 00:27:03,880 Speaker 11: Okay, gotcha, gotcha? 410 00:27:04,000 --> 00:27:04,559 Speaker 12: That is the one. 411 00:27:04,640 --> 00:27:11,279 Speaker 11: Then my wrong call, Yes, yes, all right, fantastic. If 412 00:27:11,279 --> 00:27:13,720 you're just joining us, Dad Harrison is here and we're 413 00:27:13,759 --> 00:27:15,440 going to give this a spend. This is called one 414 00:27:15,519 --> 00:27:16,000 three nine. 415 00:28:47,240 --> 00:28:48,319 Speaker 5: Don't lays the go. 416 00:28:54,599 --> 00:29:02,839 Speaker 1: Slog dog cordor it was then I came afore a 417 00:29:02,920 --> 00:29:08,480 dog done dog. 418 00:29:11,319 --> 00:29:12,480 Speaker 14: Lo the loves. 419 00:29:36,000 --> 00:29:37,759 Speaker 5: M M. 420 00:29:40,599 --> 00:29:45,440 Speaker 19: The oldest do all is hot. I don't know should 421 00:29:45,480 --> 00:29:49,200 I open it a house as well? But it's so 422 00:29:49,640 --> 00:29:53,039 very dull. I think I give a solved so. 423 00:29:53,240 --> 00:29:53,519 Speaker 6: I do. 424 00:30:21,319 --> 00:30:22,519 Speaker 20: This strong up. 425 00:30:23,880 --> 00:30:35,079 Speaker 5: Not us. Ain't my side or not? You are flooded guy. 426 00:30:48,640 --> 00:30:51,640 Speaker 21: Like your voice is like being kind side. 427 00:30:52,440 --> 00:30:53,319 Speaker 20: This is where. 428 00:30:53,480 --> 00:30:58,359 Speaker 1: About this figure. This room is so floods. 429 00:30:57,960 --> 00:31:08,000 Speaker 22: Its dot the snowball for the. 430 00:31:56,279 --> 00:32:01,680 Speaker 1: Spar by. Don't lose it my bye, no. 431 00:33:55,240 --> 00:34:08,960 Speaker 5: As and as the stoke up are you got buses? 432 00:34:09,119 --> 00:34:09,480 But not. 433 00:34:19,079 --> 00:34:34,480 Speaker 20: Stout, my god, the stout being high. 434 00:34:34,800 --> 00:34:35,800 Speaker 21: The devil. 435 00:34:37,440 --> 00:34:46,480 Speaker 5: This person stop. 436 00:35:34,079 --> 00:35:37,079 Speaker 11: That is one three nine and the band is Dead Harrison, 437 00:35:37,159 --> 00:35:40,000 and we have Dead Harrison here with us live in studio, 438 00:35:41,199 --> 00:35:46,599 and that that truck goes back aways and Jason, you 439 00:35:46,639 --> 00:35:48,920 were talking off here about why why you guys wanted 440 00:35:48,920 --> 00:35:49,639 to play that today? 441 00:35:49,960 --> 00:35:52,519 Speaker 15: Yeah, I would like to tracks to get a little 442 00:35:52,519 --> 00:35:54,239 airtime and discuss that song. 443 00:35:54,960 --> 00:35:59,199 Speaker 16: That was a one of the harder songs back in 444 00:35:59,239 --> 00:36:01,679 the day, at least from when I when I was 445 00:36:02,079 --> 00:36:04,920 first starting off that, Uh, that was like one of 446 00:36:04,960 --> 00:36:08,320 the the more challenging songs. That and Evil Things too. 447 00:36:09,239 --> 00:36:13,159 That was a when I was getting into playing. These 448 00:36:13,239 --> 00:36:17,440 songs like those are like the very challenging songs because 449 00:36:17,440 --> 00:36:22,119 they're not they're not just uh, regular like rock metal 450 00:36:22,199 --> 00:36:26,159 songs like yeah, there's a there's crescendos de crescendos, there's arts, 451 00:36:26,199 --> 00:36:27,840 there's stops, there's goes. 452 00:36:27,679 --> 00:36:29,599 Speaker 11: And like, yeah, there's a lot of dynamics to it. 453 00:36:29,800 --> 00:36:32,440 Speaker 16: Back then I did I didn't have that mindset, I 454 00:36:32,480 --> 00:36:35,719 guess really I wasn't. I was more like an old 455 00:36:35,840 --> 00:36:39,679 kid at least getting into like just getting into regular 456 00:36:39,760 --> 00:36:44,119 punk again. And yeah, uh like even back then, like 457 00:36:44,159 --> 00:36:46,559 I wasn't really like a big Typo fan. Back then 458 00:36:46,639 --> 00:36:48,599 I liked them, but I wasn't a huge fan. But 459 00:36:48,719 --> 00:36:52,639 