1 00:00:28,719 --> 00:00:35,399 Speaker 1: Welcome to the Great Detectives of Old Time Radio from Boyse, Adaho. 2 00:00:35,719 --> 00:00:39,679 This is your host, Adam Graham in a moment will 3 00:00:39,719 --> 00:00:43,759 bring you our four thousand, five hundred and fiftieth episode special. 4 00:00:44,240 --> 00:00:46,439 I do want to encourage you, if you are enjoying 5 00:00:46,439 --> 00:00:51,880 the podcast, to follow us using your favorite podcast software. Well, 6 00:00:51,920 --> 00:00:54,359 we're going to play an episode of a series that 7 00:00:55,000 --> 00:01:01,719 was an anthology program that generally featured history drama, The 8 00:01:01,759 --> 00:01:06,599 Cavalcade of America. I love this series and I love 9 00:01:06,799 --> 00:01:12,159 finding excuses to feature episodes of it. We played quite 10 00:01:12,200 --> 00:01:15,879 a few episodes over on the Amazing World of Radio, 11 00:01:16,120 --> 00:01:20,640 but we've only played one episode on the Great Detectives podcast, 12 00:01:20,719 --> 00:01:25,000 and that was for our eleven hundredth episode special. So 13 00:01:25,120 --> 00:01:28,319 I guess we're due for another episode of The Cavalcade 14 00:01:28,319 --> 00:01:32,319 of America at this point. The original air date on 15 00:01:32,480 --> 00:01:37,680 this one is November eighteenth, nineteen forty six. And here 16 00:01:37,719 --> 00:01:39,760 now is The Pinkerton Man. 17 00:01:50,920 --> 00:01:54,519 Speaker 2: Tonight, the DuPont Company brings you The Pinkerton Man, starring 18 00:01:54,599 --> 00:01:56,840 Lee Bowman on the Cavalcade of America. 19 00:01:57,480 --> 00:02:01,439 Speaker 3: But first, here is Game Whipman. Most accidents happen right 20 00:02:01,480 --> 00:02:04,519 in the home. Watch out for boiling water in the kitchen, 21 00:02:05,319 --> 00:02:07,879 Watch that electric light switch when you're taking a bath, 22 00:02:08,599 --> 00:02:11,280 Watch that dark flight of stairs, and watch out for 23 00:02:11,360 --> 00:02:14,000 rugs and carpets that may trip you or skid out 24 00:02:14,000 --> 00:02:17,240 from under you. DuPont rug anchor is a sponge rubber 25 00:02:17,319 --> 00:02:20,599 underlay designed to make rugs stay put. It makes them 26 00:02:20,639 --> 00:02:23,240 cling like a leech, no matter how slippery floors may be, 27 00:02:23,759 --> 00:02:26,400 and it adds to their life because it keeps dirt 28 00:02:26,400 --> 00:02:28,120 from working up from the floor into the back of 29 00:02:28,159 --> 00:02:31,560 the rug. Rug Anchor is one of the DuPont Companies 30 00:02:31,639 --> 00:02:34,280 Better Things for better living through chemistry. 31 00:02:36,120 --> 00:02:48,560 Speaker 2: The Cavalcade of America America. 32 00:02:48,719 --> 00:02:51,439 Speaker 3: America means skyscrapers. 33 00:02:50,599 --> 00:02:53,599 Speaker 2: And haylogs, the crack of a pioneer's flintlock and the 34 00:02:53,639 --> 00:02:56,599 sound of the riveter's machine, the outline of a church 35 00:02:56,639 --> 00:02:58,360 steeple against the midnight sky. 36 00:02:59,360 --> 00:03:01,159 Speaker 3: America is your story. 37 00:03:01,599 --> 00:03:06,479 Speaker 2: America is you and everyone you know. Tonight we present 38 00:03:06,560 --> 00:03:10,479 Lee Bowman in the Pinkerton Man on the DuPont Cavalcade 39 00:03:10,479 --> 00:03:19,439 of America. 40 00:03:26,159 --> 00:03:27,879 Speaker 3: It is the year eighteen fifty nine. 41 00:03:28,360 --> 00:03:31,240 Speaker 2: In one of the coaches of a train bound for Columbia, Tennessee, 42 00:03:31,719 --> 00:03:35,800 a man sits looking calmly at the countryside. He's dressed quietly, 43 00:03:36,039 --> 00:03:38,479 and you wouldn't look twice at him, because well, because 44 00:03:38,479 --> 00:03:40,960 he looks like one hundred thousand other men. You've seen 45 00:03:41,599 --> 00:03:49,599 his name, Alan Pinkerton, America's greatest detective. As he sits, 46 00:03:49,759 --> 00:03:52,520 another man carrying what appears to be a sample case 47 00:03:52,639 --> 00:03:55,719 comes into the coach, looks around for a moment, and then. 48 00:03:56,520 --> 00:03:58,639 Speaker 3: Excuse me, is just heat taking? Why? 49 00:03:59,240 --> 00:04:00,520 Speaker 4: Oh? No, no, no, I hope you're selling. 50 00:04:00,639 --> 00:04:02,960 Speaker 3: Thanks, I hope you don't mind no seats on the 51 00:04:02,960 --> 00:04:04,719 shady side of the coach. Oh, it's all right. I 52 00:04:04,719 --> 00:04:08,199 don't like to sit in the sun myself. Thanks, I'm sorry. 53 00:04:08,520 --> 00:04:11,719 I always have trouble with my sample Keithy, I see 54 00:04:13,039 --> 00:04:17,319 what is it this time? Colins ties sucks handkerchiefs. And 55 00:04:17,399 --> 00:04:18,600 what's it all about? Chief? 56 00:04:18,839 --> 00:04:20,319 Speaker 4: What'd you get on last step? 57 00:04:20,600 --> 00:04:24,560 Speaker 3: Took a localm caught this train from there. Goodness, Collins, 58 00:04:24,639 --> 00:04:27,120 I'm going through with the case and that's for the figure. Chief. 