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<v Speaker 1>Hello and welcome the Deep Blue Sea the podcast I

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<v Speaker 1>Am Mark, Dynamite, Steak half Meyer.

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<v Speaker 2>And I Am Jay What a Birth? The Working aboard

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<v Speaker 2>Deeply the podcast. On this show, we've been to the

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<v Speaker 2>entire Deeply See Troy seen by s today Chekhov's water birth.

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<v Speaker 2>She doesn't want to give. She doesn't want to do

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<v Speaker 2>a water birth. She's not going to do a water

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<v Speaker 2>birth Mark. She's going to do it in a hospital,

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<v Speaker 2>comfortable room, listening to her playlist. Definitely not in the

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<v Speaker 2>water on her own. With a shark coming this week,

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<v Speaker 2>we're talking about Thrash. What is Thrash? Thrash is a

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<v Speaker 2>new shark movie on six film directed and written by

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<v Speaker 2>Tommy Wakola and starring Fabe dinner All, Whitney, Peak, Joyman,

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<v Speaker 2>Hound Zoo Uh, matt Abel, Eliah Brown, Stacy Clausen, and

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<v Speaker 2>Dotty in the town of Annieville, which sounds too similar

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<v Speaker 2>to Amityville. Throughout the entirety of the film, I thought, Hey,

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<v Speaker 2>they're doing it's like a nod to amity which means friendship.

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<v Speaker 2>But no, it's the town of Annieville on the East

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<v Speaker 2>coast of America. Somewhere there is a Category five storm

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<v Speaker 2>storm Henry. It's battering the coast. I've been told to evacuate.

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<v Speaker 2>Most people have, some silly people haven't. The storm comes,

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<v Speaker 2>it traps them, and we're following these people. So the

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<v Speaker 2>people that we have are Phoebe dinnivoll Is, Lisa. She

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<v Speaker 2>is very pregnant. She's like twelve months pregnant. She is

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<v Speaker 2>fit to burst, and she's still there because she had

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<v Speaker 2>to stay behind at work.

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<v Speaker 1>Meets a fun Adam Kay, the producer.

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<v Speaker 2>Mccays meets where the only town, the only company that

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<v Speaker 2>will drive a tanker truck full of blood around, just

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<v Speaker 2>full of blood, nothing else in it, just blood. It

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<v Speaker 2>seems she's working for them. She's very pregnant. In her

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<v Speaker 2>car stuck on a tree outside the house of Whitney

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<v Speaker 2>peaks Dakota, who is grieving agoraphobic. Her mother passed recently.

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<v Speaker 2>She is kind of decided to weigh out of the

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<v Speaker 2>storm and not go outside because she has pank attats

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<v Speaker 2>when she goes outside. Also, meanwhile, there's three foster siblings

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<v Speaker 2>Deron Will who have good parents, Yeah, good kids, just

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<v Speaker 2>the worst parents, just just the worst foster parents. Get

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<v Speaker 2>into and there their dad's like, ah, it's just a

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<v Speaker 2>little bit of rain, and so they're stuck, the kids

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<v Speaker 2>and hell, and along with the storm, there's a bunch

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<v Speaker 2>of sharks. These are being tracked by Dakota's uncle, Joamin Hounzuo,

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<v Speaker 2>who's a marine researcher with a boat. He's coming to

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<v Speaker 2>save Dakota. And there's also a pregnant great white shark

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<v Speaker 2>in the midst as well. That's thrash. It's on Netflix,

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<v Speaker 2>My girl, Nellie, I'm sad it went straight to Netflix.

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<v Speaker 1>I want to see this in theaters.

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<v Speaker 2>That would have been great. The anthetis I agree. Eighty

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<v Speaker 2>six minutes wix eighty six minutes, czy.

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<v Speaker 1>To the point likable. You know, you know what annoys me? Jay.

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<v Speaker 1>Everybody's like, I've read some reviews. These characters do stupid things. Yeah,

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<v Speaker 1>but but I mean, okay, so Lisa, she's stuck there, Yeah,

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<v Speaker 1>exactly like Roger Ebert and other things like but you

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<v Speaker 1>know what, though, people will call you into work. We

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<v Speaker 1>had a giant storm in Atlanta once and they were like, Mark,

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<v Speaker 1>come work, Like it's people do that to you. And

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<v Speaker 1>then the three kids they're just stuck with terrible foster parents.

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<v Speaker 1>And then Dakota like she's by herself, and she's been

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<v Speaker 1>through a lot. She's a gooraphobic. She leaves chocolate milk

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<v Speaker 1>out and uh and beans, it doesn't put them back

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<v Speaker 1>in the fridge exactly like she's I mean, but like

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<v Speaker 1>she's a young kid who's depressed. Like and if you're

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<v Speaker 1>not from the area, also like Lisa's not from the area.

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<v Speaker 1>I grew up in Florida, Like I in fourth grade

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<v Speaker 1>at this thing called the No Name Storm hit, and

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<v Speaker 1>like I woke up and my dad's trailer was filled.

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<v Speaker 1>I put my feet on the ground of water was

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<v Speaker 1>in there. I looked outside. My dad's car was almost submerged.

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<v Speaker 1>We had to like it walked out into a raft

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<v Speaker 1>that was coming by. And yeah, I mean, like just

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<v Speaker 1>woke up and it was called the No Name storm

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<v Speaker 1>because no one saw it coming. And I mean that

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<v Speaker 1>it happens, like even though you live in Florida, you

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<v Speaker 1>just things happened. So I guess I don't know. I

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<v Speaker 1>just I don't think any of these people have egregious

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<v Speaker 1>reasons for not leaving.

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<v Speaker 2>And then I like that the only one, the only

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<v Speaker 2>one you could say is is Dakota because she is

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<v Speaker 2>able to She she is not like trapped behind through

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<v Speaker 2>forces outside of herself other than her panic attacks, which

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<v Speaker 2>is a.

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<v Speaker 1>Good paralyzed behind.

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<v Speaker 2>Pah, I'm not I'm not blaming her. Yeah, but you know, yeah,

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<v Speaker 2>everyone else is there and it makes sense that they

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<v Speaker 2>are and once say that, I think the decisions that they

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<v Speaker 2>make are pretty reasonable. It shot well and try and

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<v Speaker 2>save the save the woman who's trapped in the car

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<v Speaker 2>outside your window.

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<v Speaker 1>And I love that set piece Whitney Peak Dakotas. I'm

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<v Speaker 1>a big fan of Dakota. She's a good kid and

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<v Speaker 1>I like that scene though where she slips on the

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<v Speaker 1>roof climbs on the thing, like I don't know, the

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<v Speaker 1>physicality of the performance is really good. You can tell

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<v Speaker 1>she doesn't want to be there, like her movements are

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<v Speaker 1>quite slow, methodical, but it plays really well and Lisa's cool,

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<v Speaker 1>so it's it's a good scene. And they shot this

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<v Speaker 1>in a parking lot in Australia, so I mean, I

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<v Speaker 1>think knowing that this movie looks good as well.

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<v Speaker 2>Yeah there anything of building a set and sinking it.

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<v Speaker 1>Yeah, they built it like legos. Each piece they so

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<v Speaker 1>like they just built on a street and then they

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<v Speaker 1>would lift up the things, take the bottom part off

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<v Speaker 1>and dunk them further to make it seem like the

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<v Speaker 1>water rows like a very smart way of shooting. And

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<v Speaker 1>I don't know though, big thing Jay, It's like, have

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<v Speaker 1>you seen another teen movie?

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<v Speaker 2>I'd love.

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<v Speaker 1>You know that football coach. That's just we're a non

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<v Speaker 1>explicit podcast, but you know how much that football coach

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<v Speaker 1>and not another team movie? Swears Yes, he's just meant

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<v Speaker 1>to be like making fun of John Voight and all

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<v Speaker 1>those different characters from all the football movies. But I

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<v Speaker 1>feel like the uncle or the stepfather in this one,

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<v Speaker 1>not the foster parent in this one. Billy Olsen, that

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<v Speaker 1>guy is from not another teen movie, and he's placed

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<v Speaker 1>in the real world. It's such an odd character.

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<v Speaker 2>He's just like they're.

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<v Speaker 1>Dropping logs in their painties and like I buy my stakes,

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<v Speaker 1>but I keep them secret. And he's just such the guy.

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<v Speaker 1>He's just like all he does, these these these little bastards,

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<v Speaker 1>Like he calls these three kids are foster kids, siblings,

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<v Speaker 1>so they might have lost their parents and he's calling

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<v Speaker 1>them bastards. So it's like this guy is not from

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<v Speaker 1>the real world, So it's like a character from not

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<v Speaker 1>another te movie. The like like I don't know, escaped

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<v Speaker 1>that movie like wrecket Ralph and entered this one.

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<v Speaker 2>I completely agree. That's my uh okay, that's my issue

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<v Speaker 2>with with thrash is there's two separate there's two separate films.

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<v Speaker 2>They never interact once ever at all. It kind of did.

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<v Speaker 2>The only thing they have in common is the end

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<v Speaker 2>credits in this film, and they're always in the same

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<v Speaker 2>storm and the same sharks. I guess, but to me,

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<v Speaker 2>it feels like a different person wrote and directed each

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<v Speaker 2>one because like the least a Dakota storyline is like

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<v Speaker 2>gripping a bit of a thriller and there's not a

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<v Speaker 2>lot of levity and that it's not I'm not saying

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<v Speaker 2>it's a big down because it's not as those actions

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<v Speaker 2>as tension that's going. And if you factor in the

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<v Speaker 2>Jaman Hansoo character, he's got theres some jokes there with

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<v Speaker 2>him and the news the news reader who is shocked

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<v Speaker 2>he survived the film.

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<v Speaker 1>Yeah, and he's not like he's kind of a brat,

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<v Speaker 1>but he's also he's down to help, Like he's not.

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<v Speaker 2>I still thought he was gonna get eaten by shark.

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<v Speaker 2>And then you go to the other you go to

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<v Speaker 2>the Foster family and it's raucous. It's like broad stereosms,

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<v Speaker 2>horrendous accents. The oldest kid, I don't know where he's from.

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<v Speaker 2>Stacey calls him is Ron, but his accents.

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<v Speaker 1>Look around, it's.

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<v Speaker 2>So exaggerated. Yeah, it's like a freezer, fut of steaks

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<v Speaker 2>in the in the basement and the basement photo of

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<v Speaker 2>shotguns and a suitcase full of dynamite? Who wrote this?

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<v Speaker 2>What did this bit come from? The other half of

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<v Speaker 2>this film is great? Where's what is going on over here?

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<v Speaker 1>When he when they pop up in the dynamite, I

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<v Speaker 1>started dancing, though, I was like, oh, also he's from

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<v Speaker 1>Australia by the way, so okay, and also self care

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<v Speaker 1>like where they're filming in South Carolina. That's not I

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<v Speaker 1>say this a lot, but like it's not the hard

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<v Speaker 1>it's not. Listen, y'all, I'm gonna go spit on this.

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<v Speaker 1>I'm gonna go spit on these people, and I'm gonna

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<v Speaker 1>people got them pooping in their ponies, you know, just

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<v Speaker 1>that's a line from the movie. I think laying rocks

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<v Speaker 1>in her peny Like I'm gonna listen to some contry music,

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<v Speaker 1>Like that's not the like that area. So it's it's

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<v Speaker 1>a it's it's a Norwegian director kind of writing Southern

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<v Speaker 1>characters then having Australian actors play stereotypes. But I still

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<v Speaker 1>like the I like when he's like, I hate this sweater.

