WEBVTT

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<v Speaker 1>Did you lose an election? Bet yesterday? Feel a bad

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<v Speaker 1>cold coming on? I want to get away from it all.

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<v Speaker 2>We offer you Escape.

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<v Speaker 1>You are groping in the midnight dimness of a gigantic

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<v Speaker 1>department store, and suddenly you realize that you're not alone,

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<v Speaker 1>but a hundred eyes are glaring at you from the shadows,

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<v Speaker 1>a hundred hands reaching for your throat, and your most

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<v Speaker 1>urgent desire is to escape.

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<v Speaker 3>Escape produced and directed by William N. Robson, and carefully

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<v Speaker 3>plotted to free you from the four walls of today

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<v Speaker 3>for a half hour of high adventure.

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<v Speaker 1>H Tonight, we escaped to the dark labyrinth of a

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<v Speaker 1>giant department store in the dead of night, and to

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<v Speaker 1>a fantastic world of night dwellers, as John Carlier imagines

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<v Speaker 1>it in his eerie story Evening Primrose.

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<v Speaker 4>A Sita, what's the matter?

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<v Speaker 5>It's me, Oh Sam, you nearly scared me to death.

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<v Speaker 5>What do you mean coming in so quiet?

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<v Speaker 4>I didn't mean to scare you. I thought you'd be asleep.

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<v Speaker 4>I didn't want to work.

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<v Speaker 6>Here, Sam.

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<v Speaker 5>I'm glad you're home.

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<v Speaker 7>I have what's the matter?

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<v Speaker 5>What's terrible?

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<v Speaker 6>You gotta do something, Sam?

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<v Speaker 8>Oh?

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<v Speaker 7>Well, what's terrible.

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<v Speaker 2>It's this.

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<v Speaker 6>Just look at this.

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<v Speaker 4>What's terrible about that? Looks like an ordinary pad of

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<v Speaker 4>paper to.

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<v Speaker 7>Me, I just did. That's just what I thought.

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<v Speaker 5>But it's got writing in it. It's awful.

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<v Speaker 4>Oh wait a minute, maybe you better tell me what

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<v Speaker 4>this is all about.

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<v Speaker 5>Well, today I went shopping down at Bracy's department store.

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<v Speaker 5>I needed some writing papers, so I picked this up

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<v Speaker 5>and it was on top of the pile and bought

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<v Speaker 5>it and brought it home. But tonight, when I opened it,

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<v Speaker 5>I found it's got writing in it.

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<v Speaker 4>Well, that's nothing, so terrible. Just take it back tomorrow

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<v Speaker 4>and make him give.

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<v Speaker 7>You a new one.

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<v Speaker 5>No, you don't understand. It's what's written in it.

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<v Speaker 7>It's so terrible.

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<v Speaker 4>What do you mean, what's written in it?

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<v Speaker 6>Here?

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<v Speaker 7>You got to read it?

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<v Speaker 5>No, no, right now, read it?

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<v Speaker 4>Look sadie. I'm tired.

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<v Speaker 2>I've been pleasing Sam.

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<v Speaker 7>Please just read.

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<v Speaker 4>It all right before Pete's sake. October thirteenth, Today I

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<v Speaker 4>may my decision. I decided to say goodbye to the world,

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<v Speaker 4>to get out, leave, break away, and I have done it.

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<v Speaker 4>Oh city is no one read? And now I am free,

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<v Speaker 4>really free?

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<v Speaker 7>Yes, I am free at last. The world is an

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<v Speaker 7>intolerable place for a poet. I was broke, starving at

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<v Speaker 7>my wits end, and then I had a brilliant idea.

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<v Speaker 7>I would escape to a place where I had no

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<v Speaker 7>need to earn a living, where I could write to

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<v Speaker 7>my heart's content and peace and security. Where is this

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<v Speaker 7>place right under your nose, so close you'd never think

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<v Speaker 7>of it. I am now living in Bracy's department store.

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<v Speaker 7>I have everything within arm's reach that anyone would need

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<v Speaker 7>or desire, and it's all free, absolutely free. I arrived

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<v Speaker 7>this afternoon. I'd spent three days looking over all of

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<v Speaker 7>the department stores in town. I decided on Bracey's because

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<v Speaker 7>of the completeness of their food department. Therefore, this afternoon

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<v Speaker 7>I entered the store and went immediately to the fourth floor,

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<v Speaker 7>to the rug department, and hid myself in this dusty

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<v Speaker 7>out of the way corner behind a pile of carpets.

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<v Speaker 7>Once I'm settled, I'll furnish it with the best of

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<v Speaker 7>modern pieces from the furniture department. It's small, but I'll

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<v Speaker 7>be cozy enough and safe. After the store closed, I

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<v Speaker 7>made my first venture out. I tiptoed as far as

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<v Speaker 7>the stationary counter and got this paper the writer's primary need. Now,

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<v Speaker 7>after making my initial entry, I'll go out and get food, wine,

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<v Speaker 7>the pillows for my bed, perhaps a fancy dressing gown.