59 00:04:27,839 --> 00:04:30,519 All right, what's my job? I don't know yet, but 60 00:04:30,600 --> 00:04:32,720 I'll have some use for you. But mister Pinkert any 61 00:04:32,759 --> 00:04:36,079 Quilling JB. Quillen, Uh oh that's my name? You got it? 62 00:04:36,399 --> 00:04:41,639 Oh yeah, all right, businessman retired health reasons. Good enough, 63 00:04:41,759 --> 00:04:45,079 mister quill. You stay at the hotel in Columbia and 64 00:04:45,160 --> 00:04:48,639 you a boarding house. I think for how wrong, Well, 65 00:04:48,680 --> 00:04:50,800 I don't know. It depends on how tough this will be. 66 00:04:51,160 --> 00:04:54,439 Plenty needs have Chief cases a year old trails as 67 00:04:54,480 --> 00:04:57,439 cold as a dog's nose. Yeah, I know, I'll dig 68 00:04:57,480 --> 00:04:59,519 around until I find a lead. What kind of a 69 00:04:59,600 --> 00:05:01,959 lead in the case it's grown up being. Oh that's 70 00:05:02,000 --> 00:05:04,480 my job, Collins. Now, when we got to Columbia, you 71 00:05:04,519 --> 00:05:07,560 get off first, go directly to the hotel. Sit tight, 72 00:05:07,600 --> 00:05:24,240 and I'll contact you. And that's the story. Collins. Don't 73 00:05:24,279 --> 00:05:27,439 sound good to me, Chief, Not a lead, not a 74 00:05:27,480 --> 00:05:30,560 single lead. A bank robbery and murder that happened over 75 00:05:30,600 --> 00:05:33,439 a year ago. What can you expect. I don't know 76 00:05:33,560 --> 00:05:38,480 something anything. There must be something. Sunsh Banks or president 77 00:05:38,480 --> 00:05:41,959 of the bank, gave me the names, Collins. I've eliminated 78 00:05:42,000 --> 00:05:44,720 three of those people. There's nothing to tie them in 79 00:05:44,720 --> 00:05:47,120 in the first place. All the local police had to 80 00:05:47,120 --> 00:05:50,439 go on with suspicion. That's not much. But yeah, how 81 00:05:50,439 --> 00:05:53,319 about the fourth such bank, a man named Samuel Arthur. 82 00:05:53,639 --> 00:05:56,199 Speaker 4: Anything on him? No, nothing, nothing at all. 83 00:05:56,439 --> 00:05:58,439 Speaker 3: But look, if I'm not, that's guilty. If you think 84 00:05:58,480 --> 00:06:01,839 he's the one, you gotta have something. What about the 85 00:06:01,879 --> 00:06:02,759 money from the robber? 86 00:06:03,160 --> 00:06:04,399 Speaker 4: Not a penny of it's shown up. 87 00:06:04,720 --> 00:06:06,720 Speaker 3: That's why I believe the job was pulled by someone 88 00:06:06,759 --> 00:06:10,279 in this town, someone who was afraid to leave, someone 89 00:06:10,279 --> 00:06:12,959 who killed the watchman Walters and then got panicky. Panicky 90 00:06:13,800 --> 00:06:17,079 a murder who's played Doggo for a year isn't exactly panicky. 91 00:06:17,519 --> 00:06:21,120 He's smart, waiting for the time he can leave Collins. 92 00:06:21,800 --> 00:06:24,680 I'm changing boarding houses and cook and bat at the 93 00:06:24,720 --> 00:06:28,439 when you're in there. No, the hunting's bad, Samuel Art. 94 00:06:28,439 --> 00:06:32,120 This days at missus Holly's boarding house. Here, here's the address. 95 00:06:32,279 --> 00:06:35,079 All right, what's next? I'm going to find one lead, 96 00:06:35,439 --> 00:06:37,920 one clue that'll give me a toe hold. I'll see 97 00:06:37,959 --> 00:06:52,800 you later. Your last book gives me a triple jump 98 00:06:53,560 --> 00:06:57,800 and kidney. Well, mister Evans, you went again, Yes, sir, 99 00:06:58,800 --> 00:07:02,879 I'm afraid I'm Steve the checker champion. Misslie's the boarding house, 100 00:07:03,439 --> 00:07:06,879 no question about that. I resigned here for another one. 101 00:07:06,920 --> 00:07:10,199 Mister quillan. It's only eight o'clock. No, no, no, thank you, sir. 102 00:07:10,240 --> 00:07:13,560 Tomorrow night perhaps fine, fine, Well, I think i'll turn 103 00:07:13,639 --> 00:07:18,680 in then. Oh there you are. Have you finished your game, gentlemen, Yeah, yeah. 104 00:07:18,839 --> 00:07:19,759 Speaker 4: And I'm turning in. 105 00:07:19,959 --> 00:07:23,759 Speaker 3: You keep mister quilling company edner, make him be right 106 00:07:23,800 --> 00:07:24,480 at home here. 107 00:07:25,199 --> 00:07:28,439 Speaker 5: Well how long are you planning to say, mister Quillan. 108 00:07:28,879 --> 00:07:33,319 Speaker 3: All that, that all depends on what mister well on 109 00:07:33,920 --> 00:07:37,079 my help? Oh what is your ailment? 110 00:07:37,680 --> 00:07:38,319 Speaker 4: And my ailment? 111 00:07:39,040 --> 00:07:42,279 Speaker 3: Well it started a little over a year ago. And 112 00:07:42,480 --> 00:07:47,920 I yes, wasn't that mister Arthur who went past the door? 113 00:07:47,959 --> 00:07:48,120 Speaker 4: Then? 114 00:07:48,560 --> 00:07:50,279 Speaker 5: Well, I didn't see, but I guess it was. 115 00:07:50,800 --> 00:07:55,839 Speaker 3: Oh, well, excuse me. I'm rather tired myself. I think 116 00:07:55,879 --> 00:07:59,000 i'll turn into Oh. 117 00:07:58,040 --> 00:08:00,759 Speaker 5: Well maybe we can have a little talk tomorrow night. 118 00:08:01,000 --> 00:08:03,800 Speaker 4: Oh that will be delightful. Miss Oglethorpe, good. 119 00:08:03,680 --> 00:08:06,519 Speaker 5: Night, Good night, mister quill and sleep by. 120 00:08:07,160 --> 00:08:14,360 Speaker 3: Huh oh oh, thank you, thank you. Hello, huh huh 121 00:08:15,399 --> 00:08:19,120 oh hello. Oh sorry, I started to mister Arthur. Oh 122 00:08:19,680 --> 00:08:23,759 not a tall, mister Quillan. Beautiful evening outside, Yes, yes 123 00:08:23,800 --> 00:08:27,399 it is. I I was just thinking of going for 124 00:08:27,439 --> 00:08:29,920 a walk. He got to come along. Well, I'm a 125 00:08:29,959 --> 00:08:33,279 little tired and I perhaps just around the block. No, no, 126 00:08:33,320 --> 00:08:36,639 I don't think so. Maybe tomorrow evening, all right, glad 127 00:08:36,679 --> 00:08:43,399 to glad to uh yes, oh nothing, good night, mister Quillan, 128 00:08:43,519 --> 00:08:48,919 Good night mister Arthur. Oh, mister quillin yes, are you 129 00:08:49,000 --> 00:08:52,080 planning on going in the business down here? Business? 130 00:08:52,360 --> 00:08:52,720 Speaker 4: No? 131 00:08:52,720 --> 00:08:56,080 Speaker 3: No, I'm retired. Oh well then you'll be with us 132 00:08:56,120 --> 00:08:56,840 for quite a while. 133 00:08:57,879 --> 00:08:58,360 Speaker 4: Maybe. 