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<v Speaker 1>Like I like the kid, but.

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<v Speaker 2>I have a problem with him. It's just it feels

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<v Speaker 2>like such.

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<v Speaker 1>A different accent.

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<v Speaker 2>Yeah.

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<v Speaker 1>I actually was pretty engaged with those three kids. I

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<v Speaker 1>like them, like when they when she goes to close

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<v Speaker 1>the door and you have that awesome overhead shot of

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<v Speaker 1>the bull shark swimming in and then he goes and

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<v Speaker 1>saves his sister and you know, he goes and swims

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<v Speaker 1>And I will say this movie definitely I like it,

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<v Speaker 1>but it makes me appreciate Crawl more because crawl aside

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<v Speaker 1>from those stupid crooks that are trying to steal an ATM,

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<v Speaker 1>which would happen. Yeah, it's like that's actually makes sense.

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<v Speaker 1>But they keep it in the house with two characters,

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<v Speaker 1>and maybe that's a testament to Kaya and b PEPs

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<v Speaker 1>but that you don't need three orphans stealing meat from

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<v Speaker 1>a refrigerator. And then do is it like and is

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<v Speaker 1>it a dynamite meat or meat dynamite? I'm not sure

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<v Speaker 1>which one it is, but it it's like Crawl. Crawl

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<v Speaker 1>like finds so much tense and like interesting stuff in

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<v Speaker 1>just one house in a crawl space under home because

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<v Speaker 1>the houses are elevated, so there's a crawl space. It's

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<v Speaker 1>not a basement. But you yeah, I don't know.

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<v Speaker 2>I agree. I was thinking the same thing that this

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<v Speaker 2>this film tries to add so much more and ends

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<v Speaker 2>up becoming less than cruel. We'll gott to cover Crawl soon.

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<v Speaker 2>We're definitely go color crossing rules. Crawl does rule this.

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<v Speaker 2>Watching this movie, think like, was there like a third

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<v Speaker 2>story and this is meant to be some kind of

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<v Speaker 2>storm based anthology like that, the like a third one

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<v Speaker 2>that was disnected as well, because it just feels they

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<v Speaker 2>feel like clumsily edited together at times. What okay the

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<v Speaker 2>bank crobber Is and Crawel. My favorite scene in Crawl

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<v Speaker 2>just because like people are like these people are going

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<v Speaker 2>to die and they die. I love when I love

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<v Speaker 2>when that happens in a film like Oh, bad Guys arrived,

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<v Speaker 2>Bad Guys are big killed Great. I feel like that

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<v Speaker 2>scene was added just to kind of space out the

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<v Speaker 2>action a little bit, where which this film could have

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<v Speaker 2>give them a boat, give them a boat. But also

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<v Speaker 2>like Spring, it sprinkles a few more like kills and

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<v Speaker 2>creatures of each stuff throughout the film, whereas Thrash doesn't

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<v Speaker 2>do that that much. There are the first attack sequence

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<v Speaker 2>is like twenty five minutes into the film. The second

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<v Speaker 2>attack sequence is twenty five and a half minutes into

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<v Speaker 2>the film. The third attack sequence is twenty six minutes

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<v Speaker 2>into the film, and then there's nothing from other half

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<v Speaker 2>an hour, and then there's like a couple and then

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<v Speaker 2>there's nothing, and there's the end, and it's it's not

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<v Speaker 2>like I'm not saying should be evenly distributed. I think

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<v Speaker 2>if deep Lucy deeply see you get once the action starts,

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<v Speaker 2>it kind of it goes on at a good base.

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<v Speaker 2>It gets along seen by scene by here. It's like

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<v Speaker 2>see action, see action. The when you first notice the sharks,

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<v Speaker 2>they take out three people straight away, like all the

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<v Speaker 2>people that are in the water apart from Lisa are

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<v Speaker 2>all just like taken our which is three guys. And

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<v Speaker 2>at the same time, the exact same time is when

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<v Speaker 2>the foster parents are taken out in the other story.

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<v Speaker 2>So it feels like.

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<v Speaker 1>A historical what do you mean by the snorm. What

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<v Speaker 1>do you still await the snorkels? Actually a good idea,

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<v Speaker 1>I say, yeah, wow, yeah, they should just let that,

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<v Speaker 1>Let let that loose. Here we go ben it.

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<v Speaker 2>Yeah and man his song choices as well. That's set

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<v Speaker 2>on the most country of songs on the radio.

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<v Speaker 1>The most nightmarish of not even like ones that tell

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<v Speaker 1>a story. It's all more like wanted, like I got,

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<v Speaker 1>I got, if it, if it.

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<v Speaker 2>Don't twang, it ain't My thing was the one he said,

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<v Speaker 2>I don't know what song that is, plus the lyrics

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<v Speaker 2>I wrote down. But when he he gets attacked and

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<v Speaker 2>he gets his arm bitten off, he makes his way

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<v Speaker 2>into the truck and he's like smearing his blood of

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<v Speaker 2>the radio. There's the lyrics that come on. Are song

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<v Speaker 2>seeing wearing his wearing his helf on his sleeve, like

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<v Speaker 2>is that some kind of is that like heart blood

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<v Speaker 2>on his sleeve his stump arm?

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<v Speaker 3>Is that?

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<v Speaker 2>Are they trying to do something there that.

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<v Speaker 1>They went bullfinger and went to cerebral with that one.

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<v Speaker 1>See letter Cliff both finger rules. By the way, Yeah,

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<v Speaker 1>that's when that guy disappeared.

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<v Speaker 2>I was so happy.

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<v Speaker 1>Oh wait, that's funny Jay when they're like, he made.

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<v Speaker 2>He made it one armed, apparently half of his athmis

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<v Speaker 2>and he made it underwater from the garage outside, through

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<v Speaker 2>the cross the yard into the kitchen. Halfway across the kitchen,

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<v Speaker 2>round the counter pops up. All underwater was bleeding from

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<v Speaker 2>at least two different places threeom places, got a headwinds

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<v Speaker 2>as well. He just pops up and he's fine.

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<v Speaker 1>I wanted to dance when that scene happens. I just

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<v Speaker 1>want to be like and then the sister.

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<v Speaker 2>Kills him, yeah, because I've had enough.

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<v Speaker 1>And I like her. Like this guy sucks. I'm gonna knock.

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<v Speaker 2>Him out because he's like popped up and be like,

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<v Speaker 2>I'm injured. You kids, your kids go in the water.

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<v Speaker 2>Sharks don't like kids. You ain't what sharks like. They

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<v Speaker 2>don't like kids.

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<v Speaker 1>They do.

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<v Speaker 2>So that's that's when the oldest son kind of steps

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<v Speaker 2>up and uh, dad goes to punch him and he

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<v Speaker 2>grabs his and his fist, et cetera, and he calls

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<v Speaker 2>him a money grabbing, one armed, half an asshole piece

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<v Speaker 2>of s Yeah, and then the doorter kicks him in

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<v Speaker 2>the head and then he dies. Great, Uh, which they good.

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<v Speaker 1>Good.

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<v Speaker 2>I'm glad that they got closure, they got to kill him,

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<v Speaker 2>so that was that was nice.

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<v Speaker 1>They are they deserve that. That guy he was, he

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<v Speaker 1>was they were eating bread and they weren't eating every day,

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<v Speaker 1>and they were just pocketing fifteen hundred dollars checks.

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<v Speaker 2>They were eating just plain white bread whilst the parents

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<v Speaker 2>had steaks in the basement.

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<v Speaker 1>Which you know, what's funny. I've actually been into like

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<v Speaker 1>swamps like that with ropes, and I do specifically remember

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<v Speaker 1>a water moccasin swimming by me one time, just like right,

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<v Speaker 1>we're talking two feet across it. It just swam across

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<v Speaker 1>from me. It kind of like gave me what's up.

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<v Speaker 1>It didn't. They just kept swimming. But like, that's that's

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<v Speaker 1>some dangerous stuff right there. I saw someone fall out

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<v Speaker 1>of a tree once. They were surprisingly fine, which is

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<v Speaker 1>always stuck with me because I was like, that guy's dead.

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<v Speaker 1>He was fine, but yeah, so, I mean, I know

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<v Speaker 1>he was mad about the danger, but he wasn't worried

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<v Speaker 1>about them. He was just paying worried about paying hospital bills.

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<v Speaker 2>Oh I need or he might get less money, or

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<v Speaker 2>the kids might be taking away so they don't get

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<v Speaker 2>there the stipend from the state.

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<v Speaker 1>And also too there's a scene where he calls them

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<v Speaker 1>a no good son of a bee? And Jay, do

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<v Speaker 1>you ever wish someone called you that? Like you're just

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<v Speaker 1>you know, you're entering somewhere when someone goes, there's that

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<v Speaker 1>no good son of a bee? Like would that would

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<v Speaker 1>that make you happy if someone said that about you?

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<v Speaker 2>I'm not sure I'd be happy. I'd like context. I

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<v Speaker 2>like to know why you call him.

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<v Speaker 1>No good son of What did I do? I mean?

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<v Speaker 1>Would you like to get to the point where people

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00:16:47.399 --> 00:16:50.399
<v Speaker 1>say that about you and everyone just agrees with it

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<v Speaker 1>as a reputation.

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<v Speaker 2>It's not a great one to have.

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<v Speaker 1>I think.

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<v Speaker 2>Quite nice.

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<v Speaker 1>It's very specific, you're no good in your son of

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<v Speaker 1>a bee. You could say no good or you're a

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00:17:02.639 --> 00:17:04.279
<v Speaker 1>son of a bee, but this one's combined.

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<v Speaker 2>I I really liked the scene where Javion Hounds was

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<v Speaker 2>giving his backstory and he's he grew up on the

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<v Speaker 2>in the river, wrote it down the Zambezi River in Mozambique,

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<v Speaker 2>and it's one one animal is dangerous, theirs hippo and

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<v Speaker 2>one day's gonna be chilled by a hippo. But instead

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<v Speaker 2>of the hippo has taken up with these bull sharks

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<v Speaker 2>and he saw something in Hippo's eyes and he's turning

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<v Speaker 2>us still the news reporter, and the reporters like, did

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<v Speaker 2>you did you run back to your heart and grab

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00:17:41.160 --> 00:17:43.519
<v Speaker 2>your spear And he's like, no, I ran back to

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<v Speaker 2>my apartment and had caught the place and had a

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<v Speaker 2>pizza because I didn't grow up in the Jungle Book.

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<v Speaker 2>I loved that. I love that.

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<v Speaker 1>I love that he's the Dennis Quaid in this movie.

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<v Speaker 2>Oh, he's so much better than Dennis quad But.

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<v Speaker 1>You know what I mean, The Day after Tomorrow Dad,

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00:18:01.240 --> 00:18:03.440
<v Speaker 1>he's not the dad uncle, but or he's like the

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<v Speaker 1>Paul Giamadi who goes and saves people. Sure that's sanadreyas, yeah,

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00:18:09.000 --> 00:18:10.880
<v Speaker 1>but actually the dad goes in so I guess he's

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00:18:11.039 --> 00:18:12.039
<v Speaker 1>technically the Dayne.

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00:18:11.839 --> 00:18:15.880
<v Speaker 2>Johnson stealen helicopters that should be used for better things.

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<v Speaker 1>Wait, I told you about that, right, Okay, good, real quick.

