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<v Speaker 1>Kathy and Elliott Lewis on stage. Kathy Lewis Elliott Lewis,

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<v Speaker 1>two of the most distinguished names in radio, appearing each

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<v Speaker 1>week in their own theater, starring in a repertory of

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<v Speaker 1>transcribed stories of their own. And you're choosing radio's foremost

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<v Speaker 1>players and radio's foremost plays. Drama, comedy, adventure, mystery, melodrama,

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<v Speaker 1>Ladies and gentlemen. Mister Elliott Lewis.

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<v Speaker 2>Good evening, May I present my wife, Kathy Good Evening.

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<v Speaker 3>You know, it's a source of constant pleasure to both

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<v Speaker 3>Elliott and me to watch what a good writer can

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<v Speaker 3>do with an idea. Tony, for ex Tony Ellis called us.

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<v Speaker 2>And said over the telephone, what if Kathy were a

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<v Speaker 2>famous picture actress and you were a soldier going on furlough.

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<v Speaker 4>And you wanted to date with her?

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<v Speaker 3>And then we got his script. And here's what happens

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<v Speaker 3>to the idea. Tony told Elliott. The story is called

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<v Speaker 3>public Furlough. The scene an army post in California, about

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<v Speaker 3>midway between San Francisco and Los Angeles. You pick a

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<v Speaker 3>cand it's a bright, clear day and off to the

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<v Speaker 3>side of the drill field, and one of the few

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<v Speaker 3>permanent buildings is an orderly room. The corporal at the

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<v Speaker 3>typewriter is deeply intent on his composition. The other side

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<v Speaker 3>of the room, another soldier is practicing being a con

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<v Speaker 3>man into the telephone.

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<v Speaker 5>No, no, I said Franasan. Sure you gotta ask him Franasan.

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<v Speaker 5>Anybody knows that?

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<v Speaker 6>Hey, Dave, as Launche says he never heard.

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<v Speaker 7>Of franas A.

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<v Speaker 5>Yeah, Allison, will you listen already? The captain says, three

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<v Speaker 5>creoles with Franasad. If that's what the captain wants, that

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<v Speaker 5>is exactly what the captain is going to get.

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<v Speaker 7>How should I know what he wants with him?

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<v Speaker 5>Okay, okay, send him in care of Corporal David Sampson. No, no, no,

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<v Speaker 5>he's going on furlough. You better send him to me, okay,

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<v Speaker 5>bal Hey Dave, did you hear me? Give me the

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<v Speaker 5>old double talk? I wish we were gonna be around

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<v Speaker 5>to see what he sends over to me your favor?

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<v Speaker 4>Sure see how this sounds?

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<v Speaker 2>Uh my, damn miss would Okay, if you're gonna be smart, Okay,

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<v Speaker 2>I'm sorry, go ahead.

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<v Speaker 4>You see I want you to tell me if you

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<v Speaker 4>get a feeling out of this you know.

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<v Speaker 2>Sure, sure, go ahead, My dear miss would thank you

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<v Speaker 2>for your last photograph.

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<v Speaker 4>The boys and me sure think it's a swell one,

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<v Speaker 4>h not me.

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<v Speaker 7>I don't boy to me that Dame is a slot.

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<v Speaker 4>You listen, I already know what you think. Would you

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<v Speaker 4>just listen? All right? Go ahead? Sure it's swell tonight.

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<v Speaker 2>I start my furlough ten days and I'm hopping a

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<v Speaker 2>plane first thing for Hollywood. As I told you, I

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<v Speaker 2>told you, as I told you in my last letter,

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<v Speaker 2>the biggest thing that could happen to me in my

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<v Speaker 2>life is for me to meet you personally. Believe me,

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<v Speaker 2>Miss Wood, I am not just a movie struck soldier.

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<v Speaker 4>Ah.

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<v Speaker 2>I have a high respect for you as an artist

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<v Speaker 2>and a person. I will be shoving off for the

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<v Speaker 2>Pacific when my furlough is up. So you couldn't make

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<v Speaker 2>me happier or proud than to accept the date with

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<v Speaker 2>me while I am in Hollywood. I will call you

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<v Speaker 2>a studio when I get in and leave my address

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<v Speaker 2>as to where I will be yours, very truly in hopes.

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<v Speaker 4>David Sampson, Corporal USU.

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<v Speaker 7>How's about your serial number?

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<v Speaker 4>Oh? Cut it out? Well? Do you? I am serious?

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<v Speaker 4>What do you think you.

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<v Speaker 8>Really want to know?

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<v Speaker 5>I'm asking I think you're nuts. Now wait a minute,

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<v Speaker 5>you asked me I think you're nuts?

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<v Speaker 4>Is the letter?

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<v Speaker 7>Okay, that's all. Now, what's the matter with you?

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<v Speaker 4>For me?

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<v Speaker 5>I'd expect something like this, but you're smart, Davy.

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<v Speaker 7>She ain't gonna give you a tumble. You ought to know.

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<v Speaker 2>I wanna meet her, not a tumble. I wanna meet her.

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<v Speaker 4>That's all.

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<v Speaker 5>You're gonna waste all that time slopping around waiting to

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<v Speaker 5>see her while you andn't me and the boys could

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<v Speaker 5>be having a high old time in Fresco.

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<v Speaker 7>Oh, don't go, Davy. And I'm telling you she's a

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<v Speaker 7>big star. She don't need thanks daddy.

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<v Speaker 5>Okay, okay, you want me to mail it for you.

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<v Speaker 2>I'm going over there you no, no, no, I'm setting

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<v Speaker 2>up a telegram.

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<v Speaker 6>Well all that, Well, you're nuts, you.

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<v Speaker 2>I wanted to get to her before I call, so

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<v Speaker 2>on see in ten days.

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<v Speaker 9>Oh glory, I'm tired.

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<v Speaker 6>Be a doll and fix me a drink, will you leo?

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<v Speaker 6>Oh my feet? Must I take pictures tonight?

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<v Speaker 8>Great's old there, Oh glory?

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<v Speaker 6>Why can't we take them tomorrow? Will you tell me that.

