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<v Speaker 1>It's Night Side with Dan Ray. I'm tell you easy

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<v Speaker 1>Boston's new video.

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<v Speaker 2>I re number three of Night's Side. And I met

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<v Speaker 2>this actress best way to say it, because she has

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<v Speaker 2>done in front of the audience work and voiceover work

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<v Speaker 2>and has done so for over twenty five to thirty years,

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<v Speaker 2>of which that I'm aware of, it might be more

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<v Speaker 2>than that. And she's gosh darn good and I periodically

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<v Speaker 2>have her on. So for the women listening, here's somebody

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<v Speaker 2>who speaks for you, speaks to you. Ever want to

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<v Speaker 2>get in this business, ever wish you could do commercials

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<v Speaker 2>or do a character. And with the video game craze

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<v Speaker 2>out there, that's given her major exposure, and I'm going

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<v Speaker 2>to have her tell people about some of her characters

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<v Speaker 2>that she has done. Please welcome D B. Cooper.

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<v Speaker 3>I'd like to sound effect man thy here.

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<v Speaker 2>Rob is on the ball tonight. He hasn't done that

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<v Speaker 2>for any of our other callers. Oh guess so tell

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<v Speaker 2>me how many years have you been doing this?

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<v Speaker 3>Well, let's it depends on how far back you count.

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<v Speaker 3>If you want to go back to where I started

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<v Speaker 3>being on the radio all the time I was ten,

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<v Speaker 3>and that is a very that's called a very very

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<v Speaker 3>long time. I was in Hawaii and KGMB radio had

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<v Speaker 3>an afternoon disc jockey called Granny Goose, and I was

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<v Speaker 3>a feature on his show every day because I called

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<v Speaker 3>him with a riddle a couple of times and he

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<v Speaker 3>asked me to call him back every day and I did.

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<v Speaker 2>Is he still doing it?

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<v Speaker 3>I don't have any idea. I can't tell you. I mean,

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<v Speaker 3>I only know how old I am. He's older than that.

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<v Speaker 2>In your career mirrors June's Foray legendary voice actress because

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<v Speaker 2>she began at around eleven or twelve years old in Springfield.

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<v Speaker 3>Yeah, so this is Honolulu. Yeah, it is amazing. The

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<v Speaker 3>business of doing live radio is so like we're doing now.

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<v Speaker 3>There's there's nothing like There's nothing like it. They're really

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<v Speaker 3>except for live TV. But live media is exceptionally thrilling,

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<v Speaker 3>and it's always the kind of thing that keeps you

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<v Speaker 3>right on the edge of your performance ability.

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<v Speaker 2>I totally agree, because I've been doing this for forty

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<v Speaker 2>five plus years.

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<v Speaker 3>Yeah.

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<v Speaker 2>Yeah, and I'm not too old to get out of

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<v Speaker 2>it yet.

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<v Speaker 3>You're not too old, young man. You just step lively there,

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<v Speaker 3>I tell you.

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<v Speaker 2>And that's the example. You have done many video game

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<v Speaker 2>characters and voices. Tell my audience some of the characters

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<v Speaker 2>that you've done that they may recognize.

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<v Speaker 3>Well if you play games, and I hope you do.

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<v Speaker 3>One of the most well known things I'm in is

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<v Speaker 3>BioShock two. It's a game that came out oh golly

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<v Speaker 3>ages ago, but people still play it. I'm the first

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<v Speaker 3>voice recorder you come to, so it's kind of it's

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<v Speaker 3>exceptionally fun to be one of the first games that

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<v Speaker 3>you hear within the gameplay. It's after the intro. So

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<v Speaker 3>there's that. I am in job simulator. I'm in I'm

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<v Speaker 3>trying to pull up my curriculum VTA right now because

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<v Speaker 3>I've done so much I can't remember, to be honest,

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<v Speaker 3>I was in the Ghostbusters game that came out after

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<v Speaker 3>all the ladies who were in the movie, The Ghostbusters

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<v Speaker 3>all ladies film, So I was in that. I got

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<v Speaker 3>to be Slimmer in that game.

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<v Speaker 2>There right there, I want to hear Slimer.

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<v Speaker 3>Okay, stand by a second.

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<v Speaker 2>And did you drink your high cooler?

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<v Speaker 3>I sure need to do after that. There's a lot

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<v Speaker 3>of I am best known, I believe for doing creature sounds,

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<v Speaker 3>all right, so uh there's so Slimer is one, of course,

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<v Speaker 3>in particular that everybody knows. I'm some characters in a

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<v Speaker 3>in a a digital card game called Heartstone. And the

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<v Speaker 3>other thing that I'm in that I'm particularly delighted about

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<v Speaker 3>is a game called Monster Train. It's another it's a

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<v Speaker 3>it's called a roguelike deck builder game. And in Monster

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<v Speaker 3>Trains there are about two hundred named characters, of which

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<v Speaker 3>I do have. There were only two voice actors in

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<v Speaker 3>all of the chapters of that game. It was me

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<v Speaker 3>and a fellow named Michael Schwalby, and we did all

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<v Speaker 3>of the voices and vocalizing in that game.

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<v Speaker 2>Do you have a hundred voices different enough from each other?

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<v Speaker 3>In you? I. What I have is an arsenal of

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<v Speaker 3>sounds and a very good a very good sound designer.

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<v Speaker 3>So I've got anything from the tiny creatures called the morsels,

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<v Speaker 3>who make a little tiny sound when they spawn, when

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<v Speaker 3>they show up on the field of play, and they

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<v Speaker 3>go pah or handah. Can I oh those guys. But

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<v Speaker 3>then I also have h the deeper creatures or the bosses,

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<v Speaker 3>and they have like you know, they'll have a they'll

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<v Speaker 3>have sounds like like that.

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<v Speaker 2>Yeah, it's totally amazing.

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<v Speaker 3>You know what, I just did it. I got it

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<v Speaker 3>from just practicing for the hell of it. Honestly, let

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<v Speaker 3>me try this out, and what does it look like?

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<v Speaker 3>And how can I make this sound by manipulating my face,

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<v Speaker 3>by figuring out where my placement is? What does it

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<v Speaker 3>sound like if I grab my cheek and pull it.

