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<v Speaker 1>The Joe Rogan Experience.

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<v Speaker 2>Train by day, Joe Rogan podcast by night. All day.

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<v Speaker 2>All right. Jamie's very geeked out. I want to let

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<v Speaker 2>you know. He didn't want to say it. Shawshank is

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<v Speaker 2>his all-time favorite movie. So he was kind of freaking

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<v Speaker 2>out when he met you.

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<v Speaker 1>Thanks, Jamie.

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<v Speaker 2>No problem.

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<v Speaker 1>Thank you.

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<v Speaker 2>It's all-time. I mean, you're a part of one of, like,

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<v Speaker 2>easily one of the greatest movies in the history of people.

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<v Speaker 1>I know. It's such a gift. I mean, when people...

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<v Speaker 1>Come up and say something about it. It usually is

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<v Speaker 1>coming from a pretty deep place. Yeah.

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<v Speaker 2>If you didn't like that movie, there's something– you should

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<v Speaker 2>go to a doctor. You need medication. There's something wrong

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<v Speaker 2>with you. It's an amazing movie. And weird that it's

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<v Speaker 2>a Stephen King movie too. That guy is arguably one

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<v Speaker 2>of the most prolific guys in the history of fiction.

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<v Speaker 1>Yeah. And in the same novella, there was Stand By

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<v Speaker 1>Me too.

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<v Speaker 2>Oh, wow.

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<v Speaker 1>Yeah.

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<v Speaker 2>That's amazing. It's so weird. His stuff varies so much.

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<v Speaker 2>He had to do like a pseudonym at one point

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<v Speaker 2>in time. Remember? He did Richard Bachman.

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<v Speaker 1>Yeah, yeah.

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<v Speaker 2>Because he was churning out so many books. They're like, hey,

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<v Speaker 2>we can't keep selling these fucking Stephen King books. And

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<v Speaker 2>he's like, well, how about I come up with another name?

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<v Speaker 2>Like give me a fake name. And he just started

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<v Speaker 2>killing it under a fake name. Just got to keep

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<v Speaker 2>writing it.

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<v Speaker 1>Got to, got to, got to. Yeah.

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<v Speaker 2>Wild. Wild guy. Yeah. Just a very unusual human. You know,

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<v Speaker 2>they exist.

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<v Speaker 1>Yeah. Totally met him once.

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<v Speaker 2>Really? Yeah. Did you meet him like when you were

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<v Speaker 2>filming the movie?

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<v Speaker 1>Around the premiere time. Yeah. Yeah.

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<v Speaker 2>So he's out there, man.

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<v Speaker 1>Yeah.

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<v Speaker 2>You know, during his early days, I'm fascinated by his

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<v Speaker 2>early days because his early days he was off the

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<v Speaker 2>rails with cocaine and alcohol and some of the best

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<v Speaker 2>shit that he made. Really? He doesn't even remember writing it.

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<v Speaker 1>Wow.

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<v Speaker 2>I think Cooch, I think it's one of the books

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<v Speaker 2>his wife took out of the garbage bin. Cause he

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<v Speaker 2>threw it away. He's like, fuck this book sucks. It was,

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<v Speaker 2>it was Cujo or one of the classics.

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<v Speaker 1>Yeah.

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<v Speaker 2>And she was like, are you out of your fucking mind? Like,

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<v Speaker 2>this is incredible. And he was literally going to throw

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<v Speaker 2>it out. Cause it was just out of his mind.

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<v Speaker 1>He wrote the shining, right? Yeah. So what was it? Carrie? Yeah.

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<v Speaker 2>He threw Carrie away.

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<v Speaker 1>Crazy.

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<v Speaker 2>Crazy.

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<v Speaker 1>That's crazy. Yeah. Shining was a big movie from a book,

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<v Speaker 1>big book for me. I was, you know, working in a,

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<v Speaker 1>Nine to five job and in between colleges and it

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<v Speaker 1>really like woke me up to all kinds of great

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<v Speaker 1>possibilities in writing.

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<v Speaker 2>Well, he hated the movie, which is so crazy because

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<v Speaker 2>he felt like Jack Nicholson got insane too quickly. Really? Yeah,

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<v Speaker 2>because in the book– I read the book too. It's

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<v Speaker 2>very different, similar but different. It's more of a drawn

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<v Speaker 2>out process of him becoming possessed by the property. Slower rollout.

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<v Speaker 1>Yeah.

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<v Speaker 2>He like Jack Nicholson was kind of kooky already, like

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<v Speaker 2>right away, which, you know, it's Jack Nicholson. It's also

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<v Speaker 2>Stanley Kubrick. It's like, he's got to do his interpretation

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<v Speaker 2>of it. You just got to accept that.

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<v Speaker 1>Yeah. That's some scary shit in that.

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<v Speaker 2>Fuck man. His books are insane.

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<v Speaker 1>Yeah.

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<v Speaker 2>It's like, What is going on inside that guy's– or

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<v Speaker 2>was going on inside that guy's mind when he was

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<v Speaker 2>writing that?

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<v Speaker 1>God knows.

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<v Speaker 2>I think once he got clean, he kind of changed

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<v Speaker 2>and straightened out and different human now. But boy, I'm

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<v Speaker 2>fascinated by the off-the-rails days because the books were so nuts.

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<v Speaker 1>Was Shawshank during that time?

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<v Speaker 2>I don't know. It must have been. It must have

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<v Speaker 2>been because I don't think he got sober until– it

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<v Speaker 2>was decades after his career began.

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<v Speaker 1>Wow.

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<v Speaker 2>Some of the great stuff, like I think all the stand,

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<v Speaker 2>I think all that stuff, he was out of his

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<v Speaker 2>mind and he was writing all those.

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<v Speaker 1>But in the midst of all that madness, there's a tenderness,

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<v Speaker 1>you know?

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<v Speaker 2>Oh yeah. Oh, great humanity to it all. Yeah. Yeah.

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<v Speaker 2>I mean, but also just a true understanding of the

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<v Speaker 2>darkest nature of humans and, and how they're influenced. And

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<v Speaker 2>then of course, you know, demonic possession and, Salem's lot

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<v Speaker 2>and all that other crazy shit. It was like, he

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<v Speaker 2>was just so good.

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<v Speaker 1>But then the idea that a library can be the, uh,

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<v Speaker 1>you know, in Shawshank that the library can be the liberation. Yeah.

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<v Speaker 2>Yeah. No, it was amazing. Amazing movie. Um, we were

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<v Speaker 2>talking about your new show silo, which I did not new. Um,

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<v Speaker 2>it's been around for three seasons. I just started watching it.

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<v Speaker 2>So it's new to me. I watched the first two

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<v Speaker 2>episodes last night. It was fucking great and very original

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<v Speaker 2>and interesting. And I was telling you before that it

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<v Speaker 2>made me think of this place that they discovered fairly

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<v Speaker 2>recently in Turkey called Derinkuyu. And Derinkuyu is this underground

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<v Speaker 2>city that's massive. I think it could hold 20,000 people.

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<v Speaker 1>Wow.

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<v Speaker 2>Something nutty like that.

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<v Speaker 1>I've seen pictures of it.

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<v Speaker 2>Found completely by accident.

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<v Speaker 1>Yeah.

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<v Speaker 2>So some guy lost one of his chickens, went through

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<v Speaker 2>a hole in the wall and never came back. And

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<v Speaker 2>he was trying to figure out where this fucking chicken went.

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<v Speaker 2>So he broke down the wall to see what was

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<v Speaker 2>going on. And then they realized that there's this insane

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<v Speaker 2>underground city.

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<v Speaker 1>Oh, my God.

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<v Speaker 2>Yeah, underneath this town in Turkey. And it's massive. Just

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<v Speaker 2>absolutely massive. They have no idea who made it. There's

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<v Speaker 2>no historical record of it.

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<v Speaker 1>Any idea of when?

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<v Speaker 2>Well, you know, they make guesses based on stuff they

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<v Speaker 2>find there. But it's when you carbon date an object, right?

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<v Speaker 2>So you could go visit the pyramids today, right? And

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<v Speaker 2>you could leave behind some stuff, right? And then everybody dies.

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<v Speaker 2>Humanity dies out in a cataclysm. And then 100,000 years

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<v Speaker 2>from now, people start looking through the piles of some

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<v Speaker 2>of these sites and the pyramids will probably still be there.

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<v Speaker 2>And if there was any organic material left, like a

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<v Speaker 2>book that you left or a leather-bound book or some

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<v Speaker 2>piece of wood, they could carbon date that. And then

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<v Speaker 2>that would say the time that you were there. But

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<v Speaker 2>it wouldn't say the time that the actual structure was made.

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<v Speaker 2>So who knows how long people– show me some more

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<v Speaker 2>pictures of that, please. I was looking up when it

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<v Speaker 2>was made. Do they know? No, definitely don't know. They

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<v Speaker 2>didn't even know it existed. I mean it was– when

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<v Speaker 2>was it found? I feel like it was found in

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<v Speaker 2>the 20th century.

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<v Speaker 1>There must have been some kind of hostile force that

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<v Speaker 1>they built it to escape from. Exactly.

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<v Speaker 2>Or something going on outside.

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<v Speaker 1>Yeah.

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<v Speaker 2>And not just hostile but environmental. So 1963, rediscovered in 1963.

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<v Speaker 1>Wow.

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<v Speaker 2>That's crazy. It was in his fucking house. Even today,

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<v Speaker 2>only 10% of it is accessible to tourists. The rest

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<v Speaker 2>is still being explored. That's how nuts it is. So

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<v Speaker 2>how many people do they think it held when it

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<v Speaker 2>was operational? I think it's something like 20,000 people. That's

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<v Speaker 2>how big this place is.

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<v Speaker 1>That's amazing.

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<v Speaker 2>So they don't know when or why. And depending on

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<v Speaker 2>how– around 20,000 people.

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<v Speaker 1>Plus livestock.

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<v Speaker 2>Plus livestock and food stores.

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<v Speaker 1>Really? How'd they farm down there?

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<v Speaker 2>Who fucking knows? I don't know. But they had grain storage.

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<v Speaker 2>They had all kinds of stuff down there.

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<v Speaker 1>Oil presses.

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<v Speaker 2>18 levels reaching 85 meters. So 280 feet deep into

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<v Speaker 2>the ground with ventilation shafts, wells, stables, wine and oil presses,

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<v Speaker 2>storage rooms, chapels and school rooms. Plus a half ton

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<v Speaker 2>circular stone doors that could be rolled shut from the

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<v Speaker 2>inside only. So they were obviously either fighting off some

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<v Speaker 2>sort of an army or the outside air was hostile.

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<v Speaker 2>There was something going on.

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<v Speaker 1>Got too hot or something.

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<v Speaker 2>Could have been.

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<v Speaker 1>Yeah, yeah.

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<v Speaker 2>Well, there's been many moments in the time that human

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<v Speaker 2>beings were alive where there have been cataclysms. There's this

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<v Speaker 2>thing called the Younger Dryas Impact Theory that's around 11,800

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<v Speaker 2>years ago. There's all this evidence that there was massive

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<v Speaker 2>asteroid impacts all over the earth, comet impacts.

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<v Speaker 1>Uh-huh.

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<v Speaker 2>And they think that it was probably a reset of civilization.

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<v Speaker 2>And so this could have been post that. It could

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<v Speaker 2>have been how some people survived in these areas.

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<v Speaker 1>Human beings have an amazing ability to survive.

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<v Speaker 2>Yeah. I mean– Which is Silo. I mean it's really–

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<v Speaker 2>Silo is a modern version of Darren Cooley.

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<v Speaker 1>Yeah, yeah. And here I was in the middle of

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<v Speaker 1>lockdown when I received those scripts. And I was like, oh,

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<v Speaker 1>this is actually talking about right now. Yeah. This is

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<v Speaker 1>about a controlled society where information is censored and where

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<v Speaker 1>compliance is necessary. And if you don't comply, you get

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<v Speaker 1>sent out into the hostile environment. It was all too

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<v Speaker 1>familiar metaphorically for me.

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<v Speaker 2>Perfect timing.

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<v Speaker 1>Yeah, perfect timing.

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<v Speaker 2>Because you got to think that he must have written

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<v Speaker 2>that before, right?

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<v Speaker 1>Yeah, many years ago.

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<v Speaker 2>So it was just– Got lucky.

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<v Speaker 1>Yeah. Yeah. Perfect. Here we go.

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<v Speaker 2>Synchronicity.

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<v Speaker 1>Yeah.

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<v Speaker 2>Yeah.

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<v Speaker 1>I've been blessed that way in my career. Yeah.

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<v Speaker 2>What do you think that's about? Do you ever wonder

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<v Speaker 2>why you're so lucky? Obviously, you're very talented. Thank you.

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<v Speaker 2>But it's also– there's a lot of talented people that

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<v Speaker 2>don't– nothing ever happens for them.

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<v Speaker 1>I think it comes down to the ability to say

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<v Speaker 1>no at crucial times when I was facing down either–

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<v Speaker 1>I remember when I first had my first child and

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<v Speaker 1>I was broke and I got offered this comedy that

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<v Speaker 1>was dumb and it was a million bucks and I

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<v Speaker 1>needed the money. And I also had an opportunity if

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<v Speaker 1>I waited. Robert Altman was trying to put together The Player.

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<v Speaker 1>So I threw caution to the wind and said, no,

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<v Speaker 1>I can't do that stupid comedy.

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<v Speaker 2>What was the stupid comedy?

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<v Speaker 1>Do you remember? Yeah, it was called Folk. I remember

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<v Speaker 1>flying out to L.A. to meet on it. And I'm

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<v Speaker 1>with Alan Arkin. And he was the guy that was

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<v Speaker 1>going to play my father in this thing. And he said,

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<v Speaker 1>what the fuck are you doing this script for? I said,

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<v Speaker 1>I need the money. He says, I don't know. I'm

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<v Speaker 1>not sure I want to do this thing. I was like,

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<v Speaker 1>thank you, Alan Arkin, for confirming what I was thinking.

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<v Speaker 2>Wow.

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<v Speaker 1>Yeah. And so I said no. And then player came

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<v Speaker 1>through and shifted my whole career. Yeah.

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<v Speaker 2>It's a matter of following that voice in your head,

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<v Speaker 2>the instinct, the one that's telling you this is the

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<v Speaker 2>right way to go.

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<v Speaker 1>Yeah.

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<v Speaker 2>Even though there's all sorts of influence that want to

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<v Speaker 2>lead you into the other direction.

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<v Speaker 1>There was a period of time about 10, 15 years

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<v Speaker 1>ago when I got offered in the course of seven months,

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<v Speaker 1>I got offered to play the head of the CIA

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<v Speaker 1>three times. Did you ever wonder what that's all about?

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<v Speaker 1>I couldn't even imagine. I mean, for some reason, that was,

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<v Speaker 1>I don't know. I have no idea. And then a

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<v Speaker 1>couple of years after that– and again, you're looking down

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<v Speaker 1>at your bills and your mortgages and stuff and you

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<v Speaker 1>need the money and just have to– I don't want

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<v Speaker 1>to do that, right? Then a few years after– a

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<v Speaker 1>couple of years after that, I got offered in the

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<v Speaker 1>course of a couple of months, one, to play the

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<v Speaker 1>head of FIFA. which is a corrupt organization. But in

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<v Speaker 1>the movie, it was– they were the best people in

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<v Speaker 1>the world, right?

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<v Speaker 2>Propaganda.

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<v Speaker 1>Not to mention that the head of FIFA was a

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<v Speaker 1>Brazilian and I had– but they were offering a ton

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<v Speaker 1>of money and basically it was FIFA producing a movie

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<v Speaker 1>about itself.

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<v Speaker 2>Oh, wow.

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<v Speaker 1>And after that, I got an offer to play the

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<v Speaker 1>head of the Chilean mine that was– had just had

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<v Speaker 1>this huge disaster. And it turns out the mining company

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<v Speaker 1>was– they were really nice people according to the script. Yeah.

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<v Speaker 1>It wasn't bad management or anything or, you know, that

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<v Speaker 1>made the disaster happen. So I realized that, that the

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<v Speaker 1>oligarchs are starting to make movie about themselves. It's got

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<v Speaker 1>oligarchical cinema. It's like they produce movies that make themselves

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<v Speaker 1>look really good.

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<v Speaker 2>And you can get away with it.

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<v Speaker 1>Oh, hell yeah. Nobody knows. Nobody cares. And they think

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<v Speaker 1>they can buy anybody and they almost bought me. But

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<v Speaker 1>I just, I have to, at times I just have

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<v Speaker 1>to look, you know, face it down and say, listen, it,

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<v Speaker 1>it's not right in my heart. I can't, I can't

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<v Speaker 1>do it. Yeah.

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<v Speaker 2>Well, that's great. You've got that North star.

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<v Speaker 1>It's great that I had the luxury.

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<v Speaker 2>Yeah.

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<v Speaker 1>You know, oftentimes people don't have that luxury. Right.

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<v Speaker 2>And one bad decision can pigeonhole you in a bad

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<v Speaker 2>direction and then you'll never get the ones that you

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<v Speaker 2>really want. Yeah. These movies about you playing CIA had,

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<v Speaker 2>did they ever get made?

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<v Speaker 1>Oh yeah. Yeah. There were TV shows and movies. Yeah.

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<v Speaker 2>Was any of it any good?

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<v Speaker 1>I remember when we were doing movies like, you know,

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<v Speaker 1>The Day of the Condor, you know, which was like

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<v Speaker 1>critical of the CIA. And I think now we have

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<v Speaker 1>the rogue CIA agents that are actually good guys. And,

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<v Speaker 1>you know, listen, CIA, you know, whatever it does, nobody

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<v Speaker 1>really knows the extent of what they do. But they

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<v Speaker 1>do have a lot of good guys. portrayals in the media.

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<v Speaker 2>Well, I think there's good people that are in the

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<v Speaker 2>CIA as well. And I think that it's necessary. I

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<v Speaker 2>just think that they obviously have unchecked power and they've

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<v Speaker 2>done some really fucking shady shit, you know, in the

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00:13:47.460 --> 00:13:49.419
<v Speaker 2>name of this is the right thing to do right now,

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00:13:49.919 --> 00:13:50.879
<v Speaker 2>including selling drugs.

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<v Speaker 1>Yeah. You know, I remember that Iran Contra. I remember that.

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<v Speaker 2>That's one of the, I mean, I remember that because

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<v Speaker 2>I was, I guess I was either right out of

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<v Speaker 2>high school. It was like in that area. Where the

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<v Speaker 2>whole Oliver Stone thing was on television all the time.

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<v Speaker 1>Oliver North.

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<v Speaker 2>Oliver North, excuse me. Oliver North and Ronald Reagan. And

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<v Speaker 2>there was this guy, Jimmy Tingle, hilarious Boston stand-up comedian

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<v Speaker 2>who had a great joke about it. Where they're interviewing

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<v Speaker 2>Ronald Reagan and they say, Mr. President, did you ever

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<v Speaker 2>sell arms to people who hate us? And he's like,

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<v Speaker 2>I don't remember. He goes, well, in the future, if

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00:14:28.259 --> 00:14:31.789
<v Speaker 2>you sell arms to people who hate us, Jot it down.

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<v Speaker 2>Make a note of it.

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<v Speaker 1>He goes, put a post-it on your refrigerator.

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<v Speaker 2>Today, I sold arms to Iran.

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<v Speaker 1>I remember that was in the 80s. I did a

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00:14:46.460 --> 00:14:48.620
<v Speaker 1>play about it. I wrote a play about it. Really?

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<v Speaker 1>We performed it with the actors gang, yeah.

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<v Speaker 2>There was a meme that was on social media recently

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<v Speaker 2>that was– it showed Oliver North during the whole Iran

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00:14:58.549 --> 00:15:02.450
<v Speaker 2>concert trials. When they got caught selling drugs in Los

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<v Speaker 2>Angeles to fund the Contras versus the Sandinistas in Nicaragua.

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<v Speaker 2>And then he goes to jail. And then the same

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<v Speaker 2>guy you see later on Fox News as like a

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<v Speaker 2>war analyst. And it's like this hilarious meme. Like if

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<v Speaker 2>you told me in 1980, whatever the fuck it was,

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00:15:20.250 --> 00:15:23.549
<v Speaker 2>where he got in trouble, that he would eventually be

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<v Speaker 2>the guy that they call upon for expert advice. On

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<v Speaker 2>what's going on overseas.

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<v Speaker 1>Yeah. It's a deep connection that goes back years. All

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<v Speaker 1>the people that get it wrong, particularly Iraq war, anyone

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00:15:37.220 --> 00:15:38.879
<v Speaker 1>that got it wrong got promotions. Yeah.

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<v Speaker 2>And no one got in trouble.

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<v Speaker 1>No one got fired. People in the media as well.

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<v Speaker 1>They promoted it. They got better jobs.

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<v Speaker 2>Well, this is kind of the only time in our

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00:15:50.190 --> 00:15:54.830
<v Speaker 2>lifetimes where there's actual real independent media. where there's independent

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00:15:54.870 --> 00:15:57.889
<v Speaker 2>journalists that are not connected to any major corporations that

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00:15:57.929 --> 00:16:00.779
<v Speaker 2>are operating either on Substack or online or on YouTube

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00:16:00.820 --> 00:16:05.840
<v Speaker 2>or on X. It's fascinating because they're the ones that

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00:16:05.879 --> 00:16:10.000
<v Speaker 2>are exposing all these connections that the media and the

340
00:16:10.120 --> 00:16:12.620
<v Speaker 2>Central Intelligence Agency and all these other government organizations have

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<v Speaker 2>had where they've all been working together forever, spinning narratives

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<v Speaker 2>on TV. And so like anytime something like the Iraq

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<v Speaker 2>war happens where they go, oh, we've got weapons of

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<v Speaker 2>mass destruction. We've got to go in there. No weapons

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<v Speaker 2>of mass destruction. No one goes away. No one gets

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<v Speaker 2>in trouble. And the same people are on TV telling

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00:16:28.549 --> 00:16:29.809
<v Speaker 2>you about some new thing that you have to pay

348
00:16:29.830 --> 00:16:33.289
<v Speaker 2>attention to. It's like, this is nuts. This episode is

349
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350
00:16:35.970 --> 00:16:39.450
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351
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354
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<v Speaker 1>Well, some people get in trouble, people that come out

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<v Speaker 1>against it. And there's never any apologies. I did. I did. I,

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<v Speaker 1>you know, I risked, you know, a lot to do

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00:17:41.950 --> 00:17:45.920
<v Speaker 1>it and, you know, wound up. being right but no

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00:17:45.960 --> 00:17:48.240
<v Speaker 1>one ever said hey you were right you know and this.

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00:17:48.119 --> 00:17:50.759
<v Speaker 2>Was during the iraq war yeah um what.

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<v Speaker 1>Did you say i uh i i was one of

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<v Speaker 1>maybe five people that were famous that came out against

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<v Speaker 1>that wolf um went on you know in various television

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<v Speaker 1>shows and made a couple speeches i got my uh,

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<v Speaker 1>appearance at the baseball hall of fame for bull Durham

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00:18:10.430 --> 00:18:13.369
<v Speaker 1>15th anniversary or something like canceled, uh, by the head

377
00:18:13.410 --> 00:18:17.289
<v Speaker 1>of the, the baseball hall of fame. It was real, uh,

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00:18:17.380 --> 00:18:19.000
<v Speaker 1>you know, you know, it was funny because I was,

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00:18:19.019 --> 00:18:22.039
<v Speaker 1>I was doing a show at the time and, uh,

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00:18:22.319 --> 00:18:24.259
<v Speaker 1>I heard about it and I had, I was sort

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00:18:24.279 --> 00:18:28.339
<v Speaker 1>of writing a response, but, it was already printed by

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00:18:28.359 --> 00:18:31.059
<v Speaker 1>the time I had my response. Right. So I got

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00:18:31.140 --> 00:18:34.650
<v Speaker 1>the next day, I got a bunch of, um, people

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00:18:34.769 --> 00:18:38.109
<v Speaker 1>contacting me. I hired a crisis PR person for the

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00:18:38.150 --> 00:18:40.839
<v Speaker 1>first time in my life and, uh, wound up getting

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00:18:40.940 --> 00:18:44.160
<v Speaker 1>my letter to Dale Petroski, the head of the hall

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00:18:44.180 --> 00:18:48.359
<v Speaker 1>of fame out there with the, uh, with the press release.

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<v Speaker 1>They were basically ambushed trying to, you know, to call

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00:18:51.690 --> 00:18:55.769
<v Speaker 1>me a traitor and all this stuff. And, um, So

390
00:18:55.829 --> 00:18:59.049
<v Speaker 1>I pushed back and the publicist that I had hired

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00:18:59.190 --> 00:19:01.029
<v Speaker 1>was very smart. He said, we're going to send this

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<v Speaker 1>to all the sports writers. And it was the sports

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00:19:03.529 --> 00:19:06.440
<v Speaker 1>writers that wrote the articles defending freedom of speech.

394
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<v Speaker 2>Wow.

395
00:19:07.599 --> 00:19:10.160
<v Speaker 1>At the time. So it was– What year was this?

396
00:19:10.279 --> 00:19:11.900
<v Speaker 2>Is this right after 9-11?

397
00:19:12.200 --> 00:19:14.640
<v Speaker 1>This was right when we were cooking up the war, 2003.

398
00:19:14.619 --> 00:19:20.890
<v Speaker 1>So– and I remember– and I also wrote a piece

399
00:19:20.950 --> 00:19:24.900
<v Speaker 1>about that called Embedded. that we performed for the first

400
00:19:24.960 --> 00:19:28.839
<v Speaker 1>time three weeks after Bush landed on that aircraft carrier

401
00:19:28.880 --> 00:19:32.960
<v Speaker 1>with a mission accomplished thing. So that wound up playing

402
00:19:33.339 --> 00:19:36.809
<v Speaker 1>across the country. We toured it and played in New

403
00:19:36.829 --> 00:19:40.329
<v Speaker 1>York Public Theater and played in London. But it was

404
00:19:40.549 --> 00:19:43.549
<v Speaker 1>attacked when we went to New York. They sent someone

405
00:19:44.309 --> 00:19:47.630
<v Speaker 1>from– there wasn't a theater critic while we were still

406
00:19:47.650 --> 00:19:51.019
<v Speaker 1>in previews and published this thing in– I think it

407
00:19:51.039 --> 00:19:57.500
<v Speaker 1>was the New Republic. Basically calling me a conspiracy theorist, anti-Semite,

408
00:19:57.539 --> 00:20:00.720
<v Speaker 1>all this stuff to try to discredit this play that

409
00:20:00.769 --> 00:20:02.309
<v Speaker 1>was playing at the– How did.

410
00:20:02.210 --> 00:20:03.990
<v Speaker 2>They connect anti-Semite?

411
00:20:04.589 --> 00:20:07.170
<v Speaker 1>It doesn't matter. That's what they throw out. There was

412
00:20:07.210 --> 00:20:10.809
<v Speaker 1>nothing anti-Semitic about the play. Of course. It was just–

413
00:20:11.130 --> 00:20:14.130
<v Speaker 1>it's one of the things they used to discredit people.

414
00:20:14.910 --> 00:20:19.079
<v Speaker 2>What did you know about– so what made you compelled

415
00:20:19.339 --> 00:20:20.420
<v Speaker 2>to come out against the war?

416
00:20:20.680 --> 00:20:23.980
<v Speaker 1>I was reading foreign press. I was reading stuff from

417
00:20:24.319 --> 00:20:28.319
<v Speaker 1>Europe and what they were writing about the weapons of

418
00:20:28.339 --> 00:20:32.210
<v Speaker 1>mass destruction and that there wasn't any evidence and it

419
00:20:32.250 --> 00:20:36.009
<v Speaker 1>wasn't being covered like it was here. It was more open,

420
00:20:36.029 --> 00:20:40.539
<v Speaker 1>more– transparent, the reporting. And so I was trusting that

421
00:20:40.720 --> 00:20:43.119
<v Speaker 1>and trusting sources that I had trusted in the past

422
00:20:44.259 --> 00:20:50.210
<v Speaker 1>and realized that when I did question, the attacks were vociferous.

423
00:20:50.450 --> 00:20:53.349
<v Speaker 1>So that usually is a tell, like in poker. That's

424
00:20:53.430 --> 00:20:55.930
<v Speaker 1>like a– it usually means you're on to something.

425
00:20:55.950 --> 00:20:56.730
<v Speaker 2>You're over the mark.

426
00:20:56.970 --> 00:21:00.670
<v Speaker 1>If they– when I came out against that first war

427
00:21:00.829 --> 00:21:06.819
<v Speaker 1>in Iraq in 91– I remember the elder Bush said, well,

428
00:21:07.420 --> 00:21:10.789
<v Speaker 1>this is a democracy. People have the right to oppose it.

429
00:21:10.940 --> 00:21:13.190
<v Speaker 1>And that was their response. But this one was like

430
00:21:13.230 --> 00:21:17.289
<v Speaker 1>you're a traitor. You're a Saddam supporter, terrorist, sympathizer, all

431
00:21:17.309 --> 00:21:20.950
<v Speaker 1>that stuff. They really attacked. And that told me that

432
00:21:21.329 --> 00:21:22.630
<v Speaker 1>I was probably over the target.

433
00:21:22.849 --> 00:21:28.309
<v Speaker 2>Yeah. That had to be– a very disturbing moment because look,

434
00:21:28.369 --> 00:21:30.549
<v Speaker 2>it turns out you were right. And not only were

435
00:21:30.589 --> 00:21:34.130
<v Speaker 2>you right, but now today in 2026 is universally accepted

436
00:21:34.849 --> 00:21:37.210
<v Speaker 2>that there were no weapons of mass destruction. That was

437
00:21:37.269 --> 00:21:39.509
<v Speaker 2>a terrible war and it was not something that should

438
00:21:39.529 --> 00:21:40.109
<v Speaker 2>have ever happened.

439
00:21:40.329 --> 00:21:40.509
<v Speaker 1>Yeah.

440
00:21:41.009 --> 00:21:41.539
<v Speaker 2>Universally.

441
00:21:41.710 --> 00:21:41.890
<v Speaker 1>Yeah.

442
00:21:42.299 --> 00:21:44.819
<v Speaker 2>If you said it today, it's not even remotely controversial.

443
00:21:45.339 --> 00:21:48.039
<v Speaker 1>Yeah. Well, that's the way it works. They finally admit

444
00:21:48.079 --> 00:21:51.180
<v Speaker 1>the truth later. You know, I think they're doing that

445
00:21:51.240 --> 00:21:54.180
<v Speaker 1>now with COVID, you know, the Fauci is going to

446
00:21:54.579 --> 00:21:57.240
<v Speaker 1>do his thing tomorrow. I'm very curious to see what

447
00:21:57.480 --> 00:21:58.220
<v Speaker 1>happens with that.

448
00:21:59.180 --> 00:22:02.049
<v Speaker 2>Well, they don't give you a universal pardon for 10

449
00:22:02.049 --> 00:22:05.930
<v Speaker 2>years if you didn't do something. I mean, you don't

450
00:22:05.990 --> 00:22:09.410
<v Speaker 2>campaign for that if there's not some smoke.

451
00:22:09.809 --> 00:22:12.849
<v Speaker 1>Yeah, that was a very scary time. You know, it was,

452
00:22:12.869 --> 00:22:17.609
<v Speaker 1>you know, to come out when people, when the media

453
00:22:17.670 --> 00:22:20.690
<v Speaker 1>is attacking you, it's a very scary thing. But the

454
00:22:20.849 --> 00:22:24.970
<v Speaker 1>great good fortune I had in 2003 So I was

455
00:22:25.009 --> 00:22:26.809
<v Speaker 1>living in New York at the time, right? So I

456
00:22:26.849 --> 00:22:29.430
<v Speaker 1>would have to walk my kids to school. And I

457
00:22:30.930 --> 00:22:33.650
<v Speaker 1>remember thinking, oh, my God, what's going to happen? Are

458
00:22:33.670 --> 00:22:35.609
<v Speaker 1>there going to be people yelling at me, et cetera?

459
00:22:36.250 --> 00:22:39.940
<v Speaker 1>And that wasn't the truth. The truth was that people,

460
00:22:40.240 --> 00:22:44.779
<v Speaker 1>if anything, said, you know, way to go. Thanks for

461
00:22:44.799 --> 00:22:47.920
<v Speaker 1>speaking for us. And if they disagreed, they said, you know,

462
00:22:48.039 --> 00:22:49.690
<v Speaker 1>you have the right to do it. That's the way

463
00:22:49.990 --> 00:22:51.910
<v Speaker 1>generally people are in this country.

464
00:22:52.170 --> 00:22:53.009
<v Speaker 2>And should be.

465
00:22:53.210 --> 00:22:56.269
<v Speaker 1>And I usually would take– every year I would take

466
00:22:56.329 --> 00:23:00.630
<v Speaker 1>my kids to the Final Four. And that year it

467
00:23:00.690 --> 00:23:03.529
<v Speaker 1>was in San Antonio. And I remember thinking, oh, my God,

468
00:23:03.589 --> 00:23:05.609
<v Speaker 1>I'm going down to Texas and they're going to yell

469
00:23:05.650 --> 00:23:07.839
<v Speaker 1>at me down there. And no one said a damn thing.

470
00:23:08.410 --> 00:23:10.779
<v Speaker 1>So the reality on the ground was a lot different

471
00:23:10.799 --> 00:23:12.960
<v Speaker 1>than the reality they were creating. The reality they were

472
00:23:13.019 --> 00:23:15.559
<v Speaker 1>creating was to intimidate other people into silence.

473
00:23:15.740 --> 00:23:15.900
<v Speaker 2>Right.

474
00:23:16.339 --> 00:23:19.019
<v Speaker 1>It wasn't a based on any kind of real reality

475
00:23:19.099 --> 00:23:22.650
<v Speaker 1>of people being angry at me. It was more, uh,

476
00:23:22.990 --> 00:23:26.750
<v Speaker 1>them trying to intimidate others. And so that same thing

477
00:23:26.789 --> 00:23:31.430
<v Speaker 1>kind of happened. I recognize that same smell, uh, when

478
00:23:31.490 --> 00:23:35.259
<v Speaker 1>COVID was happening, when people came out, uh, and started

479
00:23:35.299 --> 00:23:41.339
<v Speaker 1>asking questions and were deplatformed or, um, marginalized or canceled. And, uh,

480
00:23:42.359 --> 00:23:45.720
<v Speaker 1>You know, I followed what you were going through with

481
00:23:45.859 --> 00:23:51.079
<v Speaker 1>the ivermectin, which was a drug that I had taken. And,

482
00:23:51.279 --> 00:23:53.029
<v Speaker 1>you know, I had lost my sense of smell and

483
00:23:53.220 --> 00:23:56.029
<v Speaker 1>a day later it was back. So I knew there

484
00:23:56.069 --> 00:23:58.990
<v Speaker 1>was something going on with that. And, you know, in

485
00:23:59.029 --> 00:24:03.890
<v Speaker 1>an emergency, why not find whatever you can treat until

486
00:24:03.930 --> 00:24:06.390
<v Speaker 1>your magic potion arrives, you know?

487
00:24:06.410 --> 00:24:09.470
<v Speaker 2>It wasn't just that. It was like the completely disingenuous

488
00:24:09.539 --> 00:24:13.619
<v Speaker 2>characterization of it as a veterinary drug. and calling it

489
00:24:13.779 --> 00:24:19.140
<v Speaker 2>horse paste or horse dewormer, which is crazy. It's crazy

490
00:24:19.420 --> 00:24:22.799
<v Speaker 2>because maybe that would have worked in 1980 when people

491
00:24:22.819 --> 00:24:24.900
<v Speaker 2>would have to go to the encyclopedia to find out

492
00:24:24.940 --> 00:24:28.119
<v Speaker 2>what ivermectin really was. But when you're trying to do

493
00:24:28.160 --> 00:24:31.069
<v Speaker 2>that in 2020, it's just too easy to look up, oh, look,

494
00:24:31.589 --> 00:24:35.150
<v Speaker 2>it got a Nobel Prize for use in human beings. Oh,

495
00:24:35.190 --> 00:24:38.630
<v Speaker 2>it's great for yellow fever and dengue fever and river blindness. And, oh,

496
00:24:38.670 --> 00:24:41.150
<v Speaker 2>this has been used billions of times. Oh, it's one

497
00:24:41.170 --> 00:24:43.599
<v Speaker 2>of the– Wait a minute. It's in the World Health

498
00:24:43.640 --> 00:24:45.660
<v Speaker 2>Organization's essential medicines list?

499
00:24:45.880 --> 00:24:46.059
<v Speaker 1>Yeah.

500
00:24:46.099 --> 00:24:49.089
<v Speaker 2>This is crazy. But yet on television, it's horse dewormer.

501
00:24:49.549 --> 00:24:52.069
<v Speaker 2>And even the Rolling Stone had an article where they

502
00:24:52.109 --> 00:24:55.009
<v Speaker 2>showed people waiting in line. They said that people in

503
00:24:55.150 --> 00:24:58.430
<v Speaker 2>Oklahoma were waiting in line at the emergency room with

504
00:24:58.509 --> 00:25:00.670
<v Speaker 2>gunshot wounds because they couldn't get in there because so

505
00:25:00.690 --> 00:25:05.380
<v Speaker 2>many people were overdosing from ivermectin, which is just fake.

506
00:25:06.299 --> 00:25:09.240
<v Speaker 2>And it's in the Rolling Stone. You're like, What is

507
00:25:09.279 --> 00:25:12.220
<v Speaker 2>going on? This is insane. Even the photograph was fake.

508
00:25:12.460 --> 00:25:15.660
<v Speaker 2>The photograph showed people wearing winter coats because really the

509
00:25:15.740 --> 00:25:18.369
<v Speaker 2>line was people waiting for a flu shot. That was

510
00:25:18.380 --> 00:25:21.170
<v Speaker 2>the actual line. And they were trying to say that

511
00:25:21.190 --> 00:25:23.289
<v Speaker 2>these are people waiting in line to go to the

512
00:25:23.329 --> 00:25:25.309
<v Speaker 2>emergency room for a gunshot. It was like, first of all,

513
00:25:25.490 --> 00:25:27.990
<v Speaker 2>how many fucking people are getting shot in Oklahoma? What's

514
00:25:28.009 --> 00:25:28.710
<v Speaker 2>going on over there?

