WEBVTT

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<v Speaker 1>Kathy and Elliott Lewis on stage. Katty Lewis Elliott Lewis,

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<v Speaker 1>two of the most distinguished names in radio, appearing each

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<v Speaker 1>week in their own theater, starring in a repertory of

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<v Speaker 1>transcribed stories of their own. And you're choosing radio's foremost

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<v Speaker 1>players and radio's foremost plays. Drama, comedy, adventure, mystery, melodrama,

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<v Speaker 1>Ladies and gentlemen. Mister Elliott Lewis, good evening, May I

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<v Speaker 1>present my wife Jack Good Evening. A thief and his

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<v Speaker 1>money are soon parted. What is there a misquote? It

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<v Speaker 1>should be a fool, But I want to explain something

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<v Speaker 1>about tonight's story.

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<v Speaker 2>Which is called Dig the Thief and is about a

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<v Speaker 2>man named John Digby played by you.

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<v Speaker 1>And his adventures in the state of New Mexico with

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<v Speaker 1>a lovely girl named Cecily played by you.

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<v Speaker 2>The script was written by Morton Sein and David Freakin,

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<v Speaker 2>and as a matter of fact, there are several thieves involved.

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<v Speaker 1>I'm not the only one.

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<v Speaker 2>But to find that out, we Dig the Thief.

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<v Speaker 1>Oh oh, oh, oh, well there it is. There's the

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<v Speaker 1>town spread out like she is like a little jewel

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<v Speaker 1>in the valley. Can I say something atter? Digby, it's allowed.

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<v Speaker 3>All the tona is looking so pretty, full of moon

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<v Speaker 3>and all I love a love people sleeping peaceful.

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<v Speaker 1>Ain't gonna last long?

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<v Speaker 2>Is it?

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<v Speaker 1>Long as I've been hanging around the ranch? Mister Digby,

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<v Speaker 1>we never had a chivalry like this. Ah you sure something? Well?

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<v Speaker 1>Good to have you bored? Did Jamison girl?

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<v Speaker 2>Okay, I'm right here beside you, mister Digby. I'm fine

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<v Speaker 2>riding the way you said, posting the way you said.

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<v Speaker 2>You know it works out real night.

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<v Speaker 1>Well pass the word back. Get ready, I get ready, get.

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<v Speaker 2>Ready, get ready, you get ready.

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<v Speaker 4>I'll sat, mister Digby, I'll set then all right, let's go,

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<v Speaker 4>ah man, you.

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<v Speaker 1>Me uh to me, me.

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<v Speaker 5>Spream and the board all right on him.

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<v Speaker 1>I've hosted there for you. You can get out, go home,

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<v Speaker 1>you can get back to the ranch, and you, dig Me,

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<v Speaker 1>you can drop dead. What'll I do? I didn't do anything.

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<v Speaker 1>You've been chewing local weeks, dig Me? What are they?

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<v Speaker 1>You take a bunch of guests from a dude ranch?

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<v Speaker 1>You chew up? It's a town of otis. What do

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<v Speaker 1>you use blacks? Mister Conell? You to I told you

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<v Speaker 1>to take the guests for a moonlight ride. I told

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<v Speaker 1>you no hanky panky, dig be he specifically, I told you,

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<v Speaker 1>I remember saying it, haggern Card. You were leaning up

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<v Speaker 1>against the corral fins, chopping on a straw and covering

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<v Speaker 1>up the turb and I told you yet no, Yeah,

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<v Speaker 1>now I remember. Uh, mister Cornell, you're fired. Mister Conwell,

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<v Speaker 1>when you hired me to take charge of guest relations,

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<v Speaker 1>you said I could have a free reign. You impressed

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<v Speaker 1>me with the importance of recreating the Old West. I

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<v Speaker 1>also old you no hanky panky. Well, that's the kind

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<v Speaker 1>of ombre you are not i'd heard. Okay, mister Conel.

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<v Speaker 1>Three days I worked for you, fifteen dollars a day,

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<v Speaker 1>he means, join me five. Your bar was fifty.

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<v Speaker 6>Well, we'll pay for him. Wiltie Feller, No sure, sure

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<v Speaker 6>what you're always.

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<v Speaker 2>So sleepy, mister Southgate. We are taking a collection for

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<v Speaker 2>Digby five dollars.

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<v Speaker 1>Oh well, I'll pass the words. We're taking. Oh, here's

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<v Speaker 1>five bucks. It was worth it. You happy now, mus Codels,

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<v Speaker 1>get out of here, dig Me, get back to the ranch,

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<v Speaker 1>get your gear and get.

