WEBVTT

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<v Speaker 1>Let's go.

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<v Speaker 2>Welcome, Hi the Pro Audio Suite.

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<v Speaker 1>Thanks you guys, a professional and motivated with text.

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<v Speaker 2>The video stars George Whittam, founder of Source Element, Robert Marshall,

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<v Speaker 2>International Audio Engineer Darren, Robbo Roberts and Global Voice Andrew Peters.

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<v Speaker 2>Thanks to Triboo, Austrian Audio Making Passion, her Sauce Elements,

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<v Speaker 2>George the tech Witam and Robbo and APS International Demos.

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<v Speaker 2>Find out more about us check the Pro Audio Suite

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<v Speaker 2>dot com and welcome to another pro audio suite thanks

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<v Speaker 2>to Austrian Audio Making Passion heard you can see it

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<v Speaker 2>now because rom.

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<v Speaker 3>Video exactly scary. Yeah, yeah, here we are actually it's all.

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<v Speaker 3>Oh you got the C eight C eight eighteen eighty eight.

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<v Speaker 2>We are equipped. Oh we're covering all bases here. Lovely

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<v Speaker 2>talking about audio stuff though, George, you have a little

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<v Speaker 2>present that arrived in the mile.

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<v Speaker 1>I've got show until yeah, that's why they're doing video.

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<v Speaker 1>Do show and then tell well, my friends at full

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<v Speaker 1>Compass is a great catalog here in the US. Has

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<v Speaker 1>actually been around a long time, like I'm not sure

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<v Speaker 1>longer than Sweetwater, but I've dealt with Full Compas since

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<v Speaker 1>the nineties, so they've been around for a while. They

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<v Speaker 1>when I found out that the SSL, the great makers

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<v Speaker 1>of the SSL two that we've all probably used, owned

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<v Speaker 1>or played with or at some point know about. Yeah,

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<v Speaker 1>and you've got two s got two.

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<v Speaker 2>SSL two's which could be an SSL four yeah together

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<v Speaker 2>super glue.

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<v Speaker 1>So I don't know. I guess my best possible guest

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<v Speaker 1>here is that they thought price point and they just

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<v Speaker 1>needed a product that would dip down in the sub

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<v Speaker 1>two hundred dollars US range to compete with the scarlets

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<v Speaker 1>of the world, right, yeah, and so.

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<v Speaker 4>They date with the scarlets of the world.

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<v Speaker 1>Well, yeah, the SSL the scarlet two I two is

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<v Speaker 1>round as in the two hundred dollar ballpark. The solo

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<v Speaker 1>is what one fifty one sixty US? Yeah, So no

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<v Speaker 1>surprise what towever that the SSL one is also at

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<v Speaker 1>about that same price point, around one sixty US. So

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<v Speaker 1>here it is, I shall rip it out of the

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<v Speaker 1>box un ceremoniously, because.

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<v Speaker 2>Two inns is that correct?

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<v Speaker 1>Well?

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<v Speaker 4>What one mike pre probably in the guitar inputt.

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<v Speaker 1>Yeah, in most cases when they say it's a one

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<v Speaker 1>input device, it's not.

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<v Speaker 4>It's like the same thing as the solo. The solo's

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<v Speaker 4>that way from Scarlet.

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<v Speaker 1>Very minimalistic packaging, really just cardboard paper, which is what

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<v Speaker 1>you want to see these days. And then it's got

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<v Speaker 1>a USB C to USB C cable with no after

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<v Speaker 1>so it's a you know it's USBC, so move on,

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<v Speaker 1>which you move on? You, I mean, the only thing

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<v Speaker 1>that's annoying is a lot of US have USB C

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<v Speaker 1>hubs that we're using and they have a ports on them.

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<v Speaker 1>But frankly it's probably not recommended to use any audio

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<v Speaker 1>device in a hub. Not generally not a good idea.

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<v Speaker 1>There there are exceptions, and we've come up with some

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<v Speaker 1>workarounds to that problem, but generally it's not a good idea.

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<v Speaker 1>It's also generally not a good idea to not use

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<v Speaker 1>the factory cable, although I think now with USB C

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<v Speaker 1>it's so much of a standard nowadays that it shouldn't

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<v Speaker 1>be as difficult to use a different cable. In fact,

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<v Speaker 1>we've used with our very own passport, I have used

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<v Speaker 1>a four meter I think four meter optical USB cable

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<v Speaker 1>that uses optical and it worked a treat, so it

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<v Speaker 1>probably would work with this. So here it is. It

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<v Speaker 1>looks really familiar to the SOS too. Once the first

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<v Speaker 1>things you noticed that it doesn't have is it doesn't

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<v Speaker 1>have the big four K buttons down, so it's only

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<v Speaker 1>one mic pre and one four K mojo.

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<v Speaker 4>That's well, that's like it's there. Oh, it is there. Okay,

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<v Speaker 4>it's up there. It is up here now, okay.

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<v Speaker 1>I kind of like that. I always thought it was

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<v Speaker 1>annoying that the button that really most voice actors should

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<v Speaker 1>never press was this giant, beautiful well. I would always

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<v Speaker 1>always laughed because I was like, the biggest buttons and

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<v Speaker 1>the giantest knob are irrelevant to most voice actors because

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<v Speaker 1>they're never using any of them. They're just using headphones.

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<v Speaker 1>But anyway, so it's it's just cleaned up a bit.

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<v Speaker 1>They shrunk the chassis, they don't have those big buttons,

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<v Speaker 1>single mic pre amp here, instrument input there as you

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<v Speaker 1>would expect, right, such a common design nowadays. Instrument that

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<v Speaker 1>the mic input is not a combo, so it is

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<v Speaker 1>strict a mic input, not a combo. And then your

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<v Speaker 1>instrument here so again just like the scarlet, and then

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<v Speaker 1>your quarter inch outputs and a dual USB because they

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<v Speaker 1>felt why not, what's at a second one just for powering?

