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Speaker 1: And we are back, so let's talk about this Bond,

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James Bond. Oh boy, so today it wasn't now So again,

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it's funny. This must been a newscast that you and

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because I listened to some of it, you and don't

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talk about Clayface thing and then the Bond thing. So

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it's kind of funny that they're both coming back up.

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So weeks ago or a couple months ago whenever, there

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was this article that came out and it was all

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sourced and everything like that, where okay, Bond is owned

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by the Broccolis. I can't remember his full na name.

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It's like Albert Broccoli something like that, but anyways, i'll

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call him Broccoli Senior. He got the rights and I

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looked at this like over sixty years ago for the

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Bond movies. Obviously they are a bunch of books, but hey,

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he's been attached to it ever since. And then his

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daughter and son took you know, uh, got the role

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and not the roles, got the ownership of it when

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he passed DA so they own it, but they've always

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been in partnership with MGM, and that's what Amazon bought

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a couple of years ago. So it was a sticky

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situation where Amazon owned MGM, but they didn't own Bond

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per se, like it was kind of like a shared thing, right,

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and the Broccolis still had kind of final say, well,

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it came out today and the big thing was to that.

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Apparently the splitting point at least a couple of weeks ago,

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and who knows, this is probably months ago. All the

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stuff works a lot slower than it actually reported. They

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the Amazon crew want of course, to a Bond movie,

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but they wanted to mcu it. They wanted to do spinoffs,

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they wanted to do TV shows on top of the movies.

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Speaker 2: They want a whole Bond cinematic universe.

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Speaker 1: And obviously this is a character that's never got any

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spinoffs whatsoever. There's been talking about before, but it's never happened,

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just been James Bond. So then today came to the

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news that well, I guess they bent over because Amazon

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has purchased or made They've called it a joint venture.

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It's not purchase, it's a joint venture for the Brocco

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leaves to give up full creative control. It was reported

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that the deal was for a billion plus, so that

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means both the siblings got five hundred million plus each

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to give this r which that's what we knew it was.

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To me, it wasn't like there is some stuff in

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the article of like, oh they were tired of bickering

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of Amazon. They didn't They just didn't feel a good

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relationship all this stuff, which I'm sure could be true.

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Right if these reports were all like valid or even

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somewhat valid, you might get eventually if you're working with

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somebody and you just hate it, eventually you might quit

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or ask to be transferred. Right, But I'm sure the

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five hundred million really helped smove that over. So now

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they will get like an executive producer credit. Their names

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will probably still be on it, but they have nothing

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to do with it. It's just on Amazon's court. I

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will say that I'm of a few minds of this one.

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This is shitty news for me because I'm not saying

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the Broccolis have done everything great. There's bad Bond movies, sure,

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But for me, it's and this just shows like, I mean,

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this is another conversation too. We can have a little

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bit tonight, but in the future, it's just like the

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way it's kind of like gaming the industry is going

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where it's just gonna be three to four companies that

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own everything, and that that's it.

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Speaker 2: You know, the days of.

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Speaker 1: All these different studios and creators and kind of some

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unique takes are gonna go away other than on the

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independent side, or if you're lucky to be like Nolan,

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where you can make Oppenheimer make a billion and they'll

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just go, we'll trust you with anything.

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Speaker 2: Right, for me, it's not so much the creative control thing.

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Speaker 1: It is the Bond just becoming what everything else has

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become recently in our ten years, we've been doing this.

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Right now, I'll use the best example for.

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Speaker 2: Bond.

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Speaker 1: It could work out. Maybe they put our show. It's great,

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I am the problem. Right, they'll put our show. I

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will watch it, but I'm a diehard fan. And also

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we do content. I will use this example for us,

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and then I'll throw it a tailor and then I

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got some other things to throw it to him. But

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for us, our biggest, two biggest years where Endgame happened,

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massive review for us did very well, and that's when

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people approached us that hey, you know you could get

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paid for this.

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Speaker 2: You're can maing money for this, oh, et cetera.

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Speaker 1: Right, and that happens to pay for our time here,

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that pays for eddings, up stream yard everything like everything

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that's run how we make our movies. That started that,

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and then COVID happened. We had a big plunge, and

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then our biggest year was twenty twenty one and twenty

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twenty two, and I think there's lots of there's a

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few things one COVID was done, so it was just

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lots of stuff was coming out.

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Speaker 2: There was tons of actual.

