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Speaker 1: From Boise, Idaho. This is your host, Adam Graham, and

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this week we're bringing you a special Thanksgiving Encore. America

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prepares to celebrate Thanksgiving this week. As always, remember, any

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offers or information offered in this podcast is not valid

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unless it's referred to on our Great Detectives website. Since

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this episode was from a few years back, here now

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is our Thanksgiving Encore. Welcome to the Great Detectives of

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Old Time Radio from Boiseidaho. This is your host, Adam Graham.

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If you have a comment, email it to me Box

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thirteen at Great Detectives dot net, Follow us on Twitter

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at Radio Detectives, and become one of our friends on Facebook, Facebook,

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dot com, slash Radiodetectives. Today's program is brought to you

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in part by the financial support of our listeners. You

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can support the show on a one time basis at

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support dot Greatdetectives dot net, and you can also become

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one of our ongoing Patreon supporters for as little as

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two dollars per month at Patreon dot Great Detectives dot net. Well,

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last year we brought you an episode of Casey Crime

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Photographer that said it Thanksgiving and was actually on the

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next series of the show. We were playing sustaining episodes

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and this episode was from the Anchor Hawking run. Well,

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this week we're going to bring you another episode from

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the next run of the show. This one's not part

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of Anchor Hawking. That's part of the Tony Home Permanent run,

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which would take over in March of nineteen forty eight.

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So let's go ahead and take a listen to today's episode.

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The original aired eight November twenty fifth, nineteen forty eight,

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and the title is Holiday.

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Speaker 2: No Way that day is that natural bo and Tony.

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Speaker 3: Tony Tony Home Permanent.

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Speaker 4: The wave that gives that natural look brings you Crime Photographer.

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Good evening, everyone, This is Bill Cullen greeting you for

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Tony Holme Permanent and inviting you to listen to another

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adventure of Casey crime photographer Ace Cameraman who covers the

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crime news of a great city. Written by Alonzo deine Cole.

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Our adventure for tonight Holidays Thanksgiving Day, early afternoon. Among

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the crowd that stroll tightly by the Blue Note cafe,

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is a quite worried looking man who, onelike the other strollers,

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doesn't appear to be in a holiday mood fIF fIF

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Connor's he remember me, fella, Casey morning Express for sure,

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may Hey, it couldn't be betterf I haven't seen you

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since Cash. You must be three years close to I

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guess it is, Miss Williams.

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Speaker 3: I'm me introduce mister Connors.

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Speaker 5: Hello, mister conn Miss Williams.

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Speaker 4: Here's some nice things about you, Biff. They tell me

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you're married, now, raising a family, got your own business.

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Still you find Yeah, well, I gotta be running along

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and I'm saying Casey introduced to you, Miss Way and

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so on. So I'm beff. That was short and sweet.

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Speaker 5: Your friend could hardly contain his joy of meeting you. Yeah,

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he looks worried, Kasey. I don't think his mind is

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really on you. Who is he?

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Speaker 4: Well, he used to be one of the cleverest safe

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crackers in the country.

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Speaker 5: Safe crackers.

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Speaker 4: He knew more about safe than the people that make him.

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I think keep him out of jail. Aw he served

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three stretches.

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Speaker 5: You don't usually introduce needy or criminal association.

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Speaker 4: This wasn't the usual kind of criminal Annie since his

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last term in the big house. He's going absolutely straight too.

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I know that. I hope that is going wrong with

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the guy.

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Speaker 5: Probably not. Huh, here's a blue note.

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Speaker 4: Meat, push open the door for you.

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Speaker 6: Well look who's here?

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Speaker 7: My power afternoon Ethelbert, every Thanksgiving the both of you,

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and to you.

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Speaker 4: You big red letters, had.

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Speaker 6: Your turkey and trimmin's.

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Speaker 5: Yet No, are we planning to go to a movie

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and then have dinner about seven o'clock?

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Speaker 4: You have not here Thanksgiving dinner in this joint a

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whole not a chance.

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Speaker 6: What's the matter with this joint?

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Speaker 7: The chef's putting out a dollar seventy five cents special today.

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Speaker 5: They be taking me to the Ritz for dinner and

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then we're going.

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Speaker 7: To a play yep, movies in the afternoon, the Rich

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for dinner, and then an evening show.

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Speaker 6: Huh, you are having a holiday.

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Speaker 4: Mm hm. We're not gonna waste any of it hanging

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around here, as much as we love you a verse.

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Speaker 7: Oh casey, it just came to my mind as of November.

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Speaker 6: First, you owe us on your October bill.

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Speaker 4: Oh well, that's all right, I'll just carry it over

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to December. I'm gonna need all the dough I've got on.

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Speaker 7: Me today and you'll need all you got on your

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in December. I don't like the donner pal Casey, but I'm.

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Speaker 4: Know you be miss Economy for button in like Christmas Williams.

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Speaker 6: But Casey, after I left your.

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Speaker 4: Side, I got to think we're glad to see you again. Fellow,

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I'm not.

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Speaker 8: Having no no, no thanks. I hope you'll excuse me,

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Miss Williams. Casey, you frank too much work. Step outside

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with me while, Okay.

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Speaker 9: I can talk to you along.

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Speaker 4: Why I'd appreciate it, Casey a lot.

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Speaker 5: Sure, go ahead, Casey, I'll wait for you here.

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Speaker 4: Well, okay, any thanks, Okay, Beth, thanks a million? You

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know a godfle worried? Hello? What's it all about? Are

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you a busy professional woman, a teacher, a nurse, perhaps

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a business career girl. Well, Tony Holme Permanent is a

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blessing for busy women like you. It takes so little

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time to give yourself the most natural looking wave you've

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ever had.

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Speaker 3: With Tony. You don't have to spend half a day

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away from home.

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Speaker 4: You don't have to sit under a hot dryer while

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your Tony wave is taking You can listen to the radio, read,

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do anything you like this weekend. Get the Tony kit

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complete with plastic curlers for just two dollars. Follow the

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simple directions and see how can we need? It is

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to give yourself the loveliest wave you've ever had with

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Tony Holme permanent, the wave that gives that natural look.

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Speaker 10: Oh and I, Tony, turn.

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Speaker 4: Into the side street, Kase you ain't too crowded. We

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can talk, okay, but I gouldn't wish this on you.

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Speaker 8: Casey, you ain't a guy who owes me anything. After

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I run into you by accident a while ago, I

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got to think and it maybe it was one of

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them them signs you see, I've been praying.

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Speaker 4: Yeah, well it was always.

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Speaker 8: The regular in my book, and I got to think

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that maybe you was the one guy in the world

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I could time to for help.

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Speaker 4: Well kind of help you need. I'm not so heavy

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with doll I had plans for the day. But if

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you've got the hen, I don't want any money. Oh well,

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you got out in trouble man. Any minute, you're wrong

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with the cops again. Not yet, not yet, Casey.

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Speaker 8: I've been one hundred percent straight since I came out

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of store last time.

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Speaker 4: I asked you to believe that. I believe you, But

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I the wife and I filled up a nice little business.

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We got.

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Speaker 8: We got a store uptown with the back of candy

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toy stationary.

