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<v Speaker 1>Hello, everybody.

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<v Speaker 2>It's me Cecily Nobler here with our friend Stephanie Wilder Taylor.

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<v Speaker 1>I like that you called me our friend, our friend, friend,

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<v Speaker 1>friend of the show, friend, friend and lover their lover

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<v Speaker 1>special lady, especially good time.

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<v Speaker 3>I gotta I have to admit.

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<v Speaker 2>Something to you, guys. I was not able to let

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<v Speaker 2>it go. There's a lot of memes about letting things

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<v Speaker 2>go and moving on and block and deleting. I could

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<v Speaker 2>not block and delete, and just like that, I could

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<v Speaker 2>not let it go. I'm having a real hard time

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<v Speaker 2>with one of my favorite shows that I watched like

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<v Speaker 2>every day for twenty years ending like this, not because

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<v Speaker 2>it ended, but the way it ended.

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<v Speaker 3>Well, you know what I'm saying.

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<v Speaker 1>Do you think let me and let me ask you

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<v Speaker 1>this because we have a lot to get to. We

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<v Speaker 1>have a lot of thoughts about yeah, the finale, but

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<v Speaker 1>also just the whole season, and I'm wondering. Okay, So

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<v Speaker 1>when the show first came, we were both excited for it, well.

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<v Speaker 3>Yell my god, yeah, I was over the moon.

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<v Speaker 1>And with the first season, yeah, first season, first season,

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<v Speaker 1>though it became clear, it became clear really quickly that

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<v Speaker 1>it wasn't great.

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<v Speaker 3>Oh yeah, right away.

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<v Speaker 1>First season was Chay right or no? Or was that

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<v Speaker 1>second season?

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<v Speaker 3>No Cha showed up? The first season Jay was in

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<v Speaker 3>two seasons.

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<v Speaker 1>Yeah, okay, so first season we start watching it, We're like, Okay,

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<v Speaker 1>this is really weird. They've introduced a lot of new characters.

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<v Speaker 1>Everybody is being super super And when I say woke,

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<v Speaker 1>you guys who listened to our recaps of this and

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<v Speaker 1>it's probably a lot of the same people. You know,

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<v Speaker 1>I don't mean it as like a person who's like

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<v Speaker 1>anti cancel culture, right. I mean, they just made it

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<v Speaker 1>seem like a joke. They just made it seem like

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<v Speaker 1>they weren't woke and that, you know, like.

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<v Speaker 3>They were making fun.

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<v Speaker 2>It seemed like they were making fun of people that

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<v Speaker 2>are like more liberal. I mean, they were like taking

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<v Speaker 2>the piss. I mean, it was just but it wasn't that.

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<v Speaker 2>That's what it's that's how bad the writing was. It's

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<v Speaker 2>because they were so out of touch. It almost seemed

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<v Speaker 2>like they were like, let's just talk to some like

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<v Speaker 2>seventeen year olds about like what's going on, and then

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<v Speaker 2>we'll make everybody who's in their fifties seem kind of

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<v Speaker 2>pathetically trying to be relevant.

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<v Speaker 1>That's what it felt like, which I took personally because

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<v Speaker 1>I'm that age.

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<v Speaker 3>It was horrible.

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<v Speaker 2>And we found out later just from sort of writer

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<v Speaker 2>room talk, is that Cynthia Nixon had a lot to

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<v Speaker 2>do with some of the shit that we had to

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<v Speaker 2>literally literally watch. Yes, I mean why, I don't know,

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<v Speaker 2>but she seems like very annoying. Somebody said something once,

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<v Speaker 2>Oh they said this on like Instagram threads or something.

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<v Speaker 2>They were like, ps, I voted for Remember when Cynthia

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<v Speaker 2>Nixon ran.

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<v Speaker 3>For up in her knees?

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<v Speaker 2>Yes, yes, and just was pretty out of touch there too,

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<v Speaker 2>And somebody's like I voted for her, and I was

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<v Speaker 2>really trying to go like basically go forward in time

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<v Speaker 2>and stop and just like that. So you're welcome. But

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<v Speaker 2>if she'd won, that wouldn't have never happened. That's what

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<v Speaker 2>I was trying to do.

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<v Speaker 1>That's really really funny.

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<v Speaker 2>Okay, So there have been a lot of little I

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<v Speaker 2>don't like this term, but there have been a lot

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<v Speaker 2>of think pieces yeah, that are kind of hilarious, some

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<v Speaker 2>more than others. So many tiktoks, so many tiktoks of

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<v Speaker 2>people like losing their mind, like just well.

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<v Speaker 1>Because they tried to tell us that Michael Patrick King

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<v Speaker 1>tried to perpetrate that he knew. Yeah, yeah, we always

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<v Speaker 1>knew we planned it this way. Yeah, that's a ticket, right.

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<v Speaker 1>We knew we were ending, you know why, because it

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<v Speaker 1>was just like we'd said everything we need to say.

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<v Speaker 1>That was a lot of That's a lot of his

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<v Speaker 1>pieces his interviews. He's like, yeah, I sat down with

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<v Speaker 1>Sarah and I was like, listen, you know what, love

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<v Speaker 1>the show. It's going really great. Everybody absolutely loves it.

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<v Speaker 1>But I'm just thinking, like, what else is there to do?

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<v Speaker 1>What else is there to say? We've said it all?

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<v Speaker 1>And Sarah said to me, you know what, you're a

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<v Speaker 1>genius and you're so right, So like, yeah, let's end it.

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<v Speaker 1>That never fucking happened one.

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<v Speaker 2>And that's one of the things this guy on TikTok

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<v Speaker 2>was just like, Okay, let's go through the finale. So yeah,

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<v Speaker 2>of course our finale for the whole series. Let's make

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<v Speaker 2>it thirty three minutes. That sounds right, thirty three minutes.

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<v Speaker 2>That's perfect. I mean, just just from that alone, they're like,

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<v Speaker 2>and let's invite a bunch of people that we've never

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<v Speaker 2>met or talked to you. Let's spend most of those

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<v Speaker 2>thirty three minutes with like three terrible people that are

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<v Speaker 2>friends with Brady's baby mama, who's the worst person you've

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<v Speaker 2>ever seen. Let's make most of the episode about that, right,

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<v Speaker 2>thirty three minutes of the series.

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<v Speaker 3>Let's not mention big.

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<v Speaker 1>Also Brady's baby mama, who with the baby that he

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<v Speaker 1>doesn't want to have. So it's not even like a

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<v Speaker 1>character that anybody, even Brady doesn't don't want that character

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<v Speaker 1>on the show, right.

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<v Speaker 2>I mean, it's literally the worst choice. I can't I

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<v Speaker 2>honestly can't think of a worst choice. I can't, aside

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<v Speaker 2>from Chay. I actually think that this person that I

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<v Speaker 2>preferred Chay to this the Ben Stiller daughter. Yeah, honestly,

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<v Speaker 2>that was just horror, but I love I love it.

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<v Speaker 2>I was like, oh, yeah, yeah, this is the ending.

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<v Speaker 2>So okay, I'm going to read to you something and

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<v Speaker 2>then you're going to read to me something.

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<v Speaker 1>Okay.

