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<v Speaker 1>You're listening to k f I Am six forty the

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<v Speaker 1>Bill Handles show on demand on the iHeartRadio app. Coming

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<v Speaker 1>to the bottom of the hour. It is ask handle anything,

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<v Speaker 1>and this is what the fun topics that we do.

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<v Speaker 1>Neil Savedra is not here today. Neil is sick, so

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<v Speaker 1>we're not doing Foody Friday today. Instead, I'm doing a

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<v Speaker 1>couple of other topics in the eight o'clock hour, the

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<v Speaker 1>first part of the eight o'clock hour. What else is

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<v Speaker 1>going on today? Oh, Kono is also sick, so we

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<v Speaker 1>have what's his face over there? Tony? Oh that's right.

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<v Speaker 1>How long have I known you, Tony? Since I started here?

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<v Speaker 1>So almost thirty years? Thirty years? Okay, I genuinely just

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<v Speaker 1>forgot your name one more time. I'm honest to god,

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<v Speaker 1>I genuinely just forgot your name. There you go. I

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<v Speaker 1>don't mind. That's time. Yeah, I know. I've been bored up.

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<v Speaker 1>I'm supposed to be invisible. No one's supposed to know

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<v Speaker 1>me anyway. Well, okay, well said, hey, let me tell

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<v Speaker 1>you what's going on at the National Security Council. Now,

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<v Speaker 1>I'm getting a lot of grief for talking a lot

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<v Speaker 1>about Trump. For the most part, negatively, because you know

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<v Speaker 1>where I am on this one. And at the same time,

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<v Speaker 1>I think I'm being fair, assuming that I have biased

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<v Speaker 1>and you accept the fact that I'm biased like crazy.

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<v Speaker 1>But when I believe Trump deserves credit, I give it

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<v Speaker 1>to him. Not with the National Security Council. The dismissals

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<v Speaker 1>at the National Security Council, I mean people are wheeling,

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<v Speaker 1>especially in the security aspect of the United States. National

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<v Speaker 1>Security Council is a part of the US government that

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<v Speaker 1>provides a forum for the president to consider pressing national

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<v Speaker 1>security and foreign policy issues. These are senior advisors and

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<v Speaker 1>they the NSSE is a sort of a think tank

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<v Speaker 1>for the president. Now, the NSC is not independent. The

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<v Speaker 1>NSC work for the president, There's no question about it.

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<v Speaker 1>But at the same time, there you put experts, or

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<v Speaker 1>presidents put in experts. Some experts were not particularly in

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<v Speaker 1>favor of the agenda of the president, but they're there

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<v Speaker 1>as a sounding board. Well, the sounding board was fired.

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<v Speaker 1>It was the first part of the federal workforce to

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<v Speaker 1>be purged when Trump returned to power in January, two

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<v Speaker 1>days into the second term. This is before Dodge came

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<v Speaker 1>in there. Okay, the Dodge arrives at the federal agencies

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<v Speaker 1>with orders were firing everybody way. Before that, the council's

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<v Speaker 1>new leaders banished dozens of career officials. Now the top

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<v Speaker 1>senior senior positions of the NSC. They're appointed by Trump,

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<v Speaker 1>there's no question about it, and they're to adhere to

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<v Speaker 1>Trump's or any president's agenda, with the understanding, here's some advice,

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<v Speaker 1>mister president. You may not like it, but here is

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<v Speaker 1>the reality. Well, the top leaders banished dozens of career officials,

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<v Speaker 1>people who had been there that aren't political. It's just

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<v Speaker 1>they're there to work the system. Gone. They were told

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<v Speaker 1>on a conference call leave the Eisenhower Executive Office Building,

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<v Speaker 1>which is where they're located. One of them said, I

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<v Speaker 1>offered to bring my computer back, and they said, no,

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<v Speaker 1>you can't even come into the building. He said. Everything

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<v Speaker 1>was bizarre. Whole offices were emptied, including the unit focused

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<v Speaker 1>on the Western hemispheres done by hemisphere career experts were

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<v Speaker 1>pushed aside. None of the twenty six executive orders issued

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<v Speaker 1>by Trump on his first day was reviewed anymore by

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<v Speaker 1>NSC lawyers. NSC lawyers review everything that the president does

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<v Speaker 1>in terms of foreign relations and what they're doing, what

