1
00:00:16,320 --> 00:00:24,079
Speaker 1: It's all you're not enough anymore, said.

2
00:00:23,879 --> 00:00:31,640
Speaker 2: I've been riding around, crawling through the doll, said me

3
00:00:31,760 --> 00:00:41,679
you away, said you need some space. How lailing things

4
00:00:41,759 --> 00:00:44,079
just popping the same.

5
00:00:47,079 --> 00:00:51,920
Speaker 3: And we fall rolling heaven into the bad weather. Just guys,

6
00:00:51,960 --> 00:00:53,359
eve the fighting escape.

7
00:00:55,000 --> 00:00:59,719
Speaker 4: It's all talling night someday, light squeezes that.

8
00:01:00,119 --> 00:01:19,319
Speaker 5: Went through the night. How side, how we side?

9
00:01:22,319 --> 00:01:30,719
Speaker 1: You'll not show anymore boys, hopper, it seems we god.

10
00:01:30,599 --> 00:01:36,200
Speaker 6: Walk out the doll, giv it up?

11
00:01:37,840 --> 00:01:46,640
Speaker 1: Could I give some more? Maybe go again? Walking through

12
00:01:47,040 --> 00:01:47,640
the school?

13
00:01:50,959 --> 00:01:55,760
Speaker 3: How we fall from having It's about the weather. This guys,

14
00:01:55,760 --> 00:02:01,359
he's a fighter guy. We talk of night fu some

15
00:02:01,640 --> 00:02:04,560
day voices that going into.

16
00:02:08,280 --> 00:02:23,560
Speaker 1: I'm beside, I'm beside. It's the riding off.

17
00:02:29,560 --> 00:02:40,360
Speaker 5: It's the night my mother.

18
00:02:47,080 --> 00:02:51,520
Speaker 1: And we far from heaven into by the weather, just

19
00:02:51,639 --> 00:02:56,479
causing the funing escape. It's all the night.

20
00:02:56,960 --> 00:03:10,199
Speaker 2: Find some day light voices that goats.

21
00:03:08,560 --> 00:03:09,199
Speaker 6: Meat tie.

22
00:03:32,240 --> 00:03:35,599
Speaker 7: Oh, that's another great track from Jamie Higgs. And we're

23
00:03:35,639 --> 00:03:38,039
gonna be talking with Jamie in just a moment. Welcome everybody.

24
00:03:38,439 --> 00:03:40,479
We have entered our number two New Marrow dose of

25
00:03:40,560 --> 00:03:43,919
Matt Connorton Unleashed, and we are live from the studios

26
00:03:43,960 --> 00:03:46,960
of w m n H ninety five point three FM

27
00:03:47,039 --> 00:03:49,280
and Glorious Manchester, New Hampshire. And of course you can

28
00:03:49,319 --> 00:03:51,280
listen to the show from anywhere. Go to Matt connorton

29
00:03:51,319 --> 00:03:53,919
dot com slash live for all your live streaming options,

30
00:03:54,159 --> 00:03:56,680
social media links, contact in FO, show archives, et cetera,

31
00:03:56,800 --> 00:03:59,759
et cetera. If you are listening live. Today is Saturday,

32
00:03:59,840 --> 00:04:03,199
November twenty second, twenty twenty five. And uh, let's see.

33
00:04:03,199 --> 00:04:05,039
I think we have Jamie on the line with us. Hi, Jamie,

34
00:04:05,159 --> 00:04:05,560
are you there?

35
00:04:06,919 --> 00:04:07,840
Speaker 8: He muss, how about you?

36
00:04:08,039 --> 00:04:10,400
Speaker 7: Hey, doing well? Welcome back to the show. It's great

37
00:04:10,439 --> 00:04:11,000
to have you back.

38
00:04:11,960 --> 00:04:13,879
Speaker 8: Yeah, on you betty much. I'm glad to be back home.

39
00:04:14,039 --> 00:04:16,759
Speaker 7: Absolutely so. I love that song We Talk. Of course,

40
00:04:17,000 --> 00:04:19,240
the last time we had you on, you just come

41
00:04:19,240 --> 00:04:20,879
out with Peace in Your Sound, which we are going

42
00:04:20,920 --> 00:04:22,879
to play again at the end of our conversation today.

43
00:04:23,199 --> 00:04:25,680
But I love I love this song We Talk. That

44
00:04:25,800 --> 00:04:28,040
is so good. Uh, everything about it is great. I

45
00:04:28,120 --> 00:04:30,759
love your voice, the production is great. Just a really

46
00:04:30,839 --> 00:04:33,720
really great track. And this is this is pretty new, right,

47
00:04:33,800 --> 00:04:34,519
this just came out.

48
00:04:36,199 --> 00:04:38,199
Speaker 8: Yeah, I think it's a month or so old.

49
00:04:38,519 --> 00:04:42,279
Speaker 7: Okay, okay, yeah, so so pretty new. What can you

50
00:04:42,360 --> 00:04:44,680
tell us about this about this song?

51
00:04:44,959 --> 00:04:45,560
Speaker 8: Like, what is it?

52
00:04:46,519 --> 00:04:50,040
Speaker 7: You know, it's I feel like there's some deeper meaning

53
00:04:50,120 --> 00:04:52,240
to the lyrics. But uh, and you know, when we

54
00:04:52,319 --> 00:04:53,879
had you on before, we talked a lot about the

55
00:04:54,360 --> 00:04:55,879
meaning of the lyrics a piece in your sound. But

56
00:04:55,920 --> 00:04:59,000
I'm curious about we talk what this song means to you.

57
00:05:02,680 --> 00:05:03,480
Speaker 8: It is a deep one.

58
00:05:04,199 --> 00:05:04,399
Speaker 7: Yeah.

59
00:05:06,680 --> 00:05:12,079
Speaker 9: I've been with my wife now for ten years, married

60
00:05:12,199 --> 00:05:14,759
just over the year, but we've been together ten years. Yeah,

61
00:05:15,279 --> 00:05:19,240
and if you've been in a long term relationship, you'll

62
00:05:19,319 --> 00:05:23,920
know there's ups and dance, sure, and this was a

63
00:05:24,000 --> 00:05:26,839
song about one of the dance I was speaking to

64
00:05:27,079 --> 00:05:30,439
me mate, he was having a similar love with his

65
00:05:30,639 --> 00:05:31,560
girlfriend at the time.

66
00:05:31,959 --> 00:05:33,360
Speaker 8: Yeah, and we're just.

67
00:05:33,360 --> 00:05:37,399
Speaker 9: Saying, like we end up sitting up late talking and yeah,

68
00:05:37,959 --> 00:05:39,839
I was just thinking about how problems and we just

69
00:05:40,360 --> 00:05:41,319
we talked through them.

70
00:05:41,800 --> 00:05:42,000
Speaker 7: Yeah.

71
00:05:42,800 --> 00:05:45,399
Speaker 8: Yeah, that was like kind of the idea of the song.

72
00:05:45,519 --> 00:05:49,480
Speaker 9: But I kind of wanted the song to finish unresolved,

73
00:05:51,360 --> 00:05:54,000
So you don't actually know whether they figured it out,

74
00:05:54,079 --> 00:05:55,120
so whether they broke up.

75
00:05:55,639 --> 00:06:00,560
Speaker 7: Interesting yeah, interesting idea. Yeah, so this is a deeply

76
00:06:00,639 --> 00:06:04,560
personal one to you. Yeah, yeah, yeah, yeah, So I remember,

77
00:06:04,720 --> 00:06:06,360
I remember when we talked about Piece in your Sound.

78
00:06:06,360 --> 00:06:08,399
I mean that you know that that song was personal too,

79
00:06:08,439 --> 00:06:10,560
in the sense that from from what I recall from

80
00:06:10,600 --> 00:06:13,439
our conversation, it was about how, you know, finding you know,

81
00:06:13,639 --> 00:06:16,000
kind of finding peace in the chaos of life and

82
00:06:16,800 --> 00:06:21,399
and uh. But but this one obviously, but I think

83
00:06:21,439 --> 00:06:24,160
both songs are are highly relatable. This one is relatable

84
00:06:24,160 --> 00:06:26,279
because anyone who's been in a long term relationship, you know,

85
00:06:26,319 --> 00:06:28,720
you do go through your ups and downs and or

86
00:06:28,759 --> 00:06:31,680
even a short term relationship and uh uh, so I

87
00:06:32,160 --> 00:06:34,600
think this is very relatable as well. But when you

88
00:06:34,759 --> 00:06:36,879
when you write a song like this and then and

89
00:06:37,000 --> 00:06:42,240
then your wife here is it? Like what, I'm curious

90
00:06:42,279 --> 00:06:44,360
what the what the reaction is, I mean, does she

91
00:06:44,600 --> 00:06:46,600
like it or does she kind of say, oh, I

92
00:06:47,160 --> 00:06:49,639
don't know, this is uh a little much?

93
00:06:49,800 --> 00:06:50,399
Speaker 8: Or what? Like?

94
00:06:50,480 --> 00:06:52,360
Speaker 7: How does she respond to it when you present a

95
00:06:52,439 --> 00:06:52,920
song like this.

96
00:06:53,000 --> 00:06:56,879
Speaker 8: To your Yeah, I fully get the nerves laugh today.

97
00:06:58,319 --> 00:07:00,920
Speaker 9: I get it because I was sure how she'll be

98
00:07:01,000 --> 00:07:07,839
actively but she actually preferred it, Yeah, which I was

99
00:07:07,920 --> 00:07:11,480
surprised because I think Piecing sounds a better sort of

100
00:07:11,639 --> 00:07:18,439
song genetically. Well, I suppose anyone who understands that song

101
00:07:19,639 --> 00:07:23,720
kind of connects with it. So it's got because it's

102
00:07:23,720 --> 00:07:26,199
got that deeper meaning where piecing sounds a bit more.

103
00:07:27,480 --> 00:07:32,079
It's a bit more for everyone, right, we got more

104
00:07:32,160 --> 00:07:36,439
of a specific audience, and obviously because Tash and my

105
00:07:36,480 --> 00:07:37,319
wife knew where.

106
00:07:37,120 --> 00:07:39,839
Speaker 8: To come from, I think she's just kind of related

107
00:07:39,879 --> 00:07:40,040
with it.

108
00:07:40,519 --> 00:07:42,560
Speaker 7: Sure, But so she really likes this one.

109
00:07:43,800 --> 00:07:48,519
Speaker 8: Yeah. Yeah, it's a I'd say it's a better written.

110
00:07:48,279 --> 00:07:53,240
Speaker 9: Song, okay in terms of songwriting perspective.

111
00:07:53,160 --> 00:07:56,360
Speaker 7: Yeah, yeah. Does she give you feedback like, like does

112
00:07:56,399 --> 00:07:59,079
she does she ever say, like, you know, I don't know,

113
00:07:59,079 --> 00:08:02,600
I would change the her or maybe do this differently,

114
00:08:02,920 --> 00:08:04,800
or does she just does she just kind of take

115
00:08:04,800 --> 00:08:07,120
it in and give you her her overall impression of it.

116
00:08:08,399 --> 00:08:12,240
Speaker 8: She kind of just stays away from it, does she really?

117
00:08:12,319 --> 00:08:12,519
Speaker 7: Yeah?

118
00:08:12,800 --> 00:08:14,079
Speaker 8: Yeah, it's kind of.

119
00:08:14,240 --> 00:08:20,879
Speaker 9: Like, well, that's like my outlet, Yeah, which is obviously

120
00:08:20,879 --> 00:08:23,160
why a lot of new songs come out personal.

121
00:08:23,680 --> 00:08:26,319
Speaker 8: Yeah, it's like my it's like my personal therapy.