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<v Speaker 5>As I was walking the speed, some lout radio.

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<v Speaker 1>Hey, Hey, how about a lift. Hey are you.

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<v Speaker 6>A uh hey, hey, you going my way?

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<v Speaker 1>As in the riot? You got your get inna sit

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<v Speaker 1>up front of me? A fine? Ah no, what begin

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<v Speaker 1>to think this ride would never come? I'm sorry I

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<v Speaker 1>was a little late leaving the house, he ended. Uh uh,

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<v Speaker 1>ask you a question. Sure what tribe you come from?

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<v Speaker 1>Apache left the reservation last year? House tricks can't complain.

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<v Speaker 1>What are you doing now?

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<v Speaker 3>You know?

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<v Speaker 1>Yeah, you know, took up a trade at the reservation school,

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<v Speaker 1>or how to drive a Cadillac? Got a job? All

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<v Speaker 1>the boys are doing that now, all the boys still

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<v Speaker 1>wearing the long braids like you. I'll have mister Ramsey's

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<v Speaker 1>idea for local color. You know how mister Ramsey is.

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<v Speaker 1>Mister Ramsey, Uh how he is? Oh? Well, sure, sure

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<v Speaker 1>glad I caught you. Else mister Ramsey would have well,

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<v Speaker 1>you know, oh we had your biting butts. Eh, let's

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<v Speaker 1>say nh uh you got a cigarette if you like

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<v Speaker 1>work too? Yeah? Sure here that's Oh, mister Ramsey's sure

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<v Speaker 1>gonna be glad to see you. Just walk right up

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<v Speaker 1>there into the house. You're expected. Thanks a lot, cheafie,

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<v Speaker 1>get along with thank you, Haldie. Oh Hali, please come in.

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<v Speaker 2>I'm Cicely Ramsey.

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<v Speaker 1>Uh, of course. Uh, how's mister Ramsey?

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<v Speaker 2>Fine, Dad and I just came in from a gallop.

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<v Speaker 2>He's tethering the horses.

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<v Speaker 1>Uh, Dad's tethering 'em.

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<v Speaker 2>He never let anyone else do it.

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<v Speaker 1>Well, well, what, well, I hope I'm not interrupting anything.

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<v Speaker 2>Oh no, no, oh.

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<v Speaker 1>What's the matter Why he's staring at me?

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<v Speaker 2>I'm sorry, you're not the type, that's all. Oh, please

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<v Speaker 2>don't do that. It scuffs the rug Yuh sorry, No,

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<v Speaker 2>you're not the type at all.

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<v Speaker 1>Well, I've had the virus some of who.

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<v Speaker 2>Goes around digging in tombs like you do?

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<v Speaker 1>What? Uh?

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<v Speaker 2>I guess it's silly of me, miss Johnny Wall, but

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<v Speaker 2>I expected someone to. Uh Dusty was a pis helman. No,

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<v Speaker 2>don't do that the rug.

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<v Speaker 1>No, I'm sorry.

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<v Speaker 2>You're the most bashful archaeologian.

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<v Speaker 1>Oh uh, well, we we don't come up very often.

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<v Speaker 1>That's why all the sunlight. Uh whew.

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<v Speaker 2>Must be very interesting work though. Oh my yes, digging

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<v Speaker 2>up artifacts.

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<v Speaker 1>Well that's the best part. Uh.

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<v Speaker 2>You and Dennis will get along just fine. Dennis, my

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<v Speaker 2>fancy daddy wrote you about him.

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<v Speaker 1>Sure. Oh oh that Dennis yeah, Dennis. I can hardly

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<v Speaker 1>wait to meet him. Is he here?

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<v Speaker 2>He's flying in?

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<v Speaker 1>Dennis is flying in?

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<v Speaker 2>Is he as soon as he heard?

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<v Speaker 1>Oh about the pot? Oh, of course he'll.

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<v Speaker 2>Be here the first thing in the morning. You too

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<v Speaker 2>will get along.

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<v Speaker 3>Wa.

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<v Speaker 2>Well, he's he's so very interesting like you.

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<v Speaker 1>Oh well, sure that's because he's in archaeology. Sure.

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<v Speaker 2>Oh yeah, he's just a student. He's at Harvard, you know,

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<v Speaker 2>majoring in archaeology. But he's having such a difficult time.