515
00:25:28.769 --> 00:25:30.150
<v Speaker 1>Are you going to have.

516
00:25:30.029 --> 00:25:30.869
<v Speaker 2>Gunfights on the streets?

517
00:25:30.890 --> 00:25:35.250
<v Speaker 1>There was some wild stuff going on at the time. Disinformation.

518
00:25:35.269 --> 00:25:42.559
<v Speaker 2>Yeah. And just– Orchestrated propaganda. Orchestrated, organized with big money

519
00:25:42.599 --> 00:25:43.079
<v Speaker 2>behind it.

520
00:25:43.619 --> 00:25:44.000
<v Speaker 1>Wild.

521
00:25:44.460 --> 00:25:45.160
<v Speaker 2>Wild to watch.

522
00:25:46.960 --> 00:25:49.869
<v Speaker 1>I suspect that that whole period of time was another

523
00:25:49.900 --> 00:25:56.730
<v Speaker 1>way to divide us in the larger picture. Orchestrated chaos

524
00:25:57.289 --> 00:26:03.250
<v Speaker 1>masquerading as a revolution. There's been so many of those

525
00:26:03.309 --> 00:26:07.930
<v Speaker 1>things over the past five years. Mm-hmm. you know, alliances

526
00:26:07.990 --> 00:26:09.809
<v Speaker 1>that you're building and then all of a sudden there's

527
00:26:09.849 --> 00:26:12.250
<v Speaker 1>a new crisis and now you don't like those people

528
00:26:12.289 --> 00:26:15.230
<v Speaker 1>that you were building alliances with. And it's just one

529
00:26:15.289 --> 00:26:17.950
<v Speaker 1>after the other. And ultimately, at the end of the day,

530
00:26:18.009 --> 00:26:21.250
<v Speaker 1>I think it's all about division. It's all about dividing

531
00:26:21.329 --> 00:26:24.849
<v Speaker 1>us and making us argue with each other, not finding

532
00:26:24.890 --> 00:26:30.740
<v Speaker 1>common ground. And that's ultimately the strategy that's been used

533
00:26:30.980 --> 00:26:34.759
<v Speaker 1>from time immemorial, you know, for the power to stay

534
00:26:34.799 --> 00:26:39.329
<v Speaker 1>in power. How do you get people fighting with each other? Right. Yeah.

535
00:26:39.400 --> 00:26:41.509
<v Speaker 2>People don't like to hear that, but that's, that's a

536
00:26:41.529 --> 00:26:44.130
<v Speaker 2>strategy that's been used all throughout history and it's a

537
00:26:44.170 --> 00:26:46.829
<v Speaker 2>good one and it works. Yeah, it works. And especially

538
00:26:46.869 --> 00:26:49.730
<v Speaker 2>in today's day and age when you have social media

539
00:26:49.930 --> 00:26:53.069
<v Speaker 2>and then you have not just our government, but many

540
00:26:53.109 --> 00:26:56.329
<v Speaker 2>governments that have fake accounts and these people just get

541
00:26:56.390 --> 00:26:59.210
<v Speaker 2>outraged about things or attack things or, you know, have

542
00:26:59.250 --> 00:27:01.799
<v Speaker 2>a narrative that they push. And you don't know if

543
00:27:01.859 --> 00:27:03.799
<v Speaker 2>it's real people. You don't know what it is. It's

544
00:27:03.839 --> 00:27:05.539
<v Speaker 2>just a bunch of accounts. You go to the accounts,

545
00:27:05.599 --> 00:27:08.079
<v Speaker 2>a guy's face. It's a woman wearing a dress, holding

546
00:27:08.119 --> 00:27:11.400
<v Speaker 2>a book. She seems normal. Meanwhile, it's a man somewhere

547
00:27:11.480 --> 00:27:13.839
<v Speaker 2>with a bank of computers that are all connected to

548
00:27:13.859 --> 00:27:16.559
<v Speaker 2>the internet that's typing in these different responses with a

549
00:27:16.599 --> 00:27:20.319
<v Speaker 2>bunch of different– or now it's AI automated. You tell

550
00:27:20.339 --> 00:27:24.119
<v Speaker 2>this bot to be a right-wing nationalist that's like attacking

551
00:27:24.289 --> 00:27:25.170
<v Speaker 2>anything that's.

552
00:27:25.630 --> 00:27:28.430
<v Speaker 1>Yeah, it's crazy. It's on both sides and it's nuts.

553
00:27:28.569 --> 00:27:33.799
<v Speaker 1>I was over in London– doing a project, and I

554
00:27:33.880 --> 00:27:37.440
<v Speaker 1>noticed this was during their lockdown, and I noticed by

555
00:27:37.500 --> 00:27:40.660
<v Speaker 1>my hotel there was this protest, and I went down

556
00:27:40.740 --> 00:27:42.559
<v Speaker 1>to check it out, put my mask on. I was

557
00:27:42.839 --> 00:27:47.619
<v Speaker 1>very compliant at the start of all this. And I

558
00:27:47.680 --> 00:27:52.559
<v Speaker 1>noticed what they were portraying as national front right-wingers was

559
00:27:52.660 --> 00:27:56.880
<v Speaker 1>actually hippies and homeopaths and free speech activists, and I

560
00:27:56.940 --> 00:28:01.230
<v Speaker 1>talked to them. And I tweeted, hey, I don't think

561
00:28:01.269 --> 00:28:09.599
<v Speaker 1>it's a right-left thing here. And hundreds of attacks, whether

562
00:28:09.619 --> 00:28:14.720
<v Speaker 1>they're bots or an organized army of righteousness, I have

563
00:28:14.799 --> 00:28:18.519
<v Speaker 1>no idea. But at that point, I was like, fuck it.

564
00:28:18.619 --> 00:28:21.259
<v Speaker 1>I'm not going to put my foot in this water.

565
00:28:21.299 --> 00:28:25.460
<v Speaker 1>These people are nuts. This is a crazy, crazy time.

566
00:28:25.750 --> 00:28:28.589
<v Speaker 2>Yeah, it was crazy not just from the propaganda perspective

567
00:28:28.650 --> 00:28:30.710
<v Speaker 2>but from actual people that I knew that were really

568
00:28:30.750 --> 00:28:33.640
<v Speaker 2>terrified that got caught up in it all. And it

569
00:28:33.799 --> 00:28:38.200
<v Speaker 2>was mass formation psychosis is what some people called it.

570
00:28:38.359 --> 00:28:41.059
<v Speaker 2>I think that's a good description. Robert Malone I think

571
00:28:41.319 --> 00:28:44.720
<v Speaker 2>termed that or got that from somebody else. But that's

572
00:28:44.779 --> 00:28:46.559
<v Speaker 2>really what it was. Like everybody just kind of went

573
00:28:46.599 --> 00:28:48.940
<v Speaker 2>nutty and there was people that were doing the government's

574
00:28:48.980 --> 00:28:52.369
<v Speaker 2>job for the government or the pharmaceutical drug company's job

575
00:28:52.410 --> 00:28:55.920
<v Speaker 2>for them. They were the ones that were enforcing all

576
00:28:55.980 --> 00:28:58.720
<v Speaker 2>these things. And they were doing it because they wanted

577
00:28:58.740 --> 00:29:01.160
<v Speaker 2>to be– they wanted a solution. They wanted to be correct.

578
00:29:01.329 --> 00:29:04.849
<v Speaker 2>And unfortunately, there's a lot of people in this world

579
00:29:04.970 --> 00:29:08.690
<v Speaker 2>that don't experience much real adversity. And when real adversity

580
00:29:08.730 --> 00:29:11.710
<v Speaker 2>comes to them, they fall apart and they don't know

581
00:29:11.730 --> 00:29:15.029
<v Speaker 2>what to do and they get scared and they lump

582
00:29:15.109 --> 00:29:18.069
<v Speaker 2>up together in teams and then they reinforce each other

583
00:29:18.150 --> 00:29:21.950
<v Speaker 2>and repeat the same things and And they all want

584
00:29:22.029 --> 00:29:24.069
<v Speaker 2>to be a part of the right side of history

585
00:29:24.109 --> 00:29:25.549
<v Speaker 2>or the right side of whatever it is.

586
00:29:25.750 --> 00:29:28.450
<v Speaker 1>And also they're being led to believe that that's the

587
00:29:28.490 --> 00:29:31.430
<v Speaker 1>virtuous thing to do. Right. And so it's not like

588
00:29:31.470 --> 00:29:33.950
<v Speaker 1>they're– their intentions are good.

589
00:29:34.210 --> 00:29:34.410
<v Speaker 2>Right.

590
00:29:35.579 --> 00:29:38.829
<v Speaker 1>And because of that, you know, I've had a similar

591
00:29:38.849 --> 00:29:41.809
<v Speaker 1>experience where, you know, friends of mine and people I

592
00:29:41.869 --> 00:29:44.630
<v Speaker 1>love that, you know, fell into that as I did.

593
00:29:44.779 --> 00:29:46.819
<v Speaker 1>I fell into it for a while, you know, that

594
00:29:46.900 --> 00:29:53.220
<v Speaker 1>kind of fear-based kind of behavior. And I just, I've

595
00:29:53.299 --> 00:29:57.650
<v Speaker 1>come to understand that. in my later years that one

596
00:29:57.690 --> 00:30:00.829
<v Speaker 1>of the things that's truly liberating is the ability to say,

597
00:30:00.890 --> 00:30:04.430
<v Speaker 1>I don't know. Yeah. And I may have been wrong.

598
00:30:05.690 --> 00:30:08.730
<v Speaker 1>These are two things that have led to such great

599
00:30:08.799 --> 00:30:14.700
<v Speaker 1>discovery for me. Um, it's, it's, I really don't trust anymore.

600
00:30:14.819 --> 00:30:19.180
<v Speaker 1>I don't trust virtuous experts. I don't, I don't think, uh,

601
00:30:19.700 --> 00:30:24.539
<v Speaker 1>I don't think experts are, are, are, I don't believe

602
00:30:24.579 --> 00:30:27.940
<v Speaker 1>in experts. I think if you consider yourself an expert,

603
00:30:27.980 --> 00:30:33.119
<v Speaker 1>you're done learning. You're done speaking with others. You're done

604
00:30:33.259 --> 00:30:38.779
<v Speaker 1>challenging yourself. And when we put our faith and trust

605
00:30:38.859 --> 00:30:44.589
<v Speaker 1>in people that are deemed experts, ultimately, throughout my experience,

606
00:30:44.950 --> 00:30:48.809
<v Speaker 1>it's led to bad things. The experts that talked about

607
00:30:48.849 --> 00:30:53.730
<v Speaker 1>weapons of mass destruction, the experts that Talk about various

608
00:30:53.769 --> 00:30:58.539
<v Speaker 1>things that have led us to violent altercations throughout the world.

609
00:30:58.559 --> 00:31:02.420
<v Speaker 1>I don't trust them anymore. I trust the idea that

610
00:31:02.539 --> 00:31:05.619
<v Speaker 1>there are many sides to a story and that there

611
00:31:05.799 --> 00:31:10.460
<v Speaker 1>is very– there's a lot to be gained from having

612
00:31:10.779 --> 00:31:12.460
<v Speaker 1>dialogue with people you disagree with.

613
00:31:13.319 --> 00:31:17.190
<v Speaker 2>Absolutely. I mean there are experts in some fields and

614
00:31:17.369 --> 00:31:20.279
<v Speaker 2>we do need them. It is important. Like if you

615
00:31:20.359 --> 00:31:23.420
<v Speaker 2>want information about the Large Hadron Collider, you don't understand

616
00:31:23.460 --> 00:31:26.039
<v Speaker 2>like what are you guys doing over there? Like you

617
00:31:26.119 --> 00:31:28.099
<v Speaker 2>need to talk to someone who actually understands it who's

618
00:31:28.119 --> 00:31:31.809
<v Speaker 2>an expert on particle colliders. It takes a long time

619
00:31:32.009 --> 00:31:34.910
<v Speaker 2>to develop that sort of knowledge base and have an

620
00:31:34.950 --> 00:31:37.750
<v Speaker 2>understanding of what they're actually trying to accomplish. What is

621
00:31:37.789 --> 00:31:40.609
<v Speaker 2>the Higgs boson? What is this particle that is a

622
00:31:40.650 --> 00:31:43.329
<v Speaker 2>part of that? What? It's the earliest stages of the universe.

623
00:31:43.670 --> 00:31:43.970
<v Speaker 1>OK. OK.

624
00:31:45.009 --> 00:31:45.849
<v Speaker 2>You're going to measure it?

625
00:31:46.009 --> 00:31:46.630
<v Speaker 1>I'll be in the bar.

626
00:31:46.670 --> 00:31:48.849
<v Speaker 2>It exists for a quarter of a second or something

627
00:31:48.869 --> 00:31:51.410
<v Speaker 2>like that? What? What are you guys doing? Yeah. But

628
00:31:52.009 --> 00:31:54.450
<v Speaker 2>the problem is, like, to bring it back to COVID,

629
00:31:54.470 --> 00:31:56.650
<v Speaker 2>one of the things that Fauci said that was so wild,

630
00:31:57.309 --> 00:32:02.680
<v Speaker 2>he said, when you are criticizing Anthony Fauci, you're criticizing science. Yeah. Well,

631
00:32:02.700 --> 00:32:06.839
<v Speaker 2>that is– just the fact that he felt so confident

632
00:32:06.859 --> 00:32:09.519
<v Speaker 2>that he could say that, that is such a crazy

633
00:32:09.559 --> 00:32:12.819
<v Speaker 2>thing to say. And then science became like an object.

634
00:32:13.019 --> 00:32:13.740
<v Speaker 1>It became a religion.

635
00:32:14.279 --> 00:32:17.859
<v Speaker 2>Well, science is supposed to be data. It's supposed to

636
00:32:17.920 --> 00:32:21.960
<v Speaker 2>be measuring data and it's supposed to never be settled.

637
00:32:22.279 --> 00:32:24.420
<v Speaker 2>And it's always supposed to have a bunch of people

638
00:32:24.740 --> 00:32:29.710
<v Speaker 2>from various positions of viewing down on this thing, analyzing

639
00:32:29.809 --> 00:32:33.809
<v Speaker 2>it with new studies, new data, new tests, new hypothesis,

640
00:32:34.089 --> 00:32:36.390
<v Speaker 2>working out and communicating with each other. It's not supposed

641
00:32:36.430 --> 00:32:39.289
<v Speaker 2>to be a brick. Like this is a brick. If

642
00:32:39.309 --> 00:32:41.170
<v Speaker 2>you question the brick, like no, no, no. This is

643
00:32:41.210 --> 00:32:44.869
<v Speaker 2>a fucking fluid thing that exists only if you allow

644
00:32:44.930 --> 00:32:49.589
<v Speaker 2>people to ask questions. The moment you stop questioning data,

645
00:32:50.069 --> 00:32:54.490
<v Speaker 2>then like– and even real experts, like guys from MIT

646
00:32:54.529 --> 00:32:57.109
<v Speaker 2>and Harvard were getting deplatformed off of Twitter because they

647
00:32:57.150 --> 00:32:59.359
<v Speaker 2>didn't believe it. They were saying, look, I don't think

648
00:32:59.390 --> 00:33:01.359
<v Speaker 2>this lockdown idea is a good idea. I think it's

649
00:33:01.400 --> 00:33:05.099
<v Speaker 2>bad for children. I think Children aren't even really susceptible

650
00:33:05.140 --> 00:33:07.400
<v Speaker 2>to this disease. Like why are we doing this? Like

651
00:33:07.420 --> 00:33:07.960
<v Speaker 2>what's going on?

652
00:33:08.460 --> 00:33:11.269
<v Speaker 1>It became a faith. It became dogma. And if you

653
00:33:11.329 --> 00:33:14.130
<v Speaker 1>question the dogma, you were a heretic. You were kicked

654
00:33:14.190 --> 00:33:18.789
<v Speaker 1>out of the religion. It was a scary time and

655
00:33:18.890 --> 00:33:22.009
<v Speaker 1>still is scary. You know, we deal– the Actors Gang,

656
00:33:22.329 --> 00:33:26.210
<v Speaker 1>my nonprofit in Los Angeles, we have education programs. And

657
00:33:27.309 --> 00:33:31.130
<v Speaker 1>we've been dealing with the ramifications of that lockdown for

658
00:33:31.150 --> 00:33:33.710
<v Speaker 1>the last five years, you know. this kids that are,

659
00:33:34.269 --> 00:33:38.710
<v Speaker 1>you know, had two years robbed of them from socialization

660
00:33:38.769 --> 00:33:39.450
<v Speaker 1>and education.

661
00:33:40.369 --> 00:33:41.990
<v Speaker 2>And that was your senior year of high school.

662
00:33:42.009 --> 00:33:44.859
<v Speaker 1>Oh my God. You know, fuck. And we're, we're dealing

663
00:33:44.890 --> 00:33:50.859
<v Speaker 1>with the, the, the, the after effects of that. And, uh, gratefully, uh,

664
00:33:50.980 --> 00:33:53.940
<v Speaker 1>the kind of work we do brings them out again and,

665
00:33:54.000 --> 00:33:57.779
<v Speaker 1>you know, get some expressing emotions, making eye contact, uh,

666
00:33:58.279 --> 00:34:01.950
<v Speaker 1>having experiences with other children and that are productive and,

667
00:34:02.799 --> 00:34:06.779
<v Speaker 1>The good news is you can get out of that funk,

668
00:34:06.859 --> 00:34:10.239
<v Speaker 1>but that was– it was really scary to see those

669
00:34:10.280 --> 00:34:15.530
<v Speaker 1>kids walk in to classes after that lockdown because they

670
00:34:15.570 --> 00:34:17.949
<v Speaker 1>wouldn't make eye contact looking at the floor. It was

671
00:34:18.829 --> 00:34:24.309
<v Speaker 1>kind of de-socialized and traumatized and it was really scary.

672
00:34:24.530 --> 00:34:28.179
<v Speaker 2>Critical development time for them. Absolutely. Yeah, and all of

673
00:34:28.219 --> 00:34:31.099
<v Speaker 2>a sudden they're wearing– imagine being a toddler and all

674
00:34:31.119 --> 00:34:32.329
<v Speaker 2>of a sudden everyone has a mask on.

675
00:34:32.920 --> 00:34:33.619
<v Speaker 1>It's weird.

676
00:34:34.139 --> 00:34:36.139
<v Speaker 2>You don't want to wear the mask. They keep trying

677
00:34:36.159 --> 00:34:37.719
<v Speaker 2>to take it off. People yell at them, put it

678
00:34:37.760 --> 00:34:42.000
<v Speaker 2>back on. So it's like terror and anxiety and confusion. Also,

679
00:34:42.039 --> 00:34:44.610
<v Speaker 2>you're not reading people's faces, which is like an important

680
00:34:44.639 --> 00:34:47.429
<v Speaker 2>part of the developmental process. You get to know people.

681
00:34:47.489 --> 00:34:50.730
<v Speaker 2>You read faces. You see how people talk. Also, everyone's

682
00:34:50.750 --> 00:34:53.590
<v Speaker 2>wearing a mask. Everyone's robbing a bank like this is crazy.

683
00:34:54.110 --> 00:34:58.909
<v Speaker 1>Yeah. Yeah. I mean, you know. I've tried to approach

684
00:34:58.949 --> 00:35:03.969
<v Speaker 1>it all with just openness and compassion for people that

685
00:35:04.030 --> 00:35:09.650
<v Speaker 1>went through that. I don't attach blame. I don't– everyone–

686
00:35:09.670 --> 00:35:13.739
<v Speaker 1>there was a pretty sophisticated propaganda machine that was happening

687
00:35:13.820 --> 00:35:20.699
<v Speaker 1>and I have great compassion for people that fell into that.

688
00:35:20.719 --> 00:35:23.440
<v Speaker 1>I just want us to not do it again. I

689
00:35:23.880 --> 00:35:28.760
<v Speaker 1>want us to have the knowledge and the– the consciousness

690
00:35:28.820 --> 00:35:32.099
<v Speaker 1>to not fall for that again. Yeah.

691
00:35:32.139 --> 00:35:35.980
<v Speaker 2>Hopefully it's just, it was very eyeopening that it was

692
00:35:36.019 --> 00:35:39.000
<v Speaker 2>so easy to pull off, you know, that it was

693
00:35:40.199 --> 00:35:42.699
<v Speaker 2>so easy to get people to just gang up like that.

694
00:35:42.719 --> 00:35:47.079
<v Speaker 1>It was just, it said it, it was, it said

695
00:35:47.099 --> 00:35:47.739
<v Speaker 1>a lot about us.

696
00:35:48.179 --> 00:35:48.420
<v Speaker 2>Yeah.

697
00:35:48.500 --> 00:35:54.739
<v Speaker 1>Unfortunately. And, um, you know, uh, I, I, I hold

698
00:35:54.820 --> 00:35:59.460
<v Speaker 1>faith in humanity but that was a tough one.

699
00:35:59.780 --> 00:36:01.340
<v Speaker 2>I do as well and I think it was a

700
00:36:01.380 --> 00:36:03.889
<v Speaker 2>learning moment for a lot of people whether they admit

701
00:36:03.929 --> 00:36:05.969
<v Speaker 2>to it or not, whether they're public about it or

702
00:36:06.050 --> 00:36:07.429
<v Speaker 2>not because I know a lot of people that just

703
00:36:07.489 --> 00:36:10.650
<v Speaker 2>weren't public about their dissent but they really didn't like

704
00:36:10.730 --> 00:36:13.449
<v Speaker 2>any of it and they just didn't really have a

705
00:36:13.489 --> 00:36:15.750
<v Speaker 2>position to talk about it and they wanted to keep

706
00:36:15.789 --> 00:36:18.090
<v Speaker 2>their job and wanted to keep their– place in the

707
00:36:18.130 --> 00:36:19.989
<v Speaker 2>community or whatever it was that they were trying to

708
00:36:20.010 --> 00:36:22.210
<v Speaker 2>protect and they kept their mouth shut but you'd get

709
00:36:22.230 --> 00:36:23.909
<v Speaker 2>a couple of drinks in them when they were alone

710
00:36:24.110 --> 00:36:24.750
<v Speaker 2>they would tell you.

711
00:36:24.670 --> 00:36:27.590
<v Speaker 1>Well that begs the larger question is you know is

712
00:36:27.699 --> 00:36:32.599
<v Speaker 1>it freedom of speech if when you freely speak your

713
00:36:32.719 --> 00:36:35.980
<v Speaker 1>job is threatened right your future is threatened is that

714
00:36:36.360 --> 00:36:39.909
<v Speaker 1>are we living in a free society you know right

715
00:36:40.409 --> 00:36:45.769
<v Speaker 1>um And that's still– that's not just COVID. That's a

716
00:36:45.809 --> 00:36:46.389
<v Speaker 1>lot of things.

717
00:36:46.750 --> 00:36:50.809
<v Speaker 2>It's a lot of things. It's almost everything. And it's

718
00:36:50.969 --> 00:36:53.750
<v Speaker 2>one of the most important things that we do is

719
00:36:53.869 --> 00:36:57.389
<v Speaker 2>we disagree. We talk. You have conversations.

720
00:36:57.510 --> 00:36:58.409
<v Speaker 1>It's the only way to learn.

721
00:36:58.659 --> 00:37:01.219
<v Speaker 2>And you get exposed to information that maybe you didn't

722
00:37:01.260 --> 00:37:04.139
<v Speaker 2>know before you establish this opinion that you're arguing.

723
00:37:04.920 --> 00:37:08.159
<v Speaker 1>Do you know what was the big problem? tragedy, in

724
00:37:08.400 --> 00:37:12.579
<v Speaker 1>my opinion, during that time period is that we totally

725
00:37:12.639 --> 00:37:18.199
<v Speaker 1>lost the water cooler conversation, that accidental conversation that happens

726
00:37:18.280 --> 00:37:22.230
<v Speaker 1>at work with a co-worker who you don't necessarily agree with,

727
00:37:22.610 --> 00:37:28.190
<v Speaker 1>but it's a human being expressing something to you in person.

728
00:37:28.730 --> 00:37:31.909
<v Speaker 1>And you have to deal with that person and their

729
00:37:32.269 --> 00:37:38.150
<v Speaker 1>opposing viewpoint. We got into our own... silos of thought

730
00:37:39.050 --> 00:37:43.570
<v Speaker 1>and algorithms of thought. And everything we experienced during that

731
00:37:43.670 --> 00:37:47.090
<v Speaker 1>period of time was an affirmation of what we believed

732
00:37:47.809 --> 00:37:51.230
<v Speaker 1>rather than a challenge to it. And so the water

733
00:37:51.269 --> 00:37:56.380
<v Speaker 1>cooler was completely eliminated. The idea that the accidental conversation

734
00:37:56.440 --> 00:38:00.280
<v Speaker 1>at a bar, um, where you're, you know, watching a

735
00:38:00.659 --> 00:38:04.360
<v Speaker 1>game on the television and someone sits next to you

736
00:38:04.400 --> 00:38:08.510
<v Speaker 1>that It's not necessarily of your belief system. But you

737
00:38:08.710 --> 00:38:10.590
<v Speaker 1>buy him a beer and you watch the game together.

738
00:38:11.829 --> 00:38:18.369
<v Speaker 1>All these moments of meeting up that were eliminated. And,

739
00:38:18.909 --> 00:38:21.489
<v Speaker 1>you know, that's what I love about sports. I love

740
00:38:21.530 --> 00:38:24.579
<v Speaker 1>that you can go watch a game and not think

741
00:38:24.639 --> 00:38:27.639
<v Speaker 1>about politics or not think about your differences and think

742
00:38:27.699 --> 00:38:31.900
<v Speaker 1>about the team that you like and support them together.

743
00:38:32.239 --> 00:38:40.380
<v Speaker 1>Same thing with theater or any kind of gathering of individuals, music.

744
00:38:41.239 --> 00:38:43.800
<v Speaker 1>What I love about the theater that we do is

745
00:38:43.820 --> 00:38:46.480
<v Speaker 1>that we're able to take people to a common emotion.

746
00:38:47.460 --> 00:38:53.989
<v Speaker 1>And we never want to have a completely... We don't

747
00:38:54.030 --> 00:38:58.469
<v Speaker 1>want audiences that think the same, right? You want a

748
00:38:58.530 --> 00:39:03.219
<v Speaker 1>disparate amount of people, different beliefs... That you can get

749
00:39:03.260 --> 00:39:05.539
<v Speaker 1>them to share a common emotion, get them to laugh together,

750
00:39:05.579 --> 00:39:10.199
<v Speaker 1>get them to feel something and cry together. That's the

751
00:39:10.239 --> 00:39:13.349
<v Speaker 1>community you're able to build when you're doing a show,

752
00:39:13.510 --> 00:39:18.389
<v Speaker 1>as you know. What really pissed me off was that

753
00:39:18.789 --> 00:39:22.710
<v Speaker 1>when we have a theater in Los Angeles, two years

754
00:39:22.750 --> 00:39:25.789
<v Speaker 1>we had to be closed. And a year and a

755
00:39:25.849 --> 00:39:29.469
<v Speaker 1>half in, we were told we could open, but we'd

756
00:39:29.510 --> 00:39:32.880
<v Speaker 1>have to change. vaccine passports at the door and I

757
00:39:33.860 --> 00:39:35.679
<v Speaker 1>talked to some people at the theater and we agreed

758
00:39:35.739 --> 00:39:38.889
<v Speaker 1>it was no we can't do that because what that

759
00:39:38.969 --> 00:39:42.329
<v Speaker 1>is doing is it's basically saying the only people allowed

760
00:39:42.489 --> 00:39:45.130
<v Speaker 1>in our theater are people that agree with what the

761
00:39:45.190 --> 00:39:48.949
<v Speaker 1>government wanted And that for me is not a theater

762
00:39:48.989 --> 00:39:52.730
<v Speaker 1>that betrays the whole purpose and function of what a

763
00:39:52.769 --> 00:39:56.179
<v Speaker 1>theater should be. It's a gathering place for the community

764
00:39:56.239 --> 00:39:59.820
<v Speaker 1>that might think differently to bring them together. And this

765
00:39:59.880 --> 00:40:02.659
<v Speaker 1>was saying basically, if you agree, you can come in.

766
00:40:03.920 --> 00:40:06.619
<v Speaker 1>And that, so we waited another six months before we

767
00:40:06.699 --> 00:40:12.309
<v Speaker 1>opened the theater until everyone could come in. Yeah.

768
00:40:12.510 --> 00:40:15.260
<v Speaker 2>Um, There was a time where you had to have

769
00:40:15.300 --> 00:40:21.309
<v Speaker 2>a vaccine passport in order to perform. And there was

770
00:40:21.349 --> 00:40:23.989
<v Speaker 2>an exemption in New York. And you had to have

771
00:40:24.030 --> 00:40:27.190
<v Speaker 2>a vaccine passport if you wanted to go to a show.

772
00:40:27.610 --> 00:40:29.869
<v Speaker 2>But you didn't have to have one if you were performing.

773
00:40:30.570 --> 00:40:33.489
<v Speaker 2>And I did Madison Square Garden. So the whole audience

774
00:40:33.710 --> 00:40:37.889
<v Speaker 2>had to have vaccine passports. But I didn't. And so

775
00:40:38.210 --> 00:40:40.500
<v Speaker 2>there was a senator. I forget who it was. that

776
00:40:40.780 --> 00:40:46.059
<v Speaker 2>was proposing a new law based on me sneaking through

777
00:40:46.079 --> 00:40:50.360
<v Speaker 2>the loophole that performers should have to be vaccinated as well.

778
00:40:50.519 --> 00:40:53.340
<v Speaker 2>And he was upset that I didn't have– that I

779
00:40:53.389 --> 00:40:55.329
<v Speaker 2>wasn't vaccinated and that I was performing.

780
00:40:55.349 --> 00:40:58.210
<v Speaker 1>You could have infected the entire Madison Square Garden.

781
00:40:58.230 --> 00:41:00.369
<v Speaker 2>I could have been a super spreader, yeah.

782
00:41:00.809 --> 00:41:03.329
<v Speaker 1>Well, you know, in London– because they spent a lot

783
00:41:03.349 --> 00:41:05.769
<v Speaker 1>of time over there the last five years. But their

784
00:41:06.210 --> 00:41:12.050
<v Speaker 1>West End rebounded immediately. unlike Broadway. And the reason it

785
00:41:12.110 --> 00:41:15.489
<v Speaker 1>did is because during that time period, you could show

786
00:41:15.550 --> 00:41:17.989
<v Speaker 1>a vaccine passport, but you could also show a negative test.

787
00:41:18.050 --> 00:41:22.409
<v Speaker 1>So they didn't demand that you have a vaccine. So

788
00:41:22.690 --> 00:41:25.989
<v Speaker 1>they didn't lose their audience. Their audience came right back.

789
00:41:27.300 --> 00:41:29.760
<v Speaker 1>And in Broadway, they basically told a third of their audience,

790
00:41:29.820 --> 00:41:33.719
<v Speaker 1>you're not welcome. And so I can see why it

791
00:41:33.840 --> 00:41:36.409
<v Speaker 1>might have been a struggle to get those people back

792
00:41:36.449 --> 00:41:37.110
<v Speaker 1>into the theater.

793
00:41:37.199 --> 00:41:39.340
<v Speaker 2>It was great. It didn't make any sense. Like if

794
00:41:39.420 --> 00:41:41.119
<v Speaker 2>the people are negative, they're negative. What do you give

795
00:41:41.159 --> 00:41:43.800
<v Speaker 2>a shit if they're vaccinated? Also, what about people that

796
00:41:43.820 --> 00:41:47.050
<v Speaker 2>got COVID and then recovered from it who have far

797
00:41:47.090 --> 00:41:52.349
<v Speaker 2>superior immunity, seven X superior immunity to people who are vaccinated? Like,

798
00:41:52.550 --> 00:41:54.130
<v Speaker 2>what do you, what are we doing here? Like this

799
00:41:54.190 --> 00:41:57.369
<v Speaker 2>is you, are you, you're doing the pharmaceutical drug companies

800
00:41:57.429 --> 00:42:02.320
<v Speaker 2>work for them and you're making people follow along. In

801
00:42:02.360 --> 00:42:05.079
<v Speaker 2>lockstep and it's just nuts. It just didn't even make

802
00:42:05.199 --> 00:42:06.880
<v Speaker 2>sense that people were going along with this.

803
00:42:07.619 --> 00:42:12.460
<v Speaker 1>Yeah. Well, I'm glad that's in the rearview mirror.

804
00:42:12.639 --> 00:42:16.030
<v Speaker 2>Yeah, for now. But I feel like it's a case

805
00:42:16.050 --> 00:42:18.969
<v Speaker 2>study in a lot of– if there are people that

806
00:42:18.989 --> 00:42:22.150
<v Speaker 2>are manipulating society and I think there are, there's a

807
00:42:22.150 --> 00:42:24.750
<v Speaker 2>lot of lessons that they learn from how we behave

808
00:42:25.449 --> 00:42:29.989
<v Speaker 2>in society. And relatively speaking, without making light of the pandemic,

809
00:42:30.210 --> 00:42:33.769
<v Speaker 2>relatively speaking, a fairly mild pandemic in terms of like

810
00:42:34.210 --> 00:42:36.179
<v Speaker 2>the bubonic plague and all sorts of other things that

811
00:42:36.199 --> 00:42:39.099
<v Speaker 2>have happened throughout history, the Spanish flu have killed way

812
00:42:39.119 --> 00:42:42.980
<v Speaker 2>more people. Like it could have been way worse, right?

813
00:42:43.320 --> 00:42:46.559
<v Speaker 2>So just one that was just twice as bad as

814
00:42:46.599 --> 00:42:50.250
<v Speaker 2>the flu got people to behave like that. Yeah. Yeah.

815
00:42:51.110 --> 00:42:57.190
<v Speaker 1>Well, the good news is though the uptake wasn't– you know,

816
00:42:57.710 --> 00:42:59.469
<v Speaker 1>a lot of people took it because they had to.

817
00:42:59.489 --> 00:43:04.909
<v Speaker 1>It wasn't like enthusiastically taking it. We did a play

818
00:43:04.929 --> 00:43:08.639
<v Speaker 1>called Topsy Turvy, which was about lockdown. And we performed

819
00:43:08.659 --> 00:43:12.079
<v Speaker 1>that in Eastern Europe. And it was really interesting to

820
00:43:12.119 --> 00:43:16.099
<v Speaker 1>see their response there because I would, one of them

821
00:43:16.159 --> 00:43:19.199
<v Speaker 1>said afterwards, you know, I asked, you know, what was

822
00:43:19.260 --> 00:43:23.059
<v Speaker 1>the uptake on the vaccines in, in Romania? And they

823
00:43:23.099 --> 00:43:25.679
<v Speaker 1>said something like 40%. I said, well, how do you

824
00:43:25.699 --> 00:43:29.019
<v Speaker 1>explain that? And they said, well, you know, we lived

825
00:43:29.079 --> 00:43:32.019
<v Speaker 1>under the Soviet Union for many years, so we know

826
00:43:32.219 --> 00:43:34.900
<v Speaker 1>how to look like we comply when we're not complying.

827
00:43:36.800 --> 00:43:39.300
<v Speaker 1>And I said, what else reminds you of the Soviet Union?

828
00:43:39.360 --> 00:43:42.559
<v Speaker 1>They said, without a doubt, cancel culture. I said, why?

829
00:43:42.599 --> 00:43:46.159
<v Speaker 1>I said, well, Soviet Union used to keep files on

830
00:43:46.400 --> 00:43:47.920
<v Speaker 1>all of us, right? So as long as you're a

831
00:43:47.920 --> 00:43:51.429
<v Speaker 1>good party member, there wouldn't be a thing said. But

832
00:43:52.119 --> 00:43:54.570
<v Speaker 1>once you stepped out of line, They brought out that

833
00:43:54.630 --> 00:43:57.250
<v Speaker 1>old file. Now that affair with your secretary from 30

834
00:43:57.250 --> 00:43:59.349
<v Speaker 1>years ago is going to ruin your life. They're going

835
00:43:59.369 --> 00:44:02.170
<v Speaker 1>to ruin your family. They're going to kill your career.

836
00:44:02.190 --> 00:44:05.300
<v Speaker 1>And they're going to make a big public display of

837
00:44:05.360 --> 00:44:10.039
<v Speaker 1>it to show other people to stay in line. And

838
00:44:10.800 --> 00:44:13.940
<v Speaker 1>they felt like cancel culture was basically operating in the

839
00:44:13.980 --> 00:44:16.300
<v Speaker 1>same way as the Soviet Union did. And it was

840
00:44:16.460 --> 00:44:20.719
<v Speaker 1>really interesting to see that perspective in Eastern Europe. People

841
00:44:20.760 --> 00:44:26.590
<v Speaker 1>that have lived under that kind of oppressive situation and

842
00:44:26.679 --> 00:44:28.769
<v Speaker 1>their perspective on modern day.

843
00:44:29.489 --> 00:44:31.429
<v Speaker 2>That must have really made you think about what happened

844
00:44:31.449 --> 00:44:32.670
<v Speaker 2>to you during the Iraq War.

845
00:44:32.869 --> 00:44:33.070
<v Speaker 1>Yeah.

846
00:44:33.369 --> 00:44:33.550
<v Speaker 2>Right?

847
00:44:34.130 --> 00:44:34.989
<v Speaker 1>Yeah.

848
00:44:35.309 --> 00:44:38.690
<v Speaker 2>That in particular because back then there's no real social media.

849
00:44:39.909 --> 00:44:42.179
<v Speaker 2>There's no real way to get your message out.

850
00:44:42.469 --> 00:44:46.360
<v Speaker 1>Oh, man. They lied. They made up things. They made

851
00:44:46.420 --> 00:44:49.500
<v Speaker 1>up this– I was doing this play Embedded at the time.