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<v Speaker 3>You know, it's all of these things that you learn

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<v Speaker 3>about your instrument and also how to bring things to

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<v Speaker 3>the table that people don't even know they need, for

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<v Speaker 3>instance in Monster Train and I figure, I can't even

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<v Speaker 3>remember how I figured this out, Morgan. Is if you

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<v Speaker 3>need to sound like you're like you're in water or

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<v Speaker 3>that you've got water in your throat, and that can

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<v Speaker 3>be anything from being an undersea creature to being someone

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<v Speaker 3>who's swimming for fun, to being someone who's dying because

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<v Speaker 3>they're drowning. One of the things that you do to

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<v Speaker 3>get that sound is jello.

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<v Speaker 2>And what do you do with all You put it.

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<v Speaker 3>In your mouth. Yeah, you put it in your mouth

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<v Speaker 3>and you can speak past it and it sounds like

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<v Speaker 3>you're you're gargling water or that you've got water going

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<v Speaker 3>down your throat, but you don't because it's semi solid.

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<v Speaker 3>You can't do it with water. You'll choke because it'll

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<v Speaker 3>run right down while you're trying to make assonant sounds.

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<v Speaker 3>While you're trying to make sounds with you know, actual

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<v Speaker 3>voice behind them. You can do gardling and all that

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<v Speaker 3>kind of stuff because you've got your voice box shut off.

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<v Speaker 3>But if your voicebox is active, you can't have water

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<v Speaker 3>trickling down your throat at the same time. But this wonderful, viscous,

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<v Speaker 3>gooey jello. I've started telling them the studio in that

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<v Speaker 3>I work for a video game company called Senimax Online,

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<v Speaker 3>and I direct, I cast and direct the video game

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<v Speaker 3>called The Elder Scrolls Online. And when I need my

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<v Speaker 3>actors to do something that's called a sound set where

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<v Speaker 3>they have to, you know, fight and die, I have

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<v Speaker 3>the engineers stock some jello for me so they can

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<v Speaker 3>die miserably.

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<v Speaker 2>Do you know the name Samantha de SEUs, Well you could.

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<v Speaker 2>I'm sure she has name recognition out there. She is

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<v Speaker 2>the daughter of Carl de Seus' sixties busy morning man,

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<v Speaker 2>and she is doing what you're doing, uh, blazing a

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<v Speaker 2>trail for women voiceover works hot.

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<v Speaker 3>I'm looking at her online right now.

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<v Speaker 2>She's awesome, right and I had her a couple of

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<v Speaker 2>weeks ago, and the key is with her then and

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<v Speaker 2>now with you. I want you to address the women

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<v Speaker 2>listening in the audience to get them interested in just

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<v Speaker 2>stepping up to the plate. You've always wanted this, so

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<v Speaker 2>you were curious about doing it. You got to step

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<v Speaker 2>up to the plate and take a swing. Let me

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<v Speaker 2>take my break, and when we come back, I'm gonna

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<v Speaker 2>let you speak to all the women listening right now,

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<v Speaker 2>let me take the break here time here on nights

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<v Speaker 2>side ten, sixteen seventeen degrees.

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<v Speaker 1>Now back to Dan Ray Mine from the Window World

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<v Speaker 1>Life Side Studios on WBZ the news radio.

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<v Speaker 2>I've got voice actor dB Cooper here. I've had her

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<v Speaker 2>on the radio with me many many a time. And dB,

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<v Speaker 2>there are people listening out there. And I'll say people,

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<v Speaker 2>because maybe I was in error to make you address

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<v Speaker 2>just the women. There are a lot of people out there,

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<v Speaker 2>male and female that want to get into the business,

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<v Speaker 2>and they don't know how you've gotten into the business.

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<v Speaker 2>You've mastered your craft. Tell people how to step up

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<v Speaker 2>to the plate and just try tell them where they

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<v Speaker 2>can make inquiries.

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<v Speaker 3>Help them the way that I know you and I

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<v Speaker 3>were talking about being in radio at a young age

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<v Speaker 3>and live radio and the kind of stuff that we're

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<v Speaker 3>doing right now, and those paths where you could be

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<v Speaker 3>a weekend disc jockey on a rock and roll station

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<v Speaker 3>or do overnight news on a news station, they don't

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<v Speaker 3>really exist anymore. For someone who's sitting in the seat

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<v Speaker 3>you're sitting in, you have to have done it for

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<v Speaker 3>quite a long time. It's not something that's easy to

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<v Speaker 3>aspire to. So the path I took doesn't exist anymore.

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<v Speaker 3>So here's what I teach my students. The first thing

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<v Speaker 3>when someone reaches out to me and asks me about

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<v Speaker 3>what it takes to be a voice actor is I

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<v Speaker 3>will give them an assignment, and that is you must

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<v Speaker 3>read aloud three three to five minutes a day. You

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<v Speaker 3>must read aloud three to five minutes a day. It

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<v Speaker 3>doesn't matter what it is. It can be your favorite novel.

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<v Speaker 3>It can be a magazine that you like with articles,

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<v Speaker 3>it can be a user manual, it can be a cookbook.

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<v Speaker 3>But read aloud for five minutes a day. And when

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<v Speaker 3>you've done that for a month, call me back or

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<v Speaker 3>send me another note, and then we'll talk about getting

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<v Speaker 3>you stopped up to start thinking about how to do

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<v Speaker 3>scripts and that sort of thing. And Morgan, I have

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<v Speaker 3>to tell you that out of if it were one

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<v Speaker 3>hundred wannabes, probably I've probably heard them too. Because the

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<v Speaker 3>what you need more than anything else to quote get

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<v Speaker 3>started unquote in this business is drive, and you have

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<v Speaker 3>to be willing to do a lot of work. You

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<v Speaker 3>have to read aloud every day because you have to

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<v Speaker 3>get used to your voice every day. You need to

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<v Speaker 3>be able to understand what your voice can do. I

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<v Speaker 3>can work with you on that, but you have to

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<v Speaker 3>be willing to work every day. And that's the thing

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<v Speaker 3>that really separates most people. So start by reading aloud

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<v Speaker 3>and then record yourself and listen back and get used

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<v Speaker 3>to the sound of your voice being played back to you.