now that I've grown accustomed to like how Drey used 460 00:36:52,639 --> 00:36:56,239 to play and how these guys jam, well yeah that 461 00:36:56,400 --> 00:36:59,239 like I've I've had to not only like make my 462 00:36:59,639 --> 00:37:04,559 drumming better, but also like my musicianship, my composition because 463 00:37:04,599 --> 00:37:07,440 these guys don't think the same way as like oh 464 00:37:07,559 --> 00:37:11,800 ab ab here you go. There's many different like nuances 465 00:37:12,000 --> 00:37:15,719 that they do on purpose. So with one three nine, 466 00:37:15,800 --> 00:37:19,840 it was very you know, step by step, Like it 467 00:37:19,960 --> 00:37:22,480 wasn't good when I did it the first first time, 468 00:37:22,679 --> 00:37:28,159 wasn't good. These guys have allowed me to make myself 469 00:37:28,239 --> 00:37:31,280 better and put my own stamp on it. Eventually, Like 470 00:37:31,360 --> 00:37:34,480 the first like year, year, maybe two years, I was 471 00:37:34,599 --> 00:37:37,519 like meticulously just playing what what what what? 472 00:37:37,719 --> 00:37:38,320 Speaker 18: Dra would play. 473 00:37:39,000 --> 00:37:41,239 Speaker 16: But after after a while I was kind of like, 474 00:37:41,480 --> 00:37:43,280 all right, well I could do this or do this, 475 00:37:44,559 --> 00:37:47,599 but I still play to the same you know, idea, 476 00:37:47,840 --> 00:37:50,400 the same vibe as it is. I don't I don't 477 00:37:50,559 --> 00:37:52,559 like go too much out of the realm of it. 478 00:37:53,840 --> 00:37:56,360 And that goes with all the songs too, So like 479 00:37:56,679 --> 00:37:58,400 whatever I try to do, I try to do in 480 00:37:58,559 --> 00:38:01,880 earnest to what you did first, and then like try 481 00:38:01,920 --> 00:38:03,800 to like all right, maybe I can punch in here 482 00:38:04,039 --> 00:38:05,559 or yeah, you know, Meldon. 483 00:38:05,239 --> 00:38:07,559 Speaker 13: Will differently we give a little of your own flavor. 484 00:38:07,679 --> 00:38:09,920 Speaker 11: Yeah, yeah, yeah, of course, yeah, well and that. 485 00:38:10,519 --> 00:38:12,559 Speaker 17: I think it was driven a lot by what we 486 00:38:12,599 --> 00:38:14,960 would choose to play live too write. So a song 487 00:38:15,039 --> 00:38:19,679 like one thirty nine is a longer song. We've really 488 00:38:19,760 --> 00:38:22,599 only mostly recently started to bring it out and play 489 00:38:22,639 --> 00:38:27,000 it live, so it was really never prioritized. But when 490 00:38:27,079 --> 00:38:30,960 we wrote our new album None for All, that is 491 00:38:31,000 --> 00:38:35,480 where Thraxel really really shines, because those are songs he 492 00:38:35,719 --> 00:38:39,199 took part in a writing. Yeah, right, in the creation process. 493 00:38:39,519 --> 00:38:41,320 There may have been one or two that were previous 494 00:38:41,480 --> 00:38:46,320 carryovers that we didn't necessarily record, but that is where 495 00:38:46,440 --> 00:38:48,599 first it was him learning everything. This is what we've 496 00:38:48,599 --> 00:38:51,199 recorded so far so you can play it live, and 497 00:38:51,320 --> 00:38:53,239 then with none for all, it was like, Okay, now 498 00:38:53,280 --> 00:38:56,719 you get to put your creative touch into defining like 499 00:38:56,800 --> 00:38:59,559 what these songs are, yeah, from the rhythm standpoint. 500 00:39:00,000 --> 00:39:04,519 Speaker 16: Actually, with even the early concepts, it kind of has 501 00:39:04,599 --> 00:39:07,480 a story to it too, because doom Train was the 502 00:39:07,599 --> 00:39:13,480 first one that I was like incorporated into because, like, 503 00:39:13,599 --> 00:39:15,480 as you said, some of the other songs were already 504 00:39:15,559 --> 00:39:18,199 like there already, but like you guys didn't do anything 505 00:39:18,280 --> 00:39:21,079 with doom Train was like an organic song that just 506 00:39:21,239 --> 00:39:25,119 happened out of not out of nowhere, but it just random. 