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<v Speaker 1>You're listening to Later with Moe Kelly on demand from

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<v Speaker 1>KFI A M six forty.

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<v Speaker 2>Key Mark talks about pontificates about pop culture, Ron and

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<v Speaker 2>Report with Mark Ronner.

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<v Speaker 3>K if I am six forty Later with mo Kelly.

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<v Speaker 4>Now it's time for the Runner Report with Mark Ronner.

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<v Speaker 3>Okay, if you get nothing else out of Death of

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<v Speaker 3>a Unicorn, buy the extra insurance when you ran a

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<v Speaker 3>car in case you hit a mythical creature. When you're

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<v Speaker 3>on the road in the middle of nowhere with your

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<v Speaker 3>snotty daughter on the way to do a job for

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<v Speaker 3>a family of despicable rich people. I think I got

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<v Speaker 3>all that right. Here's some of the trailer for Death

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<v Speaker 3>of a Unicorn. It's a little long, but it lays

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<v Speaker 3>out the situation pretty well. And I think I bleeped

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<v Speaker 3>out the F bomb. Be ready anyway, foosh?

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<v Speaker 5>Really, are you okay?

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<v Speaker 4>It kind of felt like it was showing me something.

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<v Speaker 5>I guess it's feeling. I don't think we're supposed to

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<v Speaker 5>be here. The Leopolds donated this entire nature preserve, and

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<v Speaker 5>they care about a lot of things, not just pharmaceutical.

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<v Speaker 4>Fine, I will sit there and smile.

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<v Speaker 5>I'm sorry what happened? You want from the airport or

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<v Speaker 5>what it's perfect timing.

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<v Speaker 3>I need you to act like everything is fine.

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<v Speaker 5>Is there something in your car? A lot of species

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<v Speaker 5>in this area are rare.

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<v Speaker 3>What exactly are you saying this is?

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<v Speaker 5>Though?

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<v Speaker 3>I think we know exactly what it is.

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<v Speaker 5>Horse like mammalia with some sort of protrusial growth.

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<v Speaker 4>It's a unicorn.

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<v Speaker 5>I don't think I should be in in swim shorts

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<v Speaker 5>for this moment. I don't think that we're supposed to

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<v Speaker 5>have this. We need to study it. Whatever it is,

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<v Speaker 5>it seems to be the cure for cancer. Cancer.

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<v Speaker 1>That's the biggest one.

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<v Speaker 6>An opportunity for greatness, for immortality.

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<v Speaker 5>Have a big sorry, dad, Please, you're supposed to be

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<v Speaker 5>We need to give the little one back. Okay, bad

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<v Speaker 5>things will happen, your tuer, You do whatever I have

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<v Speaker 5>you to take care of you. Few retreat in the

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<v Speaker 5>face of opportunity. That horn was rather girth, So.

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<v Speaker 3>That's just ended at girths Got that pay for the coverage?

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<v Speaker 3>Do some doughnuts avoid the magic courses with the single

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<v Speaker 3>huge horn? A Death of Unicorn is a horror comedy

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<v Speaker 3>that manages to be both a little offbeat and pretty

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<v Speaker 3>formulaic at the same time. Sort of a fun concept

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<v Speaker 3>and a fun cast. Paul Ruds the dad. Jenna Ortega

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<v Speaker 3>is the daughter, although honestly he looks young enough at

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<v Speaker 3>fifty five that they are not immediately sure if they

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<v Speaker 3>aren't a couple. Instead, Richard E. Grant is the dying

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<v Speaker 3>patriarch of his family that's filthy rich from pharmaceuticals, so

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<v Speaker 3>you know what their karma is going in And if

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<v Speaker 3>you've never seen him in with Nail and I from

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<v Speaker 3>nineteen eighty seven, the funniest drunken buddy lout comedy of

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<v Speaker 3>all time, for God's sake, fix that. I know it's

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<v Speaker 3>streaming on Max probably other places as well. Tayleone's his

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<v Speaker 3>wife where she'd been. Will Poulter is their idiot, wasteful son.