134 00:08:59,120 --> 00:09:01,279 Speaker 3: I don't like to stay in one place very long, 135 00:09:01,360 --> 00:09:04,039 mister Arthur, like a change of scenery once in a while. 136 00:09:04,200 --> 00:09:07,399 I see, well, i'll see you tomorrow. 137 00:09:07,639 --> 00:09:09,399 Speaker 4: Good night, mister Arthur. 138 00:09:13,000 --> 00:09:16,240 Speaker 5: Oh why, mister quill And, I thought you're gonna stay. 139 00:09:16,519 --> 00:09:19,399 Speaker 3: Well, I met mister Arthur, stopped for a little chat 140 00:09:19,440 --> 00:09:21,519 with him. He's very nice and me. 141 00:09:21,960 --> 00:09:25,720 Speaker 5: Yes, very nice. We're all so fond of him. 142 00:09:25,879 --> 00:09:27,639 Speaker 4: Has has he been living here long? 143 00:09:28,399 --> 00:09:29,639 Speaker 5: I think about five moons? 144 00:09:30,399 --> 00:09:34,240 Speaker 4: Oh? Oh what does mister Evans do for a living? 145 00:09:34,639 --> 00:09:38,240 Speaker 5: Nothing? Nothing at all. I think he came into a 146 00:09:38,279 --> 00:09:43,200 little money sometime ago. But there I mustn't gossip. 147 00:09:42,879 --> 00:09:43,360 Speaker 3: Must die. 148 00:09:44,240 --> 00:09:45,279 Speaker 4: Well, no harm in that. 149 00:09:45,600 --> 00:09:49,559 Speaker 5: No, Well, that mister Arthur doesn't work either. 150 00:09:50,080 --> 00:09:51,320 Speaker 4: Oh retired. 151 00:09:51,759 --> 00:09:54,440 Speaker 5: It's hard to say, mister Quillan. I suppose he had 152 00:09:54,480 --> 00:09:57,600 some money saved up and oh there I go down. 153 00:09:58,759 --> 00:10:01,279 Speaker 4: It's all right. Well, good night, I'll see you tomorrow. 154 00:10:01,600 --> 00:10:17,639 Speaker 3: Good. We must have a longer talk sometimes. Yes, sir, 155 00:10:18,000 --> 00:10:21,240 what can I do for you? Do you have cigars? Yes? 156 00:10:21,600 --> 00:10:27,559 And a special kind you want? Well, let's see two 157 00:10:27,600 --> 00:10:28,320 of these please. 158 00:10:28,559 --> 00:10:28,799 Speaker 4: Yes. 159 00:10:29,840 --> 00:10:32,080 Speaker 3: Well, nice story you've got here. Thank you. 160 00:10:32,840 --> 00:10:34,440 Speaker 4: I must keep you pretty busy running it. 161 00:10:34,480 --> 00:10:39,759 Speaker 3: Well kind of good. Use some help, I'll bet you couldn't. 162 00:10:39,480 --> 00:10:40,919 Speaker 4: Don't you have a clerk? 163 00:10:41,120 --> 00:10:43,240 Speaker 3: Well not now. I had one, but I had to 164 00:10:43,279 --> 00:10:45,519 let him go. He got to talk on sassy to 165 00:10:45,639 --> 00:10:49,360 the trade, losing his temper. Oh wow, I wonder you 166 00:10:49,440 --> 00:10:51,399 let him go. Yep, I couldn't afford to have him 167 00:10:51,399 --> 00:10:54,480 give in trouble like that funny thing too. All of 168 00:10:54,519 --> 00:10:56,279 a sudden he up and began acting like. 169 00:10:56,399 --> 00:11:00,559 Speaker 4: He was crazy. Well, now that's funny. I wonder what. 170 00:11:00,519 --> 00:11:01,360 Speaker 3: Makes people do that? 171 00:11:02,039 --> 00:11:02,200 Speaker 6: You know? 172 00:11:02,320 --> 00:11:04,240 Speaker 3: I had a cousin like that, nice as could be. 173 00:11:04,360 --> 00:11:07,919 Then one day, just like that, began acting funny. Same 174 00:11:07,919 --> 00:11:12,039 as same Arthur, Too bad, I like same everybody did. 175 00:11:12,720 --> 00:11:15,679 That's the way it goes. Well, I'll see you again. 176 00:11:15,759 --> 00:11:20,240 Do I drop you in anytime? Glad the banks? Oh 177 00:11:20,480 --> 00:11:21,120 excuse me? 178 00:11:21,360 --> 00:11:27,039 Speaker 4: Hol there? Oh hi, fine, you gotta match my sure thing? 179 00:11:27,919 --> 00:11:32,480 Here you are it's your hotel in ten minutes. All right. 180 00:11:32,960 --> 00:11:35,200 I've learned a couple of things that might interest you. 181 00:11:47,600 --> 00:11:49,639 Speaker 3: And he was fired from his job because he got 182 00:11:49,639 --> 00:11:53,080 touchy and irritable. I seem well, I learned he's been 183 00:11:53,159 --> 00:11:55,120 keeping to himself. I won't have a thing to do 184 00:11:55,240 --> 00:12:00,679 with anybody. Everybody seemed to like him before, though, Collins 185 00:12:01,679 --> 00:12:04,159 the post sam Arthur has something on his mind, on 186 00:12:04,240 --> 00:12:06,679 his conscience, or I suppose he has. What can we 187 00:12:06,759 --> 00:12:10,080 do about it? Find out what it is? How if 188 00:12:10,120 --> 00:12:12,879 he's guilty, which we don't know. He's kept it to 189 00:12:12,960 --> 00:12:15,360 himself for a year now, But that sudden break from 190 00:12:15,399 --> 00:12:18,720 his whole life, Collins, I'm convinced his conscience is working 191 00:12:18,720 --> 00:12:20,559 on him. It didn't make him break in a year. 192 00:12:20,600 --> 00:12:21,600 It won't break him now. 193 00:12:22,080 --> 00:12:24,240 Speaker 4: I know that we've got to work on him. 194 00:12:24,559 --> 00:12:27,919 Speaker 3: But you can't do that without getting him suspicious. Start 195 00:12:28,000 --> 00:12:29,919 asking a guy like that some questions and he shut 196 00:12:30,000 --> 00:12:30,679 up like a claim. 197 00:12:31,480 --> 00:12:33,159 Speaker 4: You know that chef. We've had him before. 198 00:12:34,480 --> 00:12:37,240 Speaker 3: Conscience is a funny thing, Collins, and assows the instinct 199 00:12:37,240 --> 00:12:40,840 for self preservation. Just let Sam Earth get the slightest 200 00:12:40,879 --> 00:12:42,840 hint you're after him, and you won't be able to 201 00:12:42,840 --> 00:12:45,559 touch him with a ten foot pole. Look, I've got 202 00:12:45,600 --> 00:12:47,360 a job for you. You'll have to go about it 203 00:12:47,440 --> 00:12:49,960 quietly too, all right, what is it? Find out all 204 00:12:50,000 --> 00:12:52,720 you can? But I did. There's anything about Sam Earth 205 00:12:52,799 --> 00:12:54,840 you don't know already. I'm not talking about him now. 206 00:12:54,879 --> 00:12:56,240 I want you to find out all you can about 207 00:12:56,240 --> 00:13:00,200 Ben Walters. Walters, but he's the murdered bank watchman. I 208 00:13:00,279 --> 00:13:00,600 know it. 209 00:13:01,399 --> 00:13:03,399 Speaker 4: I've known that for a long time. Collins. 