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Speaker 1: The Avenger.

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Speaker 2: Rode to crime ends in a trap that justice sets,

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crime does not pay.

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Speaker 3: The Avenger, sworn enemy of evil, is actually Jim Brandon,

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a famous biochemist. Through his numerous scientific experiments, Brandon has

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perfected several inventions to aid him in his crusade against

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crime as the Avenger. Most remarkable of these inventions is

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the highly spred diffusion capsule, which quotes him in the

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black light of invisibility.

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Speaker 4: Brandon's assistant to peple.

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Speaker 3: Ferne Cardier, is the only one who shares his secret

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and knows that he is the man the underworld fears

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as the Avenger.

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Speaker 4: And now.

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Speaker 3: The Avenger, and death meets the Boat.

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Speaker 5: I love meeting boats, Jim.

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Speaker 6: I'm glad you decided to come down to welcome your

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old friend doctor Ludlow home.

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Speaker 5: Oh.

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Speaker 2: He's been in Australia doing research for three years. Bern,

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I'm eager to have a talk with them.

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Speaker 6: Oh, there's something thrilling about a boat that's just landed

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from far places. Look at all these people, Jim, every

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single one of them looks excited and happy.

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Speaker 7: You're an incurable Romanta, says. Oh, there's doctor.

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Speaker 6: Ludlow with a crowd of reporters around him.

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Speaker 4: I suppose we ought to wait until the interviews are

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over before we bar jenn Well.

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Speaker 6: Doctor Ludlow is nearly celebrity. Aboard, there's a camera man

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taking pictures of a pretty girl. Let's walk over and

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watch them, all right, Bern, do you think she's a

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movie stardian?

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Speaker 4: I have the faintest idea that big hat she's wearing

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hides part of her face.

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Speaker 8: Okay, Miss Austin, that's fine. Now just one more shot.

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Speaker 9: I suppose you hold onto the rail with one hand

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and pretend you're waving to someone with the other.

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Speaker 5: You mean, like this, swell, swell, hold.

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Speaker 4: It, Miss Austin.

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Speaker 8: Oh, thank you.

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Speaker 4: Now a few questions if you don't mind.

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Speaker 5: Well, is this your first trip for the States?

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Speaker 2: Oh?

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Speaker 10: I know I was born here, but I've lived in

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Australia since I was six. I see how long you'd

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planned to stay indefinitely? I intend to settle down here.

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Speaker 8: Pardon me, but yeah, you're miss Claire Hoshtin, aren't you. Yes,

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I'm Copley. Miss oh, yes, miss I was with your

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late father for more than two years.

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Speaker 5: Well, I'm glad you've come, Copley. I was beginning to

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wonder if anyone was going to meet me.

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Speaker 8: What about your luggage, Miss.

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Speaker 5: It's all through the customs. You can put it in

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the car. I'll show you where it is.

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Speaker 8: Oh, Miss Austin, thanks a lot for those pictures. I'd

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like the interview for a future story later. Will you

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be in town for a while?

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Speaker 5: I think so.

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Speaker 8: Goodbye, goodbye, and look for your picture in the morning.

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Speaker 4: Parls Well.

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Speaker 5: Jim asked that reporter who she is?

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Speaker 4: You do hate to miss a celebrity, don't you.

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Speaker 5: Oh, we ask him.

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Speaker 7: He's getting ready to leave, says cool.

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Speaker 4: Yeah, who is that young lady?

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Speaker 8: Oh that was Claire Austin.

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Speaker 2: Uh, Claire Austin, Yeah, the guy who's going to hurt

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the Austin millions when she comes of age in two days.

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Speaker 4: Uh swell, look conditions.

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Speaker 5: Cool pleia, I understood that. Mister Hayden, my father's lawyer.

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We've been waiting for me in my townhouse.

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Speaker 8: No, he's spending the weekend and he's lodge in the

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country in Miss Claire. He asked me to drive it

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directly out there.

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Speaker 5: Well, we could have unloaded some of his luggage in town.

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Speaker 8: Frankly, Miss, that never occurred to me. I thought you'd

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rnn come out here direct from the boat.

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Speaker 5: Well, how much further is this lodge?

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Speaker 8: We'll be there in half an arm?

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Speaker 6: Is that the lord just ahead there?

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Speaker 8: Compleat Yes, mission, I'll signal them we're coming.

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Speaker 5: This certainly is a secluded spot.

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Speaker 4: Yes, mission.

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Speaker 8: It's a sort of hideaway. What I mean is that

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it's quiet and RESTful. Mission. Right here we are. We'll

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have to get out on that side. Miss, there's a

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high fench over here.

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Speaker 5: All right.

