1
00:00:00,320 --> 00:00:02,560
Speaker 1: That is catchy as hell. I love that. That is easy.

2
00:00:02,720 --> 00:00:05,519
The band is Barren Keismo. We'll talk to the guys

3
00:00:05,559 --> 00:00:07,280
in a moment, see if I'm saying that correctly. But

4
00:00:07,320 --> 00:00:10,480
welcome everybody. We have entered our number two New Maridos

5
00:00:10,480 --> 00:00:13,960
of Matt Connorton unleashed. If you are listening live today

6
00:00:14,039 --> 00:00:18,079
is Saturday, December sixth, twenty twenty five. Welcome everybody, and

7
00:00:18,320 --> 00:00:20,320
let's go ahead. So these guys are joining me. I

8
00:00:20,320 --> 00:00:23,000
think we might have the whole band via Microsoft teams.

9
00:00:23,559 --> 00:00:26,440
Let's see, hopefully everybody can hear each other. Hey, guys,

10
00:00:26,480 --> 00:00:31,679
are you there? Hello, Hey, welcome, so welcome to the show.

11
00:00:31,960 --> 00:00:34,039
I love that song easy. That is so good. We're

12
00:00:34,039 --> 00:00:35,880
gonna We're gonna play another track too at the end

13
00:00:35,880 --> 00:00:38,359
of our conversation. But you guys have a great sound,

14
00:00:38,479 --> 00:00:42,079
very very catchy. First question my saying, how do you

15
00:00:42,119 --> 00:00:51,679
say the name of the band Barnol but dash for pronunciation.

16
00:00:51,840 --> 00:00:55,840
It's Spanish, Okay, okay, So barren Keismo, I'm kind of

17
00:00:55,840 --> 00:00:57,840
saying it sort of correct with.

18
00:01:00,159 --> 00:01:01,520
Speaker 2: You're a senec right the way.

19
00:01:01,399 --> 00:01:03,600
Speaker 1: The American accent.

20
00:01:05,000 --> 00:01:05,799
Speaker 3: As it were.

21
00:01:06,280 --> 00:01:08,159
Speaker 1: Okay, So who do we have do we have the

22
00:01:08,280 --> 00:01:13,680
entire band here, did I say? Can I go? I

23
00:01:13,760 --> 00:01:15,359
just I just heard a tone? Do I have somebody else?

24
00:01:15,480 --> 00:01:21,040
I have somebody else joining us? Hang on? There we go. Okay,

25
00:01:21,040 --> 00:01:23,599
so there's someone else entering the room. So I think

26
00:01:23,599 --> 00:01:25,280
now we might have the whole band. Do we have

27
00:01:25,280 --> 00:01:25,840
the whole band?

28
00:01:26,040 --> 00:01:26,400
Speaker 4: Hello?

29
00:01:27,239 --> 00:01:30,439
Speaker 1: Hey, welcome, welcome to the show. All right, so we'll

30
00:01:30,519 --> 00:01:33,000
we'll do this. I know we can't see each other,

31
00:01:33,040 --> 00:01:34,959
but we'll do this as smoothly as we can, or

32
00:01:35,159 --> 00:01:38,040
maybe one of you can introduce everybody, But who who

33
00:01:38,120 --> 00:01:40,480
is with us? Who is actually in the band. I'd

34
00:01:40,599 --> 00:01:43,280
like to know your names and and what you each

35
00:01:43,359 --> 00:01:44,760
do in this project.

36
00:01:46,840 --> 00:01:49,000
Speaker 2: Hi. So I'm I'm Sam. I'm Sammy T.

37
00:01:49,400 --> 00:01:54,480
Speaker 5: And I am the kind of single bassist from Man

38
00:01:54,640 --> 00:01:58,359
of the group. And I'm one of the two of

39
00:01:58,400 --> 00:02:01,040
the original Mambos. One of the other original members is

40
00:02:01,799 --> 00:02:05,400
our lead guitarist Joe. And then you've got our drummall

41
00:02:06,000 --> 00:02:07,879
Nay and our losin guitarist.

42
00:02:08,360 --> 00:02:10,879
Speaker 1: He told me, Okay, okay, so there's four of you

43
00:02:10,960 --> 00:02:15,879
in the band. Yeah, So, so tell me about tell

44
00:02:15,879 --> 00:02:19,479
me about how this band started, because this started as

45
00:02:19,560 --> 00:02:22,159
as just two of you, right and then and then

46
00:02:22,159 --> 00:02:24,599
it kind of grew from there, but it started out

47
00:02:24,639 --> 00:02:25,759
almost like just a duo.

48
00:02:28,120 --> 00:02:30,400
Speaker 5: Yeah, so me, me and Joe and you have known

49
00:02:30,439 --> 00:02:33,759
each other since we were about fifteen sixteen, okay, and

50
00:02:33,919 --> 00:02:37,560
we you see, and a definite man. But I got

51
00:02:37,759 --> 00:02:40,000
I got kicked out in the first rehearsal.

52
00:02:40,680 --> 00:02:45,479
Speaker 2: Oh went yeah. Yeah, so the two of you after.

53
00:02:45,319 --> 00:02:48,800
Speaker 1: That things So, so the two of you, I don't

54
00:02:48,800 --> 00:02:51,280
want to uh, I don't want to bury the lead here.

55
00:02:51,360 --> 00:02:53,599
So so the two of you, you would you were

56
00:02:53,599 --> 00:02:56,879
in this other band and then you got kicked out? Yeah,

57
00:02:57,560 --> 00:02:59,199
can you tell us why?

58
00:03:00,520 --> 00:03:02,039
Speaker 2: I think I was just that I was too good?

59
00:03:02,199 --> 00:03:03,159
It must have been too good.

60
00:03:03,280 --> 00:03:07,120
Speaker 1: That's a good reason. There you go, there you go.

61
00:03:07,479 --> 00:03:10,360
So that happened. When did that happen in twenty or

62
00:03:10,439 --> 00:03:10,919
twenty one?

63
00:03:12,240 --> 00:03:14,000
Speaker 2: That would have been twenty one, twenty.

64
00:03:13,759 --> 00:03:16,199
Speaker 1: One, okay, And then so from there, so then so

65
00:03:16,240 --> 00:03:19,919
then the two of you started this project at that point.

66
00:03:21,319 --> 00:03:26,080
Speaker 5: Yeah, it started quite casually. I mean we would just

67
00:03:26,120 --> 00:03:28,639
go over to each other's how she's and just kind

68
00:03:28,639 --> 00:03:32,599
of jam and play music and yeah, not just kind

69
00:03:32,599 --> 00:03:36,120
of do general kind of music stuff. And we just

70
00:03:36,159 --> 00:03:38,159
kind of kept doing that for a couple of years

71
00:03:38,919 --> 00:03:42,000
and then we've obviously ended up going to university and

72
00:03:42,360 --> 00:03:46,199
that's where we've met. Told me and Nate as of

73
00:03:46,240 --> 00:03:47,479
the start of last year.

74
00:03:47,960 --> 00:03:49,360
Speaker 2: Okay, they jump back.

75
00:03:50,280 --> 00:03:52,680
Speaker 5: Okay, there was at least about two or three years

76
00:03:52,919 --> 00:03:55,960
where it was just me and Joe writing music and

77
00:03:56,000 --> 00:04:00,479
performing just the two of us before we came full band.

78
00:04:01,000 --> 00:04:02,960
Speaker 1: Now, when it was just the two of you, When

79
00:04:03,039 --> 00:04:05,639
when it was just you guys, Sam and Joe, was

80
00:04:06,319 --> 00:04:08,479
did you already have the name at that point? Like,

81
00:04:08,560 --> 00:04:12,000
were we already whoa, I think somebody's got a fog

82
00:04:12,039 --> 00:04:18,639
horn or something there we go? Was was it just

83
00:04:18,839 --> 00:04:23,040
uh technology, what was it Baron Casema at that point?

84
00:04:23,279 --> 00:04:25,240
Or or what were what were you guys using for

85
00:04:25,240 --> 00:04:25,600
a name?

86
00:04:26,920 --> 00:04:28,879
Speaker 5: Yeah, we came We came up with the name pretty

87
00:04:28,920 --> 00:04:34,439
early on. It must have been about about like five

88
00:04:34,560 --> 00:04:37,199
or six months into me and Joe just write music

89
00:04:37,199 --> 00:04:40,279
with each other. Yeah, that we came up with the name.

90
00:04:41,160 --> 00:04:43,120
And then she kind of she kind of went with it,

91
00:04:43,240 --> 00:04:45,360
and okay, the name.

92
00:04:45,560 --> 00:04:47,360
Speaker 1: And then so where does the name come from? Why

93
00:04:47,360 --> 00:04:48,519
did you decide on that name?

94
00:04:50,519 --> 00:04:53,639
Speaker 5: So, I mean coming up with a band name as

95
00:04:54,319 --> 00:04:56,680
honestly like the worst part of being in the band,

96
00:05:00,279 --> 00:05:02,600
try to get people to agree on like one name

97
00:05:02,639 --> 00:05:06,079
that they all likes more difficult.

98
00:05:05,879 --> 00:05:08,279
Speaker 1: I know, and I know from experience that that that

99
00:05:08,319 --> 00:05:09,160
can be challenging.

100
00:05:09,240 --> 00:05:14,439
Speaker 5: Yeah, absolutely, it's harder than anything else for some reason.

101
00:05:14,480 --> 00:05:16,879
But we were just kind of struggling to come up

102
00:05:16,879 --> 00:05:19,600
with something that we liked. And then, if you have

103
00:05:19,920 --> 00:05:22,240
you ever heard that kind of cliche, kind of like

104
00:05:22,560 --> 00:05:26,079
advice of if you're if you're struggling for inspiration, just

105
00:05:26,120 --> 00:05:29,040
pick out a book, slip to a random page, and

106
00:05:29,040 --> 00:05:32,199
then pick up word. So I went into my dad's

107
00:05:33,399 --> 00:05:37,680
kind of bookshelf, picked out this book about breathing exercises,

108
00:05:37,879 --> 00:05:40,199
and then the page that we landed on just so

109
00:05:40,279 --> 00:05:45,240
happened to be talking about Baron Kismo. So we thought

110
00:05:45,279 --> 00:05:47,279
that was a cool name for a band, and just

111
00:05:47,360 --> 00:05:48,319
kind of went with it.