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Speaker 1: Big movies like The Batman and Doctor Strange and stuff

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like that, things that had cameos or really anticipated. And

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then this was in the height of One Division's coming

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out and low key and follow when I sold everything

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like that and we had record numbers right because for

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us it was like, hey, we get an empty movie

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every you know, three to four times a year. Where

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the shows when they started, I'm not saying all of

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them did the exact same as a movie, but they

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all did very big well numbers because it was an

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event and it was something big. But then now it's

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very hit or miss. You never know with it as

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far as what the numbers are gonna be. Like sometimes

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like last year, XP ninety seven did very well for us.

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I think in the top ten. I counted it last year,

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like six out of ten episodes Rex B ninety seven.

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Then they did well more like the past right where

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then there's other stuff that come out and it just

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does nothing. I didn't Eve looked at the SPIERMN numbers

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to see. I think they do well enough for us

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also that we kept continuing them. But it's I mean

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in the grant scheme everything. So I'm using this as

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an example of like you can see that initially you

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might go, Okay, we're doing the Bond movie and that's

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gonna kick off this spin off and this spinoff, and

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there's gonna be that push eventually, but eventually, or there's

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gonna be that push at the beginning, but eventually, unless

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it's like the highest, the high quality and it's like

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the best show on TV over and over again for

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multiple shows, you will start to lose people and then

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it's gonna start to get watered down, like to us

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you this. Do you think the Disney Plus shows have

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helped or hurt Star Wars overall?

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Speaker 3: I mean they've probably helped because I think that there's

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a lot of grief that came out after Solo, so

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that was damaging.

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Speaker 2: Well on Skywalker, I'd say as well and Last Jedi.

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Speaker 3: But yeah, things were not hot on the big screen department.

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So when you get to the Disney Plus, I think

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the show's definitely not catering to everyone.

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Speaker 4: There was something though for everyone.

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Speaker 3: There's lots of people that hate all the other stuff

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but love and ors, lots of people that you don't

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like Skeleton Crew and maybe you don't like the other things.

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They've definitely managed to make different varieties of Star Wars

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content for everyone to enjoy, so I say it's definitely

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a pick me up.

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Speaker 1: So with Star Wars, though, why do we have stuff

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like Acolyte that gets canceled or like Skeleton Crew that

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doesn't even make it in the top tennis streaming shows

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when it is out. That's my pitch of like is

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it helping it from like a financial point of view,

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because now we have these shows coming out that people

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don't care about in a.

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Speaker 3: Sense, right, I think you have the GA that carries

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those shows for the most part, and then you have

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the uh a lot, I mean a lot of actual

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Star Wars fans that just think, oh, Disney's ruining everything. Yadda,

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YadA YadA, and they don't touch any of this because

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they're still upset about either Last Jedi or they're still

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set about Rise of Skywalker. And then you get all

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these different things in the shows that they do, and

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they just get upset about it. And so I think

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that the numbers there are very large, and I think

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that they probably have a hand in that, because I

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mean the people that do turn up the GA and whatnot, Like,

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there's lots of Star Wars fans that are gonna turn up,

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but there's also a lot of Stars fans that are

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hurt because of the things that Disney has done in

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the Star Wars universe. So I think things are just

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kind of shifting right now, and this is just Hey,

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Disney Plus shows were not the permanent solution.

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Speaker 4: We need to get back onto the big screen later.

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Speaker 1: See I'm the reverse. I think the GA is the

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one that tunes down. Even the people that hate Star

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Wars right now will go and hate watch it, like

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all those hate channels everything. They still watch them and

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do their clips or reaction videos or the reviews and stuff.

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So then I'll ask you the same question, do you

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think that Disney Plus shows helped Marble.

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Speaker 3: I would definitely say at the start, yes, and then

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it turned around now it's not helping Marvel.

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Speaker 4: Now it's no.

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Speaker 3: I think it's damaging, unless, of course, you got like

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a Spider Man or front of neighbood spider Man shows

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that helps.

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Speaker 1: Yeah, But like even then that's not like I don't

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know what the numbers on that that. I don't I

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think that's just like a fun they have nizzyplots, I

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don't think.

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Speaker 2: And do you think anyone in the world's described for

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your friendly neighborhood spider Man?

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Speaker 4: No?

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Speaker 2: No, Like that's the thing.

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Speaker 1: Right, So for me, obviously you're not the biggest like

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James Bond fan, but that's my point of view of like,

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hey you have James Bond, which again I my last

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point before I throw to you again is just I

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have no idea the family dynamics everything like that. Maybe

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they're just like, yeah, I am fucking done working on

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the Bond movies. Maybe they're just sick of them, right,

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I find like I said, I'm I'm just being completely out.