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<v Speaker 2>This is from a couple of days ago from Slate magazine.

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<v Speaker 2>They did an interview and the name of this is

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<v Speaker 2>an interview with the guy who made the infamous poop.

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<v Speaker 2>Just like that, Oh, this is the guy that made

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<v Speaker 2>the prop. I thought it was the actor, my god,

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<v Speaker 2>that's even funnier. Somehow, it's been the most memed when

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<v Speaker 2>they showed it going down the toilet mm hmm, and

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<v Speaker 2>most horrifying moment of the finale at the Thanksgiving dinner

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<v Speaker 2>when Miranda's toilet.

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<v Speaker 3>We don't need to go through all that, okay, oh

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<v Speaker 3>my god.

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<v Speaker 2>So it has been divisive, No, it has not been

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<v Speaker 2>device Nobody that would.

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<v Speaker 1>Imply that people that some people are like, well, I

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<v Speaker 1>don't know, I loved it.

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<v Speaker 2>I think that this person writing for Slave didn't understand

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<v Speaker 2>because they wrote some fans question whether the scene was

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<v Speaker 2>a fitting farewell. Yeah, we're saying that because it's shit,

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<v Speaker 2>like a shit storm.

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<v Speaker 1>It's horrible. Of course it's not fitting farewell. Nobody, nobody

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<v Speaker 1>thought it was good. This is the problem with pieces

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<v Speaker 1>like this. It's like this is where they try to

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<v Speaker 1>gaslight you into like, well, some people really liked it,

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<v Speaker 1>sorry you, not not just they, but Michael Patrick king right,

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<v Speaker 1>because he defended the scene and told Deadline that Sex

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<v Speaker 1>and the City and then just like that have quote

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<v Speaker 1>always dealt with a lot of relationship shit, and that

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<v Speaker 1>was a manifestation of how shit backs up.

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<v Speaker 2>No, it was not he goes it, shit backs up

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<v Speaker 2>and you have to deal with it.

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<v Speaker 1>What what from a character that is just so ridiculous?

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<v Speaker 1>Oh are you like, oh we're playing we're playing you're

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<v Speaker 1>playing checkers, but we're playing like three D.

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<v Speaker 2>Ch yes, like no, yes, no, that is exactly what

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<v Speaker 2>he's saying. And then they say, we all remember when Charlotte,

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<v Speaker 2>Now you remember from the first movie, the first Sex

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<v Speaker 2>in the City movie, when she kept seed in her pants.

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<v Speaker 2>They went to Mexico and she accidentally drank water. She

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<v Speaker 2>was very careful about not drinking any water, but she

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<v Speaker 2>drank some by accident, somehow shit her pants.

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<v Speaker 3>So they really enjoy that for some reason.

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<v Speaker 2>But the finales close up put the show in unchartered waters,

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<v Speaker 2>and in true Carrie Bradshaw's style, I couldn't help but

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<v Speaker 2>wonder what actually goes into creating a spectacle like this.

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<v Speaker 2>So I tracked down the guy responsible, the prop master,

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<v Speaker 2>Michael Corey is his name.

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<v Speaker 3>I think this is interesting. This is not what I thought,

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<v Speaker 3>but I kind of love it.

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<v Speaker 4>Uh huh.

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<v Speaker 2>Where did you first learn about the poop? Did you

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<v Speaker 2>see it in the script or did someone tap you

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<v Speaker 2>on the shoulder and whisper you need poop, and then

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<v Speaker 2>this is amazing, Michael Corey says, Michael Patrick King is

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<v Speaker 2>very specific.

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<v Speaker 1>Oh it was. I love this.

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<v Speaker 3>So it was a scripted moment. Nobody didn't think it

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<v Speaker 3>was a scripted moment.

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<v Speaker 2>Oh my god.

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<v Speaker 1>We just thought somebody was gonna have to poop on set.

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<v Speaker 1>And they're like, let's use it. Don't flush that. Get cameras, Kara,

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<v Speaker 1>where are it's a hot set.

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<v Speaker 3>It's a hot set.

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<v Speaker 2>What After we get the scripts, we have a meeting

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<v Speaker 2>with all the department heads and we go through the

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<v Speaker 2>episode and I remember the conversation with him about it.

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<v Speaker 2>I remember him talking about how it had to be

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<v Speaker 2>gross and he wanted to see quote unquote floaters.

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<v Speaker 3>Oh so he did this.

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<v Speaker 2>He's just he was just mad at us, right he

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<v Speaker 2>really is?

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<v Speaker 1>This whole That whole episode was a big fuck you

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<v Speaker 1>to the audience.

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<v Speaker 3>Oh my god, what I'm about to say is really gross?

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<v Speaker 3>Should I not?

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<v Speaker 1>No say it?

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<v Speaker 2>So the question was what did you make the poop

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<v Speaker 2>out of? And he said, well, we knew it had

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<v Speaker 2>to be very specific, lactose intolerant cheeseplate disaster type poop.

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<v Speaker 2>The fuck, it's not a thing.

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<v Speaker 3>I can't even read this. It's so gross that I

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<v Speaker 3>honestly I can't. I can't.

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<v Speaker 2>But basically they did something and then the rest he

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<v Speaker 2>mixed in a giant bucket and they made it out

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<v Speaker 2>of brand muffins, vanilla ice cream, oatmeal and chocolate syrup

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<v Speaker 2>and water and yogurt.

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<v Speaker 1>You're making it sound a lot better than it looks.

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<v Speaker 3>Oh, then there's a picture of it.

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<v Speaker 1>Oh.

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<v Speaker 2>I didn't even say I didn't see it in real

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<v Speaker 2>time because I looked away.

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<v Speaker 3>So now I've seen it.

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<v Speaker 2>Oh, who was involved in selecting the poop? Did you

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<v Speaker 2>have to present Michael Patrick King with different options for

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<v Speaker 2>him to choose from. This is the type of stuff

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<v Speaker 2>that Michael Patrick King loves. He writes it so it's

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<v Speaker 2>in his head and he gets a delight out of

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<v Speaker 2>awkward moments and putting people in uncomfortable positions for the

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<v Speaker 2>sake of humor. So I mixed one bucket and I

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<v Speaker 2>showed it to him and he loved it.

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<v Speaker 3>Then I mixed two giant buckets which were brought to set.

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<v Speaker 2>This person sounds a little special themselves if your eye,

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<v Speaker 2>I mean really, you know.

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<v Speaker 1>It's interesting though that might they're making Michael Patrick King

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<v Speaker 1>sound so just juvenile and like it's and not understanding

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<v Speaker 1>or being in touch with any of the reasons why

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<v Speaker 1>everybody hated the show, Like what so three seasons of

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<v Speaker 1>that and now they're trying to shift blame and go, well,

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<v Speaker 1>that's that's on the audience if they didn't like it.

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<v Speaker 3>Right exactly, that's exactly what they're doing.

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<v Speaker 2>And he says, sort of in conclusion, I think they said, well,

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<v Speaker 2>you know, is this a metaphor? That was the question, like,

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<v Speaker 2>is this like a metaphor for the shit show?

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<v Speaker 1>Did that?

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<v Speaker 3>Does that hurt your feelings?