852
00:44:50.150 --> 00:44:52.250
<v Speaker 1>At the public theater and we'd go out afterwards and

853
00:44:53.349 --> 00:44:55.369
<v Speaker 1>the New York Post wrote that I was making out

854
00:44:55.409 --> 00:44:57.909
<v Speaker 1>with a woman under a palm tree at this club.

855
00:44:58.230 --> 00:45:03.329
<v Speaker 1>And they just made it up and cut me and

856
00:45:03.409 --> 00:45:07.949
<v Speaker 1>didn't really help my marriage at the time. They just lie.

857
00:45:08.369 --> 00:45:10.969
<v Speaker 1>They basically lie. They'll attack you.

858
00:45:11.289 --> 00:45:13.750
<v Speaker 2>They just decided you were an enemy and they were

859
00:45:13.769 --> 00:45:15.349
<v Speaker 2>going to pull out whatever stops they could.

860
00:45:15.369 --> 00:45:19.179
<v Speaker 1>They're going to discredit you in whatever way they can. Yeah,

861
00:45:19.239 --> 00:45:22.320
<v Speaker 1>that's a powerful thing when it hits you and you realize, oh,

862
00:45:22.340 --> 00:45:24.230
<v Speaker 1>my God, the truth doesn't matter here.

863
00:45:24.389 --> 00:45:26.650
<v Speaker 2>Yeah, well, that's what's so scary about it is that

864
00:45:26.829 --> 00:45:29.570
<v Speaker 2>in this country where freedom of speech is supposed to

865
00:45:29.610 --> 00:45:31.869
<v Speaker 2>be one of the cornerstones of our society, it's one

866
00:45:31.889 --> 00:45:34.289
<v Speaker 2>of the most important things we all recognize. It separates

867
00:45:34.389 --> 00:45:37.440
<v Speaker 2>us from everywhere else in history. Like this is the

868
00:45:37.460 --> 00:45:41.619
<v Speaker 2>first country where really it's written into the doctrine of

869
00:45:41.659 --> 00:45:45.039
<v Speaker 2>the country. You're supposed to have the freedom, the ability

870
00:45:45.059 --> 00:45:49.050
<v Speaker 2>to express yourself, and that this is– being attacked and

871
00:45:49.090 --> 00:45:52.130
<v Speaker 2>suppressed in all sorts of different ways, not just stopping

872
00:45:52.170 --> 00:45:55.289
<v Speaker 2>your ability to express yourself but attacking you in a

873
00:45:55.329 --> 00:45:59.349
<v Speaker 2>concerted effort and lying about you, just lying about you

874
00:45:59.429 --> 00:46:02.389
<v Speaker 2>in order to scare other people. It's very Orwellian and

875
00:46:02.449 --> 00:46:05.230
<v Speaker 2>it's very un-American. And the fact that like the New

876
00:46:05.269 --> 00:46:07.230
<v Speaker 2>York Post would do that to you or whoever it

877
00:46:07.269 --> 00:46:09.469
<v Speaker 2>was from the New York Post would do that, like

878
00:46:09.570 --> 00:46:10.590
<v Speaker 2>what the fuck, man?

879
00:46:10.690 --> 00:46:15.820
<v Speaker 1>Well, the good news is there's no gulags. They don't

880
00:46:15.840 --> 00:46:18.219
<v Speaker 1>arrest you in the middle of the night and force

881
00:46:18.260 --> 00:46:22.380
<v Speaker 1>you into some kind of prison thousands of miles away.

882
00:46:22.780 --> 00:46:26.260
<v Speaker 2>Sure. It could be worse. Yeah. But it's not along

883
00:46:26.300 --> 00:46:29.590
<v Speaker 2>the line of the American way of life. And if

884
00:46:29.630 --> 00:46:34.190
<v Speaker 2>you are a person who really does appreciate what this

885
00:46:34.289 --> 00:46:41.030
<v Speaker 2>experience and this experiment in self-government, which is the United States.

886
00:46:41.900 --> 00:46:45.420
<v Speaker 2>It's supposed to have free discourse. That's a big part

887
00:46:45.460 --> 00:46:47.940
<v Speaker 2>of it. The founding fathers recognized that. You've got to

888
00:46:47.960 --> 00:46:49.500
<v Speaker 2>have the ability to talk about things.

889
00:46:49.780 --> 00:46:50.019
<v Speaker 1>Right.

890
00:46:50.360 --> 00:46:53.400
<v Speaker 2>And if you don't, we're fucked because if someone can

891
00:46:53.440 --> 00:46:56.119
<v Speaker 2>tell you what you can and can't say, that's step one.

892
00:46:56.739 --> 00:46:59.199
<v Speaker 2>And then everything else falls in line after that. The

893
00:46:59.260 --> 00:47:01.110
<v Speaker 2>next thing you know, you've got a dictatorship.

894
00:47:01.130 --> 00:47:07.050
<v Speaker 1>Right. And there's people that have lost opportunities or– In

895
00:47:07.090 --> 00:47:13.230
<v Speaker 1>show business recently, including my ex, Susan Sarandon, who was

896
00:47:13.289 --> 00:47:16.369
<v Speaker 1>against what was happening in Israel and lost her agent

897
00:47:16.469 --> 00:47:21.780
<v Speaker 1>and having a hard time finding work. This is nuts.

898
00:47:22.880 --> 00:47:26.380
<v Speaker 2>And especially someone like Susan Sarandon, one of the most

899
00:47:26.519 --> 00:47:32.760
<v Speaker 2>respected and established actors of many generations. She's been around forever.

900
00:47:33.559 --> 00:47:37.309
<v Speaker 2>The fact that a take on something that if you're

901
00:47:37.349 --> 00:47:41.110
<v Speaker 2>just looking at it, like what is– how could you

902
00:47:41.130 --> 00:47:43.650
<v Speaker 2>defend that? Like how could anybody defend that? I don't

903
00:47:43.690 --> 00:47:45.840
<v Speaker 2>even know how many people are dead. You have a

904
00:47:45.889 --> 00:47:49.039
<v Speaker 2>complete wipeout of a city. Like 90 percent of Gaza

905
00:47:49.079 --> 00:47:51.880
<v Speaker 2>is gone or whatever the percentage is. You look at

906
00:47:51.900 --> 00:47:53.320
<v Speaker 2>the buildings. You look at what it used to look like.

907
00:47:53.340 --> 00:47:55.619
<v Speaker 2>You look at what it looks like now. This is defensible?

908
00:47:55.920 --> 00:47:59.849
<v Speaker 1>Yeah, yeah. And I think the point of it is

909
00:47:59.949 --> 00:48:02.269
<v Speaker 1>to make a show of it and to say, see,

910
00:48:02.690 --> 00:48:04.030
<v Speaker 1>we could do that to her. So we could do

911
00:48:04.050 --> 00:48:06.210
<v Speaker 1>it to you. So shut the fuck up. Yeah.

912
00:48:06.690 --> 00:48:09.610
<v Speaker 2>Especially the timing of when you do it, right? If

913
00:48:09.659 --> 00:48:14.860
<v Speaker 2>you're against Gaza now, it's safer than being against what

914
00:48:14.920 --> 00:48:18.599
<v Speaker 2>happened a year and a half ago, say. Especially close

915
00:48:18.679 --> 00:48:21.639
<v Speaker 2>to October 7th. If you're one of the– like Roger Waters,

916
00:48:22.300 --> 00:48:25.860
<v Speaker 2>one of the early people talking about this is– You're

917
00:48:25.920 --> 00:48:30.929
<v Speaker 2>watching genocide in real time and they came for that guy.

918
00:48:30.949 --> 00:48:32.230
<v Speaker 1>Yeah.

919
00:48:32.250 --> 00:48:34.550
<v Speaker 2>And, you know, more people see it the way he

920
00:48:34.610 --> 00:48:37.679
<v Speaker 2>sees it now. And just like what happened to you

921
00:48:37.739 --> 00:48:40.519
<v Speaker 2>with the Iraq war, you're 20 years from now, it's

922
00:48:40.539 --> 00:48:42.639
<v Speaker 2>going to be a universally accepted opinion. I bet.

923
00:48:42.820 --> 00:48:43.880
<v Speaker 1>Yeah. Yeah.

924
00:48:46.389 --> 00:48:50.510
<v Speaker 2>Well, that's just. It's crazy to go through something like

925
00:48:50.550 --> 00:48:52.820
<v Speaker 2>that and for you to have gone through it like

926
00:48:52.900 --> 00:48:55.500
<v Speaker 2>really early on, for you to have gone through that

927
00:48:55.519 --> 00:49:00.000
<v Speaker 2>in 2003. I guess it really does inform your opinions though.

928
00:49:00.260 --> 00:49:02.820
<v Speaker 2>Like when you see things that are happening today, you go, OK,

929
00:49:02.840 --> 00:49:03.659
<v Speaker 2>I've seen this before.

930
00:49:04.929 --> 00:49:09.630
<v Speaker 1>What I started looking for after that was a way

931
00:49:09.730 --> 00:49:15.769
<v Speaker 1>to be someone that was more involved with– something that

932
00:49:15.809 --> 00:49:19.969
<v Speaker 1>could affect change. In other words, I used my nonprofit

933
00:49:20.340 --> 00:49:25.679
<v Speaker 1>We started a prison program 20 years ago. And we

934
00:49:25.760 --> 00:49:30.340
<v Speaker 1>see the change that happens. We have people that go

935
00:49:30.420 --> 00:49:35.619
<v Speaker 1>in and basically offer rehabilitation in the form of theater.

936
00:49:36.500 --> 00:49:39.360
<v Speaker 1>And not doing plays or anything, but getting people to

937
00:49:40.420 --> 00:49:44.539
<v Speaker 1>play emotions through characters that we introduce to them. And

938
00:49:44.800 --> 00:49:49.739
<v Speaker 1>in doing so, unlocking emotions that have been suppressed for many,

939
00:49:49.780 --> 00:49:54.289
<v Speaker 1>many years. So in prison, there's one go-to emotion. It's anger.

940
00:49:54.389 --> 00:49:57.909
<v Speaker 1>That's your survival face. That's your mask on the yard.

941
00:49:57.929 --> 00:50:00.250
<v Speaker 1>You have to be a badass or you're going to die.

942
00:50:01.409 --> 00:50:08.079
<v Speaker 1>But sadness is compromising. Fear is compromising. And happiness is

943
00:50:08.219 --> 00:50:14.010
<v Speaker 1>genuinely not encouraged either. So we get these guys in

944
00:50:14.050 --> 00:50:17.809
<v Speaker 1>a room, we introduce them to these stock characters from

945
00:50:17.829 --> 00:50:20.070
<v Speaker 1>the Commedia dell'arte, and then they have to express their

946
00:50:20.110 --> 00:50:24.329
<v Speaker 1>emotions and make choices with their emotions in improv. And

947
00:50:24.469 --> 00:50:28.030
<v Speaker 1>what they find is that if someone approaches them in

948
00:50:28.280 --> 00:50:32.519
<v Speaker 1>anger in an improv, the facilitator will encourage a different

949
00:50:32.539 --> 00:50:35.800
<v Speaker 1>emotion in response to anger than anger, right? And what

950
00:50:35.840 --> 00:50:39.079
<v Speaker 1>they come to understand is that they don't have to

951
00:50:39.239 --> 00:50:43.420
<v Speaker 1>respond to anger with anger. There are other choices. And

952
00:50:44.219 --> 00:50:46.239
<v Speaker 1>in fact, in real life, they can do that too

953
00:50:46.300 --> 00:50:48.699
<v Speaker 1>if they can do it in an improv. And so

954
00:50:48.760 --> 00:50:52.300
<v Speaker 1>what happens is these people tap into long dormant emotions

955
00:50:52.800 --> 00:50:56.010
<v Speaker 1>and start to understand that they are more than the

956
00:50:56.170 --> 00:51:02.190
<v Speaker 1>worst act that got them there. They tend to create

957
00:51:02.269 --> 00:51:08.139
<v Speaker 1>bonds across gang ties, racial lines. When we're putting together

958
00:51:08.179 --> 00:51:11.309
<v Speaker 1>a group, we ask that rival gangs are in the

959
00:51:11.329 --> 00:51:12.369
<v Speaker 1>same room with each other.

960
00:51:12.769 --> 00:51:13.150
<v Speaker 2>Oh, wow.

961
00:51:13.429 --> 00:51:17.150
<v Speaker 1>And, um, what happens is these bonds are made through

962
00:51:17.190 --> 00:51:20.250
<v Speaker 1>the sharing of emotion. Like we get these guys into

963
00:51:20.269 --> 00:51:22.650
<v Speaker 1>an improv where they're all putting a flower on a

964
00:51:22.690 --> 00:51:26.159
<v Speaker 1>grave of someone and saying something under their breath about

965
00:51:26.199 --> 00:51:29.579
<v Speaker 1>the person that's deceased. And then at some point the

966
00:51:29.619 --> 00:51:32.079
<v Speaker 1>facilitator will say, now look at each other and they're

967
00:51:32.099 --> 00:51:35.820
<v Speaker 1>looking at each other with these eyes of sadness and

968
00:51:35.880 --> 00:51:38.340
<v Speaker 1>they realize they have a lot in common, you know,

969
00:51:38.400 --> 00:51:41.110
<v Speaker 1>in that shared emotion. I had two guys come up

970
00:51:41.150 --> 00:51:44.500
<v Speaker 1>to me, one black guy, one white guy. They said,

971
00:51:44.559 --> 00:51:46.559
<v Speaker 1>we've got to tell you what happened two weeks ago.

972
00:51:47.679 --> 00:51:49.780
<v Speaker 1>Our shot caller said, you know, we're going to have

973
00:51:50.500 --> 00:51:54.059
<v Speaker 1>a fight on the yard. And so, you know, you

974
00:51:54.280 --> 00:51:56.360
<v Speaker 1>never question the shot caller. And so you know what's

975
00:51:56.389 --> 00:51:58.809
<v Speaker 1>going to happen. And so what they did was they

976
00:51:58.849 --> 00:52:02.469
<v Speaker 1>found each other, these two guys. And they rolled around

977
00:52:02.570 --> 00:52:07.170
<v Speaker 1>on the floor acting like they were killing each other.

978
00:52:09.579 --> 00:52:11.280
<v Speaker 2>Wow. How convenient.

979
00:52:12.880 --> 00:52:16.429
<v Speaker 1>So it looked like they were participating, but they weren't

980
00:52:16.469 --> 00:52:17.170
<v Speaker 1>hurting each other.

981
00:52:17.550 --> 00:52:19.710
<v Speaker 2>Oh, wow. That's a good solution.

982
00:52:21.010 --> 00:52:24.329
<v Speaker 1>It's amazing what happens when you experience something like that

983
00:52:24.590 --> 00:52:27.800
<v Speaker 1>in person, when you see the transformation happen. And we

984
00:52:27.840 --> 00:52:31.440
<v Speaker 1>see this in our school children as well. That's something that.

985
00:52:32.590 --> 00:52:37.179
<v Speaker 1>It's deeply inspiring. You know that you've had something to

986
00:52:37.239 --> 00:52:42.039
<v Speaker 1>do with a real change, right? Whereas for years I

987
00:52:42.079 --> 00:52:51.440
<v Speaker 1>was asked to attend fundraisers and various causes. And it's

988
00:52:51.519 --> 00:52:53.320
<v Speaker 1>great that they're doing that and it's great that they're

989
00:52:53.340 --> 00:52:57.260
<v Speaker 1>raising money for these organizations that need it. But at

990
00:52:57.300 --> 00:52:58.860
<v Speaker 1>the end of the day, you don't really feel like

991
00:52:58.900 --> 00:53:02.349
<v Speaker 1>you did anything other than go to a dinner. And

992
00:53:03.050 --> 00:53:05.190
<v Speaker 1>this was a way to get my hands dirty and

993
00:53:05.269 --> 00:53:09.360
<v Speaker 1>really get in the struggle of it. And I found

994
00:53:09.400 --> 00:53:13.619
<v Speaker 1>it to be so much more satisfying as far as

995
00:53:14.579 --> 00:53:19.059
<v Speaker 1>whatever inclination I had towards activism was really fed by

996
00:53:19.159 --> 00:53:25.489
<v Speaker 1>this as opposed to hopping from fundraiser to fundraiser. It

997
00:53:25.510 --> 00:53:28.349
<v Speaker 1>just felt more real. It felt like something that I

998
00:53:28.409 --> 00:53:31.469
<v Speaker 1>could– Take that experience and then I could say to

999
00:53:31.510 --> 00:53:34.090
<v Speaker 1>my group, let's expand. Let's get into more and more prisons.

1000
00:53:34.190 --> 00:53:37.250
<v Speaker 1>And now we're in 18 prisons in the state of

1001
00:53:37.269 --> 00:53:38.809
<v Speaker 1>California doing these programs.

1002
00:53:38.889 --> 00:53:42.690
<v Speaker 2>Did you have to develop a curriculum like how you

1003
00:53:43.409 --> 00:53:45.690
<v Speaker 2>begin to reach out to these guys and how you

1004
00:53:45.710 --> 00:53:46.230
<v Speaker 2>set it up?

1005
00:53:47.110 --> 00:53:50.309
<v Speaker 1>It took a couple of years, kind of pilot program

1006
00:53:50.329 --> 00:53:55.690
<v Speaker 1>in one prison in Chino and Norco in Southern California.

1007
00:53:57.650 --> 00:54:01.750
<v Speaker 1>Trial and error. You know, what's the way to do it?

1008
00:54:01.800 --> 00:54:03.940
<v Speaker 1>What's the way not to do it? Of course, you

1009
00:54:03.980 --> 00:54:06.260
<v Speaker 1>go through a training with the prison system of certain

1010
00:54:06.300 --> 00:54:11.239
<v Speaker 1>things to watch out for. And, you know, you develop

1011
00:54:11.280 --> 00:54:14.199
<v Speaker 1>these lines where you say, you know, we're here to

1012
00:54:14.239 --> 00:54:16.679
<v Speaker 1>do this, not to talk about your case. You know,

1013
00:54:16.699 --> 00:54:19.719
<v Speaker 1>there's all kinds of things you learn how to avoid

1014
00:54:20.280 --> 00:54:25.320
<v Speaker 1>the distractions that will derail the program. But essentially it's

1015
00:54:25.340 --> 00:54:29.909
<v Speaker 1>a very physical way of working and it's also– there

1016
00:54:29.989 --> 00:54:31.909
<v Speaker 1>is a lot of fun in it. So those two

1017
00:54:31.969 --> 00:54:38.599
<v Speaker 1>things together allow the entry for these guys that are–

1018
00:54:38.829 --> 00:54:40.469
<v Speaker 1>they're in the room because they want to be there

1019
00:54:40.570 --> 00:54:44.050
<v Speaker 1>but it's weird stuff we're asking them to do. And

1020
00:54:44.449 --> 00:54:47.440
<v Speaker 1>if they can have a laugh about it and then–

1021
00:54:47.849 --> 00:54:51.449
<v Speaker 1>something about it shifts some kind of consciousness inside them,

1022
00:54:51.489 --> 00:54:55.239
<v Speaker 1>that means something to people. You've got to remember these

1023
00:54:55.300 --> 00:54:58.219
<v Speaker 1>people are, you know, when we started, there was only

1024
00:54:58.519 --> 00:55:03.619
<v Speaker 1>one other program in the state of California that was

1025
00:55:03.719 --> 00:55:08.429
<v Speaker 1>offering rehabilitation through any theater. So there was a couple

1026
00:55:08.469 --> 00:55:13.329
<v Speaker 1>music programs and two theater programs, and now we're able

1027
00:55:13.369 --> 00:55:16.590
<v Speaker 1>to lobby the state to, get more funding for arts

1028
00:55:16.650 --> 00:55:20.869
<v Speaker 1>and corrections because art is a transformer. You know, it

1029
00:55:20.949 --> 00:55:24.849
<v Speaker 1>is something that can shift consciousness. I truly believe that.

1030
00:55:24.869 --> 00:55:28.969
<v Speaker 1>I've seen it with my own, the work that I've done.

1031
00:55:29.030 --> 00:55:32.360
<v Speaker 1>You know, I've seen how people can think in a

1032
00:55:32.389 --> 00:55:35.780
<v Speaker 1>different way after they see something in the theater or

1033
00:55:35.800 --> 00:55:40.159
<v Speaker 1>in the movies or, you know, a good stand-up can

1034
00:55:40.179 --> 00:55:42.769
<v Speaker 1>do the same thing. You know, how George Carlin used

1035
00:55:42.809 --> 00:55:45.550
<v Speaker 1>to shift my consciousness every new special because he would

1036
00:55:45.570 --> 00:55:49.039
<v Speaker 1>always be challenging me. Sure. It wouldn't be like, hey,

1037
00:55:49.050 --> 00:55:52.050
<v Speaker 1>we're all in the same club. It would be, yeah,

1038
00:55:52.690 --> 00:55:55.679
<v Speaker 1>you thought we were in the same club. But here's

1039
00:55:55.719 --> 00:55:59.300
<v Speaker 1>a little thought. And you realize he's talking right at

1040
00:55:59.880 --> 00:56:03.139
<v Speaker 1>one of your hypocrisies. And that was his genius. It

1041
00:56:03.159 --> 00:56:07.429
<v Speaker 1>was his ability to really tap into we can be better. Right.

1042
00:56:07.570 --> 00:56:08.389
<v Speaker 1>We can all be better.

1043
00:56:09.179 --> 00:56:12.840
<v Speaker 2>This episode is brought to you by Visible. It's officially summer, folks,

1044
00:56:13.000 --> 00:56:15.440
<v Speaker 2>and boy, what a summer we are having. It feels

1045
00:56:15.480 --> 00:56:18.019
<v Speaker 2>like one of those good old-fashioned summers where you just

1046
00:56:18.059 --> 00:56:21.179
<v Speaker 2>want to enjoy every moment and keep up with the action.

1047
00:56:21.449 --> 00:56:26.110
<v Speaker 2>Your best companion this summer? Visible Wireless. Visible gives you

1048
00:56:26.349 --> 00:56:31.909
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1050
00:56:35.400 --> 00:56:38.320
<v Speaker 2>summer of fun and savings. Visible is more than just

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<v Speaker 2>a wireless plan. It's unlimited wireless designed to always keep

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00:56:42.469 --> 00:56:45.349
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00:56:46.050 --> 00:56:50.670
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1055
00:56:55.380 --> 00:56:59.380
<v Speaker 2>$ 10 on your first month when you use promo code ROGAN.

1056
00:56:59.679 --> 00:57:05.489
<v Speaker 2>Terms apply. See visible.com for plan features and network management details. Yeah,

1057
00:57:05.510 --> 00:57:07.670
<v Speaker 2>there's been a few guys like that throughout history that

1058
00:57:07.690 --> 00:57:12.849
<v Speaker 2>really figured out a way to embed humor into social commentary.

1059
00:57:13.840 --> 00:57:16.010
<v Speaker 2>George Carlin is probably the most known for it. But

1060
00:57:16.469 --> 00:57:17.690
<v Speaker 2>do you know about Bill Hicks?

1061
00:57:17.969 --> 00:57:18.889
<v Speaker 1>Yeah, for sure.

1062
00:57:18.909 --> 00:57:21.369
<v Speaker 2>So he was probably– in my generation, he was the

1063
00:57:21.409 --> 00:57:24.769
<v Speaker 2>one that twisted people the most. Like a lot of

1064
00:57:24.789 --> 00:57:27.170
<v Speaker 2>comics would watch him and go, what am I doing?

1065
00:57:27.250 --> 00:57:29.429
<v Speaker 2>Why am I doing what I'm doing? This guy is

1066
00:57:29.590 --> 00:57:31.510
<v Speaker 2>doing something that's like so much more meaningful.

1067
00:57:31.829 --> 00:57:36.250
<v Speaker 1>Yeah. Who was it in Apatow's documentary about Carlin? There

1068
00:57:36.289 --> 00:57:42.650
<v Speaker 1>was a comedian that said George Carlin was basically– In

1069
00:57:42.670 --> 00:57:47.980
<v Speaker 1>the early part of the century, in 1900s, philosophers debating

1070
00:57:48.079 --> 00:57:51.039
<v Speaker 1>used to be a huge deal, right? Like hundreds of people,

1071
00:57:51.099 --> 00:57:54.320
<v Speaker 1>thousands of people come watch people debate two different points

1072
00:57:54.360 --> 00:57:59.739
<v Speaker 1>of view. Sure. He said that's what the current philosophers

1073
00:57:59.820 --> 00:58:03.469
<v Speaker 1>of our generation are, the better stand-up comedians, the ones

1074
00:58:03.489 --> 00:58:08.510
<v Speaker 1>that test your belief system by saying something that might

1075
00:58:08.530 --> 00:58:14.090
<v Speaker 1>be controversial or challenges your world view. That's the great

1076
00:58:14.269 --> 00:58:18.849
<v Speaker 1>purpose and function of a philosopher or a stand-up comedian

1077
00:58:18.929 --> 00:58:22.050
<v Speaker 1>is to take your worldview, shatter it a little bit

1078
00:58:22.090 --> 00:58:22.969
<v Speaker 1>and make you rethink.

1079
00:58:23.250 --> 00:58:30.710
<v Speaker 2>Yeah. Yeah. And Hicks was sort of– for our generation,

1080
00:58:30.730 --> 00:58:33.210
<v Speaker 2>he was like the first guy that really did that

1081
00:58:33.250 --> 00:58:35.239
<v Speaker 2>in a way that– like some of the things that

1082
00:58:35.260 --> 00:58:37.500
<v Speaker 2>he said weren't even designed to be funny at all.

1083
00:58:37.519 --> 00:58:39.239
<v Speaker 2>It was just designed to make you think about things

1084
00:58:39.300 --> 00:58:41.300
<v Speaker 2>differently and then he would hit you with some funny

1085
00:58:41.340 --> 00:58:43.800
<v Speaker 2>things after that. To keep you occupied.

1086
00:58:44.500 --> 00:58:44.760
<v Speaker 1>Yeah.

1087
00:58:45.119 --> 00:58:45.420
<v Speaker 2>Yeah.

1088
00:58:46.699 --> 00:58:52.570
<v Speaker 1>Provocative statements that, you know, the first reaction is, fuck that. No,

1089
00:58:52.610 --> 00:58:55.170
<v Speaker 1>that's not true. Fuck that. And then you realize, oh shit,

1090
00:58:55.250 --> 00:58:58.110
<v Speaker 1>he's bringing me there. And it's like a great play

1091
00:58:58.130 --> 00:59:00.150
<v Speaker 1>can do that too. A great movie can do that too.

1092
00:59:00.769 --> 00:59:07.269
<v Speaker 1>Provoke you and challenge you and then make you refocus, rethink.

1093
00:59:08.170 --> 00:59:11.639
<v Speaker 2>Yeah, it's just amazing how... little of that we have

1094
00:59:11.699 --> 00:59:16.179
<v Speaker 2>today and how much content we have today. Did you

1095
00:59:16.219 --> 00:59:20.969
<v Speaker 2>ever see the documentary– God, what is it? The documentary

1096
00:59:20.989 --> 00:59:25.039
<v Speaker 2>with William F. Buckley and the other– Yeah, you know

1097
00:59:25.059 --> 00:59:25.699
<v Speaker 2>what I'm talking about.

1098
00:59:25.949 --> 00:59:26.489
<v Speaker 1>Gore Vidal?

1099
00:59:26.590 --> 00:59:27.489
<v Speaker 2>And Gore Vidal, yeah.

1100
00:59:27.570 --> 00:59:27.739
<v Speaker 1>Yeah.

1101
00:59:27.780 --> 00:59:30.710
<v Speaker 2>Where they had these– it was– I guess it was NBC,

1102
00:59:30.829 --> 00:59:33.909
<v Speaker 2>I think it was. And NBC was failing in the ratings.

1103
00:59:33.929 --> 00:59:36.170
<v Speaker 2>I was going to say Relentless Enemies, but that's the lion. Yeah,

1104
00:59:36.190 --> 00:59:40.230
<v Speaker 2>the lion. Best of Enemies. Best of Enemies, yeah. Great documentary.

1105
00:59:40.329 --> 00:59:40.530
<v Speaker 1>Yeah.

1106
00:59:40.750 --> 00:59:43.949
<v Speaker 2>So they had a series of these debates on television,

1107
00:59:44.550 --> 00:59:48.110
<v Speaker 2>Gore Vidal being a progressive and William F. Buckley being

1108
00:59:48.150 --> 00:59:52.980
<v Speaker 2>a conservative. Very interesting. Interesting. because this kind of hadn't

1109
00:59:53.019 --> 00:59:55.889
<v Speaker 2>happened before on television where you have these long form

1110
00:59:55.929 --> 01:00:00.309
<v Speaker 2>discussions where these two guys just intellectually jabbing at each other. Yeah.

1111
01:00:00.369 --> 01:00:04.530
<v Speaker 2>And it was great. It's like the documentary is really amazing. I, uh,

1112
01:00:04.789 --> 01:00:06.989
<v Speaker 2>I was friends with Gore. Oh really?

1113
01:00:07.010 --> 01:00:10.780
<v Speaker 1>Yeah. Uh, he, uh, I, he, uh, agreed to do

1114
01:00:10.840 --> 01:00:14.639
<v Speaker 1>my first film, Bob Roberts, which is about a right

1115
01:00:14.679 --> 01:00:19.840
<v Speaker 1>wing folk singing candidate for Senate in Pennsylvania. And, um,

1116
01:00:20.849 --> 01:00:24.929
<v Speaker 1>Gore agreed to play Brickley Pace, my Democratic opponent, right?

1117
01:00:25.429 --> 01:00:27.929
<v Speaker 1>And so he played a politician, which is something he

1118
01:00:27.989 --> 01:00:33.179
<v Speaker 1>always kind of flirted with in his real life. And

1119
01:00:33.219 --> 01:00:36.000
<v Speaker 1>so I got to be quite friendly with him. And

1120
01:00:36.260 --> 01:00:40.119
<v Speaker 1>I actually did a documentary that I'm editing right now

1121
01:00:41.699 --> 01:00:48.610
<v Speaker 1>about four soldiers from World War II that became great writers. Gore,

1122
01:00:48.989 --> 01:00:53.099
<v Speaker 1>Kurt Vonnegut. Norman Mailer and Howard Zinn are all in

1123
01:00:53.139 --> 01:00:57.900
<v Speaker 1>this documentary I filmed it many years ago shelved it

1124
01:00:58.360 --> 01:01:00.570
<v Speaker 1>and now I'm in the final stages of putting it

1125
01:01:00.610 --> 01:01:04.650
<v Speaker 1>together I'm opening a new website on September 1st and

1126
01:01:05.210 --> 01:01:06.809
<v Speaker 1>this is one of the many things that I have

1127
01:01:06.849 --> 01:01:09.809
<v Speaker 1>in my vault and my storage units that I've just

1128
01:01:09.849 --> 01:01:12.329
<v Speaker 1>been getting out over the past year and finding all

1129
01:01:12.369 --> 01:01:15.050
<v Speaker 1>this crazy stuff that I have that I've never finished

1130
01:01:15.090 --> 01:01:17.449
<v Speaker 1>because I've been going from project to project to project

1131
01:01:17.489 --> 01:01:20.789
<v Speaker 1>so I slowed down a little bit and just opened

1132
01:01:20.869 --> 01:01:24.409
<v Speaker 1>up some sealed boxes and it's, it's been really fun.

1133
01:01:25.010 --> 01:01:27.829
<v Speaker 1>It's one of the things is also, I used to

1134
01:01:28.090 --> 01:01:31.630
<v Speaker 1>fuck around on film sets with this, you know, when

1135
01:01:31.650 --> 01:01:34.150
<v Speaker 1>I had enough money to buy a video camera for

1136
01:01:34.190 --> 01:01:36.789
<v Speaker 1>the first time. And so I started making these little

1137
01:01:36.849 --> 01:01:41.210
<v Speaker 1>short films on, on movie sets. And one of them

1138
01:01:41.289 --> 01:01:44.250
<v Speaker 1>is there's two films from when I was doing Howard,

1139
01:01:44.269 --> 01:01:50.659
<v Speaker 1>the duck. And, you know, one of those, Endless productions

1140
01:01:51.119 --> 01:01:53.340
<v Speaker 1>just went on and on and on. So I just

1141
01:01:53.380 --> 01:01:58.119
<v Speaker 1>started amusing myself by making my own little short films, including,

1142
01:01:58.300 --> 01:02:01.829
<v Speaker 1>you know, I'm sure illegally using the duck itself, you know,

1143
01:02:02.989 --> 01:02:05.409
<v Speaker 1>which I made a character in one of the films.

1144
01:02:07.250 --> 01:02:08.650
<v Speaker 2>I forgot about Howard the Duck.

1145
01:02:08.690 --> 01:02:11.369
<v Speaker 1>It was crazy. We walked on the set.

1146
01:02:11.389 --> 01:02:13.250
<v Speaker 2>What a fucking weird movie that was.

1147
01:02:13.269 --> 01:02:17.349
<v Speaker 1>I know, right? We walked on the set. I walked

1148
01:02:17.429 --> 01:02:20.250
<v Speaker 1>on the set. The first day I knew we were

1149
01:02:20.289 --> 01:02:20.690
<v Speaker 1>in trouble.

1150
01:02:23.090 --> 01:02:24.050
<v Speaker 2>Why did you know we were in trouble?

1151
01:02:24.070 --> 01:02:28.730
<v Speaker 1>The puppet. It wasn't ready. And it was a little

1152
01:02:28.769 --> 01:02:32.550
<v Speaker 1>too cute. If you look at the comic book, Howard

1153
01:02:32.570 --> 01:02:34.840
<v Speaker 1>the Duck was not that cute.

1154
01:02:35.199 --> 01:02:39.480
<v Speaker 2>No. He was a cigar-smoking, kind of shitty, mean duck.

1155
01:02:39.659 --> 01:02:39.960
<v Speaker 3>Yeah.

1156
01:02:40.019 --> 01:02:43.780
<v Speaker 1>Kind of Fritz the Cat-ish-like, you know, like really kind

1157
01:02:43.840 --> 01:02:45.800
<v Speaker 1>of borderline obscene.

1158
01:02:45.840 --> 01:02:48.079
<v Speaker 2>It was a Marvel comic, right? Yeah. Yeah.

1159
01:02:48.599 --> 01:02:50.800
<v Speaker 1>And so do you have an image of the old

1160
01:02:50.840 --> 01:02:55.840
<v Speaker 1>Howard the Duck from the comic? Yeah. That guy. Yeah.

1161
01:02:55.909 --> 01:02:57.969
<v Speaker 1>So I walked on the set and I saw that

1162
01:02:58.070 --> 01:02:59.750
<v Speaker 1>cute duck. I was like, uh-oh.

1163
01:03:00.369 --> 01:03:01.329
<v Speaker 2>Yeah, he was always with chicks.

1164
01:03:01.429 --> 01:03:04.929
<v Speaker 1>He was always with chicks, yeah.

1165
01:03:04.969 --> 01:03:08.050
<v Speaker 2>Which was very weird. Like, hey, lady, what are you doing?

1166
01:03:08.070 --> 01:03:11.210
<v Speaker 2>You're fucking a duck? What's going on here?

1167
01:03:11.289 --> 01:03:12.090
<v Speaker 1>Bestiality?

1168
01:03:12.110 --> 01:03:15.880
<v Speaker 2>Like, what is this? What is his charm got you? Like,

1169
01:03:15.920 --> 01:03:16.820
<v Speaker 2>what's the message there?

1170
01:03:16.860 --> 01:03:17.539
<v Speaker 1>Yeah, yeah.

1171
01:03:18.090 --> 01:03:19.190
<v Speaker 2>It was a strange character.

1172
01:03:19.670 --> 01:03:22.900
<v Speaker 1>Very strange. And I don't think they had the technology

1173
01:03:22.940 --> 01:03:23.699
<v Speaker 1>to pull it off.

1174
01:03:25.159 --> 01:03:26.500
<v Speaker 2>Maybe they need to try again now.

1175
01:03:26.519 --> 01:03:28.780
<v Speaker 1>Yeah, it would be good. They could take the old

1176
01:03:28.860 --> 01:03:34.969
<v Speaker 1>film and animate it. But I spent six weeks on

1177
01:03:35.010 --> 01:03:38.889
<v Speaker 1>that film doing an ultralight chase that lasted maybe two

1178
01:03:38.929 --> 01:03:39.710
<v Speaker 1>minutes in the film.

1179
01:03:40.730 --> 01:03:41.989
<v Speaker 2>What's an ultralight plane chase?

1180
01:03:42.010 --> 01:03:45.349
<v Speaker 1>You know the ultralight planes? Basically it's you and the

1181
01:03:45.750 --> 01:03:49.550
<v Speaker 1>wings and a motor. And so there's a chase sequence

1182
01:03:49.590 --> 01:03:51.590
<v Speaker 1>at the end that's about two and a half minute,

1183
01:03:51.650 --> 01:03:52.409
<v Speaker 1>three minute long.

1184
01:03:52.670 --> 01:03:54.340
<v Speaker 2>Did you actually have to get in one of those things?

1185
01:03:55.440 --> 01:03:59.739
<v Speaker 1>No. I mean, I got in like a fake one. Good. Yeah. No,

1186
01:04:00.059 --> 01:04:01.690
<v Speaker 1>you have to fly it.

1187
01:04:01.980 --> 01:04:02.159
<v Speaker 2>Yeah.

1188
01:04:02.719 --> 01:04:06.280
<v Speaker 1>Yeah. You have to. That's fake, of course, right?

1189
01:04:07.139 --> 01:04:07.719
<v Speaker 2>The duck's real.

1190
01:04:08.449 --> 01:04:15.929
<v Speaker 1>Looks so legit. Yeah.

1191
01:04:16.329 --> 01:04:18.449
<v Speaker 2>Was that one of those ones where your little voice,

1192
01:04:18.469 --> 01:04:19.090
<v Speaker 2>you didn't listen?