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<v Speaker 1>they do is they screen foreign policy decisions and actions

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<v Speaker 1>to ensure the president is lawfully using executive power. Well,

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<v Speaker 1>you don't need them if your position is everything I

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<v Speaker 1>do is legitimate and legal. I don't need anybody telling

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<v Speaker 1>me that what I'm doing is illegal if I believe

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<v Speaker 1>everything I do is legal. And the President has said

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<v Speaker 1>that a president, any president, but specifically, has ultimate power

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<v Speaker 1>to do anything he wants. And the Supreme Court has

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<v Speaker 1>effectively backed up that premise, saying if it is a

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<v Speaker 1>national issue, if the president is acting within the purview

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<v Speaker 1>of the presidency, then he cannot be held responsible in

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<v Speaker 1>any way. Congress can't nail him, certainly, the Department of

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<v Speaker 1>Justice can't nail him. He cannot commit a crime no

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<v Speaker 1>matter what he does. Well, the NSC you don't add anymore.

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<v Speaker 1>And that's exactly what happened. They got tossed. And I'll

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<v Speaker 1>tell you what's happening up there is they are reeling.

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<v Speaker 1>I use that word a lot, really, because I think

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<v Speaker 1>that's a lot of reaction to Trump's decision, not only

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<v Speaker 1>by business and individuals and the world markets and the

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<v Speaker 1>economic powers around the world, but within the administration, people

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<v Speaker 1>are going, what the hell's going on. We don't know.

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<v Speaker 1>For example, the tariffs. The announcement of the tariffs, he

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<v Speaker 1>didn't go to the senior economic advisors. They were taken

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<v Speaker 1>for a loop. They heard at the same time we did,

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<v Speaker 1>all of a sudden, here's some tariffs. We're going for

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<v Speaker 1>one hundred and forty five percent on China. Huh. Really,

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<v Speaker 1>at least with that the senior advisor's Treasury secretary other's

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<v Speaker 1>way up there. Commerce Secretary turned around and said, mister President,

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<v Speaker 1>maybe you don't want to do that, announcing that he's

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<v Speaker 1>going to fire your own Powell. The day after, when

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<v Speaker 1>the market tanked and a thousand percent or a thousand

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<v Speaker 1>points went south on that, he at least listened when

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<v Speaker 1>they said, you really can't do that, because saying you're

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<v Speaker 1>going to fire Jerome Powell the head of the Fed.

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<v Speaker 1>Instantly the entire world economic powers react because it wasn't

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<v Speaker 1>just our stock market that went down. We're talking about

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<v Speaker 1>markets across the world tanked, and there was real fear

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<v Speaker 1>that a trade war was going to start. By the way,

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<v Speaker 1>that fear is still here that a trade war is

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<v Speaker 1>going to start, and a full blown trade war, well,

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<v Speaker 1>that blows up the economy. Let me give you a

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<v Speaker 1>little bit of history. Okay, the depression hits, and one

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<v Speaker 1>of the things that was done during the depression is

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<v Speaker 1>that they pot past the Smoot Holly Act. Congress did

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<v Speaker 1>And what it did is it was a protectionist bill

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<v Speaker 1>that set up tariffs so it would be American products

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<v Speaker 1>that would only be sold by law. Nothing could be effectively,

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<v Speaker 1>nothing could be imported in. And it was to protect

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<v Speaker 1>American American business, American employees, et cetera. It was one

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<v Speaker 1>of the major movers of the depression. It went completely

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<v Speaker 1>the other way. And that is the argument that's going

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<v Speaker 1>on right now is that tariffs are going to actually

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<v Speaker 1>do so much harm to our economy that the workers,

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<v Speaker 1>the business, the implementation, the investment by the various companies

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<v Speaker 1>American companies are simply not going to happen. How many

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<v Speaker 1>companies have announced since the embargo, since the tariff argument

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<v Speaker 1>was brought up, since the announcement, that they're going to

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<v Speaker 1>be spending billions of dollars here Now the administration has said,

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<v Speaker 1>oh yeah, companies are lining up and trillions of dollars

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<v Speaker 1>have been promised. Trillions, not billions. Okay, we'll see if

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<v Speaker 1>that works. Unfortunately, trillions of dollars of new investment in factories,

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<v Speaker 1>et cetera. That's years down the road. Embargoes are going

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<v Speaker 1>on right now. When Trump announced one hundred and forty

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<v Speaker 1>five percent embargo, that happened at midnight. All right, Moving

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<v Speaker 1>on California film tax credit, that debate returns. Why because

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<v Speaker 1>in this day of age, the golden age of television

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<v Speaker 1>and streaming and the number of movies that are being produced,

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<v Speaker 1>these folks are leaving California like crazy. And I'll talk

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<v Speaker 1>about that coming back, because we'll see what California is doing.