112
00:05:49,279 --> 00:05:50,399
Speaker 2: Because because.

113
00:05:52,040 --> 00:05:54,839
Speaker 1: Do you happen to remember any of the rejected I

114
00:05:54,879 --> 00:05:57,319
love hearing about rejected band names. Do you remember any

115
00:05:57,319 --> 00:05:59,600
of any other names that you considered that you decided

116
00:05:59,600 --> 00:06:00,199
not to go with?

117
00:06:02,160 --> 00:06:03,600
Speaker 5: Yeah, there was there was a There was a name

118
00:06:03,639 --> 00:06:06,079
that I came up with that I still really like,

119
00:06:07,000 --> 00:06:09,879
but nobody else seems to like it. Polysonic. That was

120
00:06:09,959 --> 00:06:13,800
that was one that I came up with. But apart

121
00:06:13,800 --> 00:06:17,399
from that, I can't really remember any other names. We

122
00:06:17,399 --> 00:06:19,279
should have wrote them down somewhere, because I'm sure there

123
00:06:19,279 --> 00:06:22,040
would have been some absolute bultles, But I know that's

124
00:06:22,040 --> 00:06:24,920
the only one I can remember is Polysonic, and I

125
00:06:25,000 --> 00:06:28,079
quite I quite like that name because it means ly's

126
00:06:28,399 --> 00:06:31,720
it's a kind of different way of saying many sounds, okay.

127
00:06:32,079 --> 00:06:35,759
I think is a good way of describing our music.

128
00:06:36,920 --> 00:06:39,759
Speaker 1: By the way, So Joe is saying in the chat room,

129
00:06:39,759 --> 00:06:42,680
because we're doing this via Microsoft teams, that he can't

130
00:06:43,079 --> 00:06:45,759
he can't hear us. He has no audio and it's

131
00:06:45,839 --> 00:06:49,160
showing on my screen. It looks like it looks like

132
00:06:49,199 --> 00:06:51,199
something is muted on his end. I don't know, Joe,

133
00:06:51,240 --> 00:06:52,600
I don't know if you still can't hear us.

134
00:06:52,720 --> 00:06:55,600
Speaker 2: Yes, I'm pretty sure his microphones muting.

135
00:06:56,079 --> 00:06:59,360
Speaker 1: Yeah, something's it's it's not anything I can change here.

136
00:06:59,399 --> 00:07:02,319
It looks like it's it's on his end. But but

137
00:07:02,360 --> 00:07:05,319
that's that's all right. We'll uh, we'll we'll continue on, certainly.

138
00:07:06,439 --> 00:07:08,439
And then so I'm curious too about the EP. So

139
00:07:08,519 --> 00:07:09,720
what does the EP?

140
00:07:09,920 --> 00:07:09,959
Speaker 6: Is?

141
00:07:10,000 --> 00:07:13,360
Speaker 1: Great? I really like it a lot. It's I listened

142
00:07:13,360 --> 00:07:14,720
to the whole thing, not you know, I mean it's

143
00:07:14,920 --> 00:07:19,560
only five tracks, but really good work, smoothly lifetime piece.

144
00:07:19,600 --> 00:07:20,680
What does that title mean?

145
00:07:24,079 --> 00:07:25,720
Speaker 2: Your your guess is as good as mine?

146
00:07:28,240 --> 00:07:30,000
Speaker 1: Or does or does anyone else who's on the call

147
00:07:30,040 --> 00:07:31,519
with us? Do any of you guys have have a

148
00:07:31,879 --> 00:07:33,720
have an answer for that? Like where where does that

149
00:07:33,759 --> 00:07:35,839
title come from? Because it sounds like something that there's

150
00:07:35,879 --> 00:07:37,759
gonna be gott to be some sort of a deep

151
00:07:37,800 --> 00:07:39,480
meaning too, But I don't know, Maybe it just sounds

152
00:07:39,519 --> 00:07:42,000
good sometimes that's the answer. But does anyone want to

153
00:07:42,439 --> 00:07:43,120
address that.

154
00:07:44,079 --> 00:07:45,920
Speaker 7: A deep meaning behind it as much? But there is

155
00:07:45,959 --> 00:07:47,759
a bit of a story about how we got to

156
00:07:47,959 --> 00:07:48,319
that to.

157
00:07:48,319 --> 00:07:50,560
Speaker 3: You, oh okay and sit back.

158
00:07:50,639 --> 00:07:52,879
Speaker 7: Last year also, the big group of pals kind of

159
00:07:52,879 --> 00:07:54,959
did this whole thing. We're got put in groups and

160
00:07:54,959 --> 00:07:57,399
got sent to different parts of school, and the aim

161
00:07:57,480 --> 00:07:59,199
us to do about the tasks and get back to

162
00:07:59,480 --> 00:08:01,519
where we stay first, and he'll go back first, wins

163
00:08:01,600 --> 00:08:04,600
kind of thing. Right along the way, Joe and Sammon

164
00:08:04,639 --> 00:08:06,439
and a team with someone else and they got stopped

165
00:08:06,439 --> 00:08:08,279
by this person dressed up as like a bit of

166
00:08:08,399 --> 00:08:11,639
monk I think it was, and gating this card and

167
00:08:11,639 --> 00:08:13,720
this brace is like pay me what you think it's worth.

168
00:08:14,199 --> 00:08:16,439
Very big is like scamm We get don in glasgowing

169
00:08:16,560 --> 00:08:19,240
up and Sam paid for this stuff. And one things

170
00:08:19,319 --> 00:08:21,759
was this little yell card which is on the album cover,

171
00:08:22,279 --> 00:08:23,959
which has works been we life take piece on it,

172
00:08:24,000 --> 00:08:25,639
and ever since that day was kept kind of saying

173
00:08:25,680 --> 00:08:28,600
it and eventually right screws his name EP after it.

174
00:08:28,639 --> 00:08:32,080
Speaker 1: You know, yeah, yeah, no, that's cool. I mean, you know,

175
00:08:32,080 --> 00:08:34,799
maybe it's kind of fate that that's you know, that

176
00:08:34,600 --> 00:08:38,720
that be what it's called, so so exactly.

177
00:08:38,919 --> 00:08:42,519
Speaker 5: The Buddhist monk that got me to pay for the

178
00:08:42,879 --> 00:08:46,000
the amula, he actually told me that I was very lucky,

179
00:08:46,440 --> 00:08:48,840
which is the type of thing that that a monk

180
00:08:48,840 --> 00:08:52,679
would say. But I think I've got to thank him

181
00:08:52,720 --> 00:08:56,960
for for the inspiration of this of this EPE because

182
00:08:56,960 --> 00:09:00,480
I love the name and I love the cover, yeah,

183
00:09:00,879 --> 00:09:03,799
all of the story as well, because there was actually

184
00:09:04,519 --> 00:09:07,320
on on that that plaque that you see that kind

185
00:09:07,320 --> 00:09:10,159
of like amult I'm holding on the cover.

186
00:09:11,120 --> 00:09:14,360
Speaker 2: It became quite new toys in Glasgow for for.

187
00:09:14,440 --> 00:09:18,440
Speaker 5: Being known as like a scam that people come up

188
00:09:18,440 --> 00:09:21,960
to you and try and like give you that kind

189
00:09:21,960 --> 00:09:25,799
of like the kind of charm amulet or whatever and

190
00:09:25,840 --> 00:09:26,440
they ask.

191
00:09:26,279 --> 00:09:26,960
Speaker 2: You for money.

192
00:09:27,679 --> 00:09:29,559
Speaker 1: Oh you read like.

193
00:09:29,519 --> 00:09:33,240
Speaker 5: The NOC like the local kind of Glasgow newspapers. There's

194
00:09:33,279 --> 00:09:36,240
actually quite a few articles about like people coming up

195
00:09:36,279 --> 00:09:40,879
to you and trying to give you those little those

196
00:09:40,879 --> 00:09:41,600
little cards.

197
00:09:41,759 --> 00:09:44,559
Speaker 1: Oh interesting, So it's kind of so it's kind of

198
00:09:44,559 --> 00:09:47,320
an open secret though that it's a scam. But but obviously,

199
00:09:47,399 --> 00:09:49,840
so like who do they target with a scam like that?

200
00:09:49,960 --> 00:09:52,879
Is it? Is it tourists or because obviously you guys

201
00:09:53,120 --> 00:09:55,120
you know the deal, right, so you're not going to

202
00:09:55,159 --> 00:10:01,759
be fooled by that. What's that said?

203
00:10:01,759 --> 00:10:04,279
Speaker 7: That again, if you just give them any attention, I

204
00:10:04,279 --> 00:10:05,279
think they'll go for you.

205
00:10:05,320 --> 00:10:11,039
Speaker 1: Oh really yeah? Yeah? And can you tell us more

206
00:10:11,039 --> 00:10:13,360
too about the song easy? Like I said, it's very

207
00:10:13,440 --> 00:10:16,200
very catchy, uh, but if you kind of dig into

208
00:10:16,200 --> 00:10:18,200
the lyrics, it seems like there's something there's a little

209
00:10:18,200 --> 00:10:20,799
bit of a darker theme there, which is always interesting.

210
00:10:20,840 --> 00:10:22,559
You know, when you can make something that sounds it

211
00:10:22,600 --> 00:10:24,879
sounds peppy, it sounds happy and almost like a like

212
00:10:24,919 --> 00:10:25,639
a party song.

213
00:10:26,159 --> 00:10:26,279
Speaker 8: Uh.

214
00:10:26,440 --> 00:10:28,120
Speaker 1: But but then you you know, you kind of dig

215
00:10:28,120 --> 00:10:30,279
in and you really pay attention and it's like that

216
00:10:30,279 --> 00:10:32,600
that's not necessarily what the song is about. Like, what

217
00:10:32,600 --> 00:10:33,720
what can you tell us about that?

218
00:10:36,039 --> 00:10:38,120
Speaker 2: I would, I would say, like when I was like, no,

219
00:10:38,919 --> 00:10:44,159
that's one to kind of have the kind of main thing.

220
00:10:47,159 --> 00:10:49,879
Speaker 5: I don't way share action, but like you know, everybody's

221
00:10:49,960 --> 00:10:52,399
kind of got advice or something that they just like

222
00:10:53,159 --> 00:10:54,679
they always they always go back to.