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Speaker 8: Now this way, I'll get someone to help me with

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a luggage. Hello, miss Austin, welcome to the States.

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Speaker 5: Well, thank you. I suppose that you're mister Hayden, my lawyer.

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Speaker 7: No, uh, but come in then I'll explain myself.

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Speaker 4: Tell me did you have a good trip?

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Speaker 8: Yes?

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Speaker 4: Thank you?

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Speaker 5: Where is mister Hayden? Please?

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Speaker 4: All in good time?

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Speaker 9: As Austin, to be quite frank, there's been a slight

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changing plan.

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Speaker 5: Well, I should think so. I expect you to meet

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mister Hayden in town. I don't tell me you know

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the way out here?

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Speaker 8: And why don't you put wise?

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Speaker 2: Gus?

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Speaker 8: We're wasting time?

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Speaker 4: Yes, I guess we are at that copy?

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Speaker 8: What is all this?

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Speaker 5: Who is this man.

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Speaker 4: Never mind that. All you need to know, miss Austin

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is that you've been kidnapped. Now, if you'll just do

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what we.

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Speaker 5: Say, wold, I'm getting out of it.

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Speaker 8: Take it easy. What do you do?

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Speaker 9: Take her in the next room complaining and put these

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bracelets on her hands and feet?

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Speaker 1: No, in there, Yes.

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Speaker 4: Everything's set. Get the stame in there, say.

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Speaker 8: Gush, mad Austin dames a wildcat.

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Speaker 4: Did you get those bracelets on her?

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Speaker 8: Yeah? But it wasn't easy.

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Speaker 9: As soon as Thelma gets a line on her voice

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and speech, we'll get going.

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Speaker 8: Yes, those two dames looking enough to like to be twins.

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Where'd you find that?

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Speaker 4: Thelma? She worked me once before on a job in Canada.

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Speaker 9: When you showed me those pictures of Claire Austin, I

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was struck by the resemblance.

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Speaker 4: And all we had to do with Thelma was bleach

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your hair.

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Speaker 8: Or what about the accent? And she handled that.

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Speaker 4: Oh that's easy.

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Speaker 9: She's passed herself off as an English blue blood more

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than once. Now, Copley, let's get down the business.

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Speaker 4: Did everything at the boat go without a hitch?

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Speaker 8: Well not exactly, Gus. Some newspaper guy took Austin's picture

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before I could get to her.

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Speaker 4: What, well, I.

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Speaker 8: Couldn't help it. That can't hurt anything gone. These two games.

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Speaker 9: Look exactly like don't be a fool, Kopy. It's little

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mistakes like that the ruined the best kind of setups.

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What paper was that reporter from her?

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Speaker 8: The Morning Herald? Oh?

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Speaker 4: Good, since it's the morning paper.

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Speaker 8: That'll give us.

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Speaker 4: Time to get that picture, you see.

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Speaker 9: If Thelma's ready, we got to get into town at once.

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Speaker 2: Okay, Pete, tell me everything you know about Stamford's death.

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Speaker 8: Well, mister Brandon, he was alive here in the dark

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room when I went to lunch around noon.

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Speaker 7: What was he doing when you left.

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Speaker 8: Developing the pictures he took this morning for tomorrow's paper.

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Speaker 7: Is there any way to find out if Stamford had

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a visit a heat?

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Speaker 8: No, those backstairs are the only way in and out

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of this dark room. They laid right out to the street.

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Speaker 2: Oh now, there's no connecting door into the newspaper office.

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Speaker 4: Well, what do you think happened Tampord? Pete?

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Speaker 8: I figure he broke that bottle of acid accidentally, and

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the fumes overcame him and he fell as he hid

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his head against the corner.

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Speaker 4: Of that shelf.

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Speaker 7: Huh, almost too simple, isn't it?

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Speaker 8: Well that must have been the way it happened. The

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bottle of acid is broken and Stamford has a big

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lump on his head.

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Speaker 7: Pete, would Stamford have a list of the pictures he

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was developing? Oh?

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Speaker 8: Sure, he'd have a list of each series of plates?

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Speaker 4: Where are they? Oh?

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Speaker 8: Where that's you? Is no paper on that spike. He

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only took two cents of pictures so far today.

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Speaker 4: Let me see it with you. Oh here, mm hmm.

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Speaker 7: First six plates opening of new Market?

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Speaker 4: Are all six of those plates here? Pete? Yeah?

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Speaker 8: Here they are now. He must have been working on

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those when he passed out.

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Speaker 4: Okay, Next four plates on board boat.

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Speaker 8: No, can't find those, and.

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Speaker 4: Make sure, Pete, Oh they're not here. Mister Brandon, who do.

