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Speaker 1: Welcome to the Great Detectives of Old Time Radio from Boise, Idaho.

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This is your host, Adam Graham. In a moment, we're

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gonna bring you this week's episode of yours truly Johnny Dollar.

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But first I do want to encourage you. If you're

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enjoying the podcast, please follow us using your favorite podcast software.

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And also if you are making travel plans, remember Johnny

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Dollar air dot com. Johnny Dollar air dot Com is

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our Priceline affiliate at length, so part of the purchase

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prost benefits to Great Detectives of Old Time Radio at

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no additional calls to you. So when making your travel plans,

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remember Johnny Dollar Air dot Com first. But now from

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April nineteenth, nineteen fifty nine, here is the cautious celibate.

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Speaker 2: Matter from Hollywood.

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Speaker 3: It's time now for.

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Speaker 4: Johnny Dollar.

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Speaker 5: George Reed huh hey, and I listen, Georgia Floyds. If

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Mainland keeps handing me cases, how can I work for

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the other insurance company?

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Speaker 3: Well, what I'm calling about this time isn't really a case.

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Speaker 5: So what as long as the company pays my expense

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account and maybe a nice little feet of boot see sure.

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Speaker 3: Well I'm not even certain you'll need an expense acount.

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Speaker 2: Oh then why haven't I.

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Speaker 3: Johnny, Johnny, I think you better come over here to

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my office so that we didn't talk about this.

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Speaker 5: Well, I don't want to sound chincy, George, but a

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cave to your place that cost me over a buck.

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Speaker 3: Oh well that can go on the expense account.

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Speaker 4: Of course.

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Speaker 2: Good.

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Speaker 5: And as long as we've established the expense account for

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this thing, whatever it is, I'll see in a few minutes.

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Speaker 3: Now, there's no hurry, Johnny, So just take your time. Huh,

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I said, take your time about getting here.

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Speaker 2: Yeah, I'll be right over.

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Speaker 6: Bob Bailey in the Intriguing Adventures of the Man with

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the Action in fact Expense account, America's fabulous freelance insurance

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investigator ours truly Johnny Dollar, no Act one. The viewer

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is truly Johnny Dollar.

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Speaker 5: Expense Accounts submitted by a special investigator, Johnny Dollar, two

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Floyd's of England, North American Office, Hertford, Connecticut. Following is

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an account of expenses incurred during my investigation of the

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cautious celibate matter. Wait a minute, over the phone, George

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Reid did not tell me what he wanted be for Also,

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he very plainly said not to hurry. Hmm, I don't

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on a dollar twenty No, might get a buck and

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a hand for a taxi down to his office. Go

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write in mister dollar, mister Reid tech. Okay, thanks, Yeah,

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I tried to tell you on the phone there was

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no reason.

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Speaker 4: To rush over.

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Speaker 5: Oh yeah, yeah, I got the message, George. That's why

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I did rush. Oh well, uh down, sure, well uh

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cigret no, no thanks, I'll one.

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Speaker 3: Of my own.

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Speaker 2: Oh sure, dear, let me give you a lot. Okay, Hey,

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I filled this thing just this morning. Ah here, give

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it to me. Oh that's all right, I'm sure I can.

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I think it work. What is this, George, some kind

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of a stall you're giving me?

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Speaker 5: Well, that's I don't think you were a tryumph.

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Speaker 2: Flicker hard yeah, ah, what's on your mind? Well you

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got back from that assignment out in Oklahoma sooner than

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I expected from that town with the unlikely name of

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bum Spung.

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Speaker 5: Well it's really the name of Durango Larami Dalhart's Ranch.

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Tracy Old, I.

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Speaker 2: Like it bum Spung. Now what can a name like

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that possibly mean?

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Speaker 5: Are you kidding? It's on me yourself? The other day,

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just before I went out there.

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Speaker 2: Oh is that?

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Speaker 5: Well, of course you did. It's an old Indian name.

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It means bumb, means bad spring, bad water.

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Speaker 2: Oh, of course you cleaned up everything out there.

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Speaker 5: What's the matter with you, George? Didn't you read the

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report I I handed in with my expense account. Well

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I sort of glanced over it. But you're coming back

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so soon with Durango's pretty knees out there, Carol dew Hard.

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Oh what about Carol?

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Speaker 2: Didn't I kind of get the impression that Durango would

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like to have you marry her?