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<v Speaker 8>Why I wanna get the pool to me? The case

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<v Speaker 8>of Sunday papers?

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<v Speaker 10>Oh?

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<v Speaker 8>Honor Thursday or day off?

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<v Speaker 6>Oh? I didn't wanna go out for dinner tonight. I'm hungry?

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<v Speaker 6>Why does she always have to have Thursday? I'm hungry?

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<v Speaker 4>Thanks?

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<v Speaker 8>Uh, Danny, I want you to read something tomorrow right now,

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<v Speaker 8>only take a minute.

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<v Speaker 6>Why did I ever hire you?

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<v Speaker 8>What telegram came to the studio this afternoon?

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<v Speaker 6>Ms Daniel would only spelled it write for a change? MM?

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<v Speaker 6>David Samson, Corporal US Army. Who's David Sampson, Corporal, US Army?

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<v Speaker 6>Do you read it? No?

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<v Speaker 8>Go on read the telegram that?

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<v Speaker 6>MM? I haven't.

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<v Speaker 3>Don believe me, missus Wood, I'm not just a movie

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<v Speaker 3>struck soldier.

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<v Speaker 6>She'd just love that.

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<v Speaker 3>Leave my addresses to where you yours?

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<v Speaker 6>Very truly in hopes. David Sampson, Corporal US Oh, for

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<v Speaker 6>Gloy's sake, Leo.

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<v Speaker 8>Well, well, well what I think you should do it?

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<v Speaker 4>Do it me?

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<v Speaker 6>David Sampson, Corporal, US Army.

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<v Speaker 8>Yeah not me?

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<v Speaker 6>Oh no, no stunts like that, mister Hyley.

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<v Speaker 8>It would be good.

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<v Speaker 4>But who you and the kid? Look? I checked the files.

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<v Speaker 8>He's written a dozen letters in the past six months,

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<v Speaker 8>we sent out pictures, all that stuff.

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<v Speaker 4>Now, why not.

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<v Speaker 8>Give 'em a break. I'm tired of publicity. It won't hurt.

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<v Speaker 3>Look, I don't mind those dances and the hospitals. That's great,

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<v Speaker 3>but but that's where it ends. I'm not gonna have

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<v Speaker 3>some kid mooning and slobbering all over me.

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<v Speaker 6>It won't be like I don't tell me.

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<v Speaker 8>Give 'em a day. One day, show 'em around the studio,

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<v Speaker 8>take 'em to chasings everything.

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<v Speaker 6>Who pays for it?

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<v Speaker 8>Expenses? I think you should, Danny.

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<v Speaker 6>When's he coming in tomorrow? I can't the.

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<v Speaker 8>Picture picture's finished tomorrow. He's got ten days.

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<v Speaker 6>Oh I'm hungry.

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<v Speaker 3>Okay, alright, will you call up somebody and get some

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<v Speaker 3>food over here?

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<v Speaker 6>I'm hungry nationalize.

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<v Speaker 2>Good morning, Uh, Miss Danielle Woods, please please, Uh, this

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<v Speaker 2>is Corporal David Sampson.

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<v Speaker 4>I think she's expecting me to call a moment.

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<v Speaker 6>I'll give you publicity. Well I moment please, I'm bringing

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<v Speaker 6>mister Howe's.

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<v Speaker 4>Office to take care of thanks.

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<v Speaker 2>Hello, uh hello, Uh, this is David Sampson. I sent

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<v Speaker 2>a telegram yesterday.

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<v Speaker 8>As corpor Miss Wood receives it.

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<v Speaker 4>Hey, she did, huh uh.

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<v Speaker 8>Miss Wood is on the set right now. But she

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<v Speaker 8>asked me to give you a message.

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<v Speaker 4>Well, sure, she wondered whether she could see her tomorrow.

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<v Speaker 2>Saturday, whether she could you bet, and that's terrific.

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<v Speaker 4>I mean a pencil.

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<v Speaker 2>Uh yeah, yeah, yeah, okay, yeah.

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<v Speaker 8>The address is one O four six North Cannon, that's

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<v Speaker 8>in Beverly Hills.

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<v Speaker 2>Have you got that one O four six North Cannon

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<v Speaker 2>that's in Beverly Hills.

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<v Speaker 8>Do you know your way around town.

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<v Speaker 4>Or not too well? But I can find it. Don't worry.

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<v Speaker 4>We're in the car. Then where are you staying?

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<v Speaker 2>Cor No, I don't want you to do that. I'll

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<v Speaker 2>find it. Oh uh, what time?

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<v Speaker 8>About eleven in the morning. In the morning, miss Wood

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<v Speaker 8>thought it would be nice to spend the day.

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<v Speaker 4>Say you don't mind if we take a few pictures?

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<v Speaker 8>Do you of the turvia?

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<v Speaker 4>Mind? Boy, I don't mind any.

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<v Speaker 9>Well, oh, glory, thank glory, they've gone.

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<v Speaker 6>Don't you just hate and despise photographer's carpo?

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<v Speaker 4>I don't know too much at bottomsus Wood.

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<v Speaker 6>Glory.

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<v Speaker 8>Well, I'm gonna get back to the office. Carpoam nice

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<v Speaker 8>with much?

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<v Speaker 4>Yeah? Thanks, Hey, it's all right.

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<v Speaker 8>Danny, don't bother, see you later, a Leo.

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<v Speaker 6>Well, isn't this nice?

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<v Speaker 4>I'll say?

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<v Speaker 6>Can I get your drink? Corporate?

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<v Speaker 2>It's a little early for me, miss Wood, thanks all

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<v Speaker 2>the same it is for me too.

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<v Speaker 3>Yep, you know I thought it would be so nice

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<v Speaker 3>if we had an early lunch at Romanos.

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<v Speaker 2>And yes, this is real good of you to spend

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<v Speaker 2>your time with me like this. You'll never know what

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<v Speaker 2>it means.

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<v Speaker 3>Don't be silly. I think it's a perfectly wonderful idea.

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<v Speaker 3>I'm so glad I had the time.

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<v Speaker 4>Guess an awful lot my fellas wish they were me

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<v Speaker 4>right now.

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<v Speaker 6>Well, let's not think about them. This is your day.

