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<v Speaker 1>We're Time of Lorenzo and this is the Pop Style

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<v Speaker 1>Opinion Fest Tble Kittens, Welcome back to another edition of

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<v Speaker 1>the Pso. I am the Tea and your Tela, Tom Fitzgerald,

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<v Speaker 1>and I'm here with the Low and your Tela, Lorenso,

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<v Speaker 1>my cousin, I love the husband day, how are you

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<v Speaker 1>love the husband?

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<v Speaker 2>I'm wonderful, fantastic.

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<v Speaker 1>We are doing this a little late because and that

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<v Speaker 1>was on purpose, because we wanted to wait until we

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<v Speaker 1>could see a preview of the Devil Wears product too,

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<v Speaker 1>so we could do a whole fashion themed podcast. But

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<v Speaker 1>that means we're actually dropping two podcasts today on Friday,

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<v Speaker 1>because later today we're also doing The Bitter Kitten Movie Club,

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<v Speaker 1>which will be focused on Zola. So I'm going to

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<v Speaker 1>try and keep these conversations a little the feeling a

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<v Speaker 1>little different because Zola, the bittercit and Movie Club, I

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<v Speaker 1>mean that's more of a just a loose conversation about

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<v Speaker 1>a bunch of different things. But with the Devilwares brought

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<v Speaker 1>it too. For this podcast, I wanted to try and

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<v Speaker 1>do more of a strict more of a straight up review,

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<v Speaker 1>So we're going to review it. We're going to not

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<v Speaker 1>spoil it until like the last ten minutes of this podcast.

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<v Speaker 1>Pardon me, still getting over that cold. But before we

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<v Speaker 1>do that, we're going to talk a little bit about

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<v Speaker 1>the Metcala this year. We talk about the Metcala every year.

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<v Speaker 1>We are sort of the go to guys when people

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<v Speaker 1>want quotes and stuff about the Metcala, And this year

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<v Speaker 1>I thought we would unpack a little bit of the

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<v Speaker 1>politics of the situation, because you cannot talk about anything

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<v Speaker 1>anymore or without politics entering the equation. So let's start

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<v Speaker 1>off with this, Lorenzo, why don't you use your fashion

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<v Speaker 1>expertise and just give us an overview of the Metcala

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<v Speaker 1>and what it is and what it's about.

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<v Speaker 2>So the Metcala is a gala event that when and

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<v Speaker 2>a wind Tour decided to put together h to raise

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<v Speaker 2>money for the Costume.

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<v Speaker 1>Institute of the Metropop Museum.

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<v Speaker 2>Yeah, Park, so she he needed money and she she

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<v Speaker 2>was trying to come up with ideas to help them.

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<v Speaker 2>So she decided, why don't I, you know, put together

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<v Speaker 2>this gala with celebrities and fashion and all that, because

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<v Speaker 2>people are always interested in that no prey money to come.

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<v Speaker 2>And that happened.

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<v Speaker 1>I think that. I'm not sure she originated the Metcala.

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<v Speaker 2>I don't think so.

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<v Speaker 1>I think I don't think she originated Torue.

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<v Speaker 2>She took it over because again, they needed money, uh,

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<v Speaker 2>and they needed like celebrities, they need people that we

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<v Speaker 2>you know, worship.

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<v Speaker 1>And she is one of the chairs of the Costume

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<v Speaker 1>Institute at the metropolit Museum of Art. And the reason

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<v Speaker 1>I'm laying this groundwork is, you know, most people just

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<v Speaker 1>don't have an understanding of what the met Gala is,

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<v Speaker 1>and they think it's just this parade of insanely wealthy

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<v Speaker 1>people wearing insanely expensive outfits, and all of that is

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<v Speaker 1>largely true, but it's not simply ostentation for ostentation's sake.

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<v Speaker 1>It is a fundraiser for an actual art museum, and

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<v Speaker 1>because of the nature of that museum, because the Costume

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<v Speaker 1>Institute deals with fashion, Yeah, it's a fashion oriented event.

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<v Speaker 1>And over the years it has become more and more

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<v Speaker 1>of a high fashion sort of parade. I mean, back

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<v Speaker 1>in the seventies, before I think and A. Winter was

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<v Speaker 1>in charge, it was just your average New York City museum. God.

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<v Speaker 2>I mean, there's still a lot of rich people attended

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<v Speaker 2>the event. That we don't even know who they are,

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<v Speaker 2>and they right, it's not all celebrity now, it's not.

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<v Speaker 2>I mean, we focus on the celebrities, but you know,

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<v Speaker 2>there's a ton of people, rich New Yorkers who pay

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<v Speaker 2>good money to attend the gala because it's something they

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<v Speaker 2>do and they wear their culture and everything, and we

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<v Speaker 2>never hear from them. We don't know anything about them.

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<v Speaker 2>But they do pay good money to attend the event.

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<v Speaker 2>And so do the fashioned houses too.

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<v Speaker 1>If you want to explain that they buy table.

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<v Speaker 2>Yeah, because people think, oh, you know, all these anybody,

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<v Speaker 2>all these people come for free, but not not really.

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<v Speaker 2>I mean the houses pay a lot of money for

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<v Speaker 2>a table, and what they do is that they sort

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<v Speaker 2>of suggest who they.

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<v Speaker 1>Want to say, like hundreds of thousands of dollars for

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<v Speaker 1>a table.

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<v Speaker 2>Yeah, So what they do is they suggest in terms

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<v Speaker 2>of celebrities who they want at their table, and they

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<v Speaker 2>they sort of have a discussion with that with Vogue

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<v Speaker 2>and a win tour, and she kind of approves or

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<v Speaker 2>not who should be attended. Event I have to say

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<v Speaker 2>she has become more and more flexible about that because

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<v Speaker 2>now we have the Kim Kardashians, you know, attending event

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<v Speaker 2>and at one point, I mean, you wouldn't even think

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<v Speaker 2>of someone like Kim Kardashi and a teddy. But anyway,

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<v Speaker 2>now they're regulars. So but she sort of like suggests

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<v Speaker 2>people to the to the designers anyway. So that's why

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<v Speaker 2>you have tables, and that's why you have a bunch

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<v Speaker 2>of people wearing the same designer as a group because

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<v Speaker 2>they got invited by the fashion house and they go,

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<v Speaker 2>of course, because they're promoting and he's usually people promote

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<v Speaker 2>you know, hot people like you know, very you know

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<v Speaker 2>hot and Trandy.

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<v Speaker 1>Yeah, I mean, designers are not going to pick just anybody.

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<v Speaker 1>They're going to want people that are going to you know,

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<v Speaker 1>sell their brand. And that is the other thing is that,

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<v Speaker 1>you know, most of the celebrities are there upon an

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<v Speaker 1>invite by a specific designer or design house, and then

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<v Speaker 1>they are wearing stuff from that design house.

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<v Speaker 2>They have to wear a designer.

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<v Speaker 1>Yeah, that's a common misunderstanding is like, well, why didn't

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<v Speaker 1>they wear this or why didn't they wear that? They're

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<v Speaker 1>only there on an invite from a designer and they

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<v Speaker 1>have to they pretty much have to wear well, let

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<v Speaker 1>me just they're not handed clothing to wear I mean,

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<v Speaker 1>they collaborate with the designer, but they are at the

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<v Speaker 1>mercy of that. They can't be invited by you know,

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<v Speaker 1>I don't know Chanel and decide to show up in

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<v Speaker 1>Mark Jacobs. That's not how it works.

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<v Speaker 2>I'm sure Conna story is going to be there, where

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<v Speaker 2>is Saint Laurent. And so that's that's how it works.

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<v Speaker 2>They get to pick what they wore. Oh of course,

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<v Speaker 2>you know, with the help of their silas. That still works.

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<v Speaker 2>But they have to wear the designer. And you know,

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<v Speaker 2>I mean if Chanelle told me you have to wear Chanel,

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<v Speaker 2>or you know, Tom Brown said you have to wear

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<v Speaker 2>Trump Brow, of course I wear.

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<v Speaker 1>But nobody's showing up in something they didn't want to wear,

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<v Speaker 1>something that they were forced in to wear.

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<v Speaker 2>That's true. And sometimes it's stuff from the latest collection

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<v Speaker 2>or sometimes most of the time it's custom design.

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<v Speaker 1>So it's almost always custom. I mean, no one's going

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<v Speaker 1>to walk in wearing something they just just walked a runway.

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<v Speaker 1>They're going to walk in wearing something outrageous that was

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<v Speaker 1>made just for them. And in the in the years

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<v Speaker 1>that we have been covering and I think we've been

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<v Speaker 1>covering the Mecalla about fifteen years now, the idea of

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<v Speaker 1>looks going viral has permeated the whole thing. It's about

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<v Speaker 1>showing up and becoming the viral look at the night.

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<v Speaker 1>So in some respects, and I think probably Anna Winter

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<v Speaker 1>doesn't love this, but you know, she's got to do

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<v Speaker 1>what she's got to do to raise their money. In

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<v Speaker 1>some respects, it has become an anti fashion event, you know,

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<v Speaker 1>inadvertently becoming an anti fashion because it's not about fashion,

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<v Speaker 1>and it's not about self expression. It's just about you know, spectacle,

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<v Speaker 1>you know, and these people are showing up in things

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<v Speaker 1>that are just more akin to a costume design, like

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<v Speaker 1>something that you would wear on stage to perform a

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<v Speaker 1>pop song, than it is an actual piece of fashion.

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<v Speaker 2>I mean these are very expensive costume costumes, very expensive

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<v Speaker 2>garments and everything, jewelry. I mean, everybody gets involved and

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<v Speaker 2>spend a lot of money. And then people always talk

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<v Speaker 2>about the theme. I mean, ei they're going to be

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<v Speaker 2>wearing the theme or theme inspired. You don't have given

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<v Speaker 2>up on this one, but they don't. And the thing

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<v Speaker 2>is that it's not a dress code. The theme is

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<v Speaker 2>for it's actually for the exhibit.

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<v Speaker 1>I just explained that, yeah, it's the press will constantly

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<v Speaker 1>refer to the Mecala's dress code, and that's wrong. The

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<v Speaker 1>dress code of the Metcala is formal. That's it. That

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<v Speaker 1>is the dress code. It is not a costume party

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<v Speaker 1>where you all have to show up according to some

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<v Speaker 1>sort of theme. Generally though, that is how it has

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<v Speaker 1>evolved over the years. It's technically you don't like when

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<v Speaker 1>someone shows up in a in a nice dress, people

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<v Speaker 1>are like, oh, she didn't you know, get the memo whatever, No,

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<v Speaker 1>she opted to just dress nicely. Right, You don't have

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<v Speaker 1>to dress according to the theme, and a winter herself

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<v Speaker 1>almost never does she something right. The theme this year

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<v Speaker 1>is Fashion is Art, and that is based on as

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<v Speaker 1>it is every year. The theme every year of the

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<v Speaker 1>Mecala is based on whatever exhibit is currently running in

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<v Speaker 1>the Metcala, and the current exhibit is costume Art. So

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<v Speaker 1>I think this theme is one of the broadest ones

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<v Speaker 1>they've ever done. Like, fashion is Art, Okay, well you're

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<v Speaker 1>going to show I guarantee someone's going to show up

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<v Speaker 1>like wearing some painting or something like that, or or

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<v Speaker 1>a gilt frame or some goofy s thing like that.

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<v Speaker 1>But for the most part, I think and I think

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<v Speaker 1>this might have been Anna's ploy here, is that she

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<v Speaker 1>deliberately made it so broad in the in the hopes

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<v Speaker 1>that people would show up in fabulous looks, not in

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<v Speaker 1>these like clown car looks.

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<v Speaker 2>I have to say the exhibit itself, it's is always fantastic.

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<v Speaker 2>We've been to a couple and it's really interesting. If

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<v Speaker 2>you're in New York and you want to see the

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<v Speaker 2>actual exhibit, it it's worth a visit because it's beautiful

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<v Speaker 2>gowns or beautiful garments that you know, that they pick

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<v Speaker 2>for the exhibit. They tell, you know, they tell the

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<v Speaker 2>whole story about the theme and everything. So it is

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<v Speaker 2>interesting and I and it, like we said, it, you know,

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<v Speaker 2>raised a lot of money and it's an event that

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<v Speaker 2>everyone talks about the next day. And celebrities love it.

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<v Speaker 2>Of course because they get all the attention. They're not

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<v Speaker 2>going to follow the theme and they don't have to

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<v Speaker 2>because you know, I've already said that celebrity in general,

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<v Speaker 2>they want to look hot and sexy. Yeah, that's the

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<v Speaker 2>bottom line here. They want to look young and hot

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<v Speaker 2>and sexy. So so if the theme doesn't, you know,

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<v Speaker 2>help them with that, help them with that. They're not

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<v Speaker 2>going to do it. They're not going to do it.

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<v Speaker 2>They're gonna wear their shear, you know, embellished, you know things.

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<v Speaker 1>I think generally the fashion at the metcala is more

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<v Speaker 1>out is the most outrageous red carpet in America. Right

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<v Speaker 1>on the calendar every year it out does you know,

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<v Speaker 1>the the Oscars and various other galas and stuff. One

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<v Speaker 1>of the things I wanted to just briefly touch on.

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<v Speaker 1>We went to the Whitney Gala in two thousand and nine, remember,

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<v Speaker 1>and I just want to offer that as an example

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<v Speaker 1>of what is a quote unquote normal, not over the

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<v Speaker 1>top sort of benefit for a museum. I think the

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<v Speaker 1>Whitney Gala still happens. I think they still have it

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<v Speaker 1>every year. We were This is so weird. I was

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<v Speaker 1>thinking about this last night. Very early in our careers

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<v Speaker 1>because blogging was like exciting and the fashion world was

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<v Speaker 1>embracing it. And I mean part of that was had

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<v Speaker 1>to do with our early success. But do you remember

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<v Speaker 1>like Versus literally Versace and Dulce and Gabana were like

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<v Speaker 1>pursuing us for things. Remember they said, Dulce Cabana sent

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<v Speaker 1>us wallets and everything, and it was the Versace people.