223
00:10:54,720 --> 00:10:56,399
Speaker 2: It's almost like that an easy thing that they have

224
00:10:56,440 --> 00:10:57,000
in the life.

225
00:10:57,240 --> 00:11:00,679
Speaker 5: Yeah, they know, isn't isn't the bay, you know, like

226
00:11:00,759 --> 00:11:03,799
they they know it's not one hundred percent then, but

227
00:11:04,240 --> 00:11:06,720
it's just it's so easy to gravitate towards.

228
00:11:06,879 --> 00:11:08,440
Speaker 2: So I wanted to write a song.

229
00:11:08,360 --> 00:11:12,960
Speaker 5: About that, okay, but at the time I thought it

230
00:11:13,000 --> 00:11:14,799
was quite a blushing the message, do you know what

231
00:11:14,840 --> 00:11:15,120
I mean?

232
00:11:15,120 --> 00:11:17,200
Speaker 2: It's like if you if you want to make a

233
00:11:17,279 --> 00:11:17,960
change in your life.

234
00:11:18,000 --> 00:11:19,639
Speaker 5: Like what I was wanting to try and say is

235
00:11:19,679 --> 00:11:21,600
that if you want to make a change in your life,

236
00:11:21,639 --> 00:11:24,519
that's up to you. You can you can rectify what

237
00:11:24,600 --> 00:11:29,679
you have you have set out to do, you know, right, right,

238
00:11:30,919 --> 00:11:32,480
But yeah, I would, I would say that the kind

239
00:11:32,519 --> 00:11:36,960
of main semat of it is you know, that kind

240
00:11:36,960 --> 00:11:40,679
of you know battle that people have inside the head

241
00:11:40,759 --> 00:11:43,120
between like the part of them they're saying, oh, that

242
00:11:43,279 --> 00:11:45,879
isn't maybe not the best idea, and then that kind

243
00:11:45,879 --> 00:11:49,000
of other more like what would you say, kind of

244
00:11:49,600 --> 00:11:51,440
darker part of your brain that's like, no, you should

245
00:11:51,440 --> 00:11:54,679
just like just given just whatever you want.

246
00:11:54,720 --> 00:11:55,519
Speaker 2: It doesn't really matter.

247
00:11:55,759 --> 00:11:57,879
Speaker 1: Yeah. Yeah, it's kind of like that. You know, we

248
00:11:57,960 --> 00:12:00,440
all have that that devil and that angel that you

249
00:12:00,480 --> 00:12:03,720
know they sent on our shoulders and trying to point

250
00:12:03,799 --> 00:12:04,960
us in one direction or the other.

251
00:12:05,759 --> 00:12:09,039
Speaker 2: Yeah, exactly, no, exactly.

252
00:12:09,279 --> 00:12:11,879
Speaker 1: And that did that song. So I read something about

253
00:12:11,879 --> 00:12:13,639
that song came out of a like you guys were

254
00:12:13,679 --> 00:12:15,519
just jamming at rehearsal and it kind of because it

255
00:12:15,559 --> 00:12:18,519
sounds like that, it sounds like it's something that came

256
00:12:18,559 --> 00:12:20,919
out very organically. I'm assuming that you know the music

257
00:12:20,960 --> 00:12:22,320
of it. Is that true?

258
00:12:24,000 --> 00:12:24,279
Speaker 9: Yeah?

259
00:12:24,480 --> 00:12:24,799
Speaker 3: Yeah.

260
00:12:24,840 --> 00:12:27,840
Speaker 5: So at the time, that was before and Nay and

261
00:12:27,960 --> 00:12:30,919
Ryan joined the band, we had another drummer. His name

262
00:12:30,960 --> 00:12:34,519
was Brodie, and like Brodie, so it was it wasn't

263
00:12:34,519 --> 00:12:38,320
the best drummer, okay, So I kind of just got

264
00:12:38,399 --> 00:12:41,960
him to stop playing that that's like sixteenth kind of

265
00:12:42,000 --> 00:12:44,440
beat on the on the drums, Like I kind of showed.

266
00:12:44,200 --> 00:12:44,799
Speaker 2: Them how to play that.

267
00:12:45,039 --> 00:12:46,679
Speaker 1: Yeah, he started playing it.

268
00:12:46,600 --> 00:12:48,159
Speaker 2: And then I just kind of like, I don't know

269
00:12:48,159 --> 00:12:48,600
what was that.

270
00:12:48,679 --> 00:12:50,519
Speaker 5: I just kind of came up with the main kind

271
00:12:50,519 --> 00:12:52,960
of rhythm guitar but in my head and I was like.

272
00:12:52,960 --> 00:12:53,600
Speaker 10: Do you do?

273
00:12:53,600 --> 00:12:54,360
Speaker 2: Do?

274
00:12:53,960 --> 00:12:54,120
Speaker 9: Do? Do?

275
00:12:54,360 --> 00:12:54,600
Speaker 2: Do?

276
00:12:54,600 --> 00:12:54,840
Speaker 3: Do?

277
00:12:54,840 --> 00:12:55,480
Speaker 10: Do do?

278
00:12:55,879 --> 00:12:57,320
Speaker 5: So I just kind of went to you. I was like, Joe,

279
00:12:57,320 --> 00:13:00,759
can you play that? And then he started playing just.

280
00:13:00,679 --> 00:13:01,440
Speaker 2: Kind of came together.

281
00:13:01,679 --> 00:13:01,960
Speaker 3: Yeah.

282
00:13:02,120 --> 00:13:04,879
Speaker 2: Yeah, it was very organic.

283
00:13:04,919 --> 00:13:09,320
Speaker 5: It only took probably about fifteen twenty minuteses before we

284
00:13:10,120 --> 00:13:12,279
had the first kind of draft of the of the song.

285
00:13:12,759 --> 00:13:14,399
Speaker 1: That's I always say though, that's how you know you've

286
00:13:14,399 --> 00:13:16,480
really got something, right when it comes together quickly.

287
00:13:16,639 --> 00:13:17,159
Speaker 11: Yeah.

288
00:13:17,240 --> 00:13:18,840
Speaker 1: I mean, you know, you can come up with a great,

289
00:13:18,879 --> 00:13:21,440
great song obviously that you know that takes a long

290
00:13:21,480 --> 00:13:24,159
time to create. But when you but when something just

291
00:13:24,159 --> 00:13:27,159
comes together fast, you know, there's almost like it's almost

292
00:13:27,159 --> 00:13:29,600
like magic. Right. It's just like like you just it

293
00:13:29,720 --> 00:13:31,519
just sort of appears there and it's like, oh, we

294
00:13:31,879 --> 00:13:32,840
really got something here.

295
00:13:34,200 --> 00:13:34,480
Speaker 10: Yeah.

296
00:13:34,679 --> 00:13:37,559
Speaker 5: Actually a lot of people say the song rites itself.

297
00:13:37,919 --> 00:13:40,639
That doesn't even feel like you're you're having to do anything.

298
00:13:40,639 --> 00:13:44,799
Speaker 2: It's just kind of it's kind of working. It's just happened.

299
00:13:44,639 --> 00:13:48,200
Speaker 1: Right, right. The other thing I was reading is you

300
00:13:48,200 --> 00:13:50,840
guys have been I mean, you're playing a lot of shows, right,

301
00:13:51,120 --> 00:13:52,879
It sounds like you've been pretty busy as far as

302
00:13:52,919 --> 00:13:54,240
your live schedule. Is that true?

303
00:13:56,600 --> 00:13:56,799
Speaker 9: Yeah?

304
00:13:56,840 --> 00:13:59,559
Speaker 2: Well, I mean, do you want to talk about.

305
00:14:00,919 --> 00:14:03,720
Speaker 1: M Yeah, whoever wants to wants to jump down, do

306
00:14:03,799 --> 00:14:04,080
I take this?

307
00:14:04,519 --> 00:14:08,799
Speaker 7: Yeah, We've done quite a lot of shows, especially when

308
00:14:08,799 --> 00:14:11,559
we first started obviously when me and Ryan, me and

309
00:14:11,639 --> 00:14:14,960
Tommy sorry joined back and started last year. We kind

310
00:14:14,960 --> 00:14:17,960
of took a few months getting everything together and then

311
00:14:18,120 --> 00:14:21,720
really kind of dove into it all. Got our for

312
00:14:21,720 --> 00:14:24,080
a show of a promoter and Gospo Couab twelve, and

313
00:14:24,080 --> 00:14:25,840
we worked with them for a while and just kept

314
00:14:26,120 --> 00:14:29,440
kept going. Eventually worked being touts and then you know,

315
00:14:29,600 --> 00:14:32,320
as it went, just kept on going. Last weekend we

316
00:14:32,399 --> 00:14:36,240
played our EP headliner show when You Called Nice and Slazyes,

317
00:14:36,320 --> 00:14:41,120
which was a wild night, pretty good, really good reception,

318
00:14:41,559 --> 00:14:45,200
excellent going off. We're taking a bit of a break

319
00:14:45,200 --> 00:14:48,360
for the time being. Sam's going away for some studying

320
00:14:48,399 --> 00:14:50,639
for a few months, so we've got time to kind

321
00:14:50,639 --> 00:14:55,759
of do more recording and right, yes, yeah, all.

322
00:14:55,720 --> 00:14:59,320
Speaker 5: Right, compressed, I mean talking about that EP release show

323
00:14:59,360 --> 00:15:01,559
that was the first gug we've had where so you

324
00:15:01,600 --> 00:15:05,679
can audibly hear on stage people singing the words back

325
00:15:05,759 --> 00:15:09,080
to the to the ep songs, which I thought was

326
00:15:09,320 --> 00:15:13,519
really really cool. Oh yeah, and I'm sure you'll get

327
00:15:13,519 --> 00:15:18,000
that later some day. That's aspired to have that since

328
00:15:18,600 --> 00:15:19,720
I know for me, since.

329
00:15:19,480 --> 00:15:20,200
Speaker 2: I was a little kid.

330
00:15:20,679 --> 00:15:22,919
Speaker 5: Yeah, to have that actually happened, it was it was

331
00:15:22,960 --> 00:15:24,039
such a kill experience.