1193
01:04:20.260 --> 01:04:23.039
<v Speaker 1>No, not at all because that was early in my career, right?

1194
01:04:23.099 --> 01:04:27.139
<v Speaker 1>So it was George Lucas, I remember. That was George Lucas. Yeah,

1195
01:04:27.179 --> 01:04:30.320
<v Speaker 1>he'd just done Star Wars. Whoa. So it had to

1196
01:04:30.360 --> 01:04:31.039
<v Speaker 1>be good, right?

1197
01:04:31.739 --> 01:04:35.320
<v Speaker 2>He went from Star Wars to Howard the Duck.

1198
01:04:35.340 --> 01:04:36.659
<v Speaker 1>Well, he produced Howard the Duck.

1199
01:04:36.679 --> 01:04:36.820
<v Speaker 2>Okay.

1200
01:04:36.840 --> 01:04:41.650
<v Speaker 1>Okay. But he had just produced Star Wars. So, you know,

1201
01:04:41.750 --> 01:04:43.010
<v Speaker 1>it was like, hell yeah.

1202
01:04:43.329 --> 01:04:43.550
<v Speaker 2>Right.

1203
01:04:43.570 --> 01:04:45.769
<v Speaker 1>I don't know. It doesn't make sense on the page, but.

1204
01:04:46.530 --> 01:04:46.989
<v Speaker 2>He'll figure it out.

1205
01:04:47.030 --> 01:04:53.070
<v Speaker 1>He'll figure it out. They'll figure it out. I was

1206
01:04:53.130 --> 01:04:57.280
<v Speaker 1>so lucky to, again, blessed because I got a movie

1207
01:04:57.320 --> 01:05:01.579
<v Speaker 1>called Five Corners that was with Jodie Foster and John

1208
01:05:01.619 --> 01:05:05.840
<v Speaker 1>Turturro right around the same time. So I was I'd

1209
01:05:05.860 --> 01:05:10.210
<v Speaker 1>already done that movie. When Howard came out. So it's

1210
01:05:10.349 --> 01:05:11.989
<v Speaker 1>kind of saved my ass.

1211
01:05:12.050 --> 01:05:13.190
<v Speaker 2>You already had one in the chamber.

1212
01:05:13.409 --> 01:05:13.630
<v Speaker 1>Yeah.

1213
01:05:13.969 --> 01:05:15.090
<v Speaker 2>You had a good one on the pipe.

1214
01:05:15.110 --> 01:05:17.750
<v Speaker 1>Yeah. Thank God.

1215
01:05:21.579 --> 01:05:23.900
<v Speaker 2>It's just I wonder why George did it. Like it

1216
01:05:23.940 --> 01:05:26.900
<v Speaker 2>seems so odd to try to do a movie with

1217
01:05:26.960 --> 01:05:27.739
<v Speaker 2>a talking duck.

1218
01:05:28.260 --> 01:05:31.420
<v Speaker 1>Yeah. Well, maybe it made sense when they imagined it.

1219
01:05:32.500 --> 01:05:34.909
<v Speaker 2>Maybe they were on acid or something. It seems weird.

1220
01:05:35.289 --> 01:05:37.809
<v Speaker 1>I just remember those poor puppeteers, man. They were trying

1221
01:05:37.849 --> 01:05:41.449
<v Speaker 1>to make this thing work. I don't think the technology

1222
01:05:41.469 --> 01:05:42.570
<v Speaker 1>really existed.

1223
01:05:42.590 --> 01:05:45.110
<v Speaker 2>It was like 86 or something?

1224
01:05:45.170 --> 01:05:50.989
<v Speaker 1>Yeah, and they were trying so hard. I felt for everybody,

1225
01:05:51.650 --> 01:05:54.710
<v Speaker 1>including the director. I felt he tried his damn best.

1226
01:05:55.130 --> 01:06:02.050
<v Speaker 1>It was just betrayal by puppeteering. And it wasn't the puppeteers.

1227
01:06:02.219 --> 01:06:03.110
<v Speaker 1>It was the actual puppeteers.

1228
01:06:04.809 --> 01:06:07.309
<v Speaker 2>Well, it's kind of– if you think about Star Wars

1229
01:06:07.329 --> 01:06:09.469
<v Speaker 2>in particular, it's kind of amazing. They were able to

1230
01:06:09.530 --> 01:06:13.250
<v Speaker 2>pull that off with the technology that was available at

1231
01:06:13.289 --> 01:06:17.130
<v Speaker 2>the time to have this crazy movie where– like the

1232
01:06:17.190 --> 01:06:22.210
<v Speaker 2>cantina scene. Yeah. There's all these different fucking creatures from

1233
01:06:22.969 --> 01:06:26.809
<v Speaker 2>different planets and like they did not have very good

1234
01:06:26.869 --> 01:06:30.630
<v Speaker 2>technology back then. Like if you watch that cantina scene now, like, whoa.

1235
01:06:31.340 --> 01:06:32.039
<v Speaker 2>It looks terrible.

1236
01:06:32.260 --> 01:06:32.500
<v Speaker 1>Right.

1237
01:06:32.519 --> 01:06:35.280
<v Speaker 2>It looks so clunky. Like the masks don't move. Like

1238
01:06:35.440 --> 01:06:37.659
<v Speaker 2>everyone's got their faces stuck.

1239
01:06:38.019 --> 01:06:43.889
<v Speaker 1>It's almost like looking at claymation around that time. Yeah. Yeah.

1240
01:06:44.510 --> 01:06:47.329
<v Speaker 1>Amazing what they can do. But I do like the

1241
01:06:47.389 --> 01:06:50.969
<v Speaker 1>old school. I do like the kind of analog version

1242
01:06:51.070 --> 01:06:53.650
<v Speaker 1>of it. Because with the CGI and everything, it's all

1243
01:06:53.789 --> 01:06:58.880
<v Speaker 1>so sophisticated and so– They can do anything now and

1244
01:06:58.900 --> 01:07:01.719
<v Speaker 1>you almost want them not to be able to do everything.

1245
01:07:02.179 --> 01:07:03.059
<v Speaker 2>Oh, 100 percent.

1246
01:07:03.099 --> 01:07:07.070
<v Speaker 1>Yeah. Just want a little roughness around the edges. It

1247
01:07:07.110 --> 01:07:07.650
<v Speaker 1>really helps.

1248
01:07:07.769 --> 01:07:10.969
<v Speaker 2>Well, there's also a thing about CGI where the part

1249
01:07:11.010 --> 01:07:14.349
<v Speaker 2>of your brain that is looking at it recognizes that

1250
01:07:14.369 --> 01:07:16.880
<v Speaker 2>this is not a real thing happening. Like as good

1251
01:07:16.920 --> 01:07:18.519
<v Speaker 2>as it looks, there's something about it.

1252
01:07:18.619 --> 01:07:18.860
<v Speaker 1>Yeah.

1253
01:07:19.230 --> 01:07:22.269
<v Speaker 2>Which is why a lot of the movie special effects

1254
01:07:22.289 --> 01:07:25.309
<v Speaker 2>guys like the monster guys like Rick Baker and along

1255
01:07:25.349 --> 01:07:26.909
<v Speaker 2>those lines who did Star Wars.

1256
01:07:26.949 --> 01:07:27.300
<v Speaker 1>Yeah, yeah.

1257
01:07:27.550 --> 01:07:30.239
<v Speaker 2>American Werewolf in London, that thing outside, the wolf that

1258
01:07:30.260 --> 01:07:34.039
<v Speaker 2>you see in the hallway. Yeah, yeah. That– they wanted

1259
01:07:34.099 --> 01:07:38.460
<v Speaker 2>to make sure that it looked like a real thing, right?

1260
01:07:38.480 --> 01:07:41.199
<v Speaker 2>It was a physical object. So you had a– so

1261
01:07:41.239 --> 01:07:43.219
<v Speaker 2>in order to make it a physical object and obviously

1262
01:07:43.260 --> 01:07:47.090
<v Speaker 2>CGI wasn't even available back then. But you see it

1263
01:07:47.230 --> 01:07:50.289
<v Speaker 2>and you know it's a real thing. Whereas like later on,

1264
01:07:50.710 --> 01:07:53.489
<v Speaker 2>they did The Wolfman and Rick Baker did that as well.

1265
01:07:53.510 --> 01:07:55.269
<v Speaker 2>And there's a lot of CGI in there and the

1266
01:07:55.309 --> 01:07:57.550
<v Speaker 2>transformation scenes. And this part of it is just like

1267
01:07:57.570 --> 01:07:59.969
<v Speaker 2>your brain's like, this isn't really happening.

1268
01:08:00.010 --> 01:08:00.489
<v Speaker 1>Yeah.

1269
01:08:00.530 --> 01:08:01.469
<v Speaker 2>I don't like it. Yeah.

1270
01:08:01.750 --> 01:08:04.199
<v Speaker 1>Yeah. It's kind of the same way in music too.

1271
01:08:04.239 --> 01:08:07.840
<v Speaker 1>Like when they correct everything and make the auto tuning.

1272
01:08:08.159 --> 01:08:08.619
<v Speaker 2>Yeah.

1273
01:08:09.039 --> 01:08:11.860
<v Speaker 1>Great music has a little bit of mistake in it. Yes.

1274
01:08:11.900 --> 01:08:16.239
<v Speaker 1>It has a little bit of like human error. When

1275
01:08:16.260 --> 01:08:19.789
<v Speaker 1>you're hitting a chord on a guitar– There's a way

1276
01:08:19.829 --> 01:08:22.149
<v Speaker 1>to play it perfectly, but there's also a way to

1277
01:08:22.210 --> 01:08:23.909
<v Speaker 1>play it a little messed up.

1278
01:08:24.050 --> 01:08:24.369
<v Speaker 2>Right.

1279
01:08:24.630 --> 01:08:27.430
<v Speaker 1>And I kind of prefer the little bit messed up.

1280
01:08:27.510 --> 01:08:30.439
<v Speaker 2>Like when Hendrix did the Star Spangled Banner at Woodstock.

1281
01:08:30.720 --> 01:08:31.420
<v Speaker 1>Yeah.

1282
01:08:31.460 --> 01:08:33.399
<v Speaker 2>There was something about it. It was like.

1283
01:08:33.420 --> 01:08:39.659
<v Speaker 1>Yeah, it was immediate. It was being done at that

1284
01:08:39.720 --> 01:08:42.420
<v Speaker 1>moment with full danger, which is great.

1285
01:08:45.140 --> 01:08:48.760
<v Speaker 2>Thing to listen to yeah this it's really happening yeah

1286
01:08:48.779 --> 01:08:53.810
<v Speaker 2>it's not polished and edited and sent through a machine.

1287
01:08:53.390 --> 01:08:55.289
<v Speaker 1>And you get the feeling that maybe that was the

1288
01:08:55.409 --> 01:08:58.420
<v Speaker 1>second or third time he'd played it. Right.

1289
01:08:58.640 --> 01:08:58.899
<v Speaker 2>Ever.

1290
01:08:59.520 --> 01:09:02.020
<v Speaker 1>Well, maybe the first. Right, right, right. Which would have

1291
01:09:02.039 --> 01:09:05.739
<v Speaker 1>been even more insane. But, you know, yeah.

1292
01:09:06.060 --> 01:09:09.220
<v Speaker 2>Well, that's why people like records. They love listening to

1293
01:09:09.239 --> 01:09:13.390
<v Speaker 2>the scratches and the pops and then you hear the voice.

1294
01:09:14.100 --> 01:09:18.399
<v Speaker 2>Like this just pure recorded voice. There's no auto-tune. There's

1295
01:09:18.439 --> 01:09:19.689
<v Speaker 2>no nothing messing with it.

1296
01:09:19.880 --> 01:09:20.039
<v Speaker 1>Yeah.

1297
01:09:20.279 --> 01:09:21.510
<v Speaker 2>Especially like an old record.

1298
01:09:22.510 --> 01:09:26.010
<v Speaker 1>I have one of those 78s where you have to

1299
01:09:26.210 --> 01:09:29.229
<v Speaker 1>crank them up. Oh, wow. And they have the little,

1300
01:09:29.250 --> 01:09:34.029
<v Speaker 1>you know, cone that amplifies it. Oh, you have one

1301
01:09:34.130 --> 01:09:34.710
<v Speaker 1>of those.

1302
01:09:34.729 --> 01:09:34.829
<v Speaker 2>Right?

1303
01:09:35.229 --> 01:09:37.470
<v Speaker 1>Oh, wow. 1920 or 1910 or something like that. And

1304
01:09:37.649 --> 01:09:40.649
<v Speaker 1>I just imagine, you know, living on the prairie and

1305
01:09:41.180 --> 01:09:45.560
<v Speaker 1>Ordering this from Sears Roebuck, right? And getting your first,

1306
01:09:46.899 --> 01:09:51.069
<v Speaker 1>you know, record and putting it on and hearing this,

1307
01:09:51.550 --> 01:09:56.010
<v Speaker 1>a voice coming from this acetate. It must have been magical.

1308
01:09:56.250 --> 01:09:59.609
<v Speaker 1>It must have been like, you know, transformative to, you know,

1309
01:09:59.670 --> 01:10:04.329
<v Speaker 1>this amplified song that you can dance to or fall

1310
01:10:04.390 --> 01:10:06.590
<v Speaker 1>in love to right in your living room.

1311
01:10:06.909 --> 01:10:08.289
<v Speaker 2>When did they first figure that out?

1312
01:10:08.810 --> 01:10:10.890
<v Speaker 1>I think it was early part of the 20th century.

1313
01:10:11.289 --> 01:10:14.670
<v Speaker 2>Thomas Edison. Thomas Edison? Yeah, they had like a little cylinder.

1314
01:10:15.270 --> 01:10:17.789
<v Speaker 1>But when they started mass producing them in... Oh, like

1315
01:10:17.829 --> 01:10:18.350
<v Speaker 1>just records?

1316
01:10:18.510 --> 01:10:19.989
<v Speaker 2>Yeah, when was the first record?

1317
01:10:20.010 --> 01:10:21.010
<v Speaker 1>I think in the 20s maybe?

1318
01:10:21.130 --> 01:10:22.880
<v Speaker 2>They might have mass produced those because people had them.

1319
01:10:23.960 --> 01:10:28.159
<v Speaker 2>Just a way different player. Let's ask perplexity. What was

1320
01:10:28.199 --> 01:10:34.479
<v Speaker 2>the first record? What was the first actual record disc

1321
01:10:34.899 --> 01:10:37.670
<v Speaker 2>that you could play with a needle? Like a real record.

1322
01:10:42.590 --> 01:10:47.170
<v Speaker 2>I want to say like 1919. I'm just taking a

1323
01:10:47.189 --> 01:10:49.930
<v Speaker 2>wild guess. There's a famous viral video of a guy

1324
01:10:49.970 --> 01:10:55.390
<v Speaker 2>dropping that time I said it. 1931. 12-inch, 33-and-a-third RPM

1325
01:10:55.430 --> 01:10:58.899
<v Speaker 2>disc was pressed in Victor's vinyl-based Victrolac.

1326
01:10:59.779 --> 01:11:04.439
<v Speaker 1>But that's 33-and-a-third. What about the 78s? Is it called, say,

1327
01:11:04.479 --> 01:11:05.800
<v Speaker 1>a 78? I don't think so, yeah.

1328
01:11:05.800 --> 01:11:09.699
<v Speaker 2>23 minutes per side versus roughly the Shellac 78. 48.

1329
01:11:09.699 --> 01:11:16.359
<v Speaker 2>Vinyl LP. Arrived in June 21st, 1948. Columbia Records unveiled, oh,

1330
01:11:16.359 --> 01:11:18.779
<v Speaker 2>33 and a third micro groove, long playing record. So

1331
01:11:19.590 --> 01:11:20.050
<v Speaker 2>was that it?

1332
01:11:20.810 --> 01:11:24.609
<v Speaker 1>But in the 20s and 30s, there was a micro groove.

1333
01:11:24.609 --> 01:11:27.770
<v Speaker 2>47, you got the 45. Oh, okay.

1334
01:11:27.810 --> 01:11:31.960
<v Speaker 1>So the little one singles. 31 first vinyl disc. Wow.

1335
01:11:32.880 --> 01:11:35.319
<v Speaker 2>So 31 for the first vinyl disc, 48 for the

1336
01:11:35.359 --> 01:11:38.619
<v Speaker 2>first real album. Which is really nuts because if you

1337
01:11:38.640 --> 01:11:41.739
<v Speaker 2>think about like all the amazing albums of the 60s,

1338
01:11:42.140 --> 01:11:45.460
<v Speaker 2>you're talking about a technology that didn't exist 20 years prior.

1339
01:11:45.479 --> 01:11:46.600
<v Speaker 1>Wow, that's weird.

1340
01:11:47.180 --> 01:11:47.520
<v Speaker 2>Nuts.

1341
01:11:47.560 --> 01:11:47.939
<v Speaker 1>Yeah.

1342
01:11:48.399 --> 01:11:51.180
<v Speaker 2>Nuts, right? So like when you listen to Voodoo Child,

1343
01:11:51.779 --> 01:11:54.979
<v Speaker 2>like that technology 20 years ago didn't exist.

1344
01:11:55.699 --> 01:11:58.319
<v Speaker 1>Do you remember the magic of watching it for the

1345
01:11:58.359 --> 01:12:00.750
<v Speaker 1>first time? Like when you put that thing down when

1346
01:12:00.770 --> 01:12:02.489
<v Speaker 1>you're a kid and you put it on the thing

1347
01:12:03.010 --> 01:12:04.390
<v Speaker 1>and this music starts coming out?

1348
01:12:05.020 --> 01:12:08.000
<v Speaker 2>Oh, yeah. Well, I remember the ones where– look at that.

1349
01:12:08.060 --> 01:12:11.739
<v Speaker 2>Look at the vinyl grooves around 1,000X magnification. You see

1350
01:12:11.779 --> 01:12:15.329
<v Speaker 2>the waveforms of the music itself. That's crazy.

1351
01:12:15.350 --> 01:12:15.989
<v Speaker 1>Incredible.

1352
01:12:16.090 --> 01:12:18.670
<v Speaker 2>That those little weird– imagine if you were like from

1353
01:12:18.710 --> 01:12:21.510
<v Speaker 2>another civilization and you saw these things. You'd be like,

1354
01:12:21.550 --> 01:12:23.890
<v Speaker 2>what the fuck is this? Like what do they have here?

1355
01:12:23.970 --> 01:12:25.189
<v Speaker 1>How did they figure that out?

1356
01:12:25.229 --> 01:12:28.350
<v Speaker 2>What is this? You'd be like, what? That's– they figured

1357
01:12:28.369 --> 01:12:30.449
<v Speaker 2>out how to make music out of that and you

1358
01:12:30.470 --> 01:12:33.319
<v Speaker 2>could hear a harp. You could hear banjo. You could

1359
01:12:33.340 --> 01:12:34.680
<v Speaker 2>hear– You could hear drums.

1360
01:12:34.699 --> 01:12:35.479
<v Speaker 1>An orchestra.

1361
01:12:35.600 --> 01:12:38.079
<v Speaker 2>Yeah, you could hear jazz joplin all in that.

1362
01:12:38.279 --> 01:12:38.520
<v Speaker 1>Yeah.

1363
01:12:38.760 --> 01:12:39.420
<v Speaker 2>How'd you do that?

1364
01:12:39.859 --> 01:12:40.260
<v Speaker 1>Yeah.

1365
01:12:41.060 --> 01:12:42.840
<v Speaker 2>And if it scratches, it skips?

1366
01:12:44.100 --> 01:12:47.100
<v Speaker 1>I'm really encouraged that vinyl's making a comeback. I'm really

1367
01:12:47.479 --> 01:12:48.689
<v Speaker 1>very excited about that.

1368
01:12:48.890 --> 01:12:49.460
<v Speaker 2>People love it.

1369
01:12:49.569 --> 01:12:51.689
<v Speaker 1>Yeah. It's all the difference.

1370
01:12:51.729 --> 01:12:56.090
<v Speaker 2>People love wood tables. As the world gets more digital,

1371
01:12:56.130 --> 01:13:00.170
<v Speaker 2>people want things that are organic, something that a person made,

1372
01:13:00.250 --> 01:13:03.029
<v Speaker 2>something that seems like... It makes more sense.

1373
01:13:03.170 --> 01:13:06.880
<v Speaker 1>I've been finding in my search for my archive and

1374
01:13:06.909 --> 01:13:10.619
<v Speaker 1>everything cassette tapes that I put on. They sound amazing.

1375
01:13:10.840 --> 01:13:11.119
<v Speaker 2>Really?

1376
01:13:11.140 --> 01:13:18.000
<v Speaker 1>Yeah. They sound really good because there's more information in

1377
01:13:18.060 --> 01:13:21.880
<v Speaker 1>a little cassette tape than on a– whether it's MP3

1378
01:13:21.920 --> 01:13:27.989
<v Speaker 1>that's been compressed and compressed and compressed and compressed. But

1379
01:13:28.510 --> 01:13:33.270
<v Speaker 1>reel-to-reels obviously sound still great, but the cassette tapes really survived.

1380
01:13:33.750 --> 01:13:37.430
<v Speaker 1>I've been digitizing everything, of course, just to make sure

1381
01:13:37.470 --> 01:13:42.130
<v Speaker 1>that they don't decay. But it's been really interesting. A

1382
01:13:42.170 --> 01:13:45.810
<v Speaker 1>lot of my dad's music he recorded on cassette tapes.

1383
01:13:46.270 --> 01:13:49.949
<v Speaker 1>He was a folk singer. They did five albums as

1384
01:13:49.979 --> 01:13:54.500
<v Speaker 1>the Highwaymen, but he was a classical musician and did

1385
01:13:55.020 --> 01:13:57.000
<v Speaker 1>choral music and so he had a group and he

1386
01:13:57.039 --> 01:13:59.960
<v Speaker 1>would record on these cassette tapes and so we've been

1387
01:14:00.000 --> 01:14:03.319
<v Speaker 1>digitizing those because we're I'm going to put them all

1388
01:14:03.380 --> 01:14:06.699
<v Speaker 1>on my new website this thing called Robbins Radio which

1389
01:14:06.739 --> 01:14:10.930
<v Speaker 1>will be my dad my granddad my brother and myself

1390
01:14:11.479 --> 01:14:14.029
<v Speaker 1>the music that we've done over the years kind of

1391
01:14:14.090 --> 01:14:16.270
<v Speaker 1>playing on a constant loop when you come onto the

1392
01:14:16.310 --> 01:14:19.729
<v Speaker 1>website oh wow yeah so I was to honor my

1393
01:14:19.770 --> 01:14:24.189
<v Speaker 1>dad I've been digitizing also his scores and you know

1394
01:14:24.449 --> 01:14:29.069
<v Speaker 1>he wrote music by hand and so I've got boxes

1395
01:14:29.130 --> 01:14:32.850
<v Speaker 1>and boxes of that that I'm trying to transcribe and

1396
01:14:33.289 --> 01:14:36.310
<v Speaker 1>make available probably in about six months we'll have that

1397
01:14:36.390 --> 01:14:37.270
<v Speaker 1>archive up.

1398
01:14:37.569 --> 01:14:40.930
<v Speaker 2>Oh that's awesome when did they figure out how to

1399
01:14:40.949 --> 01:14:45.880
<v Speaker 2>put things on cassette tapes that happened that was around

1400
01:14:45.979 --> 01:14:48.140
<v Speaker 2>when I was in high school I remember I had

1401
01:14:48.180 --> 01:14:50.399
<v Speaker 2>a cassette deck on my car.

1402
01:14:51.060 --> 01:14:53.899
<v Speaker 1>And there was pretty good technology you could buy really

1403
01:14:53.920 --> 01:14:59.100
<v Speaker 1>good microphones And plugged them into a pretty good cassette player.

1404
01:14:59.189 --> 01:15:00.529
<v Speaker 2>Well, 8-track was the first, right?

1405
01:15:01.250 --> 01:15:04.229
<v Speaker 1>I think so, but those were so impractical.

1406
01:15:04.250 --> 01:15:04.909
<v Speaker 2>Well, they were huge.

1407
01:15:05.270 --> 01:15:07.289
<v Speaker 1>Yeah, plus they'd stop in the middle of a song

1408
01:15:07.310 --> 01:15:09.310
<v Speaker 1>and then go to the next track.

1409
01:15:09.529 --> 01:15:09.979
<v Speaker 2>Oh, really?

1410
01:15:10.039 --> 01:15:13.600
<v Speaker 1>Yeah. I remember driving with my friend Frank, who lives

1411
01:15:13.640 --> 01:15:15.979
<v Speaker 1>in Austin right now. And we were driving back up

1412
01:15:16.020 --> 01:15:19.899
<v Speaker 1>to school, my first school, college, Plattsburgh. And there was

1413
01:15:19.979 --> 01:15:23.810
<v Speaker 1>an 8-track of Bread playing. You remember that band Bread?

1414
01:15:23.890 --> 01:15:24.590
<v Speaker 2>Uh-huh.

1415
01:15:24.869 --> 01:15:28.750
<v Speaker 1>And this was around 1977. And he rips it out

1416
01:15:28.770 --> 01:15:32.369
<v Speaker 1>of the 8-track, rolls down the window, throws it out.

1417
01:15:33.369 --> 01:15:37.310
<v Speaker 1>We're never listening to that again. It's punk rock from

1418
01:15:37.350 --> 01:15:40.630
<v Speaker 1>this point forward. And it was like a defining moment

1419
01:15:40.670 --> 01:15:43.970
<v Speaker 1>in my musical life was like Frank saying, no more Bread.

1420
01:15:43.989 --> 01:15:48.170
<v Speaker 2>No more Bread. No more Bread. He's going to put

1421
01:15:48.189 --> 01:15:48.550
<v Speaker 2>his foot down.

1422
01:15:48.569 --> 01:15:49.489
<v Speaker 1>It's Sex Pistols now.

1423
01:15:49.649 --> 01:15:54.359
<v Speaker 2>That's hilarious. I remember my first introduction to 8-track. My

1424
01:15:54.399 --> 01:15:57.420
<v Speaker 2>friend Javier, when I lived in Florida, his mom had

1425
01:15:57.439 --> 01:16:00.520
<v Speaker 2>an 8-track player. And she had, what is that song?

1426
01:16:01.399 --> 01:16:04.770
<v Speaker 2>Who sings it? When my baby, when my baby smiles

1427
01:16:04.810 --> 01:16:08.010
<v Speaker 2>at me, I go to Rio de Janeiro. Remember that song?

1428
01:16:08.029 --> 01:16:08.369
<v Speaker 1>Yeah, yeah, yeah.

1429
01:16:08.390 --> 01:16:11.210
<v Speaker 2>I don't remember who sings it. Pablo Cruz.

1430
01:16:11.850 --> 01:16:12.489
<v Speaker 1>Oh, yeah.

1431
01:16:12.670 --> 01:16:15.819
<v Speaker 2>Okay, yeah. And she had a Pablo Cruz 8-track in

1432
01:16:15.850 --> 01:16:18.710
<v Speaker 2>her car. I'm like, this lady is a wizard. She's

1433
01:16:18.750 --> 01:16:21.369
<v Speaker 2>got her own music. Because before then, I think I

1434
01:16:21.409 --> 01:16:23.810
<v Speaker 2>had only seen people play stuff that was on the radio.

1435
01:16:23.829 --> 01:16:24.449
<v Speaker 1>Right, right.

1436
01:16:24.590 --> 01:16:26.710
<v Speaker 2>And she put it in there and she pressed the button.

1437
01:16:26.729 --> 01:16:30.060
<v Speaker 2>I was like, this is crazy. She gets to pick

1438
01:16:30.119 --> 01:16:33.899
<v Speaker 2>what songs are on the radio in a car? I

1439
01:16:33.939 --> 01:16:35.479
<v Speaker 2>thought it was the wildest thing I'd ever seen in

1440
01:16:35.520 --> 01:16:35.880
<v Speaker 2>my life.

1441
01:16:36.020 --> 01:16:39.300
<v Speaker 1>Yeah, yeah. That was right. It was eight-track first, then

1442
01:16:39.319 --> 01:16:40.930
<v Speaker 1>the cassette, and then the CDs.

1443
01:16:40.939 --> 01:16:42.579
<v Speaker 2>The cassette was so much better. You had to flip

1444
01:16:42.600 --> 01:16:43.800
<v Speaker 2>it over, though, pop it out, flip it over to

1445
01:16:43.840 --> 01:16:44.720
<v Speaker 2>the other side.

1446
01:16:44.739 --> 01:16:46.800
<v Speaker 1>Yeah, but those things are cooked in the sun, though.

1447
01:16:47.239 --> 01:16:49.250
<v Speaker 2>Oh, yeah. Oh, I lost a bunch. I used to

1448
01:16:49.289 --> 01:16:51.930
<v Speaker 2>have one of them big books with cassettes in it

1449
01:16:52.029 --> 01:16:54.649
<v Speaker 2>and these little vinyl things. You leave it in your car,

1450
01:16:54.670 --> 01:16:56.409
<v Speaker 2>and they get fucked, and then it gets stuck in

1451
01:16:56.449 --> 01:16:59.189
<v Speaker 2>the tape machine, and you had to do it with

1452
01:16:59.220 --> 01:17:01.359
<v Speaker 2>your finger. You had to try to wind it back

1453
01:17:01.399 --> 01:17:02.000
<v Speaker 2>with your finger.

1454
01:17:02.020 --> 01:17:05.930
<v Speaker 1>Yeah. Which I did like a month ago with one

1455
01:17:06.010 --> 01:17:06.689
<v Speaker 1>of the old cassettes.

1456
01:17:06.710 --> 01:17:08.560
<v Speaker 2>You had to stick your pinky in there.

1457
01:17:08.640 --> 01:17:12.539
<v Speaker 1>I just did that last month trying to re-spool it.

1458
01:17:12.539 --> 01:17:16.600
<v Speaker 2>Yeah, nobody knows what the fuck we're talking about today. Well,

1459
01:17:16.619 --> 01:17:19.779
<v Speaker 2>then VHS tapes was the next one because that was

1460
01:17:19.819 --> 01:17:21.699
<v Speaker 2>the first time where you could choose to watch a

1461
01:17:21.739 --> 01:17:22.390
<v Speaker 2>film at home.

1462
01:17:22.930 --> 01:17:23.170
<v Speaker 1>Yes.

1463
01:17:23.529 --> 01:17:23.829
<v Speaker 2>You know?

1464
01:17:24.010 --> 01:17:26.890
<v Speaker 1>Yes. And a huge deal too. I mourn the loss

1465
01:17:27.229 --> 01:17:28.729
<v Speaker 1>of video stores.

1466
01:17:31.229 --> 01:17:33.090
<v Speaker 2>Oh, yeah. Because it's a great experience.

1467
01:17:33.310 --> 01:17:35.369
<v Speaker 1>Well, yeah, because you could go and you say, you know,

1468
01:17:35.409 --> 01:17:37.409
<v Speaker 1>I just saw this film and there was someone that

1469
01:17:37.489 --> 01:17:38.489
<v Speaker 1>really loved film there.

1470
01:17:38.729 --> 01:17:39.060
<v Speaker 2>Right.

1471
01:17:39.260 --> 01:17:41.100
<v Speaker 1>And he could say, well, if you like that one,

1472
01:17:41.279 --> 01:17:41.979
<v Speaker 1>check this one out.

1473
01:17:42.060 --> 01:17:42.760
<v Speaker 2>Yeah.

1474
01:17:43.220 --> 01:17:45.979
<v Speaker 1>That was that's now been replaced by an algorithm.

1475
01:17:46.000 --> 01:17:46.619
<v Speaker 2>Right.

1476
01:17:46.899 --> 01:17:49.399
<v Speaker 1>And I'm not trusting that algorithm is going to find

1477
01:17:49.800 --> 01:17:52.239
<v Speaker 1>it's going to show me the way to Battle of

1478
01:17:52.300 --> 01:17:56.000
<v Speaker 1>Algiers or any kind of these great movies. I just

1479
01:17:56.640 --> 01:18:01.060
<v Speaker 1>if the personal was lost. Same thing with record stores.

1480
01:18:01.100 --> 01:18:04.000
<v Speaker 1>You could go in and like what's new and hear

1481
01:18:04.020 --> 01:18:07.340
<v Speaker 1>what's playing and talk to the guy and get what

1482
01:18:07.380 --> 01:18:12.239
<v Speaker 1>his opinion was and bookstores too. It's like if you

1483
01:18:12.319 --> 01:18:14.779
<v Speaker 1>told me 30 years ago that it would be– it's

1484
01:18:14.859 --> 01:18:17.199
<v Speaker 1>very hard to find a bookstore, a record store or

1485
01:18:17.220 --> 01:18:20.939
<v Speaker 1>a video store, I would say you're crazy. But now

1486
01:18:21.000 --> 01:18:24.710
<v Speaker 1>it's all like very convenient. You have access to everything

1487
01:18:25.189 --> 01:18:28.890
<v Speaker 1>but you don't have– the arbiter that is a person

1488
01:18:28.949 --> 01:18:31.310
<v Speaker 1>you have the arbiter that's almost a machine.

1489
01:18:31.300 --> 01:18:33.920
<v Speaker 2>Right you get a little bit of that with people

1490
01:18:34.100 --> 01:18:38.100
<v Speaker 2>online recommending stuff yeah just kind of cool you know

1491
01:18:38.159 --> 01:18:39.920
<v Speaker 2>someone says hey i just saw the show it's fucking

1492
01:18:39.939 --> 01:18:42.149
<v Speaker 2>incredible that's true you get a little bit of that

1493
01:18:43.100 --> 01:18:46.800
<v Speaker 2>and then you get imdb and rotten Tomatoes scores, which

1494
01:18:46.859 --> 01:18:51.619
<v Speaker 2>I think does something. They're a little manipulated occasionally, but

1495
01:18:51.680 --> 01:18:53.920
<v Speaker 2>there's something to it where you get to see what

1496
01:18:53.979 --> 01:18:56.640
<v Speaker 2>people think about it. That helps.

1497
01:18:56.779 --> 01:19:00.380
<v Speaker 1>Yeah, that's nice. I think Silo is like 100% Rotten Tomatoes.

1498
01:19:00.399 --> 01:19:00.859
<v Speaker 2>Is it really?

1499
01:19:00.880 --> 01:19:02.939
<v Speaker 1>Yeah, right now it is. That's nice.

1500
01:19:03.279 --> 01:19:04.789
<v Speaker 2>Once you said that, though, you put it out there.

1501
01:19:04.810 --> 01:19:05.449
<v Speaker 1>I know. Now it's dead.

1502
01:19:05.489 --> 01:19:06.909
<v Speaker 2>The assholes are going to come.

1503
01:19:07.289 --> 01:19:08.090
<v Speaker 1>I just killed it.

1504
01:19:08.090 --> 01:19:11.670
<v Speaker 2>They're going to bomb it.

1505
01:19:11.670 --> 01:19:14.689
<v Speaker 1>They're going to bomb it into oblivion.

1506
01:19:14.750 --> 01:19:17.310
<v Speaker 2>Oh, yeah? 100%? We'll see about that. But there's almost

1507
01:19:17.529 --> 01:19:21.010
<v Speaker 2>too many shows. You know, there's just too much. I

1508
01:19:21.050 --> 01:19:24.170
<v Speaker 2>just got into The Agency. I just finished season two

1509
01:19:24.189 --> 01:19:28.550
<v Speaker 2>of The Agency on it. Michael Fassbender. It's a CIA

1510
01:19:29.489 --> 01:19:34.350
<v Speaker 2>series that's on Paramount. It's fucking incredible. It's so well written.

1511
01:19:34.670 --> 01:19:37.189
<v Speaker 2>It's so well acted that it makes so many other

1512
01:19:37.210 --> 01:19:40.710
<v Speaker 2>shows seem really clunky because it's just– it's so good.

1513
01:19:41.210 --> 01:19:43.789
<v Speaker 2>It's got so many layers to it and it's subtle

1514
01:19:43.949 --> 01:19:46.689
<v Speaker 2>and it's brilliant and it's– and Fassbender is one of

1515
01:19:46.710 --> 01:19:48.369
<v Speaker 2>my favorite actors. He's fucking incredible.

1516
01:19:48.390 --> 01:19:48.850
<v Speaker 1>He's great.

1517
01:19:48.930 --> 01:19:52.270
<v Speaker 2>He's so good. He's so good in this. He plays

1518
01:19:52.310 --> 01:19:53.560
<v Speaker 2>this CIA spook.

1519
01:19:54.520 --> 01:19:56.380
<v Speaker 1>So many– Things to choose from.

1520
01:19:56.439 --> 01:19:56.840
<v Speaker 2>Too many.

1521
01:19:56.939 --> 01:19:57.140
<v Speaker 1>Yeah.

1522
01:19:57.579 --> 01:19:57.939
<v Speaker 2>Almost.

1523
01:19:58.300 --> 01:19:59.539
<v Speaker 1>Yeah. I mean– Maybe.

1524
01:19:59.840 --> 01:20:03.020
<v Speaker 2>Essentially, you could waste your whole life just being entertained.

1525
01:20:03.039 --> 01:20:05.500
<v Speaker 2>Like it used to be difficult to be entertained, which

1526
01:20:05.539 --> 01:20:06.960
<v Speaker 2>I think there's something to that. You had to go

1527
01:20:07.000 --> 01:20:08.699
<v Speaker 2>to a place. You had to pay. You could buy

1528
01:20:08.720 --> 01:20:10.060
<v Speaker 2>your popcorn and sit down.

1529
01:20:10.420 --> 01:20:12.380
<v Speaker 1>You had to make an active choice in your life.

1530
01:20:12.800 --> 01:20:15.560
<v Speaker 1>Now it's just like– Yeah, steps along the way.

1531
01:20:15.600 --> 01:20:18.409
<v Speaker 2>They've made it more convenient to be entertained. But then again,

1532
01:20:18.430 --> 01:20:22.380
<v Speaker 2>it's like there's something lost in that. Like, oh, the

1533
01:20:22.420 --> 01:20:23.439
<v Speaker 2>movie starts at 7.