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<v Speaker 1>Versace Dona Talla Versace was hosting the Whitney Gala that

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<v Speaker 1>year and their people asked us to come and cover

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<v Speaker 1>it for them, which we did. It's it's a very

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<v Speaker 1>old post on our site.

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<v Speaker 2>Yeah, but a lot of famous people were there.

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<v Speaker 1>But it was so low key. Yeah, it was not

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<v Speaker 1>the gala. They were all sitting around on couches. Everyone

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<v Speaker 1>was wearing nice, mostly nice clothes, but it wasn't it

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<v Speaker 1>wasn't what this what the And I'm only offering this

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<v Speaker 1>up as as a point that museum galas are very

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<v Speaker 1>normal in New York. They generally do get some celebrities.

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<v Speaker 1>Even if it's not movie stars, they're going to wind

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<v Speaker 1>up getting Broadway stars and television stars. But they they're

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<v Speaker 1>not always right. The mechala is on a completely different level,

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<v Speaker 1>and it's sort of why the mecala always gets so

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<v Speaker 1>much I don't know, blowback, and that's one of the

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<v Speaker 1>things I do want to talk about. But before we

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<v Speaker 1>go to the break, I did want to note, because

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<v Speaker 1>we didn't bring this up, the coach chairs this year

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<v Speaker 1>are Beyonce, Nicole Kidman, and Venus Williams, so it should

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<v Speaker 1>be a very stylish.

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<v Speaker 2>They're going to be wearing something interesting, gorgeous.

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<v Speaker 1>I don't think Beyonce might be wearing something a little

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<v Speaker 1>over the top, but I think most of the all

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<v Speaker 1>three of them are going to wind up wearing very,

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<v Speaker 1>very chic looks. I actually can't wait to see what

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<v Speaker 1>Nicole Kimman's gonna work.

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<v Speaker 2>That's a little bit back to the Whitney Galla you mentioned.

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<v Speaker 2>I remember Jennifer Hudson. She was there, yes, and she

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<v Speaker 2>was wearing Versachi Couture, Tellia Versaci and I remember looking

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<v Speaker 2>at her gown and just being stunned by it because

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<v Speaker 2>it was so gorgeous. My point is that these things

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<v Speaker 2>in person look so so different, much better, and I

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<v Speaker 2>you know, what you see in a picture is just

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<v Speaker 2>half of the beauty of it. And I think that's

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<v Speaker 2>the stylist job, to make sure that you know, when

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<v Speaker 2>you see that stuff in a picture, it should sort

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<v Speaker 2>of That's how they should pick the garments. That's my point.

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<v Speaker 2>I think they should take photographs into consideration when they

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<v Speaker 2>picked those things.

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<v Speaker 1>Because when we went I'm sorry, guh, go ahead, when

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<v Speaker 1>we went to the Whitney Galla that was two thousand

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<v Speaker 1>and nine, I believe, and I remember that sort of

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<v Speaker 1>informed all of our red carporate coverage since then, because

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<v Speaker 1>we try to talk about how it looks pictures, because

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<v Speaker 1>that is the point of a red cart But maybe

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<v Speaker 1>it looked stunning in person, but the point is a

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<v Speaker 1>million people are going to see the pictures and only

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<v Speaker 1>one hundred and fifty so in person. So and we

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<v Speaker 1>try and rate what we're looking at from that perspective,

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<v Speaker 1>with the knowledge that a lot of this stuff probably

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<v Speaker 1>looks stunning and most high fashion stage does they do.

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<v Speaker 1>But if it doesn't photograph, well it has failed. Anyway,

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<v Speaker 1>let's take a short break.

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<v Speaker 2>Oh.

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<v Speaker 1>Also, Zoe Kravitz is the host committee head, although I

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<v Speaker 1>don't know what that means different from the co chairs.

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<v Speaker 1>I think there's just like levels to it. And then

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<v Speaker 1>the honorary chairs are Jeff and Lauren Bezos and that

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<v Speaker 1>we're going to talk about when we get back. We'll

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<v Speaker 1>be right back.

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<v Speaker 2>We're back.

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<v Speaker 1>And one of the reasons I wanted to talk about

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<v Speaker 1>the mcalla aside in the fact that we generally do

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<v Speaker 1>aways talk about it. Yeah, I think we do a

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<v Speaker 1>little short podcast on it every year, is we started

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<v Speaker 1>getting emails about I hope you guys aren't covering it

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<v Speaker 1>this year because of Jeff and Lauren Bezos.

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<v Speaker 2>Oh honey, I have.

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<v Speaker 1>Yeah, we're going to unpack a lot of this. Here's

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<v Speaker 1>the thing. And this does get to a question that

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<v Speaker 1>has plagued us since the beginning of our blogging careers,

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<v Speaker 1>which is it's not a question, it's an issue. Readers

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<v Speaker 1>often mistake their choices for our choices, and instead of

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<v Speaker 1>a reader saying I am not going to read anything

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<v Speaker 1>about the Bezos Metcala, they instead reach out to writers

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<v Speaker 1>and say you should not be writing about this, And

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<v Speaker 1>that's actually a total reversal of it. You are the

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<v Speaker 1>one that should make a choice as to whether or

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<v Speaker 1>not you're going to read certain things or support certain things.

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<v Speaker 1>Reaching out to writers who cover those things and telling

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<v Speaker 1>them not to cover them is pointless.

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<v Speaker 2>I also want to emphasize that we have our limits.

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<v Speaker 2>It's not like we cover everything anything. I mean, we

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<v Speaker 2>don't cover those people anymore, you know, like Millennia and

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<v Speaker 2>all these people. So my point is that we have

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<v Speaker 2>some principal fear. It's just that when it comes to

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<v Speaker 2>the metal, I mean, come on, well.

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<v Speaker 1>Here's my Yeah, there are certain dates on the calendar,

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<v Speaker 1>certain months of the year that if you're in our

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<v Speaker 1>line of work, they are essential to our line of work.

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<v Speaker 1>Like we have to cover award season, we have to

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<v Speaker 1>cover the Oscars, we have to cover the Metcala, we

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<v Speaker 1>have to cover the can Film Festival, we have to

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<v Speaker 1>cover the Venice Film Festival. If we don't cover these things,

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<v Speaker 1>we are in effect saying we're not the person who

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<v Speaker 1>covers this, like we're just not and that you know,

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<v Speaker 1>we've set ourselves up. It's been twenty years of work,

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<v Speaker 1>but we have set ourselves up as two of the

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<v Speaker 1>leading voices in red carpet commentary in the world. LeMond

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<v Speaker 1>just did an interview with us and actually said that

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<v Speaker 1>that we were like leading voices in the and you know,

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<v Speaker 1>I do say that. I'm like, I do say that

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<v Speaker 1>to brag. I'm not even going to up front like, yeah,

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<v Speaker 1>I'm saying that to brag, but it's also the truth,

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<v Speaker 1>Like we worked very hard to establish ourselves. And the

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<v Speaker 1>thing is, it's one thing. If you want to contact

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<v Speaker 1>I don't know, Vogue or Cosmo and tell them that

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<v Speaker 1>they shouldn't cover it, that's a mainstream media piece and

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<v Speaker 1>maybe you can, yeah, maybe you can work something. But

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<v Speaker 1>I get offended when people go after the smallest possible

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<v Speaker 1>publishers and tell them you better not do this or

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<v Speaker 1>I'm going to stop reading you and hands in the

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<v Speaker 1>air like okay, I guess you're going to stop reading me.

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<v Speaker 1>But this is my job and the other I mean

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<v Speaker 1>just removing all of that from it, do you. I mean,

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<v Speaker 1>Jeff and Laaren Bezos are two of the biggest names

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<v Speaker 1>in the oligarchy sphere, but every single year at the

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<v Speaker 1>met gala, there are billionaires there every single year. Like

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<v Speaker 1>that's it's rich people. It's a gala for rich people.

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<v Speaker 2>Right. The beauty of having a site like ours is

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<v Speaker 2>that we are the owners and we make our decisions.

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<v Speaker 2>Uh uh, you know, based on what how we feel comfortable,

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<v Speaker 2>you know, with anything, so like for I'll give you

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<v Speaker 2>an exhip, but don't Checkabana. I mean, they were horrible

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<v Speaker 2>people for a long time. There still are, but people

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<v Speaker 2>are wearing them and we have to report on that,

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<v Speaker 2>and we have to report on them. I mean, like

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<v Speaker 2>just because you know, I don't know recently and it

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<v Speaker 2>was that and had the way where she yeah she

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<v Speaker 2>wore uh do chagabuna. I believe anywhere everyone is wearing them.

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<v Speaker 2>So we have to say this is by dot Chickabana.

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<v Speaker 2>We still I mean I avoid putting as you have noticed,

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<v Speaker 2>you guys have noticed, I don't put it like ed

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<v Speaker 2>campaigns or anything like that. I avoid as much as

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<v Speaker 2>I can as we can. But sometimes if if a

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<v Speaker 2>major celebrity is wearing do Chakobana or any other brand

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<v Speaker 2>that you guys you know, don't don't agree with, I

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<v Speaker 2>mean we still have to say we can't. We still

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<v Speaker 2>have to cover.

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<v Speaker 1>There was a long time where people are like, why

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<v Speaker 1>are you still covering them? I mean there was uh,

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<v Speaker 1>someone had to melt down in our comment section last

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<v Speaker 1>year because we were covering the opening of that film

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<v Speaker 1>with oh god, what's his name? Brad Pitt and Brad

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<v Speaker 1>Pitt and why are you covering Brad Pitt? Because he's

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<v Speaker 1>problematic and he abused his children. And I'm like, yeah, okay,

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<v Speaker 1>I get that, but my job is to cover film

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<v Speaker 1>premiers like this is a major film premiere. Blame it

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<v Speaker 1>on Hollywood that he still has a career, But don't

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<v Speaker 1>ask me not to cover a major premiere because you

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<v Speaker 1>don't like or because the per and listen, I've made

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<v Speaker 1>these choices. We both have there, we have severely cut

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<v Speaker 1>back on covering someone like Johnny Depp. I mean, oh,

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<v Speaker 1>granted he's not doing much with his life right now,

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<v Speaker 1>but we have covered him. We've covered Kanye, but because

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<v Speaker 1>these are very problematic people. But again, I didn't elevate

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<v Speaker 1>these people. And sometimes you get that, you get why

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<v Speaker 1>are you giving this person a platform? And I'm like,

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<v Speaker 1>do you really think my little blog is giving Kanye

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<v Speaker 1>a bigger platform? Like I'm not at it to this

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<v Speaker 1>at all, right.

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<v Speaker 2>And just to finish so that we don't spend too

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<v Speaker 2>much time talking about this, I don't want you to

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<v Speaker 2>feel sorry for us, but revenue in general for a

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<v Speaker 2>website plummeting are just getting smaller by the minute. So

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<v Speaker 2>we have to cover the stuff that we think will

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<v Speaker 2>attract a lot of attention. So yeah, that's that's, that's

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<v Speaker 2>how it is.

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<v Speaker 1>I'm not even morally compromised or ethically compromised by this.

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<v Speaker 1>I do not support anything about Jeff and Lauren Bezos.

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<v Speaker 1>I think they're horrible people. I think they've done horrible

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<v Speaker 1>things to this country. But I'm not going to not

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<v Speaker 1>cover my the things that I'm probably not covering them. No,

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<v Speaker 1>we're not going to have much they're going to show

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<v Speaker 1>up on our site. But I'm not boycotting the Megala.

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<v Speaker 1>That's not something I'm going I mean, it would have

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<v Speaker 1>to be something far more controversial than an olive arch

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<v Speaker 1>showing up to get me to just completely.

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<v Speaker 2>I'm sure she'll be wearing something insanely outraged, but we're

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<v Speaker 2>not covering I mean, they attended to Vinity fear of

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<v Speaker 2>and we didn't cover it. Yeah anyway, now, but that's.

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<v Speaker 1>The bottom line is that this is our job. This

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<v Speaker 1>is one of the biggest events that we cover every year.

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<v Speaker 1>Like literally people come just to see what Tom and

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<v Speaker 1>Lorenzo have said about the Metcala looks. So it was

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<v Speaker 1>never a question that we were not going to cover this.

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<v Speaker 1>It just never was. Like I said, every reader should

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<v Speaker 1>make that choice. If you feel like you cannot support this,

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<v Speaker 1>then don't click on anything, and maybe we and other

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<v Speaker 1>publishers will learn some sort of lesson about what we

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<v Speaker 1>should and shouldn't cover. But that's all I wanted to

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<v Speaker 1>get into today, which is that if you don't want

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<v Speaker 1>to read something as a reader, that's on you. It's

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<v Speaker 1>not on you to contact the writer and say stop

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<v Speaker 1>writing about this.

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<v Speaker 2>That's all.

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<v Speaker 1>That's my little small independent publisher rant of the day.

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<v Speaker 1>But I'm looking forward to the Metcala. I look forward

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<v Speaker 1>to it every single year. It's going to be fun.

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<v Speaker 1>Everyone's going to look insane, right, and yeah, I have

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<v Speaker 1>no problem with covering it, even with horrible oligarchs there.

