1 00:00:02,160 --> 00:00:06,559 Speaker 1: You're listening to Matt Connerton Unleash W M. 2 00:00:06,559 --> 00:00:35,119 Speaker 2: N H ninety five point three. 3 00:00:14,519 --> 00:00:38,759 Speaker 3: Ye see me now we did out with makes you proud? 4 00:00:39,439 --> 00:00:41,439 So far from Mama yesterday? 5 00:00:43,280 --> 00:00:46,679 Speaker 4: One for me still not clear. How the hell are 6 00:00:46,799 --> 00:00:47,520 we get here? 7 00:00:47,840 --> 00:00:58,479 Speaker 3: The lasting years ofcern in suahgecern me. There's nothing funny, 8 00:00:58,600 --> 00:01:01,640 And I say, I don't wanna tell. 9 00:01:04,480 --> 00:01:08,359 Speaker 5: Rick got up? Got the train? You want to go free? 10 00:01:09,319 --> 00:01:21,920 Speaker 6: Just a cry? The Sultan's not always chasing something you got. 11 00:01:21,640 --> 00:01:23,079 Speaker 4: To stop taking in of view. 12 00:01:23,599 --> 00:01:25,920 Speaker 6: Am I going on my way? 13 00:01:28,040 --> 00:01:31,480 Speaker 7: Not wa to the awful look that you never thought 14 00:01:31,519 --> 00:01:32,000 I should. 15 00:01:32,519 --> 00:01:43,000 Speaker 6: I am lunch to you and all my god the games. 16 00:01:39,000 --> 00:01:42,879 Speaker 3: Stan Alma's nothing for me. 17 00:01:43,159 --> 00:01:46,079 Speaker 4: I s I don't wanna tell. 18 00:01:48,920 --> 00:01:52,799 Speaker 5: Rick got up? Got the train? You want to go free? 19 00:01:53,760 --> 00:01:54,760 Speaker 6: Just a cry? 20 00:01:56,599 --> 00:02:00,719 Speaker 5: Money the sult. It's not that. 21 00:02:38,080 --> 00:02:39,719 Speaker 4: I don't want to tell you. 22 00:02:42,240 --> 00:02:45,319 Speaker 5: I gotta gota train you away? You go to the 23 00:02:45,520 --> 00:02:48,039 free It's just a dollar. 24 00:02:47,879 --> 00:02:51,759 Speaker 3: Cross, It's something. 25 00:02:53,280 --> 00:02:54,080 Speaker 5: It's not that. 26 00:02:55,840 --> 00:02:57,240 Speaker 4: I don't want to tell. 27 00:03:00,080 --> 00:03:01,120 Speaker 8: The Southern. 28 00:03:08,879 --> 00:03:09,919 Speaker 5: The Southern. 29 00:04:06,879 --> 00:04:10,039 Speaker 4: Good morning, everybody, welcome, here we go. It is that 30 00:04:10,199 --> 00:04:14,599 time again. Matt Connorton Unleashed and we are live from 31 00:04:14,639 --> 00:04:18,199 the studios of WMNH ninety five point three FM in 32 00:04:18,279 --> 00:04:21,000 glorious Manchester, New Hampshire. Of course, you can stream the 33 00:04:21,000 --> 00:04:23,560 show from anywhere. Go to Matt connorton dot com slash 34 00:04:23,600 --> 00:04:26,560 live for all your live streaming options, social media links, 35 00:04:26,560 --> 00:04:30,000 contact and fos, show archives, et cetera, et cetera. Today 36 00:04:30,319 --> 00:04:34,720 is a Saturday, December twenty seven, twenty twenty five. Yes, 37 00:04:34,759 --> 00:04:38,279 it is Saturday. You know, I had had no less 38 00:04:38,360 --> 00:04:41,839 than four conversations yesterday with people who are having trouble, 39 00:04:42,240 --> 00:04:44,600 myself included, by the way, we're having trouble remembering what 40 00:04:44,680 --> 00:04:48,160 day it was because it seems like every year between 41 00:04:48,439 --> 00:04:51,600 Christmas and New Year's Day we get into this weird 42 00:04:51,759 --> 00:04:55,319 like almost like a time distortion thing where everything feels 43 00:04:55,360 --> 00:04:57,879 kind of weird in terms of what day is it. 44 00:04:58,439 --> 00:05:03,800 And you know, Jenny mentioned yesterday she kept thinking it 45 00:05:03,839 --> 00:05:05,879 was Saturday. You know, it just felt like a Saturday. 46 00:05:06,959 --> 00:05:11,600 So it's but it is Saturday now, December twenty seventh. 47 00:05:12,040 --> 00:05:16,079 So welcome everybody. Of course, we are here live, even 48 00:05:16,120 --> 00:05:18,680 though if you are local in Manchester, New Hampshire, we've 49 00:05:18,680 --> 00:05:21,079 got a little bit of a winter wonderland going on 50 00:05:21,160 --> 00:05:23,439 out there. I did not expect to wake up to snow. 51 00:05:23,680 --> 00:05:26,279 Not not much, but you know, enough to make it 52 00:05:26,560 --> 00:05:28,160 make the roads a little bit slippery. So if you 53 00:05:28,199 --> 00:05:32,680 are traveling this morning, please be careful. And but we 54 00:05:32,720 --> 00:05:35,000 didn't get it nearly as bad as I think. I 55 00:05:35,079 --> 00:05:37,839 think there's some places that are getting slammed. This is 56 00:05:37,839 --> 00:05:42,639 supposed to be a pretty tough storm system that's affecting 57 00:05:42,879 --> 00:05:46,560 a large swath of the country. But you know, New Hampshire, 58 00:05:46,959 --> 00:05:51,319 we're kind of lucky in that we're in this. People 59 00:05:51,319 --> 00:05:53,639 who don't live here assume that New Hampshire is like 60 00:05:53,680 --> 00:05:56,680 we have these terrible winters. They're really not that bad. 61 00:05:57,759 --> 00:06:00,439 I grew up here and when I was a kid, 62 00:06:00,800 --> 00:06:02,319 I can you know, I don't mean to do this, 63 00:06:02,399 --> 00:06:05,240 you know, when I was a kid, No, but I 64 00:06:05,279 --> 00:06:09,360 do recall back in my day. No, but I do 65 00:06:09,439 --> 00:06:12,319 remember when I was growing up that the winters here 66 00:06:12,360 --> 00:06:14,879 were a lot more challenging than they are now. They 67 00:06:14,879 --> 00:06:17,959 were more consistently I mean, it's been cold, this winter 68 00:06:18,000 --> 00:06:20,040 has been cold, But when I was a kid, it 69 00:06:20,120 --> 00:06:22,720 seems like they were much more consistently cold and a 70 00:06:23,000 --> 00:06:25,920 hell of a lot more snow. So we're kind of 71 00:06:26,040 --> 00:06:29,519 lucky here. We don't get really extreme winters anymore. Some 72 00:06:29,519 --> 00:06:32,920 some winters are very mild. We had a winter here 73 00:06:32,959 --> 00:06:36,000 about I think eight or nine years ago where winter 74 00:06:36,120 --> 00:06:39,759 just didn't even show up. I mean, it was amazing. So, 75 00:06:40,199 --> 00:06:42,279 you know, we're kind of fortunate here. So this this 76 00:06:42,600 --> 00:06:46,720 terrible storm system that's affecting places close to New Hampshire, 77 00:06:46,759 --> 00:06:50,399 as close as Massachusetts. Here, we're kind of getting uh, 78 00:06:50,439 --> 00:06:53,279 we're kind of getting off easy, and we usually do, 79 00:06:53,800 --> 00:06:56,279 at least where we are here in Manchester. I mean 80 00:06:56,279 --> 00:06:58,680 we're in kind of like this little protected area that 81 00:06:59,040 --> 00:07:01,439 you know, we get storm. I mean, we get you know, 82 00:07:01,680 --> 00:07:03,519 we'll get a blizzard you know, that might drop a 83 00:07:03,519 --> 00:07:06,240 foot of snow once in a while. I don't think 84 00:07:06,319 --> 00:07:08,759 last year we did. I mean we had we had storms, 85 00:07:08,800 --> 00:07:10,439 but I don't think we ever had anything that was 86 00:07:11,720 --> 00:07:15,399 that actually was an entire foot of snow that I recall. 87 00:07:15,800 --> 00:07:18,360 I don't think we really get storms quite that big 88 00:07:18,360 --> 00:07:21,360 anymore in this area, you know. So, I mean, I'm 89 00:07:21,399 --> 00:07:24,680 concerned about climate change, but you know, long term, but 90 00:07:24,759 --> 00:07:27,959 short term it does have some benefits, I guess the 91 00:07:28,000 --> 00:07:33,560 milder winters. But anyway, so if you are traveling this morning, 92 00:07:33,600 --> 00:07:36,480 please be careful because we woke up to more than 93 00:07:36,480 --> 00:07:39,439 I was expecting anyway, but we go forth. So we 94 00:07:39,439 --> 00:07:41,240 do have some great guests for you today. Coming up 95 00:07:41,279 --> 00:07:42,920 in just a few minutes at nine to fifteen in 96 00:07:42,959 --> 00:07:45,720 the Eastern time zone, we will have the band Box 97 00:07:45,759 --> 00:07:48,199 of Trash and other great band from the UK. Actually, 98 00:07:48,240 --> 00:07:51,160 all our guests this morning, they're all UK based bands. 99 00:07:51,199 --> 00:07:53,240 I don't have anybody coming in the studio. I am here, 100 00:07:53,279 --> 00:07:57,519 I'm flying solo. Jenny's at home, she's resting. She's been 101 00:07:57,600 --> 00:07:59,759 very busy. It's been a very busy time. Of course, 102 00:07:59,800 --> 00:08:02,879 Illaday is very busy time for everyone. But so we've 103 00:08:02,879 --> 00:08:04,759 got Box of Trash, who are going to be joining 104 00:08:04,839 --> 00:08:07,000 us via WhatsApp in just a few minutes. And then 105 00:08:07,160 --> 00:08:10,600 in the second hour we have the Marches, another great 106 00:08:10,639 --> 00:08:12,800 band from the UK, and then in the third hour 107 00:08:12,920 --> 00:08:15,800 the Far North. The Far North. Actually it sounds like 108 00:08:15,839 --> 00:08:18,279 the name of a band. It's actually just one guy. 109 00:08:18,319 --> 00:08:20,519 His name's Lee Wilding, but he calls this project the 110 00:08:20,560 --> 00:08:22,800 Far North. And by the way, all three of these 111 00:08:22,879 --> 00:08:26,680 artists are artists who they had their first, their very 112 00:08:26,680 --> 00:08:30,240 first airplay here on American radio, right here on this 113 00:08:30,319 --> 00:08:33,919 program on this station WMNH we did the world radio 114 00:08:34,000 --> 00:08:36,879 premieres for all these artists who are now great UK 115 00:08:37,000 --> 00:08:40,799 artists who are now making inroads into the US radio market. 