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<v Speaker 3>Because everyone likes to complain about the sound of their

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<v Speaker 3>voice being played back to them because they think it

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<v Speaker 3>doesn't sound like them. However, it's what everybody's hearing. The

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<v Speaker 3>reason you sound different being played back on a device

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<v Speaker 3>is because you're hearing what everyone else is hearing. When

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<v Speaker 3>you're speaking, you're doing all manner of vibrations within your

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<v Speaker 3>neck where your voice boks in all of the soft

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<v Speaker 3>and hard tissue that comes up from your neck into

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<v Speaker 3>your oral cavity and through your sinuses, and your whole

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<v Speaker 3>face is vibrating with the sound of your voice. All

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<v Speaker 3>of that stuff goes directly into your middle ear and

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<v Speaker 3>is making harmonic impressions on all of your auditory systems.

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<v Speaker 3>So you're hearing your voice plus everybody else is hearing

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<v Speaker 3>what plus what's in the room. You're hearing your voice plus,

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<v Speaker 3>so you're hearing all of your inner harmonics, and you're

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<v Speaker 3>also hearing what's in the room. We're only hearing what's

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<v Speaker 3>in the room, So you need to get used to

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<v Speaker 3>that sound.

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<v Speaker 2>My son, who work in four different markets doing TV

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<v Speaker 2>news as a field reporter.

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<v Speaker 3>Periodically he would.

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<v Speaker 2>Get to anchor. Most recently he was a Channel twenty five,

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<v Speaker 2>and he just decided to pull up stakes. He and

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<v Speaker 2>his wife went down to the Carolinas where he lives.

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<v Speaker 3>Now. He's in the.

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<v Speaker 2>Private he's in the private sector and he's doing quite

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<v Speaker 2>well for himself. He his wife, they have two children

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<v Speaker 2>and dog, the typical American nuclear family. He began the

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<v Speaker 2>same way I told him, Evan read something read. I

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<v Speaker 2>got a trillion magazines, books, reading material arbitrarily. Just pick

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<v Speaker 2>one and read. You don't have to read a lot,

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<v Speaker 2>just read so you get more and more comfortable. Reading

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<v Speaker 2>is key. That is an aspect of what you're going

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<v Speaker 2>to have to do. And yeah, he went to Emerson College.

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<v Speaker 3>Oh well, hello, nurse.

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<v Speaker 2>And obviously that helped. But you've got to have the

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<v Speaker 2>drive to achieve in you. Yeah, out that drive. Perhaps

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<v Speaker 2>you're not going to get it.

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<v Speaker 3>You're not. And I'll tell you something. I'm telling I

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<v Speaker 3>could be I can be absolute with You're not. You

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<v Speaker 3>have to at least begin to try. And some people

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<v Speaker 3>step out the door and into a field of roses

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<v Speaker 3>and it's wonderful and there and they're wonderful and and

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<v Speaker 3>doors open for them, and that's great. In the workaday

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<v Speaker 3>world that I inhabit. There was a time where when

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<v Speaker 3>I lived in Los Angeles in the early what do

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<v Speaker 3>you call it, in the twenty tens, okay, before it

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<v Speaker 3>even hit the teens, I was looking for an agent

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<v Speaker 3>and could not get one. And my audition to booking

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<v Speaker 3>rate was three hundred to one. I kid you not,

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<v Speaker 3>for every three hundred auditions I got one. And it sucked,

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<v Speaker 3>of course. I mean sorry, can I say that on

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<v Speaker 3>the radio. I beg your pardon. It was awful. I

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<v Speaker 3>hated it, and I was afraid I was a failure.

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<v Speaker 3>And I actually had some friends through this and other

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<v Speaker 3>things that happened in my life. I was going to

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<v Speaker 3>get out of the business, Morgan. I thought, this is

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<v Speaker 3>ridiculous and it's not working for me. And I had

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<v Speaker 3>some fantastic friends. I had some fantastic friends who staged

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<v Speaker 3>an intervention, Morgan. My friends from the game developers world, Uh,

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<v Speaker 3>my audio buddies came and said, you can't quit.

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<v Speaker 2>So they were right. One of the things everybody has

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<v Speaker 2>to have. You put the TV on and in ten minutes,

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<v Speaker 2>just click, click, click the remote control and you'll see dozens,

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<v Speaker 2>dozens of people who all at one time were like you.

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<v Speaker 2>And the key is, you've got to develop a suit

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<v Speaker 2>of armor for the word no, because you're going to

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<v Speaker 2>hear that word more often than you hear the word yes.

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<v Speaker 3>Well, honestly, Morgan, you know what you hear. You hear crickets,

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<v Speaker 3>you hear nothing because in this, in this it's not

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<v Speaker 3>even no, it's you audition, and you put your you

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<v Speaker 3>put your recording forward because you're not even in the

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<v Speaker 3>studio with the agents anymore for the most part. But

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<v Speaker 3>you put your recording and you send it out and

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<v Speaker 3>you will hear nothing most of the time. And that's

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<v Speaker 3>that's brutal because you don't know if I didn't make it,

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<v Speaker 3>why not. And that's why you hire a coach, or

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<v Speaker 3>that's why you go online and find your heroes and

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<v Speaker 3>see if they're teaching.

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<v Speaker 2>Yes.

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<v Speaker 3>So, for instance, people that we know and love, Patrick Frehley,

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<v Speaker 3>for instance, Okay, who is the first one thing you

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<v Speaker 3>probably heard him in was he was the bubble tape guy. Okay,

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<v Speaker 3>remember that six feet of bubble You not them, that's Frayley.

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<v Speaker 3>And he also exploded in Teenage Mutant Ninja Turtles as

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<v Speaker 3>the voice of Baxter Stockman and Kasey Jones and Vernon

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<v Speaker 3>and Vernon and Krang.

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<v Speaker 2>And so if you get that nod, yes, and you

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<v Speaker 2>just gave an example. One actor got to do four

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<v Speaker 2>maybe more voices with those franchise right in the franchise.

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<v Speaker 3>And that's that's his claim. That was the beginning of

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<v Speaker 3>a brilliant career that probably has about four thousand, four

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<v Speaker 3>thousand known characters.

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<v Speaker 2>Now I'm going to take a break. When we come back,

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<v Speaker 2>I want you to tell the story of meeting June foray, Okay,

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<v Speaker 2>I miss her terribly. I truly don't know. Let me

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<v Speaker 2>take my break and uh ten thirty. If you're seven

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<v Speaker 2>ye o'clock, it's exactly ten thirty here in BZ. Temperature

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<v Speaker 2>has gone down a degree sixteen degrees.

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<v Speaker 1>It's Night Side with Dan Ray on wb Boston's news Radio.