507 00:39:26,920 --> 00:39:28,039 Speaker 18: So like I think that was the. 508 00:39:30,400 --> 00:39:33,079 Speaker 16: My third gig I had with these guys up in 509 00:39:34,400 --> 00:39:39,159 northern Maine somewhere for Doom Days. It was like three 510 00:39:39,239 --> 00:39:42,800 days of like just the most awesome doom rock and 511 00:39:42,920 --> 00:39:45,679 metal but also like one of the some of the 512 00:39:45,760 --> 00:39:48,000 most like caring people to a lot a lot of 513 00:39:48,039 --> 00:39:52,000 good people. Yeah, But like one morning me and Jason 514 00:39:52,360 --> 00:39:55,440 were just like just waking up trying to have coffee, 515 00:39:55,519 --> 00:39:59,239 and like there was a a train offset from the 516 00:39:59,320 --> 00:40:01,400 property and coming in, but it was making it like 517 00:40:01,480 --> 00:40:06,559 a certain uh beat just naturally happen and me and 518 00:40:06,679 --> 00:40:08,760 him were like, man, we should probably make a song 519 00:40:08,800 --> 00:40:14,119 about that, and then like like we really thought everything 520 00:40:14,199 --> 00:40:15,800 about it, Like we didn't want to just make it 521 00:40:15,880 --> 00:40:18,679 a bam bam, here's a song. He really wanted to 522 00:40:19,599 --> 00:40:22,239 have something to present. It took it took us what 523 00:40:22,400 --> 00:40:28,039 two years to make that make that song fully into fruition, 524 00:40:28,920 --> 00:40:34,320 between jamming it, uh, creating the different platforms that it 525 00:40:34,360 --> 00:40:37,440 would it would jump up to the lyrics of itself. 526 00:40:37,639 --> 00:40:42,000 And you know, that creativity that I didn't think would 527 00:40:42,119 --> 00:40:45,000 like not even just come from me, but like organically 528 00:40:45,079 --> 00:40:48,679 from all of us, was like a very unique experience 529 00:40:48,719 --> 00:40:51,480 I didn't have up until that point. That that kind 530 00:40:51,519 --> 00:40:54,559 of like the precursor of the of that album, because 531 00:40:54,559 --> 00:40:56,840 there's a lot that goes into that album. There's a 532 00:40:56,960 --> 00:40:59,599 lot of things that you can take from it. Sure, 533 00:41:00,119 --> 00:41:02,159 a lot of dissonance, but there's a lot of like 534 00:41:02,239 --> 00:41:04,280 good stuff that happens, and it kind of wraps up 535 00:41:04,320 --> 00:41:07,039 at the end and yeah, anything you really wanted. 536 00:41:07,320 --> 00:41:11,840 Speaker 15: Yeah, yeah, Yeah, that's actually another song that I personally 537 00:41:11,960 --> 00:41:15,920 put the lyrics to. I'm not the primary songwriter, but 538 00:41:16,400 --> 00:41:19,639 you know, Sean writes songs on re Light writes songs too, 539 00:41:19,719 --> 00:41:22,280 so I'm just one of the pieces, but that particular 540 00:41:22,400 --> 00:41:24,239 one I kind of took the helmet. I was like, okay, 541 00:41:24,360 --> 00:41:26,760 doom train, we'll call it doom train. And then I 542 00:41:26,840 --> 00:41:28,639 have to think, well, what is a doom train? And 543 00:41:29,119 --> 00:41:31,920 I kind of went from there, and you know, it's like, 544 00:41:32,599 --> 00:41:34,960 on the surface, it's just about this train that rolls 545 00:41:35,039 --> 00:41:39,079 through like and just causes destruction and devastation everywhere it goes, 546 00:41:39,199 --> 00:41:44,039 just in its wake. Now to me, you know, whether 547 00:41:44,199 --> 00:41:47,199 anyone out there believes this or not, it doesn't matter. 548 00:41:47,639 --> 00:41:50,039 But you know, for me, it was more about climate 549 00:41:50,159 --> 00:41:52,599 change is what the doom train became. So it's like 550 00:41:52,719 --> 00:41:55,000 it's off in the distance, it doesn't really mean anything. 