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Speaker 5: Well, you should have every time I get her. Then,

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spinning distance of Oklahoma, I expect him to shove a

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shotgun in my back. And well that's why I left

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there in such a hurry. Oh sure, right after settling

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that insurance matter. Only it was for Drago's old pal,

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Sidewinder Wilson, another Cary.

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Speaker 2: Yes, Durango was here in Hartford, But Carol was there,

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wasn't she?

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Speaker 5: Yeah, she certainly was, And George, I'd love to have

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stuck around a while, you know, to be with her.

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When I got worded that Darrago was about to get

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back there and that he was bringing along a preacher

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brother I took off. Why, Johnny, Why, let's face it, George,

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I'm afraid I'm a confirmed seliment.

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Speaker 2: Well, at least you say you are. But aren't you

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rather fond of Carol Dell Well?

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Speaker 5: I told you she's eleven, She's tall, dark and very beautiful.

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She's intelligent, she has a lot of spark, a lot

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of spunk too, a wonderful sense of you. Yeah, wantly,

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Carol has everything, everything a man can possibly want. And George,

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when I take that gil in my arms, why don't.

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Speaker 4: You marry Johnny?

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Speaker 2: Firm bachelor? H sound like no?

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Speaker 5: Sometimes when I think about her, I don't feel like it.

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Speaker 2: Well, no, no, no, no.

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Speaker 5: No, let's stop talking about it, because George, I'm not marrying,

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not Carol or anyone else, at least.

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Speaker 2: Right now, someday, perhaps not now. Best years of your life, Johnny,

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and with someone like her.

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Speaker 5: George, I've made up my mind about this whole thing,

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and that's that.

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Speaker 2: Yes, But I'll bet if she were to walk in here.

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Speaker 5: I said, cut it out, please and listen. What difference

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does it make to you? What business is it of yours? Well,

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of course it wouldn't hurt me a bit from the

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standpoint of client relationship. Huh, Durrango is a mighty good client.

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Do you mean to say you've been giving me this this,

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this big marriage build up? Just George, so help me.

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I ought to wring your neck. Well, Johnny, but come

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on now, you've been stalling around long enough? Yes, stalling?

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Now what did you want to see me about? Well,

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actually it's about Durrango, Johnny. He he asked me to

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have you come here what for? And to keep you

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here what?

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Speaker 2: Yes, until he can arrive.

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Speaker 5: You mean Durrango's on his way here.

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Speaker 2: Well, he thought of asking you to fly out the

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bums bung again, but he was afraid you.

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Speaker 5: Wouldn't, George. Can't you see what this means? Can't you

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see why he's coming here and probably with that shotgun

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I mentioned now, Johnny, No, sir George, when old Drango

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gets here, you tell him, Ah, Darrango wait the fire escape.

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Speaker 4: What did you.

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Speaker 2: Say, Tony wait? No wait listen, welly d wait at

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the window?

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Speaker 4: You mean out doing this?

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Speaker 7: Yes?

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Speaker 4: Guy, you come back here, guy, hear me?

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Speaker 8: I didn't come back?

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Speaker 9: Yeah?

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Speaker 6: No, act too off? Yours truly, Johnny Dollar becautious sulibate mutter.

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Speaker 5: Needless to say, when that wild old character drang larawn

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I started hitting at a lot of well, I really

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made time to that fire escape, and I didn't stick

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around to see how he was going to square himself

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with the police, because before I could even reach the

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nearest corner, a couple of Prowl cars pull up in

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front of Floyd's of England and now piled half a

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dozen cops, all pulling their guns. No, sir, I grabbed

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the taxi that's out of two when it comes to

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five dollars, even for the fastest ride, I could get

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to my apartment. Because Durrango's presence in Hartford can meet

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only one thing. Yes, sir, he was still obsessed with

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the idea that I should marry his niece, Carol Dalhart. Sure,

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I care a lot for Carol, maybe even lover, I

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don't know, And I know that she likes me, likes

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me a lot. But I also know that neither of

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us is going to be real road and in the

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marriage by old Durrango. Yet there couldn't be any other

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reason for his coming. So I drank out a couple

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of handbags and proceeded to pack them packed them well.

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Then item three another dime for a phone call.

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Speaker 3: George re here?

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Speaker 2: So what happened?

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Speaker 5: George? The cops haul him off and throw him into

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the clink, Drango? Who else, Johnny?

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Speaker 3: This man is unbelievable. It's fantastic.

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Speaker 4: Huh.