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Speaker 2: You suppose you want to steal four perfectly beautiful shots

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of miss Claire Austin?

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Speaker 4: What's that?

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Speaker 8: Mister Brandon?

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Speaker 2: Oh? Never mind, deep, give me a little more light

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over here, we're gonna I want to take another look

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at this bump on Stafford's head.

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Speaker 8: Well, here I'll focus is desk lamp on him.

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Speaker 4: Oh thanks, uh you new Stamford didn't you, mister Brandon, Oh,

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I saw him on the boat this morning.

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Speaker 7: Say, the position of this bump.

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Speaker 4: Is mighty odd.

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Speaker 8: Well what do you mean.

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Speaker 2: Well, if Stamford hit his head against that shell, the

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lump would have to be toward the back of his head.

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Speaker 7: This lumps right on top.

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Speaker 8: Yeah, well what do you make of it?

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Speaker 7: Oh, I'd say it was from the rear by a

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black jack.

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Speaker 6: Way.

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Speaker 2: I'll call the doctrine on this right away, But I

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think you'll agree with me that Stamford was murdered. Oh,

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there's Claire Austin's townhouse friend. Now I'll wait here in

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the car while you play recorder and try to get

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an interview.

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Speaker 6: But Jim, you say you don't suspect the Austin of

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murdering Stanford, So why should we waste time on her?

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Speaker 4: Low? Stolen plates bearing Miss Austin's picture are the only

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clue we have for him.

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Speaker 7: Maybe they tie up in some way with a motive

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for this murder.

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Speaker 5: How many days, Grace did the hell give you three?

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Speaker 7: I promised them a scoop if they'd call it an

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accident that long.

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Speaker 6: Then, if you don't want me to mention anything to

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Miss lobster about Stamford's dead.

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Speaker 4: No, keep the interview general.

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Speaker 2: Try to find out if she has any friends or

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athemies in this country, what she plans to do when

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she inherits her money, and things like that. You know,

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it's just possible that someone is trying to blackmail her.

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Speaker 6: All right, I'll do my best, but I still think

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we're blocking up the wrong Tredium.

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Speaker 2: Here's your camera. Study her reactions when you ask to

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take some pictures. Okay, don't miss a thing. Turn a

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woman's touches. We need a miss turn.

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Speaker 4: What happened?

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Speaker 7: I wasn't expecting you back so soon?

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Speaker 5: Stop driving quick?

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Speaker 7: What is it you're you're shaking like a leave Jim.

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Speaker 6: That girl in the opposing is Claire Austin. Isn't the

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same girl we saw on the boat. What I knew

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you wouldn't believe me, But she isn't.

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Speaker 4: Well what makes you think so?

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Speaker 6: Well?

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Speaker 5: I admit she looks exactly like her, and she sounds

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exactly like her. But it's not the same girl.

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Speaker 4: Now, first, it's.

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Speaker 5: Not, Jim. I can tell by her fingernails.

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Speaker 2: Her fingernails is that girl on the boat had very

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short nails.

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Speaker 5: I remember thinking that she looked as though she chipped them.

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Speaker 6: I got a good look at her left hand when

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Stanford had her wave in our direction. Well go ahead, Well,

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that girl inside there has nails as long as an

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oriental dead.

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Speaker 2: I hate to dampen your enthusiasm over your great discovery,

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but Claire Austin has had five hours to put on

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artificial nails since that boat doct this morning.

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Speaker 5: But they're not artificial, Jim, I asked her.

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Speaker 4: Well, that's the case.

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Speaker 2: We've got a motive that girl should be posing as

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Claire Austin to collect Claire's inheritance.

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Speaker 5: But what happened to Claire.

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Speaker 4: I don't know, but I think we'd better get in

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touch with Neil Hayden at once.

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Speaker 5: Oh.

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Speaker 6: Yes, he's the little in charge of the Austin case,

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isn't he, Yes, Jim. All this adds up to the

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fact that the real Claire may have been kidnapped, doesn't it.

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Speaker 2: I'm afraid it does, Purns, And if we can't locate

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her before midnight tomorrow when she comes of age, she'll

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be in danger of a life.

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Speaker 3: Now back to the Avenger and death meets the boat,

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and that's the story.

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Speaker 4: Neil as a lawyer in charge of miss Austin's estate.

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I hope you can delay the transfer of the property

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until we can find the real Claire. Well, I can't

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hold back the clock gym.

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Speaker 3: At midnight tomorrow, control of the Austin millions passes into

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Claire's hands automatically.

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Speaker 5: But surely it is something we can do, mister Hayden.

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Speaker 6: We can't just stand by and let's Claire be killed

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and this imposter inherit her money.

