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<v Speaker 1>Y'all shout the DJ fuse for that intro, show Man, Man, definitely, Man,

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<v Speaker 1>appreciate it now when you walk into a radio station

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<v Speaker 1>and you get that kind of attention.

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<v Speaker 2>Yeah, yeah, I feel right.

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<v Speaker 3>It just made me feel better about my album, like

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<v Speaker 3>it flowed good together.

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<v Speaker 4>Come on, big swork, Let's go, big swork.

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<v Speaker 2>Bro.

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<v Speaker 4>Yes, sir, congratulations on everything.

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<v Speaker 1>Thank you, Bro, on freedom, on music, you know, nonprofit everything.

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<v Speaker 2>Man, thank you of course, show Bro. I'm happy to

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<v Speaker 2>be here, yes, sir, Man.

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<v Speaker 1>You know when you're making this project, right, it took

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<v Speaker 1>a lot. I'm from what I understand, it took a

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<v Speaker 1>lot to make this project happen. Uh, you know, life

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<v Speaker 1>is life, and while you're working as well? What else

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<v Speaker 1>was happening while this project was being Man, in the

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<v Speaker 1>midst of it, how much of it is it?

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<v Speaker 4>Is it in the music?

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<v Speaker 2>In the midst of it?

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<v Speaker 3>Man?

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<v Speaker 2>You know, I was, as everybody know, I was fighting

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<v Speaker 2>a federal case.

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<v Speaker 5>Man.

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<v Speaker 2>Well, I was facing like some time and stuff like that.

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<v Speaker 2>But I wound up beating it.

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<v Speaker 3>Of course, man coming out because you know I was

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<v Speaker 3>innocent of course. Yeah yeah, yeah for sure, But man,

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<v Speaker 3>big swear Bro, I was just saying like this project

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<v Speaker 3>is probably took me the longest to actually like record

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<v Speaker 3>and put out, Like I was working on this album

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<v Speaker 3>for like four years for real, for real, and probably

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<v Speaker 3>a little longer than that, to be honest, close to

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<v Speaker 3>five years. And I've been so many different people in

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<v Speaker 3>those five years.

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<v Speaker 2>You know what I'm saying. Like I had to overcome

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<v Speaker 2>my legal troubles.

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<v Speaker 3>I lost my little brother in twenty twenty one, fatherhood,

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<v Speaker 3>I had two more kids, and really just going through

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<v Speaker 3>a lot personal on my personal life and getting my business. Well,

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<v Speaker 3>did you have to buy your way out of a dealer?

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<v Speaker 3>I actually I did a settlement so pretty much. It

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<v Speaker 3>was kind of you could say that I bought myself

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<v Speaker 3>out because it had a lot to do with like

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<v Speaker 3>money and numbers, you know, and we agreed on one thing,

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<v Speaker 3>and I was just about to, like you know what

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<v Speaker 3>I'm saying, get to that too, like get my business

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<v Speaker 3>in order and really getting the confidence and reinvent myself

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<v Speaker 3>as an artist, you know, Like I really I went

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<v Speaker 3>own kind of sort of a hiatus, not putting out

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<v Speaker 3>music for like a year, like over a year, and

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<v Speaker 3>always been independent. I always had like the freedom or

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<v Speaker 3>quote unquote somewhat the freedom to put out music like

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<v Speaker 3>at my own exposure, you know what I'm saying, at

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<v Speaker 3>my own time and my own scheduling. But that wasn't

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<v Speaker 3>really the case in my situation. So I had to

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<v Speaker 3>gain full control of my situation right now, you know,

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<v Speaker 3>and really in the midst of doing that and still

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<v Speaker 3>trying to stay productive and put out good music. You know,

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<v Speaker 3>I record good music and really like, I feel like

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<v Speaker 3>it was a reintroduction to the music industry of who

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<v Speaker 3>I am, who g Herbo is today. You know what

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<v Speaker 3>I'm saying, Who Swerve O Big Swerve is today? And

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<v Speaker 3>I feel like my music does capture that, you know

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<v Speaker 3>what I'm saying, because I'm not trying to talk about negativity,

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<v Speaker 3>you know, I'm trying to talk about positive energy and

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<v Speaker 3>the stuff that I'm focused on right now, and that's

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<v Speaker 3>being a star, you know, and that's what Big.

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<v Speaker 4>Sword is man for you.

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<v Speaker 1>What's the big difference between Survivor's Remorse and Big Sward.

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<v Speaker 2>The difference is Survivors of Morse is.

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<v Speaker 3>You know, I was in a mental state while I

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<v Speaker 3>really was feeling Survivors of Morse, I was feeling like

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<v Speaker 3>grieve and I was feeling like, yeah, guilt and responsibility

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<v Speaker 3>for a lot of things that took place in my life,

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<v Speaker 3>you know what I'm saying, And guilt for losing my

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<v Speaker 3>little brother. And you know what I'm saying, me being

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<v Speaker 3>more so in the streets than he was, you know

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<v Speaker 3>what I'm saying, Like, and I'm like, I'm no stranger

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<v Speaker 3>to like more than people and more than people's death,

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<v Speaker 3>you know, But that woln't hit a little close to

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<v Speaker 3>home because I felt like, you know, he was one

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<v Speaker 3>of those people that you would never expect to die.