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<v Speaker 2>And he said no, I love working on this show,

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<v Speaker 2>and I love everyone involved, and it's such an institution

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<v Speaker 2>that people have attached their own feelings to it.

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<v Speaker 3>I don't know what he's talking about there.

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<v Speaker 2>I moved to New York at the height of Sex

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<v Speaker 2>and the City, so you should hate it even more.

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<v Speaker 2>But a lot of people have been just like that,

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<v Speaker 2>have been working since the original. So he's just saying,

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<v Speaker 2>it's all one big family.

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<v Speaker 1>It's nobody can admit that it was just really, really bad.

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<v Speaker 1>And I do blame Michael Patrick King. Now you had something.

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<v Speaker 1>I have a couple of things. Yeah, there's more here.

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<v Speaker 1>I have I think let's see, I think I have

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<v Speaker 1>here the and just like that, EPs defend series finale

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<v Speaker 1>after backlash reveal who knew the show was ending? Okay,

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<v Speaker 1>so it says the team behind and just like that,

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<v Speaker 1>defending is defending the controversial series finale despite not First

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<v Speaker 1>of all, let me just inject that the whole thing

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<v Speaker 1>was bad. The whole the whole season was terrible. It

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<v Speaker 1>wasn't just the finale was maybe the worst because it

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<v Speaker 1>was crazy that it was a finale and that they

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<v Speaker 1>even had the nerve to call it that when nothing

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<v Speaker 1>really got wrapped up. But it's defend your whole fucking

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<v Speaker 1>season people, right, Okay, So despite not knowing ahead of

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<v Speaker 1>time that the show is ending, executive producers, Oh, these

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<v Speaker 1>people should not have let themselves be interviewed. Julie Reetenberg

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<v Speaker 1>and Elisa Zuritsky addressed the blash from viewers after Carrie

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<v Speaker 1>Sarah Jessica Parker was shown embracing the next chapter of

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<v Speaker 1>her life solo in the finale, Oh my God, as

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<v Speaker 1>though she chose that right right. Of all the possible

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<v Speaker 1>endings of all the three seasons, this one definitely rings

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<v Speaker 1>the most true for me. Zuritsky told tv line, Oh

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<v Speaker 1>my god, really, oh that really just it rang true

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<v Speaker 1>for me. It's like, oh, like sometimes you just have

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<v Speaker 1>to be alone. Oh that's so fucking original.

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<v Speaker 2>Even though she went through the whole thing of like, yeah,

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<v Speaker 2>I didn't work with Aiden, but I really like stayed

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<v Speaker 2>with that to the end. And I really hope Duncan

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<v Speaker 2>would come back, but he never even called me, so

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<v Speaker 2>I guess I'll be alone for eight minutes.

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<v Speaker 3>Yeah, go to this Japanese It was never even like

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<v Speaker 3>something she chose.

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<v Speaker 1>Oh my god, these people are smelling their own farts,

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<v Speaker 1>Zuritsky told tv Line. As a fan of the show

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<v Speaker 1>and as a fifty something woman in the world, I

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<v Speaker 1>think it's sort of extra poignant and feels authentic to

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<v Speaker 1>Carrie's character that she would reach this moment. Oh do

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<v Speaker 1>you Oh, you think that's so authentic.

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<v Speaker 3>Yeah.

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<v Speaker 1>Zarinsky, who worked on the original Sex and the City

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<v Speaker 1>alongside Rottenberg, defended and just like that's vision for Carrie

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<v Speaker 1>to stay single. Hold on, please got to pop up

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<v Speaker 1>ad quote. Carrie has metabolized her grief of being widowed,

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<v Speaker 1>really has she? You know, that's so interesting that I

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<v Speaker 1>wish we could have seen the process of that, except

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<v Speaker 1>that you never fucking mentioned Big one time in the

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<v Speaker 1>entire three seasons, right, never once. No, she's gone back

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<v Speaker 1>in a real way to relationship land, she continued, What

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<v Speaker 1>are they? What is this person talking about?

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<v Speaker 2>She was like a total zombie with one guy. I

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<v Speaker 2>don't see how that's that's the opposite. She's like, you know,

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<v Speaker 2>I'm not coming back. That was really fun to bang you, Carrie.

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<v Speaker 2>I tried all season and I goult you. That's wonderful, goodbye.

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<v Speaker 3>Yeah.

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<v Speaker 2>And then she's like, well, I was really hoping he

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<v Speaker 2>would call, but he didn't. So I guess the show's ending.

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<v Speaker 2>Now we have how long thirty three minutes? Well, I

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<v Speaker 2>guess I'm going to be alone.

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<v Speaker 4>What she's a fuck?

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<v Speaker 1>She's decided that she'd rather be on her own than

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<v Speaker 1>in a not ideal partnership.

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<v Speaker 2>No, she hasn't decided that. She never made that decision.

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<v Speaker 2>She made the opposite of that decision. She decided to

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<v Speaker 2>break up with Aiden, that's true. But then she thought

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<v Speaker 2>she had a crush on She was going to a

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00:14:23.799 --> 00:14:27.960
<v Speaker 2>monkey bar into Duncan, monkey Bard, from Big to Aiden,

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00:14:28.039 --> 00:14:31.399
<v Speaker 2>she monkey Bard back to from Big to Aiden, back

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<v Speaker 2>and forth.

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<v Speaker 3>And immediately to burger. And I'm not even saying there's

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<v Speaker 3>nothing wrong with.

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<v Speaker 2>It, But if she'd actually had a choice, if they

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<v Speaker 2>if they had thirty minutes where they really freaking talked

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<v Speaker 2>about that and explored that idea of like.

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<v Speaker 3>Maybe I'm just okay as me or whatever.

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<v Speaker 2>Oh my god, we didn't even talk about like the

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<v Speaker 2>woman stuff and her dumb ass book, you.

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<v Speaker 1>Know, were you know what they could have done that

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<v Speaker 1>you and I would have liked. What if Duncan was

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<v Speaker 1>like Carrie, like this has been incredible, and you know,

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<v Speaker 1>I'm I'm I think I'm in love with you even yeah,

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<v Speaker 1>and then she said and then she and he's like yeah,

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<v Speaker 1>and I'm gonna I want you to move to London.

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<v Speaker 3>And then she's like no, I mean, listen, I gotta

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<v Speaker 3>say something.

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<v Speaker 2>I don't often talk about this, but I can relate

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00:15:16.519 --> 00:15:19.080
<v Speaker 2>to that, you know what I'm saying, Yeah, And I

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00:15:19.120 --> 00:15:23.039
<v Speaker 2>can relate to the storyline. And that's a choice, that's

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00:15:23.039 --> 00:15:25.679
<v Speaker 2>a choice like that would be interesting. I mean, not

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00:15:25.720 --> 00:15:27.960
<v Speaker 2>a lot of people can relate to like moving to

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<v Speaker 2>London with Duncan, but I can. And it's kind you're saying,

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00:15:33.279 --> 00:15:35.519
<v Speaker 2>I mean, it's kind of insane and I literally was

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<v Speaker 2>in this exact position and it's interesting, And I was like, no,

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00:15:39.600 --> 00:15:41.840
<v Speaker 2>I think I need to like work on myself. Something's

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00:15:42.000 --> 00:15:44.519
<v Speaker 2>not healed in me. I'm not doing great and this

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00:15:44.639 --> 00:15:46.840
<v Speaker 2>isn't feeling right. So I'm not going to just chase

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<v Speaker 2>to the next guy, which is the thing I always.