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Speaker 4: Things were going along just swell until two weeks ago.

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What happened?

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Speaker 8: Then a couple of guys come into my store with

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a proposition. They wanted me to crack a safe. Yeah,

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they offered me five thousand bucks to do this job.

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Speaker 4: Nice money. I told them where to go with it.

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Speaker 8: A couple of days later they come back, they raised,

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they were offered a ten grand.

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Speaker 4: They threw them out of the place. Gone. I didn't

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give me nothing. He told me I'd play along with

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him or routes.

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Speaker 8: And then this morning I found a loaded forty five

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caliber automatic under my candy Conic gun. Yeah, I'm an

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ex con Casey, a three time loser.

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Speaker 4: You know what I mean for me? If the cops

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kind of got in my possession, you'd get the book.

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Speaker 8: Sure, I'd be put away from the keats. The gun

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was planted under that kind of casey. Sometime during the

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night I wrapped it up. I made an excuse to

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the wife, so I had to come downtown and I

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went to the North Bridge and I dropped it in

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the river.

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Speaker 4: This gun was left where you'd be sure to find it. Yeah,

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it wasn't met as a frame, just a there's a

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hint of what will happen if I don't play ball?

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Or the two guys been around to follow up their hint.

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I don't know.

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Speaker 8: I ain't been back to the store. Oh and so

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I left the bridge. I'd just been walking around and

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trying to think. My wife don't know anything about them

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guys in the proposition, I ain't told it. I can't

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tell her.

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Speaker 4: You know, it's all about my record. You can figure

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how sketch you'd be, and you haven't told the cops.

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The guy like me ever runded the cop, Well, it'd

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be smart if you ran to this.

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Speaker 8: Why not in the first place, they wouldn't believe me.

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The next con, I figure I's trying to put something over.

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Speaker 4: I can't blame him. Casey, Well, I can tell them.

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Speaker 8: You've got to promise me you wont listen. Suppose they

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did believe me. What happens They set a trap for

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the guys who proposition me. Them guys got friends will

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note at the squall that the cops acted on how

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to come from me.

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Speaker 4: My life wouldn't be worth a. Knickel. Yeah, you got something.

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Promise me you won't say nothing but the cops. Case

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you got it? What do you want me to do?

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But I don't know.

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Speaker 8: I just had to talk to somebody had so well

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guy I knew was right, and I ain't got such

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a good head. Casey got figured maybe maybe you.

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Speaker 4: Could figure my way out. Thanks for the compliment. A

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lot of guys that came to you with propers, I

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don't know. They didn't tell me the name. I get

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around a little. What do they look like? One was

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tall and skinny, hit a long face and big yellow teeth.

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He kind of looks like a horse.

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Speaker 7: Uh.

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Speaker 4: The god is a little dark, heavy set. Wait a minute,

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the one you say it looks like a horses. He

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got a long scar on his neck. Yeah, like somebody

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done a shift job burn. It can't be two months.

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Who answer to that description scar neck, horse face must

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be Jake Bannison heads strong arm going for Nick Reynolds.

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Nick Reynolds, you must know who he is. The name's

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familiar brain. You are out of touch with the rackets kid.

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Nick Reynolds is the mister big behind some of the

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dirtiest crooked work that goes on in this town. But

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he posses as a solid, respectable business guy, and the

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cups have never been able to name him. Oh wait

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a minute, tell me more about the little heavy set

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mugg or.

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Speaker 6: He looks he's.

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Speaker 4: Got a cauliflower ear like a pug, and he stinks

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of perfume. Tony chef, he's another rentals guys. This is

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beginning to sound like hot stuff. I don't suppose they

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told you who's safe. They won't open no, didn't take

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anything about it. Only there was a small house safe,

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a real tough one. That's why he needed an old

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hotshot like me. And they offered your dough to crack

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at ten grand. They didn't say anything about giving you

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a share of what's in it. That's right.

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Speaker 8: I got a notion there isn't any do in a box.

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The sharecase he just up and that somebody wants and

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he's willing to pay high for.

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Speaker 4: I think you can find out for those guys where

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the box is, the location of the house, and who

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lives there. But they won't tell me. Let's they say,

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I'll play ball with him. Oh that's right to do.

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But like to your store, they got to be paying

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you a visit there today after planning that gun try

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to learn all you can and then well and made

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other plans for this afternoon. But I'll stick around a

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blue note. I'll write down the number of a phone

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booth there so we can talk in private when you

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call here. It is thanks, Casey. I've got a dinner

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date for round seven that I can't break, fellow, and

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then I'll tie it up for the rest of the evening.

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So if your guys don't show by seven, things are

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going to have to just ride a while. I guess.

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In the meantime, I'll be running down a little tip

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I got on Nick Reynolds. Yeah, it's just a piece

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of gossip. I didn't think much of until I heard

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your story. Now it may mean something. Well, song, but

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take it easy now, I'm trying not to worry.

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Speaker 6: Huh.

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Speaker 4: I'll try. But remember you promised me, Casey, you will

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tell the cop. Yeah, yeah, and that's right. I won't

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tell the cops.

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Speaker 5: And because you're at this con, big friend is so worried.

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Speaker 6: Case you need me sitting.

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Speaker 5: Here in a blue note for most of the afternoon.

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Speaker 4: I phoned you.

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Speaker 5: I be a little delayed, little delayed, look at the time.

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Speaker 6: It's nearly five o'clock.

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Speaker 5: You were taking me to the movies this afternoon, Remember.

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Speaker 4: Please, kid, what's a movie when a guy's in a jam?

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Speaker 6: Oh?

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Speaker 4: You know, poor fellow is in a bed spot.

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Speaker 7: He's in a terrible spot from what case he's told us,

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Miss Williams. And I don't see what can be done

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about it without help from the cops.

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Speaker 4: And if they're brought into the picture, Ethelbert, theif would

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be killed for squealing. Nick Reynolds is behying this thing,

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and he plays rough casey.

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Speaker 5: You said you've been following up a tip on Reynolds.

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Speaker 4: Why you know Monday's Summer's Annie the Summers Detective Agency.

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Speaker 5: Summer's Blackmail Bureau would be a better name for his

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out there.

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Speaker 4: That's right, Well, Summers is a shakedown artist of the

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dirtiest kind. He's done a lot of work for Nick Reynolds,

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but he doesn't work for him anymore. There's been a bust.

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Speaker 6: I heard that.

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Speaker 4: My tip was that Summers pulled the old double cross

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and collected evidence against his boss Reynolds, enough to send

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him away for life. Now, Reynolds is supposed to be

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paying him plenty to keep that evidence under his hat.

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Speaker 5: That tip sounds like a phony. Reynolds wouldn't pay a

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black mallory have him bumped off.

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Speaker 4: Well, sure, like you just said, Casey, nick Reynolds plays rough. Yeah,

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but he's too smart to play rough when he stands

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to lose by it. Though, if Summers has the goods

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on Reynolds, it's in documentary form, it won't be destroyed

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by his death, since that Somemers has convinced his old

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boss that the stuff will be made public he's killed

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or if he disappears.

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Speaker 6: Yeah, that's so for Casey. What's it got to do

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with your friend fifth Connor?