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<v Speaker 3>You know what I'm saying, That I would expect to

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<v Speaker 3>be here. So I was definitely having survivors of morse,

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<v Speaker 3>you know, because I ain't really want to like live

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<v Speaker 3>my life without my little brother, you know what I'm saying,

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<v Speaker 3>Like I didn't want to like reach certain levels of

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<v Speaker 3>success and stuff like that and him not be here

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<v Speaker 3>and me not being able to share it with him,

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<v Speaker 3>you know.

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<v Speaker 2>And when I put that music out, I was in

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<v Speaker 2>that space.

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<v Speaker 3>And you know a lot of people haven't really like

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<v Speaker 3>live life and experienced life on the level that I have,

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<v Speaker 3>you know, and on a level of really like experiencing

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<v Speaker 3>trauma and experiencing violence on.

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<v Speaker 2>The level that I have, you know.

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<v Speaker 3>And it sounds good to people who in Utah and

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<v Speaker 3>stuff like that, who never heard the experiences. It's entertaining

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<v Speaker 3>to them, but it's real life to me, you know.

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<v Speaker 3>And I don't want to have to feel like that,

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<v Speaker 3>because my music is always a product of who I

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<v Speaker 3>am and what I'm going through, you know what I'm saying.

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<v Speaker 3>So the difference between that and Big Swerve is Big

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<v Speaker 3>Swerve is I'm actually in a good mental space. I'm

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<v Speaker 3>in a space where I'm confident about myself. I'm confident

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<v Speaker 3>about my music. I'm trying to have fun with it,

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<v Speaker 3>you know, and I'm actually enjoying the fruits of my label.

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<v Speaker 3>I did a lot, I overcame a lot, and I've

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<v Speaker 3>been through a lot to get where I am today.

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<v Speaker 3>So I should be able to enjoy talking about, you know,

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<v Speaker 3>making money and spending money and going out and looking

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<v Speaker 3>and feeling like a star and not feeling depressed and

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<v Speaker 3>feeling like I got to look over my shoulder all

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<v Speaker 3>day and feeling like I want to hurt somebody or

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<v Speaker 3>somebody want to hurt me, you know what I'm saying.

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<v Speaker 3>Because that is entertaining, and I want to speak to

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<v Speaker 3>my fans when they try to put me in a

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<v Speaker 3>box and feel like I have to. I'm an artist, bro,

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<v Speaker 3>Like you know what I'm saying, Like I know how

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<v Speaker 3>to rap, and I could rap about so many different things,

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<v Speaker 3>and I rap about my life. I'm not in the

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<v Speaker 3>streets no more. I don't want to be in the streets.

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<v Speaker 3>I don't want nothing to do with the streets, you

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<v Speaker 3>know what I'm saying. But I am a product of

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<v Speaker 3>the streets, you know I am. I have people who

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<v Speaker 3>are close to me and people who I love who

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<v Speaker 3>are still in the streets, but I'm trying to get

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<v Speaker 3>them out of the streets, you know what I'm saying.

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<v Speaker 3>So it's like I don't want to talk about this

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<v Speaker 3>type of stuff no more. You know what I'm saying,

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<v Speaker 3>Like if it was up to me, I would want

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<v Speaker 3>to exactly If it was up to me, I would

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<v Speaker 3>want to only rap about this, you know what I'm saying,

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<v Speaker 3>Being in La being in Miami, being in these other places,

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<v Speaker 3>going to travel and see the world, and going to

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<v Speaker 3>rap about stuff that I didn't even imagine myself experiencing

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<v Speaker 3>at all, you know what I'm saying. Like I come

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<v Speaker 3>from say knife and essence.

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<v Speaker 2>I didn't.

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<v Speaker 1>I never hear aspirations to be in another country on

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<v Speaker 1>the eye telling somewhere. You know what I'm saying that

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<v Speaker 1>growing up, you don't it's non existent around us, exactly.

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<v Speaker 4>Right, and what's on TV.

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<v Speaker 1>And once we start to see the world, you start

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<v Speaker 1>realizing how different, how more there is out there for

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<v Speaker 1>us to have. And that's why we got to show

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<v Speaker 1>our kids the world and more than just our surrounding. Yeah,

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<v Speaker 1>and they're they're they're receptive and they're open to so many.

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<v Speaker 3>Exactly exactly, and like I feel like being a father

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<v Speaker 3>and experiencing fatherhood and make me want more for myself

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<v Speaker 3>because I don't want to have that energy, you know

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<v Speaker 3>what I'm saying, Like the mouth like manifestation and the

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<v Speaker 3>power of the tongue is it's real, Like the stuff

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<v Speaker 3>that you speak about and the stuff that you manifest

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<v Speaker 3>and foresee it come back to you, you know what

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<v Speaker 3>I'm saying. So it's like the energy that I want

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<v Speaker 3>around me is good positive energy. I want to rap

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<v Speaker 3>about having a lot of money. I want to rap

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<v Speaker 3>about traveling. I want to rap about being there with

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<v Speaker 3>my kids. I want to rap about that kind of

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<v Speaker 3>stuff you feel I'm saying, Like, don't get me wrong,

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<v Speaker 3>I am a product of my environment.