122
00:08:26,680 --> 00:08:31,399
Speaker 7: Oh interesting, Yeah, yeah, now that makes sense. I'm also

123
00:08:31,480 --> 00:08:34,399
curious too, So the last time we talked, which that

124
00:08:34,559 --> 00:08:37,279
wasn't that long ago, but I think, tell me if

125
00:08:37,279 --> 00:08:39,440
I'm remembering this correctly, you were in the process of

126
00:08:40,799 --> 00:08:43,559
putting a band, because you you've been operating as a

127
00:08:43,600 --> 00:08:45,480
solo artist. But I think you were either in the

128
00:08:45,519 --> 00:08:47,440
process of putting a band together. You had put a

129
00:08:47,480 --> 00:08:49,559
band together. Am I on the right track with that?

130
00:08:50,279 --> 00:08:54,159
Speaker 9: You are on the right track, mark, Yet I basically

131
00:08:54,200 --> 00:08:58,639
put a quick band together for a gig in the June. Yeah,

132
00:08:59,559 --> 00:09:02,600
and then and through likeate, July and August, it was

133
00:09:02,639 --> 00:09:07,519
a bit chop and changey and then now we've settled

134
00:09:07,600 --> 00:09:11,960
into a good band. Okay, yeah, quite consistent.

135
00:09:11,600 --> 00:09:14,759
Speaker 7: No, okay, excellent. Well, like like when you when you

136
00:09:14,919 --> 00:09:17,879
talk about you know, some of the the problems with

137
00:09:18,000 --> 00:09:20,240
with putting the band together at first, like what what

138
00:09:20,320 --> 00:09:22,279
did you run into was it was it difficult to

139
00:09:22,320 --> 00:09:25,320
find people who just you know, were who could play

140
00:09:25,360 --> 00:09:28,360
well enough to pull these songs off live or what

141
00:09:28,639 --> 00:09:30,879
was you know, because I've been in bands, and I

142
00:09:30,919 --> 00:09:32,559
know there are a lot of different challenges, you know,

143
00:09:32,600 --> 00:09:34,399
when you're starting something kind of new, or you have

144
00:09:34,519 --> 00:09:36,919
people you know, you've got your established project and you

145
00:09:36,960 --> 00:09:39,440
have people you're bringing into it. Yeah, No, there's there's

146
00:09:39,440 --> 00:09:41,279
a lot of things that can that can come up.

147
00:09:42,879 --> 00:09:45,679
Speaker 8: Yeah, No idea is that. I think the biggest thing

148
00:09:45,759 --> 00:09:47,320
for me is chemistry.

149
00:09:47,559 --> 00:09:47,960
Speaker 7: Mm hmm.

150
00:09:49,120 --> 00:09:49,519
Speaker 8: I think.

151
00:09:52,360 --> 00:09:54,720
Speaker 9: If if you're a good guitarist, but you need a

152
00:09:54,759 --> 00:09:57,840
great guitarist. Yeah, but the chemistry is right, they can

153
00:09:57,919 --> 00:10:02,840
get better, true, So it's like the chemistry is kind

154
00:10:02,840 --> 00:10:06,440
of more important than the ability. Luckily, we seem to

155
00:10:06,480 --> 00:10:11,159
have struck gold and we have both chemistry and quality

156
00:10:11,279 --> 00:10:11,840
in our band.

157
00:10:12,120 --> 00:10:13,600
Speaker 8: So yeah, any lucky.

158
00:10:14,039 --> 00:10:15,519
Speaker 7: Oh yeah, that's that's excellent.

159
00:10:15,679 --> 00:10:15,879
Speaker 1: Yeah.

160
00:10:16,320 --> 00:10:20,000
Speaker 7: So how long has the It can't have been too

161
00:10:20,080 --> 00:10:22,240
long now, right, a few months that the current lineup

162
00:10:22,279 --> 00:10:22,879
has existed.

163
00:10:24,320 --> 00:10:27,840
Speaker 9: Yeah, So I think we done maybe the last four

164
00:10:28,080 --> 00:10:32,639
or five gigs with the same band. Maybe maybe like

165
00:10:33,759 --> 00:10:36,600
one or two couldn't make it or something. So yeah,

166
00:10:37,919 --> 00:10:41,639
we've maybe like we've used Tom on basse for one

167
00:10:41,759 --> 00:10:47,519
gig and then Hardison who plays keyboard, he's missed two

168
00:10:47,840 --> 00:10:48,639
so gigs just.

169
00:10:48,639 --> 00:10:52,679
Speaker 8: Because he's so busy. Sure, so part from that were

170
00:10:52,720 --> 00:10:53,320
pretty solid.

171
00:10:53,720 --> 00:10:56,159
Speaker 7: Yeah, good good. Now do you feel like, how do

172
00:10:56,200 --> 00:10:58,440
you feel on stage with a band versus if you're

173
00:10:58,639 --> 00:11:01,799
if you're kind of doing the so thing? Because you know,

174
00:11:02,200 --> 00:11:04,080
to me, I mean just from my own experience, when

175
00:11:04,120 --> 00:11:05,600
you're when you're with the band, It's kind of the

176
00:11:05,720 --> 00:11:08,200
safety in numbers, right, Like you just you're all in

177
00:11:08,279 --> 00:11:14,039
it together, and it just feels like there's there's not

178
00:11:14,159 --> 00:11:16,360
as much that can you know, even if something goes wrong,

179
00:11:16,600 --> 00:11:18,559
you know, you're you're all you're all in there together.

180
00:11:18,600 --> 00:11:21,120
You're like a like a little army, a little battalion

181
00:11:21,200 --> 00:11:22,600
on stage. I mean, that's that's kind of how I

182
00:11:22,639 --> 00:11:24,799
always thought of it. But I'm curious how the how

183
00:11:24,840 --> 00:11:27,320
the transition has been for you, especially where you know

184
00:11:27,480 --> 00:11:29,960
these these players are coming in and playing your music

185
00:11:30,039 --> 00:11:32,200
that that you've created. I mean, do do you feel

186
00:11:32,240 --> 00:11:35,399
more confident with the band on stage or is it harder?

187
00:11:35,480 --> 00:11:36,039
In some ways?

188
00:11:37,159 --> 00:11:40,000
Speaker 9: I think it was harder first because I was just

189
00:11:40,080 --> 00:11:43,039
so used to me and my guitar. You can you

190
00:11:43,120 --> 00:11:46,159
can kind of go where you feel yep yeap with

191
00:11:46,320 --> 00:11:48,120
the band, it's got to be a bit more structured

192
00:11:48,200 --> 00:11:54,000
and follow the music. Yeah, But now I've kind of

193
00:11:54,080 --> 00:11:56,240
settled into that. It's so much better.

194
00:11:56,480 --> 00:11:59,399
Speaker 8: Oh good, I feel like Superman on stage.

195
00:11:59,639 --> 00:11:59,840
Speaker 7: Yeah.

196
00:12:00,840 --> 00:12:04,320
Speaker 8: It's like I don't know to describe, but I still

197
00:12:04,360 --> 00:12:07,080
love me acoustic gigs because.

198
00:12:06,799 --> 00:12:10,919
Speaker 9: That's like intimate and personal and you can really like

199
00:12:11,080 --> 00:12:12,279
connect with the songs again.

200
00:12:13,039 --> 00:12:15,080
Speaker 8: But then when I go live, I just feel like

201
00:12:15,120 --> 00:12:16,320
a show man with the big band.

202
00:12:17,799 --> 00:12:21,080
Speaker 7: Oh that's cool, that's excellent. Yeah, but you're still doing

203
00:12:21,159 --> 00:12:23,639
some Are you still doing some solo acoustic gigs?

204
00:12:25,000 --> 00:12:26,399
Speaker 8: Yeah, more so with Eddie.

205
00:12:26,559 --> 00:12:31,120
Speaker 9: So Eddie's like re main guitarists and me and him

206
00:12:31,200 --> 00:12:35,120
kind of like do a few duet gigs where we

207
00:12:35,279 --> 00:12:41,639
just got with acoustics. So there's a local artist called

208
00:12:42,799 --> 00:12:47,039
Lewis Betty and he's actually moved out to Canada, okay,

209
00:12:47,159 --> 00:12:49,120
and he's done some he's done some big gigs over

210
00:12:49,240 --> 00:12:52,840
like Canada and North America and stuff, and we got

211
00:12:52,879 --> 00:12:56,240
to support him in Liverpool recently and we've just done

212
00:12:56,279 --> 00:12:57,519
being Eddie with the two guitars.

213
00:12:58,120 --> 00:13:00,600
Speaker 8: I think it's like it's a good opening to a gig. Yeah,

214
00:13:01,600 --> 00:13:02,480
and we loved it.

215
00:13:02,600 --> 00:13:07,279
Speaker 7: It was yeah, yeah, excellent, excellent. I read something too

216
00:13:07,320 --> 00:13:09,840
about did you have you been performing or did you

217
00:13:09,919 --> 00:13:12,240
perform recently at a sports event?

218
00:13:14,320 --> 00:13:19,000
Speaker 8: Yeah. So when Liverpool Football Club we won the league

219
00:13:20,399 --> 00:13:22,159
in May, yeah.

220
00:13:22,039 --> 00:13:25,320
Speaker 9: I want to say it's what May and the day

221
00:13:25,360 --> 00:13:28,159
we were going to win the league, well we all

222
00:13:28,159 --> 00:13:29,200
assumed we were going to win it.

223
00:13:29,919 --> 00:13:31,799
Speaker 8: Yeah, the new loads of the.

224
00:13:31,799 --> 00:13:34,519
Speaker 9: Fans were going to lie in the streets before the game,

225
00:13:34,639 --> 00:13:37,960
so like increduce the players as they were coming in.

226
00:13:38,320 --> 00:13:41,759
Oh interesting, So the club, Yeah, the clubs have been

227
00:13:41,799 --> 00:13:43,879
good ideas put like a lot of music and as

228
00:13:43,919 --> 00:13:47,679
the coach was coming in, the team coach. Ye, so

229
00:13:47,840 --> 00:13:53,399
luckily they picked me. And there must have been ten, fifteen,

230
00:13:53,519 --> 00:13:58,039
twenty people. Oh wow, so we're all setting off fliers

231
00:13:58,200 --> 00:14:00,399
and yeah, all kinds.

232
00:14:00,440 --> 00:14:03,759
Speaker 8: It was madness. See that was surreal.

233
00:14:04,360 --> 00:14:06,320
Speaker 7: And then so you performed there with the band.

234
00:14:07,320 --> 00:14:08,799
Speaker 8: No, that was just on the only me guitar.

235
00:14:09,039 --> 00:14:11,399
Speaker 7: Oh my god, really in front of all those people?

236
00:14:11,919 --> 00:14:14,799
What what was that like? Was that I would think

237
00:14:14,840 --> 00:14:16,840
that would be a little bit scary. Well, I mean,

238
00:14:16,879 --> 00:14:18,320
you know, in a good way, but I mean, was

239
00:14:18,399 --> 00:14:19,840
it or how did you feel doing that?

240
00:14:22,240 --> 00:14:23,320
Speaker 8: I wouldn't say scary.

241
00:14:24,360 --> 00:14:26,919
Speaker 9: It was the sound system. I knew the sound system

242
00:14:26,960 --> 00:14:29,679
aren't going to be big enough, so it was like

243
00:14:30,360 --> 00:14:33,559
it was like anxiety. The anxiousness because of that. But

244
00:14:33,960 --> 00:14:36,120
the actual singing of the songs all that, I've done

245
00:14:36,159 --> 00:14:39,600
it every week, so that didn't really phase me. Sure,

246
00:14:40,759 --> 00:14:44,360
But what kind of ended up happening is I'll start

247
00:14:44,440 --> 00:14:48,039
singing one of the Liverpool songs and then the face

248
00:14:48,159 --> 00:14:52,679
few hundred thousand people start singing it, and then I

249
00:14:52,759 --> 00:14:55,000
could name myself and then the rest of the street

250
00:14:55,039 --> 00:14:55,600
will take over.

251
00:14:57,399 --> 00:14:58,639
Speaker 8: Oh wow, like a wave.

252
00:14:59,120 --> 00:15:02,039
Speaker 7: Yeah that sounds challenging.

253
00:15:03,159 --> 00:15:04,879
Speaker 8: Yeah, but it was full like I once a kind

254
00:15:04,919 --> 00:15:07,480
of relaxed and thought, well, that's the way it is.