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00:18:27.519 --> 00:18:31.559
<v Speaker 1>That was like one of the funniest things. And I

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00:18:31.599 --> 00:18:34.160
<v Speaker 1>when I figured out how many helicopters there actually are

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00:18:34.160 --> 00:18:36.519
<v Speaker 1>in l a for rescue, and there's three, and he

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00:18:36.599 --> 00:18:40.079
<v Speaker 1>just takes one and leaves it on a broken down

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<v Speaker 1>road somewhere and remember going that's not right, Dwayne, that's

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<v Speaker 1>not right. So quick question. So I know who mister

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00:18:47.920 --> 00:18:50.279
<v Speaker 1>Olsen is. They're like F mister Olson. But then they're

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00:18:50.279 --> 00:18:52.759
<v Speaker 1>like F Johnny Watkins. Who's Johnny Waker.

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00:18:52.599 --> 00:18:56.920
<v Speaker 2>Johnny Watkins because they're talking about that's when that's when

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00:18:57.000 --> 00:19:00.519
<v Speaker 2>the dad's saying shocks Onny. The kids. It's like a

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<v Speaker 2>dog doesn't need its own turd and the oldest son's

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00:19:03.319 --> 00:19:07.240
<v Speaker 2>like Johnny Walkins, dog eats its own turds and like

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<v Speaker 2>Johnny Watkins.

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<v Speaker 1>Okay, I love this movie.

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<v Speaker 3>Jay.

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<v Speaker 1>I want to do a data post or maybe you

355
00:19:19.319 --> 00:19:20.960
<v Speaker 1>and I should work on a visual of how he

356
00:19:21.079 --> 00:19:24.960
<v Speaker 1>swims to the house underwater and gets there without them noticing.

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00:19:25.759 --> 00:19:28.960
<v Speaker 2>He must move like the murman in Cabin in the Woods,

358
00:19:28.960 --> 00:19:32.279
<v Speaker 2>which is like prowling along the floor with flippery things,

359
00:19:33.000 --> 00:19:36.759
<v Speaker 2>because he's not he's he's got one arm, got half

360
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<v Speaker 2>a butt.

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00:19:37.960 --> 00:19:44.519
<v Speaker 1>Johnny walk In that hippo story. It was great. This

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00:19:44.599 --> 00:19:45.960
<v Speaker 1>movie is just so economical.

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00:19:46.960 --> 00:19:49.119
<v Speaker 2>I like the kid going down into the basement and

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00:19:50.440 --> 00:19:54.000
<v Speaker 2>get the guns because they're locked because apparently, well their

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00:19:54.119 --> 00:19:55.960
<v Speaker 2>parents had said don't go to the basement. They're still

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00:19:56.000 --> 00:20:00.920
<v Speaker 2>actually safe with their weaponry and don't don't leave them unlocked. Uh,

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00:20:00.960 --> 00:20:04.039
<v Speaker 2>but then that the kids sweats are getting caught on

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00:20:04.079 --> 00:20:07.400
<v Speaker 2>every hook going. Just before he took it off, my

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00:20:07.440 --> 00:20:09.279
<v Speaker 2>wife watches for me. She's like, just take the bloody

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<v Speaker 2>sweater off. And he did so good, he listened.

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<v Speaker 1>Was she happy when that happened? I hate the sweater?

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<v Speaker 2>Yeah she was. She didn't care. I don't think she

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<v Speaker 2>cares for these films anymore. She's seen too many. I

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00:20:21.720 --> 00:20:27.839
<v Speaker 2>get it's fine, the when when before everything kicks off

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<v Speaker 2>in the people are staying behind spoilers. By the way,

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00:20:31.359 --> 00:20:34.480
<v Speaker 2>Dacoach is watching the news on the newscast is like,

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00:20:34.519 --> 00:20:37.359
<v Speaker 2>if you're staying behind, I write your idea on your

378
00:20:37.440 --> 00:20:40.720
<v Speaker 2>arm so they can identify the body that maybe love.

379
00:20:41.839 --> 00:20:44.759
<v Speaker 2>Like I can see that being a bit of advice.

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<v Speaker 1>Morbid, that's you know, that's dangerous. So I was part

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00:20:50.240 --> 00:20:53.519
<v Speaker 1>of that storm shirts Jay, and I remember my dad's

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00:20:53.519 --> 00:20:57.400
<v Speaker 1>car underwater and like the trailer we were in was submerged,

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00:20:58.519 --> 00:21:00.079
<v Speaker 1>and the first thought I had was to grab a

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00:21:00.160 --> 00:21:01.759
<v Speaker 1>sock and like hit my dad in the back with

385
00:21:01.799 --> 00:21:05.920
<v Speaker 1>it like a wet sock. Okay, but yeah, I just

386
00:21:06.000 --> 00:21:08.240
<v Speaker 1>but that's it's dangerous. So I don't know. I kind

387
00:21:08.240 --> 00:21:08.559
<v Speaker 1>of like that.

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00:21:08.559 --> 00:21:11.559
<v Speaker 2>Sure, you know, when when we watch like shark films,

389
00:21:11.559 --> 00:21:14.160
<v Speaker 2>I try and think, what's unique about this shark film?

390
00:21:14.440 --> 00:21:16.880
<v Speaker 2>What's different about this one that we haven't seen elsewhere?

391
00:21:17.240 --> 00:21:21.759
<v Speaker 2>And I would say the how how heavily the pregnancy

392
00:21:21.799 --> 00:21:25.279
<v Speaker 2>subplot is in this It's something we haven't seen before.

393
00:21:25.400 --> 00:21:27.720
<v Speaker 2>This is definitely the first Shark film I've seen where

394
00:21:27.759 --> 00:21:32.519
<v Speaker 2>somebody has to check somebody else's sox.

395
00:21:32.160 --> 00:21:36.319
<v Speaker 1>Opening, yeah, two three inches.

396
00:21:37.599 --> 00:21:39.359
<v Speaker 2>And the fact that that Lisa does like a little

397
00:21:39.359 --> 00:21:42.000
<v Speaker 2>countdowns like a three two one to opening her legs

398
00:21:42.000 --> 00:21:47.480
<v Speaker 2>for measure it, which, yeah, not a situation that Dakoda

399
00:21:47.480 --> 00:21:49.359
<v Speaker 2>would ever want to be in, even outside of the storm,

400
00:21:51.079 --> 00:21:54.160
<v Speaker 2>I guess. But that's and then we have to talk

401
00:21:54.160 --> 00:21:57.400
<v Speaker 2>about the actual birth scene because like she's she goes

402
00:21:57.400 --> 00:22:02.400
<v Speaker 2>into labor during the flood. She's on a four poster

403
00:22:02.519 --> 00:22:03.480
<v Speaker 2>bed on the top.

404
00:22:03.279 --> 00:22:05.000
<v Speaker 1>Floor, which is great by the way, when the water

405
00:22:05.119 --> 00:22:07.279
<v Speaker 1>rises and the four poster gets stuck there, that's adn't

406
00:22:07.279 --> 00:22:07.880
<v Speaker 1>eat visual.

407
00:22:08.079 --> 00:22:11.200
<v Speaker 2>Yes, I agree, And Dakocha has gone to try and

408
00:22:11.200 --> 00:22:13.480
<v Speaker 2>get the boat that some of the people had her

409
00:22:13.519 --> 00:22:16.359
<v Speaker 2>there in the film, so just Lisa's on her own.

410
00:22:16.480 --> 00:22:18.640
<v Speaker 2>She starts giving starts giving birth, and she gets out

411
00:22:18.680 --> 00:22:22.240
<v Speaker 2>her iPhone ipadd wherever it is it's trying and do

412
00:22:22.240 --> 00:22:24.160
<v Speaker 2>a playlist. She starts playing it and then the house

413
00:22:24.319 --> 00:22:28.799
<v Speaker 2>just completely comes apart. They've been saying it's going to happen.

414
00:22:28.799 --> 00:22:30.640
<v Speaker 2>The whole film through his house is going to fall apart,

415
00:22:30.640 --> 00:22:32.599
<v Speaker 2>has fall apart, that them's going to come over, and

416
00:22:32.599 --> 00:22:34.480
<v Speaker 2>then it falls apart mid birth, and then she's just

417
00:22:34.519 --> 00:22:39.319
<v Speaker 2>out in the water cleaning a bit of debris, gives birth,

418
00:22:40.119 --> 00:22:43.599
<v Speaker 2>just just kind of we don't see the birth, which

419
00:22:43.680 --> 00:22:46.759
<v Speaker 2>I'm grateful for. But she's just like clinging to debris,

420
00:22:46.759 --> 00:22:48.119
<v Speaker 2>and then there's a baby.

421
00:22:47.839 --> 00:22:49.640
<v Speaker 1>And she's going, where are you?

422
00:22:49.759 --> 00:22:52.720
<v Speaker 2>Yes, because she's trying to find this newborn baby. It's underwater.

423
00:22:53.720 --> 00:22:56.119
<v Speaker 1>In my notes, I wrote, holy hell yes at that

424
00:22:56.319 --> 00:22:58.119
<v Speaker 1>scene because I really but.

425
00:22:58.359 --> 00:23:01.839
<v Speaker 2>We're the overhead shot of she's she's surrounded by all

426
00:23:01.880 --> 00:23:05.920
<v Speaker 2>the after birth. I guess I've not been present for

427
00:23:05.960 --> 00:23:08.400
<v Speaker 2>a berth. I don't know if this is right. I

428
00:23:08.440 --> 00:23:10.680
<v Speaker 2>assume I hope to never be present for a birth

429
00:23:11.160 --> 00:23:12.279
<v Speaker 2>that's not on my bucket list.

430
00:23:12.400 --> 00:23:13.319
<v Speaker 1>It's a journey, Jay.

431
00:23:14.880 --> 00:23:17.279
<v Speaker 2>Yeah, she's all of the blooders around her, and she's

432
00:23:17.279 --> 00:23:19.599
<v Speaker 2>got a baby and she's she has the baby is

433
00:23:19.640 --> 00:23:23.359
<v Speaker 2>still attached to the umbilical cord, and she breaks off

434
00:23:23.359 --> 00:23:25.240
<v Speaker 2>a bit of drift wood and tears it. I was

435
00:23:25.279 --> 00:23:28.319
<v Speaker 2>really hoping a shark was going to do it. I

436
00:23:28.359 --> 00:23:30.960
<v Speaker 2>wanted somehow it to be Orchestralian, that a shark would

437
00:23:30.960 --> 00:23:34.119
<v Speaker 2>cut the umbilical cord. That was my what I hoped

438
00:23:34.119 --> 00:23:35.920
<v Speaker 2>from that. What other film was that going to happen?

439
00:23:36.240 --> 00:23:36.880
<v Speaker 2>It didn't happen.

440
00:23:36.960 --> 00:23:43.599
<v Speaker 1>He's crazy, that's great, but.

441
00:23:43.720 --> 00:23:45.599
<v Speaker 2>It didn't happen. She just cuts it and then she

442
00:23:45.640 --> 00:23:47.720
<v Speaker 2>puts a baby down on some rundom. It's like me,

443
00:23:48.079 --> 00:23:50.160
<v Speaker 2>but she's just got to kill some effan sharks. And

444
00:23:50.160 --> 00:23:52.000
<v Speaker 2>then she turns around and stabs a shark in the

445
00:23:52.039 --> 00:23:56.680
<v Speaker 2>head and then baby. Yeah, but then swim back for it.

446
00:23:57.279 --> 00:23:59.759
<v Speaker 2>Dakota takes out another one with a harp home.

447
00:24:00.839 --> 00:24:03.720
<v Speaker 1>Yea, yeah, Dakota's a good kid. Yeah, well Dakota's And

448
00:24:03.759 --> 00:24:05.519
<v Speaker 1>then and then Nelly takes one out as well.

