Speaker 1: Hello and welcome the Deep Blue Sea the podcast I
Speaker 1: Am Mark, Dynamite, Steak half Meyer.
Speaker 2: And I Am Jay What a Birth? The Working aboard
Speaker 2: Deeply the podcast. On this show, we've been to the
Speaker 2: entire Deeply See Troy seen by s today Chekhov's water birth.
Speaker 2: She doesn't want to give. She doesn't want to do
Speaker 2: a water birth. She's not going to do a water
Speaker 2: birth Mark. She's going to do it in a hospital,
Speaker 2: comfortable room, listening to her playlist. Definitely not in the
Speaker 2: water on her own. With a shark coming this week,
Speaker 2: we're talking about Thrash. What is Thrash? Thrash is a
Speaker 2: new shark movie on six film directed and written by
Speaker 2: Tommy Wakola and starring Fabe dinner All, Whitney, Peak, Joyman,
Speaker 2: Hound Zoo Uh, matt Abel, Eliah Brown, Stacy Clausen, and
Speaker 2: Dotty in the town of Annieville, which sounds too similar
Speaker 2: to Amityville. Throughout the entirety of the film, I thought, Hey,
Speaker 2: they're doing it's like a nod to amity which means friendship.
Speaker 2: But no, it's the town of Annieville on the East
Speaker 2: coast of America. Somewhere there is a Category five storm
Speaker 2: storm Henry. It's battering the coast. I've been told to evacuate.
Speaker 2: Most people have, some silly people haven't. The storm comes,
Speaker 2: it traps them, and we're following these people. So the
Speaker 2: people that we have are Phoebe dinnivoll Is, Lisa. She
Speaker 2: is very pregnant. She's like twelve months pregnant. She is
Speaker 2: fit to burst, and she's still there because she had
Speaker 2: to stay behind at work.
Speaker 1: Meets a fun Adam Kay, the producer.
Speaker 2: Mccays meets where the only town, the only company that
Speaker 2: will drive a tanker truck full of blood around, just
Speaker 2: full of blood, nothing else in it, just blood. It
Speaker 2: seems she's working for them. She's very pregnant. In her
Speaker 2: car stuck on a tree outside the house of Whitney
Speaker 2: peaks Dakota, who is grieving agoraphobic. Her mother passed recently.
Speaker 2: She is kind of decided to weigh out of the
Speaker 2: storm and not go outside because she has pank attats
Speaker 2: when she goes outside. Also, meanwhile, there's three foster siblings
Speaker 2: Deron Will who have good parents, Yeah, good kids, just
Speaker 2: the worst parents, just just the worst foster parents. Get
Speaker 2: into and there their dad's like, ah, it's just a
Speaker 2: little bit of rain, and so they're stuck, the kids
Speaker 2: and hell, and along with the storm, there's a bunch
Speaker 2: of sharks. These are being tracked by Dakota's uncle, Joamin Hounzuo,
Speaker 2: who's a marine researcher with a boat. He's coming to
Speaker 2: save Dakota. And there's also a pregnant great white shark
Speaker 2: in the midst as well. That's thrash. It's on Netflix,
Speaker 2: My girl, Nellie, I'm sad it went straight to Netflix.
Speaker 1: I want to see this in theaters.
Speaker 2: That would have been great. The anthetis I agree. Eighty
Speaker 2: six minutes wix eighty six minutes, czy.
Speaker 1: To the point likable. You know, you know what annoys me? Jay.
Speaker 1: Everybody's like, I've read some reviews. These characters do stupid things. Yeah,
Speaker 1: but but I mean, okay, so Lisa, she's stuck there, Yeah,
Speaker 1: exactly like Roger Ebert and other things like but you
Speaker 1: know what, though, people will call you into work. We
Speaker 1: had a giant storm in Atlanta once and they were like, Mark,
Speaker 1: come work, Like it's people do that to you. And
Speaker 1: then the three kids they're just stuck with terrible foster parents.
Speaker 1: And then Dakota like she's by herself, and she's been
Speaker 1: through a lot. She's a gooraphobic. She leaves chocolate milk
Speaker 1: out and uh and beans, it doesn't put them back
Speaker 1: in the fridge exactly like she's I mean, but like
Speaker 1: she's a young kid who's depressed. Like and if you're
Speaker 1: not from the area, also like Lisa's not from the area.
Speaker 1: I grew up in Florida, Like I in fourth grade
Speaker 1: at this thing called the No Name Storm hit, and
Speaker 1: like I woke up and my dad's trailer was filled.
Speaker 1: I put my feet on the ground of water was
Speaker 1: in there. I looked outside. My dad's car was almost submerged.
Speaker 1: We had to like it walked out into a raft
Speaker 1: that was coming by. And yeah, I mean, like just
Speaker 1: woke up and it was called the No Name storm
Speaker 1: because no one saw it coming. And I mean that
Speaker 1: it happens, like even though you live in Florida, you
Speaker 1: just things happened. So I guess I don't know. I
Speaker 1: just I don't think any of these people have egregious
Speaker 1: reasons for not leaving.
Speaker 2: And then I like that the only one, the only
Speaker 2: one you could say is is Dakota because she is
Speaker 2: able to She she is not like trapped behind through
Speaker 2: forces outside of herself other than her panic attacks, which
Speaker 2: is a.
Speaker 1: Good paralyzed behind.
Speaker 2: Pah, I'm not I'm not blaming her. Yeah, but you know, yeah,
Speaker 2: everyone else is there and it makes sense that they
Speaker 2: are and once say that, I think the decisions that they
Speaker 2: make are pretty reasonable. It shot well and try and
Speaker 2: save the save the woman who's trapped in the car
Speaker 2: outside your window.
Speaker 1: And I love that set piece Whitney Peak Dakotas. I'm
Speaker 1: a big fan of Dakota. She's a good kid and
Speaker 1: I like that scene though where she slips on the
Speaker 1: roof climbs on the thing, like I don't know, the
Speaker 1: physicality of the performance is really good. You can tell
Speaker 1: she doesn't want to be there, like her movements are
Speaker 1: quite slow, methodical, but it plays really well and Lisa's cool,
Speaker 1: so it's it's a good scene. And they shot this
Speaker 1: in a parking lot in Australia, so I mean, I
Speaker 1: think knowing that this movie looks good as well.
Speaker 2: Yeah there anything of building a set and sinking it.
Speaker 1: Yeah, they built it like legos. Each piece they so
Speaker 1: like they just built on a street and then they
Speaker 1: would lift up the things, take the bottom part off
Speaker 1: and dunk them further to make it seem like the
Speaker 1: water rows like a very smart way of shooting. And
Speaker 1: I don't know though, big thing Jay, It's like, have
Speaker 1: you seen another teen movie?
Speaker 2: I'd love.
Speaker 1: You know that football coach. That's just we're a non
Speaker 1: explicit podcast, but you know how much that football coach
Speaker 1: and not another team movie? Swears Yes, he's just meant
Speaker 1: to be like making fun of John Voight and all
Speaker 1: those different characters from all the football movies. But I
Speaker 1: feel like the uncle or the stepfather in this one,
Speaker 1: not the foster parent in this one. Billy Olsen, that
Speaker 1: guy is from not another teen movie, and he's placed
Speaker 1: in the real world. It's such an odd character.