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<v Speaker 2>You're listening to Bill Handle on demand from KFI AM

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<v Speaker 2>six forty.

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<v Speaker 1>Footy Friday without the food. Neil is not feeling well.

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<v Speaker 1>Hopefully back on Monday, and so next Friday we'll do

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<v Speaker 1>the foody Friday part of our show. Also tonight, the

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<v Speaker 1>Dodgers are back in LA and they take on the

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<v Speaker 1>Pirates with the first pitch at seven. Listen to all

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<v Speaker 1>the Dodger games on AM five to seven The LA Sports.

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<v Speaker 1>Stream all Dodgers games and HD on the iHeartRadio app

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<v Speaker 1>Keyword AM five seven the LA Sports. It's sponsored by

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<v Speaker 1>Zen She she handcrafted sushi made fresh every day and

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<v Speaker 1>it's at rals near the deli counter. Film and TV

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<v Speaker 1>I have that right hold on, Okay, there we go. Whoa, oh,

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<v Speaker 1>there you are. Okay, I had a glitch. They are

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<v Speaker 1>going on in my headset film and TV production in

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<v Speaker 1>Southern California. Well, film was actually created Southern California, or

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<v Speaker 1>Southern California created the film industry and the TV industry.

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<v Speaker 1>I mean it's just synonymous. We are the film industry.

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<v Speaker 1>And for many years, decades, the first part of the

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<v Speaker 1>last century right into well recently, everything was done in Hollywood.

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<v Speaker 1>Occasionally there would be location shooting, but for the most part,

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<v Speaker 1>everything was done in Hollywood. Well that ended because you

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<v Speaker 1>have various countries and certainly various states realized, you know,

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<v Speaker 1>having films made here is really a good thing. Because

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<v Speaker 1>production companies coming in in film where we are spend

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<v Speaker 1>a whole lot of money. They pay their people, well,

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<v Speaker 1>they have to put them up in hotels, they need

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<v Speaker 1>at restaurants, providing jobs for a whole lot of companies

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<v Speaker 1>out there. And we're talking about you know, films are

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<v Speaker 1>and the tens, the hundreds of millions of dollars. So

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<v Speaker 1>it's no joke. And so what they started doing is

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<v Speaker 1>offering tax credits and in some cases offering straight out

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<v Speaker 1>money will help you make a film. Here, Georgia, the Carolinas,

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<v Speaker 1>You've got countries that are doing this. New Zealand with

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<v Speaker 1>Peter Jackson, You've got Ukraine doing this when you're talking

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<v Speaker 1>about Game of Thrones. I mean, everybody's lining up. They

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<v Speaker 1>want production companies, so they're giving tax credits and they're

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<v Speaker 1>giving money. So California is looking at hemorrhaging of the

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<v Speaker 1>film industry, film and television industry, and now the industry

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<v Speaker 1>has come to Sacramento and said, we need help. I mean,

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<v Speaker 1>we need help. And this is one of those issues

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<v Speaker 1>where both the unions and the production companies, the movie

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<v Speaker 1>and television producers are step in step. I mean they

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<v Speaker 1>are lined up together, and that never happens because all

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<v Speaker 1>of them want to keep the industry here in southern California.

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<v Speaker 1>So two bills have been introduced intended to make California's

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<v Speaker 1>film and TV production more competitive, the incentives more competitive,

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<v Speaker 1>increasing the tax credit up to thirty five percent of

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<v Speaker 1>qualified expenditures and expanding the types of productions that would

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<v Speaker 1>be eligible. So the tax credit people ask, what is

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<v Speaker 1>that about, Well, companies own or companies owe the state

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<v Speaker 1>of California taxes. Any company that works here in the

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<v Speaker 1>state pays taxes, the film credit tax thirty five percent.