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<v Speaker 2>Dan, We'll be back tomorrow eight p m. Sharp A

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<v Speaker 2>Morgan filling in. I forgot to mention on my show

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<v Speaker 2>this Saturday, I will be joined by Ed Robertson, who

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<v Speaker 2>writes very good books about classic TV. He wrote a

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<v Speaker 2>book about Perry Mason, wrote a book about the TV

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<v Speaker 2>show The FBI that was as thick as the Manhattan

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<v Speaker 2>White Pages. He has a new book out, Men of Honor,

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<v Speaker 2>and he focuses on four different TV shows, The Untouchables,

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<v Speaker 2>Harry Oh, The Magician, and one other that escapes me

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<v Speaker 2>for the moment. But he'll be joining me on Saturday,

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<v Speaker 2>and if you want to come play trivia with me,

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<v Speaker 2>Interact live Tuesdays. I'm at the Midway Restaurant. It wasn't

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00:21:48.920 --> 00:21:53.319
<v Speaker 2>there tonight because I was here two sixty nine Washington Street.

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<v Speaker 2>That's where you'll find me from six to seven point thirty.

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<v Speaker 2>Right now, I've got TV Cooper and I are speaking

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<v Speaker 2>about voice acting. She's one of the few people who

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<v Speaker 2>has excelled in this world doing voices from video games,

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<v Speaker 2>TV commercials, all sorts of things. And tell everybody about

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<v Speaker 2>meeting and interacting with June Foray.

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<v Speaker 3>I got to meet June fora at a gathering of

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<v Speaker 3>voice talent. It was called it was the It was

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<v Speaker 3>Voice Happening in California, and I honestly can't recall the

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<v Speaker 3>year Morgan. I can't, and I apologize for that. But

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<v Speaker 3>one of the guests, so people were there like Maurice

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<v Speaker 3>LaMarsh and Rob Paulson from Animaniacs and all men of

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00:23:01.519 --> 00:23:03.839
<v Speaker 3>wonderful people we were. I was on a panel, and

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<v Speaker 3>you know, we did all manner of things for a

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<v Speaker 3>number of days, and as things were wrapping up, June

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<v Speaker 3>Foray was a special guest, as you might imagine, and

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<v Speaker 3>she was in the lobby hanging out with us actors.

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<v Speaker 3>She was there with a man named Bob Bergen. He

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<v Speaker 3>was most famously the voice of Porky Pig. He's the

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<v Speaker 3>one who decoded Porky Pig and was able to take

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<v Speaker 3>over doing that and in inimitable almost shutter that mel

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<v Speaker 3>Blank invented, and he was her escort. They were great friends,

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<v Speaker 3>and June looked like the best movie star you had

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<v Speaker 3>ever met in your life. Oh absolutely, she was stunning,

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<v Speaker 3>a complete knockout. And so I got to meet her,

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<v Speaker 3>and I don't even know if I got a picture

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<v Speaker 3>with her. We were so excited. You know, you don't

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00:24:11.920 --> 00:24:15.599
<v Speaker 3>always remember to get the photo, so I'm not sure

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00:24:15.640 --> 00:24:19.319
<v Speaker 3>I've got a photo of that particular interchange. But that

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<v Speaker 3>was the night I got to meet June Foray And

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<v Speaker 3>let me tell you, Morgan, when she got up on stage,

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<v Speaker 3>all of the guests were seated and the hosts of

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00:24:30.480 --> 00:24:36.279
<v Speaker 3>this event were asking wonderful questions, and it was like

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<v Speaker 3>it was like you were in the studio when Rocky

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<v Speaker 3>the Flying Squirrel was being recorded, because she was doing

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00:24:48.839 --> 00:24:53.759
<v Speaker 3>stuff she was Natasha, you know, she did something as

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<v Speaker 3>Natasha's voice, and I thought I was going to fall

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<v Speaker 3>over sideways because it was just the same all and all.

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<v Speaker 3>And she did a couple of things from from the

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<v Speaker 3>the Warner Brothers, you know, she was doing uh, you know,

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00:25:10.359 --> 00:25:15.480
<v Speaker 3>the Winnie Witch, and that just unbelievable stuff. So fabulous

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00:25:15.519 --> 00:25:18.400
<v Speaker 3>and it sounded just the same. And she was in

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<v Speaker 3>her nineties I think, I mean, it wasn't long before

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<v Speaker 3>she left us. I was so grateful, grateful that I

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<v Speaker 3>got a chance to meet her.

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<v Speaker 2>Now, I'm going to say something. First of all, June

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<v Speaker 2>did hundreds of voices in her career. She worked for

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<v Speaker 2>Jay Ward Studios, Disney uh Baptisarian who did the Alvin

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<v Speaker 2>and the Chipmunks. She was Missus Frumpington on that series.

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<v Speaker 2>Literally hundreds of characters. And I was fortunate enough to

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<v Speaker 2>become friends with her. And I'm going to tell a

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<v Speaker 2>quick story. The earthquake in nineteen eighty nine destroyed She

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<v Speaker 2>had antique dishes and they were her mother's dishes. The

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<v Speaker 2>dishes got destroyed by the shake rattling roll of the earthquake.

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<v Speaker 2>My ex had an antique store at that time and

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<v Speaker 2>had antique dishes. My ex was kind enough to give

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<v Speaker 2>me dishes to send to June. She called, be crying wrong.

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<v Speaker 1>Yeah, I mean, yeah, I can hear it.

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<v Speaker 2>I can't say how much, as I think back this second,

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<v Speaker 2>it touched me. And I was luck enough when she

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<v Speaker 2>came to Boston with Bill Scott, who was Bowinkle I

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<v Speaker 2>got to go to lunch with just the two of them,

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<v Speaker 2>no reporters, no other people. I'm at lunch at the

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<v Speaker 2>stock Yad with Rocky and Bowie. I was so happy.

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<v Speaker 3>But she was inspiring, such a professional and so inspiring

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<v Speaker 3>because there were so few women in the biz in

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<v Speaker 3>those days. You know, it was her, and it was

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<v Speaker 3>the ladies from from Uh, you know, the Flintstones and

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00:27:26.599 --> 00:27:29.200
<v Speaker 3>then the Jetsons, and I mean they're really most of

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<v Speaker 3>the most of our cartoon lives. Morgan Uh was populated

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<v Speaker 3>by men, which is just the way things were, right,

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<v Speaker 3>you know, And that was besides in those days that

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00:27:42.240 --> 00:27:48.680
<v Speaker 3>was normal anyway. But having these magnificent actresses doing these

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00:27:48.720 --> 00:27:56.759
<v Speaker 3>fabulous voices across the spectrum of art was in fantastically

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<v Speaker 3>indescribably inspiring.