116 00:08:40,919 --> 00:08:43,080 So in fact, that track that we open with, Something 117 00:08:43,080 --> 00:08:45,159 in the Water, that's another great band from over there 118 00:08:45,320 --> 00:08:49,879 across the pond, as they say, Rivia, love them, two 119 00:08:49,960 --> 00:08:52,720 great songs that we often play on the show, piece 120 00:08:52,720 --> 00:08:54,799 of You and Something in the Water, which is their 121 00:08:55,039 --> 00:08:57,879 even newer single it just came out in November. Love 122 00:08:57,960 --> 00:08:59,720 that song. I love both those songs so much, such 123 00:08:59,720 --> 00:09:01,919 a great we've had them on the show. Great to 124 00:09:02,000 --> 00:09:04,799 talk to, great band. But I think what we're gonna 125 00:09:04,799 --> 00:09:07,519 do right now, because we are going to be speaking 126 00:09:07,600 --> 00:09:11,399 with the guys from the Lads as they say, from 127 00:09:11,559 --> 00:09:13,879 the band box of Trash in just a few minutes, 128 00:09:13,960 --> 00:09:15,960 so I think we should go ahead and hit this. 129 00:09:15,960 --> 00:09:19,320 This is their newest single, Nightmare, which is really good, 130 00:09:19,360 --> 00:09:20,879 and then we're going to talk to these guys and 131 00:09:20,919 --> 00:09:23,480 then we'll play another song of theirs at the end. 132 00:09:23,519 --> 00:09:25,559 We'll probably we'll let them pick what we play to 133 00:09:25,600 --> 00:09:27,799 close out the segment. I think, but this is a 134 00:09:27,840 --> 00:09:29,799 great track. We played this for the first time on 135 00:09:29,840 --> 00:09:32,159 the show not long ago, and then at the end 136 00:09:32,200 --> 00:09:34,559 of this, we'll have those guys on with us via WhatsApp. 137 00:09:34,960 --> 00:09:37,799 But check it out. This is Nightmare and the band 138 00:09:37,960 --> 00:10:05,759 is Box of Trash. 139 00:10:06,360 --> 00:10:09,080 Speaker 6: Hello, wish me how. 140 00:10:09,000 --> 00:10:09,840 Speaker 3: You playing there? 141 00:10:11,480 --> 00:10:16,399 Speaker 5: It's my bye, not only time. Uh leaving. 142 00:10:19,600 --> 00:10:22,679 Speaker 8: That before I say it's meaning it. 143 00:10:24,559 --> 00:10:25,639 Speaker 5: Said jass. 144 00:10:25,919 --> 00:10:30,120 Speaker 6: Picky Jazz reassesses now as. 145 00:10:31,519 --> 00:10:34,679 Speaker 9: Something checks me awaken out. 146 00:10:34,600 --> 00:10:35,919 Speaker 8: And rouse me by. 147 00:10:38,039 --> 00:10:40,559 Speaker 6: If you love. 148 00:10:40,720 --> 00:10:48,120 Speaker 4: Such a n there, I just swam to the best. 149 00:10:51,120 --> 00:10:51,639 Speaker 6: She said. 150 00:10:51,919 --> 00:10:54,519 Speaker 4: She said me, Yeah, what you wish for. 151 00:10:56,759 --> 00:10:58,399 Speaker 5: The games, saying. 152 00:10:58,320 --> 00:11:06,039 Speaker 8: That I w when I told you Wow. 153 00:11:06,320 --> 00:11:07,559 Speaker 5: So all right now. 154 00:11:09,200 --> 00:11:14,559 Speaker 1: I still down web the crown of the lonely crowd. 155 00:11:16,360 --> 00:11:18,039 Speaker 4: Sething chase me. 156 00:11:18,360 --> 00:11:21,360 Speaker 5: Away, you go evers me from the book. 157 00:11:22,840 --> 00:11:26,519 Speaker 8: I never you I was such a din there. 158 00:11:29,240 --> 00:11:32,440 Speaker 4: I just swamp you to care. 159 00:11:35,559 --> 00:11:36,879 Speaker 10: I don't need it anymore. 160 00:11:37,080 --> 00:11:38,559 Speaker 3: That's how think you're coming going. 161 00:11:38,679 --> 00:11:42,080 Speaker 4: Nothing needs to setting. So my body turning on, I 162 00:11:42,879 --> 00:11:43,559 just start. 163 00:11:44,120 --> 00:11:45,000 Speaker 8: I let you know. 164 00:12:26,679 --> 00:12:31,039 Speaker 10: She said, she said, she said, she said, she said, 165 00:12:31,120 --> 00:12:33,799 she said, she said, she. 166 00:12:33,919 --> 00:12:43,559 Speaker 3: Said, she said no, No, I definitely allowed such a rider. 167 00:12:47,320 --> 00:12:49,159 Speaker 11: Swam to ja. 168 00:12:52,360 --> 00:12:53,799 Speaker 1: I don't hear any walk. 169 00:12:53,919 --> 00:12:56,720 Speaker 6: That's something comor though I d just said it so 170 00:12:57,039 --> 00:12:58,399 for my body to not. 171 00:12:59,679 --> 00:13:01,799 Speaker 8: Just st you know. 172 00:13:04,080 --> 00:13:39,039 Speaker 4: I I love it. The track is called Nightmare. The 173 00:13:39,120 --> 00:13:41,960 band is Box of Trash. And let's see we've connected 174 00:13:42,039 --> 00:13:44,440 via WhatsApp. Let's see if we can hear these guys. Hello, guys, 175 00:13:44,519 --> 00:13:44,960 are you there? 176 00:13:46,000 --> 00:13:49,159 Speaker 8: It's just me. It's how's it going? Hey good? 177 00:13:49,200 --> 00:13:50,639 Speaker 4: How are you doing? How you how do you say? 178 00:13:50,639 --> 00:13:50,919 Speaker 8: Your name? 179 00:13:51,000 --> 00:13:56,240 Speaker 4: Is it bas or baz Baz? How you doing? Welcome 180 00:13:56,279 --> 00:13:58,360 to the show. I'm excited to talk to you. I 181 00:13:58,519 --> 00:14:01,759 love that song so much. Nightmare. That is catchy, it's infectious, 182 00:14:01,799 --> 00:14:03,279 it gets uh, you know, I wake up with it 183 00:14:03,399 --> 00:14:06,039 in my brain in the morning, really really good. So 184 00:14:06,440 --> 00:14:08,759 I'm very glad you're joining us today. Did did you 185 00:14:08,799 --> 00:14:10,399 write that? Are you responsible for that one? 186 00:14:11,200 --> 00:14:12,320 Speaker 8: That one? 187 00:14:12,639 --> 00:14:15,639 Speaker 4: I that's really really good, really good. 188 00:14:16,720 --> 00:14:20,639 Speaker 12: It's about it's a kind of personal, semi personal, and 189 00:14:21,639 --> 00:14:24,120 you know, just kind of waking up and feeling like 190 00:14:24,240 --> 00:14:28,360 kid off abunding on folk, but then realizing you're really 191 00:14:28,440 --> 00:14:30,519 not and it's just jay, you know what. 192 00:14:30,679 --> 00:14:32,960 Speaker 8: They can adopt feelings you have on a miserable day. 193 00:14:33,279 --> 00:14:36,879 Speaker 4: Oh yeah, absolutely, yeah. I was reading a quote from 194 00:14:36,919 --> 00:14:39,399 you about that. Actually, I just found this. It says 195 00:14:39,679 --> 00:14:41,799 this song is one of the most raw Box of Trash, 196 00:14:41,840 --> 00:14:42,279 I've wrote. 197 00:14:42,799 --> 00:14:42,919 Speaker 8: Uh. 198 00:14:43,080 --> 00:14:46,840 Speaker 4: The song is an introspective journey through self doubt, emotional struggle, 199 00:14:46,919 --> 00:14:49,480 and a yearning for care and understanding, set against a 200 00:14:49,480 --> 00:14:52,879 backdrop of personal chaos and fleeting moments of clarity. 201 00:14:53,960 --> 00:14:54,159 Speaker 8: Yeah. 202 00:14:54,799 --> 00:14:58,679 Speaker 4: So that's that's a lot. Yeah yeah, uh yeah, go ahead, 203 00:15:00,639 --> 00:15:01,200 are you telling that? 204 00:15:01,679 --> 00:15:01,879 Speaker 8: Yeah? 205 00:15:01,919 --> 00:15:03,799 Speaker 4: Oh, it sounded like you're sounded like you were starting 206 00:15:03,799 --> 00:15:06,919 to say something. I didn't want to interrupt. No, no, 207 00:15:07,080 --> 00:15:08,639 it's all good. Yeah, we might have a there might 208 00:15:08,679 --> 00:15:10,399 be a slide delay, as there often is with these 209 00:15:10,440 --> 00:15:14,000 trans continental calls, but uh no, uh, I I love 210 00:15:14,120 --> 00:15:16,279 and I did listen to by the way, let's see, 211 00:15:16,279 --> 00:15:21,000 I did listen to the entire album, really really good. 212 00:15:21,279 --> 00:15:21,360 Speaker 8: Uh. 213 00:15:21,480 --> 00:15:23,879 Speaker 4: Now, I'm curious, so where does the name We'll start 214 00:15:23,919 --> 00:15:25,639 with one of the most obvious questions. I'm sure you 215 00:15:25,679 --> 00:15:27,240 get this all the time, but where does the name 216 00:15:27,320 --> 00:15:28,480 Box of Trash come from? 217 00:15:29,159 --> 00:15:29,399 Speaker 8: Well? 218 00:15:30,440 --> 00:15:32,399 Speaker 12: I think it's an interesting story, but it might not 219 00:15:32,480 --> 00:15:37,240 come across interesting. But like a collect vinyl and I'm 220 00:15:37,320 --> 00:15:41,039 into like sixties garbage rock. They do know that kind 221 00:15:41,039 --> 00:15:43,759 of early sixties stuff. It's kind of gritty, like. 222 00:15:43,840 --> 00:15:44,879 Speaker 8: Justgies and stuff. 223 00:15:45,120 --> 00:15:49,759 Speaker 12: Yeah, and I got a compilation vinyl thing and it 224 00:15:49,840 --> 00:15:53,240 was called the Trash Box, And I had a poster 225 00:15:53,399 --> 00:15:54,679 up in a studio and it's say. 226 00:15:54,799 --> 00:15:56,120 Speaker 8: I was like, why don't we just call ourselves the 227 00:15:56,159 --> 00:15:59,519 Box of Trash? Yeah that way. Expectations are low. 228 00:16:06,879 --> 00:16:09,080 Speaker 4: No, it's a great name. It's it's one that it's 229 00:16:09,279 --> 00:16:12,960 one you remember. Yeah, yeah, I like it, you know, 230 00:16:13,039 --> 00:16:14,759 but it also kind of I think it fits in 231 00:16:14,879 --> 00:16:17,919 terms of you know, your sound, it's it's it's raw. 232 00:16:18,240 --> 00:16:20,600 You know, you mentioned you know you really like garage 233 00:16:20,679 --> 00:16:22,679 rock or I think I even saw did I see 234 00:16:22,720 --> 00:16:25,519 the term trash rock referring to you guys somewhere online? 