1534
01:20:23.439 --> 01:20:23.630
<v Speaker 1>Come on.

1535
01:20:23.640 --> 01:20:24.779
<v Speaker 2>We got to get out of here. We got to

1536
01:20:24.800 --> 01:20:26.579
<v Speaker 2>go park. We got to get there. We got to

1537
01:20:26.600 --> 01:20:28.869
<v Speaker 2>get there in time. There was a lot to it.

1538
01:20:29.359 --> 01:20:33.630
<v Speaker 1>Or the idea that if there's only three choices, you

1539
01:20:33.789 --> 01:20:36.869
<v Speaker 1>might stumble into something you wouldn't have watched. Right. And

1540
01:20:37.109 --> 01:20:37.670
<v Speaker 1>be surprised.

1541
01:20:37.829 --> 01:20:39.939
<v Speaker 2>Oh, all the time. You'd go, what do they have

1542
01:20:39.979 --> 01:20:41.579
<v Speaker 2>at the movie theater? Like, what's this?

1543
01:20:41.859 --> 01:20:42.100
<v Speaker 1>All right.

1544
01:20:42.140 --> 01:20:45.359
<v Speaker 2>Well, there's no more Star Wars tickets left. So we

1545
01:20:45.399 --> 01:20:47.479
<v Speaker 2>could go see this. You want to see this? What

1546
01:20:47.539 --> 01:20:48.319
<v Speaker 2>is it? I don't know.

1547
01:20:48.579 --> 01:20:49.159
<v Speaker 1>Yeah.

1548
01:20:49.180 --> 01:20:51.260
<v Speaker 2>This guy's in it though. I like him. Like, okay.

1549
01:20:51.420 --> 01:20:52.050
<v Speaker 1>Yeah, let's check it out.

1550
01:20:52.079 --> 01:20:54.819
<v Speaker 2>And you would just take a guess. That's the crazy

1551
01:20:54.850 --> 01:20:57.609
<v Speaker 2>thing about Shawshank is that it wasn't a big hit

1552
01:20:57.750 --> 01:21:01.090
<v Speaker 2>in the movie theater initially. No. Which is really hard

1553
01:21:01.130 --> 01:21:02.630
<v Speaker 2>to believe now. Yeah.

1554
01:21:03.529 --> 01:21:08.289
<v Speaker 1>No, it was nominated for seven Academy Awards, but nobody

1555
01:21:08.310 --> 01:21:08.810
<v Speaker 1>went to see it.

1556
01:21:09.090 --> 01:21:09.930
<v Speaker 2>That's nuts.

1557
01:21:10.270 --> 01:21:13.449
<v Speaker 1>Yeah. Maybe it was a title they didn't understand or

1558
01:21:13.710 --> 01:21:16.270
<v Speaker 1>I don't know what it was. I was in two

1559
01:21:16.329 --> 01:21:19.829
<v Speaker 1>films that year, one, Hudsucker Proxy and Shawshank Redemption, two

1560
01:21:19.909 --> 01:21:25.729
<v Speaker 1>really challenging titles. But like what's it about? Hudsucker? I

1561
01:21:26.100 --> 01:21:30.020
<v Speaker 1>don't know. What's it about? I had people coming up

1562
01:21:30.039 --> 01:21:32.079
<v Speaker 1>to me and saying, I really liked you in that

1563
01:21:33.140 --> 01:21:39.119
<v Speaker 1>Scrimshaw Reduction. I'm like, yeah, thank you.

1564
01:21:39.199 --> 01:21:41.760
<v Speaker 2>Especially if they don't plan on meeting you and they

1565
01:21:41.800 --> 01:21:45.779
<v Speaker 2>run into you at a restaurant. Like, Tim Robbins, that movie, the.

1566
01:21:45.720 --> 01:21:50.289
<v Speaker 1>Shawshank, Trimshaw. Shimshank. Shimshank, Shawshank.

1567
01:21:50.470 --> 01:21:53.670
<v Speaker 2>What did it come out against? What other films were

1568
01:21:53.750 --> 01:21:56.029
<v Speaker 2>out at the same time as Shawshank? Was there other

1569
01:21:56.130 --> 01:22:01.340
<v Speaker 2>like big movies? Forrest Gump. Oh, wow. Oh, wow. Jurassic Park.

1570
01:22:01.359 --> 01:22:04.229
<v Speaker 1>Yeah. Pulp Fiction. Oh, Jesus.

1571
01:22:04.329 --> 01:22:08.050
<v Speaker 2>Ace Ventura. Oh, my God. Ace Ventura, too? That's one

1572
01:22:08.069 --> 01:22:10.270
<v Speaker 2>of the best years for movies in history. Oh, my God.

1573
01:22:10.689 --> 01:22:11.109
<v Speaker 1>Yeah.

1574
01:22:11.640 --> 01:22:12.399
<v Speaker 2>Pulp Fiction.

1575
01:22:12.689 --> 01:22:17.640
<v Speaker 1>Oh, my God. But, you know, it made its way,

1576
01:22:19.159 --> 01:22:24.359
<v Speaker 1>interestingly enough, because... So Ted Turner was running Warner Brothers

1577
01:22:24.399 --> 01:22:28.079
<v Speaker 1>at the time, right? And Warner Brothers produced Shawshank Redemption.

1578
01:22:29.100 --> 01:22:29.220
<v Speaker 2>And.

1579
01:22:30.590 --> 01:22:34.670
<v Speaker 1>When he sold the rights to it for television, he

1580
01:22:34.729 --> 01:22:38.939
<v Speaker 1>sold it to himself at the lowest cost possible. So

1581
01:22:39.020 --> 01:22:43.079
<v Speaker 1>basically you had a film nominated for seven Academy Awards.

1582
01:22:43.140 --> 01:22:47.220
<v Speaker 1>It was getting sold like it was beach blanket bullshit.

1583
01:22:49.899 --> 01:22:52.100
<v Speaker 1>And so it didn't cost him anything to put it

1584
01:22:52.239 --> 01:22:56.920
<v Speaker 1>on his channel. So he put it on again and

1585
01:22:56.960 --> 01:23:00.180
<v Speaker 1>again and again, was getting all those advertising dollars that

1586
01:23:00.220 --> 01:23:04.439
<v Speaker 1>come with playing something on his TV channel. And I

1587
01:23:04.520 --> 01:23:08.920
<v Speaker 1>think that's why it caught on because it was ubiquitous.

1588
01:23:08.960 --> 01:23:11.659
<v Speaker 1>It was always there. It was always something you could see.

1589
01:23:12.550 --> 01:23:15.750
<v Speaker 1>And so eventually people understood what kind of movie it was.

1590
01:23:16.409 --> 01:23:17.329
<v Speaker 2>Wow.

1591
01:23:17.630 --> 01:23:21.130
<v Speaker 1>And so that's a good example of where someone's business

1592
01:23:21.789 --> 01:23:25.220
<v Speaker 1>acumen or– Greed or whatever you want to call it

1593
01:23:26.439 --> 01:23:31.939
<v Speaker 1>winds up producing something quite lovely, something that actually I'm

1594
01:23:32.180 --> 01:23:35.479
<v Speaker 1>really grateful for because so many people know that film.

1595
01:23:35.560 --> 01:23:38.500
<v Speaker 1>And it's been like number one on IMDb for the

1596
01:23:38.720 --> 01:23:39.920
<v Speaker 1>last 15 years, 20 years.

1597
01:23:39.939 --> 01:23:40.579
<v Speaker 2>Isn't that crazy?

1598
01:23:40.600 --> 01:23:41.300
<v Speaker 1>Yeah, it's crazy.

1599
01:23:42.159 --> 01:23:44.460
<v Speaker 2>And that was one of those movies that also took

1600
01:23:44.539 --> 01:23:48.579
<v Speaker 2>off like wildfire once it got into video because once

1601
01:23:48.600 --> 01:23:49.930
<v Speaker 2>people could watch it at home.

1602
01:23:50.359 --> 01:23:50.479
<v Speaker 1>Yeah.

1603
01:23:50.739 --> 01:23:52.819
<v Speaker 2>That was– even though if it didn't do as well

1604
01:23:52.899 --> 01:23:55.739
<v Speaker 2>in the theaters as it should have, on video it

1605
01:23:55.800 --> 01:23:56.859
<v Speaker 2>did fantastic.

1606
01:23:57.199 --> 01:24:00.890
<v Speaker 1>Yeah, which is why I really– I always remember that

1607
01:24:01.029 --> 01:24:05.729
<v Speaker 1>when I'm in a movie and it doesn't quote-unquote perform.

1608
01:24:06.369 --> 01:24:13.060
<v Speaker 1>I'm the turtle. I know the turtle can win the race.

1609
01:24:14.539 --> 01:24:18.359
<v Speaker 2>Yeah. Yeah, it's– That was something that was lost also

1610
01:24:18.420 --> 01:24:20.649
<v Speaker 2>during the pandemic, and I was really worried about that,

1611
01:24:20.689 --> 01:24:23.250
<v Speaker 2>that it wasn't going to come back. It seemed like

1612
01:24:23.590 --> 01:24:26.090
<v Speaker 2>it was so easy to stream films at home that

1613
01:24:26.130 --> 01:24:28.930
<v Speaker 2>people just– for a while, it was hard to get

1614
01:24:28.949 --> 01:24:30.130
<v Speaker 2>people to go out to movie theaters.

1615
01:24:30.329 --> 01:24:30.770
<v Speaker 1>Yeah.

1616
01:24:30.789 --> 01:24:32.449
<v Speaker 2>And the experience is very different.

1617
01:24:32.630 --> 01:24:32.930
<v Speaker 1>Yeah.

1618
01:24:33.010 --> 01:24:33.789
<v Speaker 2>It's very different.

1619
01:24:34.930 --> 01:24:40.039
<v Speaker 1>Yeah. It's been a struggle. And I think also a

1620
01:24:40.880 --> 01:24:45.189
<v Speaker 1>lot of producers in Hollywood– or studios lost faith in

1621
01:24:45.229 --> 01:24:48.979
<v Speaker 1>their adult audience, even before the pandemic. I mean, they

1622
01:24:49.819 --> 01:24:55.479
<v Speaker 1>were producing movies for teenagers and, you know, there's nothing

1623
01:24:55.520 --> 01:24:58.659
<v Speaker 1>wrong with that, but, uh, because they can be, that

1624
01:24:58.680 --> 01:25:02.149
<v Speaker 1>can drive an economic engine. But at the same time,

1625
01:25:02.170 --> 01:25:06.109
<v Speaker 1>you know, films like Shawshank Redemption would not get made

1626
01:25:06.850 --> 01:25:12.869
<v Speaker 1>today because they're about something that isn't about the, the whole,

1627
01:25:13.659 --> 01:25:20.109
<v Speaker 1>huge multi-platform experience of an action movie. And that's unfortunate.

1628
01:25:20.130 --> 01:25:24.909
<v Speaker 1>And that's kind of migrated into streamers. People, adults that

1629
01:25:24.970 --> 01:25:28.750
<v Speaker 1>like to watch stuff tend to watch these longer form things.

1630
01:25:28.850 --> 01:25:32.989
<v Speaker 1>And that's a nice thing in a way because it's

1631
01:25:33.050 --> 01:25:36.409
<v Speaker 1>allowing filmmakers to make 10-hour films. You know, when you

1632
01:25:36.439 --> 01:25:40.659
<v Speaker 1>think about it, a season of a show is 10 hours.

1633
01:25:41.649 --> 01:25:43.649
<v Speaker 1>And so you can think in this like kind of

1634
01:25:43.890 --> 01:25:48.039
<v Speaker 1>long form of telling a story, which is a nice thing,

1635
01:25:48.079 --> 01:25:51.539
<v Speaker 1>which would have been impossible in old Hollywood. You've got

1636
01:25:51.560 --> 01:25:54.560
<v Speaker 1>to keep it under two hours. So now you have

1637
01:25:54.760 --> 01:25:59.350
<v Speaker 1>the opportunity– creators have the opportunity to create long form entertainment.

1638
01:25:59.939 --> 01:26:01.949
<v Speaker 2>Well, that I think is one of the beautiful things

1639
01:26:02.029 --> 01:26:06.210
<v Speaker 2>about some of these Netflix series is that you– like

1640
01:26:06.550 --> 01:26:09.210
<v Speaker 2>things like Stranger Things. You essentially have a 30-hour movie.

1641
01:26:11.039 --> 01:26:14.500
<v Speaker 2>Or however many episodes it is. And like Ozark is

1642
01:26:14.520 --> 01:26:17.220
<v Speaker 2>a great example of that. It's like a fucking amazing show.

1643
01:26:17.640 --> 01:26:21.539
<v Speaker 2>And it's essentially like a movie every week. And the

1644
01:26:21.600 --> 01:26:25.420
<v Speaker 2>story continues to progress. And you get a chance to

1645
01:26:25.699 --> 01:26:29.979
<v Speaker 2>really stretch something out. But you get the quality of

1646
01:26:30.039 --> 01:26:33.939
<v Speaker 2>like a great film. But you get it extended. You know,

1647
01:26:33.960 --> 01:26:36.500
<v Speaker 2>these huge budgets, the fact that they're able to do this, like,

1648
01:26:36.939 --> 01:26:41.010
<v Speaker 2>So because of streaming, it has opened up this long

1649
01:26:41.170 --> 01:26:44.750
<v Speaker 2>form aspect of storytelling that I think is really difficult

1650
01:26:44.789 --> 01:26:47.109
<v Speaker 2>to do in a movie. Like Kill Bill kind of

1651
01:26:47.220 --> 01:26:47.880
<v Speaker 2>did it a little bit.

1652
01:26:47.920 --> 01:26:48.300
<v Speaker 1>For sure.

1653
01:26:48.340 --> 01:26:49.560
<v Speaker 2>You have two episodes of it.

1654
01:26:49.779 --> 01:26:53.020
<v Speaker 1>It's nice also as an actor, like with Silo, I've

1655
01:26:53.520 --> 01:26:58.369
<v Speaker 1>had three seasons. The first two seasons, my character represented something,

1656
01:26:58.630 --> 01:27:01.800
<v Speaker 1>which is … It completely shifts in season three.

1657
01:27:01.840 --> 01:27:03.020
<v Speaker 2>Oh, spoiler alert. Don't tell me.

1658
01:27:03.020 --> 01:27:05.239
<v Speaker 1>No, I'm not telling you what it is. I can't

1659
01:27:05.279 --> 01:27:06.579
<v Speaker 1>believe you did that. I'm just telling you that.

1660
01:27:06.680 --> 01:27:07.739
<v Speaker 2>You fucked it up for me. Now I'm going to

1661
01:27:07.760 --> 01:27:08.399
<v Speaker 2>be looking for that.

1662
01:27:10.619 --> 01:27:12.760
<v Speaker 1>You won't even be able to guess.

1663
01:27:12.899 --> 01:27:13.779
<v Speaker 2>Okay. Oh, good.

1664
01:27:14.819 --> 01:27:18.689
<v Speaker 1>Good. It's such a profound– and it was fun to play.

1665
01:27:18.810 --> 01:27:21.050
<v Speaker 1>It was like this kind of like– and I was

1666
01:27:21.090 --> 01:27:23.909
<v Speaker 1>told about this at the beginning. The creator said, you know, listen,

1667
01:27:25.970 --> 01:27:26.649
<v Speaker 1>wait until season three.

1668
01:27:27.090 --> 01:27:29.710
<v Speaker 2>That's interesting because I always wonder how far they map

1669
01:27:29.770 --> 01:27:34.140
<v Speaker 2>these things out. Did they even know that they were

1670
01:27:34.159 --> 01:27:36.039
<v Speaker 2>going to be picked up for season three when he started?

1671
01:27:36.979 --> 01:27:40.500
<v Speaker 1>No, but they knew at the end of season one

1672
01:27:41.680 --> 01:27:43.500
<v Speaker 1>what the trajectory of two and three was.

1673
01:27:44.079 --> 01:27:45.590
<v Speaker 2>So if it got picked up, they had a plan?

1674
01:27:45.609 --> 01:27:46.989
<v Speaker 1>Well, if they were going to get picked up, they

1675
01:27:47.029 --> 01:27:51.930
<v Speaker 1>would have to tell the studio what two and three are. Right?

1676
01:27:52.590 --> 01:27:55.949
<v Speaker 1>So the other thing that you have to consider is

1677
01:27:56.010 --> 01:28:00.399
<v Speaker 1>that if you're an asshole, they'll fucking kill you.

1678
01:28:00.420 --> 01:28:02.460
<v Speaker 2>It's true.

1679
01:28:02.859 --> 01:28:06.079
<v Speaker 1>Right. Writers don't, you know, writers don't, you know, if

1680
01:28:06.140 --> 01:28:10.340
<v Speaker 1>an actor is like trouble, right, right, right. They'll kill him.

1681
01:28:11.460 --> 01:28:15.000
<v Speaker 1>I've heard it. I've heard, I've been told about, uh,

1682
01:28:15.560 --> 01:28:17.420
<v Speaker 1>you know, one of the, one of the guys I

1683
01:28:17.460 --> 01:28:19.920
<v Speaker 1>worked with was, uh, I won't say his name, but

1684
01:28:20.319 --> 01:28:23.579
<v Speaker 1>you know, when I was directing for television, um, uh,

1685
01:28:23.880 --> 01:28:26.069
<v Speaker 1>I did a couple episodes on this show and, He

1686
01:28:26.130 --> 01:28:29.109
<v Speaker 1>told me about a show that he was doing where

1687
01:28:29.149 --> 01:28:30.920
<v Speaker 1>there were three actors that were giving him a real

1688
01:28:30.960 --> 01:28:34.720
<v Speaker 1>hard time. And one of them was getting in trouble

1689
01:28:34.760 --> 01:28:40.140
<v Speaker 1>because of sexual inappropriateness. One was getting in trouble because

1690
01:28:40.199 --> 01:28:42.520
<v Speaker 1>of– they were too much in their head and the

1691
01:28:42.560 --> 01:28:48.670
<v Speaker 1>other was something else, something about another– basically they shot

1692
01:28:48.710 --> 01:28:51.890
<v Speaker 1>them all in the anatomy that was associated with what

1693
01:28:51.909 --> 01:28:55.989
<v Speaker 1>their problem was. Yeah. All three of them were shot

1694
01:28:56.369 --> 01:28:59.590
<v Speaker 1>in the finale. Oh, no. He said, well, we allowed

1695
01:28:59.630 --> 01:29:01.550
<v Speaker 1>a couple of them to survive, but one we really

1696
01:29:01.569 --> 01:29:05.609
<v Speaker 1>killed off. So, you know, you don't mess with the writers.

1697
01:29:06.109 --> 01:29:09.449
<v Speaker 1>They're in television. They wield a lot of power.

1698
01:29:09.569 --> 01:29:13.529
<v Speaker 2>Not only that, they're also looking for angles, different places

1699
01:29:13.550 --> 01:29:14.369
<v Speaker 2>to take the character.

1700
01:29:14.409 --> 01:29:14.569
<v Speaker 1>Right.

1701
01:29:14.590 --> 01:29:17.010
<v Speaker 2>And if you're a douchebag, you're like, let's.

1702
01:29:16.630 --> 01:29:18.729
<v Speaker 1>Fucking kill this guy. Yeah, that'll be a good show.

1703
01:29:18.930 --> 01:29:21.289
<v Speaker 1>Let's figure out a way to kill this guy off.

1704
01:29:21.630 --> 01:29:27.779
<v Speaker 2>Let's turn him into a pedophile and then we kill him. Basically,

1705
01:29:28.220 --> 01:29:30.579
<v Speaker 2>you can do whatever you want. Here's the twist. I

1706
01:29:30.619 --> 01:29:32.359
<v Speaker 2>didn't see this coming. Yeah.

1707
01:29:32.539 --> 01:29:33.810
<v Speaker 1>Yeah. Watch out.

1708
01:29:34.100 --> 01:29:34.380
<v Speaker 2>Yeah.

1709
01:29:34.479 --> 01:29:34.920
<v Speaker 1>Be nice.

1710
01:29:35.600 --> 01:29:38.800
<v Speaker 2>Well, you know, there's a lot of fear in Hollywood

1711
01:29:38.859 --> 01:29:42.640
<v Speaker 2>when it comes to AI and replacing writers and replacing

1712
01:29:43.260 --> 01:29:49.630
<v Speaker 2>actors and just replacing this whole human created thing of storytelling.

1713
01:29:49.930 --> 01:29:53.310
<v Speaker 2>And I think writers in particular are really terrified because

1714
01:29:53.609 --> 01:29:57.819
<v Speaker 2>you could kind of, you know, with with. AI engines today,

1715
01:29:57.859 --> 01:30:01.020
<v Speaker 2>you could kind of take a few films, right? Like

1716
01:30:01.060 --> 01:30:05.130
<v Speaker 2>you could kind of take like Bullet and Heat and

1717
01:30:05.149 --> 01:30:08.909
<v Speaker 2>a few– and they say, make me John Wick meets

1718
01:30:09.029 --> 01:30:13.649
<v Speaker 2>Bullet meets Heat. And this is the protagonist. This is

1719
01:30:13.689 --> 01:30:17.470
<v Speaker 2>what he's facing. These are the issues. And AI can

1720
01:30:17.569 --> 01:30:19.689
<v Speaker 2>churn it out in a few minutes.

1721
01:30:19.710 --> 01:30:19.930
<v Speaker 1>Yeah.

1722
01:30:20.739 --> 01:30:23.000
<v Speaker 2>And then you could say make it more like Quentin

1723
01:30:23.020 --> 01:30:24.939
<v Speaker 2>Tarantino would do it and then it will do that.

1724
01:30:24.960 --> 01:30:25.899
<v Speaker 2>It will fix it in that way.

1725
01:30:25.979 --> 01:30:26.399
<v Speaker 1>That's crazy.

1726
01:30:26.420 --> 01:30:28.689
<v Speaker 2>And then you say, OK, I want it more like

1727
01:30:28.970 --> 01:30:32.029
<v Speaker 2>Kubrick aspects to it. I want some weirdness to it,

1728
01:30:32.250 --> 01:30:36.289
<v Speaker 2>some real thought, some Easter eggs, some hidden aspects to

1729
01:30:36.329 --> 01:30:39.310
<v Speaker 2>it that people connect later. It will do that. It

1730
01:30:40.109 --> 01:30:45.380
<v Speaker 2>can do stuff instantaneously based on– and it's kind of stealing, right?

1731
01:30:45.659 --> 01:30:48.720
<v Speaker 2>But it's not, right? It's making an original thing but

1732
01:30:48.760 --> 01:30:51.779
<v Speaker 2>it's not. because it's inspired by everything else that's already

1733
01:30:51.800 --> 01:30:55.260
<v Speaker 2>been made, but that's kind of what people do, but

1734
01:30:55.340 --> 01:30:57.399
<v Speaker 2>not in the same way. And we don't do it

1735
01:30:57.420 --> 01:31:01.500
<v Speaker 2>that quick either. And so for writers, it's fucking terrifying. Yeah.

1736
01:31:01.579 --> 01:31:03.699
<v Speaker 1>And who do you sue? I mean, you can't sue a.

1737
01:31:03.840 --> 01:31:06.239
<v Speaker 2>Well, artists are having a real problem with that.

1738
01:31:06.420 --> 01:31:08.350
<v Speaker 1>I have a real problem with it. Yeah. I don't,

1739
01:31:08.479 --> 01:31:10.989
<v Speaker 1>I don't like it at all, but I also have

1740
01:31:11.050 --> 01:31:16.060
<v Speaker 1>faith in the individuality of the human, um, experience and, uh,

1741
01:31:16.770 --> 01:31:23.420
<v Speaker 1>What I– like I'm writing a companion piece to the

1742
01:31:23.479 --> 01:31:28.520
<v Speaker 1>player right now and what would happen if that character

1743
01:31:29.399 --> 01:31:35.310
<v Speaker 1>was alive today. And so I have my perspective that

1744
01:31:35.470 --> 01:31:37.630
<v Speaker 1>only I'm going to bring to that. I don't think

1745
01:31:37.670 --> 01:31:38.729
<v Speaker 1>you could plug that into it.

1746
01:31:38.770 --> 01:31:39.670
<v Speaker 2>No, no, no.

1747
01:31:39.710 --> 01:31:43.390
<v Speaker 1>So I think talented people will figure out a way

1748
01:31:43.470 --> 01:31:47.659
<v Speaker 1>to be individual and apart from AI and But I

1749
01:31:47.760 --> 01:31:54.010
<v Speaker 1>also really don't like the lack of protection that the

1750
01:31:54.090 --> 01:32:00.289
<v Speaker 1>guilds and the unions are offering their membership. There should

1751
01:32:00.310 --> 01:32:04.149
<v Speaker 1>have been a hard line for the actors union and

1752
01:32:04.189 --> 01:32:07.819
<v Speaker 1>there wasn't. The hard line should have been you cannot

1753
01:32:08.060 --> 01:32:09.600
<v Speaker 1>use this to replace actors.

1754
01:32:09.840 --> 01:32:10.659
<v Speaker 2>Right.

1755
01:32:10.680 --> 01:32:14.500
<v Speaker 1>Or writers. But there was compromise and– or writers for

1756
01:32:14.539 --> 01:32:19.350
<v Speaker 1>the writers union. I don't think that that protection was

1757
01:32:19.409 --> 01:32:22.180
<v Speaker 1>held up at the last negotiations and I think that

1758
01:32:22.359 --> 01:32:25.739
<v Speaker 1>we're going to see the ramifications of that unfortunately.

1759
01:32:25.859 --> 01:32:30.479
<v Speaker 2>Well, that's what's scary is that ultimately economics has a

1760
01:32:30.640 --> 01:32:34.649
<v Speaker 2>major impact on the decisions that they make and it's

1761
01:32:35.409 --> 01:32:37.909
<v Speaker 2>way cheaper to do it that way. It's way cheaper

1762
01:32:37.930 --> 01:32:41.609
<v Speaker 2>to use AI to write things than screenwriters, especially really

1763
01:32:41.649 --> 01:32:44.850
<v Speaker 2>talented screenwriters, even though it's kind of drawing on the

1764
01:32:44.949 --> 01:32:47.800
<v Speaker 2>past creative work. Of really talented screenwriters.

1765
01:32:48.199 --> 01:32:48.399
<v Speaker 1>Right.

1766
01:32:48.439 --> 01:32:51.850
<v Speaker 2>They don't get compensated for it. I think ultimately people

1767
01:32:51.970 --> 01:32:54.670
<v Speaker 2>are going to want and appreciate something that's made by

1768
01:32:54.689 --> 01:32:56.689
<v Speaker 2>a human being because it's one of the things– it's

1769
01:32:56.729 --> 01:32:59.979
<v Speaker 2>what we really– not just be entertained. We really love

1770
01:33:00.029 --> 01:33:01.739
<v Speaker 2>the fact that someone made something.

1771
01:33:01.960 --> 01:33:06.399
<v Speaker 1>Well, my girlfriend, Reed Morano, has been advocating for a

1772
01:33:06.960 --> 01:33:10.689
<v Speaker 1>seal to be put on projects that are made without AI.

1773
01:33:11.039 --> 01:33:11.859
<v Speaker 2>That's a great idea.

1774
01:33:11.880 --> 01:33:11.960
<v Speaker 1>Yeah.

1775
01:33:12.199 --> 01:33:13.340
<v Speaker 2>That is a very good idea.

1776
01:33:13.359 --> 01:33:14.640
<v Speaker 1>I think that's a great idea.

1777
01:33:14.760 --> 01:33:17.560
<v Speaker 2>I like that a lot. I think– yeah. Instead of

1778
01:33:17.600 --> 01:33:18.560
<v Speaker 2>like the parental warning.

1779
01:33:18.859 --> 01:33:19.880
<v Speaker 1>AI-free. Yeah.

1780
01:33:19.979 --> 01:33:20.979
<v Speaker 2>AI-free, right?

1781
01:33:21.039 --> 01:33:21.220
<v Speaker 1>Yeah.

1782
01:33:21.260 --> 01:33:25.840
<v Speaker 2>No GMO foods, bitch. There's something to that. I think

1783
01:33:25.899 --> 01:33:28.460
<v Speaker 2>that's a great idea actually. I think that might be

1784
01:33:28.520 --> 01:33:31.039
<v Speaker 2>the way– that might be the solution is a seal.

1785
01:33:31.380 --> 01:33:31.619
<v Speaker 1>Yeah.

1786
01:33:31.840 --> 01:33:37.670
<v Speaker 2>I like that a lot. Makes sense. People– When you

1787
01:33:37.829 --> 01:33:41.489
<v Speaker 2>see a great something that someone made, one of the

1788
01:33:41.510 --> 01:33:43.109
<v Speaker 2>things that you really like about it is that it

1789
01:33:43.170 --> 01:33:46.970
<v Speaker 2>came from a human being's creativity. Did you see Obsession?

1790
01:33:47.689 --> 01:33:49.510
<v Speaker 1>No. It's fucking great.

1791
01:33:50.270 --> 01:33:52.949
<v Speaker 2>It's so good. It's so crazy and so creepy and

1792
01:33:52.970 --> 01:33:56.550
<v Speaker 2>so weird and so brilliant. And like no one in

1793
01:33:56.590 --> 01:34:00.350
<v Speaker 2>it is famous and it's phenomenal and it's really original

1794
01:34:00.409 --> 01:34:02.779
<v Speaker 2>and creepy. And one of the things I loved is

1795
01:34:02.819 --> 01:34:04.939
<v Speaker 2>like this is– what is it, like 25 or something

1796
01:34:04.960 --> 01:34:05.239
<v Speaker 2>like that?

1797
01:34:06.439 --> 01:34:06.720
<v Speaker 1>Yeah.

1798
01:34:07.420 --> 01:34:08.460
<v Speaker 2>I think he's 25 years old.

1799
01:34:08.520 --> 01:34:08.800
<v Speaker 1>Yeah.

1800
01:34:09.000 --> 01:34:11.659
<v Speaker 2>Who, you know, had done a bunch of YouTube stuff.

1801
01:34:11.680 --> 01:34:15.340
<v Speaker 1>I love it. It's a complete accident. Huge hit.

1802
01:34:15.439 --> 01:34:18.430
<v Speaker 2>Has this amazing idea. And you got these people who

1803
01:34:18.729 --> 01:34:21.689
<v Speaker 2>they're relatively unknown, but really talented.

1804
01:34:21.729 --> 01:34:23.090
<v Speaker 1>We're craving that. Yes.

1805
01:34:23.409 --> 01:34:23.729
<v Speaker 2>Yes.

1806
01:34:23.810 --> 01:34:26.710
<v Speaker 1>We don't want the formula. Right. We never have wanted

1807
01:34:26.729 --> 01:34:29.369
<v Speaker 1>the formula. And it's so maddening to try to set

1808
01:34:29.430 --> 01:34:32.630
<v Speaker 1>a movie up right now in Hollywood because what they

1809
01:34:32.670 --> 01:34:37.600
<v Speaker 1>want is they want... Someone, an actor that's worth $ 20

1810
01:34:37.000 --> 01:34:40.220
<v Speaker 1>million and they'll give you $ 10 million to do the film.

1811
01:34:40.920 --> 01:34:43.060
<v Speaker 1>You get the guy that, that they normally would have

1812
01:34:43.100 --> 01:34:46.229
<v Speaker 1>to pay $ 20 million and you get him to do

1813
01:34:46.239 --> 01:34:49.829
<v Speaker 1>your film for, you know, 300,000, you got a film.

1814
01:34:52.090 --> 01:34:52.449
<v Speaker 2>Good luck.

1815
01:34:52.489 --> 01:34:53.869
<v Speaker 1>There's no gamblers anymore.

1816
01:34:54.069 --> 01:34:54.430
<v Speaker 2>That's crazy.

1817
01:34:54.449 --> 01:34:56.609
<v Speaker 1>There's no risk takers. When I was coming up, you know,

1818
01:34:56.630 --> 01:34:59.250
<v Speaker 1>you had these guys that like, actually Joe, you know,

1819
01:34:59.390 --> 01:35:01.369
<v Speaker 1>Joe Roth gave me the money to do cradle will

1820
01:35:01.409 --> 01:35:05.829
<v Speaker 1>rock this, It was basically like, here you go, kid.

1821
01:35:06.829 --> 01:35:07.119
<v Speaker 2>Do it.

1822
01:35:08.130 --> 01:35:10.710
<v Speaker 1>I'm like, really? I get to do this? I don't

1823
01:35:10.789 --> 01:35:14.930
<v Speaker 1>wound up with final cut and everything. They used to

1824
01:35:14.989 --> 01:35:18.810
<v Speaker 1>do that. They used to invest in the risk, right?

1825
01:35:19.430 --> 01:35:24.090
<v Speaker 1>Because only will the risk produce something genuine and new

1826
01:35:24.170 --> 01:35:29.029
<v Speaker 1>and fresh. If you don't gamble– you're, and you're, you're

1827
01:35:29.149 --> 01:35:33.090
<v Speaker 1>measured and you're on a formula and you got your stars.

1828
01:35:33.149 --> 01:35:37.180
<v Speaker 1>It's going to, the audience is going to know it. Yep. They, they,

1829
01:35:37.340 --> 01:35:40.300
<v Speaker 1>they know it's, Oh, this is prepackaged and pre-programmed for

1830
01:35:40.399 --> 01:35:42.789
<v Speaker 1>my demographic. Yeah. And I kind of resent it.

1831
01:35:42.939 --> 01:35:43.140
<v Speaker 2>Yeah.

1832
01:35:43.539 --> 01:35:48.560
<v Speaker 1>You know, whereas something like that obsession is like coming

1833
01:35:48.600 --> 01:35:52.439
<v Speaker 1>out of left field. No one is predicting it, programming it.

1834
01:35:53.239 --> 01:35:57.539
<v Speaker 1>It's just an accident and people love it. Yeah. That's what,

1835
01:35:58.119 --> 01:36:01.479
<v Speaker 1>It's exciting about– it's like when you're trying a new

1836
01:36:02.819 --> 01:36:05.470
<v Speaker 1>material in a club and you're like, I don't know

1837
01:36:05.510 --> 01:36:07.210
<v Speaker 1>if this is going to work, but I'm going to

1838
01:36:07.229 --> 01:36:11.149
<v Speaker 1>fucking do it. And it gets the laugh. That thrill

1839
01:36:11.930 --> 01:36:15.130
<v Speaker 1>is what it's all about, right? That's the moment where

1840
01:36:15.149 --> 01:36:18.390
<v Speaker 1>you go, I gambled and it paid off.

1841
01:36:18.569 --> 01:36:18.810
<v Speaker 2>Right.

1842
01:36:19.109 --> 01:36:22.350
<v Speaker 1>Yeah. That's– I don't know how much we have that

1843
01:36:22.430 --> 01:36:25.189
<v Speaker 1>experience anymore in Hollywood.

1844
01:36:25.619 --> 01:36:28.199
<v Speaker 2>Do you think it's just because of the extreme cost

1845
01:36:28.560 --> 01:36:31.489
<v Speaker 2>that's involved? I mean just to promote a film, like

1846
01:36:31.550 --> 01:36:33.289
<v Speaker 2>if you have a film and it's got a budget,

1847
01:36:33.409 --> 01:36:36.430
<v Speaker 2>like especially– I think is that– it's probably why so

1848
01:36:36.449 --> 01:36:39.649
<v Speaker 2>many superhero movies get greenlit, right? Because it's one of

1849
01:36:39.670 --> 01:36:42.810
<v Speaker 2>the only gambles. Like if you're gambling on an Avengers movie,

1850
01:36:42.890 --> 01:36:45.149
<v Speaker 2>like you can't miss. Get the Hulk to smash a

1851
01:36:45.180 --> 01:36:48.020
<v Speaker 2>bunch of shit. Captain America comes in. You're good.

1852
01:36:48.420 --> 01:36:48.819
<v Speaker 1>You're good.

1853
01:36:49.359 --> 01:36:51.460
<v Speaker 2>You're going to make your money back. And so you

1854
01:36:51.979 --> 01:36:55.390
<v Speaker 2>kind of have to– you know, like if you're a

1855
01:36:55.449 --> 01:36:57.680
<v Speaker 2>money person, if you're not a creative person, you're just

1856
01:36:57.739 --> 01:37:00.020
<v Speaker 2>a money person who happens to be in the movie business,

1857
01:37:00.060 --> 01:37:02.420
<v Speaker 2>which I'm sure a lot of them are. They're just

1858
01:37:02.479 --> 01:37:04.300
<v Speaker 2>looking at it as a return on investment.

1859
01:37:04.859 --> 01:37:08.659
<v Speaker 1>Yeah. But I, you know, that's always been that way

1860
01:37:08.699 --> 01:37:12.529
<v Speaker 1>to some degree, but, um, I don't know. I don't

1861
01:37:12.550 --> 01:37:18.270
<v Speaker 1>know why it became such a risk to try new stuff. Um,

1862
01:37:19.270 --> 01:37:21.779
<v Speaker 1>I mean, because they're not putting that much money into it.

1863
01:37:21.800 --> 01:37:26.199
<v Speaker 1>You know, those Marvel movies, they're costing $ 250 million, $ 200

1864
01:37:25.739 --> 01:37:29.960
<v Speaker 1>million to produce. Right. There's independent filmmakers that are proven

1865
01:37:30.020 --> 01:37:34.550
<v Speaker 1>independent filmmakers that are asking for like $ 5.

1866
01:37:32.909 --> 01:37:34.329
<v Speaker 2>Million, $ 4.

1867
01:37:33.609 --> 01:37:36.689
<v Speaker 1>Million to do a film. So if they put some

1868
01:37:36.750 --> 01:37:40.649
<v Speaker 1>advertisement in it, maybe it's going to cost them $ 14 million,

1869
01:37:40.670 --> 01:37:44.699
<v Speaker 1>all told. And, you know, can they make that back?