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Speaker 3: I don't know how he worked it, how much it

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cost him, And of course, as always, he game here

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loaded with money thousands Johnny. Yeah, well, but the police

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didn't even take those six guns away from him.

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Speaker 5: Oh, brother, All the more reason why I'm getting out

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of here.

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Speaker 3: Yes, Durrango still thinks he's living in the old days

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of the wild.

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Speaker 2: And wooly West, when the only what, Oh, you bet

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your life?

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Speaker 5: I am, and I'm putting all the costs of transportation

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on expense account. After all, it was you who got

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me into this whole thing.

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Speaker 3: Listen to me, where are you going?

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Speaker 6: What do you think?

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Speaker 5: I tell you? You're in cohotes? This wild old man,

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this trying to get me to marry his niece. So, Johnny,

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if you and Carol love each other, so what do

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you think we want him to force us into it?

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Speaker 3: Suppose we?

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Speaker 2: Yeah?

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Speaker 5: Oh, come on, George, I'm in a hurry. George, are

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you in your apartment?

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Speaker 3: Johnny?

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Speaker 5: That's right, but not for any longer than Why do

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you ask that you stay right there? Johnny Durrango, You

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just stay right there.

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Speaker 3: I'm coming right over. I gotta talk to you, young feller.

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And that ain't all you.

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Speaker 5: Hear me, Johnny Man, California, Here I come. Thanks to

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the late hour, I was able to get a plane

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without any trouble, and I half expected to see Durrango

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come tearing out to the field with those crazy six

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guns blazing before we took off. Incidentally, I use the

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name of Bailey when I grabbed my ticket, just in case.

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Oh and incidentally, George had him for US one hundred

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and forty six eighty. If I have ticket to Los Angeles,

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it's on my American Express credit card. That believe me, brother,

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I'm collecting from you. You may have to pay for

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a lot of travel before I'm through with this thing.

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Speaker 8: This is the pilot speaking. I'll be landing in Chicago

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in about ten minutes. Weather's clear, the moon is bright

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on ground, temperature is fifty two degrees.

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Speaker 3: Is there a mister Johnny Dollar on board?

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Speaker 5: A mister Johnny dollars.

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Speaker 1: I don't have him listed among the passengers, but is

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there a mister Johnny.

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Speaker 5: Dollar on board stewardess?

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Speaker 1: Yes, mister.

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Speaker 5: Mister Bailey, the Johnny Dollar. You're asking for a friend

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of mine. I guess he missed the flight.

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Speaker 6: Yes, I guess he must.

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Speaker 5: Have anything important for him, just a radio message. Well,

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as I say, good it is, so why don't you

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let me see that message? And perhaps I can let

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you know. Oh no, Sarah, I'm terribly sorry, but that

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would be against regulation. Will what if it's anything?

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Speaker 2: I'm sorry, but thank you just the same.

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Speaker 5: Fasten your seat, delfe Yeah.

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Speaker 2: Sure.

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Speaker 5: When we landed in Chicago, I was tempted to grab

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a telephone, called George Reid and ask him if Durrango

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had given up the chase or I knew that by

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now George must have realized he'd have to be on

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my side in this whole silly business. But during the

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stopover I didn't even risk leaving the plane. Finally, we

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took off again and I managed to sleep for a while,

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but all I could dream about was Durrango chasing me

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through streets and alleys, across the planes on foot on

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horseback and a car, a float, a train, and all

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the time firing those handguns at me wild fantastic dreams.

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By the time he got to Los Angeles, I was

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a physical metal but I knew that for the time being,

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at least I was Clara Durango. So after picking up

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my bags, I elbowed my way through the crowd of

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the taxi stamp. Excuse me, pardon me, I'm sorry, Thank you,

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taxi taxi. Hey, hey, hey, taxi.

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Speaker 10: Here you are.

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Speaker 3: Johnny.

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Speaker 4: I hired this here now fancy limousine for you and me.

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Huh say you want? Took one of them new jet flights.

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Speaker 5: I got on to Wrangell. Might have got your here

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right quicker at Drango. Listen, sir, Johnny.

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Speaker 4: I finally catched up with.

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Speaker 10: You, didn't I.

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Speaker 4: To Wrango? Johnny? I finally catched up with you, didn't I?

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Speaker 2: Yeah, I guess you did.

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Speaker 4: You were the slipperiest young Maverick I ever did see,

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and hie yourself up in this here now fancy limousine

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that I hired for.

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Speaker 5: Oh say, Drago, whatever, huh.

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Speaker 4: Okay wants your mana it?

