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Speaker 1: On another road today. Make a little magic, take a

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little something drift and roll.

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Speaker 2: Away, burn a little time instead.

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Speaker 1: Something in the shadow send me back and made me

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think again. I'm getting a longer. Let's time back and

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find me.

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Speaker 3: I'll be howling up and moving you while I'm getting lost.

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Speaker 1: Who won across Alan and find myself away from alland here?

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I'm so high to see you.

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Speaker 2: I want to hide.

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Speaker 1: You know that's sold in front of me? How you

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around clearm Field?

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Speaker 4: Can you then?

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Speaker 1: The verge of divon generally carry by the green.

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Speaker 2: I'm in the long back.

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Speaker 1: You can't find me?

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Speaker 3: Old bes filing halfway to hell the lngs woa wool,

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cross a line and find myself away.

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Speaker 1: From my land.

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Speaker 5: So couldn't be any further from my life? He say, leave, realize.

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Speaker 1: That I'm getting loved. Somebody find me.

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Speaker 2: I'll be bouncing around, move the air when I'm getting

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love house.

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Speaker 4: What won't be looking for?

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Speaker 1: Because I I haven't found myself way from moll I.

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Speaker 6: I'm getting love before I love.

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Speaker 2: I'm getting along.

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Speaker 1: Cras.

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Speaker 7: That is called drift.

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Speaker 8: That is a new single from Kevin Horn and Kevin

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is here with us. We're gonna speak with him in

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just a moment, really looking forward to this. But welcome everybody.

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If you are listening live, you have entered our number

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three new Maro trace of Matt Connorton Unleashed and we

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are live from the studios of w m n H

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ninety five point three FM and Glorious Manchester, New Hampshire.

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Of course, you can also stream the show. Go to

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Matt connorton dot com slash live for all your live

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streaming options, social media contacts and show archives, et cetera,

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et cetera. Jenny is here, of course at the news

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table present for as we call it. Yes, yes, and uh,

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let me get that mic up. Kevin Horn is here

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with us live. Hello sir, Hello, Hello. Let me turn

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you up a little bit here, We'll get you a

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little louder. There we go. Hello, welcome, This is your u.

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This is your first time at the New Digs.

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Speaker 7: Yes it is. Yep.

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Speaker 2: Last time I was with you guys, was over on

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Elm Street up on that building upstairs.

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Speaker 8: Yeah. Isn't this nicer?

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Speaker 1: It is?

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Speaker 7: It's very cool.

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Speaker 8: Everything's new and clean and you can tell, like when

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you look at the outside of the building, you know

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what's inside it.

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Speaker 9: Yeah.

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Speaker 7: Yeah, it's very it's I mean, it's so this was

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an old bus station.

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Speaker 8: This used to be the Bust. Yeah yeah, cool, yeah,

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it's cool. Now we love it here. What's nice to us,

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you know because the old station. You know, I mentioned

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the name being on the building because at the old location,

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at the same station, the old location, I should be

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more precise. You wouldn't know, Like if you were if

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you were on Elm Street looking up, you'd never know

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there was a radio station in the building.

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Speaker 7: Margaritas.

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Speaker 8: Yeah yeah, yeah, yeah, third floor Margarite.

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Speaker 2: Like one thing I liked about that was that I

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remember I came on one time and it was like

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a nice beautiful summer evening or something day or something,

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and the windows were open or so you could just

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hear all the y action outside. It was kind of

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cool that that part I kind of miss Yeah yeah,

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but uh, but everything else is it's just so much

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nicer here.

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Speaker 7: So I just drank from a water fountain for the

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first time, and like since I was twelve.

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Speaker 8: Yeah, yeah, I love that single drift that just did

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that just come out? Is that brand new or how

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new was that?

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Speaker 7: It came out a couple of weeks ago.

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Speaker 2: It's actually the title track off the upcoming album Okay,

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my first ever solo album.

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Speaker 8: Oh congratulations, thank you very much. Yeah, yeah, yeah. When

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you were on the show before? How many times been?

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Is this your third time or second time on the show.

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I feel like it's your third. It was it would

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have been three, It would have been three. Oh do

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you want to tell the story of.

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Speaker 9: I have to.

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Speaker 2: I have an apology to make, as I'm sitting right

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here before you both. So I think it was about

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a year and a half ago. I was I was booked,

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I was supposed to be on and my wife and

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I had actually just moved to our house and conquered

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And I remember that specifically because the house was you

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know how it is when you move.

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Speaker 7: It's chaos.

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Speaker 2: There's boxes all over the place, and you know, as

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musicians tend to do, we're running late. So I got

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up that morning and I'm like, oh, you know, all

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frenzied looking for my I'm not the type of guy.

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I'm a lot of things, but I'm not the type

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of guy that usually loses my keys. For whatever reason,

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this morning that I'm supposed to be on a radio show,

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can't find my keys. I'm looking through all the boxes

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and tearing them apart, and my neighbors, I don't think,

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talk to us for six months because they probably heard

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the psycho oh wow, going.

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Speaker 7: Crazy like oh. And then I'm like, well, I definitely

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wouldn't have locked them in my car.

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Speaker 2: And then I go out to the driveway and there

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they are sitting right on the front passenger seat of

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my car, and I'm thinking, Okay, at this point, I

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know I got to cancel. Yeah, what lie do I

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come up with to tell them to avoid telling them

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that I locked that. You know, it's like, hey, Frank,

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I can't be unto work because I locked. Oh yeah,

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no big deal, But like, hey, I can't be on

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your radio show because I'm an idiot.

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Speaker 7: So anyway, so yes, I locked.

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Speaker 2: My Jen was lovely about it, but I locked my keys.

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Speaker 7: In my car and had to miss being on a

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radio show.

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Speaker 8: Oh yeah. But so you realize they were in your

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car after you'd already torn everything else apart looking for them.

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Speaker 7: So the whole house is torn apart.

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Speaker 2: My neighbors think them crazy, and then uh yeah, and

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then there they are sitting on the passenger seat of

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my car.

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Speaker 7: Oh wow, triple a to come open my door.

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Speaker 8: Like, oh, no kidding, you have a spare key anywhere?

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Speaker 2: No, you know, a grown adults is your spare keys?

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You know, No big deal, That's what I'm saying, Like,

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how do I call this one in? That's funny, that's funny.

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Speaker 1: I have.

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Speaker 8: I have a quick key story. I once threw a

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set of car keys into a dumpster by mistake. Yeah,

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I was uh. I was living in an apartment complex

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and conquered at the time, and I was on my

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way out the door, and I was in a big

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hurry and i'd left. I was running late. It's always

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running late, right, Yeah, So I had a bag of

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garbage next to the door that I was going to

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take to the dumpster on my way out. So so

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I'm in a hurry. So I grabbed my car keys

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and my house keys are all in one key ring.

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I grab them with my right hand, and I'm in

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a big hurry and I'm running out the door, and

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I'm like, oh, I gotta grab that bag of garbage.

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And with the same hand, I grabbed the bag of garbage.

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And I was in such a hurry that somehow, once

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I got outside on my way to my car. I

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was like, oh, I gotta throw this bag of garbage away,

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and I managed to forget that. In the same hand,

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I'm also holding my keys, and I remember hurling the

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garbage bag into the dumpster and just kind of it

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was like everything was moving in slow motion for a moment,

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because it's like I'm watching the garbage bag sailing into

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the dumpster, and I'm also watching my keys sailing into

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that dumpster, and it's like it's like yeah and sure enough. Yeah.

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So there was one lucky thing about it, though, believe

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it or not, there was actually a lucky thing in

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the story. The dumpster had been emptied that morning. The

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truck had come to empty of the dumpster. So when

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I ran over and I looked in, I could see

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the garbage bag and my keys were sitting right on

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top of the garbage bag I had just thrown into it.

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Speaker 7: That's lucky.

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Speaker 8: Still, i'd climbing and get the keys, but at least

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to dive.

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Speaker 7: But everybody's garbage.

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Speaker 8: That would have been That would have been horrible. That

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would have been horrible. But no, But anyway, we're very

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happy that you're here. I listened to the tracks that

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you sent. I love them all drift fantastic single. You

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said it's coming out on the new album coming us.

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Speaker 2: Yeah, yep, that's on the new album. It's actually the

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title of the album is okay, okay?

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Speaker 7: And when is that?

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Speaker 2: That comes out streaming everywhere? Friday, June twenty seventh. Okay,

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So that comes out the twenty seventh, and then we're

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doing a big show at ben Eah Stage and Conquered

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the next night on June twenty eighth to celebrate excellent.

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Speaker 8: Yeah.

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Speaker 2: So you can get your tickets online. I think it's

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the Conquered Capital Center for the arts website, okay, and

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the my my Facebook all that's I'm always advertising.

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Speaker 8: So is that the show Cosmic Blossom is on with you?

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Speaker 7: Yes?

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Speaker 2: I'm sorry, Yes, you just played the world premiere of

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the Cosmic Blossom song. Yes, that's my friends there. They're uh,

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they're gonna they're gonna join us. Actually a couple guys

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from Cosmic Blossom are gonna play with me as well.

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So Gary Smith who's the bass player, and uh, he's

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gonna play bass with us. Uh, Brad de Palma's playing

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guitar with us. Excellent, and then we got a few

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other guys joining us.

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Speaker 8: That's really cool, I would say about Gary, he's one

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of the most talented and busiest musicians.

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Speaker 7: Yeah.

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Speaker 2: I I always you know, I think I'm busy, and

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then I look at that guy's schedule. He's just always out.

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He's always out doing it.

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Speaker 8: Yeah, it's really cool.

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Speaker 7: He's in Like those guys are all in like.

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Speaker 8: Oh yeah, ten bands. Oh yeah, yeah, of course, of course. No,

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that's great. Now, so why is this? Why now to

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do an album? You mentioned this is your solo album.

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Speaker 1: It is.

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Speaker 2: Yeah, that's a that's a great question. I had been

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in a band, the Stone Road Band.

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Speaker 7: We were a band.

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Speaker 8: Well, yeah, we played uh. I used to when we

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were on afternoons. I used to always play a breakdown

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A love that Yeah.

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Speaker 7: Yeah, cool, thanks man. Yeah, that's that's actually that was

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one of our favorites.

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Speaker 9: Yeah.

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Speaker 2: I used to live down in Providence, Rhode Island, and

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we started the band down there, and we were together

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a few years and we put out a couple of

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things and and then you know, like everybody the world

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shut down and COVID and it kind of and then

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we were all kind of scattered at that point, and

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it was kind of harder and harder to get together,

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and eventually we just got to the point where we

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disbanded on good terms. But I kept going, and then

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I decided to become a musician for a living, and

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I guess it just got to a point where I

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was I was out playing.

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Speaker 7: I play all the time, almost every week.