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<v Speaker 6>I'm taking lunch.

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<v Speaker 2>Oh no, no, no, ma'am, I'm taking you to lunch.

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<v Speaker 6>You're very sweet, but it's all been arranged.

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<v Speaker 2>Well, I didn't arrange it though. Well, I'm sorry if

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<v Speaker 2>it's upset your plans. But when I ask for a date,

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<v Speaker 2>I didn't figure you taking it.

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<v Speaker 3>And he does upset them, though, really, and I'd be

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<v Speaker 3>much happier if we did it my way.

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<v Speaker 6>You're very sweet, too much, I.

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<v Speaker 2>Would a A guy doesn't want a girl, any girl

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<v Speaker 2>to do that, and Now, if you're worried about how

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<v Speaker 2>much dough I've got, just forget it.

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<v Speaker 4>I'm fixed just fine.

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<v Speaker 3>All right, I'm afraid it might be a little expensive.

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<v Speaker 3>Nowell you wanna go now anything you like? Well, if

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<v Speaker 3>you don't mind, I have one or two phone calls

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<v Speaker 3>to make. Why don't you just make yourself home.

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<v Speaker 6>I won't be long and then we can drive down.

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<v Speaker 4>Yeah sure. Oh wait a minute.

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<v Speaker 3>All right, corporal, none of that. I don't like that

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<v Speaker 3>kind of thing. You keep your hands off or get out.

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<v Speaker 2>I'm sorry it it was from your cigarette. I mean

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<v Speaker 2>the the ash was burning your skirt. I didn't mean.

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<v Speaker 3>Oh, Orry, that was an awful thing for me to

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<v Speaker 3>say to even think.

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<v Speaker 6>I am sorry. Can you forgive me?

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<v Speaker 4>Yeah, yeah, that's okay.

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<v Speaker 6>I hope you didn't mind.

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<v Speaker 4>I mean my picture taking again with you? Oh, I

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<v Speaker 4>didn't mind.

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<v Speaker 6>They're always taking pictures.

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<v Speaker 4>It must be kind of rough for you.

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<v Speaker 6>Oh you get used to it. Well, I hope it

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<v Speaker 6>didn't get cold.

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<v Speaker 2>No, no, no, that's fine. It's not like the chow

228
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<v Speaker 2>I've been getting at the post.

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<v Speaker 4>Boy.

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<v Speaker 2>I tell you, after a couple of months, you get

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<v Speaker 2>so as you could eat almost then any.

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<v Speaker 3>Would you excuse me just for a second. There's a

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<v Speaker 3>friend of mine over there, Susan Manning. She just got

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<v Speaker 3>back from New York. She did a play you mine.

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<v Speaker 4>Oh sure, I don't mind.

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<v Speaker 3>I'll be right back. And please don't wait for me.

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<v Speaker 3>Just eat your lunch.

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<v Speaker 6>You'll get cold.

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<v Speaker 3>Oh glory, I'm sorry, no, please, sails. Susan and I

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<v Speaker 3>haven't seen each other for ages.

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<v Speaker 6>I didn't mean to be so long.

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<v Speaker 3>Oh you shouldn't have waited, you shouldn't. I'll get the

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<v Speaker 3>captain take it away and bringing No, no, no, this

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<v Speaker 3>is fun.

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<v Speaker 6>It don't be silly.

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<v Speaker 3>It looks dreadful dead Henry, and this one's on me.

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<v Speaker 3>Now it's all my fault.

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<v Speaker 6>I don't wanna hear another word about it, Henry. Oh yes,

249
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<v Speaker 6>oh well, would you bring the corporal another steak?

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00:12:47.759 --> 00:12:49.039
<v Speaker 7>This one's cold, of course?

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<v Speaker 4>This wood?

252
00:12:50.840 --> 00:12:54.720
<v Speaker 3>Now you know what we're gonna do this afternoon, No, ma'am,

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<v Speaker 3>I think you'll like it. Susan's got a swimming pool

254
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<v Speaker 3>she wants to come over. Out of very many famous

255
00:13:00.600 --> 00:13:04.000
<v Speaker 3>people will be there, big stars. Oh, she's such a

256
00:13:04.039 --> 00:13:05.840
<v Speaker 3>wonderful girl, much nicer than me.

257
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<v Speaker 6>She'd have had a date with her.

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<v Speaker 4>Really, you love her. I wanted a date with Hugh miss.

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00:13:13.960 --> 00:13:18.159
<v Speaker 3>Wood, and I'm very proud. It's one of the nicest

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<v Speaker 3>things that's ever happened to me. Really, you're just a doll.

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<v Speaker 1>You are listening to Kathy and Elliott Lewis on stage

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<v Speaker 1>tonight's play Public Furlough. Just a little later on tonight

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00:13:41.399 --> 00:13:44.080
<v Speaker 1>on most of these same stations, CBS Radio wraps some

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00:13:44.120 --> 00:13:47.080
<v Speaker 1>fresh tinsel around Tin Pannelley and delivers it right to

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<v Speaker 1>your doorstep, disguised very loosely as the Bing Crosbie Shaw

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<v Speaker 1>visiting Bing and you this evening will be song stylist

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<v Speaker 1>K Starr and Jovenuti with his hot violin, John Scott

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<v Speaker 1>Trotter and the orchestra Ken Coppinger and the rhythms lend

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<v Speaker 1>the proceedings all they've got and it'll be enough, when

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<v Speaker 1>added to Bing singing, to make the occasion one to remember.

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<v Speaker 1>Tonight at the Star's address, it's K Starr and that

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<v Speaker 1>great star Bing Crosbie.

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<v Speaker 10>George, Georgie, Oh doll.

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<v Speaker 2>Who are you?

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00:14:31.600 --> 00:14:33.320
<v Speaker 4>I saw your last picture great.

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<v Speaker 6>I love you, Georgie. I want you to meet Corporal

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<v Speaker 6>David Samson. He's spending the day with me. Nicest boy, Corporal.

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00:14:41.360 --> 00:14:44.120
<v Speaker 6>This is Georgie Tinman. He's just about the biggest agent

279
00:14:44.240 --> 00:14:44.639
<v Speaker 6>in town.