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<v Speaker 2>I am when I am.

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<v Speaker 3>I cut been through what I've been through and where

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<v Speaker 3>I came from. I'll never forget, you know what I'm saying.

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<v Speaker 3>But I feel like I don't want to still have

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<v Speaker 3>touch with that. I want to lose touch of the streets.

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<v Speaker 3>I don't want to care about what's going on in

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<v Speaker 3>the streets anymore, you know what I'm saying.

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<v Speaker 1>And that's where I am fully always out? Yes, can

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<v Speaker 1>you fully be out?

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<v Speaker 2>Yeah?

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<v Speaker 4>For sure?

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<v Speaker 3>I feel like because you gotta take that step too,

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<v Speaker 3>Like you know what I'm saying, Like it's okay to

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<v Speaker 3>always have that age and still be you know who

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<v Speaker 3>I am. I'm always gonna be able to protect myself

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<v Speaker 3>and protect my family at all costs. But that don't

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<v Speaker 3>mean that I have to be in the streets. The

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<v Speaker 3>streets ain't for me, you know what I'm saying. The

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<v Speaker 3>streets is.

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<v Speaker 2>For who is for?

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<v Speaker 3>Like I'm not that guy anymore, you know what I'm saying, Like,

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<v Speaker 3>I don't want to be that guy. Like I want

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<v Speaker 3>to be a billionaire. You can't be a billionaire be

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<v Speaker 3>in the streets. It's impossible, no way. Yeah, yeah, yeah,

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<v Speaker 3>it's impossible, and that's what I want to do. I

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<v Speaker 3>got aspirations of being a billionaire, Like I don't want

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<v Speaker 3>to be a street dude.

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<v Speaker 4>We're gonna get it. Can I join you?

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<v Speaker 2>Yeah?

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<v Speaker 3>Yeah, I got you, I got you, I got you

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<v Speaker 3>this man, what I'm always share a wealth man, I'm

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<v Speaker 3>always share knowledge and share everything to you know what

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<v Speaker 3>I'm saying, Like everything that I know, I'm not gonna

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<v Speaker 3>keep it in my brain. I'm always gonna share it

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<v Speaker 3>so the world could always no never gain, never that.

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<v Speaker 1>Yeah, we gotta grow for shure, Bro got to help

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<v Speaker 1>grow for shore show up now. Congrat sate your growth.

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<v Speaker 4>Man. It's remarketble to here man. And I think as

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<v Speaker 4>you know, people that grew.

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<v Speaker 6>Up with you, you know, so to speak through your music,

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<v Speaker 6>like as you elevate, they're gonna elevate with you, especially

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<v Speaker 6>if they consume me music that much.

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<v Speaker 4>You know what I'm saying.

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<v Speaker 6>Yeah, your message as it changes, could also change the

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<v Speaker 6>way people view things respect Bro.

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<v Speaker 2>For sure, Thank you Bro. Good. I could listen to

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<v Speaker 2>I listened to my old music.

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<v Speaker 3>And I could really still like hear where I was

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<v Speaker 3>as a person, like the environment that I was in,

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<v Speaker 3>the things that I was doing, Like it all go

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<v Speaker 3>right back to it, you know what I'm saying. So

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<v Speaker 3>I want somebody to be able to listen to my

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<v Speaker 3>music when I was sixteen, listen to my music when

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<v Speaker 3>I was twenty eight, and I feel like that's not

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<v Speaker 3>the same person because it's not.

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<v Speaker 2>People to growth, you know what I'm saying. And I'll

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<v Speaker 2>be seeing my fans.

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<v Speaker 3>I see people in the comments like, oh yeah, man,

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<v Speaker 3>he need to get back to this, Like I could

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<v Speaker 3>never get back to that unless I'm standing on same

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<v Speaker 3>nfe in essex dodging bullets, which I would never.

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<v Speaker 2>Be, you know what I'm saying, Like it's impossible.

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<v Speaker 4>Yeah. Yeah.

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<v Speaker 1>You know what's crazy is to like hear stories about

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<v Speaker 1>Chicago where you're from. These kids are eleven, twelve, thirteen,

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<v Speaker 1>fourteen shooting people absolutely and it's a video game to them,

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<v Speaker 1>you know what I mean.

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<v Speaker 4>But it's real life.

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<v Speaker 3>It's real life, which it's very sad, and I feel

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<v Speaker 3>like they look at it like it's a video game, man,

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<v Speaker 3>except for you don't have.

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<v Speaker 2>No respond on in real life. You know what I'm saying.

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<v Speaker 3>Once you did, you did when you got a honey

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<v Speaker 3>of years life, You in jail for the rest of

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<v Speaker 3>your life.

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<v Speaker 2>You know what I'm saying.