449
00:24:05.839 --> 00:24:09.680
<v Speaker 2>Yes, the diox great white shark and a just that

450
00:24:09.799 --> 00:24:12.720
<v Speaker 2>crops up. It's been mentioned, what what's that dot on

451
00:24:12.720 --> 00:24:14.920
<v Speaker 2>the map? That's a pregnant great white shark. We've been

452
00:24:14.960 --> 00:24:19.680
<v Speaker 2>tracking pregnancy. Not right of them doesn't give birth. There's

453
00:24:19.680 --> 00:24:23.440
<v Speaker 2>no like Nellie babies later in the film. It's just

454
00:24:23.440 --> 00:24:25.960
<v Speaker 2>this duck shock just kind of comes along, shows up,

455
00:24:26.039 --> 00:24:28.759
<v Speaker 2>takes out a bull shark, and then it isn't a problem.

456
00:24:29.000 --> 00:24:31.400
<v Speaker 2>This great white bit in the area not an issue, apparently.

457
00:24:31.880 --> 00:24:34.319
<v Speaker 1>I don't know, hate the bull shark.

458
00:24:34.880 --> 00:24:35.440
<v Speaker 2>The bull shark.

459
00:24:36.200 --> 00:24:38.359
<v Speaker 1>It's like these bull sharks are dicks, like I'm gonna

460
00:24:38.359 --> 00:24:43.200
<v Speaker 1>eat them. Just goes and gets it. Sorry for the language, Jenny,

461
00:24:43.640 --> 00:24:49.440
<v Speaker 1>but it okay. So things we haven't seen before. I yes,

462
00:24:49.559 --> 00:24:51.279
<v Speaker 1>the birth ink because most of the time in these

463
00:24:51.319 --> 00:24:53.640
<v Speaker 1>movies we watched the crocodile films and other shark films,

464
00:24:53.640 --> 00:24:55.759
<v Speaker 1>there's always a pregnant lady. But they just found out

465
00:24:57.000 --> 00:25:02.200
<v Speaker 1>very rarely, is there a I mean yeah, they just

466
00:25:03.680 --> 00:25:06.640
<v Speaker 1>yeah from somebody or like they're cheating or something like that.

467
00:25:06.680 --> 00:25:10.720
<v Speaker 1>And so I like that. It's yeah, I've never seen

468
00:25:10.720 --> 00:25:14.960
<v Speaker 1>a late stage pregnancy thing in a shark film before,

469
00:25:15.079 --> 00:25:21.480
<v Speaker 1>especially giving birth. What a Let's see what else I've

470
00:25:21.519 --> 00:25:23.960
<v Speaker 1>never beef steak or steak beef. I like that bit

471
00:25:24.279 --> 00:25:26.880
<v Speaker 1>and the blood gets all over the kids.

472
00:25:27.359 --> 00:25:29.119
<v Speaker 2>That's another bit where it's like this is a comedy.

473
00:25:29.680 --> 00:25:32.519
<v Speaker 2>They've a steak and they've chucked and it explodes into

474
00:25:32.640 --> 00:25:33.920
<v Speaker 2>just Kevin and shotcuts.

475
00:25:34.079 --> 00:25:36.359
<v Speaker 1>Well. I mean, you know what, though, Tommy Barkla have

476
00:25:36.480 --> 00:25:39.119
<v Speaker 1>if you've seen Dead Snow or Hansel and Gretel like.

477
00:25:39.119 --> 00:25:42.880
<v Speaker 2>That guy loves Yes, I've seen both of those, and.

478
00:25:42.920 --> 00:25:46.440
<v Speaker 1>Like Violent Night, he murders people hard and he loves

479
00:25:46.440 --> 00:25:50.200
<v Speaker 1>that kind of humor. So I think to satiate that need,

480
00:25:51.079 --> 00:25:53.799
<v Speaker 1>he kind of did a did a A story of

481
00:25:54.160 --> 00:25:58.960
<v Speaker 1>seriousness and then a B story of just insanity. It's like,

482
00:25:59.359 --> 00:26:02.640
<v Speaker 1>you know, say, ate his need for blood explosions because

483
00:26:02.880 --> 00:26:04.839
<v Speaker 1>Hansel and Gretel they get covered in blood that snow.

484
00:26:05.039 --> 00:26:06.720
<v Speaker 1>Everyone gets covered in blood in all of his movies,

485
00:26:06.720 --> 00:26:09.519
<v Speaker 1>so you need to keep that up. So I guess

486
00:26:09.519 --> 00:26:13.359
<v Speaker 1>that makes sense that fat that he would have that

487
00:26:13.359 --> 00:26:16.799
<v Speaker 1>that subplot. Who gives them props to Dakota real quick?

488
00:26:16.880 --> 00:26:21.240
<v Speaker 2>I like her absolutely? Yeah, she's great. H Yeah, you

489
00:26:21.279 --> 00:26:24.240
<v Speaker 2>know she's I think her and Lisa a the ones

490
00:26:24.240 --> 00:26:25.079
<v Speaker 2>that go through the most.

491
00:26:25.920 --> 00:26:30.160
<v Speaker 1>Yeah, And like Phoebe, Phoebe Jennifer is good in this movie,

492
00:26:30.160 --> 00:26:33.319
<v Speaker 1>and so is Whitney Peak. Like that, Tommy puts a

493
00:26:33.359 --> 00:26:35.839
<v Speaker 1>lot of focus on on Whitney Peak as well, like

494
00:26:35.880 --> 00:26:37.880
<v Speaker 1>he lets the camera linger on her and lets her.

495
00:26:38.480 --> 00:26:41.720
<v Speaker 1>She does really good at playing like apprehensive and stressed out,

496
00:26:42.119 --> 00:26:44.640
<v Speaker 1>but like still a good kid who's going to help people.

497
00:26:45.279 --> 00:26:47.440
<v Speaker 1>And I don't know, there's something about like the physicality

498
00:26:47.440 --> 00:26:50.400
<v Speaker 1>of the role and the way that Whitney Peak plays

499
00:26:50.440 --> 00:26:52.519
<v Speaker 1>Dakota that by the end of it I just liked.

500
00:26:52.759 --> 00:26:53.960
<v Speaker 2>I was like, Dakota's Dakota.

501
00:26:54.039 --> 00:26:59.160
<v Speaker 1>Better become the aunt to this kid. Yeah, because they're

502
00:26:59.240 --> 00:27:00.319
<v Speaker 1>bonded for life.

503
00:27:01.279 --> 00:27:06.480
<v Speaker 2>I at the end of the film, we do see

504
00:27:06.480 --> 00:27:09.279
<v Speaker 2>Lisa's mother over the phone a couple of times. She

505
00:27:11.160 --> 00:27:13.160
<v Speaker 2>at the end of the film, she's like, Hey, shut up,

506
00:27:13.319 --> 00:27:18.880
<v Speaker 2>meet your grandson. Just over zoom, what's happen whatever. I

507
00:27:18.880 --> 00:27:21.400
<v Speaker 2>wouldn't wanted to name it. I don't know what it

508
00:27:21.480 --> 00:27:25.480
<v Speaker 2>sounded like, meet your son, name of son, and I didn't.

509
00:27:25.519 --> 00:27:27.920
<v Speaker 2>They didn't do that. I could name it Henry after

510
00:27:27.960 --> 00:27:30.480
<v Speaker 2>the storm that almost killed him. It would be my

511
00:27:31.319 --> 00:27:34.880
<v Speaker 2>That's what I would do. But that's why I did

512
00:27:34.960 --> 00:27:38.359
<v Speaker 2>kind of love the mother setting up doing dropping all

513
00:27:38.400 --> 00:27:39.000
<v Speaker 2>the exposition.

514
00:27:42.480 --> 00:27:44.079
<v Speaker 1>He went and became a poker player.

515
00:27:44.480 --> 00:27:47.079
<v Speaker 2>He's the jerk who left his pregnant fiancee to become

516
00:27:47.079 --> 00:27:49.839
<v Speaker 2>a professional poker player. And DJ after making you move

517
00:27:49.920 --> 00:27:54.680
<v Speaker 2>a thousand miles away to his hometown. That's a sentence, right,

518
00:27:54.720 --> 00:27:58.319
<v Speaker 2>what a horrible dude, what a horrible But you could this.

519
00:27:59.160 --> 00:28:02.400
<v Speaker 2>I This film was made, fully made, and then sold

520
00:28:02.400 --> 00:28:07.079
<v Speaker 2>to Netflix as a full film, I think, which surprised

521
00:28:07.119 --> 00:28:13.000
<v Speaker 2>me because one of the one of the like points

522
00:28:13.000 --> 00:28:14.960
<v Speaker 2>of a Netflix film is they keep on reiterating the

523
00:28:14.960 --> 00:28:18.440
<v Speaker 2>plot several times and it does happen here. Jimon Hounds,

524
00:28:18.440 --> 00:28:22.119
<v Speaker 2>who does at one point go like, we're we're heading

525
00:28:22.200 --> 00:28:24.759
<v Speaker 2>up the I ninety five on a boat with the

526
00:28:24.759 --> 00:28:26.640
<v Speaker 2>sharks in the water to go and save my knee.

527
00:28:27.160 --> 00:28:30.400
<v Speaker 2>That's like halfway through the films. I wait, what's happening?

528
00:28:30.440 --> 00:28:31.720
<v Speaker 2>I was I talking on the phone for the past

529
00:28:31.720 --> 00:28:33.720
<v Speaker 2>half hour. Oh okay, I'm with you.

530
00:28:34.799 --> 00:28:35.119
<v Speaker 1>Yeah.

531
00:28:35.119 --> 00:28:38.000
<v Speaker 2>So I feel like Netflix saw that and like, hey, yeah,

532
00:28:38.039 --> 00:28:41.799
<v Speaker 2>we'll take this film. This this fulfillms our requirements.

533
00:28:42.279 --> 00:28:46.680
<v Speaker 1>The opening expository dumps really worried me about the film

534
00:28:46.720 --> 00:28:49.720
<v Speaker 1>because you and I have talked about unnecessary drama in

535
00:28:49.799 --> 00:28:52.599
<v Speaker 1>shark movies before and this one doesn't have it. But

536
00:28:52.599 --> 00:28:57.559
<v Speaker 1>I do love that we have an orphaned agoraphobic and

537
00:28:57.599 --> 00:29:01.279
<v Speaker 1>then we have a pro very pregnant woman who was

538
00:29:01.400 --> 00:29:05.240
<v Speaker 1>just left by her husband. And then we have three

539
00:29:05.480 --> 00:29:10.440
<v Speaker 1>orphans who have abusive foster parents in it. So I

540
00:29:10.440 --> 00:29:13.599
<v Speaker 1>was like, this is hitting the trifecta right now. But

541
00:29:13.680 --> 00:29:16.200
<v Speaker 1>when yeah, when the mom's on the phone, when Dakota's

542
00:29:16.200 --> 00:29:19.000
<v Speaker 1>watching the videos, and then when the three kid the

543
00:29:19.039 --> 00:29:22.640
<v Speaker 1>guy's explaining that he's a foster parent to the three kids,

544
00:29:23.640 --> 00:29:25.720
<v Speaker 1>and then like the check, but but get that check

545
00:29:26.000 --> 00:29:31.400
<v Speaker 1>Like this is like but yeah, yeah, it's all very

546
00:29:31.400 --> 00:29:35.200
<v Speaker 1>on the nose, so much expository dialogue. But then once

547
00:29:35.240 --> 00:29:36.839
<v Speaker 1>it gets you know, it's kind of nice about knocking

548
00:29:36.839 --> 00:29:38.480
<v Speaker 1>that out in the first five minutes. You can just

549
00:29:38.480 --> 00:29:40.440
<v Speaker 1>get on with it. And I feel like that's what

550
00:29:40.480 --> 00:29:42.079
<v Speaker 1>the movie does. And I like it.