255
00:15:07,799 --> 00:15:08,039
Speaker 10: Yeah.

256
00:15:08,840 --> 00:15:11,440
Speaker 8: I just stopped a few times just watching them. Yeah,

257
00:15:11,639 --> 00:15:13,879
I'm getting.

258
00:15:13,679 --> 00:15:14,000
Speaker 11: To do this.

259
00:15:14,200 --> 00:15:16,600
Speaker 7: Oh wow, is there a video of that online on

260
00:15:16,720 --> 00:15:18,480
YouTube or anything. I'm curious to see that.

261
00:15:20,080 --> 00:15:22,799
Speaker 8: I think there's a small video and we TikTok, but

262
00:15:22,960 --> 00:15:24,960
I've not seed a loft from And I said this

263
00:15:25,120 --> 00:15:27,519
to our manager recently. I was like, I've got all

264
00:15:27,559 --> 00:15:31,639
this lapool footage and I've never used it. Yeah, should

265
00:15:31,639 --> 00:15:32,519
swing at someone else.

266
00:15:33,039 --> 00:15:36,679
Speaker 7: Yeah, that's uh yeah, I'm very very curious just to

267
00:15:37,279 --> 00:15:40,000
see that. Actually, that sounds like such a unique experience.

268
00:15:41,679 --> 00:15:42,399
Another thing I love.

269
00:15:42,440 --> 00:15:44,039
Speaker 8: Look, I'll send you someone here. What's up?

270
00:15:45,559 --> 00:15:46,799
Speaker 7: Well, I'm sorry, what did you say.

271
00:15:47,559 --> 00:15:49,039
Speaker 8: I'll have a look on my phone. I'll send you

272
00:15:49,120 --> 00:15:49,720
someone what's up?

273
00:15:49,799 --> 00:15:49,919
Speaker 6: Oh?

274
00:15:50,039 --> 00:15:52,240
Speaker 7: Perfect? Yeah, awesome. I would love that. Yeah, I'd love

275
00:15:52,279 --> 00:15:55,919
to see that. I'd love to see that. Another thing

276
00:15:56,000 --> 00:15:57,720
I read too, that I wanted to ask you about

277
00:15:57,799 --> 00:15:59,679
so going back to piece in your sound for a moment.

278
00:15:59,799 --> 00:16:02,320
Is it's true it's up over one hundred thousand streams.

279
00:16:03,840 --> 00:16:06,559
Speaker 8: No, it's all about fifteen thousand.

280
00:16:06,799 --> 00:16:09,039
Speaker 7: Oh, fifteen thousand. Okay, No, that's still pretty good.

281
00:16:09,159 --> 00:16:10,039
Speaker 8: It's still big for us.

282
00:16:10,120 --> 00:16:14,159
Speaker 7: Yes, yeah, No, that's fantastic. Yeah, that's great. That song.

283
00:16:14,360 --> 00:16:17,320
I would imagine that goes over well live right.

284
00:16:18,360 --> 00:16:22,039
Speaker 9: Yeah, yeah, it's we play it on the Friday Saturday

285
00:16:22,120 --> 00:16:24,200
night and local bars and stuff.

286
00:16:24,399 --> 00:16:29,600
Speaker 8: Yeah, and it goes down well. So it's a very clatchy,

287
00:16:29,799 --> 00:16:31,080
it's got upbeat feel.

288
00:16:31,240 --> 00:16:34,159
Speaker 7: Oh yeah, yeah, it's cool. Yeah, no, I would imagine

289
00:16:34,200 --> 00:16:36,039
that's a lot of fun live. Now, what's kind of

290
00:16:36,080 --> 00:16:39,000
the so we talk obviously the newest single and then

291
00:16:39,080 --> 00:16:41,799
do you have another one on the way or what's

292
00:16:41,919 --> 00:16:44,440
what's kind of your future trajectory at this point?

293
00:16:45,559 --> 00:16:48,399
Speaker 8: So yeah, so would in a little bit of a

294
00:16:48,480 --> 00:16:50,639
good position at the minute with.

295
00:16:52,399 --> 00:16:56,879
Speaker 9: We've got a couple of big promoters kind of negotiating

296
00:16:56,919 --> 00:16:57,360
with us a bit.

297
00:16:57,480 --> 00:16:58,279
Speaker 8: That's the right team.

298
00:16:58,480 --> 00:16:59,039
Speaker 7: Oh good.

299
00:17:00,120 --> 00:17:03,919
Speaker 9: So we've got one gig coming up on the fifth

300
00:17:04,079 --> 00:17:08,839
of December, and that's with like a big promoter in

301
00:17:08,880 --> 00:17:13,160
the UK called this Feeling, so that's kind of like

302
00:17:13,279 --> 00:17:17,319
a trial and hopefully we do well on that gig

303
00:17:17,400 --> 00:17:21,480
and then that opens a big door with them. We're

304
00:17:21,519 --> 00:17:25,319
also talking to I Love Live, which a massive in Liverpool,

305
00:17:26,400 --> 00:17:28,319
and we're looking at doing stuff with them next year.

306
00:17:29,480 --> 00:17:32,480
Speaker 8: So we're just kind of putting an action plan together.

307
00:17:33,440 --> 00:17:38,839
Speaker 9: So we're in the studio in January, we're sorting about

308
00:17:38,880 --> 00:17:44,400
doing three songs in like a couple of days and

309
00:17:44,480 --> 00:17:46,839
then that kind of sets us up for like most

310
00:17:46,880 --> 00:17:49,880
of the year because then you can like released once

311
00:17:49,960 --> 00:17:55,480
a February, one early summer, one late summer, and like

312
00:17:55,599 --> 00:17:56,119
that kind.

313
00:17:55,960 --> 00:17:56,880
Speaker 8: Of sets you up for the year.

314
00:17:57,200 --> 00:18:01,359
Speaker 7: Yeah. Do you have plans to put these into an

315
00:18:01,400 --> 00:18:04,599
EP or an album or or just doing singles for now?

316
00:18:05,400 --> 00:18:09,599
Speaker 9: Again, we're sort of debating it, yeah, So there's a

317
00:18:09,640 --> 00:18:12,559
bit of a toss up between do you just release

318
00:18:12,599 --> 00:18:18,000
singles or do you release an EPH And you can

319
00:18:18,079 --> 00:18:20,720
kind of do it both. So we've put two singles out,

320
00:18:21,640 --> 00:18:24,480
we could put a third single out, yeah, and then

321
00:18:24,519 --> 00:18:27,119
when you do the fourth you release that as an

322
00:18:27,160 --> 00:18:28,599
EP with the four songs.

323
00:18:28,839 --> 00:18:29,079
Speaker 7: Yeah.

324
00:18:29,279 --> 00:18:31,720
Speaker 8: Yeah, I'm trying to get the best of both, but

325
00:18:31,960 --> 00:18:34,119
it's a let's ghost that at a minute.

326
00:18:34,599 --> 00:18:36,799
Speaker 7: There's there's so many different ways to do it. I mean,

327
00:18:36,839 --> 00:18:38,839
that's that's one of the interesting challenges. You know, when

328
00:18:38,839 --> 00:18:40,480
I was growing up, I might have said this last

329
00:18:40,519 --> 00:18:42,400
time we talked, but when I was growing up, it

330
00:18:42,519 --> 00:18:45,119
was pretty pretty straightforward. You know, first single goes to

331
00:18:45,240 --> 00:18:47,319
radio four to six weeks before the album, and then

332
00:18:47,799 --> 00:18:49,720
the album comes out, and then if all goes well,

333
00:18:50,160 --> 00:18:52,599
you know, you do the second single and go from there.

334
00:18:52,720 --> 00:18:55,000
But now today, I mean, there's so many different ways

335
00:18:55,079 --> 00:18:57,359
to do it. And yeah, it seems like a lot

336
00:18:57,440 --> 00:18:59,920
of the guests that we've had recently their strategy is

337
00:19:00,039 --> 00:19:02,680
do a series of singles that do eventually coalesce into

338
00:19:02,720 --> 00:19:06,200
an EP or an album. But yeah, but there's no

339
00:19:06,400 --> 00:19:09,599
there's no shortage of different strategies you can use.

340
00:19:09,720 --> 00:19:11,920
Speaker 9: So I think I think that's what most people try

341
00:19:11,960 --> 00:19:14,240
and do now, is keep releasing singles, hope and one

342
00:19:14,279 --> 00:19:17,319
of them kind of blows up a bit. Yeah, yeah,

343
00:19:17,440 --> 00:19:20,920
and then from nothing might get some sort of offer

344
00:19:21,000 --> 00:19:22,799
to go and record a full album.

345
00:19:24,039 --> 00:19:25,359
Speaker 8: Something along them lines.

346
00:19:25,319 --> 00:19:30,680
Speaker 7: Right right, yeah, absolutely, yeah, so many ways to do it. Well, Uh, Jamie,

347
00:19:30,720 --> 00:19:32,640
it's it's wonderful to talk to you this morning or

348
00:19:32,880 --> 00:19:34,480
I don't know what time it is there, it's probably

349
00:19:34,559 --> 00:19:35,599
is it afternoon.

350
00:19:35,240 --> 00:19:38,200
Speaker 8: There, three o'clock in the afternoon, three o'clock in the afternoon.

351
00:19:38,440 --> 00:19:40,960
Speaker 7: So wonderful, wonderful to talk to you this afternoon. It's

352
00:19:41,000 --> 00:19:42,759
great to have you back, and you know we'll do

353
00:19:42,799 --> 00:19:44,920
it again when when the next singles out. We'd love

354
00:19:44,960 --> 00:19:48,000
to have you back. I love what you're doing, and uh,

355
00:19:48,079 --> 00:19:50,680
in a moment, we'll finish the conversation with a piece

356
00:19:50,720 --> 00:19:53,640
in your sound. For those who who did not hear

357
00:19:53,720 --> 00:19:56,839
our previous conversation, though, can you because I part of

358
00:19:56,920 --> 00:19:58,680
this is just selfishly I want to hear it again

359
00:19:58,680 --> 00:20:00,319
because I love this song so my which, as you

360
00:20:00,359 --> 00:20:02,720
know from the last time we talked at absolutely adore

361
00:20:02,839 --> 00:20:05,799
the song. But what is this about again? For newer

362
00:20:05,880 --> 00:20:06,720
listeners who might not.

363
00:20:06,839 --> 00:20:11,000
Speaker 9: Know, well, fairstly, thank you very much because I massively

364
00:20:11,039 --> 00:20:13,559
appreciate people let yourself support on the music for us,

365
00:20:13,640 --> 00:20:17,319
because if people don't, we might as well just stay

366
00:20:17,319 --> 00:20:22,200
in the plattice room, right, So we do appreciate it. Yeah,

367
00:20:22,799 --> 00:20:28,519
the song itself is kind of explainatory to my life

368
00:20:28,519 --> 00:20:33,279
because it's very loud and chaoto. But the more thoughts

369
00:20:33,319 --> 00:20:37,240
about it. I was like, everyone's so busy, Like there's

370
00:20:37,240 --> 00:20:39,519
so much going on in the world. I don't know

371
00:20:39,559 --> 00:20:41,839
whether it's always been like this or whether it's modern times,

372
00:20:41,920 --> 00:20:46,799
but it just seems crazy, so loud, and once I

373
00:20:46,920 --> 00:20:49,920
kind of just accepted it. I thought, you know what,

374
00:20:50,039 --> 00:20:54,200
I'm very lucky. I've got amazing wife, two beautiful kids.

375
00:20:54,680 --> 00:20:57,079
I'm a full time singer. Like that's like the dream.

376
00:20:58,000 --> 00:21:02,799
I'm like, once a kind of accepted, but I'm I've

377
00:21:02,839 --> 00:21:03,920
got piece in the sound.

378
00:21:04,119 --> 00:21:04,359
Speaker 8: M h.

379
00:21:05,359 --> 00:21:05,559
Speaker 7: Yeah.