210 00:13:03,600 --> 00:13:07,879 Speaker 3: Oh yeah, I'm sorry. All right, but what good is 211 00:13:07,879 --> 00:13:12,639 he going to do? Did you ever hear of psychology? Psychology? 212 00:13:13,480 --> 00:13:16,639 Never heard you will? We'll use that in a little 213 00:13:16,639 --> 00:13:32,600 American ingenuity. Great combination, Collins, I'll go to it. You 214 00:13:32,639 --> 00:13:37,440 were sure of all these facts? Positive chief. Oh what's 215 00:13:37,480 --> 00:13:40,679 this about the perfume? Well, not exactly perfume. There was 216 00:13:40,720 --> 00:13:43,279 after Shavings said he was crazy about the stuff. You 217 00:13:43,320 --> 00:13:45,919 used it all the time, and he talked like this, 218 00:13:47,480 --> 00:13:51,559 mister Quillan, this is the way I used to talk. Yeah, 219 00:13:51,600 --> 00:13:54,039 that's the way you should have been an actor, Collins. 220 00:13:54,240 --> 00:13:56,720 I could have been a good one. You're going to be. Uh. 221 00:13:57,440 --> 00:13:59,879 I've got an idea and maybe it'll work. It's never 222 00:13:59,879 --> 00:14:02,519 been tried before I don't get your chief, you will. 223 00:14:03,440 --> 00:14:05,600 Colin's got a bottle of the scent you were talking about. 224 00:14:05,639 --> 00:14:08,720 Can you do it for sure? But what's the idea psychology? 225 00:14:09,600 --> 00:14:11,480 Here's what I want you to do. I'll see that 226 00:14:11,559 --> 00:14:13,480 Arthur doesn't go near his room. And however, you finish 227 00:14:13,519 --> 00:14:25,159 the job I want you to do. Well, mister Roger, 228 00:14:25,320 --> 00:14:28,159 huh oh, hello quila? 229 00:14:28,360 --> 00:14:30,919 Speaker 4: Do you want some company on your walk? 230 00:14:31,000 --> 00:14:34,279 Speaker 3: Well? I wasn't going very far, just top for better day? 231 00:14:34,600 --> 00:14:39,480 Whats so was? I? Confidentially? Miss Oglethorpe was waiting for me. 232 00:14:40,559 --> 00:14:48,919 I see she likes to talk, that she does. She 233 00:14:48,960 --> 00:14:52,360 doesn't care what she talks about either, No, just as 234 00:14:52,440 --> 00:15:00,919 long as she talks. You sleep well last night? Sleep well, 235 00:15:00,960 --> 00:15:03,039 of course? Why did you ask that? 236 00:15:03,639 --> 00:15:06,720 Speaker 4: Oh? It was so hot. I was restless all night. 237 00:15:07,080 --> 00:15:09,639 Speaker 3: I heard you, and I thought you were restless too, 238 00:15:09,639 --> 00:15:13,919 almost dropped over the seas, So I wasn't restless. No, Well, 239 00:15:14,559 --> 00:15:18,480 I guess I heard something else heard something, but oh nothing, 240 00:15:18,519 --> 00:15:21,759 nothing my imagination, I guess. But since you were just 241 00:15:21,799 --> 00:15:24,279 next door to me, I thought it was you. Well, 242 00:15:24,440 --> 00:15:25,320 what are you talking about? 243 00:15:25,600 --> 00:15:26,559 Speaker 4: Nothing at all? 244 00:15:26,679 --> 00:15:29,679 Speaker 3: You see? I don't sleep very well. Probably one of 245 00:15:29,720 --> 00:15:35,519 those half awake, half asleep dreams. Oh, but what was 246 00:15:35,600 --> 00:15:38,240 it you heard? Oh, some sort of mumbling, like a 247 00:15:38,279 --> 00:15:39,919 person talking in his sleep. It wasn't I. 248 00:15:40,159 --> 00:15:41,120 Speaker 4: No, No, probably not. 249 00:15:41,399 --> 00:15:41,480 Speaker 5: No. 250 00:15:41,600 --> 00:15:44,600 Speaker 3: I I've never talked in my sleep. 251 00:15:45,039 --> 00:15:47,480 Speaker 4: Well I didn't say you did. I was just mentioning it. 252 00:15:47,759 --> 00:15:49,840 Speaker 3: I forget it. It was more than likely it was me. Well, 253 00:15:49,919 --> 00:15:53,159 I've I've got to leave you here. Oh that's too bad. Yes, 254 00:15:53,279 --> 00:15:54,759 I've got to get something at the store. 255 00:15:54,879 --> 00:15:56,080 Speaker 4: Well, I'll walk with you. 256 00:15:56,120 --> 00:16:00,000 Speaker 3: Oh please, I'm going to stop and see a prim Oh, 257 00:16:00,120 --> 00:16:02,879 i won't trail along man. Good night, Good night, quill, 258 00:16:03,559 --> 00:16:06,720 I'll see you tomorrow. It was pretty smarty in chief, 259 00:16:06,720 --> 00:16:08,080 the trailers, not Collins. Sure. 260 00:16:08,279 --> 00:16:10,039 Speaker 4: Now, how'd you do back in his room? 261 00:16:10,080 --> 00:16:12,360 Speaker 3: Oh, Frank, no trouble getting in a tall lock, and 262 00:16:12,360 --> 00:16:14,559 the connecting joe between his room and yours was a cinch. 263 00:16:14,720 --> 00:16:17,639 All right, let's get back before he does. I'll go first. 264 00:16:18,159 --> 00:16:19,600 I'll let you in when the coast is clear. 265 00:16:29,879 --> 00:16:32,480 Speaker 2: You are listening to Lee Bowman in the Pinkerton Man 266 00:16:32,600 --> 00:16:35,720 on the Cavalcade of America, sponsored by the DuPont Company, 267 00:16:35,759 --> 00:16:49,759 maker of Better Things for better Living through Chemistry, as 268 00:16:49,799 --> 00:16:52,279 the second part of our story opens, Alan Pinketton is 269 00:16:52,320 --> 00:16:54,679 trying to break a year old murder and robbery case 270 00:16:54,720 --> 00:16:58,039 in Columbia, Tennessee. Certain that a man named Sam Arthur 271 00:16:58,080 --> 00:17:00,879 is guilty, Pinkerton is working on him, and Pigoton's plan 272 00:17:00,960 --> 00:17:03,879 seems to be succeeding for Ian Collins. Listen to an 273 00:17:03,960 --> 00:17:05,599 argument going on outside his room. 274 00:17:06,759 --> 00:17:08,799 Speaker 5: Really, Mica, it's absolutely ridiculous. 