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<v Speaker 2>Truly.

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<v Speaker 3>Yeah, yeah, it really was. It was something to really

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<v Speaker 3>get your hooks into if you.

385
00:28:05.720 --> 00:28:09.519
<v Speaker 2>Want it, and you've got to really want it, and

386
00:28:09.559 --> 00:28:12.960
<v Speaker 2>you may not get it, but step up to the

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00:28:13.039 --> 00:28:14.279
<v Speaker 2>plate and try.

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<v Speaker 3>So look for you here's here's my recommendation. You look

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00:28:17.920 --> 00:28:19.880
<v Speaker 3>for your heroes. And this is one of the things

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00:28:19.920 --> 00:28:24.200
<v Speaker 3>I can't even remember how I ran across it. Patrick Frehley,

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00:28:24.680 --> 00:28:29.000
<v Speaker 3>the Man I mentioned before was teaching in Los Angeles,

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00:28:29.000 --> 00:28:33.839
<v Speaker 3>and I had found him. I have I probably still

393
00:28:33.880 --> 00:28:37.720
<v Speaker 3>have the cassette tape Morgan about how to do character

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00:28:37.839 --> 00:28:41.000
<v Speaker 3>voices for fun and profit is what his thing was.

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<v Speaker 3>Someone must have told me about him, and I looked

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00:28:44.279 --> 00:28:46.759
<v Speaker 3>him up, and I bought the cassette tape and I

397
00:28:46.839 --> 00:28:50.279
<v Speaker 3>listened to his teaching, and I thought, I understand the

398
00:28:50.319 --> 00:28:54.359
<v Speaker 3>way this guy is describing things. Yes, I learned more

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00:28:54.759 --> 00:28:59.039
<v Speaker 3>from Pat Freeley than anybody else on the planet, and

400
00:28:59.079 --> 00:29:03.319
<v Speaker 3>that includes my high school drama teacher, who is who

401
00:29:03.400 --> 00:29:07.359
<v Speaker 3>was just magnificent. Okay, but I'll tell you, when you

402
00:29:07.440 --> 00:29:13.799
<v Speaker 3>find a good teacher, they they amplify your ability and

403
00:29:13.920 --> 00:29:16.960
<v Speaker 3>accelerate your progress, And for me that was Patrick Freeley.

404
00:29:17.880 --> 00:29:22.079
<v Speaker 3>Look for your heroes online. See what they have for

405
00:29:22.759 --> 00:29:25.799
<v Speaker 3>for little teaching moments. If they teach, like for instance,

406
00:29:25.799 --> 00:29:31.440
<v Speaker 3>Bob Bergen also teaches, his workshops are booked, you know,

407
00:29:31.839 --> 00:29:37.079
<v Speaker 3>a year in advance, if not more. But but if

408
00:29:37.119 --> 00:29:40.240
<v Speaker 3>that's if you think that's I'm not even sure if

409
00:29:40.240 --> 00:29:42.319
<v Speaker 3>you're the level yet. That's the thing you have to

410
00:29:42.319 --> 00:29:45.279
<v Speaker 3>be concerned about. So you have to find the teachers

411
00:29:45.319 --> 00:29:47.079
<v Speaker 3>who can make you as good as you can be

412
00:29:47.160 --> 00:29:48.720
<v Speaker 3>and then you take a next step.

413
00:29:49.200 --> 00:29:49.599
<v Speaker 1>But for.

414
00:29:52.599 --> 00:29:56.519
<v Speaker 3>Just looking for things that will give you a taste

415
00:29:56.599 --> 00:30:00.039
<v Speaker 3>of things like Steve Bloom, the Fellow who is the

416
00:30:00.119 --> 00:30:05.759
<v Speaker 3>voice of so many anime UH productions that are known

417
00:30:05.799 --> 00:30:10.400
<v Speaker 3>and loved, especially Cowboy Bebop. He's the voice of Spike Spiegel.

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00:30:10.880 --> 00:30:13.880
<v Speaker 3>Find him online and you'll see these little vignettes of

419
00:30:13.960 --> 00:30:18.640
<v Speaker 3>teaching that you that are for free. Patrick Freeley has

420
00:30:18.680 --> 00:30:23.359
<v Speaker 3>a free page of stuff, So find these guys, look

421
00:30:23.440 --> 00:30:29.799
<v Speaker 3>for your heroes and of the worldware and one of

422
00:30:29.839 --> 00:30:32.000
<v Speaker 3>the things that the younger people do, some of my

423
00:30:32.160 --> 00:30:36.920
<v Speaker 3>students are on something called Casting Call Club. I think

424
00:30:36.920 --> 00:30:39.319
<v Speaker 3>that's what it is, and it's a group of people

425
00:30:39.359 --> 00:30:41.920
<v Speaker 3>who do stuff for free. You don't you're not going

426
00:30:42.000 --> 00:30:44.359
<v Speaker 3>to get you're not going to get work straight away.

427
00:30:45.400 --> 00:30:48.720
<v Speaker 3>But it's people who are making like mods for games

428
00:30:48.880 --> 00:30:51.960
<v Speaker 3>where they have a game that can be modified and

429
00:30:52.000 --> 00:30:53.599
<v Speaker 3>they want to put their own voice, they want to

430
00:30:53.599 --> 00:30:57.279
<v Speaker 3>put their own dialogue in it, and they'll hire these

431
00:30:57.400 --> 00:31:02.839
<v Speaker 3>younger or or you know, more new afters to do

432
00:31:02.880 --> 00:31:06.200
<v Speaker 3>stuff because you've got to be you've got to be

433
00:31:06.240 --> 00:31:08.799
<v Speaker 3>willing to work for nothing. For a little while I did,

434
00:31:09.039 --> 00:31:12.799
<v Speaker 3>I worked for college kids did I hear voices for

435
00:31:13.279 --> 00:31:16.319
<v Speaker 3>projects for college kids? And then you find stuff out

436
00:31:16.359 --> 00:31:22.400
<v Speaker 3>there there is and that's you work your way up and.