380
00:21:05,799 --> 00:21:07,599
Speaker 8: The song just kind of came from that. It's like,

381
00:21:07,720 --> 00:21:09,839
fine piece in your sound and you'll love life.

382
00:21:10,039 --> 00:21:10,319
Speaker 12: M h.

383
00:21:12,119 --> 00:21:12,319
Speaker 7: Yeah.

384
00:21:12,559 --> 00:21:14,880
Speaker 8: Absolutely, obviously if you're here.

385
00:21:14,960 --> 00:21:17,240
Speaker 9: In some of the lyrics, I kind of have voted

386
00:21:17,279 --> 00:21:20,279
a bit to me wife because it's like sort of

387
00:21:20,319 --> 00:21:21,640
makes it a bit love related.

388
00:21:22,000 --> 00:21:25,640
Speaker 8: Yeah. Yeah, it's more just about like find your piece

389
00:21:25,680 --> 00:21:26,160
in your sound.

390
00:21:26,440 --> 00:21:29,119
Speaker 7: Yeah yeah, absolutely, No, I think that's uh. I think

391
00:21:29,160 --> 00:21:31,559
that's pretty relatable. A lot of us have chaotic lives,

392
00:21:32,000 --> 00:21:34,799
that's for sure. That's for sure. So we're gonna we're

393
00:21:34,799 --> 00:21:36,440
gonna hit that track in a moment. We'll let you go.

394
00:21:36,559 --> 00:21:39,039
But Jamie Higgs, again, thank you so much for joining us.

395
00:21:39,039 --> 00:21:40,960
I look forward to the next single and and and

396
00:21:41,359 --> 00:21:43,680
talking to you again and keep up the great work.

397
00:21:43,960 --> 00:21:46,759
We're we're really big fans over here, so so we.

398
00:21:46,880 --> 00:21:49,400
Speaker 9: Thank you very much, Matt, absolutely thank you to everyone

399
00:21:49,440 --> 00:21:51,359
listening as well, really appreciate it.

400
00:21:51,880 --> 00:21:54,519
Speaker 7: Absolutely. All right, we'll let you go. Jamie Higgs, thank

401
00:21:54,519 --> 00:21:56,599
you so much and we'll we'll talk to you soon.

402
00:21:56,720 --> 00:21:58,880
Take care, jeers, Mat, thank you all right, bye bye,

403
00:21:59,799 --> 00:22:02,519
all right. That is the great Jamie Higgs. And without

404
00:22:02,559 --> 00:22:04,720
further ado, we're gonna hit this track. I love this

405
00:22:04,880 --> 00:22:08,359
so much. Uh, this is this piece in your sound. Bye,

406
00:22:08,519 --> 00:22:09,160
Jamie Higgs.

407
00:22:43,799 --> 00:22:49,039
Speaker 4: This seems like so sometimes it's loud, caddie, what's going on?

408
00:22:49,319 --> 00:22:54,359
Speaker 1: So calm me skin man, well p say sound mean sound.

409
00:23:01,519 --> 00:23:02,960
Speaker 5: So it's like a joke.

410
00:23:04,400 --> 00:23:09,079
Speaker 1: Never you men, don't beat no strange eyed singing my

411
00:23:09,440 --> 00:23:11,079
end and sing me high up.

412
00:23:12,559 --> 00:23:14,960
Speaker 4: High asking men when you sign.

413
00:23:18,599 --> 00:23:24,440
Speaker 6: Shil wound B, sing your.

414
00:23:24,480 --> 00:23:28,200
Speaker 3: Sound where you row all it's like y'all song as

415
00:23:28,359 --> 00:23:33,319
me how round that high stound me singing sound.

416
00:23:33,079 --> 00:23:33,960
Speaker 1: Where you round?

417
00:23:34,160 --> 00:23:36,559
Speaker 10: It's like y'all song as me.

418
00:23:36,799 --> 00:23:39,640
Speaker 1: I on the crowd at beside.

419
00:23:39,559 --> 00:23:42,759
Speaker 13: A round and sing loud B saying.

420
00:23:42,599 --> 00:23:51,440
Speaker 1: Inside shoe shot.

421
00:23:58,519 --> 00:23:59,680
Speaker 14: So do you get it.

422
00:24:00,880 --> 00:24:03,839
Speaker 4: I'm in love it. You style, It's like a magic

423
00:24:05,480 --> 00:24:10,880
out of the high boding rabbit feeling the sky's just

424
00:24:11,000 --> 00:24:16,000
so majestic. Disbery sound e sound.

425
00:24:19,720 --> 00:24:29,240
Speaker 3: Sound found PC you sounding round, It's like your song.

426
00:24:29,119 --> 00:24:33,640
Speaker 6: As me growl that foul be sing your.

427
00:24:33,680 --> 00:24:38,279
Speaker 3: Sounding loud, It's like your song as me eye of

428
00:24:38,519 --> 00:24:39,119
the growl.

429
00:24:39,240 --> 00:24:48,759
Speaker 1: Every tide around the same love p s your side, shud.

430
00:24:52,200 --> 00:25:09,200
Speaker 6: Shine foul piecing yourself when you round, it's like your

431
00:25:09,440 --> 00:25:13,960
song gets me high off the grown and found piecing

432
00:25:14,119 --> 00:25:18,039
your sound and you round, It's like your song.

433
00:25:17,880 --> 00:25:21,720
Speaker 3: Gets me high off the grown every time you're around.

434
00:25:21,920 --> 00:25:24,400
Speaker 1: The single loud PA saying.

435
00:25:24,279 --> 00:25:25,279
Speaker 5: You sound.

436
00:25:28,839 --> 00:25:33,559
Speaker 1: Sound Sound.

437
00:25:59,160 --> 00:26:01,400
Speaker 15: Nana's Kitchen and Pizzerieve.

438
00:26:01,759 --> 00:26:07,759
Speaker 2: From Nana's Hounds to your play tradition, love and taste.

439
00:26:07,880 --> 00:26:16,000
Speaker 16: That's great, so fermented dome flavor, so true each by

440
00:26:16,160 --> 00:26:19,680
the story made just for you.

441
00:26:20,759 --> 00:26:24,480
Speaker 15: Six oh three two three two nine three six six

442
00:26:25,279 --> 00:26:29,799
Nana's Kitchen and Pizzerive fifteen Dartleth Dry Auburn, New.

443
00:26:29,680 --> 00:26:34,039
Speaker 1: Hampshire Kitchen and Hiss.

444
00:26:38,079 --> 00:26:40,880
Speaker 10: The two greatest rock and roll bands of all time

445
00:26:41,039 --> 00:26:44,359
face off as the Chub Theater hosts tributes to the

446
00:26:44,440 --> 00:26:48,880
Beatles and the Rolling Stones. Beatles Versus Stones, a musical

447
00:26:48,920 --> 00:26:51,599
showdown comes to Chubb Theater at the Capitol Center for

448
00:26:51,680 --> 00:26:55,640
the Arts on Thursday, December eleventh at seven thirty pm.

449
00:26:56,079 --> 00:26:59,119
Tickets can be purchased at the theater box office or

450
00:26:59,200 --> 00:27:03,759
online at anh dot com. The Capital Center for the

451
00:27:03,920 --> 00:27:07,359
Arts is located at forty four South Main Street, Conquered,

452
00:27:07,400 --> 00:27:14,680
New Hampshire. The show was appropriate for all ages. Luigi's

453
00:27:14,759 --> 00:27:16,240
Pizza Bar and Grill.

454
00:27:17,200 --> 00:27:21,359
Speaker 2: One, Let's raise a slyes On hide with top and

455
00:27:21,519 --> 00:27:22,599
tall the ground.

456
00:27:23,160 --> 00:27:25,160
Speaker 1: It's a pizza BARO line.

457
00:27:25,720 --> 00:27:30,039
Speaker 10: Luigi's Pizza Bar and Grill, seven to twelve Valley Street, Manchester.

458
00:27:30,319 --> 00:27:33,160
Come on in or call six two two one zero

459
00:27:33,440 --> 00:27:38,480
two one. Luigi keeping the tradition alive since nineteen seventy five.

460
00:27:40,319 --> 00:27:44,720
Speaker 1: Pizza for every one. Come join a beast to night.

461
00:27:45,680 --> 00:27:49,319
With each slice, sense of it, everything feels.

462
00:27:49,119 --> 00:27:49,799
Speaker 6: So right.

463
00:27:52,799 --> 00:27:55,000
Speaker 17: In times of crisis. You need a law firm that

464
00:27:55,079 --> 00:27:58,160
stands by your side. With over forty years of experience,

465
00:27:58,279 --> 00:28:01,400
Craig and Getzulis is dedicated to fighting for your rights.

466
00:28:01,799 --> 00:28:04,839
As former state prosecutors, our attorneys have the knowledge and

467
00:28:04,880 --> 00:28:08,599
trial experience to provide an aggressive defense against any charge,

468
00:28:09,000 --> 00:28:13,240
from DUIs to homicides. If you've been injured, our compassionate

469
00:28:13,319 --> 00:28:15,880
team will assess your case and fight for the compensation

470
00:28:16,000 --> 00:28:19,440
you deserve. Serving all of New Hampshire. Craigan Getzulis is

471
00:28:19,519 --> 00:28:22,519
here when you need us most. Visit craigatzulis dot com

472
00:28:22,720 --> 00:28:26,759
for a free consultation. Craigan getsulus, your advocates, your.

473
00:28:26,720 --> 00:28:31,839
Speaker 18: Allies bring your kitchen to life with Queen Citycabinetry, located

474
00:28:31,920 --> 00:28:35,359
at eighty seven Elm Street in the historic Sunbeam Wall

475
00:28:35,519 --> 00:28:39,240
in Manchester, open Monday through Friday nine am to five

476
00:28:39,400 --> 00:28:43,599
thirty pm, in Saturdays ten am to two pm. They

477
00:28:43,680 --> 00:28:46,839
can be reached at six h three two two two

478
00:28:47,240 --> 00:28:50,440
to zero zero seven or on the web at Queen

479
00:28:50,559 --> 00:28:56,960
citycabinatry nh dot com. Come see the possibilities. Queen Citycabinetry

480
00:28:57,240 --> 00:28:59,839
another crowd sponsor of WMNA.

481
00:29:00,359 --> 00:29:03,160
Speaker 19: Hey everyone, there's Rob Azevedo, host of Grantite State of Mind,

482
00:29:03,200 --> 00:29:04,960
and I want to tell you about Pembrooke City Limits

483
00:29:05,000 --> 00:29:08,319
and the historic Suncook Village. PCL is an award winning bar,

484
00:29:08,519 --> 00:29:11,480
restaurant and music venue where there's live music five days

485
00:29:11,519 --> 00:29:15,279
a week and twice on Saturdays. Everything from blues, country, folk, funk,

486
00:29:15,400 --> 00:29:15,519
and a.

487
00:29:15,559 --> 00:29:16,359
Speaker 1: Whole lot of jazz.

488
00:29:16,799 --> 00:29:19,119
Speaker 19: We have twelve craft beers on tap dedicated to the

489
00:29:19,200 --> 00:29:21,480
local brewers in the area and some of the friendliest

490
00:29:21,519 --> 00:29:24,960
bartenders around. Please come visit Pembrook City Limits at one

491
00:29:25,039 --> 00:29:27,960
thirty four Main Street, the historic sunk Cook Village, only

492
00:29:28,079 --> 00:29:31,920
six miles outside of Manchester. Open Tuesdays to Wednesdays four

493
00:29:31,960 --> 00:29:35,720
to ten Thursday's a Sunday eleven to ten Pembrook City

494
00:29:35,759 --> 00:29:37,440
Limits where it's all about the music.

495
00:29:37,680 --> 00:29:40,319
Speaker 10: Disneys Cafe is the place to put a smile on

496
00:29:40,400 --> 00:29:42,839
your face. Judy and the crew will take care of you,

497
00:29:43,079 --> 00:29:46,799
bring your appetite and treat your taste buds right. Disney's

498
00:29:46,839 --> 00:29:50,960
Cafe is always a winning choice. Breakfast, lunch or supper.