551
00:29:42.960 --> 00:29:46.279
<v Speaker 2>Yeah, I first and a round. I wasn't that fast

552
00:29:46.279 --> 00:29:47.839
<v Speaker 2>with the film, but watching I watched it the second

553
00:29:47.839 --> 00:29:50.759
<v Speaker 2>time and know what was coming. I had a good time.

554
00:29:51.720 --> 00:29:53.720
<v Speaker 2>I thought it was just kind of fine first around,

555
00:29:53.720 --> 00:29:56.119
<v Speaker 2>but I like it. It's it's bumped up a little

556
00:29:56.160 --> 00:29:56.640
<v Speaker 2>bit for me.

557
00:29:57.759 --> 00:30:00.440
<v Speaker 1>And with that a Leah Brown, the girl like she's

558
00:30:00.720 --> 00:30:03.880
<v Speaker 1>she was young furiosa one of the orphans.

559
00:30:04.000 --> 00:30:04.880
<v Speaker 2>Yes, that makes sense.

560
00:30:05.039 --> 00:30:07.240
<v Speaker 1>Yeah, she's inside the Hedgehog three. She's in a movie

561
00:30:07.240 --> 00:30:08.400
<v Speaker 1>called Whale Shark Jack.

562
00:30:09.240 --> 00:30:10.720
<v Speaker 2>Okay, sounds interesting.

563
00:30:10.720 --> 00:30:13.039
<v Speaker 1>She's in a movie called Sting, which is really good.

564
00:30:13.480 --> 00:30:15.920
<v Speaker 1>So oh by the guy who did a Beast.

565
00:30:15.680 --> 00:30:16.319
<v Speaker 2>Of War.

566
00:30:17.759 --> 00:30:23.960
<v Speaker 1>Directed Sting. So she's in that, and I know, I

567
00:30:24.160 --> 00:30:27.799
<v Speaker 1>just yeah, she's good. I don't know how they got

568
00:30:27.799 --> 00:30:29.880
<v Speaker 1>this little cast together, but I dig it like it's

569
00:30:29.880 --> 00:30:35.359
<v Speaker 1>an odd little movie. It's not. It's a movie, right.

570
00:30:36.720 --> 00:30:37.480
<v Speaker 2>What this.

571
00:30:39.160 --> 00:30:43.039
<v Speaker 1>There's not much of There's two stories that don't connect.

572
00:30:43.799 --> 00:30:45.839
<v Speaker 2>This is what I'm saying about it. It should have been.

573
00:30:46.240 --> 00:30:49.480
<v Speaker 2>It feels like an anthology is missing a third or like, yeah,

574
00:30:49.799 --> 00:30:55.200
<v Speaker 2>two TV episodes edited together. If they did, like the

575
00:30:55.680 --> 00:31:00.079
<v Speaker 2>Storm Henry six episode mini series, each one following a

576
00:31:00.160 --> 00:31:04.960
<v Speaker 2>different characters storyline through the storm, it could be interesting

577
00:31:05.839 --> 00:31:07.519
<v Speaker 2>if they just did too and then mad a film.

578
00:31:07.359 --> 00:31:13.279
<v Speaker 1>Out of it. I don't know, yeah, yeah, imagine pitching

579
00:31:13.400 --> 00:31:17.440
<v Speaker 1>is to people. I got this movie thrash, South Carolina, flooded,

580
00:31:17.960 --> 00:31:24.279
<v Speaker 1>pregnantly a gorf of an orphan, three orphans with foster parents.

581
00:31:25.519 --> 00:31:30.400
<v Speaker 1>They get flooded, sharks attack, blood truck, Jamon hunts.

582
00:31:30.599 --> 00:31:33.079
<v Speaker 2>When do they meet? How does how do they meet?

583
00:31:35.400 --> 00:31:40.480
<v Speaker 1>Well? I got I have that. So two groups. Oh,

584
00:31:40.519 --> 00:31:42.759
<v Speaker 1>so they're gonna intersect and and they're gonna team up

585
00:31:42.799 --> 00:31:47.079
<v Speaker 1>and survive. No, no, they're never gonna meet. Are they connected.

586
00:31:48.920 --> 00:31:50.839
<v Speaker 2>They're gonna get in the car and they're gonna drive

587
00:31:50.839 --> 00:31:52.880
<v Speaker 2>off a ne're gonna kill the doll. Shock Is that

588
00:31:52.920 --> 00:31:53.400
<v Speaker 2>gonna happen?

589
00:31:54.680 --> 00:31:57.440
<v Speaker 1>How great would that be? Like like like they're they're

590
00:31:57.440 --> 00:31:59.640
<v Speaker 1>about to die and then the three orphans come up

591
00:31:59.680 --> 00:32:00.519
<v Speaker 1>and just wow.

592
00:32:01.039 --> 00:32:05.519
<v Speaker 2>Run the shark truck get in.

593
00:32:08.279 --> 00:32:10.559
<v Speaker 1>And it features a hard rain statue. Gag too or

594
00:32:10.559 --> 00:32:12.200
<v Speaker 1>in hard rain, you know how deep it is because

595
00:32:12.240 --> 00:32:14.079
<v Speaker 1>of the statue. Yeah, this is what this movie has

596
00:32:14.079 --> 00:32:15.039
<v Speaker 1>that statue as well.

597
00:32:15.519 --> 00:32:19.640
<v Speaker 2>Yeah, that truck driver was optimistic trying to beat the

598
00:32:19.680 --> 00:32:22.240
<v Speaker 2>oncoming flood. He could see the flood comings like I

599
00:32:22.240 --> 00:32:24.200
<v Speaker 2>can drive to the end of this road with my

600
00:32:24.359 --> 00:32:29.839
<v Speaker 2>giant tanker truck and beat that and make that sharp corner. Optimism,

601
00:32:30.240 --> 00:32:33.160
<v Speaker 2>true brass failure.

602
00:32:33.519 --> 00:32:39.039
<v Speaker 1>Blood truck, blood truck. But yeah, I like the way

603
00:32:39.039 --> 00:32:40.960
<v Speaker 1>the house. But you know what though, since this was

604
00:32:41.000 --> 00:32:43.960
<v Speaker 1>filmed in a parking lot in Australia, I think it

605
00:32:44.000 --> 00:32:46.160
<v Speaker 1>looks great. I like the visual effects. It kind of

606
00:32:46.160 --> 00:32:48.759
<v Speaker 1>reminded me of Crawl a little bit, and I think

607
00:32:49.039 --> 00:32:51.839
<v Speaker 1>what Tommy Workla is good at is. He knows how

608
00:32:51.880 --> 00:32:54.119
<v Speaker 1>to like, he knows how to film a set piece,

609
00:32:54.160 --> 00:32:56.640
<v Speaker 1>and I I think there's some really neat overhead shots

610
00:32:56.640 --> 00:32:58.559
<v Speaker 1>when we see, you know, the afterbirth in the water,

611
00:32:58.720 --> 00:33:02.160
<v Speaker 1>or the house with the the scene with the the

612
00:33:02.359 --> 00:33:05.839
<v Speaker 1>shark swimming into the house through the doorframe. He I

613
00:33:05.839 --> 00:33:07.880
<v Speaker 1>think he was thinking of a lot about style in

614
00:33:07.880 --> 00:33:10.720
<v Speaker 1>this movie and wasn't worried about other things. But I

615
00:33:10.759 --> 00:33:13.000
<v Speaker 1>also think he casts good actors, like the kid actors

616
00:33:13.000 --> 00:33:17.400
<v Speaker 1>are experience, Whitney peak is good, Phoebe's good, Giman's always great,

617
00:33:17.440 --> 00:33:20.960
<v Speaker 1>like multiple Oscar nominee. So they they give it weight,

618
00:33:21.480 --> 00:33:24.160
<v Speaker 1>but it's just, yeah, I don't know. Other people are

619
00:33:24.200 --> 00:33:25.640
<v Speaker 1>hating on this movie, but I think it's fun.

620
00:33:26.599 --> 00:33:28.240
<v Speaker 2>I think it's fun too. I Mean, we like shark

621
00:33:28.319 --> 00:33:30.519
<v Speaker 2>movies more than most people, so I feel like we're

622
00:33:30.519 --> 00:33:31.680
<v Speaker 2>gonna like this more than most.

623
00:33:32.599 --> 00:33:34.359
<v Speaker 1>Well, yeah, I guess because we watch a lot of

624
00:33:34.400 --> 00:33:39.240
<v Speaker 1>shark movies we kind of appreciate Yeah, exactly. And it's fast,

625
00:33:40.160 --> 00:33:44.160
<v Speaker 1>and you know that aside from the antagonist being the

626
00:33:44.160 --> 00:33:47.599
<v Speaker 1>the horrifying foster parents, they're dealt with pretty quick and

627
00:33:47.640 --> 00:33:50.799
<v Speaker 1>then from there it's just, hey, let's survive. Like, let's

628
00:33:50.839 --> 00:33:55.720
<v Speaker 1>figure out things that aren't too crazy. So yeah, I like.

629
00:33:55.839 --> 00:33:59.039
<v Speaker 1>I like the low relationship too between Whitney Peak and

630
00:33:59.359 --> 00:34:01.599
<v Speaker 1>Phoebe and that house, like they kind of help each

631
00:34:01.640 --> 00:34:05.359
<v Speaker 1>other and it's gotta get at some nuts though an agoraphobic.

632
00:34:06.640 --> 00:34:10.280
<v Speaker 1>The way to get her way aggrieving agorophobic. To get

633
00:34:10.280 --> 00:34:13.320
<v Speaker 1>her out of the house, she has to rescue a

634
00:34:13.360 --> 00:34:17.159
<v Speaker 1>pregnant woman who's been attacked by sharks, and then she

635
00:34:17.280 --> 00:34:20.280
<v Speaker 1>gives birth, and then she has to savor with you know, putting.

636
00:34:20.599 --> 00:34:23.280
<v Speaker 1>I like when she put the little vibrating things in bags.

637
00:34:23.840 --> 00:34:27.800
<v Speaker 1>If she has to swim across the water, it's you know,

638
00:34:28.119 --> 00:34:31.280
<v Speaker 1>I guess that'll cure your agoraphobia.

639
00:34:31.559 --> 00:34:34.599
<v Speaker 2>That's a deep Blue Sea comparison scene is hunting around

640
00:34:34.800 --> 00:34:40.599
<v Speaker 2>the room looking for batteries and vibrating. Yes, that's a

641
00:34:40.639 --> 00:34:43.519
<v Speaker 2>real like deep moment. And a shark in a kitchen

642
00:34:45.039 --> 00:34:49.719
<v Speaker 2>being blown up in a kitchen, And yeah, so I

643
00:34:49.880 --> 00:34:52.400
<v Speaker 2>like this movie. I like it too. I think it's

644
00:34:52.400 --> 00:34:55.039
<v Speaker 2>getting an unfair rap and people should watch it and

645
00:34:55.119 --> 00:34:56.000
<v Speaker 2>like it as much as we do.

646
00:34:57.000 --> 00:35:00.480
<v Speaker 1>There's not much to rally around story wise because it's

647
00:35:00.519 --> 00:35:03.360
<v Speaker 1>just so straightforward.