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Speaker 2: Of turn here.

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Speaker 1: Their father got this deal and has had these film

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rights for over sixty five years that you know, moved

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over to them. There are so few situations, like so

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many having the Spiderman film rights, there's so few situations

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now where you have something like that to let it go.

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Like I know they're both uh oh, I think they're

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both in their sixties, but still like they must have

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kids or other family maybe they don't know, but like

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to kind of let that lead the family. Like it's

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weird for me that I know they don't directly make

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five hundred million dollars, but like if a Bond movie

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can make a billion dollars, I feel like in the

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future it can again and again. It's not like the

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Broccolis make the movie makes a billion, they make five

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hund and they make five urn and done. There's all

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these you know, you gotta pay the studios, the actors,

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everything like that, right, But I just mean, like that's

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a huge price take absolutely to cash out. And if

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you want to cash out, go get your money. If

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that's how you feel, that's fine. It just feels odd

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to me. It's like that to me is such a

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big thing to let go. Like for me, I before

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would be like, hey, I'm gonna pay off.

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Speaker 2: A producer to kind of take my role.

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Speaker 1: I don't want to do this, but I also want

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to give the rights almost like, hey Taylor, I own

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James Bond, but you know what, I'm sick and tired

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of dealing with it. I don't want to go of it,

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but I'm gonna give you a cut.

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Speaker 2: Or pay you money so you can be me.

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Speaker 1: But like you know, in my spot and everything like that,

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the fact that they just let it go to me

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was very shocking. Obnestly, half a billion dollars can't sneeze

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at that's that.

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Speaker 2: Is because that's the argument right too.

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Speaker 1: They could look at me and say, well, I can

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set up my kids and my grandkids and my great

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grand kids everything like that, right, So it's like he's

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a whole different thing. So one, what do you think

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about the Amazon having the full rights? And two how

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do you feel Bond like is do you think that

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has potential to be a oh you could spin off

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this character, you could do this, or do you think

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that is a how it's been for the past, you know,

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sixty coming on seventy years, where it's a one film

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every few years, it's an event because you do lose

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that event feel right away if there's a spinoff show

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if Bond's appearing on Amazon on a Thursday at six pm,

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Like if you could even make that case now, Like

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with like Falcon, there's lots of other bad MCU stuff,

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but the second he appeared on MCU Disney Plus, it's

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like maybe people didn't look at him a draw. That's

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why I'm so curious to see Mandalorian next year of like, hey,

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what does the Disney Plus TV show do? Maybe people like,

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oh I gotta see this order people go, eh, I

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already saw three seasons at home. I don't need to

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go pay twenty bucks.

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Speaker 2: To do this. I'll just wait till it's on Disney Plus.

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So what did you take from it?

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Speaker 1: Kind of because I know you've seen some Bond movies,

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but it's not like one of your big franchise. So

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from the outside, what we think think about all this

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news and could this work as the JCU?

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Speaker 3: Oh my goodness. I think Amazon having the rights to

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this is it's okay with me. I think that they've

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got a lot of shows so far under their umbrella

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that they know what they're doing with shows. So there's

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that and then the idea of okay, maybe if we

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get shows instead of a movie or vice versa. I

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think that we could look at how they did the

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Batman and then how they did the Penguin. I think

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here is a great example of what seems to me

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at least a pretty good perfect balance, where you have

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a great movie and then you have a show that's

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a very limited season limited run. And of course I

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don't think they confirm a season two or anything yet,

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did they.

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Speaker 2: Penguin.

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Speaker 1: They've talked about it, but nothing, it's not definitely not

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officially confirmed.

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Speaker 3: No, Okay, then you can leave it ambiguously open, but

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just know you got to point A to point B.

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Just you're gonna do everything in between for that for

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your show, and then you're gonna continue to point see

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through another movie. Just I can't have have it be

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set up very anthology. It doesn't have to always be

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evolving around the main story. And there's enough characters with

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James Bond world that you can do different different stories, right,

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So I think that that would be the safest way

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to go about it, to really implement it, instead of like, hey, okay,

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here's one movie and now we're gonna have six different

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spin off TV shows. Watch it because you're gonna get

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all these different things, like.

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Speaker 4: I don't know, which is what Star Wars did.