275 00:17:08,839 --> 00:17:10,440 Speaker 3: I know what I'm talking about this with Holly, and 276 00:17:10,480 --> 00:17:11,200 don't shout me me. 277 00:17:11,279 --> 00:17:14,400 Speaker 5: I'm not dead, and I don't like your insinuations that someone. 278 00:17:14,200 --> 00:17:16,160 Speaker 3: In this house within your room. But someone wants I 279 00:17:16,240 --> 00:17:18,920 tell you someone was in my room, Dorah within to clean. 280 00:17:19,119 --> 00:17:20,880 Dora doesn't have to go into my gusa. 281 00:17:21,000 --> 00:17:22,000 Speaker 6: Now you listen to me. 282 00:17:22,480 --> 00:17:24,279 Speaker 4: Doah been with me for fifteen years. 283 00:17:24,319 --> 00:17:26,319 Speaker 3: She's a good girl. I've said if somebody was in. 284 00:17:26,279 --> 00:17:28,839 Speaker 5: My room, I told it with only Dora. If you 285 00:17:28,880 --> 00:17:30,480 don't like things the way they are around him, it 286 00:17:30,559 --> 00:17:32,519 is off you believe now to not this minute? 287 00:17:32,559 --> 00:17:38,319 Speaker 3: All right? Oh, never mind, I get what I said. 288 00:17:38,559 --> 00:17:43,839 Good night. I believe it's starting to work, Collins. And 289 00:17:43,920 --> 00:17:46,039 maybe you're right, Chief, Yes I think so, but it's 290 00:17:46,039 --> 00:17:48,319 not enough yet. Hey, where are you going stay here, 291 00:17:48,519 --> 00:18:00,160 I'm going to see him. Now, who's there? Wellen, can 292 00:18:00,160 --> 00:18:03,920 I come in? But Paul, uh, just just to talk? 293 00:18:04,839 --> 00:18:11,480 Well just a minute. What do you want? Well, I 294 00:18:12,240 --> 00:18:14,240 I just heard you and missus Holly thought I could 295 00:18:14,279 --> 00:18:19,119 do something anything wrong. It's Dora. I know she was 296 00:18:19,119 --> 00:18:21,519 in my addresser. Oh really, how can you be sure? Well? 297 00:18:21,559 --> 00:18:26,599 Come here, come here? Yeah, this draw anything disturbed? No? No, 298 00:18:26,680 --> 00:18:29,119 but I know someone was in this draw. I don't 299 00:18:29,160 --> 00:18:30,720 know how you can be so sure if nothing's out 300 00:18:30,759 --> 00:18:34,759 of place? Well don't you don't you smell anything? 301 00:18:35,599 --> 00:18:36,279 Speaker 4: Smell anything? 302 00:18:36,359 --> 00:18:40,000 Speaker 3: What? Well? Yes, I have a peculiar odor like perfume. 303 00:18:41,519 --> 00:18:43,400 Speaker 4: Oh nothing, what? 304 00:18:44,440 --> 00:18:50,240 Speaker 3: Get closer now. I'm sorry, Arthur, but I'm afraid you've 305 00:18:50,279 --> 00:18:52,640 got too good an imagination. It's not my imagination. I 306 00:18:52,680 --> 00:18:54,799 tell you there's some kind of perfume been spilled in 307 00:18:54,799 --> 00:18:55,480 my drawer there. 308 00:18:55,960 --> 00:18:58,079 Speaker 4: It must be your nerves, Arthur. I tell you I 309 00:18:58,119 --> 00:18:58,920 can't smell a thing. 310 00:18:59,799 --> 00:19:02,839 Speaker 3: You you're sure of that? Look, why don't we get 311 00:19:02,839 --> 00:19:06,240 someone else? Evans? Miss Oh no, no, please never never, never mind. 312 00:19:06,480 --> 00:19:08,599 Speaker 4: But if you say it's here, I could be wrong, 313 00:19:08,680 --> 00:19:09,519 you know now Evans? 314 00:19:09,519 --> 00:19:11,480 Speaker 3: And I said no, I don't want them in here 315 00:19:12,079 --> 00:19:16,319 all right, Yes, it's all right. I guess it was 316 00:19:16,359 --> 00:19:20,920 my imagination. Sure it's funny, but you know, nerves and 317 00:19:20,960 --> 00:19:25,359 imagination can play tricks on a man, especially when he's worried. 318 00:19:25,960 --> 00:19:50,200 Good night, who who's there? Who's that? Just me, mister Roctor? Oh? 319 00:19:51,039 --> 00:19:54,559 Oh you why didn't you answer the first time? Well 320 00:19:54,599 --> 00:19:57,200 it's after two in the morning. I didn't want to 321 00:19:57,200 --> 00:20:03,440 speak loudly. Too hot to sleep for me too, Yes, 322 00:20:03,519 --> 00:20:07,240 I I came down to the Verandah to get some here. 323 00:20:08,359 --> 00:20:13,319 It's not too cool here either, sultry. It's one of 324 00:20:13,359 --> 00:20:16,319 those nights you read about, you know, the kind that 325 00:20:16,400 --> 00:20:20,480 makes you feel something's going to happen. It's still quiet air, 326 00:20:21,759 --> 00:20:27,359 the heavy humidity, even the crickets are quiet. You were 327 00:20:27,359 --> 00:20:33,119 going to say something, No, nothing, Just look at that 328 00:20:33,200 --> 00:20:40,680 sky when the stars showing, no breeze, nothing, just deadly quiet. 329 00:20:40,680 --> 00:20:48,240 I can see for myself. Oh sorry, yeah, excuse me. 330 00:20:49,559 --> 00:20:55,799 Your your handkerchief? What handkerchief? What about it? That's where 331 00:20:55,799 --> 00:21:00,359 it comes from. You use it, you use it. What 332 00:21:00,400 --> 00:21:02,920 are you talking about? That's scent, that's where it came from. 333 00:21:02,920 --> 00:21:06,039 It wasn't in my room. It was yours scent on 334 00:21:06,200 --> 00:21:09,599 my handkerchief. Oh no, absolutely not. Never use scent. I 335 00:21:09,640 --> 00:21:11,279 can't stand this. It's coming from your handkership. 336 00:21:11,279 --> 00:21:11,400 Speaker 2: Now. 337 00:21:11,400 --> 00:21:13,079 Speaker 3: I smelled it when you pulled it out. It wasn't 338 00:21:13,079 --> 00:21:13,599 here before. 