437
00:31:22.440 --> 00:31:27.440
<v Speaker 2>Be willing to start. Not just at the bottom rung

438
00:31:27.519 --> 00:31:32.799
<v Speaker 2>of the ladder. The river stoppers are under the legs

439
00:31:32.880 --> 00:31:36.960
<v Speaker 2>of the ladder. I've got to take you know. I

440
00:31:37.000 --> 00:31:40.039
<v Speaker 2>only have about another twelve minutes with you. This is

441
00:31:40.200 --> 00:31:43.000
<v Speaker 2>night Side. Dan's off tonight. He'll be back to my

442
00:31:43.440 --> 00:31:48.799
<v Speaker 2>morgan filling in time and temperature ten forty four sixteen degrees.

443
00:31:49.839 --> 00:31:53.000
<v Speaker 1>Now back to Dan Ray live from the Window World

444
00:31:53.119 --> 00:31:57.119
<v Speaker 1>Nightside Studios on WBZ News Radio dB.

445
00:31:57.240 --> 00:31:59.640
<v Speaker 2>Cooper is here in dB. I don't know if you've

446
00:31:59.680 --> 00:32:04.000
<v Speaker 2>heard the commercials that we just played. Did you hear them?

447
00:32:04.200 --> 00:32:05.799
<v Speaker 3>I got to hear some of them. I was actually

448
00:32:05.839 --> 00:32:10.720
<v Speaker 3>talking to your producer. Okay, I was. I must say, Rob,

449
00:32:10.839 --> 00:32:11.680
<v Speaker 3>do be a favor.

450
00:32:12.599 --> 00:32:15.920
<v Speaker 2>Don't play the whole thing. Just play the beginning of

451
00:32:15.960 --> 00:32:21.359
<v Speaker 2>that SUPERU commercial. Oh you don't have it? Okay, it's

452
00:32:21.400 --> 00:32:26.880
<v Speaker 2>not loaded. The commercial goes it's a female.

453
00:32:27.119 --> 00:32:29.920
<v Speaker 3>Yeah. I think I might have heard this one before

454
00:32:29.960 --> 00:32:30.839
<v Speaker 3>he came and spoke to me.

455
00:32:30.960 --> 00:32:34.920
<v Speaker 2>Yeah, it's a really cool day today. I want to

456
00:32:34.960 --> 00:32:39.319
<v Speaker 2>go outside and play it's kind of a sing songy voice.

457
00:32:40.640 --> 00:32:43.559
<v Speaker 2>And at first I thought you could have recorded that.

458
00:32:45.920 --> 00:32:46.079
<v Speaker 1>Well.

459
00:32:46.119 --> 00:32:47.799
<v Speaker 3>I used to, you know, I used to be on

460
00:32:47.920 --> 00:32:50.759
<v Speaker 3>Busy as a commercial voice for like thirteen years, right,

461
00:32:50.880 --> 00:32:51.440
<v Speaker 3>I know that.

462
00:32:51.680 --> 00:32:53.960
<v Speaker 2>I know that. Yeah, because I was going to ask

463
00:32:54.039 --> 00:33:00.519
<v Speaker 2>you to mimic that commercial. Just just that line.

464
00:33:00.920 --> 00:33:02.480
<v Speaker 3>Tell me what the words are again.

465
00:33:02.960 --> 00:33:07.720
<v Speaker 2>It's a really cool day today. I want to go

466
00:33:07.839 --> 00:33:16.839
<v Speaker 2>outside and play. And she says, it's.

467
00:33:14.039 --> 00:33:18.119
<v Speaker 3>A really cool day today. I'd like to go outside

468
00:33:18.160 --> 00:33:19.599
<v Speaker 3>and play.

469
00:33:19.680 --> 00:33:24.279
<v Speaker 2>Yeah, but you know what, Yes, but you didn't hear it,

470
00:33:24.400 --> 00:33:27.279
<v Speaker 2>so it's not to ask you.

471
00:33:29.039 --> 00:33:31.759
<v Speaker 3>Yeah, I can mimic some things. I'm not a mimic.

472
00:33:31.839 --> 00:33:36.680
<v Speaker 3>My son is an impressionist. Okay, he can. He can

473
00:33:36.759 --> 00:33:40.359
<v Speaker 3>actually do. He's got an automatic ability to do the

474
00:33:40.400 --> 00:33:44.559
<v Speaker 3>placement of other people's voices, because the business of doing

475
00:33:45.319 --> 00:33:50.680
<v Speaker 3>impressions or impersonations isn't just saying the words they say,

476
00:33:50.720 --> 00:33:53.839
<v Speaker 3>but it's it's the ability to make all of the

477
00:33:53.839 --> 00:34:00.599
<v Speaker 3>biomechanics of your vocal apparatus do the same thing those

478
00:34:00.920 --> 00:34:01.640
<v Speaker 3>guys are doing.

479
00:34:06.240 --> 00:34:11.599
<v Speaker 2>I dabble, and one of the things I use as

480
00:34:11.599 --> 00:34:18.599
<v Speaker 2>an example is quick drama grad it's a low it's

481
00:34:18.599 --> 00:34:23.840
<v Speaker 2>a low registered voice. Oh the thing around here, boy,

482
00:34:24.119 --> 00:34:28.119
<v Speaker 2>and don't you forget it? And that's close.

483
00:34:29.440 --> 00:34:31.599
<v Speaker 3>It's not exactly you gotta but you gotta get. You

484
00:34:31.679 --> 00:34:34.639
<v Speaker 3>gotta get your whole throat and ball there. Uh they're

485
00:34:34.760 --> 00:34:38.360
<v Speaker 3>Morgan inside. You have sending around here, Baba Luis, and

486
00:34:38.480 --> 00:34:40.079
<v Speaker 3>don't you forget it?

487
00:34:41.280 --> 00:34:44.639
<v Speaker 2>And very good that you knew. His full character name

488
00:34:44.719 --> 00:34:45.440
<v Speaker 2>was Bubba Louie.

489
00:34:46.159 --> 00:34:53.000
<v Speaker 3>Oh gosh, ire, I've got the quick drama grad game. Dude,

490
00:34:53.159 --> 00:34:54.960
<v Speaker 3>I'm I'm Aicionado.

491
00:34:56.840 --> 00:35:00.159
<v Speaker 2>Let me tell you. That was Dars Butler. He in

492
00:35:00.199 --> 00:35:05.400
<v Speaker 2>the lou of Anna Barbara characters, Huck and Yogi and

493
00:35:05.519 --> 00:35:09.159
<v Speaker 2>quick drawing, and I could go on. He was my

494
00:35:09.400 --> 00:35:16.519
<v Speaker 2>first professional interview. Oh supposed to be on with me

495
00:35:16.639 --> 00:35:22.679
<v Speaker 2>for an hour. He stayed for three.