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<v Speaker 3>And I always hear aspirations to do something else. Even

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<v Speaker 3>when I was in the streets, I knew that that

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<v Speaker 3>was not my destiny. I knew that I wouldn't be

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<v Speaker 3>in the streets for the rest of my life because

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<v Speaker 3>I was moving towards something better, something.

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<v Speaker 2>Greater, you know.

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<v Speaker 3>And I knew that God hit a different purpose for me,

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<v Speaker 3>you know. And if you don't have that, I feel

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<v Speaker 3>like it gotta be in you. Like if you don't

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<v Speaker 3>have it, you never will, you know what I'm saying,

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<v Speaker 3>Like you gotta have something in you, some kind of

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<v Speaker 3>drive to know that you better than that. Like I'm

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<v Speaker 3>not saying that I'm better than anybody, but I'm better

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<v Speaker 3>than that, you know what I'm saying, Like I'm better

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<v Speaker 3>at being in the streets.

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<v Speaker 2>You know what I'm saying.

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<v Speaker 1>In your DNA or it's got something has to be

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<v Speaker 1>constantly in your ear telling you, yeah, but there's more, and.

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<v Speaker 4>That you're more, that you're more than this.

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<v Speaker 2>Absolutely, you know.

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<v Speaker 5>On your path to billionaireship, have you reached out to

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<v Speaker 5>any of your peers for like mentorships and stuff like that,

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<v Speaker 5>like being able to figure out how they did it

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<v Speaker 5>to get to their success as like a whole or

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<v Speaker 5>like someone in that that stratosphere that can point you

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<v Speaker 5>in that duration.

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<v Speaker 3>I always say, like I get a lot of like

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<v Speaker 3>insight from future, Like he talked to me a lot

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<v Speaker 3>like just about like from the outside looking in where

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<v Speaker 3>he feels like I'm at mentally, what do you feel

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<v Speaker 3>like I'm doing right? What do you feel like I'm

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<v Speaker 3>doing wrong? And you know, like the things that he do,

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<v Speaker 3>like with his money and how you take care of

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<v Speaker 3>his business, like we had those conversations, And always keep

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<v Speaker 3>it in the back of my head because I know

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<v Speaker 3>it's possible, you know what I'm saying. I know it's

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<v Speaker 3>possible for me to do this and take the right steps.

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<v Speaker 3>And it's always strategic steps. You know, nothing is incidental.

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<v Speaker 3>You always got to make those strategic steps to make

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<v Speaker 3>sure that you're securing your livelihood, your children's and you're

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<v Speaker 3>putting yourself in the right positions to make your business

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<v Speaker 3>catapult and always elevate and get to the next level,

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<v Speaker 3>you know what I'm saying. So it's like I don't

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<v Speaker 3>want to just focus on music. I want to be

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<v Speaker 3>focused on a lot of other things while I'm doing music,

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<v Speaker 3>you know what I'm saying. So, yeah, I definitely like

287
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<v Speaker 3>if I had to say, like who I probably get

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<v Speaker 3>the most insight from, it'll probably be like like like

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<v Speaker 3>Pluto for sure.

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<v Speaker 1>Yeah. You know, when you have kids and they're growing

291
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<v Speaker 1>up and you're watching them grow up right in a

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<v Speaker 1>different environment than what you grew up in, you start

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<v Speaker 1>to look at them and start to make a promise

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<v Speaker 1>to yourself, like I got to make.

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<v Speaker 2>It back home. Yeah.

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<v Speaker 3>Absolutely, that's what I'm passionate about it. For some men,

297
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<v Speaker 3>it doesn't Now I say that, bro, and it's like,

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<v Speaker 3>by any means, that's my That's what I live a

299
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<v Speaker 3>boy like I got to get back home to my kids, bro,

300
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<v Speaker 3>no matter what, no infans or butts, you know what

301
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<v Speaker 3>I'm saying. So it's like certain environments I'm not even

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<v Speaker 3>gonna put myself in. I'm not even put myself in

303
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<v Speaker 3>certain situations, Like I don't care about saying no, Like

304
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<v Speaker 3>you know what I'm saying. I if I feel like

305
00:12:06.440 --> 00:12:09.639
<v Speaker 3>I gotta double, like if I gotta think twice about

306
00:12:09.679 --> 00:12:11.879
<v Speaker 3>being in a certain space or being in a certain environment,

307
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<v Speaker 3>I just won't go, you know what I'm saying.

308
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<v Speaker 2>It's like, and I'm mature.

309
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<v Speaker 3>I had to get to a point in my life

310
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<v Speaker 3>and a point mentally why I think that way, you

311
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<v Speaker 3>know what I'm saying, Because I used to put myself

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<v Speaker 3>in harm's way a lot, Like I used to be

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<v Speaker 3>like that guy, like you know, Like I'm fearless in

314
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<v Speaker 3>a way. So that's why I be. I'm always thinking

315
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<v Speaker 3>about the best option. I'm smart because I'm not afraid

316
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<v Speaker 3>of anything like I used to be. Like, all right,

317
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<v Speaker 3>even though I know it's dangerous, it's cool. I'm gonna

318
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<v Speaker 3>still go because I know I know what I'm capable of.

