WEBVTT

1
00:00:00.120 --> 00:00:01.120
<v Speaker 1>Teenage lobotomy.

2
00:00:01.280 --> 00:00:03.080
<v Speaker 2>I want to be sedated psychotherapy.

3
00:00:03.200 --> 00:00:05.599
<v Speaker 3>My brain is hanging upside down, brain drain.

4
00:00:06.320 --> 00:00:07.639
<v Speaker 2>Why this fascination with the brain.

5
00:00:07.759 --> 00:00:09.039
<v Speaker 4>We're screaming out for help.

6
00:00:13.640 --> 00:00:20.480
<v Speaker 1>I hope you get that.

7
00:00:31.359 --> 00:00:34.280
<v Speaker 2>Welcome to Amusing Jews, where we celebrate Jewish contributors and

8
00:00:34.280 --> 00:00:38.399
<v Speaker 2>contributions to American popular culture. I'm Jonathan Friedman.

9
00:00:38.280 --> 00:00:39.520
<v Speaker 4>And I'm Joey Angelfield.

10
00:00:40.039 --> 00:00:43.679
<v Speaker 2>Producer engineer Mike Tomren is working somewhere behind the scenes.

11
00:00:44.039 --> 00:00:47.039
<v Speaker 2>Amusing Jews is a project of a Dot Hoverine Congregation

12
00:00:47.119 --> 00:00:50.600
<v Speaker 2>for Humanistic Judaism, the Jewish Museum of the American West,

13
00:00:51.000 --> 00:00:55.560
<v Speaker 2>and the Atheist United Studios. Hey, Joey, Punk rock is Jewish,

14
00:00:55.920 --> 00:00:59.920
<v Speaker 2>As today's guest is written, punk reflects the whole Jewish history,

15
00:01:00.079 --> 00:01:05.000
<v Speaker 2>repression and uncertainty, flight and wandering, belonging and not belonging,

16
00:01:05.560 --> 00:01:09.439
<v Speaker 2>always being divided, being both in and out, good and bad,

17
00:01:09.760 --> 00:01:15.159
<v Speaker 2>part and apart the Shpilkes. The nervous energy of punk

18
00:01:15.840 --> 00:01:16.640
<v Speaker 2>is Jewish.

19
00:01:16.840 --> 00:01:19.760
<v Speaker 4>We're delighted to talk with Stephen Lee Bieber, a freelance

20
00:01:19.840 --> 00:01:21.760
<v Speaker 4>journalist and author of.

21
00:01:21.439 --> 00:01:24.120
<v Speaker 2>The hebgb's at CBGB's.

22
00:01:23.760 --> 00:01:28.920
<v Speaker 4>A Secret History of Jewish Punk. Stephen, Welcome, to amusing Jews.

23
00:01:29.319 --> 00:01:31.879
<v Speaker 3>Oh hi, thanks for having me. Great to be here.

24
00:01:32.079 --> 00:01:34.840
<v Speaker 4>What led you to explore the Jewish history of punk rock?

25
00:01:35.159 --> 00:01:38.359
<v Speaker 3>Well, I'm Jewish and I grew up at a time

26
00:01:38.400 --> 00:01:40.799
<v Speaker 3>when it wasn't that cool to be Jewish. You know,

27
00:01:40.879 --> 00:01:44.319
<v Speaker 3>there was Barry Manilow, and as much as I like

28
00:01:44.359 --> 00:01:48.239
<v Speaker 3>Paul Simon, it wasn't rock and roll, and yeah, Barbara

29
00:01:48.280 --> 00:01:51.719
<v Speaker 3>Streiss and and the like. But I liked rock and roll,

30
00:01:51.760 --> 00:01:55.519
<v Speaker 3>and I did not have heroes as I were, So,

31
00:01:56.239 --> 00:01:59.760
<v Speaker 3>you know, like most Jews, I wouldn't say I do

32
00:02:00.239 --> 00:02:02.480
<v Speaker 3>the jew but you do kind of notice when when

33
00:02:02.519 --> 00:02:07.680
<v Speaker 3>one crosses the radar. And I was at some point

34
00:02:07.799 --> 00:02:12.159
<v Speaker 3>in the I think it was the early nineties when

35
00:02:12.719 --> 00:02:17.960
<v Speaker 3>Perry Ferrell of James Addiction was talking about being into

36
00:02:18.120 --> 00:02:23.280
<v Speaker 3>Cabbala and then Madonna was into Kabala and Britney Spears

37
00:02:23.360 --> 00:02:25.719
<v Speaker 3>and Heat magazine. It appeared, I'm like, what the hell's

38
00:02:25.759 --> 00:02:28.599
<v Speaker 3>going on? Jews are cool all of a sudden. So

39
00:02:28.759 --> 00:02:34.159
<v Speaker 3>I started thinking about looking at this rise and you know,

40
00:02:34.360 --> 00:02:37.800
<v Speaker 3>Jewish hit and as I started looking at rock in general,

41
00:02:38.479 --> 00:02:41.240
<v Speaker 3>it hit me, which I'm kind of amazed had never

42
00:02:41.319 --> 00:02:45.400
<v Speaker 3>hit me before, how Jewish punk was. I mean, it's

43
00:02:45.400 --> 00:02:49.879
<v Speaker 3>from New York. New York, for all its cultural cachet,

44
00:02:50.000 --> 00:02:53.840
<v Speaker 3>and like the center of American culture, has really had

45
00:02:54.000 --> 00:02:58.599
<v Speaker 3>very few rock movements. There's the San Francisco scene, there's Athens,

46
00:02:58.840 --> 00:03:04.240
<v Speaker 3>there's you know, grunge and Washington and Seattle, but New

47
00:03:04.319 --> 00:03:07.879
<v Speaker 3>York really is only known for punk. And why because

48
00:03:07.919 --> 00:03:12.120
<v Speaker 3>well it's the most New York of rock movements. And

49
00:03:12.360 --> 00:03:16.319
<v Speaker 3>according to the Lenny Bruce formulation, it doesn't matter if

50
00:03:16.360 --> 00:03:18.759
<v Speaker 3>you're Catholic, if you live in New York, you're Jewish.

51
00:03:19.319 --> 00:03:21.639
<v Speaker 3>And I think that's so true of punk. Not only

52
00:03:21.680 --> 00:03:24.039
<v Speaker 3>were once I started to look more closely, a lot

53
00:03:24.080 --> 00:03:27.319
<v Speaker 3>of the people whose names you know, were changed for

54
00:03:27.400 --> 00:03:33.479
<v Speaker 3>stage the stage, they were Jewish, but their attitudes were

55
00:03:33.520 --> 00:03:35.919
<v Speaker 3>so Jewish, you know. Even some of the non Jewish

56
00:03:35.960 --> 00:03:40.039
<v Speaker 3>acts growing up around Jews and being New Yorkers were

57
00:03:41.159 --> 00:03:46.919
<v Speaker 3>jew Asque, let's say, not Jewish, jew Esque. So that's

58
00:03:47.039 --> 00:03:49.680
<v Speaker 3>kind of how I ended up there. And then, of

59
00:03:49.719 --> 00:03:54.199
<v Speaker 3>course the connection between Nazi imagery and punk and Jews

60
00:03:54.520 --> 00:03:58.199
<v Speaker 3>seemed counterintuitive at first and then so obvious, like you know,

61
00:03:58.400 --> 00:04:01.560
<v Speaker 3>like hiding and playing sight and a you know, follow

62
00:04:01.599 --> 00:04:04.000
<v Speaker 3>the money of the kind of mordergate that the deeper

63
00:04:04.000 --> 00:04:06.479
<v Speaker 3>I went, the more it became a parent that it was.

64
00:04:06.599 --> 00:04:09.520
<v Speaker 3>It was really something integral to the beginning. It is

65
00:04:09.560 --> 00:04:11.840
<v Speaker 3>a punk if not the most intricral thing.

66
00:04:12.080 --> 00:04:14.680
<v Speaker 2>The spot the jew tendency that a lot of us have,

67
00:04:14.879 --> 00:04:17.519
<v Speaker 2>myself included. I mean, it can be done on a

68
00:04:17.600 --> 00:04:20.000
<v Speaker 2>very superficial level where you're like, oh, isn't that interesting,

69
00:04:20.079 --> 00:04:24.439
<v Speaker 2>isn't that interesting? But when you start to analyze the

70
00:04:24.439 --> 00:04:28.319
<v Speaker 2>individuals that we spot as Jews, it's very common that

71
00:04:28.360 --> 00:04:32.240
<v Speaker 2>there's something really quite universal in the Jewish experience that

72
00:04:32.360 --> 00:04:35.360
<v Speaker 2>is expressed through this person. I know that you found

73
00:04:35.399 --> 00:04:36.839
<v Speaker 2>a lot of that in the punk movement.

74
00:04:37.160 --> 00:04:40.040
<v Speaker 3>Absolutely, yeah, no, I you know, I grew up in

75
00:04:40.040 --> 00:04:42.639
<v Speaker 3>a Jewish family. I love my family, but it was

76
00:04:42.680 --> 00:04:44.959
<v Speaker 3>always like, oh so and so is jewious, like so,

77
00:04:45.560 --> 00:04:49.720
<v Speaker 3>you know, unless there's something that is meaningful about it,

78
00:04:49.720 --> 00:04:51.399
<v Speaker 3>And that's what I was looking for. Is there a

79
00:04:51.399 --> 00:04:54.399
<v Speaker 3>common thread here other than an accident of being from

80
00:04:54.399 --> 00:04:57.360
<v Speaker 3>the same background? In other words, ha, did that background

81
00:04:57.439 --> 00:05:02.240
<v Speaker 3>affect then? And that? Yeah, that's that's what really is.