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<v Speaker 4>How are you pleased to meet you?

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00:14:46.320 --> 00:14:46.720
<v Speaker 6>Georgie?

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00:14:46.720 --> 00:14:47.200
<v Speaker 4>B a darling?

283
00:14:47.240 --> 00:14:49.320
<v Speaker 6>Introduce the corporals and people? Will you if it's anyone

284
00:14:49.399 --> 00:14:50.200
<v Speaker 6>to know about Hollywood?

285
00:14:50.200 --> 00:14:50.519
<v Speaker 7>Corporal?

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00:14:50.559 --> 00:14:52.559
<v Speaker 6>Last, Georgie, he owns most of us.

287
00:14:52.759 --> 00:14:55.000
<v Speaker 4>Get him and Drake George. We are.

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00:14:56.320 --> 00:15:01.399
<v Speaker 2>First trip of Hollywood Corporate. Yeah, how do they like it?

289
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<v Speaker 4>Just fine? Science?

290
00:15:02.600 --> 00:15:02.720
<v Speaker 10>Hi?

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00:15:02.840 --> 00:15:03.080
<v Speaker 2>Jack?

292
00:15:05.039 --> 00:15:08.399
<v Speaker 4>Been getting a lot of autographs? No I haven't.

293
00:15:08.759 --> 00:15:12.840
<v Speaker 2>Oh this is your chance, son, how about a drink? Well,

294
00:15:12.879 --> 00:15:17.000
<v Speaker 2>not right now, thank you. Danny's quite a girl, isn't she.

295
00:15:18.240 --> 00:15:19.080
<v Speaker 4>I used to handle her.

296
00:15:19.960 --> 00:15:22.600
<v Speaker 2>She's big now, and when she came to town she

297
00:15:22.720 --> 00:15:24.080
<v Speaker 2>was just a scared little kid.

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00:15:24.799 --> 00:15:29.120
<v Speaker 4>Look at her now and that's Holly. Wouldn't you know

299
00:15:29.159 --> 00:15:31.000
<v Speaker 4>what I mean? Yeah? I I guess so.

300
00:15:32.559 --> 00:15:34.879
<v Speaker 8>I'm a surprised a nice looking kid like you hasn't.

301
00:15:34.679 --> 00:15:38.840
<v Speaker 2>Tried to make it No movies, isn't my line?

302
00:15:39.600 --> 00:15:41.559
<v Speaker 4>What did you do? Uh? When a contest or something

303
00:15:41.600 --> 00:15:44.879
<v Speaker 4>can get a date with him? I wrote to him,

304
00:15:44.960 --> 00:15:47.919
<v Speaker 4>that's all here. You're gonna be a pretty big man

305
00:15:47.919 --> 00:15:50.279
<v Speaker 4>when you get back to camp. Uh, say, will you

306
00:15:50.279 --> 00:15:50.679
<v Speaker 4>excuse me?

307
00:15:50.720 --> 00:15:51.000
<v Speaker 8>A minute.

308
00:15:51.039 --> 00:15:52.559
<v Speaker 2>There's a fellow over there. I've been waiting to see

309
00:15:52.559 --> 00:15:55.360
<v Speaker 2>you for a couple of weeks, you know business. Oh yeah, yeah, sure,

310
00:15:55.480 --> 00:16:11.200
<v Speaker 2>see her up? Yes, thank you.

311
00:16:12.799 --> 00:16:13.879
<v Speaker 4>I gotta get out.

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00:16:13.679 --> 00:16:17.159
<v Speaker 8>Of here alright, corporl Where is everybody?

313
00:16:17.320 --> 00:16:18.399
<v Speaker 4>Oh? Well, I don't know.

314
00:16:18.440 --> 00:16:20.639
<v Speaker 2>Mister Hoyler in the house, I guess I do.

315
00:16:21.639 --> 00:16:23.440
<v Speaker 8>Oh is Wood in there?

316
00:16:24.200 --> 00:16:24.440
<v Speaker 4>Sure?

317
00:16:24.759 --> 00:16:27.559
<v Speaker 2>Uh she's been in there a couple of hours.

318
00:16:28.039 --> 00:16:31.480
<v Speaker 8>Uh nice pool?

319
00:16:31.519 --> 00:16:35.720
<v Speaker 4>Huh been in yeah, in out and uh you know

320
00:16:37.320 --> 00:16:38.120
<v Speaker 4>the you want drink?

321
00:16:38.200 --> 00:16:43.200
<v Speaker 8>Uh, not riding anything. Yah, you're having a good time caddle.

322
00:16:43.559 --> 00:16:46.000
<v Speaker 8>Oh swell, just fine.

323
00:16:47.080 --> 00:16:47.799
<v Speaker 4>Uh sit down?

324
00:16:48.600 --> 00:16:50.480
<v Speaker 8>Uh you wanna go and join the party?

325
00:16:50.519 --> 00:16:54.679
<v Speaker 4>No, I'll I'll stay here. Boy, what a set up

326
00:16:55.679 --> 00:16:56.320
<v Speaker 4>at pools?

327
00:16:56.360 --> 00:16:57.279
<v Speaker 8>Is they got me something?

328
00:16:58.120 --> 00:16:58.200
<v Speaker 4>What?

329
00:16:58.919 --> 00:17:01.799
<v Speaker 8>Why did you wanna meet miss one?

330
00:17:02.200 --> 00:17:03.519
<v Speaker 4>Oh? Well, I don't know.

331
00:17:03.879 --> 00:17:04.519
<v Speaker 8>I think you do.

332
00:17:05.160 --> 00:17:05.440
<v Speaker 4>Well.

333
00:17:06.599 --> 00:17:08.640
<v Speaker 2>She looked like the kind of girl a guy wants

334
00:17:08.680 --> 00:17:11.119
<v Speaker 2>to meet, you know what I mean? And uh, we

335
00:17:11.200 --> 00:17:16.319
<v Speaker 2>call that box office out here. Oh are you disappointing?

336
00:17:16.519 --> 00:17:16.960
<v Speaker 4>No?