648
00:35:04.119 --> 00:35:06.719
<v Speaker 2>But that's it's fine.

649
00:35:07.440 --> 00:35:09.519
<v Speaker 1>I guarantee you this is the only movie you ever

650
00:35:09.559 --> 00:35:13.679
<v Speaker 1>made where a nine month pregnant woman and agoraphobic, grieving

651
00:35:13.719 --> 00:35:20.199
<v Speaker 1>agoraphobic and three orphan foster kids get the leads to

652
00:35:20.239 --> 00:35:20.800
<v Speaker 1>fight sharks.

653
00:35:20.840 --> 00:35:30.639
<v Speaker 2>And that's what's wrong with Hollywood today. So do you

654
00:35:30.639 --> 00:35:32.320
<v Speaker 2>want to know how deep and how blue and how see?

655
00:35:32.960 --> 00:35:37.119
<v Speaker 2>This film is? Oh gosh, so listeners, if you see

656
00:35:37.119 --> 00:35:39.159
<v Speaker 2>your first time listening, welcome. Hello. We like all short

657
00:35:39.199 --> 00:35:42.119
<v Speaker 2>films as much as this one. That's not true. There

658
00:35:42.119 --> 00:35:44.760
<v Speaker 2>are something we really don't like, but you have to

659
00:35:44.800 --> 00:35:46.719
<v Speaker 2>dig through our capital to find them. Whenever we cover

660
00:35:46.800 --> 00:35:49.679
<v Speaker 2>a new film. Because this is Deep Blue Sy the podcast,

661
00:35:50.239 --> 00:35:52.599
<v Speaker 2>I go through it and work out how deep the

662
00:35:52.679 --> 00:35:56.119
<v Speaker 2>action takes place at, how blue everything on the screen is,

663
00:35:56.119 --> 00:35:59.000
<v Speaker 2>and how much it takes place at C. Deep blue

664
00:35:59.000 --> 00:36:01.039
<v Speaker 2>C is, of course, approximate fourteen and a half meters

665
00:36:01.079 --> 00:36:03.079
<v Speaker 2>of probably seven and a half feet deep, about thirty

666
00:36:03.079 --> 00:36:04.960
<v Speaker 2>one percent blue, and about eighty nine percent of it

667
00:36:04.960 --> 00:36:06.239
<v Speaker 2>takes place at sea.

668
00:36:06.559 --> 00:36:06.760
<v Speaker 1>Mark.

669
00:36:06.840 --> 00:36:09.840
<v Speaker 2>Do you think thrash is deeper blue or more at

670
00:36:09.880 --> 00:36:10.800
<v Speaker 2>sea than deeply sea?

671
00:36:11.760 --> 00:36:17.400
<v Speaker 1>Okay, so when we're saying deep, the water's up on land,

672
00:36:18.000 --> 00:36:20.440
<v Speaker 1>so are you counting.

673
00:36:20.199 --> 00:36:23.559
<v Speaker 2>I'm basing this on where they are in reference to

674
00:36:24.000 --> 00:36:27.079
<v Speaker 2>the water level around them. So if they're standing on

675
00:36:27.119 --> 00:36:29.440
<v Speaker 2>a counter and the water level is the same height

676
00:36:29.440 --> 00:36:31.159
<v Speaker 2>as that counter, they are at zero.

677
00:36:32.119 --> 00:36:37.760
<v Speaker 1>Oh well it's not as deep, right, but you know what,

678
00:36:38.119 --> 00:36:40.119
<v Speaker 1>Oh no, they're not as much sea because it takes

679
00:36:40.159 --> 00:36:45.679
<v Speaker 1>about fifteen minutes to get the flood and so not

680
00:36:45.800 --> 00:36:46.719
<v Speaker 1>as much as.

681
00:36:46.599 --> 00:36:50.239
<v Speaker 2>Yeah with at sea, technically all of this water is

682
00:36:50.519 --> 00:36:55.079
<v Speaker 2>sea water. But I took it. But I mean rivers

683
00:36:55.119 --> 00:36:58.679
<v Speaker 2>are technically sea water if they're always all connected. So

684
00:36:58.760 --> 00:37:00.559
<v Speaker 2>I took it as if they're outside of their house,

685
00:37:00.559 --> 00:37:02.199
<v Speaker 2>they're at sea. If they're inside of their house, they're

686
00:37:02.239 --> 00:37:02.719
<v Speaker 2>not at sea.

687
00:37:03.119 --> 00:37:07.320
<v Speaker 1>Okay, not at sea. And now definitely not as blue.

688
00:37:07.360 --> 00:37:11.079
<v Speaker 1>Her jacket's yellow. Not as blue that jacket.

689
00:37:11.079 --> 00:37:15.280
<v Speaker 2>No, no jacket bothered me because she when she goes

690
00:37:15.320 --> 00:37:18.639
<v Speaker 2>out initially to go get some food and has a

691
00:37:18.679 --> 00:37:21.719
<v Speaker 2>pank attack, she's wearing a bright orange raincoat, and when

692
00:37:21.760 --> 00:37:24.119
<v Speaker 2>she goes out later she's wearing a purple one. And

693
00:37:24.159 --> 00:37:27.239
<v Speaker 2>I don't know why. I get, you can have two.

694
00:37:28.199 --> 00:37:30.400
<v Speaker 2>I get you can have two raincoats, but we already

695
00:37:30.480 --> 00:37:32.519
<v Speaker 2>met a raincoat in the film. We'll not just use

696
00:37:32.599 --> 00:37:33.119
<v Speaker 2>the same one.

697
00:37:33.440 --> 00:37:34.920
<v Speaker 1>I don't know, you know, I actually I have a

698
00:37:34.920 --> 00:37:38.119
<v Speaker 1>heavy duty raincoat and then I just have a drizzle coat.

699
00:37:38.280 --> 00:37:41.840
<v Speaker 2>The orange one looks pretty heavy duty, as did they both. Anyway,

700
00:37:42.000 --> 00:37:45.400
<v Speaker 2>it's a it's a minor point, but yeah, so depth wise,

701
00:37:45.840 --> 00:37:48.360
<v Speaker 2>oh sorry, what about death wise? This works out being

702
00:37:48.360 --> 00:37:50.679
<v Speaker 2>about a meter up in the air or one point

703
00:37:50.760 --> 00:37:52.599
<v Speaker 2>zero seven meters or three and a half feet up

704
00:37:52.639 --> 00:37:57.280
<v Speaker 2>in the air blueness. About twelve percent of this is

705
00:37:57.400 --> 00:38:01.239
<v Speaker 2>blue twelve point zero weight, so so deathwise, this is

706
00:38:01.280 --> 00:38:04.559
<v Speaker 2>slightly higher up than Lake Mungo, slightly lower than Anaconda's

707
00:38:04.559 --> 00:38:07.840
<v Speaker 2>The Hunt for the Blood Orchid blueless. This is slightly

708
00:38:07.840 --> 00:38:10.119
<v Speaker 2>bluer than Ghost Shit, slightly less blue than Shark Knight

709
00:38:10.199 --> 00:38:13.880
<v Speaker 2>three D. And at sea this works out being forty

710
00:38:13.920 --> 00:38:17.840
<v Speaker 2>one percent at sea, which is slightly more less. It's

711
00:38:17.840 --> 00:38:20.119
<v Speaker 2>seed that Shark Attack are slightly more a c than

712
00:38:20.199 --> 00:38:25.000
<v Speaker 2>Hot Spring Shark Attack. Great favorite film.

713
00:38:26.880 --> 00:38:28.400
<v Speaker 1>I own it, and every time I look at it,

714
00:38:28.480 --> 00:38:31.920
<v Speaker 1>I smile like I'm like, oh, hi, like it just

715
00:38:31.960 --> 00:38:33.880
<v Speaker 1>makes me happy to see Hot Spring Shark Attack.

716
00:38:34.480 --> 00:38:36.480
<v Speaker 2>It's a good time and we like.

717
00:38:36.519 --> 00:38:38.719
<v Speaker 1>This movie more than others. And listen, I know that

718
00:38:38.760 --> 00:38:41.519
<v Speaker 1>people can be annoyed that the story don't intersect, and

719
00:38:42.480 --> 00:38:44.000
<v Speaker 1>I don't know, I just feel like.

720
00:38:43.960 --> 00:38:45.920
<v Speaker 2>It would have been better if they did, and it

721
00:38:46.239 --> 00:38:48.360
<v Speaker 2>would have felt more like a film if there was

722
00:38:48.599 --> 00:38:51.840
<v Speaker 2>some kind of connection at some point, if they did

723
00:38:51.840 --> 00:38:54.280
<v Speaker 2>something to say the other people will vice versa. I

724
00:38:54.280 --> 00:38:55.679
<v Speaker 2>don't know, what, is it.

725
00:38:55.599 --> 00:38:59.159
<v Speaker 1>A good film? No? Is it eighty minutes with some

726
00:38:59.199 --> 00:39:04.599
<v Speaker 1>fun shots and good performances and yeah, yeah.

727
00:39:04.039 --> 00:39:06.400
<v Speaker 2>It's eighty minutes with like ten of them at credits,

728
00:39:07.039 --> 00:39:13.519
<v Speaker 2>So yeah, that's awesome. But Okay, Thematically thematically deeper Blue

729
00:39:13.599 --> 00:39:19.599
<v Speaker 2>Remortsy are they are these characters more rich backstory?

730
00:39:19.719 --> 00:39:21.159
<v Speaker 1>I think Whitney's going through it.

731
00:39:22.400 --> 00:39:23.000
<v Speaker 2>I think.

732
00:39:24.880 --> 00:39:27.440
<v Speaker 1>I think they're surviving, and I think the orphans like

733
00:39:28.480 --> 00:39:33.280
<v Speaker 1>the orphans, the three kids are finding depth in their relationship.

734
00:39:33.320 --> 00:39:35.840
<v Speaker 1>They trust each other and they are worried about each other,

735
00:39:36.639 --> 00:39:40.639
<v Speaker 1>and you know, they survived the system. I think what

736
00:39:40.719 --> 00:39:45.280
<v Speaker 1>Whitney Peaks going through is it's interesting. She's really forcing

737
00:39:45.320 --> 00:39:47.440
<v Speaker 1>herself out of her comfort zone and doing a good job.

738
00:39:47.480 --> 00:39:51.000
<v Speaker 1>And you know, I think Phoebe with the kid she wants. Yeah,

739
00:39:51.079 --> 00:39:53.239
<v Speaker 1>I would say this movie is more thematically deep.

740
00:39:53.440 --> 00:39:57.320
<v Speaker 2>Yeah, John Hewnse's got a backstory. He felt like a

741
00:39:57.400 --> 00:40:00.320
<v Speaker 2>character from Deep cy I can see him being being

742
00:40:00.360 --> 00:40:03.079
<v Speaker 2>like working on a quatica. It just happens.

743
00:40:03.440 --> 00:40:06.559
<v Speaker 1>Yeah, yes, Blue in Deep Rising, and we love Deep

744
00:40:06.599 --> 00:40:07.760
<v Speaker 1>Rising to Deep Rising.

745
00:40:07.760 --> 00:40:10.960
<v Speaker 2>We should cover Deep Pricing again. I could just watch

746
00:40:11.000 --> 00:40:16.480
<v Speaker 2>it again. We have to cover it again. Great movie,

747
00:40:17.119 --> 00:40:20.679
<v Speaker 2>all about Blue with these characters sadder than the characters

748
00:40:21.159 --> 00:40:24.000
<v Speaker 2>I think at the start, Dakota definitely is not.