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<v Speaker 1>I guess they had enough users still on legacy devices

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<v Speaker 1>that just wouldn't power it, and so we'll have a.

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<v Speaker 4>That's a good idea. Yeah, I think does the Liewitt

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<v Speaker 4>have that or the not? The audience doesn't not too many.

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<v Speaker 1>It's pretty, it's pretty, it's not. It's not that common.

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<v Speaker 1>It's becoming.

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<v Speaker 4>Oh, oh, I know it has it. The focus right

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<v Speaker 4>has that.

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<v Speaker 1>Oh, the focus right does. So it's it's very clear

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<v Speaker 1>that whatever the Focus Right had, they were going to

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<v Speaker 1>make sure this one has it too, you know. But

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<v Speaker 1>there's a lot of things that Focus Right does this

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<v Speaker 1>doesn't do, and that's where the differences start to really

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<v Speaker 1>come into play. So what I like about this is

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<v Speaker 1>that it does have a physical gain knob pop. I

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<v Speaker 1>know that's a that's going to be an issue.

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<v Speaker 4>I don't like that anymore.

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<v Speaker 1>Yeah, you can't tell us why, Robert, I can't tell

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<v Speaker 1>you why, but I don't like that any But it

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<v Speaker 1>does any physical knob. So when I'm teaching somebody how

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<v Speaker 1>to record and set their levels, I can just tell

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<v Speaker 1>them start it at twelve o'clock, increase it a little

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<v Speaker 1>bit as needed, and it's just really clear and obvious

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<v Speaker 1>where the knob is set. You don't have to guess,

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<v Speaker 1>so that you know a lot of products with digital knobs.

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<v Speaker 1>The unfortunately they don't all have a dB gain indicator. Right, If,

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<v Speaker 1>like the scarlets and others of that, ILK had a

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<v Speaker 1>little LCD saying you're at minus twenty seven d B

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<v Speaker 1>gain or whatever plus twenty seventy B gain, that would

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<v Speaker 1>be cool, and a few do, but most of them don't.

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<v Speaker 1>So I still find this to be just easier. It's

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<v Speaker 1>certainly easier for teaching. It's easier for learning how to record,

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<v Speaker 1>it's more straightforward.

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<v Speaker 5>The nice thing about the digital knobs is that you

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<v Speaker 5>can really make presets and you can get really perfect recallability.

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<v Speaker 5>And also they don't go scratchy.

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<v Speaker 1>That's right.

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<v Speaker 5>Yeah, they just go away, don't completely when they break,

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<v Speaker 5>they just they're just like no more control at all.

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<v Speaker 1>Yeah, the digital knob is there until it ain't, and

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<v Speaker 1>when it goes, it's just throwing the trash.

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<v Speaker 2>And the other thing they could have they could have

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<v Speaker 2>stepped it, which being easier to.

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<v Speaker 4>Well, usually all the.

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<v Speaker 5>Digital stuff is stepped and the analog stuff is usually

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<v Speaker 5>not stepped. And the one nice thing about the with

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<v Speaker 5>a digital knob, you always have to be careful about

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<v Speaker 5>turning it in real time, because if it's stepped, it

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<v Speaker 5>might zipper as you turn it up or down, depending

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<v Speaker 5>on the size of the steps. But the analog knobs,

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<v Speaker 5>they're continuous, including all the scratchy junk.

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<v Speaker 1>That pots feel smooth. I'm assuming it's some kind of

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<v Speaker 1>a sealed pot. I don't know.

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<v Speaker 4>But are they pretty solid?

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<v Speaker 1>No, there's there, it really is. There is no detectable wiggliness.

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<v Speaker 4>That's nice.

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<v Speaker 1>It's a good solid call's a that's a rarity these days.

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<v Speaker 1>Where is it night? Is it China? Yeah?

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<v Speaker 4>Probably?

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<v Speaker 2>It says designed Oxford building.

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<v Speaker 1>Engineered in the UK, assembled in Malaysia.

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<v Speaker 2>Well, Malisa, okay.

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<v Speaker 4>So so so so what else do you like about it?

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<v Speaker 1>Does the usual? The four K buttons there if you

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<v Speaker 1>really must, And I think some men's voices benefit from

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<v Speaker 1>the four K, like, for example mine, I have a

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<v Speaker 1>kind of a Every time I hear it, it sounds

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<v Speaker 1>on the dark side. It's a little bit overly warm

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<v Speaker 1>and dark. So the four K could be nice. Most

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<v Speaker 1>people probably don't want to use it, but it does

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<v Speaker 1>have the high pass filter. I like that. I like

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<v Speaker 1>that it has a high pass filter. A lot of

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<v Speaker 1>folks are on teel on one O threes and they're wet,

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<v Speaker 1>so they're picking up.

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<v Speaker 4>God, do you know where that high pass filter is

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<v Speaker 4>hinging on?

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<v Speaker 1>That's what I'm saying. Where does it? See? Yeah, you

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<v Speaker 1>know there is no there is no Oh I lied.

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<v Speaker 1>I was gonna say there's no manual. The manual is

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<v Speaker 1>almost always nowadays a QR code.

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<v Speaker 2>Yeah, but there is.

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<v Speaker 1>There is a piece of paper and all the people,

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<v Speaker 1>all the paper is is to satisfy legal requirements. Right,

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<v Speaker 1>this is no expection exception. Okay, see where the high

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<v Speaker 1>boss field is.

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<v Speaker 4>And every so lawyers are keeping trees in business.

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<v Speaker 1>Yeah, exactly, every every single possible language is printed inside

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<v Speaker 1>the book. So I will have to actually look that

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<v Speaker 1>one up for you. I would almost in Swahili with it.

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<v Speaker 1>I'm pretty sure it's eighty hertz with a twelve d

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<v Speaker 1>V proactive slope roll es. Surely that wouldn't be stupid

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<v Speaker 1>enough to put it ridiculously high. No, that's a pretty

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<v Speaker 1>commonly placed pre set setting. So I liked. I do

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<v Speaker 1>like that it has. I think a lot of home

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<v Speaker 1>studio users benefit from preemptively rolling off the low end

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<v Speaker 1>with their tailing one of threes. The buttons have little

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<v Speaker 1>lights underneath. So these are actually digital buttons. They're not

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<v Speaker 1>latching soft they're not latching hardware. They're digital software buttons.