339 00:21:13,759 --> 00:21:15,599 Speaker 4: And I'll look here, Arthur. I never used scent. I 340 00:21:15,640 --> 00:21:16,480 don't smell anything. 341 00:21:16,960 --> 00:21:20,200 Speaker 3: No, no, I don't believe in things things like that. 342 00:21:20,440 --> 00:21:23,880 Speaker 4: You don't believe in things like what. Man, your nerves 343 00:21:23,880 --> 00:21:24,240 are bad. 344 00:21:24,279 --> 00:21:26,359 Speaker 3: It's not my nerve. I tell you, it's not my nerve. 345 00:21:37,839 --> 00:21:41,559 You ready, Collins? Yeah, listened to him, pasting back and forth. 346 00:21:41,720 --> 00:21:44,240 Speaker 4: Get in the closet. You know what to say, right. 347 00:21:46,240 --> 00:21:52,200 Speaker 3: Arthur, Sam, Arthur? Can you hear me? Sam? Sam, this 348 00:21:52,400 --> 00:21:52,960 is Walters. 349 00:21:53,839 --> 00:21:56,240 Speaker 4: Talk to me, Sham. Tell me why you did it? 350 00:21:56,359 --> 00:22:03,039 Speaker 3: Sam? Who who's there? Yeah? Why did you talk to me? 351 00:22:03,880 --> 00:22:12,200 Tell me why you killed me? Sam? Please talk to me, Arthur. 352 00:22:12,640 --> 00:22:14,559 What the hell's the idea of bursting into my room? 353 00:22:14,759 --> 00:22:15,559 Who you're talking to? 354 00:22:16,039 --> 00:22:16,759 Speaker 4: Talking me? 355 00:22:16,920 --> 00:22:19,359 Speaker 3: You're crazy? There's somebody you're here with you, there's somebody 356 00:22:19,359 --> 00:22:21,839 in that closets. You are crazy. Why should anyone be 357 00:22:21,880 --> 00:22:24,200 in there? You are talking to someone? All right? All right, 358 00:22:24,240 --> 00:22:26,559 So I was talking to someone someone in that closet. 359 00:22:26,960 --> 00:22:29,759 Go ahead and look in see who it was? Well, 360 00:22:29,759 --> 00:22:31,839 go on, satisfy yourself, or do you want me to 361 00:22:31,880 --> 00:22:34,920 open it for you? No? No, please, please don't help them? Know, 362 00:22:38,240 --> 00:22:40,319 come on a Collins, he's ready to make a break 363 00:22:40,319 --> 00:22:43,200 for it. He almost looked in. No, No, he didn't 364 00:22:43,240 --> 00:22:46,880 dare He was afraid he wouldn't see anyone. We're hey, 365 00:22:47,119 --> 00:22:47,920 he's running away. 366 00:22:48,000 --> 00:22:48,960 Speaker 4: Yes, I thought he would. 367 00:22:49,039 --> 00:22:51,519 Speaker 3: All right. The next train doesn't leave Columbia for an hour, 368 00:22:51,640 --> 00:22:53,279 and in that hour we've got to hire two men 369 00:22:53,319 --> 00:22:54,680 and plant them on that train with Arthur. 370 00:22:54,960 --> 00:23:12,599 Speaker 4: Come on, excuse me? 371 00:23:12,680 --> 00:23:15,200 Speaker 3: Is this seat tick? What? Why? Arthur? 372 00:23:15,720 --> 00:23:17,039 Speaker 4: What are you doing on this train? 373 00:23:17,839 --> 00:23:20,680 Speaker 3: Quiz? Well, this is fine. I thought i'd have to 374 00:23:20,759 --> 00:23:23,599 ride this train alone. I got a wire suddenly, business 375 00:23:23,680 --> 00:23:24,079 up north? 376 00:23:24,200 --> 00:23:26,240 Speaker 4: Oh but you where. 377 00:23:26,079 --> 00:23:28,240 Speaker 3: Are you going? Well? I have a sister in New Jersey. 378 00:23:28,279 --> 00:23:30,759 I haven't seen it in a long time. And I, oh, 379 00:23:30,799 --> 00:23:32,960 you made up your mind? Suddenly didn't say yes, Yes, 380 00:23:33,000 --> 00:23:37,599 I was worried about her. Oh that accounts for your nerves, eh, worry, 381 00:23:37,680 --> 00:23:39,400 we'll do that to a man. Oh, yes, yes, I 382 00:23:39,440 --> 00:23:40,200 was worried about her. 383 00:23:40,359 --> 00:23:45,920 Speaker 4: I see, well, this is going to be pleasant. Still hot, 384 00:23:45,960 --> 00:23:46,279 isn't it? 385 00:23:46,400 --> 00:23:46,759 Speaker 3: I thought? 386 00:23:48,200 --> 00:23:48,880 Speaker 4: Oh, what's the. 387 00:23:48,880 --> 00:23:52,720 Speaker 3: Matter you are your handkerchief? 388 00:23:53,119 --> 00:23:54,559 Speaker 4: My handkerchief? What's the matter with it? 389 00:23:54,960 --> 00:23:55,359 Speaker 3: That piff? 390 00:23:55,400 --> 00:23:55,440 Speaker 6: You? 391 00:23:55,519 --> 00:23:58,400 Speaker 3: My smell? You do use it? What are you talking about? 392 00:23:58,440 --> 00:24:00,440 There's no sand on this there is, as I can 393 00:24:00,559 --> 00:24:03,039 smell it. Now, Look, Arthur, I never used sand. It's 394 00:24:03,079 --> 00:24:05,880 your imagination. I'll tell you what's not. You use the 395 00:24:05,880 --> 00:24:10,000 same kind of set that he used. He oh, please, 396 00:24:10,559 --> 00:24:13,119 please quillen, don't fool me. What are you trying to do? 397 00:24:13,920 --> 00:24:16,720 I know what's your handkerchief? Look, Arthur, we can settle 398 00:24:16,720 --> 00:24:18,599 this easily enough. I'll ask the man in back of 399 00:24:18,680 --> 00:24:22,200 us excuse me, sir. I know this sounds a little 400 00:24:22,200 --> 00:24:25,240 bit to do. We'll just show you what your imagination 401 00:24:25,319 --> 00:24:28,359 can do. Uh, to settle a bed. Will you smell 402 00:24:28,359 --> 00:24:30,480 this handkerchief and see if there's sand on it? Eh? 403 00:24:30,960 --> 00:24:36,599 Speaker 4: Oh, sure, nothing on that handkerchief. What there you see? 404 00:24:36,680 --> 00:24:38,839 Speaker 3: Arthur? Give me that sure? Sure? Uh? 405 00:24:39,279 --> 00:24:40,839 Speaker 4: Ask that man across from. 406 00:24:40,759 --> 00:24:45,960 Speaker 3: Us, mister yah, I beg your pardon. Please, there's a 407 00:24:46,000 --> 00:24:49,279 scent on this handkerchief, will you will you please tell 408 00:24:49,319 --> 00:24:53,200 me what kind? You crazy? No? No, please please just 409 00:24:53,240 --> 00:24:58,880 smell it right all right? No, I can't smell anything 410 00:24:58,920 --> 00:25:04,839 but satisfied. Arthur quil quiinn. I can't stand it anymore. 