82
00:05:02.240 --> 00:05:05.120
<v Speaker 3>From that sort of cultural studies component of it, you know,

83
00:05:05.160 --> 00:05:11.439
<v Speaker 3>American studies and I pe, you know, kind of looked

84
00:05:11.480 --> 00:05:16.399
<v Speaker 3>at all the aspects of cultural Jewish and it's not Judaism,

85
00:05:16.800 --> 00:05:19.519
<v Speaker 3>uh though there's you know, a bleed over there's you know,

86
00:05:19.560 --> 00:05:23.240
<v Speaker 3>there's some relationship, but cultural Judaism, you know, that idea

87
00:05:23.240 --> 00:05:28.600
<v Speaker 3>of being outsiders and rootless cosmopolitans, right, who are critiquing

88
00:05:28.639 --> 00:05:32.279
<v Speaker 3>the culture and making jokes about the culture and making

89
00:05:32.399 --> 00:05:34.839
<v Speaker 3>jokes in part because the culture they have to deal

90
00:05:34.920 --> 00:05:38.800
<v Speaker 3>with is oppressive and in the history of oppression for sure.

91
00:05:38.839 --> 00:05:42.360
<v Speaker 3>I mean, the Holocaust is just the cherry on top

92
00:05:42.439 --> 00:05:47.399
<v Speaker 3>of the history of Jewish oppression. It's the it's the ultimate.

93
00:05:47.519 --> 00:05:51.560
<v Speaker 3>But there are plenty others. Inquisition, you know, Babylonian exile,

94
00:05:52.800 --> 00:05:55.199
<v Speaker 3>you can you know, we all know, we can find

95
00:05:55.279 --> 00:05:58.120
<v Speaker 3>any anyone anywhere in the world. People have hated us

96
00:05:58.160 --> 00:06:04.399
<v Speaker 3>at some point badly. And the Holocaust, though it is

97
00:06:04.439 --> 00:06:11.199
<v Speaker 3>so such an impactful cultural trauma for Jews and really

98
00:06:11.600 --> 00:06:16.160
<v Speaker 3>for Western civilization. You know, that's I think why it

99
00:06:16.199 --> 00:06:18.439
<v Speaker 3>doesn't matter in a sense if you're Jewish. You know

100
00:06:18.480 --> 00:06:22.079
<v Speaker 3>that old Levi's Rye commercial. You don't have to be

101
00:06:22.120 --> 00:06:24.360
<v Speaker 3>Jewish to love Levi's right. You don't have to be

102
00:06:25.040 --> 00:06:27.720
<v Speaker 3>Jewish to get how horrible the Holocaust is. But it

103
00:06:27.759 --> 00:06:32.560
<v Speaker 3>sure doesn't hurt to have for it to strike a

104
00:06:32.560 --> 00:06:34.680
<v Speaker 3>little deeper. Yeah, yeah, I think it.

105
00:06:34.639 --> 00:06:38.040
<v Speaker 2>Does hurt, But it hurts so much because it's us.

106
00:06:38.920 --> 00:06:39.120
<v Speaker 3>Right.

107
00:06:39.240 --> 00:06:41.759
<v Speaker 2>You know that Lenny Bruce is considered the patron saint

108
00:06:41.879 --> 00:06:42.639
<v Speaker 2>of punk rock?

109
00:06:43.279 --> 00:06:45.439
<v Speaker 3>Why is that a lot of the people who I

110
00:06:45.480 --> 00:06:48.199
<v Speaker 3>interviewed and I talked about one hundred and fifty people

111
00:06:49.759 --> 00:06:52.160
<v Speaker 3>in addition to doing you know, research and books and

112
00:06:52.480 --> 00:06:54.959
<v Speaker 3>past interviews and that kind of thing, but so many

113
00:06:55.040 --> 00:06:57.639
<v Speaker 3>of them mentioned Lenny Bruce as being really important to

114
00:06:57.680 --> 00:07:02.399
<v Speaker 3>them growing up. You know. So these were punk is

115
00:07:02.519 --> 00:07:07.000
<v Speaker 3>early to mid seventies and New York and so these

116
00:07:07.000 --> 00:07:10.600
<v Speaker 3>are people came of age in the mid to late sixties,

117
00:07:10.680 --> 00:07:15.399
<v Speaker 3>right or even earlier. And that's Lenny Bruce's height, the popularity.

118
00:07:16.360 --> 00:07:20.160
<v Speaker 3>And he was synonymous with Jewish, synonymous with New York.

119
00:07:20.439 --> 00:07:24.319
<v Speaker 3>He was cool. He was you know, a badass, as

120
00:07:24.360 --> 00:07:30.240
<v Speaker 3>they said, a smart ass and funny with an edge.

121
00:07:30.439 --> 00:07:35.560
<v Speaker 3>You know, he's all social critique, no taboos. And you

122
00:07:35.600 --> 00:07:41.360
<v Speaker 3>know Chris Snine I remember from Blondie, who was partners,

123
00:07:41.480 --> 00:07:44.720
<v Speaker 3>never buried, but partners with w Harry for before the

124
00:07:44.759 --> 00:07:49.120
<v Speaker 3>band started and through the end of the band talk

125
00:07:49.199 --> 00:07:51.839
<v Speaker 3>to me about how he kind of recognized later in

126
00:07:51.879 --> 00:07:57.199
<v Speaker 3>life listening to Lenny Bruce again talking about his own

127
00:07:57.279 --> 00:08:01.160
<v Speaker 3>marriage to Honey Harlowe, the shick Sagata and how you

128
00:08:01.199 --> 00:08:02.959
<v Speaker 3>know he was attracted to her in part for that

129
00:08:03.079 --> 00:08:06.480
<v Speaker 3>and Chris jokingly but also you know, with some truth

130
00:08:06.519 --> 00:08:09.639
<v Speaker 3>saying that that resonated. You know, that's kind of I

131
00:08:09.680 --> 00:08:16.639
<v Speaker 3>realized how much that is like Neian Debbie. So they

132
00:08:16.800 --> 00:08:19.959
<v Speaker 3>really just kind of came up in conversation, and then

133
00:08:20.000 --> 00:08:22.480
<v Speaker 3>I started asking people because enough people mentioned it, and

134
00:08:22.519 --> 00:08:26.600
<v Speaker 3>it sounded like just about everybody loved Lenny Bruce. You know,

135
00:08:26.720 --> 00:08:30.560
<v Speaker 3>maybe except for the DA at the time in New York,

136
00:08:30.600 --> 00:08:33.000
<v Speaker 3>at most of America, but all the all the punks,

137
00:08:33.320 --> 00:08:36.240
<v Speaker 3>all the punks liked Lenny Bruce a lot like an adult,

138
00:08:36.799 --> 00:08:38.840
<v Speaker 3>one of the adults they could look up to, as

139
00:08:38.879 --> 00:08:39.440
<v Speaker 3>they put.

140
00:08:39.240 --> 00:08:43.759
<v Speaker 4>It, enjoining the show, click like and subscribe. You argue

141
00:08:43.799 --> 00:08:47.360
<v Speaker 4>that these largely Jewish musicians, a generation removed from the Holocaust,

142
00:08:47.480 --> 00:08:50.159
<v Speaker 4>were the first to truly break the silence. How did

143
00:08:50.159 --> 00:08:50.720
<v Speaker 4>that play out?

144
00:08:50.919 --> 00:08:54.120
<v Speaker 3>When I wrote the book, I didn't actually even see

145
00:08:54.159 --> 00:08:58.000
<v Speaker 3>a further connection that I've since kind of come upon,

146
00:08:58.919 --> 00:09:03.200
<v Speaker 3>and that is the the Eichmann trial. Nineteen sixty one

147
00:09:04.240 --> 00:09:10.080
<v Speaker 3>was not. It was a pivotal event in Holocaust history

148
00:09:10.440 --> 00:09:14.320
<v Speaker 3>because up until the Aikman trial, people generally did not

149
00:09:14.720 --> 00:09:17.720
<v Speaker 3>talk about the Holocaust. Immediately after the war, it was

150
00:09:17.759 --> 00:09:19.600
<v Speaker 3>all but too painful to talk about it, and it

151
00:09:19.679 --> 00:09:24.360
<v Speaker 3>was among Jews considered somewhat shameful. It was really hard

152
00:09:24.399 --> 00:09:26.840
<v Speaker 3>for survivors in that sense to not only have had

153
00:09:26.879 --> 00:09:29.600
<v Speaker 3>to go through that, but then to be on some

154
00:09:29.840 --> 00:09:34.519
<v Speaker 3>level not supported. I don't mean they were shunned in exile,

155
00:09:34.639 --> 00:09:38.360
<v Speaker 3>but people didn't want to advertise that aspect of Jewish is,

156
00:09:38.440 --> 00:09:43.799
<v Speaker 3>that victimhood as they saw it. When Eichman was brought

157
00:09:43.840 --> 00:09:47.039
<v Speaker 3>to trial, the idea for David Bengerien and a lot

158
00:09:47.080 --> 00:09:52.000
<v Speaker 3>of the other Israeli leaders was to use the trial

159
00:09:52.080 --> 00:09:54.600
<v Speaker 3>for justice obviously, I mean, who deserves to go on

160
00:09:54.639 --> 00:09:59.159
<v Speaker 3>trial more than Eichman, but to publicize why there was

161
00:09:59.200 --> 00:10:04.600
<v Speaker 3>an Israel that was that there was a need for

162
00:10:04.639 --> 00:10:07.039
<v Speaker 3>a haven of sorts, because there were people like this

163
00:10:07.159 --> 00:10:10.679
<v Speaker 3>out there at very high levels of power, and you know,

164
00:10:10.720 --> 00:10:15.480
<v Speaker 3>it could happen again. So that trial was one of

165
00:10:15.519 --> 00:10:20.759
<v Speaker 3>the first, if not the first, really broadcast on network television,

166
00:10:21.679 --> 00:10:25.600
<v Speaker 3>and there were excerpts every day and in New York

167
00:10:25.919 --> 00:10:28.519
<v Speaker 3>they were not just excerpts. It was like, I don't

168
00:10:28.519 --> 00:10:30.559
<v Speaker 3>know if any either you're old enough to remember the

169
00:10:30.600 --> 00:10:33.080
<v Speaker 3>Watergate hearings, but those were on TV would ruin the

170
00:10:33.080 --> 00:10:36.720
<v Speaker 3>cartoons on certain days, and Galligan's Island, you couldn't say.