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Speaker 5: Look that man where the other side of your car?

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Has he got a gun there.

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Speaker 4: Well I have, so oft can find out you wait

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here gun him?

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Speaker 2: Oh?

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Speaker 5: Sure, I dropped my bags and tore back onto the

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passenger ramp. By jumping over a fence, I was able

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to climb on board in the airline that was about to

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leave my flashing micro dentils at the stewardess. I kept

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her from throwing me off, and in a couple of

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minutes we were in the air yes, sir, and headed

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for Portland, Oregon. The plane Ferris had him five fifty

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six twenty And to prove I'm not kidding about the

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company paying my expenses on this wild trip, I had

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him six is four hundred and a quarter for my

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two leather handbags and all the clothes I'd packed in him.

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So what happened at Portland you won't believe it, But

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Durrango was there and waiting for me. Sure he chartered

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a plane, and because of the stops that my flight

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made along the way, he got there first. But I

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saw him in time. By jumping another fence and doing

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one hundred yards and something like that and seconds flat,

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I managed to find a taxi stand. I had him

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seven thirty five dollars for a while ride through the

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streets of Portland, because I knew that somewhere in back

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of us Durango was in hot pursuit. We finally ended

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up in a private airstrip out north of town. I'd

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have eight two hundred bucks for the plane I chartered,

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and I told the pilot just to go go anywhere,

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but according to regulations, he had to report his course

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and destination. So I knew that sooner or later Durango,

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who's nobody's fool and more important with all his money,

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would be on my tail again. I wrecked my brain

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trying to figure out some way, trying to think of

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someone who could possibly yeah, someone, And then it occurred

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to me there was someone, sure, of course, the one

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person in the world who was in the same spot.

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I was sure it could be like walking into a

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lions then, but I hadem nine a total of one

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hundred and fourteen dollars playing bus train in rental car.

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First we weened Oklahoma, then north did the broken down

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little ranch at bumb Spot.

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Speaker 2: Yeah, Cheryl was there, that lovely.

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00:16:03,440 --> 00:16:19,759
Speaker 10: Loving mmmmy, you don't like to be cute? Yeah, I

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00:16:19,799 --> 00:16:20,039
love it?

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Speaker 2: How did you know it?

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Speaker 5: But listen has d Wrangle been here.

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Speaker 9: Oh, Johnny, I don't know where that old google went.

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Speaker 2: Well I do.

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Speaker 5: We went to Hartford, y hard for gunning for me.

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That crazy old man is so set on having us

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getting married, Carol.

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Speaker 2: Sure is to go all the way. Well, now that's

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just carrying thanks too far.

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Speaker 5: Yeah, I think so too.

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Speaker 3: I mean he thinks that by waving a six gun around.

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Speaker 9: Listen, Johnny Dollar, I'm real gone.

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Speaker 4: On you know that.

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Speaker 2: Yeah, I think you know how I feel about it.

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Speaker 9: That doesn't mean that just because old Wrangle wants it

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that way, we've got to.

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Speaker 2: Get hitched up again.

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Speaker 5: No, at least.

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Speaker 2: At least not right away. So if he thinks he

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can shot gun you and me and.

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Speaker 4: Trango know he'll be coming back to your Carrol. So

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00:17:13,240 --> 00:17:14,599
now we really.

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Speaker 5: N Rango, you stop that, you put down that gun

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and listen to me.

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Speaker 4: Well, he's going to marry, ain't he?

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Speaker 5: Well he no, Darrago, No, no, at least well not now.

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And in spite of the way you chase me all

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the way across the country.

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Speaker 4: Yeah, Drango, Well sure I chase you, but no no

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count of carrow. Johnny was sure. Sure, I hope all

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time and some time you and her getting married up

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to get him. Well, then, but I give up trying

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to force you kids doing it. Well, I just figured

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when you're ready.

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Speaker 5: You will going to Hartford and chasing me that way.

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Speaker 2: Oh yeah, that wow.

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Speaker 4: I wanted nothing, John Hand. It's just that when you

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was out here last week and you kept my old

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pal Sidewinder Wilson from getting murdered. You know, Sidewine is

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my oldest pal, Johnny, my.

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Speaker 5: Best friend, that's true, John.

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Speaker 4: And when you passed on the word that he was

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the one that found out about that killer. But it

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was Johnny. What you know Now he's the new chief

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00:18:23,559 --> 00:18:25,039
of police down there at Fireweather.