235 00:16:25,799 --> 00:16:27,799 So I don't and I'd never heard that term before, 236 00:16:27,879 --> 00:16:29,799 trash rock. I don't know if that's something you say 237 00:16:29,840 --> 00:16:33,080 over there, but but I but I really like see personally, 238 00:16:33,320 --> 00:16:36,559 I love that kind of production. I think a lot 239 00:16:36,639 --> 00:16:38,919 of I think a lot of the music that's produced 240 00:16:38,960 --> 00:16:40,639 and I don't even want to say a lot of 241 00:16:40,639 --> 00:16:43,039 the music that's produced today, because I think it's been 242 00:16:43,080 --> 00:16:46,039 this way for a number of decades, probably starting in 243 00:16:46,120 --> 00:16:48,519 the eighties. But I think a lot of music is 244 00:16:48,799 --> 00:16:51,879 a little bit slicker and a little bit smoother than 245 00:16:51,919 --> 00:16:55,360 it needs to be particularly with rock music where you know, 246 00:16:55,480 --> 00:16:57,879 you really want to hear those crunchy guitars and everything. 247 00:16:58,320 --> 00:17:01,759 But the yeah, but the production on what you guys 248 00:17:01,799 --> 00:17:04,839 have done really is it's it's raw. You know, it 249 00:17:04,920 --> 00:17:08,119 still sounds professional and it's it sounds amazing, but there 250 00:17:08,200 --> 00:17:09,839 is kind of a raw no iss to it, like 251 00:17:10,079 --> 00:17:12,599 is that is that something that's important to you? Do 252 00:17:12,680 --> 00:17:14,480 you intentionally try to get that sound? 253 00:17:15,440 --> 00:17:18,319 Speaker 8: And we don't intentionally try and do it, but. 254 00:17:19,799 --> 00:17:22,079 Speaker 12: It just kind of it's worked our way into It's 255 00:17:22,119 --> 00:17:24,519 the kind of all four of us are that type 256 00:17:24,519 --> 00:17:28,119 of person, you know what I mean? Yeah, But we 257 00:17:28,240 --> 00:17:32,920 recorded the album actually an Illinois a place called. 258 00:17:32,759 --> 00:17:37,079 Speaker 8: Elgin Oh no kidding? Ah yeah, yeah, yeah. 259 00:17:37,720 --> 00:17:40,720 Speaker 12: The album is called it's named after a hotel room 260 00:17:40,839 --> 00:17:46,720 and sweet oh wow, yeah, I forget the name it 261 00:17:46,799 --> 00:17:51,440 now Kindlewood Speech, yeah, kandle with two thirty. Yeah, it 262 00:17:51,559 --> 00:17:54,200 was a room number and kindle Wood Sweech was the 263 00:17:54,319 --> 00:17:54,960 hotel name. 264 00:17:55,559 --> 00:17:58,079 Speaker 4: No kidding? So you actually so you came to the 265 00:17:58,160 --> 00:17:59,920 States and recorded this in Elgin, Illinois? 266 00:18:00,720 --> 00:18:00,920 Speaker 8: Yeah? 267 00:18:01,000 --> 00:18:06,079 Speaker 12: Yeah, yeah, that's why I come over. I was I 268 00:18:06,240 --> 00:18:09,119 was playing bass for a band down in England. Obviously 269 00:18:09,119 --> 00:18:11,599 I'm from Scotland and I was went down the band 270 00:18:11,920 --> 00:18:15,519 the Mets, and but they had a guy coming over 271 00:18:15,680 --> 00:18:20,319 from Illinois, Juan vella Is from Third Fire Records. He 272 00:18:20,519 --> 00:18:23,960 was recording them and I didn't have anywhere to stay, 273 00:18:23,960 --> 00:18:26,880 and the end up letting me, let's sleep on his couch. Yeah, 274 00:18:27,119 --> 00:18:29,759 So I went down straight back and we went to 275 00:18:29,799 --> 00:18:31,359 the pub after and he's. 276 00:18:31,240 --> 00:18:32,039 Speaker 8: Like, do you write songs? 277 00:18:32,039 --> 00:18:34,680 Speaker 12: I was like, yeah, yeah, yeah, and I let him 278 00:18:34,720 --> 00:18:37,920 here a demo I had Cold Space Man, and he's like, 279 00:18:38,079 --> 00:18:39,519 I love it. You need to send me that when 280 00:18:39,559 --> 00:18:43,960 you get home. And so I sent him over and 281 00:18:44,079 --> 00:18:47,640 he's like, I want his own in Chicago. Well, well Elgin, Sorry, yeah, 282 00:18:48,519 --> 00:18:50,920 what record is? So I that's how that came about, 283 00:18:51,519 --> 00:18:53,640 Just a kind of random meet. 284 00:18:53,920 --> 00:18:55,279 Speaker 4: No kidding, that's wild. 285 00:18:56,039 --> 00:18:57,599 Speaker 8: Yeah, yeah, it was one. It's one of the coolest 286 00:18:57,640 --> 00:19:00,960 things I've actually done with new I. 287 00:19:01,000 --> 00:19:02,799 Speaker 4: Spent a lot of time in Illinois when I was 288 00:19:02,839 --> 00:19:06,480 a kid because my parents divorced when I was pretty 289 00:19:06,519 --> 00:19:08,880 young and my mother, per the custody agreement, moved back 290 00:19:08,920 --> 00:19:11,519 to Illinois, where she was from originally. So I spent 291 00:19:11,599 --> 00:19:13,559 the summers out there, so I know I know that 292 00:19:13,680 --> 00:19:15,839 stayed very well I know exactly where Elgin is and 293 00:19:16,000 --> 00:19:16,759 well that's wild. 294 00:19:18,240 --> 00:19:21,200 Speaker 8: You know. Another crazy thing about it is right in Scotland. 295 00:19:21,279 --> 00:19:22,480 There's a place called Elgin. 296 00:19:22,960 --> 00:19:23,440 Speaker 4: Oh is there? 297 00:19:24,240 --> 00:19:27,039 Speaker 12: H So, as I said to the boys, I was like, 298 00:19:27,079 --> 00:19:28,920 we've traveled halfway around the world to end up in 299 00:19:28,960 --> 00:19:29,640 a town that's. 300 00:19:31,599 --> 00:19:32,200 Speaker 4: It's wild. 301 00:19:34,720 --> 00:19:35,680 Speaker 8: It's quite man. 302 00:19:35,759 --> 00:19:39,400 Speaker 12: But recording the album, it was like the guy juanne 303 00:19:39,440 --> 00:19:43,599 Velas's he was very insistent on getting the sound we 304 00:19:43,720 --> 00:19:46,519 had in our room because we'd send him like like 305 00:19:46,599 --> 00:19:49,200 not demos, but like live recordings of in our rehearsal 306 00:19:49,279 --> 00:19:51,599 room and he's like, I want to capture that sound 307 00:19:51,680 --> 00:19:52,440 that you have there. 308 00:19:52,839 --> 00:19:55,559 Speaker 8: Yeah, he was quite bag on it as well. So like, 309 00:19:56,079 --> 00:19:58,039 like I said, it's not really us pushing for it, 310 00:19:58,079 --> 00:19:59,359 it was more him. 311 00:19:59,759 --> 00:20:01,559 Speaker 4: M no, that makes sense. 312 00:20:02,359 --> 00:20:05,440 Speaker 8: So like I was like, and he knows his stuff. 313 00:20:05,480 --> 00:20:09,200 Speaker 12: We're just kind of full lads from a small town 314 00:20:09,279 --> 00:20:10,519 in Scotland, you know what I mean. 315 00:20:10,599 --> 00:20:14,440 Speaker 8: We just play our instruments. Yeah, it's just not our thing. 316 00:20:14,759 --> 00:20:15,519 Speaker 4: Oh that's wild. 317 00:20:15,640 --> 00:20:15,799 Speaker 13: Yeah. 318 00:20:15,839 --> 00:20:18,000 Speaker 4: You just never know, you just never know what might happen. 319 00:20:18,279 --> 00:20:23,000 That's incredible. So, so how long did it take to 320 00:20:23,079 --> 00:20:23,880 record the album? 321 00:20:24,799 --> 00:20:29,119 Speaker 12: And we've done it in ten days, nice, nine days 322 00:20:29,200 --> 00:20:31,640 because the tenth the tenth day we ended up that 323 00:20:31,759 --> 00:20:34,000 was because we were in for the nine days. We 324 00:20:34,079 --> 00:20:37,000 were in every single day for about twelve hours a day, 325 00:20:37,519 --> 00:20:39,000 and then the last day we actually got to go 326 00:20:39,079 --> 00:20:40,200 into Chicago for the day. 327 00:20:42,119 --> 00:20:43,880 Speaker 8: Yeah. Yeah, we got the boat too and everything. 328 00:20:44,279 --> 00:20:45,759 Speaker 4: Oh wow, oh very cool. 329 00:20:47,079 --> 00:20:48,319 Speaker 8: I loved it, loved. 330 00:20:48,119 --> 00:20:52,240 Speaker 12: Every sect in America. It's it's it's a beautiful place. 331 00:20:52,680 --> 00:20:53,799 So it was really beautiful. 332 00:20:54,000 --> 00:20:57,319 Speaker 4: Oh that's that's awesome. Wow, yeah, that's really cool. Like 333 00:20:57,359 --> 00:20:58,640 I said, I spent a lot of time there when 334 00:20:58,640 --> 00:20:59,799 I was a kid, so I know, I know you 335 00:20:59,839 --> 00:21:03,279 may now that's great. And so you averaged about a 336 00:21:03,359 --> 00:21:05,200 song a day then when you were recording it, So 337 00:21:05,319 --> 00:21:08,880 that's I mean, was that what what were you feeling 338 00:21:09,000 --> 00:21:11,599 like in terms of was that a lot of pressure 339 00:21:11,880 --> 00:21:14,759 or were you were you comfortable with it or how 340 00:21:14,880 --> 00:21:16,240 was what was that like for you guys? 341 00:21:17,680 --> 00:21:20,160 Speaker 8: It wasn't really pressure. No, we were quite comfortable. 