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<v Speaker 7>This is perfect. I'll be able to write here dawn,

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<v Speaker 7>October fourteenth. I'm almost too unnerved to write this. The

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<v Speaker 7>whole thing is unbelievable. After the store was dark and

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<v Speaker 7>completely quiet, I crept out and started for the food department.

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<v Speaker 7>Once footsteps echo hollowly in an empty department store at night,

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<v Speaker 7>and I found myself gliding along the floor on tiptoe,

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<v Speaker 7>moving as silently as possible, but the sound of footsteps persisted.

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<v Speaker 7>Suddenly I realized they were not my own. The night

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<v Speaker 7>watchman I was in the salon Madain. Quickly, I seized

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<v Speaker 7>a mink coat from a hangar, draped it about my shoulders,

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<v Speaker 7>and stood stuck still. I could have reached out and

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<v Speaker 7>touched him, but he passed by without so much as

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<v Speaker 7>a glance. He started to smile, put the smile froze

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<v Speaker 7>on my lips. There was someone else here. I was

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<v Speaker 7>looking straight into a pair of eyes, large flat, luminous

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<v Speaker 7>in human eyes, peering at me from among the missus

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<v Speaker 7>tailored suits. A dozen feet away. They belonged to a

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<v Speaker 7>creature dressed as a man, but he was as pale

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<v Speaker 7>as a creature found under a stone. His hands, hanging

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<v Speaker 7>motionless at his sides, looked more like the fins on

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<v Speaker 7>a fish than human hands.

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<v Speaker 8>And then he spoke, not bad for a beginner.

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<v Speaker 7>I I'm sorry. I didn't know anybody else er lived here.

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<v Speaker 8>Oh, yes, we live here. It's delightful, we yes, all

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<v Speaker 8>of us, don't you see? Look around?

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<v Speaker 7>I looked around. I saw nothing. I looked again. I

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<v Speaker 7>saw an old man come clambering out from behind a clock.

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<v Speaker 7>There were three elderly angeneus, incredibly emaciated, pale as lace,

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<v Speaker 7>almost transparent, simpering before the perfume counter. A chimzy lady

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<v Speaker 7>swam out from the curtains and drapes. They came swarming

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<v Speaker 7>thick around me, pale, thin, wispy, moving silently, fluttering like

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<v Speaker 7>gauze in the wind, whispering, how.

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<v Speaker 8>Raw he looks? Who is he?

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<v Speaker 6>As cause as the sun?

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<v Speaker 8>What is he doing?

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<v Speaker 4>A detective?

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<v Speaker 8>Sing for the dark man?

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<v Speaker 9>Yes, sin for the darkning the dark men.

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<v Speaker 7>They were pressing around me, climb holding me, their pale

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<v Speaker 7>faces controtted with venomous inhuman hatred. I was paralyzed. All

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<v Speaker 7>I could do was repeat over and over again. I'm

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<v Speaker 7>not a detective. I'm not a detective.

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<v Speaker 2>I'm not burdler.

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<v Speaker 8>Then a burglar.

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<v Speaker 9>Time up.

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<v Speaker 6>Hold him came to the pace.

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<v Speaker 8>And for the dark men stop. Let him speak.

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<v Speaker 7>I'm not a detective or a burglar. I'm a poet.

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<v Speaker 8>Then what are you doing here?

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<v Speaker 7>I've I've renounced the world. I came here to live

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<v Speaker 7>where I could be alone, away from the world.

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<v Speaker 10>Why then he's come over to us.

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<v Speaker 6>He's just like us.

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<v Speaker 10>He's come over to us.

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<v Speaker 8>A poet.

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<v Speaker 6>She must meet Missus vender Been.

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<v Speaker 8>Yeez, Missus vender Ben, she's coming up.

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<v Speaker 7>I followed their eyes talk about there. Coming down the

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<v Speaker 7>wall like an ancient spider, clambered an old lady, wrinkled

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<v Speaker 7>and cracked and emaciated. She must have been at least eighty,

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<v Speaker 7>a shadowy matriarch, and the things around me bowed and

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<v Speaker 7>scraped as she reached the floor and floated toward us.

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<v Speaker 9>What's going on here? Where is that stupid girl? What's

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<v Speaker 9>keeping her?

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<v Speaker 8>Oh, Missus vander pent, Well, what is it?

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<v Speaker 9>Who's this? Mister Roscoe?

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<v Speaker 8>Missus Vanderpant, May I present.

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<v Speaker 7>Mister Snell, Mister Snell, mister Charles Snell.

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<v Speaker 8>Yes, yes, of course, mister Snell. He is a poet

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<v Speaker 8>and he's come here to live.

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<v Speaker 9>Oh hey, hell's hellsy, that's.

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<v Speaker 8>What he says, and I believe him.

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<v Speaker 9>Well.

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<v Speaker 8>He avoided the night Watchman quite neatly for a beginner.

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<v Speaker 8>Thank you very well.

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<v Speaker 9>We shall see a poet should find inspiration.

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<v Speaker 8>Here, mister Snell. Missus Vanderpant is our grand old lady.

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<v Speaker 9>I am quite the oldest inhabitant here, mister Snell. Three

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<v Speaker 9>mergers and a complete.