551 00:41:55,119 --> 00:41:58,559 Most people dismiss it, and but then it, you know, 552 00:41:58,599 --> 00:42:00,480 it rolls through and it's like, oh, here it is. 553 00:42:01,119 --> 00:42:03,000 You know, this thing is upon us now and that's 554 00:42:04,440 --> 00:42:07,960 and it's just like everything behind it is destructive and 555 00:42:08,519 --> 00:42:10,880 you know what have you. So that's where lyrically that 556 00:42:11,000 --> 00:42:15,199 came from. But yeah, to Thracks' point, musically, organically it 557 00:42:15,280 --> 00:42:17,760 just kind of came together. It's like, okay, let's start 558 00:42:17,920 --> 00:42:20,719 slow where the lyrics are slow and it's like in 559 00:42:20,800 --> 00:42:23,159 the distance, and then it picks up and it you know, 560 00:42:23,239 --> 00:42:25,119 it ramps up and turns on like a metal song. 561 00:42:25,519 --> 00:42:28,320 And then by the end when all the destructions come 562 00:42:28,360 --> 00:42:31,280 and it's just going full boares, going off the rails, 563 00:42:31,320 --> 00:42:34,800 it's just you know, here we go and then it 564 00:42:34,920 --> 00:42:36,119 just moves on to the next town. 565 00:42:36,360 --> 00:42:41,440 Speaker 11: Yeah, oh no, I like that. Wow, that's great. Let's 566 00:42:41,440 --> 00:42:43,039 see how much time. I want to make sure we 567 00:42:43,119 --> 00:42:45,440 get so before we run out of time, I want 568 00:42:45,480 --> 00:42:49,320 to make sure we talk about tonight again. Tonight and 569 00:42:49,440 --> 00:42:52,000 the twenty fifth, but tonight first. 570 00:42:52,559 --> 00:42:53,639 Speaker 12: Saturday Saturday Night. 571 00:42:53,840 --> 00:42:58,559 Speaker 13: Saturday Saturday, come to Terminus Underground for a shadow Lounge 572 00:42:59,159 --> 00:43:02,239 golf dance night where you can come and pick up 573 00:43:02,320 --> 00:43:04,559 your free CD Dead Hairson. 574 00:43:06,599 --> 00:43:09,239 Speaker 14: Tell people where it is. They don't know the address one. 575 00:43:09,840 --> 00:43:15,760 Speaker 13: Four Haynes Street, nashaua, New Hampshire, and uh yeah, you're 576 00:43:15,800 --> 00:43:17,880 gonna have some fun trying to find the place. 577 00:43:18,239 --> 00:43:20,719 Speaker 12: It's a uh, it's definitely. 578 00:43:20,880 --> 00:43:23,559 Speaker 13: Google Maps will send you on a little uh chase 579 00:43:23,960 --> 00:43:26,559 and you'll be figuring out where the heck you're going. 580 00:43:27,480 --> 00:43:29,599 Speaker 12: You're like, is this the end of the building. 581 00:43:30,119 --> 00:43:32,679 Speaker 13: And if you're at the place and you don't see 582 00:43:32,760 --> 00:43:35,280 a bunch of cars parked in front. If you don't 583 00:43:35,400 --> 00:43:38,800 see a big sign that says Predium packaging up on 584 00:43:38,920 --> 00:43:40,920 the building, you're at the wrong end of the building. 585 00:43:41,559 --> 00:43:44,280 Speaker 18: Now you're an actual terminus, and you might possibly and 586 00:43:44,360 --> 00:43:45,119 then oh. 587 00:43:47,599 --> 00:43:51,639 Speaker 13: I'm true old terminous. I'm trying to see Oh oh, look, 588 00:43:59,079 --> 00:44:03,039 we talked about that, did it. You know what, nobody's 589 00:44:03,079 --> 00:44:06,079 gonna hear it. Nobody's gonna hear my mistake. 590 00:44:06,760 --> 00:44:09,800 Speaker 11: Well, they'll hear it on the podcast for a mistake, 591 00:44:11,239 --> 00:44:11,880 it's a mistake. 