Speaker 2: He's just like they're.
Speaker 1: Dropping logs in their painties and like I buy my stakes,
Speaker 1: but I keep them secret. And he's just such the guy.
Speaker 1: He's just like all he does, these these these little bastards,
Speaker 1: Like he calls these three kids are foster kids, siblings,
Speaker 1: so they might have lost their parents and he's calling
Speaker 1: them bastards. So it's like this guy is not from
Speaker 1: the real world, So it's like a character from not
Speaker 1: another te movie. The like like I don't know, escaped
Speaker 1: that movie like wrecket Ralph and entered this one.
Speaker 2: I completely agree. That's my uh okay, that's my issue
Speaker 2: with with thrash is there's two separate there's two separate films.
Speaker 2: They never interact once ever at all. It kind of did.
Speaker 2: The only thing they have in common is the end
Speaker 2: credits in this film, and they're always in the same
Speaker 2: storm and the same sharks. I guess, but to me,
Speaker 2: it feels like a different person wrote and directed each
Speaker 2: one because like the least a Dakota storyline is like
Speaker 2: gripping a bit of a thriller and there's not a
Speaker 2: lot of levity and that it's not I'm not saying
Speaker 2: it's a big down because it's not as those actions
Speaker 2: as tension that's going. And if you factor in the
Speaker 2: Jaman Hansoo character, he's got theres some jokes there with
Speaker 2: him and the news the news reader who is shocked
Speaker 2: he survived the film.
Speaker 1: Yeah, and he's not like he's kind of a brat,
Speaker 1: but he's also he's down to help, Like he's not.
Speaker 2: I still thought he was gonna get eaten by shark.
Speaker 2: And then you go to the other you go to
Speaker 2: the Foster family and it's raucous. It's like broad stereosms,
Speaker 2: horrendous accents. The oldest kid, I don't know where he's from.
Speaker 2: Stacey calls him is Ron, but his accents.
Speaker 1: Look around, it's.
Speaker 2: So exaggerated. Yeah, it's like a freezer, fut of steaks
Speaker 2: in the in the basement and the basement photo of
Speaker 2: shotguns and a suitcase full of dynamite? Who wrote this?
Speaker 2: What did this bit come from? The other half of
Speaker 2: this film is great? Where's what is going on over here?
Speaker 1: When he when they pop up in the dynamite, I
Speaker 1: started dancing, though, I was like, oh, also he's from
Speaker 1: Australia by the way, so okay, and also self care
Speaker 1: like where they're filming in South Carolina. That's not I
Speaker 1: say this a lot, but like it's not the hard
Speaker 1: it's not. Listen, y'all, I'm gonna go spit on this.
Speaker 1: I'm gonna go spit on these people, and I'm gonna
Speaker 1: people got them pooping in their ponies, you know, just
Speaker 1: that's a line from the movie. I think laying rocks
Speaker 1: in her peny Like I'm gonna listen to some contry music,
Speaker 1: Like that's not the like that area. So it's it's
Speaker 1: a it's it's a Norwegian director kind of writing Southern
Speaker 1: characters then having Australian actors play stereotypes. But I still
Speaker 1: like the I like when he's like, I hate this sweater.
Speaker 1: Like I like the kid, but.
Speaker 2: I have a problem with him. It's just it feels
Speaker 2: like such.
Speaker 1: A different accent.
Speaker 2: Yeah.
Speaker 1: I actually was pretty engaged with those three kids. I
Speaker 1: like them, like when they when she goes to close
Speaker 1: the door and you have that awesome overhead shot of
Speaker 1: the bull shark swimming in and then he goes and
Speaker 1: saves his sister and you know, he goes and swims
Speaker 1: And I will say this movie definitely I like it,
Speaker 1: but it makes me appreciate Crawl more because crawl aside
Speaker 1: from those stupid crooks that are trying to steal an ATM,
Speaker 1: which would happen. Yeah, it's like that's actually makes sense.
Speaker 1: But they keep it in the house with two characters,
Speaker 1: and maybe that's a testament to Kaya and b PEPs
Speaker 1: but that you don't need three orphans stealing meat from
Speaker 1: a refrigerator. And then do is it like and is
Speaker 1: it a dynamite meat or meat dynamite? I'm not sure
Speaker 1: which one it is, but it it's like Crawl. Crawl
Speaker 1: like finds so much tense and like interesting stuff in
Speaker 1: just one house in a crawl space under home because
Speaker 1: the houses are elevated, so there's a crawl space. It's
Speaker 1: not a basement. But you yeah, I don't know.
Speaker 2: I agree. I was thinking the same thing that this
Speaker 2: this film tries to add so much more and ends
Speaker 2: up becoming less than cruel. We'll gott to cover Crawl soon.
Speaker 2: We're definitely go color crossing rules. Crawl does rule this.
Speaker 2: Watching this movie, think like, was there like a third
Speaker 2: story and this is meant to be some kind of
Speaker 2: storm based anthology like that, the like a third one
Speaker 2: that was disnected as well, because it just feels they
Speaker 2: feel like clumsily edited together at times. What okay the
Speaker 2: bank crobber Is and Crawel. My favorite scene in Crawl
Speaker 2: just because like people are like these people are going
Speaker 2: to die and they die. I love when I love
Speaker 2: when that happens in a film like Oh, bad Guys arrived,
Speaker 2: Bad Guys are big killed Great. I feel like that
Speaker 2: scene was added just to kind of space out the
Speaker 2: action a little bit, where which this film could have
Speaker 2: give them a boat, give them a boat. But also
Speaker 2: like Spring, it sprinkles a few more like kills and
Speaker 2: creatures of each stuff throughout the film, whereas Thrash doesn't
Speaker 2: do that that much. There are the first attack sequence
Speaker 2: is like twenty five minutes into the film. The second
Speaker 2: attack sequence is twenty five and a half minutes into
Speaker 2: the film. The third attack sequence is twenty six minutes
Speaker 2: into the film, and then there's nothing from other half
Speaker 2: an hour, and then there's like a couple and then
Speaker 2: there's nothing, and there's the end, and it's it's not
Speaker 2: like I'm not saying should be evenly distributed. I think
Speaker 2: if deep Lucy deeply see you get once the action starts,
Speaker 2: it kind of it goes on at a good base.
Speaker 2: It gets along seen by scene by here. It's like
Speaker 2: see action, see action. The when you first notice the sharks,
Speaker 2: they take out three people straight away, like all the
Speaker 2: people that are in the water apart from Lisa are
Speaker 2: all just like taken our which is three guys. And
Speaker 2: at the same time, the exact same time is when
Speaker 2: the foster parents are taken out in the other story.
Speaker 2: So it feels like.
Speaker 1: A historical what do you mean by the snorm. What
Speaker 1: do you still await the snorkels? Actually a good idea,
Speaker 1: I say, yeah, wow, yeah, they should just let that,
Speaker 1: Let let that loose. Here we go ben it.