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Speaker 3: When you have solo Star Wars story and then you

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get like three seasons of Mandos, Soca Acolyte and all

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these other things, it's like, well, where's the next movie,

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and it's like no, no, no, you're gonna get and or

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season two now, and it's like just pumping out all

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these shows, and of course it works. They're all anthology

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stories spread over a thirty to sixty year timeline in

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the Star Wars universe, sometimes a bit more. But I

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just think that at its core, you need to have

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that happy balance, at happy medium, because not everyone's gonna

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watch the show. Not everyone watched Falcon Winter Soldier, and

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that's why in the movie they had to backtrack a

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little bit and undermine some of characters development that we

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already saw overcome in that TV show. So you need

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to have a balance and you need to really play

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your cards.

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Speaker 2: Right. Do you let James Bond appear in any of

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these shows?

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Speaker 4: Absolutely?

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Speaker 2: Really?

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Speaker 4: Yeah?

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Speaker 2: So how come the Batman wasn't in Penguin?

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Speaker 3: Hmmm?

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Speaker 2: It's just gonna use that example.

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Speaker 1: So can I just feel like you risk you risk

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bringing that character down right if you see him on

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TV per se.

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Speaker 3: Like I think if it's done in a limited way

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like Luke Skywalker and Mendo season two, where it's just

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like everyone's like so hyped, like you could have this

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other agent or someone doing this whole mission at the

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end of the season, then all of a sudden, you

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got James Bond just shows up, like, oh, that's cool.

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Speaker 1: Different though with that, we were never gonna any more

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Luke Tho in movies, right, so you're kind of like, well,

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we can't use the movie.

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Speaker 2: Well, let's put them on TV show.

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Speaker 4: You never know. I mean they've been at that. I

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didn't think.

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Speaker 3: I didn't think we're gonna get him in Book a

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Bulba Fett and they like, no, no, they refined the

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the Dea Aging CGI. So you I think you could

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see them do Luke in a future movie.

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Speaker 1: Hmmm okay, but at the time being no Luke at

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a time no no. So that that's what's interesting. And yeah,

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it's funny because like I want to happen naturally where

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in No Time to Die the characters that Masharna Lynch

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and anad Armis played.

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Speaker 2: I was like, oh, I'd take a spin off of that.

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Speaker 1: But the reason I also was funny because it was like, Okay,

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they kill off James Bond, there's nothing to do here,

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run with them for a bit, and they didn't, and

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that's fine, they didn't want to do that. But now

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it's just I do think they need to be very particular,

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and I will give it. There's two things I'm gonna

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wait to see. One off, see the product. I will

347
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give it a chance. I'm sure me and Kirkle will

348
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be reviewing this, so I can't want to get Kirklan's

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thoughts on this because he's another Bond guy. But the

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other thing is I want to see who is the

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person in charge from a producing and directing standpoint. If

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I'm Amazon, I don't think this is gonna happen because

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I think Amazon would be might be too bullish, and

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I think he might be like, eh, I don't want

355
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to put my that my toes in that water. But maybe,

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just maybe you go to one of your people see

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if you can catch my drift. To tay, you go

358
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to one of your people producing a hit show for

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you on Amazon and go, hey, you know, we really

360
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like what you're doing. We'd also like if we could

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you know, talk to your brother. Maybe you know what

362
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I'm talking about here? Who am I talking about?

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Speaker 4: You said, I do, But I didn't know you were

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setting up with a question.

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Speaker 2: I said, who am I talking?

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Speaker 1: Oh, you're just saying you're You're in the conversation and

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saying mmmm, oh, I thought you said, like you knew

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who I sung up with the brothers?

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Speaker 4: Are you talking about my brother?

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Speaker 1: No, who produces Fallout? To who's the showrunner the mind

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behind that?

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Speaker 2: One of the minds at least a Fallout? Yeah, the

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TV show on Amazon.

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Speaker 4: I don't know the name.

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Speaker 2: Jonathan Nolan, Christopher Nolan's brother.

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Speaker 1: To me, that is the I've always said after Oppenheimer,

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the fact that the brocolis everything, because Nolan always said, hey,

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I'll do a Bond movie, but I want to do

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because you know how it goes here where it's like

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the first thing you know, they'll make a new one,

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and that's kind of like the tone of what the

382
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you know, the Bronze and ones are the crag and

383
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everything like that.

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Speaker 2: So Nolan was always like, I want to do that.

385
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I want to set the stage and do it my way. Boom.

386
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I think there's many rumors.