171
00:10:36.879 --> 00:10:38.759
<v Speaker 2>For us it was the oj Simpson trial.

172
00:10:38.879 --> 00:10:41.840
<v Speaker 3>There you go, there you go equivalent, Yeah, you know,

173
00:10:41.879 --> 00:10:45.320
<v Speaker 3>we preempt this message, and so preempting that message in

174
00:10:45.320 --> 00:10:48.320
<v Speaker 3>New York for long stretches of time was the Eichmann Trial,

175
00:10:49.080 --> 00:10:52.759
<v Speaker 3>and it was graphic, I mean on purpose. You know,

176
00:10:52.799 --> 00:10:56.240
<v Speaker 3>they really were honest about what had happened in the

177
00:10:56.320 --> 00:11:02.440
<v Speaker 3>camps and in Germany and general. And the the children

178
00:11:03.320 --> 00:11:06.360
<v Speaker 3>who were watching that were the punks. You start to

179
00:11:06.399 --> 00:11:11.440
<v Speaker 3>see beginnings of the late sixties into the seventies, lots

180
00:11:11.480 --> 00:11:19.639
<v Speaker 3>of movies, television shows, books, uh directly about the Holocaust

181
00:11:19.720 --> 00:11:23.559
<v Speaker 3>and indirectly just about Jews. Jews only become very interesting

182
00:11:23.600 --> 00:11:28.759
<v Speaker 3>to people. Philip roths all Bello, you know, Bernard Malamud

183
00:11:29.440 --> 00:11:33.559
<v Speaker 3>and writing on television. You got you know, Bridget Loves

184
00:11:33.639 --> 00:11:41.120
<v Speaker 3>Bernie Rhoda Holocaust, the mini series with Meryl Street and

185
00:11:41.279 --> 00:11:46.320
<v Speaker 3>Theater Sophie's Choice, Woody Allen Elliott Gould leading men, I

186
00:11:46.320 --> 00:11:48.279
<v Speaker 3>mean jus is leading men and would have been unheard

187
00:11:48.279 --> 00:11:52.360
<v Speaker 3>of at one time. Elliott Gould, Dustin Hoffman, Richard Dreyfus,

188
00:11:52.639 --> 00:11:56.320
<v Speaker 3>lots and lots of very openly not just coded Jewish,

189
00:11:56.360 --> 00:11:59.399
<v Speaker 3>they were clearly Jewish. Springtime for Hitler, you know the

190
00:11:59.440 --> 00:12:06.120
<v Speaker 3>producers mel Brooks movie in which he uses the Nazis

191
00:12:06.639 --> 00:12:10.399
<v Speaker 3>for humor, and that's what the punks did and a

192
00:12:10.399 --> 00:12:14.399
<v Speaker 3>lot of people misunderstood at the time and thought they

193
00:12:14.399 --> 00:12:19.039
<v Speaker 3>were just being insensitive offensive. Well, I mean, one can

194
00:12:19.120 --> 00:12:21.600
<v Speaker 3>make the argument it's kind of insensitive, but one can

195
00:12:21.639 --> 00:12:25.799
<v Speaker 3>make the argument just as Jews have always done to

196
00:12:25.960 --> 00:12:32.480
<v Speaker 3>cope with oppression and difficulty, They've made jokes you know

197
00:12:33.000 --> 00:12:37.679
<v Speaker 3>today and I guess the equivalent would be, you know,

198
00:12:37.960 --> 00:12:41.399
<v Speaker 3>black people using the N word, they reappropriate it, turn

199
00:12:41.440 --> 00:12:45.159
<v Speaker 3>it into something that doesn't have the power anymore because

200
00:12:46.120 --> 00:12:48.159
<v Speaker 3>who is using it, Who's the one that's in charge

201
00:12:48.200 --> 00:12:50.840
<v Speaker 3>of it? Well, they are, And that's a lot of

202
00:12:50.879 --> 00:12:55.000
<v Speaker 3>what the the Nazi imagery and punk was about. And

203
00:12:56.360 --> 00:13:00.759
<v Speaker 3>some very funny jokes about you know, Nazis. They saved

204
00:13:00.840 --> 00:13:04.080
<v Speaker 3>Hitler's cock, they put it in a box. Was one

205
00:13:04.120 --> 00:13:06.799
<v Speaker 3>of my favorite lyrics from one of the punk de

206
00:13:06.879 --> 00:13:07.679
<v Speaker 3>heads of the time.

207
00:13:08.159 --> 00:13:10.919
<v Speaker 4>Well, I'm also thinking how Jews were not the only

208
00:13:10.960 --> 00:13:13.240
<v Speaker 4>ones who suffered at the hands of Nazis, and so

209
00:13:13.320 --> 00:13:17.200
<v Speaker 4>I think maybe Jewish punks were sort of dabbling in

210
00:13:17.200 --> 00:13:20.480
<v Speaker 4>intersectionality as opposed to exceptionalism. You know, they weren't saying

211
00:13:20.559 --> 00:13:22.320
<v Speaker 4>Jews were the only ones who suffered, but they were

212
00:13:22.320 --> 00:13:27.000
<v Speaker 4>sort of leading the leading the charge of the you know,

213
00:13:27.080 --> 00:13:29.440
<v Speaker 4>anti fascist, fuck Nazi kind of movement.

214
00:13:30.000 --> 00:13:32.519
<v Speaker 3>Absolutely. I mean, if you want to call the original

215
00:13:32.559 --> 00:13:37.279
<v Speaker 3>punks the original antifa, I think you're absolutely right. It

216
00:13:37.399 --> 00:13:40.559
<v Speaker 3>was fascism in general, and it wasn't just the Jews.

217
00:13:40.600 --> 00:13:45.919
<v Speaker 3>It was the punks in general recognizing that, you know,

218
00:13:46.120 --> 00:13:51.000
<v Speaker 3>this kind of tendencies, I mean, especially once Reagan came

219
00:13:51.039 --> 00:13:55.320
<v Speaker 3>around in nineteen eighty. But you know, the punks. I

220
00:13:55.399 --> 00:13:58.639
<v Speaker 3>think one thing people forget because punks hated hippies, they

221
00:13:58.679 --> 00:14:00.799
<v Speaker 3>always say, But a lot of the punknks, the early

222
00:14:00.879 --> 00:14:03.360
<v Speaker 3>punks were hippies, but they were at that end of

223
00:14:03.399 --> 00:14:07.000
<v Speaker 3>the hippie movement that was more yippie, you know, Jerry

224
00:14:07.080 --> 00:14:12.799
<v Speaker 3>Rube and Abbie Hoffman politically revolutionary, and they wanted to

225
00:14:12.799 --> 00:14:15.679
<v Speaker 3>bring back that element of rock and roll, the basic

226
00:14:16.960 --> 00:14:20.240
<v Speaker 3>rebellious nature of rock and roll, the democratic impulse in

227
00:14:20.360 --> 00:14:23.600
<v Speaker 3>right anybody can play it, uh, if they have something

228
00:14:23.639 --> 00:14:39.600
<v Speaker 3>to say, and the passion to say. All of the

229
00:14:39.679 --> 00:14:44.399
<v Speaker 3>punks were, yeah, addressing not just the Holocaust and history,

230
00:14:44.840 --> 00:14:50.240
<v Speaker 3>but the potential of Holocaust thinking ideology, you know, right

231
00:14:50.279 --> 00:14:52.639
<v Speaker 3>wing eyey ideology.

232
00:14:52.440 --> 00:14:59.080
<v Speaker 5>To to to create darkness and and uh, you know

233
00:14:59.159 --> 00:15:04.960
<v Speaker 5>when when Ramone wrote this, the Ramone song Bonzo Goes

234
00:15:05.000 --> 00:15:11.320
<v Speaker 5>to Bittberg about Reagan going to a cemetery in Bittberg, Germany,

235
00:15:11.399 --> 00:15:12.879
<v Speaker 5>honoring the SS.

236
00:15:13.360 --> 00:15:17.720
<v Speaker 3>It's different to honor fallen drafted soldiers and who fought,

237
00:15:17.799 --> 00:15:20.240
<v Speaker 3>you know, in World War Two. That's understandable. It's not

238
00:15:20.320 --> 00:15:24.759
<v Speaker 3>their fault really, but the SS you had to you

239
00:15:24.799 --> 00:15:27.519
<v Speaker 3>had to pay your dues and prove you're really loyal.

240
00:15:27.600 --> 00:15:30.000
<v Speaker 3>And I mean, what are we doing honoring the SS?