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<v Speaker 2>You know, this is the second time he's repeating Assyrian

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<v Speaker 2>tombs one.

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<v Speaker 1>Well, no wonder, that's the hardest part.

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<v Speaker 2>Oh, royal in here. Look he's here, daddy.

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<v Speaker 1>Well, hello, young man, howdy good, very good, your honeywell,

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<v Speaker 1>aren't you.

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<v Speaker 2>I've made arrangements that mister Honeywell take the spare suite

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<v Speaker 2>in the west wing.

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<v Speaker 1>Good, very good. Now, uh you run along, Sesaly. Mister

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<v Speaker 1>Honeywell and I have a lot to talk about.

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<v Speaker 2>We were having such an interesting conversation. Isn't he the

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<v Speaker 2>youngest darkiologist ever? It was such a reputation.

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<v Speaker 1>Yep. Uh, don't do that to the rug. Honeywell. Sorry,

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<v Speaker 1>run along, sessily. You'll see mister honeywell, and dinners honeywell, bye,

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<v Speaker 1>ma'am whoa honeywell? Let me take a look at you, Yes, sir,

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<v Speaker 1>cert indeed, sir, you do. You'll do fine? Now, Uh look,

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<v Speaker 1>mister Ramsey, my time's pretty valuable. There's digging to be done.

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<v Speaker 1>You'll do? You do fine? Yes, sir? Yes, archaeologists come high,

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<v Speaker 1>expensive education supplies, pith helmets and all. I wrote you

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<v Speaker 1>in the letter ten percent, didn't I ten percent? Well, yeah,

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<v Speaker 1>I just dropped in to day to tell you wasn't enough.

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<v Speaker 1>All the way from Chicago, I was passing by anyhow,

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<v Speaker 1>on my way to Pultepec, the Inca country. You know. Okay,

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<v Speaker 1>make it fifteen percent. Well that's a lot better. Come on,

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<v Speaker 1>I'll show it to you this way, I'll bet you. Eh. Well,

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<v Speaker 1>what have you got to say? I hardly know? I

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<v Speaker 1>thought so stunners, aren't they all? Three? Have you ever

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<v Speaker 1>seen better examples of prehistoric Indian pottery in your life? Hardly? Ever?

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<v Speaker 1>Those pots are four or five thousand years old, wouldn't

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<v Speaker 1>you say? Ooh, give a little, take a little without

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<v Speaker 1>a crack? Well, I really build them in those days.

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<v Speaker 1>I think we can get ten grand apiece for them. Yeah, uh,

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<v Speaker 1>ten grand sounds fair, especially since the ceiling's off. Huh

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<v Speaker 1>uh uh? Which one do you like? Who cares? Oh?

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<v Speaker 1>That middle one is my favorite? Black buffaloes too. Who's he? Who?

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<v Speaker 1>The Indian boy that made him four or five thousand

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<v Speaker 1>years ago last Thursday? Now, remember my daughter thinks they're yours.

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<v Speaker 1>You shipped him a head. That's the story in case

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<v Speaker 1>anyone asks you might if I ask you a question,

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<v Speaker 1>mister Ramsey, well, how else you gonna know who's going

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<v Speaker 1>to give you ten thousand apiece for last Thursday's pots?

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<v Speaker 1>Have you ever heard of Harvard boy Dennis, your daughter's fiance,

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<v Speaker 1>loaded boy, and I'm the archaeologist who's gonna tell him

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<v Speaker 1>they're worth ten thousand? He worships you? Why that boy

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<v Speaker 1>rocks himself to sleep reading or pat pipathies? Pots are phony?

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<v Speaker 1>They foods? You didn't they any well? Or flash judgment?

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<v Speaker 1>I didn't put the calipers on them or even uh

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<v Speaker 1>e phony? Yeah, well, these Harvard boys haven't got your ear.

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<v Speaker 1>And Dennis is loaded a four million and he ain't

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<v Speaker 1>reel bright. He collects old crocs sill. He's my intended

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<v Speaker 1>son in law. I shouldn't speak too harshly. He's a

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<v Speaker 1>fine boy, great swimmer, always swims underwater, remarkable, and you're

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<v Speaker 1>going to swindle him out of thirty thousand dollars. We

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<v Speaker 1>are you and me for twenty percent. I am listen you.