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<v Speaker 1>What it does, it can be used by that company

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<v Speaker 1>for any tax that it owes in the state of California.

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<v Speaker 1>And so imagine you owe property taxes and you engage

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<v Speaker 1>in a certain field or do some kind of a job,

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<v Speaker 1>and doing that it cuts your tax liability by a third.

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<v Speaker 1>That's big money. And that's what's happening here and what

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<v Speaker 1>these film companies are saying in the unions, this is

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<v Speaker 1>a lifeline for the entertainment industry battered in recent years

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<v Speaker 1>because you had the pandemic, which battered everybody. You had

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<v Speaker 1>the writers and actor strikes in twenty twenty three decimated

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<v Speaker 1>the industry. The studios are spending less money. I mean,

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<v Speaker 1>they do spend money on these tent pole pictures, but

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<v Speaker 1>as far as independent films and the kind of money

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<v Speaker 1>that's being spent and sort of the middle of the

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<v Speaker 1>line films, many fewer films are being made and television

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<v Speaker 1>shows are being made in southern California, and they're pulling

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<v Speaker 1>back money. Then you had the wildfires, and then you

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<v Speaker 1>had just this trend of the production companies leaving Rebecca Ryan,

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<v Speaker 1>who is the executive director of the Director's Guild of America, says,

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<v Speaker 1>we don't want to become the car industry in Detroit

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<v Speaker 1>or the aerospace industry in California. When our industry thrives,

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<v Speaker 1>we think California thrives. So the bill goes through the

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<v Speaker 1>State Senate Committee, Revenue and Taxation Committee, and the Assembly

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<v Speaker 1>Arts and Entertainment Committee unanimously. And so it's moving forward.

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<v Speaker 1>By the way, Governor Gavin Newsom called last year to

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<v Speaker 1>more than double the money allocated to the film and

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<v Speaker 1>TV tax credit program. And so you think it's an

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<v Speaker 1>automatic it's going to pass. Maybe not, Maybe not. The

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<v Speaker 1>tax credit program was introduced in two thousand and nine

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<v Speaker 1>under former Governor Arnold Schwarzenegger. Surprised that Schwarzenegger would want

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<v Speaker 1>to bring a TV and film production back to the

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<v Speaker 1>back southern California. In a recent post on X, Assembly

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<v Speaker 1>member Corey Jackson said, and here's the issue on the

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<v Speaker 1>other side of this, saying, what are we doing giving

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<v Speaker 1>tax breaks to film companies when we could be spending

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<v Speaker 1>money to help the homelessness and allow so many kids

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<v Speaker 1>to live in poverty, all of this for corporate and

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<v Speaker 1>movie studio tax breaks. So I think it just boils

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<v Speaker 1>down to simple numbers, that's it. And those people that

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<v Speaker 1>say we shouldn't spend the money on these tax credits,

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<v Speaker 1>let's help the poor, the homeless, that's help California citizens

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<v Speaker 1>who need help, the marginalized. And so the answer is

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<v Speaker 1>real simple as far as I'm concerned. Okay, X tax

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<v Speaker 1>credit is given to a production company to stay in

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<v Speaker 1>southern California or a film here. How much money does

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<v Speaker 1>it generate for the economy? Okay, let's figure it out.

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<v Speaker 1>And those that are saying that it's not worth it, Okay,

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<v Speaker 1>how much does it cost? What is the loss to

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<v Speaker 1>the economy? You take money out of our budget, or

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<v Speaker 1>at least you don't get money into our budget because

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<v Speaker 1>the tax we would normally get California normally get is

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<v Speaker 1>not getting. So that's a cost. What is the benefit?

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<v Speaker 1>And they just figure it out there it is. Now

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<v Speaker 1>I'm in favor because I kind of like California to

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<v Speaker 1>have this film production. Well that's not true. Actually, you

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<v Speaker 1>ever lived in a neighborhood or been in a neighborhood

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<v Speaker 1>where a film production company is out there. When I

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<v Speaker 1>had the Persian Palace, there was the major street leading

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<v Speaker 1>to my house and that was the only way I

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<v Speaker 1>could get in. There was a production company. There was

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<v Speaker 1>a house along the way and it was being used

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<v Speaker 1>by I think a TV show and it was once

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<v Speaker 1>a week for months at a time, they'd block off

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<v Speaker 1>the street and I'd have a cop sitting there, you know,

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<v Speaker 1>stopping traffic when we'd be backed up because this film

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<v Speaker 1>company was there. So, you know what, I've just changed

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<v Speaker 1>my mind. Screw the film companies. Let them film someplace else. Done.