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<v Speaker 1>So they're actually going to light ignite those little indicators.

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<v Speaker 1>Telling you that was a big complaint of the first

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<v Speaker 1>gen is the buttons had no lights or indicators and

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<v Speaker 1>they were really hard to tell if they were up

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<v Speaker 1>or down. You really had to right, would you agree

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<v Speaker 1>with that, Andrew?

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<v Speaker 5>Which is a total console maker thing if you think

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<v Speaker 5>about the way the SSL board is itself, not every

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<v Speaker 5>single button had a light.

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<v Speaker 1>Yeah, yeah, I guess you're right. So because I don't

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<v Speaker 1>have a I don't have any spare USBC ports on

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<v Speaker 1>my system. Everything's everything is being used. But I do

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<v Speaker 1>have an iPhone, so I just plugged it into the

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<v Speaker 1>iPhone and it lit. It lit right up. It's a

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<v Speaker 1>little power indicator and so now we can get uh

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<v Speaker 1>oh yeah, ghantum slashes for a moment to tell you

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<v Speaker 1>it's aged. There's your four K and there is your

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<v Speaker 1>low cut. So that's nice. I like that. Now let's

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<v Speaker 1>see if they remember their state when you unplug it.

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<v Speaker 1>Mm hmm, because you know, people forget to turn on

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<v Speaker 1>their their phantom power all the time. That's a problem.

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<v Speaker 1>It's gonna be plug it, plug it back in again,

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<v Speaker 1>don't dun't dum.

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<v Speaker 6>Oh.

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<v Speaker 1>Yes, the memory, Yeah, so it's got to go. It's

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<v Speaker 1>got like a flash memory. It knows that state, it's

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<v Speaker 1>current state. So some pretty fancy firmware in that thing.

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<v Speaker 1>And then and then it has a mixed button. And

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<v Speaker 1>my understanding, again not having read the user manually yet sorry,

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<v Speaker 1>is that the mix button is simply just a direct monitor,

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<v Speaker 1>just like the SSL. This just like the Scarlet. So

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<v Speaker 1>you want to hear yourself press mix.

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<v Speaker 4>You don't want no volume control.

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<v Speaker 1>That is the one lack feature lack that is glaringly

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<v Speaker 1>missing from this that.

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<v Speaker 4>The Scarlet's got the same problem.

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<v Speaker 1>Scarlet has the same problems direct or not. So I figured, yeah,

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<v Speaker 1>I figured they looked at Scarlet, are like, this is

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<v Speaker 1>the most freaking popular beginner audio interface on the planet.

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<v Speaker 1>What are they selling? What are Let's just put it

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<v Speaker 1>all on ours and if it doesn't have the Blend

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<v Speaker 1>control then we don't need it and we can save it.

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<v Speaker 1>We can save two dollars and take the Blend mob out.

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<v Speaker 1>That's a bummer. I really like the Blend NB. If

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<v Speaker 1>you never do directed sessions. Passports a blend. The passport

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<v Speaker 1>has a blend. Yeah, if you're always doing directed sessions,

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<v Speaker 1>it's really nice to have. If you're never doing directed sessions,

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<v Speaker 1>you don't need it. If you don't like wearing headphones,

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<v Speaker 1>you don't need it. It's really for people that wear

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<v Speaker 1>headphones that blend headphone model Blend NOB is nice. And

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<v Speaker 1>then of course just the volume NOB for the headphones there.

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<v Speaker 2>Cool, looks good, It's funny. I'm talking about interfaces though,

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00:12:58.480 --> 00:13:02.240
<v Speaker 2>and we talked about this before week got on. And

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<v Speaker 2>I'm curious to find someone in another country apart from America,

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<v Speaker 2>who has a passport for you and see if they

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<v Speaker 2>can actually plug their iPhone into the comms and use

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<v Speaker 2>it as a phone patch and get a really good signal.

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<v Speaker 2>Here I'm using my passport as a phone patch and

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<v Speaker 2>it works perfectly, and for some peculiar reason, it doesn't

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<v Speaker 2>seem to work in America, and it didn't work here

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<v Speaker 2>last year. So something in the last twelve months has

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<v Speaker 2>changed to our the way our telcos work. I have

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<v Speaker 2>no idea. Yeah, yeah, but if there's someone like in

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<v Speaker 2>the UK or somewhere or Europe or whatever, if you've

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<v Speaker 2>got a passport for you, give it a go and

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<v Speaker 2>let us know how it goes.

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<v Speaker 1>Yeah, going to try mine today. Yeah, I plugged in

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<v Speaker 1>a tiny little lab mic that was laying on my

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00:13:49.279 --> 00:13:54.120
<v Speaker 1>desk into the second sport using a road lavali er

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00:13:54.240 --> 00:13:58.080
<v Speaker 1>mic adapter. So it's just you can plug a heath

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<v Speaker 1>inch lab right into this, yeah, road adapter. It's called

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00:14:02.039 --> 00:14:06.240
<v Speaker 1>the vxl R plus. I think I think these are

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00:14:06.320 --> 00:14:06.919
<v Speaker 1>like ten dollars.

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00:14:07.200 --> 00:14:09.600
<v Speaker 4>Is that lab trs like it's balanced?

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00:14:09.720 --> 00:14:12.759
<v Speaker 1>Well, this lab jack is, but I'm pretty sure it

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00:14:13.039 --> 00:14:15.240
<v Speaker 1>works with a non balanced on.

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00:14:15.360 --> 00:14:17.000
<v Speaker 4>It just drops inside grounds it.