418
00:22:08.480 --> 00:22:10.759
<v Speaker 1>And like I said, they are not the first and

419
00:22:10.799 --> 00:22:12.960
<v Speaker 1>they won't be the last oligarchs. I mean the Trumps.

420
00:22:13.000 --> 00:22:16.359
<v Speaker 1>You went to more than one met Kala over the years.

421
00:22:16.599 --> 00:22:20.440
<v Speaker 1>All right, So done, Yeah, done with that. All right,

422
00:22:20.480 --> 00:22:22.880
<v Speaker 1>So we're going to move on to the fictional Anna

423
00:22:22.960 --> 00:22:26.079
<v Speaker 1>Winter and tell you everything we thought of the Devil

424
00:22:26.079 --> 00:22:32.079
<v Speaker 1>wors Prota two when we come back. We're back, and

425
00:22:32.119 --> 00:22:33.640
<v Speaker 1>now we're going to talk about the Devil wors Prota

426
00:22:33.680 --> 00:22:37.960
<v Speaker 1>two because earlier this week I came into Lorenzo's office

427
00:22:37.960 --> 00:22:39.920
<v Speaker 1>and I said, and this was when I had the

428
00:22:39.960 --> 00:22:42.759
<v Speaker 1>idea to push the podcast back. I was like, we

429
00:22:42.880 --> 00:22:44.359
<v Speaker 1>can't let this movie go by.

430
00:22:44.960 --> 00:22:47.880
<v Speaker 2>We have to like, this is God, that's my life,

431
00:22:48.119 --> 00:22:48.759
<v Speaker 2>this movie.

432
00:22:49.799 --> 00:22:54.680
<v Speaker 1>Yeah, it's just it's our world is fashioned And honestly,

433
00:22:54.720 --> 00:22:57.119
<v Speaker 1>that the original Devilwaar's product, which came out the year

434
00:22:57.240 --> 00:23:01.160
<v Speaker 1>we launched our blog two thousand and six.

435
00:23:01.279 --> 00:23:01.839
<v Speaker 2>Yeow wow.

436
00:23:03.200 --> 00:23:05.799
<v Speaker 1>It actually informed a lot of our early coverage, our

437
00:23:05.799 --> 00:23:09.279
<v Speaker 1>early ideas about it, and so there was no question

438
00:23:09.720 --> 00:23:12.559
<v Speaker 1>that we were going to do some sort of review.

439
00:23:13.160 --> 00:23:15.680
<v Speaker 1>And I let me just I didn't want to write

440
00:23:15.680 --> 00:23:17.519
<v Speaker 1>a review. I wanted the two of us to bat

441
00:23:17.559 --> 00:23:18.920
<v Speaker 1>it around and have you involved in it.

442
00:23:19.000 --> 00:23:21.240
<v Speaker 2>Listen, I've watched the first movie like a hundred times.

443
00:23:21.319 --> 00:23:21.559
<v Speaker 1>Yeah.

444
00:23:21.640 --> 00:23:26.680
<v Speaker 2>I mean, so it's an iconic piece of everything anything

445
00:23:26.839 --> 00:23:28.920
<v Speaker 2>fashion movie. It's just it's.

446
00:23:29.079 --> 00:23:32.519
<v Speaker 1>It's also a snapshot of the aughts, you know, two

447
00:23:32.559 --> 00:23:35.319
<v Speaker 1>thousand and six, and it was part of a cycle

448
00:23:35.519 --> 00:23:39.480
<v Speaker 1>of like high fashion fashionista films, like you know, Confessions

449
00:23:39.519 --> 00:23:42.799
<v Speaker 1>of a what was it, Confessions of a Fashionistah, Yeah,

450
00:23:42.839 --> 00:23:44.279
<v Speaker 1>there was a bunch of those, and of course the

451
00:23:44.279 --> 00:23:46.640
<v Speaker 1>Sex and the City movies. It was like this whole

452
00:23:47.319 --> 00:23:51.799
<v Speaker 1>thing that was happening in the late Bush era, where

453
00:23:51.799 --> 00:23:56.640
<v Speaker 1>the Obama era of like frivolous sort of high fashion movies.

454
00:23:56.720 --> 00:24:01.279
<v Speaker 1>And that was the That was the atmosphere in which

455
00:24:01.279 --> 00:24:03.920
<v Speaker 1>we launched Oar Blog. That was the atmosphere in which

456
00:24:04.240 --> 00:24:07.319
<v Speaker 1>Project Runway became a major hit at the time. So

457
00:24:07.480 --> 00:24:09.799
<v Speaker 1>all of this was in the mix of the aughts

458
00:24:09.839 --> 00:24:11.160
<v Speaker 1>of the two thousand and six.

459
00:24:11.079 --> 00:24:14.519
<v Speaker 2>And the fashion of this industry until then was this

460
00:24:14.680 --> 00:24:18.720
<v Speaker 2>secret thing that nobody talked about, nobody wanted to talk about. It's,

461
00:24:18.839 --> 00:24:22.079
<v Speaker 2>you know, like the industry, I mean the inside of it,

462
00:24:22.160 --> 00:24:24.240
<v Speaker 2>of course, not fashion in general, but in terms of

463
00:24:24.279 --> 00:24:26.839
<v Speaker 2>like how the work was, how magazines work, and that

464
00:24:27.200 --> 00:24:29.920
<v Speaker 2>kind of stuff. We didn't know. We didn't have a

465
00:24:29.960 --> 00:24:33.000
<v Speaker 2>lot of information until we got the book first. Right, Yeah,

466
00:24:33.920 --> 00:24:37.279
<v Speaker 2>So the devil Wares prought a book written by Lauren

467
00:24:37.480 --> 00:24:41.599
<v Speaker 2>H what is it Wisberger anyway, So she wrote the book,

468
00:24:41.759 --> 00:24:45.880
<v Speaker 2>and you know, obviously they bought the book rights and

469
00:24:46.319 --> 00:24:49.480
<v Speaker 2>had the movie. I read the book. I absolutely loved

470
00:24:49.480 --> 00:24:51.640
<v Speaker 2>the book. I read the book like three times. It's

471
00:24:51.680 --> 00:24:54.920
<v Speaker 2>a great book because I like fashion. I mean, if

472
00:24:54.960 --> 00:24:57.000
<v Speaker 2>you like fashion, then you're interested in that kind of thing,

473
00:24:57.160 --> 00:25:00.839
<v Speaker 2>and I think the movie gave a very interesting view

474
00:25:00.920 --> 00:25:03.359
<v Speaker 2>and perception of fashion in general.

475
00:25:03.759 --> 00:25:07.160
<v Speaker 1>I didn't love the book. I did read the book.

476
00:25:07.279 --> 00:25:10.079
<v Speaker 1>I mean, it was juicy and it was fun and everything,

477
00:25:10.119 --> 00:25:15.279
<v Speaker 1>but I think Lauren Weisberger is not a fashion girly,

478
00:25:15.480 --> 00:25:18.240
<v Speaker 1>and so it was a look at the fashion industry

479
00:25:18.240 --> 00:25:22.960
<v Speaker 1>from someone who really doesn't appreciate it or really understand it.

480
00:25:23.559 --> 00:25:26.000
<v Speaker 1>And that's fine. As she has said in interviews, the

481
00:25:26.000 --> 00:25:27.960
<v Speaker 1>whole point of the book was to be an outsider.

482
00:25:27.960 --> 00:25:30.480
<v Speaker 1>It was the perspective of being an outsider in that world.

483
00:25:30.559 --> 00:25:33.319
<v Speaker 2>It was a very cynical way of looking it was

484
00:25:33.680 --> 00:25:36.240
<v Speaker 2>at the industry well how she wrote the book.

485
00:25:36.319 --> 00:25:38.839
<v Speaker 1>And I also thought that the first film on One

486
00:25:38.880 --> 00:25:43.319
<v Speaker 1>of the issues of the first film is that there

487
00:25:43.400 --> 00:25:45.720
<v Speaker 1>was this tension and the film didn't seem quite aware

488
00:25:45.720 --> 00:25:52.880
<v Speaker 1>of it. That Andy Sachs Anne Hathaway's character seemed kind

489
00:25:52.920 --> 00:25:57.039
<v Speaker 1>of ungrateful, like literally ungrateful for what was Like she

490
00:25:57.160 --> 00:25:58.799
<v Speaker 1>kind of rolled her eyes when everyone said there were

491
00:25:58.880 --> 00:26:01.000
<v Speaker 1>million girls that would kill for the job, But there

492
00:26:01.039 --> 00:26:03.200
<v Speaker 1>were a million girls that would kill for that job.

493
00:26:03.200 --> 00:26:05.519
<v Speaker 1>And if you're not feeling it, then maybe you should

494
00:26:05.519 --> 00:26:09.039
<v Speaker 1>get the hell out of it. It is it despite everything.

495
00:26:09.759 --> 00:26:14.079
<v Speaker 1>It is a career starter to be someone like Anna

496
00:26:14.160 --> 00:26:19.160
<v Speaker 1>Wintor's first or second assistant. That that opens doors for people.

497
00:26:19.160 --> 00:26:21.400
<v Speaker 2>But my re understanding is that she never felt that

498
00:26:21.400 --> 00:26:23.880
<v Speaker 2>that was for her. That she was there just, you know,

499
00:26:24.039 --> 00:26:25.839
<v Speaker 2>so she could get some experience and move on to

500
00:26:25.920 --> 00:26:30.079
<v Speaker 2>something else. It's true to the movie. The real story

501
00:26:30.119 --> 00:26:33.440
<v Speaker 2>the movie that she didn't care much about it. She

502
00:26:33.559 --> 00:26:35.759
<v Speaker 2>just was there because she knew that would look good

503
00:26:35.960 --> 00:26:40.960
<v Speaker 2>in her resume. So that is true. And you know,

504
00:26:41.039 --> 00:26:43.920
<v Speaker 2>I think that's why the book is so cynical and

505
00:26:44.000 --> 00:26:47.119
<v Speaker 2>so like criticizing everything pretty much, which you know, I

506
00:26:47.119 --> 00:26:50.160
<v Speaker 2>have to say, Uh, you know, I know the fashion

507
00:26:50.200 --> 00:26:53.000
<v Speaker 2>indust really well. We both know, and yeah, there's a

508
00:26:53.000 --> 00:26:53.880
<v Speaker 2>lot to criticize.

509
00:26:53.920 --> 00:26:57.039
<v Speaker 1>The bad there is there is. I just don't think

510
00:26:57.759 --> 00:27:01.759
<v Speaker 1>necessarily that is a position from which you can criticize much.

511
00:27:02.920 --> 00:27:05.400
<v Speaker 1>Now let's get into this. We're going to talk about

512
00:27:05.440 --> 00:27:07.599
<v Speaker 1>Devil Worre's Prota two and we're going to compare it

513
00:27:07.680 --> 00:27:09.200
<v Speaker 1>in some ways to the first. So if you have

514
00:27:09.240 --> 00:27:10.720
<v Speaker 1>things you want to say about the first film, we

515
00:27:10.720 --> 00:27:14.079
<v Speaker 1>can work them in. Like I said, we'll wait, we'll

516
00:27:14.119 --> 00:27:18.000
<v Speaker 1>take a break and then have like a spoiler section

517
00:27:18.119 --> 00:27:19.680
<v Speaker 1>at the end of this. But right now we're not

518
00:27:19.720 --> 00:27:21.440
<v Speaker 1>going to get into spoilers. We're just going to talk

519
00:27:21.480 --> 00:27:24.440
<v Speaker 1>about the setup. Right out of the gate, I'll say this,

520
00:27:26.160 --> 00:27:28.279
<v Speaker 1>the Devil wors Product two is actually better than it

521
00:27:28.359 --> 00:27:30.480
<v Speaker 1>has better than it had to be.

522
00:27:30.720 --> 00:27:33.359
<v Speaker 2>Right. You said that when we walked out of the theater,

523
00:27:33.400 --> 00:27:35.200
<v Speaker 2>and now I was like, that's a very good observation.

524
00:27:35.319 --> 00:27:36.359
<v Speaker 2>It's really true.

525
00:27:36.720 --> 00:27:39.079
<v Speaker 1>I I'm sorry, I'm clearing my throat a lot, but

526
00:27:39.119 --> 00:27:44.200
<v Speaker 1>I'm trying to get over COVID and what I mean

527
00:27:44.279 --> 00:27:46.039
<v Speaker 1>by that when I say it's better than it needed

528
00:27:46.079 --> 00:27:50.240
<v Speaker 1>to be. Like my fear, I don't fear is kind

529
00:27:50.240 --> 00:27:53.000
<v Speaker 1>of overstating it. My concern even that is overstating it.