499
00:29:51,440 --> 00:29:55,680
Disney's Cafe at eight sixty Elm Street in downtown Manchester.

500
00:29:56,160 --> 00:29:59,039
Dine in, take out or make a reservation call six

501
00:29:59,160 --> 00:30:03,119
oh three six h six two five three two, Eat,

502
00:30:03,599 --> 00:30:06,319
drink and be happy. Dizz's Cafe.

503
00:30:06,680 --> 00:30:09,400
Speaker 20: When it comes to keeping WMNH on the air and

504
00:30:09,559 --> 00:30:13,319
your own personal or business computer needs, trust growl In Computers.

505
00:30:13,519 --> 00:30:17,319
Located on Elm Street in Manchester. Grolin handles computer repair,

506
00:30:17,519 --> 00:30:20,400
virus removal and custom built systems. Are you looking for

507
00:30:20,519 --> 00:30:23,799
budget friendly options, check out our selection of fully inspected

508
00:30:23,960 --> 00:30:28,039
used computers. We offer tailored on site solutions no unnecessary

509
00:30:28,119 --> 00:30:31,680
expenses here. Visit Growlin dot com or call Grolling Computers

510
00:30:31,839 --> 00:30:35,440
at six zero three six four five zero one zero one.

511
00:30:35,599 --> 00:30:38,240
Your Tech, your Way Trust groll In Computers.

512
00:30:46,200 --> 00:30:50,119
Speaker 3: Seven times out of ten we listened to our music

513
00:30:50,400 --> 00:30:51,279
at nice.

514
00:30:52,960 --> 00:30:55,640
Speaker 1: Don titled book Business.

515
00:30:55,400 --> 00:30:58,319
Speaker 18: Program Late Night to Light with DJ Midas right here

516
00:30:58,359 --> 00:31:00,319
on WMNH Manchester.

517
00:31:01,160 --> 00:31:05,920
Speaker 8: Because Saturdays and Sunday nights midnight to four am.

518
00:31:07,240 --> 00:31:12,680
Speaker 15: This hour on WMNH is sponsored by CGI Business Solutions,

519
00:31:13,079 --> 00:31:17,079
located at five Dartmouth Drive in Auburn. They serve all

520
00:31:17,160 --> 00:31:21,599
your business needs including employee benefits, planning, corporate design and

521
00:31:21,720 --> 00:31:27,720
business administration, investments and wealth management and customized business insurance solutions.

522
00:31:28,000 --> 00:31:30,559
Their phone number is eight sixty six eight four to

523
00:31:30,640 --> 00:31:34,440
one forty six hundred or on the web at CGI

524
00:31:34,640 --> 00:31:36,480
Business Solutions dot com.

525
00:31:39,480 --> 00:31:43,000
Speaker 12: Behold the harmony of airwaves as you immerse yourself in

526
00:31:43,079 --> 00:31:47,480
the captivating frequencies of w n NHLP their sonic cards

527
00:31:47,519 --> 00:31:51,039
of Manchester transcending through the ether right ninety five point

528
00:31:51,079 --> 00:31:54,559
three megahertz frequency modulation. Our transmissions M and E from

529
00:31:54,559 --> 00:31:57,359
the ZF one thousand ELM streets to insure into the

530
00:31:57,440 --> 00:32:00,079
hearts of our creative realm at one nineteen Conn.

531
00:32:00,119 --> 00:32:02,759
Speaker 1: Street, where innovation and sound collode.

532
00:32:03,319 --> 00:32:06,519
Speaker 12: They're the impro moder of Manchester Public Television Service in

533
00:32:06,559 --> 00:32:10,240
the venerable city of Manchester, New Hampshire, USA. Enrich your

534
00:32:10,359 --> 00:32:13,200
auditory journey with the depth of our license to wesn't

535
00:32:13,279 --> 00:32:16,319
wesspt your missives did w m n H ninety five

536
00:32:16,440 --> 00:32:19,519
three at gmail dot com, or to reverse the virtual

537
00:32:19,640 --> 00:32:22,920
corridors of w m n hradio dot org. Engage with

538
00:32:23,039 --> 00:32:25,799
our sonic vibrations by communing with us through the digital

539
00:32:25,880 --> 00:32:29,440
channels or radio beckons eager to enthrall you with its

540
00:32:29,519 --> 00:32:33,519
mesmerizing cadence and envelop you with a symphony of foundless auditories.

541
00:32:33,559 --> 00:32:33,880
Speaker 21: One d.

542
00:32:38,240 --> 00:32:41,160
Speaker 1: W m n H rip the novels.

543
00:32:42,759 --> 00:33:12,200
Speaker 13: We're back from the brain, adding a man and added

544
00:33:12,319 --> 00:33:13,640
swarming outside.

545
00:33:14,799 --> 00:33:19,160
Speaker 21: I'm craving a colls following my reckless.

546
00:33:18,759 --> 00:33:24,359
Speaker 5: Night, a shuder a better bad expected surprise.

547
00:33:25,880 --> 00:33:29,160
Speaker 1: I was to gather of the Oh, I'm cursing my

548
00:33:29,440 --> 00:33:33,880
not let me.

549
00:33:37,160 --> 00:33:41,279
Speaker 5: Haven't made you prod.

550
00:33:52,119 --> 00:33:53,960
Speaker 1: My prettiest missed.

551
00:33:54,119 --> 00:33:57,559
Speaker 16: They found my person to take me.

552
00:33:57,839 --> 00:34:04,559
Speaker 21: Back to the morn get Stone, sad that I loved

553
00:34:05,759 --> 00:34:07,319
sons past to spy.

554
00:34:08,440 --> 00:34:09,760
Speaker 5: Caves in my mom.

555
00:34:12,519 --> 00:34:12,840
Speaker 21: Time.

556
00:34:15,159 --> 00:34:20,679
Speaker 5: Let me have a man.

557
00:34:33,360 --> 00:34:35,519
Speaker 1: Oh tell me lord, I'm missing.

558
00:34:35,719 --> 00:34:41,599
Speaker 21: Somebody took my possession because let's follow your sister away

559
00:34:42,079 --> 00:34:46,159
that I can listen. I hope he caught you thinking

560
00:34:46,400 --> 00:34:51,519
one day I nam that the Sunda I've been riding,

561
00:34:51,760 --> 00:34:53,480
they find a way.

562
00:34:53,400 --> 00:34:59,519
Speaker 5: To feature that sell said, somebody took about this ship.

563
00:35:00,119 --> 00:35:07,280
Speaker 3: It chass for your sister who with his active listen because.

564
00:35:06,800 --> 00:35:11,800
Speaker 1: You think I'm not done that the sons.

565
00:35:11,800 --> 00:35:15,400
Speaker 5: Of the ride may find the way the fits.

566
00:36:23,280 --> 00:36:25,039
Speaker 7: Oh that is so good. I love that.

567
00:36:25,239 --> 00:36:25,639
Speaker 8: I love that.

568
00:36:26,159 --> 00:36:28,400
Speaker 7: The name of the track is my prettiest mistake. The

569
00:36:28,480 --> 00:36:31,480
band is Ath and we've got Adam Hughes from Ath

570
00:36:31,559 --> 00:36:33,760
with us. We're gonna speak with him in just a second.

571
00:36:33,840 --> 00:36:37,159
Welcome everybody. We are, of course enjoying our number two.

572
00:36:37,159 --> 00:36:39,159
We're about a little more than halfway through our number two.

573
00:36:39,239 --> 00:36:43,320
Numaradosa Matt Connerton unleashed on this Saturday. If you are

574
00:36:43,440 --> 00:36:47,000
listening live November twenty second, twenty twenty five, here from

575
00:36:47,039 --> 00:36:50,039
the studios of WMNH. And let's go go ahead and

576
00:36:50,079 --> 00:36:51,519
get that mic up and get Adam on the line

577
00:36:51,559 --> 00:36:52,599
with us. Adam, can you hear us?

578
00:36:53,880 --> 00:36:54,079
Speaker 8: Hey?

579
00:36:54,159 --> 00:36:54,880
Speaker 22: How's it going? Man?

580
00:36:55,079 --> 00:36:55,360
Speaker 1: Good?

581
00:36:55,559 --> 00:36:56,519
Speaker 7: Good, Welcome to the show.

582
00:36:56,679 --> 00:36:56,800
Speaker 8: Now.

583
00:36:56,920 --> 00:36:58,519
Speaker 7: Is anyone else from the band with you or is

584
00:36:58,559 --> 00:36:58,920
it just you?

585
00:37:00,320 --> 00:37:00,679
Speaker 15: Sadly?

586
00:37:03,639 --> 00:37:05,280
Speaker 7: That's all right, No, We're happy to have you here.

587
00:37:05,920 --> 00:37:08,400
I love that song so much. That is so good.

588
00:37:09,400 --> 00:37:11,880
And I did listen to some other stuff too from

589
00:37:11,960 --> 00:37:15,840
the band. Uh, great, great stuff, thanks man.

590
00:37:16,000 --> 00:37:16,280
Speaker 8: Thanks.

591
00:37:16,440 --> 00:37:18,159
Speaker 7: By the way, so I'm looking at I was gonna

592
00:37:18,159 --> 00:37:20,599
ask you, uh, where the name at H comes from?

593
00:37:20,679 --> 00:37:23,800
And I'm looking at your name and noticing your middle name,

594
00:37:23,840 --> 00:37:25,800
by the way, you and I have the same middle name, Thomas,

595
00:37:25,880 --> 00:37:28,400
And I'm wondering is that yeah? Yeah, so we have

596
00:37:28,480 --> 00:37:30,400
something in common. I'm wondering, is that where the name

597
00:37:30,480 --> 00:37:33,199
comes from? At You are at H in effect?

598
00:37:34,800 --> 00:37:35,000
Speaker 5: Yeah?

599
00:37:35,280 --> 00:37:39,000
Speaker 11: Something, it's yeah along those lines. You started off as

600
00:37:39,039 --> 00:37:40,119
a solo project.

601
00:37:40,480 --> 00:37:43,400
Speaker 7: Ah, yes, that seems.

602
00:37:43,159 --> 00:37:45,880
Speaker 11: When when the lads joined in, that's that's when we

603
00:37:45,960 --> 00:37:49,079
decided we're gonna put it down to a H instead

604
00:37:50,280 --> 00:37:50,719
not just me.

605
00:37:50,920 --> 00:37:52,920
Speaker 7: Oh, I got you. That seems to be a trend lately,

606
00:37:52,960 --> 00:37:53,400
it's funny.

607
00:37:53,519 --> 00:37:53,599
Speaker 3: Uh.

608
00:37:53,679 --> 00:37:56,119
Speaker 7: I don't know if you heard. In the previous segment

609
00:37:56,159 --> 00:37:58,119
I talked with Jamie Higgs and other great artists from

610
00:37:58,199 --> 00:38:01,760
from the UK, and yeah, he was telling me about how,

611
00:38:02,039 --> 00:38:03,719
you know, he started out as a solo artist and

612
00:38:03,760 --> 00:38:05,559
now he's you know, he's put a band together. He's

613
00:38:05,559 --> 00:38:07,920
still performing as Jamie Higgs, but but he's got a

614
00:38:07,960 --> 00:38:10,840
band with him, and that that seems to be the trend.

615
00:38:10,920 --> 00:38:11,079
Speaker 12: You know.

616
00:38:11,360 --> 00:38:15,119
Speaker 7: Uh, the sole artists, songwriters, they get a little lonely,

617
00:38:15,199 --> 00:38:16,280
I think works.

618
00:38:16,719 --> 00:38:19,400
Speaker 11: Yeah, I think I think there's usually one person who

619
00:38:20,079 --> 00:38:24,440
starts it off yep, and you bring people around you

620
00:38:24,559 --> 00:38:28,159
to help you play live usually and then and I

621
00:38:28,320 --> 00:38:32,840
turned into such a collaborative process that I thought we

622
00:38:32,960 --> 00:38:35,719
should just be a band and we're better as a

623
00:38:35,760 --> 00:38:38,760
collective rather than me just on my own.