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Speaker 4: Therefore, for him, two of Nick reynolds trusted hoods offer

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00:14:33,840 --> 00:14:37,120
fifth of plat sum, not a share to open a

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00:14:37,120 --> 00:14:40,080
house safe? You mean, well, it could be Monty Summer's

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documentary evidence that Reynolds wants.

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Speaker 5: If it is, and we could get it, Casey.

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Speaker 4: What a story, ring, What a story? But exclusive pictures.

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It'd be worth missing an afternoon movie for, wouldn't it, kid.

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Speaker 5: I'll say?

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Speaker 7: And if the evidence got Nick Reynolds sent to jail,

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this town would be a much better place.

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Speaker 4: To live in.

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00:14:59,320 --> 00:15:03,120
Speaker 6: But how thissteria yours gonna help this Connor's.

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00:15:02,720 --> 00:15:07,600
Speaker 4: Casey m a dozen that's a complication. Well, since Fifth

301
00:15:07,679 --> 00:15:09,879
hasn't phoned, I guess Renol's Muggs didn't show up at

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this place. He's probably taking a holiday off.

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00:15:12,799 --> 00:15:15,440
Speaker 5: No, I'm like a little holiday myself and away from

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this place. I'm hot, green, Casey, let's start for the Red.

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00:15:18,840 --> 00:15:21,559
Speaker 4: Well, it's nearly seven o'clock yet, any I told her

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these phones out telling me you've gone to the Red

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case he ended up call.

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Speaker 5: Oh no, ethel, but I'm not gonna have my Thanksgiving

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Ginnis boiled by phone calls for Casey.

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Speaker 7: You're so anxious to get out of the good old

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blue note, Miss Williams Night thought.

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Speaker 5: Well you think again. After we leave here, you tell

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nobody where to reach us. We're going to have the

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rest of this day to watch Soul.

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Speaker 4: Yeah, you'll you'll do it, Miss william says, power. Really

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nothing I can do for Fifth tonight. And he's going

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00:15:45,559 --> 00:15:48,120
to stall those guys anyway, will you say, Casey? Yeah,

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Well come on Annie.

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Speaker 5: At last, we're going places.

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Speaker 4: Right along Applebird.

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Speaker 3: Yes, Waller phone call for you and the boot mister Connor.

322
00:15:59,200 --> 00:16:01,559
Speaker 6: No, no excuse me.

323
00:16:01,879 --> 00:16:04,279
Speaker 5: I might have known Afflsbert, I might have known.

324
00:16:12,039 --> 00:16:15,360
Speaker 4: Hello, Casey speaking, this is best Connors. Anything happened.

325
00:16:15,399 --> 00:16:17,639
Speaker 9: It's funny. The guys were here and I couldn't stroll

326
00:16:17,679 --> 00:16:18,320
them like you told me.

327
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Speaker 4: Casey couldn't.

328
00:16:19,519 --> 00:16:21,120
Speaker 9: No, they said that get my wife and kid if

329
00:16:21,159 --> 00:16:23,559
I didn't fall in line. They weren't nothing. I gotta

330
00:16:23,639 --> 00:16:25,320
do that job tonight at twelve.

331
00:16:24,960 --> 00:16:26,600
Speaker 4: Are roundswell tonight?

332
00:16:26,679 --> 00:16:28,399
Speaker 9: Yeah, I promised him. I will, and I have to.

333
00:16:28,840 --> 00:16:30,879
There's no way you or anybody else can help me out.

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Speaker 4: Pal.

335
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Speaker 9: I just fall because I said I wouldn't. You wouldn't

336
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have kept hanging around till seven o'clock.

337
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Speaker 4: All wit a minute, don't hang out fifty fifth After

338
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you promise those guys that you do their job, they

339
00:16:42,000 --> 00:16:43,120
tell you where it's gonna be.

340
00:16:43,759 --> 00:16:46,919
Speaker 9: Yeah, you know what you promised me, case No cop.

341
00:16:46,799 --> 00:16:48,879
Speaker 4: You've got to trust me, So I'll give me that address,

342
00:16:48,919 --> 00:16:49,159
will you.

343
00:16:49,559 --> 00:16:53,000
Speaker 9: Okay? It's on righter wrap No. Number three nine.

344
00:16:52,879 --> 00:16:59,039
Speaker 4: Oh three nine all like that's right. Those two guys

345
00:16:59,039 --> 00:17:01,120
will go there with you at twelve tonight.

346
00:17:01,240 --> 00:17:03,159
Speaker 9: Yeah, and I'll be watching me every minute. Casey would

347
00:17:03,200 --> 00:17:03,679
go to them.

348
00:17:04,000 --> 00:17:06,400
Speaker 4: Well, listen, stay in your store. I'll get in touch

349
00:17:06,440 --> 00:17:10,640
with it there by ten thirty. There's a swell chance.

350
00:17:10,640 --> 00:17:12,759
But if there's every chance, now, stop worrying, kid, you'll

351
00:17:12,799 --> 00:17:14,359
hear from me in a couple of hours. Hold on,

352
00:17:14,519 --> 00:17:22,680
I got faith, so on faith and a liar. I

353
00:17:22,799 --> 00:17:24,359
can't figure any chance.

354
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Speaker 6: Yeah, yeah, I know.

355
00:17:29,599 --> 00:17:31,960
Speaker 5: Don't tell me we're not heading for the risks and

356
00:17:32,039 --> 00:17:32,640
Turkey dinner.

357
00:17:32,880 --> 00:17:35,440
Speaker 4: No, they're gonna have to look over money Summer's house

358
00:17:35,519 --> 00:17:35,799
right now.

359
00:17:35,960 --> 00:17:37,319
Speaker 5: I mean Money Summers a black.

360
00:17:37,319 --> 00:17:39,319
Speaker 4: I looked up his address this afternoon, just in case.

361
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Speaker 3: He lives at three.

362
00:17:40,880 --> 00:17:43,920
Speaker 4: Nine O Riker Avenue. Come on, Annie, let's go. Yeah

363
00:17:43,960 --> 00:17:45,119
my song after s.

364
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Speaker 6: No Thanksgiving dinner for you to overs through the hose. WeGo.

365
00:18:03,799 --> 00:18:07,759
The horse knows the way to carry the sleigh through

366
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the southing.

367
00:18:09,559 --> 00:18:11,960
Speaker 4: The hi Yeah, the bird say it wasn't that the

368
00:18:12,359 --> 00:18:14,200
Casey and Miss Williams just leaving Blue Nose.

369
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Speaker 6: Oh, mister Cullen, Yeah that was them.

370
00:18:16,519 --> 00:18:17,559
Speaker 3: Well I didn't speak to me.

371
00:18:17,599 --> 00:18:20,079
Speaker 6: Well, they was going so fast they must not have seen.

372
00:18:19,960 --> 00:18:21,759
Speaker 3: Your Yeah, why to speed?

373
00:18:21,960 --> 00:18:24,920
Speaker 7: Well, they're trying to stop a safe cracker from cracking

374
00:18:24,960 --> 00:18:25,880
a shape he don't.

375
00:18:25,680 --> 00:18:26,240
Speaker 6: Want to crack.