387
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Speaker 1: He also wanted to go back in the sixties, I

388
00:16:26,799 --> 00:16:29,320
would fucking love that. I think right now, if you're

389
00:16:29,320 --> 00:16:30,879
saying we're gonna do a Bond movie not said in

390
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present day, I think that might be better than a Bond,

391
00:16:33,360 --> 00:16:35,039
said Prinsent. I think people would want just like that

392
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nostalgia back and just kind of like something can then

393
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it's like the gadgets can kind of be high tech,

394
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but you don't have to worry about like what do

395
00:16:42,399 --> 00:16:44,840
we do in twenty twenty five? That's not cooling more so,

396
00:16:45,159 --> 00:16:46,720
I don't know if that's the thing. Maybe there's some

397
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middle ground, but to me, after Appenheimer, it's like he

398
00:16:49,360 --> 00:16:52,320
fucking made a movie about the hydrogen bomb, a three

399
00:16:52,360 --> 00:16:56,000
hour pretty much document your bio pic, you know, you know,

400
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just blending of the two, and that made nearly a

401
00:16:58,720 --> 00:17:00,799
billion dollars. You go to him and just say, hey,

402
00:17:01,200 --> 00:17:03,559
you do Bond, even if he wants to cast Aaron John,

403
00:17:03,559 --> 00:17:06,079
say say you go do Bond. That to me is

404
00:17:06,359 --> 00:17:08,839
what Amazon could do. I don't think Nolan would do

405
00:17:08,920 --> 00:17:11,960
it because I think it depends because Nolan's gonna need

406
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his like I need three months in the theater where Amazon,

407
00:17:15,119 --> 00:17:16,960
like look at Red Notice I know it's a different situation,

408
00:17:17,000 --> 00:17:19,359
but red No was kunt in November, and then a

409
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couple of weeks later they threw it on Amazon because

410
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they wanted it out for Christmas, right, Like, there's no

411
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fucking way, but like Nolan's doing that. That's why he

412
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left Warren Brothers because they tried to do the at Tenant, right,

413
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So it's like, I think that's the play. So if

414
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it's not Nolan, then you need a a big time

415
00:17:34,480 --> 00:17:37,480
producer or director producing, like a Kevin Fire the way,

416
00:17:37,599 --> 00:17:40,920
Like remember when Mandalorian started and it was hey, Jon

417
00:17:41,000 --> 00:17:44,200
Favreau's producing a Mandalorian. So obviously he directed and wrote

418
00:17:44,200 --> 00:17:46,680
a lot, but you need something like that, whether it

419
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is a you know, a named producer or a named

420
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director coming on, like, hey, this is like James going

421
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to DCU.

422
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Speaker 2: This is the guy gal the them that is steering the.

423
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Speaker 1: James Bond ship now, And if that's a name, I'll

424
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give a chance. I'm gonna give a chance because I

425
00:18:00,920 --> 00:18:03,160
would prefer it to be good, right, and I will

426
00:18:03,240 --> 00:18:05,319
check it out, we'll review it. But I think there's

427
00:18:05,440 --> 00:18:08,599
way more risk here than anything. And who knows, maybe

428
00:18:08,640 --> 00:18:10,599
this is the Broccolis being like they don't think Bond

429
00:18:10,720 --> 00:18:13,920
is popular and like, maybe it's not gonna work. I've

430
00:18:13,960 --> 00:18:16,559
even theorized in my opinion that I could see people

431
00:18:16,599 --> 00:18:19,319
not even accepting Bond this goal around and it won't be

432
00:18:19,400 --> 00:18:21,559
till the next one because everyone loved Craig. And that

433
00:18:21,680 --> 00:18:24,680
happens sometimes with Bond, where you get Roger Moore and

434
00:18:24,680 --> 00:18:27,759
then get Timothy Dalton only for two. He's quickly swapped out,

435
00:18:27,799 --> 00:18:31,000
and then Bronson's back in. You had Sean Connery for

436
00:18:31,160 --> 00:18:33,559
like I don't know six, You got George Lazanbie for one,

437
00:18:34,000 --> 00:18:35,279
they got him out of there, and then I got

438
00:18:35,319 --> 00:18:37,680
Roger Moore for a bunch. Like there's there's signs of

439
00:18:37,680 --> 00:18:39,920
the Bond franchise of someone playing Bond in the audience

440
00:18:40,000 --> 00:18:41,920
going Nope, this is not the guy for me. I

441
00:18:42,000 --> 00:18:43,680
liked that last guy too much, and then they kind

442
00:18:43,720 --> 00:18:46,079
of get shit on and then the next guy gets

443
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to come in and be like, oh, I'm the new

444
00:18:47,440 --> 00:18:48,160
Bond down and I was.

445
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Speaker 2: Like, oh, yeah, I like this guy better.