Speaker 2: Yeah and man his song choices as well. That's set
Speaker 2: on the most country of songs on the radio.
Speaker 1: The most nightmarish of not even like ones that tell
Speaker 1: a story. It's all more like wanted, like I got,
Speaker 1: I got, if it, if it.
Speaker 2: Don't twang, it ain't My thing was the one he said,
Speaker 2: I don't know what song that is, plus the lyrics
Speaker 2: I wrote down. But when he he gets attacked and
Speaker 2: he gets his arm bitten off, he makes his way
Speaker 2: into the truck and he's like smearing his blood of
Speaker 2: the radio. There's the lyrics that come on. Are song
Speaker 2: seeing wearing his wearing his helf on his sleeve, like
Speaker 2: is that some kind of is that like heart blood
Speaker 2: on his sleeve his stump arm?
Speaker 3: Is that?
Speaker 2: Are they trying to do something there that.
Speaker 1: They went bullfinger and went to cerebral with that one.
Speaker 1: See letter Cliff both finger rules. By the way, Yeah,
Speaker 1: that's when that guy disappeared.
Speaker 2: I was so happy.
Speaker 1: Oh wait, that's funny Jay when they're like, he made.
Speaker 2: He made it one armed, apparently half of his athmis
Speaker 2: and he made it underwater from the garage outside, through
Speaker 2: the cross the yard into the kitchen. Halfway across the kitchen,
Speaker 2: round the counter pops up. All underwater was bleeding from
Speaker 2: at least two different places threeom places, got a headwinds
Speaker 2: as well. He just pops up and he's fine.
Speaker 1: I wanted to dance when that scene happens. I just
Speaker 1: want to be like and then the sister.
Speaker 2: Kills him, yeah, because I've had enough.
Speaker 1: And I like her. Like this guy sucks. I'm gonna knock.
Speaker 2: Him out because he's like popped up and be like,
Speaker 2: I'm injured. You kids, your kids go in the water.
Speaker 2: Sharks don't like kids. You ain't what sharks like. They
Speaker 2: don't like kids.
Speaker 1: They do.
Speaker 2: So that's that's when the oldest son kind of steps
Speaker 2: up and uh, dad goes to punch him and he
Speaker 2: grabs his and his fist, et cetera, and he calls
Speaker 2: him a money grabbing, one armed, half an asshole piece
Speaker 2: of s Yeah, and then the doorter kicks him in
Speaker 2: the head and then he dies. Great, Uh, which they good.
Speaker 1: Good.
Speaker 2: I'm glad that they got closure, they got to kill him,
Speaker 2: so that was that was nice.
Speaker 1: They are they deserve that. That guy he was, he
Speaker 1: was they were eating bread and they weren't eating every day,
Speaker 1: and they were just pocketing fifteen hundred dollars checks.
Speaker 2: They were eating just plain white bread whilst the parents
Speaker 2: had steaks in the basement.
Speaker 1: Which you know, what's funny. I've actually been into like
Speaker 1: swamps like that with ropes, and I do specifically remember
Speaker 1: a water moccasin swimming by me one time, just like right,
Speaker 1: we're talking two feet across it. It just swam across
Speaker 1: from me. It kind of like gave me what's up.
Speaker 1: It didn't. They just kept swimming. But like, that's that's
Speaker 1: some dangerous stuff right there. I saw someone fall out
Speaker 1: of a tree once. They were surprisingly fine, which is
Speaker 1: always stuck with me because I was like, that guy's dead.
Speaker 1: He was fine, but yeah, so, I mean, I know
Speaker 1: he was mad about the danger, but he wasn't worried
Speaker 1: about them. He was just paying worried about paying hospital bills.
Speaker 2: Oh I need or he might get less money, or
Speaker 2: the kids might be taking away so they don't get
Speaker 2: there the stipend from the state.
Speaker 1: And also too there's a scene where he calls them
Speaker 1: a no good son of a bee? And Jay, do
Speaker 1: you ever wish someone called you that? Like you're just
Speaker 1: you know, you're entering somewhere when someone goes, there's that
Speaker 1: no good son of a bee? Like would that would
Speaker 1: that make you happy if someone said that about you?
Speaker 2: I'm not sure I'd be happy. I'd like context. I
Speaker 2: like to know why you call him.
Speaker 1: No good son of What did I do? I mean?
Speaker 1: Would you like to get to the point where people
Speaker 1: say that about you and everyone just agrees with it
Speaker 1: as a reputation.
Speaker 2: It's not a great one to have.
Speaker 1: I think.
Speaker 2: Quite nice.
Speaker 1: It's very specific, you're no good in your son of
Speaker 1: a bee. You could say no good or you're a
Speaker 1: son of a bee, but this one's combined.
Speaker 2: I I really liked the scene where Javion Hounds was
Speaker 2: giving his backstory and he's he grew up on the
Speaker 2: in the river, wrote it down the Zambezi River in Mozambique,
Speaker 2: and it's one one animal is dangerous, theirs hippo and
Speaker 2: one day's gonna be chilled by a hippo. But instead
Speaker 2: of the hippo has taken up with these bull sharks
Speaker 2: and he saw something in Hippo's eyes and he's turning
Speaker 2: us still the news reporter, and the reporters like, did
Speaker 2: you did you run back to your heart and grab
Speaker 2: your spear And he's like, no, I ran back to
Speaker 2: my apartment and had caught the place and had a
Speaker 2: pizza because I didn't grow up in the Jungle Book.
Speaker 2: I loved that. I love that.
Speaker 1: I love that he's the Dennis Quaid in this movie.
Speaker 2: Oh, he's so much better than Dennis quad But.
Speaker 1: You know what I mean, The Day after Tomorrow Dad,
Speaker 1: he's not the dad uncle, but or he's like the
Speaker 1: Paul Giamadi who goes and saves people. Sure that's sanadreyas, yeah,
Speaker 1: but actually the dad goes in so I guess he's
Speaker 1: technically the Dayne.
Speaker 2: Johnson stealen helicopters that should be used for better things.
Speaker 1: Wait, I told you about that, right, Okay, good, real quick.
Speaker 1: That was like one of the funniest things. And I
Speaker 1: when I figured out how many helicopters there actually are
Speaker 1: in l a for rescue, and there's three, and he
Speaker 1: just takes one and leaves it on a broken down
Speaker 1: road somewhere and remember going that's not right, Dwayne, that's
Speaker 1: not right. So quick question. So I know who mister
Speaker 1: Olsen is. They're like F mister Olson. But then they're
Speaker 1: like F Johnny Watkins. Who's Johnny Waker.
Speaker 2: Johnny Watkins because they're talking about that's when that's when
Speaker 2: the dad's saying shocks Onny. The kids. It's like a
Speaker 2: dog doesn't need its own turd and the oldest son's
Speaker 2: like Johnny Walkins, dog eats its own turds and like
Speaker 2: Johnny Watkins.
Speaker 1: Okay, I love this movie.
Speaker 3: Jay.