530
00:27:53.039 --> 00:27:56.920
<v Speaker 1>But I was a little worried that this film was

531
00:27:57.000 --> 00:28:01.039
<v Speaker 1>going to just run the greatest hits and everybody was

532
00:28:01.079 --> 00:28:04.079
<v Speaker 1>going to, you know, talk about Cyrilian and gurder Loins,

533
00:28:04.279 --> 00:28:05.799
<v Speaker 1>and it was just going to be a bunch of

534
00:28:06.920 --> 00:28:10.319
<v Speaker 1>people who didn't move on in twenty years. Every reference

535
00:28:10.400 --> 00:28:11.839
<v Speaker 1>was going to be to something and they were all

536
00:28:11.839 --> 00:28:14.200
<v Speaker 1>going to wear stupid clown clothes, and I thought they

537
00:28:14.200 --> 00:28:17.400
<v Speaker 1>were going to do and just like that, right, what

538
00:28:17.440 --> 00:28:19.839
<v Speaker 1>that did to Sex and the City turned all of

539
00:28:19.880 --> 00:28:23.359
<v Speaker 1>those characters stupid And all they did was refer to

540
00:28:23.400 --> 00:28:26.160
<v Speaker 1>stuff that happened twenty years ago while they tottered around

541
00:28:26.160 --> 00:28:29.640
<v Speaker 1>in these ridiculous outfits. And that was my fear. I

542
00:28:29.680 --> 00:28:31.240
<v Speaker 1>was like, I don't know, this is going to be

543
00:28:31.240 --> 00:28:37.279
<v Speaker 1>a really silly movie. To my very pleasant surprise, it's

544
00:28:37.319 --> 00:28:39.880
<v Speaker 1>a movie about people who have lived twenty years since

545
00:28:39.880 --> 00:28:42.319
<v Speaker 1>the last movie. Yeah, and it makes sure that you

546
00:28:42.519 --> 00:28:45.079
<v Speaker 1>understand that, like we are not just picking up where

547
00:28:45.119 --> 00:28:47.920
<v Speaker 1>we left off. Twenty years have gone by for all

548
00:28:47.960 --> 00:28:50.880
<v Speaker 1>four of the main characters, and that's Stanley, Twotamily Blunt,

549
00:28:51.000 --> 00:28:56.759
<v Speaker 1>Merril in Hathaway, and it really does an interesting job

550
00:28:57.000 --> 00:29:00.519
<v Speaker 1>of showing where they are in the world world now,

551
00:29:00.880 --> 00:29:03.880
<v Speaker 1>how that doesn't line up with where they were in

552
00:29:03.920 --> 00:29:06.799
<v Speaker 1>two thousand and six. At the same time, the film

553
00:29:07.000 --> 00:29:12.920
<v Speaker 1>is rather admirably unpacking the collapse of the media and

554
00:29:13.000 --> 00:29:16.880
<v Speaker 1>the collapse of the magazine industry and where the fashion

555
00:29:16.880 --> 00:29:19.880
<v Speaker 1>industry is now while all of these collapses are going on.

556
00:29:20.160 --> 00:29:22.960
<v Speaker 2>I think the beauty of it is that it wouldn't

557
00:29:22.960 --> 00:29:24.839
<v Speaker 2>be there wouldn't be a second movie if they didn't

558
00:29:24.839 --> 00:29:27.920
<v Speaker 2>bring all these people back. And absolutely, and I watched

559
00:29:27.960 --> 00:29:31.400
<v Speaker 2>a ton of interviews on TikTok and they all say

560
00:29:31.440 --> 00:29:34.319
<v Speaker 2>the same thing. They all contributed to somehow. They all said, well,

561
00:29:34.400 --> 00:29:36.960
<v Speaker 2>we'll come back, but you know, we have to make

562
00:29:37.000 --> 00:29:40.039
<v Speaker 2>sure that we don't fuck up with the first one.

563
00:29:40.200 --> 00:29:43.480
<v Speaker 2>You know, it has to be a second movie that

564
00:29:43.559 --> 00:29:46.599
<v Speaker 2>makes sense. Especially Merristreep, she was very adamant about it

565
00:29:46.640 --> 00:29:51.799
<v Speaker 2>that you know, where's my character going to be.

566
00:29:50.400 --> 00:29:53.839
<v Speaker 1>Is in a different place, and I was like, huh wow, Okay,

567
00:29:53.880 --> 00:29:54.920
<v Speaker 1>that's really interesting.

568
00:29:55.160 --> 00:29:58.440
<v Speaker 2>So they all had to agree that before they came back.

569
00:29:58.480 --> 00:30:01.359
<v Speaker 2>And that's why, as you said, it didn't have to

570
00:30:01.400 --> 00:30:03.519
<v Speaker 2>be this good, because people love the movie.

571
00:30:03.720 --> 00:30:05.799
<v Speaker 1>Yeah, I mean, they could have just done some stupid Yeah.

572
00:30:05.839 --> 00:30:08.119
<v Speaker 2>I always compared to like Dalton Abby. It's it's that

573
00:30:08.240 --> 00:30:10.960
<v Speaker 2>kind of fandom. You know, you love the movie, you're

574
00:30:10.960 --> 00:30:14.039
<v Speaker 2>gonna see it anyway. Of course, there's a ton more

575
00:30:14.079 --> 00:30:17.680
<v Speaker 2>fashion and a ton more you know things that of

576
00:30:17.680 --> 00:30:19.319
<v Speaker 2>course had to be there for the second movie.

577
00:30:19.319 --> 00:30:22.000
<v Speaker 1>There's a lot more fashion names, there's a lot more

578
00:30:22.079 --> 00:30:26.680
<v Speaker 1>celebrity cameos and that. That is the kind of thing

579
00:30:26.680 --> 00:30:28.839
<v Speaker 1>where I was afraid the whole foot, the whole movie

580
00:30:28.880 --> 00:30:30.240
<v Speaker 1>was just gonna be silly shit like that.

581
00:30:30.920 --> 00:30:33.799
<v Speaker 2>But it kind of made sense. Why no, it may.

582
00:30:33.920 --> 00:30:37.119
<v Speaker 1>I mean back in the during the when they shot

583
00:30:37.160 --> 00:30:39.480
<v Speaker 1>the first movie, they didn't have all these names lining up.

584
00:30:39.400 --> 00:30:42.240
<v Speaker 2>Right, No, they didn't. I mean everyone talks about it,

585
00:30:42.599 --> 00:30:44.519
<v Speaker 2>Merris Reep said. I mean she even joked, he said,

586
00:30:44.559 --> 00:30:46.559
<v Speaker 2>we got a lot more money for the second movie

587
00:30:46.799 --> 00:30:48.480
<v Speaker 2>because they didn't have a lot of movie. They thought

588
00:30:48.480 --> 00:30:50.759
<v Speaker 2>it was just gonna be some silly fashion movie. They

589
00:30:50.759 --> 00:30:51.519
<v Speaker 2>didn't want to spend a.

590
00:30:51.519 --> 00:30:53.200
<v Speaker 1>Lot of movie and a lot of money.

591
00:30:53.240 --> 00:30:55.720
<v Speaker 2>Money, I'm sorry, a lot of money, a lot of movie. Uh.

592
00:30:56.079 --> 00:30:58.920
<v Speaker 2>And Patricia Field is a fantastic custom designer, but her

593
00:30:58.960 --> 00:31:01.960
<v Speaker 2>approach is completely differ. Even if she had movie, I

594
00:31:02.359 --> 00:31:04.799
<v Speaker 2>think her approach would have been if she had money, money,

595
00:31:04.839 --> 00:31:07.359
<v Speaker 2>my god, what is going on with me? Uh? If

596
00:31:07.359 --> 00:31:10.799
<v Speaker 2>she had money to spend, I think her approach would

597
00:31:10.799 --> 00:31:14.480
<v Speaker 2>have been the same, because that's how she approached. She

598
00:31:14.599 --> 00:31:16.319
<v Speaker 2>likes to make some match I mean, look at what

599
00:31:16.359 --> 00:31:18.680
<v Speaker 2>she did for Sex and the City.

600
00:31:18.599 --> 00:31:21.880
<v Speaker 1>Right, But she wasn't the costume designer on this one.

601
00:31:22.000 --> 00:31:25.880
<v Speaker 2>Yeah. So, and you mentioned they didn't have the designers

602
00:31:25.920 --> 00:31:30.759
<v Speaker 2>were afraid of even touching this movie, so nobody showed up. Uh.

603
00:31:30.880 --> 00:31:33.640
<v Speaker 2>The roally reason why we have Valentino in the first

604
00:31:33.680 --> 00:31:37.480
<v Speaker 2>movie is because he's i mean in halfway it. You know,

605
00:31:37.599 --> 00:31:39.400
<v Speaker 2>begged him pretty much to be in the movie.

606
00:31:39.440 --> 00:31:42.240
<v Speaker 1>And part of everything was people, you know, designers did

607
00:31:42.279 --> 00:31:45.319
<v Speaker 1>not want to be involved because Anna Winter what it

608
00:31:45.519 --> 00:31:48.640
<v Speaker 1>was at the time, not speaking about this book at all.

609
00:31:48.759 --> 00:31:52.079
<v Speaker 1>She was not referencing it. And there was a period

610
00:31:52.119 --> 00:31:55.000
<v Speaker 1>I remember where Meryl Streep was worried like that. Anna

611
00:31:55.039 --> 00:31:57.400
<v Speaker 1>Winter was mad at her, and later they gave her

612
00:31:57.599 --> 00:31:58.839
<v Speaker 1>Meryl Streep to cover both.

613
00:31:59.039 --> 00:32:02.240
<v Speaker 2>The real story is that she got a galley and

614
00:32:02.359 --> 00:32:04.720
<v Speaker 2>she knew about the movie and I went to it.

615
00:32:04.839 --> 00:32:07.720
<v Speaker 2>She knew about the movie and she yeah, so she

616
00:32:07.880 --> 00:32:09.119
<v Speaker 2>was fully aware.

617
00:32:09.680 --> 00:32:11.839
<v Speaker 1>And so designers did not want to become involved with

618
00:32:11.920 --> 00:32:15.920
<v Speaker 1>the first movie because Anna. And honestly, I think the

619
00:32:15.920 --> 00:32:19.480
<v Speaker 1>only reason Anna has embraced this movie, the second movie,

620
00:32:19.519 --> 00:32:22.680
<v Speaker 1>and has embraced the sort of comparisons to Miranda Priestley

621
00:32:22.799 --> 00:32:25.559
<v Speaker 1>is because it's good for fashion and it's good for Vogue.

622
00:32:26.039 --> 00:32:28.759
<v Speaker 1>Let's just embrace it. And so she got all of

623
00:32:28.759 --> 00:32:31.279
<v Speaker 1>these fashion people to get on board with the second movie,

624
00:32:31.359 --> 00:32:33.920
<v Speaker 1>and she has been promoting it. I mean, Anna's been

625
00:32:34.039 --> 00:32:35.640
<v Speaker 1>right there promoting this movie.

626
00:32:35.720 --> 00:32:38.920
<v Speaker 2>They had stuff for TikTok, like where they when, where

627
00:32:38.960 --> 00:32:41.200
<v Speaker 2>there are two of them together on the elevator and

628
00:32:41.240 --> 00:32:42.720
<v Speaker 2>all that stuff. I mean they shot a lot of

629
00:32:42.720 --> 00:32:45.200
<v Speaker 2>stuff because of the movie. So it's a it's a

630
00:32:45.240 --> 00:32:48.440
<v Speaker 2>whole it's a completely different place now, yeah, where they

631
00:32:48.480 --> 00:32:49.200
<v Speaker 2>are with the movie.

632
00:32:49.319 --> 00:32:51.680
<v Speaker 1>Anyway back to the to the All right, let's talk

633
00:32:51.720 --> 00:32:54.519
<v Speaker 1>about what the movie is about without and I won't

634
00:32:54.519 --> 00:32:58.359
<v Speaker 1>give away spoilers, but this is the setup for the movie,

635
00:32:58.920 --> 00:33:00.359
<v Speaker 1>and this is what and I want to get into

636
00:33:00.359 --> 00:33:03.440
<v Speaker 1>what I mean by it really felt like they thought

637
00:33:03.480 --> 00:33:06.160
<v Speaker 1>about where these characters would be after twenty years and

638
00:33:06.240 --> 00:33:10.319
<v Speaker 1>what they would be like. So Andy sacks Heads has

639
00:33:10.400 --> 00:33:13.599
<v Speaker 1>had a very good journalism career, and the movie opens

640
00:33:13.599 --> 00:33:16.200
<v Speaker 1>with her winning a prestigious journalism award and then immediately

641
00:33:16.279 --> 00:33:19.640
<v Speaker 1>getting fired because I don't know, her paper was bought

642
00:33:19.640 --> 00:33:24.079
<v Speaker 1>out by a hedge fund or something like that, and

643
00:33:24.119 --> 00:33:29.079
<v Speaker 1>then there's machinations and it doesn't entirely make sense until

644
00:33:29.119 --> 00:33:31.599
<v Speaker 1>much months later in the movie as to why this happens,

645
00:33:31.599 --> 00:33:35.880
<v Speaker 1>But somehow she gets offered a job as features editor

646
00:33:35.920 --> 00:33:38.880
<v Speaker 1>at Runway Magazine, and the reason she got this offer

647
00:33:39.000 --> 00:33:43.519
<v Speaker 1>is because Runway and Miranda Priestley are in a pr

648
00:33:43.640 --> 00:33:46.720
<v Speaker 1>nightmare because I don't know, it all happened so fast

649
00:33:46.839 --> 00:33:52.160
<v Speaker 1>the setup, the Runway endorseed some fast fashion place or

650
00:33:52.200 --> 00:33:54.960
<v Speaker 1>something that I used sweatshop workers or something like that.

651
00:33:55.039 --> 00:33:57.839
<v Speaker 1>It actually went by so fast. In the beginning, they

652
00:33:57.960 --> 00:33:59.640
<v Speaker 1>just wanted to set it up and get Andy in

653
00:33:59.680 --> 00:34:04.599
<v Speaker 1>that all. So yes, Meryl Streep's Miranda Priestley is a

654
00:34:04.759 --> 00:34:10.199
<v Speaker 1>somewhat fallen figure. She's not as invulnerable as she once was.

655
00:34:10.880 --> 00:34:12.840
<v Speaker 1>And one of the things that I liked about that

656
00:34:13.159 --> 00:34:17.800
<v Speaker 1>was that the offices and runway are completely They look

657
00:34:17.840 --> 00:34:20.519
<v Speaker 1>the same, but the vibe is completely different. There is

658
00:34:20.559 --> 00:34:23.760
<v Speaker 1>no gurdier loins, there is no throwing coats on desks.