332
00:15:24,840 --> 00:15:27,720
Speaker 1: Well, it's so validating, right, Like, if it's one thing,

333
00:15:27,840 --> 00:15:30,320
you know, people come to your shows, that's great. I

334
00:15:30,360 --> 00:15:33,080
mean that's certainly validating in itself. But when you see

335
00:15:33,120 --> 00:15:36,720
somebody actually singing along, or multiple people actually singing along,

336
00:15:36,919 --> 00:15:39,720
then you know they're actually they've made a sort of

337
00:15:39,720 --> 00:15:44,519
a mental conscious investment in your music. You know, they

338
00:15:44,519 --> 00:15:47,360
actually know the words. So that's fantastic. Good for you. Yeah,

339
00:15:47,399 --> 00:15:49,200
it sounds like like you guys are off to a

340
00:15:49,240 --> 00:15:52,639
great start because I know the EP is is pretty new, right,

341
00:15:52,679 --> 00:15:54,480
This just dropped last month, didn't it.

342
00:15:55,480 --> 00:15:59,600
Speaker 7: Yeah he became on the Yeah.

343
00:15:59,000 --> 00:16:04,440
Speaker 1: Oh wow, yeah really recent so you guys, Yeah, so

344
00:16:04,519 --> 00:16:06,919
you guys there will have to a very strong start.

345
00:16:07,000 --> 00:16:10,120
That's uh, that's wonderful. Now do you have you know obviously,

346
00:16:10,240 --> 00:16:11,919
so it's a five song EP. Do you have other

347
00:16:12,200 --> 00:16:14,000
I assume you have other stuff kind of in the

348
00:16:14,000 --> 00:16:17,080
pipeline that you're gonna be recording in the future, right,

349
00:16:17,159 --> 00:16:19,080
Like you strike me as you know, you guys probably

350
00:16:19,080 --> 00:16:21,000
have a lot of ideas for more songs, and you

351
00:16:21,080 --> 00:16:23,120
might even have somewhere all ready to go and record,

352
00:16:23,200 --> 00:16:25,840
or maybe you've even already started recording. I don't know, Like,

353
00:16:25,840 --> 00:16:27,440
what's kind of the situation there.

354
00:16:29,919 --> 00:16:32,159
Speaker 7: Yeah, ego son.

355
00:16:33,679 --> 00:16:34,159
Speaker 2: No.

356
00:16:35,919 --> 00:16:40,159
Speaker 12: Yeah, we we've spent uh two like almost two years

357
00:16:40,240 --> 00:16:42,879
of writing songs together and stuff, and before that there's

358
00:16:42,960 --> 00:16:45,559
hunds of songs from just chewing some So we're just

359
00:16:45,600 --> 00:16:47,840
gonna spend the next couple of months well sounds away

360
00:16:47,879 --> 00:16:50,960
studying just recording all of them and you really sit

361
00:16:51,039 --> 00:16:52,080
it over the next year.

362
00:16:52,320 --> 00:16:55,559
Speaker 1: Yeah, yeah, excellent. Are you gonna do another EP? Do

363
00:16:55,600 --> 00:16:58,600
you think? Are you gonna maybe do a full album or.

364
00:16:59,679 --> 00:17:00,919
Speaker 2: We're not sure?

365
00:17:01,080 --> 00:17:02,799
Speaker 13: I think right now the goal is to just get

366
00:17:02,840 --> 00:17:05,640
as many stuff as we can, yeah, on Spotify for

367
00:17:05,680 --> 00:17:09,920
I know. Yeah, once we've got a bigger collation organized

368
00:17:09,920 --> 00:17:11,920
into an album and put that out together.

369
00:17:12,559 --> 00:17:14,680
Speaker 1: Yeah. That seems to be the trend too. A lot

370
00:17:14,680 --> 00:17:17,640
of artists now are doing that where instead of, you know,

371
00:17:17,680 --> 00:17:20,000
because the old school way of doing it, the model,

372
00:17:20,079 --> 00:17:22,359
the previous model in the music industry was you know,

373
00:17:22,400 --> 00:17:24,559
you've got an album and you you know, first single

374
00:17:24,559 --> 00:17:27,039
goes to radio six eight weeks before the album comes out,

375
00:17:27,039 --> 00:17:28,880
and then the album comes out and then you know,

376
00:17:28,920 --> 00:17:30,599
if all goes well, you get a second single and

377
00:17:30,640 --> 00:17:33,319
maybe a third single. But now a lot of artists

378
00:17:33,359 --> 00:17:35,519
seem to be releasing as you know, they'll release a

379
00:17:35,519 --> 00:17:39,559
series of singles, for example, that eventually coalesce into an album.

380
00:17:39,599 --> 00:17:42,119
So it's sort of an inversion of the approach that

381
00:17:42,599 --> 00:17:45,160
used to be used, but with platforms like Spotify, it

382
00:17:45,160 --> 00:17:47,400
can be really helpful to you know, they call it

383
00:17:47,440 --> 00:17:50,039
the waterfall effect, where you release a series of singles

384
00:17:50,559 --> 00:17:53,079
and then uh, you know, because you're gonna get you're

385
00:17:53,079 --> 00:17:55,839
gonna get something from that, you know, in terms of

386
00:17:55,880 --> 00:17:58,759
the algorithm every time you release an individual single, whereas

387
00:17:58,960 --> 00:18:00,720
when you put out the album all at once, Yeah,

388
00:18:00,759 --> 00:18:03,160
you get that one big big bang from putting that

389
00:18:03,200 --> 00:18:05,759
album out, but then it's like, you know, then you

390
00:18:05,759 --> 00:18:09,000
don't have anything more to really engage in terms of

391
00:18:09,039 --> 00:18:11,440
the algorithms, and yeah, we we I was kind of

392
00:18:11,440 --> 00:18:13,680
talking about that somewhat with our our previous guests. In

393
00:18:13,680 --> 00:18:16,119
the first hour we had Rob Critchley on from the

394
00:18:16,160 --> 00:18:19,480
Thodds and we you know, we we got into talking

395
00:18:19,519 --> 00:18:21,000
about all that a little bit too. But it's something

396
00:18:21,000 --> 00:18:23,400
that comes up a lot on the show. But but no,

397
00:18:23,519 --> 00:18:24,960
I think you guys are off to a great start.

398
00:18:24,960 --> 00:18:26,839
Now do you have more Do you have more live

399
00:18:26,880 --> 00:18:30,720
shows coming up before before you take this break or

400
00:18:30,880 --> 00:18:33,079
or is it or is that it like? Are you

401
00:18:33,200 --> 00:18:35,559
are you essentially in break mode? Now?

402
00:18:37,200 --> 00:18:41,359
Speaker 7: Nothing's lined up yet. There's a few piles we've got

403
00:18:41,400 --> 00:18:43,599
here doing some gigs and they've they've mentioned they might

404
00:18:43,640 --> 00:18:46,839
try to get us on their line up for some stuff. Yeah, nothing,

405
00:18:47,400 --> 00:18:52,839
nothing ourselves. We're looking at there's a big best of

406
00:18:52,839 --> 00:18:57,480
a new k called Bel drum U in Burness and

407
00:18:57,599 --> 00:18:59,839
we were able to play that through our headliner gig

408
00:18:59,839 --> 00:19:02,000
in the company work with with neal. Opportunity to play

409
00:19:02,039 --> 00:19:05,759
that this year or next year? Okay, son, anyone sounds

410
00:19:05,799 --> 00:19:08,519
back and however, looking will ever do that which is

411
00:19:08,599 --> 00:19:13,519
in July? I believe, yeah, it's not confirmed to it.

412
00:19:13,799 --> 00:19:17,319
Speaker 1: Okay, Okay. Yeah. Festivals are great because not only does

413
00:19:17,359 --> 00:19:19,079
it get you in front of an audience that might

414
00:19:19,119 --> 00:19:22,039
not otherwise see you potentially huge audience of course, but

415
00:19:22,480 --> 00:19:25,799
also too just for the opportunity to meet other musicians

416
00:19:25,839 --> 00:19:28,279
and other industry people and make connection. I mean, the

417
00:19:28,359 --> 00:19:32,480
networking opportunities at a festival or are you know like

418
00:19:32,599 --> 00:19:35,160
that can I mean, I can really influence your career

419
00:19:35,240 --> 00:19:37,799
in a very positive way, you know, just getting to

420
00:19:37,880 --> 00:19:39,960
meet people and get in front of people and all that.

421
00:19:40,119 --> 00:19:41,640
So good for you. I hope that works out. I

422
00:19:41,680 --> 00:19:44,319
know you said it's not confirmed yet, but I have

423
00:19:44,400 --> 00:19:45,960
a feeling it will be. So like I said, you

424
00:19:46,000 --> 00:19:47,839
guys are off to a great start with this project.

425
00:19:47,960 --> 00:19:53,960
So yeah, absolutely absolutely, I think in a moment to uh.

426
00:19:54,079 --> 00:19:55,480
At the end of the segment, I'd like to play

427
00:19:55,559 --> 00:19:59,599
this track Tortured, which is another great song from the EP.

428
00:19:59,759 --> 00:20:01,799
But what should we know about this one? Any anything

429
00:20:01,839 --> 00:20:03,960
we should know about this our listeners should know before

430
00:20:04,000 --> 00:20:04,319
we play.

431
00:20:04,359 --> 00:20:09,000
Speaker 5: It's that's a little bit more smooth, it's a little

432
00:20:09,039 --> 00:20:12,519
bit more chill, it's a little bit more soulful than

433
00:20:12,759 --> 00:20:16,559
the other tracks off the EP. Yeah, I would say

434
00:20:17,359 --> 00:20:19,480
probably Intimate is a good one that it's just very

435
00:20:19,599 --> 00:20:22,319
like it's something you can swear your ups to you know,

436
00:20:22,680 --> 00:20:25,839
maybe get a glass of wine and just you know.

437
00:20:28,960 --> 00:20:32,039
Speaker 1: There you go, there you go. So before we do that, uh,

438
00:20:32,240 --> 00:20:34,119
and before we let you guys go, And I really

439
00:20:34,119 --> 00:20:36,880
appreciate you joining us this morning or I don't know

440
00:20:36,960 --> 00:20:42,559
what time, it's probably afternoon there, right, have forree Okay?

441
00:20:43,920 --> 00:20:44,359
Speaker 3: What uh?

442
00:20:45,359 --> 00:20:47,319
Speaker 1: Where should people go online? Where's the best place for

443
00:20:47,400 --> 00:20:49,519
people to go online to keep up with everything that

444
00:20:49,640 --> 00:20:50,759
Baron Keismo is doing.