342 00:21:20,200 --> 00:21:22,799 Speaker 12: We knew the songs inside out because we it was 343 00:21:22,839 --> 00:21:27,319 obviously planned like to go over like just under a 344 00:21:27,400 --> 00:21:29,519 year in advance, so we practiced hard, you know what 345 00:21:29,519 --> 00:21:32,480 I mean. We've got everything tight and nailed down, So 346 00:21:32,559 --> 00:21:35,319 there wasn't no, it wasn't pressure. And Joanne like he 347 00:21:35,599 --> 00:21:38,880 he made us feel so comfortable so that like he 348 00:21:39,000 --> 00:21:41,759 made like like it would burn. So what happened was 349 00:21:41,799 --> 00:21:44,799 would lay down tracks as what like as a band 350 00:21:45,279 --> 00:21:47,799 like would lay down all the tracks and then the 351 00:21:47,880 --> 00:21:50,920 drummer went and he redone all his parts, the basis 352 00:21:50,960 --> 00:21:53,960 went and redone his parts. Haven't in singer, so like 353 00:21:54,359 --> 00:21:56,640 it was really easy and it was really quick and 354 00:21:56,759 --> 00:21:58,799 it was brilliant to work with them. Yeah, it was 355 00:21:58,880 --> 00:22:02,839 really awesome to work with man. And then I, like 356 00:22:02,920 --> 00:22:05,480 I said, it was no pressure whatsoever. That's not mean 357 00:22:05,559 --> 00:22:07,000 to start to be big headed and anything like that. 358 00:22:07,279 --> 00:22:08,200 Speaker 8: There just really wasn't. 359 00:22:09,640 --> 00:22:10,240 Speaker 4: That's amazing. 360 00:22:10,839 --> 00:22:10,960 Speaker 3: Uh. 361 00:22:12,200 --> 00:22:14,720 Speaker 4: And then and then so how how long after so 362 00:22:14,960 --> 00:22:17,400 so you finish up there and then you and then 363 00:22:17,440 --> 00:22:21,000 you go back and then what was the so what 364 00:22:21,160 --> 00:22:23,720 what about the mastering and everything? I mean did did 365 00:22:23,960 --> 00:22:26,200 was that also done in Illinois or where was that done? 366 00:22:26,799 --> 00:22:28,279 Speaker 8: Yeah? That was done in Illinois as well. 367 00:22:28,359 --> 00:22:33,119 Speaker 12: Yeah, okay, I can't I think Juanne got another another 368 00:22:33,200 --> 00:22:35,039 guy and I can't remember his name just now. 369 00:22:35,759 --> 00:22:43,720 Speaker 8: Ah oh ah, I can't. I can't remember the guy's name. 370 00:22:43,799 --> 00:22:47,319 Now I feel bad now I can't remember the guy's name, 371 00:22:47,319 --> 00:22:48,920 but yeah, he got, he got, he got his friend 372 00:22:48,960 --> 00:22:50,119 to master it. 373 00:22:50,440 --> 00:22:54,839 Speaker 12: Yeah, and I like, we had to read the vocals 374 00:22:54,839 --> 00:23:00,759 in one track, but I singer lyle he's he picks 375 00:23:00,799 --> 00:23:06,279 apart his vocals like was than anybody his own I know, 376 00:23:06,359 --> 00:23:10,799 everybody says this their own biggest critic. Yeah, he really is, 377 00:23:11,039 --> 00:23:13,119 man to the point where we're like we having to 378 00:23:13,160 --> 00:23:17,680 go like, look, man, it's fine as good. So one 379 00:23:17,720 --> 00:23:19,200 of the one of the tracks, he had to redo 380 00:23:19,240 --> 00:23:23,079 his vocals because he wasn't having it. So yeah, that 381 00:23:23,200 --> 00:23:24,839 was the thing we've done over on Scotland. One of 382 00:23:24,839 --> 00:23:29,279 the vocals that track code falling Down. Yeah, over here 383 00:23:29,319 --> 00:23:29,799 the vocals. 384 00:23:30,599 --> 00:23:33,319 Speaker 4: It's cool too that in terms of the mastering that 385 00:23:33,400 --> 00:23:35,960 it's still you know, because I would imagine somebody getting 386 00:23:36,000 --> 00:23:39,119 a hold of this who then has to master it. 387 00:23:39,279 --> 00:23:42,200 Who you know, you got to hope that they understand 388 00:23:43,119 --> 00:23:45,519 that what you know, what you're going for here, right, 389 00:23:45,640 --> 00:23:48,079 because I think it would probably be easy to take 390 00:23:48,160 --> 00:23:51,079 something like this and then master it in a way 391 00:23:51,240 --> 00:23:53,559 that maybe it loses a little bit of that rawness. 392 00:23:54,000 --> 00:23:58,920 But obviously obviously they got it. Right, which is fantastic. 393 00:23:59,799 --> 00:24:03,000 Speaker 12: I think Juan was, like I said before that Juwan 394 00:24:03,200 --> 00:24:05,480 was really keen to make sure that he got that 395 00:24:05,640 --> 00:24:08,000 sound that we've got in our rehearsal room. 396 00:24:08,200 --> 00:24:10,440 Speaker 8: M hm. He was really keen on that. 397 00:24:10,799 --> 00:24:13,839 Speaker 12: Like we see me personally, like like I recalled all 398 00:24:13,880 --> 00:24:17,079 the demos and like on my own, like to bring 399 00:24:17,200 --> 00:24:21,079 into the boys all the music and stuff, and like 400 00:24:21,240 --> 00:24:24,039 I would spend I would spend the ten days in 401 00:24:24,079 --> 00:24:28,200 one song, yeah, and everything affected and like I love 402 00:24:28,240 --> 00:24:29,119 all that kind of stuff. 403 00:24:29,680 --> 00:24:32,759 Speaker 8: But Joan's like, no, really keen for it. 404 00:24:32,880 --> 00:24:36,359 Speaker 12: So the guy master on it, he knew like what Juan, 405 00:24:36,640 --> 00:24:38,759 him and Joan worked together yeah on it. 406 00:24:39,960 --> 00:24:42,680 Speaker 8: So like that way it wasn't going to get over 407 00:24:42,759 --> 00:24:43,640 produced and stuff. 408 00:24:43,759 --> 00:24:49,440 Speaker 4: Mm hmmmm. They did a great job. And were you 409 00:24:49,880 --> 00:24:52,839 Were you intending from the beginning to do a full 410 00:24:52,920 --> 00:24:54,920 album because obviously, you know, we live in a time 411 00:24:54,960 --> 00:24:56,519 where you have a lot of different options. You know, 412 00:24:56,599 --> 00:24:58,759 you can do albums, you can do EPs. A lot 413 00:24:58,799 --> 00:25:01,680 of artists just released singles now, wasn't it Was it 414 00:25:01,720 --> 00:25:03,720 important to you to do this as a full album, 415 00:25:03,799 --> 00:25:06,880 as one cohesive set of songs. Was that a priority 416 00:25:06,960 --> 00:25:07,119 for you? 417 00:25:09,279 --> 00:25:11,400 Speaker 12: I don't know about a priority, But we did want 418 00:25:11,440 --> 00:25:14,680 to do an album because like all the songs like 419 00:25:14,799 --> 00:25:19,839 actually tell a wild story. It's like a it's like 420 00:25:20,000 --> 00:25:25,240 there's the aliens, there's time travel. The whole album actually 421 00:25:25,279 --> 00:25:28,960 tells a story. So like like we didn't set out 422 00:25:29,000 --> 00:25:31,480 to do that, it just kind of came about. Yeah, 423 00:25:32,400 --> 00:25:35,000 But like we always knew we wanted to do an album. 424 00:25:35,640 --> 00:25:38,279 Maybe I don't know, there's there's just something about saying 425 00:25:38,359 --> 00:25:41,119 I've got an album right rather than I've got a 426 00:25:41,200 --> 00:25:42,119 couple of songs. 427 00:25:41,920 --> 00:25:47,319 Speaker 8: Out right right. Absolutely, it was always it was always 428 00:25:47,359 --> 00:25:51,519 an album. We've we've released a couple of EPs, an EP. 429 00:25:51,640 --> 00:25:54,000 Speaker 12: So far and a couple of singles, but it's just 430 00:25:54,079 --> 00:25:55,799 because we haven't been able to get back over to 431 00:25:55,839 --> 00:25:58,279 the States to do album two. 432 00:25:59,799 --> 00:26:02,920 Speaker 4: So so, so, do you plan to ultimately return to 433 00:26:03,240 --> 00:26:06,680 UH to Illinois to do another to do more recording. 434 00:26:07,319 --> 00:26:09,480 Speaker 12: Yeah, definitely, But we were actually we were actually meant 435 00:26:09,519 --> 00:26:13,440 to go to Nashville this time really yeah, October this year, 436 00:26:13,759 --> 00:26:14,799 but we had to cancel it. 437 00:26:15,480 --> 00:26:17,000 Speaker 8: A singer ended up getting married. 438 00:26:20,799 --> 00:26:23,759 Speaker 12: He was skinned and I so I think his honeymoon 439 00:26:23,799 --> 00:26:25,279 was book drowned about that time as well. 440 00:26:25,400 --> 00:26:29,640 Speaker 8: So he couldn't do it, so I don't We're trying 441 00:26:29,680 --> 00:26:34,119 to get over next year. Yeah, but Juanne coming over here. 442 00:26:35,599 --> 00:26:37,680 I'd love to. I'd record anywhere in the States to 443 00:26:37,759 --> 00:26:38,160 be honest. 444 00:26:38,440 --> 00:26:40,079 Speaker 4: Oh wow, Yeah, that's cool. 445 00:26:40,519 --> 00:26:44,200 Speaker 8: Good. He's got a friend in Nashville. He was the guy. 446 00:26:45,640 --> 00:26:49,799 Speaker 12: That he works with and Nashville done some of the 447 00:26:49,880 --> 00:26:51,359 songs for Red Dead Redemption too. 448 00:26:52,880 --> 00:26:55,079 Speaker 8: Yeah. Yeah, yeah, so like he was going to bring 449 00:26:55,200 --> 00:26:56,160 him in with us as well. 450 00:26:56,519 --> 00:26:59,480 Speaker 12: Yeah, I don't know, get a more cinematic sound because 451 00:27:00,720 --> 00:27:05,119 bands developed so like like with the sounds kind of developed. 452 00:27:05,160 --> 00:27:07,119 Speaker 8: It's still got that kind of raw energy and stuff 453 00:27:07,119 --> 00:27:07,279 like that. 454 00:27:07,559 --> 00:27:10,400 Speaker 12: Yeah, but there's there's a bit of cinematic kind of 455 00:27:11,119 --> 00:27:14,160 style as well. So it was wanting to bring on 456 00:27:14,359 --> 00:27:17,319 in this guy, but like I said, ultimately we couldn't 457 00:27:17,359 --> 00:27:19,640 do it. So we're hoping to get over next year. 458 00:27:19,960 --> 00:27:24,279 Speaker 4: Okay, okay, Oh that's that's great. Excellent, excellent. Hey, I 459 00:27:24,359 --> 00:27:26,319 wanted to ask you too about the artwork for the album. 