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<v Speaker 1>See how I can do that, because I just remember that, Yeah,

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<v Speaker 1>get out. Oh that's the only thing cops in forms

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<v Speaker 1>do that. Do you know that? It's the only time

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<v Speaker 1>where security is given by off duty cops and they're

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<v Speaker 1>in LAPD uniforms and on their motorcycles because usually cops

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<v Speaker 1>doing security can't be dressed as cops. They can on

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<v Speaker 1>that street. And I try to crash the craft's table

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<v Speaker 1>because the food is really good, and I'll park my

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<v Speaker 1>car and try to crash and have lunch. Can't do it.

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<v Speaker 1>Security is too good, unfortunately, coming up ask candle anything.

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<v Speaker 1>We do it every Friday right here. Don't go away.

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<v Speaker 2>You're listening to Bill Handle on demand from KFI AM

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<v Speaker 2>six forty.

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<v Speaker 1>I'm sorry, hold, I said, put on your headphones. I am.

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<v Speaker 1>I'm putting on my headsets, all right, hold on, hold on,

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<v Speaker 1>hold on?

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<v Speaker 3>Uh okay, I said, oh sure, blame me.

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<v Speaker 1>Oh I am blaming you. Thank you. So we're talking

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<v Speaker 1>about Disneyland and crazy I mean crazy stuff. We're talking

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<v Speaker 1>about how crowd it is. She's a disney fanatic. Of course.

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<v Speaker 1>She gets season tickets and I go.

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<v Speaker 3>I get season tickets to the Dodgers. I get an

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<v Speaker 3>annual pass.

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<v Speaker 1>The same thing, season tickets to both and she's telling

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<v Speaker 1>me about the VIP experience where you don't wait in

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<v Speaker 1>line for anything five thousand dollars per day roughly. Oh,

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<v Speaker 1>I'm sorry, but it's all day. Okay, great things, it's.

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<v Speaker 3>All day and it's a group of like eight to

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<v Speaker 3>ten people.

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<v Speaker 1>Okay, great, all right, it's time for do they have

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<v Speaker 1>a case or ask handle anything? That's even better where

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<v Speaker 1>basically people just ask questions of me and I just

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<v Speaker 1>have a great time answering and it's completely humiliating. So

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<v Speaker 1>let's do it, Tony. First question, this.

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<v Speaker 4>Is for Bill Handle, ask handle anything. What's the deal

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<v Speaker 4>with your new wife versus your old wife? And how

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<v Speaker 4>many wives have you had? And all of us are

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<v Speaker 4>very curious. Yeah, doesn't you could please explain.

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<v Speaker 1>That dozens of wives? This is number two? And what's

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<v Speaker 1>with it? I got divorced and I marry someone else?

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<v Speaker 1>Is that complicated? That's the deal? Okay? Nice question. Well,

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<v Speaker 1>by the way, I hear these questions for the first time,

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<v Speaker 1>I mean we it would kneel and and go through

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<v Speaker 1>them and pick these out. Okay, next question, let's hey,

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<v Speaker 1>you handle this.

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<v Speaker 2>As Dave from Westcovina, I was wondering how much your

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<v Speaker 2>net worth was because I looked it up and it

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<v Speaker 2>set somewhere fifty five to seventy five million, which is crazy.

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<v Speaker 3>I don't know how you made that much money, but

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<v Speaker 3>I think it was long.

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<v Speaker 1>It is wrong by Yeah, here's the problem. It's where

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<v Speaker 1>you looked at me. Yeah. No, it's where you look

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<v Speaker 1>that up. And there are some that give my net

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<v Speaker 1>worth at ridiculously low, where I'm going, come on, I'm

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<v Speaker 1>doing better than that. And then there are others which

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<v Speaker 1>give my net worth and the hundreds of millions of dollars.

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<v Speaker 1>Let me ask you if I was worth anywhere near that,

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<v Speaker 1>do you think I would be sitting here answering that

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<v Speaker 1>question or would I have my assistance assistant answer the question?