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Speaker 5: Yeah, well, bully for him.

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Speaker 2: But I still don't show you.

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Speaker 4: You being so good to him. I I just wanted

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00:18:30,799 --> 00:18:34,599
you to know I appreciate it. Sure, but I went

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00:18:34,640 --> 00:18:43,920
to Hardwood for wister. Give you this holy shamba bos

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00:18:44,680 --> 00:18:48,759
bit dirty, crumpled up and he cut some. But when

359
00:18:48,799 --> 00:18:51,759
I counted right to want to be ten thousand.

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Speaker 2: Dollars there you are, gee, your hang up.

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00:18:58,200 --> 00:19:01,640
Speaker 5: Tarangle. Well, I don't know what to say.

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00:19:02,359 --> 00:19:06,920
Speaker 4: You don't have to say Nothingney, just enjoy it. But

363
00:19:07,480 --> 00:19:09,279
are you sure you wouldn't like me?

364
00:19:09,359 --> 00:19:09,880
Speaker 1: To have it.

365
00:19:10,279 --> 00:19:12,519
Speaker 2: The preacher come up from Enid.

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00:19:13,119 --> 00:19:18,240
Speaker 10: And yeah, no, I guess not.

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Speaker 4: God bless you anyhow, boy, this time.

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00:19:28,400 --> 00:19:31,160
Speaker 5: I did stay for a couple of days.

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00:19:32,079 --> 00:19:32,839
Speaker 8: Yeah.

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00:19:32,880 --> 00:19:39,720
Speaker 5: And if I ever do take the leap the expense account, well, George,

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00:19:39,759 --> 00:19:41,599
I'll still argue with you about it. But that's all.

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00:19:41,640 --> 00:19:46,160
And the total one three dollars forty five cents. Yours truly,

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00:19:46,960 --> 00:19:49,599
Johnny Dollar. Here's our star to tell you about next

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00:19:49,599 --> 00:19:51,799
week's story. Next week a string of hold ups and

375
00:19:51,839 --> 00:19:54,519
behind them all is well, why don't you listen find

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00:19:54,559 --> 00:19:58,880
out for yourself? Join us, won't you? Yours truly, Johnny Dollar.

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00:20:10,039 --> 00:20:14,279
Speaker 6: Yours truly Johnny Dollar, starring Bob Bailey, originates in Hollywood

378
00:20:14,359 --> 00:20:18,400
and has written, produced and directed by Jack Johnstone. Heard

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00:20:18,400 --> 00:20:22,200
in our cast where Virginia, Greg, Gene Tatum, John McIntyre

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00:20:22,279 --> 00:20:25,960
and g Stanley Jones. Be sure to join us next week,

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00:20:26,240 --> 00:20:30,319
same time and station for another exciting story of Yours truly,

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00:20:30,839 --> 00:20:31,599
Johnny Dollars.

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Speaker 2: This is Dan Coverly speaking.

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Speaker 5: See how he Runs on Suspense is next on the

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00:20:43,640 --> 00:20:45,400
CBS Radio Network.

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00:20:49,000 --> 00:20:53,799
Speaker 1: Welcome back. Okay, this one was just selly and you

387
00:20:53,799 --> 00:20:58,559
know I can do selly sometimes and Oragle. Laramie is

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00:20:58,759 --> 00:21:04,119
a lovable care and I love the idea of Johnny

389
00:21:04,160 --> 00:21:09,079
Dollar traveling under the name Bailey. But nevertheless, it's silly

390
00:21:09,359 --> 00:21:13,920
because what is Johnny afraid that Durrango Laramie is going

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00:21:13,960 --> 00:21:17,440
to do. He's going to take his six shooter and

392
00:21:18,319 --> 00:21:26,519
take Johnny all the way from Hartford, Connecticut to bum Spung, Oklahoma,

393
00:21:26,920 --> 00:21:31,119
holding him hostage the whole time, and then force him

394
00:21:31,160 --> 00:21:36,240
and Carol to get married over their objections. That is

395
00:21:36,279 --> 00:21:37,119
a crazy look.

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00:21:37,160 --> 00:21:37,319
Speaker 3: Now.

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00:21:37,359 --> 00:21:42,799
Speaker 1: To be fair, Durrangeo Laramie is a bit eccentric. We

398
00:21:43,039 --> 00:21:50,000
first met him literally washing his money before delivering it

399
00:21:50,039 --> 00:21:53,680
to the insurance company. And there is the fact that

400
00:21:54,119 --> 00:22:00,079
he flies to Hartford to make his insurance payment in cash.