446
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Speaker 1: So this is the other point I'll say, too, is

447
00:18:52,319 --> 00:18:55,160
with the casting, because I you know, Maddie's another James

448
00:18:55,160 --> 00:18:57,400
Bond fan. We've always talked about this because I know

449
00:18:57,440 --> 00:19:01,559
you're Apparently they did talk to Johnson the Broccolis, I

450
00:19:01,599 --> 00:19:03,799
don't think that's happening now, and obviously the Craven thing

451
00:19:03,839 --> 00:19:08,119
I think did hurt him. But I think what's interesting

452
00:19:08,200 --> 00:19:10,960
is usually Bond's never been a name. It's always been

453
00:19:11,000 --> 00:19:13,119
someone that has some establishment, but they always want to

454
00:19:13,160 --> 00:19:16,640
make it somebody like, hey, this is our guy. Now

455
00:19:16,680 --> 00:19:19,799
with Amazon, I have no idea. I literally, obviously then

456
00:19:19,799 --> 00:19:22,039
I think they're gonna be British. But like I know,

457
00:19:22,119 --> 00:19:24,599
people have been meming that, oh, this is Henry Cavill's chance.

458
00:19:25,039 --> 00:19:26,960
I wouldn't put it past them because he's doing that

459
00:19:27,000 --> 00:19:29,759
warhammer thing like before. Always, i'd say, no, Bond is

460
00:19:29,799 --> 00:19:32,400
not gonna be a very popular name. I kind of

461
00:19:32,400 --> 00:19:34,720
hope they stick with that. I like having a newer,

462
00:19:34,799 --> 00:19:38,319
somewhat actor, but with it being Amazon, all bets are

463
00:19:38,319 --> 00:19:39,839
off the table. I think right now with the cast

464
00:19:39,920 --> 00:19:42,240
and I think they'll do They'll do whatever, and I

465
00:19:42,240 --> 00:19:44,279
feel like we're gonna start hearing.

466
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Speaker 2: Stuff, so you oh my god, s bumps. Amazon hires

467
00:19:46,799 --> 00:19:47,200
Dave Flng.

468
00:19:47,440 --> 00:19:52,240
Speaker 1: I'd fucking, oh my god if that happened.

469
00:19:52,000 --> 00:19:54,160
Speaker 2: This would be me at the Amazon office.

470
00:19:54,359 --> 00:20:05,480
Speaker 3: Honey, So is Dave Filoni going down the stairs or are

471
00:20:05,480 --> 00:20:06,400
you yelling at him?

472
00:20:06,440 --> 00:20:09,079
Speaker 1: I'm killing that's the security. Well, yeah, Dave flow us

473
00:20:09,079 --> 00:20:10,599
down the stairs. And that's me to the that's me

474
00:20:10,680 --> 00:20:13,559
to Jeff Bezos. You know all all jokes, No one

475
00:20:13,640 --> 00:20:16,720
sue me or you know all whatnot. But uh, rock

476
00:20:16,799 --> 00:20:19,599
one of those digital Amazon Christmas advertising verticals or whatever.

477
00:20:19,640 --> 00:20:19,799
Speaker 3: Oh.

478
00:20:19,839 --> 00:20:21,160
Speaker 2: Absolutely he he.

479
00:20:21,200 --> 00:20:24,000
Speaker 1: Wanted up there because he makes us the biggest Amazon Christmas.

480
00:20:24,000 --> 00:20:27,400
We'll talk about the rock later, but yeah, all that's around,

481
00:20:27,440 --> 00:20:30,240
and I feel like we're gonna hear news soon. I

482
00:20:30,279 --> 00:20:32,920
feel like they had to stall with trying to figure

483
00:20:32,920 --> 00:20:35,200
out what the broccoli is now making this deal. But

484
00:20:35,279 --> 00:20:38,759
I think soon you're gonna get producer director Starr. I

485
00:20:38,759 --> 00:20:41,319
could see us getting that all before the year ends here,

486
00:20:41,359 --> 00:20:43,319
which is will be exciting, but it's gonna be scary

487
00:20:43,319 --> 00:20:43,960
at the same time.

488
00:20:44,039 --> 00:20:46,160
Speaker 2: So my last point, dude, do you.

489
00:20:46,359 --> 00:20:48,960
Speaker 1: Do you worry about Like obviously we have like a

490
00:20:49,000 --> 00:20:51,240
couple of years ago, we had Disney and Fox merge,

491
00:20:51,240 --> 00:20:53,720
and you know Disney has Star Wars and Marvel and Pixar.