376
00:18:26,480 --> 00:18:29,200
Speaker 4: I don't quite follow you Ethelbert but I gather that

377
00:18:29,519 --> 00:18:31,240
crime does not take a holiday.

378
00:18:31,480 --> 00:18:35,519
Speaker 7: No, and in case he figured it would, he'd promise

379
00:18:35,599 --> 00:18:38,960
miss Williams Turkey and Trimin's is the rich. That's where

380
00:18:38,960 --> 00:18:39,839
he made his mistake.

381
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Speaker 3: Mistake.

382
00:18:40,559 --> 00:18:43,240
Speaker 4: Well, I'd call that a pretty sound idea for Thanksgiving Day.

383
00:18:43,640 --> 00:18:47,359
Speaker 7: Making a promise to a woman, Mister Cullen, that's always

384
00:18:47,400 --> 00:18:47,920
a mistake.

385
00:18:48,039 --> 00:18:50,960
Speaker 4: Oh, no, Ethelbert Tony made a promise to millions of women,

386
00:18:51,160 --> 00:18:53,599
and it's been a great thing for everybody.

387
00:18:53,759 --> 00:18:54,119
Speaker 3: You see it.

388
00:18:54,240 --> 00:18:56,680
Speaker 4: Not many years ago, no one ever dreamed women could

389
00:18:56,720 --> 00:19:00,880
give themselves satisfactory permanence right at home. But Tony developed

390
00:19:00,880 --> 00:19:04,000
a gentle cream cold wave that they knew would give

391
00:19:04,079 --> 00:19:07,119
wonderful results with all types of hair. So they made

392
00:19:07,119 --> 00:19:10,039
a promise and backed it up with a guarantee. They said,

393
00:19:10,160 --> 00:19:12,920
Tony will give you a permanent that lasts just as

394
00:19:13,000 --> 00:19:16,119
long as a fifteen dollars beauty shop wave and is

395
00:19:16,200 --> 00:19:19,759
guaranteed to look more natural or your money bag. And

396
00:19:19,960 --> 00:19:23,799
women were interested. They tried Tony and the promise came true.

397
00:19:24,079 --> 00:19:26,680
They found they can give themselves waves and curls with

398
00:19:26,799 --> 00:19:29,720
Tony that are so soft and shiny they look like

399
00:19:29,920 --> 00:19:33,000
naturally curly hair, so they told their friends.

400
00:19:33,240 --> 00:19:34,319
Speaker 3: And what's happened?

401
00:19:34,759 --> 00:19:35,480
Speaker 6: You're asking me?

402
00:19:35,640 --> 00:19:36,920
Speaker 4: Or is that a reader oracle?

403
00:19:38,119 --> 00:19:40,160
Speaker 3: I guess everybody knows the answer, Ethelbert.

404
00:19:40,400 --> 00:19:44,039
Speaker 4: Now, more than a million women each month use tony

405
00:19:44,240 --> 00:19:46,000
home permanent, more.

406
00:19:45,799 --> 00:19:49,759
Speaker 6: Than a million. Mm hmm, that's a lot of women.

407
00:19:50,160 --> 00:19:55,279
Speaker 4: Yes, each month, another million women give themselves lovely Tony waves.

408
00:20:11,160 --> 00:20:14,359
That's the whale of a big house, and all these

409
00:20:14,359 --> 00:20:16,240
summers live as well. Well.

410
00:20:16,279 --> 00:20:18,480
Speaker 5: Now that we're looking at it, Kasey, what are you

411
00:20:18,559 --> 00:20:18,920
going to do?

412
00:20:19,200 --> 00:20:21,759
Speaker 4: And we've got to think as though we planned to

413
00:20:21,880 --> 00:20:24,000
crack a safe here to ourselves.

414
00:20:24,000 --> 00:20:25,759
Speaker 5: The easiest to go in and out from the front.

415
00:20:27,079 --> 00:20:28,559
Speaker 4: Seeah, I think I'd come here in a car and

416
00:20:28,680 --> 00:20:30,799
parking under one of these threes, not directly in front

417
00:20:30,799 --> 00:20:32,839
of the house, of course, but close enough for a

418
00:20:32,920 --> 00:20:33,480
quick getaway.

419
00:20:33,519 --> 00:20:34,400
Speaker 5: Can't even look out in it?

420
00:20:34,480 --> 00:20:36,039
Speaker 4: No, no, no, I wouldn't do that. A guy sitting

421
00:20:36,079 --> 00:20:37,720
in a park car, I'd have tracked attention. If I

422
00:20:37,759 --> 00:20:41,240
don't want, i'd post to lookout, but he won't be

423
00:20:41,519 --> 00:20:43,440
in the car even near it most of the time.

424
00:20:44,039 --> 00:20:45,519
Speaker 5: Well, now that that's decided, what do we do?

425
00:20:47,680 --> 00:20:51,720
Speaker 4: Oh kid? Trying to make us think. I'm pretty sure

426
00:20:51,720 --> 00:20:53,960
that Nick Renolds will come here himself with fifth and

427
00:20:54,000 --> 00:20:56,880
those rotenensnet. He trust nobody but himself to take that

428
00:20:56,880 --> 00:20:58,920
evidence out of the safety wanted his own hands, take

429
00:20:58,960 --> 00:20:59,720
it away and examine it.

430
00:21:00,200 --> 00:21:01,880
Speaker 5: Well, if it's a chacker getting him, we've got to

431
00:21:01,880 --> 00:21:02,799
get the cons in on this.

432
00:21:03,279 --> 00:21:06,160
Speaker 4: They catch FIfF opening the Saints in spite of everything

433
00:21:06,160 --> 00:21:07,640
that we could say in a Guy's favorite, the law

434
00:21:07,680 --> 00:21:10,920
says the fourth offenders go up for life, and we've

435
00:21:10,920 --> 00:21:13,119
got to catch Renolds with the goods and at the

436
00:21:13,160 --> 00:21:14,519
same time he's FIfF out of it.

437
00:21:14,759 --> 00:21:15,680
Speaker 5: It's a large order.

438
00:21:17,799 --> 00:21:19,440
Speaker 4: It is too large kit. I can't see any way

439
00:21:19,480 --> 00:21:19,839
to fill it.

440
00:21:20,759 --> 00:21:23,599
Speaker 5: Casey, if you and I came back here at midnight

441
00:21:23,640 --> 00:21:26,440
and hit ourselves. When Reynolds and Diffconnor and the others

442
00:21:26,480 --> 00:21:28,680
come out, we can cover them with a couple of guns.

443
00:21:28,799 --> 00:21:30,880
We'll capture Reynolds and his gang and the bis Connors

444
00:21:30,880 --> 00:21:31,359
get away.

445
00:21:32,559 --> 00:21:34,799
Speaker 4: Annie, can you really picture you and me in a

446
00:21:34,839 --> 00:21:37,839
gangster movie act like that? We only get ourselves shot.

447
00:21:38,759 --> 00:21:41,279
Speaker 5: I guess you're not the right type. Why aren't we

448
00:21:41,359 --> 00:21:43,039
Like some of the characters we see in the movie.