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Speaker 4: Friend, I don't think Neil is much impressed with the

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story we've just told him.

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Speaker 3: What about it, Neil, Well, frankly, Jim, it sounds utterly fantastic.

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The length of a girl's fingernails is pretty slim evidence

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00:15:13,799 --> 00:15:16,960
upon which the basic case of this magnitude. Now, I'd

279
00:15:17,000 --> 00:15:18,480
need something more to go on than that.

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Speaker 2: Well, if you can arrange for me to have a

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talk with this girl, I think I can find out

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whether she's the real.

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Speaker 4: Claire or not.

284
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Speaker 3: All right, I've arranged a little birthday party for it tonight.

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I'll take you along.

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Speaker 4: Fine.

287
00:15:31,519 --> 00:15:34,440
Speaker 7: Oh, only remember don't let her know I'm a detective.

288
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Speaker 3: I never think of you as a detective, Jim. To me,

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00:15:37,399 --> 00:15:40,480
you're a scientist who sometimes dabbles a bit in criminally.

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00:15:41,120 --> 00:15:43,200
Speaker 7: You know, I don't think you intender bed as a compliment.

291
00:15:44,080 --> 00:15:47,120
Speaker 5: Well what about me? Don't I get invited to the party.

292
00:15:47,240 --> 00:15:50,360
Speaker 4: Oh, I'm afraid not. Fern. Miss Austin thinks you're a reporter.

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Speaker 1: Remember, well, Jim, did you.

294
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Speaker 7: Manage to talk of miss Austin yet?

295
00:16:08,240 --> 00:16:11,919
Speaker 4: No? I haven't. That fellow Merkell over there is monopolizing her.

296
00:16:12,120 --> 00:16:13,440
Who is he? Neil Merkell?

297
00:16:13,879 --> 00:16:16,519
Speaker 3: I don't know. Claire invited him, said he was an

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00:16:16,559 --> 00:16:18,159
old friend, an importer.

299
00:16:18,360 --> 00:16:20,960
Speaker 4: I think she said Merkell never heard of him.

300
00:16:21,600 --> 00:16:24,840
Speaker 7: Suppose we wander over and break up their little tetott.

301
00:16:24,559 --> 00:16:27,440
Speaker 3: All right, But I sincerely hope your hunch is wrong, Jim,

302
00:16:27,639 --> 00:16:28,080
So do I?

303
00:16:28,559 --> 00:16:31,000
Speaker 7: Oh, Merkele Caesar is coming. Oh he's moving away.

304
00:16:31,240 --> 00:16:36,279
Speaker 3: Oh, here's your opportunity, Jim, Oh, Claire, mister Brandon is

305
00:16:36,279 --> 00:16:38,039
eager to have a chat with you about Australia.

306
00:16:38,120 --> 00:16:39,679
Speaker 4: You know he spent some time there himself.

307
00:16:39,919 --> 00:16:42,720
Speaker 5: Really, what part of Australia is to Brandon?

308
00:16:42,960 --> 00:16:45,919
Speaker 4: New South Wales? Mostly you come from Sydney, don't you.

309
00:16:46,200 --> 00:16:48,960
Speaker 5: Yes, that's right. Did you spend much time next?

310
00:16:49,120 --> 00:16:49,240
Speaker 1: No?

311
00:16:49,360 --> 00:16:49,840
Speaker 4: I didn't.

312
00:16:50,039 --> 00:16:52,480
Speaker 2: My travels took me father Inland. I was doing a

313
00:16:52,480 --> 00:16:53,159
little exploring.

314
00:16:53,279 --> 00:16:54,000
Speaker 5: Nice.

315
00:16:54,120 --> 00:16:56,679
Speaker 2: You know, we Americans are always interested in the animals

316
00:16:56,679 --> 00:17:00,919
of Australia. The rose, great Auks and bombats are fat.

317
00:17:00,519 --> 00:17:05,400
Speaker 5: Yes they are. And don't forget the kangaroos. We're frightfully

318
00:17:05,440 --> 00:17:06,440
proud of those.

319
00:17:07,200 --> 00:17:10,279
Speaker 2: Yes, but as pets, the wombats and more a music.

320
00:17:11,279 --> 00:17:12,160
Speaker 4: I suppose you own.

321
00:17:12,039 --> 00:17:15,000
Speaker 5: One, Oh, yes, a darling one. I'm ranging have it

322
00:17:15,079 --> 00:17:16,559
turned over here as soon as I get sent.

323
00:17:16,720 --> 00:17:19,440
Speaker 9: Oh excuse me, Claire, but the websters are leaving.