749
00:40:24.159 --> 00:40:26.239
<v Speaker 1>Yeah, I mean, and also I mean Phoebe's been left

750
00:40:26.280 --> 00:40:28.960
<v Speaker 1>and her mom's terrible, and then the three kids, they're

751
00:40:29.000 --> 00:40:30.519
<v Speaker 1>in a terrible living situation.

752
00:40:32.360 --> 00:40:35.320
<v Speaker 2>They're like having having fun at the start, jumping off

753
00:40:35.360 --> 00:40:39.400
<v Speaker 2>of a tree. But yeah, the home situation is not good.

754
00:40:40.880 --> 00:40:45.599
<v Speaker 1>I mean, yeah, I would say it's more blue as well. Yeah,

755
00:40:45.639 --> 00:40:47.679
<v Speaker 1>I think that's because they're all going through it.

756
00:40:49.159 --> 00:40:52.239
<v Speaker 2>And like the kids happiest moments when they're chanting, but

757
00:40:52.400 --> 00:40:55.480
<v Speaker 2>that's like f their stepdad and then he courts.

758
00:40:55.239 --> 00:40:58.840
<v Speaker 1>Back, which is amazing, and then they kill him and

759
00:40:58.880 --> 00:41:02.320
<v Speaker 1>then they kill them. Yes, but yeah, listen, these kids

760
00:41:02.320 --> 00:41:03.880
<v Speaker 1>are doing the best they can, but they don't eat.

761
00:41:04.559 --> 00:41:06.679
<v Speaker 1>Like they're in a bad situation, so they like at

762
00:41:06.719 --> 00:41:08.880
<v Speaker 1>least they have each other, but it's a bad situation.

763
00:41:10.159 --> 00:41:13.480
<v Speaker 1>So yeah, like that's a lot of weight for children

764
00:41:13.599 --> 00:41:16.400
<v Speaker 1>to have, Like that's not good for kids. Kids should

765
00:41:16.400 --> 00:41:20.559
<v Speaker 1>be kids. And so yeah, I'm gonna say it's more blue.

766
00:41:20.599 --> 00:41:23.239
<v Speaker 2>Okay, And is it more at sea? The character's more lost.

767
00:41:23.360 --> 00:41:28.239
<v Speaker 2>I feel like Lisa early on is very lost. Oh yeah,

768
00:41:28.360 --> 00:41:30.159
<v Speaker 2>she has no idea. She's stuck. She has no idea

769
00:41:30.199 --> 00:41:32.199
<v Speaker 2>how to get off of where she is, out of

770
00:41:32.239 --> 00:41:37.800
<v Speaker 2>any bo And Dakota seems lost metaphorically in her life.

771
00:41:38.400 --> 00:41:40.199
<v Speaker 2>She seems to be like spinning around a little bit

772
00:41:40.199 --> 00:41:44.440
<v Speaker 2>of a spiral. And the kids all seem not much

773
00:41:44.480 --> 00:41:47.719
<v Speaker 2>stuck than kids. Yeah, but I think so, I think

774
00:41:47.760 --> 00:41:48.719
<v Speaker 2>these are definitely more lost.

775
00:41:48.800 --> 00:41:53.320
<v Speaker 1>Yeah, Phoebe's got decisions to make. And if that dude

776
00:41:53.400 --> 00:41:56.400
<v Speaker 1>tries to come back and the baby, I'm sorry, don't

777
00:41:56.440 --> 00:41:59.320
<v Speaker 1>take them because he wasn't there during a sharp berth.

778
00:42:00.599 --> 00:42:02.840
<v Speaker 1>So yeah, I want to see where you should have

779
00:42:02.840 --> 00:42:03.239
<v Speaker 1>shown up.

780
00:42:03.280 --> 00:42:04.480
<v Speaker 2>He should have come in at the end, like least

781
00:42:04.599 --> 00:42:05.559
<v Speaker 2>I'm sorry ian by Shock.

782
00:42:06.199 --> 00:42:09.119
<v Speaker 1>I just knew who should have been? Who's that boyfriend

783
00:42:09.119 --> 00:42:14.320
<v Speaker 1>from Midsummer and like free fire Jack something? Yeah Jack

784
00:42:14.400 --> 00:42:18.280
<v Speaker 1>Rayner just shows up, hey, girl, like real country accent.

785
00:42:18.480 --> 00:42:21.199
<v Speaker 1>I'm so sorrow left you, and then Nelly bites his

786
00:42:21.199 --> 00:42:27.800
<v Speaker 1>head off. He's like, you want to hear me play?

787
00:42:28.000 --> 00:42:32.480
<v Speaker 1>Here's my new here's my latest CDM track. Sorry he's killed.

788
00:42:33.199 --> 00:42:36.199
<v Speaker 2>What he would he do? DJ tracks about playing poker?

789
00:42:37.239 --> 00:42:47.039
<v Speaker 2>Somehow I couldn't possibly do that? Great ooh house. Did

790
00:42:47.039 --> 00:42:48.079
<v Speaker 2>you watch Pluribus?

791
00:42:48.320 --> 00:42:48.840
<v Speaker 1>I didn't watch.

792
00:42:49.280 --> 00:42:53.840
<v Speaker 2>It's a wonderful PoCA scene and Pluribus great. Curist is good.

793
00:42:53.880 --> 00:42:55.639
<v Speaker 2>You should you should, you should watch if you get

794
00:42:55.639 --> 00:43:00.199
<v Speaker 2>a chance. I just we had Apple plus Apple TV

795
00:43:00.280 --> 00:43:03.719
<v Speaker 2>bus trial that finished last Friday, and I've just binge

796
00:43:03.800 --> 00:43:06.199
<v Speaker 2>watched half of the season of Plurbus on the train

797
00:43:07.599 --> 00:43:09.920
<v Speaker 2>on one Traine and it was just sponsored by Pluribus,

798
00:43:10.360 --> 00:43:15.239
<v Speaker 2>just to get it right now. It's good. It's a

799
00:43:15.239 --> 00:43:21.159
<v Speaker 2>good time. Uh cool, Okay, I think I think that's

800
00:43:21.199 --> 00:43:24.360
<v Speaker 2>it for for Thrash. You like the title Thrash.

801
00:43:24.440 --> 00:43:29.440
<v Speaker 1>Yeah, it's a good title. It works. Sharks like meat Dynamite.

802
00:43:30.320 --> 00:43:32.559
<v Speaker 2>I don't know i'd watched meat dynamite is.

803
00:43:32.559 --> 00:43:34.119
<v Speaker 1>A dynamite meat or meat dynamite.

804
00:43:34.119 --> 00:43:38.599
<v Speaker 2>I think it's dynamat. I think it's what it is. Uh.

805
00:43:38.760 --> 00:43:41.519
<v Speaker 1>It's like your recent Deep Blues episodehere you said something

806
00:43:41.559 --> 00:43:42.599
<v Speaker 1>really good about Ireland.

807
00:43:42.960 --> 00:43:49.239
<v Speaker 2>Oh American Pailand. Yeah, yeah, but I think I said

808
00:43:49.239 --> 00:43:51.280
<v Speaker 2>that rough with the say. I think the guest m J.

809
00:43:51.360 --> 00:43:53.880
<v Speaker 2>I think he said it at the same time. So

810
00:43:53.880 --> 00:43:55.599
<v Speaker 2>I can't take all the correct legends. But I may

811
00:43:55.639 --> 00:43:59.960
<v Speaker 2>have just me saying who knows that I have control?

812
00:44:00.559 --> 00:44:04.960
<v Speaker 2>It's my shirt, it's.

813
00:44:04.800 --> 00:44:06.639
<v Speaker 1>My show, dang it, it's my show.

814
00:44:06.840 --> 00:44:09.920
<v Speaker 2>I'm always rat American past.

815
00:44:09.880 --> 00:44:12.360
<v Speaker 1>Fifteen dollars a month for this taking care of Mark.

816
00:44:14.480 --> 00:44:18.159
<v Speaker 2>Yeah, well I'll do it for deep. I think that

817
00:44:18.639 --> 00:44:19.480
<v Speaker 2>any plug smoke.

818
00:44:19.960 --> 00:44:27.400
<v Speaker 1>I am really tired of Southern accents. Jay, I just

819
00:44:29.039 --> 00:44:31.840
<v Speaker 1>I am. It's just watching you know, maybe maybe people

820
00:44:31.960 --> 00:44:35.119
<v Speaker 1>know like that that's how people feeling, like American actor

821
00:44:35.159 --> 00:44:37.400
<v Speaker 1>goes over to Britain and does the accent. But I'm

822
00:44:37.519 --> 00:44:41.800
<v Speaker 1>so tired of the easiest non Southern actors. But it's

823
00:44:41.840 --> 00:44:43.920
<v Speaker 1>the easiest to fall in the caricature though, Like I

824
00:44:43.960 --> 00:44:47.159
<v Speaker 1>think that's just it's just all going down air there,

825
00:44:47.199 --> 00:44:50.039
<v Speaker 1>slap it and you're like what like what like just

826
00:44:50.519 --> 00:44:53.159
<v Speaker 1>you didn't even try, Like just yeah, I got a

827
00:44:53.199 --> 00:44:53.760
<v Speaker 1>vocal coat.

828
00:44:56.159 --> 00:44:59.119
<v Speaker 2>It's easy to do, it's easy to fool into.

829
00:44:59.840 --> 00:45:02.719
<v Speaker 1>And yeah, and so it's like I got a vocal

830
00:45:02.719 --> 00:45:04.880
<v Speaker 1>coach for this movie, and like you watch it, you're like, Wow,

831
00:45:08.639 --> 00:45:13.400
<v Speaker 1>you're supposed to be more genteel, more clipped. Do you

832
00:45:13.400 --> 00:45:18.480
<v Speaker 1>not listen? Just I am kind of annoyed by terrible

833
00:45:19.679 --> 00:45:21.199
<v Speaker 1>Southern accents.

834
00:45:20.840 --> 00:45:23.519
<v Speaker 2>Because like, you're you're from the South, You're from Georgia.

835
00:45:23.599 --> 00:45:24.000
<v Speaker 1>Yeah, I am.

836
00:45:24.039 --> 00:45:31.119
<v Speaker 2>Yeah, you don't sound like clos you know, you know, you're.

837
00:45:30.960 --> 00:45:35.119
<v Speaker 1>Just like what, who are you? No, I'm just it's yeah,

838
00:45:35.159 --> 00:45:38.360
<v Speaker 1>it's such a caricature, and so it does get annoying.

839
00:45:38.440 --> 00:45:40.800
<v Speaker 1>But also in this movie, I just kept chuckling about it.

840
00:45:41.519 --> 00:45:43.880
<v Speaker 2>Yeah, because they really lean into it. It's parody in

841
00:45:43.920 --> 00:45:44.199
<v Speaker 2>this one.

842
00:45:45.119 --> 00:45:46.880
<v Speaker 1>I don't even know what like, they don't lean into

843
00:45:46.920 --> 00:45:48.320
<v Speaker 1>it like what, they just fall into it.

844
00:45:48.480 --> 00:45:54.639
<v Speaker 2>They just they face into it. They chip a tooth

845
00:45:54.679 --> 00:45:55.480
<v Speaker 2>on it on the way down.

846
00:45:56.119 --> 00:45:56.519
<v Speaker 1>Uh.

847
00:45:56.639 --> 00:46:00.440
<v Speaker 2>Yeah. I joined a Facebook group recently called something like

848
00:46:00.519 --> 00:46:02.239
<v Speaker 2>fin Flicks or something like that. It's not fin Flix.