Speaker 1: I want to do a data post or maybe you
Speaker 1: and I should work on a visual of how he
Speaker 1: swims to the house underwater and gets there without them noticing.
Speaker 2: He must move like the murman in Cabin in the Woods,
Speaker 2: which is like prowling along the floor with flippery things,
Speaker 2: because he's not he's he's got one arm, got half
Speaker 2: a butt.
Speaker 1: Johnny walk In that hippo story. It was great. This
Speaker 1: movie is just so economical.
Speaker 2: I like the kid going down into the basement and
Speaker 2: get the guns because they're locked because apparently, well their
Speaker 2: parents had said don't go to the basement. They're still
Speaker 2: actually safe with their weaponry and don't don't leave them unlocked. Uh,
Speaker 2: but then that the kids sweats are getting caught on
Speaker 2: every hook going. Just before he took it off, my
Speaker 2: wife watches for me. She's like, just take the bloody
Speaker 2: sweater off. And he did so good, he listened.
Speaker 1: Was she happy when that happened? I hate the sweater?
Speaker 2: Yeah she was. She didn't care. I don't think she
Speaker 2: cares for these films anymore. She's seen too many. I
Speaker 2: get it's fine, the when when before everything kicks off
Speaker 2: in the people are staying behind spoilers. By the way,
Speaker 2: Dacoach is watching the news on the newscast is like,
Speaker 2: if you're staying behind, I write your idea on your
Speaker 2: arm so they can identify the body that maybe love.
Speaker 2: Like I can see that being a bit of advice.
Speaker 1: Morbid, that's you know, that's dangerous. So I was part
Speaker 1: of that storm shirts Jay, and I remember my dad's
Speaker 1: car underwater and like the trailer we were in was submerged,
Speaker 1: and the first thought I had was to grab a
Speaker 1: sock and like hit my dad in the back with
Speaker 1: it like a wet sock. Okay, but yeah, I just
Speaker 1: but that's it's dangerous. So I don't know. I kind
Speaker 1: of like that.
Speaker 2: Sure, you know, when when we watch like shark films,
Speaker 2: I try and think, what's unique about this shark film?
Speaker 2: What's different about this one that we haven't seen elsewhere?
Speaker 2: And I would say the how how heavily the pregnancy
Speaker 2: subplot is in this It's something we haven't seen before.
Speaker 2: This is definitely the first Shark film I've seen where
Speaker 2: somebody has to check somebody else's sox.
Speaker 1: Opening, yeah, two three inches.
Speaker 2: And the fact that that Lisa does like a little
Speaker 2: countdowns like a three two one to opening her legs
Speaker 2: for measure it, which, yeah, not a situation that Dakoda
Speaker 2: would ever want to be in, even outside of the storm,
Speaker 2: I guess. But that's and then we have to talk
Speaker 2: about the actual birth scene because like she's she goes
Speaker 2: into labor during the flood. She's on a four poster
Speaker 2: bed on the top.
Speaker 1: Floor, which is great by the way, when the water
Speaker 1: rises and the four poster gets stuck there, that's adn't
Speaker 1: eat visual.
Speaker 2: Yes, I agree, And Dakocha has gone to try and
Speaker 2: get the boat that some of the people had her
Speaker 2: there in the film, so just Lisa's on her own.
Speaker 2: She starts giving starts giving birth, and she gets out
Speaker 2: her iPhone ipadd wherever it is it's trying and do
Speaker 2: a playlist. She starts playing it and then the house
Speaker 2: just completely comes apart. They've been saying it's going to happen.
Speaker 2: The whole film through his house is going to fall apart,
Speaker 2: has fall apart, that them's going to come over, and
Speaker 2: then it falls apart mid birth, and then she's just
Speaker 2: out in the water cleaning a bit of debris, gives birth,
Speaker 2: just just kind of we don't see the birth, which
Speaker 2: I'm grateful for. But she's just like clinging to debris,
Speaker 2: and then there's a baby.
Speaker 1: And she's going, where are you?
Speaker 2: Yes, because she's trying to find this newborn baby. It's underwater.
Speaker 1: In my notes, I wrote, holy hell yes at that
Speaker 1: scene because I really but.
Speaker 2: We're the overhead shot of she's she's surrounded by all
Speaker 2: the after birth. I guess I've not been present for
Speaker 2: a berth. I don't know if this is right. I
Speaker 2: assume I hope to never be present for a birth
Speaker 2: that's not on my bucket list.
Speaker 1: It's a journey, Jay.
Speaker 2: Yeah, she's all of the blooders around her, and she's
Speaker 2: got a baby and she's she has the baby is
Speaker 2: still attached to the umbilical cord, and she breaks off
Speaker 2: a bit of drift wood and tears it. I was
Speaker 2: really hoping a shark was going to do it. I
Speaker 2: wanted somehow it to be Orchestralian, that a shark would
Speaker 2: cut the umbilical cord. That was my what I hoped
Speaker 2: from that. What other film was that going to happen?
Speaker 2: It didn't happen.
Speaker 1: He's crazy, that's great, but.
Speaker 2: It didn't happen. She just cuts it and then she
Speaker 2: puts a baby down on some rundom. It's like me,
Speaker 2: but she's just got to kill some effan sharks. And
Speaker 2: then she turns around and stabs a shark in the
Speaker 2: head and then baby. Yeah, but then swim back for it.
Speaker 2: Dakota takes out another one with a harp home.
Speaker 1: Yea, yeah, Dakota's a good kid. Yeah, well Dakota's And
Speaker 1: then and then Nelly takes one out as well.
Speaker 2: Yes, the diox great white shark and a just that
Speaker 2: crops up. It's been mentioned, what what's that dot on
Speaker 2: the map? That's a pregnant great white shark. We've been
Speaker 2: tracking pregnancy. Not right of them doesn't give birth. There's
Speaker 2: no like Nellie babies later in the film. It's just
Speaker 2: this duck shock just kind of comes along, shows up,
Speaker 2: takes out a bull shark, and then it isn't a problem.
Speaker 2: This great white bit in the area not an issue, apparently.
Speaker 1: I don't know, hate the bull shark.
Speaker 2: The bull shark.
Speaker 1: It's like these bull sharks are dicks, like I'm gonna
Speaker 1: eat them. Just goes and gets it. Sorry for the language, Jenny,
Speaker 1: but it okay. So things we haven't seen before. I yes,
Speaker 1: the birth ink because most of the time in these
Speaker 1: movies we watched the crocodile films and other shark films,
Speaker 1: there's always a pregnant lady. But they just found out
Speaker 1: very rarely, is there a I mean yeah, they just
Speaker 1: yeah from somebody or like they're cheating or something like that.
Speaker 1: And so I like that. It's yeah, I've never seen
Speaker 1: a late stage pregnancy thing in a shark film before,
Speaker 1: especially giving birth. What a Let's see what else I've
Speaker 1: never beef steak or steak beef. I like that bit
Speaker 1: and the blood gets all over the kids.
Speaker 2: That's another bit where it's like this is a comedy.