659
00:34:23.800 --> 00:34:26.119
<v Speaker 1>They actually make a point of saying that HR complained

660
00:34:26.159 --> 00:34:29.280
<v Speaker 1>about that, and Miranda has to hang up her own coats.

661
00:34:29.800 --> 00:34:31.920
<v Speaker 1>And then they show and this was something they didn't

662
00:34:31.960 --> 00:34:36.039
<v Speaker 1>show in the first film, editorial meetings. They didn't show

663
00:34:36.079 --> 00:34:39.320
<v Speaker 1>a lot of the business of being a fashion magazine,

664
00:34:39.400 --> 00:34:41.559
<v Speaker 1>like what goes on day and it's not about trying

665
00:34:41.559 --> 00:34:44.039
<v Speaker 1>on clothes and matching belts to dresses. I mean, there's

666
00:34:44.320 --> 00:34:51.559
<v Speaker 1>meetings and it's very interesting because how do I put this?

667
00:34:51.760 --> 00:34:54.280
<v Speaker 1>They let Miranda Priestley be a seventy five year old

668
00:34:54.360 --> 00:34:59.239
<v Speaker 1>woman in the story, and I actually loved those scenes

669
00:34:59.440 --> 00:35:04.400
<v Speaker 1>because that's a formerly powerful figure who has lost her

670
00:35:04.480 --> 00:35:08.039
<v Speaker 1>power and like, so she's sitting in these meetings and

671
00:35:08.519 --> 00:35:10.760
<v Speaker 1>people are mouthing off to her, people are rolling their

672
00:35:10.760 --> 00:35:11.199
<v Speaker 1>eyes out of it.

673
00:35:11.440 --> 00:35:13.760
<v Speaker 2>They don't put up with that anymore, with her attitude.

674
00:35:13.800 --> 00:35:15.800
<v Speaker 1>Well, that's the other thing is that she tries to

675
00:35:15.840 --> 00:35:18.599
<v Speaker 1>do these little mirandaisms, and then she's constantly being told

676
00:35:18.639 --> 00:35:20.440
<v Speaker 1>you can't say that, you can't say that at HR

677
00:35:20.559 --> 00:35:21.360
<v Speaker 1>talk to you about that.

678
00:35:22.079 --> 00:35:22.719
<v Speaker 2>And I like that.

679
00:35:22.840 --> 00:35:26.039
<v Speaker 1>I'm like, yeah, that's true. I mean right, and I

680
00:35:26.119 --> 00:35:30.039
<v Speaker 1>mean the My understanding is that Anna Winter herself has

681
00:35:30.079 --> 00:35:32.159
<v Speaker 1>toned all of that stuff way way down, all of

682
00:35:32.159 --> 00:35:35.880
<v Speaker 1>the imperiousness and everything, all of the major expenses and everything.

683
00:35:36.079 --> 00:35:40.760
<v Speaker 1>So I think it's sort of reflecting that same token.

684
00:35:41.440 --> 00:35:47.039
<v Speaker 1>Stanley Tucci is still there as Nigel, and his growth

685
00:35:47.119 --> 00:35:49.559
<v Speaker 1>is a lot more subtle, and I can't really get

686
00:35:49.559 --> 00:35:52.400
<v Speaker 1>into it without giving certain things away, which I won't do.

687
00:35:52.719 --> 00:35:58.320
<v Speaker 1>But you think this guy is stuck because at the

688
00:35:58.400 --> 00:36:00.039
<v Speaker 1>end of the last film, at the end of the

689
00:36:00.079 --> 00:36:02.519
<v Speaker 1>first film, he got screwed over by Miranda, he thought

690
00:36:02.519 --> 00:36:04.559
<v Speaker 1>he was getting a promotion and he wound up not

691
00:36:05.239 --> 00:36:07.159
<v Speaker 1>And it's twenty years later and he's still in the

692
00:36:07.199 --> 00:36:13.719
<v Speaker 1>same job pretty much, and the film doesn't. I actually

693
00:36:13.719 --> 00:36:15.480
<v Speaker 1>really like the way they handled it because it was very,

694
00:36:15.559 --> 00:36:19.440
<v Speaker 1>very subtle to explain how he has changed internally in

695
00:36:19.480 --> 00:36:23.119
<v Speaker 1>the years since, how his expectations have changed, and what

696
00:36:23.199 --> 00:36:24.079
<v Speaker 1>he still.

697
00:36:23.800 --> 00:36:25.880
<v Speaker 2>Wants, right, and I feels more real, like you know,

698
00:36:25.960 --> 00:36:28.000
<v Speaker 2>some people don't get a promotion.

699
00:36:27.719 --> 00:36:30.119
<v Speaker 1>And not everybody can be a CEO, like someone has

700
00:36:30.159 --> 00:36:31.000
<v Speaker 1>to work on you'll.

701
00:36:30.840 --> 00:36:33.719
<v Speaker 2>Do that forever and you have to come to terms

702
00:36:33.719 --> 00:36:35.719
<v Speaker 2>with that sometime in your life if you want to

703
00:36:35.719 --> 00:36:39.480
<v Speaker 2>continue in that kind of situation. Right and job. So

704
00:36:39.559 --> 00:36:40.800
<v Speaker 2>I think they do a very good job.

705
00:36:40.800 --> 00:36:43.360
<v Speaker 1>I think they do a great job. I want to

706
00:36:43.400 --> 00:36:49.599
<v Speaker 1>talk about a few things that hmm, didn't quite sit

707
00:36:49.639 --> 00:36:52.599
<v Speaker 1>with me and so Andy. So they do a good

708
00:36:52.639 --> 00:36:57.599
<v Speaker 1>job of showing that Andy is a much more mature

709
00:36:58.000 --> 00:37:00.639
<v Speaker 1>and established person than she was the twenty year old,

710
00:37:00.719 --> 00:37:03.079
<v Speaker 1>you know, with the person from twenty years ago, the

711
00:37:03.119 --> 00:37:06.079
<v Speaker 1>young girl who was an assistant. She has a career,

712
00:37:06.280 --> 00:37:11.199
<v Speaker 1>she's you know, critically acclaimed, that sort of thing, and

713
00:37:12.039 --> 00:37:14.480
<v Speaker 1>they do mostly a good job with that. But then

714
00:37:14.519 --> 00:37:17.079
<v Speaker 1>she gets in back in that office again, and I

715
00:37:17.079 --> 00:37:19.920
<v Speaker 1>guess they have to do this. Suddenly she's running around

716
00:37:19.920 --> 00:37:23.440
<v Speaker 1>worrying and she's a features editor. That's the thing. If

717
00:37:23.480 --> 00:37:25.719
<v Speaker 1>you're a features editor at a magazine that is you

718
00:37:25.760 --> 00:37:27.400
<v Speaker 1>are one of the highest ranking editors.

719
00:37:28.079 --> 00:37:30.239
<v Speaker 2>And I get it.

720
00:37:30.239 --> 00:37:32.639
<v Speaker 1>It was funny that in the beginning Miranda just keeps

721
00:37:32.719 --> 00:37:35.719
<v Speaker 1>treating her like an assistant. But I was getting frustrated

722
00:37:35.800 --> 00:37:37.800
<v Speaker 1>during those scenes because I'm like, all right, she's like

723
00:37:37.920 --> 00:37:41.199
<v Speaker 1>forty three years old, well established, why is she putting.

724
00:37:40.960 --> 00:37:41.400
<v Speaker 2>Up with this?

725
00:37:42.360 --> 00:37:47.280
<v Speaker 1>And I really wanted and never got spoiler a scene

726
00:37:47.280 --> 00:37:49.440
<v Speaker 1>where she just would go into I wanted her to

727
00:37:49.519 --> 00:37:52.239
<v Speaker 1>unload on Miranda. I really did. I thought, Okay, the

728
00:37:52.800 --> 00:37:56.639
<v Speaker 1>film is establishing that Miranda's style of Madda Zierol' style

729
00:37:56.760 --> 00:38:00.920
<v Speaker 1>is problematic. It's established, and Andy is chore and grown

730
00:38:01.039 --> 00:38:03.920
<v Speaker 1>up and not you know, why are we doing this

731
00:38:04.000 --> 00:38:06.800
<v Speaker 1>thing where she's running around intimidated and worrying about and

732
00:38:06.880 --> 00:38:10.840
<v Speaker 1>the other thing is like other people in there were

733
00:38:10.880 --> 00:38:13.519
<v Speaker 1>treating her like shit. Assistants were treating and I was like,

734
00:38:13.559 --> 00:38:17.039
<v Speaker 1>I'm sorry, she's a features editor at essentially Vogue. Why

735
00:38:17.159 --> 00:38:19.880
<v Speaker 1>is she putting up with any of this? Nigel was

736
00:38:19.920 --> 00:38:22.320
<v Speaker 1>being a bitch to her in the beginning, and I

737
00:38:22.360 --> 00:38:23.840
<v Speaker 1>get it, like these are the things you need to

738
00:38:23.920 --> 00:38:26.000
<v Speaker 1>check off the list. Everyone needs to comment on her

739
00:38:26.039 --> 00:38:28.800
<v Speaker 1>eating cards and her poor fashion sense or whatever. But

740
00:38:28.880 --> 00:38:31.239
<v Speaker 1>at a certain point you're like, she's not twenty three.

741
00:38:31.360 --> 00:38:34.280
<v Speaker 1>Why and there what I was starting to get annoyed

742
00:38:34.320 --> 00:38:38.920
<v Speaker 1>with it. Honestly that that is probably my main and

743
00:38:39.039 --> 00:38:43.920
<v Speaker 1>only criticism of the film, except in general sense, it's frivolous.

744
00:38:43.960 --> 00:38:46.559
<v Speaker 1>It's not a deep story now, and he said, I.

745
00:38:46.559 --> 00:38:48.639
<v Speaker 2>Never expected to be deep. I was like, all right,

746
00:38:48.840 --> 00:38:52.639
<v Speaker 2>I'm just going to get a continuation I guess of

747
00:38:52.760 --> 00:38:55.400
<v Speaker 2>the story. Yeah, it's just going to continue, and I'm

748
00:38:55.400 --> 00:38:57.280
<v Speaker 2>going to enjoy this very much. And I did. I

749
00:38:57.320 --> 00:39:00.199
<v Speaker 2>think they're all incredible. I think I feel bad for

750
00:39:00.239 --> 00:39:03.400
<v Speaker 2>Simon and Ashley actually because it feels like she's like

751
00:39:03.400 --> 00:39:07.039
<v Speaker 2>like a side thing the entire time. Yeah. Yeah, it

752
00:39:07.119 --> 00:39:11.400
<v Speaker 2>has the four lines. I feel like they they were

753
00:39:11.480 --> 00:39:14.719
<v Speaker 2>very strong about showcasing those four and.

754
00:39:15.199 --> 00:39:17.199
<v Speaker 1>Which made which made sense.

755
00:39:17.239 --> 00:39:21.039
<v Speaker 2>But at the same time, I, you know, I think,

756
00:39:21.320 --> 00:39:22.920
<v Speaker 2>I don't know. I feel about for Simon because she's

757
00:39:22.920 --> 00:39:27.760
<v Speaker 2>a very good actor and and she's gorgeous. She is

758
00:39:28.239 --> 00:39:31.519
<v Speaker 2>absolutely gorgeous, and all the customers she's wearing in the

759
00:39:31.559 --> 00:39:34.440
<v Speaker 2>movie are incredible. I mean, she looks fantastic. So I

760
00:39:35.000 --> 00:39:36.840
<v Speaker 2>was hoping for a little more, but I guess she's

761
00:39:36.880 --> 00:39:40.559
<v Speaker 2>just an assistant. She's you know, I guess anyway, And

762
00:39:40.559 --> 00:39:44.960
<v Speaker 2>and yes, you're right, but but I love the fashion stuff.

763
00:39:45.000 --> 00:39:47.400
<v Speaker 2>I love they went to Milan. I mean that was incredible.

764
00:39:47.480 --> 00:39:50.760
<v Speaker 1>There was some incredible scenes in Milan, just breathtaking scenes

765
00:39:50.760 --> 00:39:53.559
<v Speaker 1>in Milan. There is I mean, it's something I am.

766
00:39:53.760 --> 00:39:58.159
<v Speaker 1>It's everywhere, it's every about who the special all right, so.

767
00:39:58.159 --> 00:40:01.199
<v Speaker 2>Lady, we're not give you anything A.

768
00:40:00.239 --> 00:40:03.760
<v Speaker 1>It was a great number. It was a great I know,

769
00:40:04.000 --> 00:40:06.079
<v Speaker 1>come on, it was a great number.

770
00:40:06.320 --> 00:40:12.800
<v Speaker 2>I felt that was unnecessary because nobody, well they do

771
00:40:12.920 --> 00:40:15.920
<v Speaker 2>have music, music, but I don't have a singer, a

772
00:40:16.000 --> 00:40:17.000
<v Speaker 2>major singing.

773
00:40:17.440 --> 00:40:20.119
<v Speaker 1>From anyway from that kind of event. No John for

774
00:40:20.280 --> 00:40:21.360
<v Speaker 1>Couture show.

775
00:40:21.159 --> 00:40:25.239
<v Speaker 2>Mcalladay, they hire a special singer, but not for that anyway.

776
00:40:25.440 --> 00:40:28.280
<v Speaker 2>But Lady Gaga was there was It's a great song,

777
00:40:28.440 --> 00:40:31.119
<v Speaker 2>and you know, it was beautiful because they showcase all

778
00:40:31.199 --> 00:40:35.440
<v Speaker 2>these famous and iconic looks from various collections that I

779
00:40:35.480 --> 00:40:38.800
<v Speaker 2>think that's what I saw, and it looked beautiful.