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<v Speaker 1>So that net worth business because I always look it up. Man,

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<v Speaker 1>whenever there's we're talking about a star. What's Tom Cruise worth?

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<v Speaker 1>You know what's Donald Trump worth? Well? Ask Donald Trump.

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<v Speaker 1>He's worth one hundred and fifty billion dollars. But uh, yeah,

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<v Speaker 1>you it's But thank you. You're giving me a lot

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<v Speaker 1>of credit, much more, much more than I deserve. Okay,

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<v Speaker 1>onwards and upwards.

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<v Speaker 5>This is Karen and Jarrett from Magnolia Texas. We love camp.

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<v Speaker 5>We listened to you all the time. But why are

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<v Speaker 5>you such a dick?

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<v Speaker 1>Okay, that's a nice bill, you know, that's a very

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<v Speaker 1>good question. And by the way, thanks for being on

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<v Speaker 1>a speaker phone. That helps a lot. Uh so tell

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<v Speaker 1>you what what if I answer from back here? Huh

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<v Speaker 1>that's one of the reasons I'm a dick, all right,

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<v Speaker 1>you know what, because that's who I am. I have

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<v Speaker 1>always been that way, I probably always will be that way.

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<v Speaker 1>And uh, I mean, ann am I off the air

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<v Speaker 1>a nice guy at all? No? No, I'm not. Now

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<v Speaker 1>do people hate me around here pretty much. They do.

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<v Speaker 1>They do. Ah, people ask me every day? How do

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<v Speaker 1>you work with them? I know?

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<v Speaker 2>You see?

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<v Speaker 1>And that is why we're doing Ask Candell Anything for

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<v Speaker 1>exactly that reason, because people want to know Amy. People

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<v Speaker 1>ask about you. They asked me about you? Is she

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<v Speaker 1>really this neel and freak? I go yes, yes, to

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<v Speaker 1>the point where it's a sickness. Yes, Tony, nobody cares

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<v Speaker 1>about you. Okay. I just want to let you know, right, Amy, Yeah,

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<v Speaker 1>why don't we?

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<v Speaker 3>Uh?

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<v Speaker 1>I was going to ask you a question, Ask Amy anything?

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<v Speaker 1>And I just I can't think of anything. What you

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<v Speaker 1>remember the Auto Club?

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<v Speaker 3>So ask Amy anything, because yours is.

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<v Speaker 1>That's all? You know what? That's so good? You're right,

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<v Speaker 1>you are absolutely right. Oh I may steal that. Uh huh.

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<v Speaker 1>Ask handle anything but gas Gary and Shannon. That's kind

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<v Speaker 1>of cute, you know it is. Yeah, it's like the

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<v Speaker 1>Tim Conway Show. It's the Tim Conway Show. All right,

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<v Speaker 1>We're gonna take a break, come back, and we'll finish

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<v Speaker 1>up with ask handle Anything on KFI.

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<v Speaker 2>You're listening to Bill Handle on demand from KFI AM

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<v Speaker 2>six forty.

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<v Speaker 1>Oh and Neil Isn't Here and Kono isn't here, but

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<v Speaker 1>Amy is and ann is and Tony in for Kono.

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<v Speaker 1>And if you don't know who Tony is, don't worry

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<v Speaker 1>about that because none of us know who Tony is.

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<v Speaker 1>All Right, we're back to an ending ask handle anything,

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<v Speaker 1>and we do that every single week. Have you noticed

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<v Speaker 1>the questions are coming in, I mean really personal questions. Yeah,

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<v Speaker 1>you know it's yeah, okay, So let's go ahead and

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<v Speaker 1>we'll answer or I'll answer the rest of the questions Tony.

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<v Speaker 1>Next question, this isn't ask Bill anything.

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<v Speaker 5>Question Bill, I've listened to you for over thirty years,

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<v Speaker 5>and I've seen you go through a lot of physical pain.

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<v Speaker 5>What has been the worst physical pain you've gone through?

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<v Speaker 5>And does that help you relate to Lindsay.

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<v Speaker 1>I think the worst physical pain I ever went through

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<v Speaker 1>is when I was circumcised when I was eight days old.