Speaker 2: They've a steak and they've chucked and it explodes into
Speaker 2: just Kevin and shotcuts.
Speaker 1: Well. I mean, you know what, though, Tommy Barkla have
Speaker 1: if you've seen Dead Snow or Hansel and Gretel like.
Speaker 2: That guy loves Yes, I've seen both of those, and.
Speaker 1: Like Violent Night, he murders people hard and he loves
Speaker 1: that kind of humor. So I think to satiate that need,
Speaker 1: he kind of did a did a A story of
Speaker 1: seriousness and then a B story of just insanity. It's like,
Speaker 1: you know, say, ate his need for blood explosions because
Speaker 1: Hansel and Gretel they get covered in blood that snow.
Speaker 1: Everyone gets covered in blood in all of his movies,
Speaker 1: so you need to keep that up. So I guess
Speaker 1: that makes sense that fat that he would have that
Speaker 1: that subplot. Who gives them props to Dakota real quick?
Speaker 2: I like her absolutely? Yeah, she's great. H Yeah, you
Speaker 2: know she's I think her and Lisa a the ones
Speaker 2: that go through the most.
Speaker 1: Yeah, And like Phoebe, Phoebe Jennifer is good in this movie,
Speaker 1: and so is Whitney Peak. Like that, Tommy puts a
Speaker 1: lot of focus on on Whitney Peak as well, like
Speaker 1: he lets the camera linger on her and lets her.
Speaker 1: She does really good at playing like apprehensive and stressed out,
Speaker 1: but like still a good kid who's going to help people.
Speaker 1: And I don't know, there's something about like the physicality
Speaker 1: of the role and the way that Whitney Peak plays
Speaker 1: Dakota that by the end of it I just liked.
Speaker 2: I was like, Dakota's Dakota.
Speaker 1: Better become the aunt to this kid. Yeah, because they're
Speaker 1: bonded for life.
Speaker 2: I at the end of the film, we do see
Speaker 2: Lisa's mother over the phone a couple of times. She
Speaker 2: at the end of the film, she's like, Hey, shut up,
Speaker 2: meet your grandson. Just over zoom, what's happen whatever. I
Speaker 2: wouldn't wanted to name it. I don't know what it
Speaker 2: sounded like, meet your son, name of son, and I didn't.
Speaker 2: They didn't do that. I could name it Henry after
Speaker 2: the storm that almost killed him. It would be my
Speaker 2: That's what I would do. But that's why I did
Speaker 2: kind of love the mother setting up doing dropping all
Speaker 2: the exposition.
Speaker 1: He went and became a poker player.
Speaker 2: He's the jerk who left his pregnant fiancee to become
Speaker 2: a professional poker player. And DJ after making you move
Speaker 2: a thousand miles away to his hometown. That's a sentence, right,
Speaker 2: what a horrible dude, what a horrible But you could this.
Speaker 2: I This film was made, fully made, and then sold
Speaker 2: to Netflix as a full film, I think, which surprised
Speaker 2: me because one of the one of the like points
Speaker 2: of a Netflix film is they keep on reiterating the
Speaker 2: plot several times and it does happen here. Jimon Hounds,
Speaker 2: who does at one point go like, we're we're heading
Speaker 2: up the I ninety five on a boat with the
Speaker 2: sharks in the water to go and save my knee.
Speaker 2: That's like halfway through the films. I wait, what's happening?
Speaker 2: I was I talking on the phone for the past
Speaker 2: half hour. Oh okay, I'm with you.
Speaker 1: Yeah.
Speaker 2: So I feel like Netflix saw that and like, hey, yeah,
Speaker 2: we'll take this film. This this fulfillms our requirements.
Speaker 1: The opening expository dumps really worried me about the film
Speaker 1: because you and I have talked about unnecessary drama in
Speaker 1: shark movies before and this one doesn't have it. But
Speaker 1: I do love that we have an orphaned agoraphobic and
Speaker 1: then we have a pro very pregnant woman who was
Speaker 1: just left by her husband. And then we have three
Speaker 1: orphans who have abusive foster parents in it. So I
Speaker 1: was like, this is hitting the trifecta right now. But
Speaker 1: when yeah, when the mom's on the phone, when Dakota's
Speaker 1: watching the videos, and then when the three kid the
Speaker 1: guy's explaining that he's a foster parent to the three kids,
Speaker 1: and then like the check, but but get that check
Speaker 1: Like this is like but yeah, yeah, it's all very
Speaker 1: on the nose, so much expository dialogue. But then once
Speaker 1: it gets you know, it's kind of nice about knocking
Speaker 1: that out in the first five minutes. You can just
Speaker 1: get on with it. And I feel like that's what
Speaker 1: the movie does. And I like it.
Speaker 2: Yeah, I first and a round. I wasn't that fast
Speaker 2: with the film, but watching I watched it the second
Speaker 2: time and know what was coming. I had a good time.
Speaker 2: I thought it was just kind of fine first around,
Speaker 2: but I like it. It's it's bumped up a little
Speaker 2: bit for me.
Speaker 1: And with that a Leah Brown, the girl like she's
Speaker 1: she was young furiosa one of the orphans.
Speaker 2: Yes, that makes sense.
Speaker 1: Yeah, she's inside the Hedgehog three. She's in a movie
Speaker 1: called Whale Shark Jack.
Speaker 2: Okay, sounds interesting.
Speaker 1: She's in a movie called Sting, which is really good.
Speaker 1: So oh by the guy who did a Beast.
Speaker 2: Of War.
Speaker 1: Directed Sting. So she's in that, and I know, I
Speaker 1: just yeah, she's good. I don't know how they got
Speaker 1: this little cast together, but I dig it like it's
Speaker 1: an odd little movie. It's not. It's a movie, right.
Speaker 2: What this.
Speaker 1: There's not much of There's two stories that don't connect.
Speaker 2: This is what I'm saying about it. It should have been.
Speaker 2: It feels like an anthology is missing a third or like, yeah,
Speaker 2: two TV episodes edited together. If they did, like the
Speaker 2: Storm Henry six episode mini series, each one following a
Speaker 2: different characters storyline through the storm, it could be interesting
Speaker 2: if they just did too and then mad a film.
Speaker 1: Out of it. I don't know, yeah, yeah, imagine pitching
Speaker 1: is to people. I got this movie thrash, South Carolina, flooded,
Speaker 1: pregnantly a gorf of an orphan, three orphans with foster parents.
Speaker 1: They get flooded, sharks attack, blood truck, Jamon hunts.
Speaker 2: When do they meet? How does how do they meet?
Speaker 1: Well? I got I have that. So two groups. Oh,
Speaker 1: so they're gonna intersect and and they're gonna team up
Speaker 1: and survive. No, no, they're never gonna meet. Are they connected.
Speaker 2: They're gonna get in the car and they're gonna drive
Speaker 2: off a ne're gonna kill the doll. Shock Is that
Speaker 2: gonna happen?
Speaker 1: How great would that be? Like like like they're they're
Speaker 1: about to die and then the three orphans come up
Speaker 1: and just wow.
Speaker 2: Run the shark truck get in.