624
00:38:39,280 --> 00:38:41,480
Speaker 7: Well that's that tells you too, that you've really got

625
00:38:41,599 --> 00:38:43,920
something there, right when you when you have something that

626
00:38:44,000 --> 00:38:46,400
sort of happens organically like that, you know, you put this,

627
00:38:46,760 --> 00:38:48,599
you put this group of people together to play your

628
00:38:48,679 --> 00:38:50,760
songs and then it ends up being so good you're like, oh,

629
00:38:50,800 --> 00:38:52,880
we should just make this a band. I mean that

630
00:38:53,360 --> 00:38:59,880
that's pretty cool. So was that not your intention originally, Like, like,

631
00:39:00,199 --> 00:39:02,559
had that not happened, had that not gone as well

632
00:39:02,639 --> 00:39:04,079
as it was, do you think you'd still be a

633
00:39:04,159 --> 00:39:04,760
solo artist.

634
00:39:07,960 --> 00:39:10,079
Speaker 22: I don't Yeah, maybe, I don't know. I wouldn't have

635
00:39:10,159 --> 00:39:11,079
given up on music.

636
00:39:11,400 --> 00:39:14,039
Speaker 7: Yeah, of course, never give up on music. Yeah, you

637
00:39:14,199 --> 00:39:14,480
never know.

638
00:39:14,519 --> 00:39:19,440
Speaker 22: Where life takes you. Out of hope. That was in

639
00:39:19,519 --> 00:39:20,840
a band. I always think.

640
00:39:21,000 --> 00:39:23,559
Speaker 11: I always think the process of music is but as

641
00:39:24,800 --> 00:39:27,440
a collective rather than a singular person.

642
00:39:27,800 --> 00:39:28,039
Speaker 10: Yeah.

643
00:39:28,639 --> 00:39:31,880
Speaker 22: Yeah, yeah, so I'd always like to be with other people.

644
00:39:32,760 --> 00:39:34,039
Speaker 11: Plus I'm not that good man.

645
00:39:37,280 --> 00:39:37,840
Speaker 13: What was it?

646
00:39:38,280 --> 00:39:38,400
Speaker 6: Uh?

647
00:39:39,079 --> 00:39:39,679
Speaker 16: Was it easy?

648
00:39:39,840 --> 00:39:42,199
Speaker 7: It sounds like for you because some people struggle with this.

649
00:39:42,360 --> 00:39:44,440
It sounds like for you though, it wasn't that difficult

650
00:39:44,480 --> 00:39:46,639
to kind of let go a little bit and open

651
00:39:46,719 --> 00:39:48,599
yourself up to that. Because some people can't do it.

652
00:39:48,760 --> 00:39:50,840
Some people say, you know, I've got these songs that

653
00:39:50,840 --> 00:39:53,159
I've written, and these are my songs, and if you're

654
00:39:53,199 --> 00:39:55,000
coming in, you're going to perform them my way. But

655
00:39:55,119 --> 00:39:57,760
these are my songs, and and people are some people

656
00:39:57,800 --> 00:39:59,920
are very protective sort of of their work that way.

657
00:40:00,199 --> 00:40:02,840
But it sounds like for you it wasn't really difficult

658
00:40:02,920 --> 00:40:03,480
to open up.

659
00:40:04,679 --> 00:40:09,119
Speaker 11: No, absolutely, no, I mean that takes like great pride

660
00:40:09,119 --> 00:40:11,960
and all the stuff that we're doing right now, especially

661
00:40:12,000 --> 00:40:13,679
that it's all written by me.

662
00:40:14,320 --> 00:40:16,960
Speaker 22: Yeah, but there's there's an album.

663
00:40:16,760 --> 00:40:17,760
Speaker 11: With I don't care.

664
00:40:18,719 --> 00:40:20,159
Speaker 22: I don't care, I couldn't come.

665
00:40:20,400 --> 00:40:22,639
Speaker 11: I'd like I'd like people to hear my ideas and

666
00:40:22,760 --> 00:40:27,159
the projects that I couldn't care if it's my face

667
00:40:27,239 --> 00:40:28,840
on it or if I stood at the back of it.

668
00:40:30,119 --> 00:40:31,119
Speaker 22: That's like making music.

669
00:40:31,199 --> 00:40:32,159
Speaker 7: Man, that's excellent.

670
00:40:32,280 --> 00:40:32,480
Speaker 21: Yeah.

671
00:40:32,840 --> 00:40:35,199
Speaker 7: Yeah, you don't have your own ego getting in the way,

672
00:40:35,239 --> 00:40:36,440
which is good because.

673
00:40:36,199 --> 00:40:41,719
Speaker 11: Some if I definitely do, probably do let where you

674
00:40:41,840 --> 00:40:44,559
go take over a little bit sometimes.

675
00:40:44,760 --> 00:40:47,760
Speaker 22: Really Yeah, I mean I think.

676
00:40:47,760 --> 00:40:49,880
Speaker 11: Everybody in music you've got to have a bit of

677
00:40:49,920 --> 00:40:51,440
any ego. You've got to have a bit of pride

678
00:40:51,480 --> 00:40:52,599
about it that you're doing.

679
00:40:53,039 --> 00:40:57,440
Speaker 7: Yeah, so throwing but but but it's not. At the

680
00:40:57,519 --> 00:40:59,079
same time, it's not getting in the way.

681
00:41:00,119 --> 00:41:02,639
Speaker 22: Yeah, it's not. It's not getting in the way. I'm

682
00:41:02,719 --> 00:41:05,679
just I let it. I let it do his thing,

683
00:41:05,760 --> 00:41:06,079
I guess.

684
00:41:06,599 --> 00:41:10,400
Speaker 7: Yeah, yeah, absolutely absolutely So how long how long has

685
00:41:10,440 --> 00:41:12,960
ath officially been a band? It has it been less

686
00:41:12,960 --> 00:41:15,760
than a year? It seems like it's kind of new, right, Oh.

687
00:41:15,760 --> 00:41:21,880
Speaker 22: Yeah, I guess it would be the first eighty H gig.

688
00:41:22,280 --> 00:41:23,599
It's been about eight prol.

689
00:41:23,519 --> 00:41:30,199
Speaker 7: Maybe oh wow, oh no, oh no sorry June okay,

690
00:41:30,360 --> 00:41:32,199
oh yeah so really really not that.

691
00:41:32,280 --> 00:41:33,280
Speaker 22: Long headline gig.

692
00:41:34,039 --> 00:41:34,280
Speaker 7: Wow.

693
00:41:34,519 --> 00:41:36,840
Speaker 11: When we decided we're going to cement it as at

694
00:41:37,159 --> 00:41:40,199
H the band rather than Adam Thomas Hughes and the.

695
00:41:40,280 --> 00:41:43,039
Speaker 7: Band, Yeah, so you're off. You're off to a very

696
00:41:43,079 --> 00:41:44,400
strong start, that's for sure.

697
00:41:44,679 --> 00:41:45,760
Speaker 22: Thank you, Thank you man.

698
00:41:45,920 --> 00:41:49,039
Speaker 7: Absolutely. Now, as as these members have come into the band,

699
00:41:49,880 --> 00:41:52,679
are they also contributing to the songwriting as you go forward?

700
00:41:52,760 --> 00:41:54,599
Or is that is that still more just you? Or

701
00:41:54,639 --> 00:41:55,320
how does that work?

702
00:41:56,360 --> 00:41:57,559
Speaker 22: There's there's no rules.

703
00:41:57,679 --> 00:42:01,320
Speaker 11: There's there's no rules, man, there's We've got to the

704
00:42:02,320 --> 00:42:07,360
backing guitarist, Paddy He He's wrote a song that I

705
00:42:07,440 --> 00:42:10,440
think will end up being one of an an eighty

706
00:42:10,519 --> 00:42:14,800
hate song. And I've got no bums or anything, you

707
00:42:14,880 --> 00:42:16,039
know what I mean. I'm not going to let that

708
00:42:17,119 --> 00:42:19,159
bother me because I want to be a song right.

709
00:42:19,639 --> 00:42:19,840
Speaker 9: Yeah.

710
00:42:20,199 --> 00:42:22,000
Speaker 11: If it's a good song man, we're going to do it.

711
00:42:23,159 --> 00:42:26,159
But so far it has just been me who wrote

712
00:42:26,320 --> 00:42:31,840
the lyrics and melodies usually Yeah, but I don't care

713
00:42:31,960 --> 00:42:32,599
going forward.

714
00:42:33,400 --> 00:42:33,800
Speaker 8: I noticed.

715
00:42:33,880 --> 00:42:35,199
Speaker 22: I guess I'll just bring some ideas.

716
00:42:35,599 --> 00:42:39,639
Speaker 7: Yeah. No, that's great. I noticed too. Now tell me

717
00:42:39,679 --> 00:42:42,360
if I'm if I'm right about this? Uh looking at

718
00:42:42,519 --> 00:42:44,719
looking at the backgrounds of the members of the band,

719
00:42:44,800 --> 00:42:49,159
are you guys all like majors in music at university?

720
00:42:50,800 --> 00:42:50,840
Speaker 12: No?

721
00:42:54,079 --> 00:42:57,320
Speaker 11: Kind of kind of okay, kind of we've got I

722
00:42:57,440 --> 00:43:00,840
think most of the lads are studying or did study

723
00:43:01,000 --> 00:43:03,960
at university something to do with music.

724
00:43:04,199 --> 00:43:08,360
Speaker 7: Okay, Yeah, that's what I thought. Yeah, so that's interesting.

725
00:43:08,440 --> 00:43:10,519
So you're all, I mean, you all know what you're doing.

726
00:43:10,639 --> 00:43:14,039
You know, you're not you know, I mean you're not

727
00:43:14,159 --> 00:43:16,320
You're not just dabbling in this like you you know,

728
00:43:16,440 --> 00:43:19,400
you're at a young age. You're you're all pros. Like

729
00:43:19,480 --> 00:43:22,480
you've got some some actual education in music, which is great.

730
00:43:23,719 --> 00:43:23,960
Speaker 21: Yeah.

731
00:43:24,840 --> 00:43:27,000
Speaker 22: I definitely don't flaunt that about that. I know what

732
00:43:27,079 --> 00:43:27,559
I'm doing.

733
00:43:28,360 --> 00:43:32,519
Speaker 11: I'm a very basic intermediate player myself. But we've definitely

734
00:43:32,599 --> 00:43:35,159
got two or three of the lads in the band

735
00:43:37,000 --> 00:43:40,079
classically they know what they're on about.

736
00:43:40,360 --> 00:43:42,920
Speaker 7: Yeah, so that really helps me. No, that's excellent.

737
00:43:43,039 --> 00:43:43,239
Speaker 14: Yeah.

738
00:43:44,519 --> 00:43:47,920
Speaker 7: And then so in terms of since you've played your

739
00:43:47,960 --> 00:43:49,960
first show as a band, you said that was in June.

740
00:43:50,039 --> 00:43:55,760
Speaker 22: Right, yes, as a under the Ah collective. Okay, we

741
00:43:55,880 --> 00:43:57,320
did play a few shows before.

742
00:43:57,199 --> 00:43:57,840
Speaker 8: That, oh.

743
00:44:00,519 --> 00:44:04,280
Speaker 7: Gotcha? So now since then? I mean my impression is

744
00:44:04,880 --> 00:44:06,960
you've you've got a lot of momentum in a short time.

745
00:44:07,000 --> 00:44:08,920
Are you Are you playing out a lot? Are you

746
00:44:09,000 --> 00:44:09,800
doing a lot of shows?

747
00:44:10,719 --> 00:44:11,559
Speaker 8: We have been.

748
00:44:11,679 --> 00:44:15,559
Speaker 11: Yeah, we've been been shows every week every week, which

749
00:44:16,039 --> 00:44:20,400
our size and at the start of a musical project.

750
00:44:20,440 --> 00:44:22,400
I guess that is a little bit unheard of that

751
00:44:22,480 --> 00:44:26,679
you could be playing every week. But yeah, no, we're trying.