445
00:20:52,240 --> 00:20:53,720
Speaker 7: Definitely Instagram.

446
00:20:55,160 --> 00:21:00,720
Speaker 1: On Instagram Instagram. Yeah, and nice thing about having a

447
00:21:00,839 --> 00:21:02,720
name like you do too, this is probably you know,

448
00:21:02,759 --> 00:21:04,599
you're not gonna get mixed up with another band that

449
00:21:04,680 --> 00:21:12,480
has a similar name, So that's so that's a plus. Yea, right, right, exactly. Yeah,

450
00:21:13,480 --> 00:21:15,480
I'm sure, I'm sure they'll figure it out. But yeah,

451
00:21:15,599 --> 00:21:18,119
and and I encourage everybody check out the EP. It's

452
00:21:18,240 --> 00:21:22,319
it's uh, it's really good. So we'll we'll close out

453
00:21:22,359 --> 00:21:24,759
the segment with this song, Torture. This is this song

454
00:21:24,920 --> 00:21:26,720
I really really like a lot. I like the whole thing,

455
00:21:26,799 --> 00:21:30,279
but this this was probably my personal favorite from the EP.

456
00:21:30,680 --> 00:21:32,960
But thank you guys so much for joining us, and

457
00:21:33,079 --> 00:21:34,839
we'll definitely do this again in the future when you've

458
00:21:34,880 --> 00:21:37,400
got some some more music. Because it sounds like you're

459
00:21:37,400 --> 00:21:39,680
gonna be working on some stuff. We'll have you back on. Well.

460
00:21:40,039 --> 00:21:42,240
We we'd love to be the first American radio station

461
00:21:42,319 --> 00:21:45,319
to feature it. And uh, we're we're big fans here already.

462
00:21:45,400 --> 00:21:47,799
We really like what you're doing. So guys, thank you so.

463
00:21:47,920 --> 00:21:50,640
Speaker 2: Much, Thanks so much for having us man, thank you,

464
00:21:51,079 --> 00:21:51,359
thank you.

465
00:21:51,839 --> 00:21:53,960
Speaker 1: Absolutely you got it. Guys. Well we'll do it again

466
00:21:54,000 --> 00:21:55,799
in the future. All Right, we'll talk. I'm gonna I'm

467
00:21:55,839 --> 00:21:57,359
gonna hit this track and we'll talk to you soon.

468
00:21:57,400 --> 00:22:01,400
Take care, guys, Bye bye, all right, wonderful. So that

469
00:22:01,680 --> 00:22:04,440
is barren Cismo. They are from Glasgow, of course, and

470
00:22:05,279 --> 00:22:08,440
or Glasgow is a Glasgow or Glasgow I've heard it

471
00:22:08,480 --> 00:22:11,720
said both ways. But great music scene there too, because

472
00:22:11,720 --> 00:22:13,599
we've had other we've had other guests from that area

473
00:22:13,640 --> 00:22:16,119
and I love what they're doing. I'm glad they're having

474
00:22:16,480 --> 00:22:19,440
a lot of early success. And let's play this to

475
00:22:19,680 --> 00:22:21,880
end the segment. We're gonna play this is a This

476
00:22:22,000 --> 00:22:24,359
is a great track from the EP. This is called

477
00:22:24,480 --> 00:22:26,880
Tortured and the band is barren Quismo.

478
00:22:51,720 --> 00:22:54,119
Speaker 10: Solient past.

479
00:23:01,240 --> 00:23:07,640
Speaker 14: Answer you chance to see back em?

480
00:23:21,319 --> 00:23:28,359
Speaker 9: Yayyay, didgy guess some sounds.

481
00:23:28,000 --> 00:23:31,000
Speaker 3: Man, I was surpred.

482
00:23:35,359 --> 00:23:41,720
Speaker 9: So night to all the things we should and had.

483
00:23:44,279 --> 00:24:00,440
Speaker 14: It's sort rice, it's sorchies. It's sortes, sorchries, it's sorcha as.

484
00:24:01,200 --> 00:24:21,519
Speaker 9: It's sort chicks.

485
00:24:21,960 --> 00:24:33,119
Speaker 3: Things that said. I've begraded all all long. Will it

486
00:24:33,319 --> 00:24:36,759
be the one that's moved and stuf.

487
00:24:37,960 --> 00:24:54,440
Speaker 15: Ablepen It's sort chie, it's sorties, it's sort chic.

488
00:24:52,039 --> 00:25:00,119
Speaker 3: It's sort es, it's sort the sort a.

489
00:25:05,799 --> 00:25:20,279
Speaker 16: Charaton doctor donata doctor the director, dorota, tarata, terata, donatorac

490
00:25:20,400 --> 00:25:22,400
doctor director the.

491
00:25:22,759 --> 00:25:25,119
Speaker 9: Direct an toata.

492
00:25:28,319 --> 00:25:32,319
Speaker 3: Set interletor donna for me.

493
00:25:39,640 --> 00:25:43,720
Speaker 17: Talactor letter charactor.

494
00:25:43,359 --> 00:25:43,640
Speaker 18: For me.

495
00:25:54,160 --> 00:26:11,519
Speaker 9: M and.

496
00:26:15,440 --> 00:26:17,160
Speaker 10: Try to sell it down.

497
00:26:20,359 --> 00:26:27,119
Speaker 15: Well, know that I boutkable, Oh the watch bond.

498
00:26:30,359 --> 00:26:40,480
Speaker 3: You don't know what's coming. So when I'm around, let

499
00:26:40,680 --> 00:26:42,359
me claim my ba.

500
00:26:45,240 --> 00:26:46,799
Speaker 9: And you'll welcome up.

501
00:26:50,079 --> 00:26:58,640
Speaker 3: That will come to pass so rid if we get

502
00:26:58,759 --> 00:27:04,119
it to get But I know that it's for don

503
00:27:04,440 --> 00:27:09,279
behind that, So I will fight till the end to

504
00:27:09,599 --> 00:27:13,599
leave me en sake.

505
00:27:14,599 --> 00:27:15,440
Speaker 16: Every si.

506
00:27:24,759 --> 00:27:32,039
Speaker 3: Try to slum it down, but I'm stronger than ever.

507
00:27:34,640 --> 00:27:36,599
While I'm getting down.

508
00:27:39,599 --> 00:27:46,000
Speaker 9: You mean so the end, So I tell you what.

509
00:27:49,480 --> 00:27:55,119
Speaker 19: You can't say when it's time, and because you are

510
00:27:55,359 --> 00:28:06,559
gonna know what, I'm jeible, it's so loud.

511
00:28:06,799 --> 00:28:11,799
Speaker 20: If we get it together a birth, I know that

512
00:28:12,200 --> 00:28:14,279
it's one on the other.

513
00:28:14,480 --> 00:28:17,799
Speaker 10: So I by silly and.

514
00:28:19,839 --> 00:28:25,200
Speaker 3: Nothing sake versent b.

515
00:29:14,960 --> 00:29:17,680
Speaker 21: What Matt so wakes up in the morning, he gets

516
00:29:17,759 --> 00:29:20,759
into the shower and to the top of his lungs

517
00:29:21,160 --> 00:29:27,880
he sings, want.

518
00:29:28,039 --> 00:29:28,640
Speaker 20: Because I.

519
00:29:30,839 --> 00:29:34,119
Speaker 10: All right the radio show now all the.

520
00:29:34,200 --> 00:29:39,599
Speaker 1: Best, Chemmy, Thanks Sherry. Thank you again to Baron Kismo

521
00:29:39,720 --> 00:29:41,880
for joining us today on the show. Really enjoyed that

522
00:29:41,920 --> 00:29:43,759
a lot played a couple of their songs, actually a

523
00:29:43,839 --> 00:29:47,519
few of their songs from the EP and I really

524
00:29:47,680 --> 00:29:49,079
like those guys a lot. And of course thank you

525
00:29:49,119 --> 00:29:51,839
to Rob Critchley from The Fodds who joined us in

526
00:29:51,880 --> 00:29:53,759
the first hour of today's show. For those of you

527
00:29:53,799 --> 00:29:57,680
who are listening live on Saturday, December sixth, twenty twenty five,

528
00:29:57,799 --> 00:30:00,519
this is Matt Connorton Unleashed and we are live from

529
00:30:00,599 --> 00:30:03,519
the studios of WMNH ninety five point three FM and

530
00:30:03,519 --> 00:30:07,000
Glorious Manchester, New Hampshire. And coming up in the third

531
00:30:07,079 --> 00:30:11,200
hour today we've got The Forensics, another great UK band,

532
00:30:11,519 --> 00:30:15,119
love them. They've got a new single which we debuted

533
00:30:15,160 --> 00:30:17,119
on the show just recently. We're gonna play that again

534
00:30:17,160 --> 00:30:20,279
today and they're gonna be joining us in the third hour.

535
00:30:20,279 --> 00:30:22,240
I really look forward to that. But right now, if

536
00:30:22,279 --> 00:30:24,200
you haven't heard this yet, and if you're a regular

537
00:30:24,319 --> 00:30:26,839
listener of the show, you have, But I'm gonna spin

538
00:30:27,119 --> 00:30:30,079
the Ocean by one of our favorite bands around here,

539
00:30:30,200 --> 00:30:34,160
replaced by robots. This track is currently showing up on

540
00:30:34,279 --> 00:30:36,680
college radio stations across the country and it's getting a

541
00:30:36,720 --> 00:30:39,400
lot of buzz, a lot of buzz. This is such

542
00:30:39,440 --> 00:30:42,039
a great song. Check this out the Ocean and the

543
00:30:42,119 --> 00:30:44,279
band is replaced by robots.

544
00:31:33,000 --> 00:31:35,400
Speaker 9: I'm standing in your shutter.

545
00:31:37,440 --> 00:31:43,640
Speaker 3: I'm listening to the end. I wonder where stood.

546
00:31:45,880 --> 00:31:47,759
Speaker 9: At the White spell.

547
00:31:50,079 --> 00:31:51,720
Speaker 3: A may out of mind.

548
00:31:54,359 --> 00:31:59,880
Speaker 22: I'll get wait then, standing there.

549
00:32:02,759 --> 00:32:46,599
Speaker 8: Mostly cop, I'm calling a back.