Speaker 1: And it features a hard rain statue. Gag too or
Speaker 1: in hard rain, you know how deep it is because
Speaker 1: of the statue. Yeah, this is what this movie has
Speaker 1: that statue as well.
Speaker 2: Yeah, that truck driver was optimistic trying to beat the
Speaker 2: oncoming flood. He could see the flood comings like I
Speaker 2: can drive to the end of this road with my
Speaker 2: giant tanker truck and beat that and make that sharp corner. Optimism,
Speaker 2: true brass failure.
Speaker 1: Blood truck, blood truck. But yeah, I like the way
Speaker 1: the house. But you know what though, since this was
Speaker 1: filmed in a parking lot in Australia, I think it
Speaker 1: looks great. I like the visual effects. It kind of
Speaker 1: reminded me of Crawl a little bit, and I think
Speaker 1: what Tommy Workla is good at is. He knows how
Speaker 1: to like, he knows how to film a set piece,
Speaker 1: and I I think there's some really neat overhead shots
Speaker 1: when we see, you know, the afterbirth in the water,
Speaker 1: or the house with the the scene with the the
Speaker 1: shark swimming into the house through the doorframe. He I
Speaker 1: think he was thinking of a lot about style in
Speaker 1: this movie and wasn't worried about other things. But I
Speaker 1: also think he casts good actors, like the kid actors
Speaker 1: are experience, Whitney peak is good, Phoebe's good, Giman's always great,
Speaker 1: like multiple Oscar nominee. So they they give it weight,
Speaker 1: but it's just, yeah, I don't know. Other people are
Speaker 1: hating on this movie, but I think it's fun.
Speaker 2: I think it's fun too. I Mean, we like shark
Speaker 2: movies more than most people, so I feel like we're
Speaker 2: gonna like this more than most.
Speaker 1: Well, yeah, I guess because we watch a lot of
Speaker 1: shark movies we kind of appreciate Yeah, exactly. And it's fast,
Speaker 1: and you know that aside from the antagonist being the
Speaker 1: the horrifying foster parents, they're dealt with pretty quick and
Speaker 1: then from there it's just, hey, let's survive. Like, let's
Speaker 1: figure out things that aren't too crazy. So yeah, I like.
Speaker 1: I like the low relationship too between Whitney Peak and
Speaker 1: Phoebe and that house, like they kind of help each
Speaker 1: other and it's gotta get at some nuts though an agoraphobic.
Speaker 1: The way to get her way aggrieving agorophobic. To get
Speaker 1: her out of the house, she has to rescue a
Speaker 1: pregnant woman who's been attacked by sharks, and then she
Speaker 1: gives birth, and then she has to savor with you know, putting.
Speaker 1: I like when she put the little vibrating things in bags.
Speaker 1: If she has to swim across the water, it's you know,
Speaker 1: I guess that'll cure your agoraphobia.
Speaker 2: That's a deep Blue Sea comparison scene is hunting around
Speaker 2: the room looking for batteries and vibrating. Yes, that's a
Speaker 2: real like deep moment. And a shark in a kitchen
Speaker 2: being blown up in a kitchen, And yeah, so I
Speaker 2: like this movie. I like it too. I think it's
Speaker 2: getting an unfair rap and people should watch it and
Speaker 2: like it as much as we do.
Speaker 1: There's not much to rally around story wise because it's
Speaker 1: just so straightforward.
Speaker 2: But that's it's fine.
Speaker 1: I guarantee you this is the only movie you ever
Speaker 1: made where a nine month pregnant woman and agoraphobic, grieving
Speaker 1: agoraphobic and three orphan foster kids get the leads to
Speaker 1: fight sharks.
Speaker 2: And that's what's wrong with Hollywood today. So do you
Speaker 2: want to know how deep and how blue and how see?
Speaker 2: This film is? Oh gosh, so listeners, if you see
Speaker 2: your first time listening, welcome. Hello. We like all short
Speaker 2: films as much as this one. That's not true. There
Speaker 2: are something we really don't like, but you have to
Speaker 2: dig through our capital to find them. Whenever we cover
Speaker 2: a new film. Because this is Deep Blue Sy the podcast,
Speaker 2: I go through it and work out how deep the
Speaker 2: action takes place at, how blue everything on the screen is,
Speaker 2: and how much it takes place at C. Deep blue
Speaker 2: C is, of course, approximate fourteen and a half meters
Speaker 2: of probably seven and a half feet deep, about thirty
Speaker 2: one percent blue, and about eighty nine percent of it
Speaker 2: takes place at sea.
Speaker 1: Mark.
Speaker 2: Do you think thrash is deeper blue or more at
Speaker 2: sea than deeply sea?
Speaker 1: Okay, so when we're saying deep, the water's up on land,
Speaker 1: so are you counting.
Speaker 2: I'm basing this on where they are in reference to
Speaker 2: the water level around them. So if they're standing on
Speaker 2: a counter and the water level is the same height
Speaker 2: as that counter, they are at zero.
Speaker 1: Oh well it's not as deep, right, but you know what,
Speaker 1: Oh no, they're not as much sea because it takes
Speaker 1: about fifteen minutes to get the flood and so not
Speaker 1: as much as.
Speaker 2: Yeah with at sea, technically all of this water is
Speaker 2: sea water. But I took it. But I mean rivers
Speaker 2: are technically sea water if they're always all connected. So
Speaker 2: I took it as if they're outside of their house,
Speaker 2: they're at sea. If they're inside of their house, they're
Speaker 2: not at sea.
Speaker 1: Okay, not at sea. And now definitely not as blue.
Speaker 1: Her jacket's yellow. Not as blue that jacket.
Speaker 2: No, no jacket bothered me because she when she goes
Speaker 2: out initially to go get some food and has a
Speaker 2: pank attack, she's wearing a bright orange raincoat, and when
Speaker 2: she goes out later she's wearing a purple one. And
Speaker 2: I don't know why. I get, you can have two.
Speaker 2: I get you can have two raincoats, but we already
Speaker 2: met a raincoat in the film. We'll not just use
Speaker 2: the same one.
Speaker 1: I don't know, you know, I actually I have a
Speaker 1: heavy duty raincoat and then I just have a drizzle coat.
Speaker 2: The orange one looks pretty heavy duty, as did they both. Anyway,
Speaker 2: it's a it's a minor point, but yeah, so depth wise,
Speaker 2: oh sorry, what about death wise? This works out being
Speaker 2: about a meter up in the air or one point
Speaker 2: zero seven meters or three and a half feet up
Speaker 2: in the air blueness. About twelve percent of this is
Speaker 2: blue twelve point zero weight, so so deathwise, this is
Speaker 2: slightly higher up than Lake Mungo, slightly lower than Anaconda's
Speaker 2: The Hunt for the Blood Orchid blueless. This is slightly
Speaker 2: bluer than Ghost Shit, slightly less blue than Shark Knight
Speaker 2: three D. And at sea this works out being forty
Speaker 2: one percent at sea, which is slightly more less. It's
Speaker 2: seed that Shark Attack are slightly more a c than
Speaker 2: Hot Spring Shark Attack. Great favorite film.