241
00:15:30.120 --> 00:15:35.480
<v Speaker 3>You know? So yeah, and you know, like I say,

242
00:15:35.559 --> 00:15:39.039
<v Speaker 3>if in the book, but I would even I think

243
00:15:39.200 --> 00:15:41.039
<v Speaker 3>stress it more now if I were to go back

244
00:15:41.080 --> 00:15:48.120
<v Speaker 3>and revisit it, the non Jews who also were very

245
00:15:48.200 --> 00:15:53.480
<v Speaker 3>impacted by the story of Western civilization and what I

246
00:15:53.559 --> 00:15:55.559
<v Speaker 3>was capable of. If you want to just put it

247
00:15:55.639 --> 00:15:59.919
<v Speaker 3>into a bigger umbrella. You know, Iggy pop Uh then

248
00:16:00.080 --> 00:16:04.240
<v Speaker 3>Iggy Stooge are the Stooges had a I think it

249
00:16:04.279 --> 00:16:06.159
<v Speaker 3>was called the Rape of the Virgin is what he

250
00:16:06.200 --> 00:16:09.000
<v Speaker 3>called the act, and it was him being stomped on

251
00:16:09.120 --> 00:16:13.759
<v Speaker 3>and literally bloodied by Ron Ashton, one of the band members,

252
00:16:13.799 --> 00:16:18.919
<v Speaker 3>wearing a Nazi uniform. And Iggy used to date Jewish

253
00:16:18.960 --> 00:16:23.000
<v Speaker 3>women almost exclusively, I think married a Jewish woman eventually,

254
00:16:23.480 --> 00:16:28.279
<v Speaker 3>and his father was actually raised by two Jewish sisters.

255
00:16:29.120 --> 00:16:33.840
<v Speaker 3>And Iggy when he was dating this one Jewish woman

256
00:16:33.879 --> 00:16:36.159
<v Speaker 3>at the time, who was a child of Holocaust, of races,

257
00:16:36.159 --> 00:16:39.080
<v Speaker 3>I have a surprise for you at tonight's show. He

258
00:16:39.120 --> 00:16:42.559
<v Speaker 3>thought she would love because like cathartic and and he

259
00:16:42.639 --> 00:16:44.919
<v Speaker 3>did the rape of the Virgin. She hated at She's like,

260
00:16:44.919 --> 00:16:47.840
<v Speaker 3>what the hell? But he meant well, he met well,

261
00:16:47.879 --> 00:16:54.159
<v Speaker 3>he was he was trying to exercise the demon in

262
00:16:54.200 --> 00:16:56.919
<v Speaker 3>a way, right. I mean, even the sex Pistols, for

263
00:16:57.000 --> 00:17:02.799
<v Speaker 3>all their questionable practices, you know, the holidays and the

264
00:17:02.840 --> 00:17:06.119
<v Speaker 3>sun talking about, you know, go to a new Belsen.

265
00:17:06.240 --> 00:17:09.400
<v Speaker 3>What wasn't like they wanted to go to a concentration

266
00:17:09.480 --> 00:17:13.359
<v Speaker 3>camp for a vacation. They were making fun of people

267
00:17:13.440 --> 00:17:17.640
<v Speaker 3>who go to like third world countries and enjoy themselves

268
00:17:17.640 --> 00:17:20.279
<v Speaker 3>while there's misery all around them, and like, you know,

269
00:17:20.359 --> 00:17:22.200
<v Speaker 3>so they're making a parallel life. Like I'd like to

270
00:17:22.240 --> 00:17:26.599
<v Speaker 3>go on a vacation to Belsen, you know, that'd be great. So, yeah,

271
00:17:26.640 --> 00:17:29.039
<v Speaker 3>I think you're right about the intersectionality. It wasn't just

272
00:17:29.119 --> 00:17:34.000
<v Speaker 3>Jews of gay people, you know, romany people, many Catholics,

273
00:17:34.960 --> 00:17:40.000
<v Speaker 3>any political enemies. You know, the original concentration camp was

274
00:17:40.160 --> 00:17:45.000
<v Speaker 3>for political enemies in Dacau, Germany. So I'm not telling

275
00:17:45.039 --> 00:17:46.759
<v Speaker 3>you anything you don't know. I'm just I'm just saying

276
00:17:46.799 --> 00:17:51.000
<v Speaker 3>I absolutely agree with you that. Yeah, I think that

277
00:17:53.799 --> 00:17:56.640
<v Speaker 3>the intersectionality of it is is definitely part of it.

278
00:17:56.720 --> 00:17:59.559
<v Speaker 2>Yeah, how should we assess the impact of the Ramones

279
00:17:59.599 --> 00:18:03.599
<v Speaker 2>and specifically it's frontman Joey Ramon born Jeffrey Hyman.

280
00:18:03.920 --> 00:18:08.960
<v Speaker 3>Well, Joey is so such like a paradigm shift and rock.

281
00:18:09.839 --> 00:18:14.079
<v Speaker 3>You know, Joey was and I don't mean this in

282
00:18:14.160 --> 00:18:17.359
<v Speaker 3>any knock against Joey. I loved Joey and everybody did.

283
00:18:17.480 --> 00:18:20.359
<v Speaker 3>Everybody called him a minch, right, that was the term

284
00:18:20.400 --> 00:18:24.039
<v Speaker 3>always used for him. But he was a little freakish looking.

285
00:18:24.119 --> 00:18:27.039
<v Speaker 3>If you look at the average person. He was very,

286
00:18:27.160 --> 00:18:30.279
<v Speaker 3>very tall. I think it was six or eight something

287
00:18:30.359 --> 00:18:33.759
<v Speaker 3>like that. Grew up, you know, feet taller than his

288
00:18:34.039 --> 00:18:37.519
<v Speaker 3>kids in high school and later he put on a

289
00:18:37.519 --> 00:18:40.480
<v Speaker 3>little weight, but he was emaciated, so it was all

290
00:18:40.559 --> 00:18:45.119
<v Speaker 3>the more exaggerated. He had a big hook nose and uh,

291
00:18:45.599 --> 00:18:50.680
<v Speaker 3>you know, kind of bad posture due to some physical conditions,

292
00:18:50.720 --> 00:18:56.119
<v Speaker 3>and looked like a you know, one of those stereotypes

293
00:18:56.160 --> 00:19:00.640
<v Speaker 3>of Jews and the dishturmer, the Nazi newspaper mericature of

294
00:19:00.680 --> 00:19:05.640
<v Speaker 3>a Jew. He was anything but what was at the

295
00:19:05.720 --> 00:19:08.799
<v Speaker 3>time seen as a rockstar. Rockstar was Robert Plant with

296
00:19:08.799 --> 00:19:13.160
<v Speaker 3>his shirt unbuttons of the navel and tight jeans and cockrocker,

297
00:19:13.279 --> 00:19:15.799
<v Speaker 3>you know, like it's all sex and stud and I'm

298
00:19:15.799 --> 00:19:19.440
<v Speaker 3>in charge. And Joey was like, I'm a freak. You're

299
00:19:19.440 --> 00:19:23.799
<v Speaker 3>a freak. We're all freaks. That's cool, you know. Gabba

300
00:19:23.880 --> 00:19:27.680
<v Speaker 3>Gabba hey, one of us, one of us. Yeah, that

301
00:19:27.920 --> 00:19:30.079
<v Speaker 3>Gaba Gaba Hey comes from the movie Freaks, So it

302
00:19:30.119 --> 00:19:32.240
<v Speaker 3>was actually Gobble Gobble Hey in the movie, but it

303
00:19:32.319 --> 00:19:35.880
<v Speaker 3>was the chant of all the freaks and I'm again

304
00:19:36.039 --> 00:19:42.519
<v Speaker 3>quotation works around freaks bonding together and putting a spell

305
00:19:42.680 --> 00:19:45.880
<v Speaker 3>on someone who was cruel to them. Who was the beauty,

306
00:19:46.480 --> 00:19:52.240
<v Speaker 3>the blonde beauty. Uh so Joey. Yeah, Joey was kind

307
00:19:52.240 --> 00:19:55.000
<v Speaker 3>of the emblematic of it in so many ways. And

308
00:19:55.079 --> 00:19:59.599
<v Speaker 3>so much of punk is about neuroses and about being

309
00:20:00.039 --> 00:20:04.319
<v Speaker 3>broken and twisted. And yet it's an anti hero, right,

310
00:20:04.400 --> 00:20:08.039
<v Speaker 3>because if you were in this culture and you're paying attention,

311
00:20:08.160 --> 00:20:11.319
<v Speaker 3>you really should be broken and twisted. You know, if

312
00:20:11.359 --> 00:20:15.559
<v Speaker 3>you're not upset, there's something wrong. If you're not wounded

313
00:20:15.599 --> 00:20:21.200
<v Speaker 3>by the culture, there's something wrong. Joey. What's interesting to me,

314
00:20:21.359 --> 00:20:27.000
<v Speaker 3>especially about Joey, is that Tommy, the other Jewish member

315
00:20:27.000 --> 00:20:29.559
<v Speaker 3>of the Ramones, who no one knew was Jewish, including

316
00:20:29.680 --> 00:20:33.440
<v Speaker 3>their Jewish manager Danny Fields, until I told him. Tommy

317
00:20:33.640 --> 00:20:38.319
<v Speaker 3>was very self conscious about it. It was Tommy who

318
00:20:38.400 --> 00:20:42.200
<v Speaker 3>insisted to the other two d D and Johnny that

319
00:20:42.599 --> 00:20:45.480
<v Speaker 3>Joey be the lead singer. They're like, what, that's insane.