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Speaker 2: I'm out playing somewhere, and you know, I got my

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sign with my scan coat on it, and and you're

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trying to promote yourself, and I kept At this point,

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it had been a couple of years since we had

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even been abandoned. I had no music with my name

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on it, and it was just like, you know, I

240
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wrote the Stone Road Band songs, but you know, I'm

241
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telling people like, hey, scan this code, go look up

242
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the Stone Road Band. Who's not a band anymore, and

243
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blah blah blah. So it really it just kind of

244
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started from the feeling of needing something with my name

245
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on it. So it was just going to start as

246
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like a four or five song EP that I was

247
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just going to record in my attic. And then I

248
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started working with the producer that I was working with,

249
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and we put together the first single. I mean, I

250
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thought this thing was going to be out like a

251
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year ago because I thought it was going to be

252
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like an EP. So I released the first single anything February.

253
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It was like the week before my daughter was born.

254
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Speaker 8: Oh wow.

255
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Speaker 7: I wanted it to come out.

256
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Speaker 2: But when he sent that song back to me, I'd

257
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started recording on all the other ones, but when he

258
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sent me that one, I was like, Holy moly. I

259
00:12:55,960 --> 00:12:59,360
couldn't believe what he had done with it, and it

260
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sounded really good. So I just thought, you know, maybe

261
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I could keep going with that. I mean, I recorded

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this in my attic and he made it sound like that.

263
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Speaker 8: Yeah.

264
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Speaker 2: I just started adding songs and adding songs and it

265
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became a full blown Uh it was supposed to be

266
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twelve but now ten song record.

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Speaker 8: Oh wow. Yeah, okay, okay, very good, very good.

268
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Speaker 7: That was the longest answer ever. I'm sorry.

269
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Speaker 8: No, No, that's great. No, No, we have the time,

270
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and I'm I'm I'm very interested. Yeah. Do you find

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do you find it more satisfying now? You know because

272
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you mentioned, you know, you talked about the Stone Road Band,

273
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is it? Is it more satisfying being a solo artist?

274
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Speaker 7: I miss those guys.

275
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Speaker 2: I always one of them is your brother, right, your brother,

276
00:13:38,279 --> 00:13:41,519
my cousin, cousin, he may as well be the guitar player. Yeah, yeah, yeah,

277
00:13:41,600 --> 00:13:44,159
Mike because I remember talking about him because his solo

278
00:13:44,360 --> 00:13:47,720
on Breakdown. Yes, so it makes a song, it's so good.

279
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So luckily they all show up on the record.

280
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Speaker 8: Cool.

281
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Speaker 7: Oh, that's awesome.

282
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Speaker 2: So we had actually the first song on the album

283
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is called Friend of the Fire, and that's one of

284
00:13:56,039 --> 00:13:59,360
my favorite songs I've ever written. Yeah, we had recorded

285
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a live out which that landed on but it was

286
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live and I always wanted like that proper studio, you

287
00:14:05,960 --> 00:14:07,679
know what I heard in my head to come alive,

288
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and we had done originally wasn't going to be on

289
00:14:10,639 --> 00:14:13,000
the album, but I was looking to feel a little

290
00:14:13,000 --> 00:14:15,799
bit more space and and uh and kind of the

291
00:14:15,919 --> 00:14:19,000
album actually tells a story from start to finish, and

292
00:14:20,919 --> 00:14:24,279
and that landed as a great start. And anyway, I

293
00:14:24,399 --> 00:14:27,440
was kind of listening on my iPhone and on shuffle

294
00:14:27,480 --> 00:14:29,480
and this old demo that we had done of the

295
00:14:29,600 --> 00:14:32,480
song came up, and I'm like, man, I.

296
00:14:32,559 --> 00:14:34,000
Speaker 7: Know what my producer is capable of.

297
00:14:34,159 --> 00:14:37,039
Speaker 2: I wonder if it is then a Deanna Fielding in

298
00:14:37,679 --> 00:14:41,000
the Coop studios in New York. I was like, I

299
00:14:41,039 --> 00:14:42,759
wonder if I sent this to her, if she could

300
00:14:42,799 --> 00:14:44,120
kind of clean it up a little bit and do

301
00:14:44,240 --> 00:14:46,039
something with it. So, actually, the first song on the

302
00:14:46,039 --> 00:14:49,200
album is the Stone Road Band, and then there's a

303
00:14:49,279 --> 00:14:50,120
song called Brutus.

304
00:14:51,120 --> 00:14:53,360
Speaker 8: Oh I remember playing that one on the radio too.

305
00:14:54,159 --> 00:14:56,840
Speaker 2: That that was again another one that we had done live,

306
00:14:56,919 --> 00:15:00,559
but we never recorded in the studio. And so my

307
00:15:00,720 --> 00:15:03,879
cousin he's on that one. And then our bass player

308
00:15:03,960 --> 00:15:05,879
Phills on that one. Oh cool, I played the drums.

309
00:15:05,919 --> 00:15:08,320
But so yeah, so there's a little bit of Stone

310
00:15:08,399 --> 00:15:11,039
road Band action on on the album and like little

311
00:15:11,120 --> 00:15:12,960
nods to that kind of stuff.

312
00:15:13,159 --> 00:15:16,159
Speaker 8: Yeah, you mentioned too, you're playing out a lot, You're

313
00:15:16,240 --> 00:15:19,480
you're pretty busy. Yeah, what what like are you are

314
00:15:19,519 --> 00:15:21,960
you playing these songs like that are on the album

315
00:15:22,080 --> 00:15:23,799
or are these the songs that you're playing live or

316
00:15:23,879 --> 00:15:25,720
do you mix in covers or like what what's the

317
00:15:25,799 --> 00:15:26,399
live situation?

318
00:15:26,519 --> 00:15:29,360
Speaker 2: Like I do a lot of breweries and restaurants things

319
00:15:29,399 --> 00:15:31,759
like that. So yeah, I mean I'm lucky, and I

320
00:15:31,960 --> 00:15:34,159
think what's amazing about the brewery scene is that they're

321
00:15:34,200 --> 00:15:38,600
looking for something different. Yeah, and and really encourage artists

322
00:15:38,679 --> 00:15:41,399
like myself to come in and do our thing, and

323
00:15:41,759 --> 00:15:44,320
and so I I do you know, I know where

324
00:15:44,320 --> 00:15:44,799
I'm playing.

325
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Speaker 8: So I.

326
00:15:46,600 --> 00:15:48,919
Speaker 2: Do a lot of covers, but I do try to

327
00:15:49,000 --> 00:15:51,200
mix in some of these songs as I go. And

328
00:15:51,480 --> 00:15:54,440
and uh, it's a great community around here. Everybody's always

329
00:15:54,559 --> 00:15:56,799
very super supportive. And oh, it's really cool to hear

330
00:15:56,840 --> 00:16:00,879
original music. And uh, you know all my friends at

331
00:16:00,960 --> 00:16:01,840
like Great North.

332
00:16:02,360 --> 00:16:05,559
Speaker 8: Yeah, and and and and uh.

333
00:16:06,000 --> 00:16:08,960
Speaker 2: I looked over at Jen because her son, Jesse works

334
00:16:09,000 --> 00:16:12,559
at Great North and he's a talented musician and his

335
00:16:12,639 --> 00:16:15,879
own also a talented great singer. And uh and Jesse,

336
00:16:16,480 --> 00:16:19,799
I have to shout Jesse out. I play all over

337
00:16:19,879 --> 00:16:23,039
southern New Hampshire. I play in Maine, playing in Vermont,

338
00:16:23,679 --> 00:16:27,200
mass you know, all over New England. No place do

339
00:16:27,320 --> 00:16:31,679
I play. That's that Jess. Jesse is always standing like

340
00:16:31,799 --> 00:16:33,480
at this point, he's like standing at the door when

341
00:16:33,519 --> 00:16:35,600
I get there. Yeah, he's always there to help me

342
00:16:35,799 --> 00:16:39,159
bring my stuff in no place I go, does anybody

343
00:16:39,240 --> 00:16:42,120
do that? He always Hey, man, he doesn't even ask anymore.

344
00:16:42,159 --> 00:16:44,679
He just meets me at the door insteads bringing all

345
00:16:44,720 --> 00:16:45,039
my stuff.

346
00:16:45,080 --> 00:16:47,279
Speaker 8: Oh that's cool. Yeah, I love hearing that.

347
00:16:48,039 --> 00:16:49,720
Speaker 7: Yeah, that's a little story about your boy.

348
00:16:50,320 --> 00:16:51,919
Speaker 8: Yeah, that's awesome, good guy.

349
00:16:52,120 --> 00:16:53,399
Speaker 7: Yeah, he's great, he's great.

350
00:16:53,559 --> 00:16:54,919
Speaker 8: Absolutely. Absolutely.

351
00:16:55,200 --> 00:16:55,759
Speaker 7: Where have you been?

352
00:16:55,879 --> 00:16:56,000
Speaker 10: Uh?

353
00:16:56,399 --> 00:16:58,200
Speaker 8: Do you get out of the area a lot for shows?

354
00:16:58,240 --> 00:16:58,639
Have you been?

355
00:16:59,240 --> 00:17:00,679
Speaker 2: I go up to Maine and every now and then

356
00:17:00,720 --> 00:17:04,359
there's a great distillery called Wild Bevy Distillery up in Wells,

357
00:17:04,440 --> 00:17:07,440
Maine that I play, Yeah, every couple of months or so.

358
00:17:08,880 --> 00:17:10,839
Speaker 7: A lot of New Hampshire these days.

359
00:17:10,799 --> 00:17:11,319
Speaker 2: I do.

360
00:17:12,200 --> 00:17:14,839
Speaker 8: It seems like there's enough venues here now totally that

361
00:17:15,480 --> 00:17:18,240
you don't need to necessarily go far right, Yeah, to

362
00:17:18,319 --> 00:17:19,920
stay busy, you can exactly.

363
00:17:20,079 --> 00:17:22,759
Speaker 2: Yeah, it's it's I mean, there's how many breweries are

364
00:17:22,799 --> 00:17:26,079
there around the area. I mean it's there's one like

365
00:17:26,200 --> 00:17:27,400
it's like Dunkin Donuts now.

366
00:17:27,720 --> 00:17:30,200
Speaker 8: Yeah, I know, it wasn't like that ten years ago,

367
00:17:30,359 --> 00:17:31,240
was it. No, it was not.

368
00:17:31,480 --> 00:17:34,640
Speaker 2: Yeah, And I think that's it's I think it's actually

369
00:17:34,799 --> 00:17:38,720
made it. It's a really nice thing for guys like myself,

370
00:17:38,759 --> 00:17:40,880
who I'm forty three. You know, you wouldn't think that

371
00:17:41,279 --> 00:17:44,240
I used to work in like corporate America did all

372
00:17:44,279 --> 00:17:46,559
that stuff. And yeah, almost forty years old, I decided

373
00:17:46,559 --> 00:17:49,400
to stop and do this. Yeah, And I got to say,

374
00:17:49,440 --> 00:17:51,960
if the brewery scene and all that wasn't in existence.