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<v Speaker 1>I found out about you. You have You've got a

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<v Speaker 1>good reputation, but you haven't got two shovels to rub

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<v Speaker 1>to get take it or leave it. I'll take it fine. Well,

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<v Speaker 1>what times did it? Sir mister Ramsey? You are listening

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<v Speaker 1>to Kathy and Elliott Lewis on stage tonight's play Dig

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<v Speaker 1>the Thief in your town, in the next town across

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<v Speaker 1>the nation, you will find the Red Cross. But the

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<v Speaker 1>Red Cross is above and beyond all boundary lines, for

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<v Speaker 1>it is infinite in its scope. In time of hardships, epidemics, floods, fires,

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<v Speaker 1>the Red Cross is the symbol and soul of humanity.

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<v Speaker 1>You are part of that symbol because it is the

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<v Speaker 1>money you contribute that enables the Red Cross to continue

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<v Speaker 1>its great work. Answer the call, and humanity will answer

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<v Speaker 1>you with gratitude. Hey with Cecily, Hi, Hi, Hi, good

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<v Speaker 1>morning morning. What are you doing out here so early?

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<v Speaker 2>Scanning the horizon? Where Hey plays the whole horizons for Dennis.

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<v Speaker 2>He's arriving this morning. He flies, you know, oh, his

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<v Speaker 2>own plane. He'd be furious if he knew I was

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<v Speaker 2>scanning for it. Oh, he doesn't like people have watched

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<v Speaker 2>swims a lot underwater.

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<v Speaker 1>You know. Well, things like that you have to respect

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<v Speaker 1>with Cecily. Why don't we just take a walk, work

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<v Speaker 1>up an appetite for breakfast. Just see the haze on the gorse,

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<v Speaker 1>you know. Walk.

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<v Speaker 2>I'd love to, But uh huh, what should we talk about?

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<v Speaker 1>Pick a subject?

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<v Speaker 2>Atioch who Patioch Jans was telling me about the remarkable

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<v Speaker 2>work you did there. Most are so fascinating working in

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<v Speaker 2>those old excavations.

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<v Speaker 1>Yure, Well, there's no excavation like an old excavation.

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<v Speaker 2>Dennis always says that too.

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<v Speaker 1>Well, he must have read it in one of my pamphlets.

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<v Speaker 2>That was the title of one of your pamples. Don't

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<v Speaker 2>you remember it?

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<v Speaker 1>Or of you? Necessily. Let's not talk about old ruins.

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<v Speaker 1>Let's talk about you.

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<v Speaker 2>Why I'm really nothing?

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<v Speaker 1>No, no, I I must tell you something that's amazing, and

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<v Speaker 1>perhaps you won't believe it, but it's true. When I

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<v Speaker 1>dug up the sarcophagus of a wondrous and beautiful Egyptian princess. No, uh,

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<v Speaker 1>don't walk, stay here. I I really must tell you

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<v Speaker 1>about it all right on her tomb was painted, her

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<v Speaker 1>portrait unbelievably beautiful, with a serenity almost got its slightly.

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<v Speaker 1>The first time I saw you, I said to myself,

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<v Speaker 1>Princess or Cyrus of the Seventh Moon, you are wade.

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<v Speaker 2>What let's take off our moccasins and wade.

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<v Speaker 1>Yeah, that's just what I've been trying to say, necessily,

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<v Speaker 1>Let's take off our moccasins and wade. Yeah. I haven't

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<v Speaker 1>had a cold foot bath before breakfast since Antiyok, you better.

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<v Speaker 2>Hold my hands to honey, thank you? Yet, this is

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<v Speaker 2>this wonderful Dennis ever goes in here with me?

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<v Speaker 1>But you love him anyhow, don't you very much? Why?

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<v Speaker 2>He's sweet, he's charming and and really he's only bashful

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<v Speaker 2>when other people are around. When Dennis and I.

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<v Speaker 1>Are a lot, But don't tell me about it.

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<v Speaker 2>He's a very gentle boy. It's all that's daddy.

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<v Speaker 1>Yes, I know here we are, Daddy. What how did

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<v Speaker 1>he get you in that street?

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<v Speaker 2>Cecily was my idea?

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<v Speaker 1>Daddy, what's the matter get your shoes on, Honeywell, and

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<v Speaker 1>come with me. You want to try this, mister Ramsey,

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<v Speaker 1>I was just telling your daughter when I was an abbey.

