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Speaker 1: Get Command, don't get Supreme La Megxilling. Hey, everybody, welcome

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to Matt Connerton Unleashed, the af edition because this version

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of the show, of course, is strictly online, uncensored, unfiltered,

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truly unleashed. And I have with us Jagger from the

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band vices An Kilo Jagger.

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Speaker 2: Hello, Hi guys, doing.

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Speaker 1: Good, very well. So we're gonna be talking about something now.

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I did talk it up, of course on Saturday on

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the radio show Saturday Morning of Course, which we do

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every Saturday from not am to noon vices Fest, which

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is a pretty big deal. And I did go through

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the lineup too on the air. A lot of these bands,

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I'll let you kind of talk about some of them,

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but a lot of these bands we've had on the show.

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Many of them we have not had on the show yet,

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but we've heard about them, their their name, their names

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have come up on the show. So we know that

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that there there are people that you know, we should

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be looking at having on and of course, and and

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a few of them that I'm not familiar with. But uh,

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now let's let me get that flyer up too. So

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when is so Vice's Fest? This is coming up? This

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uh this coming weekend, Labor Day weekend.

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Speaker 2: Correct, Yes, it is Friday, Saturday and Sunday, so people

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can recover on Monday. Because the yeah, that's true, that's true.

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Speaker 1: That is that is well timed. And this year you're

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doing it at the Strand Theater in Dover, which is

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a beautiful venue.

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Speaker 2: Definitely, it's it's gorgeous.

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Speaker 1: Why uh, why Dover because I think last year was

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in Portland, correct or maybe I'm wrong about that.

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Speaker 2: Well, you're right, it was. It was in Portland at

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a place called the Cavern, which doesn't exist any more.

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Ale of reasons why we we decided to uh we

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relocated into uh Dimon Venue. One. We wanted something that

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was bigger uh the Catherine, and it seemed like the

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areas that we could book at in the Portland area

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wasn't suffice and the ones that were Suffice were too big,

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so we had to you had we needed something in

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the middle of that. And coming around with that, plus

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we thought, you know, the whole point of it is

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bands from the Northeast area. That's the main focus of it.

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I mean, we we always listed like bands from the

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Northeast and beyond, which is a true statement, but it's

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really the heart of it is like New England bands

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for the most part, and we felt like, okay, well

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we have a lot of bands from New Hampshire and

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we should you know, obviously give dat a chance to

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instead of just being a Portland then, because we feel

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like Vice's Inc. Is a New England band. I'm I'm

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from Boston, elinor the Leed Centers from from Massachusetts too,

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so we're not really just a main band. That's it

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just you know, obviously that's where we are stationed because

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that's where our practice, bace and everything else is. But

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we're New England for the most part. So it was

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mainly for those reasons. And I've been to the Stream

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before and I fell in love with it because it's

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it's it's a great venue for something like this and

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the comfort level. The other place we played at didn't

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have seats. This has seats and stuff, so it's more

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cover level for the fan base too.

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Speaker 1: That makes sense. Yeah, you are, as you mentioned, so

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you're a you're a Portland band, Vices Inc. And I

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know there's there's a great uh, there's a great music

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scene there. When you well, when did let me ask this,

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when did Vice's first start. Is this the second year

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or the third year or.

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Speaker 2: The second year. So what happened was, uh, the band's

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been around for few for years, a few years, but

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it wasn't until twenty and twenty three we actually played

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ser shovels okay because of COVID and stuff, so we're

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called a COVID band. And all we did was record

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and record and record, and then when we felt safe

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enough to go out into the open, we started in

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twenty twenty three. I know that maybe a little lay

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in the game, but we felt that's with the best

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bet to be sure and stuff. Yeah, and so we

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went on. Obviously we played in the New England area,

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but we actually went on a real tour as far

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as west as Indiana, and we went to Kentucky, Ohio

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and all this stuff, and we met a lot of bands,

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and we became fans of the bands and friends of

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the bands, and we thought what a good way and

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showcased some of the bands we met in a different

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area that they can't get to and put them all

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together in one show and set to see people what

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we saw and heard and hopefully they become fans of

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them too.