324
00:17:19,559 --> 00:17:20,799
Speaker 7: I thought you'd like to speak.

325
00:17:21,240 --> 00:17:24,839
Speaker 5: Thank you, mister excuse me, mister Brandon, mister.

326
00:17:24,640 --> 00:17:26,519
Speaker 7: Hayden, of course, certainly, Claire.

327
00:17:27,160 --> 00:17:29,119
Speaker 4: Well, Jim, as far as I.

328
00:17:29,079 --> 00:17:31,759
Speaker 3: Could see him, seemed to pass that examination all right.

329
00:17:32,039 --> 00:17:35,400
Speaker 2: On the contrary, Neil, that girl has been carefully coached,

330
00:17:35,480 --> 00:17:39,359
but she's never seen Australia.

331
00:17:49,759 --> 00:17:52,200
Speaker 5: Some party. You mean, you tell me that's what the

332
00:17:52,200 --> 00:17:54,359
millionaires call having a good time.

333
00:17:54,720 --> 00:17:56,319
Speaker 4: I'm afraid you'll have to get used to it.

334
00:17:56,880 --> 00:17:59,720
Speaker 10: I will not as soon as I come into that money.

335
00:17:59,720 --> 00:18:02,960
Guess mirca, I'm going away on a long vacation.

336
00:18:04,039 --> 00:18:08,880
Speaker 4: We'll talk about that later. That must be Copley, come in.

337
00:18:12,240 --> 00:18:14,039
Have all the servants gone to bed? Copley?

338
00:18:14,319 --> 00:18:17,640
Speaker 8: Sure, I waited till the coach was clear.

339
00:18:17,960 --> 00:18:21,240
Speaker 4: Okay, Now let's get down to business.

340
00:18:22,039 --> 00:18:25,240
Speaker 8: First of all, what was that guy Brandon talking about tonight,

341
00:18:25,279 --> 00:18:30,160
Thelma Australia? He's traveled there? What I don't worry, Gus,

342
00:18:30,319 --> 00:18:31,240
I handled him all right?

343
00:18:32,119 --> 00:18:33,920
Speaker 5: How about him do all the talking? I just fall

344
00:18:34,000 --> 00:18:35,440
suit with the general Elequi.

345
00:18:35,640 --> 00:18:38,599
Speaker 9: Okay, okay, but stay clear of people like that until

346
00:18:38,640 --> 00:18:41,839
your coaching is over tomorrow, Thelma.

347
00:18:42,039 --> 00:18:44,720
Speaker 7: You'll develop a headache and stay in your room all day.

348
00:18:45,079 --> 00:18:45,480
Speaker 4: Suit me.

349
00:18:46,039 --> 00:18:46,799
Speaker 1: Ah.

350
00:18:46,920 --> 00:18:51,160
Speaker 9: That brings us to the real Claire Austin. If everything

351
00:18:51,200 --> 00:18:53,680
goes without a hitch, we've got to get rid.

352
00:18:53,599 --> 00:18:55,519
Speaker 4: Of her right after midnight tomorrow.

353
00:18:55,680 --> 00:18:58,279
Speaker 10: We should have done that first things. Why are you

354
00:18:58,319 --> 00:19:00,000
waiting until the last minute of bumper?

355
00:19:00,400 --> 00:19:02,680
Speaker 9: Because there's no point in hanging her murder around our

356
00:19:02,720 --> 00:19:05,039
next until we're sure we pulled this job off.

357
00:19:05,240 --> 00:19:08,039
Speaker 5: What's the difference? Am I just as well be hanged

358
00:19:08,079 --> 00:19:09,319
for two murders as one.

359
00:19:09,519 --> 00:19:13,079
Speaker 4: Nobody calls Stamford's death murder. Even the paper he worked

360
00:19:13,079 --> 00:19:13,880
on called.

361
00:19:13,640 --> 00:19:18,119
Speaker 7: It an accident. I was plentyful to make it look

362
00:19:18,160 --> 00:19:18,480
that way.

363
00:19:18,759 --> 00:19:21,440
Speaker 5: Wow, who's going to take care of this Austin.

364
00:19:21,160 --> 00:19:24,039
Speaker 4: Day and how Copley, you know the plan.

365
00:19:24,880 --> 00:19:26,720
Speaker 8: Get yourself up to the lodge tomorrow night and take

366
00:19:26,720 --> 00:19:30,559
care of it, not me, Gush, that's your job. I

367
00:19:30,599 --> 00:19:32,240
only agreed to finger this layout.

368
00:19:32,279 --> 00:19:34,279
Speaker 4: You'll do what I say. Copley, I'll tell you.