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<v Speaker 8>Rebuilding, but they didn't get rid of me.

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<v Speaker 9>Where is Ella? Where is my brother? She's bringing it,

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<v Speaker 9>Miss vanderbe O, terrible little creature. She is our foundling,

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<v Speaker 9>mister Snell. She's not quite our sort?

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<v Speaker 7>Is that?

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<v Speaker 9>So? I have been here, mister Snell, ever since the

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<v Speaker 9>terrible times of the eighties. I was a young girl

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<v Speaker 9>and a beauty essay, and poor Papa lost his money.

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<v Speaker 9>He blaces meant a lot to a young girl in

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<v Speaker 9>those days. So when I wasn't able to have a

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<v Speaker 9>charger count, I came here for good. That's better than

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<v Speaker 9>a charger count. I was quite alarmed when others began

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<v Speaker 9>to come after the crash of nineteen hundred and seven.

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<v Speaker 9>But it was the dear jug What do you do

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<v Speaker 9>the colonel, Missus Bilby, How do you do? Missus Bilby

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<v Speaker 9>writes place and comes of an old Philadelphia family. Oh

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<v Speaker 9>you will find us quite nice here, mister Snaill.

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<v Speaker 7>I'm sure I will.

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<v Speaker 9>And of course all that dear young people came in

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<v Speaker 9>nineteen twenty nine. Their poor papa's jumped from skyscrapers. They

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<v Speaker 9>couldn't bear to be without charge accounts either.

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<v Speaker 7>Do you mean all these people live here?

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<v Speaker 9>Oh?

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<v Speaker 8>And many more? You shall meet them all later.

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<v Speaker 9>Oh, here, come seller with my block.

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<v Speaker 10>Come, come your stupid thing.

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<v Speaker 8>Missus vander Penn is waiting.

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<v Speaker 6>Yes, ma'am, Yes, sir, I'm coming as fast as I can.

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<v Speaker 9>Now, be careful, don't spit it.

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<v Speaker 8>But she's young, well, of course she is a little

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<v Speaker 8>younger than most of it.

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<v Speaker 7>And she she's different.

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<v Speaker 10>She's beautiful, mister snell Ella is Missus Vanderpurn's me.

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<v Speaker 8>That's right, all men, She's really not our sort at all.

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<v Speaker 7>You shouldn't say such things. She can hear you.

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<v Speaker 6>That doesn't murder.

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<v Speaker 8>You'll understand these things better after you've been here a while.

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<v Speaker 7>But it seems to me that you would do, Snell.

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<v Speaker 9>We have certain rules here. They are necessary for our survival.

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<v Speaker 9>I am sure you won't find it hard to observe them. Yes,

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<v Speaker 9>I should advise that you try. If you do not,

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<v Speaker 9>that would be most unfortunate, mister Snell, most unfortunate.

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<v Speaker 7>For you, October fifteenth. You can imagine my feelings last night.

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<v Speaker 7>My first thought was to escape as quickly as possible.

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<v Speaker 7>In fact, I planned to wait till morning when the

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<v Speaker 7>store opened, then quit my hiding place, mingle with the crowds,

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<v Speaker 7>and leave Braces forever. But just at dawn, mister Rascoe

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<v Speaker 7>brought me a cup of coffee, which must have been

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<v Speaker 7>drugged for I fell asleep, and when I awoke, I

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<v Speaker 7>found I had slept all day and night was closing

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<v Speaker 7>over the store. Once more. Later, I've spent my second

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<v Speaker 7>night here. I saw Ella again, Ella, the pearl of

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<v Speaker 7>this remote, fantastic cave. She's not like the others, a

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<v Speaker 7>trifle pale, but otherwise normal and human and beautiful. A

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<v Speaker 7>child of perhaps eighteen, She's the only thing that makes

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<v Speaker 7>this nightmare bearable. October twentieth, escape seems almost impossible. There's

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<v Speaker 7>a very effective burglar alarm system, and the doors are

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<v Speaker 7>all carefully guarded. But that's nothing compared to the dark men.

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<v Speaker 7>Who are the dark men? I don't know, but they

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<v Speaker 7>threaten any transgressor. With these dark men, I shall try

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<v Speaker 7>to discover who they are. At least I am sure

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<v Speaker 7>I'm watched, though they've begun to trust me. Now, speaking

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<v Speaker 7>to the night Watchman would be suicide, even if he

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<v Speaker 7>believed my phantas haastic story or didn't shoot me as

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<v Speaker 7>a burglar. I'm convinced that neither eleanor I could get

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<v Speaker 7>out of here alive. She and the night Watchmen are

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<v Speaker 7>the only real people here. And how the others hate

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<v Speaker 7>the night.

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<v Speaker 10>Watchman, ohds Burger creature, you reeks of the course South.

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<v Speaker 7>Oh, Come now, missus Bilby. He's really a personable young man,

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<v Speaker 7>very young for a night watchman.

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<v Speaker 8>Mister Snow. Sometimes I wonder about your taste.