375
00:17:52,000 --> 00:17:54,319
I don't know, because I can play on a Saturday

376
00:17:54,599 --> 00:17:57,160
four in the afternoon and you know, be home, you know,

377
00:17:57,319 --> 00:18:00,880
my my wife, my family, my daughter comes out.

378
00:18:01,079 --> 00:18:01,759
Speaker 8: Ye, you know.

379
00:18:01,839 --> 00:18:02,400
Speaker 7: So it's nice.

380
00:18:02,480 --> 00:18:05,559
Speaker 2: It's it's not like I have to be out until

381
00:18:05,599 --> 00:18:09,000
two three in the morning playing for five dollars this

382
00:18:09,319 --> 00:18:10,160
coming bar, you.

383
00:18:10,160 --> 00:18:14,039
Speaker 8: Know, right, Yeah, it's great. Yeah, no, that's really cool. Well,

384
00:18:14,160 --> 00:18:18,759
I think we should play another studio track. Yeah, that'd

385
00:18:18,799 --> 00:18:22,400
be awesome. I'll let you choose which one we play next.

386
00:18:23,000 --> 00:18:23,599
Speaker 7: What do we got?

387
00:18:23,920 --> 00:18:26,480
Speaker 8: So we got you sent me a turning points, small Talk,

388
00:18:26,599 --> 00:18:30,200
strange Places, and of course Drift. We already played Let's do.

389
00:18:31,839 --> 00:18:33,119
Speaker 7: Let's do strange Places.

390
00:18:33,319 --> 00:18:35,640
Speaker 8: Okay, So what I'm thinking is we'll play this and

391
00:18:36,000 --> 00:18:38,240
while this is playing, if you want to grab your

392
00:18:38,319 --> 00:18:41,039
guitar and sure, we'll come back chat a little bit

393
00:18:41,079 --> 00:18:43,000
and and maybe you can play something live for us

394
00:18:43,039 --> 00:18:43,880
if that sounds good.

395
00:18:44,000 --> 00:18:46,160
Speaker 7: Awesome, all right, very good.

396
00:18:46,200 --> 00:18:48,359
Speaker 8: So if you're just joining us, we have Kevin Horan

397
00:18:48,440 --> 00:18:51,200
here with us in studio and we're gonna give this

398
00:18:51,279 --> 00:18:53,440
a spend. This is another track from his upcoming album,

399
00:18:53,519 --> 00:18:56,000
and the album is called Drift Correct Correct Okay. This

400
00:18:56,119 --> 00:18:58,279
is from the upcoming album Drift and uh this is

401
00:18:58,319 --> 00:18:59,359
called Strange Places.

402
00:19:19,880 --> 00:19:24,880
Speaker 2: Catch you can fire you with your pam. Hoh, you

403
00:19:25,160 --> 00:19:30,319
tied it till it feels right. Men, get hold of them.

404
00:19:30,440 --> 00:19:35,359
Speaker 6: We need to and now what's all gone wrong?

405
00:19:43,200 --> 00:19:44,559
Speaker 4: Let's take the fall.

406
00:19:46,519 --> 00:19:47,720
Speaker 1: It's time to break.

407
00:19:47,720 --> 00:19:52,759
Speaker 2: Out all our secrets. Okay, yeah, now see ourselves A

408
00:19:53,200 --> 00:20:01,519
drawn some of the docks between the life. It seems

409
00:20:01,559 --> 00:20:06,000
where no life changes, the third stays safety in the

410
00:20:06,240 --> 00:20:11,440
cover of the space, stay live, so the fight can

411
00:20:11,759 --> 00:20:16,039
hate a super worst can takes where the broken leco

412
00:20:16,240 --> 00:20:21,359
brake goes in old.

413
00:20:22,640 --> 00:20:26,960
Speaker 6: Gonna get you right now you have to just the person.

414
00:20:26,839 --> 00:20:34,599
Speaker 11: Making them outright, hold out home somehow there's reason to

415
00:20:34,839 --> 00:20:35,720
believe that we.

416
00:20:36,240 --> 00:20:38,279
Speaker 7: Break came down the.

417
00:20:38,400 --> 00:20:46,480
Speaker 12: Strange faith being sighted out, come down, coming down.

418
00:20:59,279 --> 00:21:04,920
Speaker 2: No, no, we breathe together because we're nervous.

419
00:21:06,079 --> 00:21:11,119
Speaker 1: Or one now we're sending you out a rescue. We'll

420
00:21:11,240 --> 00:21:12,400
someone he's.

421
00:21:12,200 --> 00:21:13,400
Speaker 6: Just take the call.

422
00:21:16,599 --> 00:21:21,759
Speaker 2: Because of fields like sometimes some real lose control.

423
00:21:22,200 --> 00:21:29,960
Speaker 11: Oh no, coloudgin you'll care finding letting me.

424
00:21:30,440 --> 00:21:33,440
Speaker 6: Know all all out love.

425
00:21:34,039 --> 00:21:41,519
Speaker 12: Oh time gonna get run. Now you have to trust

426
00:21:41,559 --> 00:21:43,920
the person make you feel our way.

427
00:21:45,200 --> 00:21:48,960
Speaker 6: Oh no, hold somehow.

428
00:21:49,279 --> 00:21:52,880
Speaker 1: There's raised some tub but living we could break you down.

429
00:21:53,759 --> 00:21:59,599
Speaker 12: The Strangers plays the bigs wading out, come down down by.

430
00:22:34,160 --> 00:22:36,799
Speaker 8: Oh that is so good. I love that. Strange Places.

431
00:22:37,119 --> 00:22:39,440
That is Kevin Horan and he is here with us,

432
00:22:39,599 --> 00:22:43,160
alive in studio Strange Places, of course, from the upcoming

433
00:22:43,160 --> 00:22:46,839
album Drift. And Kevin has his uh, he's got his

434
00:22:46,960 --> 00:22:48,559
guitar in his hand. Oh, let me get that mic

435
00:22:48,640 --> 00:22:52,119
back on there. Let's see. Let me turn up that

436
00:22:52,319 --> 00:22:56,079
guitar a little bit here. Oh that sounds nice. That

437
00:22:56,240 --> 00:22:59,640
sounds nice. Kevin's gonna play something live for us. What

438
00:22:59,680 --> 00:23:00,880
do you what are you gonna play?

439
00:23:02,039 --> 00:23:04,319
Speaker 2: So this is a song called Turning Point. It will

440
00:23:04,359 --> 00:23:18,599
also be on the album. Okay, right good, Yeah, sounds good. Alright,

441
00:23:18,920 --> 00:23:21,960
See if I remember the words, I gotta learn the

442
00:23:22,000 --> 00:23:37,839
words to my songs at some point. Pardon me. I

443
00:23:38,039 --> 00:23:42,960
just lost you to something else that was on ma

444
00:23:44,160 --> 00:23:53,880
huh yesterday. Build the same low, sir, to the end

445
00:23:54,039 --> 00:24:01,599
of the la. If you won't you can't wait and see?

446
00:24:03,079 --> 00:24:09,960
How come man? What's to five hime? Just the way

447
00:24:10,039 --> 00:24:12,039
you did turning On?

448
00:24:12,480 --> 00:24:12,640
Speaker 1: Now?

449
00:24:12,920 --> 00:24:17,079
Speaker 7: Well will go well, hell you're my.

450
00:24:20,240 --> 00:24:26,440
Speaker 2: He anyway that you want him. I'll take you out

451
00:24:26,880 --> 00:24:36,799
down to again, kick it up, go him on up

452
00:24:36,839 --> 00:24:42,480
and down in and now let's be again. Go ahead,

453
00:24:42,680 --> 00:24:46,759
said and learning, get ready to give you the way.

454
00:24:48,279 --> 00:24:49,920
Now let yourself.

455
00:24:51,000 --> 00:25:09,119
Speaker 7: It's sound gonna cham breathing deep, hold it still as

456
00:25:09,200 --> 00:25:09,759
you let.

457
00:25:09,640 --> 00:25:12,680
Speaker 2: It I get it, or maybe you should rest for

458
00:25:13,160 --> 00:25:20,000
oh hi, if he was awake, all it takes eastern

459
00:25:20,160 --> 00:25:24,319
bed and know has somehow WIT's on your side.

460
00:25:24,599 --> 00:25:24,839
Speaker 8: Hide.

461
00:25:27,720 --> 00:25:31,920
Speaker 2: There's no fate worse than death to the poison that

462
00:25:32,319 --> 00:25:39,240
burns it away through your my hide. Just to wait,

463
00:25:39,480 --> 00:25:41,480
it's the turning bing.

464
00:25:41,680 --> 00:25:46,559
Speaker 7: Now man your bull man for aurah hide.

465
00:25:49,440 --> 00:25:57,079
Speaker 2: Anyway you want, will I take you round round her again?

466
00:26:00,240 --> 00:26:00,880
Speaker 6: Kick it out?

467
00:26:01,000 --> 00:26:06,359
Speaker 2: If you never call in, no, yeah, humping down in

468
00:26:06,519 --> 00:26:12,359
and now let's begin. Oh go ahead, settle in and

469
00:26:12,480 --> 00:26:18,640
get ready to give it ear Now let your selphee,

470
00:26:19,839 --> 00:26:20,839
it's all gonna.

471
00:26:20,759 --> 00:26:39,960
Speaker 10: Chairse Yeah, anyway that you want to spin, we'll all

472
00:26:40,079 --> 00:26:42,480
take you round and round again.

473
00:26:45,200 --> 00:26:46,400
Speaker 4: Well, knick it out.

474
00:26:46,480 --> 00:26:52,400
Speaker 2: If you never call in, umping down in and now

475
00:26:52,599 --> 00:27:00,160
let's begin. Go ahead, settle in and get ready to

476
00:27:00,279 --> 00:27:06,799
give it away. Let yourselfhe it's all gonna change.

477
00:27:10,519 --> 00:27:11,759
Speaker 9: M H.

478
00:27:11,960 --> 00:27:16,200
Speaker 8: Bravo, bravo Kevin Oran is here with us alive in studio.

479
00:27:16,759 --> 00:27:19,799
That sounded fantastic. That's called turning Point. Yes, all right,

480
00:27:20,079 --> 00:27:23,400
very very cool. We're also talking about, uh, talking about

481
00:27:23,440 --> 00:27:26,599
playing this track Cecilia. Maybe we'll give this a spend, Yeah,

482
00:27:26,680 --> 00:27:28,359
and then we'll come back and talk some more. You

483
00:27:28,400 --> 00:27:29,160
want to tell us about this?