752
00:44:26,800 --> 00:44:31,199
We think love music's our favorite the music. Oh yeah,

753
00:44:31,320 --> 00:44:32,320
playing in front of people?

754
00:44:34,119 --> 00:44:34,960
Speaker 1: Did you perform it?

755
00:44:35,599 --> 00:44:38,320
Speaker 7: Tell me if I'm saying this correctly. Wigan or Wagon

756
00:44:38,440 --> 00:44:41,639
Warriors Rugby, Yeah, yeah.

757
00:44:41,599 --> 00:44:46,639
Speaker 11: Yeah, we played at that stadium once for that was

758
00:44:46,760 --> 00:44:49,440
no longer will it is to open up a big

759
00:44:49,559 --> 00:44:52,199
match for them, which was a really big moment for us,

760
00:44:53,119 --> 00:44:54,360
one of the best Cakes have ever played.

761
00:44:54,800 --> 00:44:56,800
Speaker 7: No kidding. How many people were at that? That must

762
00:44:56,800 --> 00:44:58,480
have been a big crowd, right for something like that.

763
00:44:58,719 --> 00:45:03,400
Speaker 11: Yeah, I think the it was twenty to twenty two thousand,

764
00:45:04,280 --> 00:45:08,360
oh my god, yeah, tickets sold. I think when we

765
00:45:08,480 --> 00:45:11,880
were playing it was more like fifteen or sixteen. Yeah,

766
00:45:12,559 --> 00:45:16,880
but definitely it was still and you know what's crazy, man,

767
00:45:17,920 --> 00:45:20,599
it's I was far less nervous for that.

768
00:45:20,760 --> 00:45:23,039
Speaker 22: Than plenty of the other gigs that we've done in

769
00:45:23,079 --> 00:45:24,079
front of fifty people.

770
00:45:25,119 --> 00:45:28,400
Speaker 7: Yeah, well, I think I kind of understand. I mean, obviously,

771
00:45:28,800 --> 00:45:30,599
you know, that's a you know, playing in front of

772
00:45:30,880 --> 00:45:32,960
thousands and thousands of people at an event like that's

773
00:45:32,960 --> 00:45:34,559
a big deal. But I can kind of I can

774
00:45:34,639 --> 00:45:37,440
kind of guess. I mean, I'm curious to hear what

775
00:45:37,519 --> 00:45:39,400
you say, but I can kind of guess that maybe

776
00:45:39,519 --> 00:45:41,280
because when you're in a when you're in a in

777
00:45:41,360 --> 00:45:43,400
front of fifty people, that's just such a much more

778
00:45:43,440 --> 00:45:44,039
intimate thing.

779
00:45:44,800 --> 00:45:48,880
Speaker 11: And yeah, I think every artist, so no matter how

780
00:45:48,960 --> 00:45:51,519
big or small you whoever you talk to, will say

781
00:45:51,559 --> 00:45:53,800
the same thing. When you play to fifty or one

782
00:45:53,840 --> 00:45:58,960
hundred people, it's so much more intimate, and you focus

783
00:45:59,079 --> 00:46:01,039
in on all the stuff that you'd do.

784
00:46:01,239 --> 00:46:04,239
Speaker 22: In even more than when you plan in front of

785
00:46:04,480 --> 00:46:05,480
thousands of people.

786
00:46:05,920 --> 00:46:11,840
Speaker 7: Yeah, and you know, and obviously you know there's people

787
00:46:12,239 --> 00:46:14,199
like if you're on stage, you look out into that

788
00:46:14,440 --> 00:46:16,320
into a small crowd and you can see people you

789
00:46:16,440 --> 00:46:17,679
actually know, and.

790
00:46:19,119 --> 00:46:20,920
Speaker 11: You see the eyes looking at you and you see

791
00:46:20,920 --> 00:46:24,039
the eyes. Yeah, in thousands, it could just be a

792
00:46:24,079 --> 00:46:27,320
bit of a like a blur. It's just like a

793
00:46:27,400 --> 00:46:29,159
wall of stuff is in front of you.

794
00:46:29,519 --> 00:46:32,719
Speaker 7: Yeah. I remember a long time ago reading an interview

795
00:46:32,760 --> 00:46:35,000
with Don Henley of the Eagles. He was talking about

796
00:46:35,039 --> 00:46:37,480
how when the Eagles first got really big, he would

797
00:46:37,519 --> 00:46:41,840
get terrible stage fright. So when because he was afraid

798
00:46:41,880 --> 00:46:44,000
of being in front of these big crowds, so he

799
00:46:44,079 --> 00:46:47,400
would intentionally, you know, he never really wore glasses, but

800
00:46:47,440 --> 00:46:50,440
he wouldn't put his contact lenses in because he was nearsighted.

801
00:46:50,880 --> 00:46:52,960
But he wouldn't put his contacts in before they went

802
00:46:53,039 --> 00:46:54,599
on stage because he didn't want to be able to

803
00:46:54,639 --> 00:46:57,360
see the crowd of people. So he'd be behind the drums,

804
00:46:57,400 --> 00:47:00,280
and to him it was like, yeah, he could of them,

805
00:47:00,320 --> 00:47:01,760
but he couldn't actually see them.

806
00:47:03,559 --> 00:47:03,920
Speaker 22: Awesome.

807
00:47:04,159 --> 00:47:06,840
Speaker 11: That's that's awesome, to be honest, I did something similar

808
00:47:06,960 --> 00:47:09,760
when I did most of My eyes are closed for

809
00:47:09,880 --> 00:47:12,360
most of the most of the show.

810
00:47:13,519 --> 00:47:15,000
Speaker 7: Oh there you go, Yeah, there you go.

811
00:47:15,079 --> 00:47:19,079
Speaker 11: It just happens. I think it's like a subconscious thing

812
00:47:19,159 --> 00:47:21,920
that I do. Yeah, it just closes because I start

813
00:47:22,400 --> 00:47:25,199
thinking about the music. I guess, and thinking about my

814
00:47:25,320 --> 00:47:28,880
playing and singing rather than thinking about who's staring at me.

815
00:47:29,440 --> 00:47:34,079
Speaker 7: Yeah, yeah, no, that makes sense. Also, see something here

816
00:47:34,079 --> 00:47:37,480
about the Deaf Institute in Manchester. Obviously that's Manchester, UK

817
00:47:37,639 --> 00:47:39,840
where in so no one's so none of our listeners

818
00:47:39,880 --> 00:47:43,199
are confused. We're in Manchester, yes of course. But and

819
00:47:43,800 --> 00:47:46,360
did you sell that out the Deaf Institute in Manchester?

820
00:47:46,599 --> 00:47:50,480
Speaker 11: Yeah, yeah, the first iconic venue said that that was

821
00:47:50,519 --> 00:47:53,159
the first gig with first headline gig we did as

822
00:47:53,159 --> 00:47:55,360
a band and it was the best moment of my

823
00:47:55,440 --> 00:47:56,079
life so far.

824
00:47:56,360 --> 00:47:56,599
Speaker 9: Wow.

825
00:47:58,159 --> 00:48:02,400
Speaker 7: Oh that's incredible. That's incredible. So what is kind of

826
00:48:02,480 --> 00:48:06,599
the forward trajectory for you guys, because this is a

827
00:48:06,679 --> 00:48:09,079
subject that comes up all the time on the show,

828
00:48:09,400 --> 00:48:13,199
is talking about strategy in terms of releasing music and

829
00:48:13,280 --> 00:48:16,840
the cadence with which you release music. And I know

830
00:48:16,920 --> 00:48:19,239
you've got some singles, but did I read this correctly

831
00:48:19,280 --> 00:48:21,239
too that you've you've got a lot of things you've

832
00:48:21,280 --> 00:48:24,480
recorded that you haven't released yet. Is that true? Yeah?

833
00:48:24,559 --> 00:48:27,440
Speaker 11: Yeah, we've got about we're sitting on We're sitting on

834
00:48:27,519 --> 00:48:29,239
a lot of music right now, to be honest to

835
00:48:29,280 --> 00:48:32,559
if you that we're ready to next year, there's going.

836
00:48:32,519 --> 00:48:34,960
Speaker 22: To be a bit of a refresh with a t

837
00:48:35,320 --> 00:48:35,920
H where we.

838
00:48:38,639 --> 00:48:42,079
Speaker 11: We go for a very not different sound, but we're

839
00:48:42,719 --> 00:48:45,840
a sound we're very happy and proud of. Yeah, and

840
00:48:45,920 --> 00:48:48,840
we're just waiting for the right moment to kick that off. Okay,

841
00:48:48,880 --> 00:48:52,119
think that's going to be January first. Oh, so we're

842
00:48:52,119 --> 00:48:53,480
excited for next year's.

843
00:48:55,000 --> 00:48:57,679
Speaker 7: Do you know in terms of releasing that music as

844
00:48:57,760 --> 00:49:00,639
you do that in starting in January, the refresh as

845
00:49:00,679 --> 00:49:02,480
you put it, Uh, do you know is there going

846
00:49:02,559 --> 00:49:04,719
to be an album do you think? Or or is

847
00:49:04,760 --> 00:49:06,719
there going to be another series of singles.

848
00:49:06,480 --> 00:49:11,000
Speaker 11: Or there'll be a series of singles first, and we're

849
00:49:11,039 --> 00:49:13,239
gonna we're gonna lead up to a big EP.

850
00:49:13,239 --> 00:49:17,960
Speaker 22: That hopefully will be next year. Okay is the plant

851
00:49:18,079 --> 00:49:21,400
and I'm very very proud of it. I can't say

852
00:49:21,480 --> 00:49:23,239
much about the EP though right now.

853
00:49:23,519 --> 00:49:27,480
Speaker 7: Okay, okay, understood, understood, Well, you gave us some clues.

854
00:49:27,559 --> 00:49:28,519
That's good, that's good.

855
00:49:28,679 --> 00:49:28,880
Speaker 16: Yeah.

856
00:49:28,920 --> 00:49:29,119
Speaker 21: Yeah.

857
00:49:30,480 --> 00:49:34,519
Speaker 7: And then so the single, oh, let me well, actually

858
00:49:34,599 --> 00:49:35,880
let me ask you this. I'm going to kind of

859
00:49:36,000 --> 00:49:38,519
backtrack a little bit, you know, because because we did

860
00:49:38,639 --> 00:49:41,920
play the single, which I love, my prettiest mistake you've

861
00:49:41,960 --> 00:49:45,360
got other music online that I'm curious if this is

862
00:49:45,440 --> 00:49:48,000
actually from There's another track that I found of yours

863
00:49:48,039 --> 00:49:51,320
that I love called left Behind? But is that is

864
00:49:51,400 --> 00:49:53,199
that sort of pre band.

865
00:49:54,719 --> 00:49:55,199
Speaker 9: Officially?

866
00:49:55,400 --> 00:49:56,280
Speaker 8: Kind of? Yeah?

867
00:49:56,960 --> 00:49:58,639
Speaker 7: Okay, Well, to be honest, all of.

868
00:50:00,679 --> 00:50:03,320
Speaker 11: It was the last two Pretty Is Mistake and left

869
00:50:03,360 --> 00:50:07,280
Behind were made with the band, okay, but they were

870
00:50:07,320 --> 00:50:07,920
made when.

871
00:50:07,800 --> 00:50:09,320
Speaker 22: It was a solo act.

872
00:50:09,920 --> 00:50:10,519
Speaker 7: Oh okay.

873
00:50:10,760 --> 00:50:13,199
Speaker 11: Whereas the stuff that's all been made for next year

874
00:50:14,039 --> 00:50:15,199
is all the band stuff.

875
00:50:16,920 --> 00:50:17,400
Speaker 7: I gotcha.

876
00:50:17,840 --> 00:50:21,559
Speaker 11: So yeah, but no, a very left behind kids kind

877
00:50:21,599 --> 00:50:23,320
of similar to what we're doing next year.