492
00:20:53,839 --> 00:20:55,839
Then you know Warn brothers doing their stuff for there,

493
00:20:55,839 --> 00:20:58,960
they're merging with people. Now you have Amazon owning Bond completely,

494
00:20:59,000 --> 00:21:01,559
Like creatively, do you worry, Like, how do you feel

495
00:21:01,559 --> 00:21:03,319
about like in five to ten years where it is

496
00:21:03,400 --> 00:21:05,920
just like the Big four and every it's kind of

497
00:21:05,920 --> 00:21:07,799
like we talk about gaming, right, it's like all these

498
00:21:07,799 --> 00:21:11,920
little studios get bought by PlayStation or Xbox like with Blizzard. Right,

499
00:21:11,960 --> 00:21:14,240
it's okay, there's not a bunch of different teams, but

500
00:21:14,319 --> 00:21:17,960
it's just like three big teams, and like does that make.

501
00:21:17,839 --> 00:21:19,680
Speaker 2: You worried or do you know I give much thought

502
00:21:19,680 --> 00:21:19,839
of it?

503
00:21:19,839 --> 00:21:22,599
Speaker 1: You're like, oh, whatever, as long as it's just good content,

504
00:21:22,599 --> 00:21:24,720
I'm there to you know, because we could get less

505
00:21:24,759 --> 00:21:27,920
voices what I'm saying in the room for like it's

506
00:21:27,920 --> 00:21:30,720
harder to maybe break in when there's you know, just

507
00:21:31,160 --> 00:21:33,480
only a few pawns per se, where before you go, oh,

508
00:21:33,519 --> 00:21:36,160
go to this studio, Go to the studio. But even Bond,

509
00:21:36,160 --> 00:21:39,720
it's like like you had like an old school feel

510
00:21:39,759 --> 00:21:43,480
to it, but now it's kind of you know, maybe

511
00:21:44,359 --> 00:21:46,160
less so because it's Amazon and they want to hit

512
00:21:46,200 --> 00:21:48,400
this X, Y and Z, or maybe it's even like creatively,

513
00:21:48,400 --> 00:21:50,000
it's like, well, we don't want to do that because

514
00:21:50,240 --> 00:21:52,480
we really want to appeal to everybody that's an Amazon

515
00:21:52,519 --> 00:21:53,039
Prime member.

516
00:21:53,119 --> 00:21:56,720
Speaker 2: So don't do this storyline, you know, mm hm, and.

517
00:21:56,680 --> 00:21:59,480
Speaker 3: So sorry you're saying, what would be the case here?

518
00:21:59,519 --> 00:22:01,599
Having different studios to rely.

519
00:22:01,440 --> 00:22:03,640
Speaker 1: On you doesn't worry you at all, like us kind

520
00:22:03,640 --> 00:22:05,359
of like with video games, kind of going to like

521
00:22:05,400 --> 00:22:07,839
maybe just like the big studios, the big billion dollar

522
00:22:07,880 --> 00:22:11,400
corporations controlling just like all the side you know, like Bond. Now,

523
00:22:11,440 --> 00:22:13,680
before it was like, hey, a family owns this and

524
00:22:13,680 --> 00:22:15,440
they've had it for sixty five years. Now it's like

525
00:22:15,480 --> 00:22:18,480
Amazon that is like the biggest corporation in the world.

526
00:22:18,559 --> 00:22:20,759
You know. Now they got Bond, and now you're gonna

527
00:22:20,759 --> 00:22:22,480
see Bond on Amazon Prime stickers.

528
00:22:22,519 --> 00:22:23,400
Speaker 2: You see it everywhere.

529
00:22:23,880 --> 00:22:25,559
Speaker 1: I feel I think Patrick Truss says, the chances of

530
00:22:25,599 --> 00:22:27,440
the Milk and this franchise are astronomical.

531
00:22:27,799 --> 00:22:28,720
Speaker 2: Oh, it's gonna happen.

532
00:22:28,960 --> 00:22:32,720
Speaker 1: Less streaming services services would be nicest. Dalton, I can't

533
00:22:32,720 --> 00:22:35,000
get on that bandwagon yet. I know everyone's been saying that.