449
00:21:43,519 --> 00:21:46,359
They solve everything so easily by just drawing their trust

450
00:21:46,400 --> 00:21:47,079
the automatic and.

451
00:21:47,039 --> 00:21:47,839
Speaker 6: Going banging nags.

452
00:21:48,839 --> 00:21:50,880
Speaker 5: We were what am I a woman or a mouse?

453
00:21:51,200 --> 00:21:53,960
In that Weston we saw last week, gal my size

454
00:21:54,000 --> 00:21:56,799
captured a dozen tough cattle rustlers by yourself.

455
00:21:56,960 --> 00:21:58,480
Speaker 4: H well, our boyfriend was pretty good too.

456
00:22:00,119 --> 00:22:02,640
Speaker 5: Enhance them in the fancy pants. He is certainly a

457
00:22:02,720 --> 00:22:03,920
shock with a lowrys too.

458
00:22:04,440 --> 00:22:07,359
Speaker 4: LA's the character who tried to steal Graham Tappy's b

459
00:22:07,480 --> 00:22:10,079
friends his pino pony so hard. I kind of got

460
00:22:10,079 --> 00:22:10,680
a can bones.

461
00:22:10,720 --> 00:22:15,079
Speaker 5: Listen, I'm so easy in the movie. Oh well, I'm

462
00:22:15,160 --> 00:22:16,839
wind of thinking, been getting us anywhere?

463
00:22:19,160 --> 00:22:20,759
Speaker 4: Wait a minute, maybe it is.

464
00:22:22,279 --> 00:22:25,759
Speaker 6: Lasso man Horse Casey.

465
00:22:26,400 --> 00:22:28,519
Speaker 4: He got an idea and you have. Yeah, come on,

466
00:22:28,559 --> 00:22:30,200
get in the car. I'll tell you about it. If

467
00:22:30,319 --> 00:22:31,960
we we're on a way to borrow something that I'll need,

468
00:22:32,079 --> 00:22:34,039
then I'll get to bit Connor and tell him honestly

469
00:22:34,119 --> 00:22:49,960
that he has a swell chance. I really got a chance, Casey.

470
00:22:50,000 --> 00:22:51,920
But you have every chat tell me no, not yet.

471
00:22:52,599 --> 00:22:54,640
Do tell me about the setup for the night as

472
00:22:54,640 --> 00:22:57,559
you got it from Reynolds Rodman. Want to meet him

473
00:22:57,559 --> 00:22:59,559
a couple of blocks from here, see at eleven o'clock like.

474
00:22:59,519 --> 00:23:00,000
Speaker 6: I told you.

475
00:23:00,079 --> 00:23:00,480
Speaker 4: That's right.

476
00:23:00,519 --> 00:23:02,279
Speaker 8: They'll be in a blacks todaan. They'll have the tools

477
00:23:02,319 --> 00:23:04,599
they'll need for the safe. Yet, can we drive right

478
00:23:04,599 --> 00:23:06,720
out to the richer revenue house? They say, the guy

479
00:23:06,720 --> 00:23:08,319
who owns the joint won't be there. That's why the

480
00:23:08,400 --> 00:23:10,440
jef's got to be done tonight. It's only a servant

481
00:23:10,440 --> 00:23:12,160
in her house and he's been fakirs. They don't look

482
00:23:12,160 --> 00:23:14,440
for any trouble then, no, they claim it'll be a said.

483
00:23:14,319 --> 00:23:16,039
Speaker 4: You want to do for a surprise. You're the only

484
00:23:16,079 --> 00:23:17,799
one who's not headed for trouble. Okay, see tell me

485
00:23:17,799 --> 00:23:19,960
what I know. No, unless you know about this whole thing,

486
00:23:20,000 --> 00:23:21,799
the better for you. But I want you to be

487
00:23:21,839 --> 00:23:23,079
sure to do three things.

488
00:23:23,119 --> 00:23:23,359
Speaker 9: Yeah.

489
00:23:23,880 --> 00:23:26,319
Speaker 4: First, after you open the safe, don't let any of

490
00:23:26,319 --> 00:23:28,319
the guys with you destroy anything they taken out of it.

491
00:23:28,519 --> 00:23:31,400
Acts scared. Insist on getting out of the house right away. Okay,

492
00:23:31,440 --> 00:23:34,200
all right now. Second, when you reach the getaway car

493
00:23:34,279 --> 00:23:38,079
or get into the back seat bat seat. Yeah. Third,

494
00:23:38,680 --> 00:23:41,200
take a grip on the front seat and brace yourself.

495
00:23:41,240 --> 00:23:43,680
Brace yourself with all the muscle that you've got.

496
00:23:56,960 --> 00:23:58,559
Speaker 5: They's been in that house of one hours.

497
00:24:00,759 --> 00:24:03,359
Speaker 4: This summer's safe must be really tough Reynold's hand to

498
00:24:03,359 --> 00:24:05,200
get an expert like fifth this job.

499
00:24:05,960 --> 00:24:07,039
Speaker 5: You're sure it was Nick Reynolds.

500
00:24:07,039 --> 00:24:10,200
Speaker 4: That was a dead shot. He went in with FIfF

501
00:24:10,240 --> 00:24:13,519
in more space. Reynold's presence here any means that we

502
00:24:13,599 --> 00:24:17,039
gets light about his the personal interest in that safe.

503
00:24:17,039 --> 00:24:19,319
That explosion from inside the house, it means Biff has

504
00:24:19,319 --> 00:24:19,960
had to blow us.

505
00:24:20,319 --> 00:24:22,119
Speaker 5: Then it's open down and he'll soon be coming out. Right,

506
00:24:22,880 --> 00:24:25,160
you're certainty. Look out didn't see what you did a

507
00:24:25,200 --> 00:24:25,599
while ago?

508
00:24:25,839 --> 00:24:27,359
Speaker 4: Of course you didn't. It's the end of the block

509
00:24:27,400 --> 00:24:29,039
across the street when I was working in the dark.

510
00:24:29,599 --> 00:24:30,920
Speaker 5: I hope the work he did work.

511
00:24:31,319 --> 00:24:34,839
Speaker 4: Trust old cowboy, casey and quiet quiet, keep back any

512
00:24:34,839 --> 00:24:37,640
shadows that are coming from the house. Now and fast.

513
00:24:38,559 --> 00:24:40,119
Speaker 5: Reynolds is carrying the break, see it.

514
00:24:41,599 --> 00:24:43,960
Speaker 4: Look God set himself in the car. He's going to drive.

515
00:24:44,960 --> 00:24:45,839
Speaker 6: He started the motor.

516
00:24:46,279 --> 00:24:48,960
Speaker 4: Since the others get in, I'll help him make a

517
00:24:48,960 --> 00:24:49,960
good fast get.

518
00:24:49,799 --> 00:24:51,599
Speaker 5: Away if he doesn't start that car.

519
00:24:52,160 --> 00:24:55,359
Speaker 4: To me, the others are in the car now.

520
00:24:56,160 --> 00:24:57,960
Speaker 5: Reynold's taking the front seat beside the driver.

521
00:24:58,480 --> 00:24:59,519
Speaker 4: That's perfect.