484
00:27:30,119 --> 00:27:36,319
Speaker 2: So my daughter, who is fifteen months old this week, Sure,

485
00:27:36,319 --> 00:27:38,839
her name is Cecilia. And we did not do that

486
00:27:38,960 --> 00:27:42,200
on purpose because of the song, but obviously there's a

487
00:27:42,279 --> 00:27:45,799
pretty well known song that she shares that name with,

488
00:27:46,039 --> 00:27:50,359
so anytime we mentioned it, all we heard throwing back

489
00:27:50,359 --> 00:27:54,559
at Yeah. But the first night that we that we

490
00:27:54,640 --> 00:27:57,160
were home, my wife was upstairs sleeping and getting some

491
00:27:57,279 --> 00:27:59,680
much needed rest, and I was downstairs holding her like

492
00:27:59,759 --> 00:28:03,000
this wonderful moment of like, oh my gosh, I'm a dad,

493
00:28:03,880 --> 00:28:06,480
this is my baby girl, and and I'm like, all right,

494
00:28:06,480 --> 00:28:08,640
here's the moment. I'm gonna singer Cecilia for the first

495
00:28:08,680 --> 00:28:10,960
time how to get her to sleep? And I start singing,

496
00:28:11,000 --> 00:28:13,599
and I'm like getting a watery eyed and teary eyed,

497
00:28:13,640 --> 00:28:16,079
and then I got to the first verse, making love

498
00:28:16,440 --> 00:28:21,319
in the afternoon to Cecilia, and I'm like, what right,

499
00:28:22,519 --> 00:28:25,319
I can't sing that to my kid. That's awkward though, Yeah,

500
00:28:25,440 --> 00:28:29,480
so I read as as she fell asleep. I grabbed

501
00:28:29,480 --> 00:28:33,039
a pen and started rewriting the lyrics to Cecilia. So

502
00:28:33,160 --> 00:28:35,680
this is my version that we sing to her at

503
00:28:35,720 --> 00:28:36,119
our house.

504
00:28:36,279 --> 00:28:39,119
Speaker 8: All right, very good, this is Cecilia Kevin Horn.

505
00:29:06,519 --> 00:29:07,000
Speaker 6: To see.

506
00:29:07,880 --> 00:29:13,839
Speaker 2: We are taking my heart, build up my carpet, Deavy,

507
00:29:15,279 --> 00:29:16,160
what's the seed?

508
00:29:17,000 --> 00:29:19,279
Speaker 4: Are take my heart sake?

509
00:29:20,400 --> 00:29:22,559
Speaker 1: Giving me all that I need?

510
00:29:24,079 --> 00:29:25,279
Speaker 2: And I'm hope.

511
00:29:27,480 --> 00:29:31,200
Speaker 1: If you love I can feel it from you and

512
00:29:31,440 --> 00:29:33,000
you're hearing my arms.

513
00:29:33,119 --> 00:29:35,079
Speaker 4: My heart burns through the room.

514
00:29:35,359 --> 00:29:39,680
Speaker 1: I think, then what tell me love? Hood? Faith?

515
00:29:40,680 --> 00:29:45,039
Speaker 13: Sitting out the song and the feeling you were? To

516
00:29:45,240 --> 00:29:51,359
see you taking my heart, building my carpet.

517
00:29:51,519 --> 00:29:52,359
Speaker 2: It's heavy.

518
00:29:53,759 --> 00:29:54,640
Speaker 4: What's the sea?

519
00:29:56,559 --> 00:29:57,680
Speaker 2: Take my heart's sake?

520
00:29:58,880 --> 00:30:00,960
Speaker 1: Giving me ho all that I mean?

521
00:30:02,519 --> 00:30:02,920
Speaker 11: It's not.

522
00:30:09,000 --> 00:30:12,519
Speaker 6: What we want away.

523
00:30:21,400 --> 00:30:34,200
Speaker 4: The name shun Dancing will save.

524
00:30:34,039 --> 00:30:37,640
Speaker 12: Me out of the dong with wood loud.

525
00:30:39,000 --> 00:30:44,759
Speaker 2: To the name shun Dancing will save me the bottom the.

526
00:30:45,000 --> 00:30:48,279
Speaker 11: Dolman without him bass.

527
00:30:48,559 --> 00:31:12,079
Speaker 14: See, Oh that's cool, that's cool.

528
00:31:12,079 --> 00:31:12,920
Speaker 8: Out of Cecilia.

529
00:31:13,400 --> 00:31:16,200
Speaker 7: Baby girl just made her radio debut. That's her at

530
00:31:16,200 --> 00:31:16,480
the end.

531
00:31:16,720 --> 00:31:21,160
Speaker 8: Yes, yes, Kevin and Cecilia Horrn. Very nice, very nice

532
00:31:21,839 --> 00:31:24,200
if you are just joining us. Kevin Horran is here

533
00:31:24,240 --> 00:31:28,880
with us live in studio and no, that's that's really cool.

534
00:31:29,079 --> 00:31:30,920
Is that gonna be on the album or no?

535
00:31:31,480 --> 00:31:33,759
Speaker 2: No, I just put that out as a one off

536
00:31:33,880 --> 00:31:36,880
single a few months ago for fun. We actually I

537
00:31:37,319 --> 00:31:39,559
included a link with it to try to raise a

538
00:31:39,559 --> 00:31:40,759
little money for March of Dimes.

539
00:31:40,960 --> 00:31:44,079
Speaker 8: Oh cool, Yeah, yeah, that's excellent. You also mentioned too,

540
00:31:44,119 --> 00:31:46,440
Gary Smith. You were mentioning off air. Gary Smith is

541
00:31:46,480 --> 00:31:47,160
on bas on that.

542
00:31:47,559 --> 00:31:48,640
Speaker 7: He's playing bass on that.

543
00:31:50,079 --> 00:31:52,839
Speaker 2: That song I recorded in my basement and a lot

544
00:31:52,920 --> 00:31:55,759
of it I recorded the night before we actually went

545
00:31:55,839 --> 00:31:58,359
into the studio with it. Yeah, and it sounded like

546
00:31:58,559 --> 00:32:01,720
chicken scratch. And then so Gary set me up with

547
00:32:01,839 --> 00:32:02,559
Pete Pelliquin.

548
00:32:02,640 --> 00:32:03,880
Speaker 7: He's out in Brookline.

549
00:32:04,200 --> 00:32:05,960
Speaker 8: That's a name that comes up on the show a lot.

550
00:32:06,079 --> 00:32:09,759
Speaker 2: Yeah, he was awesome. We just spent an afternoon over there. Yeah,

551
00:32:10,279 --> 00:32:12,799
really cool studio. I think Cosmic Blossom has done a

552
00:32:12,839 --> 00:32:15,720
bunch of stuff with Gary's other band, Fox in the Flamingos.

553
00:32:16,119 --> 00:32:19,519
That's done some stuff with them. He didn't amaze I mean,

554
00:32:19,599 --> 00:32:22,880
if you listened to what that sounded like. Driving to

555
00:32:23,039 --> 00:32:25,279
his studios, like, oh my god, this is gonna be awful.

556
00:32:25,519 --> 00:32:28,519
Really yeah, just like he made it sound fantastic. But yeah,

557
00:32:28,559 --> 00:32:30,880
it's I'm pretty proud of that one. That's yeah, that's

558
00:32:30,920 --> 00:32:32,440
really fun to do. That's really cool.

559
00:32:33,720 --> 00:32:35,319
Speaker 8: In terms of your voice, I mean, do you get

560
00:32:35,359 --> 00:32:38,400
compared to like you remind me of Kat Stevens.

561
00:32:39,759 --> 00:32:41,920
Speaker 2: I've heard that a couple of times. Yeah, yeah, yeah,

562
00:32:42,119 --> 00:32:43,559
I hear a few things once in a while.

563
00:32:43,720 --> 00:32:46,359
Speaker 8: Yeah, because you know, you have an unusual voice. There's

564
00:32:46,359 --> 00:32:48,960
not many people who sound like you. Thank you know, yeah,

565
00:32:49,000 --> 00:32:52,440
oh absolutely, thanks? Like who else is there anyone else

566
00:32:52,480 --> 00:32:54,359
other people kind of compare you to? Or is there

567
00:32:54,359 --> 00:32:55,559
anyone you think you sound like.

568
00:32:58,079 --> 00:33:00,799
Speaker 2: I'm a huge Dave Matthews fan, so I think I

569
00:33:00,880 --> 00:33:03,680
think at the very least, your guitar style gets compared.

570
00:33:03,799 --> 00:33:05,359
Oh okay, because I was gonna say, you're a much

571
00:33:05,400 --> 00:33:07,920
better singer than he is. Not a knock on him,

572
00:33:07,960 --> 00:33:10,279
He's he's a good enough singer, but you're a much

573
00:33:10,319 --> 00:33:11,160
better singer than he is.

574
00:33:11,240 --> 00:33:11,680
Speaker 8: Yeah, thank you.

575
00:33:13,160 --> 00:33:17,640
Speaker 2: I'm a drummer originally, so yeah, his percussive guitar style

576
00:33:17,799 --> 00:33:19,359
really connects with me.

577
00:33:19,599 --> 00:33:20,119
Speaker 7: That makes sense.

578
00:33:20,160 --> 00:33:20,680
Speaker 8: I can hear that.

579
00:33:20,880 --> 00:33:23,240
Speaker 7: Yeah, but yes, so I think in the early.

580
00:33:23,119 --> 00:33:24,880
Speaker 2: Days maybe I got a little of that, but I

581
00:33:25,359 --> 00:33:28,640
kind of worked my way further, you know, tried to

582
00:33:28,680 --> 00:33:31,279
further myself from that. But I've heard the guy from

583
00:33:31,359 --> 00:33:36,319
Kings Leon yeah every now and then. Yeah, Cat Stevens

584
00:33:36,359 --> 00:33:37,160
a couple of times.

585
00:33:37,759 --> 00:33:38,480
Speaker 7: Yeah, I don't know.

586
00:33:38,599 --> 00:33:38,960
Speaker 1: I I.

587
00:33:40,759 --> 00:33:42,920
Speaker 2: Don't know who else. Maybe I don't know who I

588
00:33:43,000 --> 00:33:45,480
sound like. Yeah, so that's a good thing. Yeah, that's

589
00:33:45,480 --> 00:33:51,240
a good thing. Yeah, definitely. So what remind us of

590
00:33:51,440 --> 00:33:54,240
the album comes out? Is it in June Friday, June

591
00:33:54,279 --> 00:33:56,359
twenty seventh, and then so it'll be on all the

592
00:33:56,359 --> 00:34:00,160
streaming platforms obviously. Are you also doing physical CDs? I'm

593
00:34:00,200 --> 00:34:03,559
working on that. I really really really wanted to do

594
00:34:03,720 --> 00:34:07,279
the vinyl thing, but it just like the record, it

595
00:34:07,440 --> 00:34:09,840
just it's expensive for one thing, that and it's just

596
00:34:09,960 --> 00:34:12,960
like the production took a little longer to get it right.

597
00:34:13,480 --> 00:34:16,039
I want, I wanted it to sound as perfect as

598
00:34:16,239 --> 00:34:18,239
it possibly could. I don't know, I might never ever

599
00:34:18,320 --> 00:34:20,320
do this again, so yeah, you know, I wanted to

600
00:34:20,360 --> 00:34:22,000
get it right. So we took a lot of time.