369
00:19:34,279 --> 00:19:38,359
Speaker 8: I won't do it. I can't, Guys. I knew our

370
00:19:38,440 --> 00:19:39,720
old man for tangeous.

371
00:19:39,720 --> 00:19:41,519
Speaker 4: This isn't the time to turn soft. Copley.

372
00:19:41,839 --> 00:19:44,039
Speaker 8: From here on in, I'm the Boston You take orders

373
00:19:44,039 --> 00:19:46,839
from me, not that order. Oh then maybe a good

374
00:19:46,920 --> 00:19:48,400
messing up will change your mind.

375
00:19:48,799 --> 00:19:49,759
Speaker 5: Gus.

376
00:19:49,799 --> 00:19:52,160
Speaker 9: Not here here and now, either he does what I

377
00:19:52,200 --> 00:19:53,559
say or I'll lay him out flat.

378
00:19:54,880 --> 00:20:01,160
Speaker 4: Huh. Take your choice. Copley, all right now let me alone.

379
00:20:02,680 --> 00:20:03,400
Speaker 8: I'll do it.

380
00:20:03,759 --> 00:20:06,240
Speaker 10: I guess that feels safe about that Austin girl a

381
00:20:06,279 --> 00:20:08,680
future care of her. Copley might get cold feet the

382
00:20:08,720 --> 00:20:10,319
last Mont and gumb up everything.

383
00:20:10,759 --> 00:20:13,559
Speaker 9: Yeah, yes, I'll have to go with him, I guess,

384
00:20:13,559 --> 00:20:15,839
and see that he carries out his assignment.

385
00:20:30,240 --> 00:20:32,680
Speaker 6: Jim, don't think I'm not enjoying this lovely ride in

386
00:20:32,720 --> 00:20:33,240
the country.

387
00:20:33,319 --> 00:20:35,960
Speaker 2: But but you're dying to know what we're doing out

388
00:20:36,000 --> 00:20:37,480
here right Urn yes.

389
00:20:37,799 --> 00:20:40,440
Speaker 5: Why did you stop that gasling station back there? You

390
00:20:40,480 --> 00:20:41,480
didn't buy any gas?

391
00:20:41,599 --> 00:20:43,359
Speaker 4: No, but I got some information.

392
00:20:43,160 --> 00:20:45,359
Speaker 6: Jim, Please, what's going on?

393
00:20:45,799 --> 00:20:49,480
Speaker 2: Well, Fern, here's the way I have things figured out. Copley,

394
00:20:49,519 --> 00:20:52,079
the chauffeur, met the real Claire Austin at the boat.

395
00:20:52,480 --> 00:20:55,400
Three hours later, he delivered the phony Claire Austin at

396
00:20:55,400 --> 00:20:56,039
our house in town.

397
00:20:56,200 --> 00:20:58,000
Speaker 6: Copley was one who kidnapped Austin there.

398
00:20:58,039 --> 00:20:59,599
Speaker 2: Oh, he had to have a hand in it, probably

399
00:20:59,680 --> 00:21:01,720
set up up the job for a gang. A thing

400
00:21:01,799 --> 00:21:03,200
like this would take some morganizing.

401
00:21:03,319 --> 00:21:05,880
Speaker 5: But what makes you so sure you brought away out here?

402
00:21:06,279 --> 00:21:09,119
Speaker 2: Neil Hayden had Copley's gas credit card checked for me,

403
00:21:09,440 --> 00:21:11,440
and the records show that Copley gassed up at that

404
00:21:11,480 --> 00:21:14,920
station back there three times within the last few weeks.

405
00:21:14,920 --> 00:21:17,440
The station attendant remembers him, says, Copley's car.

406
00:21:17,279 --> 00:21:19,640
Speaker 4: Always turned off on this side road. Where on now?

407
00:21:19,720 --> 00:21:21,400
Speaker 5: Oh, we're looking for the hideaway.

408
00:21:21,559 --> 00:21:24,319
Speaker 2: Yes, so keep your eyes peel furned because our time

409
00:21:24,400 --> 00:21:24,960
is running out.

410
00:21:41,440 --> 00:21:45,000
Speaker 6: Jim, it's past midnight. Maybe this isn't the house at all.

411
00:21:45,400 --> 00:21:46,039
Speaker 4: I'm sure it is.

412
00:21:46,160 --> 00:21:46,359
Speaker 8: Vernon.

413
00:21:47,079 --> 00:21:49,519
Speaker 4: There are two husky fellows guarding the front driveway.

414
00:21:49,640 --> 00:21:52,079
Speaker 5: But how do you plan to get inside the house, Jim.

415
00:21:52,559 --> 00:21:55,319
Speaker 2: When the criminals arrived, I'll go right in with them

416
00:21:55,319 --> 00:21:56,200
as the avenger.