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00:14:17.480 --> 00:14:19.720
<v Speaker 1>Yeah. So now I've got a signal coming in and

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00:14:19.840 --> 00:14:21.600
<v Speaker 1>now i can just see. It's a very simple, easy

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00:14:21.679 --> 00:14:24.840
<v Speaker 1>to read VW. What does it do when we start

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00:14:24.879 --> 00:14:28.360
<v Speaker 1>getting in the clipping zone? Is it light up red? Check, check, check,

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00:14:28.600 --> 00:14:31.200
<v Speaker 1>goes to yellow, goes to yellow, goes to red or

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00:14:31.399 --> 00:14:36.720
<v Speaker 1>amber or whatever. So simple, simple view meter, nothing fancy

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00:14:37.039 --> 00:14:37.639
<v Speaker 1>does the job.

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<v Speaker 5>One thing that's funny and it's subtle, but it has

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<v Speaker 5>a slant on the face of it. I was really

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00:14:43.360 --> 00:14:47.600
<v Speaker 5>surprised with this EVO. It's just a block. It's a block, Yeah,

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00:14:47.840 --> 00:14:50.519
<v Speaker 5>and it doesn't sit on the It doesn't like. It's

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00:14:50.600 --> 00:14:53.159
<v Speaker 5>kind of funny how a little tiny angle can make

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00:14:53.200 --> 00:14:54.639
<v Speaker 5>a big difference ergonomically.

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<v Speaker 1>Well, the EVO is basically it got a digital encoder,

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00:14:58.440 --> 00:15:02.559
<v Speaker 1>a couple of buttons, and a couple it's chunky. It

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00:15:02.639 --> 00:15:06.360
<v Speaker 1>could be half as thick. Yeah, it's you know, or

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00:15:06.759 --> 00:15:11.240
<v Speaker 1>but it's slow slanned. It's in the back because it's

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00:15:11.279 --> 00:15:15.000
<v Speaker 1>not nearly as deep, like it's very it's very skinny.

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<v Speaker 1>So it is.

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00:15:15.399 --> 00:15:18.360
<v Speaker 5>It's I don't think that they've wasted any space in it, yes,

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00:15:18.440 --> 00:15:20.279
<v Speaker 5>and I don't mind the interface at all, like.

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00:15:20.440 --> 00:15:22.480
<v Speaker 4>You know, what button? What prep do you want to

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00:15:22.879 --> 00:15:25.679
<v Speaker 4>It can easily run with one it's easy.

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00:15:25.879 --> 00:15:28.919
<v Speaker 1>But it is just like an Apollo where it's one knob,

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00:15:29.000 --> 00:15:31.879
<v Speaker 1>many jobs and you have to press the right button

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00:15:31.960 --> 00:15:34.679
<v Speaker 1>before you turn the knob, and the buttons are all

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00:15:34.759 --> 00:15:40.639
<v Speaker 1>labeled in graphics that hieroglyphics. Yeah, yeah, it's internationally. They

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00:15:40.679 --> 00:15:44.799
<v Speaker 1>wanted to translate, so it has nothing written printed in English.

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00:15:45.120 --> 00:15:47.759
<v Speaker 1>This product being created in Britain, of course, has a

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00:15:47.799 --> 00:15:51.320
<v Speaker 1>lot of English language written on it. Yes, home as

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00:15:51.320 --> 00:15:54.279
<v Speaker 1>you would imagine, but uh yeah, that is something that

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00:15:54.799 --> 00:15:57.960
<v Speaker 1>so I think we're reading we've been there for a while,

296
00:15:58.039 --> 00:16:00.519
<v Speaker 1>but we're really just dividing line and devices, whether they're

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00:16:01.559 --> 00:16:07.399
<v Speaker 1>kind of traditional old school analog with just all physical knobs,

298
00:16:08.559 --> 00:16:10.159
<v Speaker 1>pretty much an ANAMG device.

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00:16:10.679 --> 00:16:13.679
<v Speaker 4>On all the way back to an M box exactly.

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00:16:13.919 --> 00:16:16.879
<v Speaker 1>This is really just another M box from nineteen ninety

301
00:16:16.960 --> 00:16:19.799
<v Speaker 1>nine or whenever that came out, or ninety seven. That's

302
00:16:19.840 --> 00:16:23.080
<v Speaker 1>really all this is. It's just another new iteration of

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00:16:23.200 --> 00:16:28.440
<v Speaker 1>an old school USB audio interface, full stop. It sounds good.

304
00:16:28.759 --> 00:16:31.320
<v Speaker 1>The preets are nice, they're clean as a really good

305
00:16:31.480 --> 00:16:35.759
<v Speaker 1>self noise rating. Henry Krause is that the guy's name

306
00:16:35.799 --> 00:16:36.279
<v Speaker 1>on YouTube?

307
00:16:36.480 --> 00:16:37.480
<v Speaker 2>Julian Julian.

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00:16:37.639 --> 00:16:41.360
<v Speaker 1>Thank you. Julian Krause reviewed it. It's up there with

309
00:16:41.519 --> 00:16:43.720
<v Speaker 1>some of the best in terms of most of its specs,

310
00:16:44.440 --> 00:16:47.600
<v Speaker 1>so we know the quality is good. What else can

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00:16:47.639 --> 00:16:50.320
<v Speaker 1>I say? It's just a simple device for people that

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00:16:50.440 --> 00:16:55.559
<v Speaker 1>are simple minded, not dumb. Just don't think and get

313
00:16:55.639 --> 00:16:59.919
<v Speaker 1>into the one knob multiple jobs thing. If that thing

314
00:17:00.279 --> 00:17:03.480
<v Speaker 1>short circuits your brain like the EVO does. Hold the

315
00:17:03.480 --> 00:17:07.519
<v Speaker 1>EVA up for a second. Actually, Romo, Robert, So if

316
00:17:07.559 --> 00:17:10.079
<v Speaker 1>you look at the EVO, it's a very elegant design

317
00:17:10.440 --> 00:17:12.000
<v Speaker 1>with one knob in this I mean, we.

318
00:17:12.000 --> 00:17:12.920
<v Speaker 4>Can we can go through it.