460 00:27:26,400 --> 00:27:30,200 I really like that. Uh, and I'm curious if who 461 00:27:30,279 --> 00:27:32,039 did that if if it was somebody in the band, 462 00:27:32,200 --> 00:27:34,440 or or do somebody outside the band did that for you? 463 00:27:35,240 --> 00:27:37,960 Speaker 12: It was it was Lyle's original concept that the guy 464 00:27:39,000 --> 00:27:42,279 with the box on his head. Yes, so like that 465 00:27:42,440 --> 00:27:44,799 was Lyle's original concept. And then we've got an artist 466 00:27:44,880 --> 00:27:49,319 to draw up. And then like we said about because 467 00:27:49,359 --> 00:27:51,759 we've got space man and stuff like that, there was 468 00:27:51,880 --> 00:27:55,119 kind of like that feeling of like, don know, other 469 00:27:55,200 --> 00:27:55,960 worldly stuff. 470 00:27:56,039 --> 00:27:57,480 Speaker 4: So, yeah, we. 471 00:27:57,559 --> 00:28:00,720 Speaker 12: Wanted the kind of space ship bringing. We call him Brett. 472 00:28:00,880 --> 00:28:02,200 I'm a massive Brett Hart fan. 473 00:28:03,079 --> 00:28:03,720 Speaker 4: Oh no kidding. 474 00:28:04,680 --> 00:28:06,640 Speaker 12: Yeah, yeah, so like we named the guy with the 475 00:28:06,680 --> 00:28:09,240 box on his head Brett. Yeah, so like we wanted 476 00:28:09,279 --> 00:28:11,319 to make it as if Brett was getting dropped off. 477 00:28:11,759 --> 00:28:13,720 Speaker 8: On Earth to bring our music. 478 00:28:14,160 --> 00:28:14,359 Speaker 13: Yeah. 479 00:28:14,920 --> 00:28:17,039 Speaker 4: Oh wow, that was. 480 00:28:17,079 --> 00:28:18,200 Speaker 8: Kind of the concept of it. 481 00:28:18,319 --> 00:28:20,359 Speaker 4: Yeah, that's cool. You like to hit man? 482 00:28:21,680 --> 00:28:24,359 Speaker 8: Yeah, oh man, the best of was the best of us. 483 00:28:25,400 --> 00:28:28,200 Speaker 4: That's awesome. No, that's very very cool. He's my second 484 00:28:28,240 --> 00:28:30,279 favorite of all time. My first favorite is Macho Man 485 00:28:30,359 --> 00:28:33,839 Randy Savage, but Brett is a Brett. Brett is a 486 00:28:34,000 --> 00:28:35,240 very very close number two. 487 00:28:36,880 --> 00:28:39,640 Speaker 8: But Bett like as number two for me as well. 488 00:28:39,720 --> 00:28:41,119 Stone Cold's my favorite, though. 489 00:28:41,440 --> 00:28:44,480 Speaker 4: Yeah, Sean would be Sean would be my number three. Well, 490 00:28:44,519 --> 00:28:47,000 have to I do. I also do a wrestling podcast. 491 00:28:47,039 --> 00:28:50,839 We'll have to we'll have to get you on there. Absolutely. 492 00:28:51,920 --> 00:28:56,000 Speaker 12: I like watched, like, like I said, stone Colds my favorite. Yeah, 493 00:28:56,039 --> 00:28:59,000 I watched it from the King of the Ring ninety six. Yeah, 494 00:28:59,880 --> 00:29:03,119 it's like so I'd watch every raw, every pay per view. Yeah, 495 00:29:04,079 --> 00:29:05,079 the way they retired. 496 00:29:05,559 --> 00:29:06,799 Speaker 4: Yeah oh wow. 497 00:29:07,680 --> 00:29:10,440 Speaker 12: So like the matches with Brett Hart like that basically 498 00:29:10,519 --> 00:29:12,519 made Stone Colds for me. So like that's why I've 499 00:29:12,559 --> 00:29:13,599 got a fondness for Brett. 500 00:29:13,839 --> 00:29:14,079 Speaker 2: Yeah. 501 00:29:14,279 --> 00:29:20,319 Speaker 4: Oh absolutely, that's that's very cool, very cool. Oh you 502 00:29:20,400 --> 00:29:23,119 mentioned too, So so you collect vinyl? What's what's the 503 00:29:23,319 --> 00:29:27,039 vinyl situation like there? Because here in the United States, 504 00:29:27,160 --> 00:29:30,839 a lot of artists are still well, all all the 505 00:29:30,920 --> 00:29:32,880 major labels still put out vinyl, which a lot of 506 00:29:32,880 --> 00:29:35,440 people don't even realize, but a lot of independent artists too. 507 00:29:35,799 --> 00:29:38,640 You know, it's expensive, but but they put music out 508 00:29:38,680 --> 00:29:40,799 on vinyl. I mean, do you do you do you 509 00:29:40,839 --> 00:29:42,759 have plans to release or maybe you already have. I 510 00:29:42,799 --> 00:29:45,759 don't know. Is is Candlewood two thirty coming out on vinyl? 511 00:29:45,920 --> 00:29:49,920 Speaker 12: Or we actually had, we had plans to release it 512 00:29:50,039 --> 00:29:54,599 through a company over here, but it was like through 513 00:29:54,640 --> 00:29:58,039 a third party and then they pulled out. So like, really, 514 00:29:58,480 --> 00:30:00,839 we want to and I think that's something we're going 515 00:30:00,880 --> 00:30:03,799 to do in the future. Like you said, is it's 516 00:30:03,960 --> 00:30:07,440 really really expensive, but it's something. It's it's something like 517 00:30:07,519 --> 00:30:11,319 I love because like having that physical copy of something 518 00:30:11,440 --> 00:30:14,119 I don't know. I like, I'm a collector of things, 519 00:30:14,480 --> 00:30:18,559 so like having like that is just I'd love to 520 00:30:18,640 --> 00:30:21,720 have my own album like on vinyl. That's just something 521 00:30:21,759 --> 00:30:26,079 that I aspire to have. Yeah, but over here, loads 522 00:30:26,079 --> 00:30:30,519 of bands do it. NIGN bands that loads, so they do. 523 00:30:30,720 --> 00:30:30,920 Speaker 8: Yeah. 524 00:30:31,000 --> 00:30:35,640 Speaker 12: Yeah, like I said, I absolutely love it. Yeah, and 525 00:30:36,119 --> 00:30:38,400 I've got my oldest boy he's into it as well. 526 00:30:38,480 --> 00:30:41,759 Speaker 4: Now, Oh good good. Yeah, I always say nothing nothing 527 00:30:41,839 --> 00:30:47,480 sounds better than vinyl, you know, the warmth of one hundred. Yeah, well, 528 00:30:47,599 --> 00:30:50,440 very good now, And and so what's the live situation 529 00:30:50,599 --> 00:30:51,799 like for you guys? Are you playing a lot of 530 00:30:51,839 --> 00:30:53,319 shows and. 531 00:30:53,799 --> 00:30:57,119 Speaker 8: We're finished up in November there for the year? 532 00:30:57,400 --> 00:31:00,920 Speaker 12: Yeah, And our first gig is on the twenty first 533 00:31:01,000 --> 00:31:05,559 of March, and that's going to be a next EP release. 534 00:31:05,920 --> 00:31:11,240 Speaker 8: Oh so we released Nightmare. Our next single is going 535 00:31:11,319 --> 00:31:11,640 to be. 536 00:31:15,480 --> 00:31:18,480 Speaker 12: Oh no, I can't remember it's between two and I 537 00:31:18,519 --> 00:31:20,759 can't remember which ones. So I'm not going to say Okay, 538 00:31:21,039 --> 00:31:23,519 I get it wrong. But so we've got another two 539 00:31:23,559 --> 00:31:26,480 singles and then it's the EP release. So we're doing 540 00:31:26,519 --> 00:31:28,319 a headline gug up in Glasgow. 541 00:31:28,839 --> 00:31:34,200 Speaker 8: Oh okay, so yeah, so and then we're booked up. 542 00:31:34,680 --> 00:31:37,200 We've got I think we've got a ten gigs in 543 00:31:37,279 --> 00:31:40,680 the diary. I mean, Glasgow's great, Edinburgh's great. 544 00:31:41,160 --> 00:31:45,359 Speaker 12: We don't really get down to England much because it's 545 00:31:45,640 --> 00:31:48,359 a lot of the things is like pay to play basically, 546 00:31:50,519 --> 00:31:53,160 and it's like it's it's hard for a band coming 547 00:31:53,240 --> 00:31:56,839 up because promoters want you to be able to sell tickets, 548 00:31:56,880 --> 00:32:00,119 but bands need to get around the places to that 549 00:32:00,680 --> 00:32:04,000 leaving an impression, right, So the cel tickets in the future, 550 00:32:04,079 --> 00:32:06,160 so it's kind of hard. But we've got a few 551 00:32:06,200 --> 00:32:10,039 gigs down south. We'll get one in Derby and we're 552 00:32:10,079 --> 00:32:11,880 trying to get to London. We've got a few folk 553 00:32:11,960 --> 00:32:13,039 down in London that is to. 554 00:32:13,079 --> 00:32:16,640 Speaker 8: Go down there. So yeah, that's one for the future 555 00:32:16,680 --> 00:32:19,599 as well. Yeah yeah, yeah. The one in the twenty 556 00:32:19,640 --> 00:32:20,160 first of March. 557 00:32:20,240 --> 00:32:23,119 Speaker 12: Actually my son's band, it's going to be their first 558 00:32:23,160 --> 00:32:25,000 ever gig and they're supporting us, so that's kind of 559 00:32:25,119 --> 00:32:26,759 oh wow, man, I. 560 00:32:28,000 --> 00:32:31,559 Speaker 4: Oh, that's very cool. That must be what's what's uh 561 00:32:31,920 --> 00:32:33,039 the name of his band. 562 00:32:35,119 --> 00:32:39,559 Speaker 8: Called the Addict okay, the sixteen year old. I don't 563 00:32:39,599 --> 00:32:41,799 think I'm addicted to anything other than playing music. 564 00:32:42,000 --> 00:32:46,200 Speaker 4: Yeah, yeah, that's cool. So they're going to be helping 565 00:32:46,359 --> 00:32:47,160 for you. That's awesome. 566 00:32:47,359 --> 00:32:51,079 Speaker 12: Yeah yeah, man, I can't mate. Oh wow, have we 567 00:32:51,160 --> 00:32:52,680 standing at the back like a proud dad? 568 00:32:53,000 --> 00:32:53,200 Speaker 8: Yeah? 569 00:32:53,680 --> 00:32:55,799 Speaker 4: Oh that is so cool. Yeah, you must be very proud. 570 00:32:55,880 --> 00:32:56,480 That's amazing. 571 00:32:56,880 --> 00:32:58,279 Speaker 8: I feel like I'm too young for it to be 572 00:32:58,400 --> 00:32:58,880 happening to do. 573 00:33:01,720 --> 00:33:07,279 Speaker 4: Yeah, well there's that, there's that part, all right. No, 574 00:33:07,480 --> 00:33:11,880 that's cool though. That's that's extremely cool. Yea cool, very good. 575 00:33:12,119 --> 00:33:14,279 So the EP is that going to be all new? 576 00:33:14,839 --> 00:33:16,319 Are any of those? Are any of the songs from 577 00:33:16,359 --> 00:33:17,839 kenel Wood two thirty going to be on that? Or 578 00:33:17,880 --> 00:33:18,680 is it all new stuff? 