320
00:20:45.680 --> 00:20:47.319
<v Speaker 3>He's not a he's not I mean, they knew he

321
00:20:47.319 --> 00:20:50.119
<v Speaker 3>could sing, but he just let he looked ridiculous as

322
00:20:50.160 --> 00:20:52.960
<v Speaker 3>the leader of Bend. Tommy said, no, that's the point,

323
00:20:53.279 --> 00:20:55.400
<v Speaker 3>that's what we are. That's the kind of band we

324
00:20:55.440 --> 00:21:00.440
<v Speaker 3>are where he's the leader. Tommy was a child of

325
00:21:00.720 --> 00:21:05.000
<v Speaker 3>Holocaust survivors who were hidden or protected by non Jewish

326
00:21:05.079 --> 00:21:11.519
<v Speaker 3>friends in Budapest during World War Two, and they fled

327
00:21:12.000 --> 00:21:16.039
<v Speaker 3>in fifty six with the Soviet you know, when Soviets

328
00:21:16.079 --> 00:21:19.079
<v Speaker 3>kind of crushed a rebellion and anti Semitism was on

329
00:21:19.079 --> 00:21:21.200
<v Speaker 3>the rise there like that, and we've been through this once,

330
00:21:21.279 --> 00:21:28.559
<v Speaker 3>We're not here for that again. And Tommy was I

331
00:21:28.559 --> 00:21:30.920
<v Speaker 3>don't think paranoid's the right word, because you know, if

332
00:21:30.960 --> 00:21:34.640
<v Speaker 3>they're after you, you're not paranoid. So but he was very

333
00:21:34.759 --> 00:21:39.599
<v Speaker 3>alert and cautious, never denied as Jewish as was proud

334
00:21:39.640 --> 00:21:44.200
<v Speaker 3>of it, but didn't advertise it. And his vision for

335
00:21:44.279 --> 00:21:48.400
<v Speaker 3>the Ramones was really a very Jewish vision. And the

336
00:21:48.519 --> 00:21:53.599
<v Speaker 3>fact that the Ramones and I'm sorry to fear from Joey,

337
00:21:53.599 --> 00:21:55.880
<v Speaker 3>but Joey's so intrigral to the Roan's like you can't

338
00:21:55.880 --> 00:21:58.720
<v Speaker 3>talk about John Lennon with they're talking about the other Beatles, right,

339
00:21:58.920 --> 00:22:02.039
<v Speaker 3>They're They're that kind of band where the four distinct

340
00:22:02.079 --> 00:22:09.799
<v Speaker 3>personalities make up a whole. Johnny collected Nazi memorabilia and

341
00:22:10.000 --> 00:22:12.759
<v Speaker 3>was known to say any Semitic things. Was it just

342
00:22:12.839 --> 00:22:17.559
<v Speaker 3>to wind people up or was the questionable it's a

343
00:22:17.799 --> 00:22:19.960
<v Speaker 3>you know, who knows, it's a little No one knows

344
00:22:20.000 --> 00:22:24.240
<v Speaker 3>what's in someone's heart, but he sure did hurt people

345
00:22:24.440 --> 00:22:27.839
<v Speaker 3>like Joey and Tommy. Tommy had to drop out of

346
00:22:27.880 --> 00:22:32.359
<v Speaker 3>the band in part because of Johnny. That's why he left. Dede,

347
00:22:33.079 --> 00:22:38.079
<v Speaker 3>whose mother was German, whose father was an American serviceman

348
00:22:38.119 --> 00:22:44.880
<v Speaker 3>who married her while stationed in Germany occupying force, had

349
00:22:44.880 --> 00:22:48.559
<v Speaker 3>a very conflicted relationship towards Germany. But to piss off

350
00:22:48.599 --> 00:22:52.920
<v Speaker 3>his father, he collected Nazi memorabilia as a kid, and

351
00:22:52.960 --> 00:22:58.799
<v Speaker 3>the two of them were somewhat counterpost against Joey and Tommy,

352
00:22:59.839 --> 00:23:06.240
<v Speaker 3>and together those preoccupations came up. And yet in a

353
00:23:06.319 --> 00:23:09.720
<v Speaker 3>comic context it was kind of you know, Tommy especially

354
00:23:09.960 --> 00:23:13.160
<v Speaker 3>would take those songs and make them funnier, so that

355
00:23:13.200 --> 00:23:18.960
<v Speaker 3>the Nazis seemed kind of ridiculous. And Joey, obviously later

356
00:23:19.039 --> 00:23:22.559
<v Speaker 3>with Bonso goes to Bitberg part of that as well directly.

357
00:23:22.799 --> 00:23:27.359
<v Speaker 3>And that was a song originally Johnny did not want

358
00:23:27.599 --> 00:23:32.079
<v Speaker 3>Reagan named in the title. It was called My Brain

359
00:23:32.160 --> 00:23:35.920
<v Speaker 3>is Hanging upside down, which is the chorus. And you know,

360
00:23:36.319 --> 00:23:38.599
<v Speaker 3>Johnny was a big support of the police and Reagan

361
00:23:38.759 --> 00:23:43.839
<v Speaker 3>and supposedly had a photo of Hitler over his fireplace.

362
00:23:44.200 --> 00:23:46.079
<v Speaker 3>I never saw it, so I can't say for sure

363
00:23:46.160 --> 00:23:50.279
<v Speaker 3>that's true, but I heard that and anyway, so there

364
00:23:50.279 --> 00:23:55.119
<v Speaker 3>are a lot of negotiations in there that reflected bigger schisms,

365
00:23:55.319 --> 00:23:58.640
<v Speaker 3>and not even just on the Ramones. It's another bands too.

366
00:23:58.799 --> 00:24:02.519
<v Speaker 3>You know, Kiss was sort of punk adjacent, same time period,

367
00:24:03.759 --> 00:24:07.799
<v Speaker 3>some of the same fright elements, like for kiddies, and

368
00:24:08.039 --> 00:24:11.720
<v Speaker 3>they were split between two Jews and in one hardcore

369
00:24:11.799 --> 00:24:14.759
<v Speaker 3>any you know, Nazi sympthizer.

370
00:24:14.839 --> 00:24:18.079
<v Speaker 2>So it's just fascinating that these bands were able to

371
00:24:18.119 --> 00:24:22.920
<v Speaker 2>be friends, we can assume, and work together despite that

372
00:24:23.799 --> 00:24:26.279
<v Speaker 2>kind of deal breaker in most relationships.

373
00:24:26.519 --> 00:24:29.839
<v Speaker 3>Yeah, the Ramones are also known as the most dysfunctional

374
00:24:29.839 --> 00:24:32.799
<v Speaker 3>band in history, and they really were. They hated each

375
00:24:32.839 --> 00:24:35.759
<v Speaker 3>other by the end. You know, Joey would sit in

376
00:24:35.759 --> 00:24:38.359
<v Speaker 3>the back of the bus, Johnny on the front. Joey.

377
00:24:38.519 --> 00:24:40.240
<v Speaker 3>I mean, I don't I don't mean to sound like

378
00:24:40.279 --> 00:24:43.240
<v Speaker 3>I'm mocking. I mean, you know, he had like everyone

379
00:24:43.519 --> 00:24:47.799
<v Speaker 3>had his shaes, but he was ocd very clearly, you know,

380
00:24:47.880 --> 00:24:50.119
<v Speaker 3>had to touch. They would try to leave to go

381
00:24:50.160 --> 00:24:51.680
<v Speaker 3>on tour and he'd have to go up and down

382
00:24:51.720 --> 00:24:54.680
<v Speaker 3>the steps of his apartment, like for an hour, touching

383
00:24:54.720 --> 00:25:00.640
<v Speaker 3>certain things over and over. Sometimes. You know, Johnny, who

384
00:25:00.640 --> 00:25:04.160
<v Speaker 3>found Jolly intolerable, was his own kind of OCD. He

385
00:25:04.240 --> 00:25:07.519
<v Speaker 3>was obsessed with baseball statistics to the point that it

386
00:25:07.599 --> 00:25:11.480
<v Speaker 3>was like reams and rims of of notebooks, you know,

387
00:25:11.559 --> 00:25:12.799
<v Speaker 3>keeping track of everything.

388
00:25:13.839 --> 00:25:14.000
<v Speaker 1>Uh.

389
00:25:14.440 --> 00:25:21.440
<v Speaker 3>Tommy was probably depressive, seem seemed like and d D

390
00:25:22.680 --> 00:25:30.039
<v Speaker 3>was a mystery hard to tell bipolar, perhaps not schizophrenic,

391
00:25:30.079 --> 00:25:34.359
<v Speaker 3>but people all everyone commented on how he could turn.

392
00:25:35.000 --> 00:25:37.759
<v Speaker 3>There were like two d d's, you know, this sweet, innocent,

393
00:25:38.359 --> 00:25:41.920
<v Speaker 3>almost childlike to the point of that being almost creepy, like,

394
00:25:41.960 --> 00:25:47.359
<v Speaker 3>how was this he not more you know, grown up

395
00:25:48.200 --> 00:25:52.000
<v Speaker 3>and a kind of cruel uh, you know, violent character,

396
00:25:53.440 --> 00:25:56.759
<v Speaker 3>very talented, hugely talented, also hugely important to their moones.

397
00:25:56.759 --> 00:25:58.119
<v Speaker 3>So I don't mean to make it out Tommy was

398
00:25:58.160 --> 00:26:00.720
<v Speaker 3>their Moones, not by far. You know, of the Beatles,

399
00:26:00.720 --> 00:26:03.440
<v Speaker 3>they got to dislike each other, an the Ramones ever

400
00:26:03.640 --> 00:26:06.519
<v Speaker 3>liked each other that much. You see those early films.

401
00:26:06.519 --> 00:26:08.440
<v Speaker 3>I think it's one of their first shows at CBS

402
00:26:08.480 --> 00:26:11.519
<v Speaker 3>and they're fighting on stage about which song to do next.

403
00:26:11.599 --> 00:26:14.960
<v Speaker 3>They're really fighting. It wasn't an act. It was funny,

404
00:26:15.200 --> 00:26:16.640
<v Speaker 3>but it was suposedly real.

405
00:26:22.440 --> 00:26:48.400
<v Speaker 1>Judy is a punk.

406
00:26:47.640 --> 00:26:50.880
<v Speaker 4>Turning to CBS. Jews were also central behind the scenes,

407
00:26:51.119 --> 00:26:54.799
<v Speaker 4>like Hilly Crystal, owner of the punk maca CBGB. What

408
00:26:55.039 --> 00:26:57.079
<v Speaker 4>was the significance of Crystal and that club?

409
00:26:57.240 --> 00:27:01.400
<v Speaker 3>Well, Hilly, Hello, Crystal is his real name? What's his name?