337
00:17:16.960 --> 00:17:22.039
<v Speaker 2>No, No, I think she's great. She's okay.

338
00:17:23.200 --> 00:17:24.119
<v Speaker 8>Spent much time on it.

339
00:17:24.720 --> 00:17:29.200
<v Speaker 2>Well, there's a lot of people around, friends, photographers all

340
00:17:29.200 --> 00:17:29.599
<v Speaker 2>the time.

341
00:17:30.000 --> 00:17:34.039
<v Speaker 8>But I'm sorry, couple it wasn't such.

342
00:17:33.799 --> 00:17:36.559
<v Speaker 4>A hot idea with this meeting her?

343
00:17:36.960 --> 00:17:37.160
<v Speaker 8>Yeah?

344
00:17:37.279 --> 00:17:37.880
<v Speaker 4>Sure it was?

345
00:17:38.319 --> 00:17:41.920
<v Speaker 2>Yeah, No, listen, wait, Dottle. Guys see those pictures. They

346
00:17:41.920 --> 00:17:43.920
<v Speaker 2>thought I was nuts. They didn't think I had a chance.

347
00:17:44.759 --> 00:17:46.039
<v Speaker 2>What are you going to do for the rest of

348
00:17:46.039 --> 00:17:50.240
<v Speaker 2>your full Oh? I guess after today, I've done just

349
00:17:50.279 --> 00:17:53.480
<v Speaker 2>about everything. I'll go on back up to San Francisco

350
00:17:54.039 --> 00:17:57.920
<v Speaker 2>and meet some of the guys. Uh, hey, will you

351
00:17:58.000 --> 00:17:58.640
<v Speaker 2>do me a favorite?

352
00:17:58.680 --> 00:17:59.079
<v Speaker 4>You bet?

353
00:17:59.160 --> 00:18:01.480
<v Speaker 2>It's way past seven? Will you say good bye to

354
00:18:01.519 --> 00:18:03.640
<v Speaker 2>miss Wood for me? I'll be going now. She's kind

355
00:18:03.640 --> 00:18:05.000
<v Speaker 2>of tied up, and I don't wanna bother her.

356
00:18:05.000 --> 00:18:05.880
<v Speaker 4>Will you thank her for me?

357
00:18:05.960 --> 00:18:06.200
<v Speaker 6>See?

358
00:18:06.319 --> 00:18:08.920
<v Speaker 8>I would want that, Corporal you wait here for a minute.

359
00:18:08.960 --> 00:18:11.079
<v Speaker 8>I'll be right. No, no, listen, really i'd rather know.

360
00:18:11.240 --> 00:18:14.480
<v Speaker 8>But wait, it's better you say goodbye yourself. Will you

361
00:18:14.599 --> 00:18:14.880
<v Speaker 8>do that?

362
00:18:15.799 --> 00:18:25.039
<v Speaker 4>Yeah? Yeah, I guess so well.

363
00:18:25.079 --> 00:18:28.319
<v Speaker 6>I've spent eight hours with him, Leo. Isn't that enough?

364
00:18:28.359 --> 00:18:30.359
<v Speaker 8>I'll bet a buck you haven't been alone with him

365
00:18:30.359 --> 00:18:31.880
<v Speaker 8>for more than half an hour.

366
00:18:31.839 --> 00:18:33.279
<v Speaker 4>Anyhow, he wants to say goodbye.

367
00:18:33.880 --> 00:18:36.519
<v Speaker 8>Oh, he's going, he's had enough enough.

368
00:18:37.279 --> 00:18:39.519
<v Speaker 6>Listen, what do you want me to do? Make love

369
00:18:39.640 --> 00:18:41.039
<v Speaker 6>to him? Glory?

370
00:18:41.519 --> 00:18:42.599
<v Speaker 8>You wanna go out there?

371
00:18:42.680 --> 00:18:44.039
<v Speaker 4>Or shall I say goodbye?

372
00:18:44.079 --> 00:18:47.039
<v Speaker 6>For of course I'll say goodbye to him. Don't be ridiculous.

373
00:18:47.079 --> 00:18:50.039
<v Speaker 8>I knew you'd want. He's by the pool, but that's

374
00:18:50.079 --> 00:18:52.079
<v Speaker 8>if he hasn't thrown himself in by now.

375
00:18:52.160 --> 00:19:03.119
<v Speaker 6>Don't be ridiculous. Leo tells me you're going. I'm so sorry.

376
00:19:03.319 --> 00:19:05.839
<v Speaker 4>Uh, I just wanted to thank you, miss would.

377
00:19:05.680 --> 00:19:07.119
<v Speaker 6>I wish you'd call me Danielle?

378
00:19:07.240 --> 00:19:08.480
<v Speaker 4>Yeah? Thanks?

379
00:19:09.400 --> 00:19:11.880
<v Speaker 6>Really haven't had much of a chance to get acquainted.

380
00:19:11.559 --> 00:19:13.119
<v Speaker 4>Have we. What's been fine?

381
00:19:13.160 --> 00:19:15.160
<v Speaker 6>Perhaps next time you're in Hollywood you'll call.

382
00:19:15.200 --> 00:19:16.319
<v Speaker 4>Me up again. Yeah?

383
00:19:16.359 --> 00:19:19.880
<v Speaker 2>Say, uh those pictures that were taken today.

384
00:19:20.039 --> 00:19:22.359
<v Speaker 3>Course, as soon as they're ready, I'll have my secretary

385
00:19:22.480 --> 00:19:23.279
<v Speaker 3>send 'em to well.

386
00:19:23.319 --> 00:19:27.799
<v Speaker 2>Ih that's it. I if you don't mind, I'd rather

387
00:19:27.880 --> 00:19:28.279
<v Speaker 2>it didn't.

388
00:19:29.079 --> 00:19:33.599
<v Speaker 4>Oh, I I thought you sorry? Right, I changed my mind.

389
00:19:35.039 --> 00:19:38.799
<v Speaker 3>Are you you're angry with me called?

390
00:19:39.000 --> 00:19:43.000
<v Speaker 6>Or aren't you? You haven't enjoyed yourself and it's my fault.