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<v Speaker 1>I heard what I said, get your shoes on. Something's happened,

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<v Speaker 1>mister Honeywell. You still haven't told me. What's the matter,

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<v Speaker 1>mister Ramsey in here in the library, Oh you know,

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<v Speaker 1>allow me to introduce myself. I'm mister Honeywell. Oh no,

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<v Speaker 1>you're not well the heck I'm not. I am Honeywell

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<v Speaker 1>the archaeologist. Oh no, you're not sure I am. You

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<v Speaker 1>just asked mister Ramsey here. Oh no, you're not two

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<v Speaker 1>against one. Huh? All right? Who am I? Who are

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<v Speaker 1>you eliminate? Honeywell? I'm Honeywell. I asked you a question.

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<v Speaker 1>Who are you? Your chauffeur said I was Honeywell. Your

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<v Speaker 1>daughter said I was Honeywell. You said I was Honeywell.

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<v Speaker 1>Now I'm confused. My chauffer was supposed to pick up

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<v Speaker 1>mister Honeywell in front of that dude ranch yesterday. He

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<v Speaker 1>picked you up, so we all fought you were Honeywell.

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<v Speaker 1>How dare this young man has so Honeywell? Yes, how

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<v Speaker 1>dare you assume mister Honeywell's identity. You assumed it for me, Ramsey.

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<v Speaker 1>Let's not turn blue over a mistake you made.

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<v Speaker 7>I must say, mister Ramsey, the whole thing is your

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<v Speaker 7>Schoffer's fault, just because I arrived at the Dud's ranch

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<v Speaker 7>a few hours later.

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<v Speaker 1>Yes, now you what's your real name? Digby? Johnny Digby

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<v Speaker 1>and your Honeywell, the dishonest archaeologist. I won't be called dishonest.

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<v Speaker 1>Your profession's robbing graves, isn't it? Thirty old babes? Nobody

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<v Speaker 1>wants them anyhow? All I can say is you fellows

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<v Speaker 1>that got yourselves in a vine here. You are gonna

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<v Speaker 1>cheat Dennis out of thirty thousand dollars. Boy mm hmm,

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<v Speaker 1>stop at the kitchen and have the cook picture a

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<v Speaker 1>real chuck wagon lunch. Then blow a real big vine

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<v Speaker 1>and his fifty dollars for your trump. That all right

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<v Speaker 1>with you, mister Honeywell. I don't care if I never

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<v Speaker 1>see you again, sir, But think what would happen to

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<v Speaker 1>your reputation if I went out and spread it around

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<v Speaker 1>among your buddies of the shovel You were party to

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00:19:00.880 --> 00:19:05.039
<v Speaker 1>a fraud that you verified that last Thursday's pots were

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<v Speaker 1>old in the relics. How about that? How much the honeyway? Hi?

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<v Speaker 7>Ready must call Hey, Now wait a minute, this young

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<v Speaker 7>man is perfectly right, and I listen, Honeyway.

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<v Speaker 1>We had a deal. Those pots in the closet were

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<v Speaker 1>supposed to be your pots. Dennis would take your word

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<v Speaker 1>for us that they're authentic. Ten thousand dollars apiece. You

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<v Speaker 1>can't run out on me, nily, mister Ramsey, really what really?

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<v Speaker 1>I must go? Hello, mister Ramsey, Hello, mister Honeywell, name

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<v Speaker 1>is Digbie, Johnny Digby. A flat fee a thousand dollars?

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<v Speaker 1>Oh listen and now come here to the window. Plane overhead,

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00:19:47.880 --> 00:19:50.359
<v Speaker 1>get away from the window. Dennis don't like anybody to

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00:19:50.400 --> 00:19:53.920
<v Speaker 1>watch it. Dennis, don't huh? Where were you saying? Ramsey?

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<v Speaker 1>A flat fee one thousand? Last night? You offered me

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<v Speaker 1>twenty percent of thirty thousand dollars I offered, doctor Honeywell,

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00:20:02.119 --> 00:20:05.920
<v Speaker 1>who am I? How are you? Mister Honeywell? Very well,

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<v Speaker 1>thank you, I'm just fine. I'll take six thousand dollars.

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<v Speaker 1>Please a loud question. I write your check. Please do

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<v Speaker 1>make it out to John Digby. Hey you are boy Ramsey. Yes,

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<v Speaker 1>you signed Honeywell's name to the check I did. Sounds

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<v Speaker 1>like Dennis's plane is coming in for a landing, Ramsey.

300
00:20:29.559 --> 00:20:32.119
<v Speaker 1>I'd hate to disillusion Dennis about his future father in law.