592 00:44:12,199 --> 00:44:14,920 Speaker 13: But yeah, I mean Google will try and send you 593 00:44:15,199 --> 00:44:18,119 around the block and put you at the wrong end 594 00:44:18,159 --> 00:44:20,679 of the building. Sometimes it'll put people right at the 595 00:44:20,679 --> 00:44:24,199 front door, and then other times it won't. And I 596 00:44:24,360 --> 00:44:28,119 discovered why because if you look at the map itself, 597 00:44:28,199 --> 00:44:30,800 if not the satellite view, but you look at like 598 00:44:31,199 --> 00:44:34,199 the topographical kind of map of the roads of the 599 00:44:34,320 --> 00:44:40,320 drawn out Yeah, it doesn't show our driveway connecting with 600 00:44:40,519 --> 00:44:44,360 Hain Street. There's like a dead spot. Oh and I 601 00:44:44,480 --> 00:44:47,760 think Google is seeing that dead spot and sends them 602 00:44:47,880 --> 00:44:50,320 down the other connecting roads. 603 00:44:51,159 --> 00:44:53,360 Speaker 11: The map it is hit or missed though, because for 604 00:44:53,519 --> 00:44:55,440 some reason I seem to remember the first time Jenny 605 00:44:55,480 --> 00:44:57,800 and I went there, it did it worked like it 606 00:44:57,880 --> 00:45:00,599 took us straight there. It brought us straight there. But 607 00:45:01,360 --> 00:45:03,280 but maybe it wasn't the first time. Maybe it was 608 00:45:03,320 --> 00:45:04,800 the second time. Maybe the first time we had to 609 00:45:04,840 --> 00:45:07,119 look for it. I don't know, but I feel like 610 00:45:07,199 --> 00:45:09,119 there was a time where it actually did bring us 611 00:45:09,119 --> 00:45:10,079 straight there. But who knows. 612 00:45:10,480 --> 00:45:13,440 Speaker 13: So just remember when you're going down Haynes Street, you 613 00:45:13,599 --> 00:45:16,480 go past the big ball fields on your left and 614 00:45:16,559 --> 00:45:19,800 you start going down the hill, keep going straight, do 615 00:45:20,000 --> 00:45:23,400 not turn with the road it turns into another road. Yeah, 616 00:45:23,559 --> 00:45:26,760 going straight, you'll see a big brick building straight in 617 00:45:26,800 --> 00:45:27,119 front of you. 618 00:45:27,239 --> 00:45:28,480 Speaker 12: And that's the side that we're on. 619 00:45:28,800 --> 00:45:30,719 Speaker 11: Yeah, yeah, outstanding. 620 00:45:30,880 --> 00:45:33,840 Speaker 16: It's an uber driver's nightmare. Oh I can imagine, it's 621 00:45:33,840 --> 00:45:34,960 an over driver's nightmare. 622 00:45:35,199 --> 00:45:38,920 Speaker 11: I can I can imagine, no doubt, no doubt. So 623 00:45:39,079 --> 00:45:40,519 that what time does that start tonight? 624 00:45:41,280 --> 00:45:44,480 Speaker 13: I believe seven o'clock, doors seventh. Yeah, we're gonna just 625 00:45:44,599 --> 00:45:46,440 like h and it's just going to be a night 626 00:45:46,519 --> 00:45:50,840 of fun Cothy dance music and YEP, partying it up. 627 00:45:51,000 --> 00:45:52,599 Speaker 11: And they get a free CD if they mentioned that 628 00:45:52,679 --> 00:45:56,400 they heard the show absolutely outstanding, outstanding, And then what's 629 00:45:56,440 --> 00:45:57,360 coming up the twenty fifth? 630 00:45:57,679 --> 00:46:01,719 Speaker 13: Twenty fifth is our Halloween show also Terminus Underground, which 631 00:46:01,800 --> 00:46:03,280 you would be able to catch. 632 00:46:04,559 --> 00:46:07,559 Speaker 12: Somebody say all the names again, my brain is. 633 00:46:09,760 --> 00:46:14,519 Speaker 18: Ethnic realm witch Trot yes, and. 634 00:46:17,199 --> 00:46:18,719 Speaker 12: Psycho Psychomic. 635 00:46:22,639 --> 00:46:28,159 Speaker 11: Oh oh psychomantheum, okay, okay, yeah, witch Trot. It's funny, 636 00:46:28,199 --> 00:46:29,320 you know they were on the show like Jues. It 637 00:46:29,400 --> 00:46:31,360 must have been three years ago now, but I but 638 00:46:31,400 --> 00:46:32,519 I still have the shirt. And I was wearing the 639 00:46:32,559 --> 00:46:34,079 shirt one day and Jenny and I were doing our 640 00:46:34,079 --> 00:46:37,519 grocery shopping at Market Basket and Bedford and somebody stopped 641 00:46:37,519 --> 00:46:39,800 me and said, hey, witch Trot. Somebody knew the band, 642 00:46:39,840 --> 00:46:42,320 and I was very excited to see me wearing the shirt. 