417
00:21:56,519 --> 00:21:58,640
Speaker 6: But what if the criminals should call up the guards

418
00:21:58,640 --> 00:22:00,000
here and tell them to kill Claire.

419
00:22:00,359 --> 00:22:03,119
Speaker 2: They can't, Fern. There are no telephone wires leading into

420
00:22:03,119 --> 00:22:05,160
that house. I'll have to show up in person.

421
00:22:06,119 --> 00:22:08,079
Speaker 5: I'm getting d this gymne Fern.

422
00:22:08,839 --> 00:22:10,279
Speaker 4: We can get Miss Austin out of there in a

423
00:22:10,319 --> 00:22:12,319
matter of minutes if we follow our plan.

424
00:22:12,640 --> 00:22:14,680
Speaker 5: Well, let's go over it again, Jim.

425
00:22:14,880 --> 00:22:17,119
Speaker 6: I'd never forgive myself if I bungle my end of it.

426
00:22:17,319 --> 00:22:20,039
Speaker 4: You won't, Fern. Here's the way we'll manage it.

427
00:22:20,559 --> 00:22:23,079
Speaker 2: A moment I get inside the house, I'll unlock this

428
00:22:23,160 --> 00:22:26,160
back window. Miss Austin will come out and join you here.

429
00:22:26,759 --> 00:22:28,960
Then you too, make tracks through the woods to our

430
00:22:29,079 --> 00:22:31,720
car and head straight for town. What about you, Jim,

431
00:22:31,799 --> 00:22:34,400
I'll join you later. Inspector White and Neil Hayden will

432
00:22:34,400 --> 00:22:36,200
meet you in front of Miss Austin's house in town.

433
00:22:36,599 --> 00:22:39,319
Let us gout the real heiress inside to face the imposture.

434
00:22:41,720 --> 00:22:44,480
Speaker 4: They've arrived. I'll go around and join them at the

435
00:22:44,480 --> 00:22:46,039
corner of the house as the Avenger.

436
00:22:46,400 --> 00:22:58,319
Speaker 11: Good luck, Jim, Come on, goply, let's make short work

437
00:22:58,359 --> 00:22:58,480
of this.

438
00:23:02,440 --> 00:23:04,759
Speaker 4: Wait a minute, what was that noise?

439
00:23:05,319 --> 00:23:07,400
Speaker 8: Sounded like one of the tires went flat.

440
00:23:07,559 --> 00:23:08,880
Speaker 7: I'll get out your flash and take a look.

441
00:23:09,039 --> 00:23:10,599
Speaker 4: You've got a lot of traveling to do in this

442
00:23:10,640 --> 00:23:11,079
card night.

443
00:23:11,480 --> 00:23:18,319
Speaker 8: Okay mm hm, rare tires are all right now. Will

444
00:23:18,359 --> 00:23:22,000
look in the front one here. Mm the front winds

445
00:23:22,000 --> 00:23:23,599
are all right too, Nothing wrong?

446
00:23:23,680 --> 00:23:24,519
Speaker 4: You are sure?

447
00:23:25,079 --> 00:23:25,359
Speaker 6: Sure?

448
00:23:25,759 --> 00:23:26,000
Speaker 5: Come on?

449
00:23:26,039 --> 00:23:35,440
Speaker 9: Then open the front door. Alright, Copley, go into the

450
00:23:35,440 --> 00:23:38,039
next room and get the Austin game. Take the bracelets

451
00:23:38,079 --> 00:23:39,720
offer and see that there are no marks where she

452
00:23:39,799 --> 00:23:42,200
was fastened to the bed. And don't use the black

453
00:23:42,279 --> 00:23:43,119
jack until we get.

454
00:23:42,960 --> 00:23:43,559
Speaker 4: Her in the car.

455
00:23:43,759 --> 00:23:45,680
Speaker 8: Why not it be easier.

456
00:23:45,880 --> 00:23:48,359
Speaker 9: I want those two guards outside to see her alive

457
00:23:48,440 --> 00:23:49,319
when she leaves here.

458
00:23:49,880 --> 00:23:52,880
Speaker 4: The less thing know, the safer We are. Go ahead

459
00:23:52,880 --> 00:23:53,519
and I bring her out.

460
00:23:54,000 --> 00:23:55,319
Speaker 8: Alright?

461
00:23:57,599 --> 00:23:58,839
Speaker 5: Oh come back.

462
00:23:59,319 --> 00:24:03,440
Speaker 8: Yes, missa we have decided to take you away from here.

463
00:24:04,440 --> 00:24:05,119
Speaker 5: Who are you taking?