319
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<v Speaker 3>But I'm not going nowhere dangerous, Like that's where I'm

320
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<v Speaker 3>at right now, Like, even though I know it's dangerous,

321
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<v Speaker 3>I just won't go. It's not even the it factor,

322
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<v Speaker 3>Like all right, I know what I'm capable of. Because

323
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<v Speaker 3>me knowing what I'm capable of, it's bigger than that,

324
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<v Speaker 3>you know what I'm saying.

325
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<v Speaker 2>It's universal law at that point.

326
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<v Speaker 3>Because you could be you could be capable of something

327
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<v Speaker 3>and the unexpected.

328
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<v Speaker 2>You gotta expect the unexpected at all times.

329
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<v Speaker 4>Yeah, man, we saw it out here.

330
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<v Speaker 2>With it for sure.

331
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<v Speaker 1>You know what I mean, absolutely exactly exactly slipping. Yeah,

332
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<v Speaker 1>things happen for sure for sure. Yo, all the features

333
00:13:13.240 --> 00:13:16.039
<v Speaker 1>are crazy. Man, appreciate that twenty one is on the babies,

334
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<v Speaker 1>my brother.

335
00:13:16.960 --> 00:13:21.879
<v Speaker 3>Rob fo Nan, Sexy Red, Chief Keys, Baby.

336
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<v Speaker 4>What's your feature process?

337
00:13:23.639 --> 00:13:23.720
<v Speaker 2>Like?

338
00:13:25.200 --> 00:13:27.600
<v Speaker 3>My future process is like I like to get in

339
00:13:27.600 --> 00:13:29.960
<v Speaker 3>the studio a lot with like a lot of my peers.

340
00:13:29.639 --> 00:13:30.279
<v Speaker 2>You know what I'm saying.

341
00:13:30.320 --> 00:13:35.320
<v Speaker 3>But another thing is like I hear it like when

342
00:13:35.320 --> 00:13:38.000
<v Speaker 3>I when I record the song, Like when I go

343
00:13:38.120 --> 00:13:40.759
<v Speaker 3>and reach for features, I know who I want on

344
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<v Speaker 3>the record as soon as I'm done with it, like

345
00:13:43.039 --> 00:13:45.320
<v Speaker 3>even if I'm not in the studio creating with them.

346
00:13:45.600 --> 00:13:47.799
<v Speaker 3>When I'm done, Like when I recorded No Picture day

347
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<v Speaker 3>I record, I'm like, I'm getting so so on this.

348
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<v Speaker 3>When I recorded Team the day I record, I'm like,

349
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<v Speaker 3>I'm getting Sexy Red on this, you know what I'm saying.

350
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<v Speaker 3>So it's like it's not like I'm fishing around for

351
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<v Speaker 3>these features, Like I'm already going to my mood board

352
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<v Speaker 3>and I'm just doing what I got to do, reaching

353
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<v Speaker 3>out to my peers to make sure they could get

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<v Speaker 3>their vocals in by this deadline.

355
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<v Speaker 2>You know, what I'm saying, Like, that's how I do it.

356
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<v Speaker 4>We got the big white board out, yeah for sure.

357
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<v Speaker 2>Yeah.

358
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<v Speaker 3>And I'm just reaching out to my to my peers,

359
00:14:12.120 --> 00:14:13.720
<v Speaker 3>like all right, bet, I got this record, I need

360
00:14:13.759 --> 00:14:15.559
<v Speaker 3>you on, Like I got this record, I need you

361
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<v Speaker 3>on if I'm not in the studio with them, Like

362
00:14:17.480 --> 00:14:19.039
<v Speaker 3>you feel what I'm saying, Like in the A, I

363
00:14:19.120 --> 00:14:21.039
<v Speaker 3>knew I was gonna get twenty one on it because

364
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<v Speaker 3>it only makes sense for real, Like that's my brother,

365
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<v Speaker 3>and when I'm in Atlanta, I only link with like him.

366
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<v Speaker 2>You feel what I'm.

367
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<v Speaker 3>Saying, link with him and his homies, you know, other

368
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<v Speaker 3>than like being with south Side or something like that.

369
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<v Speaker 4>You know, yo, what are your thoughts on the south

370
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<v Speaker 4>Side is crazy? That's our guy.

371
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<v Speaker 1>Man.

372
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<v Speaker 4>What did he call himself?

373
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<v Speaker 1>BBLB Hey Man? If that ain't him, I don't know

374
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<v Speaker 1>what is man. If that's not my brother. If that's

375
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<v Speaker 1>not my brother, man, I don't know what is man.

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<v Speaker 1>For sure, Bulls, He's definitely going in the Hall of

377
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<v Speaker 1>Fame for BBL funding Man, Yo, what was.

378
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<v Speaker 6>The most What was the most memorable session from big Sworth?

379
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<v Speaker 3>The most memorable session probably when me and Skller recorded

380
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<v Speaker 3>Shoot I had a lot of fun that session. Man,

381
00:15:07.039 --> 00:15:09.799
<v Speaker 3>we was in LA and we had did I think

382
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<v Speaker 3>me and Skller probably recorded like ten twelve songs that day.