319
00:17:13.119 --> 00:17:15.400
<v Speaker 5>So like the EVO right here, If you want to

320
00:17:15.440 --> 00:17:17.880
<v Speaker 5>control the first mic preamp, you push this button. Then

321
00:17:17.920 --> 00:17:21.319
<v Speaker 5>you have the gain, second mic and the phantom for

322
00:17:21.400 --> 00:17:22.720
<v Speaker 5>the first part amp. And then if you want to

323
00:17:22.720 --> 00:17:25.000
<v Speaker 5>control the second preamp, press the button for the second

324
00:17:25.039 --> 00:17:27.240
<v Speaker 5>PREMP and then you have your phantom and your gain.

325
00:17:27.960 --> 00:17:29.759
<v Speaker 5>And if you want your headphone volume, you press the

326
00:17:29.799 --> 00:17:32.240
<v Speaker 5>headphone button and then you have your gain. Or if

327
00:17:32.279 --> 00:17:34.400
<v Speaker 5>you want to control your blend the SSL does not

328
00:17:34.519 --> 00:17:36.880
<v Speaker 5>have this, then you press that button and you have

329
00:17:36.960 --> 00:17:38.720
<v Speaker 5>your so you always have to say what do I

330
00:17:38.759 --> 00:17:40.680
<v Speaker 5>want to do and then turn the knob for it.

331
00:17:40.920 --> 00:17:42.279
<v Speaker 1>But and has auto gain.

332
00:17:43.359 --> 00:17:45.519
<v Speaker 4>This does have auto gain to it, Yes it does.

333
00:17:45.960 --> 00:17:48.480
<v Speaker 1>That. You cannot do auto gain with a mag with

334
00:17:48.559 --> 00:17:52.759
<v Speaker 1>a log right, and that's another still to be I

335
00:17:52.799 --> 00:17:55.759
<v Speaker 1>think still remaining to be seen thing is is whether

336
00:17:55.920 --> 00:17:59.720
<v Speaker 1>voice actors should use autogain or not. I mean it basically,

337
00:17:59.799 --> 00:18:02.599
<v Speaker 1>it's not AGC. It's not like the old classic video

338
00:18:02.680 --> 00:18:07.920
<v Speaker 1>camera auto leveler. It just auditions your voice for twenty seconds,

339
00:18:08.279 --> 00:18:10.680
<v Speaker 1>ten seconds maybe, and then at the end of that

340
00:18:10.880 --> 00:18:13.920
<v Speaker 1>period it decides it's okay, this is as loud as

341
00:18:13.920 --> 00:18:15.599
<v Speaker 1>they're going to get. I'm going to drop it. By

342
00:18:15.640 --> 00:18:18.440
<v Speaker 1>twelve dB usually gives it. I think the ones I've

343
00:18:18.480 --> 00:18:21.359
<v Speaker 1>tried to give you a twelve dB headroom and then

344
00:18:21.839 --> 00:18:22.319
<v Speaker 1>off you go.

345
00:18:22.839 --> 00:18:25.000
<v Speaker 4>And then leave it alone, and you leave it alone.

346
00:18:25.319 --> 00:18:28.359
<v Speaker 1>If you push belonge beyond that game, you will still clip.

347
00:18:28.960 --> 00:18:31.599
<v Speaker 1>Now Scarlet takes it to another level and adds what's

348
00:18:31.640 --> 00:18:36.000
<v Speaker 1>called their safety. I think it's called there's another button safe.

349
00:18:36.119 --> 00:18:39.359
<v Speaker 1>Maybe you've got one, I think, Robert, I think there's

350
00:18:39.359 --> 00:18:40.279
<v Speaker 1>an says safe.

351
00:18:41.240 --> 00:18:43.920
<v Speaker 4>And so this is this is a Scarlet, the fourth

352
00:18:44.039 --> 00:18:49.119
<v Speaker 4>gen and the buttons we have one second, I can't

353
00:18:49.240 --> 00:18:49.920
<v Speaker 4>see very well.

354
00:18:50.880 --> 00:18:53.240
<v Speaker 1>We're all on the same page there, but I mean

355
00:18:53.400 --> 00:18:54.119
<v Speaker 1>they couldn't black.

356
00:18:54.480 --> 00:18:59.000
<v Speaker 5>It's as hard to so select forty eight instrument auto

357
00:18:59.519 --> 00:19:00.200
<v Speaker 5>safe and.

358
00:19:02.279 --> 00:19:07.640
<v Speaker 4>The sorry I'm that old too, Yeah, I'm sorry for

359
00:19:07.680 --> 00:19:08.640
<v Speaker 4>your eyes. My eyes are.

360
00:19:08.559 --> 00:19:12.079
<v Speaker 1>Perfect, turning the light on his phone to see the

361
00:19:12.119 --> 00:19:15.440
<v Speaker 1>writing because I can see.

362
00:19:15.559 --> 00:19:16.599
<v Speaker 4>But it's just like the light.

363
00:19:17.160 --> 00:19:20.599
<v Speaker 1>This is better for folks with less than optimal eyesight.

364
00:19:21.119 --> 00:19:25.799
<v Speaker 1>It is say that if that's your category, the scarlet

365
00:19:25.880 --> 00:19:27.400
<v Speaker 1>is not a good choice. But yes, it does have

366
00:19:27.519 --> 00:19:30.359
<v Speaker 1>a safe button, and the safe button is a clip

367
00:19:30.440 --> 00:19:34.039
<v Speaker 1>protect thing. So even if you don't use or do

368
00:19:34.240 --> 00:19:37.680
<v Speaker 1>use the auto level the safe mode is a clip protector,

369
00:19:38.039 --> 00:19:40.759
<v Speaker 1>and what that does is that when you cross threshold

370
00:19:40.839 --> 00:19:44.960
<v Speaker 1>of clipping, it drops the game and it stays there.

371
00:19:45.599 --> 00:19:46.440
<v Speaker 1>It doesn't push up.