780
00:40:38.960 --> 00:40:41.400
<v Speaker 1>I just want to say, uh, I think most of

781
00:40:41.440 --> 00:40:43.519
<v Speaker 1>what we're going to say about Emily Blunt is going

782
00:40:43.559 --> 00:40:47.119
<v Speaker 1>to go in the spoiler section because I don't really

783
00:40:47.159 --> 00:40:49.480
<v Speaker 1>want to give too much away. If you care about

784
00:40:49.480 --> 00:40:53.360
<v Speaker 1>these things, I will say she is the best part

785
00:40:53.360 --> 00:40:55.960
<v Speaker 1>of the film. She's the funniest part of the film.

786
00:40:56.159 --> 00:40:58.320
<v Speaker 1>I have to say. This is not a particularly laugh

787
00:40:58.440 --> 00:41:01.199
<v Speaker 1>riot of a film. It's entertained, it's a very light,

788
00:41:01.559 --> 00:41:04.280
<v Speaker 1>and it moves out of very breast pace. I really

789
00:41:04.400 --> 00:41:08.199
<v Speaker 1>enjoyed myself, but I only laughed in Emily Blant scenes.

790
00:41:08.239 --> 00:41:12.039
<v Speaker 1>Those were the only funny scenes. And she is fucking hilarious.

791
00:41:12.039 --> 00:41:13.440
<v Speaker 1>Her line delivery.

792
00:41:13.079 --> 00:41:17.679
<v Speaker 2>Is just f I've always said, listen, I worship, worship

793
00:41:17.800 --> 00:41:20.639
<v Speaker 2>Maristery always my entire life. I always loved that woman.

794
00:41:21.000 --> 00:41:24.039
<v Speaker 2>But I've always said that the devil was front. It's

795
00:41:24.039 --> 00:41:26.360
<v Speaker 2>all about Emily Blunt. I've always said that. I'm sorry,

796
00:41:26.440 --> 00:41:30.079
<v Speaker 2>that's I think she's a movie first one and second one.

797
00:41:30.239 --> 00:41:33.159
<v Speaker 2>She is hilarious the way as you said.

798
00:41:32.920 --> 00:41:34.400
<v Speaker 1>She delivers her line delivery.

799
00:41:34.440 --> 00:41:36.840
<v Speaker 2>Sorry, incredible, and it has to do with the attitude

800
00:41:36.880 --> 00:41:39.599
<v Speaker 2>and the accident and the British you know, attitude and

801
00:41:39.639 --> 00:41:42.920
<v Speaker 2>all that. It just works. I was reading an interview

802
00:41:42.960 --> 00:41:45.559
<v Speaker 2>with her. First of all, she was only twenty three

803
00:41:45.920 --> 00:41:48.039
<v Speaker 2>when she made the first movie, and she talks about that,

804
00:41:48.119 --> 00:41:51.079
<v Speaker 2>how young and how intimidated she was by everything, by

805
00:41:51.119 --> 00:41:54.519
<v Speaker 2>the whole thing. And she talks about how when she

806
00:41:54.559 --> 00:41:58.559
<v Speaker 2>additioned to the part the first movie, she was very tired.

807
00:41:58.639 --> 00:42:02.519
<v Speaker 2>She had just done another edition and she was extremely tired,

808
00:42:02.559 --> 00:42:05.639
<v Speaker 2>and she did the second the audition for the movie,

809
00:42:05.679 --> 00:42:08.239
<v Speaker 2>and she start speaking with a British accent and she

810
00:42:08.360 --> 00:42:12.440
<v Speaker 2>forgot and then and then apparently that's how it well,

811
00:42:12.480 --> 00:42:14.599
<v Speaker 2>why the character has a British accent, because they were like,

812
00:42:14.639 --> 00:42:17.679
<v Speaker 2>oh that works, I keep it, and then that's how

813
00:42:17.719 --> 00:42:21.039
<v Speaker 2>they kept the accent. I think she is phenomenal. I

814
00:42:21.119 --> 00:42:24.519
<v Speaker 2>love her as an actor, and I think she she's delivers.

815
00:42:25.599 --> 00:42:27.400
<v Speaker 2>The whole thing was you know, we're going to talk

816
00:42:27.440 --> 00:42:30.280
<v Speaker 2>what she does or that's for later. That's for later, Okay, anyway,

817
00:42:30.280 --> 00:42:34.840
<v Speaker 2>but I do love her and she's just funny, funny, funny, funny.

818
00:42:35.360 --> 00:42:38.760
<v Speaker 1>One thing I want to go back to with all

819
00:42:38.840 --> 00:42:42.079
<v Speaker 1>four of the main characters, Like I said, they really

820
00:42:42.119 --> 00:42:45.480
<v Speaker 1>thought about where these people would be, what choices they

821
00:42:45.480 --> 00:42:48.800
<v Speaker 1>would have made in the twenty years since the last film.

822
00:42:49.119 --> 00:42:52.320
<v Speaker 1>And when we get to the end of the film

823
00:42:52.360 --> 00:42:55.480
<v Speaker 1>and this is this was my pleasant surprise, I was like, huh,

824
00:42:55.480 --> 00:42:58.960
<v Speaker 1>they really managed to do that. It felt like those

825
00:42:59.039 --> 00:43:03.840
<v Speaker 1>four character arcs started twenty years ago and ended a fact,

826
00:43:03.880 --> 00:43:06.960
<v Speaker 1>like they really wrapped up character arcs for those four

827
00:43:07.079 --> 00:43:12.159
<v Speaker 1>characters that literally started twenty years prior. It felt correct,

828
00:43:12.320 --> 00:43:17.800
<v Speaker 1>it felt well considered. I think again, we're going to

829
00:43:17.840 --> 00:43:19.159
<v Speaker 1>save some of the We're going to save it for

830
00:43:19.239 --> 00:43:22.559
<v Speaker 1>the spoiler section. But I do think people might have

831
00:43:22.719 --> 00:43:25.119
<v Speaker 1>an issue with how Emily Blunt was handled, how her

832
00:43:25.199 --> 00:43:27.360
<v Speaker 1>character was handled, and we're going to unpack that later.

833
00:43:28.079 --> 00:43:32.239
<v Speaker 2>But yeah, it's very interesting, and people were also complaining about, oh,

834
00:43:32.320 --> 00:43:34.320
<v Speaker 2>we get to that later. I didn't want to. Thought.

835
00:43:34.519 --> 00:43:37.760
<v Speaker 1>One of the controversies that came out before the film

836
00:43:37.960 --> 00:43:43.559
<v Speaker 1>debuted was in a lot of Chinese viewers were upset

837
00:43:43.559 --> 00:43:47.079
<v Speaker 1>about the the the intern, whose name is Jin Chow,

838
00:43:47.800 --> 00:43:51.280
<v Speaker 1>played by Helen Chen. And it is not for me

839
00:43:51.440 --> 00:43:54.360
<v Speaker 1>to tell people how they should feel about ethnic stereotypes.

840
00:43:54.840 --> 00:43:58.599
<v Speaker 1>I did cringe at the scene that everybody saw, which

841
00:43:58.599 --> 00:44:01.719
<v Speaker 1>is when she introduces herself in She's this very nervous, nerdy,

842
00:44:01.760 --> 00:44:06.079
<v Speaker 1>glasses overachieving four point zero GPA Asian girl, and it

843
00:44:06.079 --> 00:44:12.079
<v Speaker 1>does check off a bunch of stereotypes. I will say

844
00:44:12.119 --> 00:44:13.599
<v Speaker 1>that the rest of the time she's in the film,

845
00:44:13.679 --> 00:44:16.159
<v Speaker 1>she's not like that at all. I mean, she's an assistant,

846
00:44:16.239 --> 00:44:19.119
<v Speaker 1>but I don't feel like they were indulging in these

847
00:44:19.199 --> 00:44:23.000
<v Speaker 1>Asian stereotypes anymore. She was just a high functioning assistant.

848
00:44:23.199 --> 00:44:26.280
<v Speaker 2>I think they used it for like a one funny

849
00:44:26.360 --> 00:44:28.719
<v Speaker 2>joke and then they kind of drop was poorly considered.

850
00:44:28.800 --> 00:44:33.199
<v Speaker 1>Yeah, I agree, And my understanding is that Chinese viewers

851
00:44:33.239 --> 00:44:36.239
<v Speaker 1>thought the name jin Chow was like a ching chong

852
00:44:36.320 --> 00:44:37.000
<v Speaker 1>kind of joke.

853
00:44:37.199 --> 00:44:38.119
<v Speaker 2>Everything was a joke.

854
00:44:38.199 --> 00:44:40.079
<v Speaker 1>It was all a little It felt a little two

855
00:44:40.119 --> 00:44:42.119
<v Speaker 1>thousand and six to be. It was like, suddenly, it's

856
00:44:42.159 --> 00:44:45.119
<v Speaker 1>two thousand and six and you're making an ethnic joke

857
00:44:45.159 --> 00:44:47.480
<v Speaker 1>that you probably shouldn't be making. The other thing I

858
00:44:47.519 --> 00:44:50.079
<v Speaker 1>want to say is that Tracy Toms comes back from

859
00:44:50.119 --> 00:44:54.159
<v Speaker 1>the first film as her friend, really loved loved their

860
00:44:54.239 --> 00:44:57.760
<v Speaker 1>scenes together because it was nice that none of it

861
00:44:58.480 --> 00:45:00.719
<v Speaker 1>was nice that none of her other friends, because they

862
00:45:00.760 --> 00:45:03.159
<v Speaker 1>were all assholes in the first film Boyfriend. But there

863
00:45:03.239 --> 00:45:05.559
<v Speaker 1>was a certain sense of continuity, like, yeah, okay, you

864
00:45:05.559 --> 00:45:07.719
<v Speaker 1>probably would have stayed friends with her for twenty years

865
00:45:07.760 --> 00:45:10.360
<v Speaker 1>and her life turned out great. She's got a great apartment,

866
00:45:10.480 --> 00:45:13.119
<v Speaker 1>she's got a kid, she's got, you know, a great career,

867
00:45:13.320 --> 00:45:15.920
<v Speaker 1>and she's only in it briefly. But it was a

868
00:45:16.000 --> 00:45:17.440
<v Speaker 1>nice tie to the first film.

869
00:45:17.480 --> 00:45:18.480
<v Speaker 2>I agree. I agree.

870
00:45:19.320 --> 00:45:22.360
<v Speaker 1>Let's see one more thing I do have to give Meryl.

871
00:45:22.440 --> 00:45:24.760
<v Speaker 1>I mean, it seems silly to give Meryl credit. But

872
00:45:25.480 --> 00:45:28.719
<v Speaker 1>there are certain scenes in the movie, the scene in

873
00:45:28.760 --> 00:45:31.679
<v Speaker 1>the limo at the end, obviously I'm not gonna talk

874
00:45:31.719 --> 00:45:35.840
<v Speaker 1>about it, but where it's like, oh, they're just letting

875
00:45:35.880 --> 00:45:38.599
<v Speaker 1>Meryl do it. They're just keeping a camera on Meryl

876
00:45:38.719 --> 00:45:42.000
<v Speaker 1>and just letting her run through every Meryl trick she has,

877
00:45:42.079 --> 00:45:44.280
<v Speaker 1>and that's when she's at her best, Like, just let

878
00:45:44.320 --> 00:45:45.079
<v Speaker 1>Meryl be Meryl.

879
00:45:45.239 --> 00:45:47.280
<v Speaker 2>I think they paid homage to the first movie with

880
00:45:47.320 --> 00:45:49.800
<v Speaker 2>that scene, and they did because in the first movie

881
00:45:49.840 --> 00:45:51.480
<v Speaker 2>she says, you know, she's in a car. She said

882
00:45:51.480 --> 00:45:53.239
<v Speaker 2>to everyone wants to be he wants to be and

883
00:45:53.239 --> 00:45:57.199
<v Speaker 2>then she says go And apparently Marylsup wasn't happy with

884
00:45:57.239 --> 00:45:59.599
<v Speaker 2>the scene first movie, and then she said, can we

885
00:45:59.679 --> 00:46:02.679
<v Speaker 2>shoot this again? And then she added the go word,

886
00:46:03.400 --> 00:46:05.079
<v Speaker 2>and then they all loved it and they kept the

887
00:46:05.079 --> 00:46:07.320
<v Speaker 2>whole thing. So I think this there was a lot

888
00:46:07.360 --> 00:46:10.639
<v Speaker 2>of that. Like the soundtrack. They brought a lot of

889
00:46:10.639 --> 00:46:14.079
<v Speaker 2>the music back, which I loved because again, I'm a

890
00:46:14.119 --> 00:46:16.400
<v Speaker 2>huge fan of the first movie, so I loved one.

891
00:46:16.480 --> 00:46:20.079
<v Speaker 2>Every now and then you hear the music, you know, like.

892
00:46:20.079 --> 00:46:22.119
<v Speaker 1>But I don't think it was heavy hand, no, no, not.

893
00:46:22.199 --> 00:46:25.119
<v Speaker 1>I I don't feel like they were cycling through the hits.

894
00:46:25.199 --> 00:46:27.480
<v Speaker 1>I felt like they were moving all of these characters.

895
00:46:27.480 --> 00:46:30.400
<v Speaker 2>I really well. I actually joked with the street vandor

896
00:46:30.599 --> 00:46:32.199
<v Speaker 2>selling the belts, and and then.

897
00:46:32.239 --> 00:46:35.280
<v Speaker 1>I thought it was belts.

898
00:46:35.519 --> 00:46:38.320
<v Speaker 2>I thought it was cute, like he's showing two belts

899
00:46:38.360 --> 00:46:40.440
<v Speaker 2>and she can't decide which one she wants to buy.