601
00:34:22,039 --> 00:34:25,280
I mean, we just wrapped on production of the album

602
00:34:25,360 --> 00:34:28,360
about a week ago. Okay, Oh wow, I just got

603
00:34:28,400 --> 00:34:30,119
all the final mixes like a week or so ago,

604
00:34:30,239 --> 00:34:32,519
so it's it's official. It's done, So it'll be on

605
00:34:32,639 --> 00:34:36,079
streaming platforms. I think for the record release party, I

606
00:34:36,199 --> 00:34:40,000
call them a record but probably at least have some CDs.

607
00:34:40,119 --> 00:34:44,159
Speaker 8: Okay. Yeah. It's a subject that's come up a lot

608
00:34:44,239 --> 00:34:47,480
on the show, especially lately, as physical media and how

609
00:34:48,280 --> 00:34:50,239
you know. I always say, like, if you go back

610
00:34:50,800 --> 00:34:52,400
seven or eight years, I've been doing this a long time,

611
00:34:52,440 --> 00:34:53,840
but if you go back seven or eight years, maybe

612
00:34:53,880 --> 00:34:56,360
even a little longer, there was a period where like

613
00:34:56,480 --> 00:34:58,440
no one was doing CDs, Like no one that we

614
00:34:58,519 --> 00:34:59,119
had on the show.

615
00:34:59,119 --> 00:35:01,760
Speaker 2: It was all about Spotify and everything, and no one

616
00:35:01,920 --> 00:35:04,760
was bothering. It was like the attitude was CDs are dead.

617
00:35:05,239 --> 00:35:09,159
Speaker 8: And then but over the past several years there's kind

618
00:35:09,199 --> 00:35:11,960
of been a resurgence there with physical meta.

619
00:35:12,079 --> 00:35:13,960
Speaker 7: Yeah, it seems that way. I always looked at it

620
00:35:14,159 --> 00:35:15,559
as so when the.

621
00:35:15,559 --> 00:35:18,920
Speaker 2: Stone Roll Band was still rocking our first album we

622
00:35:19,039 --> 00:35:21,880
put on CD yeah, and that was about I think

623
00:35:21,920 --> 00:35:25,679
that was twenty nineteen, and we had that we kind

624
00:35:25,719 --> 00:35:27,400
of had that war of like should we do it?

625
00:35:27,440 --> 00:35:27,920
Speaker 7: Should we even?

626
00:35:28,519 --> 00:35:28,679
Speaker 12: You know?

627
00:35:28,760 --> 00:35:30,760
Speaker 2: But like again, as I went off on my own,

628
00:35:31,039 --> 00:35:32,880
I just brought those CDs with me. I mean those

629
00:35:33,079 --> 00:35:35,639
people dropped ten bucks, five bucks or whatever. I didn't care,

630
00:35:35,800 --> 00:35:37,840
just take them. But yeah, I looked at them as like,

631
00:35:38,000 --> 00:35:39,639
whether you have a CD player or not, you've got

632
00:35:39,679 --> 00:35:41,639
all my information, you get all the songs, right, It's

633
00:35:41,679 --> 00:35:43,719
like to me, it's like a business card, right.

634
00:35:43,920 --> 00:35:48,159
Speaker 8: Yeah. But I love physical media, so yeah, yeah, and

635
00:35:48,280 --> 00:35:51,400
with vinyl. And actually we're talking about this was with

636
00:35:51,519 --> 00:35:54,000
one of our guests on the show today earlier that

637
00:35:55,199 --> 00:35:58,599
the guys from the band The Forensics. We were talking

638
00:35:58,639 --> 00:36:00,719
about how, you know, most people who buy vinyl probably

639
00:36:00,800 --> 00:36:03,079
don't even ever open it, you know, like if you're

640
00:36:03,119 --> 00:36:05,239
really a fan of an artist, yeah, you know, you're

641
00:36:05,320 --> 00:36:07,199
just buying it to support them and it's cool to have.

642
00:36:07,440 --> 00:36:09,760
Or maybe you open it, but you mount the artwork

643
00:36:09,840 --> 00:36:11,880
on the wall or something, you know. Yeah.

644
00:36:12,480 --> 00:36:16,360
Speaker 2: Yeah, I'm I really wanted to do vinyl because like, so,

645
00:36:16,440 --> 00:36:18,880
I have three brothers. We're all vinyl guys. We do

646
00:36:19,000 --> 00:36:20,960
like that exchanges at Christmas and stuff.

647
00:36:20,960 --> 00:36:21,480
Speaker 8: Oh nice.

648
00:36:22,119 --> 00:36:24,159
Speaker 2: And I actually I got a lot of friends that

649
00:36:24,239 --> 00:36:26,519
have really gotten into that trend of the vinyl thing,

650
00:36:26,599 --> 00:36:30,239
and we're really into it at our house and but yeah,

651
00:36:30,320 --> 00:36:32,800
it's just you know, you do. I mean, I recorded

652
00:36:32,840 --> 00:36:35,440
most of this record and album by myself, so yeah,

653
00:36:35,480 --> 00:36:36,840
I'm just trying to be like, you know, at least

654
00:36:36,880 --> 00:36:39,199
I did that. Yeah, I got it done. Yeah, No,

655
00:36:40,199 --> 00:36:44,480
everything sounds great, thank you. So are all the tracks

656
00:36:44,519 --> 00:36:47,800
on the album where they all you recorded on your

657
00:36:47,800 --> 00:36:50,519
own and then took them to Pete Pliquin or so

658
00:36:51,559 --> 00:36:54,599
Pete did that one song that was I had no

659
00:36:55,199 --> 00:36:57,440
intention of doing anything with Cecilia. That was just something

660
00:36:57,440 --> 00:36:59,719
I thought maybe i'd record for her birthday or that,

661
00:37:00,400 --> 00:37:01,960
and then it just kind of like and then Gary

662
00:37:02,039 --> 00:37:05,079
and I he helped me, Like I said, he's playing

663
00:37:05,119 --> 00:37:07,920
with us at the record release, so you know, we've

664
00:37:08,000 --> 00:37:09,920
kind of buddied up, and he was like, hey, if

665
00:37:09,920 --> 00:37:11,679
you ever need any help, I got this guy Pete,

666
00:37:11,679 --> 00:37:13,159
And I was like, well, I have this one song

667
00:37:13,320 --> 00:37:15,840
that I've been kind of tooling with and it's you know,

668
00:37:15,920 --> 00:37:18,360
it's a cover but sort of a cover, and it'd

669
00:37:18,400 --> 00:37:19,719
be kind of cool to have that out there for

670
00:37:19,840 --> 00:37:21,440
my daughter one day to go back and listen to.

671
00:37:21,599 --> 00:37:24,599
But no, it's so like I said, when I started

672
00:37:24,639 --> 00:37:26,039
doing this, I just wanted to do like a little

673
00:37:26,079 --> 00:37:29,519
four track five track EP. When I was in the

674
00:37:29,599 --> 00:37:32,960
Stone Road band, we had done an EP in our

675
00:37:33,000 --> 00:37:35,599
bass player who was in a band with some guys

676
00:37:35,639 --> 00:37:39,039
out of New York and Connecticut. One of those guys

677
00:37:39,840 --> 00:37:42,880
has a studio called the Koop Studio in Irvington, New York,

678
00:37:43,559 --> 00:37:47,079
and he worked on our final EP. And when I

679
00:37:47,199 --> 00:37:49,519
went to go do this because we recorded all that

680
00:37:49,639 --> 00:37:51,800
from our house during COVID, Yeah, and he made that

681
00:37:51,920 --> 00:37:52,360
sound great.

682
00:37:52,400 --> 00:37:54,880
Speaker 7: So he's the guy yea. So I reached out to him.

683
00:37:54,920 --> 00:37:59,280
Speaker 2: He did the first single, Anything, and then his schedule

684
00:37:59,360 --> 00:38:02,599
just got cramped, and so he turned me over to

685
00:38:02,760 --> 00:38:07,480
somebody that worked in his studio, Deanna Fielding, and she

686
00:38:07,639 --> 00:38:12,039
did basically most of the record. Gary Smith did do

687
00:38:12,360 --> 00:38:16,440
the last song called Everything. He mixed and mastered that song.

688
00:38:16,559 --> 00:38:18,800
He played on it, He played some keys and electric guitar,

689
00:38:19,320 --> 00:38:23,400
but Deanna did all the other tracks, mastered him.

690
00:38:23,599 --> 00:38:24,559
Speaker 7: She helped me produce it.

691
00:38:25,159 --> 00:38:28,599
Speaker 2: She actually sang strange places. That's her doing the background vocals.

692
00:38:30,280 --> 00:38:32,079
Another song will play in a little while, it's called

693
00:38:32,119 --> 00:38:35,760
small Talk. That's her doing the lead female vocal on which,

694
00:38:36,519 --> 00:38:39,119
like ripped, I was like blown away when I heard

695
00:38:39,119 --> 00:38:42,000
her vocal take on it. But so yeah, so it

696
00:38:42,119 --> 00:38:45,960
was all done me here in New Hampshire recording and

697
00:38:46,039 --> 00:38:49,159
then her in Irvington, New York. Just I'd send her files.

698
00:38:49,440 --> 00:38:50,960
She do all the stuff to send it back to me.

699
00:38:52,239 --> 00:38:54,559
I had some help some from some friends on that

700
00:38:54,679 --> 00:38:59,719
last song. Zach Sweetser plays keys, like I said, Gary

701
00:38:59,719 --> 00:39:02,960
Smith made an appearance, The Stone Roll Band made an appearance.

702
00:39:03,760 --> 00:39:06,719
Deanna helped out. And then my friend Paul Nelson, who's

703
00:39:06,719 --> 00:39:10,199
a local guy, he helped me record the vocals to Drift,

704
00:39:11,039 --> 00:39:12,960
and I think the acoustic guitar, a couple of things.

705
00:39:13,039 --> 00:39:15,199
Speaker 7: It was a little kit of you know. But yeah,

706
00:39:15,239 --> 00:39:17,119
i'd say like eighty eight of it.

707
00:39:17,159 --> 00:39:20,360
Speaker 2: I did in my attic and then before my daughter

708
00:39:20,519 --> 00:39:23,079
was born, and then I moved to the basement after my.

709
00:39:23,159 --> 00:39:23,800
Speaker 7: Daughter was born.

710
00:39:23,840 --> 00:39:26,119
Speaker 8: Oh okay, why the move from the attict of.

711
00:39:26,119 --> 00:39:28,079
Speaker 2: The basis the addicts directly above her bedroom?

712
00:39:28,119 --> 00:39:29,679
Speaker 8: Gotcha? I thought that might be the case.

713
00:39:29,760 --> 00:39:31,800
Speaker 7: Yeah, that you got to keep that baby sleeping.

714
00:39:33,599 --> 00:39:36,159
Speaker 8: Do you want to play you want to play one

715
00:39:36,199 --> 00:39:38,079
more live one and then we'll uh yeah.