878
00:50:23,440 --> 00:50:26,440
Speaker 7: Definitely, I'm sorry, Yeah, and and thank you. I the

879
00:50:26,519 --> 00:50:28,760
correct title title is left Behind Kid. I think that

880
00:50:28,920 --> 00:50:31,320
through the kid. The kid is in parentheses and the title,

881
00:50:31,400 --> 00:50:34,480
so in my mind, I just ignored the kid part.

882
00:50:34,519 --> 00:50:37,639
But left Behind that's a great song too. I think

883
00:50:37,679 --> 00:50:39,639
I'm probably going to play that at the end of

884
00:50:39,679 --> 00:50:44,119
our our segment. And also also I might sneak and

885
00:50:44,320 --> 00:50:47,519
uh you did? I found this on YouTube? You guys

886
00:50:47,559 --> 00:50:51,480
did a cover of Arizona by the by Wonder Horse

887
00:50:52,119 --> 00:50:55,519
and this is that The Barn Live Session. Now that's

888
00:50:55,599 --> 00:50:57,440
not a show that I'm familiar with, but is that a.

889
00:50:57,880 --> 00:51:00,159
Is that a YouTube show where they have musicians come

890
00:51:00,199 --> 00:51:01,119
in or what is the barn?

891
00:51:02,159 --> 00:51:03,039
Speaker 1: The Barn is.

892
00:51:04,760 --> 00:51:07,760
Speaker 22: Completely us. It's our rehearsal space.

893
00:51:07,960 --> 00:51:09,119
Speaker 1: Is the Bard?

894
00:51:09,519 --> 00:51:10,039
Speaker 7: Oh okay?

895
00:51:10,199 --> 00:51:12,760
Speaker 11: Yeah, yes, So when we do some recordings in there,

896
00:51:13,119 --> 00:51:15,880
we like to call them the Barn sessions. If you're

897
00:51:15,960 --> 00:51:19,480
just this shed that we've turned into a studio, we've

898
00:51:19,559 --> 00:51:22,000
just named it the Barn and then you're going to

899
00:51:22,039 --> 00:51:23,599
see a lot more of the Barn next year.

900
00:51:23,719 --> 00:51:24,159
Speaker 8: Definitely.

901
00:51:25,280 --> 00:51:26,360
Speaker 22: We love the live stuff.

902
00:51:26,920 --> 00:51:29,760
Speaker 7: That's fantastic. Yeah, because I also love this. I love

903
00:51:29,880 --> 00:51:32,199
the I might sneak this in too. I might play

904
00:51:32,280 --> 00:51:34,159
both of those at the end of our conversation if

905
00:51:34,159 --> 00:51:36,599
I have time, because I also love this. I'm not

906
00:51:37,199 --> 00:51:39,079
familiar with the band Wonder Horse.

907
00:51:40,159 --> 00:51:42,719
Speaker 22: Oh man, you need to do it.

908
00:51:42,960 --> 00:51:43,199
Speaker 8: Do it?

909
00:51:43,519 --> 00:51:46,519
Speaker 11: Yeah, fucking when you get home tonight, put your headphones

910
00:51:46,559 --> 00:51:48,360
on and listen to their out of them.

911
00:51:48,840 --> 00:51:49,239
Speaker 1: Where are they?

912
00:51:49,519 --> 00:51:51,599
Speaker 7: Where are they from? Are they? Are they from over there?

913
00:51:52,519 --> 00:51:52,719
Speaker 8: Yeah?

914
00:51:52,760 --> 00:51:57,599
Speaker 11: They are UK acts, okay, from London and Cornwall. And

915
00:51:58,559 --> 00:52:00,159
I think you'll be into them if you like you

916
00:52:00,239 --> 00:52:04,639
a bit more grunge, punky rock.

917
00:52:04,760 --> 00:52:05,599
Speaker 7: I guess yeah.

918
00:52:05,639 --> 00:52:08,320
Speaker 11: It's been adopted into the indie scene really right now.

919
00:52:08,480 --> 00:52:13,199
But at the heart of it, it's punk and grunge okay,

920
00:52:13,280 --> 00:52:14,039
and they.

921
00:52:13,960 --> 00:52:16,719
Speaker 22: Are possibly our biggest inspirations.

922
00:52:17,199 --> 00:52:19,239
Speaker 7: Okay, yeah, I'll check them out because you guys did

923
00:52:19,280 --> 00:52:25,960
this cover of Arizona. It's really good, really good, really good. Well, Adam,

924
00:52:26,000 --> 00:52:29,280
that time does go quickly, but we will definitely have

925
00:52:29,440 --> 00:52:31,800
you back on in the future. I'd love to as

926
00:52:32,079 --> 00:52:34,000
ATH is releasing new music, we'd love to have you

927
00:52:34,079 --> 00:52:39,079
back on. Love what you're doing to love to really great.

928
00:52:40,440 --> 00:52:42,519
Before we let you go, Like I said, we're gonna

929
00:52:42,559 --> 00:52:45,599
hit this track, left Behind, another great song. But before

930
00:52:45,639 --> 00:52:47,440
we go, where's the best place for people to go

931
00:52:47,519 --> 00:52:49,639
online to keep up with everything that you guys are doing.

932
00:52:51,239 --> 00:52:54,559
Speaker 11: I'd say everybody go and check out the Instagram. We're

933
00:52:54,719 --> 00:52:57,960
very on it with the Instagram. We're posting announcements for

934
00:52:58,559 --> 00:53:00,719
shows and music that's coming out.

935
00:53:01,559 --> 00:53:03,119
Speaker 22: Okay, So it's official.

936
00:53:02,840 --> 00:53:07,559
Speaker 11: At H on all social media platforms, and definitely check

937
00:53:07,599 --> 00:53:08,280
out the Instagram.

938
00:53:08,360 --> 00:53:08,599
Speaker 8: Guys.

939
00:53:09,280 --> 00:53:11,840
Speaker 7: Absolutely all right, we'll let you go for now. We're

940
00:53:11,840 --> 00:53:14,360
gonna hit this track. But Adam Hughes of at H,

941
00:53:14,639 --> 00:53:16,440
thank you so much, my friend, And like I said,

942
00:53:16,480 --> 00:53:19,119
we will definitely definitely talk again in the future, but

943
00:53:20,559 --> 00:53:23,400
absolutely as well. Oh that would be excellent.

944
00:53:23,639 --> 00:53:25,840
Speaker 22: We'll jump over that side.

945
00:53:25,599 --> 00:53:28,719
Speaker 7: Of the fantastic can't wait, can't wait? All right, Adam,

946
00:53:28,760 --> 00:53:31,280
we'll talk to you soon. Take care, see him on

947
00:53:31,480 --> 00:53:33,679
bye bye, all right. That is Adam Hughes from the

948
00:53:33,760 --> 00:53:36,880
band at h and as promised, let's give this suspend.

949
00:53:36,920 --> 00:53:39,360
This is another great song from them. This is called

950
00:53:39,440 --> 00:53:40,480
left behind Kid.

951
00:53:59,280 --> 00:54:03,880
Speaker 23: Waiting yet be my faulty getting old of the way

952
00:54:04,039 --> 00:54:05,199
of all the world.

953
00:54:05,400 --> 00:54:06,239
Speaker 8: It's on his.

954
00:54:06,360 --> 00:54:11,480
Speaker 1: Mind whilst he's leaving.

955
00:54:11,440 --> 00:54:16,480
Speaker 23: This sound avoiding reel loud, sivil child, that's the way

956
00:54:16,559 --> 00:54:24,280
he facts any use or foolish. It's a far for

957
00:54:24,639 --> 00:54:29,760
all the excusees. You gotta borrow the boys outside.

958
00:54:32,360 --> 00:54:37,519
Speaker 5: Another night you need back sparks rides down to for

959
00:54:38,159 --> 00:54:46,920
you found high? Can way your finger at onto this

960
00:54:47,199 --> 00:54:53,400
proja straight y stand you'll find him the big high

961
00:54:53,559 --> 00:54:55,599
you can by.

962
00:54:55,559 --> 00:54:58,480
Speaker 1: The side of this reel loud? Can I catch your

963
00:54:58,639 --> 00:55:03,079
break further sound on the blood side of a smile?

964
00:55:06,079 --> 00:55:10,440
Speaker 13: He's in a file and who jos us come in

965
00:55:10,719 --> 00:55:11,400
and found?

966
00:55:12,400 --> 00:55:14,159
Speaker 1: That's the way Betsy.

967
00:55:17,199 --> 00:55:22,440
Speaker 23: An exuseys foolish, It's a fut for all the excuses

968
00:55:23,519 --> 00:55:26,039
you gotta borrow the boys some side.

969
00:55:28,840 --> 00:55:32,480
Speaker 1: Another not far casting your.

970
00:55:32,400 --> 00:55:39,079
Speaker 5: Eyes down to the flo you find him that can

971
00:55:40,159 --> 00:55:46,119
sway of fav I got onto this podcast see standle

972
00:55:46,679 --> 00:55:47,800
finding him.

973
00:55:59,400 --> 00:56:17,719
Speaker 1: Man Another night Baseball Custo.

974
00:56:17,519 --> 00:56:25,679
Speaker 5: Hides down to fall to finding High Cad s way

975
00:56:25,800 --> 00:56:30,679
and fake me Uto this part and see I stare

976
00:56:31,119 --> 00:56:32,880
you finding.

977
00:56:34,760 --> 00:56:35,599
Speaker 1: High kid?

978
00:56:55,960 --> 00:57:02,760
Speaker 14: This a space the song always Hansing desert dosed don.

979
00:57:04,360 --> 00:57:06,159
Speaker 1: This Sup wins.

980
00:57:07,239 --> 00:57:14,000
Speaker 14: Candle at the sip and no flame and this says

981
00:57:14,599 --> 00:57:19,440
fally nothing just disappearing.

982
00:57:23,320 --> 00:57:28,199
Speaker 16: Where did you go to my love? Where did you

983
00:57:28,440 --> 00:57:34,480
go to my love? Where did you go to my love?

984
00:57:38,280 --> 00:57:45,119
Speaker 1: Where di friends in that ever ta flowers?

985
00:57:46,719 --> 00:57:53,360
Speaker 23: This supqueen the falls from Boston and it sings sad.

986
00:57:53,360 --> 00:57:56,039
Speaker 1: Is what's your farm?

987
00:57:56,800 --> 00:57:58,440
Speaker 5: She's beauty?

988
00:58:00,119 --> 00:58:01,920
Speaker 1: Daddy sighs A.

989
00:58:05,480 --> 00:58:07,039
Speaker 16: Where did you go see?

990
00:58:09,719 --> 00:58:38,119
Speaker 24: Where did you don't see? Where did you don't? Sam

991
00:58:38,920 --> 00:58:39,679
Man s.

992
00:58:41,559 --> 00:58:44,480
Speaker 5: Ordern't say from this side?

993
00:58:45,519 --> 00:58:46,960
Speaker 1: Had short.

994
00:58:48,400 --> 00:58:53,079
Speaker 16: Show where they turned out of the eyes?

995
00:58:53,960 --> 00:58:56,039
Speaker 1: What's shot a name?

996
00:58:56,880 --> 00:58:59,280
Speaker 5: Go sus stroke?

997
00:59:04,480 --> 00:59:06,079
Speaker 1: Where did you come soon?

998
00:59:08,760 --> 00:59:11,400
Speaker 16: Where did you go to my love?

999
00:59:13,119 --> 00:59:15,800
Speaker 2: Where did you go to my love?

1000
00:59:21,719 --> 00:59:27,599
Speaker 1: Where did you go to my Where diy come Sup?

1001
00:59:27,920 --> 00:59:32,519
Speaker 5: Myleve? Where diy come su? Mile.

1002
00:59:38,639 --> 00:59:39,559
Speaker 1: Where did you go?

1003
00:59:40,000 --> 00:59:40,320
Speaker 11: Sup?

1004
00:59:40,599 --> 00:59:41,280
Speaker 5: My love?

1005
00:59:43,039 --> 00:59:45,639
Speaker 1: Everything sold in my love.

1006
00:59:47,320 --> 00:59:49,920
Speaker 5: Have hont you my love?