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<v Speaker 1>You better write me another check. But you're the biggest

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00:20:34.599 --> 00:20:36.440
<v Speaker 1>seat from the state of New Mexican. You write the check,

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00:20:36.519 --> 00:20:38.440
<v Speaker 1>sign your name, than call your chauffeur. I want to

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00:20:38.480 --> 00:20:40.759
<v Speaker 1>get to the bank and cash this check before I

305
00:20:40.839 --> 00:20:43.000
<v Speaker 1>say hello's to Dennis. As a matter of fact, to

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00:20:43.079 --> 00:20:53.359
<v Speaker 1>the whole Southwest. Write the check, Ramsey put her there.

307
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<v Speaker 1>I'm so sorry I wasn't able to meet you at

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<v Speaker 1>the plane, Dennis, but.

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00:20:56.200 --> 00:20:59.799
<v Speaker 3>I had to stop at the bank. Mister Honeywell. Oh yes,

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00:21:01.240 --> 00:21:05.880
<v Speaker 3>mister honeywey oh yes, geez, you don't mention it.

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<v Speaker 1>Oh I must your last paper, the one on the

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<v Speaker 1>Ptolemies of eg Yes, it had a certain style in this.

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<v Speaker 3>The way you just looked at that sand dune in

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00:21:14.559 --> 00:21:17.039
<v Speaker 3>the middle of the Sahara and then made an X

315
00:21:17.079 --> 00:21:19.480
<v Speaker 3>on the sands and said dig here.

316
00:21:20.160 --> 00:21:27.079
<v Speaker 1>Oh that was the most everybody messed everybody else. Oh well,

317
00:21:27.200 --> 00:21:28.039
<v Speaker 1>from mister Ramsey.

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<v Speaker 3>My intended father in law dad to be my boy

319
00:21:32.680 --> 00:21:35.839
<v Speaker 3>when he wrote that you would be here expressly.

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00:21:35.359 --> 00:21:37.839
<v Speaker 1>To meet me. Oh well, well, what didn't it?

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00:21:37.960 --> 00:21:40.400
<v Speaker 3>And when mister Ramsey, my intended father in law yet

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00:21:40.559 --> 00:21:43.759
<v Speaker 3>to be, of course, when he told me that he

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00:21:43.799 --> 00:21:47.119
<v Speaker 3>was interceding in my behalf and that the pots could

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<v Speaker 3>be bought for only thirty thousand dollars.

325
00:21:49.319 --> 00:21:52.200
<v Speaker 1>Or Dad to be drives a hard bargain. Of course,

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<v Speaker 1>you know I would have paid twice that much, mister Honeywell,

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<v Speaker 1>may I see you for a minute before Well, if

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<v Speaker 1>Dennis feels the old pots are under priced, we don't

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<v Speaker 1>wanna take advantage of for that's no, no, no, no, no,

330
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<v Speaker 1>my pleasure. I know they'll be in good hands.

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<v Speaker 2>We're gonna have a place in New York, and we've

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00:22:10.720 --> 00:22:12.519
<v Speaker 2>got a spot in the living room for them.

333
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<v Speaker 1>A niche cicely a nich.

334
00:22:14.400 --> 00:22:17.440
<v Speaker 2>Oh, Denny's been keeping them from me. I haven't seen

335
00:22:17.480 --> 00:22:17.920
<v Speaker 2>them yet.

336
00:22:18.559 --> 00:22:21.880
<v Speaker 1>Well, Dennis, I.

337
00:22:21.119 --> 00:22:22.680
<v Speaker 3>I guess now's as good a time as any.

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<v Speaker 1>Hell, let's take a look Ramsey right uh this way

339
00:22:26.319 --> 00:22:29.519
<v Speaker 1>next door to the sun room, mister Honeywell, and I

340
00:22:29.640 --> 00:22:37.920
<v Speaker 1>need a display. Well, Dennis, my boy, what do you think?

341
00:22:39.200 --> 00:22:44.440
<v Speaker 2>Oh my, oh, Dennis, they're in love.

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00:22:44.680 --> 00:22:51.960
<v Speaker 1>You feel that quality? Dennis? Oh my oh, wait on

343
00:22:52.079 --> 00:22:54.440
<v Speaker 1>my friends at Harvard Cedre. We keep them away from

344
00:22:54.440 --> 00:22:57.160
<v Speaker 1>the hasty pudding boys. And only thirty thousand dollars. I

345
00:22:57.200 --> 00:23:00.240
<v Speaker 1>feel like a thief if you've forgotten your check book. Boy.