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<v Speaker 1>It was it's a Jewish thing and it's it's a

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<v Speaker 1>little tough to say the least. So what is the

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<v Speaker 1>worst physical pain I've been through? Actually, probably my back

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<v Speaker 1>when I had my back went out and I got

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<v Speaker 1>an infection. It was in the hospital and I had

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<v Speaker 1>a I had a cyst right next to my spinal cord,

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<v Speaker 1>it got infected and it went into the spinal cord.

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<v Speaker 1>And I've never ever experience pain like that in my

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<v Speaker 1>entire life. And even pain medication just did absolutely nothing.

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<v Speaker 1>And what was the part of the other part of

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<v Speaker 1>the question. I completely forgot how I can relate to

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<v Speaker 1>lindsay yeah, and she has a lot of pain too,

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<v Speaker 1>So we go through life in a lot of pain.

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<v Speaker 1>As a matter of fact, everybody that I work with

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<v Speaker 1>goes through life in a lot of pain. Different way

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<v Speaker 1>of doing it, all right, Tony, See, I'm telling you

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<v Speaker 1>these are questions that people ask an all the time.

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<v Speaker 1>What's it like working with Bill? They asked me what's

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<v Speaker 1>it like working with Amy? But I really think people

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<v Speaker 1>appreciate an honest answer. All right, I can't be that honest.

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<v Speaker 1>All right. Next question, Hey, handle, this is Terry and

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<v Speaker 1>Apple Valley. What did you get fired from Universal Studios?

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<v Speaker 6>For?

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<v Speaker 1>Oh? Specifically because there were a whole series of incidents.

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<v Speaker 1>But the that I remember, and this is, uh, if

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<v Speaker 1>I used to say things well, not that I don't

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<v Speaker 1>say things now, but uh, there was a group of

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<v Speaker 1>people that came in and when I was a tour

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<v Speaker 1>guid at Universal would talk about how movies were made

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<v Speaker 1>and when you uh the when, for example, you see

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<v Speaker 1>a ceiling right the way technically the way it works

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<v Speaker 1>because there's lights coming in from the top, so you

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<v Speaker 1>would only see a little part of the ceiling in

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<v Speaker 1>the shot, just a corner, but your mind would assume

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<v Speaker 1>it goes across the entire ceiling, and that your mind does.

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<v Speaker 1>And then I said, uh, so everybody put their hands

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<v Speaker 1>open fisted, put their hands over their eyes, and you'll

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<v Speaker 1>see what I'm talking about. And so everybody does, and

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<v Speaker 1>I go, yeah, look, you look like a bunch of

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<v Speaker 1>dumb India and that are going It was an Indian

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<v Speaker 1>tribe that was there that I was speaking in front of.

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<v Speaker 1>That was that was tough. I didn't know. I didn't

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<v Speaker 1>do that on purpose. Didn't do it on purpose. And

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<v Speaker 1>then I don't know if I got fired for that one.

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<v Speaker 1>There was another one, an incident when I was in

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<v Speaker 1>a sound stage with Robin was his name, I'll never forget,

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<v Speaker 1>a very very funny, funny guy. And during the summer,

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<v Speaker 1>they would take two trams with two tour guides and

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<v Speaker 1>we'd be crammed together and we would alternate. We'd go

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<v Speaker 1>from set to set and do our talking, our little lecturing.

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<v Speaker 1>And there was a guy, and there was one hundred

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<v Speaker 1>people in the room. There was a guy who went

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<v Speaker 1>into a grand mall seizure right in front of us

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<v Speaker 1>and went and he was flopping like a fish. It

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<v Speaker 1>was not pleasant and grand mall seizure. And I'm talking

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<v Speaker 1>on the microphone and I looked down at him, I go,

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<v Speaker 1>stop that, that's rude. I got in trouble for that one.

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<v Speaker 1>That was tough. So you know, those are the two

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00:26:54.599 --> 00:26:58.680
<v Speaker 1>incidents I forgot. I remember, but didn't last very long.

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<v Speaker 1>I didn't last at most jobs. All right, one more question.

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<v Speaker 6>Are you as confident out in public and sarcastic as

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<v Speaker 6>you are on the radio?

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<v Speaker 1>Yeah? Confident? I don't know about confident. I mean I

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<v Speaker 1>have no self esteem and the confidence is I think

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<v Speaker 1>somewhat of a wall. But am my ass in public? Yeah? Yeah, absolutely.