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<v Speaker 3>He played Adam Warlock in that last Guardians of the

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<v Speaker 3>Galaxy movie. And the bald guy who played NoHo Hank

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<v Speaker 3>in Barry is there put upon pardoning manservant Anthony Kerrigan's

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<v Speaker 3>his name? What's the deal? Then the daughter bonds mystically

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<v Speaker 3>with the whacked unicorn. Then the pharma ghoul family realizes

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<v Speaker 3>you can harvest all the magical stuff from unicorns to inject,

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<v Speaker 3>to drink to snort, possibly uses suppositories, and it does

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<v Speaker 3>everything from clear up your complexion to clearing up your

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<v Speaker 3>terminal cancer. And it turns out unicorns aren't cool with this.

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<v Speaker 3>They don't stay dead, and they have extremely violent, pissed

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<v Speaker 3>off unicorn friends, all while the father is trying to

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<v Speaker 3>repair his relationship with his daughter. And those are your

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<v Speaker 3>screenwriting one oh one basics. I want to put this

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<v Speaker 3>right out there. I'm all for impaling the rich on

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<v Speaker 3>unicorn horns. It's a no brainer, especially pharmaceutical rich. I

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<v Speaker 3>think we'd all like to see the Sackler family get

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<v Speaker 3>their just desserts from pretty much any mythical creature, maybe

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<v Speaker 3>kicked by centaurs. There's an idea, now, don't you steal

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<v Speaker 3>that killer centaurs. I like Paul Rudd. In fact, I

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<v Speaker 3>think soon people who don't like Paul red will be

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<v Speaker 3>held without charges at black sites overseas. But the pacing

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<v Speaker 3>of this movie is a bit sluggish. The writing never

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<v Speaker 3>lives up to the novelty of the premise, especially the

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<v Speaker 3>dialogue with the rich. And there's never a second where

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<v Speaker 3>you're not abundantly aware of the fakery of the horse monsters,

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<v Speaker 3>whether it's a cgi one chasing someone down a hallway

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<v Speaker 3>or a practical version of one lying down, and made

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<v Speaker 3>me wonder, actually, if movie special effects are getting worse somehow,

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<v Speaker 3>and when things really get going, the mad cap of

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<v Speaker 3>it all just does not glue together. Sorry horses to

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<v Speaker 3>the point where my mind was wandering and I started

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<v Speaker 3>thinking about having to sweep up after some of these

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<v Speaker 3>things in a parade. It's the first feature from the

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<v Speaker 3>director and writer Alex Sharman, who's mainly been a producer

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<v Speaker 3>up to now. He may be heading back to producing.

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<v Speaker 3>It's hard to make horror comedies because a lot of

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<v Speaker 3>the times they're just not enough of either. And I

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<v Speaker 3>got to wonder what Sam Raimie could have done with

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<v Speaker 3>something like this. Here's your pull quote publicist. Death of

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<v Speaker 3>Unicorn doesn't need to be euthanized like a horse at

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<v Speaker 3>Santa Anita, but it's a long way from being a

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<v Speaker 3>perfect special once in a lifetime thing. You don't dare, miss,

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<v Speaker 3>miss miss Also, I'm available for the Killer Centaur script. Mo,

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<v Speaker 3>did you drop pictures of unicorns and rainbows? You're peachy?

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<v Speaker 3>It's cool. I absolutely did. I knew it. I knew it,

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<v Speaker 3>so listen. Last week, a weekend rather, I watched this

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<v Speaker 3>great old comedy from the early eighties called Used Cars

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<v Speaker 3>with Kurt Russell, and it made me wonder, when was

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<v Speaker 3>the last time we saw a really great recent comedy.

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<v Speaker 3>This wasn't it. That's all I got, MO, it's back

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<v Speaker 3>to you. Well you didn't like the movie though, right, Uh,

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<v Speaker 3>it wasn't the worst thing I've ever seen, but I

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<v Speaker 3>can't really recommend it.