383
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<v Speaker 2>You know, me and.

384
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<v Speaker 3>Skller got a lot of music together. We probably gonna

385
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<v Speaker 3>end up doing a mixtape. But yeah, me and Skller

386
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<v Speaker 3>we recorded that. We was in the studio like thirty deep.

387
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<v Speaker 3>It was a bunch of people in there. We had vibes,

388
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<v Speaker 3>just good vibes in the studio. We had the chef

389
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<v Speaker 3>in there, like we was just like it was one

390
00:15:31.840 --> 00:15:34.639
<v Speaker 3>of them days where I feel like I got back

391
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<v Speaker 3>to like I ain't gonna say back, but I got

392
00:15:37.639 --> 00:15:39.480
<v Speaker 3>like in a groove of rapping, like you know how

393
00:15:39.519 --> 00:15:41.559
<v Speaker 3>like you getting the zone when you're doing something like

394
00:15:42.039 --> 00:15:44.720
<v Speaker 3>there's no missus Like. I think that from that day on,

395
00:15:45.360 --> 00:15:49.720
<v Speaker 3>I got in the zone of like just recording all

396
00:15:49.960 --> 00:15:52.080
<v Speaker 3>hard music. You feel what I'm saying, just all heat

397
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<v Speaker 3>from that point on. So that was probably my most

398
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<v Speaker 3>memorable for it was like a frequency for me. And

399
00:15:56.519 --> 00:15:58.399
<v Speaker 3>Skiller said that too. He like, bro, you've been in

400
00:15:58.440 --> 00:16:01.039
<v Speaker 3>there crazy. He's on like, And I think it was

401
00:16:01.080 --> 00:16:03.240
<v Speaker 3>from that day forward, like every time I get in

402
00:16:03.240 --> 00:16:05.759
<v Speaker 3>the studio, it's like, you know, sometimes you will recording

403
00:16:05.799 --> 00:16:07.840
<v Speaker 3>songs you feel like all right, this one cool, this went,

404
00:16:07.919 --> 00:16:10.639
<v Speaker 3>Like I've been getting in the studio and I ain't

405
00:16:10.679 --> 00:16:13.279
<v Speaker 3>been having no records that I don't like or that

406
00:16:13.360 --> 00:16:15.519
<v Speaker 3>people around me don't like, because my homies be like

407
00:16:15.559 --> 00:16:18.679
<v Speaker 3>it's cool, you know. But like from Net, I think

408
00:16:18.720 --> 00:16:21.080
<v Speaker 3>that was probably like nine months ago, Like I've really

409
00:16:21.120 --> 00:16:24.000
<v Speaker 3>been in a zone for like the past nine ten months,

410
00:16:24.039 --> 00:16:26.039
<v Speaker 3>and like it ain't been taking me long.

411
00:16:26.080 --> 00:16:27.840
<v Speaker 2>It ain't been hard for me. Like I was just

412
00:16:27.840 --> 00:16:28.120
<v Speaker 2>in the.

413
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<v Speaker 3>Studio with Chance and I was in the studio with

414
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<v Speaker 3>Bro for like forty five minutes and I probably recorded

415
00:16:32.960 --> 00:16:35.039
<v Speaker 3>one of the hardest verses that I recorded in a

416
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<v Speaker 3>long time.

417
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<v Speaker 4>Bro, Like that's a special place to be.

418
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<v Speaker 2>Yeah, yep, yep for Chances.

419
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<v Speaker 4>Yeah, that's right. So you're sitting on what maybe three,

420
00:16:42.720 --> 00:16:44.799
<v Speaker 4>four or five thousand songs.

421
00:16:44.240 --> 00:16:48.120
<v Speaker 3>Man, probably about I ain't gonna lie man from the

422
00:16:48.200 --> 00:16:50.679
<v Speaker 3>past like unreleased for real, and I'm gonna say from

423
00:16:50.720 --> 00:16:53.399
<v Speaker 3>the past. I'm gonna go as far back as maybe

424
00:16:53.440 --> 00:16:55.840
<v Speaker 3>two years, two or two years. I probably got like

425
00:16:56.600 --> 00:16:59.759
<v Speaker 3>a few thousand songs for sure, Like I gotta fold

426
00:16:59.840 --> 00:17:02.799
<v Speaker 3>in and my phone right now with about a thousand songs.

427
00:17:03.200 --> 00:17:06.559
<v Speaker 3>And I know that my DJ Vic he probably got

428
00:17:06.559 --> 00:17:11.319
<v Speaker 3>about three four hundred songs in his computer. Oz probably

429
00:17:11.359 --> 00:17:16.160
<v Speaker 3>got about six hundred in his computer. Mick probably got

430
00:17:16.200 --> 00:17:20.039
<v Speaker 3>about a couple of hundred. But they all, yeah, they all, yeah,

431
00:17:20.079 --> 00:17:22.000
<v Speaker 3>for sure, they all organized though, they all in the

432
00:17:22.079 --> 00:17:24.160
<v Speaker 3>right folders. Yeah, I got them spread out. So I

433
00:17:24.160 --> 00:17:27.519
<v Speaker 3>have seven of your songs. No, for sure, you probably do.