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<v Speaker 10>You mustn't stay so much to yourself, mister Snell. You

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<v Speaker 10>must become better acquainted with our wage.

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<v Speaker 8>It's o man who's come to the plate tonight. We're

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<v Speaker 8>going to be entertained with one of Missus Bilby's tragic comedies,

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<v Speaker 8>love and Chdowlin. I'm sure you'll enjoy.

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<v Speaker 7>I'm sure I will.

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<v Speaker 10>It's really a festive occasion.

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<v Speaker 8>You know, Wanamakers is coming over. Wannamakers is the entire

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<v Speaker 8>colony over at Wannamakers is coming here and must to

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<v Speaker 8>attend the place.

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<v Speaker 7>You mean there are people living in other stories?

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<v Speaker 8>Oh dear, yes, didn't you know? Of course?

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<v Speaker 10>The best people live in Graces and Wanna Makers.

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<v Speaker 8>Oh, come now, missus Bilby, there's some very nice people

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<v Speaker 8>at Alphons.

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<v Speaker 10>I beg you.

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<v Speaker 6>Oh hello, Ella, good evening, Snell, Missus Bilby, Well, what

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<v Speaker 6>is it please, ma'am? I'd so love to see your

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<v Speaker 6>play tonight? May I have you?

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<v Speaker 8>Certainly not?

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<v Speaker 10>You know better than that, your stupid creature. You know

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<v Speaker 10>where you belong in the basement. But the garbage can.

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<v Speaker 7>But Missus Bilby couldn't.

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<v Speaker 8>Mister Snell, Ella, you're becoming entirely too forward of late.

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<v Speaker 8>I'd advise you to watch your step. Remember the dark Man.

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<v Speaker 6>Oh no, please, mister Roscolle. I'll be good, I promise

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<v Speaker 6>I will. No, Please don't send for the dark Man.

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<v Speaker 6>I'm sorry, Missus Bilby.

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<v Speaker 8>Excuse Ella, come back, mister Snell, you forget yourself, let

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<v Speaker 8>her go.

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<v Speaker 7>But how can you treat her like that? Why do

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<v Speaker 7>you always frighten her? And what is all this about

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<v Speaker 7>the dark Man?

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<v Speaker 10>Wealthy dark worh Please mister Roscoe, not now, you'll spoiler

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<v Speaker 10>whole evening. And I do so want mister Snell to

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<v Speaker 10>enjoy my playing very well.

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<v Speaker 7>Later, But I want to know about the dark Man.

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<v Speaker 9>Lay late.

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<v Speaker 7>October twenty first, at last I found an opportunity to

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<v Speaker 7>speak to Ella alone. I hadn't dared to speak to

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<v Speaker 7>her before. Here one has a sense always of pale

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<v Speaker 7>eyes secretly watching. But last night at the play I

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<v Speaker 7>induced a fit of hiccups as I anticipated. I was

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<v Speaker 7>sternly reprimanded and told to go and secrete myself in

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<v Speaker 7>the basement where the night watchmen wouldn't hear me. This

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<v Speaker 7>was exactly what I had planned. I went to the basement. There,

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<v Speaker 7>in the darkness, among the garbage cans and the rats,

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<v Speaker 7>I heard sobbing, Ella, Ella, Ella? Is that you?

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<v Speaker 6>Yes?

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<v Speaker 7>Why are you crying? What is it?

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<v Speaker 11>Ella?

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<v Speaker 6>They wouldn't even let me see the play?

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<v Speaker 7>Is that all?

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<v Speaker 6>Mister Snell? I'm so unhappy they're there.

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<v Speaker 7>You mustn't cry, You're.

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<v Speaker 6>The only one, the only one who's kind.

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<v Speaker 7>Ella, Why are you here? Why do they treat you

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<v Speaker 7>so differently?

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<v Speaker 6>Because I'm not like them. I didn't choose to come here.

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<v Speaker 7>You mean you're held prisoner?

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<v Speaker 6>Yes, you see, I was only six. I came here

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<v Speaker 6>on a shopping tour with my mother. I got lost

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<v Speaker 6>and fell asleep behind the counter. It was dark when

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<v Speaker 6>I awoke, and they found me. Some of them wanted

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<v Speaker 6>to send for the dark men because they were afraid

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<v Speaker 6>I would tell on them, But missus vander Pant said no,

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<v Speaker 6>I could stay and be your maid. I've been here

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<v Speaker 6>ever since.

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<v Speaker 7>Since you was six. Haven't you ever tried to get away?

301
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<v Speaker 8>Oh?

302
00:17:35.319 --> 00:17:40.279
<v Speaker 6>No, I don't know anything about out there. I wouldn't

303
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<v Speaker 6>know what to do. Besides, I'm afraid if anyone tries

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<v Speaker 6>to get out, they send for.

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<v Speaker 9>The dark men.

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<v Speaker 11>Ella.

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00:17:47.880 --> 00:17:48.880
<v Speaker 7>Who are the dark men?

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<v Speaker 6>Don't you know?

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<v Speaker 8>Oh?

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<v Speaker 6>It's horrible.

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<v Speaker 7>Tell me you know how people.