410
00:27:02.839 --> 00:27:07.640
<v Speaker 3>Interesting character. Grew up on a Zionist socialist collective and

411
00:27:07.680 --> 00:27:10.440
<v Speaker 3>this is back when Zionism wasn't considered a dirty word.

412
00:27:10.480 --> 00:27:13.160
<v Speaker 3>It was the lefty version of Israel where you went

413
00:27:13.200 --> 00:27:18.200
<v Speaker 3>to a kabbutz and you shared the wealth. His great

414
00:27:18.319 --> 00:27:25.240
<v Speaker 3>uncle was head of this collective in the Jersey homestead

415
00:27:26.039 --> 00:27:30.640
<v Speaker 3>and Hilly grew up there. The idea, just as it

416
00:27:30.680 --> 00:27:35.920
<v Speaker 3>was in Israel, was to for Jews to get back

417
00:27:35.960 --> 00:27:38.640
<v Speaker 3>to the land. It was kind of a Romantic era

418
00:27:38.920 --> 00:27:42.680
<v Speaker 3>response to displacement, you know, the Romantic era of like

419
00:27:42.759 --> 00:27:46.519
<v Speaker 3>the you know Beethoven, that kind of Romantic era that

420
00:27:46.759 --> 00:27:48.480
<v Speaker 3>you get back to the soil, kind of like the

421
00:27:48.559 --> 00:27:53.319
<v Speaker 3>hippies word right, Brousseau and Beethoven, and you know, our

422
00:27:53.759 --> 00:27:56.839
<v Speaker 3>natural healthiest celts were out of cities. We're in touch

423
00:27:56.880 --> 00:28:00.000
<v Speaker 3>with the soil. And the thinking was among the original

424
00:28:00.079 --> 00:28:05.160
<v Speaker 3>designs that Jews had been divorced from that kind of

425
00:28:05.279 --> 00:28:09.960
<v Speaker 3>connection to the land, that they had been dispossessed to that,

426
00:28:10.279 --> 00:28:13.480
<v Speaker 3>and that they needed a place, a literal place where

427
00:28:13.480 --> 00:28:17.240
<v Speaker 3>they could till the land and be workers and be

428
00:28:17.480 --> 00:28:24.200
<v Speaker 3>strong and healthy and all spiritually as well as physically hilly.

429
00:28:26.720 --> 00:28:30.880
<v Speaker 3>It was a strong, big guy, big strong guy, but

430
00:28:31.079 --> 00:28:36.079
<v Speaker 3>also loved music and wanted to play violin and was

431
00:28:36.559 --> 00:28:40.000
<v Speaker 3>very good. I was playing violin all through his youth

432
00:28:40.039 --> 00:28:44.359
<v Speaker 3>and high school years. He had a sister who was ill.

433
00:28:44.519 --> 00:28:48.640
<v Speaker 3>He needed to take care of her, and he couldn't

434
00:28:48.680 --> 00:28:51.240
<v Speaker 3>pursue that in the way he wanted. But he did

435
00:28:51.279 --> 00:28:56.319
<v Speaker 3>finally go to New York and pursues singing that he

436
00:28:56.799 --> 00:29:02.119
<v Speaker 3>also had a great voice, and he worked in a

437
00:29:02.200 --> 00:29:05.640
<v Speaker 3>number of venues and then kind of segued from that

438
00:29:05.759 --> 00:29:09.880
<v Speaker 3>into clubs, managing clubs. You know, he interacted with a

439
00:29:09.960 --> 00:29:13.359
<v Speaker 3>lot of the famous jazz musicians.

440
00:29:13.079 --> 00:29:13.880
<v Speaker 1>And then.

441
00:29:15.359 --> 00:29:20.359
<v Speaker 3>He in the like early seventies, decided he was going

442
00:29:20.400 --> 00:29:23.759
<v Speaker 3>to open his own club. And he picked the Bowery

443
00:29:23.799 --> 00:29:28.799
<v Speaker 3>because it was cheap and you know, uncharted territory, and

444
00:29:29.079 --> 00:29:33.200
<v Speaker 3>he opened CBGB's Country, Bluegrass and Blues. It was an

445
00:29:33.240 --> 00:29:38.319
<v Speaker 3>Americana music club. Did not do very well. It was

446
00:29:38.480 --> 00:29:44.640
<v Speaker 3>inhabited by bikers initially, and it wasn't until Richard Hill,

447
00:29:44.880 --> 00:29:50.759
<v Speaker 3>Richard Myers and Tom Verlane came to him and said,

448
00:29:50.759 --> 00:29:53.160
<v Speaker 3>we have a band we want to play, and hell,

449
00:29:53.200 --> 00:29:55.559
<v Speaker 3>he said, you know what you can play, but you

450
00:29:55.599 --> 00:29:58.000
<v Speaker 3>have to play your own music, which was not common

451
00:29:58.000 --> 00:29:59.920
<v Speaker 3>in New York at the time at all. They were

452
00:30:00.279 --> 00:30:02.599
<v Speaker 3>bands everywhere, and he's like, you've got to play your

453
00:30:02.599 --> 00:30:06.160
<v Speaker 3>own music, and that was his line to everyone, you

454
00:30:06.200 --> 00:30:09.960
<v Speaker 3>got to play your own music. All those early bands

455
00:30:10.079 --> 00:30:13.759
<v Speaker 3>that germinated and just stated at CBS would never have

456
00:30:13.759 --> 00:30:16.000
<v Speaker 3>gotten gigs alt where they were bad and that by

457
00:30:16.400 --> 00:30:18.599
<v Speaker 3>their own minutes, you know, they start out bad. And

458
00:30:18.759 --> 00:30:21.359
<v Speaker 3>Hilly said to me, I didn't like them, but I

459
00:30:21.440 --> 00:30:23.839
<v Speaker 3>thought they deserved the chance. So I thought they deserved

460
00:30:23.880 --> 00:30:27.559
<v Speaker 3>They were doing their own thing, do it yourself. And

461
00:30:27.599 --> 00:30:29.759
<v Speaker 3>he said, you know, I wish someone had give me that.

462
00:30:30.599 --> 00:30:33.000
<v Speaker 3>I grew up on the Jersey Home store. The whole

463
00:30:33.079 --> 00:30:38.559
<v Speaker 3>idea was the not workers alone, but you know, empowerment

464
00:30:38.680 --> 00:30:42.519
<v Speaker 3>of individuals, the common man. You know, the folk. The

465
00:30:42.559 --> 00:30:46.680
<v Speaker 3>original meaning of folk is just the regular people, right, folks,

466
00:30:46.720 --> 00:30:50.680
<v Speaker 3>wagon and folk. So folk music, which was the big

467
00:30:50.720 --> 00:30:54.359
<v Speaker 3>movement in New York before punk, Dylan and the rest

468
00:30:54.359 --> 00:31:01.240
<v Speaker 3>of them. He wanted that a place for the and

469
00:31:01.319 --> 00:31:03.920
<v Speaker 3>so he was di y before there was a term

470
00:31:03.960 --> 00:31:08.440
<v Speaker 3>for it, and he created the literal setting for punk

471
00:31:08.559 --> 00:31:13.000
<v Speaker 3>to be born. And you know, I think we should

472
00:31:13.039 --> 00:31:17.200
<v Speaker 3>just say that. You know, for years decades people said, oh, no,

473
00:31:17.279 --> 00:31:19.519
<v Speaker 3>punk starting in England, and there was some you know,

474
00:31:19.880 --> 00:31:23.039
<v Speaker 3>no it started, or starting let's starting. Well, I'm clearly

475
00:31:23.079 --> 00:31:24.960
<v Speaker 3>on the site it started in New York. And I

476
00:31:25.000 --> 00:31:26.440
<v Speaker 3>think one of the ways you can tell it started

477
00:31:26.480 --> 00:31:29.960
<v Speaker 3>in New York is that the Ramones played a July

478
00:31:30.160 --> 00:31:33.880
<v Speaker 3>fourth Independence Day show at the Roundhouse in London, a

479
00:31:33.920 --> 00:31:37.359
<v Speaker 3>big club. In attendance were members of the Damn what

480
00:31:38.079 --> 00:31:41.359
<v Speaker 3>became I should say the Damn what became the sex Pistles,

481
00:31:41.440 --> 00:31:45.839
<v Speaker 3>what became the Clash, and all of them were hugely inspired.

482
00:31:45.880 --> 00:31:48.960
<v Speaker 3>And if you listened to early Clash songs like White Riot,

483
00:31:49.440 --> 00:31:52.960
<v Speaker 3>it's a basically a Romone song with one short guitar solo.

484
00:31:53.079 --> 00:31:56.319
<v Speaker 3>Ramones didn't have guitar solos, But other than that, it's

485
00:31:56.359 --> 00:31:58.359
<v Speaker 3>a It's a great song, and I have no problem

486
00:31:58.480 --> 00:32:01.240
<v Speaker 3>with people sounding like the Ramones, but it clearly has

487
00:32:01.279 --> 00:32:06.799
<v Speaker 3>its precedent and our Moones. Uh yeah, so Hilly, Hilly

488
00:32:06.920 --> 00:32:12.759
<v Speaker 3>was was huge. Hilly was huge. And you know, if

489
00:32:12.759 --> 00:32:14.680
<v Speaker 3>nothing else, he had a club where he allowed his

490
00:32:14.759 --> 00:32:17.480
<v Speaker 3>dogs to run around and shit everywhere. People had always

491
00:32:17.519 --> 00:32:20.240
<v Speaker 3>comment there was dog shit all over the club, and

492
00:32:20.359 --> 00:32:28.640
<v Speaker 3>the bathrooms or legendary are infamous in their disgustingness. And

493
00:32:29.119 --> 00:32:31.640
<v Speaker 3>you know, if it maybe, if nothing else, if Hilly

494
00:32:31.720 --> 00:32:34.079
<v Speaker 3>had just done that, he would have helped to create punk.