534
00:22:35,079 --> 00:22:37,359
I feel like the newest thing is to say, hey,

535
00:22:37,559 --> 00:22:39,759
I wish we had a cable gain. I don't because

536
00:22:40,240 --> 00:22:44,039
I I cycle my streaming services. I just like right now,

537
00:22:44,079 --> 00:22:46,240
I parent plus for Dexter, got rid of it. I

538
00:22:46,279 --> 00:22:49,960
had Crave for what are we reviewing? Crave were not

539
00:22:50,000 --> 00:22:52,240
Creature Commandos was something else on Crave, but I had

540
00:22:52,279 --> 00:22:53,759
it for something got rid of it. I'll get when

541
00:22:53,799 --> 00:22:55,839
Last of Us was back. So for me, I'm fine

542
00:22:55,839 --> 00:22:57,839
because I pay for the streaming services I want.

543
00:22:57,960 --> 00:23:01,839
Speaker 3: But yeah, I mean I'm kind of similar with that

544
00:23:01,880 --> 00:23:03,200
when it comes to streaming services.

545
00:23:03,279 --> 00:23:05,599
Speaker 4: I will not have all of them at once.

546
00:23:05,759 --> 00:23:08,400
Speaker 3: I mean I just canceled Paramount because of Dexter, and

547
00:23:08,480 --> 00:23:11,839
I just reactivated Apple because they got some shows in there.

548
00:23:11,839 --> 00:23:14,599
I want to watch The Gorge. So yeah, you just

549
00:23:14,680 --> 00:23:17,599
kind of like juggle back and forth. As for them

550
00:23:17,720 --> 00:23:21,960
milking James Bond. Yet it's gonna happen, I think, But

551
00:23:22,039 --> 00:23:23,599
I don't think it's going to be as bad as

552
00:23:23,640 --> 00:23:26,400
other other companies would. I think if you have like

553
00:23:26,400 --> 00:23:28,240
a Netflix for to have it, I think Netflix would

554
00:23:28,240 --> 00:23:32,240
be going ham on milking it. But I mean look

555
00:23:32,240 --> 00:23:34,599
at The Boys, for example. We got a few seasons

556
00:23:34,599 --> 00:23:36,359
of that show. It's really really good, and then we

557
00:23:36,400 --> 00:23:39,480
have a spinoff anthology show as well that compliments the

558
00:23:39,519 --> 00:23:40,039
main show.

559
00:23:40,319 --> 00:23:43,000
Speaker 2: Well, then you have like spin off coming remember.

560
00:23:43,319 --> 00:23:44,039
Speaker 4: What was the other one?

561
00:23:44,039 --> 00:23:48,880
Speaker 1: About it's a soldier boy and what is who's the Nazi.

562
00:23:48,599 --> 00:23:51,279
Speaker 4: Character storm storm Front?

563
00:23:51,480 --> 00:23:52,119
Speaker 2: Storm Front.

564
00:23:52,200 --> 00:23:54,000
Speaker 1: Yeah, and it's kind of like it's kind of what

565
00:23:54,000 --> 00:23:56,279
we talk about the Boys review, right where the Boys

566
00:23:56,319 --> 00:23:59,119
parody the MCU, but they are they're starting to turn

567
00:23:59,119 --> 00:24:01,039
the mc where it's like, well there's a spin off.

568
00:24:01,079 --> 00:24:02,960
Now here's a prequel spin off, you know, since that

569
00:24:03,000 --> 00:24:05,359
thing of like, yeah, the Boys started that way, but

570
00:24:05,400 --> 00:24:08,759
now they're they're becoming exactly you know, live long enough

571
00:24:08,759 --> 00:24:10,319
to see yourself become the film and same thing.

572
00:24:10,319 --> 00:24:11,400
Speaker 2: Does Bond start good?

573
00:24:11,880 --> 00:24:14,480
Speaker 1: And then it's just like we're down a trend where

574
00:24:14,480 --> 00:24:16,359
it's just like we have six Bond shows in the

575
00:24:16,440 --> 00:24:18,640
next few years and it's like fuck man like and

576
00:24:18,680 --> 00:24:20,960
then the Bond movie comes out. No one cares because

577
00:24:20,960 --> 00:24:23,000
they've seen James Bond every Thursday night for the past

578
00:24:23,039 --> 00:24:23,599
couple of years.

579
00:24:23,599 --> 00:24:23,799
Speaker 2: You know.

580
00:24:24,680 --> 00:24:26,400
Speaker 4: Yeah, yeah, yeah, it makes sense.

581
00:24:27,400 --> 00:24:30,920
Speaker 1: We will see So, yeah, it's gonna be an interesting,

582
00:24:31,319 --> 00:24:32,400
interesting time here.

583
00:24:32,519 --> 00:24:33,400
Speaker 2: What we're talking about next