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<v Speaker 6>Live in all the stores it Gimbals and Bloomingdale.

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<v Speaker 7>Yes, yes, I know.

314
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<v Speaker 6>Well, the dark men lived the undertakers good Heavens, and

315
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<v Speaker 6>whenever someone dies or breaks the rules, when a burglar

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<v Speaker 6>gets in and sees these people and might tell they

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<v Speaker 6>send for the dark man.

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<v Speaker 2>Horrible.

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<v Speaker 6>They put the body in the butcher shop and the

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00:18:14.759 --> 00:18:19.359
<v Speaker 6>food department, and then the dark men come. I saw

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<v Speaker 6>them once. It was terrible.

322
00:18:22.039 --> 00:18:22.680
<v Speaker 7>What do they do?

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<v Speaker 6>They go in where the dead person is. They have

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<v Speaker 6>wax with them and all sorts of things, And when

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00:18:28.559 --> 00:18:31.519
<v Speaker 6>they're gone, there's just a wax model left on the counter.

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<v Speaker 6>Then our people put a frock on it, or bathing

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<v Speaker 6>a suit, mix it up with the other wax models

328
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<v Speaker 6>in the windows, and nobody ever knows.

329
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<v Speaker 7>Ella. You mean all these dummies around us, all.

330
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<v Speaker 6>Not all of them. But if you displease these people,

331
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<v Speaker 6>the same thing will happen to you.

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<v Speaker 8>October thirtieth.

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<v Speaker 7>I haven't kept up my journal. Writing has been out

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00:19:02.119 --> 00:19:06.599
<v Speaker 7>of the question once more. I'm frozen with terror, but

335
00:19:06.640 --> 00:19:11.680
<v Speaker 7>not for myself, now for Ella. They hate her. Any

336
00:19:11.680 --> 00:19:13.599
<v Speaker 7>time they might turn against her and send for the

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<v Speaker 7>dark men. My mind is filled with her. I dream

338
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<v Speaker 7>of her every day. I'd live to see her at night.

339
00:19:21.039 --> 00:19:23.640
<v Speaker 7>We've managed it several times. They trust me now and

340
00:19:23.720 --> 00:19:26.880
<v Speaker 7>let me roam about without interference. Finally, to night I

341
00:19:26.960 --> 00:19:32.559
<v Speaker 7>met her again and said it, Ella, I love you,

342
00:19:33.000 --> 00:19:36.960
<v Speaker 7>Oh Charles, I love you. Ella let's get married or

343
00:19:36.960 --> 00:19:39.039
<v Speaker 7>whatever they do here. Then we can live together in

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<v Speaker 7>my home in the carpet department. They wouldn't dare hurt

345
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<v Speaker 7>you then, Oh, Charles, look so dismayed. If you like,

346
00:19:46.200 --> 00:19:48.599
<v Speaker 7>we'll go away from here. Maybe we can get transferred

347
00:19:48.640 --> 00:19:51.720
<v Speaker 7>to to Bergdorf Goodman's overlooking Central Park.

348
00:19:51.960 --> 00:19:53.839
<v Speaker 6>Don't, Charles, don't. You mustn't.

349
00:19:53.839 --> 00:19:58.839
<v Speaker 7>But I love you, Ella, you're not in love with

350
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<v Speaker 7>someone else?

351
00:19:59.720 --> 00:20:01.119
<v Speaker 6>Yes, Charles, I am.

352
00:20:01.759 --> 00:20:06.480
<v Speaker 7>But who I thought you hated them all? It must

353
00:20:06.519 --> 00:20:08.359
<v Speaker 7>be Roscoe. He's the only one that's young enough.

354
00:20:08.480 --> 00:20:12.160
<v Speaker 6>Oh no, Charles, not Roscoe, especially not him. I do

355
00:20:12.240 --> 00:20:14.119
<v Speaker 6>hate them all. They make me shudder.

356
00:20:14.519 --> 00:20:17.880
<v Speaker 7>Well who is it? Then it's him who.

357
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<v Speaker 6>The night watchman?

358
00:20:20.440 --> 00:20:22.519
<v Speaker 7>No, impossible, I love him.

359
00:20:22.960 --> 00:20:25.960
<v Speaker 6>He smells of the sun. Ella, Oh it was wonderful

360
00:20:26.000 --> 00:20:28.200
<v Speaker 6>the way it happened. Don't tell on me, Charles. Are

361
00:20:28.200 --> 00:20:31.200
<v Speaker 6>they to punish me? No? I was careless, and there

362
00:20:31.200 --> 00:20:34.000
<v Speaker 6>he was, coming around the corner in the Ladies Lingerie apartment.

363
00:20:34.799 --> 00:20:37.400
<v Speaker 6>I was caught. There were only some wax models in

364
00:20:37.440 --> 00:20:41.519
<v Speaker 6>they're underthings. There was nothing else to do. I slipped

365
00:20:41.519 --> 00:20:42.799
<v Speaker 6>off my dress and stood still.

366
00:20:44.279 --> 00:20:46.079
<v Speaker 7>Oh I'll see.