401
00:22:00,519 --> 00:22:01,519
Speaker 4: You know, even.

402
00:22:01,319 --> 00:22:06,240
Speaker 1: Before all of our modern you know, electronic payment options,

403
00:22:06,440 --> 00:22:10,079
we did have this thing called the mail, as well

404
00:22:10,119 --> 00:22:15,279
as local offices that were a little closer. So Durrangle

405
00:22:15,400 --> 00:22:20,880
could be a bit unpredictable, but it'd be immeasurably better

406
00:22:21,200 --> 00:22:25,920
to just face Durrango, find what he wants, and then

407
00:22:26,359 --> 00:22:30,960
take appropriate action. And it's also a better look for

408
00:22:31,400 --> 00:22:36,960
an intrepid insurance investigator hero. I mean, can you imagine

409
00:22:37,000 --> 00:22:39,920
what this would do for his reputation in the industry,

410
00:22:40,200 --> 00:22:45,000
let alone the idea that these radio programs are broadcasts

411
00:22:45,200 --> 00:22:48,720
in real life. I mean, in universe this is supposed

412
00:22:48,759 --> 00:22:52,319
to be a true crime series we're listening to. I mean,

413
00:22:52,480 --> 00:22:57,200
can you imagine that there is a true crime series

414
00:22:57,599 --> 00:23:01,759
and the person in the series all that. It's enough

415
00:23:01,799 --> 00:23:05,720
to make you ask questions like why didn't we make

416
00:23:05,759 --> 00:23:09,200
a radio show in which we recorded a complete lapse

417
00:23:09,200 --> 00:23:13,000
of dignity and common sense. Now, of course, because this

418
00:23:13,160 --> 00:23:15,880
is fiction, I know they are going to be better

419
00:23:16,000 --> 00:23:20,359
and more interesting episodes in which our hero will make

420
00:23:20,400 --> 00:23:22,960
a better showing than he did this week. All right,

421
00:23:23,400 --> 00:23:28,079
listener comments and feedback, and we start out on Spotify

422
00:23:28,480 --> 00:23:33,359
with Peter commenting regarding the Frisco fire matter. I can't

423
00:23:33,400 --> 00:23:38,000
say that I've heard that lifestyle commercial before. Thank you, Adam. Well,

424
00:23:38,039 --> 00:23:42,160
thanks so much, Peter, and I do actually find when

425
00:23:42,200 --> 00:23:45,680
we do have commercials in the episodes, in this case,

426
00:23:45,720 --> 00:23:49,160
they'd already been caught out by me. They're fascinating to

427
00:23:49,240 --> 00:23:53,759
listen to compared to other Golden Age radio programs, because

428
00:23:53,759 --> 00:23:58,720
at this point we've moved past the era that was

429
00:23:58,839 --> 00:24:03,720
so dominant up to the second half of the nineteen fifties,

430
00:24:03,759 --> 00:24:07,759
where you tended to have a single sponsor or maybe

431
00:24:07,920 --> 00:24:11,599
two sponsors for a show, and what we're dealing with

432
00:24:11,680 --> 00:24:18,720
instead are short ad slots for multiple sponsors. It's results

433
00:24:18,720 --> 00:24:22,720
in ads that are similar, at least in format, to

434
00:24:23,160 --> 00:24:27,559
what you would have heard if you've grown up, say

435
00:24:27,640 --> 00:24:31,440
in the seventies, eighties, nineties, but with a style that

436
00:24:31,720 --> 00:24:37,000
is very much late fifties early sixties specific. So it's

437
00:24:37,400 --> 00:24:39,960
they are fun to listen to. Then we turn to

438
00:24:40,079 --> 00:24:44,160
YouTube with some comments on the Jimmy Carter matter. Listener

439
00:24:44,240 --> 00:24:48,160
writes just a fact about the ten forty tax form commercial.

440
00:24:48,240 --> 00:24:52,279
In nineteen fifty nine, the highest tax rate was ninety percent,

441
00:24:52,359 --> 00:24:55,599
but you are allowed to duck things like your dependents, mortgage,

442
00:24:55,599 --> 00:25:01,079
credit card bills, car, household expenses, and fuel. Well thanks, uh, yeah,

443
00:25:01,279 --> 00:25:05,440
the top tax rate was in that light part of

444
00:25:05,480 --> 00:25:08,400
the fifties about ninety one percent. Of course, when you're

445
00:25:08,400 --> 00:25:11,920
dealing with a progressive income tax that's not paid on

446
00:25:12,160 --> 00:25:16,519
all your income, just your income above a certain threshold,

447
00:25:16,559 --> 00:25:21,440
but you did have more deductions that you could take.