716
00:39:38,039 --> 00:39:41,519
Speaker 2: Let's so I have a very special song to sing today, Okay,

717
00:39:41,920 --> 00:39:44,239
And I think they're listening out there.

718
00:39:45,760 --> 00:39:48,480
Speaker 8: Oh. Actually, before you go any further, we do have

719
00:39:48,559 --> 00:39:51,440
some people in the chat room. I so this might

720
00:39:51,480 --> 00:39:54,440
answer that question. Yeah, let's see. I see Carrie Gemini.

721
00:39:54,800 --> 00:39:56,519
Speaker 7: That's oh my gosh, that's my cousin.

722
00:39:56,639 --> 00:40:00,280
Speaker 8: Okay, Carrie says Mike Horn, so much a cousin, Allent,

723
00:40:01,760 --> 00:40:02,239
So there you go.

724
00:40:02,599 --> 00:40:03,119
Speaker 1: Is he is.

725
00:40:03,400 --> 00:40:05,880
Speaker 8: Also Sandy Walsh is in there and says so cool.

726
00:40:06,280 --> 00:40:09,079
Speaker 2: Oh that's cool. Hey, Sandy, I see you always sharing

727
00:40:09,159 --> 00:40:11,599
my stuff. Sandy's awesome. I used to work with her.

728
00:40:11,719 --> 00:40:13,599
I mentioned Jenna and I were talking earlier. I used

729
00:40:13,639 --> 00:40:17,679
to work at Mastercola elementary school down in Merrimac and

730
00:40:17,840 --> 00:40:19,000
she and I worked together there.

731
00:40:19,159 --> 00:40:24,480
Speaker 8: Oh okay, oh, very cool, very cool. Let's see oh

732
00:40:24,719 --> 00:40:27,880
Sunset Radio in the chat room. They are in Ireland.

733
00:40:28,199 --> 00:40:31,360
Oh and supporters of the slut Trap. Yeah yeah, oh

734
00:40:31,440 --> 00:40:32,239
absolutely cool.

735
00:40:32,280 --> 00:40:33,239
Speaker 7: Absolutely love Ireland.

736
00:40:34,480 --> 00:40:36,920
Speaker 8: All right, I interrupted your story. I just wanted to. Yeah,

737
00:40:37,039 --> 00:40:38,559
go ahead, go go go ahead.

738
00:40:38,559 --> 00:40:41,239
Speaker 2: I'm very interrupt me anytime you need to, man, I

739
00:40:41,400 --> 00:40:45,679
know I'm I'm winded, dude. I do have a very

740
00:40:45,760 --> 00:40:50,000
special song to perform today for two very special guys.

741
00:40:50,840 --> 00:40:52,599
After when I leave here today, I got to go

742
00:40:52,719 --> 00:40:56,920
celebrate my nephews, Rory who's three, and Tyler, who's five.

743
00:40:57,079 --> 00:41:01,239
They're brothers. They're my brother Shawn's boys, and their birthdays

744
00:41:01,239 --> 00:41:03,800
are close. So we're having a little duel birthday today.

745
00:41:05,320 --> 00:41:05,880
Speaker 8: Quick story.

746
00:41:05,960 --> 00:41:08,159
Speaker 7: So Tyler, who's five, who.

747
00:41:08,159 --> 00:41:10,480
Speaker 8: Is listening, by the way, sorry to interrupt you again,

748
00:41:10,519 --> 00:41:13,119
Sean Timothy Sean Timothy Horn in the chat room says,

749
00:41:13,159 --> 00:41:16,960
we are listening to the live stream and Tyler is listening.

750
00:41:16,800 --> 00:41:21,280
Speaker 7: Sean Sean, who's always always in my corner. Uh, Tyler.

751
00:41:21,400 --> 00:41:25,920
Speaker 2: So, Tyler who is five, has a very serious girlfriend.

752
00:41:26,159 --> 00:41:27,880
Speaker 7: Oh, okay, he's five.

753
00:41:29,039 --> 00:41:32,559
Speaker 2: They've been Yeah, they've been together for two years. Wow,

754
00:41:32,960 --> 00:41:37,159
he's five and and and uh they have like kind

755
00:41:37,159 --> 00:41:40,480
of a benefit situation going on. It's a very serious relationship.

756
00:41:40,519 --> 00:41:42,400
I think I just dated myself with that reference.

757
00:41:42,480 --> 00:41:42,679
Speaker 8: Wow.

758
00:41:43,559 --> 00:41:48,039
Speaker 2: But I mentioned that because recently he my brother was

759
00:41:48,079 --> 00:41:51,239
sharing with us about how Tyler came up to him

760
00:41:51,239 --> 00:41:55,320
and said, Daddy, you know as kids ask funny questions, Daddy,

761
00:41:55,599 --> 00:41:57,800
when you grow up, do you want to be a

762
00:41:57,880 --> 00:42:01,880
singer like uncle keV Oh after my heart? And my

763
00:42:02,000 --> 00:42:04,239
brother said, well no, but do you want to be

764
00:42:04,280 --> 00:42:06,880
a singer when you grow up, and he said, no,

765
00:42:07,599 --> 00:42:10,840
I am going to be an astronaut because my girlfriend

766
00:42:10,920 --> 00:42:12,960
is going to be a star and I have to

767
00:42:13,039 --> 00:42:14,840
fly to out of space to see her.

768
00:42:15,559 --> 00:42:17,599
Speaker 8: Oh he's five. Wow.

769
00:42:18,000 --> 00:42:20,400
Speaker 2: I'm like, I've been writing songs for years. I don't

770
00:42:20,400 --> 00:42:22,320
think I could write a line that good. So I

771
00:42:22,679 --> 00:42:26,159
kind of jokingly said, hey, the next song I write

772
00:42:26,320 --> 00:42:27,679
is going to be called rocket ship.

773
00:42:29,199 --> 00:42:30,239
Speaker 7: And then the next thing I knew.

774
00:42:30,239 --> 00:42:33,559
Speaker 2: I spent the whole weekend looking up pulsars and quasars

775
00:42:33,639 --> 00:42:35,920
and constellations and all sorts of fun space stuff, and

776
00:42:35,960 --> 00:42:37,559
I had a blast write in this song. So this

777
00:42:37,760 --> 00:42:41,280
song is called rocket Ship, as promised. And I got

778
00:42:41,440 --> 00:42:43,280
to look at the words here because I'm still learning it.

779
00:42:44,039 --> 00:42:48,159
It's only a couple of weeks old. Okay, off the press, Hot,

780
00:42:48,280 --> 00:42:49,000
off the press.

781
00:42:49,039 --> 00:42:50,039
Speaker 7: We'll do this, all right.

782
00:42:50,639 --> 00:42:53,719
Speaker 2: So this is for This is Tyler, as I promised you, buddy,

783
00:42:54,079 --> 00:43:07,159
this is rocket Ship. Can I start that over?

784
00:43:07,239 --> 00:43:07,760
Speaker 8: That was horrible.

785
00:43:07,760 --> 00:43:09,320
Speaker 7: I'm so sorry. I've never done that before.

786
00:43:09,440 --> 00:43:11,400
Speaker 8: That's okay, it sounded good to me, but but I've

787
00:43:11,440 --> 00:43:11,880
never heard.

788
00:43:11,719 --> 00:43:17,840
Speaker 2: Of Okay, it's eleven thirty in the morning, man, two,

789
00:43:26,880 --> 00:43:29,679
If I could blast off in my rocket ship to

790
00:43:29,840 --> 00:43:33,639
bring me next to you, a favorite star against the

791
00:43:33,679 --> 00:43:38,199
black will love fly out past the moon, a universe expanding,

792
00:43:38,400 --> 00:43:43,119
always bigger than before. I'll be your favorite astronom, blast

793
00:43:43,199 --> 00:43:45,480
away and go explode with you.

794
00:43:49,199 --> 00:43:50,000
Speaker 8: Who with you?

795
00:43:54,239 --> 00:43:58,599
Speaker 2: The space between these planets could never be enough. Oh

796
00:43:58,719 --> 00:44:02,280
this senergy, but between us starts with particles and dust.

797
00:44:03,400 --> 00:44:06,039
Night you try to do their best to keep us

798
00:44:06,159 --> 00:44:09,760
far away. Boot Every night I'm looking up and filling

799
00:44:09,960 --> 00:44:14,679
time between the day you will. I'm lost in out

800
00:44:15,000 --> 00:44:20,119
ear space with you never coming back. The view was

801
00:44:20,239 --> 00:44:24,519
just fine from here, and no one can tell last word.

802
00:44:24,800 --> 00:44:29,400
Two to with dev galalous see we find it's clear

803
00:44:29,639 --> 00:44:34,440
common disaster. It's consolations pulls out as waving radiation something.

804
00:44:34,599 --> 00:44:38,480
But the two of us support my rocket ship. Just me, yam,

805
00:44:42,079 --> 00:44:49,000
just me, Yeah you no gravity to keep us down

806
00:44:49,079 --> 00:44:52,440
out here, We feel secure. There's all the space in

807
00:44:52,559 --> 00:44:56,360
front of us that no one's seen before. Let's tail out,

808
00:44:56,400 --> 00:45:01,000
cross the un birds on ready given day, tire ourselves

809
00:45:01,039 --> 00:45:05,400
together and the whole ride the solar waves. So I'm

810
00:45:05,719 --> 00:45:08,920
lost in ower space with you.

811
00:45:10,800 --> 00:45:11,719
Speaker 7: Never going back.

812
00:45:11,920 --> 00:45:16,480
Speaker 2: Oh I'm staying here. So much out there that we

813
00:45:17,039 --> 00:45:22,719
can do with all the space and time. It's clear, supernose,

814
00:45:23,000 --> 00:45:25,920
lunar spheres. I'm way beyond my atmosphere.

815
00:45:26,280 --> 00:45:26,679
Speaker 1: Nothing.

816
00:45:26,840 --> 00:45:32,480
Speaker 2: Both two of us support my rocket ship. Three two

817
00:45:32,880 --> 00:45:39,400
one left up. Let's go, Hey, Houston, I'm never coming home,

818
00:45:40,440 --> 00:45:47,159
going further and you know, discovery worre beyond my own

819
00:45:48,000 --> 00:45:52,559
no more communication now here in my own space station.

820
00:45:55,440 --> 00:46:01,800
I'm lost in our space with you, well, not features

821
00:46:01,920 --> 00:46:02,639
and the stars.

822
00:46:02,719 --> 00:46:03,679
Speaker 4: And now I'm here.

823
00:46:04,000 --> 00:46:07,800
Speaker 2: There's so much how there we can do?

824
00:46:09,079 --> 00:46:11,239
Speaker 7: Oh, I've every galaxy you we find?

825
00:46:11,280 --> 00:46:16,400
Speaker 2: It's clear, comments asked, Joy's constellations, crazars, buksars, radiation. So

826
00:46:16,599 --> 00:46:21,000
we knows umispheres, way beyond my atmospheres and all this

827
00:46:21,159 --> 00:46:24,159
space and all this time. Nothing left out here and

828
00:46:24,320 --> 00:46:27,280
find because it's just the two of us, a ball

829
00:46:27,400 --> 00:46:36,159
in my rocket ship. Just me, yeah, just ye wait.