367
00:20:46.680 --> 00:20:50.519
<v Speaker 6>He stopped and looked at me and Charles. He spoke

368
00:20:50.599 --> 00:20:54.119
<v Speaker 6>to me. He said, say, Honey, I wish they made

369
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<v Speaker 6>him like you on eighth Avenue. Charles, wasn't that a

370
00:20:56.599 --> 00:20:57.480
<v Speaker 6>lovely thing to say?

371
00:20:58.920 --> 00:21:01.279
<v Speaker 7>Personally? I should have said it.

372
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<v Speaker 6>Doesn't matter what street. It was a lovely thing to say.

373
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<v Speaker 7>But what can you do about him? Ella, he belongs

374
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<v Speaker 7>to another world.

375
00:21:08.480 --> 00:21:13.079
<v Speaker 6>Yes, to wait that avenue. I want to go there, Charles.

376
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<v Speaker 6>Are you really my friend?

377
00:21:14.160 --> 00:21:15.160
<v Speaker 7>Yes, of course I am.

378
00:21:15.480 --> 00:21:18.039
<v Speaker 6>And I'll tell you I'm going to stand there again

379
00:21:18.079 --> 00:21:20.759
<v Speaker 6>in the lingerie department, so we'll see me and then

380
00:21:21.160 --> 00:21:22.400
<v Speaker 6>perhaps they'll speak to me again.

381
00:21:22.519 --> 00:21:24.160
<v Speaker 7>Ella, you're only torturing yourself.

382
00:21:24.359 --> 00:21:27.440
<v Speaker 6>No, because this time I shall answer him.

383
00:21:28.119 --> 00:21:31.799
<v Speaker 7>He'll take me away, take you away. Oh no, Ella,

384
00:21:31.799 --> 00:21:34.559
<v Speaker 7>I couldn't bear that. You don't love him. You only

385
00:21:34.559 --> 00:21:36.359
<v Speaker 7>think you do because you think he'll take you out

386
00:21:36.359 --> 00:21:39.000
<v Speaker 7>of here. But you don't know that he will And

387
00:21:39.119 --> 00:21:41.359
<v Speaker 7>I will. Ella, I've made up my mind.

388
00:21:41.480 --> 00:21:43.680
<v Speaker 6>No, Charles, I couldn't let you do it, even if

389
00:21:43.680 --> 00:21:45.319
<v Speaker 6>I loved you. You couldn't do it, Charles.

390
00:21:45.319 --> 00:21:45.680
<v Speaker 11>Why not?

391
00:21:46.119 --> 00:21:51.319
<v Speaker 6>Because you really belong here? You're You've become one of them.

392
00:21:51.319 --> 00:21:53.319
<v Speaker 7>Now, Ella, you mustn't say that it's true.

393
00:21:53.839 --> 00:21:57.039
<v Speaker 6>And Charles. I got to go. There's someone watching as

394
00:21:57.039 --> 00:21:57.400
<v Speaker 6>I feel it.

395
00:21:57.599 --> 00:22:03.559
<v Speaker 7>Wait, Ella, goodbye, Charles, Ella, come back, Ella, you'll.

396
00:22:03.400 --> 00:22:04.480
<v Speaker 8>Arouse the night watchman.

397
00:22:04.640 --> 00:22:05.000
<v Speaker 7>Rascal.

398
00:22:05.720 --> 00:22:12.119
<v Speaker 8>Yes, love can be very upsetting, can't it you heard? Yes,

399
00:22:12.799 --> 00:22:18.680
<v Speaker 8>just the last moment, or so very touching. Yet it's understandable.

400
00:22:18.920 --> 00:22:22.559
<v Speaker 8>I've been attracted to Ella myself. So she loves another.

401
00:22:22.680 --> 00:22:22.920
<v Speaker 6>Huh?

402
00:22:23.519 --> 00:22:27.319
<v Speaker 8>Too bad, old boy? Who could it be? Could it

403
00:22:27.400 --> 00:22:30.200
<v Speaker 8>be that I am the cause of your heartbreak?

404
00:22:30.480 --> 00:22:32.519
<v Speaker 7>You flatter yourself too much, Rascal?

405
00:22:32.799 --> 00:22:36.880
<v Speaker 8>Then whom the old judge? Certainly, not the colonel, hardly,

406
00:22:36.920 --> 00:22:40.720
<v Speaker 8>none of those? Oh not one of the customers, the staff.

407
00:22:40.720 --> 00:22:43.279
<v Speaker 7>She loves the night watchman. Can you imagine that she

408
00:22:43.359 --> 00:22:49.319
<v Speaker 7>loves them? Oh, Rascal, I shouldn't have said that. It's

409
00:22:49.359 --> 00:22:51.880
<v Speaker 7>not true. At least I don't think it's true. You

410
00:22:51.880 --> 00:22:56.640
<v Speaker 7>wouldn't rascale. You said you loved her too, You wouldn't

411
00:22:56.640 --> 00:23:00.000
<v Speaker 7>do anything, tell anybody. This is a secret between us,

412
00:23:00.720 --> 00:23:01.880
<v Speaker 7>between friends, isn't it?