849
00:46:02.280 --> 00:46:04.559
<v Speaker 2>That'sn't in shot podcast, but it's like it's like Fantastic

850
00:46:04.639 --> 00:46:07.760
<v Speaker 2>flicks is you know, it's Shark movie Facebook group Sharp

851
00:46:07.800 --> 00:46:11.599
<v Speaker 2>Movie Appreciation. Right, a friend of the show, Kevin Kolp,

852
00:46:11.679 --> 00:46:13.599
<v Speaker 2>is a member, So hey, I'll join it. And I've

853
00:46:13.599 --> 00:46:17.880
<v Speaker 2>had to leave that group because people aren't kind to

854
00:46:17.960 --> 00:46:20.320
<v Speaker 2>this film or any film. It seems people will put

855
00:46:20.360 --> 00:46:23.360
<v Speaker 2>a post in there that's like, pick one of these

856
00:46:23.400 --> 00:46:26.840
<v Speaker 2>shark films, like like you do with with MF Hey,

857
00:46:26.840 --> 00:46:28.719
<v Speaker 2>pick two. People like pick one of these and the

858
00:46:29.000 --> 00:46:31.639
<v Speaker 2>like people see the shadows is down Jaws and everyone

859
00:46:31.679 --> 00:46:34.760
<v Speaker 2>will be like jos, you have to pick Jers. Jaws

860
00:46:34.800 --> 00:46:36.880
<v Speaker 2>is the only answer. Joe's is the best, the best

861
00:46:36.880 --> 00:46:40.239
<v Speaker 2>one's Jaws. And then like trailers came up for Thrash,

862
00:46:40.239 --> 00:46:41.960
<v Speaker 2>but I'm looking forward to this and the second comment

863
00:46:42.000 --> 00:46:45.880
<v Speaker 2>is like, there's only one sharp fing it's yours. People

864
00:46:45.920 --> 00:46:48.119
<v Speaker 2>coming like this it's I mean, it'll be fine, but

865
00:46:48.159 --> 00:46:50.360
<v Speaker 2>it's not gonna be Jaws, is it? And that's every

866
00:46:50.360 --> 00:46:53.119
<v Speaker 2>comment as people like, this film is not yours, so

867
00:46:53.159 --> 00:46:53.960
<v Speaker 2>I have to leave that great.

868
00:46:56.440 --> 00:46:58.440
<v Speaker 1>It's not gonna be better than the one of the

869
00:46:58.480 --> 00:46:59.880
<v Speaker 1>greatest films ever made.

870
00:47:00.079 --> 00:47:00.920
<v Speaker 2>And that's a problem.

871
00:47:01.039 --> 00:47:01.239
<v Speaker 1>Bad.

872
00:47:01.519 --> 00:47:04.599
<v Speaker 2>Yeah, it just shouldn't be allowed.

873
00:47:05.880 --> 00:47:08.280
<v Speaker 1>This. This movie is not as good as the greatest

874
00:47:08.280 --> 00:47:10.119
<v Speaker 1>movie ever made. Trash.

875
00:47:11.039 --> 00:47:13.760
<v Speaker 2>Yeah, yeah, we talked about before, like its calling it

876
00:47:13.840 --> 00:47:21.000
<v Speaker 2>thrash as a bold move. Yeah, it's bad more like trash.

877
00:47:21.119 --> 00:47:23.800
<v Speaker 1>Don't care. Man, I really like the code in this movie.

878
00:47:24.199 --> 00:47:26.679
<v Speaker 1>I like the character. She's cool and I liked I

879
00:47:26.719 --> 00:47:29.719
<v Speaker 1>love when she cuts Phoebe out of the car. I

880
00:47:29.760 --> 00:47:33.199
<v Speaker 1>think the direction in the performance is very good. This

881
00:47:33.239 --> 00:47:33.559
<v Speaker 1>is a.

882
00:47:33.639 --> 00:47:37.360
<v Speaker 2>Standard chef's knife, not even a serrated one. She just

883
00:47:37.400 --> 00:47:39.519
<v Speaker 2>took a big knife and cut a tree with it.

884
00:47:40.239 --> 00:47:43.360
<v Speaker 1>Yeah. But you know what though, this kid's was a kid,

885
00:47:43.360 --> 00:47:46.199
<v Speaker 1>but she's like twenty and she like prepared the best

886
00:47:46.239 --> 00:47:50.119
<v Speaker 1>she could to go do something, and I liked it.

887
00:47:50.119 --> 00:47:52.320
<v Speaker 1>It was like a nice little scene and I thought

888
00:47:52.360 --> 00:47:53.320
<v Speaker 1>the performance was good.

889
00:47:53.400 --> 00:47:55.079
<v Speaker 2>So she did better than the two guys who were

890
00:47:55.159 --> 00:47:57.440
<v Speaker 2>in a boat who were like, yeah, see, oh it

891
00:47:57.480 --> 00:47:59.800
<v Speaker 2>didn't need help. Let's get out of the boat and

892
00:48:00.119 --> 00:48:01.840
<v Speaker 2>go Hey, go back for the boat case. Okay, I'll

893
00:48:01.840 --> 00:48:03.320
<v Speaker 2>get out of the boat first and then I'll wait

894
00:48:03.320 --> 00:48:04.639
<v Speaker 2>through instead of getting back into the boat.

895
00:48:05.360 --> 00:48:08.239
<v Speaker 1>The convertible top and you know, get him out of there.

896
00:48:08.960 --> 00:48:10.960
<v Speaker 1>But anything to plug. I did a thing with Jase

897
00:48:10.920 --> 00:48:14.000
<v Speaker 1>Serano on his good Movie thing, so go read about it.

898
00:48:14.079 --> 00:48:17.039
<v Speaker 1>I figured all the questions asking Christopher Nolan films, and

899
00:48:17.079 --> 00:48:19.280
<v Speaker 1>then I have another thing going with him and another

900
00:48:19.320 --> 00:48:21.280
<v Speaker 1>thing and then go to movies on the Flakes. Listen

901
00:48:21.320 --> 00:48:23.559
<v Speaker 1>to the podcast. We just dropped episode seven hundred.

902
00:48:23.960 --> 00:48:27.760
<v Speaker 2>Oh awesome, I was that Overboard?

903
00:48:27.840 --> 00:48:30.880
<v Speaker 1>Overboard? Yeah, yeah, good discussion. We recorded about thirty minutes

904
00:48:30.960 --> 00:48:32.920
<v Speaker 1>we realized we weren't recording, had to start over, and

905
00:48:33.159 --> 00:48:33.840
<v Speaker 1>it's still just.

906
00:48:33.800 --> 00:48:36.320
<v Speaker 2>As good, just like we did before we started twinning today.

907
00:48:36.679 --> 00:48:39.480
<v Speaker 1>Yes, yes, but I caught that during the intro.

908
00:48:40.960 --> 00:48:42.400
<v Speaker 2>I haven't seen Overboard yet, but it is on the

909
00:48:42.440 --> 00:48:43.960
<v Speaker 2>list of trust to cover one day on this show

910
00:48:44.719 --> 00:48:47.559
<v Speaker 2>because it's by a C. I think his boat's in it.

911
00:48:48.400 --> 00:48:52.239
<v Speaker 1>Maybe that that movie does not work without Han and

912
00:48:52.320 --> 00:48:55.639
<v Speaker 1>Russell together they make it wonderful, like they're great in

913
00:48:55.639 --> 00:48:56.079
<v Speaker 1>that movie.

914
00:48:56.119 --> 00:48:59.440
<v Speaker 2>Did you see the remake with Faris and you that

915
00:48:59.599 --> 00:49:00.320
<v Speaker 2>s it's.

916
00:49:00.280 --> 00:49:03.480
<v Speaker 1>Kind of crazy, yes, and it's horrible, and it's really

917
00:49:03.559 --> 00:49:07.519
<v Speaker 1>odd because the first Overboard, yes, it's problematic, but also

918
00:49:07.599 --> 00:49:09.840
<v Speaker 1>takes place in a rom com land where everybody lies

919
00:49:09.840 --> 00:49:12.599
<v Speaker 1>in rom coms, like everyone's full of crap in rom

920
00:49:12.639 --> 00:49:15.639
<v Speaker 1>com world, and so it's normal by that standard. But

921
00:49:15.719 --> 00:49:17.639
<v Speaker 1>this one, she meets a guy and then she's like,

922
00:49:17.719 --> 00:49:19.480
<v Speaker 1>has daughters, and she's like, I'm gonna bring home this

923
00:49:19.519 --> 00:49:23.079
<v Speaker 1>stranger to like be with my daughters, and you're just

924
00:49:24.239 --> 00:49:27.639
<v Speaker 1>you're like, why did you guys? Do this, like why

925
00:49:28.079 --> 00:49:31.320
<v Speaker 1>it doesn't make it better and it hurts and these

926
00:49:31.320 --> 00:49:34.000
<v Speaker 1>aren't Goldie Han like Goldie Hana too. I love Anna Faris,

927
00:49:34.039 --> 00:49:36.039
<v Speaker 1>but goldiehanad like two Oscar nominations by the time she

928
00:49:36.039 --> 00:49:38.400
<v Speaker 1>did this, and Kurt Russell is like Kurt Russell, so

929
00:49:38.440 --> 00:49:41.800
<v Speaker 1>it it just doesn't work and it's like a really

930
00:49:41.800 --> 00:49:46.119
<v Speaker 1>odd one. I by don't do it.

931
00:49:46.320 --> 00:49:49.119
<v Speaker 2>I'm not getting to. Do you think they gonna make

932
00:49:49.119 --> 00:49:51.159
<v Speaker 2>a sequel to Thrash because they have the bit at

933
00:49:51.159 --> 00:49:54.199
<v Speaker 2>the end where the computer guy is like, oh no,

934
00:49:54.320 --> 00:49:55.440
<v Speaker 2>there's another stub coming.

935
00:49:56.440 --> 00:49:58.599
<v Speaker 1>I mean it's doing well on Netflix. That's all you need.

936
00:49:58.679 --> 00:50:03.199
<v Speaker 1>If they're happy, and it's gonna keep playing well, Yeah.

937
00:50:05.360 --> 00:50:10.679
<v Speaker 2>Yeah, okay, we'll see uh life versus film dot com.

938
00:50:11.039 --> 00:50:14.400
<v Speaker 2>With my personal site posts there, there's like my review

939
00:50:14.440 --> 00:50:17.519
<v Speaker 2>of the year went up good and you can follow

940
00:50:17.559 --> 00:50:19.760
<v Speaker 2>this show all over deep all over, deep all over

941
00:50:19.840 --> 00:50:22.199
<v Speaker 2>social media at deep blue spot dot email us deep

942
00:50:22.440 --> 00:50:24.880
<v Speaker 2>pot at gmail dot com. I will have another new

943
00:50:25.039 --> 00:50:27.480
<v Speaker 2>new release coming soon with Renny Harlan's Deep Water All

944
00:50:27.519 --> 00:50:34.360
<v Speaker 2>being well, but next week will be Anaconda three offspring

945
00:50:37.079 --> 00:50:41.159
<v Speaker 2>that's coming next week, so look out for that one. Hooray.

946
00:50:42.199 --> 00:50:49.239
<v Speaker 2>But as for three, I have been Jake klewtt Mark.

947
00:50:49.400 --> 00:50:52.760
<v Speaker 1>Meat, meat Waitnal meat half myre well.

948
00:50:52.760 --> 00:50:53.280
<v Speaker 2>Deep Blue.

949
00:50:53.320 --> 00:51:04.000
<v Speaker 3>See you next week. St.