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00:15:48.960 --> 00:15:49.960
<v Speaker 3>Do, just like Carrie.

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<v Speaker 2>So I that would have been interesting. But that's exactly

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<v Speaker 2>not what happened. He just never called.

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00:15:56.720 --> 00:15:59.120
<v Speaker 1>No, he didn't call. He told her sorry, I'm not

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00:15:59.279 --> 00:16:01.919
<v Speaker 1>I am moving and I'm leaving, and she was like.

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00:16:01.639 --> 00:16:03.320
<v Speaker 3>I'm not coming back. It's no interest in her.

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00:16:03.399 --> 00:16:06.120
<v Speaker 1>No, and she admitted that she thought maybe that would

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00:16:06.120 --> 00:16:08.879
<v Speaker 1>be the thing. So none of this And everybody in

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00:16:09.000 --> 00:16:15.279
<v Speaker 1>actual storytelling knows that your protagonist has to things can't

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00:16:15.480 --> 00:16:19.120
<v Speaker 1>happen to the protagonists. The protagonist to wrap things up

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00:16:19.159 --> 00:16:22.600
<v Speaker 1>for has to resolve things on their own. Yes, they

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00:16:22.639 --> 00:16:26.399
<v Speaker 1>have to act, they have to do something active. Yes

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<v Speaker 1>it can't. So then it says, okay, so blah blah blah.

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00:16:31.559 --> 00:16:33.399
<v Speaker 1>She's decided she'd rather be on her own than in

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00:16:33.399 --> 00:16:36.799
<v Speaker 1>a not ideal partnership, and like so many women we know,

347
00:16:37.399 --> 00:16:39.759
<v Speaker 1>are really quite happy in their own space and their

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00:16:39.799 --> 00:16:44.279
<v Speaker 1>own home and their own friendships. Okay, yes that is true.

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<v Speaker 1>I had her, but that's not her and that's not

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00:16:46.799 --> 00:16:50.320
<v Speaker 1>what happened. She didn't make that change. No, she did

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00:16:50.360 --> 00:16:53.840
<v Speaker 1>not make that change. So then then it says Zuritsky

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<v Speaker 1>encouraged fans to give the finale, which was crafted by

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00:16:57.879 --> 00:17:04.400
<v Speaker 1>showrunner Michael Patrick King an EP Susan Fowls Hill a chance. Quote.

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<v Speaker 1>I feel really gratified that that's the grace note for now.

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00:17:08.240 --> 00:17:11.839
<v Speaker 1>That feels really full and fully realize. Yeah, girl, I

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00:17:11.839 --> 00:17:14.519
<v Speaker 1>hope you never get another job in TV. And like

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<v Speaker 1>a happy person living a happy life and a grateful

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<v Speaker 1>person in the world. You look at her other jobs

359
00:17:20.720 --> 00:17:25.240
<v Speaker 1>that she created for herself. Quote, it feels ultimately gratifying.

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00:17:25.599 --> 00:17:27.519
<v Speaker 1>And I can't say we've seen a ton of that

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00:17:27.640 --> 00:17:31.160
<v Speaker 1>in movies and television, So I feel like it's kind

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<v Speaker 1>of a beautiful punctuation mark to a life well lived.

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<v Speaker 1>What kind of fucking drugs are you taking? Okay Rottenberg. Meanwhile,

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00:17:40.519 --> 00:17:44.240
<v Speaker 1>this is the other person called Carrie's journey quote the

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00:17:44.279 --> 00:17:48.359
<v Speaker 1>most honest way to end the series? Are these people?

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<v Speaker 1>What the I can't believe this article. I can't believe

367
00:17:52.039 --> 00:17:55.640
<v Speaker 1>nobody laughed while they were interviewing these women. Quote. I

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00:17:55.680 --> 00:17:58.279
<v Speaker 1>think the strength was leaving her in a moment where

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<v Speaker 1>she says, quote might not be another man for me,

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00:18:02.440 --> 00:18:05.119
<v Speaker 1>and I'm okay with that. I think that's what we

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00:18:05.279 --> 00:18:08.519
<v Speaker 1>responded to, and that's what we felt like the clearest

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<v Speaker 1>way to end, maybe the cleanest way to end. She explained,

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<v Speaker 1>It's not a tragedy. She's got a pretty freaking great life,

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00:18:15.480 --> 00:18:17.839
<v Speaker 1>and she has these friends, and we felt like we

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00:18:17.839 --> 00:18:20.319
<v Speaker 1>were leaving her in a good place. And by the way,

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00:18:20.400 --> 00:18:23.400
<v Speaker 1>what I think is really funny is they left everybody

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00:18:23.400 --> 00:18:26.200
<v Speaker 1>coupled up but her, right. Well, that was.

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00:18:26.279 --> 00:18:27.000
<v Speaker 3>Kind of interesting.

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00:18:27.279 --> 00:18:29.279
<v Speaker 2>It would have been interesting if that had been her choice,

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00:18:29.400 --> 00:18:31.400
<v Speaker 2>like you said, if she turned down the guy and

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00:18:31.519 --> 00:18:33.759
<v Speaker 2>was like, you know, I'd rather it's not quite right,

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00:18:33.960 --> 00:18:37.200
<v Speaker 2>I'd rather just not And then she's like walks alone.

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00:18:37.240 --> 00:18:41.480
<v Speaker 1>That's interesting, Yeah, except that that's not really how it happened,

384
00:18:41.480 --> 00:18:43.640
<v Speaker 1>because she was bummed that there's no guys.

385
00:18:43.880 --> 00:18:44.599
<v Speaker 3>She's super bummed.

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00:18:44.640 --> 00:18:46.279
<v Speaker 2>She's like, yeah, I don't know, I'm like kind of

387
00:18:46.279 --> 00:18:48.680
<v Speaker 2>lost right now because like didn't work out with this guy,

388
00:18:48.799 --> 00:18:51.799
<v Speaker 2>none of this. And I thought Duncan would call and anyway,

389
00:18:51.880 --> 00:18:52.480
<v Speaker 2>that's the end.

390
00:18:52.359 --> 00:18:52.839
<v Speaker 3>Of the show.

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00:18:53.039 --> 00:18:57.279
<v Speaker 2>Up shit, literal shit. Yeah, so, Sarah Jessica Parker, may

392
00:18:57.839 --> 00:18:58.599
<v Speaker 2>do you have something else?

393
00:18:58.720 --> 00:19:01.079
<v Speaker 1>I have a little bit more, Yeah, so, it says.

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00:19:01.119 --> 00:19:04.519
<v Speaker 1>Earlier this month, Michael Patrick King confirmed that the that

395
00:19:04.559 --> 00:19:07.640
<v Speaker 1>it wouldn't return for a fourth season. The news came

396
00:19:07.680 --> 00:19:10.960
<v Speaker 1>as a shock to fans and apparently to the show's writers.