448
00:25:21,799 --> 00:25:24,599
One of the ways that that tax code kind of

449
00:25:24,680 --> 00:25:27,720
worked its way into fiction of the era was a

450
00:25:27,839 --> 00:25:32,680
neural wolf, and actually in neural Wolf books of that era,

451
00:25:33,160 --> 00:25:37,400
he would only work until he hits into the top

452
00:25:37,519 --> 00:25:41,319
bracket and then would make the decision that it no

453
00:25:41,400 --> 00:25:45,480
longer made any sense for him to work if he is,

454
00:25:45,920 --> 00:25:49,279
you know, essentially paying the line share of his income

455
00:25:49,880 --> 00:25:53,839
to the government, and then saysoff rights. Tomorrow morning, I'm

456
00:25:53,880 --> 00:25:56,359
going out to check the frame filters on all of

457
00:25:56,400 --> 00:26:00,000
my vehicles. I mean, one never knows right well that different.

458
00:26:00,680 --> 00:26:04,240
I guess if you've got a vehicle with a nineteen

459
00:26:04,359 --> 00:26:07,519
fifty nine fram filter in it, although I think you

460
00:26:07,640 --> 00:26:12,839
might be a little passed on that deadline. And Kathy says,

461
00:26:13,359 --> 00:26:16,759
so surprising to hear a local commercial at the end,

462
00:26:17,519 --> 00:26:21,960
And thanks Kathy. And there actually are quite a few

463
00:26:22,559 --> 00:26:28,480
local commercials that we'll hear as we finish the rest

464
00:26:28,519 --> 00:26:32,680
of the Bailey years and get into the Reddick and

465
00:26:33,039 --> 00:26:37,480
Kramer runs. There actually are a lot of local commercials

466
00:26:38,000 --> 00:26:42,359
based in Albany, New York, since it since so many

467
00:26:42,440 --> 00:26:47,799
of the surviving programs from that era were from the

468
00:26:47,839 --> 00:26:52,079
Albany radio station. Then we have another listener survey result

469
00:26:52,160 --> 00:26:58,960
from Blueberry. I say this one because it referenced Johnny Doller.

470
00:26:59,799 --> 00:27:02,759
This comes from Lisa in California. I've been listening to

471
00:27:02,799 --> 00:27:07,039
Adams show since twenty twelve. Wow, thank you. I started

472
00:27:07,039 --> 00:27:11,200
mailing in donations in twenty thirteen through bill pay Monthly,

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and I started supporting the show through Patreon in twenty fifteen.

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Adam Graham is a wonderful host. I'm happy that he

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has expanded and improved his offerings over the years. I

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used to listen to old time radio in the seventies

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when I was in high school. They were rebroadcasting the

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00:27:28,559 --> 00:27:31,880
classics like Fiber McGhee and Mally and the Shadow. That's

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00:27:31,920 --> 00:27:35,079
when I started my appreciation of this medium, also my

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00:27:35,160 --> 00:27:41,319
appreciation of classic movies. Adam's podcast and TCM, especially near

481
00:27:41,400 --> 00:27:44,920
ally films, are my go to content for nostalgic entertainment.

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00:27:45,440 --> 00:27:48,839
Listening to Johnny Dahler especially makes me remember my life

483
00:27:48,839 --> 00:27:53,119
in twenty thirteen while in Geo bachelor housing at a

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Florida Navy base, when I would go to sleep with

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00:27:56,720 --> 00:28:02,000
the filler music that played from the a FRTs episodes.

486
00:28:02,079 --> 00:28:05,160
I think I'll be listening to this podcast and Adam's

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00:28:04,799 --> 00:28:09,799
other podcast as long as you Offerson well. Thank you

488
00:28:09,839 --> 00:28:13,000
so much. Appreciate that, Lisa, and then also got this

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00:28:13,240 --> 00:28:18,079
in from Ross who rides. I love listening to old

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00:28:18,079 --> 00:28:20,880
time radio, especially detective shows, and the host is so

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knowledgeable about each show and the old time radio genre.

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I hope his audience continues to grow. Adam does an

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00:28:27,640 --> 00:28:30,880
amazing job. Well, thank you so much. I appreciate your

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00:28:30,960 --> 00:28:34,759
com comments, Ross and that we'll actually do it for today.