496
00:35:22.920 --> 00:35:29.039
<v Speaker 3>On the planets Butler, Oh, I was walking on air. Yeah,

497
00:35:29.039 --> 00:35:32.480
<v Speaker 3>I'll bet you were in heaven, in heaven, in everything

498
00:35:32.519 --> 00:35:35.239
<v Speaker 3>but body wow. Wow.

499
00:35:36.400 --> 00:35:42.119
<v Speaker 2>When I began, I always tried to get voice actors.

500
00:35:42.840 --> 00:35:49.920
<v Speaker 2>Lucille Bliss was Olive Oil and Casper and other characters

501
00:35:49.960 --> 00:35:56.000
<v Speaker 2>for Max Fleischer. And give me a second. I get

502
00:35:56.000 --> 00:35:59.679
<v Speaker 2>a mental block because I had so many of them.

503
00:36:00.199 --> 00:36:02.400
<v Speaker 2>And that's why I love you and what you do

504
00:36:03.320 --> 00:36:04.639
<v Speaker 2>because you do it so well.

505
00:36:07.039 --> 00:36:08.679
<v Speaker 3>You know who I wish I could have met as

506
00:36:08.760 --> 00:36:16.679
<v Speaker 3>Paul Freese. He did. Yeah, man, Yeah, I grew up

507
00:36:16.760 --> 00:36:20.599
<v Speaker 3>with records of these guys. So I had a Yogi

508
00:36:20.639 --> 00:36:23.760
<v Speaker 3>Bear record, and I had a Ludwig von Drake.

509
00:36:23.960 --> 00:36:27.440
<v Speaker 2>Record, Professor Ludwig von Drake.

510
00:36:28.199 --> 00:36:32.000
<v Speaker 3>That's right. I am a genius, make no mistake, Ludwig

511
00:36:32.039 --> 00:36:35.760
<v Speaker 3>von Drake. That's me, very good.

512
00:36:37.079 --> 00:36:38.639
<v Speaker 2>May I tell you a June story?

513
00:36:39.760 --> 00:36:40.559
<v Speaker 3>I wish you would.

514
00:36:41.000 --> 00:36:46.159
<v Speaker 2>This is a quick June story on this subject of records.

515
00:36:46.679 --> 00:36:51.679
<v Speaker 2>I'm in third grade. I'm a huge fan of Rocky Bowinkle,

516
00:36:52.760 --> 00:37:00.280
<v Speaker 2>and I have a Rocky record called I Was Born

517
00:37:00.360 --> 00:37:01.400
<v Speaker 2>to be Airborne.

518
00:37:02.239 --> 00:37:05.360
<v Speaker 3>I got it, and I could sing it.

519
00:37:05.320 --> 00:37:08.000
<v Speaker 2>For you right now. But since you've got it. I

520
00:37:08.119 --> 00:37:10.960
<v Speaker 2>was speaking to June, one of them many times I

521
00:37:11.039 --> 00:37:16.000
<v Speaker 2>interviewed her. I brought up that record and I started

522
00:37:16.000 --> 00:37:20.280
<v Speaker 2>to sing a line. Now this is forty years later.

523
00:37:21.880 --> 00:37:26.679
<v Speaker 2>She sang with me word for word of that record. Yeah,

524
00:37:27.239 --> 00:37:33.119
<v Speaker 2>and to Sore among the Stars called Novemn. I was

525
00:37:33.199 --> 00:37:38.039
<v Speaker 2>born to be Airborne. I was born to be airborne. Now,

526
00:37:38.119 --> 00:37:40.599
<v Speaker 2>some squirrels may live in a tree, it goes on.

527
00:37:41.199 --> 00:37:43.800
<v Speaker 2>I have just stop myself or el sing the whole

528
00:37:43.800 --> 00:37:48.920
<v Speaker 2>gods darn thing, but she's hurt me. Forty years later

529
00:37:49.079 --> 00:37:50.840
<v Speaker 2>she remembered the lyrics.

530
00:37:51.199 --> 00:37:53.760
<v Speaker 3>Oh, I wonder how much she heard it because you

531
00:37:53.840 --> 00:37:57.199
<v Speaker 3>and I listened to that record until it wore out.

532
00:37:57.519 --> 00:37:57.880
<v Speaker 2>Correct.

533
00:37:58.840 --> 00:38:02.760
<v Speaker 3>Yeah, those are That's what those stars did for us.

534
00:38:02.800 --> 00:38:05.559
<v Speaker 3>Did you Did you ever know about the Silly Record

535
00:38:05.679 --> 00:38:10.440
<v Speaker 3>with Stu Hample? Tell me you know the Silly Record?

536
00:38:10.719 --> 00:38:14.920
<v Speaker 3>It was it They began as the Silly Book. The

537
00:38:15.000 --> 00:38:20.320
<v Speaker 3>Silly Record had songs and little stories and things, and uh,

538
00:38:20.559 --> 00:38:22.920
<v Speaker 3>I can't even find it online right now offhand, but

539
00:38:22.960 --> 00:38:24.400
<v Speaker 3>it was one of the ones that I would listen

540
00:38:24.480 --> 00:38:27.719
<v Speaker 3>to all the time, and we would sing the songs

541
00:38:28.519 --> 00:38:31.400
<v Speaker 3>from it in my family and stuff. It's just part.