411 00:25:05,839 --> 00:25:09,000 I've got to tell I've got to tell someone. I've 412 00:25:09,000 --> 00:25:11,039 been living with it for a year and I can't 413 00:25:11,039 --> 00:25:13,839 hold it in anymore. I can't, I can't. What is it? Arthur? 414 00:25:15,319 --> 00:25:18,559 I killed a man, Ben Walters, but I didn't mean too. 415 00:25:18,640 --> 00:25:20,359 He woke up and I had to hit him. I swear, 416 00:25:20,400 --> 00:25:21,839 I swear I didn't mean to. 417 00:25:22,240 --> 00:25:24,200 Speaker 4: Didn't mean to. Huh. 418 00:25:24,200 --> 00:25:26,160 Speaker 3: Wh's been driving me crazy for a year. 419 00:25:26,880 --> 00:25:27,880 Speaker 4: This last week has. 420 00:25:27,759 --> 00:25:28,480 Speaker 5: Been the worst. 421 00:25:29,279 --> 00:25:33,359 Speaker 3: It's it's like he's come back. He's come back. Quillan Oh, 422 00:25:33,400 --> 00:25:37,200 I had to tell somebody or go crazy. 423 00:25:37,559 --> 00:25:40,599 Speaker 4: Come on, what will they do to me? What will 424 00:25:40,640 --> 00:25:41,079 they do? 425 00:25:41,519 --> 00:25:45,480 Speaker 3: I don't know, Arthur. It's much better this way. We'll 426 00:25:45,480 --> 00:26:04,680 get off at the next stop. Our star Lie Bowman 427 00:26:04,759 --> 00:26:07,079 will return in just a moment. But first, here is 428 00:26:07,160 --> 00:26:12,160 game Whipment speaking for Dupon sound travels about twelve and 429 00:26:12,200 --> 00:26:15,480 a half miles a minute, and the new jet propelled 430 00:26:15,519 --> 00:26:19,559 planes are already flying ten. This means a jet plane 431 00:26:19,640 --> 00:26:23,119 flies right along behind the sound. It makes it's like 432 00:26:23,160 --> 00:26:24,960 something out of a rocket trip to Jupiter in a 433 00:26:24,960 --> 00:26:25,599 comic book. 434 00:26:26,079 --> 00:26:27,960 Speaker 4: But it's a long way from being comic. 435 00:26:28,960 --> 00:26:32,039 Speaker 3: When a plane travels near the speed of sound, air 436 00:26:32,759 --> 00:26:35,680 unable to get out of the way is compressed and 437 00:26:35,839 --> 00:26:39,519 piles up around the leading edges of the wing. Behind 438 00:26:39,559 --> 00:26:42,720 this shockwave, the air is rough, so rough that a 439 00:26:42,759 --> 00:26:47,000 plane may be torn to pieces. Aviation engineers are sweating 440 00:26:47,000 --> 00:26:50,759 off this problem right now among other experiments. For instance, 441 00:26:51,359 --> 00:26:55,000 the Aircraft Laboratory at right Field has designed an entirely 442 00:26:55,079 --> 00:26:59,400 new type of wing made of glass and plastic. Outside 443 00:26:59,799 --> 00:27:02,519 to reduce skin friction to a minimum, it is finished 444 00:27:02,559 --> 00:27:06,240 and polished to a mirror like surface, breed from rivets, 445 00:27:06,319 --> 00:27:11,519 overlapping joints, and other projections. Inside, the construction is even 446 00:27:11,559 --> 00:27:14,680 more novel. Instead of being full of ribs and braces, 447 00:27:14,960 --> 00:27:17,720 the new wing has only half a dozen structural parts. 448 00:27:18,400 --> 00:27:21,200 The wing surfaces are made from several layers of glass 449 00:27:21,240 --> 00:27:26,559 cloth cemented together. Supporting these surfaces and sandwiched between them 450 00:27:27,039 --> 00:27:31,400 and the internal structural parts is a formed cellulose acetate 451 00:27:31,440 --> 00:27:37,400 plastic lighter than cork. This construction provides great strength and 452 00:27:37,559 --> 00:27:41,720 unusual rigidity in the wing surfaces. With all the resources 453 00:27:41,720 --> 00:27:45,119 of American business ingenuity at the service of aviation engineers. 454 00:27:45,799 --> 00:27:49,519 We have assurance that the combined efforts of scientific and 455 00:27:49,599 --> 00:27:54,920 business enterprise will keep American transportation in the forefront. The 456 00:27:54,960 --> 00:27:57,880 cellular plastic used in this new wing is a development 457 00:27:57,920 --> 00:28:02,119 of applied chemical research by the DuPont Company, maker of 458 00:28:02,240 --> 00:28:10,160 better things for better living through chemistry. Now here's our star, 459 00:28:10,240 --> 00:28:13,680 Lee Bowman. Thanks Gaine. You know I've always been a 460 00:28:13,680 --> 00:28:16,400 great detective story fan, and that's why it was interesting 461 00:28:16,400 --> 00:28:20,160 for me to learn that America's Alan Pinkerton used psychological 462 00:28:20,160 --> 00:28:21,319 methods to solve a crime. 463 00:28:21,400 --> 00:28:22,440 Speaker 4: So long ago. 464 00:28:22,759 --> 00:28:25,880 Speaker 3: Pinkerton believed that ingenuity was the birthright of every American. 465 00:28:26,680 --> 00:28:29,079 In time, he was to see worldwide distinction come to 466 00:28:29,119 --> 00:28:31,880 American detectives for their work and ensuring law and order 467 00:28:31,880 --> 00:28:36,240 for our citizens. The United States Secret Service, an organization 468 00:28:36,319 --> 00:28:39,680 Pinkerdon founded as well as his own. Pinkerton men rank 469 00:28:39,759 --> 00:28:44,119 high in international prestige along with France's famed Sorte and 470 00:28:44,200 --> 00:28:47,680 Britain Scotland Yard. It was a pleasure gained to portray 471 00:28:47,720 --> 00:28:49,519 this remarkable detective on cavalcade. 472 00:28:49,519 --> 00:28:51,240 Speaker 4: Tonight, Thank you, and good night. 