391
00:19:43.079 --> 00:19:45.960
<v Speaker 2>I'm not angry, ma'am. Thanks a lot for your time.

392
00:19:45.960 --> 00:19:48.920
<v Speaker 6>Oh wait a minute, I I don't want you to go. Please,

393
00:19:49.480 --> 00:19:50.359
<v Speaker 6>I wanna talk to you.

394
00:19:51.680 --> 00:19:58.200
<v Speaker 3>Let's go over there under the trees, glory. I love

395
00:19:58.279 --> 00:20:03.839
<v Speaker 3>this time of the evening, don't you. Yeah, I suppose

396
00:20:03.880 --> 00:20:05.599
<v Speaker 3>all this must seem very strange to you.

397
00:20:07.119 --> 00:20:10.240
<v Speaker 6>I mean, unimportant compared to your career as a soldier.

398
00:20:10.400 --> 00:20:13.680
<v Speaker 4>This isn't my career, miss Wood, I was drafted.

399
00:20:14.319 --> 00:20:18.920
<v Speaker 3>Oh well, tell me about yourself.

400
00:20:19.519 --> 00:20:21.960
<v Speaker 2>What did you do before I was a mechanic?

401
00:20:22.440 --> 00:20:25.599
<v Speaker 3>I think that's wonderful. I've never been able to figure

402
00:20:25.599 --> 00:20:26.960
<v Speaker 3>out one end of a car from the other.

403
00:20:29.079 --> 00:20:31.880
<v Speaker 6>You must be very clever, I guess not.

404
00:20:32.119 --> 00:20:38.000
<v Speaker 3>Oh, you're being modest, glory, this is heavenly.

405
00:20:38.279 --> 00:20:39.640
<v Speaker 4>Yeah.

406
00:20:40.200 --> 00:20:42.559
<v Speaker 6>I never did thank you for all the letters you

407
00:20:42.680 --> 00:20:43.319
<v Speaker 6>sent me, did I?

408
00:20:43.440 --> 00:20:44.720
<v Speaker 4>Corporal? Well, you don't have to.

409
00:20:44.880 --> 00:20:46.079
<v Speaker 6>I loved everyone.

410
00:20:46.799 --> 00:20:47.240
<v Speaker 4>That's good.

411
00:20:47.359 --> 00:20:48.039
<v Speaker 9>I really did.

412
00:20:49.640 --> 00:20:51.160
<v Speaker 3>You don't know how much it means to me to

413
00:20:51.200 --> 00:20:55.039
<v Speaker 3>have someone like yourself writing to someone like me, giving

414
00:20:55.079 --> 00:20:56.240
<v Speaker 3>me inspiration.

415
00:20:57.519 --> 00:20:58.599
<v Speaker 6>Did you like the picture I sent?

416
00:20:58.960 --> 00:21:01.599
<v Speaker 4>Yeah?

417
00:21:01.440 --> 00:21:03.519
<v Speaker 6>Am I like you thought I'd be?

418
00:21:05.400 --> 00:21:08.079
<v Speaker 4>No? No, I I don't think so.

419
00:21:09.440 --> 00:21:12.119
<v Speaker 2>What did you expect the way I had seen you

420
00:21:12.160 --> 00:21:12.759
<v Speaker 2>in the movies?

421
00:21:13.720 --> 00:21:13.920
<v Speaker 4>Well?

422
00:21:14.000 --> 00:21:15.519
<v Speaker 6>I don't know whether to be flatter.

423
00:21:15.759 --> 00:21:18.400
<v Speaker 2>Look, Uh, thanks a lot for today, But I.

424
00:21:18.240 --> 00:21:19.759
<v Speaker 4>I really got you really wanna go?

425
00:21:20.400 --> 00:21:22.359
<v Speaker 3>I thought perhaps we could we could go out to

426
00:21:22.440 --> 00:21:24.319
<v Speaker 3>some quiet place and have dinner together.

427
00:21:24.440 --> 00:21:26.880
<v Speaker 4>Well you don't really wanna do that, Miss Wood, but

428
00:21:27.079 --> 00:21:27.680
<v Speaker 4>I do.

429
00:21:29.039 --> 00:21:31.599
<v Speaker 3>I've been just as disappointed as you that we haven't

430
00:21:31.599 --> 00:21:32.880
<v Speaker 3>had a chance to be alone.

431
00:21:33.079 --> 00:21:33.880
<v Speaker 4>I don't think so.

432
00:21:35.039 --> 00:21:35.839
<v Speaker 6>I beg your pardon.

433
00:21:35.880 --> 00:21:39.160
<v Speaker 2>It's not your fault, and I'm not blaming you. It

434
00:21:39.240 --> 00:21:41.119
<v Speaker 2>was crazy of me to think it would be different

435
00:21:41.400 --> 00:21:42.200
<v Speaker 2>than what it's been.

436
00:21:43.519 --> 00:21:46.759
<v Speaker 6>I don't understand you. I'll tell you, Miss Wood.

437
00:21:47.839 --> 00:21:51.160
<v Speaker 2>I guess I'm like any other guy looking for something,

438
00:21:51.240 --> 00:21:54.079
<v Speaker 2>looking for a girl. When I saw you in your

439
00:21:54.119 --> 00:21:57.680
<v Speaker 2>first movie back at Home, you were what I wanted

440
00:21:57.680 --> 00:21:58.119
<v Speaker 2>to find.

441
00:21:59.039 --> 00:22:00.000
<v Speaker 6>That's very sweet.

442
00:22:00.519 --> 00:22:04.799
<v Speaker 2>Look, please don't do that, will you. You haven't said

443
00:22:04.799 --> 00:22:06.880
<v Speaker 2>one word to me the whole time i've been with you.

444
00:22:06.920 --> 00:22:07.799
<v Speaker 6>Ah, can you?

445
00:22:07.799 --> 00:22:10.400
<v Speaker 4>You don't you talk? But it's never to me.

446
00:22:10.599 --> 00:22:13.720
<v Speaker 2>You you kind of sing and and I guess maybe

447
00:22:13.799 --> 00:22:17.000
<v Speaker 2>you're acting or something. Well, just once, i'd like you

448
00:22:17.039 --> 00:22:20.160
<v Speaker 2>to look at me. David Samson, Corporal, talk to me.