372
00:19:46.880 --> 00:19:49.519
<v Speaker 5>You know who has who has really cool tych in

373
00:19:49.559 --> 00:19:53.400
<v Speaker 5>this area was originally Aphex, who is now gobbled up

374
00:19:53.440 --> 00:19:57.960
<v Speaker 5>by Road, But they had a mic limb circuit and

375
00:19:58.680 --> 00:20:02.240
<v Speaker 5>and it would actually on the input that was going in,

376
00:20:03.119 --> 00:20:05.759
<v Speaker 5>it would very quickly change the gain of the pre

377
00:20:05.880 --> 00:20:08.279
<v Speaker 5>amp based it was. It was actually turning it down.

378
00:20:09.400 --> 00:20:11.359
<v Speaker 5>It's a very interesting one to look at. It's kind

379
00:20:11.359 --> 00:20:14.240
<v Speaker 5>of too bad that Road hasn't It's funny Road bought

380
00:20:14.759 --> 00:20:16.759
<v Speaker 5>Aphex and when like, oh we'll take Big.

381
00:20:16.680 --> 00:20:20.480
<v Speaker 4>Bottom and yeah whatever, and they just like.

382
00:20:20.640 --> 00:20:23.519
<v Speaker 1>Yeah, kind of just stripped it for as we hear

383
00:20:23.559 --> 00:20:28.160
<v Speaker 1>a lot in the business, stripped for parts. Yeah, striped like.

384
00:20:28.240 --> 00:20:30.680
<v Speaker 5>The oral exciter in Big Bottom, and they like, that's

385
00:20:30.720 --> 00:20:32.960
<v Speaker 5>not even their coolest stuff.

386
00:20:33.039 --> 00:20:36.119
<v Speaker 1>So now I'm recording in twisted Wave with this little

387
00:20:36.200 --> 00:20:40.200
<v Speaker 1>tiny lavalier Mike uh running into the ss L one.

388
00:20:40.279 --> 00:20:44.599
<v Speaker 1>There's your level coming in, blah blah blah. And I

389
00:20:44.640 --> 00:20:46.559
<v Speaker 1>don't even know if i'd need to bother playing it back.

390
00:20:46.680 --> 00:20:51.759
<v Speaker 1>But the idea on sour what source elements recorder. Yeah,

391
00:20:52.039 --> 00:20:55.160
<v Speaker 1>I mean sources recorder. It runs on Chrome or Safari.

392
00:20:55.200 --> 00:20:57.400
<v Speaker 1>It's agnostics, so you can use it on a mobile device.

393
00:20:57.519 --> 00:20:57.880
<v Speaker 1>Is that right?

394
00:20:58.039 --> 00:20:58.680
<v Speaker 4>Right, you can.

395
00:21:00.319 --> 00:21:01.240
<v Speaker 1>I haven't tried that yet.

396
00:21:01.799 --> 00:21:03.920
<v Speaker 5>I'm pretty sure. We're pretty sure it's ready for the

397
00:21:03.960 --> 00:21:06.200
<v Speaker 5>mobile devices'.

398
00:21:07.240 --> 00:21:08.000
<v Speaker 4>It's pretty new.

399
00:21:09.279 --> 00:21:11.480
<v Speaker 1>Try it doesn't work, he's Roberts email address.

400
00:21:11.759 --> 00:21:15.039
<v Speaker 4>Yes, here's my home address.

401
00:21:16.160 --> 00:21:20.720
<v Speaker 1>Number. Yeah, you don't go a human dress He'll fix it. No,

402
00:21:21.000 --> 00:21:24.200
<v Speaker 1>you have a home address, Robert, And it's fake, right,

403
00:21:24.359 --> 00:21:27.279
<v Speaker 1>And it took a facade. And then when they ring

404
00:21:27.319 --> 00:21:30.960
<v Speaker 1>the board, when they they ring the doorbell, danmed dong

405
00:21:31.799 --> 00:21:32.279
<v Speaker 1>trap door.

406
00:21:34.000 --> 00:21:35.759
<v Speaker 4>Exactly, that's right.

407
00:21:37.359 --> 00:21:39.440
<v Speaker 1>He went to get help at the guy's house and

408
00:21:39.519 --> 00:21:45.759
<v Speaker 1>he disappeared forever. There's yes, yeah, exactly. Yeah.

409
00:21:46.519 --> 00:21:48.720
<v Speaker 2>Oh you arrive in the cellar and you see someone

410
00:21:48.759 --> 00:21:50.880
<v Speaker 2>you haven't seen for years. I wonder where you've been.

411
00:21:54.039 --> 00:21:56.400
<v Speaker 5>I always used to tell the clients that the talkback

412
00:21:56.440 --> 00:21:59.079
<v Speaker 5>button was a trap door for a pit of alligators.

413
00:21:59.119 --> 00:22:05.759
<v Speaker 5>In case there talent messed up, drop him into the well.

414
00:22:05.920 --> 00:22:08.960
<v Speaker 1>So I'm trying recorder on the mobile. Popped it open,

415
00:22:10.119 --> 00:22:14.440
<v Speaker 1>he says, continue, So I'm clicking that redirecting to log in.

416
00:22:14.839 --> 00:22:22.519
<v Speaker 1>I'm accepting the legal I am, I am now, I'm

417
00:22:22.559 --> 00:22:25.960
<v Speaker 1>logging in. I'm hoping that remembers my user password from

418
00:22:26.000 --> 00:22:32.680
<v Speaker 1>my password manager. Looks like it did. Logging in and

419
00:22:34.599 --> 00:22:35.559
<v Speaker 1>give it to me baby.

420
00:22:35.680 --> 00:22:42.079
<v Speaker 2>Come on now, isn't that that song?

421
00:22:42.759 --> 00:22:47.319
<v Speaker 1>Yes, give it me, Give it to me baby, and

422
00:22:47.759 --> 00:22:49.519
<v Speaker 1>golly say, I'm pretty fly for.

423
00:22:54.039 --> 00:22:56.640
<v Speaker 2>Okay anyone who's under thy sorry about that.