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00:28:34,920 --> 00:28:38,519
If you're enjoying the podcast, please follow us using your

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00:28:38,640 --> 00:28:43,119
favorite podcast software. And if you're enjoying the podcast on YouTube,

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00:28:43,400 --> 00:28:46,279
be sure to lock the video, subscribe to the channel,

498
00:28:46,680 --> 00:28:50,400
and mark the notification bell, all those great things that

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00:28:50,519 --> 00:28:54,359
help YouTube channels to grow. We'll be back next Friday

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00:28:54,440 --> 00:28:58,200
with another episode of Yours Truly, Johnny Dollar. But join

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00:28:58,279 --> 00:29:00,519
us back here tomorrow. As we do. You have way

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00:29:00,640 --> 00:29:05,200
to the great adventurers of old tom radio and counterspot.

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00:29:05,440 --> 00:29:09,559
Speaker 9: Where sit down here, repeaters me. Yes, there's our lineup room, Larry,

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00:29:09,720 --> 00:29:11,799
and a few seconds several men will come out on

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00:29:11,799 --> 00:29:15,920
that platform up there behind glass sid Bolo among them.

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I want you to pick out the killer.

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00:29:18,759 --> 00:29:21,200
Speaker 7: Yes, the lights are so arrange that we can see

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00:29:21,200 --> 00:29:21,839
the men, but they.

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00:29:21,720 --> 00:29:27,880
Speaker 9: Can't see us, and they can't hear us either, Conway, Yes, already, Conway.

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00:29:27,880 --> 00:29:31,079
Speaker 3: You can send them out, yes, sir, okay, boys you

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00:29:31,160 --> 00:29:35,759
want it on stage? There they are, Larry.

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Speaker 7: Well, uh, the second man from the left, he looks

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00:29:42,160 --> 00:29:42,839
something like him.

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Speaker 4: Take your time.

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00:29:44,119 --> 00:29:46,680
Speaker 7: Well, I'm not positive now, you know. I only when

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00:29:46,680 --> 00:29:48,039
he saw the killer from the side.

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00:29:48,920 --> 00:29:53,680
Speaker 9: Just a minute, Conway. Second man from the left turned

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00:29:53,720 --> 00:29:56,799
to the right. Second man from the left turn to

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00:29:56,839 --> 00:29:58,480
the right.

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00:29:59,279 --> 00:30:02,440
Speaker 7: He seems told you see the man you described to

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00:30:02,519 --> 00:30:04,880
us the other day. Well, I'm not so sure now.

522
00:30:05,160 --> 00:30:06,279
You know it was dark that night.

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Speaker 9: Vince Dugan was your closest friend. You have a deep

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00:30:11,519 --> 00:30:13,839
personal interest in bringing his murderer to trial.

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00:30:14,039 --> 00:30:14,359
Speaker 2: Sure.

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00:30:14,640 --> 00:30:17,880
Speaker 9: Sure, But there's even more to this case. Recently, a

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00:30:17,920 --> 00:30:21,079
number of trucks carrying natro matuline, a powerful explosive, have

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been hijacked.

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Speaker 7: Yes, that's what we were carrying the other night, Larry.

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Speaker 9: We suspect that some big international racketeer is shipping the

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00:30:27,920 --> 00:30:30,960
stolen explosives to a dangerous anti American group in the

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00:30:31,000 --> 00:30:35,119
Far East to make all kinds of international trouble. Yes, sir,

533
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I see now, if you can point out the killer,

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00:30:38,279 --> 00:30:42,960
you will be helping us smash a dangerous international racket. Now,

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00:30:43,920 --> 00:30:46,640
can you identify one of those men as the murderer

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00:30:46,720 --> 00:30:47,519
of Vince Dugan?

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00:30:49,599 --> 00:30:53,160
Speaker 7: Mister Hotty, he he's not there, not the one who

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killed Vince.

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00:30:53,799 --> 00:30:57,799
Speaker 1: Duten You'll be with us then in the meantime, send

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00:30:57,839 --> 00:31:02,000
your comments to Box thirteen at Great Detectives dot net,

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00:31:02,480 --> 00:31:06,240
follow us on Twitter at Radio Detectives, and check us

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00:31:06,279 --> 00:31:12,440
out on Instagram, Instagram, dot com slash Great Detectives from Boise, Idaho.

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This is your host, Adam Graham, Sogn and all