522
00:25:00,599 --> 00:25:01,240
Speaker 5: Now they're all in.

523
00:25:01,680 --> 00:25:06,559
Speaker 4: It's time for me to impersonate a cop here goes, Hey,

524
00:25:06,640 --> 00:25:07,799
you fellow's in that car?

525
00:25:08,880 --> 00:25:10,400
Speaker 5: You made the driver step on the gas game.

526
00:25:10,480 --> 00:25:10,839
Speaker 4: I'm hard.

527
00:25:10,839 --> 00:25:11,599
Speaker 3: It won't be long now.

528
00:25:16,960 --> 00:25:17,920
Speaker 5: Can't do the scheme work.

529
00:25:17,960 --> 00:25:19,519
Speaker 4: Couldn't say, oh, come on, we got to get swiff

530
00:25:19,559 --> 00:25:21,559
out of the pe. He braced himself to if he

531
00:25:21,599 --> 00:25:26,319
didn't look a man's calling from Okay, that happened to

532
00:25:26,319 --> 00:25:26,599
the car?

533
00:25:27,119 --> 00:25:28,960
Speaker 6: There's nothing in front of us. There's nothing there now.

534
00:25:29,480 --> 00:25:31,640
Speaker 4: Suddenly the things stopped like we had a stone wall.

535
00:25:31,680 --> 00:25:33,920
I see your free playmates went half through the wind ship.

536
00:25:33,960 --> 00:25:36,480
There are cool tasey whatever mind. You haven't got time

537
00:25:36,519 --> 00:25:38,119
to ask any questions. Now rand at Corny you'll find

538
00:25:38,160 --> 00:25:40,359
a black Ford cool here's the key. Get in, drive

539
00:25:40,359 --> 00:25:42,079
home quick as you can. And if anybody ever asked

540
00:25:42,079 --> 00:25:44,359
you say you've never been near Riker Avenue. Come on,

541
00:25:44,359 --> 00:25:46,720
bif get going quick, get whatever you say. But you're

542
00:25:46,759 --> 00:25:48,519
like to know what happened to that car. See what

543
00:25:48,640 --> 00:25:50,880
the sleeping mister Reynolds has in his briefcase.

544
00:25:51,119 --> 00:25:51,519
Speaker 6: I want.

545
00:25:54,279 --> 00:25:59,720
Speaker 4: A lot of letters, canceled chicks, all incriminating, I imagine

546
00:26:01,000 --> 00:26:03,200
now and we'll call a coup.

547
00:26:03,559 --> 00:26:06,400
Speaker 5: And then casey, do you think a gown may safely

548
00:26:06,480 --> 00:26:08,519
hopeful a bite of unis.

549
00:26:22,799 --> 00:26:26,000
Speaker 3: Or soft wal water shampooing.

550
00:26:26,839 --> 00:26:34,519
Speaker 2: Use Tony cream shampoo even in the hardest water, Tony

551
00:26:35,160 --> 00:26:37,240
cream shamyo.

552
00:26:38,400 --> 00:26:40,200
Speaker 3: Yes, even in the hardest water.

553
00:26:40,400 --> 00:26:45,839
Speaker 4: Tony cream shampoo gives soft water shampooing rinses away dandruff instantly.

554
00:26:46,240 --> 00:26:50,079
Leave's hair so soft, so smooth, so shining clean.

555
00:26:50,480 --> 00:26:50,839
Speaker 3: Today.

556
00:26:50,839 --> 00:26:54,240
Speaker 4: Bring out the sparkling beauty of your hair with soft

557
00:26:54,240 --> 00:26:58,480
water shampooing. Get the handy tube or jar of Tony

558
00:26:58,720 --> 00:26:59,880
cream shampoo.

559
00:27:00,480 --> 00:27:01,000
Speaker 3: It's you.

560
00:27:11,000 --> 00:27:13,680
Speaker 6: I'm terribly sorry we can't get you and Casey.

561
00:27:13,799 --> 00:27:16,480
Speaker 7: Nothing better out of the kitchen than this cold turkey,

562
00:27:16,559 --> 00:27:17,359
Miss Williams.

563
00:27:17,400 --> 00:27:19,880
Speaker 3: But of course the cooks left hours ago.

564
00:27:20,279 --> 00:27:23,680
Speaker 5: I just love cold turkey Ethelburn and at this hour

565
00:27:23,880 --> 00:27:26,880
morning got so much nicer than at dinner I expected

566
00:27:26,920 --> 00:27:28,519
to have the writ Yeah.

567
00:27:28,440 --> 00:27:32,599
Speaker 4: Well awful. Sorry anyway, I certainly comed up your day,

568
00:27:32,640 --> 00:27:33,640
didn't done? You ever know?

569
00:27:33,720 --> 00:27:37,119
Speaker 5: When I'm kidding, Casey, I've had a swell day, a

570
00:27:37,160 --> 00:27:42,599
real day for Thanksgiving, because we accomplished something worthwhile you're powering, Shay.

571
00:27:42,759 --> 00:27:45,000
Speaker 7: You ain't call me yet how you made that car

572
00:27:45,160 --> 00:27:47,079
stop like it had hit a stone wall.

573
00:27:48,559 --> 00:27:50,759
Speaker 4: You've seen a lot of wild West movies Eelburn.

574
00:27:51,400 --> 00:27:53,480
Speaker 5: Well, then you've seen men pulled off running horses with

575
00:27:53,559 --> 00:27:54,279
the lassos.

576
00:27:54,359 --> 00:27:57,359
Speaker 4: Lots of the horse always kept on running. Yeah, and

577
00:27:57,440 --> 00:27:59,799
I imagine the horse was last tho, not the rider.

578
00:28:00,480 --> 00:28:02,519
Speaker 5: The horse had stopped dead, and it's right it would

579
00:28:02,559 --> 00:28:03,680
keep on going over its head.

580
00:28:03,799 --> 00:28:05,759
Speaker 4: That's what happened to the crooks getaway car.

581
00:28:06,079 --> 00:28:09,279
Speaker 6: You last showed that car case that monitor.

582
00:28:09,319 --> 00:28:11,680
Speaker 5: That casey brought a very strong one hundred and fifty

583
00:28:11,680 --> 00:28:12,880
foot steel cable out.

584
00:28:12,720 --> 00:28:14,359
Speaker 4: There Athelbram with a hook at both ends.

585
00:28:14,640 --> 00:28:16,640
Speaker 5: In the darkness, he took one end of his cable

586
00:28:16,640 --> 00:28:18,920
to the axle of that car and the other end

587
00:28:19,160 --> 00:28:19,920
to a big tree.

588
00:28:20,000 --> 00:28:21,799
Speaker 4: I made a noise like a cop to startle a

589
00:28:21,839 --> 00:28:23,359
driver into a good fast start.

590
00:28:23,440 --> 00:28:26,119
Speaker 5: And when the cable paid out to it little.

591
00:28:25,759 --> 00:28:29,200
Speaker 6: I get it. And the only reason fifth Connors was

592
00:28:29,400 --> 00:28:31,559
not to the wind she liked the others, was because

593
00:28:31,599 --> 00:28:33,200
he braced himself like it's old.