579 00:33:18,720 --> 00:33:20,599 Speaker 8: For its all new stuff? 580 00:33:20,839 --> 00:33:21,240 Speaker 4: Oh wow? 581 00:33:22,119 --> 00:33:26,200 Speaker 12: Three new originals like well Nightmares on it. We've got 582 00:33:26,279 --> 00:33:29,160 dB Cooper and we've actually got a cover of the 583 00:33:29,200 --> 00:33:30,880 well Doing of Have you heard. 584 00:33:30,759 --> 00:33:31,480 Speaker 8: Of Nolan Porter? 585 00:33:32,440 --> 00:33:33,279 Speaker 4: I'm not familiar. 586 00:33:34,039 --> 00:33:37,240 Speaker 12: It's like a kind of northern soul, like a soul 587 00:33:37,680 --> 00:33:39,680 guy Nolan. He's got a song called If I Could 588 00:33:39,720 --> 00:33:43,599 Only Be Sure? Really cool man. So we do a 589 00:33:43,640 --> 00:33:47,240 kind of a rockier cover of it. Okay, so that's 590 00:33:47,279 --> 00:33:48,160 going to be on it as well. 591 00:33:48,359 --> 00:33:51,160 Speaker 8: Oh, excellent one of the four songs. 592 00:33:51,200 --> 00:33:54,000 Speaker 12: But we've got loads of songs there, and we're trying 593 00:33:54,039 --> 00:33:56,119 to kind of space it out throughout the year and 594 00:33:56,480 --> 00:34:01,039 with the thought of recording another album, so we're trying 595 00:34:01,079 --> 00:34:03,920 to keep songs back for this album and trying to 596 00:34:04,000 --> 00:34:06,119 get songs and you know what I mean, trying to. 597 00:34:08,159 --> 00:34:10,239 Speaker 8: Spend plates basically right right. 598 00:34:11,000 --> 00:34:13,199 Speaker 4: Yeah, that that can be that can be a challenge. 599 00:34:13,280 --> 00:34:15,079 I mean, it's a good problem, having a sense, but 600 00:34:15,199 --> 00:34:19,639 when you've got more material than is necessarily practical to 601 00:34:19,760 --> 00:34:22,280 release in a compressed period of time and you have 602 00:34:22,360 --> 00:34:24,719 to kind of space it out, and you know, timing 603 00:34:24,880 --> 00:34:27,079 is everything in this business, but that that can be 604 00:34:27,159 --> 00:34:28,880 a challenge too when you've got a you know, I 605 00:34:28,920 --> 00:34:31,440 mean when you when you're creating. You know, I've been 606 00:34:31,480 --> 00:34:33,639 in bands and I'm a songwriter, and I know that 607 00:34:33,719 --> 00:34:36,039 when you when you create something and you're proud of it, 608 00:34:36,360 --> 00:34:38,559 you want to share it with the world. And so 609 00:34:38,719 --> 00:34:41,320 much of this of just doing this is having the 610 00:34:41,400 --> 00:34:44,800 discipline to be able to hold it back, and that 611 00:34:44,840 --> 00:34:45,599 can be very hard. 612 00:34:45,679 --> 00:34:46,159 Speaker 8: Definitely. 613 00:34:46,639 --> 00:34:49,360 Speaker 12: That the other problem as well as like your newest 614 00:34:49,400 --> 00:34:51,519 song that you write that everybody in the band loves 615 00:34:51,880 --> 00:34:54,159 is your favorite song of all time. Yes, and then 616 00:34:54,800 --> 00:34:57,000 like see, maybe six months down the line, you've maybe 617 00:34:57,039 --> 00:34:59,280 wrote two or three more songs after that, which you've 618 00:34:59,320 --> 00:35:01,719 got the exact same feeling about. Yeah, and then the 619 00:35:01,840 --> 00:35:04,199 song that you originally wrote is then just coming out, 620 00:35:04,480 --> 00:35:06,559 so you don't have the same feeling towards it is. 621 00:35:06,599 --> 00:35:08,239 Speaker 8: Trying to kind of balance that as well. 622 00:35:08,440 --> 00:35:11,280 Speaker 4: Yeah, yeah, that's challenging. 623 00:35:12,039 --> 00:35:15,360 Speaker 12: Yeah, yeah, yeah, definitely, but I we've kind of got 624 00:35:16,119 --> 00:35:18,800 it's all written down the plans there. I watched one 625 00:35:18,840 --> 00:35:20,920 of the other boys was here to help me because 626 00:35:22,400 --> 00:35:23,599 he knows a lot more of the details. 627 00:35:23,639 --> 00:35:26,920 Speaker 4: And yeah, well that's okay. Now you're you're doing great. 628 00:35:26,960 --> 00:35:32,559 We've learned a lot this morning, actually, absolutely absolutely, bess uh. Well, 629 00:35:32,920 --> 00:35:34,679 we will have to and we'll definitely have to have 630 00:35:34,760 --> 00:35:37,199 you back for the when the EP is coming out, 631 00:35:37,199 --> 00:35:38,719 because we want to we want to get you back 632 00:35:38,760 --> 00:35:41,360 on for that talk about that and well and we'll 633 00:35:41,480 --> 00:35:43,559 you know, we'll we'll play you know, whatever the first 634 00:35:43,599 --> 00:35:45,039 single is from that. We'd love to play it on 635 00:35:45,079 --> 00:35:48,599 the show where where's the best place for people to 636 00:35:48,679 --> 00:35:50,239 go to keep up with everything that you guys are 637 00:35:50,320 --> 00:35:52,079 doing that the Box of Trash is doing. 638 00:35:53,280 --> 00:35:56,079 Speaker 8: I think. I mean, I'm not on Instagram, but I 639 00:35:56,159 --> 00:35:58,480 think a lot of the stuff is on Instagram, okay, 640 00:35:58,519 --> 00:36:02,119 and Instagram. I'm on Twitter. It's basically the two main ones. 641 00:36:02,280 --> 00:36:02,599 Speaker 4: Okay. 642 00:36:03,840 --> 00:36:06,840 Speaker 8: I think Lyle does like tiktoks as well. 643 00:36:07,199 --> 00:36:10,199 Speaker 12: We've got a YouTube channel that's got like live videos 644 00:36:10,199 --> 00:36:11,519 from our gigs and stuff as well. 645 00:36:11,840 --> 00:36:12,239 Speaker 4: Excellent. 646 00:36:13,159 --> 00:36:16,679 Speaker 8: So YouTube, TikTok, Instagram and Twitter. 647 00:36:17,000 --> 00:36:18,480 Speaker 4: Yeah, all the all the socials. 648 00:36:19,320 --> 00:36:20,760 Speaker 8: Yeah, yeah, I know. 649 00:36:20,840 --> 00:36:23,559 Speaker 4: I still call it Twitter too. It's hard to I'm 650 00:36:23,599 --> 00:36:24,000 not gonna. 651 00:36:24,760 --> 00:36:26,320 Speaker 8: I can't not call it Twitter now. 652 00:36:27,079 --> 00:36:30,280 Speaker 4: Well, the problem is if if you say Twitter, everyone 653 00:36:30,320 --> 00:36:31,920 knows what you're talking about. But if you say X, 654 00:36:32,119 --> 00:36:34,159 sometimes people don't know what you mean. You know, depending 655 00:36:34,159 --> 00:36:38,599 on the context, it's like X. Yeah, well, very good, 656 00:36:38,800 --> 00:36:40,519 So I want to so we'll let you go in 657 00:36:40,599 --> 00:36:42,440 a moment, Baz, It's been wonderful to speak with you. 658 00:36:43,039 --> 00:36:46,519 Uh yeah, I do. I am going to close out 659 00:36:46,599 --> 00:36:50,360 the segment with another track from Candlewood two thirty. Obviously 660 00:36:50,400 --> 00:36:52,719 we played Nightmare, but what would you like us to 661 00:36:52,800 --> 00:36:55,239 play to end the segment, I'll let you pick them, 662 00:36:55,320 --> 00:36:56,360 kind of putting you on the spot. 663 00:36:56,480 --> 00:37:00,639 Speaker 12: But up in the clouds. There's a cool story behind 664 00:37:00,679 --> 00:37:02,320 that as well. That's the reason why. 665 00:37:02,440 --> 00:37:04,639 Speaker 8: Okay is all right to tell it? Oh? 666 00:37:04,679 --> 00:37:07,119 Speaker 4: Absolutely absolutely, up. 667 00:37:07,079 --> 00:37:10,719 Speaker 12: In the clouds is I wrote the music and then 668 00:37:11,599 --> 00:37:13,760 Wyle was going on holiday and he was at the 669 00:37:13,800 --> 00:37:15,840 airport and I sent him the music. He's like, right, 670 00:37:16,039 --> 00:37:19,039 send it to me and I'll write the song on holiday. 671 00:37:20,239 --> 00:37:22,320 I was like writing no bother and he wrote it 672 00:37:22,480 --> 00:37:24,679 well in the sky like on the plane. 673 00:37:24,880 --> 00:37:25,039 Speaker 8: Oh. 674 00:37:25,840 --> 00:37:27,880 Speaker 12: The first line is like we're up in the clouds 675 00:37:27,920 --> 00:37:31,480 for holiday bound, Oh the purbulence in the sky. So 676 00:37:31,880 --> 00:37:37,159 I it's basically about him going on holiday. And it's 677 00:37:37,239 --> 00:37:38,360 quite a cool groove as well. 678 00:37:38,400 --> 00:37:41,159 Speaker 4: I love the grooves to yeah, Oh, very cool, very cool. Yeah. 679 00:37:41,159 --> 00:37:42,760 I listen to the whole album and I really, I 680 00:37:42,840 --> 00:37:45,480 really like everything on it. So that's a that's a 681 00:37:45,519 --> 00:37:48,599 great choice. So okay, so we're gonna hit that track 682 00:37:48,639 --> 00:37:50,559 in a moment. We will let you go. But again, 683 00:37:50,639 --> 00:37:53,079 thank you so much for joining us, and we will 684 00:37:53,360 --> 00:37:55,320 we will talk again in the future, definitely with the 685 00:37:55,400 --> 00:37:57,280 EP and now I'll reach out to you too about 686 00:37:57,280 --> 00:37:59,119 the podcast. We can get you on that too. 687 00:38:00,039 --> 00:38:01,519 Speaker 8: I'd love it, man, I'd love it would be. 688 00:38:01,559 --> 00:38:06,440 Speaker 4: Very very cool. All right, Bas from Christmas, Oh, merry 689 00:38:06,480 --> 00:38:09,199 Christmas to you. Absolutely all right, Bas from Box of Trash, 690 00:38:09,280 --> 00:38:12,159 thank you so much, my friend. We'll talk to you soon, okay, 691 00:38:12,400 --> 00:38:15,760 all right, take care bye bye bye, all right, wonderful. 