434
00:17:27.599 --> 00:17:30.599
<v Speaker 3>For real, for sure, you probably do. I won't even

435
00:17:30.599 --> 00:17:33.119
<v Speaker 3>be surprised. Man Like Nick got a folder one hundreds

436
00:17:33.160 --> 00:17:36.960
<v Speaker 3>of songs, and Nick got a folder with a bunch

437
00:17:36.960 --> 00:17:39.359
<v Speaker 3>of songs, south Side got a folder with a bunch

438
00:17:39.359 --> 00:17:42.680
<v Speaker 3>of songs on it. Max Sloyd got a folder with

439
00:17:42.720 --> 00:17:45.160
<v Speaker 3>a bunch of songs. So like, I know who all

440
00:17:45.200 --> 00:17:47.000
<v Speaker 3>got my music. So I could go to the votes

441
00:17:47.440 --> 00:17:49.960
<v Speaker 3>and just go pull him out. But between all the people,

442
00:17:49.960 --> 00:17:51.519
<v Speaker 3>I got a few thousand songs for sure.

443
00:17:51.640 --> 00:17:51.799
<v Speaker 4>Bro.

444
00:17:51.880 --> 00:17:54.960
<v Speaker 1>As a fan of Hove and Wayne growing up and

445
00:17:55.200 --> 00:17:58.480
<v Speaker 1>watching them right from Afar and modeling what you do

446
00:17:58.599 --> 00:18:01.359
<v Speaker 1>after what they do, and now seeing the business side

447
00:18:01.359 --> 00:18:03.559
<v Speaker 1>of things growing up through that as well. You know,

448
00:18:03.599 --> 00:18:07.799
<v Speaker 1>the big talk is the Super Bowl, Yeah, Kendrick performing, Yeah, yeah, man,

449
00:18:08.319 --> 00:18:09.000
<v Speaker 1>and not Wayne.

450
00:18:09.000 --> 00:18:10.279
<v Speaker 4>Do you think Wayne should have been up there.

451
00:18:10.359 --> 00:18:13.880
<v Speaker 3>I definitely, absolutely, one hundred, one hundred percent excuse me,

452
00:18:14.319 --> 00:18:17.000
<v Speaker 3>believe that Wayne should have done the Super Bowl man,

453
00:18:17.039 --> 00:18:19.880
<v Speaker 3>because I'm not biased. I'm a big I'm a big

454
00:18:20.039 --> 00:18:21.599
<v Speaker 3>Wayne fan, you know what I'm saying. I'm a big

455
00:18:21.680 --> 00:18:24.599
<v Speaker 3>Kendrick fan. I love Kendrick. But just like culture wise,

456
00:18:24.599 --> 00:18:25.839
<v Speaker 3>you know what I'm saying. I don't I don't know

457
00:18:25.920 --> 00:18:28.079
<v Speaker 3>who's like in the committee or who in charge of it,

458
00:18:28.119 --> 00:18:30.880
<v Speaker 3>but I feel like if you if you weigh out

459
00:18:30.920 --> 00:18:33.880
<v Speaker 3>those variables, when you weigh out what did it mean

460
00:18:33.920 --> 00:18:36.079
<v Speaker 3>to hip hop, what did it mean to the culture,

461
00:18:36.160 --> 00:18:38.000
<v Speaker 3>what did it mean to the city of New Orleans.

462
00:18:38.400 --> 00:18:40.720
<v Speaker 3>When you weigh out all those factors, who else would

463
00:18:40.759 --> 00:18:42.920
<v Speaker 3>it be, you know what I'm saying, other than Wayne,

464
00:18:42.960 --> 00:18:43.519
<v Speaker 3>You know what I'm saying.

465
00:18:43.559 --> 00:18:44.039
<v Speaker 2>And it's like.

466
00:18:45.920 --> 00:18:49.519
<v Speaker 3>The super Bowl, what the Super Bowl had time performance

467
00:18:49.599 --> 00:18:53.640
<v Speaker 3>has been to the culture. Everybody looks forward to that,

468
00:18:53.720 --> 00:18:55.480
<v Speaker 3>you know what I'm saying, And it's like your one

469
00:18:56.119 --> 00:18:59.599
<v Speaker 3>chance to like go back from your the beginning of

470
00:18:59.640 --> 00:19:02.160
<v Speaker 3>your career career to now, you know what I'm saying,

471
00:19:02.480 --> 00:19:05.599
<v Speaker 3>And like, as far like all these legendary performances from

472
00:19:05.680 --> 00:19:10.000
<v Speaker 3>Rihanna to Am to you know all, Yeah, exactly, Drean

473
00:19:10.119 --> 00:19:13.200
<v Speaker 3>Snoop and all these crazy performances that's happened over the years.

474
00:19:13.599 --> 00:19:16.359
<v Speaker 3>You would just expect to see what will Wayne bring

475
00:19:16.799 --> 00:19:19.079
<v Speaker 3>to the table for a halftime performance, you know what

476
00:19:19.119 --> 00:19:20.839
<v Speaker 3>I'm saying, because you always expect.