397
00:19:11.400 --> 00:19:15.000
<v Speaker 1>Quote Michael is obviously his own person, and he has

398
00:19:15.039 --> 00:19:19.839
<v Speaker 1>his own instrument. You know this is Ritzky talking. Oh

399
00:19:19.880 --> 00:19:23.279
<v Speaker 1>my god, I hope she listens to this. No, I don't.

400
00:19:23.440 --> 00:19:28.640
<v Speaker 1>Yeh listen girl, you do you? But come on. Quote

401
00:19:29.240 --> 00:19:32.240
<v Speaker 1>we're brought on a lot, We're brought in on a

402
00:19:32.279 --> 00:19:35.200
<v Speaker 1>lot of it and then not. So I feel like

403
00:19:35.240 --> 00:19:39.119
<v Speaker 1>he had a method to his Timeline. Rottenberg also weighed

404
00:19:39.160 --> 00:19:41.920
<v Speaker 1>in on why Carrie, Miranda, and Charlotte didn't share a

405
00:19:41.960 --> 00:19:45.440
<v Speaker 1>scene together in the finale, which she called quote a

406
00:19:45.480 --> 00:19:46.920
<v Speaker 1>Michael Patrick King question.

407
00:19:48.480 --> 00:19:49.960
<v Speaker 2>Oh that's hilarious.

408
00:19:50.079 --> 00:19:53.400
<v Speaker 1>Quote, Oh my god. I think the idea is that

409
00:19:53.480 --> 00:19:56.960
<v Speaker 1>the whole series is based on the strength of those friendships.

410
00:19:57.359 --> 00:20:00.000
<v Speaker 1>I can't I love how she's trying to dig herself

411
00:20:00.119 --> 00:20:03.000
<v Speaker 1>out of this or so, even if you're not in

412
00:20:03.000 --> 00:20:06.640
<v Speaker 1>the same room we have those bonds and we feel

413
00:20:06.720 --> 00:20:10.480
<v Speaker 1>the support and strength of those friendships. She detailed, quote,

414
00:20:10.880 --> 00:20:13.319
<v Speaker 1>I think that the feeling was that those bonds are

415
00:20:13.359 --> 00:20:17.240
<v Speaker 1>stronger than anything, and they're there even when they're not there.

416
00:20:17.440 --> 00:20:21.279
<v Speaker 2>Those friends, right, they didn't get to be together, No,

417
00:20:21.519 --> 00:20:25.079
<v Speaker 2>but but Joy, who we just met, Joy gets to

418
00:20:25.119 --> 00:20:28.039
<v Speaker 2>be gets to wrap her arms around Miranda with shit

419
00:20:28.200 --> 00:20:29.000
<v Speaker 2>on her gloves.

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00:20:29.319 --> 00:20:30.759
<v Speaker 3>Yes, that we get.

421
00:20:31.759 --> 00:20:35.440
<v Speaker 1>And then it says despite the overwhelmingly mixed response to

422
00:20:35.480 --> 00:20:39.319
<v Speaker 1>the finale, Rodog and Zuritsky are glad the show started

423
00:20:39.359 --> 00:20:43.039
<v Speaker 1>conversations quote, I think it speaks to the fact that

424
00:20:43.119 --> 00:20:46.079
<v Speaker 1>no one wants to say goodbye to Carrie Bradshaw. No,

425
00:20:46.480 --> 00:20:48.000
<v Speaker 1>we don't want to say goodbye to her, and not

426
00:20:48.119 --> 00:20:52.440
<v Speaker 1>in this way. Right, we share that the bittersweet moment

427
00:20:52.519 --> 00:20:54.559
<v Speaker 1>of seeing her and knowing she's not going to be

428
00:20:54.599 --> 00:20:58.400
<v Speaker 1>around every Thursday night at nine pm, She continued, We

429
00:20:58.440 --> 00:21:00.720
<v Speaker 1>should have been worried if there weren't a cacophony of

430
00:21:00.759 --> 00:21:03.759
<v Speaker 1>responses to the fact that this was the end. We

431
00:21:03.880 --> 00:21:06.480
<v Speaker 1>know better than anyone you can't please all the people

432
00:21:06.519 --> 00:21:08.839
<v Speaker 1>all the time, but we felt like we had to

433
00:21:08.839 --> 00:21:11.400
<v Speaker 1>do right by them and leave all of those characters

434
00:21:11.400 --> 00:21:13.839
<v Speaker 1>in a good place and then say adieu.

435
00:21:14.759 --> 00:21:17.119
<v Speaker 3>Oh my god, Well let me let me play I have.

436
00:21:17.319 --> 00:21:20.960
<v Speaker 1>One little more thing, because we have time. Zuritski has

437
00:21:20.960 --> 00:21:23.799
<v Speaker 1>found herself stepping away from the Internet to avoid the

438
00:21:23.799 --> 00:21:27.400
<v Speaker 1>negative comments surrounding the end of and just like that quote,

439
00:21:27.720 --> 00:21:30.759
<v Speaker 1>sometimes it will surprise me and stun me and sort

440
00:21:30.799 --> 00:21:32.799
<v Speaker 1>of wake me up a little bit when I interact

441
00:21:32.839 --> 00:21:34.799
<v Speaker 1>with the world of people who I see face to

442
00:21:34.839 --> 00:21:37.440
<v Speaker 1>face in life, a lot of whom are not on

443
00:21:37.519 --> 00:21:40.559
<v Speaker 1>the same algorithms that I'm on, who are really quite

444
00:21:40.640 --> 00:21:44.319
<v Speaker 1>passionate about loving the show and actually having no idea.

445
00:21:44.960 --> 00:21:48.200
<v Speaker 1>She added quote, all they know is these beloved characters

446
00:21:48.240 --> 00:21:50.680
<v Speaker 1>are back, and they're really happy to see them again.

447
00:21:51.240 --> 00:21:54.400
<v Speaker 1>Oh my god. So basically, you're like, you know, what's

448
00:21:54.480 --> 00:21:58.400
<v Speaker 1>funny is like all these just online people, they're not real.

449
00:21:58.680 --> 00:22:00.960
<v Speaker 1>When you actually talk to people in real life, they

450
00:22:01.119 --> 00:22:05.200
<v Speaker 1>love it. How can you be writing this season and

451
00:22:05.279 --> 00:22:07.240
<v Speaker 1>not know it's shitty? How can you not know?

452
00:22:07.960 --> 00:22:11.160
<v Speaker 2>Well, they know it's shitty. They know it's shitty, that's

453
00:22:11.200 --> 00:22:14.079
<v Speaker 2>for sure. I have to read. I have to play

454
00:22:14.119 --> 00:22:16.400
<v Speaker 2>this for you. Okay, please let me play this.

455
00:22:16.480 --> 00:22:16.839
<v Speaker 1>Okay.

456
00:22:17.039 --> 00:22:21.160
<v Speaker 2>This is Sarah Jessica Parker from her own Instagram account.