692 00:38:15,800 --> 00:38:18,320 That is Baz from the band Box of Trash. And 693 00:38:18,480 --> 00:38:21,039 we will close out the segment with this. And if 694 00:38:21,079 --> 00:38:23,440 you are listening live on Saturday, stick around. We've got 695 00:38:23,440 --> 00:38:25,800 plenty more to come. But Uh here it is. This 696 00:38:25,960 --> 00:38:28,480 is Uh from the album Candlewood two thirty. The band 697 00:38:28,559 --> 00:38:30,679 is Box of Trash and the track is up in 698 00:38:30,719 --> 00:38:31,239 the clouds. 699 00:38:48,119 --> 00:38:54,000 Speaker 5: Welp the house a Hollandy bags. This guy. 700 00:38:55,559 --> 00:39:01,559 Speaker 7: Just loves so five chapter Love. 701 00:39:04,559 --> 00:39:13,880 Speaker 6: I want to get you, know, let me get you. 702 00:39:21,760 --> 00:39:26,280 Speaker 3: I'll feel your passion and I want you help escape 703 00:39:26,320 --> 00:39:26,840 the battle. 704 00:39:26,920 --> 00:39:31,000 Speaker 9: When the rope jetself whats doncy she. 705 00:39:31,079 --> 00:39:31,960 Speaker 7: Have it your road? 706 00:39:32,840 --> 00:39:38,280 Speaker 6: I will be chusing you. They say, I. 707 00:39:38,519 --> 00:40:12,320 Speaker 3: Want to get you, Let me let you. The boy 708 00:40:12,639 --> 00:40:14,400 got to know you got to. 709 00:40:19,719 --> 00:41:52,239 Speaker 5: Have you know, we got to know. No, No, I'm 710 00:41:52,360 --> 00:41:54,639 standing in a shut. 711 00:41:56,360 --> 00:41:57,760 Speaker 8: I'm listening to you and. 712 00:42:00,559 --> 00:42:09,519 Speaker 5: A wonder last story, Oh my God, wad spell by 713 00:42:13,239 --> 00:42:14,920 how look at I ben. 714 00:42:17,519 --> 00:42:19,920 Speaker 6: Standing the side. 715 00:42:21,960 --> 00:42:22,920 Speaker 12: Est the time. 716 00:43:03,760 --> 00:43:05,519 Speaker 5: I'll get at a back. 717 00:43:08,079 --> 00:43:12,960 Speaker 8: Staying in the s s to. 718 00:44:17,400 --> 00:44:23,159 Speaker 5: See me ad God miss what's fain? 719 00:44:26,960 --> 00:44:27,480 Speaker 13: He fat? 720 00:44:31,159 --> 00:44:31,920 Speaker 1: He got. 721 00:44:49,039 --> 00:44:50,159 Speaker 5: A bil. 722 00:44:57,400 --> 00:44:58,559 Speaker 6: A bl. 723 00:45:21,079 --> 00:45:24,119 Speaker 4: That is the Ocean by the band replaced by Robots, 724 00:45:24,360 --> 00:45:26,760 love them, love that song so much. And before that, 725 00:45:26,840 --> 00:45:29,039 of course, we heard up in the Clouds by Box 726 00:45:29,119 --> 00:45:31,119 of Trash and thank you again to Baz from the 727 00:45:31,159 --> 00:45:33,639 band Box of Trash for joining us. Really enjoyed my 728 00:45:33,719 --> 00:45:36,239 conversation with him. There were some cool surprises in there too, 729 00:45:36,360 --> 00:45:38,320 So if you missed it, make sure you go back 730 00:45:38,360 --> 00:45:40,880 and listen to the podcast of the show so you 731 00:45:41,000 --> 00:45:45,440 can so you can hear that some quick music news 732 00:45:45,960 --> 00:45:48,880 I saw pop up. This is from Digitalmusicnews dot com 733 00:45:49,639 --> 00:45:52,239 and I did not know that this was going on. 734 00:45:52,400 --> 00:45:57,800 But Mary Bono files appeal following momentous share copyright victory. 735 00:45:58,280 --> 00:46:00,920 I had no idea that this was happening, that Mary Bono, 736 00:46:02,320 --> 00:46:06,679 Sonny Bono's widow, was actually fighting with Cher, who was 737 00:46:06,719 --> 00:46:10,400 also married to Sonny Bono. Of course, over there's always 738 00:46:11,199 --> 00:46:13,079 Here's the thing about the music industry, there's one thing 739 00:46:13,119 --> 00:46:15,360 you can always count on someone is always doing somebody 740 00:46:15,440 --> 00:46:20,840 for something, it says here. Sonny Bono's widow, Mary files 741 00:46:20,840 --> 00:46:23,280 an appeal following a federal judge is ruling last year 742 00:46:23,360 --> 00:46:26,239 that Cher is still entitled to fifty percent of the 743 00:46:26,320 --> 00:46:30,599 proceeds from her nineteen sixties hits with Sonny. Of course, 744 00:46:30,639 --> 00:46:33,719 everyone knows Sonny and Share. Even you youngins have probably 745 00:46:33,760 --> 00:46:36,400 heard of Sonny and Share at least before. Before Chare 746 00:46:36,599 --> 00:46:41,760 was the hugely successful solo artist that she became, she was, 747 00:46:41,840 --> 00:46:44,039 of course, one half of the duo Sonny and Share, 748 00:46:44,719 --> 00:46:46,599 it says here. Last year, a federal judge ruled the 749 00:46:46,679 --> 00:46:49,440 Chare is still entitled to half of the publishing proceeds 750 00:46:49,880 --> 00:46:54,039 from her early hits with her ex Sonny Bono, including 751 00:46:54,239 --> 00:46:56,320 I Got You Babe. Everyone knows that song, right, I 752 00:46:56,440 --> 00:46:58,599 Got You Babe? Forgive me for singing? 753 00:46:58,760 --> 00:46:58,880 Speaker 8: Now. 754 00:46:58,880 --> 00:47:01,480 Speaker 4: A year and a half later, Sonny's widow, Mary Bono 755 00:47:02,039 --> 00:47:05,960 has filed an appeal. Mary has been trying to stop 756 00:47:06,119 --> 00:47:10,559 paying royalties to Share under so called termination rights, under 757 00:47:10,599 --> 00:47:14,280 which artists and their heirs can gain back control of 758 00:47:14,440 --> 00:47:19,440 intellectual property years after signing it away. But last year, 759 00:47:19,599 --> 00:47:22,719 a federal judge ruled that termination rights do not apply 760 00:47:23,280 --> 00:47:27,199 to Sonny and Chera's nineteen seventy eight divorce settlement, which 761 00:47:27,360 --> 00:47:30,599 entitled Chare to a fifty percent cut of publishing revenue 762 00:47:30,599 --> 00:47:33,079 from hits like I Got You Babe, The Beat Goes On, 763 00:47:33,599 --> 00:47:40,320 and Baby Don't Go in perpetuity. In May twenty twenty four, 764 00:47:40,639 --> 00:47:46,760 California Federal US District Judge John A. Kronstat ruled in 765 00:47:46,880 --> 00:47:50,280 Cher's favor, but the decision wasn't made official until a 766 00:47:50,360 --> 00:47:54,360 final judgment that was entered just last month. That judgment 767 00:47:54,480 --> 00:48:01,000 was appealed by Mary Bono's attorney, Daniel Shacked Shat, to 768 00:48:01,199 --> 00:48:05,880 the Ninth Circuit Court of Appeals on Monday, December twenty second. 769 00:48:08,800 --> 00:48:11,960 Mary Bono has argued she should be able to invoke 770 00:48:11,960 --> 00:48:14,719 her termination rights to cancel Sunny's assignment of royalties to 771 00:48:14,800 --> 00:48:17,840 share in the divorce settlement, but Judge Cronstat ruled that 772 00:48:17,920 --> 00:48:22,599 the divorce agreement was a contract for financial compensation, not 773 00:48:22,840 --> 00:48:26,599 a grant of intellectual property that would be subject to termination, 774 00:48:26,719 --> 00:48:29,960 writing that quote a right to receive royalties is distinct 775 00:48:30,000 --> 00:48:38,000 from a grant of copyright unquote, so it says a 776 00:48:39,280 --> 00:48:42,840 Shat told Billboard quote Judge Cronstat's got the law wrong 777 00:48:42,960 --> 00:48:46,599 on copyright terminations. His ruling, if left standing, will hurt 778 00:48:46,679 --> 00:48:50,599 songwriters and creators by allowing not just former spouses, but 779 00:48:50,719 --> 00:48:54,480 also publishers and labels to circumvent the Copyright Act and 780 00:48:54,599 --> 00:48:58,639 keep shares of royalties even after termination unquote, he said 781 00:48:58,639 --> 00:49:01,320 at the time of the judge's ruling last year. By 782 00:49:01,360 --> 00:49:03,639 the way, and Share was also in the news recently 783 00:49:03,719 --> 00:49:06,239 for this Share was the musical guest on Saturday Night 784 00:49:06,320 --> 00:49:10,320 Live last weekend, while Ariana Grande hosted the episode. But 785 00:49:10,440 --> 00:49:12,719 the seventy which is unusual, by the way, you would think, 786 00:49:13,159 --> 00:49:16,360 because it's not I mean, it's not super common. But 787 00:49:16,800 --> 00:49:19,679 occasionally you'll have a musical guest and a host be 788 00:49:19,800 --> 00:49:21,679 the same person. You know, like you might have Veryana 789 00:49:21,719 --> 00:49:24,079 Grande because obviously she's a musician. You might have her 790 00:49:24,119 --> 00:49:26,400 host and be the musical guest, you know, pulling double duty. 791 00:49:26,480 --> 00:49:27,880 You see that once in a while. But they didn't 792 00:49:27,920 --> 00:49:32,400 do that this time. Cherre was the musical guest. The 793 00:49:32,920 --> 00:49:35,320 seventy nine year old has been accused of lip syncing 794 00:49:35,519 --> 00:49:39,079 during her performance of her twenty twenty three Christmas track 795 00:49:39,239 --> 00:49:43,440 DJ Play a Christmas Song, which left some fans disappointed. 796 00:49:43,679 --> 00:49:45,519 Jenny and I thought the same thing as we were 797 00:49:45,559 --> 00:49:49,639 watching it. Is she lip syncing it? It did appear 798 00:49:49,880 --> 00:49:54,960 that way. She isn't even singing. One person complaining on 799 00:49:55,320 --> 00:49:57,239 X this is some of the worst lip syncing I've 800 00:49:57,280 --> 00:50:02,480 ever seen, regardless, I mean, even if she was singing live, 801 00:50:02,559 --> 00:50:06,079 there was a lot of processing on her voice. And 802 00:50:06,199 --> 00:50:12,000 I know, her huge monster hit song was it Believe 803 00:50:12,079 --> 00:50:14,119 Do you Believe? In Life After Love? You know, that 804 00:50:14,360 --> 00:50:18,320 was like that's like got the auto tune dialed all 805 00:50:18,360 --> 00:50:20,199 the way up on that song, and that kind of 806 00:50:20,280 --> 00:50:25,480 became like her sound there in that moment. I mean, 807 00:50:25,559 --> 00:50:28,719 auto tune obviously during that period was used a lot. 808 00:50:28,840 --> 00:50:31,800 It still is, I mean, but used like obviously where 809 00:50:32,159 --> 00:50:34,599 you're actually supposed to hear the auto tune. That kind 810 00:50:34,639 --> 00:50:36,599 of became the style and the vibe for a little while. 