643 00:46:42,760 --> 00:46:42,960 Speaker 5: Yeah. 644 00:46:43,079 --> 00:46:44,000 Speaker 11: Absolutely, yeah. 645 00:46:44,360 --> 00:46:46,719 Speaker 15: I actually have a little funny story similar to that. 646 00:46:47,000 --> 00:46:49,920 So a few weeks ago, my sister was visiting from 647 00:46:49,960 --> 00:46:52,840 Colorado and I was with the family and we went 648 00:46:52,880 --> 00:46:55,480 out to Parker's Maple Barn as some people probably know 649 00:46:55,559 --> 00:46:58,880 out in Mason, and you know, I come home and 650 00:46:59,320 --> 00:47:00,880 you know, I'm just like whatever, and they're like, oh, 651 00:47:00,960 --> 00:47:03,119 you know, chat from the band, you know what's going on, 652 00:47:03,639 --> 00:47:05,280 And Thrax had a picture. 653 00:47:05,719 --> 00:47:10,880 Speaker 14: Of my back at Parker's and I just like huh. 654 00:47:11,360 --> 00:47:14,519 Speaker 15: It was like kind of did not really compute, and 655 00:47:14,639 --> 00:47:17,159 it turned out like one of his friends saw me, 656 00:47:17,280 --> 00:47:20,039 and I don't know if if they knew it was 657 00:47:20,199 --> 00:47:21,679 me or if they just thought it was a fan, 658 00:47:21,800 --> 00:47:23,800 but they saw Dead Harrison on the back of my shirt, 659 00:47:23,800 --> 00:47:26,440 which is why it says dead Harrison on my shirt, 660 00:47:26,480 --> 00:47:28,880 so people see it. And it was just kind of 661 00:47:28,960 --> 00:47:31,639 this this funny thing that's like wow, it's like, you know, 662 00:47:31,679 --> 00:47:33,480 I haven't been here in like a couple of years. 663 00:47:33,519 --> 00:47:35,840 I'm here and this other guy at the exact same time, 664 00:47:35,920 --> 00:47:38,960 and he recognized his shirt friends with Racks and like 665 00:47:39,440 --> 00:47:42,239 sends him the picture. So so your point with the 666 00:47:42,280 --> 00:47:44,039 witch Trot shirt, it was like one of those things 667 00:47:44,079 --> 00:47:46,880 that I just recognized. Yeah, you just ever know, You 668 00:47:47,000 --> 00:47:49,360 just never know, That's what and that's why we wear 669 00:47:49,400 --> 00:47:49,920 these shirts. 670 00:47:50,000 --> 00:47:50,599 Speaker 11: Yes, Yes. 671 00:47:50,840 --> 00:47:54,480 Speaker 16: Shout out to Don Richardson for being at Parkers at 672 00:47:54,480 --> 00:47:55,360 the exact same time. 673 00:47:55,559 --> 00:47:57,800 Speaker 18: So he's also like a recorder producer. 674 00:47:57,440 --> 00:47:58,960 Speaker 11: And I've heard the name. 675 00:47:59,079 --> 00:48:03,960 Speaker 16: Don Richardson has shout outs to Midlife Crisis Production Productions, 676 00:48:04,079 --> 00:48:04,840 Okay studios. 677 00:48:04,960 --> 00:48:07,719 Speaker 18: He has his own recording studio in his house. 678 00:48:07,840 --> 00:48:11,679 Speaker 11: Oh okay, very cool, very cool. Where should people go 679 00:48:11,760 --> 00:48:14,039 online to keep up with everything Dad Harrison is doing. 680 00:48:14,000 --> 00:48:16,440 Speaker 17: So they should go to our website, Dad Harrison dot com. 681 00:48:18,079 --> 00:48:20,840 Also our Facebook page gets a ton of updates on there, 682 00:48:21,280 --> 00:48:23,440 and then you can listen to us. We're on Spotify, 683 00:48:24,320 --> 00:48:28,559 you know, We're on Pandora, most streaming platforms, iTunes, and 684 00:48:28,639 --> 00:48:30,920 then we have physical copies of discs, mostly just of 685 00:48:31,000 --> 00:48:33,360 the new one. You know, if you if you come 686 00:48:33,440 --> 00:48:35,199 see us in person, we have a bunch of copies 687 00:48:35,239 --> 00:48:36,599 of the new one. And I do want to talk 688 00:48:36,639 --> 00:48:39,199 a little bit about the new album. Yeah, yeah, absolutely 689 00:48:39,440 --> 00:48:40,000 none for all. 690 00:48:40,079 --> 00:48:40,760 Speaker 12: So that's that's. 691 00:48:40,880 --> 00:48:41,000 Speaker 1: Uh. 692 00:48:41,280 --> 00:48:45,679 Speaker 17: We recorded that twenty fourteen. Uh, this was done at 693 00:48:45,760 --> 00:48:47,960 Blackheart Sound in Manchester. 