473 00:29:01,000 --> 00:29:04,119 Speaker 2: Next week, the DuPont Cavalcade brings you Gene Herscholdt in 474 00:29:04,359 --> 00:29:07,680 parade It's the tender and moving story of Peter Verrick, 475 00:29:07,720 --> 00:29:10,359 an immigrant who believed in dreams and who believed in 476 00:29:10,440 --> 00:29:13,519 working hard to make those dreams come true. Be sure 477 00:29:13,559 --> 00:29:17,559 and listen next Monday to Jean Herschault in Parade on 478 00:29:17,720 --> 00:29:29,400 the Cavalcade of America, brought to you by the DuPont Company. 479 00:29:37,440 --> 00:29:40,599 Our star Tonight Lee Bawman appeared through the courtesy of 480 00:29:40,640 --> 00:29:44,799 Columbia Pictures, producers of the Johnson Story. The music for 481 00:29:44,880 --> 00:29:48,039 the DuPont Cavalcade is composed and conducted by Robert Armbruster. 482 00:29:48,680 --> 00:29:52,119 Our Cavalcade play was written by Russell Hughes. The part 483 00:29:52,119 --> 00:29:54,960 of Collins was played by William Johnstone and the part 484 00:29:54,960 --> 00:29:57,359 of Arthur was played by Walter Mayer, who appeared through 485 00:29:57,440 --> 00:30:00,359 arrangement with Metro Golden Mayor, producers of the U Yearly. 486 00:30:01,240 --> 00:30:04,359 This is John Easton inviting you to listen next week 487 00:30:04,400 --> 00:30:09,039 to Jeene her show in Parade on the Cavalcade of America, 488 00:30:09,279 --> 00:30:12,720 brought to you by the Dubat Company of Wilmington, Delaware. 489 00:30:17,559 --> 00:30:20,960 Speaker 3: The Cavalcade of America came to you from Hollywood. This 490 00:30:21,119 --> 00:30:25,559 is NBC, the National Broadcast Scene Company. 491 00:30:33,599 --> 00:30:37,680 Speaker 1: Welcome back. We've heard this sort of attempt to convince 492 00:30:38,319 --> 00:30:43,759 superstitious criminals to confess their guilt before. It's kind of 493 00:30:43,799 --> 00:30:46,960 surprising to hear it as part of a real life story, 494 00:30:47,079 --> 00:30:51,200 although I think Pinkerton was a bit more elaborate and 495 00:30:51,920 --> 00:30:55,839 involved than me typically here, as those tend to be 496 00:30:57,000 --> 00:31:02,440 like one startling scene to get them to confess their guilt. 497 00:31:02,680 --> 00:31:05,960 But he really worked on him over time. Lee Bowman 498 00:31:06,039 --> 00:31:09,599 did a fair bit of workover radio and was a 499 00:31:09,680 --> 00:31:14,799 regular on Cavalcade of America. He didn't start in any 500 00:31:14,880 --> 00:31:18,880 detective radio programs, but he did start in a detective 501 00:31:18,960 --> 00:31:24,640 television program we played a few years back as Ellery Queen. Well, 502 00:31:24,680 --> 00:31:27,799 now it's time to thank our Patreon supporter of the day, 503 00:31:27,839 --> 00:31:30,680 and I want to go ahead and think Jacqueline. Jacqueline 504 00:31:30,720 --> 00:31:35,359 has been one of our Patreon supporters since August of 505 00:31:35,440 --> 00:31:39,799 twenty eighteen, currently supporting the podcast at the shamous level 506 00:31:39,799 --> 00:31:42,279 of four dollars or more per month. Thank you so 507 00:31:42,400 --> 00:31:45,279 much for your support, Jacqueline, and that will do it 508 00:31:45,359 --> 00:31:48,799 for today. If you're enjoying the podcast, please follow us 509 00:31:49,079 --> 00:31:54,319 using your favorite podcast software. We'll be back next Sunday 510 00:31:54,440 --> 00:31:59,400 with our Thanksgiving encore, but join us back here tomorrow 511 00:31:59,480 --> 00:32:02,000 for the Ventures of the Falcon Wear. 512 00:32:02,880 --> 00:32:06,519 Speaker 6: My husband's disappeared. Your husband, his name is Danny. He 513 00:32:06,519 --> 00:32:07,880 hasn't been home since last night. 514 00:32:08,160 --> 00:32:09,359 Speaker 3: Did you report it to the police. 515 00:32:09,480 --> 00:32:10,799 Speaker 6: Yeah, but they told me not to worry. 516 00:32:11,440 --> 00:32:13,480 Speaker 3: You don't need to have much luck following that prescription. 517 00:32:13,599 --> 00:32:16,279 Speaker 6: Going out of my mind is to worrying. Danny never 518 00:32:16,319 --> 00:32:20,799 did anything like this before. What does your husband do? Well, 519 00:32:21,400 --> 00:32:24,920 that's hard to say. Right now, he's working for mister 520 00:32:25,000 --> 00:32:25,559 de Santus. 521 00:32:26,000 --> 00:32:27,119 Speaker 3: What de Santus would that be? 522 00:32:27,759 --> 00:32:29,920 Speaker 4: I don't know his first name, But what kind of 523 00:32:29,920 --> 00:32:30,960 work does Danny do for him? 524 00:32:32,119 --> 00:32:33,160 Speaker 6: I don't know exactly. 525 00:32:34,400 --> 00:32:35,960 Speaker 4: When you come right down to it, you don't seem 526 00:32:36,000 --> 00:32:37,359 to know very much about anything. 527 00:32:37,680 --> 00:32:40,400 Speaker 6: Well, Danny believes that a wife shouldn't interfere in her 528 00:32:40,440 --> 00:32:43,480 husband's business. He thinks your place is in the home. 529 00:32:44,240 --> 00:32:47,359 Speaker 3: Fell the name Hitler had the same idea. Nothing. 530 00:32:48,319 --> 00:32:49,200 Speaker 4: Well, I'll do what i can. 531 00:32:49,279 --> 00:32:51,119 Speaker 6: Missus Graham when I've got a hunch. 532 00:32:51,119 --> 00:32:53,400 Speaker 3: If your husband doesn't show up, you'll be way ahead 533 00:32:53,440 --> 00:32:53,640 of I. 534 00:32:53,640 --> 00:32:56,359 Speaker 1: Hope you'll be with us then in the meantime, send 535 00:32:56,440 --> 00:33:01,519 your comments to Box thirteen, Act Great Detectives dot Net. 536 00:33:02,079 --> 00:33:05,839 Follow us on Twitter at Radio Detectives and check us 537 00:33:05,880 --> 00:33:12,759 out on Instagram, Instagram, dot com, slash Great Detectives from Boise, Idaho. 538 00:33:13,119 --> 00:33:15,839 This is your host, Adam Graham signing off.