1870
01:37:44.779 --> 01:37:47.899
<v Speaker 1>Is the marketplace going to? Support that. Who knows? I

1871
01:37:48.380 --> 01:37:52.270
<v Speaker 1>wouldn't want to be an investor, but I also, you know,

1872
01:37:52.279 --> 01:37:59.670
<v Speaker 1>I have a nostalgia for a time when Robert Altman

1873
01:37:59.710 --> 01:38:02.909
<v Speaker 1>could make a film, you know. Yeah. And it could

1874
01:38:03.029 --> 01:38:05.689
<v Speaker 1>just blow people's minds. And then the next film he made,

1875
01:38:06.310 --> 01:38:08.380
<v Speaker 1>you know, as he would gleefully tell you, they're going

1876
01:38:08.399 --> 01:38:12.779
<v Speaker 1>to hate this one, you know. And I love that,

1877
01:38:13.100 --> 01:38:16.270
<v Speaker 1>you know, that. And people would either love it or

1878
01:38:16.329 --> 01:38:18.760
<v Speaker 1>hate it, but he was making his own films. He

1879
01:38:18.800 --> 01:38:22.100
<v Speaker 1>was making distinctive films that were him.

1880
01:38:23.680 --> 01:38:27.670
<v Speaker 2>Is it more difficult or easier to get a film

1881
01:38:27.750 --> 01:38:29.789
<v Speaker 2>released today if you make it yourself?

1882
01:38:32.199 --> 01:38:35.319
<v Speaker 1>Because you don't have distribution, really. So, you know, I

1883
01:38:36.079 --> 01:38:39.260
<v Speaker 1>suppose in the future there's going to be some form

1884
01:38:39.279 --> 01:38:44.140
<v Speaker 1>of distribution that will be more egalitarian. But right now

1885
01:38:44.680 --> 01:38:45.739
<v Speaker 1>it's a huge risk.

1886
01:38:45.859 --> 01:38:48.890
<v Speaker 2>How does distribution work? Like say if you decided You're

1887
01:38:48.909 --> 01:38:50.930
<v Speaker 2>going to get a bunch of investors together and put

1888
01:38:50.949 --> 01:38:53.750
<v Speaker 2>together a film. Do you have to get distribution before

1889
01:38:53.810 --> 01:38:55.369
<v Speaker 2>you even start producing?

1890
01:38:55.409 --> 01:38:58.279
<v Speaker 1>Yes. You have to have foreign sales in place.

1891
01:38:58.720 --> 01:39:00.859
<v Speaker 2>Whoa. Foreign sales.

1892
01:39:01.380 --> 01:39:06.920
<v Speaker 1>Yeah. Like I think basically the economic model right now

1893
01:39:07.119 --> 01:39:11.069
<v Speaker 1>is the investors want to be paid and not be

1894
01:39:11.130 --> 01:39:14.510
<v Speaker 1>losing money by the time they start shooting. In other words,

1895
01:39:14.550 --> 01:39:16.869
<v Speaker 1>they're not going to lose money. They've already sold it

1896
01:39:17.029 --> 01:39:21.960
<v Speaker 1>for more. Then they've paid. And so there's really no risk,

1897
01:39:22.000 --> 01:39:28.689
<v Speaker 1>no gamble. Then if the movie catches fire at a

1898
01:39:28.710 --> 01:39:31.489
<v Speaker 1>film festival, then they'll put the money into advertising. If

1899
01:39:31.529 --> 01:39:34.710
<v Speaker 1>it doesn't catch fire at a film festival or with critics,

1900
01:39:35.229 --> 01:39:37.449
<v Speaker 1>they'll just, you know, okay, I already made my money.

1901
01:39:37.590 --> 01:39:41.590
<v Speaker 1>You know, we'll just sell it to, you know, DVDs, whatever.

1902
01:39:41.609 --> 01:39:43.800
<v Speaker 2>God, what a fucking shitty environment to create something.

1903
01:39:43.810 --> 01:39:47.310
<v Speaker 1>It's hard. It's hard. Yeah, my gal's struggling with that

1904
01:39:47.350 --> 01:39:49.970
<v Speaker 1>right now. I checked out of that hotel a while back.

1905
01:39:50.069 --> 01:39:53.369
<v Speaker 1>I was like, I don't want my heart broken like that.

1906
01:39:53.630 --> 01:39:56.050
<v Speaker 1>So I've just been doing things on my own. I've

1907
01:39:56.069 --> 01:39:59.770
<v Speaker 1>been producing things on my own, shooting them, editing them.

1908
01:40:00.310 --> 01:40:02.329
<v Speaker 1>That's one of the reasons I wanted to do this

1909
01:40:02.710 --> 01:40:05.909
<v Speaker 1>website was because I've got all this stuff that is

1910
01:40:06.090 --> 01:40:09.739
<v Speaker 1>unreleased and– Just going to start releasing it slowly.

1911
01:40:10.140 --> 01:40:12.020
<v Speaker 2>Is that more satisfying to do it that way?

1912
01:40:12.039 --> 01:40:14.890
<v Speaker 1>No, it's more satisfying to go to Cannes and win

1913
01:40:14.930 --> 01:40:19.829
<v Speaker 1>Best Actor. I mean it's much more satisfying when you

1914
01:40:19.850 --> 01:40:22.949
<v Speaker 1>have a machine behind you that's supporting it. It's great.

1915
01:40:23.409 --> 01:40:26.810
<v Speaker 1>Mystic River, that kind of like you have Warner Brothers

1916
01:40:26.850 --> 01:40:29.439
<v Speaker 1>like we love this film. We're going to make sure

1917
01:40:29.449 --> 01:40:31.659
<v Speaker 1>that people see it. That's what you need. You need

1918
01:40:31.739 --> 01:40:36.029
<v Speaker 1>your sponsors that get it, that want people to see it,

1919
01:40:36.140 --> 01:40:38.439
<v Speaker 1>that see the value of it. And they'll put money

1920
01:40:38.460 --> 01:40:41.899
<v Speaker 1>into advertising and that's a great experience to be in.

1921
01:40:42.300 --> 01:40:46.119
<v Speaker 1>The other thing is just pretty lonely. It's just you're

1922
01:40:46.159 --> 01:40:49.100
<v Speaker 1>trying your best. I was in three movies after I

1923
01:40:50.340 --> 01:40:54.100
<v Speaker 1>won the Oscar for Mystic River that I've considered three

1924
01:40:54.119 --> 01:40:56.010
<v Speaker 1>of the best movies in my career. But nobody has

1925
01:40:56.020 --> 01:41:00.649
<v Speaker 1>seen them. Secret Life of Words, Code 46 and Catch

1926
01:41:01.130 --> 01:41:06.439
<v Speaker 1>a Fire. And they're all excellent movies. But they came

1927
01:41:06.479 --> 01:41:11.800
<v Speaker 1>at a time where the producers or the people that

1928
01:41:11.840 --> 01:41:15.789
<v Speaker 1>were distributing them didn't really want to risk the money

1929
01:41:15.829 --> 01:41:16.329
<v Speaker 1>that it would take.

1930
01:41:16.609 --> 01:41:19.069
<v Speaker 2>See, that's where there's a room for like a Siskel

1931
01:41:19.109 --> 01:41:22.810
<v Speaker 2>and Ebert type character today that can find those films

1932
01:41:22.989 --> 01:41:25.649
<v Speaker 2>and say, hey, this one slipped under the radar. But

1933
01:41:25.689 --> 01:41:28.720
<v Speaker 2>this is really– an actual person that's a giant movie

1934
01:41:28.760 --> 01:41:32.020
<v Speaker 2>buff that can go back and watch these and comment

1935
01:41:32.159 --> 01:41:36.329
<v Speaker 2>on them. And we don't really– Back then, Siskel and

1936
01:41:36.409 --> 01:41:38.800
<v Speaker 2>Ebert were the guys. If they gave you two thumbs down,

1937
01:41:38.840 --> 01:41:39.539
<v Speaker 2>you were fucked.

1938
01:41:39.600 --> 01:41:39.779
<v Speaker 1>Yeah.

1939
01:41:40.119 --> 01:41:40.720
<v Speaker 2>You were fucked.

1940
01:41:40.760 --> 01:41:40.979
<v Speaker 1>Yeah.

1941
01:41:41.520 --> 01:41:43.619
<v Speaker 2>And, you know, they were very catty with each other.

1942
01:41:43.640 --> 01:41:46.800
<v Speaker 2>It was a fun thing. It's fun to watch the outtakes,

1943
01:41:47.140 --> 01:41:48.880
<v Speaker 2>how much those guys actually didn't get along.

1944
01:41:49.460 --> 01:41:53.449
<v Speaker 1>Yeah. Yeah. I was lucky with them. They gave me

1945
01:41:53.489 --> 01:41:54.010
<v Speaker 1>great reviews.

1946
01:41:54.189 --> 01:41:55.609
<v Speaker 2>It was good. They had good taste.

1947
01:41:56.010 --> 01:41:58.029
<v Speaker 1>Yeah. They did. And they loved film.

1948
01:41:58.229 --> 01:42:01.810
<v Speaker 2>Yes. They clearly loved film and they loved all aspects

1949
01:42:01.890 --> 01:42:03.750
<v Speaker 2>of it and they would talk about it The great

1950
01:42:03.789 --> 01:42:08.109
<v Speaker 2>understanding and great passion, the subtleties of the performances and

1951
01:42:08.220 --> 01:42:10.640
<v Speaker 2>what really– and how it was put together. Even they

1952
01:42:10.659 --> 01:42:12.819
<v Speaker 2>talk about the score. Yeah. They loved it.

1953
01:42:12.840 --> 01:42:16.920
<v Speaker 1>And they'd spend like 15 minutes on each film too,

1954
01:42:17.000 --> 01:42:19.300
<v Speaker 1>which was– never happened.

1955
01:42:19.579 --> 01:42:22.500
<v Speaker 2>And it was a hugely successful show, which is like

1956
01:42:22.699 --> 01:42:25.800
<v Speaker 2>really confusing why there's not something like that today.

1957
01:42:25.819 --> 01:42:26.439
<v Speaker 1>Yeah. Yeah.

1958
01:42:26.619 --> 01:42:30.159
<v Speaker 2>Because there's so much content. Today, if you were like–

1959
01:42:30.270 --> 01:42:32.569
<v Speaker 2>it's not like what's out in the movies right now.

1960
01:42:32.890 --> 01:42:36.670
<v Speaker 2>Like today, fucking there's a million shows that are streaming.

1961
01:42:36.750 --> 01:42:39.670
<v Speaker 2>There's so much shit going on. There's so much content

1962
01:42:39.949 --> 01:42:44.590
<v Speaker 2>that if you had a trusted source, a person who's

1963
01:42:44.609 --> 01:42:48.529
<v Speaker 2>like a real good critic of stuff, really– not even

1964
01:42:48.560 --> 01:42:51.180
<v Speaker 2>a critic. An appreciator is a better word. Like someone

1965
01:42:51.199 --> 01:42:55.029
<v Speaker 2>who's a real passionate enthusiast of film and of– you know,

1966
01:42:55.069 --> 01:42:58.369
<v Speaker 2>different creative works. They could just talk about something and

1967
01:42:58.390 --> 01:42:59.369
<v Speaker 2>recommend stuff.

1968
01:42:59.829 --> 01:43:03.560
<v Speaker 1>Yeah. But then there's the burnout of that too. Like,

1969
01:43:03.680 --> 01:43:05.300
<v Speaker 1>you know, I would talk to some of these guys

1970
01:43:05.359 --> 01:43:07.920
<v Speaker 1>and they'd be like, you know, for every one of

1971
01:43:07.960 --> 01:43:12.279
<v Speaker 1>those good films, we have to see like 10 dreck,

1972
01:43:12.819 --> 01:43:17.619
<v Speaker 1>you know, and the time spent watching these things kind

1973
01:43:17.640 --> 01:43:22.420
<v Speaker 1>of mind numbingly painful for some of these people, you know,

1974
01:43:22.479 --> 01:43:26.090
<v Speaker 1>imagine having to, you know, Weed through the muck to

1975
01:43:26.130 --> 01:43:26.689
<v Speaker 1>get to the gems.

1976
01:43:26.729 --> 01:43:28.670
<v Speaker 2>I guess. But can't you just walk out of the film?

1977
01:43:29.670 --> 01:43:31.350
<v Speaker 2>Just like you walk out of a movie theater and

1978
01:43:31.369 --> 01:43:33.369
<v Speaker 2>you're like, this movie sucks. I've done that a few times.

1979
01:43:33.430 --> 01:43:34.430
<v Speaker 1>Me too.

1980
01:43:34.470 --> 01:43:35.710
<v Speaker 2>It's a terrible place to be.

1981
01:43:35.729 --> 01:43:35.989
<v Speaker 1>Me too.

1982
01:43:36.029 --> 01:43:37.210
<v Speaker 2>You're like, I can't believe I'm leaving.

1983
01:43:37.250 --> 01:43:39.930
<v Speaker 1>Hard to do in the live theater though because when

1984
01:43:39.949 --> 01:43:41.090
<v Speaker 1>they know you're there. Right.

1985
01:43:41.149 --> 01:43:44.979
<v Speaker 2>That's different. But if you're watching it at home, I

1986
01:43:45.000 --> 01:43:47.619
<v Speaker 2>mean it's really what you're trying to do. You want

1987
01:43:47.640 --> 01:43:48.720
<v Speaker 2>to be the one of the person that says, this

1988
01:43:48.739 --> 01:43:50.720
<v Speaker 2>is the worst fucking movie I've ever seen in my life.

1989
01:43:51.000 --> 01:43:52.909
<v Speaker 2>And that's what you're doing. But if you want to

1990
01:43:52.930 --> 01:43:55.250
<v Speaker 2>be a person who's just an enthusiast of great stuff

1991
01:43:55.430 --> 01:43:57.569
<v Speaker 2>and just keep it on the positive side, there's so

1992
01:43:57.710 --> 01:44:01.350
<v Speaker 2>much great stuff to review and so many great things

1993
01:44:01.390 --> 01:44:04.250
<v Speaker 2>from the past that people haven't seen before that you

1994
01:44:04.310 --> 01:44:06.979
<v Speaker 2>could sort of turn people on to.

1995
01:44:07.310 --> 01:44:09.520
<v Speaker 1>Yeah. Yeah. Oh, that would be great.

1996
01:44:09.609 --> 01:44:11.380
<v Speaker 2>It's kind of weird that there's not someone like that

1997
01:44:11.420 --> 01:44:11.739
<v Speaker 2>right now.

1998
01:44:11.760 --> 01:44:15.000
<v Speaker 1>It is weird. It is weird. I think maybe you

1999
01:44:15.039 --> 01:44:16.840
<v Speaker 1>should do that, produce that.

2000
01:44:16.859 --> 01:44:17.300
<v Speaker 2>No, I'm busy.

2001
01:44:17.319 --> 01:44:17.880
<v Speaker 1>You should produce that.

2002
01:44:19.880 --> 01:44:22.279
<v Speaker 2>But I mean it just doesn't even make sense that

2003
01:44:22.340 --> 01:44:27.060
<v Speaker 2>there's so many different– like there's so much content but

2004
01:44:27.079 --> 01:44:29.550
<v Speaker 2>yet there's not that one thing that was a really

2005
01:44:29.609 --> 01:44:31.550
<v Speaker 2>big part of the movie experience when we were younger.

2006
01:44:31.829 --> 01:44:36.829
<v Speaker 1>Yeah. And the– that idea that there's some exciting movie

2007
01:44:36.869 --> 01:44:38.649
<v Speaker 1>coming out on Friday and we're going to go to it.

2008
01:44:38.689 --> 01:44:40.270
<v Speaker 2>Yeah, it was huge. Yeah.

2009
01:44:40.670 --> 01:44:41.569
<v Speaker 1>That was huge. Yeah.

2010
01:44:41.750 --> 01:44:43.989
<v Speaker 2>And a movie was coming out. Like I guess you

2011
01:44:44.010 --> 01:44:45.220
<v Speaker 2>have it right now with The Odyssey.

2012
01:44:45.229 --> 01:44:45.340
<v Speaker 1>Yeah.

2013
01:44:45.720 --> 01:44:47.640
<v Speaker 2>Like a lot of people are– it's like one of

2014
01:44:47.680 --> 01:44:50.119
<v Speaker 2>those movies that's so big people are scrambling to go

2015
01:44:50.159 --> 01:44:52.279
<v Speaker 2>see it in the movie theaters and it's getting people

2016
01:44:52.300 --> 01:44:55.460
<v Speaker 2>excited about it. Along with a lot of the culture

2017
01:44:55.500 --> 01:44:58.560
<v Speaker 2>war controversies that everybody that I know that's seen– I

2018
01:44:58.579 --> 01:45:00.699
<v Speaker 2>haven't seen it yet. It says fucking throw all that away.

2019
01:45:00.819 --> 01:45:01.579
<v Speaker 2>The movie is amazing.

2020
01:45:01.819 --> 01:45:03.119
<v Speaker 1>That's what I hear. Yeah. Yeah.

2021
01:45:03.659 --> 01:45:06.119
<v Speaker 2>They're just like– it's almost like a good way to

2022
01:45:06.220 --> 01:45:10.579
<v Speaker 2>bait people into getting really confrontational about it. Aren't you

2023
01:45:10.619 --> 01:45:13.689
<v Speaker 2>getting tired of that though? Oh, yeah. Real tired of it. Yeah.

2024
01:45:13.779 --> 01:45:16.970
<v Speaker 1>Like– It's not correct.

2025
01:45:17.350 --> 01:45:17.949
<v Speaker 2>Yeah.

2026
01:45:18.189 --> 01:45:21.010
<v Speaker 1>It's just– I'm tired of it from both sides. I

2027
01:45:21.050 --> 01:45:23.210
<v Speaker 1>don't want to hear judgment.

2028
01:45:23.810 --> 01:45:24.109
<v Speaker 2>Right.

2029
01:45:24.529 --> 01:45:29.600
<v Speaker 1>I just– help me. I don't want to be in

2030
01:45:29.640 --> 01:45:33.020
<v Speaker 1>the middle of this fight constantly. It's the only– I

2031
01:45:33.720 --> 01:45:37.500
<v Speaker 1>feel like this is, again, what we were talking about before.

2032
01:45:37.520 --> 01:45:40.779
<v Speaker 1>It's the– as long as we're fighting with each other. Yeah.

2033
01:45:40.979 --> 01:45:42.729
<v Speaker 1>And then we're fighting about films that are coming out.

2034
01:45:42.739 --> 01:45:43.640
<v Speaker 1>I was like, come on, guys.

2035
01:45:43.819 --> 01:45:44.220
<v Speaker 2>It's so stupid.

2036
01:45:44.239 --> 01:45:45.199
<v Speaker 1>Calm down. Calm down.

2037
01:45:45.470 --> 01:45:48.689
<v Speaker 2>Like I don't care. It's just– is it entertaining? Is

2038
01:45:48.729 --> 01:45:51.270
<v Speaker 2>it good? It doesn't have to be correct. It doesn't

2039
01:45:51.310 --> 01:45:53.529
<v Speaker 2>mean anything to me. There's never been a time in

2040
01:45:53.569 --> 01:45:55.369
<v Speaker 2>history where correct was important to me.

2041
01:45:55.810 --> 01:45:57.710
<v Speaker 1>Yeah, or indicative of great art.

2042
01:45:57.930 --> 01:46:00.890
<v Speaker 2>Right. It's just make it good and by all accounts,

2043
01:46:00.970 --> 01:46:02.550
<v Speaker 2>everyone that I know that's seen the movie says it's

2044
01:46:02.649 --> 01:46:04.880
<v Speaker 2>fucking incredible. I'm going to try to see it soon.

2045
01:46:05.260 --> 01:46:08.899
<v Speaker 2>But the culture war part of it is like at

2046
01:46:08.939 --> 01:46:11.680
<v Speaker 2>the very least, it got people excited to see it. Yeah.

2047
01:46:11.880 --> 01:46:13.199
<v Speaker 2>And either to hate it or– but I know a

2048
01:46:13.220 --> 01:46:15.319
<v Speaker 2>lot of people that wanted to go hate it because

2049
01:46:15.340 --> 01:46:19.899
<v Speaker 2>they were upset. But Elliot Page played this person.

2050
01:46:19.979 --> 01:46:21.000
<v Speaker 1>I understand that.

2051
01:46:21.060 --> 01:46:24.699
<v Speaker 2>Helen of Troy is a black lady. Like who fucking cares?

2052
01:46:24.720 --> 01:46:27.380
<v Speaker 2>It doesn't matter. Not only that, it's a made-up story.

2053
01:46:29.260 --> 01:46:32.500
<v Speaker 1>Exactly. It's a myth to begin with.

2054
01:46:32.539 --> 01:46:36.520
<v Speaker 2>Yeah. It apparently might actually be based on a real

2055
01:46:36.560 --> 01:46:39.159
<v Speaker 2>place though. They used to think that Troy was not

2056
01:46:39.239 --> 01:46:42.829
<v Speaker 2>a real place and then they discovered it. I think

2057
01:46:42.850 --> 01:46:46.810
<v Speaker 2>that was– was it in the 70s? When did they

2058
01:46:46.869 --> 01:46:49.729
<v Speaker 2>discover Troy? Because they used to think that it was

2059
01:46:49.789 --> 01:46:52.779
<v Speaker 2>completely mythical, that it was just fiction, a work of fiction.

2060
01:46:52.819 --> 01:46:54.460
<v Speaker 2>And then they found the actual real city.

2061
01:46:55.020 --> 01:46:55.739
<v Speaker 1>And they're like, oh.

2062
01:46:56.380 --> 01:47:00.079
<v Speaker 2>Like that's the weird thing about really old stories is

2063
01:47:00.119 --> 01:47:03.239
<v Speaker 2>that like there's so– it's so ambiguous as to what

2064
01:47:03.279 --> 01:47:05.659
<v Speaker 2>was the root– what was the origin of the story?

2065
01:47:05.989 --> 01:47:07.989
<v Speaker 2>Was this a real event? Have you ever.

2066
01:47:07.890 --> 01:47:11.829
<v Speaker 1>Stood on the stage of an old Roman amphitheater? Yes.

2067
01:47:12.050 --> 01:47:12.989
<v Speaker 1>That's something else.

2068
01:47:13.010 --> 01:47:14.130
<v Speaker 2>Yeah, it's wild.

2069
01:47:14.210 --> 01:47:14.430
<v Speaker 1>Yeah.

2070
01:47:14.590 --> 01:47:15.149
<v Speaker 2>Yeah.

2071
01:47:15.810 --> 01:47:19.899
<v Speaker 1>There's history in those stones. And, you know, we were

2072
01:47:19.939 --> 01:47:22.739
<v Speaker 1>doing a show over in Lyon, France, in one of

2073
01:47:22.779 --> 01:47:28.199
<v Speaker 1>those theaters. And we found something out because we were

2074
01:47:28.239 --> 01:47:31.039
<v Speaker 1>doing rehearsal. And when you're talking to the other actor

2075
01:47:31.060 --> 01:47:33.250
<v Speaker 1>like this, You can't hear it out there at all.

2076
01:47:34.470 --> 01:47:37.350
<v Speaker 1>And so it told us that what they were doing

2077
01:47:37.569 --> 01:47:40.390
<v Speaker 1>was this, you know, back in the old days. They

2078
01:47:40.489 --> 01:47:42.470
<v Speaker 1>had to perform out because you wouldn't be able to

2079
01:47:42.529 --> 01:47:45.729
<v Speaker 1>hear if you were doing realistically talking to someone making

2080
01:47:45.789 --> 01:47:46.310
<v Speaker 1>eye contact.

2081
01:47:46.409 --> 01:47:49.909
<v Speaker 2>That's what's weird about early film is that early film

2082
01:47:49.949 --> 01:47:52.710
<v Speaker 2>you have stage actors who are used to doing it

2083
01:47:52.750 --> 01:47:57.369
<v Speaker 2>with no microphones projecting now doing it on film. So

2084
01:47:57.409 --> 01:48:00.569
<v Speaker 2>it looks odd. It's like there was this transitionary period

2085
01:48:00.630 --> 01:48:05.180
<v Speaker 2>and then Brando came along and Brando just did it real.

2086
01:48:05.239 --> 01:48:07.000
<v Speaker 2>And everybody's like, what the fuck is he doing?

2087
01:48:07.420 --> 01:48:07.659
<v Speaker 1>Yeah.

2088
01:48:07.720 --> 01:48:09.760
<v Speaker 2>Like he's acting like a real person. This is crazy.

2089
01:48:09.939 --> 01:48:12.199
<v Speaker 1>Yeah. Montgomery cliff too.

2090
01:48:12.239 --> 01:48:12.779
<v Speaker 2>Yeah.

2091
01:48:14.100 --> 01:48:18.720
<v Speaker 1>That was a huge step forward for all of us. Yeah.

2092
01:48:19.579 --> 01:48:22.380
<v Speaker 1>To take the onus off the theatrical and get more

2093
01:48:22.420 --> 01:48:24.060
<v Speaker 1>into the real.

2094
01:48:24.500 --> 01:48:26.750
<v Speaker 2>And again, if you really think about it, not a

2095
01:48:26.789 --> 01:48:32.210
<v Speaker 2>whole lot of time between the invention of film and

2096
01:48:32.310 --> 01:48:35.260
<v Speaker 2>then movie stars and all these things happening. Like this

2097
01:48:35.300 --> 01:48:39.460
<v Speaker 2>is a completely new cultural thing. Like from the early,

2098
01:48:39.600 --> 01:48:42.640
<v Speaker 2>like what was the first film? Like the first film

2099
01:48:42.680 --> 01:48:46.260
<v Speaker 2>with sound. What year was that?

2100
01:48:46.579 --> 01:48:46.939
<v Speaker 1>1920s.

2101
01:48:47.550 --> 01:48:53.369
<v Speaker 2>Wow. So think of that. So you have from 27

2102
01:48:53.369 --> 01:48:55.609
<v Speaker 2>and then just a few decades later, you have on

2103
01:48:55.649 --> 01:48:59.270
<v Speaker 2>the waterfront, you have the hustler, you have these, these

2104
01:48:59.310 --> 01:49:03.430
<v Speaker 2>incredible movies that, Do they just have to figure out

2105
01:49:03.649 --> 01:49:07.010
<v Speaker 2>on the fly how to– Citizen Kane. They have to

2106
01:49:07.050 --> 01:49:08.909
<v Speaker 2>figure out on the fly how to do this.

2107
01:49:09.970 --> 01:49:13.430
<v Speaker 1>But also the– if you ever watch the first films,

2108
01:49:13.449 --> 01:49:16.569
<v Speaker 1>like the silent films and the ability to tell a

2109
01:49:16.569 --> 01:49:20.300
<v Speaker 1>story without words, which was a whole other talent. I

2110
01:49:20.300 --> 01:49:26.960
<v Speaker 1>mean you watch those Chaplin films. That man was insanely talented.

2111
01:49:27.239 --> 01:49:30.279
<v Speaker 2>Well, Nosferatu. The original Nosferatu?

2112
01:49:30.340 --> 01:49:30.899
<v Speaker 1>I love that film.

2113
01:49:30.960 --> 01:49:33.119
<v Speaker 2>I saw that at a public library in San Francisco

2114
01:49:33.140 --> 01:49:35.800
<v Speaker 2>when I was a kid. They had a night where

2115
01:49:35.819 --> 01:49:37.159
<v Speaker 2>they played it, and I went to see it. I

2116
01:49:37.199 --> 01:49:38.399
<v Speaker 2>was like, this is nuts.

2117
01:49:38.619 --> 01:49:39.079
<v Speaker 1>Incredible.

2118
01:49:39.359 --> 01:49:41.689
<v Speaker 2>Incredible film. What year was that film?

2119
01:49:41.689 --> 01:49:42.909
<v Speaker 1>1922. 1922.

2120
01:49:42.909 --> 01:49:44.930
<v Speaker 2>And then Metropolis.

2121
01:49:44.850 --> 01:49:46.170
<v Speaker 1>Was a little bit.

2122
01:49:46.210 --> 01:49:48.510
<v Speaker 2>Oh, yeah. That's a crazy movie.

2123
01:49:48.729 --> 01:49:50.489
<v Speaker 1>Yeah. Yeah. I love that old stuff.

2124
01:49:50.510 --> 01:49:53.250
<v Speaker 2>Oh, that's great. Those movies are great. And at the time,

2125
01:49:53.369 --> 01:49:55.920
<v Speaker 2>you've got to imagine– Like the experience of going to

2126
01:49:55.960 --> 01:49:58.159
<v Speaker 2>see that where no one had seen movies before. This

2127
01:49:58.220 --> 01:49:59.159
<v Speaker 2>is like a new thing.

2128
01:49:59.279 --> 01:49:59.560
<v Speaker 1>Yeah.

2129
01:49:59.600 --> 01:50:02.350
<v Speaker 2>Seeing things moving around on a giant screen like this

2130
01:50:02.430 --> 01:50:03.270
<v Speaker 2>is mad.

2131
01:50:03.930 --> 01:50:06.829
<v Speaker 1>Alchemy. Yeah. Crazy magic. Satan.

2132
01:50:07.270 --> 01:50:09.399
<v Speaker 2>And you had to read what they were saying to

2133
01:50:09.409 --> 01:50:12.100
<v Speaker 2>each other on the screen. Yeah. And then music would play.

2134
01:50:12.119 --> 01:50:14.000
<v Speaker 2>They had a guy with an organ that was playing

2135
01:50:14.060 --> 01:50:15.199
<v Speaker 2>music along with it.

2136
01:50:15.439 --> 01:50:17.520
<v Speaker 1>What? Yeah. Super cool.

2137
01:50:17.779 --> 01:50:18.539
<v Speaker 2>It is super cool.

2138
01:50:18.600 --> 01:50:20.970
<v Speaker 1>I would love to. If you could time travel and

2139
01:50:21.010 --> 01:50:25.510
<v Speaker 1>go to one of those movie theaters back there. There

2140
01:50:25.550 --> 01:50:25.949
<v Speaker 1>he is.

2141
01:50:26.630 --> 01:50:29.890
<v Speaker 2>I mean, one of the best vampire movies of all time, too.

2142
01:50:29.970 --> 01:50:36.340
<v Speaker 1>And the lighting is just so good. German expressionist. Did

2143
01:50:36.399 --> 01:50:39.819
<v Speaker 1>you ever see M? Peter Lorre.

2144
01:50:42.539 --> 01:50:43.109
<v Speaker 2>It's just M?

2145
01:50:43.159 --> 01:50:44.239
<v Speaker 1>It's called M, yeah.

2146
01:50:44.279 --> 01:50:44.869
<v Speaker 2>The letter M?

2147
01:50:45.649 --> 01:50:48.029
<v Speaker 1>Isn't it? 1931. Yeah, 1931.

2148
01:50:48.010 --> 01:50:48.750
<v Speaker 2>No, I never saw it.

2149
01:50:48.770 --> 01:50:49.170
<v Speaker 1>It's really good.

2150
01:50:49.289 --> 01:50:50.170
<v Speaker 2>What is it? What's it about?

2151
01:50:50.770 --> 01:50:56.390
<v Speaker 1>About a murderer that's stalking a bunch of people. Yeah,

2152
01:50:56.550 --> 01:51:00.960
<v Speaker 1>I was a huge fan of that whole genre of filmmaking.

2153
01:51:00.979 --> 01:51:04.399
<v Speaker 2>Well, there's something so exciting about it because when you

2154
01:51:04.520 --> 01:51:07.520
<v Speaker 2>limit the sensory input, like you have to read the

2155
01:51:07.600 --> 01:51:11.520
<v Speaker 2>words and it's all black and white and there's music playing.

2156
01:51:11.560 --> 01:51:14.310
<v Speaker 2>It's like it's a totally different thing that you're taking in.

2157
01:51:14.430 --> 01:51:14.659
<v Speaker 1>Yeah, yeah.

2158
01:51:14.949 --> 01:51:18.310
<v Speaker 2>You know, it's like it's almost like half reading, half watching.

2159
01:51:18.470 --> 01:51:18.850
<v Speaker 1>Yeah.

2160
01:51:19.010 --> 01:51:22.109
<v Speaker 2>You know, like you're reading like you don't hear their voices.

2161
01:51:22.130 --> 01:51:24.069
<v Speaker 2>You have to create their voices in your head. Yeah.

2162
01:51:24.090 --> 01:51:26.689
<v Speaker 1>And you're feeling in a different way because of the

2163
01:51:26.789 --> 01:51:29.069
<v Speaker 1>you know, it's black and white. So it's not real,

2164
01:51:29.149 --> 01:51:34.430
<v Speaker 1>but it is real. And so, yeah, it's it's it's

2165
01:51:34.449 --> 01:51:37.989
<v Speaker 1>a great, great form. We should have more of those.

2166
01:51:38.439 --> 01:51:40.140
<v Speaker 2>It's just hard to imagine that this is only 100

2167
01:51:40.140 --> 01:51:44.050
<v Speaker 2>years old. That from there to now, this is 100 years.

2168
01:51:44.060 --> 01:51:45.569
<v Speaker 2>That's a blink of an eye.

2169
01:51:45.649 --> 01:51:45.850
<v Speaker 1>Yeah.

2170
01:51:46.149 --> 01:51:49.149
<v Speaker 2>And when you think about human history, like when we

2171
01:51:49.189 --> 01:51:51.869
<v Speaker 2>think about like the 1500s versus the 1600s, we kind

2172
01:51:52.050 --> 01:51:54.189
<v Speaker 2>of think it's basically the same. If you're born in

2173
01:51:54.189 --> 01:51:57.109
<v Speaker 2>1520 or 1620, it's fucking exactly the same.

2174
01:51:57.289 --> 01:51:57.510
<v Speaker 1>Right.

2175
01:51:57.810 --> 01:52:00.409
<v Speaker 2>But if you're born in 1920 or 2020, it's a

2176
01:52:00.510 --> 01:52:02.500
<v Speaker 2>fucking completely different world you're living in.

2177
01:52:02.529 --> 01:52:02.810
<v Speaker 1>Huge.

2178
01:52:02.810 --> 01:52:04.869
<v Speaker 2>1920, you have Nosferatu. 2026, you have the Odyssey. Right.

2179
01:52:09.659 --> 01:52:12.159
<v Speaker 2>You have Dune. You have these insane films.

2180
01:52:12.380 --> 01:52:16.000
<v Speaker 1>Right. Not to mention the technology you personally possess.

2181
01:52:16.140 --> 01:52:17.079
<v Speaker 2>Yes. Right.

2182
01:52:17.239 --> 01:52:17.899
<v Speaker 1>In your pocket.

2183
01:52:18.119 --> 01:52:20.699
<v Speaker 2>Right. Any moment in time, you could stream a movie.

2184
01:52:20.960 --> 01:52:22.869
<v Speaker 1>I could see Nosferatu right now on here. Right.

2185
01:52:23.270 --> 01:52:25.829
<v Speaker 2>Yeah. Or the Robert Eggers one, the new one, which

2186
01:52:25.850 --> 01:52:30.210
<v Speaker 2>is fucking fantastic. But it's just instantaneous. Everything's instantaneous and

2187
01:52:30.250 --> 01:52:32.970
<v Speaker 2>everything's right there for you. So it's great in that

2188
01:52:33.069 --> 01:52:36.220
<v Speaker 2>sense that you will be entertained. There's something to watch

2189
01:52:36.279 --> 01:52:36.859
<v Speaker 2>no matter what.

2190
01:52:37.619 --> 01:52:37.779
<v Speaker 1>But.

2191
01:52:39.439 --> 01:52:44.020
<v Speaker 2>You're missing something on the specialness of having to go

2192
01:52:44.199 --> 01:52:46.310
<v Speaker 2>out and go to a place, even go to a

2193
01:52:46.430 --> 01:52:51.289
<v Speaker 2>video store and go get it. There's something missing.

2194
01:52:52.390 --> 01:52:55.430
<v Speaker 1>I think that that's really at the core of it

2195
01:52:55.449 --> 01:52:59.840
<v Speaker 1>though is the– I've decided this is what I'm going

2196
01:52:59.880 --> 01:53:05.359
<v Speaker 1>to do today, the whole thing, like pre-this. I am

2197
01:53:05.520 --> 01:53:09.409
<v Speaker 1>going to be an active participant in my life. It's

2198
01:53:09.470 --> 01:53:11.710
<v Speaker 1>when I first moved to L.A. that I first understood

2199
01:53:11.750 --> 01:53:17.199
<v Speaker 1>this in the late 70s. L.A., as opposed to New

2200
01:53:17.220 --> 01:53:19.680
<v Speaker 1>York where I grew up, L.A., you have to make

2201
01:53:19.739 --> 01:53:23.579
<v Speaker 1>a choice to find your fun. New York, a little

2202
01:53:23.600 --> 01:53:26.800
<v Speaker 1>drop in your lap, right? If you walk down the street,

2203
01:53:27.020 --> 01:53:30.399
<v Speaker 1>something will present itself. But in L.A., when I first

2204
01:53:30.640 --> 01:53:33.159
<v Speaker 1>moved out there, I realized you got to drive there.

2205
01:53:33.850 --> 01:53:36.569
<v Speaker 1>You got to drive and find your fun. And you

2206
01:53:36.609 --> 01:53:40.149
<v Speaker 1>have to be an active participant in your life. cultural life.

2207
01:53:41.729 --> 01:53:44.270
<v Speaker 1>And once I understood that about L.A., I could understand

2208
01:53:44.649 --> 01:53:47.539
<v Speaker 1>how to live there. It was at first very frustrating

2209
01:53:47.560 --> 01:53:51.220
<v Speaker 1>because it was very boring, right? It wasn't happening, you know,

2210
01:53:51.420 --> 01:53:53.079
<v Speaker 1>when I walked out on the street. There was no

2211
01:53:53.100 --> 01:53:55.560
<v Speaker 1>street to walk out on. It was just too big.

2212
01:53:56.479 --> 01:54:03.409
<v Speaker 1>But it's that kind of– I have chosen this weekend

2213
01:54:04.170 --> 01:54:07.949
<v Speaker 1>to drive 30 minutes in that direction to see this

2214
01:54:08.029 --> 01:54:12.010
<v Speaker 1>punk rock band. And I will be an active participant

2215
01:54:12.060 --> 01:54:16.449
<v Speaker 1>in that. And once you do that, you're liberated. Then

2216
01:54:16.470 --> 01:54:20.409
<v Speaker 1>you know anything is possible. But now it's like I

2217
01:54:20.430 --> 01:54:21.829
<v Speaker 1>want it in my backyard.