694 00:48:48,199 --> 00:48:50,159 Speaker 11: Oh yeah, that's a name that comes up a lot 695 00:48:50,360 --> 00:48:50,760 on the show. 696 00:48:50,880 --> 00:48:51,039 Speaker 5: Yeah. 697 00:48:51,119 --> 00:48:54,039 Speaker 17: Yeah, So definitely this was like the probably the most 698 00:48:54,119 --> 00:48:57,000 that we've put into for an album. Okay, but both 699 00:48:57,119 --> 00:49:01,559 financially and just I think with preparation of writing new 700 00:49:01,639 --> 00:49:04,760 material for an album, making sure we were super sharp 701 00:49:04,800 --> 00:49:07,360 with it, and then really having a professional experience to 702 00:49:07,400 --> 00:49:11,159 put it together and have some really good sounding music 703 00:49:11,440 --> 00:49:13,960 for people to listen to. Not that what we did 704 00:49:14,039 --> 00:49:16,599 before didn't sound good, but it was more of a 705 00:49:16,719 --> 00:49:20,000 d d Y type of setup that we had done 706 00:49:20,039 --> 00:49:23,159 before with our previous stuff, so this was really doing 707 00:49:23,199 --> 00:49:27,360 the legit studio experience. So we're super proud of that. 708 00:49:27,559 --> 00:49:30,119 And we talked about doom Train earlier that there's a 709 00:49:30,199 --> 00:49:32,920 few other songs where we really got to put some 710 00:49:33,039 --> 00:49:37,280 of our experimentation into play, where you really get kind 711 00:49:37,280 --> 00:49:40,079 of an auditory journey when you're listening through the song. 712 00:49:40,159 --> 00:49:42,719 We really kind of spent that time to take care 713 00:49:42,719 --> 00:49:45,920 and make sure everything flowed together well, right, Yeah, And 714 00:49:46,000 --> 00:49:48,639 we had that creative license to do that there with 715 00:49:49,159 --> 00:49:54,079 a really good recording engineer and mastering Eric amazing. 716 00:49:54,199 --> 00:49:58,079 Speaker 11: Yeah, absolutely everything he does is great and well in 717 00:49:58,159 --> 00:50:00,800 a moment, so we're gonna time. Time goes quick, but 718 00:50:01,280 --> 00:50:03,920 in a moment, we're gonna wrap up with Terror Grinder 719 00:50:04,360 --> 00:50:06,920 and anything we should know about that specifically other than 720 00:50:07,480 --> 00:50:09,280 my personal favorite sounds like it's a favorite of a 721 00:50:09,320 --> 00:50:09,800 lot of people. 722 00:50:10,199 --> 00:50:13,199 Speaker 17: Yeah, And I actually wrote that song quite a few 723 00:50:13,400 --> 00:50:18,159 years back, but we never really materialized it into kind 724 00:50:18,199 --> 00:50:19,760 of the heavy song that it was. It was when 725 00:50:19,840 --> 00:50:21,960 we kind of just played with at first, probably a 726 00:50:22,039 --> 00:50:24,159 good I don't know, five or six years ago, yeah, 727 00:50:24,239 --> 00:50:27,000 maybe even longer. And and we for this one, we 728 00:50:27,159 --> 00:50:29,840 really put it together, made sure we had some turn 729 00:50:29,880 --> 00:50:31,800 into kind of this heavy song and it's sort of 730 00:50:31,800 --> 00:50:34,719 about this this Terror Grinder, this big sort of hard 731 00:50:34,800 --> 00:50:37,840 to describe but massive force, just kind of going through 732 00:50:37,920 --> 00:50:42,639 and destroying everything in its wake. And you can probably 733 00:50:42,719 --> 00:50:45,280 draw different analogies too. Is this something physical? Is this 734 00:50:45,400 --> 00:50:47,440 something like with the world around us right now? 735 00:50:47,599 --> 00:50:50,280 Speaker 12: Stuff like that. I'll leave that for the listener decide 736 00:50:50,280 --> 00:50:51,039 how they feel about it. 737 00:50:51,119 --> 00:50:53,400 Speaker 17: But it more is just it's a cool tune as 738 00:50:53,440 --> 00:50:55,559 well to listen to and kind of go you know oo, 739 00:50:56,800 --> 00:50:57,920 you know, you kind of go around with it, and 740 00:50:58,119 --> 00:50:59,760 we have a good time with it live, like getting 741 00:50:59,760 --> 00:51:02,000 people to get involved with it and stuff. So yeah, 742 00:51:02,239 --> 00:51:05,480 that's why I think it's it's a favorite because people 743 00:51:05,599 --> 00:51:08,400 like singing along with songs and you know, yeah, going 744 00:51:08,440 --> 00:51:08,880 along with it. 745 00:51:09,000 --> 00:51:12,400 Speaker 11: So yeah, absolutely, no, great great track. Well, Dead Harrison, 746 00:51:12,440 --> 00:51:13,880 thank you all so much, Thank you all four of 747 00:51:13,960 --> 00:51:15,679 you for coming in. This has been amazing, Thanks for 748 00:51:15,760 --> 00:51:19,360 having us, having us absolutely absolutely we will close out 749 00:51:19,400 --> 00:51:22,599 the segment with Tara Grinder and by Dead Harrison, And 750 00:51:22,719 --> 00:51:24,840 thanks to everyone who uh checked us out today, everyone 751 00:51:24,840 --> 00:51:27,920 who listened, and of course are our wonderful guests, UH 752 00:51:28,280 --> 00:51:30,679 and if you miss any part of today's show, it 753 00:51:30,679 --> 00:51:32,000 will be up in just a little bit at w 754 00:51:32,239 --> 00:51:35,159 mn Hradio dot org and at my website Matt Connorton 755 00:51:35,199 --> 00:51:36,719 dot com. And that's gonna do it for us. For now. 756 00:51:36,760 --> 00:51:38,559 We'll talk to you all a little bit later. Bye, everybody. 757 00:51:39,039 --> 00:51:53,280 Speaker 23: Yeah, song the gates and from the city the chamber, 758 00:51:53,519 --> 00:51:54,760 Rob your god. 759 00:51:56,840 --> 00:52:01,039 Speaker 1: We see a sleep long time. 760 00:52:02,760 --> 00:52:04,320 Speaker 6: The days a. 761 00:52:04,440 --> 00:52:26,440 Speaker 1: Rod jobs of fall far ahead, receive as that's with 762 00:52:27,440 --> 00:52:28,920 the mastive and. 763 00:52:31,800 --> 00:52:35,360 Speaker 5: I'll be bread tack bier. 764 00:52:37,559 --> 00:52:45,519 Speaker 24: But the big strainaity of a roll. Let's sell riders rolling. 765 00:52:46,360 --> 00:52:51,000 It's tasteful blood, it's real. Look, go and I trail 766 00:52:51,159 --> 00:52:54,119 and it's quick and victually you can feel. 767 00:52:55,039 --> 00:52:59,880 Speaker 25: But to let's sell a bryer your milkings on its wrong. 768 00:53:00,920 --> 00:53:04,920 Speaker 1: Don't John, don't send that battle by make thot but 769 00:53:05,199 --> 00:53:05,559 it's no. 770 00:53:07,079 --> 00:53:45,760 Speaker 25: Say knows, and make journey. 771 00:53:47,480 --> 00:53:51,440 Speaker 1: To see lay rots ways. 772 00:53:53,239 --> 00:53:54,239 Speaker 5: Of thou. 773 00:53:55,760 --> 00:54:01,000 Speaker 1: Silt of the as. 774 00:54:00,800 --> 00:54:12,760 Speaker 26: Loll tegive place, bride spans lad. It came to us 775 00:54:12,960 --> 00:54:23,840 the man space. It's a range cat a came to 776 00:54:24,119 --> 00:54:26,480 a human brage. 777 00:54:28,119 --> 00:54:32,920 Speaker 1: Looking up the sky around us is falling through the sea. 778 00:54:34,000 --> 00:54:38,159 This thing you call your nighttime will soon be just 779 00:54:38,280 --> 00:54:39,880 a tree, the. 780 00:54:40,199 --> 00:54:44,360 Speaker 5: Tail brine, the take it and give it fill to be. 781 00:54:45,599 --> 00:54:47,239 When all the world. 782 00:54:47,159 --> 00:54:51,880 Speaker 1: Is gathering, called one thing was still rookie, s. 783 00:54:56,320 --> 00:55:03,599 Speaker 5: Rich, Still fine, I got t. 784 00:55:38,679 --> 00:56:19,119 Speaker 27: Say, says 785 00:56:30,719 --> 00:56:57,199 Speaker 5: Said down Sad, sad,