Speaker 1: I own it, and every time I look at it,
Speaker 1: I smile like I'm like, oh, hi, like it just
Speaker 1: makes me happy to see Hot Spring Shark Attack.
Speaker 2: It's a good time and we like.
Speaker 1: This movie more than others. And listen, I know that
Speaker 1: people can be annoyed that the story don't intersect, and
Speaker 1: I don't know, I just feel like.
Speaker 2: It would have been better if they did, and it
Speaker 2: would have felt more like a film if there was
Speaker 2: some kind of connection at some point, if they did
Speaker 2: something to say the other people will vice versa. I
Speaker 2: don't know, what, is it.
Speaker 1: A good film? No? Is it eighty minutes with some
Speaker 1: fun shots and good performances and yeah, yeah.
Speaker 2: It's eighty minutes with like ten of them at credits,
Speaker 2: So yeah, that's awesome. But Okay, Thematically thematically deeper Blue
Speaker 2: Remortsy are they are these characters more rich backstory?
Speaker 1: I think Whitney's going through it.
Speaker 2: I think.
Speaker 1: I think they're surviving, and I think the orphans like
Speaker 1: the orphans, the three kids are finding depth in their relationship.
Speaker 1: They trust each other and they are worried about each other,
Speaker 1: and you know, they survived the system. I think what
Speaker 1: Whitney Peaks going through is it's interesting. She's really forcing
Speaker 1: herself out of her comfort zone and doing a good job.
Speaker 1: And you know, I think Phoebe with the kid she wants. Yeah,
Speaker 1: I would say this movie is more thematically deep.
Speaker 2: Yeah, John Hewnse's got a backstory. He felt like a
Speaker 2: character from Deep cy I can see him being being
Speaker 2: like working on a quatica. It just happens.
Speaker 1: Yeah, yes, Blue in Deep Rising, and we love Deep
Speaker 1: Rising to Deep Rising.
Speaker 2: We should cover Deep Pricing again. I could just watch
Speaker 2: it again. We have to cover it again. Great movie,
Speaker 2: all about Blue with these characters sadder than the characters
Speaker 2: I think at the start, Dakota definitely is not.
Speaker 1: Yeah, I mean, and also I mean Phoebe's been left
Speaker 1: and her mom's terrible, and then the three kids, they're
Speaker 1: in a terrible living situation.
Speaker 2: They're like having having fun at the start, jumping off
Speaker 2: of a tree. But yeah, the home situation is not good.
Speaker 1: I mean, yeah, I would say it's more blue as well. Yeah,
Speaker 1: I think that's because they're all going through it.
Speaker 2: And like the kids happiest moments when they're chanting, but
Speaker 2: that's like f their stepdad and then he courts.
Speaker 1: Back, which is amazing, and then they kill him and
Speaker 1: then they kill them. Yes, but yeah, listen, these kids
Speaker 1: are doing the best they can, but they don't eat.
Speaker 1: Like they're in a bad situation, so they like at
Speaker 1: least they have each other, but it's a bad situation.
Speaker 1: So yeah, like that's a lot of weight for children
Speaker 1: to have, Like that's not good for kids. Kids should
Speaker 1: be kids. And so yeah, I'm gonna say it's more blue.
Speaker 2: Okay, And is it more at sea? The character's more lost.
Speaker 2: I feel like Lisa early on is very lost. Oh yeah,
Speaker 2: she has no idea. She's stuck. She has no idea
Speaker 2: how to get off of where she is, out of
Speaker 2: any bo And Dakota seems lost metaphorically in her life.
Speaker 2: She seems to be like spinning around a little bit
Speaker 2: of a spiral. And the kids all seem not much
Speaker 2: stuck than kids. Yeah, but I think so, I think
Speaker 2: these are definitely more lost.
Speaker 1: Yeah, Phoebe's got decisions to make. And if that dude
Speaker 1: tries to come back and the baby, I'm sorry, don't
Speaker 1: take them because he wasn't there during a sharp berth.
Speaker 1: So yeah, I want to see where you should have
Speaker 1: shown up.
Speaker 2: He should have come in at the end, like least
Speaker 2: I'm sorry ian by Shock.
Speaker 1: I just knew who should have been? Who's that boyfriend
Speaker 1: from Midsummer and like free fire Jack something? Yeah Jack
Speaker 1: Rayner just shows up, hey, girl, like real country accent.
Speaker 1: I'm so sorrow left you, and then Nelly bites his
Speaker 1: head off. He's like, you want to hear me play?
Speaker 1: Here's my new here's my latest CDM track. Sorry he's killed.
Speaker 2: What he would he do? DJ tracks about playing poker?
Speaker 2: Somehow I couldn't possibly do that? Great ooh house. Did
Speaker 2: you watch Pluribus?
Speaker 1: I didn't watch.
Speaker 2: It's a wonderful PoCA scene and Pluribus great. Curist is good.
Speaker 2: You should you should, you should watch if you get
Speaker 2: a chance. I just we had Apple plus Apple TV
Speaker 2: bus trial that finished last Friday, and I've just binge
Speaker 2: watched half of the season of Plurbus on the train
Speaker 2: on one Traine and it was just sponsored by Pluribus,
Speaker 2: just to get it right now. It's good. It's a
Speaker 2: good time. Uh cool, Okay, I think I think that's
Speaker 2: it for for Thrash. You like the title Thrash.
Speaker 1: Yeah, it's a good title. It works. Sharks like meat Dynamite.
Speaker 2: I don't know i'd watched meat dynamite is.
Speaker 1: A dynamite meat or meat dynamite.
Speaker 2: I think it's dynamat. I think it's what it is. Uh.
Speaker 1: It's like your recent Deep Blues episodehere you said something
Speaker 1: really good about Ireland.
Speaker 2: Oh American Pailand. Yeah, yeah, but I think I said
Speaker 2: that rough with the say. I think the guest m J.
Speaker 2: I think he said it at the same time. So
Speaker 2: I can't take all the correct legends. But I may
Speaker 2: have just me saying who knows that I have control?
Speaker 2: It's my shirt, it's.
Speaker 1: My show, dang it, it's my show.
Speaker 2: I'm always rat American past.
Speaker 1: Fifteen dollars a month for this taking care of Mark.
Speaker 2: Yeah, well I'll do it for deep. I think that
Speaker 2: any plug smoke.
Speaker 1: I am really tired of Southern accents. Jay, I just
Speaker 1: I am. It's just watching you know, maybe maybe people
Speaker 1: know like that that's how people feeling, like American actor
Speaker 1: goes over to Britain and does the accent. But I'm
Speaker 1: so tired of the easiest non Southern actors. But it's
Speaker 1: the easiest to fall in the caricature though, Like I
Speaker 1: think that's just it's just all going down air there,
Speaker 1: slap it and you're like what like what like just
Speaker 1: you didn't even try, Like just yeah, I got a
Speaker 1: vocal coat.
Speaker 2: It's easy to do, it's easy to fool into.