424
00:22:56.880 --> 00:22:58.240
<v Speaker 1>Yes, that's right.

425
00:22:58.680 --> 00:23:01.640
<v Speaker 2>We just dated the whole sh always spokes.

426
00:23:02.039 --> 00:23:07.359
<v Speaker 1>There's a station here that would play that called Jack FM. Yeah. Yeah,

427
00:23:07.359 --> 00:23:09.880
<v Speaker 1>the Jack format was that over? Is that around the

428
00:23:09.960 --> 00:23:13.319
<v Speaker 1>world now it's a format? Yeah? Jack Fullmatt is a thing. Yeah,

429
00:23:13.599 --> 00:23:16.119
<v Speaker 1>we doesn't have to. Yeah we did.

430
00:23:17.119 --> 00:23:18.640
<v Speaker 2>Yeah, we don't have Jack.

431
00:23:19.319 --> 00:23:21.000
<v Speaker 6>We don't have a Jack station in the stratey and

432
00:23:21.000 --> 00:23:22.599
<v Speaker 6>I wish we did because it's really cool.

433
00:23:22.839 --> 00:23:25.359
<v Speaker 1>Yeah. Yeah. Well, my friend, my client, Howard Cogan's been

434
00:23:25.480 --> 00:23:29.920
<v Speaker 1>Jack forever playing what we Want from a dumpy little

435
00:23:29.960 --> 00:23:34.400
<v Speaker 1>building in Culver City. It was funny. Is he actually

436
00:23:34.519 --> 00:23:37.319
<v Speaker 1>lives in Culver City but not in a jump dumpy little.

437
00:23:37.200 --> 00:23:39.599
<v Speaker 4>So the dumpy buildings his house? Probably not?

438
00:23:40.359 --> 00:23:44.039
<v Speaker 1>Well no not. Now, we designed a studio, We designed

439
00:23:44.039 --> 00:23:46.640
<v Speaker 1>a student of his garage out of concrete and steel.

440
00:23:47.400 --> 00:23:52.160
<v Speaker 1>That was pretty mind boggling. Wow. But he's the first

441
00:23:52.200 --> 00:23:54.119
<v Speaker 1>guy that I set up an apollo for when it

442
00:23:54.160 --> 00:23:57.559
<v Speaker 1>came out, and that was another first working with Jack.

443
00:23:58.519 --> 00:24:00.640
<v Speaker 1>I don't have a log in my It's funny.

444
00:24:00.720 --> 00:24:05.000
<v Speaker 5>I was thinking of all the different audio companies. Most

445
00:24:05.039 --> 00:24:07.799
<v Speaker 5>of the interfaces are rooted in English companies. It's like

446
00:24:07.920 --> 00:24:13.960
<v Speaker 5>Audience Focus, right, SSL, even Cranbourne or whoever you know,

447
00:24:14.079 --> 00:24:16.920
<v Speaker 5>like the US companies or what U A.

448
00:24:19.599 --> 00:24:21.119
<v Speaker 1>Yeah U A U A.

449
00:24:22.759 --> 00:24:24.519
<v Speaker 4>Avid kind of like.

450
00:24:25.160 --> 00:24:27.119
<v Speaker 1>Is the big dog at this point, right in terms

451
00:24:27.160 --> 00:24:32.920
<v Speaker 1>of a US based design and IP international intellectual property.

452
00:24:33.359 --> 00:24:35.359
<v Speaker 5>And then then you have a couple in Germany R

453
00:24:35.440 --> 00:24:41.119
<v Speaker 5>and Me and Yellow and Steinberg, right, and then it's

454
00:24:41.200 --> 00:24:46.359
<v Speaker 5>like Japan with Yamaha. Really maybe a few like Zoom,

455
00:24:47.880 --> 00:24:50.559
<v Speaker 5>but there's not a lot of companies like I guess

456
00:24:50.640 --> 00:24:53.640
<v Speaker 5>Sure makes some interfaces that are sure.

457
00:24:53.759 --> 00:24:56.119
<v Speaker 1>Yeah, MACKI sold out to road.

458
00:24:56.559 --> 00:25:02.960
<v Speaker 5>Is personas US personas is US based, Yeah person Samson

459
00:25:04.480 --> 00:25:06.720
<v Speaker 5>Samson as US. I was sinking it as a Chinese company,

460
00:25:06.759 --> 00:25:08.839
<v Speaker 5>but another Jersey company.

461
00:25:09.519 --> 00:25:13.759
<v Speaker 1>Thanks for stalling allow microphone access and I'm finally locked in.

462
00:25:14.720 --> 00:25:16.119
<v Speaker 4>Did we buy you some time there?

463
00:25:16.200 --> 00:25:20.839
<v Speaker 1>You can later it's allowing the MIC, and it shows

464
00:25:20.920 --> 00:25:24.920
<v Speaker 1>input device and it gives me the option of iPhone microphone.

465
00:25:25.279 --> 00:25:27.680
<v Speaker 1>So I have to presume that Chrome is just telling

466
00:25:28.400 --> 00:25:30.880
<v Speaker 1>the software there's a mic available. Yeah.

467
00:25:30.960 --> 00:25:36.039
<v Speaker 5>iOS apps are very hard sometimes to pick devices. You

468
00:25:36.200 --> 00:25:39.599
<v Speaker 5>take what's connected, and it's possible that if twisted Wave

469
00:25:39.680 --> 00:25:42.240
<v Speaker 5>is still grabbing that MIC, that it's precluded from using it.

470
00:25:42.400 --> 00:25:42.599
<v Speaker 2>Yeah.

471
00:25:43.400 --> 00:25:45.680
<v Speaker 1>Oh, I would see. I would have thought would be

472
00:25:45.680 --> 00:25:48.880
<v Speaker 1>the opposite, whereas twisted Wave initialized the device that.

473
00:25:48.880 --> 00:25:51.839
<v Speaker 4>Would be and made it available. Maybe, but yeah, it's

474
00:25:51.880 --> 00:25:52.759
<v Speaker 4>kind of hard to say.