550
00:32:49,119 --> 00:32:54,000
Speaker 22: Staying at the sidect.

551
00:33:58,240 --> 00:33:59,720
Speaker 17: It still be a difficut.

552
00:34:00,079 --> 00:34:04,480
Speaker 3: Listen, what's fad that's going.

553
00:34:08,039 --> 00:34:12,320
Speaker 9: He e.

554
00:34:30,360 --> 00:34:39,559
Speaker 8: Biggs a bigger.

555
00:34:46,920 --> 00:34:48,159
Speaker 9: I'm killing.

556
00:35:03,320 --> 00:35:14,800
Speaker 22: Love Love Love nights, hother Lo Lo Lo Love many nights.

557
00:35:23,039 --> 00:35:23,800
Speaker 3: Look funny.

558
00:35:23,920 --> 00:35:27,159
Speaker 15: Cigarette and walked down to the discothec and trying not

559
00:35:27,320 --> 00:35:28,079
to act.

560
00:35:28,199 --> 00:35:31,480
Speaker 9: Strange, dancing like a freak.

561
00:35:31,840 --> 00:35:34,679
Speaker 11: We're trying to be the street as I trying to

562
00:35:34,840 --> 00:35:39,119
catch ansther.

563
00:35:59,119 --> 00:36:02,440
Speaker 1: That's it as the Tacks and Guns a line.

564
00:36:02,519 --> 00:36:07,880
Speaker 8: I couldn't find you anywhere for the sotting smaller.

565
00:36:07,599 --> 00:36:11,639
Speaker 22: Than running out of Time the China houser, I.

566
00:36:11,800 --> 00:37:29,679
Speaker 8: Want you to Nights.

567
00:37:35,480 --> 00:37:38,480
Speaker 1: There's a couple for you from Replaced by Robots. We

568
00:37:38,559 --> 00:37:41,519
played the Ocean, which is the current single, and also

569
00:37:41,679 --> 00:37:45,559
Lonely Nights, which is another great song by Replaced by Robots,

570
00:37:45,639 --> 00:37:49,119
great Boston based band, love them so much. We're also

571
00:37:49,159 --> 00:37:51,480
gonna play now I think we have time. I want

572
00:37:51,519 --> 00:37:53,639
to sneak this into. Played this a couple of weeks

573
00:37:53,639 --> 00:37:55,159
ago on the show We're gonna play it again now.

574
00:37:55,719 --> 00:37:59,039
I had a very fascinating conversation with the gentleman behind

575
00:37:59,079 --> 00:38:03,000
this project recently on the podcast version of Matt Connorton Unleashed,

576
00:38:03,239 --> 00:38:05,719
and he will be appearing on the radio show soon too.

577
00:38:06,119 --> 00:38:08,920
But this is called Is This Our America? And the

578
00:38:09,000 --> 00:38:11,679
project is Eddie Sing and the thirty one Days. You

579
00:38:11,760 --> 00:38:15,000
gotta check this out. I might sneak in, you know what,

580
00:38:15,079 --> 00:38:17,079
I'm gonna play two tracks from Eddie Sing in the

581
00:38:17,159 --> 00:38:19,400
thirty one Days. I'm gonna play Is This Our America,

582
00:38:19,480 --> 00:38:22,599
and then we're gonna play another track from that project.

583
00:38:22,679 --> 00:38:26,000
That has a very different flavor called some Justice Opportunity,

584
00:38:26,400 --> 00:38:28,639
which we played last week on the show, and I

585
00:38:28,719 --> 00:38:31,639
got a lot of interesting feedback on that one. So

586
00:38:32,000 --> 00:38:35,280
two really great songs from the same project, but they

587
00:38:35,360 --> 00:38:39,239
have very different sounds to them, and you'll see what

588
00:38:39,320 --> 00:38:40,880
I mean. I'm gonna play both of these for you.

589
00:38:41,000 --> 00:38:43,519
So first we're gonna play is This Our America? Followed

590
00:38:43,559 --> 00:38:46,679
by Some Justice Opportunity from Eddie sing in the thirty

591
00:38:46,719 --> 00:38:49,920
one Days, and then we'll take a break, and then

592
00:38:49,960 --> 00:38:51,840
coming up in the third hour, we'll have the forensics

593
00:38:51,880 --> 00:38:53,920
with us. But here we go, Is this our America?

594
00:38:54,800 --> 00:38:55,000
Speaker 2: Well?

595
00:38:55,039 --> 00:38:58,159
Speaker 1: I don't know if you honor wow on Earth?

596
00:38:58,239 --> 00:39:02,719
Speaker 23: We landed here with the struggle in the heartland, in

597
00:39:02,840 --> 00:39:04,320
our disconnected fear.

598
00:39:05,000 --> 00:39:08,679
Speaker 24: We got politicians screaming sanity, Lyne, cold.

599
00:39:08,400 --> 00:39:10,079
Speaker 3: Watch truth right through that seat.

600
00:39:10,440 --> 00:39:14,000
Speaker 1: I thought we were all in this together, huddled around

601
00:39:14,159 --> 00:39:14,920
this liberty.

602
00:39:15,639 --> 00:39:17,599
Speaker 3: Is this my marry come?

603
00:39:18,199 --> 00:39:23,000
Speaker 11: Is this my Mary col shouldn't we stand two together

604
00:39:23,280 --> 00:39:23,920
as wal?

605
00:39:25,880 --> 00:39:30,280
Speaker 3: Is this my Mary come? This is mild Mary Come?

606
00:39:31,039 --> 00:39:34,199
Speaker 1: If it is, then we ain't even close to done.

607
00:39:35,639 --> 00:39:38,840
Speaker 15: We gotta take it to the city's We gotta take

608
00:39:38,880 --> 00:39:42,760
it to the streets because these profits of division are

609
00:39:42,800 --> 00:39:45,360
tearing down all our hopes and dreams.

610
00:39:46,000 --> 00:39:49,039
Speaker 1: I don't care if you're a democrat. I don't care

611
00:39:49,119 --> 00:39:50,639
if you love the states right.

612
00:39:51,079 --> 00:39:53,079
Speaker 8: I don't care of your independence.

613
00:39:53,639 --> 00:39:55,280
Speaker 1: I don't care of your black cold.

614
00:39:55,480 --> 00:39:59,840
Speaker 3: Why this is this, my Mary? Come, this my man,

615
00:40:00,400 --> 00:40:06,679
he comes home of the breed of freeze. This is

616
00:40:06,920 --> 00:40:14,280
mine very, Come, this my very. Come huddle around, Miss Liberty.

617
00:40:17,559 --> 00:40:21,000
Speaker 9: We have not forgotten who we are. We are bound

618
00:40:21,039 --> 00:40:22,280
together near and for.

619
00:40:22,639 --> 00:40:25,519
Speaker 8: You and me, You and me, You and me, you

620
00:40:25,760 --> 00:40:27,079
and me, you and me.

621
00:40:28,719 --> 00:40:32,760
Speaker 9: Will we ride a ica as our own?

622
00:40:36,440 --> 00:40:41,719
Speaker 3: So what is the truth? What is the truth? What

623
00:40:42,239 --> 00:40:45,440
is the maica? Through and through?

624
00:40:46,800 --> 00:40:49,519
Speaker 10: Will you just open your eyes?

625
00:40:49,679 --> 00:40:51,719
Speaker 1: Will you just let her in?

626
00:40:52,760 --> 00:40:55,920
Speaker 9: Because I hear the blowing of the wind.

627
00:40:58,280 --> 00:40:59,760
Speaker 4: Maybe it was just a pink cow.

628
00:41:00,800 --> 00:41:02,440
Speaker 9: Maybe it was just a pink coat.

629
00:41:03,320 --> 00:41:06,840
Speaker 17: Maybe we should try to go. Maybe we should take

630
00:41:06,960 --> 00:41:11,239
it so. Maybe we should just have some fun. Maybe

631
00:41:11,320 --> 00:41:14,360
we were both born to run. Maybe we should just

632
00:41:14,480 --> 00:41:15,360
take a chance.

633
00:41:15,800 --> 00:41:19,119
Speaker 9: What else, Maybe we should just get up and dance?

634
00:41:20,480 --> 00:41:26,760
Speaker 11: Is this my amby come, it's my mery come home of.

635
00:41:26,960 --> 00:41:28,840
Speaker 3: The brave and of the free.

636
00:41:30,599 --> 00:41:35,039
Speaker 11: It's Smery come, It's this song Mary.

637
00:41:34,800 --> 00:41:38,320
Speaker 3: Come arounds liberty.

638
00:41:39,360 --> 00:41:45,320
Speaker 11: Who so Mary, because it's so men cow of rycause

639
00:41:45,559 --> 00:41:54,119
some men her eyes, every voice every years, some mercause.

640
00:41:53,199 --> 00:41:54,880
Speaker 3: Some mis all Mary.

641
00:41:55,280 --> 00:41:57,760
Speaker 10: Come then you come praying to us.

642
00:41:58,639 --> 00:42:09,519
Speaker 20: Got us clean, every eye, every voice, every.

643
00:42:09,400 --> 00:42:19,599
Speaker 10: Here, rain too the Lord to guide us.

644
00:42:20,760 --> 00:42:22,039
Speaker 3: This is the police department.

645
00:42:23,320 --> 00:42:25,440
Speaker 21: You are violating state and post curfew.

646
00:42:26,800 --> 00:42:27,760
Speaker 3: You must continue to.

647
00:42:27,760 --> 00:42:32,800
Speaker 24: Disperse peacefully or you will be subject to arrest and

648
00:42:32,920 --> 00:42:33,760
all other actions.

649
00:42:38,719 --> 00:42:40,559
Speaker 1: I'm here protesting for Mike Brown.

650
00:42:41,679 --> 00:42:42,840
Speaker 3: He was wrongfully killed.

651
00:42:44,239 --> 00:42:47,079
Speaker 24: There's a lot of unity going on and they're not broadcasting.

652
00:42:48,679 --> 00:42:49,639
Speaker 25: It's not a race state.

653
00:42:50,760 --> 00:42:53,079
Speaker 24: I never thought i'd get political, but life in my

654
00:42:53,159 --> 00:42:54,800
city right now is just so critical.

655
00:42:54,920 --> 00:42:55,119
Speaker 8: Man.

656
00:42:55,440 --> 00:42:57,360
Speaker 10: It's a war zone in my backyard.