594
00:28:33,359 --> 00:28:35,440
Speaker 4: That's right. Even he was a little dazed when he

595
00:28:35,480 --> 00:28:36,160
climbed out though.

596
00:28:36,359 --> 00:28:39,960
Speaker 5: Oh anyway, Reynolds and his mob were all washed up

597
00:28:40,359 --> 00:28:43,480
thanks to the stuff in that briefcase. They can't hurt

598
00:28:43,519 --> 00:28:45,440
fIF Connors or anyone else.

599
00:28:46,960 --> 00:28:49,000
Speaker 6: You two had quite a holiday.

600
00:28:49,359 --> 00:28:58,240
Speaker 5: Mm hmmm, no, grand one, Oh abed some more cold turkey, Casey.

601
00:28:58,920 --> 00:29:03,119
Speaker 4: Uh yeah, I will any And it didn't cost you anything.

602
00:29:03,519 --> 00:29:06,359
Speaker 7: You saved money by not going to the movies, to

603
00:29:06,519 --> 00:29:07,720
the rich for dinner, and to.

604
00:29:07,799 --> 00:29:09,119
Speaker 6: A play after for sure.

605
00:29:09,200 --> 00:29:09,640
Speaker 4: That's right.

606
00:29:09,799 --> 00:29:12,680
Speaker 6: Yeah, you can't need all of dough you got on you.

607
00:29:13,039 --> 00:29:14,240
It's not huh.

608
00:29:14,319 --> 00:29:16,440
Speaker 7: I hate to done a friend, Casey, but there's a

609
00:29:16,440 --> 00:29:19,200
little matter of that long overdue October bill and.

610
00:29:19,920 --> 00:29:22,359
Speaker 5: You've got your case. I'm dead to right.

611
00:29:22,799 --> 00:29:27,839
Speaker 4: Oh. If this isn't an ending for a grand here,

612
00:29:27,920 --> 00:29:29,799
I've been roped in myself.

613
00:29:29,759 --> 00:29:34,960
Speaker 6: Well, as my sister Edna says. Quote, if you give

614
00:29:35,000 --> 00:29:39,559
a calf enough rope, he can't be led to wolf. No, No,

615
00:29:40,119 --> 00:29:44,440
you can lead a camp before he crosses. I'll be

616
00:29:44,559 --> 00:29:49,240
turned if I don't forget it unquote.

617
00:29:50,200 --> 00:29:53,440
Speaker 4: Well, all right, after that, here's what I owe you.

618
00:29:54,200 --> 00:29:55,240
Happy Thanksgiving.

619
00:29:55,440 --> 00:30:01,279
Speaker 6: Yeah, Happy Thanksgiving, blur, Happy Thanksgiving to all.

620
00:30:11,759 --> 00:30:12,799
Speaker 3: Crime Photographer.

621
00:30:12,839 --> 00:30:16,880
Speaker 4: Starring Scott Scottsworth as Casey, is directed by John Deets.

622
00:30:16,960 --> 00:30:19,720
It's written by Alonzo Dean Cole, and it's based on

623
00:30:19,839 --> 00:30:23,119
the fictional character of flash Gun Casey, created by George

624
00:30:23,119 --> 00:30:26,720
Harmon Kosts original music by Archie Blyier, and the program

625
00:30:26,759 --> 00:30:29,799
features Ms Chan Miner as Ann and John Gibson as

626
00:30:29,839 --> 00:30:33,640
Ethelbert Herman Hittisen is the Bluemouth pianist. This Bill Cullen

627
00:30:33,720 --> 00:30:35,799
asking you to listen again next week at the same

628
00:30:35,839 --> 00:30:39,799
time to another exciting adventure of crime photographer, and also

629
00:30:39,839 --> 00:30:43,359
inviting you to listen to This is Norah Drake Radio's

630
00:30:43,400 --> 00:30:46,839
thrilling serial Romance, heard every Monday through Friday to thirty

631
00:30:46,839 --> 00:30:48,200
pm New York Time.

632
00:30:48,319 --> 00:30:49,920
Speaker 3: Over most of these stations.

633
00:30:50,119 --> 00:30:52,480
Speaker 4: Both of these programs brought to you each week by

634
00:30:52,599 --> 00:30:57,079
Tony Holme Permanent the Wave that gives that natural look,

635
00:30:57,440 --> 00:31:02,119
and the new Tony Cream Shampoo for soft water shampooing

636
00:31:02,480 --> 00:31:03,960
even in the hardest water.

637
00:31:06,480 --> 00:31:09,240
Speaker 3: This is CBS. We're ninety nine million.

638
00:31:08,960 --> 00:31:21,160
Speaker 4: People gather every week the Columbia Broadcasting System.

639
00:31:21,559 --> 00:31:26,400
Speaker 1: Welcome back. The number one thing that stands out to

640
00:31:26,440 --> 00:31:32,000
me about this episode is just the lack of actors

641
00:31:32,039 --> 00:31:37,359
in it. You know, we've got our three regulars and

642
00:31:37,400 --> 00:31:42,119
then we've got this safe cracker. One of the actors

643
00:31:42,680 --> 00:31:47,079
doubles up to play the waiter, and as doctor Joe

644
00:31:47,119 --> 00:31:51,720
Webb points out, we never hear the gangsters, and nearly

645
00:31:51,839 --> 00:31:58,240
all the action occurs off screen and we're only told

646
00:31:58,279 --> 00:32:01,599
about it later. Have to see how many of these

647
00:32:01,720 --> 00:32:07,480
issues are persistent with the Tony's when we get to it.

648
00:32:07,599 --> 00:32:12,079
I will say that even though Tony's is a permanent

649
00:32:12,200 --> 00:32:17,000
their sponsorship of Casey was only temporary. So if you

650
00:32:17,000 --> 00:32:19,839
get into those episodes and find them not quite to

651
00:32:19,920 --> 00:32:25,880
your liking, be aware that there will be another sponsor

652
00:32:26,079 --> 00:32:30,119
and more changes in the series. There's a relatively few

653
00:32:31,039 --> 00:32:34,000
number of those in circulation. I do think that the

654
00:32:34,119 --> 00:32:38,440
lack of actors. One potential thing that stands out to

655
00:32:38,599 --> 00:32:43,880
me is that this was actually released on Thanksgiving, so

656
00:32:44,240 --> 00:32:46,920
you might have had a bit of a skeleton crew

657
00:32:46,960 --> 00:32:51,119
and there could be some economizing. I do like that

658
00:32:51,200 --> 00:32:55,319
we did get a bit of you know, Casey's just

659
00:32:55,480 --> 00:32:59,400
you know, soft guys, soft side. You know, somebody's in trouble,

660
00:32:59,519 --> 00:33:03,160
they need help, and Casey, you know, will go out

661
00:33:03,400 --> 00:33:06,559
of his way to help them, and I think that's true.