495
00:32:34.119 --> 00:32:40.480
<v Speaker 3>His punk is grungy, yeah, unkempt and sorted and wallows

496
00:32:40.559 --> 00:32:43.720
<v Speaker 3>and and in the io call it the dark side,

497
00:32:43.759 --> 00:32:44.640
<v Speaker 3>the smelly side.

498
00:32:44.680 --> 00:32:47.240
<v Speaker 2>Did he ever come around to liking that music aesthetically

499
00:32:47.319 --> 00:32:49.400
<v Speaker 2>or was it just sort of a business thing? Yeah?

500
00:32:49.440 --> 00:32:51.000
<v Speaker 3>Yeah, Like I said, I think you know a lot

501
00:32:51.039 --> 00:32:53.319
<v Speaker 3>of those bands weren't good in the beginning. I mean,

502
00:32:53.519 --> 00:32:57.559
<v Speaker 3>television became amazing. There were Moones, did they were? They're

503
00:32:57.640 --> 00:33:00.160
<v Speaker 3>very loose, intous organised in the beginning, and then were

504
00:33:00.240 --> 00:33:02.960
<v Speaker 3>very powerful once they kind of got it to click

505
00:33:03.000 --> 00:33:06.720
<v Speaker 3>and you know, things to fall in place. And yeah,

506
00:33:06.799 --> 00:33:10.079
<v Speaker 3>Hilly then let's not forget he was a manager and

507
00:33:10.160 --> 00:33:16.880
<v Speaker 3>a music label owner later. So yeah, he liked the

508
00:33:16.960 --> 00:33:21.960
<v Speaker 3>music and he liked the attitude. He liked what he

509
00:33:22.000 --> 00:33:25.599
<v Speaker 3>saw is a real New York kind of music. And

510
00:33:25.680 --> 00:33:28.279
<v Speaker 3>you know punk was originally called if you think of

511
00:33:28.319 --> 00:33:30.880
<v Speaker 3>punk as starning New York music, there was no term

512
00:33:31.000 --> 00:33:31.359
<v Speaker 3>for it.

513
00:33:31.599 --> 00:33:35.200
<v Speaker 2>You quote avant garde jazz musician John Zorn who says

514
00:33:35.240 --> 00:33:38.839
<v Speaker 2>the Jews are contrary by definition, How does this apply

515
00:33:38.880 --> 00:33:40.039
<v Speaker 2>to punk rock Jews?

516
00:33:40.240 --> 00:33:43.440
<v Speaker 3>Well, I don't agree with Jones or no trying to

517
00:33:43.440 --> 00:33:47.039
<v Speaker 3>be contrary. No, it definitely, definitely you know the old

518
00:33:47.119 --> 00:33:49.319
<v Speaker 3>joke two Jews, three opinions, right.

519
00:33:52.480 --> 00:33:52.720
<v Speaker 1>Yeah.

520
00:33:52.920 --> 00:33:58.279
<v Speaker 3>Punk was confrontational and argumentative with the culture. You know,

521
00:33:58.519 --> 00:34:02.839
<v Speaker 3>it critiqued the alter It didn't accept, you know, question authority,

522
00:34:02.880 --> 00:34:05.480
<v Speaker 3>all that stuff, the bumper stickers you would say around

523
00:34:07.240 --> 00:34:12.719
<v Speaker 3>and Jews for good reason have traditionally been that way

524
00:34:12.800 --> 00:34:17.280
<v Speaker 3>because they the culture ends up treating them questionably, so

525
00:34:17.360 --> 00:34:23.760
<v Speaker 3>they don't trust all of the patriotic notions that often

526
00:34:24.199 --> 00:34:28.559
<v Speaker 3>are talented as being the principles of the civilization and

527
00:34:29.119 --> 00:34:31.679
<v Speaker 3>of the moment. You know, the Nazis they thought they

528
00:34:31.679 --> 00:34:35.119
<v Speaker 3>were good citizens and that's what their government was telling them.

529
00:34:35.280 --> 00:34:40.480
<v Speaker 3>And you know a Jew is not just because of

530
00:34:40.719 --> 00:34:47.239
<v Speaker 3>that experience, but many experiences. Uh doesn't doesn't take verbta

531
00:34:47.800 --> 00:34:53.920
<v Speaker 3>take take unquestioning the the the precepts and principles of

532
00:34:53.960 --> 00:35:01.239
<v Speaker 3>any given movement, creed, even the judy Ism' That's why

533
00:35:01.239 --> 00:35:04.360
<v Speaker 3>I'm saying it isn't I talk about cultural Jewishness, what's

534
00:35:04.360 --> 00:35:09.679
<v Speaker 3>called Yiddish kite, I think in academic circles. And but

535
00:35:11.679 --> 00:35:15.800
<v Speaker 3>there Jews were and still are religion, and the religion

536
00:35:15.840 --> 00:35:18.199
<v Speaker 3>has something to do with that. And the religion is

537
00:35:18.559 --> 00:35:25.119
<v Speaker 3>very I would say, proudly questioning that. You know, the

538
00:35:25.239 --> 00:35:31.440
<v Speaker 3>Rabbinical tradition is one of interpretation and argument and debate.

539
00:35:32.320 --> 00:35:36.280
<v Speaker 3>And even in the Torah, you know, the Bible, the

540
00:35:37.039 --> 00:35:40.599
<v Speaker 3>characters are questioning God. They don't just have blind faith.

541
00:35:40.719 --> 00:35:49.199
<v Speaker 3>They they they they're in dialogue. And so the contradictory

542
00:35:49.559 --> 00:35:57.039
<v Speaker 3>nature the the the in the sense of questioning absolutely

543
00:35:57.280 --> 00:36:03.639
<v Speaker 3>And I think living in a position, being both in

544
00:36:03.760 --> 00:36:06.840
<v Speaker 3>and out of many cultures, you can't help but feel

545
00:36:06.880 --> 00:36:11.480
<v Speaker 3>somewhat internally that way too, uh, you know, kind of

546
00:36:12.320 --> 00:36:18.400
<v Speaker 3>torn between attitudes, which I think is super healthy personally irony.

547
00:36:18.559 --> 00:36:25.639
<v Speaker 3>You know, people, you treat your own highest beliefs with

548
00:36:25.719 --> 00:36:28.159
<v Speaker 3>some level of irony, You question them, you know, kind

549
00:36:28.159 --> 00:36:30.920
<v Speaker 3>of stand upart and think about them, and that I

550
00:36:30.960 --> 00:36:31.679
<v Speaker 3>think is healthy.

551
00:36:32.000 --> 00:36:32.280
<v Speaker 5>Uh.

552
00:36:32.360 --> 00:36:35.800
<v Speaker 3>You know, fascist were anything but humorous, anything but ironic.

553
00:36:36.679 --> 00:36:42.800
<v Speaker 3>It was all black and white, all really simplistic, easy

554
00:36:42.880 --> 00:36:45.760
<v Speaker 3>answers that are maybe maybe it makes you feel good

555
00:36:45.760 --> 00:36:47.679
<v Speaker 3>if you're on the inside, but if you're the one

556
00:36:47.719 --> 00:36:52.079
<v Speaker 3>who's the enemy, the Jew or the immigrant, raping immigrant

557
00:36:52.119 --> 00:36:54.519
<v Speaker 3>who comes in, like all of them are just rapist

558
00:36:54.599 --> 00:36:57.559
<v Speaker 3>and criminals, feels pretty good. Just like be on the

559
00:36:57.599 --> 00:37:02.679
<v Speaker 3>other side not so good for them. So yeah, I

560
00:37:02.679 --> 00:37:05.280
<v Speaker 3>think that's what Zorin was talking about. I absolutely agree

561
00:37:05.280 --> 00:37:07.800
<v Speaker 3>with him that that's very punk. That couldn't be more punk.

562
00:37:08.000 --> 00:37:10.320
<v Speaker 4>Do you think that the sound of punk rock is

563
00:37:10.320 --> 00:37:11.239
<v Speaker 4>in some way Jewish?

564
00:37:11.559 --> 00:37:18.159
<v Speaker 3>The harsh rawness of it, that's abrasive and not just

565
00:37:18.679 --> 00:37:23.039
<v Speaker 3>gently melanic, and things are easy, you know, easy listening,

566
00:37:24.199 --> 00:37:29.239
<v Speaker 3>that's so Jewish. Jews are in a state of agitation,

567
00:37:29.519 --> 00:37:33.039
<v Speaker 3>often for good reason, you know. I attribute so much

568
00:37:33.039 --> 00:37:36.559
<v Speaker 3>of it to their cultural positioning. It's sort of a

569
00:37:36.639 --> 00:37:42.719
<v Speaker 3>byproduct of being a minority, maligned minority that has almost

570
00:37:42.719 --> 00:37:46.480
<v Speaker 3>become an easy go to. It's just self perpetrating. The

571
00:37:46.519 --> 00:37:49.280
<v Speaker 3>more every era decides that Jews are to blame, the

572
00:37:49.320 --> 00:37:51.480
<v Speaker 3>more that next ere can think, well, the Jews have

573
00:37:51.519 --> 00:37:54.119
<v Speaker 3>always been to blame. They're to blame, so that that

574
00:37:54.400 --> 00:37:58.639
<v Speaker 3>sound and in fact, if you look at movements in

575
00:37:59.800 --> 00:38:03.960
<v Speaker 3>we call classical music and around the turn of the century,

576
00:38:04.280 --> 00:38:09.719
<v Speaker 3>previous century, the twenty you know Schungberg and all that

577
00:38:09.920 --> 00:38:13.719
<v Speaker 3>discordinate nature of that. You know, it was supposed to

578
00:38:13.800 --> 00:38:20.519
<v Speaker 3>reflect dasa, the feelings in society and culture of fragmentation

579
00:38:20.639 --> 00:38:22.800
<v Speaker 3>that we're going on, you know, post World War One,

580
00:38:22.960 --> 00:38:26.440
<v Speaker 3>especially in post World War two even more so. It's

581
00:38:26.480 --> 00:38:31.320
<v Speaker 3>like the you know the World War One was was

582
00:38:31.519 --> 00:38:34.639
<v Speaker 3>a horrible slaughter that made you lose faith in civilization.