830
00:46:49,199 --> 00:46:52,920
Speaker 8: Oh, fantastic love that, Thank you very much. So that's

831
00:46:52,960 --> 00:46:53,679
called rocket ship.

832
00:46:53,679 --> 00:46:55,159
Speaker 7: That is called rocket ship rockets.

833
00:46:55,280 --> 00:46:56,119
Speaker 2: So awesome, thank you.

834
00:46:56,320 --> 00:47:00,239
Speaker 7: I've I've fallen in love with that sound quite a bit.

835
00:47:00,280 --> 00:47:02,039
Speaker 2: And I actually get kind of teary eyed because I'm

836
00:47:02,079 --> 00:47:04,719
picturing my sweet five year old nephew out and outer

837
00:47:04,840 --> 00:47:06,760
space in a spacesuit with his little Buddy.

838
00:47:07,039 --> 00:47:08,960
Speaker 8: Yeah, oh that's fantastic.

839
00:47:09,079 --> 00:47:11,840
Speaker 7: Happy birthday, Rory and Tyler. I love you guys.

840
00:47:13,159 --> 00:47:16,159
Speaker 8: Sandy Watson the chat room says, ideas come from everywhere.

841
00:47:16,360 --> 00:47:18,280
Speaker 7: Yes, they do, even from outer space.

842
00:47:18,480 --> 00:47:20,800
Speaker 8: Yes, no, that is that is very cool.

843
00:47:20,880 --> 00:47:21,480
Speaker 7: Thanks very much.

844
00:47:21,599 --> 00:47:23,599
Speaker 8: If you are just joining us, Kevin Horn is here

845
00:47:23,639 --> 00:47:26,840
with us live in studio and yeah, what a great song.

846
00:47:27,000 --> 00:47:27,239
Speaker 7: Thank you.

847
00:47:28,199 --> 00:47:31,800
Speaker 8: Where are you for people listening live on Saturday? Where

848
00:47:31,840 --> 00:47:33,760
are you playing this weekend? Do you have shows this weekend?

849
00:47:33,880 --> 00:47:35,480
Speaker 7: Or I actually have the weekend off you do?

850
00:47:35,800 --> 00:47:35,960
Speaker 9: Yeah?

851
00:47:36,000 --> 00:47:37,159
Speaker 8: Oh okay, just today?

852
00:47:37,280 --> 00:47:37,599
Speaker 1: This is it?

853
00:47:37,880 --> 00:47:41,760
Speaker 7: Yeah, you're seeing it? Oh wow, where my what is

854
00:47:42,360 --> 00:47:43,519
next week? I'm at?

855
00:47:46,119 --> 00:47:46,280
Speaker 9: You know?

856
00:47:46,360 --> 00:47:49,079
Speaker 7: I think I'm at the bookery. Oh okay on Elm Street.

857
00:47:49,119 --> 00:47:49,320
Speaker 8: Cool.

858
00:47:49,320 --> 00:47:52,199
Speaker 2: They're doing something new there, so I'm there next Saturday.

859
00:47:52,280 --> 00:47:54,800
But really, the big one that I got to keep

860
00:47:54,840 --> 00:47:58,400
pluying is that big show at BNH Stage on Saturday,

861
00:47:58,599 --> 00:48:03,480
June twenty eighth. Yes, lebrate the album release. Tickets are available.

862
00:48:03,559 --> 00:48:07,639
They're eighteen bucks eighteen whole dollars.

863
00:48:07,960 --> 00:48:10,679
Speaker 8: Very good, very good. We have time to do. Let's

864
00:48:10,719 --> 00:48:14,079
play another studio trap. Oh we didn't play small Talk yet,

865
00:48:14,119 --> 00:48:14,400
didn't we?

866
00:48:14,519 --> 00:48:17,760
Speaker 2: Yeah, that's that's uh, Like I said, that's the producer

867
00:48:17,800 --> 00:48:20,840
on the record. Deanna Uh sings on this track, and

868
00:48:21,079 --> 00:48:23,119
it's I think she sings quite beautifully.

869
00:48:23,320 --> 00:48:25,320
Speaker 8: Yeah, I really like this one a lot too. And

870
00:48:25,440 --> 00:48:27,239
then so we'll give this a spend and then well

871
00:48:27,320 --> 00:48:29,920
we'll come back and talk a little more. But yes,

872
00:48:30,039 --> 00:48:33,880
Kevin Horn is here with us live in studio, sounding amazing.

873
00:48:34,400 --> 00:48:37,800
Uh if you are tuned in on this Saturday morning,

874
00:48:38,039 --> 00:48:40,920
and uh, let's see it's waiting for this suff this

875
00:48:41,000 --> 00:48:45,159
computer is running a little bit slow. Here download, I'm

876
00:48:45,440 --> 00:48:49,880
tell it again. Oh, there we go. I got it. Okay,

877
00:48:50,400 --> 00:48:52,159
small talk Kevin Horn, here we go.

878
00:49:05,119 --> 00:49:11,360
Speaker 2: I could feel lives too. And it hurts when they urging.

879
00:49:16,320 --> 00:49:18,599
Speaker 4: Anyway that you want me.

880
00:49:19,119 --> 00:49:21,719
Speaker 6: I'll do woted t.

881
00:49:27,920 --> 00:49:34,400
Speaker 15: Keep me in mind when you cry, hurt that you

882
00:49:34,840 --> 00:49:38,960
feel this from mind and keep.

883
00:49:39,000 --> 00:49:40,199
Speaker 1: Telling them both.

884
00:49:40,400 --> 00:49:51,360
Speaker 2: What does that devro chang take a load off him?

885
00:49:51,639 --> 00:49:52,840
Feel yourself?

886
00:49:53,039 --> 00:49:54,880
Speaker 4: Safety, well me.

887
00:50:01,280 --> 00:50:04,599
Speaker 1: Fight you with and all that you can.

888
00:50:06,280 --> 00:50:07,679
Speaker 8: Never the same bird.

889
00:50:07,880 --> 00:50:10,239
Speaker 15: It's all that I am.

890
00:50:12,599 --> 00:50:15,920
Speaker 4: Here just to be what you want.

891
00:50:18,119 --> 00:50:23,480
Speaker 6: You Some don't best that you got it? Who go

892
00:50:23,760 --> 00:50:25,719
ever and see them come in.

893
00:50:28,800 --> 00:50:30,559
Speaker 4: There's a partners to life that.

894
00:50:30,760 --> 00:50:35,239
Speaker 9: Everyone's gonna see somehow she will pass.

895
00:50:35,519 --> 00:50:42,960
Speaker 4: Keep from running, taking a rest the last thing week.

896
00:50:47,079 --> 00:50:49,000
Let's do it all over again?

897
00:50:50,920 --> 00:50:57,079
Speaker 1: O goo O good.

898
00:51:00,920 --> 00:51:05,360
Speaker 6: Buying down now here with thout you died in line

899
00:51:12,360 --> 00:51:17,800
the holy that I am against lo stay by Jane.

900
00:51:23,719 --> 00:51:26,920
Speaker 1: Both don't do old death. I am.

901
00:51:29,000 --> 00:51:30,920
Speaker 4: The same things we want.

902
00:51:31,119 --> 00:51:32,280
Speaker 6: We can cheer.

903
00:51:34,599 --> 00:51:38,000
Speaker 4: You heard that your feel comes from mine.

904
00:51:40,519 --> 00:51:48,000
Speaker 6: Keep me and my mind got over saying coming.

905
00:51:51,159 --> 00:51:54,599
Speaker 12: It's our hardest lie that everyone's gonna say.

906
00:51:54,880 --> 00:52:02,519
Speaker 9: Side out day the past, to keep wrong running, take

907
00:52:02,599 --> 00:52:03,960
it borist.

908
00:52:03,679 --> 00:52:05,000
Speaker 6: The last thing.

909
00:52:32,559 --> 00:52:34,159
Speaker 4: To see coming.

910
00:52:37,239 --> 00:52:40,320
Speaker 9: There's a part of the life and everyone's going to

911
00:52:40,400 --> 00:52:48,559
see so save a path, to keep from ruining. Take

912
00:52:48,599 --> 00:52:51,400
a ball is the last thing to read.

913
00:52:55,400 --> 00:52:57,440
Speaker 1: Let's do it all over him?

914
00:52:59,280 --> 00:53:19,719
Speaker 16: Oh, justn it all over again, over again.

915
00:53:20,920 --> 00:53:24,639
Speaker 8: That is small talk. That is Kevin Horn from The Upcoming.

916
00:53:24,760 --> 00:53:32,920
Speaker 2: Oh oh yeah, there's an airplane. Oh there's an airplane forgot.

917
00:53:33,599 --> 00:53:35,920
I got to send you a radio edit right, Oh

918
00:53:36,000 --> 00:53:38,880
that's okay. I will, I will, I will say this.

919
00:53:39,199 --> 00:53:41,320
This album, like I said, it started as like kind

920
00:53:41,360 --> 00:53:43,559
of just like a generic sort of EP to put

921
00:53:43,639 --> 00:53:46,079
some songs out there, and it just kind of exploded

922
00:53:46,159 --> 00:53:50,920
into this creative idea of telling us story. So yeah,

923
00:53:51,119 --> 00:53:53,679
the first song all the way to the end if

924
00:53:53,679 --> 00:53:55,440
you it's forty minutes if you got it. Once it

925
00:53:55,519 --> 00:53:58,039
comes out, it goes straight through and it tells the story.

926
00:53:58,159 --> 00:54:00,360
So yeah, there's a reason for that airplane in there.

927
00:54:00,400 --> 00:54:02,400
But oh, okay, I'm out of context.

928
00:54:02,519 --> 00:54:04,239
Speaker 7: You just think.

929
00:54:06,519 --> 00:54:08,960
Speaker 2: Now that's cool? And uh, what's her name again? Deanna

930
00:54:09,199 --> 00:54:12,440
Deanna Fielding. She's out of the Coop Studios in Irvington,

931
00:54:12,480 --> 00:54:14,920
New York. I can tell you when she sent me

932
00:54:15,199 --> 00:54:19,000
that track back, I like bawled.

933
00:54:18,719 --> 00:54:19,239
Speaker 7: My eyes out.

934
00:54:19,360 --> 00:54:22,280
Speaker 2: Yeah, I couldn't believe how beautiful yeah sound. She did

935
00:54:22,320 --> 00:54:24,159
a great job. Yeah, no, that is a that is

936
00:54:24,199 --> 00:54:25,559
a great song. Absolutely, thank you.

937
00:54:25,679 --> 00:54:27,639
Speaker 8: By the way, somebody named Phil Smith is in the

938
00:54:27,719 --> 00:54:28,119
chat room.