2218
01:54:22.369 --> 01:54:26.060
<v Speaker 2>Not only that. Now that thing interrupts you while you're

2219
01:54:26.100 --> 01:54:29.380
<v Speaker 2>taking something else in. Right. It constantly wants your attention.

2220
01:54:29.439 --> 01:54:32.859
<v Speaker 2>It's like a puppy. It's like, hey, hey, hey.

2221
01:54:33.220 --> 01:54:34.939
<v Speaker 1>Watch the movie. I want to be fed. Yeah.

2222
01:54:35.159 --> 01:54:39.319
<v Speaker 2>It's constantly– demanding your attention or at least enticing you

2223
01:54:39.340 --> 01:54:42.010
<v Speaker 2>to take a look at it, vibrating in your pocket,

2224
01:54:42.779 --> 01:54:43.119
<v Speaker 2>you know?

2225
01:54:43.439 --> 01:54:47.399
<v Speaker 1>Yeah. Have you ever thought about trashing it?

2226
01:54:49.350 --> 01:54:51.949
<v Speaker 2>I've gotten off social media for weeks at a time.

2227
01:54:52.270 --> 01:54:55.090
<v Speaker 2>I've done that. But I need it for work too much.

2228
01:54:55.229 --> 01:54:57.310
<v Speaker 2>I need it for emails. I need to– I can't

2229
01:54:57.789 --> 01:54:59.149
<v Speaker 2>always just be in front of a laptop.

2230
01:54:59.189 --> 01:55:02.409
<v Speaker 1>Do you have a– like a flip phone?

2231
01:55:02.670 --> 01:55:03.590
<v Speaker 2>No. No.

2232
01:55:03.949 --> 01:55:04.880
<v Speaker 1>I'm thinking about getting one.

2233
01:55:05.640 --> 01:55:07.439
<v Speaker 2>I have a computer that I write on that's not

2234
01:55:07.479 --> 01:55:12.439
<v Speaker 2>connected to anything. My writing computer is just a Lenovo ThinkPad.

2235
01:55:12.920 --> 01:55:16.279
<v Speaker 2>I never use it for anything other than writing. If

2236
01:55:16.319 --> 01:55:19.300
<v Speaker 2>I go online, it's just to research something, like ask

2237
01:55:19.340 --> 01:55:20.359
<v Speaker 2>a question like, what is this?

2238
01:55:20.420 --> 01:55:20.920
<v Speaker 1>How does this work?

2239
01:55:21.739 --> 01:55:25.319
<v Speaker 2>I never surf the web. I don't look at any websites.

2240
01:55:25.350 --> 01:55:27.489
<v Speaker 2>I don't do anything with it. And that helps a

2241
01:55:27.550 --> 01:55:31.250
<v Speaker 2>lot for that. But for phones, I have too many

2242
01:55:31.289 --> 01:55:33.430
<v Speaker 2>friends that are sending me funny things. There's always like

2243
01:55:33.470 --> 01:55:35.210
<v Speaker 2>some funny thing and I'm like, all right, I guess

2244
01:55:35.229 --> 01:55:36.270
<v Speaker 2>I'm back on Instagram.

2245
01:55:36.300 --> 01:55:36.760
<v Speaker 1>Check it out.

2246
01:55:36.810 --> 01:55:40.300
<v Speaker 2>Like, oh, Jesus, this is crazy. There's too much coming

2247
01:55:40.399 --> 01:55:43.779
<v Speaker 2>at you. And the problem is if I put it down,

2248
01:55:44.039 --> 01:55:46.960
<v Speaker 2>which I do often for like the whole day, when

2249
01:55:47.000 --> 01:55:50.119
<v Speaker 2>I pick it up, I'll get 70 text messages to

2250
01:55:50.159 --> 01:55:50.520
<v Speaker 2>go through.

2251
01:55:50.550 --> 01:55:51.229
<v Speaker 1>I know. I know.

2252
01:55:51.310 --> 01:55:53.170
<v Speaker 2>And then I don't respond to some and some people

2253
01:55:53.210 --> 01:55:57.149
<v Speaker 2>get mad and they're like, I'm sorry. It's like it's

2254
01:55:57.210 --> 01:55:59.590
<v Speaker 2>too much. Yeah. It's too much coming in. And then

2255
01:55:59.630 --> 01:56:02.850
<v Speaker 2>there's so much. Hey, look at this. Hey, check this out.

2256
01:56:03.029 --> 01:56:05.289
<v Speaker 2>Have you seen this? What do you think about that?

2257
01:56:05.329 --> 01:56:06.289
<v Speaker 2>You think this is real?

2258
01:56:08.250 --> 01:56:11.869
<v Speaker 1>And then the people that you don't respond to can

2259
01:56:11.909 --> 01:56:16.520
<v Speaker 1>oftentimes take the lack of response as basically you saying,

2260
01:56:16.560 --> 01:56:19.359
<v Speaker 1>fuck you. And that's not the case at all. You

2261
01:56:19.399 --> 01:56:22.159
<v Speaker 1>just don't have the time to do it. Right. And

2262
01:56:22.199 --> 01:56:24.319
<v Speaker 1>you read it and you liked it and you smiled

2263
01:56:24.380 --> 01:56:25.800
<v Speaker 1>but you didn't put a smiley on it.

2264
01:56:25.859 --> 01:56:28.180
<v Speaker 2>Right. You have to put a little heart. You got

2265
01:56:28.319 --> 01:56:28.819
<v Speaker 2>to double click it.

2266
01:56:28.840 --> 01:56:33.989
<v Speaker 1>It's a very strange social dynamic. I'm not sure I'm

2267
01:56:34.050 --> 01:56:35.890
<v Speaker 1>very good at it. No. No.

2268
01:56:36.149 --> 01:56:37.149
<v Speaker 2>It's probably a good sign.

2269
01:56:37.750 --> 01:56:37.989
<v Speaker 1>Yeah.

2270
01:56:38.149 --> 01:56:41.649
<v Speaker 2>Yeah. It demands too much. That's the problem. As much

2271
01:56:41.720 --> 01:56:44.539
<v Speaker 2>as it is interesting, if you have a wide social circle,

2272
01:56:45.140 --> 01:56:48.439
<v Speaker 2>it demands too much of your– if you have 100

2273
01:56:48.439 --> 01:56:51.710
<v Speaker 2>units of attention that you have for– use throughout the day.

2274
01:56:51.869 --> 01:56:53.229
<v Speaker 2>It demands too many units.

2275
01:56:53.430 --> 01:56:53.649
<v Speaker 1>Right.

2276
01:56:53.689 --> 01:56:55.130
<v Speaker 2>There's just too much coming at you.

2277
01:56:55.409 --> 01:56:55.609
<v Speaker 1>Yeah.

2278
01:56:55.689 --> 01:56:57.470
<v Speaker 2>And it'll take away from other things that you do.

2279
01:56:57.609 --> 01:56:59.289
<v Speaker 2>And that, that's, that's a real problem.

2280
01:56:59.569 --> 01:56:59.829
<v Speaker 1>Yeah.

2281
01:57:00.930 --> 01:57:01.050
<v Speaker 2>Yeah.

2282
01:57:01.090 --> 01:57:02.369
<v Speaker 1>I like sitting in my garden.

2283
01:57:03.449 --> 01:57:03.989
<v Speaker 2>Is that your thing?

2284
01:57:04.130 --> 01:57:07.449
<v Speaker 1>Yeah. Yeah. Yeah. I have a really good, I, I, I've,

2285
01:57:07.649 --> 01:57:10.470
<v Speaker 1>I've been gardening. Yeah. That's, that's the real thing. That's

2286
01:57:10.489 --> 01:57:11.329
<v Speaker 1>my peaceful place.

2287
01:57:11.369 --> 01:57:12.850
<v Speaker 2>That's a real thing. It's real.

2288
01:57:12.869 --> 01:57:13.829
<v Speaker 1>It's dirt. Yeah.

2289
01:57:13.989 --> 01:57:15.859
<v Speaker 2>Real plant grows out. Life comes from it.

2290
01:57:15.890 --> 01:57:18.100
<v Speaker 1>Yep. You can eat stuff from it.

2291
01:57:18.390 --> 01:57:21.060
<v Speaker 2>Yeah. You need stuff to do, right? You need, a

2292
01:57:21.119 --> 01:57:23.659
<v Speaker 2>thing that can take you away from the other things?

2293
01:57:23.779 --> 01:57:28.409
<v Speaker 1>Something to make more beautiful every day. Something to, you know,

2294
01:57:28.970 --> 01:57:34.609
<v Speaker 1>something to care for. It's, you know, whether it's the garden,

2295
01:57:34.729 --> 01:57:37.390
<v Speaker 1>I have a garden in Los Angeles that, you know,

2296
01:57:37.409 --> 01:57:41.029
<v Speaker 1>I grow herbs and I, you know, to walk down

2297
01:57:41.100 --> 01:57:43.720
<v Speaker 1>and put that, those herbs, those fresh herbs in the

2298
01:57:43.859 --> 01:57:46.760
<v Speaker 1>omelet you're making, you know, it's a, it's not, it's

2299
01:57:46.800 --> 01:57:50.270
<v Speaker 1>a small thing, but it's huge. And then I have–

2300
01:57:50.520 --> 01:57:53.260
<v Speaker 1>back east, I planted a garden with my son this year,

2301
01:57:53.960 --> 01:57:57.270
<v Speaker 1>like a vegetable garden. And he's– I haven't been there,

2302
01:57:57.310 --> 01:57:59.829
<v Speaker 1>but he's been saying the tomatoes are coming like crazy

2303
01:57:59.869 --> 01:58:03.909
<v Speaker 1>and the cucumbers. That's such a– yeah, there you go.

2304
01:58:04.470 --> 01:58:09.810
<v Speaker 1>It's a– I really love this. I love the idea

2305
01:58:09.829 --> 01:58:14.060
<v Speaker 1>that we can– the earth has so much to offer us.

2306
01:58:14.340 --> 01:58:17.560
<v Speaker 1>All it needs is water and sunlight and it will

2307
01:58:18.149 --> 01:58:19.949
<v Speaker 1>produce all these beautiful things.

2308
01:58:20.390 --> 01:58:25.109
<v Speaker 2>Well, there's built-in human rewards for growing things too. There's

2309
01:58:25.170 --> 01:58:28.470
<v Speaker 2>a human reward system. That we have had in our

2310
01:58:28.510 --> 01:58:32.789
<v Speaker 2>DNA for thousands and thousands and thousands of years. When

2311
01:58:32.810 --> 01:58:37.029
<v Speaker 2>you grow things and they produce fruit and they produce vegetables,

2312
01:58:37.109 --> 01:58:37.869
<v Speaker 2>like it's exciting.

2313
01:58:38.029 --> 01:58:38.130
<v Speaker 1>Yeah.

2314
01:58:38.149 --> 01:58:38.989
<v Speaker 2>Because you're going to eat.

2315
01:58:39.149 --> 01:58:39.369
<v Speaker 1>Yeah.

2316
01:58:39.390 --> 01:58:40.170
<v Speaker 2>You're going to survive.

2317
01:58:40.430 --> 01:58:43.670
<v Speaker 1>Yeah. And then when you're doing your harvest in the fall,

2318
01:58:44.829 --> 01:58:47.609
<v Speaker 1>you have an abundance, right? And then I learned how

2319
01:58:47.649 --> 01:58:48.010
<v Speaker 1>to pickle.

2320
01:58:48.909 --> 01:58:49.170
<v Speaker 2>Ah.

2321
01:58:49.310 --> 01:58:52.930
<v Speaker 1>And that's a joy because now you're set for the winter, right?

2322
01:58:53.430 --> 01:58:57.010
<v Speaker 1>Now you've got a refrigerator full of pickled stuff. And,

2323
01:58:58.569 --> 01:59:01.329
<v Speaker 1>you know, to be able to bite into a crisp

2324
01:59:01.569 --> 01:59:05.090
<v Speaker 1>pickle that you grew as a cucumber in the summer

2325
01:59:05.310 --> 01:59:09.010
<v Speaker 1>in December, it's like, you know, this is how they survived.

2326
01:59:09.050 --> 01:59:12.909
<v Speaker 1>You know, this is those, you know, the storage of

2327
01:59:13.109 --> 01:59:17.560
<v Speaker 1>crops and how you how you make them survive through

2328
01:59:17.579 --> 01:59:22.960
<v Speaker 1>the winter. It's a skill that, you know, that. Well,

2329
01:59:23.000 --> 01:59:23.899
<v Speaker 1>that's why we're still here.

2330
01:59:24.279 --> 01:59:27.399
<v Speaker 2>And then you find out that pickling and fermented foods

2331
01:59:27.439 --> 01:59:29.260
<v Speaker 2>and all these things are fantastic for your body.

2332
01:59:29.279 --> 01:59:29.619
<v Speaker 1>Incredible.

2333
01:59:29.779 --> 01:59:31.100
<v Speaker 2>In a way that other foods just aren't.

2334
01:59:31.220 --> 01:59:31.439
<v Speaker 1>Yeah.

2335
01:59:31.779 --> 01:59:34.319
<v Speaker 2>And helps your microbiome and helps your gut.

2336
01:59:34.579 --> 01:59:37.600
<v Speaker 1>Yeah. And then you can, you know, use the extra

2337
01:59:37.649 --> 01:59:38.810
<v Speaker 1>pickle juice for a martini.

2338
01:59:39.149 --> 01:59:39.239
<v Speaker 2>Right.

2339
01:59:39.279 --> 01:59:40.119
<v Speaker 1>And it's fantastic.

2340
01:59:40.189 --> 01:59:40.909
<v Speaker 2>Or you can just drink it.

2341
01:59:41.470 --> 01:59:42.090
<v Speaker 1>Yeah, I do that too.

2342
01:59:42.119 --> 01:59:45.090
<v Speaker 2>Actually buy pickle juice. I have a company that sells

2343
01:59:45.109 --> 01:59:47.949
<v Speaker 2>you these little packets of pickle juice and you drink

2344
01:59:48.010 --> 01:59:49.529
<v Speaker 2>it because it's a probiotic beverage.

2345
01:59:50.010 --> 01:59:53.810
<v Speaker 1>Yeah, I have many jars of. pickles that, or there's

2346
01:59:53.850 --> 01:59:56.930
<v Speaker 1>no more pickles in, but I keep the juice for,

2347
01:59:57.010 --> 02:00:02.029
<v Speaker 1>for drinking. It's, and, you know, fermented foods and, you know,

2348
02:00:02.170 --> 02:00:07.319
<v Speaker 1>I've learned, you know, so much about the, the gut

2349
02:00:07.359 --> 02:00:10.520
<v Speaker 1>biome and, and, and how to make that healthier. And

2350
02:00:12.380 --> 02:00:15.800
<v Speaker 1>all these challenges we're up against with all the poisons

2351
02:00:15.859 --> 02:00:17.699
<v Speaker 1>in our food and how to get around them and

2352
02:00:17.760 --> 02:00:21.380
<v Speaker 1>how to clean, clean, clean yourself out and, I just

2353
02:00:21.420 --> 02:00:25.319
<v Speaker 1>did a cleanse, one of those master cleanses I just

2354
02:00:25.619 --> 02:00:28.270
<v Speaker 1>did 14 days on where you don't eat anything for

2355
02:00:28.270 --> 02:00:31.909
<v Speaker 1>14 days. And it's amazing how great you feel at

2356
02:00:31.949 --> 02:00:32.350
<v Speaker 1>the end of it.

2357
02:00:32.329 --> 02:00:34.189
<v Speaker 2>14 whole days, no food at all?

2358
02:00:34.250 --> 02:00:34.770
<v Speaker 1>No food at all.

2359
02:00:35.090 --> 02:00:36.590
<v Speaker 2>Wow. What did you drink?

2360
02:00:36.670 --> 02:00:43.010
<v Speaker 1>Water? Lemon juice, cayenne pepper, and maple syrup. And that

2361
02:00:43.029 --> 02:00:45.300
<v Speaker 1>will get you through the day. But every morning you're

2362
02:00:45.319 --> 02:00:48.680
<v Speaker 1>doing a purge, right? So you're cleaning out. You're cleaning

2363
02:00:49.119 --> 02:00:51.800
<v Speaker 1>all the poisons out. I do that a couple times

2364
02:00:51.819 --> 02:00:52.979
<v Speaker 1>a year.

2365
02:00:52.979 --> 02:00:54.520
<v Speaker 2>14 days is a long time with no food.

2366
02:00:54.659 --> 02:00:54.920
<v Speaker 1>It is.

2367
02:00:55.760 --> 02:00:57.239
<v Speaker 2>What's the first thing you eat when it was over?

2368
02:00:58.119 --> 02:01:00.819
<v Speaker 1>You got to ease your way back in, like clear

2369
02:01:00.880 --> 02:01:04.510
<v Speaker 1>broth first, then soups, then vegetables, then get to the

2370
02:01:04.529 --> 02:01:04.729
<v Speaker 1>next thing.

2371
02:01:04.789 --> 02:01:05.510
<v Speaker 2>Over how long?

2372
02:01:06.289 --> 02:01:09.989
<v Speaker 1>About a week re-entry. Yeah. Whoa. I mean, you're eating,

2373
02:01:10.090 --> 02:01:13.590
<v Speaker 1>but you're not going for the steak first thing. Right, right, right. Yeah.

2374
02:01:14.189 --> 02:01:15.710
<v Speaker 1>And so you have to kind of ease your system

2375
02:01:15.770 --> 02:01:16.569
<v Speaker 1>back into it.

2376
02:01:17.489 --> 02:01:19.550
<v Speaker 2>Do you experience mental clarity when you do that?

2377
02:01:19.569 --> 02:01:20.649
<v Speaker 1>Total mental clarity.

2378
02:01:20.970 --> 02:01:21.489
<v Speaker 2>Interesting.

2379
02:01:21.989 --> 02:01:22.229
<v Speaker 1>Yeah.

2380
02:01:22.609 --> 02:01:24.329
<v Speaker 2>I've never done it. The most I've done is a day.

2381
02:01:24.489 --> 02:01:27.170
<v Speaker 1>First three days are tough. But then once you get

2382
02:01:27.270 --> 02:01:33.670
<v Speaker 1>past the third day, it's pretty– your energy level is

2383
02:01:33.770 --> 02:01:38.930
<v Speaker 1>like constant throughout the day. And you can work. I

2384
02:01:38.970 --> 02:01:44.149
<v Speaker 1>play sports with it. It's– around 10 days, you should

2385
02:01:44.220 --> 02:01:48.279
<v Speaker 1>stop doing the physical stuff. Too much exertion. I could

2386
02:01:48.300 --> 02:01:49.699
<v Speaker 1>still take a bike ride and stuff.

2387
02:01:49.939 --> 02:01:51.890
<v Speaker 2>But you were working out three days of no food?

2388
02:01:52.829 --> 02:01:53.010
<v Speaker 1>Yeah.

2389
02:01:53.470 --> 02:01:55.050
<v Speaker 2>Wow.

2390
02:01:56.109 --> 02:01:57.829
<v Speaker 1>You have to, you know, everyone's going to have their

2391
02:01:57.869 --> 02:02:00.909
<v Speaker 1>own reaction. So, you know, I'm not advocating even to

2392
02:02:00.970 --> 02:02:03.090
<v Speaker 1>do it. Right. Because, you know, I don't want to

2393
02:02:03.109 --> 02:02:06.090
<v Speaker 1>be responsible for that. But for me personally, it's really helped.

2394
02:02:06.649 --> 02:02:09.909
<v Speaker 1>Because it also, it restarts your system. It basically, you

2395
02:02:09.939 --> 02:02:13.220
<v Speaker 1>get rid of toxins. You're certainly not drinking. You're not

2396
02:02:13.460 --> 02:02:17.689
<v Speaker 1>doing any kind of. abusive shit to yourself. And, uh,

2397
02:02:17.989 --> 02:02:21.210
<v Speaker 1>and basically your body is, is thanking you by the

2398
02:02:21.270 --> 02:02:25.220
<v Speaker 1>clarity it gives you. Like you, you really like, and

2399
02:02:25.520 --> 02:02:29.380
<v Speaker 1>the other thing that happens is I'll just start cleaning shit. Right. So,

2400
02:02:29.920 --> 02:02:31.699
<v Speaker 1>you know, when I'm on a cleanse, I'm going to

2401
02:02:31.739 --> 02:02:35.050
<v Speaker 1>clean a closet because you're not only cleaning yourself, you're

2402
02:02:35.090 --> 02:02:40.449
<v Speaker 1>cleaning your environment around you. And, um, it's, uh, it, I,

2403
02:02:40.590 --> 02:02:42.850
<v Speaker 1>you know, I, I just, I just did it two

2404
02:02:42.869 --> 02:02:44.930
<v Speaker 1>weeks ago. So, Yeah.

2405
02:02:45.449 --> 02:02:46.609
<v Speaker 2>How do you decide when to do it?

2406
02:02:48.029 --> 02:02:51.250
<v Speaker 1>Usually when you've been a little indulgent and you're not

2407
02:02:51.329 --> 02:02:55.420
<v Speaker 1>feeling too good. And, you know, you put on a

2408
02:02:55.449 --> 02:02:59.159
<v Speaker 1>little weight and just like, I don't feel good. I

2409
02:02:59.199 --> 02:03:00.720
<v Speaker 1>want to, you know, clean out.

2410
02:03:00.920 --> 02:03:03.340
<v Speaker 2>You must lose a ton of weight doing that. How

2411
02:03:03.359 --> 02:03:05.399
<v Speaker 2>much have you lost doing 14 days?

2412
02:03:05.399 --> 02:03:10.260
<v Speaker 1>25 pounds. Whoa. About two a day.

2413
02:03:10.880 --> 02:03:11.300
<v Speaker 2>Wow.

2414
02:03:12.199 --> 02:03:12.359
<v Speaker 1>Yeah.

2415
02:03:13.850 --> 02:03:16.189
<v Speaker 2>So then your body is running completely on ketones, right?

2416
02:03:16.210 --> 02:03:17.529
<v Speaker 2>Because your body is running on fat.

2417
02:03:17.949 --> 02:03:18.130
<v Speaker 1>Yeah.

2418
02:03:19.390 --> 02:03:22.649
<v Speaker 2>And so your body is burning fat and ketones. When

2419
02:03:22.710 --> 02:03:25.350
<v Speaker 2>you run on– I've been on ketogenic diets in the

2420
02:03:25.390 --> 02:03:27.689
<v Speaker 2>past and then I've been on the carnivore diet, which

2421
02:03:27.710 --> 02:03:30.810
<v Speaker 2>does the exact same thing, where your mental clarity is

2422
02:03:30.850 --> 02:03:34.489
<v Speaker 2>just so much better. Like everything just runs smooth. It's

2423
02:03:34.520 --> 02:03:38.100
<v Speaker 2>just like you were saying. You have this level flat

2424
02:03:38.239 --> 02:03:41.600
<v Speaker 2>energy throughout the day. There's no highs and lows like

2425
02:03:41.659 --> 02:03:42.960
<v Speaker 2>crashing after a big meal.

2426
02:03:43.579 --> 02:03:46.640
<v Speaker 1>Or caffeine pumps or all that stuff.

2427
02:03:46.800 --> 02:03:47.060
<v Speaker 2>Yeah.

2428
02:03:47.899 --> 02:03:52.810
<v Speaker 1>Yeah. But staying up till, you know, midnight and fine.

2429
02:03:52.819 --> 02:03:56.729
<v Speaker 1>The energy is fine. And you'll sleep less too. You

2430
02:03:56.770 --> 02:03:59.470
<v Speaker 1>need less sleep for some reason. I don't know why.

2431
02:03:59.890 --> 02:04:02.010
<v Speaker 2>Also, I think it's probably good to give your digestive

2432
02:04:02.050 --> 02:04:03.250
<v Speaker 2>system a little break too.

2433
02:04:03.770 --> 02:04:03.970
<v Speaker 1>Yeah.

2434
02:04:04.310 --> 02:04:07.210
<v Speaker 2>Let it relax. I mean, it's constantly work. Especially if

2435
02:04:07.250 --> 02:04:10.689
<v Speaker 2>you eat all throughout the day, if you're a snacker

2436
02:04:10.710 --> 02:04:12.439
<v Speaker 2>and then you have a late at night, you have

2437
02:04:12.460 --> 02:04:13.979
<v Speaker 2>a little bite to eat, wake up in the morning,

2438
02:04:14.000 --> 02:04:17.119
<v Speaker 2>you have breakfast, like your digestive system is just constantly

2439
02:04:17.189 --> 02:04:19.449
<v Speaker 2>grinding out this food and digesting everything.

2440
02:04:19.810 --> 02:04:23.770
<v Speaker 1>Yeah. Yeah. The real, the real poison for me is,

2441
02:04:23.930 --> 02:04:27.989
<v Speaker 1>is sugar. You know, it manifested in alcohol for a while,

2442
02:04:28.029 --> 02:04:31.350
<v Speaker 1>but I don't drink that much anymore. But sugar is the,

2443
02:04:31.489 --> 02:04:32.909
<v Speaker 1>is the, is the big.

2444
02:04:34.239 --> 02:04:34.779
<v Speaker 2>For everybody.

2445
02:04:34.899 --> 02:04:36.920
<v Speaker 1>Yeah. It's a tough one. It's a, it's a very

2446
02:04:36.979 --> 02:04:40.640
<v Speaker 1>addictive and, and you know, you think, oh, it feels

2447
02:04:40.680 --> 02:04:43.100
<v Speaker 1>great when you, Yeah, first have it, but then it

2448
02:04:43.340 --> 02:04:43.899
<v Speaker 1>makes you pay.

2449
02:04:45.149 --> 02:04:49.750
<v Speaker 2>Well, it's also with modern diets, like the kind of

2450
02:04:49.770 --> 02:04:52.430
<v Speaker 2>sugar that we have available today really never existed in

2451
02:04:52.449 --> 02:04:53.189
<v Speaker 2>the past before.

2452
02:04:53.350 --> 02:04:53.810
<v Speaker 1>That's true.

2453
02:04:54.170 --> 02:04:56.369
<v Speaker 2>For most of human history, if you wanted something sweet,

2454
02:04:56.390 --> 02:04:57.069
<v Speaker 2>you had to eat fruit.

2455
02:04:57.550 --> 02:04:57.770
<v Speaker 1>Right.

2456
02:04:58.010 --> 02:05:01.289
<v Speaker 2>Now, all of a sudden, you've got candy bars. You

2457
02:05:01.329 --> 02:05:04.119
<v Speaker 2>have stuff that comes to you in this insane form

2458
02:05:04.600 --> 02:05:07.220
<v Speaker 2>where you have 100 grams of sugar in something that

2459
02:05:07.260 --> 02:05:07.720
<v Speaker 2>you can eat.

2460
02:05:07.979 --> 02:05:08.359
<v Speaker 1>Right.

2461
02:05:08.399 --> 02:05:09.000
<v Speaker 2>That's nuts.

2462
02:05:09.180 --> 02:05:09.779
<v Speaker 1>Yeah.

2463
02:05:09.840 --> 02:05:12.359
<v Speaker 2>Or a drink. You get one of those– What is it,

2464
02:05:12.399 --> 02:05:14.460
<v Speaker 2>Baskin-Robbins Blizzard? Is that the one that has alcohol?

2465
02:05:14.479 --> 02:05:15.039
<v Speaker 1>Oh, my God.

2466
02:05:15.060 --> 02:05:15.680
<v Speaker 2>That thing?

2467
02:05:15.880 --> 02:05:17.439
<v Speaker 1>Those things will mess you up.

2468
02:05:17.619 --> 02:05:19.319
<v Speaker 2>Oh, you get a headache after you're done.

2469
02:05:19.399 --> 02:05:21.020
<v Speaker 1>I know. It's like alcohol.

2470
02:05:21.090 --> 02:05:21.229
<v Speaker 2>Yeah.

2471
02:05:21.239 --> 02:05:27.869
<v Speaker 1>What's that expression? Candy's dandy, but liquor's quicker. Yeah. You know,

2472
02:05:28.789 --> 02:05:34.430
<v Speaker 1>liquor's just concentrated sugar. It's just like, you know. But,

2473
02:05:35.590 --> 02:05:39.750
<v Speaker 1>you know, I try not to be too much of

2474
02:05:39.810 --> 02:05:44.000
<v Speaker 1>a zealot about any of this stuff. But I have–

2475
02:05:44.300 --> 02:05:48.000
<v Speaker 1>like my mom was introducing us to natural food in

2476
02:05:48.560 --> 02:05:52.760
<v Speaker 1>late 60s. So she had read a book called Poisons

2477
02:05:52.840 --> 02:05:56.930
<v Speaker 1>on Our Food and started taking processed food out of

2478
02:05:56.979 --> 02:05:57.550
<v Speaker 1>our diet.

2479
02:05:57.560 --> 02:05:58.229
<v Speaker 2>Oh, wow.

2480
02:05:58.250 --> 02:06:02.630
<v Speaker 1>White bread. This was early on, like 1967. Yeah. So

2481
02:06:02.689 --> 02:06:10.770
<v Speaker 1>she was a real– she really was a homeopath before

2482
02:06:10.789 --> 02:06:15.710
<v Speaker 1>it was called a homeopath. And wound up getting cancer

2483
02:06:15.850 --> 02:06:19.270
<v Speaker 1>and was told she had to have chemo and said, no,

2484
02:06:19.329 --> 02:06:21.850
<v Speaker 1>I'm not doing it. And kicked it herself, you know,

2485
02:06:21.890 --> 02:06:26.479
<v Speaker 1>with changing what she was putting in her body. And

2486
02:06:26.539 --> 02:06:30.239
<v Speaker 1>so I've always, you know, had her as a kind

2487
02:06:30.300 --> 02:06:34.220
<v Speaker 1>of guidepost for my health. She used to always say

2488
02:06:34.960 --> 02:06:38.529
<v Speaker 1>the body is a temple and that the body can

2489
02:06:38.810 --> 02:06:42.229
<v Speaker 1>heal anything. And a lot of it has to do

2490
02:06:42.250 --> 02:06:44.970
<v Speaker 1>with How you approach it in your mind. And if

2491
02:06:44.989 --> 02:06:47.630
<v Speaker 1>you believe that you can heal yourself, you can heal yourself.

2492
02:06:48.350 --> 02:06:49.409
<v Speaker 2>Is she getting this from books?

2493
02:06:50.390 --> 02:06:54.300
<v Speaker 1>I think she got it from a combination of books

2494
02:06:55.180 --> 02:07:02.279
<v Speaker 1>and her faith in Catholicism. I think every religion has

2495
02:07:02.359 --> 02:07:07.760
<v Speaker 1>a fasting day for some reason. That seems to be

2496
02:07:08.560 --> 02:07:12.220
<v Speaker 1>something that is common to all religions. It's important that

2497
02:07:12.239 --> 02:07:15.859
<v Speaker 1>you not eat one day a week. She wouldn't do

2498
02:07:15.899 --> 02:07:18.069
<v Speaker 1>that with us. You know, as kids, she wouldn't starve

2499
02:07:18.170 --> 02:07:22.430
<v Speaker 1>us for a day. But she did have a holistic

2500
02:07:22.489 --> 02:07:26.189
<v Speaker 1>approach to the way that she viewed illness. And I

2501
02:07:27.550 --> 02:07:30.909
<v Speaker 1>remember her drumming it into our heads that if you

2502
02:07:31.010 --> 02:07:34.470
<v Speaker 1>ever get told by a doctor anything, you have to

2503
02:07:34.569 --> 02:07:37.579
<v Speaker 1>challenge it. Go to a different doctor and see if

2504
02:07:37.619 --> 02:07:41.489
<v Speaker 1>they say the same thing. Always, always, always. She lost

2505
02:07:41.590 --> 02:07:45.310
<v Speaker 1>her father and her brother within the course of a

2506
02:07:45.350 --> 02:07:49.350
<v Speaker 1>year to medical malpractice in the 50s. And so she

2507
02:07:49.390 --> 02:07:53.369
<v Speaker 1>had a serious distrust of the medical profession. And back then,

2508
02:07:53.390 --> 02:07:56.689
<v Speaker 1>it was like there was no one even thought about

2509
02:07:56.850 --> 02:07:59.590
<v Speaker 1>suing for malpractice. It was like, that's the doctor. He's

2510
02:07:59.609 --> 02:08:03.060
<v Speaker 1>an authority. figure. You can't mess with him, right? So

2511
02:08:03.229 --> 02:08:09.739
<v Speaker 1>she always approached it with a healthy level of questioning

2512
02:08:10.220 --> 02:08:12.600
<v Speaker 1>whenever she was given advice by doctors.

2513
02:08:13.060 --> 02:08:13.560
<v Speaker 2>Wow.

2514
02:08:14.159 --> 02:08:19.180
<v Speaker 1>And it's interesting. She's always been, you know, I've always

2515
02:08:19.260 --> 02:08:23.899
<v Speaker 1>kind of wondered how she would have reacted to this

2516
02:08:23.979 --> 02:08:29.560
<v Speaker 1>recent thing and all that. Um, but, uh, I, I, I,

2517
02:08:30.630 --> 02:08:32.409
<v Speaker 1>have you ever done ayahuasca? No.

2518
02:08:32.770 --> 02:08:37.390
<v Speaker 2>Yeah. I, I, I've done DMT, which is the, that's

2519
02:08:37.470 --> 02:08:41.369
<v Speaker 2>the actual compound that's active in ayahuasca. Ayahuasca is an

2520
02:08:41.529 --> 02:08:44.279
<v Speaker 2>orally active version of DMT. Yeah.

2521
02:08:44.880 --> 02:08:48.359
<v Speaker 1>Yeah. I was, uh, You know, when they tell you

2522
02:08:48.380 --> 02:08:49.960
<v Speaker 1>to go in, when I did it, they tell you

2523
02:08:49.979 --> 02:08:53.720
<v Speaker 1>to go in with an intention. And my intention was to,

2524
02:08:55.000 --> 02:08:58.909
<v Speaker 1>you know, I was frustrated with feeling anger about what

2525
02:08:58.949 --> 02:09:00.569
<v Speaker 1>was going on in the world. And I said, I

2526
02:09:00.569 --> 02:09:03.729
<v Speaker 1>want to release that. I don't want to be consumed

2527
02:09:03.770 --> 02:09:09.310
<v Speaker 1>by that anger. And so I wound up in this,

2528
02:09:09.949 --> 02:09:16.829
<v Speaker 1>you know, the heavy duty, you know, journey that ayahuasca is.

2529
02:09:17.470 --> 02:09:18.289
<v Speaker 1>And my mom showed up.

2530
02:09:19.289 --> 02:09:21.710
<v Speaker 2>Wow. Yeah.

2531
02:09:21.930 --> 02:09:26.649
<v Speaker 1>And she's– it's not like you actually hear a voice,

2532
02:09:26.680 --> 02:09:29.439
<v Speaker 1>but you hear a voice, right? You basically– if she's there,

2533
02:09:29.640 --> 02:09:33.880
<v Speaker 1>you know it's her. She's saying something to you. And

2534
02:09:33.939 --> 02:09:40.420
<v Speaker 1>what she said was, you're injured. You're a warrior and

2535
02:09:40.460 --> 02:09:44.689
<v Speaker 1>you're injured and you need to rest. But the fight's

2536
02:09:44.750 --> 02:09:53.060
<v Speaker 1>not over. Wow. That was what she told me in

2537
02:09:53.119 --> 02:09:55.460
<v Speaker 1>response to my intention. Whoa.

2538
02:09:55.899 --> 02:09:57.159
<v Speaker 2>What were you battling?

2539
02:10:00.279 --> 02:10:09.229
<v Speaker 1>I was battling my frustration with the dissolution of society,

2540
02:10:09.310 --> 02:10:14.189
<v Speaker 1>people being angry at each other over ridiculous things, long

2541
02:10:14.310 --> 02:10:20.189
<v Speaker 1>friendships being affected. people being canceled for expressing their opinion,

2542
02:10:20.289 --> 02:10:25.670
<v Speaker 1>all this stuff. And I wanted out. I wanted to

2543
02:10:25.949 --> 02:10:28.989
<v Speaker 1>be absolved of that. I didn't want to be engaged

2544
02:10:29.050 --> 02:10:33.130
<v Speaker 1>in it. And what she told me in the course

2545
02:10:33.170 --> 02:10:35.149
<v Speaker 1>of this thing, believe it or not, you know, I

2546
02:10:35.189 --> 02:10:37.649
<v Speaker 1>understand people will be, oh, that's woo-woo and you're just

2547
02:10:37.689 --> 02:10:42.060
<v Speaker 1>tripping and whatever. But I definitely felt her presence there.

2548
02:10:42.500 --> 02:10:44.840
<v Speaker 1>It was no doubt. I went through a whole journey

2549
02:10:44.859 --> 02:10:49.510
<v Speaker 1>with her. I saw things from our lives together. There

2550
02:10:49.529 --> 02:10:52.409
<v Speaker 1>was one moment where I was, you know, I was

2551
02:10:52.449 --> 02:10:58.609
<v Speaker 1>always been curious about something that happened in kindergarten or something.