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<v Speaker 1>You know I don't have any secret agenda. Remember Russia Limba,

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<v Speaker 1>Russia Limba would be this bombastic guy, but in person

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00:27:30.880 --> 00:27:35.480
<v Speaker 1>he was very quiet, he was very shy. So yeah,

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<v Speaker 1>I'm basically who I am. I think we do have

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<v Speaker 1>time for one more of Tony if we have one bill.

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<v Speaker 7>This is Dan from Las Vegas kind of question. Did

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<v Speaker 7>you ever while on the air, have like an emergency

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<v Speaker 7>number two sneak up on you a little loose movement?

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<v Speaker 7>And did you have to leave there immediately? And if

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<v Speaker 7>you did, did you come back and make an excuse?

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<v Speaker 7>What were you honest about it?

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<v Speaker 1>Probably two times a week that happens. There have been

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<v Speaker 1>any incidents where I left and I was late and

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<v Speaker 1>they'd make fun of me, and I would I wouldn't

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<v Speaker 1>say in the bathroom, but I would say I had

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<v Speaker 1>an emergency meeting down the hall that I had to attend. Yeah, Amy,

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<v Speaker 1>how many times have I come back and said I

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<v Speaker 1>had to pee? Several? Yeah? I do it all the time.

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<v Speaker 1>And then when I just come back. You know, now, moving.

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<v Speaker 3>Forward, we should just assume, yeah, just that you're you're

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<v Speaker 3>pulling a Shaquille O'Neil.

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<v Speaker 7>Uh.

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<v Speaker 1>Yeah, Oh I haven't heard that. Okay, you haven't.

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<v Speaker 3>Did you see that? No you didn't see that. No,

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<v Speaker 3>Shaquille O'Neal. It was happening. Earlier this week he was

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<v Speaker 3>on the set on a show they were live TV,

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<v Speaker 3>and he had to go. He was like, when I

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<v Speaker 3>got to go, you gotta go, And they're like, dude,

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<v Speaker 3>we're on live TV. He goes, I know I'll be back.

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<v Speaker 1>See that you could do that when you're Shaquille O'Neil. Yeah,

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<v Speaker 1>for sure. You know what, let's see if we need

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<v Speaker 1>a short one. And I'm having a great time with this. Okay,

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<v Speaker 1>go ahead, Tony.

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<v Speaker 6>Good morning Bill. My question is in regard it's to

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<v Speaker 6>your daughters and the mental health that you deal with

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<v Speaker 6>in your family. You've been very open about it, and

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<v Speaker 6>I'm just curious if your daughters mind you talking about

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<v Speaker 6>that and about them so openly.

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<v Speaker 1>Yes, they mind, They mind a lot. Matter of fact,

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<v Speaker 1>last night I had dinner with Barbara and she was

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<v Speaker 1>complaining about exactly that, and I was fairly gracious about it.

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<v Speaker 1>I said, too bad, that's the cost of doing business.

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<v Speaker 1>Welcome to the family of the radio family. All right,

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<v Speaker 1>we're done, guys. Tomorrow morning, it's a Handle on the

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<v Speaker 1>Law from eight to eleven o'clock and then Rich Demrrow

479
00:29:44.559 --> 00:29:47.200
<v Speaker 1>comes with the Tech Show. I'm assuming Neil will be

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00:29:47.279 --> 00:29:51.079
<v Speaker 1>back tomorrow, maybe not with the Food Show, the Fork Report,

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00:29:51.160 --> 00:29:54.480
<v Speaker 1>and that's from two o'clock to five, and then we're

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<v Speaker 1>back again Monday. Amy picks it up on Monday from

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00:29:57.480 --> 00:30:00.279
<v Speaker 1>five to six o'clock wake up call, Neil and I

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00:30:00.440 --> 00:30:04.519
<v Speaker 1>jump on from six to nine, and of course is

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<v Speaker 1>always here. Tony is in for Cono and I have

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<v Speaker 1>no idea if ConA is going to be back. That's it.

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<v Speaker 1>We're done. You've been listening to The Bill Handle Show.

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<v Speaker 1>Catch My Show Monday through Friday, six am to nine am,

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<v Speaker 1>and anytime on demand on the iHeartRadio app