662
00:33:06,720 --> 00:33:09,000
You know, in the Pulps as well as on the

663
00:33:09,119 --> 00:33:13,519
radio program, the commercials were something that Doctor Webb had

664
00:33:13,559 --> 00:33:20,559
issue with, particularly the in the middle of the episode commercials,

665
00:33:21,319 --> 00:33:25,240
and I tend to agree with him. Some of those

666
00:33:25,319 --> 00:33:29,880
in episode commercials. He mentioned comedy programs and some that

667
00:33:30,240 --> 00:33:33,079
I can think of, or Burns and Allen, you know,

668
00:33:33,519 --> 00:33:39,519
great commercials that got worked into the story. And even

669
00:33:39,519 --> 00:33:42,559
if you want to look at more of a dramatic program.

670
00:33:43,599 --> 00:33:50,079
With Martin Kane on television, they actually did these same

671
00:33:50,240 --> 00:33:56,119
sort of embedded commercials and it worked on the Martin

672
00:33:56,200 --> 00:34:02,799
Caine TV Show because you know, the Tobacconist, it was

673
00:34:03,000 --> 00:34:08,440
like a regular a character and uh, you know, Martin

674
00:34:08,559 --> 00:34:11,559
kin had a reason for going in there. You know,

675
00:34:11,760 --> 00:34:15,760
Ethelbert doesn't really have a good reason to be discussing

676
00:34:15,960 --> 00:34:22,079
Tony's home permanent, and so that uh uh that that's

677
00:34:22,119 --> 00:34:24,559
a bit awkward and I don't think works as well.

678
00:34:24,679 --> 00:34:28,039
There are others too that I think are you know,

679
00:34:28,239 --> 00:34:32,039
if not like completely awkward. There's just kind of a

680
00:34:32,079 --> 00:34:37,199
waste of time, uh Lum and Abner for General Electric,

681
00:34:37,320 --> 00:34:42,400
those commercials there's no humor and uh there's just not

682
00:34:42,519 --> 00:34:45,519
a whole lot of value in them. So it's a

683
00:34:45,519 --> 00:34:49,000
tricky thing. I will say that I did like the

684
00:34:49,079 --> 00:34:53,639
singing uh a commercial later on, I thought that one

685
00:34:53,760 --> 00:34:56,920
was pretty cute. All right, Well, now it's time to

686
00:34:56,920 --> 00:35:00,159
thank our Patreon supporter of the day. Thank you to

687
00:35:00,360 --> 00:35:06,159
Murph MCB, Patreon supporter since February, currently supporting us at

688
00:35:06,199 --> 00:35:10,320
the Shawmus level of four dollars more per month. Well

689
00:35:10,400 --> 00:35:13,519
that will do it for today. If you are enjoying

690
00:35:13,519 --> 00:35:17,519
this podcast, please rate and review it wherever you're downloading

691
00:35:17,719 --> 00:35:21,280
of this podcast from now. I will note as we

692
00:35:21,599 --> 00:35:25,360
close that it's really rare for us to have Thanksgiving

693
00:35:25,440 --> 00:35:30,719
detective programs. We've had a total of four in fourteen years,

694
00:35:30,760 --> 00:35:33,920
and two of them have been episodes of Casey Crime Photographer,

695
00:35:34,119 --> 00:35:38,880
and I don't actually expect we'll have any additional detective

696
00:35:38,960 --> 00:35:42,960
episode with a Thanksgiving theme. But if you do find

697
00:35:43,000 --> 00:35:48,320
yourself hungary for more Thanksgiving full time radio goodness, then

698
00:35:48,360 --> 00:35:51,480
I encourage you to take your plate and go over

699
00:35:51,559 --> 00:35:54,599
to a second helping over on Amazing World of Radio

700
00:35:55,159 --> 00:36:00,239
Amazing Great Detectives dot net. On Wednesday, we will have

701
00:36:00,480 --> 00:36:04,599
our annual Thanksgiving special. Of course, we will be back

702
00:36:04,719 --> 00:36:08,280
next Monday with another episode of Casey Crome Photographer.

703
00:36:08,599 --> 00:36:10,280
Speaker 4: But coming up tomorrow.

704
00:36:09,880 --> 00:36:12,760
Speaker 1: We'll have an episode of Jeff Reagan.

705
00:36:12,519 --> 00:36:16,480
Speaker 11: Where after Drake Mirabel's husband had bought five hundred thousand

706
00:36:16,519 --> 00:36:20,599
worms twelve months ago from Myron Balaxi. The worms across

707
00:36:20,679 --> 00:36:25,079
five thousand bucks. Mirabel's prize winnings converted to cash. It

708
00:36:25,199 --> 00:36:28,480
started a worm farm. The algebra of the multiplication of

709
00:36:28,519 --> 00:36:30,400
worms began to get out of hand the way Mirabel

710
00:36:30,480 --> 00:36:32,480
told it. So I said, maybe we better get out

711
00:36:32,480 --> 00:36:33,880
to her place and get the dope straight from the

712
00:36:33,880 --> 00:36:34,760
worm grower's mouth.

713
00:36:35,440 --> 00:36:40,599
Speaker 4: She said, okay.

714
00:36:42,039 --> 00:36:44,719
Speaker 11: The Drake place was on the El Segunda flats between

715
00:36:44,840 --> 00:36:49,440
La and the Ocean Rancho Gussano in the Spanish worm ranch.

716
00:36:49,519 --> 00:36:54,679
That meant clapboard house, ten mailbox, jasoline cans and orange

717
00:36:54,679 --> 00:36:57,960
crates lying around the yard. I thought of a beautiful

718
00:36:58,000 --> 00:37:00,199
kid like Mirabel Drake living in a place like that,

719
00:37:01,400 --> 00:37:02,599
and then all of a sudden I was thinking of

720
00:37:02,639 --> 00:37:03,079
something else.

721
00:37:03,119 --> 00:37:04,840
Speaker 4: Oh, I haven't got the shot him down.

722
00:37:04,880 --> 00:37:06,559
Speaker 11: Come on, baby, those shots came from the back of

723
00:37:06,599 --> 00:37:08,519
the house. I ran it around to the back of

724
00:37:08,519 --> 00:37:12,400
the tumble downon house Mirabelle Drake fifteen seconds in bacony. Yeah,

725
00:37:12,440 --> 00:37:15,239
but after Drake hadn't shot himself. It was a third shot.

726
00:37:15,280 --> 00:37:16,719
Just as I rounded the corner of the house and

727
00:37:16,800 --> 00:37:19,639
I saw a tall, gaunt guy and overalls you had

728
00:37:19,639 --> 00:37:21,760
an old fashioned Springfield rifle in his hands, and when

729
00:37:21,760 --> 00:37:22,920
he saw me he shouldered at me.

730
00:37:23,119 --> 00:37:25,199
Speaker 6: Stop Now you sure sure?

731
00:37:26,199 --> 00:37:28,239
Speaker 1: I hope you'll be with us then. In the meantime,

732
00:37:28,320 --> 00:37:32,360
do send your comments to Box thirteen at Great Detectives

733
00:37:32,400 --> 00:37:36,960
dot nat, follow us on Twitter at Radio Detectives, and

734
00:37:37,119 --> 00:37:41,639
become one of our friends on Facebook, Facebook dot com.

735
00:37:41,639 --> 00:37:46,280
Slash Radio Detectives from Boise, Idaho. This is your host,

736
00:37:46,440 --> 00:37:48,079
Adam Graham signing off.