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Speaker 1: Right, it's a huge undertaking. I don't have to tell you.

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I mean, I'm impressed and I look at the lineup

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and it's like, oh my god, Like I'm curious. And

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I may have asked you this before when you were

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on the radio show, but like, what are some of

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the surprises that you've encountered when putting a putting together

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a three day festival again, and anyone outside the industry

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might not know this, but that's just putting together a

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one day festival is an enormous undertaking. I mean, what

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what what are some some things maybe some surprises or

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issues that you ran into planning this either last year

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or this year.

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Speaker 2: Well, last year was I can't It was a blur

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to me because we decided to do this kind of

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like a last minute and it was done in four weeks.

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And I still can't believe I did it. I don't.

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I still don't know how I did it, to be

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honest with you, People ask me all the time like

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how did you do that? And like, I really don't know.

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It was like the whole month was a blur to me,

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like twenty four to seven working on that, so I

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didn't What I learned from that was maybe I need

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to try to start earlier in four weeks. That's the

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first thing I learned how much and depth you can

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get the community involved in the first one. I didn't

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do that as well because I well, hey, didn't have

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time and be maybe you know, I didn't understand the

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start for instances to make that work. But reaching out

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to the community, having the community part of this was

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a bigger deal to me and which worked out really well,

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especially when you're you're showcasing bands from this area or

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from the earlier you are in and they want to

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work with those bands or groups whatever too, or maybe

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you know, get their fame base and be part of

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whatever they're doing. And I mean, I think it's obviously

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it you get people involved in that we were over there,

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they were involved with will be part of it too

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or whatever. You know, who's you know who was working

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with us. And so I guess surprise wise, I mean,

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there was nothing nothing like I mean, I'm learning thing

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all the time. I learned something yesterday. So it's like

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it's a constant battle of oh is this gonna work?

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And that's not gonna work kind of then. But I'm

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just like, you know, when we first originally did it.

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It was one day, which was smart enough, but the

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three day under taken it was a different animal for sure.

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Oh yeah, how do you make it work? Things work

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quicker and like little things like learning, like most of

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the most of the shows be backlined instead of having

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individual you know, equipment for each band, because there's no

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space supporting we can up with all that stuff, you

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know right right in the changeover would be insane. So

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the goroop liners all have their own equipment and the

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rest of the groups are shared in the back line

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and stuff like that. You learn like little lens that

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make it one smoothly, you know.

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Speaker 1: Yeah, I just remember back too. So it's been a

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long time since I've actually put on a show that

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I was promoting. I kind of moved out of that

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side of the business, but I used to do you know,

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even just doing a show with five bands on it,

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you know, back when I was promoting live shows, it

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was you know, it can be challenging and stressful. So

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I can't even imagine. I mean, obviously you're handling it well,

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and you don't you don't seem like you're terribly uh

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stressed out. I don't know how you feel on the inside,

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but you're you're outwardly projecting what seems to be a

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certain calmness about it all. So that's good.

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Speaker 2: I mean, this is a thing like me being stressed

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or showing that it is not going to help anybody else.

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So I have to be stable in this. So with

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that beings said, I'm excited about it because I've we

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were we're able to under undertake a lot of things

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in such a short period of time. But we got

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a lot of good music, a lot of good bands

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all going to be under the same roof which to

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me is amazing and and getting them to be part

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of that, you know, and you know, and obviously uh ah,

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being excited about this. Uh festival was was a big

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deal to me, but all styles of music. So it

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was like, it's like that's how a festival should be

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in a ways, it should be you know, you should

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very you know, variety. But I've got you know, I

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got a good amount of people working working with us,

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working for me. Yeah, but I'll be straight with you,

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like most of the work was I did it, you know,

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and I don't really know how I did it. I

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just do it. I don't really know. It's like you said,

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you know, you did booking and all this stuff, and

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sometimes it's just easier for you to do it then

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have somebody else do it. Yeah, and it's easy for

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you not to do yourself then to have you teach

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somebody or explain it to somebody. Right, I just do it,

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you know, and if it's I mean, I've done booking

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for years, but I've never done anything like this before.