346
00:23:00.400 --> 00:23:03.200
<v Speaker 1>Oh no, I brought along a certified check for thirty

347
00:23:03.279 --> 00:23:07.599
<v Speaker 1>thousand dollars, of course, made out to mister Honeywell. Oh good,

348
00:23:07.799 --> 00:23:15.240
<v Speaker 1>here and thank you, thank you so much. You're white. Welcome, Honeywell,

349
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<v Speaker 1>what are you doing?

350
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<v Speaker 2>Dennis?

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00:23:17.880 --> 00:23:20.359
<v Speaker 1>He drew up the check. Oh, it was too good

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00:23:20.359 --> 00:23:24.880
<v Speaker 1>to be true. Dennis, will pay you any price. These

353
00:23:25.079 --> 00:23:29.440
<v Speaker 1>two kids have got to fiddle their niches. Honeywell, Dennis, Yes, sir,

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<v Speaker 1>will you go forty thousand? Yes, sir Honeywell, forty thousand?

355
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<v Speaker 1>Take it or leave it. Cecily, I hate you, Oh

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00:23:36.559 --> 00:23:39.200
<v Speaker 1>I don't hate you. What do you want, Cecily? I

357
00:23:39.200 --> 00:23:41.319
<v Speaker 1>think you're one of the loveliest young ladies I've ever met.

358
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<v Speaker 2>How much do you want, mister Honeywell?

359
00:23:43.440 --> 00:23:43.759
<v Speaker 1>Nothing?

360
00:23:43.960 --> 00:23:45.920
<v Speaker 2>Oh no, I don't understand you.

361
00:23:46.200 --> 00:23:49.319
<v Speaker 3>I don't understand him either, cessor all the trouble he

362
00:23:49.400 --> 00:23:53.799
<v Speaker 3>went through digging out these perfect they're yours, a wedding

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00:23:53.839 --> 00:23:55.559
<v Speaker 3>present from me to you.

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00:23:56.480 --> 00:23:58.640
<v Speaker 1>Oh, I can't accept them. Well, of course you can't.

365
00:23:59.119 --> 00:24:00.680
<v Speaker 1>I'm going to be your father or no, And I

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00:24:00.759 --> 00:24:05.519
<v Speaker 1>say you can't accept them. It's it's impossible, Cecily.

367
00:24:05.839 --> 00:24:07.559
<v Speaker 2>You're a very sweet man.

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00:24:07.799 --> 00:24:09.759
<v Speaker 1>I want you to have them.

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00:24:09.839 --> 00:24:13.599
<v Speaker 2>Yeah, i'd like to kiss you. Mister Honeywell, I wish

370
00:24:13.599 --> 00:24:14.000
<v Speaker 2>you would.

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<v Speaker 1>Oh, thank you, bless you both, my children.

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<v Speaker 2>This has been the most touching day of our lives,

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00:24:23.119 --> 00:24:23.680
<v Speaker 2>hasn't it been?

374
00:24:23.759 --> 00:24:29.400
<v Speaker 3>Dennis, mister Honeywell, yes, Dennis, you're a very superior man.

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<v Speaker 1>Is I was walking the streets a movie, you know, Hey,

376
00:24:47.240 --> 00:24:53.400
<v Speaker 1>how about a lift? Uh huh? Hop in? Yeah, hey

377
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<v Speaker 1>give me way ahead of Texas? Nice place, Texas.

378
00:25:00.440 --> 00:25:02.279
<v Speaker 8>I used to think so, but maybe I ain't gonna

379
00:25:02.359 --> 00:25:05.240
<v Speaker 8>like it anymore. Got a couple of hundred acres north Amilla.

380
00:25:05.720 --> 00:25:08.759
<v Speaker 8>Used to be peaceful there, I gonna be peaceful no more.

381
00:25:08.839 --> 00:25:10.200
<v Speaker 1>Oh what's the matter?

382
00:25:10.720 --> 00:25:13.000
<v Speaker 8>Wife called me this morning in Albuquerque where I was

383
00:25:13.000 --> 00:25:13.960
<v Speaker 8>selling some hogs.

384
00:25:14.160 --> 00:25:16.880
<v Speaker 1>Wife says the hog drought back in Texas is running oil.

385
00:25:17.160 --> 00:25:20.000
<v Speaker 1>H Yeah, I know hogs, but I don't know oil.