464
00:24:06,079 --> 00:24:08,880
Speaker 8: Still? I'll take these handcuffs off your hands.

465
00:24:08,880 --> 00:24:13,240
Speaker 5: Feet, Yes, the relief anyway.

466
00:24:13,200 --> 00:24:15,160
Speaker 7: Miss Austin through that window quickly?

467
00:24:15,559 --> 00:24:18,160
Speaker 8: Who's that? Who's in here?

468
00:24:18,359 --> 00:24:19,839
Speaker 4: It's the Avenger Copley.

469
00:24:20,119 --> 00:24:24,400
Speaker 7: And this is for you. I ring miss Austin through

470
00:24:24,440 --> 00:24:27,039
that window. Go with the young lady outside right?

471
00:24:29,799 --> 00:24:30,640
Speaker 8: What's going on in there?

472
00:24:30,720 --> 00:24:34,119
Speaker 4: Koble Copley? Can you what happened?

473
00:24:34,640 --> 00:24:36,720
Speaker 8: Where's the girl Copley?

474
00:24:37,160 --> 00:24:40,720
Speaker 2: He's out cold, mercle And here's something for you too

475
00:24:41,240 --> 00:25:34,079
from the Avenger.

476
00:25:11,200 --> 00:26:24,599
Speaker 6: Which Claire Austin's birthday party is a great succession, even

477
00:26:24,640 --> 00:26:25,799
if it is a few days late.

478
00:26:25,920 --> 00:26:28,279
Speaker 7: Well, she can thank you for being alive to celebrated friend.

479
00:26:28,920 --> 00:26:30,960
Speaker 2: You know, if you hadn't noticed Helma's fingernails, we might

480
00:26:31,000 --> 00:26:32,480
never have discovered she was an impostor.

481
00:26:32,799 --> 00:26:34,319
Speaker 6: Jem, you're just flattering me.

482
00:26:34,519 --> 00:26:37,400
Speaker 5: No, the fingernails worth the only clue you had what.

483
00:26:37,480 --> 00:26:39,720
Speaker 6: Really convinced you the Telma wasn't Claire.

484
00:26:40,039 --> 00:26:43,599
Speaker 2: She found on the examination I gave her about Australia. Well,

485
00:26:43,920 --> 00:26:46,359
aside from not knowing that the Dodo has been extinct

486
00:26:46,440 --> 00:26:49,559
since the seventeenth century, she said she had a wombat

487
00:26:49,559 --> 00:26:51,039
for a pet and was bringing it here.

488
00:26:51,359 --> 00:26:53,920
Speaker 6: Well, a wombat's a small beer, isn't it.

489
00:26:54,279 --> 00:26:57,000
Speaker 2: That's right, But even an Australian school child knows that

490
00:26:57,039 --> 00:26:59,839
the wombat can't exist outside the Australian continent.

491
00:27:00,079 --> 00:27:02,680
Speaker 5: Oh, what is shame? It sounds like a nice bet.

492
00:27:02,799 --> 00:27:03,880
Speaker 7: Wrong again, Miss Gottier.

493
00:27:04,400 --> 00:27:07,799
Speaker 2: The wombat sleeps all day and wanders forth at night

494
00:27:08,079 --> 00:27:10,720
in search of food. How hardly the general conception of

495
00:27:10,720 --> 00:27:11,480
a pet, don't you think?

496
00:27:11,880 --> 00:27:12,359
Speaker 5: All right?

497
00:27:12,480 --> 00:27:12,799
Speaker 1: Teacher?

498
00:27:13,319 --> 00:27:14,920
Speaker 5: Did the real Mayor Austin.

499
00:27:14,640 --> 00:27:16,720
Speaker 7: Pet that test with flying colors?

500
00:27:17,119 --> 00:27:19,119
Speaker 2: And I'm sure if you really want a wombat for

501
00:27:19,160 --> 00:27:21,519
a pet, shall order one stuffed and sent over by

502
00:27:21,519 --> 00:27:22,279
a special play.

503
00:27:22,720 --> 00:27:24,400
Speaker 5: Come on, Jim, let's.

504
00:27:38,599 --> 00:27:41,119
Speaker 3: All characters, names, places, and plots used in the Avenger

505
00:27:41,160 --> 00:27:44,440
program are fictitious. Any similarity to persons living or dead

506
00:27:44,519 --> 00:27:45,839
is purely coincidental.

507
00:27:51,000 --> 00:27:57,079
Speaker 7: This is a thought, a thought, a thought. Remember listen

508
00:27:57,160 --> 00:27:58,279
for another adventure of

509
00:28:00,480 --> 00:28:06,799
Speaker 1: The Avenger