583
00:38:34.719 --> 00:38:39.400
<v Speaker 3>Well you'll really love World War two more so. And

584
00:38:39.920 --> 00:38:43.239
<v Speaker 3>that sound is, yeah, it's the one. It's kind of

585
00:38:43.239 --> 00:38:46.480
<v Speaker 3>what I'm referring to in the title the hebgb's at CBGS.

586
00:38:46.719 --> 00:38:51.679
<v Speaker 3>It's a mixture of Shpilka's nervousness and Spilka's itself is

587
00:38:51.719 --> 00:38:59.599
<v Speaker 3>a mixture of nervous energy, excitement almost but also agitation

588
00:38:59.800 --> 00:39:03.960
<v Speaker 3>and feeling ill at ease and having to do something.

589
00:39:04.039 --> 00:39:08.559
<v Speaker 3>Are you're going to jump out of your skin? So

590
00:39:08.599 --> 00:39:12.559
<v Speaker 3>the music of punk definitely has that. It also, we

591
00:39:12.599 --> 00:39:19.920
<v Speaker 3>should note, is intentionally what we might call simplistic. I

592
00:39:19.960 --> 00:39:24.639
<v Speaker 3>would call it minimal minimalist, just like the classical music

593
00:39:24.679 --> 00:39:28.280
<v Speaker 3>of that period, same exact period, Philip Glass, Steve Roth,

594
00:39:28.480 --> 00:39:31.639
<v Speaker 3>Terry Riley. Minimalism was going on at the same time,

595
00:39:31.880 --> 00:39:35.039
<v Speaker 3>and you know, the Velvet Underground, who are often thought

596
00:39:35.079 --> 00:39:39.079
<v Speaker 3>of as the godfathers of punk along with iggy pop,

597
00:39:40.679 --> 00:39:45.639
<v Speaker 3>had you know, Lou reed Lewis for Benowitz as their leader,

598
00:39:46.199 --> 00:39:49.920
<v Speaker 3>but equally almost equally important in the beginning, it was

599
00:39:50.000 --> 00:39:53.960
<v Speaker 3>John Cale, who was a classically trained minimalist musician, who

600
00:39:54.639 --> 00:39:58.239
<v Speaker 3>brought the drone, an element of minimalism into that music.

601
00:39:58.360 --> 00:40:01.039
<v Speaker 3>And if you want to hear discordance music, listen to

602
00:40:01.119 --> 00:40:05.440
<v Speaker 3>the earlier Velven Underground. You know, the Black Angels Death

603
00:40:05.519 --> 00:40:11.360
<v Speaker 3>song is for many people unlistenable. If you do listen

604
00:40:11.400 --> 00:40:13.679
<v Speaker 3>to the lyrics, it's interesting. It seems to be about

605
00:40:13.840 --> 00:40:17.480
<v Speaker 3>the killing fields of Eastern Europe during World War Two.

606
00:40:17.559 --> 00:40:21.440
<v Speaker 3>I think it's what it is poetically referring to, just

607
00:40:21.559 --> 00:40:28.039
<v Speaker 3>like John Zorn's Krystalnacht has elements. It's in different movements, right,

608
00:40:28.119 --> 00:40:31.800
<v Speaker 3>but some of them are hard to listen to. I

609
00:40:31.840 --> 00:40:34.679
<v Speaker 3>don't think you could write easy to listen to music

610
00:40:34.760 --> 00:40:40.079
<v Speaker 3>about a holocaust. It should sound that way and punk,

611
00:40:40.199 --> 00:40:42.920
<v Speaker 3>so punk was meant to reflect that. But as I

612
00:40:42.960 --> 00:40:49.079
<v Speaker 3>was saying, also the simplicity, the democratic, primal, the folks

613
00:40:49.239 --> 00:40:53.920
<v Speaker 3>element of everyone can do this and we shouldn't forget.

614
00:40:54.000 --> 00:40:58.920
<v Speaker 3>That's what became punk was as much a concept in

615
00:40:58.960 --> 00:41:01.800
<v Speaker 3>the mind of rock critic originally as it was a music.

616
00:41:03.280 --> 00:41:07.079
<v Speaker 3>And all of those are rock critics, Nine of them

617
00:41:07.119 --> 00:41:10.960
<v Speaker 3>were Jewish and very self conscious about it, like Sandy Pearlman,

618
00:41:12.400 --> 00:41:15.880
<v Speaker 3>Richard Meltzer, the aesthetics of rock kind of the Bible

619
00:41:15.960 --> 00:41:19.880
<v Speaker 3>before Grail Marcus and Lipstick Traces, I was, as Sandy Prolman,

620
00:41:19.880 --> 00:41:24.000
<v Speaker 3>who went on to create really so much of what

621
00:41:24.599 --> 00:41:27.119
<v Speaker 3>made the Blue Oyster Cult successful, and what the Blue

622
00:41:27.159 --> 00:41:35.480
<v Speaker 3>Oyster Cult had was a playful and yet sinister preoccupation

623
00:41:35.679 --> 00:41:38.639
<v Speaker 3>with fascism and Nazi imagery that got them banned in

624
00:41:38.719 --> 00:41:42.920
<v Speaker 3>Germany in fact. So yeah, the definitely, I think that's

625
00:41:43.159 --> 00:41:46.360
<v Speaker 3>a very Jewish aspect of punk. And I don't want

626
00:41:46.400 --> 00:41:48.519
<v Speaker 3>to let me let me rephrase that. I don't want

627
00:41:48.559 --> 00:41:53.360
<v Speaker 3>to say Jews alone, because again, I think so many

628
00:41:53.440 --> 00:41:58.320
<v Speaker 3>people were traumatized by but are traumatized by history and

629
00:41:58.360 --> 00:42:01.320
<v Speaker 3>what they see were capable of. You don't have to

630
00:42:01.320 --> 00:42:06.039
<v Speaker 3>be Jewish to reflect the Holocaust, reflect the atom bomb.

631
00:42:07.159 --> 00:42:12.039
<v Speaker 3>I mean, what was nineteen fifty sci fi horror films?

632
00:42:13.519 --> 00:42:18.559
<v Speaker 3>But this this fear of technology gone mad and what

633
00:42:18.639 --> 00:42:22.000
<v Speaker 3>we could do. You know, Godzilla is the ultimate atomic

634
00:42:22.079 --> 00:42:29.280
<v Speaker 3>weapon come back to reck vengeance on everyone. So yeah,

635
00:42:29.360 --> 00:42:32.119
<v Speaker 3>I think that is I think it's absolutely correct that

636
00:42:32.880 --> 00:42:38.639
<v Speaker 3>the muse the abrasiveness of the music reflects the abrasiveness

637
00:42:38.639 --> 00:42:43.679
<v Speaker 3>of history and its impact on Jews and non Jewslike.

638
00:42:43.480 --> 00:42:46.440
<v Speaker 2>Do you have an opinion of the modern colloquial usage

639
00:42:46.519 --> 00:42:49.719
<v Speaker 2>of punk. I hear a lot these days people saying

640
00:42:49.840 --> 00:42:53.719
<v Speaker 2>kindness is punk rock or love is punk rock?

641
00:42:54.079 --> 00:42:54.280
<v Speaker 1>Yeah?

642
00:42:54.360 --> 00:42:57.119
<v Speaker 3>No, takun alum, which is, you know, heal the world

643
00:42:57.239 --> 00:43:03.880
<v Speaker 3>through good acts and uh, you know, pointing out the

644
00:43:03.920 --> 00:43:08.840
<v Speaker 3>evil in the world. The fascism inherent in our culture

645
00:43:09.159 --> 00:43:12.639
<v Speaker 3>is a healing gesture. It's a kind of love, even

646
00:43:12.679 --> 00:43:16.000
<v Speaker 3>if it's about uh, you know, in the form of

647
00:43:16.360 --> 00:43:21.639
<v Speaker 3>snot jokes and and you know, freaks and the rest

648
00:43:21.679 --> 00:43:25.480
<v Speaker 3>of it, and shouting, you know, you have to shout

649
00:43:25.519 --> 00:43:28.960
<v Speaker 3>to be heard. It doesn't mean for all the anger

650
00:43:29.079 --> 00:43:33.239
<v Speaker 3>you feel, anger is not the opposite of love. Anger

651
00:43:33.280 --> 00:43:37.000
<v Speaker 3>is caring and you're you're angry about something that is hateful.

652
00:43:38.000 --> 00:43:40.440
<v Speaker 3>It's the opposite of love. So yeah, in that sense,

653
00:43:40.480 --> 00:43:41.760
<v Speaker 3>punk is love, yeah, I agree.

654
00:43:41.760 --> 00:43:43.519
<v Speaker 2>Thank you so much Steven for joining us.

655
00:43:43.880 --> 00:43:45.760
<v Speaker 3>Thank you that was great. I had a good time.

656
00:43:46.000 --> 00:43:49.000
<v Speaker 2>And to our audience. Now back to your regularly scheduled lives.

657
00:43:50.719 --> 00:43:53.239
<v Speaker 4>Amusing Jews is here to amuse you. If you like

658
00:43:53.320 --> 00:43:58.920
<v Speaker 4>being amused, go ahead and click like and subscribe.

659
00:44:00.159 --> 00:44:00.199
<v Speaker 1>H