900
00:46:40.679 --> 00:46:42.480
<v Speaker 1>That was a split second, and that.

901
00:46:42.519 --> 00:46:45.800
<v Speaker 2>It was just the beginning, very very quick. The fashion

902
00:46:46.039 --> 00:46:48.880
<v Speaker 2>again with over the top, of course, but you know,

903
00:46:48.960 --> 00:46:53.719
<v Speaker 2>the costume designer, what's her name, Molly Rogers, said that,

904
00:46:54.079 --> 00:46:55.119
<v Speaker 2>you know, with the first.

905
00:46:54.840 --> 00:46:57.519
<v Speaker 1>Movie, she was a costume designer, and just like that.

906
00:46:57.480 --> 00:47:00.239
<v Speaker 2>I think, yeah, oh, oh wow, I think she was.

907
00:47:00.320 --> 00:47:01.320
<v Speaker 1>I'm pretty sure she was.

908
00:47:01.519 --> 00:47:03.480
<v Speaker 2>She said that in the first you know, for the

909
00:47:03.519 --> 00:47:06.000
<v Speaker 2>first movie, nobody wanted to contribute in anything. But she

910
00:47:06.039 --> 00:47:08.559
<v Speaker 2>said for this one, she said, it was like a

911
00:47:08.639 --> 00:47:11.320
<v Speaker 2>line of people bagging to be in the movie. And

912
00:47:11.360 --> 00:47:14.119
<v Speaker 2>that's why you see all these major you know houses.

913
00:47:14.159 --> 00:47:16.440
<v Speaker 1>Of course, but I'll give her credit because I, like

914
00:47:16.480 --> 00:47:18.920
<v Speaker 1>I said, there's one or two outfits that I thought

915
00:47:18.960 --> 00:47:23.079
<v Speaker 1>were like, that's a little over the top. But and

916
00:47:23.159 --> 00:47:28.000
<v Speaker 1>of course nobody, I mean passion editors do not show

917
00:47:28.079 --> 00:47:30.199
<v Speaker 1>up for work in kutoure.

918
00:47:30.360 --> 00:47:31.159
<v Speaker 2>They just don't.

919
00:47:31.239 --> 00:47:34.039
<v Speaker 1>And there was a scene at the end where Andy

920
00:47:35.119 --> 00:47:37.039
<v Speaker 1>was in a civilian sweater and a pair of jeans,

921
00:47:37.039 --> 00:47:38.559
<v Speaker 1>and I was like, actually, that looks.

922
00:47:38.360 --> 00:47:40.719
<v Speaker 2>Like a fashion editor. I think this needs to be explained,

923
00:47:40.719 --> 00:47:43.960
<v Speaker 2>because the thing is that I actually read an interview

924
00:47:44.000 --> 00:47:46.639
<v Speaker 2>with somebody who worked for one of the in Me

925
00:47:47.639 --> 00:47:49.960
<v Speaker 2>Big magazine, and she talked about that, like she said,

926
00:47:50.000 --> 00:47:53.760
<v Speaker 2>we live in we're working with this in this industry

927
00:47:53.840 --> 00:47:56.920
<v Speaker 2>where we see all these very very expensive things, beautiful things,

928
00:47:56.920 --> 00:47:58.920
<v Speaker 2>but we can't afford any of that, and we still

929
00:47:58.960 --> 00:48:00.760
<v Speaker 2>have to work, We still have to go to the office.

930
00:48:00.840 --> 00:48:04.000
<v Speaker 2>And they kind of like create a sort of like

931
00:48:04.039 --> 00:48:05.239
<v Speaker 2>a uniform, you know.

932
00:48:05.320 --> 00:48:06.400
<v Speaker 1>Like white Oxford.

933
00:48:06.599 --> 00:48:11.400
<v Speaker 2>Yeah. Yeah, they can't afford those brids most of their

934
00:48:11.480 --> 00:48:16.360
<v Speaker 2>And and also about the closet, you know, that's all fantasy,

935
00:48:16.440 --> 00:48:19.159
<v Speaker 2>the whole thing about you know, they just go in

936
00:48:19.199 --> 00:48:21.480
<v Speaker 2>and and wear everything in the closet. That's just just

937
00:48:21.639 --> 00:48:22.199
<v Speaker 2>for the movie.

938
00:48:22.280 --> 00:48:23.239
<v Speaker 1>That's just a fantasy.

939
00:48:23.599 --> 00:48:27.800
<v Speaker 2>That doesn't work, that doesn't work in real life. One

940
00:48:27.840 --> 00:48:30.440
<v Speaker 2>interesting thing I want to mention is talking about a

941
00:48:30.519 --> 00:48:33.920
<v Speaker 2>movie Blunt And and the character Emily, is that finally

942
00:48:34.039 --> 00:48:36.559
<v Speaker 2>the real Emily came out and now she's giving all

943
00:48:36.559 --> 00:48:40.920
<v Speaker 2>these interviews. The real Emily is Leslie Freemar. She's now

944
00:48:40.920 --> 00:48:44.559
<v Speaker 2>a stylist. Her major client is Charlie Theron, and she

945
00:48:45.159 --> 00:48:48.559
<v Speaker 2>finally decided to come out and tell her story. And

946
00:48:48.639 --> 00:48:52.920
<v Speaker 2>so she gave an interview. She was interviewed by Vogue

947
00:48:52.960 --> 00:48:56.079
<v Speaker 2>the podcast. I forget what what the podcast that's called.

948
00:48:56.239 --> 00:48:58.639
<v Speaker 2>I'll remember in a second. Oh, it's it's the run

949
00:48:58.679 --> 00:49:01.639
<v Speaker 2>Through with Vogue. So she was interviewed. She gave her

950
00:49:01.639 --> 00:49:05.400
<v Speaker 2>whole story and and she you know that that's true,

951
00:49:05.559 --> 00:49:08.519
<v Speaker 2>that's you know, that's her. And and she you know,

952
00:49:08.639 --> 00:49:13.400
<v Speaker 2>interviewed Andy Sachs, you know, the Leslie Lauren. I'm sorry,

953
00:49:13.920 --> 00:49:17.360
<v Speaker 2>So the whole thing, it's true. She said, the movie

954
00:49:18.079 --> 00:49:20.920
<v Speaker 2>created this whole fantasy about the industry, and apparently the

955
00:49:21.480 --> 00:49:23.920
<v Speaker 2>galley for the movie. When she wrote the first Gally

956
00:49:24.360 --> 00:49:28.519
<v Speaker 2>h apparently it was even darker. Uh. But when they

957
00:49:28.559 --> 00:49:32.320
<v Speaker 2>decided to make the publish the book, the publishers decided that,

958
00:49:32.400 --> 00:49:35.400
<v Speaker 2>you know, let's give it a little more fantasy and

959
00:49:35.599 --> 00:49:37.559
<v Speaker 2>tone it down here and there. And they did the

960
00:49:37.599 --> 00:49:40.280
<v Speaker 2>same for the movie anyway, So that's why I think

961
00:49:40.280 --> 00:49:42.159
<v Speaker 2>that's why it worked. I think if it was very

962
00:49:42.239 --> 00:49:44.920
<v Speaker 2>dark the first of the second movie. People wouldn't want

963
00:49:44.920 --> 00:49:46.440
<v Speaker 2>to people would be put off by it.

964
00:49:46.480 --> 00:49:49.960
<v Speaker 1>I think, yeah, all right, why don't we go for

965
00:49:50.000 --> 00:49:52.440
<v Speaker 1>a break and then we'll come back and do a

966
00:49:52.440 --> 00:49:55.360
<v Speaker 1>little bit of spoiler talk about some of the stuff

967
00:49:55.360 --> 00:49:57.159
<v Speaker 1>we didn't want to, you know, reveal in this part.

968
00:49:57.199 --> 00:50:02.000
<v Speaker 1>We'll be right back back and now we're going to

969
00:50:02.039 --> 00:50:06.199
<v Speaker 1>get into some of the spoiler stuff about the Devil

970
00:50:06.239 --> 00:50:09.639
<v Speaker 1>War's product too. The big thing and it really surprised

971
00:50:09.679 --> 00:50:13.599
<v Speaker 1>me that they did this, was that Miranda Priestley is

972
00:50:13.639 --> 00:50:18.840
<v Speaker 1>not the villain of this story. She's actually Andy's co conspirator,

973
00:50:19.239 --> 00:50:22.079
<v Speaker 1>because the villain of the story is Emily Blunt.

974
00:50:22.239 --> 00:50:22.880
<v Speaker 2>Surprised by this.

975
00:50:23.079 --> 00:50:26.079
<v Speaker 1>I did not expect that to happen, and I thought

976
00:50:26.079 --> 00:50:28.639
<v Speaker 1>it was a little bold of them to take that move.

977
00:50:28.800 --> 00:50:32.119
<v Speaker 1>And I thought it I ain't I don't know. I

978
00:50:32.159 --> 00:50:34.719
<v Speaker 1>was like, would Emily, the Emily of two thousand and

979
00:50:34.760 --> 00:50:36.719
<v Speaker 1>six that she portrayed, is this where she would have

980
00:50:36.760 --> 00:50:39.519
<v Speaker 1>wound up? But the I thought the script did some

981
00:50:39.599 --> 00:50:41.639
<v Speaker 1>interesting things to give you a hint of where her

982
00:50:41.679 --> 00:50:43.800
<v Speaker 1>life was, why her life was the way it was,

983
00:50:44.599 --> 00:50:50.480
<v Speaker 1>and ultimately she is the girlfriend of a billionaire played

984
00:50:50.480 --> 00:50:55.119
<v Speaker 1>by Justin Threux, and it's essentially a Bill Gates elon

985
00:50:55.280 --> 00:50:57.480
<v Speaker 1>Musk sort of. You could tell they did not want

986
00:50:57.480 --> 00:51:00.840
<v Speaker 1>to it didn't it wasn't gonna look like anyone like what.

987
00:51:00.840 --> 00:51:02.960
<v Speaker 1>They didn't want to piss off Jeff Bezos, I guess

988
00:51:03.000 --> 00:51:05.760
<v Speaker 1>because you know they're going to be on Prime videos someday.

989
00:51:05.480 --> 00:51:07.440
<v Speaker 2>Because that could be the two of them clearly.

990
00:51:07.599 --> 00:51:09.760
<v Speaker 1>Well, I think it was based more on Bill Gates

991
00:51:09.760 --> 00:51:14.199
<v Speaker 1>and his wife Mackenzie, because Lucy Lou plays Justin Thereux's

992
00:51:14.239 --> 00:51:16.960
<v Speaker 1>ex wife, and she's a billionaire as well, and there's

993
00:51:16.960 --> 00:51:19.079
<v Speaker 1>this whole story about trying to get an interview with

994
00:51:19.119 --> 00:51:23.159
<v Speaker 1>her and blah blah blah blah blah. But a lot

995
00:51:23.199 --> 00:51:27.960
<v Speaker 1>of the film deals with the collapsing of media and

996
00:51:28.000 --> 00:51:32.920
<v Speaker 1>the fact that all of these these struggling media outlets

997
00:51:32.960 --> 00:51:35.880
<v Speaker 1>are relying on olivegarchs and hitch funds to fund them.

998
00:51:36.559 --> 00:51:40.639
<v Speaker 1>And there's a scramble to try because Runway is the

999
00:51:40.679 --> 00:51:44.039
<v Speaker 1>owner of Runway dies and then they think his son

1000
00:51:44.119 --> 00:51:45.760
<v Speaker 1>is going to wind up selling it all off, and

1001
00:51:45.800 --> 00:51:48.480
<v Speaker 1>so there's a scramble to try and get a billionaire

1002
00:51:49.159 --> 00:51:52.440
<v Speaker 1>to save Runway, and the billionaire they settle on is

1003
00:51:52.639 --> 00:51:55.280
<v Speaker 1>justin Thereux, which is Emily Blunt's boyfriend.

1004
00:51:55.679 --> 00:51:57.599
<v Speaker 2>I almost didn't recognize him, but yeah, I.

1005
00:51:57.519 --> 00:51:59.760
<v Speaker 1>Can't even quite tell. I know that there was a

1006
00:51:59.760 --> 00:52:01.679
<v Speaker 1>way that gave him a receding hairline, but I think

1007
00:52:01.719 --> 00:52:04.920
<v Speaker 1>he's wearing a prosthetic nose. Yeah, they did something to

1008
00:52:05.000 --> 00:52:05.760
<v Speaker 1>uglify him.

1009
00:52:05.880 --> 00:52:08.599
<v Speaker 2>Chubby well, I mean they yes.

1010
00:52:08.599 --> 00:52:11.880
<v Speaker 1>He's chubbier, and I don't know why, why would you

1011
00:52:11.920 --> 00:52:15.199
<v Speaker 1>cast a hot guy and then unhot him, just cast

1012
00:52:15.239 --> 00:52:16.679
<v Speaker 1>some chubby not hot guy.

1013
00:52:16.719 --> 00:52:18.599
<v Speaker 2>At the time, I was like, is that really him?

1014
00:52:18.880 --> 00:52:20.920
<v Speaker 1>A couple of times I was like that that is

1015
00:52:21.079 --> 00:52:23.119
<v Speaker 1>justin thrue right. It was sort of his unkind of

1016
00:52:23.159 --> 00:52:28.559
<v Speaker 1>canny Valley thing. But there's someone We're like, oh wow,

1017
00:52:28.679 --> 00:52:31.039
<v Speaker 1>would Emily have wound up with a billionaire Olive Ark

1018
00:52:31.119 --> 00:52:34.840
<v Speaker 1>a loser? Like he's like this weird, you know, socially

1019
00:52:34.880 --> 00:52:38.920
<v Speaker 1>awkward Elon Musk type, well money, But I was like,

1020
00:52:39.039 --> 00:52:40.079
<v Speaker 1>is that who she is?