457
00:22:21.319 --> 00:22:23.720
<v Speaker 2>Now what you You're gonna hear it, obviously, but you're

458
00:22:23.720 --> 00:22:26.480
<v Speaker 2>not going to see it. And it's just clips from

459
00:22:27.039 --> 00:22:31.240
<v Speaker 2>the show throughout the last twenty twenty five years. Okay, okay,

460
00:22:31.400 --> 00:22:33.519
<v Speaker 2>So that's what you're seeing her with Big, her, with

461
00:22:33.559 --> 00:22:36.160
<v Speaker 2>different things, just all the old things. Here we go,

462
00:22:37.599 --> 00:22:39.960
<v Speaker 2>all the way up, get ready.

463
00:22:42.920 --> 00:22:48.720
<v Speaker 5>Cross streets, avenues, grub of couns. So it seemed she

464
00:22:48.799 --> 00:22:58.880
<v Speaker 5>broke hearts, heels, habits. She loved, lost one, stripped, leaped.

465
00:22:59.400 --> 00:23:01.079
<v Speaker 3>Fell, Sure, this is so long?

466
00:23:02.720 --> 00:23:04.720
<v Speaker 4>She aged that wiser.

467
00:23:05.759 --> 00:23:11.480
<v Speaker 5>She has made the hardest, worst and best decisions, wuffled

468
00:23:11.559 --> 00:23:17.119
<v Speaker 5>near and far for the new, the vintage friends.

469
00:23:17.559 --> 00:23:26.440
<v Speaker 3>She herself It's worse her shoes, hair, but.

470
00:23:26.640 --> 00:23:28.920
<v Speaker 4>Never her love and devotion to New York City.

471
00:23:29.920 --> 00:23:36.000
<v Speaker 5>She had dates, drinks, boyfriends, a husband, and truly great

472
00:23:36.119 --> 00:23:37.160
<v Speaker 5>loves and romans.

473
00:23:37.400 --> 00:23:39.599
<v Speaker 3>Mainess is driving me killed calves.

474
00:23:40.000 --> 00:23:42.680
<v Speaker 4>She ran and heels and danced.

475
00:23:42.359 --> 00:23:43.839
<v Speaker 3>With Stanford Sanford.

476
00:23:44.079 --> 00:23:46.359
<v Speaker 4>Yeah, told the truth and she lied.

477
00:23:47.319 --> 00:23:54.559
<v Speaker 5>She typed, wondered, wrote, published.

478
00:23:54.039 --> 00:23:54.799
<v Speaker 1>When did she agree?

479
00:23:55.079 --> 00:23:56.960
<v Speaker 4>Stood up, stood.

480
00:23:56.960 --> 00:23:58.400
<v Speaker 3>Guests for Big, stood out.

481
00:23:59.720 --> 00:24:03.079
<v Speaker 4>She voted herself to hats, books, shoes.

482
00:24:03.559 --> 00:24:05.880
<v Speaker 3>She said she was already and the promise.

483
00:24:05.519 --> 00:24:08.799
<v Speaker 5>Of the new day in her beloved city, and the

484
00:24:08.839 --> 00:24:10.640
<v Speaker 5>people she treasured most.

485
00:24:11.680 --> 00:24:13.759
<v Speaker 1>Who wrote this for her, Michael Patrick King.

486
00:24:14.799 --> 00:24:21.039
<v Speaker 5>Honor Optimism and literally countless dresses, skirts and two tooths

487
00:24:21.960 --> 00:24:28.200
<v Speaker 5>held on too hands hopes, and the very best of people. Miranda,

488
00:24:28.519 --> 00:24:32.359
<v Speaker 5>Samantha and Charlotte. There will never be better friends.

489
00:24:32.519 --> 00:24:33.160
<v Speaker 3>Oh my god.

490
00:24:33.319 --> 00:24:36.480
<v Speaker 4>And what great fortune for Carrie to come to Noah.

491
00:24:36.200 --> 00:24:42.960
<v Speaker 5>Love, Seema and empty, what most divine connections? Oh my god,

492
00:24:43.279 --> 00:24:49.680
<v Speaker 5>Ratcha has dominated my professional heartbeat for twenty seven years.

493
00:24:49.960 --> 00:24:53.599
<v Speaker 4>I think I have loved her most of all.

494
00:24:54.880 --> 00:24:55.519
<v Speaker 3>Oh my god.

495
00:24:56.000 --> 00:24:58.799
<v Speaker 2>Okay, first of all, that was like fifteen minutes. That's

496
00:24:59.119 --> 00:25:01.880
<v Speaker 2>that was so long. So she clearly like wrote that.

497
00:25:01.920 --> 00:25:04.279
<v Speaker 2>And it's not even well put together like the montage.

498
00:25:04.279 --> 00:25:06.519
<v Speaker 2>It doesn't really it kind of doesn't flow very well.

499
00:25:06.920 --> 00:25:08.640
<v Speaker 2>And she obviously did it like she did it in

500
00:25:08.680 --> 00:25:09.960
<v Speaker 2>a sound booth, and it's they didn't.

501
00:25:09.960 --> 00:25:12.880
<v Speaker 3>It's very poppy. It's very smacky, you know what I mean.

502
00:25:12.880 --> 00:25:15.240
<v Speaker 2>It's like she's reading her audiobook and it's very like

503
00:25:16.720 --> 00:25:17.440
<v Speaker 2>I did not like that.

504
00:25:18.839 --> 00:25:20.359
<v Speaker 1>Is this from a book about it?

505
00:25:20.559 --> 00:25:21.000
<v Speaker 3>No?

506
00:25:21.000 --> 00:25:22.880
<v Speaker 2>No, I don't know. It doesn't say here let me

507
00:25:22.880 --> 00:25:24.599
<v Speaker 2>see what it says. But she she put that up

508
00:25:24.599 --> 00:25:26.720
<v Speaker 2>and everyone's like, oh girl, I'm crying.

509
00:25:26.960 --> 00:25:27.759
<v Speaker 3>No, I'm not crying.

510
00:25:27.799 --> 00:25:30.680
<v Speaker 2>You're crying. There's a lot of that in the comments. No,

511
00:25:30.839 --> 00:25:34.160
<v Speaker 2>let's see what she said. She she she writes, I

512
00:25:34.240 --> 00:25:38.799
<v Speaker 2>cried making this words by the one and only Sarah

513
00:25:38.880 --> 00:25:39.680
<v Speaker 2>Jessica Parker.

514
00:25:39.759 --> 00:25:40.680
<v Speaker 1>So she wrote it.

515
00:25:42.559 --> 00:25:44.759
<v Speaker 3>Well, then put a little of that in the finale

516
00:25:44.839 --> 00:25:46.039
<v Speaker 3>that you didn't know you were doing.

517
00:25:46.400 --> 00:25:48.839
<v Speaker 2>If that, I mean, if why couldn't Sarah look at

518
00:25:48.839 --> 00:25:50.279
<v Speaker 2>that and go, wait, this can't be the finite.

519
00:25:50.279 --> 00:25:52.599
<v Speaker 3>We can't do this. We can't. Don't you think that?

520
00:25:52.720 --> 00:25:52.799
<v Speaker 5>Like?

521
00:25:53.119 --> 00:25:54.960
<v Speaker 2>Oh, she says, she never watches the show, so there

522
00:25:55.039 --> 00:25:59.920
<v Speaker 2>was no dailies. She didn't do anything right. Whatever you're all, let.