477
00:19:20.519 --> 00:19:21.720
<v Speaker 2>Like what are you gonna perform? What are you gonna do?

478
00:19:21.799 --> 00:19:22.279
<v Speaker 2>What are you gonna do?

479
00:19:22.359 --> 00:19:22.920
<v Speaker 4>You know what I'm saying.

480
00:19:23.039 --> 00:19:26.759
<v Speaker 1>If it's that it's that easy of a decision to make,

481
00:19:26.799 --> 00:19:29.279
<v Speaker 1>why do you think that decision wasn't made.

482
00:19:29.319 --> 00:19:31.240
<v Speaker 3>I don't think it was an easy decision to make,

483
00:19:31.359 --> 00:19:33.200
<v Speaker 3>Like that's what I'm saying. Like that's why I said,

484
00:19:33.240 --> 00:19:35.680
<v Speaker 3>I don't really know. I don't really know who's like

485
00:19:35.880 --> 00:19:38.160
<v Speaker 3>in the committee or what, like the politics of it.

486
00:19:38.200 --> 00:19:39.599
<v Speaker 3>You feel what I'm saying, I don't really feel like

487
00:19:39.599 --> 00:19:42.319
<v Speaker 3>it's an easy decision to make, because if it was

488
00:19:42.359 --> 00:19:44.000
<v Speaker 3>an easy decision to make, I feel like it would

489
00:19:44.000 --> 00:19:45.400
<v Speaker 3>have been a no brain. It would have been Wayne,

490
00:19:45.480 --> 00:19:47.279
<v Speaker 3>you know what I'm saying. So I don't know what

491
00:19:47.880 --> 00:19:51.079
<v Speaker 3>varrials it might have been. Yeah, exactly in the midst

492
00:19:51.079 --> 00:19:53.240
<v Speaker 3>of that, you know what I'm saying. But I definitely

493
00:19:53.279 --> 00:19:56.759
<v Speaker 3>think that they kind of dropped the ball a little bit.

494
00:19:57.240 --> 00:19:59.480
<v Speaker 3>We're not having Wayne do the halftime perform.

495
00:19:59.519 --> 00:20:00.920
<v Speaker 4>Okay, Hell, Kendrick, you said that.

496
00:20:02.079 --> 00:20:05.559
<v Speaker 3>I fuck with Kendrick for sure, like and and and

497
00:20:06.079 --> 00:20:08.079
<v Speaker 3>what I mean by that like just being a student

498
00:20:08.119 --> 00:20:10.519
<v Speaker 3>of hip hop. And you know what I'm saying, like, yeah,

499
00:20:10.559 --> 00:20:12.720
<v Speaker 3>exactly a student hip hop and a fan of hip hop.

500
00:20:12.759 --> 00:20:13.240
<v Speaker 2>You know what I'm saying.

501
00:20:13.279 --> 00:20:15.799
<v Speaker 3>I don't even I'm not saying take it away from Kendrick,

502
00:20:15.839 --> 00:20:17.640
<v Speaker 3>you know what I'm saying. I'm just saying, like what

503
00:20:17.839 --> 00:20:19.519
<v Speaker 3>I feel like it would have been in the city

504
00:20:19.519 --> 00:20:22.279
<v Speaker 3>of New Orleans, Yeah, yeah, what would have made sense

505
00:20:22.359 --> 00:20:22.720
<v Speaker 3>for sure?

506
00:20:22.799 --> 00:20:26.319
<v Speaker 1>Yeah, man, big Sworth everywhere, Yeah, Man, gratulations on the

507
00:20:26.319 --> 00:20:27.680
<v Speaker 1>project time.

508
00:20:27.759 --> 00:20:28.559
<v Speaker 4>Man, I know you're excited.

509
00:20:28.599 --> 00:20:30.759
<v Speaker 3>We're excited for you for sure, bro Bro for real,

510
00:20:30.880 --> 00:20:33.839
<v Speaker 3>thank you bro man. And right now I could say,

511
00:20:33.920 --> 00:20:36.759
<v Speaker 3>you know, to the world and to everybody who's listening,

512
00:20:36.839 --> 00:20:39.160
<v Speaker 3>like this is just the beginning, Like I'm not letting

513
00:20:39.160 --> 00:20:41.079
<v Speaker 3>my foot off the gas, you know, like I'm about

514
00:20:41.119 --> 00:20:43.920
<v Speaker 3>to go on one of those runs where you you look

515
00:20:44.000 --> 00:20:45.559
<v Speaker 3>back in a couple of years and be like, all right,

516
00:20:45.599 --> 00:20:47.359
<v Speaker 3>it started here, you know what I'm saying, Like, and

517
00:20:47.440 --> 00:20:49.440
<v Speaker 3>I'm excited for that, And I'm excited for that.

518
00:20:49.559 --> 00:20:51.720
<v Speaker 1>Yeah, with you all the way, do you appreciate it?

519
00:20:51.720 --> 00:20:55.079
<v Speaker 1>Bro Man, Big Swerve, Herbo, Let's go Cruise Show,