413
00:23:02.640 --> 00:23:06.680
<v Speaker 8>Of course? Oldly as secret as the grave.

414
00:23:07.400 --> 00:23:10.200
<v Speaker 7>She's young. Perhaps he'll leave and she'll forget him in time.

415
00:23:10.279 --> 00:23:11.440
<v Speaker 7>Who knows, Perhaps you'll learn.

416
00:23:11.400 --> 00:23:16.400
<v Speaker 8>To love you or me, of course, in time, and.

417
00:23:16.400 --> 00:23:18.480
<v Speaker 7>We'll figure a way to keep her safe.

418
00:23:18.200 --> 00:23:23.079
<v Speaker 8>Here absolutely see, and don't you worry about it? To

419
00:23:23.079 --> 00:23:26.920
<v Speaker 8>al Mustne time forbid. Good morning, mister.

420
00:23:26.799 --> 00:23:40.759
<v Speaker 11>Snow, early evening, November fourth.

421
00:23:41.480 --> 00:23:44.359
<v Speaker 7>I was a fool. I should have known he couldn't

422
00:23:44.359 --> 00:23:47.240
<v Speaker 7>be trusted. He must have gone straight to missus van

423
00:23:47.279 --> 00:23:51.079
<v Speaker 7>der Pant. Because this evening the atmosphere has changed. People

424
00:23:51.160 --> 00:23:54.720
<v Speaker 7>flicker to and fro, smiling nervously horribly with a sort

425
00:23:54.759 --> 00:23:58.440
<v Speaker 7>of frightened sadistic exultation. An informal dance in the record

426
00:23:58.440 --> 00:24:01.039
<v Speaker 7>department has been called off. I can't find Ella. I'm

427
00:24:01.039 --> 00:24:05.440
<v Speaker 7>going out again now to look for her. Rascal, what

428
00:24:05.480 --> 00:24:06.119
<v Speaker 7>have you done with that?

429
00:24:06.359 --> 00:24:08.279
<v Speaker 8>Ssh? Quiet, old boy, the night.

430
00:24:08.240 --> 00:24:11.039
<v Speaker 7>Watchman, I don't care what have you done.

431
00:24:11.400 --> 00:24:13.359
<v Speaker 8>Whatever I did was for your own good as well

432
00:24:13.359 --> 00:24:14.319
<v Speaker 8>as for the good of us all.

433
00:24:14.880 --> 00:24:21.079
<v Speaker 7>Wait a minute, what is that? What are those people carrying?

434
00:24:23.400 --> 00:24:27.680
<v Speaker 7>That's Ella. She's tied up. They're carrying Ella.

435
00:24:28.319 --> 00:24:28.559
<v Speaker 6>Ella.

436
00:24:28.720 --> 00:24:32.400
<v Speaker 8>Stop the child, stop it, don't stop, stop child, stop it,

437
00:24:32.400 --> 00:24:33.480
<v Speaker 8>you'll arouse the night watchman.

438
00:24:33.640 --> 00:24:33.920
<v Speaker 5>There.

439
00:24:34.359 --> 00:24:37.440
<v Speaker 7>They're taking her in into the butcher shop.

440
00:24:42.200 --> 00:24:42.799
<v Speaker 6>Roscoe.

441
00:24:43.680 --> 00:24:51.200
<v Speaker 8>Yes, those are the dark men, good Lord.

442
00:25:01.279 --> 00:25:08.279
<v Speaker 7>Midnight. I'm scribbling this last entry hurriedly. They are in

443
00:25:08.359 --> 00:25:12.200
<v Speaker 7>there in the butcher's shop with Ella the dark men.

444
00:25:14.279 --> 00:25:17.440
<v Speaker 7>There's only one thing to do. I'm going to find

445
00:25:17.480 --> 00:25:20.400
<v Speaker 7>the night Watchman and tell him he and I will

446
00:25:20.400 --> 00:25:27.559
<v Speaker 7>save her if we can, and if we are overpowered, well,

447
00:25:27.559 --> 00:25:31.400
<v Speaker 7>I will leave this pad on the stationary counter tomorrow.

448
00:25:32.480 --> 00:25:36.720
<v Speaker 7>If I live, I will recover it. If I do not.

449
00:25:38.200 --> 00:25:43.079
<v Speaker 7>Whoever finds this and reads it, look in the store windows.

450
00:25:44.839 --> 00:25:49.480
<v Speaker 7>Look for three new wax dummies. Two men, one rather

451
00:25:49.559 --> 00:25:54.920
<v Speaker 7>sensitive looking, and a girl. She has blonde hair and

452
00:25:55.000 --> 00:25:58.839
<v Speaker 7>blue eyes, and her nose turns up a little. Look

453
00:25:58.920 --> 00:26:07.599
<v Speaker 7>for us, and then find them, Smoke them out, exterminate them,

454
00:26:07.839 --> 00:26:09.480
<v Speaker 7>avenge us.

455
00:26:10.480 --> 00:26:12.039
<v Speaker 5>Oh Sam, isn't it horrible?

456
00:26:12.480 --> 00:26:14.480
<v Speaker 7>Ah?