811 00:50:37,079 --> 00:50:41,880 And you know, I think it sounds horrible and I 812 00:50:41,960 --> 00:50:46,119 hate that song for that reason anyway. But yeah, so 813 00:50:46,440 --> 00:50:49,039 some legal news, and of course the lip syncing, I mean, 814 00:50:49,119 --> 00:50:51,480 you know, the lip syncing thing, well that'll blow over. 815 00:50:51,840 --> 00:50:53,960 Nobody really cares that much. I'll tell you what. For 816 00:50:54,039 --> 00:50:56,760 seventy nine years old, she still moves really well. So 817 00:50:56,960 --> 00:50:58,840 I'll give her that, but I don't think she was 818 00:50:58,880 --> 00:51:01,199 actually singing. But again, and that's not a big deal. 819 00:51:01,519 --> 00:51:03,960 But the legal wrangling, I didn't even know that that 820 00:51:04,119 --> 00:51:07,519 was going on, that there was ongoing litigation between Mary Bono, 821 00:51:08,039 --> 00:51:10,880 who Sonny was married to at the time of his death, 822 00:51:11,280 --> 00:51:14,159 and Share. I did not know about that, so that's 823 00:51:14,199 --> 00:51:16,760 interesting to me. All Right, we are approaching the top 824 00:51:16,800 --> 00:51:18,559 of the hour. We're gonna take a break. We're gonna share, 825 00:51:18,920 --> 00:51:21,559 show some love to our amazing sponsors, of course, and 826 00:51:22,119 --> 00:51:23,920 when we come back on the other side of that, 827 00:51:24,039 --> 00:51:26,679 we'll be talking with the Marches in the second hour. 828 00:51:26,760 --> 00:51:29,639 Another great band from across the Pond, as we say, 829 00:51:29,760 --> 00:51:31,960 really looking forward to speaking to them. We recently played 830 00:51:31,960 --> 00:51:34,400 their new single Don't Fool Me twice. They have a 831 00:51:34,480 --> 00:51:36,920 great sound. I cannot wait to talk to the Marches. 832 00:51:37,079 --> 00:51:38,760 So there's plenty more to come. If you are listening 833 00:51:38,880 --> 00:51:43,000 live on Saturday, stick around lots more Matt Connorton Unleashed 834 00:51:43,039 --> 00:51:45,199 on the way. We'll talk to you in a few minutes. 835 00:51:49,519 --> 00:51:52,599 Speaker 14: Nana's Kitchen and Pizzeri from. 836 00:51:52,599 --> 00:51:58,119 Speaker 6: Nana's Hats to your play Tradition, Love and Taste. 837 00:51:58,239 --> 00:52:03,400 Speaker 11: That's great slow for men to dome flavor so true. 838 00:52:05,840 --> 00:52:09,119 Speaker 4: Each bite the story made. 839 00:52:09,480 --> 00:52:10,079 Speaker 8: Just for you. 840 00:52:11,119 --> 00:52:14,880 Speaker 14: Six o three two three two nine three six six 841 00:52:15,679 --> 00:52:20,119 Nana's Kitchen and Pizza Reed fifteen Dartmouth Dry Auburn, New. 842 00:52:20,079 --> 00:52:24,760 Speaker 4: Hampshire Kitchen and Piser. 843 00:52:28,599 --> 00:52:30,760 Speaker 13: Luigi's Pizza Barren Grill. 844 00:52:30,719 --> 00:52:34,639 Speaker 3: Un for every one, Let's raise his lye on hide 845 00:52:35,199 --> 00:52:38,800 with top and of a ground pizza Pizza. 846 00:52:38,599 --> 00:52:44,559 Speaker 13: Barrio Mine Luigi's Pizza Barren Grill seven twelve Valley Street, Manchester, 847 00:52:44,840 --> 00:52:47,679 Come on in or call six two two one zero 848 00:52:47,960 --> 00:52:53,000 two one Luigi keeping the tradition alive since nineteen seventy five. 849 00:52:53,320 --> 00:52:59,239 Speaker 3: Ten Pizza for every one, Come join a piece tonight. 850 00:53:00,280 --> 00:53:04,159 Speaker 4: With these slye sets of it, everything feels so right. 851 00:53:07,320 --> 00:53:09,519 Speaker 10: In times of crisis, you need a law firm that 852 00:53:09,639 --> 00:53:12,679 stands by your side. 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We have twelve 876 00:54:31,920 --> 00:54:34,440 craft beers on tap dedicated to the local brewers in 877 00:54:34,480 --> 00:54:37,000 the area and some of the friendliest bartenders around. 878 00:54:37,480 --> 00:54:38,440 Speaker 4: Please come visit. 879 00:54:38,280 --> 00:54:40,679 Speaker 9: Pembrook City Limits at one thirty four Main Street, the 880 00:54:40,880 --> 00:54:45,039 historic Suncook Village, only six miles outside of Manchester. Open 881 00:54:45,119 --> 00:54:48,760 Tuesdays to Wednesdays four to ten Thursday's a Sunday eleven 882 00:54:48,840 --> 00:54:51,960 to ten. Pembrook City Limits, where it's all about the music. 883 00:54:52,199 --> 00:54:54,840 Speaker 13: Business Cafe is the place to put a smile on 884 00:54:54,960 --> 00:54:57,400 your face. 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N 900 00:56:00,719 --> 00:56:05,239 Seven times out of ten we listened to our music at. 901 00:56:05,320 --> 00:56:10,639 Speaker 3: Nice's titled books Business program. 902 00:56:10,519 --> 00:56:12,960 Speaker 1: Late Night to Light with DJ Mitas right here on 903 00:56:13,159 --> 00:56:15,039 WMNH Manchester. 904 00:56:15,679 --> 00:56:20,440 Speaker 8: Because Saturdays and Sunday nights midnight to four am. 905 00:56:21,760 --> 00:56:27,239 Speaker 14: This hour on WMNH is sponsored by CGI Business Solutions, 906 00:56:27,599 --> 00:56:31,599 located at five Dartmouth Drive in Auburn. They serve all 907 00:56:31,679 --> 00:56:36,159 your business needs including employee benefits, planning, corporate design and 908 00:56:36,280 --> 00:56:42,239 business administration, investments and wealth management and customized business insurance solutions. 909 00:56:42,519 --> 00:56:45,079 Their phone number is eight sixty six eighty four to 910 00:56:45,159 --> 00:56:48,960 one forty six hundred, or on the web at CGI 911 00:56:49,199 --> 00:56:51,000 Business Solutions dot com. 912 00:56:54,039 --> 00:56:57,519 Speaker 1: Behold the harmony of airwaves as you immerse yourself in 913 00:56:57,599 --> 00:57:02,079 the captivating frequencies of WMNA HLP. The sonic heartbeats of 914 00:57:02,239 --> 00:57:05,320 Manchester is the transcending through the ether at ninety five 915 00:57:05,360 --> 00:57:09,119 point three megahertz frequency modulation. Our transmissions emanate from the 916 00:57:09,239 --> 00:57:12,239 zenith of one thousand elm streets insure into the hearts 917 00:57:12,280 --> 00:57:15,320 of our creative realm at one nineteen Canal Street, where 918 00:57:15,440 --> 00:57:19,559 innovation and sound collage. They're the impro moder of Manchester 919 00:57:19,719 --> 00:57:23,840 Public Television Service in the venerable city of Manchester, New Hampshire, USA. 920 00:57:24,239 --> 00:57:27,280 Enrich your auditory journey with the depth of our license 921 00:57:27,320 --> 00:57:30,320 to wesidens wept your missives to w m n H 922 00:57:30,440 --> 00:57:33,559 ninety five to three at gmail dot com or traverse 923 00:57:33,599 --> 00:57:37,679 the virtual corridors of wmnhradio dot org. Engage with our 924 00:57:37,719 --> 00:57:40,719 sonic vibrations by communing with us through the digital channel 925 00:57:41,079 --> 00:57:44,760 or radio beckons eager to enthrall you with its mesmerizing 926 00:57:44,840 --> 00:57:48,079 kittence and develop you with a sympony of foundless auditories. 927 00:57:48,119 --> 00:57:55,159 Speaker 8: Won dude, WMNH rip the novels. 928 00:57:57,280 --> 00:57:58,199 Speaker 5: We're back from the. 929 00:57:58,280 --> 00:58:31,320 Speaker 6: Brain shad sha. He has stand out in the dark. 930 00:58:31,639 --> 00:58:36,079 Speaker 7: You know he was, certainly and now we'll ever that 931 00:58:36,360 --> 00:58:41,719 spark and do certainly and know that is wrong. 932 00:58:41,880 --> 00:58:45,760 Speaker 5: Start a bu It keeps taving me, but no, we're 933 00:58:45,920 --> 00:58:48,000 not God into this. 934 00:58:48,639 --> 00:58:55,960 Speaker 6: You no say the things that she wanted to show 935 00:58:56,719 --> 00:58:57,599 or try. 936 00:58:57,440 --> 00:58:59,599 Speaker 11: To shout trying every time. 937 00:59:01,039 --> 00:59:05,199 Speaker 6: You pass me, I passing, but we don't know that 938 00:59:05,320 --> 00:59:06,360 that's on your aunt. 939 00:59:07,320 --> 00:59:08,760 Speaker 7: It's not eciess not. 940 00:59:09,239 --> 00:59:10,559 Speaker 4: It's not so much talking. 941 00:59:11,480 --> 00:59:14,079 Speaker 8: I take it through holl meant. 942 00:59:13,800 --> 00:59:19,599 Speaker 6: Stuff from me, but don't from me. 943 00:59:19,840 --> 00:59:30,880 Speaker 11: It's a person so around I know. It's so they 944 00:59:31,280 --> 00:59:34,599 do the isolation in the crowd. 945 00:59:34,719 --> 00:59:36,639 Speaker 5: The blame is along on. 946 00:59:36,800 --> 00:59:38,039 Speaker 8: You and all. 947 00:59:38,159 --> 00:59:42,679 Speaker 5: I'm saying it because now you're feeling me. It was tough. 948 00:59:43,000 --> 00:59:45,760 Now we're both going into this. 949 00:59:46,440 --> 00:59:54,960 Speaker 6: No no, say the things that you're fish