449
00:22:21.400 --> 00:22:23.119
<v Speaker 6>I don't understand what you mean.

450
00:22:23.960 --> 00:22:28.240
<v Speaker 3>Yeah, I guess you's a Oh now, I'm not the

451
00:22:28.319 --> 00:22:29.799
<v Speaker 3>kind of girl you want to find.

452
00:22:30.039 --> 00:22:32.240
<v Speaker 4>Well, it's not you. I don't know.

453
00:22:32.920 --> 00:22:37.319
<v Speaker 2>There was something. Well, maybe it's the girls you pretended

454
00:22:37.359 --> 00:22:40.799
<v Speaker 2>to be in your movies. You know, nice, honest girl,

455
00:22:40.839 --> 00:22:43.680
<v Speaker 2>you can have fun with someone you can love all

456
00:22:43.720 --> 00:22:47.200
<v Speaker 2>your life. I guess it. It doesn't really happen like that.

457
00:22:48.480 --> 00:22:49.440
<v Speaker 2>Oh I don't know.

458
00:22:50.880 --> 00:22:52.640
<v Speaker 6>Would you like to kiss me? Carporal?

459
00:22:55.279 --> 00:22:56.519
<v Speaker 4>You don't understand, do you?

460
00:22:57.920 --> 00:22:59.759
<v Speaker 6>I thought you just got through telling me.

461
00:22:59.799 --> 00:23:03.839
<v Speaker 2>You that's what you think I've been telling you, haven't

462
00:23:03.880 --> 00:23:05.839
<v Speaker 2>You would have made a good story for you to

463
00:23:05.880 --> 00:23:08.160
<v Speaker 2>go along with all those pictures you've had taken.

464
00:23:07.960 --> 00:23:08.400
<v Speaker 4>Wouldn't it.

465
00:23:09.079 --> 00:23:09.680
<v Speaker 6>I don't like that.

466
00:23:09.799 --> 00:23:13.000
<v Speaker 4>I'll bet you don't. You know what I think.

467
00:23:13.319 --> 00:23:16.599
<v Speaker 2>I think that Mr Hyler arranged this whole deal. I

468
00:23:16.599 --> 00:23:17.960
<v Speaker 2>think you didn't want any part of it.

469
00:23:18.079 --> 00:23:19.519
<v Speaker 6>I think you'd better go now.

470
00:23:19.559 --> 00:23:23.160
<v Speaker 2>That's just what I've been saying, except I should never

471
00:23:23.240 --> 00:23:28.359
<v Speaker 2>have come. Good bye, so long? Thanks anyway for your time.

472
00:23:30.000 --> 00:23:38.480
<v Speaker 3>Wait a minute, yes, ma'am.

473
00:23:36.400 --> 00:23:37.319
<v Speaker 6>I'm sorry.

474
00:23:37.440 --> 00:23:38.200
<v Speaker 4>Oh that's okay.

475
00:23:39.359 --> 00:23:45.319
<v Speaker 6>I am. You're a nice boy. I wish I could

476
00:23:45.359 --> 00:23:47.880
<v Speaker 6>do something to make you feel better about me.

477
00:23:48.640 --> 00:23:49.200
<v Speaker 4>That's alright.

478
00:23:50.960 --> 00:23:52.400
<v Speaker 6>I don't want you to go away angry.

479
00:23:52.480 --> 00:23:52.920
<v Speaker 4>Well, I'm not.

480
00:23:55.480 --> 00:23:58.200
<v Speaker 6>Would you rather I didn't have our pictures together printed?

481
00:23:59.640 --> 00:24:00.319
<v Speaker 4>Yeah?

482
00:24:00.440 --> 00:24:07.839
<v Speaker 6>I'd rather it won't be I promise, okay. I I

483
00:24:07.880 --> 00:24:09.319
<v Speaker 6>wish you'd take me out to dinner.

484
00:24:10.200 --> 00:24:13.240
<v Speaker 2>Honestly, Well thanks anyway, I I wanna pick up my

485
00:24:13.279 --> 00:24:14.640
<v Speaker 2>things and get back to the airport.

486
00:24:15.440 --> 00:24:17.440
<v Speaker 3>You still got at least a week on your furlough.

487
00:24:17.480 --> 00:24:21.599
<v Speaker 3>I'd like to make you forget about today.

488
00:24:21.880 --> 00:24:28.000
<v Speaker 6>Uh no, well you right to me. I'd love to

489
00:24:28.039 --> 00:24:28.640
<v Speaker 6>hear from you.

490
00:24:28.799 --> 00:24:29.079
<v Speaker 4>Sure.

491
00:24:29.599 --> 00:24:39.640
<v Speaker 11>Oh sure, corporal? Yeah, so long?

492
00:24:48.160 --> 00:24:48.759
<v Speaker 4>What's the matter?

493
00:24:48.839 --> 00:24:50.720
<v Speaker 8>Not hungry?

494
00:24:51.079 --> 00:24:53.519
<v Speaker 4>No, you don't selling anything.

495
00:24:54.720 --> 00:24:56.319
<v Speaker 8>What happened to the corporal.

496
00:24:57.160 --> 00:24:58.640
<v Speaker 6>Shout his way up to San Francisco?

497
00:25:00.880 --> 00:25:01.680
<v Speaker 8>Do you have a good time?

498
00:25:03.160 --> 00:25:04.319
<v Speaker 6>That's not very funny.

499
00:25:04.359 --> 00:25:05.880
<v Speaker 8>I just wondered what your thoughts.

500
00:25:08.119 --> 00:25:14.559
<v Speaker 6>I don't like this place. I don't like you. I

501
00:25:14.559 --> 00:25:20.279
<v Speaker 6>don't like Hollywood, I don't h.

502
00:25:19.519 --> 00:25:20.480
<v Speaker 8>How about yourself?

503
00:25:20.839 --> 00:25:22.079
<v Speaker 6>Oh shut up?

504
00:25:28.960 --> 00:25:29.599
<v Speaker 4>Hey, it's a.