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<v Speaker 4>Okay, you were You were nicer in your run A

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<v Speaker 4>report than you were in your off air conversation. Yeah,

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<v Speaker 4>I was some blood. I was like, okay, he's going

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<v Speaker 4>for the throat.

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<v Speaker 3>That's I'm kind of confused.

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<v Speaker 4>I'thing like, okay, did he like change his mind during

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<v Speaker 4>break something?

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<v Speaker 3>I think all I said to you was followed by

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<v Speaker 3>a thumbs down. And this was just that's enough, that's enough.

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<v Speaker 3>You pooped on it, and then you gave it a

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<v Speaker 3>thumbs down. This was just an expansion of thumbs down.

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<v Speaker 4>Okay, you made it seem like it was plausible, Like

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<v Speaker 4>you know, your mileedge may vary. You may enjoy it,

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<v Speaker 4>but it's not a code Brown.

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<v Speaker 3>It's not a complete code brown. It's uh, some people

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<v Speaker 3>do like it. But I get the impression from what

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<v Speaker 3>I've seen that people are saying that these are people

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<v Speaker 3>who haven't been to a lot of movies.

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<v Speaker 6>I don't know, it's Mark, we can't go with a

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<v Speaker 6>lot of people. I don't care about you. I care

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<v Speaker 6>about you, I don't care about a lot of people.

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<v Speaker 6>I don't want to hear about Oh what they say

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<v Speaker 6>and people say no, what does Mark say? Well, if

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<v Speaker 6>you were reading between the lines, Tuala, this was a

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<v Speaker 6>mixed to negative recommendation.

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<v Speaker 4>You see when we talked earlier, there was no mixed

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<v Speaker 4>There was just thumbs down. His thumbs down. It wasn't

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<v Speaker 4>like horizontal thumb First.

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<v Speaker 3>Of all, let's be careful with that. The thumbs are copyrighted.

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<v Speaker 3>And I don't want to get sued. Do you want

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<v Speaker 3>to get sued? Look, okay, okay, we're not. We're not

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<v Speaker 3>gonna hold you to the thumbs down. But when you

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<v Speaker 3>poop on it, when you give it a straight verry,

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<v Speaker 3>always a poop it is.

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<v Speaker 6>Yeah, it is followed by a thumbs by, by a

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<v Speaker 6>thumb going down, that means that means it's going to trash.

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<v Speaker 3>Basically. Basically, basically, I'm kind of confused. Man, Well, it's like, uh,

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<v Speaker 3>sixty five percent trash? How's that trash is trash? But

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<v Speaker 3>it still falls on it like the rotten tomatoes rule

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<v Speaker 3>is like if it's under fifty percent or something like that,

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<v Speaker 3>it's it's no go. But that would be a d Right, Well,

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<v Speaker 3>we're not in school, no, Mark, Mark.

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<v Speaker 5>Confused.

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<v Speaker 1>Mark.

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<v Speaker 6>If if there's trash, if there's trash in the trash

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<v Speaker 6>can right next to you, right and it's halfway full,

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<v Speaker 6>are you reaching your hand in there?

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<v Speaker 3>Because frenzy is this going on right now?

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<v Speaker 6>I need for this I need for this film to

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<v Speaker 6>get a definitive either code brown or you know what's

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<v Speaker 6>their great letter?

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<v Speaker 3>Yeah, there's more nuanced than that. To life you do swine?

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<v Speaker 3>You called a swine.

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<v Speaker 4>That seems like an insult, like one hundred percent trying to.

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<v Speaker 3>Get trying to get clarity, where's the wine? If you

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<v Speaker 3>want me to be absolutely clear about something that's very

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<v Speaker 3>banal of you. I really I think we've beaten this

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<v Speaker 3>dead unicorn to death. And then

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<v Speaker 1>Go to the new You're listening to Later with Moe

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<v Speaker 1>Kelly on demand from KFI A M six forty