475
00:25:53.000 --> 00:25:58.519
<v Speaker 1>Yeah, so far not available, saying it seems to be.

476
00:25:58.759 --> 00:26:01.480
<v Speaker 2>It's like a TV default. What you're doing Jewish, You know,

477
00:26:01.559 --> 00:26:03.240
<v Speaker 2>when your TV wasn't working, you to go and bang

478
00:26:03.319 --> 00:26:03.720
<v Speaker 2>on the top.

479
00:26:06.920 --> 00:26:10.960
<v Speaker 1>I'm doing the scratch test, doing the scrash test, what's

480
00:26:11.000 --> 00:26:12.440
<v Speaker 1>wrong with the TV? Bang?

481
00:26:12.599 --> 00:26:14.240
<v Speaker 2>Bang, bang? There you go, that's fixed it.

482
00:26:15.759 --> 00:26:20.039
<v Speaker 4>Do you do what that's called? No, called that's called

483
00:26:20.160 --> 00:26:21.160
<v Speaker 4>impact maintenance?

484
00:26:21.680 --> 00:26:26.720
<v Speaker 1>Okay, check check check here it's called the technical tap.

485
00:26:28.799 --> 00:26:29.440
<v Speaker 2>Or reboot.

486
00:26:32.640 --> 00:26:35.480
<v Speaker 1>Yeah. So it looks like the recorder on Chrome on

487
00:26:35.640 --> 00:26:39.440
<v Speaker 1>an iPhone is defaulting to the internal MIC on the phone.

488
00:26:40.519 --> 00:26:43.039
<v Speaker 1>But this is I'm running an older OS too, so

489
00:26:43.240 --> 00:26:45.799
<v Speaker 1>I think the most up to dated OS gives the

490
00:26:45.960 --> 00:26:49.000
<v Speaker 1>user better control over audio devices. That's what I heard.

491
00:26:49.359 --> 00:26:51.440
<v Speaker 4>And the recorder is so new, I'm not sure that

492
00:26:51.519 --> 00:26:53.480
<v Speaker 4>we've officially made it.

493
00:26:54.720 --> 00:26:58.480
<v Speaker 1>Yeah. Mobile, Yeah, but it very well does format itself

494
00:26:58.599 --> 00:27:00.359
<v Speaker 1>nicely on a mobile. Yeah.

495
00:27:00.359 --> 00:27:06.039
<v Speaker 5>We've had some users that literally they want to recording

496
00:27:06.079 --> 00:27:06.680
<v Speaker 5>to the recorder.

497
00:27:08.640 --> 00:27:12.119
<v Speaker 1>What can you read that? It says SSL one right there.

498
00:27:14.480 --> 00:27:18.119
<v Speaker 1>Once you're into the app, and then you can change devices,

499
00:27:20.039 --> 00:27:29.319
<v Speaker 1>let's see two to two. Interesting, it's still definitely using

500
00:27:29.359 --> 00:27:32.839
<v Speaker 1>the phone even though it says it's the SSL the

501
00:27:32.920 --> 00:27:33.839
<v Speaker 1>top close.

502
00:27:34.720 --> 00:27:36.279
<v Speaker 4>Send them to my house. I will put them in the.

503
00:27:38.160 --> 00:27:42.599
<v Speaker 1>But yeah, it does really well with the horizontal it

504
00:27:42.720 --> 00:27:46.799
<v Speaker 1>makes sense. Yeah. Yeah, it's responsive, that's the word I'm

505
00:27:46.839 --> 00:27:52.599
<v Speaker 1>looking for. It's very mobile responsive. Yeah, and it doesn't

506
00:27:52.640 --> 00:27:55.039
<v Speaker 1>stop recording when you flip your phone around either. I

507
00:27:55.119 --> 00:27:57.359
<v Speaker 1>mean I've had older apps that want if you flip

508
00:27:57.480 --> 00:28:01.960
<v Speaker 1>phone orientation while it's working, it still goes and it stops.

509
00:28:03.119 --> 00:28:05.920
<v Speaker 1>This one just keeps right on rolling. So it's definitely

510
00:28:06.000 --> 00:28:07.759
<v Speaker 1>using the latest design.

511
00:28:08.240 --> 00:28:10.480
<v Speaker 2>I find that with my turntable if I try and flip,

512
00:28:10.559 --> 00:28:13.039
<v Speaker 2>it sort of doesn't play anymore.

513
00:28:13.119 --> 00:28:15.039
<v Speaker 1>Every time the needle just slides across the road.

514
00:28:15.319 --> 00:28:18.920
<v Speaker 6>The old days with those early CD walkmans that jump

515
00:28:19.039 --> 00:28:21.359
<v Speaker 6>in the Yeah, I had one in the car once

516
00:28:21.400 --> 00:28:23.200
<v Speaker 6>and it was like jumping over the joint. But you know,

517
00:28:23.359 --> 00:28:26.599
<v Speaker 6>my the turntable I've got, or one of them, the

518
00:28:26.720 --> 00:28:30.839
<v Speaker 6>denin which I've had since about eighty three. I think

519
00:28:31.839 --> 00:28:35.079
<v Speaker 6>it's it's got some kind of computer in the arm

520
00:28:35.880 --> 00:28:38.359
<v Speaker 6>that you can actually pick the turntable up while it's

521
00:28:38.400 --> 00:28:43.960
<v Speaker 6>playing and turn it not aggressively, and it rebalances the wow,

522
00:28:44.480 --> 00:28:45.960
<v Speaker 6>rebalances the oh.

523
00:28:46.039 --> 00:28:48.599
<v Speaker 1>You know why because they developed that for rich bastards

524
00:28:48.680 --> 00:28:49.480
<v Speaker 1>with ships, and.

525
00:28:51.119 --> 00:28:52.240
<v Speaker 2>Probably probably

526
00:28:53.960 --> 00:28:56.799
<v Speaker 4>It's like detrowded player to play yacht rock.