Speaker 1: And yeah, and so it's like I got a vocal
Speaker 1: coach for this movie, and like you watch it, you're like, Wow,
Speaker 1: you're supposed to be more genteel, more clipped. Do you
Speaker 1: not listen? Just I am kind of annoyed by terrible
Speaker 1: Southern accents.
Speaker 2: Because like, you're you're from the South, You're from Georgia.
Speaker 1: Yeah, I am.
Speaker 2: Yeah, you don't sound like clos you know, you know, you're.
Speaker 1: Just like what, who are you? No, I'm just it's yeah,
Speaker 1: it's such a caricature, and so it does get annoying.
Speaker 1: But also in this movie, I just kept chuckling about it.
Speaker 2: Yeah, because they really lean into it. It's parody in
Speaker 2: this one.
Speaker 1: I don't even know what like, they don't lean into
Speaker 1: it like what, they just fall into it.
Speaker 2: They just they face into it. They chip a tooth
Speaker 2: on it on the way down.
Speaker 1: Uh.
Speaker 2: Yeah. I joined a Facebook group recently called something like
Speaker 2: fin Flicks or something like that. It's not fin Flix.
Speaker 2: That'sn't in shot podcast, but it's like it's like Fantastic
Speaker 2: flicks is you know, it's Shark movie Facebook group Sharp
Speaker 2: Movie Appreciation. Right, a friend of the show, Kevin Kolp,
Speaker 2: is a member, So hey, I'll join it. And I've
Speaker 2: had to leave that group because people aren't kind to
Speaker 2: this film or any film. It seems people will put
Speaker 2: a post in there that's like, pick one of these
Speaker 2: shark films, like like you do with with MF Hey,
Speaker 2: pick two. People like pick one of these and the
Speaker 2: like people see the shadows is down Jaws and everyone
Speaker 2: will be like jos, you have to pick Jers. Jaws
Speaker 2: is the only answer. Joe's is the best, the best
Speaker 2: one's Jaws. And then like trailers came up for Thrash,
Speaker 2: but I'm looking forward to this and the second comment
Speaker 2: is like, there's only one sharp fing it's yours. People
Speaker 2: coming like this it's I mean, it'll be fine, but
Speaker 2: it's not gonna be Jaws, is it? And that's every
Speaker 2: comment as people like, this film is not yours, so
Speaker 2: I have to leave that great.
Speaker 1: It's not gonna be better than the one of the
Speaker 1: greatest films ever made.
Speaker 2: And that's a problem.
Speaker 1: Bad.
Speaker 2: Yeah, it just shouldn't be allowed.
Speaker 1: This. This movie is not as good as the greatest
Speaker 1: movie ever made. Trash.
Speaker 2: Yeah, yeah, we talked about before, like its calling it
Speaker 2: thrash as a bold move. Yeah, it's bad more like trash.
Speaker 1: Don't care. Man, I really like the code in this movie.
Speaker 1: I like the character. She's cool and I liked I
Speaker 1: love when she cuts Phoebe out of the car. I
Speaker 1: think the direction in the performance is very good. This
Speaker 1: is a.
Speaker 2: Standard chef's knife, not even a serrated one. She just
Speaker 2: took a big knife and cut a tree with it.
Speaker 1: Yeah. But you know what though, this kid's was a kid,
Speaker 1: but she's like twenty and she like prepared the best
Speaker 1: she could to go do something, and I liked it.
Speaker 1: It was like a nice little scene and I thought
Speaker 1: the performance was good.
Speaker 2: So she did better than the two guys who were
Speaker 2: in a boat who were like, yeah, see, oh it
Speaker 2: didn't need help. Let's get out of the boat and
Speaker 2: go Hey, go back for the boat case. Okay, I'll
Speaker 2: get out of the boat first and then I'll wait
Speaker 2: through instead of getting back into the boat.
Speaker 1: The convertible top and you know, get him out of there.
Speaker 1: But anything to plug. I did a thing with Jase
Speaker 1: Serano on his good Movie thing, so go read about it.
Speaker 1: I figured all the questions asking Christopher Nolan films, and
Speaker 1: then I have another thing going with him and another
Speaker 1: thing and then go to movies on the Flakes. Listen
Speaker 1: to the podcast. We just dropped episode seven hundred.
Speaker 2: Oh awesome, I was that Overboard?
Speaker 1: Overboard? Yeah, yeah, good discussion. We recorded about thirty minutes
Speaker 1: we realized we weren't recording, had to start over, and
Speaker 1: it's still just.
Speaker 2: As good, just like we did before we started twinning today.
Speaker 1: Yes, yes, but I caught that during the intro.
Speaker 2: I haven't seen Overboard yet, but it is on the
Speaker 2: list of trust to cover one day on this show
Speaker 2: because it's by a C. I think his boat's in it.
Speaker 1: Maybe that that movie does not work without Han and
Speaker 1: Russell together they make it wonderful, like they're great in
Speaker 1: that movie.
Speaker 2: Did you see the remake with Faris and you that
Speaker 2: s it's.
Speaker 1: Kind of crazy, yes, and it's horrible, and it's really
Speaker 1: odd because the first Overboard, yes, it's problematic, but also
Speaker 1: takes place in a rom com land where everybody lies
Speaker 1: in rom coms, like everyone's full of crap in rom
Speaker 1: com world, and so it's normal by that standard. But
Speaker 1: this one, she meets a guy and then she's like,
Speaker 1: has daughters, and she's like, I'm gonna bring home this
Speaker 1: stranger to like be with my daughters, and you're just
Speaker 1: you're like, why did you guys? Do this, like why
Speaker 1: it doesn't make it better and it hurts and these
Speaker 1: aren't Goldie Han like Goldie Hana too. I love Anna Faris,
Speaker 1: but goldiehanad like two Oscar nominations by the time she
Speaker 1: did this, and Kurt Russell is like Kurt Russell, so
Speaker 1: it it just doesn't work and it's like a really
Speaker 1: odd one. I by don't do it.
Speaker 2: I'm not getting to. Do you think they gonna make
Speaker 2: a sequel to Thrash because they have the bit at
Speaker 2: the end where the computer guy is like, oh no,
Speaker 2: there's another stub coming.
Speaker 1: I mean it's doing well on Netflix. That's all you need.
Speaker 1: If they're happy, and it's gonna keep playing well, Yeah.
Speaker 2: Yeah, okay, we'll see uh life versus film dot com.
Speaker 2: With my personal site posts there, there's like my review
Speaker 2: of the year went up good and you can follow
Speaker 2: this show all over deep all over, deep all over
Speaker 2: social media at deep blue spot dot email us deep
Speaker 2: pot at gmail dot com. I will have another new
Speaker 2: new release coming soon with Renny Harlan's Deep Water All
Speaker 2: being well, but next week will be Anaconda three offspring
Speaker 2: that's coming next week, so look out for that one. Hooray.
Speaker 2: But as for three, I have been Jake klewtt Mark.
Speaker 1: Meat, meat Waitnal meat half myre well.
Speaker 2: Deep Blue.
Speaker 3: See you next week. St.