523
00:25:59.880 --> 00:26:03.119
<v Speaker 1>Me read you something, which is basically Sarah Jessica Parker's

524
00:26:03.160 --> 00:26:06.440
<v Speaker 1>message to the and just like that, hate watchers, Oh

525
00:26:06.599 --> 00:26:10.319
<v Speaker 1>fuck off, I really don't care. So over the course

526
00:26:10.359 --> 00:26:14.960
<v Speaker 1>of the show's three seasons, and just like that, fans

527
00:26:15.000 --> 00:26:17.759
<v Speaker 1>more from diehard Sex and the City lovers to hate

528
00:26:17.759 --> 00:26:20.240
<v Speaker 1>watchers who tuned in every week just to make fun

529
00:26:20.279 --> 00:26:25.200
<v Speaker 1>of Carrie's absurd outfits or Charlotte's lackluster storylines. Now that

530
00:26:25.240 --> 00:26:27.519
<v Speaker 1>the show has officially come to an end, Sarah Jessica

531
00:26:27.559 --> 00:26:30.640
<v Speaker 1>Parker has a message for the hate watchers. Hint she

532
00:26:30.680 --> 00:26:34.359
<v Speaker 1>couldn't care less. Quote. I don't think I have the

533
00:26:34.400 --> 00:26:37.559
<v Speaker 1>constitution to have spent a lot of time thinking about that,

534
00:26:38.119 --> 00:26:40.119
<v Speaker 1>she told The New York Times when asked about the

535
00:26:40.119 --> 00:26:44.359
<v Speaker 1>hate watching phenomenon. Quote, we always worked incredibly hard to

536
00:26:44.400 --> 00:26:47.240
<v Speaker 1>tell stories that we're interesting or real. I guess I

537
00:26:47.319 --> 00:26:49.720
<v Speaker 1>don't really care. And the reason I don't care is

538
00:26:49.759 --> 00:26:53.799
<v Speaker 1>because it's been so enormously successful and the connections it's

539
00:26:53.839 --> 00:26:57.319
<v Speaker 1>made with audiences have been very meaningful. And then this

540
00:26:57.440 --> 00:27:01.000
<v Speaker 1>author wrote touche. Show runner Michael Patrick King had a

541
00:27:01.039 --> 00:27:04.519
<v Speaker 1>slightly different take on the just like that hate Watchers

542
00:27:05.000 --> 00:27:08.240
<v Speaker 1>when asked about in a separate interview with Entertainment Weekly,

543
00:27:09.039 --> 00:27:13.160
<v Speaker 1>calling the show the press pinata, Michael seemed to understand

544
00:27:13.160 --> 00:27:17.279
<v Speaker 1>that even hate Of course, this is an article in Cosmo,

545
00:27:17.880 --> 00:27:21.400
<v Speaker 1>and they called they said hate waters instead of watchers.

546
00:27:21.920 --> 00:27:23.559
<v Speaker 1>Is it really that hard to spell? Time?

547
00:27:23.599 --> 00:27:25.960
<v Speaker 3>I'm telling you it seems to be. Yeah, the hate waters.

548
00:27:26.000 --> 00:27:28.720
<v Speaker 1>We're having fun. It's like a party game, he said.

549
00:27:29.000 --> 00:27:33.319
<v Speaker 1>But he added that feeling isn't necessarily represent representative of

550
00:27:33.359 --> 00:27:39.000
<v Speaker 1>the entire fandom. It pretty much is if everybody hates

551
00:27:39.039 --> 00:27:42.559
<v Speaker 1>you on every article and all the reddit, like do

552
00:27:42.599 --> 00:27:46.880
<v Speaker 1>you where are all the people that love it? It? There's

553
00:27:46.960 --> 00:27:50.000
<v Speaker 1>a whole other experience besides the tip of the iceberg,

554
00:27:50.240 --> 00:27:53.079
<v Speaker 1>which is the clap back and the fun and the

555
00:27:54.039 --> 00:27:59.880
<v Speaker 1>what's that hat about? He continued, there's what's that hat about?

556
00:28:00.359 --> 00:28:04.400
<v Speaker 1>And the more oh, breach, and what we're more interested

557
00:28:04.440 --> 00:28:09.440
<v Speaker 1>in is what's that part about? And that's the show.

558
00:28:09.519 --> 00:28:13.920
<v Speaker 1>It's both those things. Oh my god, this guy. And

559
00:28:13.960 --> 00:28:16.359
<v Speaker 1>he's right because now that in just like that has

560
00:28:16.359 --> 00:28:18.759
<v Speaker 1>officially ended. Whether you were a hate watcher or a

561
00:28:18.799 --> 00:28:22.480
<v Speaker 1>tried and true fan, you're left asking yourself the same question,

562
00:28:22.640 --> 00:28:24.720
<v Speaker 1>well what am I going to watch? Now? Who cares?

563
00:28:24.759 --> 00:28:28.079
<v Speaker 2>That's just that's just so. I mean, she's so And

564
00:28:28.160 --> 00:28:30.160
<v Speaker 2>let me remind you guys one more time. As you know,

565
00:28:30.559 --> 00:28:33.200
<v Speaker 2>I was a very big fan, like Stephanie loved it too,

566
00:28:33.200 --> 00:28:35.839
<v Speaker 2>but I was like a mega like I'm like a

567
00:28:36.039 --> 00:28:38.200
<v Speaker 2>savant Sex and the City stuff.

568
00:28:38.279 --> 00:28:39.559
<v Speaker 1>Yeah, absolutely, I mean I.

569
00:28:39.519 --> 00:28:41.359
<v Speaker 3>Know my shit, and so I'm a huge fan.

570
00:28:41.759 --> 00:28:45.519
<v Speaker 2>And I saw with my own eyes how mean Sarah

571
00:28:45.559 --> 00:28:48.759
<v Speaker 2>Jessica Parker was to a fan. I saw it with

572
00:28:48.799 --> 00:28:51.640
<v Speaker 2>my friend who usually tells me I'm being like sensitive

573
00:28:51.680 --> 00:28:53.559
<v Speaker 2>or I've made it up, and he saw it. He's like,

574
00:28:53.559 --> 00:28:57.680
<v Speaker 2>oh I saw I witness Witness. It was insane. She

575
00:28:57.839 --> 00:29:00.640
<v Speaker 2>was talking to people outside at a Hollywood highland at

576
00:29:00.640 --> 00:29:01.200
<v Speaker 2>a premiere.

577
00:29:01.240 --> 00:29:03.599
<v Speaker 3>Everybody was on the steps talking. It wasn't even her movie.

578
00:29:03.759 --> 00:29:06.160
<v Speaker 2>It was her Matthew Broderick had a small part in

579
00:29:06.200 --> 00:29:08.240
<v Speaker 2>this dumb movie and it wasn't very good.

580
00:29:08.240 --> 00:29:10.720
<v Speaker 3>I don't remember the movie. We're all outside and somebody

581
00:29:10.759 --> 00:29:12.839
<v Speaker 3>just came up and they're like, I'm so sorry, Carrie Bradshaw.