542
00:38:31.480 --> 00:38:34.360
<v Speaker 3>It becomes part of your culture. It becomes part of

543
00:38:34.400 --> 00:38:38.480
<v Speaker 3>your familial cultures, the things that resonate with us. And

544
00:38:38.519 --> 00:38:40.800
<v Speaker 3>that's one of the reasons why I love this work

545
00:38:40.880 --> 00:38:45.039
<v Speaker 3>so much. I have to tell you, I have to

546
00:38:45.239 --> 00:38:49.880
<v Speaker 3>let me tell you something, so I I one of

547
00:38:49.920 --> 00:38:53.800
<v Speaker 3>the things that happens when you make something iconic is

548
00:38:53.880 --> 00:38:57.159
<v Speaker 3>that people grab onto it and they make it their own,

549
00:38:57.920 --> 00:39:00.880
<v Speaker 3>like you and I did with Rocky. Yes, you know,

550
00:39:01.440 --> 00:39:06.599
<v Speaker 3>for instance, okay, because we saw beyond Stars just as

551
00:39:06.639 --> 00:39:08.639
<v Speaker 3>playing as playing could be. Don't get me started. But

552
00:39:08.920 --> 00:39:13.719
<v Speaker 3>here's the deal that I found out. I went to

553
00:39:13.320 --> 00:39:18.480
<v Speaker 3>the Monster Trained subreddit. So you know about reddit, of course,

554
00:39:18.840 --> 00:39:22.519
<v Speaker 3>there's a Monster Trained subreddit. Reddit is a kind of

555
00:39:22.559 --> 00:39:28.000
<v Speaker 3>like an aggregator of articles and conversations, okay, R E,

556
00:39:28.159 --> 00:39:31.639
<v Speaker 3>D D T. And there are different chapters all over

557
00:39:31.679 --> 00:39:33.880
<v Speaker 3>the place, and one of them is for Monster Train

558
00:39:34.519 --> 00:39:38.880
<v Speaker 3>the game, and someone for the simple love of the

559
00:39:39.000 --> 00:39:43.719
<v Speaker 3>characters I did posted a questionnaire about what is your

560
00:39:43.880 --> 00:39:49.559
<v Speaker 3>favorite spawn sound for the morsels? And he wrote down

561
00:39:49.679 --> 00:39:51.920
<v Speaker 3>all of the little morsel sounds. Do we want the

562
00:39:52.239 --> 00:39:56.239
<v Speaker 3>do we want the point? Do we want? Boops? Do

563
00:39:56.280 --> 00:40:02.599
<v Speaker 3>we want? Do we want? Or dog or whatever it is,

564
00:40:03.119 --> 00:40:05.519
<v Speaker 3>and he made a little questionnaire out of it, and

565
00:40:05.559 --> 00:40:08.480
<v Speaker 3>there were hundreds of people voting on it, because that's

566
00:40:08.880 --> 00:40:11.840
<v Speaker 3>just I mean, it's not like putting out a record,

567
00:40:12.280 --> 00:40:15.800
<v Speaker 3>but what it is is actually seeing the way the

568
00:40:15.880 --> 00:40:23.320
<v Speaker 3>work I've done for something fun, seeing how it affects people,

569
00:40:23.400 --> 00:40:26.239
<v Speaker 3>and seeing how they have it they take it into

570
00:40:26.280 --> 00:40:32.880
<v Speaker 3>their lives as something wonderful. I have this feeling, especially

571
00:40:32.920 --> 00:40:38.960
<v Speaker 3>as a voice actor for video games. It's a sacred trust.

572
00:40:39.400 --> 00:40:42.840
<v Speaker 3>We've only got so many minutes on this planet, Morgan.

573
00:40:44.079 --> 00:40:47.119
<v Speaker 3>We're only allowed to tread the earth for so long.

574
00:40:48.159 --> 00:40:55.679
<v Speaker 3>And when someone takes their time and chooses to spend

575
00:40:55.760 --> 00:41:01.719
<v Speaker 3>it with me and my cohort, people doing voices for

576
00:41:01.760 --> 00:41:05.599
<v Speaker 3>the game they're choosing to play, Yes, that's the best

577
00:41:05.679 --> 00:41:06.719
<v Speaker 3>feeling in the world.

578
00:41:08.840 --> 00:41:13.639
<v Speaker 2>And on a lesser level, I get some of that

579
00:41:13.880 --> 00:41:17.679
<v Speaker 2>because I've been doing radio for so long and people

580
00:41:17.960 --> 00:41:26.239
<v Speaker 2>listening may remember an incident and interview and they're telling

581
00:41:26.280 --> 00:41:31.280
<v Speaker 2>me what I did, and that shows me how important

582
00:41:31.320 --> 00:41:36.039
<v Speaker 2>that moment was to this individual. I don't understand it

583
00:41:36.079 --> 00:41:41.800
<v Speaker 2>on that level. And you know, I'm looking at my

584
00:41:41.920 --> 00:41:46.800
<v Speaker 2>computer and it tells me someone's calling in right now

585
00:41:47.760 --> 00:41:52.119
<v Speaker 2>and I only have I only have ninety seconds left.

586
00:41:52.280 --> 00:41:53.000
<v Speaker 3>Make it happen.

587
00:41:53.639 --> 00:41:54.280
<v Speaker 2>They hung up.

588
00:41:57.159 --> 00:41:57.760
<v Speaker 3>That's too bad.

589
00:41:58.320 --> 00:42:02.320
<v Speaker 2>That's too bad. I will have you on again. And

590
00:42:02.360 --> 00:42:05.000
<v Speaker 2>you know there have been times that you've blown up

591
00:42:05.039 --> 00:42:08.559
<v Speaker 2>my phones, and I hope next time you will do

592
00:42:08.639 --> 00:42:13.639
<v Speaker 2>that because you are such a treasure, and you, alike

593
00:42:14.639 --> 00:42:19.320
<v Speaker 2>June's foray to me, you have done you have done

594
00:42:20.079 --> 00:42:25.719
<v Speaker 2>such memorable and tremendous work that I embrace and I

595
00:42:26.559 --> 00:42:35.159
<v Speaker 2>go back to thirty years with you, and I marvel

596
00:42:35.199 --> 00:42:38.039
<v Speaker 2>at all you have done, and I marvel at all

597
00:42:38.079 --> 00:42:42.039
<v Speaker 2>that you will continue to do. So, dB, I thank

598
00:42:42.079 --> 00:42:44.440
<v Speaker 2>you for coming on and I look forward to our

599
00:42:44.480 --> 00:42:45.039
<v Speaker 2>next time.

600
00:42:45.639 --> 00:42:48.400
<v Speaker 3>Okay, same here, I'm looking forward to it.

601
00:42:48.880 --> 00:42:52.960
<v Speaker 2>You take care now, thank you, bye bye. One more

602
00:42:53.000 --> 00:42:56.960
<v Speaker 2>hour of Dan Ray, I've got the speech improvement company.

603
00:42:58.320 --> 00:43:02.000
<v Speaker 2>Dennis Becker will be joining us after the news here

604
00:43:02.199 --> 00:43:07.199
<v Speaker 2>on nightside time ten fifty eight sixteen degrees