657
00:42:57,679 --> 00:43:00,679
Speaker 1: While I get injustice, gotta be this tall, Hope.

658
00:43:00,840 --> 00:43:03,159
Speaker 24: The lesson that they care about. Tell you that that's

659
00:43:03,199 --> 00:43:04,480
why the police always.

660
00:43:04,280 --> 00:43:04,800
Speaker 3: Use their cloud.

661
00:43:04,880 --> 00:43:05,280
Speaker 9: They do that.

662
00:43:05,639 --> 00:43:07,280
Speaker 1: My grandma said, don't fear with another man.

663
00:43:07,320 --> 00:43:09,679
Speaker 3: I never will, but they will shoot with nothing in my.

664
00:43:09,760 --> 00:43:12,719
Speaker 24: Hand about see the media, you show the bad part

665
00:43:12,960 --> 00:43:14,199
and they blocking out the good.

666
00:43:14,280 --> 00:43:15,159
Speaker 3: That's the sad part.

667
00:43:15,280 --> 00:43:15,440
Speaker 9: Man.

668
00:43:15,559 --> 00:43:16,280
Speaker 3: I can tell you this.

669
00:43:16,639 --> 00:43:17,239
Speaker 1: We're fed up.

670
00:43:17,440 --> 00:43:19,239
Speaker 24: But if no one never told you, keep your.

671
00:43:19,159 --> 00:43:23,320
Speaker 3: Head up, Hope, you understand, take me to your leader.

672
00:43:24,679 --> 00:43:26,480
Speaker 17: I hope you understand.

673
00:43:27,519 --> 00:43:28,480
Speaker 10: Take me to your leader.

674
00:43:29,880 --> 00:43:31,639
Speaker 9: I hope you understand.

675
00:43:32,679 --> 00:43:33,760
Speaker 24: Take me to your lead up.

676
00:43:33,840 --> 00:43:36,199
Speaker 8: Yeah, you finally should.

677
00:43:36,360 --> 00:43:39,480
Speaker 26: Yeah, you take me to your lead up at once

678
00:43:39,840 --> 00:43:47,519
once once, brothers and sisters, brothers and sisters, brothers and sisters.

679
00:43:49,760 --> 00:43:50,880
Speaker 1: I guess you finally heard.

680
00:43:51,920 --> 00:43:52,119
Speaker 15: Yeah.

681
00:43:52,519 --> 00:43:54,519
Speaker 3: Yeah, I'm just a youth in the society.

682
00:43:54,599 --> 00:43:57,280
Speaker 24: But since my skin dunk and thugs by novoriety and

683
00:43:57,360 --> 00:44:01,039
treated just the vibely turn into the propriety, we act mortifiedly.

684
00:44:01,159 --> 00:44:04,199
Speaker 4: Man, tell me that ain't not so many accusations because

685
00:44:04,199 --> 00:44:07,000
of im eli nations, the complications were facing the verdicts

686
00:44:07,000 --> 00:44:08,800
a made by racist I'm just a plow to go

687
00:44:08,920 --> 00:44:11,079
my nation and because of my pigmentation, and I'm bound

688
00:44:11,079 --> 00:44:13,679
to live life with adaptation to allegations because what you

689
00:44:13,719 --> 00:44:14,719
see is on the surface.

690
00:44:14,880 --> 00:44:16,639
Speaker 1: Try to make me feel as if my skin was

691
00:44:16,760 --> 00:44:17,360
just a verdict.

692
00:44:17,480 --> 00:44:19,920
Speaker 3: I'm the judge and the jilbrey. Yeah, I got a verdict,

693
00:44:20,159 --> 00:44:21,800
just as it's just a sending. In the end, I'm

694
00:44:21,800 --> 00:44:22,480
still a person.

695
00:44:22,519 --> 00:44:24,960
Speaker 1: I hope you want to say, yeah, take me to

696
00:44:25,079 --> 00:44:25,559
your leader.

697
00:44:25,679 --> 00:44:30,719
Speaker 3: Yeah, brother, this take me to your leader.

698
00:44:30,880 --> 00:44:31,039
Speaker 8: Yeah.

699
00:44:32,159 --> 00:44:33,840
Speaker 27: I hope you understand.

700
00:44:34,039 --> 00:44:35,920
Speaker 1: Yeah, yeah, take me to your leader.

701
00:44:36,039 --> 00:44:40,400
Speaker 3: Yeah you find me shure, Yeah, yeah yeah, take me

702
00:44:40,480 --> 00:44:41,119
to your leader.

703
00:44:41,159 --> 00:44:46,679
Speaker 1: I have once one, brothers and sisters, brothers and.

704
00:44:48,760 --> 00:44:50,480
Speaker 3: Brothers and the world.

705
00:44:51,599 --> 00:44:54,440
Speaker 17: Yeah, I guess you finally heard kids were on our

706
00:44:54,480 --> 00:44:55,320
front line.

707
00:44:55,679 --> 00:44:56,599
Speaker 3: Shot him in the head.

708
00:44:56,719 --> 00:44:58,880
Speaker 9: That the media ain't been showing all the stuff that

709
00:44:58,960 --> 00:44:59,559
goes down here.

710
00:44:59,639 --> 00:45:02,400
Speaker 3: I want see love in America. I want to see

711
00:45:02,400 --> 00:45:05,039
togetherness in America. We're not gonna stand for it.

712
00:45:05,599 --> 00:45:08,480
Speaker 24: They can kill us all, kill them dead, cold blood

713
00:45:08,519 --> 00:45:08,920
in the head.

714
00:45:09,000 --> 00:45:10,119
Speaker 10: I need answers tonight.

715
00:45:10,719 --> 00:45:13,239
Speaker 3: It's about some justice. My whole thing is that if

716
00:45:13,280 --> 00:45:14,000
it was me and you.

717
00:45:15,480 --> 00:45:19,039
Speaker 4: And they had two eye witnesses, sweep because both of

718
00:45:19,119 --> 00:45:22,480
those eye witnesses described the same thing, thing thing, ding

719
00:45:22,679 --> 00:45:23,119
thing thing.

720
00:45:23,280 --> 00:45:26,039
Speaker 28: They said, he goutting that man down and shot him gun.

721
00:45:26,559 --> 00:45:29,320
I don't see white boys, you know, laying on the curb,

722
00:45:29,400 --> 00:45:32,960
you know, don't least messing with them, willing them over

723
00:45:33,119 --> 00:45:34,480
for no reason, no reason.

724
00:45:34,880 --> 00:45:36,920
Speaker 10: If they ain't doing it's.

725
00:45:36,840 --> 00:45:38,039
Speaker 27: Not getting broadcasts.

726
00:45:38,800 --> 00:45:42,000
Speaker 1: But I see that with black folks every day, and

727
00:45:42,119 --> 00:45:42,920
I see them get.

728
00:45:42,880 --> 00:45:44,039
Speaker 3: Shot down every day.

729
00:45:44,960 --> 00:45:47,880
Speaker 28: I'm not saying it's not happening to white people, white people.

730
00:45:48,400 --> 00:45:52,159
Speaker 29: But if it is, we don't see it. I don't

731
00:45:52,280 --> 00:45:52,559
see it.

732
00:45:57,079 --> 00:45:59,199
Speaker 8: It be a revolution.

733
00:46:00,119 --> 00:46:01,159
Speaker 21: It begins to night.

734
00:46:10,079 --> 00:46:11,679
Speaker 1: Nana's Kitchen and Pizzeria.

735
00:46:12,639 --> 00:46:18,679
Speaker 17: From Nana's hands to your play tradition, love and taste.

736
00:46:18,760 --> 00:46:21,480
That's great, So fermented dough.

737
00:46:22,000 --> 00:46:30,599
Speaker 19: Flavors, so true, each bite a story made just for you.

738
00:46:31,639 --> 00:46:35,400
Speaker 25: Six o three two three two nine three six six

739
00:46:36,199 --> 00:46:40,639
Nana's Kitchen and Pizzeri fifteen Yartmouth Dry Auburn, New.

740
00:46:40,599 --> 00:46:44,760
Speaker 3: Hampshire Kitchen and Pard.

741
00:46:49,000 --> 00:46:51,800
Speaker 27: The two greatest rock and roll bands of all time

742
00:46:51,960 --> 00:46:55,280
face off as the Chubb Theater hosts tributes to the

743
00:46:55,360 --> 00:46:59,719
Beatles and the Rolling Stone. Beatles Versus Stones, a musical

744
00:46:59,760 --> 00:47:02,360
show Down comes to Chub Theater at the Capitol Center

745
00:47:02,440 --> 00:47:06,519
for the Arts on Thursday, December eleventh at seven thirty pm.

746
00:47:06,960 --> 00:47:10,000
Tickets can be purchased at the theater box office or

747
00:47:10,079 --> 00:47:14,679
online at CCANH dot com. The Capital Center for the

748
00:47:14,840 --> 00:47:18,239
Arts is located at forty four South Main Street, Conquered,

749
00:47:18,320 --> 00:47:25,559
New Hampshire. The show was appropriate for all ages. Luigi's

750
00:47:25,679 --> 00:47:27,199
Pizza Barren Grill.

751
00:47:27,119 --> 00:47:32,159
Speaker 28: Under one, Let's raise a slyes On hides with top

752
00:47:32,239 --> 00:47:35,239
and all the ground pizza, Pizza.

753
00:47:34,960 --> 00:47:40,920
Speaker 27: Barto Line, Luigi's Pizza Barren Grill, seven to twelve Valley Street, Manchester.

754
00:47:41,239 --> 00:47:44,079
Come on in or call six two two one zero

755
00:47:44,360 --> 00:47:49,360
two one. Luigi keeping the tradition alive since nineteen seventy five.

756
00:47:51,239 --> 00:47:53,039
Speaker 3: Pizza for every one.

757
00:47:53,719 --> 00:47:57,840
Speaker 20: Come join a beast to Night with each slice cents

758
00:47:57,880 --> 00:47:59,880
off in Everything Fields.

759
00:48:03,719 --> 00:48:05,920
Speaker 18: In times of crisis, you need a law firm that

760
00:48:06,000 --> 00:48:09,039
stands by your side. With over forty years of experience,

761
00:48:09,199 --> 00:48:12,880
Craigan Getsulis is dedicated to fighting for your rights. As

762
00:48:12,920 --> 00:48:16,079
former state prosecutors, our attorneys have the knowledge and trial

763
00:48:16,159 --> 00:48:20,079
experience to provide an aggressive defense against any charge, from

764
00:48:20,159 --> 00:48:24,440
duys to homicides. If you've been injured, our compassionate team

765
00:48:24,480 --> 00:48:27,400
will assess your case and fight for the compensation you deserve.