1021
00:52:40.079 --> 00:52:40.320
<v Speaker 2>Is she?

1022
00:52:40.639 --> 00:52:45.159
<v Speaker 1>But then they do a quick scene where you see

1023
00:52:45.199 --> 00:52:47.760
<v Speaker 1>her on the phone with an ex husband who is

1024
00:52:47.840 --> 00:52:50.920
<v Speaker 1>taking care of their kids, and you kind of get

1025
00:52:50.920 --> 00:52:52.840
<v Speaker 1>the impression that her life has not worked out the

1026
00:52:52.840 --> 00:52:54.400
<v Speaker 1>way she thought it was going to work out. When

1027
00:52:54.400 --> 00:52:58.199
<v Speaker 1>she was twenty three and she was Miranda Peasley's assistant.

1028
00:52:58.239 --> 00:53:01.239
<v Speaker 1>And then it comes out much later in film that

1029
00:53:01.360 --> 00:53:04.159
<v Speaker 1>Miranda kind of screwed her over in her career and

1030
00:53:04.199 --> 00:53:07.159
<v Speaker 1>she has a lot of resentment towards Miranda. And god,

1031
00:53:08.719 --> 00:53:12.280
<v Speaker 1>that line do you know which line where Miranda says

1032
00:53:12.280 --> 00:53:14.599
<v Speaker 1>to her, You're not a visionary, You're a vendor.

1033
00:53:14.920 --> 00:53:16.719
<v Speaker 2>And I was like, oh my god.

1034
00:53:16.800 --> 00:53:20.920
<v Speaker 1>In fashion, that is just about the most damning. You're

1035
00:53:20.920 --> 00:53:23.719
<v Speaker 1>basically saying you're a shop girl. You're just a shop girl.

1036
00:53:23.760 --> 00:53:24.679
<v Speaker 1>You can cut the attitude.

1037
00:53:24.920 --> 00:53:29.960
<v Speaker 2>Well, she's working for Door And can we just talk

1038
00:53:30.000 --> 00:53:33.199
<v Speaker 2>about that first outfit? Oh my god, Yeah, her outfit

1039
00:53:33.840 --> 00:53:35.559
<v Speaker 2>drop dead cord.

1040
00:53:35.639 --> 00:53:38.079
<v Speaker 1>She I think she might have had the best. No, actually,

1041
00:53:38.079 --> 00:53:41.400
<v Speaker 1>Meryl did have the best outfits at one point. There's

1042
00:53:41.400 --> 00:53:43.119
<v Speaker 1>that scene on the street where they're getting into the

1043
00:53:43.199 --> 00:53:46.119
<v Speaker 1>limo and I was like, her suit is stunning. Meryl

1044
00:53:46.159 --> 00:53:46.599
<v Speaker 1>suit was.

1045
00:53:46.800 --> 00:53:48.559
<v Speaker 2>And I have to talk about that first look, because

1046
00:53:48.559 --> 00:53:50.960
<v Speaker 2>that's when when a custom design know what she's doing.

1047
00:53:51.559 --> 00:53:53.679
<v Speaker 2>You might look at that it was like, that's too much.

1048
00:53:53.719 --> 00:53:56.320
<v Speaker 2>But if you were in the fashion industry and she

1049
00:53:56.400 --> 00:53:58.639
<v Speaker 2>works at the or, and if you were at and

1050
00:53:58.679 --> 00:54:02.760
<v Speaker 2>you have access to those clothes, that's what you're gonna wear. Yeah,

1051
00:54:02.800 --> 00:54:04.920
<v Speaker 2>and she looked amaeding.

1052
00:54:05.320 --> 00:54:08.000
<v Speaker 1>So I'm not going to fully unpack the plot. But

1053
00:54:09.440 --> 00:54:13.400
<v Speaker 1>Emily Blunt's character winds up screwing several people over incruiting

1054
00:54:13.639 --> 00:54:19.639
<v Speaker 1>Miranda Priestley in a bid to take over Runway magazine,

1055
00:54:20.119 --> 00:54:23.079
<v Speaker 1>and I really wasn't bothered by it. But I was

1056
00:54:23.119 --> 00:54:25.159
<v Speaker 1>surprised that they took one of the main characters in

1057
00:54:25.199 --> 00:54:26.760
<v Speaker 1>the first film and said, you know what, her life

1058
00:54:26.800 --> 00:54:28.880
<v Speaker 1>didn't work out well and she's kind of a bitch.

1059
00:54:28.960 --> 00:54:29.800
<v Speaker 2>Now.

1060
00:54:32.079 --> 00:54:34.000
<v Speaker 1>I thought that was actually a bold thing to do.

1061
00:54:34.199 --> 00:54:37.679
<v Speaker 1>And again, I'm not going to unpack how the story unfolds,

1062
00:54:37.719 --> 00:54:41.320
<v Speaker 1>but there is resolution there, and in fact, one of

1063
00:54:41.320 --> 00:54:45.360
<v Speaker 1>the things I want to say here is all I

1064
00:54:45.360 --> 00:54:48.599
<v Speaker 1>feel like the character arcs for the main characters were

1065
00:54:48.639 --> 00:54:50.880
<v Speaker 1>summed up so well that I really hope they never

1066
00:54:50.960 --> 00:54:54.000
<v Speaker 1>do a third one. But if they wanted to do

1067
00:54:54.079 --> 00:54:56.840
<v Speaker 1>a spin off with Emily Blunt's character, I would watch

1068
00:54:56.880 --> 00:55:01.199
<v Speaker 1>an entire movie of her in London working for Burbery

1069
00:55:01.320 --> 00:55:04.119
<v Speaker 1>or something, because she I mean, it's the best role

1070
00:55:04.199 --> 00:55:08.079
<v Speaker 1>she ever had. She's so good in this that I'm like,

1071
00:55:08.320 --> 00:55:13.000
<v Speaker 1>I I would not argue with an Academy Award nomination

1072
00:55:13.159 --> 00:55:16.400
<v Speaker 1>for Best Support RaaS like she's that good in this role.

1073
00:55:17.559 --> 00:55:20.800
<v Speaker 2>I also loved the scene in the Corp when Marriscuprimi

1074
00:55:20.920 --> 00:55:23.159
<v Speaker 2>says too and had the way like you think we're

1075
00:55:23.159 --> 00:55:25.159
<v Speaker 2>going to be friends now? I mean that kind of

1076
00:55:25.280 --> 00:55:27.679
<v Speaker 2>and I thought that was so real. So so the

1077
00:55:27.719 --> 00:55:32.000
<v Speaker 2>industry like this worked for now, you know, like we

1078
00:55:32.079 --> 00:55:33.920
<v Speaker 2>made a good day. Left it there though, Yeah, we

1079
00:55:33.960 --> 00:55:35.880
<v Speaker 2>made a good deal, but it doesn't mean we're going

1080
00:55:35.960 --> 00:55:37.559
<v Speaker 2>to be friends. So I'm going to be on your

1081
00:55:37.599 --> 00:55:39.639
<v Speaker 2>side or or You're going to be on my side

1082
00:55:39.800 --> 00:55:42.679
<v Speaker 2>the whole time, which is very true when you are

1083
00:55:42.840 --> 00:55:47.199
<v Speaker 2>in such a competitive you know, world and industry. That's

1084
00:55:47.199 --> 00:55:48.400
<v Speaker 2>how you feel the whole time.

1085
00:55:48.360 --> 00:55:56.159
<v Speaker 1>Right I I do feel that, Yes, they they leave

1086
00:55:56.199 --> 00:55:59.199
<v Speaker 1>it in such a place that everything's kind of tentative.

1087
00:55:59.239 --> 00:56:01.599
<v Speaker 1>Actually is I'm hoping need into a third one. I

1088
00:56:01.639 --> 00:56:03.639
<v Speaker 1>don't think there's any plan to do.

1089
00:56:03.800 --> 00:56:04.920
<v Speaker 2>I don't think.

1090
00:56:05.199 --> 00:56:08.559
<v Speaker 1>But they make it very clear that runway is quote

1091
00:56:08.639 --> 00:56:11.360
<v Speaker 1>unquote saved, but also that runway probably is going to

1092
00:56:11.440 --> 00:56:14.519
<v Speaker 1>last much longer anyway. And they also kind of make

1093
00:56:14.559 --> 00:56:19.239
<v Speaker 1>it clear that Miranda's just holding on but you know,

1094
00:56:19.400 --> 00:56:22.159
<v Speaker 1>and it's kind of Ego. There was a point at

1095
00:56:22.199 --> 00:56:26.920
<v Speaker 1>which I sat there wondering how much am I supposed

1096
00:56:26.960 --> 00:56:30.039
<v Speaker 1>to feel bad about a wealthy seventy five year old

1097
00:56:30.119 --> 00:56:33.159
<v Speaker 1>woman who probably is at the end of her career. Like,

1098
00:56:33.199 --> 00:56:36.519
<v Speaker 1>you're seventy five and you're wealthy and you're highly accomplished.

1099
00:56:36.559 --> 00:56:40.679
<v Speaker 1>How bad am I supposed to feel? Similarly to Stanley

1100
00:56:40.679 --> 00:56:43.519
<v Speaker 1>Tucci's character, like squish squish boo, who you're You know,

1101
00:56:43.840 --> 00:56:46.199
<v Speaker 1>you're the second in charge at Runway? Okay, you're like

1102
00:56:46.320 --> 00:56:51.039
<v Speaker 1>sixty five, Like I don't mean agism here, but very

1103
00:56:51.159 --> 00:56:54.719
<v Speaker 1>very well accomplished people, Like how badly am I supposed

1104
00:56:54.760 --> 00:56:57.039
<v Speaker 1>to feel for any of you? And I do think

1105
00:56:57.119 --> 00:57:01.400
<v Speaker 1>it ends in a way that doesn't over state where

1106
00:57:01.440 --> 00:57:02.800
<v Speaker 1>they are or what they're doing.

1107
00:57:02.920 --> 00:57:05.880
<v Speaker 2>I have a question, did they recast the husband or

1108
00:57:05.960 --> 00:57:06.920
<v Speaker 2>that's a second husband?

1109
00:57:07.519 --> 00:57:09.679
<v Speaker 1>The second husband? Her husband left her in the first film?

1110
00:57:09.760 --> 00:57:13.519
<v Speaker 1>Oh okay, Kenneth Brownick plays her husband. It's a lovely part,

1111
00:57:13.559 --> 00:57:15.320
<v Speaker 1>but I'm like, why did he agree to that? I

1112
00:57:15.360 --> 00:57:19.039
<v Speaker 1>know it's a big nothing. I guess he agreed with

1113
00:57:19.119 --> 00:57:21.000
<v Speaker 1>it to do scenes with Meryl Streep because I don't

1114
00:57:21.000 --> 00:57:24.239
<v Speaker 1>think they've ever worked together. Same thing with Lucy lil

1115
00:57:25.199 --> 00:57:28.440
<v Speaker 1>there's a major, major plot point that hinges on her character,

1116
00:57:28.599 --> 00:57:31.760
<v Speaker 1>but she is in four minutes of screen time.

1117
00:57:31.880 --> 00:57:33.920
<v Speaker 2>I think everyone wants to be port just wanted to

1118
00:57:33.920 --> 00:57:36.559
<v Speaker 2>be part of it. Everyone wants a piece of this,

1119
00:57:36.639 --> 00:57:39.400
<v Speaker 2>you know, incredible cake. Yeah, that's been going on for

1120
00:57:40.000 --> 00:57:41.000
<v Speaker 2>twenty years.

1121
00:57:41.239 --> 00:57:45.280
<v Speaker 1>But my wrap up is, if you liked it, it's

1122
00:57:45.519 --> 00:57:48.760
<v Speaker 1>very much worth your time. It was not a disappointment

1123
00:57:48.800 --> 00:57:52.639
<v Speaker 1>to at all. It's entertaining. I enjoyed seeing these people again,

1124
00:57:53.119 --> 00:57:55.719
<v Speaker 1>and I very much enjoyed that we weren't just replaying

1125
00:57:55.800 --> 00:57:58.239
<v Speaker 1>hits from twenty years ago. There was an actual story

1126
00:57:58.239 --> 00:58:00.320
<v Speaker 1>there and it felt current.

1127
00:58:00.960 --> 00:58:03.199
<v Speaker 2>I was gonna see it anyway, of course, of course,

1128
00:58:03.280 --> 00:58:05.719
<v Speaker 2>but I'm I was pleased. I think I think they

1129
00:58:05.760 --> 00:58:09.159
<v Speaker 2>did a good job. Yeah, I agree, but it Yeah,

1130
00:58:09.239 --> 00:58:10.000
<v Speaker 2>fashion is great.

1131
00:58:10.519 --> 00:58:14.199
<v Speaker 1>We highly recommend it, highly recommend it. And I think

1132
00:58:14.239 --> 00:58:16.800
<v Speaker 1>that's it for this week. We are going to wrap

1133
00:58:16.840 --> 00:58:21.039
<v Speaker 1>things up and immediately record a second podcast, Movie Club,

1134
00:58:21.800 --> 00:58:23.800
<v Speaker 1>But we will be back next week with our regular

1135
00:58:23.840 --> 00:58:26.840
<v Speaker 1>podcast with whatever crosses our eyes across our desk. Until then,

1136
00:58:26.880 --> 00:58:29.360
<v Speaker 1>take care of yourselves, love you mean it, Bye bye bye.