457
00:26:14.279 --> 00:26:18.359
<v Speaker 5>We gotta do something, tell somebody something, Oh Sam?

458
00:26:18.400 --> 00:26:19.839
<v Speaker 7>What do we do?

459
00:26:19.839 --> 00:26:19.880
<v Speaker 8>Do?

460
00:26:21.119 --> 00:26:21.319
<v Speaker 4>Well?

461
00:26:21.359 --> 00:26:22.240
<v Speaker 7>Nothing? Go to bed?

462
00:26:23.119 --> 00:26:23.759
<v Speaker 6>What's Sam?

463
00:26:24.039 --> 00:26:26.400
<v Speaker 4>Who have wrote this is sure got a weird sense

464
00:26:26.400 --> 00:26:29.960
<v Speaker 4>of humor. It's probably some clerk. Donald Bracy's wanna be fired.

465
00:26:30.559 --> 00:26:34.720
<v Speaker 5>But you you mean you think it's just a story?

466
00:26:35.240 --> 00:26:35.920
<v Speaker 6>Are you kidding?

467
00:26:36.599 --> 00:26:37.960
<v Speaker 4>He don't believe this stuff?

468
00:26:38.000 --> 00:26:39.599
<v Speaker 7>Do you?

469
00:26:39.599 --> 00:26:39.799
<v Speaker 6>Well?

470
00:26:39.839 --> 00:26:42.400
<v Speaker 4>I don't know what I Oh, forget it, baby, I

471
00:26:42.519 --> 00:26:45.680
<v Speaker 4>snap out of it. I shouldn't leave you alone. You

472
00:26:45.759 --> 00:26:47.960
<v Speaker 4>get too many ideas. When I go out balling at night.

473
00:26:48.640 --> 00:26:51.759
<v Speaker 5>But don't you think maybe we ought to just do

474
00:26:52.440 --> 00:26:54.400
<v Speaker 5>take it back and show somebody.

475
00:26:54.200 --> 00:26:56.599
<v Speaker 7>Or not just not worth a bart of that? Laugh

476
00:26:56.720 --> 00:26:59.240
<v Speaker 7>at your baby? You think you are crazy or something.

477
00:27:00.440 --> 00:27:06.160
<v Speaker 5>Yeah, yeah, I guess you're right. I guess I was silly.

478
00:27:06.480 --> 00:27:09.559
<v Speaker 7>I forget it. Oh, come on, let's go to bed.

479
00:27:09.880 --> 00:27:14.559
<v Speaker 5>I'm tired, Okay, okay, Sam, Gee, you know that for

480
00:27:14.599 --> 00:27:16.000
<v Speaker 5>a while, I sure was scared.

481
00:27:17.640 --> 00:27:18.720
<v Speaker 6>I even forgot what I.

482
00:27:18.720 --> 00:27:22.920
<v Speaker 5>Was gonna tell you, Sam, I found the cutest dress today,

483
00:27:23.039 --> 00:27:26.839
<v Speaker 5>only nineteen ninety five. Yeah, buddy, Yeah, it was in

484
00:27:26.880 --> 00:27:28.359
<v Speaker 5>the window with Racy's.

485
00:27:28.920 --> 00:27:30.799
<v Speaker 6>It was on a beautiful little.

486
00:27:30.519 --> 00:27:38.799
<v Speaker 5>Wax model with blond hair, blue eyes, in a turned

487
00:27:38.880 --> 00:28:00.480
<v Speaker 5>up nose, and there was two men standing Beside.

488
00:28:00.640 --> 00:28:04.119
<v Speaker 3>Is produced and directed by William N. Robeson and Tonight

489
00:28:04.160 --> 00:28:08.920
<v Speaker 3>Brought You Evening Primrose by John Collier, adapted for radio

490
00:28:09.039 --> 00:28:13.160
<v Speaker 3>by John Duncle, with Elliot Lewis as Charles Snell, Paul

491
00:28:13.200 --> 00:28:17.440
<v Speaker 3>Freese as Roscoe, and Pat Lowry as Ella. The special

492
00:28:17.519 --> 00:28:20.519
<v Speaker 3>musical score was conceived and conducted by ci Fure.

493
00:28:25.559 --> 00:28:26.359
<v Speaker 2>Next Week.

494
00:28:29.039 --> 00:28:33.160
<v Speaker 1>After You've had a tough day at your office or

495
00:28:33.279 --> 00:28:38.359
<v Speaker 1>leaning over a hot stove when your four Wars seem

496
00:28:38.440 --> 00:28:40.119
<v Speaker 1>to be closing in on you.

497
00:28:41.599 --> 00:28:42.119
<v Speaker 2>Next week.

498
00:28:42.160 --> 00:28:44.640
<v Speaker 1>At the same time, when you want to get away

499
00:28:44.640 --> 00:28:56.880
<v Speaker 1>from it all, we again offer you escape.

500
00:29:00.079 --> 00:29:11.640
<v Speaker 2>Muh, this is CBS.

501
00:29:11.680 --> 00:29:30.200
<v Speaker 3>They Columbia Broadcasting System