939
00:54:28,480 --> 00:54:31,239
Speaker 2: That's my bass player from my former band, the Stone

940
00:54:31,320 --> 00:54:31,800
Road Band.

941
00:54:31,920 --> 00:54:36,920
Speaker 8: Oh very cool, Hey, buddy, very cool. So Kevin, where

942
00:54:36,960 --> 00:54:40,000
should yeah, we should remind people too well, first of all,

943
00:54:40,039 --> 00:54:42,559
where should people go online to keep up with everything

944
00:54:42,599 --> 00:54:43,159
that you're doing?

945
00:54:43,719 --> 00:54:45,960
Speaker 2: Well, I'm always on Instagram and Facebook.

946
00:54:46,079 --> 00:54:46,519
Speaker 7: Of course.

947
00:54:47,199 --> 00:54:50,519
Speaker 2: My Instagram is Kevin Underscore Horn, Underscore.

948
00:54:50,239 --> 00:54:52,599
Speaker 8: Music and horran is we should tell people to h

949
00:54:52,679 --> 00:54:53,320
O R A M.

950
00:54:53,599 --> 00:54:59,039
Speaker 2: Yes, yep, h O R a n I'm Kevin Horn

951
00:54:59,159 --> 00:55:01,639
Music dot com. You can always check out, of course, Spotify.

952
00:55:01,719 --> 00:55:03,760
I'm on Spotify. I got a few tunes up there

953
00:55:03,840 --> 00:55:07,679
right now. And then I have the Are you familiar

954
00:55:07,679 --> 00:55:08,199
with link tree?

955
00:55:08,320 --> 00:55:08,440
Speaker 9: Oh?

956
00:55:08,559 --> 00:55:11,440
Speaker 2: Yeah yeah, link Tree that's got just it links you

957
00:55:11,480 --> 00:55:14,119
to essentially, it's the easiest way to find me all

958
00:55:14,239 --> 00:55:14,639
my stuff.

959
00:55:14,639 --> 00:55:15,599
Speaker 7: It's got everything up there.

960
00:55:15,760 --> 00:55:18,440
Speaker 8: Yeah, you give lessons too, right I do.

961
00:55:18,760 --> 00:55:23,239
Speaker 2: I run my own studio down in Merrimac.

962
00:55:23,320 --> 00:55:24,360
Speaker 8: Oh, yeah, we should mention that.

963
00:55:24,559 --> 00:55:27,280
Speaker 2: Yeah, we call it rock band Camp. I work with

964
00:55:27,840 --> 00:55:31,320
some really amazing students. I don't know if she's listening,

965
00:55:31,559 --> 00:55:35,199
but my friend Sophia I meant to say, she listens.

966
00:55:35,320 --> 00:55:36,920
I was told by her mom the other day that

967
00:55:37,039 --> 00:55:41,079
she listens to my my version of Cecilia every day

968
00:55:41,280 --> 00:55:42,079
on the way to school.

969
00:55:42,960 --> 00:55:44,840
Speaker 7: Is really cool. And then and all my students are

970
00:55:44,840 --> 00:55:45,199
really cool.

971
00:55:45,199 --> 00:55:48,039
Speaker 2: They're always excited when they hear I'm gonna be on

972
00:55:48,079 --> 00:55:50,559
the radio, or or they listen to the you know,

973
00:55:50,599 --> 00:55:52,280
they listened to the Stone Road Band. They listen to

974
00:55:52,280 --> 00:55:54,559
all that stuff. So yeah, but yeah, so we I

975
00:55:54,639 --> 00:55:58,679
teach private music instruction and guitar, I teach drums. I

976
00:55:58,840 --> 00:56:02,360
do a little bit of performance training, and then we

977
00:56:02,519 --> 00:56:05,000
do the rock Band program, which is where the kids

978
00:56:05,039 --> 00:56:09,280
group up and actually create their own bands. We are

979
00:56:09,559 --> 00:56:11,760
gearing up actually I can't believe it's almost summer, but

980
00:56:11,800 --> 00:56:16,000
we're gearing up for our third annual summer concert in

981
00:56:16,119 --> 00:56:22,119
Merrimack in August. So the summer program starts the week

982
00:56:22,159 --> 00:56:24,639
after fourth of July. So if you've got kids out

983
00:56:24,679 --> 00:56:28,159
there that are looking to join a band and play

984
00:56:28,199 --> 00:56:30,800
in our summer concert, they still have time to register.

985
00:56:31,639 --> 00:56:36,440
That is at rock band NH dot com. Go there

986
00:56:36,480 --> 00:56:39,039
and get all that information. I'm sorry, rock band camp

987
00:56:39,320 --> 00:56:42,719
NH dot com. Okay, but yeah, we just did a

988
00:56:42,840 --> 00:56:45,760
winter show for the first time at Shaskine back in.

989
00:56:45,760 --> 00:56:47,480
Speaker 7: February, which was a huge success.

990
00:56:47,719 --> 00:56:47,920
Speaker 8: Nice.

991
00:56:48,199 --> 00:56:51,199
Speaker 2: Yeah, we have a lot of fun So it's I

992
00:56:51,280 --> 00:56:53,960
got I got a fun job, man, running around playing

993
00:56:54,039 --> 00:56:57,559
music and working with really amazing kids from like eight to.

994
00:56:59,599 --> 00:57:01,280
Speaker 7: You know, I I have some adult students as well.

995
00:57:01,480 --> 00:57:05,400
Speaker 8: Yeah, yeah, absolutely, Oh, that's amazing, fantastic, And let's remind

996
00:57:05,400 --> 00:57:06,840
people too about the big show coming up.

997
00:57:07,000 --> 00:57:11,480
Speaker 2: Big Show BNH Stage Saturday June twenty eighth, and conquered

998
00:57:11,559 --> 00:57:15,960
New Hampshire celebrating the release of My first solo record, Drift.

999
00:57:17,000 --> 00:57:19,239
As it turns out, it's actually, if you're familiar with

1000
00:57:19,400 --> 00:57:22,559
Market Days up and conquered, Big Music Festival and conquered.

1001
00:57:22,960 --> 00:57:25,320
Just so happens, it's the last night of Market Days,

1002
00:57:25,679 --> 00:57:29,199
so will be you know, sort of closing down Market

1003
00:57:29,280 --> 00:57:32,840
Days at BNH stage. Yeah, that night with my friend's

1004
00:57:32,880 --> 00:57:35,559
Cosmic Blossom. Cosmic Blossom, Cosmic Blossom.

1005
00:57:35,679 --> 00:57:39,519
Speaker 8: Yeah, we love Cosmic Blossom absolutely, very good, very good. Hey,

1006
00:57:39,840 --> 00:57:41,599
just for the hell of it, because we were talking

1007
00:57:41,679 --> 00:57:43,760
off air, I'm gonna I'm gonna read one of these

1008
00:57:43,800 --> 00:57:48,280
comments from Let's see, I think it'd be fun. Generation

1009
00:57:48,480 --> 00:57:52,400
socially six says we love this song and also that

1010
00:57:52,599 --> 00:57:56,920
Kevin Horan is so talent, and also maybe he would

1011
00:57:56,960 --> 00:58:00,320
be coming to Greensboro, North Carolina. We hope he'd us

1012
00:58:00,760 --> 00:58:06,000
performing at the downtown Greensboro, North Carolina sometime. Matt Conderton unleashed.

1013
00:58:06,599 --> 00:58:09,559
Speaker 2: There you go, all right, Matt Connerton and I the

1014
00:58:09,719 --> 00:58:15,360
talent will come to town Greenborough and see all the

1015
00:58:15,440 --> 00:58:16,440
bots that exist.

1016
00:58:19,320 --> 00:58:19,920
Speaker 8: Sounds good.

1017
00:58:21,840 --> 00:58:24,840
Speaker 7: We're inn sign me up book it well.

1018
00:58:24,920 --> 00:58:27,039
Speaker 8: Kevin, thank you again so much. This has been wonderful.

1019
00:58:27,159 --> 00:58:27,920
Speaker 7: Thank you so much.

1020
00:58:28,119 --> 00:58:31,159
Speaker 8: Absolutely and Jenny before we go too. You've been very

1021
00:58:31,239 --> 00:58:33,920
busy as always. You want to mention your website so

1022
00:58:33,960 --> 00:58:36,079
people can keep up with everything you're doing. If you

1023
00:58:36,119 --> 00:58:37,719
want to see what kind of trouble I'm getting in

1024
00:58:37,800 --> 00:58:39,519
this week, go to Gencoffee dot com.

1025
00:58:39,719 --> 00:58:42,199
Speaker 7: J E N N C O F f uy dot com.

1026
00:58:42,559 --> 00:58:44,880
Speaker 8: Very good. And if you are listening live on Saturday.

1027
00:58:44,920 --> 00:58:48,039
Also just a quick plug, keep an eye on social media.

1028
00:58:48,360 --> 00:58:50,840
I think around three pm today three pm Eastern, Eric

1029
00:58:50,880 --> 00:58:53,119
Pilter and I are doing episode six of Tough Bumps

1030
00:58:53,400 --> 00:58:56,079
and we're gonna go ahead and stream that live. That

1031
00:58:56,280 --> 00:58:59,079
is completely separate from WMNH. You got to go online

1032
00:58:59,559 --> 00:59:04,559
for that. Oh uh, Denise Doobie or Dube says Kevin

1033
00:59:04,840 --> 00:59:08,079
is the best band teacher. Oh very nice.

1034
00:59:08,159 --> 00:59:10,719
Speaker 2: That that's my friend who listens to Cecilia on the

1035
00:59:10,760 --> 00:59:11,320
way to school.

1036
00:59:11,519 --> 00:59:15,800
Speaker 8: Oh there you go. Excellent, excellent. So I think we

1037
00:59:15,880 --> 00:59:17,199
got to close out with a song. And I was

1038
00:59:17,239 --> 00:59:19,079
thinking this isn't one of the ones you sent. We

1039
00:59:19,159 --> 00:59:21,960
played those, but what about what if I spin anything

1040
00:59:22,159 --> 00:59:22,639
to close up?

1041
00:59:22,639 --> 00:59:23,039
Speaker 2: Absolutely?

1042
00:59:23,239 --> 00:59:24,159
Speaker 7: Yeah, this is the first single.

1043
00:59:24,280 --> 00:59:27,440
Speaker 8: Yes, yeah, yeah, that's uh, we'll go with that all right, Kevin,

1044
00:59:27,480 --> 00:59:29,000
thank you again, And if you miss any part of

1045
00:59:29,039 --> 00:59:30,559
today's show. It we'll be up in just a little

1046
00:59:30,559 --> 00:59:32,960
bit at w m n H radio dot org, at

1047
00:59:33,039 --> 00:59:36,199
my website Matt Connorton dot com, and we'll close out

1048
00:59:36,239 --> 00:59:48,519
with this. This is anything from Kevin Horn, a Little

1049
00:59:48,599 --> 00:59:48,760
Hit

1050
00:59:51,039 --> 00:59:53,239
Speaker 2: Can Release, and Joe the Trip