386
00:25:20.839 --> 00:25:27.079
<v Speaker 1>I know oil. Who are you headed for? Amarilla? Do tell? Hey?

387
00:25:27.160 --> 00:25:29.599
<v Speaker 1>Uh y, you wouldn't consider I might if the deal

388
00:25:29.680 --> 00:25:33.480
<v Speaker 1>was right. Yes, cigarette. If you roll your own only way,

389
00:25:33.519 --> 00:25:35.920
<v Speaker 1>I smoke 'em. Thank you.

390
00:25:36.960 --> 00:25:40.640
<v Speaker 8>I like a man rolls his own signed honesty.

391
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<v Speaker 6>We ain't gonna have any.

392
00:25:42.400 --> 00:25:56.680
<v Speaker 1>Troubles, none at all. Dig The Thief, starring Kathy and

393
00:25:56.720 --> 00:25:59.279
<v Speaker 1>Elliott Lewis in a moment, mister and missus, Lewis won't

394
00:25:59.319 --> 00:26:03.119
<v Speaker 1>tell you about that. Next week's play. Colleges preoccupy two

395
00:26:03.200 --> 00:26:06.319
<v Speaker 1>of our leading programs this weekend on CBS Radio, The

396
00:26:06.400 --> 00:26:09.559
<v Speaker 1>Von Monroe Show will originate in Boston College, with Vaughn

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00:26:09.559 --> 00:26:11.559
<v Speaker 1>and Company serving up the top tunes of this week.

398
00:26:11.599 --> 00:26:15.400
<v Speaker 1>To mark the occasion, Gangbusters approaches learning from another tangent,

399
00:26:15.680 --> 00:26:18.839
<v Speaker 1>bringing us its true crime case history, The College Caper.

400
00:26:19.319 --> 00:26:22.039
<v Speaker 1>Also Saturday night on most of these same stations, The

401
00:26:22.079 --> 00:26:25.960
<v Speaker 1>Geneaufrey Show brings us its Western drama called The Ruthless Rustler.

402
00:26:26.319 --> 00:26:29.039
<v Speaker 1>And Tarzan Lord of the Jungle introduces us to the

403
00:26:29.079 --> 00:26:32.480
<v Speaker 1>dreaded Lionmen in an episode titled Tarzan and the Arena

404
00:26:32.519 --> 00:26:36.119
<v Speaker 1>of Death. And now once again Kathy and Elliott.

405
00:26:35.839 --> 00:26:44.640
<v Speaker 2>Lewis, what did you do when you got to Texas?

406
00:26:44.680 --> 00:26:46.880
<v Speaker 1>Well, maybe in about six months, I'll tell you if

407
00:26:46.960 --> 00:26:49.920
<v Speaker 1>Morton Fine and David Friedkin can be prevailed upon to

408
00:26:49.960 --> 00:26:52.119
<v Speaker 1>continue the adventures of dig the.

409
00:26:52.119 --> 00:26:55.880
<v Speaker 2>Thief tonight while in New Mexico, John Digby was shrewder

410
00:26:55.920 --> 00:27:00.440
<v Speaker 2>than my father, John McIntyre, my fiance Lee Millar, and

411
00:27:00.599 --> 00:27:02.839
<v Speaker 2>the legitimate archaeologist Hal Gerard.

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<v Speaker 1>While the same mister Digby got fired earlier in the

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<v Speaker 1>play by Ken Christie because he shot up a town

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<v Speaker 1>with the help of G. G. Pearson, Byron Kine and

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<v Speaker 1>Bob Sweeney, who was a writer a few weeks ago.

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<v Speaker 2>Next week, we're going to do a new adaptation of

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<v Speaker 2>a story you all know about, but if you're at

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<v Speaker 2>all like Elliott and me, don't remember very well. In

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<v Speaker 2>its original form.

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<v Speaker 1>It was written by Frank Stockton, and it's called The

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<v Speaker 1>Lady or the Tiger.

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<v Speaker 2>We'll be with you next week. Until then, thank you

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<v Speaker 2>for listening, and good night, good night.

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<v Speaker 1>Music for Tonight's story was composed by Fred Steiner and

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<v Speaker 1>conducted by lud Gluskins. The Kathy and Elliott theme is

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<v Speaker 1>by Ray Noble, and the program is transcribed and directed

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<v Speaker 1>by mister Lewis. George Wall Streakings, mm HM and Remember

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<v Speaker 1>for Music and Song joined bon Row Saturday nights on

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<v Speaker 1>the CBS Radio Network