2552
02:10:58.670 --> 02:11:02.560
<v Speaker 1>I don't remember. And she, you know, at one point

2553
02:11:02.979 --> 02:11:05.640
<v Speaker 1>I felt her presence and she said, you were right

2554
02:11:05.699 --> 02:11:08.079
<v Speaker 1>about that. I'm sorry we didn't listen to you. You know,

2555
02:11:08.140 --> 02:11:14.039
<v Speaker 1>and this kind of really profoundly deep experience. And, um,

2556
02:11:14.199 --> 02:11:17.560
<v Speaker 1>but at the end of it, I felt completely lighter

2557
02:11:18.460 --> 02:11:22.380
<v Speaker 1>and completely, you know, uh, relieved to have been through

2558
02:11:22.439 --> 02:11:27.539
<v Speaker 1>the experience and a great, great connection with my mom,

2559
02:11:27.800 --> 02:11:31.640
<v Speaker 1>you know, just like a beautiful, like, ah, she, she

2560
02:11:31.699 --> 02:11:35.760
<v Speaker 1>gets it. She, she's still around. I've had quite a

2561
02:11:35.800 --> 02:11:41.220
<v Speaker 1>few experiences in this realm. Um, And my mom, in fact, uh,

2562
02:11:41.420 --> 02:11:45.899
<v Speaker 1>you know, uh, she, she, my father died, uh, when

2563
02:11:45.920 --> 02:11:49.050
<v Speaker 1>he was 80 and my mom was 78 and, um,

2564
02:11:50.170 --> 02:11:52.789
<v Speaker 1>she wasn't sick, but my dad had been dying for

2565
02:11:52.810 --> 02:11:55.270
<v Speaker 1>a while. And, uh, we all got down to say

2566
02:11:55.289 --> 02:11:57.210
<v Speaker 1>goodbye to him. They were living in Mexico at the time.

2567
02:11:58.270 --> 02:12:00.090
<v Speaker 1>And we went to the funeral and my mom was

2568
02:12:00.130 --> 02:12:04.100
<v Speaker 1>very stoic and, and sang very strongly my father's favorite

2569
02:12:04.159 --> 02:12:07.159
<v Speaker 1>song at the funeral. And, She didn't cry and we

2570
02:12:07.359 --> 02:12:09.539
<v Speaker 1>were all concerned about her. We hired a couple of

2571
02:12:09.640 --> 02:12:12.159
<v Speaker 1>people for when we left to take care of her.

2572
02:12:13.300 --> 02:12:16.149
<v Speaker 1>And she was really agitated the last night and she

2573
02:12:16.199 --> 02:12:18.689
<v Speaker 1>was– I was there and she said, you know, I

2574
02:12:19.069 --> 02:12:21.210
<v Speaker 1>don't trust these people. I don't know if they're going

2575
02:12:21.229 --> 02:12:23.529
<v Speaker 1>to talk about you or, you know, and your fame

2576
02:12:23.609 --> 02:12:25.649
<v Speaker 1>and all that stuff. I said, Mom, don't worry about it.

2577
02:12:26.229 --> 02:12:28.409
<v Speaker 1>You know, they're just here to get you stuff if

2578
02:12:28.449 --> 02:12:31.449
<v Speaker 1>you need it. Don't worry about it. I go off.

2579
02:12:31.899 --> 02:12:34.020
<v Speaker 1>She wakes up the next morning. She says to my

2580
02:12:34.079 --> 02:12:37.340
<v Speaker 1>sisters who are still in the house with her, everything

2581
02:12:37.380 --> 02:12:41.239
<v Speaker 1>I said last night, don't worry about it. And they said,

2582
02:12:41.619 --> 02:12:44.460
<v Speaker 1>what happened, mom? She said, I had a dream. She said,

2583
02:12:44.479 --> 02:12:49.270
<v Speaker 1>I was in my childhood home in Westwood, California. And

2584
02:12:49.310 --> 02:12:50.850
<v Speaker 1>there was something in my living room and I couldn't

2585
02:12:50.890 --> 02:12:52.590
<v Speaker 1>look at it. It was a stone figure. I couldn't

2586
02:12:52.609 --> 02:12:55.069
<v Speaker 1>look at it. And it was disturbing me. I didn't

2587
02:12:55.090 --> 02:12:57.229
<v Speaker 1>want to look at it. But then I look out

2588
02:12:57.250 --> 02:12:59.390
<v Speaker 1>the bay window and then coming down the street, I

2589
02:12:59.529 --> 02:13:03.329
<v Speaker 1>see led by my first friend in life, a group

2590
02:13:03.369 --> 02:13:07.350
<v Speaker 1>of people coming towards the house. And it didn't make

2591
02:13:07.390 --> 02:13:10.090
<v Speaker 1>any sense. There were people from my childhood, people from

2592
02:13:10.109 --> 02:13:13.489
<v Speaker 1>my choral society, people from my work. But they were

2593
02:13:13.510 --> 02:13:15.310
<v Speaker 1>all there and they all came to the door. And

2594
02:13:15.350 --> 02:13:17.329
<v Speaker 1>when they showed up, I realized everything was going to

2595
02:13:17.350 --> 02:13:20.109
<v Speaker 1>be fine. And I realized, oh, my God, that was

2596
02:13:20.989 --> 02:13:23.189
<v Speaker 1>the departed that had come to say it's going to

2597
02:13:23.220 --> 02:13:32.119
<v Speaker 1>be OK. And so my sisters left. Three days, four

2598
02:13:32.159 --> 02:13:34.119
<v Speaker 1>days later, we got a phone call. My mom has died.

2599
02:13:35.600 --> 02:13:40.819
<v Speaker 1>She wasn't sick. And then my sister talks to the

2600
02:13:40.880 --> 02:13:43.430
<v Speaker 1>woman that was taking care of her. And she said

2601
02:13:43.470 --> 02:13:47.090
<v Speaker 1>it was really strange. You know, the night before she died,

2602
02:13:47.250 --> 02:13:51.609
<v Speaker 1>she said, he's here. And they said, who's here? And

2603
02:13:51.649 --> 02:13:54.289
<v Speaker 1>she said, Gil, my husband. He's here. He's come to

2604
02:13:54.329 --> 02:13:58.050
<v Speaker 1>get me. And they said, no, Mary, he's not. He's

2605
02:13:58.090 --> 02:14:01.289
<v Speaker 1>not there. And she said, oh, no, he most certainly is.

2606
02:14:01.810 --> 02:14:06.250
<v Speaker 1>And he looks very strong because he died feeble. Goes

2607
02:14:06.289 --> 02:14:12.090
<v Speaker 1>to bed that night and passes. Whoa. So even the

2608
02:14:12.149 --> 02:14:15.289
<v Speaker 1>most cynical person in the world that doesn't believe in

2609
02:14:15.390 --> 02:14:18.710
<v Speaker 1>afterlife or anything, how do you explain that? How do

2610
02:14:18.750 --> 02:14:22.229
<v Speaker 1>you explain whatever chemicals were going on in her brain

2611
02:14:22.250 --> 02:14:24.289
<v Speaker 1>to bring her to that passing where she was going

2612
02:14:24.329 --> 02:14:26.670
<v Speaker 1>to join the person that she loved her entire life?

2613
02:14:27.979 --> 02:14:30.319
<v Speaker 1>That's a beautiful thing, regardless of how you look at it.

2614
02:14:31.279 --> 02:14:34.439
<v Speaker 2>I don't think there's any value in being cynical about

2615
02:14:34.460 --> 02:14:39.050
<v Speaker 2>these experiences. And even the ayahuasca experience, like this idea

2616
02:14:39.069 --> 02:14:44.770
<v Speaker 2>that you're hallucinating and that that's what this is, doesn't matter.

2617
02:14:45.050 --> 02:14:48.689
<v Speaker 2>It's the same experience. If you really did make contact

2618
02:14:48.760 --> 02:14:51.399
<v Speaker 2>with your mother in the afterlife and you really did

2619
02:14:51.500 --> 02:14:56.460
<v Speaker 2>have this communication versus whatever the fuck hallucination means, I

2620
02:14:56.479 --> 02:14:59.899
<v Speaker 2>don't know what you mean by that, it's the same experience.

2621
02:15:00.119 --> 02:15:00.279
<v Speaker 1>Yeah.

2622
02:15:00.380 --> 02:15:03.319
<v Speaker 2>So there's no value in being cynical about it. Like

2623
02:15:03.359 --> 02:15:08.510
<v Speaker 2>you get a– you get– There's something that you experience

2624
02:15:08.850 --> 02:15:12.689
<v Speaker 2>from it that's tangible. It's real. You feel it. It

2625
02:15:12.729 --> 02:15:15.890
<v Speaker 2>changes your perspective. It changes the way you feel about

2626
02:15:15.949 --> 02:15:18.090
<v Speaker 2>the world. Like that's a real thing.

2627
02:15:18.109 --> 02:15:18.550
<v Speaker 1>That's a real thing.

2628
02:15:18.569 --> 02:15:21.399
<v Speaker 2>Just because you can't put a measuring tape to it

2629
02:15:21.600 --> 02:15:23.560
<v Speaker 2>or you can't put it on a scale, don't say

2630
02:15:23.569 --> 02:15:24.680
<v Speaker 2>it's not real. That's silly.

2631
02:15:24.699 --> 02:15:27.180
<v Speaker 1>There's so many ways of being that we haven't even

2632
02:15:27.380 --> 02:15:31.520
<v Speaker 1>studied or have no idea about. How people can communicate

2633
02:15:31.640 --> 02:15:34.380
<v Speaker 1>over 2,000 miles. Like a mother wakes up in the

2634
02:15:34.399 --> 02:15:36.680
<v Speaker 1>middle of the night knowing something's wrong with their child

2635
02:15:36.739 --> 02:15:40.119
<v Speaker 1>and five minutes later the fucking phone rings. What the

2636
02:15:40.159 --> 02:15:40.880
<v Speaker 1>hell is that?

2637
02:15:40.960 --> 02:15:43.920
<v Speaker 2>Or twins. Twins who have some sort of very strange

2638
02:15:43.960 --> 02:15:44.939
<v Speaker 2>connection with each other.

2639
02:15:45.810 --> 02:15:48.890
<v Speaker 1>When I was– my grandfather, who I was very close to,

2640
02:15:48.909 --> 02:15:53.029
<v Speaker 1>he was– had been dead for two months and I

2641
02:15:53.090 --> 02:15:56.829
<v Speaker 1>had a dream about him. And I woke up like

2642
02:15:57.090 --> 02:16:00.220
<v Speaker 1>startled and I heard his voice. And he said basically,

2643
02:16:00.420 --> 02:16:04.350
<v Speaker 1>don't worry. I'll take care of it. And I didn't

2644
02:16:04.369 --> 02:16:06.390
<v Speaker 1>know what the hell it meant, but it was very clear.

2645
02:16:06.409 --> 02:16:11.189
<v Speaker 1>It was like, I'll take care of it. Fifteen minutes later,

2646
02:16:11.250 --> 02:16:15.250
<v Speaker 1>I get a phone call from Susan. And my son, Miles,

2647
02:16:15.270 --> 02:16:18.770
<v Speaker 1>who was six years old at the time, had run

2648
02:16:18.930 --> 02:16:21.869
<v Speaker 1>out into the middle of Seventh Avenue. And she said

2649
02:16:21.890 --> 02:16:25.590
<v Speaker 1>it was the weirdest thing. It was like something stopped

2650
02:16:25.649 --> 02:16:28.800
<v Speaker 1>him like that. And a car goes behind him and

2651
02:16:28.810 --> 02:16:32.379
<v Speaker 1>a car goes in front of him. And I was like,

2652
02:16:32.520 --> 02:16:37.579
<v Speaker 1>I know exactly what. just happened. He, he was, he,

2653
02:16:37.680 --> 02:16:41.329
<v Speaker 1>whatever that is, whatever energy he could muster in, in

2654
02:16:41.670 --> 02:16:46.250
<v Speaker 1>whatever phase of being he was, he fucking saved my

2655
02:16:46.309 --> 02:16:52.690
<v Speaker 1>son's life heroically. I'm no doubt about that. Why would

2656
02:16:52.709 --> 02:16:54.850
<v Speaker 1>he show up and say that to me? He said,

2657
02:16:54.870 --> 02:16:56.069
<v Speaker 1>don't worry, I'll take care of it.

2658
02:16:56.850 --> 02:16:57.170
<v Speaker 2>Wow.

2659
02:16:57.719 --> 02:17:01.659
<v Speaker 1>So I, I, I totally believe this stuff. I believe

2660
02:17:01.700 --> 02:17:06.469
<v Speaker 1>that we, That life, death, there's other planes of existence

2661
02:17:07.750 --> 02:17:11.559
<v Speaker 1>that we can get to through various means. It doesn't

2662
02:17:11.620 --> 02:17:19.159
<v Speaker 1>have to be ayahuasca. If you're open to listening in

2663
02:17:19.420 --> 02:17:24.219
<v Speaker 1>different ways, there are great things available for you. It's

2664
02:17:24.280 --> 02:17:26.510
<v Speaker 1>like the idea of an accident. Is it an accident

2665
02:17:26.549 --> 02:17:29.270
<v Speaker 1>that you run into that person that you've been wanting

2666
02:17:29.309 --> 02:17:30.829
<v Speaker 1>to talk to and all of a sudden now they're

2667
02:17:30.870 --> 02:17:32.969
<v Speaker 1>right in front of you? Right. You know, that's not

2668
02:17:33.030 --> 02:17:37.819
<v Speaker 1>an accident. It's, it's divine, whatever, you know, whatever the

2669
02:17:37.860 --> 02:17:41.620
<v Speaker 1>divine is for you. It's, there's, there's another level of

2670
02:17:41.700 --> 02:17:47.469
<v Speaker 1>energy that is going around. We haven't even studied how

2671
02:17:47.489 --> 02:17:55.700
<v Speaker 1>the heart communicates. There's that Spanish or Portuguese cardiologist that

2672
02:17:56.200 --> 02:18:00.459
<v Speaker 1>talks about the realm of communication in the electromagnetic field

2673
02:18:00.479 --> 02:18:04.379
<v Speaker 1>of the heart and what that means and how the

2674
02:18:04.440 --> 02:18:08.100
<v Speaker 1>heart can communicate and has an impact. parts of the

2675
02:18:08.159 --> 02:18:10.440
<v Speaker 1>heart have more neurons in parts of the brain. And

2676
02:18:11.159 --> 02:18:14.079
<v Speaker 1>what is that all about? And it's such that we don't,

2677
02:18:14.239 --> 02:18:17.120
<v Speaker 1>we don't think that way. You know, we don't want

2678
02:18:17.299 --> 02:18:21.260
<v Speaker 1>to experience, we have a, it's a heart is a

2679
02:18:21.340 --> 02:18:24.549
<v Speaker 1>meat pump and that's, it just runs in your entire life.

2680
02:18:24.850 --> 02:18:25.629
<v Speaker 2>Yeah.

2681
02:18:25.729 --> 02:18:29.329
<v Speaker 1>But it doesn't, this guy's suggesting, no, it's electromagnetic energy.

2682
02:18:29.350 --> 02:18:32.250
<v Speaker 1>It's what makes us live longer if we're with someone

2683
02:18:32.370 --> 02:18:35.170
<v Speaker 1>else or with a pet, you know, that some, that

2684
02:18:35.639 --> 02:18:39.629
<v Speaker 1>people that are, isolated and alone are hurting and they're

2685
02:18:39.670 --> 02:18:43.010
<v Speaker 1>not having that electromagnetic connection with other people. That's why

2686
02:18:43.059 --> 02:18:46.100
<v Speaker 1>we crave crowds. That's why we want to be in

2687
02:18:46.139 --> 02:18:49.879
<v Speaker 1>groups of people. It's a natural thing. It keeps us alive.

2688
02:18:49.940 --> 02:18:55.079
<v Speaker 1>It keeps us activated in a community. But we don't

2689
02:18:55.139 --> 02:18:57.719
<v Speaker 1>study that. We don't study what that is and I

2690
02:18:57.840 --> 02:18:58.879
<v Speaker 1>think it's kind of magical.

2691
02:18:59.000 --> 02:19:01.860
<v Speaker 2>That's why solitary confinement is such a cruel punishment.

2692
02:19:01.879 --> 02:19:02.399
<v Speaker 1>So cruel, yeah.

2693
02:19:02.520 --> 02:19:04.520
<v Speaker 2>Yeah. I mean there's a lot of people that think

2694
02:19:04.579 --> 02:19:05.540
<v Speaker 2>it's actual torture.

2695
02:19:06.260 --> 02:19:09.020
<v Speaker 1>Of course it is. Yeah. Of course it is. You've

2696
02:19:09.079 --> 02:19:16.250
<v Speaker 1>got nothing to interact with. And it's why that lockdown

2697
02:19:16.260 --> 02:19:22.629
<v Speaker 1>was cruel. The scope of that loneliness is just immense

2698
02:19:23.010 --> 02:19:25.469
<v Speaker 1>that some people had to deal with.

2699
02:19:25.610 --> 02:19:28.709
<v Speaker 2>Especially people that were already struggling. Some people were already

2700
02:19:28.770 --> 02:19:31.850
<v Speaker 2>filled with anxiety and they already had suffered from depression.

2701
02:19:31.870 --> 02:19:34.350
<v Speaker 2>They were already weird socially. And then all of a

2702
02:19:34.350 --> 02:19:37.049
<v Speaker 2>sudden they're just completely isolated from everyone else for a

2703
02:19:37.149 --> 02:19:39.729
<v Speaker 2>year or a year and a half depending on where

2704
02:19:39.770 --> 02:19:43.510
<v Speaker 2>you lived. So it's weird this desire that people have

2705
02:19:43.549 --> 02:19:47.549
<v Speaker 2>to define things as real or not real and also

2706
02:19:47.649 --> 02:19:53.079
<v Speaker 2>to let everyone know, oh, I'm not falling for that nonsense. But, God,

2707
02:19:53.110 --> 02:19:54.780
<v Speaker 2>I mean at one point in time do you have

2708
02:19:54.799 --> 02:19:57.379
<v Speaker 2>to say, well, all these stories, all these experiences that

2709
02:19:57.420 --> 02:20:00.520
<v Speaker 2>people have, Maybe there's something to it and maybe this

2710
02:20:00.639 --> 02:20:04.040
<v Speaker 2>closed-mindedness is not benefiting me in any way.

2711
02:20:04.760 --> 02:20:08.219
<v Speaker 1>Yeah. I mean there's magic. There's magic in the world.

2712
02:20:08.239 --> 02:20:13.569
<v Speaker 1>I mean there's this old way of thinking. I became–

2713
02:20:13.590 --> 02:20:18.770
<v Speaker 1>do you know what the– there's a book called The

2714
02:20:18.850 --> 02:20:22.110
<v Speaker 1>Nature of Things by a guy named Lucretius written in

2715
02:20:22.110 --> 02:20:26.739
<v Speaker 1>350 BC and it's Epicureanism. And Epicureanism now is about

2716
02:20:27.020 --> 02:20:29.549
<v Speaker 1>you like food, you like wine, whatever. Back then it

2717
02:20:29.610 --> 02:20:33.180
<v Speaker 1>was like the whole purpose of this philosophy or religion,

2718
02:20:33.360 --> 02:20:38.360
<v Speaker 1>whatever you want to call it, was that all of

2719
02:20:38.459 --> 02:20:42.040
<v Speaker 1>life is a miracle. Everything that you're seeing in front

2720
02:20:42.059 --> 02:20:44.680
<v Speaker 1>of you is the first time it's happening and will

2721
02:20:44.719 --> 02:20:48.200
<v Speaker 1>never happen again. It's a collision of atoms in a

2722
02:20:48.239 --> 02:20:50.600
<v Speaker 1>particular way. They don't call them atoms, but they call

2723
02:20:50.620 --> 02:20:56.290
<v Speaker 1>them the smallest particles that create unique experiences every moment

2724
02:20:56.510 --> 02:20:59.229
<v Speaker 1>of your life. And the whole purpose of life is

2725
02:20:59.309 --> 02:21:04.750
<v Speaker 1>to seek the pleasure of that and avoid pain. And

2726
02:21:04.770 --> 02:21:09.819
<v Speaker 1>the pain can be either living isolated or without the

2727
02:21:09.920 --> 02:21:14.420
<v Speaker 1>idea of magic or indulging in something where it creates pain.

2728
02:21:14.940 --> 02:21:18.500
<v Speaker 1>Too much pleasure creates pain. But this philosophy in this

2729
02:21:18.569 --> 02:21:24.530
<v Speaker 1>beautiful long-form poem written by Lucretius in 350 B.C., is

2730
02:21:24.770 --> 02:21:28.450
<v Speaker 1>all about magic. It's all about this idea that look

2731
02:21:28.469 --> 02:21:30.329
<v Speaker 1>how lucky we are to wake up in the morning

2732
02:21:30.370 --> 02:21:36.469
<v Speaker 1>and see that freaking cactus blooming. You know, that's like

2733
02:21:37.229 --> 02:21:41.870
<v Speaker 1>when we get so inured from that, so, you know,

2734
02:21:41.889 --> 02:21:46.809
<v Speaker 1>anesthetized from the magic and it's all just the doldrum

2735
02:21:47.110 --> 02:21:51.989
<v Speaker 1>every day is the same. That's robbing yourself of so much, right?

2736
02:21:52.149 --> 02:21:55.100
<v Speaker 1>That the idea that What if you just woke up

2737
02:21:55.139 --> 02:21:59.239
<v Speaker 1>and said, hey, it's fucking magic. This is amazing. First

2738
02:21:59.260 --> 02:22:01.879
<v Speaker 1>of all, I'm breathing. Second of all, look at that

2739
02:22:02.000 --> 02:22:05.899
<v Speaker 1>sun coming in the window. This is going to be

2740
02:22:05.920 --> 02:22:09.620
<v Speaker 1>an amazing day. Instead of like, ah, shit, I got

2741
02:22:09.639 --> 02:22:12.440
<v Speaker 1>to get up and do my fucking thing.

2742
02:22:12.620 --> 02:22:12.739
<v Speaker 2>No.

2743
02:22:12.760 --> 02:22:18.750
<v Speaker 3>That's also relative because if you were dying in a

2744
02:22:18.809 --> 02:22:23.170
<v Speaker 3>hospital– And you had this opportunity to say, okay, all

2745
02:22:23.190 --> 02:22:25.280
<v Speaker 3>you have to do is say these magic words and

2746
02:22:25.299 --> 02:22:27.620
<v Speaker 3>you'll be transported back to health.

2747
02:22:27.639 --> 02:22:30.860
<v Speaker 2>In your home with a completely new perspective and a

2748
02:22:30.899 --> 02:22:34.420
<v Speaker 2>completely new appreciation for just being healthy and alive.

2749
02:22:35.319 --> 02:22:35.540
<v Speaker 1>Yeah.

2750
02:22:36.969 --> 02:22:39.270
<v Speaker 2>It's just hard for people to shift that perspective and

2751
02:22:39.329 --> 02:22:41.469
<v Speaker 2>think like that all the time. But if you could

2752
02:22:41.530 --> 02:22:44.590
<v Speaker 2>force yourself just as an exercise to say, I am

2753
02:22:44.770 --> 02:22:47.250
<v Speaker 2>so lucky to be above ground. I am so lucky

2754
02:22:47.290 --> 02:22:50.020
<v Speaker 2>to be healthy and alive. mobile if I am and

2755
02:22:50.040 --> 02:22:52.649
<v Speaker 2>I could just go do what I want to do

2756
02:22:52.729 --> 02:22:55.510
<v Speaker 2>and live my life and go say hi to people

2757
02:22:55.590 --> 02:22:56.010
<v Speaker 2>I love.

2758
02:22:57.370 --> 02:22:57.670
<v Speaker 1>Yeah.

2759
02:22:57.690 --> 02:22:58.540
<v Speaker 2>I appreciate it.

2760
02:22:58.729 --> 02:23:01.909
<v Speaker 1>And the idea that you can also– even if things

2761
02:23:02.049 --> 02:23:04.670
<v Speaker 1>are bad, that if you approach life that way, then

2762
02:23:04.690 --> 02:23:07.850
<v Speaker 1>you– there is a possibility of making everything better and

2763
02:23:07.870 --> 02:23:10.569
<v Speaker 1>it has to do with humility. It has to do

2764
02:23:10.610 --> 02:23:15.309
<v Speaker 1>with being able to say I can forgive somebody for something.

2765
02:23:15.329 --> 02:23:20.129
<v Speaker 1>I can also ask forgiveness for something I've done. It's

2766
02:23:20.229 --> 02:23:23.870
<v Speaker 1>all about humility. It's all about humility in the face

2767
02:23:24.030 --> 02:23:26.450
<v Speaker 1>of not only your own personal experience but in how

2768
02:23:26.530 --> 02:23:32.000
<v Speaker 1>you view the universe. Like I– either I'm lucky to

2769
02:23:32.040 --> 02:23:36.639
<v Speaker 1>be here or what a blessing to be able to

2770
02:23:37.579 --> 02:23:42.610
<v Speaker 1>have this life I've had. I want to give. I

2771
02:23:42.629 --> 02:23:46.590
<v Speaker 1>want to– I had this beautiful experience yesterday. When I

2772
02:23:46.629 --> 02:23:51.239
<v Speaker 1>was going through one of my darkest periods, this woman

2773
02:23:51.299 --> 02:23:55.899
<v Speaker 1>showed up. And I'd met her once in my life,

2774
02:23:55.920 --> 02:24:02.299
<v Speaker 1>this Tibetan woman. She's a great singer. And I said,

2775
02:24:02.340 --> 02:24:05.200
<v Speaker 1>why are you here? She said, you're in trouble. I'm

2776
02:24:05.229 --> 02:24:07.149
<v Speaker 1>going to take care of you. And I didn't even

2777
02:24:07.209 --> 02:24:10.190
<v Speaker 1>know her. And I said, all right, OK. And so

2778
02:24:10.209 --> 02:24:15.409
<v Speaker 1>she's here. She did this Reiki healing on me. She sang.

2779
02:24:15.450 --> 02:24:18.950
<v Speaker 1>She wrote incense. And I didn't understand it. I didn't

2780
02:24:19.030 --> 02:24:22.920
<v Speaker 1>understand why she was there. She makes me a meal

2781
02:24:22.950 --> 02:24:25.360
<v Speaker 1>that evening, the first evening. She's done all this healing

2782
02:24:25.399 --> 02:24:29.319
<v Speaker 1>on me. And she says, you know, she makes the

2783
02:24:29.340 --> 02:24:33.420
<v Speaker 1>meal I'm eating. I finish eating. I start taking the dishes, right?

2784
02:24:34.200 --> 02:24:37.500
<v Speaker 1>She says, what are you doing? I said, well, you

2785
02:24:37.700 --> 02:24:42.069
<v Speaker 1>cooked all clean. She says, sit down. That's the problem

2786
02:24:42.090 --> 02:24:44.909
<v Speaker 1>with you people in the West. It's all a business deal.

2787
02:24:46.409 --> 02:24:48.389
<v Speaker 1>I'm doing this for you. Can you just accept that?

2788
02:24:49.270 --> 02:24:52.219
<v Speaker 1>I'm taking care of you. Can you accept that? And

2789
02:24:52.260 --> 02:24:54.719
<v Speaker 1>she said, you will never know how to give love

2790
02:24:54.760 --> 02:24:58.200
<v Speaker 1>until you know how to receive love. And it blew

2791
02:24:58.600 --> 02:25:03.989
<v Speaker 1>my mind. Because at the time, I realized I was

2792
02:25:04.049 --> 02:25:09.430
<v Speaker 1>engaged in that kind of transactional way of looking at relationships.

2793
02:25:10.379 --> 02:25:17.120
<v Speaker 1>That the idea that giving completely is so much better,

2794
02:25:17.899 --> 02:25:21.479
<v Speaker 1>you actually get more out of it than you do

2795
02:25:22.059 --> 02:25:26.260
<v Speaker 1>receiving it. And once I understood that, it kind of

2796
02:25:26.309 --> 02:25:29.129
<v Speaker 1>transformed everything for me because– and that was a person

2797
02:25:29.149 --> 02:25:31.829
<v Speaker 1>that was a total stranger and she showed up just

2798
02:25:31.889 --> 02:25:34.530
<v Speaker 1>out of nowhere. And I said finally at the end

2799
02:25:34.549 --> 02:25:37.729
<v Speaker 1>of it, I said, why are you here? And she said,

2800
02:25:37.889 --> 02:25:42.840
<v Speaker 1>you have done good things. for the world. We need you.

2801
02:25:44.739 --> 02:25:53.940
<v Speaker 1>And she left. And, you know, so I'm, I didn't

2802
02:25:53.979 --> 02:25:56.639
<v Speaker 1>plan that. I didn't, there was, I had no idea

2803
02:25:56.659 --> 02:26:00.420
<v Speaker 1>that was going to happen, but it made me realize

2804
02:26:01.440 --> 02:26:05.680
<v Speaker 1>there are angels in this world. They are manifested as

2805
02:26:05.729 --> 02:26:08.790
<v Speaker 1>human beings, but there are certain kinds of people who

2806
02:26:09.629 --> 02:26:12.770
<v Speaker 1>That are there for you if you are open for it.

2807
02:26:14.030 --> 02:26:16.670
<v Speaker 1>If you are closed off and cynical, you will not

2808
02:26:16.729 --> 02:26:21.149
<v Speaker 1>see your angels. But if you are maybe sometimes just

2809
02:26:21.250 --> 02:26:25.750
<v Speaker 1>completely wiped and you have no, you know, you're just

2810
02:26:26.430 --> 02:26:31.799
<v Speaker 1>ready to receive it. And maybe the fact that I

2811
02:26:31.840 --> 02:26:33.840
<v Speaker 1>was able to receive that I think really helped me

2812
02:26:34.299 --> 02:26:39.020
<v Speaker 1>and helped me shift everything. It's always a struggle, of course.

2813
02:26:39.219 --> 02:26:42.940
<v Speaker 1>That lesson doesn't mean that I'm that way forever. But

2814
02:26:43.020 --> 02:26:48.290
<v Speaker 1>it's a reminder. It's that there is another energy in

2815
02:26:48.329 --> 02:26:53.129
<v Speaker 1>the world that is actually an energy of good. We

2816
02:26:53.190 --> 02:26:57.770
<v Speaker 1>are consumed by the bad all the time. There's all

2817
02:26:57.870 --> 02:27:01.520
<v Speaker 1>these negative forces that are trying to bring us down.

2818
02:27:02.319 --> 02:27:06.350
<v Speaker 1>And I think that sometimes we get so Defeated by

2819
02:27:06.409 --> 02:27:10.209
<v Speaker 1>those things that we are not open to the energy

2820
02:27:10.250 --> 02:27:13.469
<v Speaker 1>of the angels, the good. And when I say angels,

2821
02:27:13.610 --> 02:27:13.989
<v Speaker 1>I don't.

2822
02:27:13.909 --> 02:27:14.770
<v Speaker 2>Mean– I know what you mean.

2823
02:27:15.049 --> 02:27:15.590
<v Speaker 1>Yeah.

2824
02:27:16.350 --> 02:27:21.719
<v Speaker 2>Super positive people. Something– some pure expression of love and

2825
02:27:22.559 --> 02:27:24.180
<v Speaker 2>compassion and generosity.

2826
02:27:24.239 --> 02:27:25.180
<v Speaker 1>Yeah. Yeah.

2827
02:27:25.920 --> 02:27:28.780
<v Speaker 2>And this is the real problem with social media and

2828
02:27:28.959 --> 02:27:33.200
<v Speaker 2>algorithms in particular is that it really highlights the things

2829
02:27:33.239 --> 02:27:34.000
<v Speaker 2>that make you upset.

2830
02:27:34.670 --> 02:27:35.569
<v Speaker 1>It does. Yeah.

2831
02:27:36.329 --> 02:27:39.190
<v Speaker 2>And that kind of energy is like really is that

2832
02:27:39.940 --> 02:27:42.420
<v Speaker 2>affecting your everyday life? Well, it is if you dive

2833
02:27:42.520 --> 02:27:46.000
<v Speaker 2>into the negativity all day long and you're engrossed in

2834
02:27:46.280 --> 02:27:50.639
<v Speaker 2>social media and getting upset about things rather than experiencing

2835
02:27:50.760 --> 02:27:54.430
<v Speaker 2>the life that's actually in front of you and doing

2836
02:27:54.469 --> 02:27:57.809
<v Speaker 2>it from a positive perspective and not concentrating on all

2837
02:27:57.850 --> 02:28:01.659
<v Speaker 2>these external things That could be making you angry or

2838
02:28:01.680 --> 02:28:05.040
<v Speaker 2>making you frustrated or filling you with anxiety. You're actually

2839
02:28:05.100 --> 02:28:06.280
<v Speaker 2>poisoning yourself with that.

2840
02:28:06.940 --> 02:28:11.340
<v Speaker 1>Yeah, you are. And it's a constant battle because that

2841
02:28:11.379 --> 02:28:14.000
<v Speaker 1>damn thing is buzzing all the time. But I have

2842
02:28:14.040 --> 02:28:17.100
<v Speaker 1>gotten better with it. I will not look at it

2843
02:28:17.139 --> 02:28:18.299
<v Speaker 1>first thing in the morning anymore.

2844
02:28:19.000 --> 02:28:21.200
<v Speaker 2>Well, it's much like we were talking about like film

2845
02:28:21.280 --> 02:28:23.469
<v Speaker 2>and records being a new thing. This is a really

2846
02:28:23.520 --> 02:28:26.549
<v Speaker 2>new thing and this is very invasive. It's a very

2847
02:28:26.649 --> 02:28:28.860
<v Speaker 2>new thing and very invasive. And it's going to take

2848
02:28:28.899 --> 02:28:31.120
<v Speaker 2>a while for people to figure out the right way

2849
02:28:31.139 --> 02:28:33.840
<v Speaker 2>and the wrong way to use it. And what are

2850
02:28:33.860 --> 02:28:38.870
<v Speaker 2>the ramifications and the consequences of using it incorrectly? Because

2851
02:28:39.709 --> 02:28:42.870
<v Speaker 2>no one's teaching that. They're not teaching children that in school.

2852
02:28:42.889 --> 02:28:45.510
<v Speaker 2>There should be a course on this is the negative

2853
02:28:45.590 --> 02:28:49.809
<v Speaker 2>aspect of social media. These are the negative aspects of interaction.

2854
02:28:49.850 --> 02:28:51.670
<v Speaker 2>This is what it's doing to your consciousness. This is

2855
02:28:51.729 --> 02:28:55.620
<v Speaker 2>what it's doing to your focus. It's stealing your joy.

2856
02:28:56.389 --> 02:29:00.809
<v Speaker 2>It's stealing your appreciation of the moment.

2857
02:29:01.389 --> 02:29:04.090
<v Speaker 1>Right. And it's leading you into conflict constantly.

2858
02:29:04.389 --> 02:29:04.930
<v Speaker 2>Constantly.

2859
02:29:05.450 --> 02:29:10.319
<v Speaker 1>And, you know, that's a negative thing. That's a force

2860
02:29:10.360 --> 02:29:13.620
<v Speaker 1>of evil. Yeah. Strong word, but, you know.

2861
02:29:13.680 --> 02:29:15.739
<v Speaker 2>It's the right word, though. You know, it's, again, there's

2862
02:29:15.780 --> 02:29:19.479
<v Speaker 2>these words, good, evil, angel, God. They fuck with people

2863
02:29:19.520 --> 02:29:23.000
<v Speaker 2>because they're like, oh, what is that? It's, I think.

2864
02:29:23.510 --> 02:29:26.020
<v Speaker 2>got to kind of abandon that way of thinking and

2865
02:29:26.040 --> 02:29:29.520
<v Speaker 2>just go, well, there's certainly positive and negative. There's certainly

2866
02:29:29.620 --> 02:29:34.040
<v Speaker 2>love and evil. Those are real things. And there's good.

2867
02:29:34.219 --> 02:29:37.659
<v Speaker 2>There's good in the world. And also, the more you

2868
02:29:37.700 --> 02:29:40.969
<v Speaker 2>concentrate on other things, the more your life is defined

2869
02:29:41.030 --> 02:29:43.770
<v Speaker 2>by those other things, whether it's good or bad. So

2870
02:29:43.790 --> 02:29:46.170
<v Speaker 2>if you're constantly thinking about bad things, like, well, you

2871
02:29:46.209 --> 02:29:48.930
<v Speaker 2>can't have a very loving and amazing life if you're

2872
02:29:48.969 --> 02:29:53.239
<v Speaker 2>constantly inundated with thoughts about negative things. And on the

2873
02:29:53.280 --> 02:29:55.739
<v Speaker 2>other side of it, if you're thinking in a positive

2874
02:29:55.780 --> 02:29:59.500
<v Speaker 2>way and enjoying love and friendship and community and just

2875
02:29:59.799 --> 02:30:02.459
<v Speaker 2>doing stuff that you actually find value in, well, this

2876
02:30:02.479 --> 02:30:05.860
<v Speaker 2>has got to give you better energy. And also the

2877
02:30:05.920 --> 02:30:08.329
<v Speaker 2>way you interact with other people will be different. So

2878
02:30:08.370 --> 02:30:10.770
<v Speaker 2>you'll affect the way they feel and that will have

2879
02:30:10.809 --> 02:30:13.110
<v Speaker 2>that butterfly effect out to the rest of the people

2880
02:30:13.149 --> 02:30:14.709
<v Speaker 2>they come in contact with.

2881
02:30:14.829 --> 02:30:16.950
<v Speaker 1>Not to mention it's really good for your health. Yes.

2882
02:30:17.729 --> 02:30:19.709
<v Speaker 2>Well, like you were saying before, one of the worst

2883
02:30:19.750 --> 02:30:20.950
<v Speaker 2>things for your health is loneliness.

2884
02:30:21.469 --> 02:30:23.629
<v Speaker 1>Yeah. Yeah, it'll kill you.

2885
02:30:24.129 --> 02:30:26.090
<v Speaker 2>Tim Robbins, you're a cool motherfucker.

2886
02:30:26.270 --> 02:30:26.790
<v Speaker 1>Thank you, man.

2887
02:30:26.950 --> 02:30:27.680
<v Speaker 2>I enjoyed talking to you.

2888
02:30:27.690 --> 02:30:28.610
<v Speaker 1>I appreciate it. It was great.

2889
02:30:28.909 --> 02:30:29.530
<v Speaker 2>Thank you very much.

2890
02:30:29.629 --> 02:30:30.229
<v Speaker 1>Thanks for having me.

2891
02:30:30.530 --> 02:30:30.989
<v Speaker 2>My pleasure. Goodbye.