766
00:48:27,840 --> 00:48:30,760
Serving all of New Hampshire, Craigan Getzulis is here when

767
00:48:30,760 --> 00:48:33,800
you need us most. Visit craigatzulis dot com for a

768
00:48:33,880 --> 00:48:38,079
free consultation. Craigan getzulis your advocates, your allies.

769
00:48:38,639 --> 00:48:42,719
Speaker 29: Bring your kitchen to life with Queen City Cabinetry, located

770
00:48:42,840 --> 00:48:46,280
at eighty seven Elm Street in the historic Sunbeam Law

771
00:48:46,440 --> 00:48:47,199
in Manchester.

772
00:48:47,679 --> 00:48:49,239
Speaker 27: Open Monday through Friday.

773
00:48:49,199 --> 00:48:52,880
Speaker 29: Nine am to five thirty pm. In Saturdays ten am

774
00:48:53,159 --> 00:48:56,280
to two pm. They can be reached at six h

775
00:48:56,400 --> 00:49:00,280
three two two two to zero zero seven. We're on

776
00:49:00,400 --> 00:49:04,480
the web at Queen Citycabinatree nh dot com.

777
00:49:04,880 --> 00:49:07,880
Speaker 27: Come see the possibility. It's Queen City Cabinet Tree.

778
00:49:08,159 --> 00:49:09,400
Speaker 18: Another crowd sponsor.

779
00:49:09,599 --> 00:49:10,960
Speaker 27: I'm telling you MNH.

780
00:49:11,280 --> 00:49:14,079
Speaker 30: Hey everyone, there's Rob Azevedo, host of Grantited State of Mind,

781
00:49:14,119 --> 00:49:15,880
and I want to tell you about Pembrook City Limits

782
00:49:15,920 --> 00:49:19,199
and the Historic Suncook Village. PCL's an award winning bar,

783
00:49:19,440 --> 00:49:22,400
restaurant and music venue where there's live music five days

784
00:49:22,400 --> 00:49:26,199
a week and twice on Saturdays, everything from blues, country, folk, funk,

785
00:49:26,280 --> 00:49:26,440
and a.

786
00:49:26,440 --> 00:49:27,239
Speaker 3: Whole lot of jazz.

787
00:49:27,719 --> 00:49:30,039
Speaker 30: We have twelve craft beers on tap dedicated to the

788
00:49:30,119 --> 00:49:32,400
local brewers in the area and some of the friendliest

789
00:49:32,440 --> 00:49:35,840
bartenders around. Please come visit Pembrook City Limits at one

790
00:49:35,920 --> 00:49:39,159
thirty four Main Street, the historic Suncook Village, only six

791
00:49:39,280 --> 00:49:43,199
miles outside of Manchester. Open Tuesdays to Wednesdays four to ten.

792
00:49:43,519 --> 00:49:47,320
Thursday's a Sunday eleven to ten Pembrook City Limits where

793
00:49:47,360 --> 00:49:48,360
it's all about the music.

794
00:49:48,559 --> 00:49:51,239
Speaker 27: Disney's cafe is the place to put a smile on

795
00:49:51,320 --> 00:49:53,719
your face. Judy and the crew will take care of you,

796
00:49:53,960 --> 00:49:57,679
bring your appetite and treat your taste. Bus Right Business

797
00:49:57,760 --> 00:50:01,840
Cafe is always a winning choice. Breakfast, lunch or supper

798
00:50:02,320 --> 00:50:06,599
Dizze's Cafe at eight sixty Elm Street in downtown Manchester.

799
00:50:07,079 --> 00:50:09,960
Dine in, take out or make a reservation call six

800
00:50:10,079 --> 00:50:14,039
O three six h six two five three two, Eat,

801
00:50:14,480 --> 00:50:17,239
drink and be happy Dizze's Cafe.

802
00:50:17,599 --> 00:50:20,320
Speaker 6: When it comes to keeping WMNH on the air and

803
00:50:20,440 --> 00:50:24,239
your own personal or business computer needs, trust groll In Computers,

804
00:50:24,440 --> 00:50:28,199
located on Elm Street in Manchester. Grolin handles computer repair,

805
00:50:28,440 --> 00:50:31,320
virus removal and custom built systems. Are you looking for

806
00:50:31,400 --> 00:50:34,719
budget friendly options. Check out our selection of fully inspected

807
00:50:34,840 --> 00:50:38,920
used computers. We offer tailored on site solutions no unnecessary

808
00:50:39,000 --> 00:50:42,599
expenses here. Visit Groland dot com or call Grolling Computers

809
00:50:42,719 --> 00:50:46,320
at six zero three six four five zero one zero one.

810
00:50:46,519 --> 00:50:47,639
Your tech, your way.

811
00:50:47,800 --> 00:50:49,719
Speaker 25: Trust groll In Computers.

812
00:50:56,559 --> 00:50:58,840
Speaker 20: Nice seven times out of ten.

813
00:51:00,320 --> 00:51:01,679
Speaker 18: Tour Music at.

814
00:51:01,679 --> 00:51:07,079
Speaker 28: Night that's title food business program.

815
00:51:06,880 --> 00:51:09,320
Speaker 29: Late Night to Light with DJ Mitas right here on

816
00:51:09,559 --> 00:51:10,960
w MNH Manchester.

817
00:51:12,079 --> 00:51:16,800
Speaker 27: Because Saturdays and Sunday nights midnight to four am.

818
00:51:18,159 --> 00:51:23,599
Speaker 25: This hour on WMNH is sponsored by CGI Business Solutions,

819
00:51:23,960 --> 00:51:27,960
located at five Dartmouth Drive in Auburn. They serve all

820
00:51:28,079 --> 00:51:32,519
your business needs including employee benefits, planning, corporate design and

821
00:51:32,639 --> 00:51:38,599
business administration, investments and wealth management and customized business insurance solutions.

822
00:51:38,920 --> 00:51:41,480
Their phone number is eight sixty six eighty four to

823
00:51:41,559 --> 00:51:45,320
one forty six hundred, or on the web at CGI

824
00:51:45,559 --> 00:51:47,360
business solutions dot com.

825
00:51:50,400 --> 00:51:53,920
Speaker 31: Behold the harmony of airwaves as you immerse yourself in

826
00:51:53,960 --> 00:51:58,360
the captivating frequencies of w m NHLP. Their sonic cards

827
00:51:58,400 --> 00:52:01,719
of Manchester Twins, sending through the ether at ninety five

828
00:52:01,760 --> 00:52:05,280
point three megahertz frequency modulation or transmissions em and ate

829
00:52:05,320 --> 00:52:08,199
from the zenith of one thousand Elm streets, ensure into

830
00:52:08,239 --> 00:52:11,320
the hearts of our creative realm at one nineteen Canal Street,

831
00:52:11,519 --> 00:52:15,360
where innovation and sound colge. They're the improm moter of

832
00:52:15,480 --> 00:52:19,039
Manchester Public Television Service in the venerable city of Manchester,

833
00:52:19,119 --> 00:52:22,880
New Hampshire, USA. Enrich your auditory journey with the depth

834
00:52:22,960 --> 00:52:25,599
of our license to Wesden. When you spent your missives

835
00:52:25,920 --> 00:52:28,360
w M n H ninety five three at gmail dot

836
00:52:28,440 --> 00:52:33,079
com or traverse the virtual corridors of w mnhradio dot org.

837
00:52:33,239 --> 00:52:36,199
Engage with our sonic vibrations by communing with us through

838
00:52:36,239 --> 00:52:39,800
the digital channel and or radio beckons eager to enthrall

839
00:52:39,880 --> 00:52:42,960
you with its mesmerizing cadence and develop you as symphony

840
00:52:43,039 --> 00:52:44,440
of foundless auditories.

841
00:52:44,480 --> 00:52:45,199
Speaker 3: One due.

842
00:52:49,159 --> 00:52:51,519
Speaker 10: WMNH rip the novels.

843
00:52:53,639 --> 00:52:56,480
Speaker 9: We're back from the brains.

844
00:53:30,639 --> 00:53:33,760
Speaker 8: There's nothing near found me your old school and dream cha.

845
00:53:34,320 --> 00:53:37,599
Speaker 3: It's not a thing that they could try to teach us.

846
00:53:37,960 --> 00:53:46,880
Speaker 9: Well. The will has changed, she chace to its open

847
00:53:47,039 --> 00:53:47,559
lots that.

848
00:53:47,760 --> 00:53:51,760
Speaker 23: On her shad, whereby its meaning so we never man thing.

849
00:53:51,880 --> 00:54:00,480
He said that the saying ye decide honest, I know

850
00:54:00,800 --> 00:54:01,920
what you.

851
00:54:02,039 --> 00:54:05,840
Speaker 32: Did us to take it to nine chant nay something

852
00:54:06,159 --> 00:54:10,199
else and some problem never comes at least to stay out.

853
00:54:10,199 --> 00:54:16,800
Speaker 9: Out tonight, Ray dolphs.

854
00:54:16,119 --> 00:54:17,360
Speaker 3: Things not even.

855
00:54:17,239 --> 00:54:21,159
Speaker 8: Though be the one the will fix you up.

856
00:54:21,840 --> 00:54:25,800
Speaker 32: Some mom never comes the least to stands out tonight.

857
00:54:52,159 --> 00:54:56,519
Speaker 10: No God, if no take it to nine chat some

858
00:54:56,760 --> 00:54:58,599
sails fucking out and.

859
00:54:58,800 --> 00:55:07,679
Speaker 23: Some problem never mister tonight, way go best.

860
00:55:07,800 --> 00:55:08,639
Speaker 3: There's not a.

861
00:55:10,800 --> 00:55:12,000
Speaker 8: Don't want it.

862
00:55:13,320 --> 00:55:17,360
Speaker 3: It's the way to trust them. Sister out to do.

863
00:56:20,760 --> 00:56:44,519
Speaker 32: No ass the stay. Do stay yourself, that's ass the

864
00:56:44,639 --> 00:56:44,920
stay