582
00:29:12.839 --> 00:29:14.279
<v Speaker 2>I'm just I love I know that's not you're not

583
00:29:14.319 --> 00:29:16.000
<v Speaker 2>here about jaw, but I'm just like such a fan.

584
00:29:16.240 --> 00:29:18.160
<v Speaker 2>And she turned and she goes, I am in a

585
00:29:18.200 --> 00:29:22.680
<v Speaker 2>conversation right now. Yeah, this is in front of like loud,

586
00:29:22.759 --> 00:29:25.000
<v Speaker 2>in front of press. I mean, I'll never stop telling

587
00:29:25.000 --> 00:29:28.440
<v Speaker 2>that story because it happened. Yeah. She's charming and very intelligent.

588
00:29:28.880 --> 00:29:32.440
<v Speaker 2>She's interesting to listen to in interviews, like she's smart,

589
00:29:32.759 --> 00:29:34.240
<v Speaker 2>but she's also a cous.

590
00:29:34.160 --> 00:29:36.559
<v Speaker 1>Yeah, I'm going to leave. I'm going to leave you

591
00:29:36.599 --> 00:29:42.400
<v Speaker 1>from from for me with this. A Candace Bushnell reposted

592
00:29:42.400 --> 00:29:43.160
<v Speaker 1>to the author.

593
00:29:43.200 --> 00:29:46.160
<v Speaker 3>If you don't know an author of Yeah Sex and

594
00:29:46.200 --> 00:29:46.519
<v Speaker 3>the City.

595
00:29:46.759 --> 00:29:50.559
<v Speaker 1>Yes, it's so, there's a picture of Carrie, and then

596
00:29:50.599 --> 00:29:55.000
<v Speaker 1>it says POV finding out in real time that Carrie

597
00:29:55.039 --> 00:29:58.400
<v Speaker 1>Bradshaw was based on a real woman, Candace Bushnell.

598
00:29:58.480 --> 00:29:58.799
<v Speaker 3>Yeah.

599
00:29:58.839 --> 00:30:01.319
<v Speaker 1>In nineteen ninety four, she started her Sex and the

600
00:30:01.359 --> 00:30:04.480
<v Speaker 1>City column in The New York Observer. It was raw,

601
00:30:04.640 --> 00:30:07.799
<v Speaker 1>funny and brutally honest about New York's dating scene. I

602
00:30:07.880 --> 00:30:12.519
<v Speaker 1>think martinis, messy men, and Manhattan apartments. Her own friends

603
00:30:12.519 --> 00:30:15.960
<v Speaker 1>and lovers became the inspiration for Carrie's crew, and she

604
00:30:16.079 --> 00:30:19.039
<v Speaker 1>famously said she was writing for women like herself who

605
00:30:19.079 --> 00:30:24.839
<v Speaker 1>didn't see their lives reflected in glossy magazines. Those essays

606
00:30:24.880 --> 00:30:28.559
<v Speaker 1>turned into Sex and the City and the Kicker. On Instagram,

607
00:30:28.640 --> 00:30:33.200
<v Speaker 1>she only follows Kim Katrel. What aw we.

608
00:30:33.240 --> 00:30:34.680
<v Speaker 3>Should have led with that?

609
00:30:35.160 --> 00:30:35.599
<v Speaker 1>All right?

610
00:30:35.799 --> 00:30:37.599
<v Speaker 3>It gave me literal chills.

611
00:30:38.039 --> 00:30:40.200
<v Speaker 2>I did not, I swear to god. Oh my god.

612
00:30:40.240 --> 00:30:42.039
<v Speaker 2>I hope people are still listening to this because I

613
00:30:42.799 --> 00:30:46.279
<v Speaker 2>made them listen to the shit conversation for so long.

614
00:30:46.400 --> 00:30:50.200
<v Speaker 2>But I mean, oh my god, that's the best. That

615
00:30:50.519 --> 00:30:53.960
<v Speaker 2>gives me so much joy. Kim Katrel, you are listening

616
00:30:53.960 --> 00:30:55.640
<v Speaker 2>to this show, and I know that you're not, but

617
00:30:55.759 --> 00:30:58.680
<v Speaker 2>maybe you are Maybe you're scatting. Maybe she's scatting and

618
00:30:58.720 --> 00:31:06.240
<v Speaker 2>listening now she likes a scat We love you and

619
00:31:06.519 --> 00:31:08.680
<v Speaker 2>I look. I loved Carrie on the show too. I

620
00:31:08.720 --> 00:31:11.599
<v Speaker 2>loved I loved the show. The only person I actually

621
00:31:11.599 --> 00:31:13.680
<v Speaker 2>didn't like seeing on the show was Charlotte because I

622
00:31:13.720 --> 00:31:15.960
<v Speaker 2>just didn't understand how they would actually be friends with her.

623
00:31:16.160 --> 00:31:18.160
<v Speaker 3>Yeah, it just didn't totally make sense.

624
00:31:18.440 --> 00:31:22.240
<v Speaker 2>Great, But that said, I'm so happy that Kim Control

625
00:31:22.359 --> 00:31:24.680
<v Speaker 2>really did get She really had to wait like three

626
00:31:24.720 --> 00:31:27.519
<v Speaker 2>years to kind of get an exhale here. Not that

627
00:31:27.599 --> 00:31:29.920
<v Speaker 2>she was waiting, she was working. She's been on a

628
00:31:29.920 --> 00:31:32.119
<v Speaker 2>bunch of shows and stuff. She's you know, she's fine.

629
00:31:32.200 --> 00:31:35.599
<v Speaker 1>Well, remember after the finale, she had posted something about

630
00:31:35.640 --> 00:31:37.680
<v Speaker 1>like the end very long week.

631
00:31:37.960 --> 00:31:40.440
<v Speaker 2>Yes, yeah, she posted a picture of sunset and she's like, yeah,

632
00:31:40.480 --> 00:31:43.319
<v Speaker 2>the finally the end to a very long Yeah. And

633
00:31:43.359 --> 00:31:45.680
<v Speaker 2>it was a little winky shade. Everyone loved that. Yes,

634
00:31:46.119 --> 00:31:47.680
<v Speaker 2>I mean, who knows what she meant, But I did

635
00:31:47.720 --> 00:31:50.160
<v Speaker 2>not know that. Candice just followed her, and let's hope

636
00:31:50.160 --> 00:31:53.559
<v Speaker 2>she writes something for her. Maybe she'll like do she's leaving.

637
00:31:53.640 --> 00:31:58.119
<v Speaker 2>She wants Samantha out, though she doesn't want some like him,

638
00:31:58.160 --> 00:32:02.400
<v Speaker 2>does not want to be Samantha anymore. There's no spin off. Yeah,

639
00:32:02.599 --> 00:32:05.160
<v Speaker 2>people would watch it though I would for sure.

640
00:32:06.279 --> 00:32:08.519
<v Speaker 1>All Right, everybody, hope you will leave you with.

641
00:32:08.519 --> 00:32:13.920
<v Speaker 3>An Ah, but Dobby do me. Ah, but Dobby do me. Bye.

642
00:32:14.480 --> 00:32:16.079
<v Speaker 3>Thanks for listening by