505
00:25:29.559 --> 00:25:31.400
<v Speaker 8>Swell Davy man. What a night?

506
00:25:31.599 --> 00:25:31.839
<v Speaker 4>Yeah?

507
00:25:32.400 --> 00:25:33.440
<v Speaker 8>Uh, and I'll be honest.

508
00:25:33.599 --> 00:25:34.279
<v Speaker 7>Isn't this better?

509
00:25:34.440 --> 00:25:35.079
<v Speaker 8>No kidding?

510
00:25:35.160 --> 00:25:36.440
<v Speaker 4>You heard it? Oh?

511
00:25:36.480 --> 00:25:37.759
<v Speaker 8>I was I glad to see you.

512
00:25:37.839 --> 00:25:40.200
<v Speaker 5>I was saying to the guy's poor Davy, Well he's

513
00:25:40.279 --> 00:25:42.920
<v Speaker 5>gonna miss and now you're not missing a thing. Hey,

514
00:25:43.680 --> 00:25:46.160
<v Speaker 5>it ain't none of my business. But uh, how'd you

515
00:25:46.240 --> 00:25:46.640
<v Speaker 5>make out?

516
00:25:47.039 --> 00:25:47.680
<v Speaker 4>Okay?

517
00:25:47.960 --> 00:25:48.880
<v Speaker 7>Did you get to see her?

518
00:25:49.400 --> 00:25:49.799
<v Speaker 4>Yeah?

519
00:25:49.880 --> 00:25:50.599
<v Speaker 7>You're kidding.

520
00:25:51.039 --> 00:25:54.759
<v Speaker 2>No, kidding on the level. She was real nice. I

521
00:25:54.880 --> 00:25:57.319
<v Speaker 2>met a lot of big stars at lunch at a

522
00:25:57.400 --> 00:25:58.359
<v Speaker 2>real swell plight.

523
00:25:59.480 --> 00:26:00.000
<v Speaker 4>It was great.

524
00:26:00.880 --> 00:26:01.559
<v Speaker 2>What are you know?

525
00:26:02.200 --> 00:26:04.920
<v Speaker 7>And me here, I've been saying she's nothing but a slab.

526
00:26:05.359 --> 00:26:06.279
<v Speaker 7>Just goes to show you.

527
00:26:06.480 --> 00:26:11.200
<v Speaker 4>Yeah, Hey, I'm dry. I'm another beer.

528
00:26:25.519 --> 00:26:29.440
<v Speaker 1>Public Furlough starring Kathy and Elliott Lewis on stage, mister

529
00:26:29.480 --> 00:26:31.680
<v Speaker 1>and missus Lewis will tell you about next week's play.

530
00:26:31.720 --> 00:26:35.200
<v Speaker 1>In just a moment this Saturday night, when two thieves

531
00:26:35.200 --> 00:26:37.680
<v Speaker 1>agree to team up, the result is murder and an

532
00:26:37.720 --> 00:26:40.680
<v Speaker 1>exciting chase by the police, with the old added cherche

533
00:26:40.880 --> 00:26:44.240
<v Speaker 1>La Femme leading Gangbusters to their quarry. It's a true

534
00:26:44.279 --> 00:26:47.319
<v Speaker 1>story of crime and murder in the Southland, dramatized on

535
00:26:47.359 --> 00:26:52.039
<v Speaker 1>the program that names, names, dates and places, CBS Radio's Gangbusters.

536
00:26:52.559 --> 00:26:54.799
<v Speaker 1>Don't miss it this Saturday night on most of these

537
00:26:54.799 --> 00:26:58.480
<v Speaker 1>same stations, and listen for Gangbusters every week at the

538
00:26:58.480 --> 00:27:02.720
<v Speaker 1>Star's address. And now once again Kathy and Elliott Lewis.

539
00:27:09.880 --> 00:27:12.720
<v Speaker 3>And that's how Anthony Ellis took an idea and made

540
00:27:12.759 --> 00:27:13.680
<v Speaker 3>it into a story.

541
00:27:13.759 --> 00:27:15.319
<v Speaker 4>And our thanks to Tony and to.

542
00:27:15.319 --> 00:27:18.839
<v Speaker 3>Her Butterfield, who was the publicity man Leo and Byron Kane,

543
00:27:19.079 --> 00:27:20.119
<v Speaker 3>the busy agent.

544
00:27:19.960 --> 00:27:23.319
<v Speaker 2>And Jerry Housner, who repeated a chore of many years

545
00:27:23.359 --> 00:27:25.119
<v Speaker 2>ago in Being My Army Buddy.

546
00:27:25.519 --> 00:27:28.359
<v Speaker 3>Next Week a very strange love story about two people

547
00:27:28.400 --> 00:27:32.559
<v Speaker 3>who were alone and lost and discovered a very true

548
00:27:32.599 --> 00:27:33.680
<v Speaker 3>thing about themselves.

549
00:27:33.720 --> 00:27:36.519
<v Speaker 2>It's called a Corner of Autumn and it was written

550
00:27:36.559 --> 00:27:39.000
<v Speaker 2>for us by Morton Fine and David Friedkin.

551
00:27:39.200 --> 00:27:41.680
<v Speaker 6>Until next week, then thank you for listening. Good Night,

552
00:27:41.759 --> 00:27:42.200
<v Speaker 6>good night.

553
00:27:56.400 --> 00:27:59.440
<v Speaker 1>Music for tonight's story was composed by Hans Raemheld and

554
00:27:59.559 --> 00:28:01.160
<v Speaker 1>conducted by Lud Gluston.

555
00:28:01.640 --> 00:28:03.880
<v Speaker 7>That Kathy and Elliott theme is by Ray Noble.

556
00:28:04.519 --> 00:28:08.200
<v Speaker 1>Kathy and Elliott Lewis on stage is transcribed and directed.

557
00:28:07.799 --> 00:28:10.599
<v Speaker 4>By mister Lewis. George Walsh speaking

558
00:28:20.839 --> 00:28:24.039
<v Speaker 1>And Remember Here in the American Way, starring Horace Hype,

559
00:28:24.079 --> 00:28:47.359
<v Speaker 1>Thursday nights on the CBS Radio Network