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But obviously it was a it was an easier segue

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because I've done booking with bands and then with bands,

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and you know, when you're doing multiple bands, you got

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little problems like oh I need stage plots or something

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like that, and you'll wait for them to do it

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because you the sound guys want that stuff. So you know,

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there's little things like that. You just got to keep

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you know, harping on them until they push, you know,

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you know, give you the stuff you need and stuff right,

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or have them you know, advertise this and you know,

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promote promoted because you know, obviously social media is really

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important today, so you have to do that to get

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to get your fan base out there for for you know,

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so they know what's going on. So that's probably more

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work in getting the bands to do their what they

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their part than me do my part. That's really the proof.

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Speaker 1: Yeah. Yeah, do you want to talk about some of

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the bands that are going to be performing well?

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Speaker 2: Like you said, credit a few of these bands you

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you know and you have on your show on the

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radio part of it, and you know how good they

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are as under the Horizon. It's a new one for

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you guys. Yeah, I know you had uh Crying Caleb recently. Yeah,

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play Dad who was there early this year? Were you Dad?

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Speaker 1: Love playing Dad?

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Speaker 2: Yeah, he's a great talker. He's like me. We just

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talk a lot, you know. Yeah, I'm not just in

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the car together when we go to shows together walk

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we do.

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Speaker 1: So we had Troll, I see Troll. We had them

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on the show a few months ago. Great band. I

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love those guys.

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Speaker 2: Very popular in main very popular single to Noise. It's

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been popular for a while long time down in the area.

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So at acts are up and coming, as you can say,

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or stuff that you know you you haven't had exposure to,

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like Night Curry, which are really good. I mean, I

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would think you'll you're gonna love that band. So I'll

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send you some stuff from them so you can so

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you can hear how they sound and stuff and.

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Speaker 1: Please Yeah, and I saw I noticed to Scarecrow Hill.

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Uh they've been around a long time and they're fantastic.

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But we had them on the show not that long ago.

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And Jenny and I saw them at Jewel in Manchester.

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They were on a bill with Under the Horizon and uh,

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Devil Inside Us and just fantastic.

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Speaker 2: Oh fantastic, and and and they and then and then

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and and and it's just like the fact that you

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mentioned on the Horizon, which is an elephant that believe

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the play that festival with a cespis, you know, and

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those bands all play together in different ways in different places,

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you know what I mean. And obviously the you know,

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the variety of music from themselves, it's like it's it's amazing,

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like their top notch talent and yeah, we got it.

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So I'm really excited about that. But there's bands that

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I think you should listen to and maybe you know,

240
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it's like the the mention the band I mentioned before

241
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Night Period. They're from Philadelphia, so obviously they probably won't

242
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be in studio, but at least you guys can communicate

243
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via the telephone whatever. But you know, I will definitely. Uh,

244
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you know, give you a handful of these bands that

245
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I think you should you know, have some contact with.

246
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Speaker 1: Oh please, Yeah, we're always looking for suggestions. House Lights.

247
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I noticed another name on there. We've had them on

248
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the show. That was a couple of years ago though

249
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we haven't haven't talked to them in a while, but

250
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definitely want to get them back on. But they're they're amazing.

251
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I I know it was a couple of years ago

252
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because I remember it was in the old it was

253
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before WM and H moved to where we are now,

254
00:13:02,919 --> 00:13:05,919
when we were in the old place on Elm Street.

255
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And uh, yeah, another great, great band. There's a lot.

256
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I mean, this lineup is very, very impressive.

257
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Speaker 2: Yeah, and you know, I I that's the thing. You know,

258
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a lot of these bands, you know, obviously some are

259
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more properly than others, but just all having together with

260
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the mutual aspect of just performing music for whoever and

261
00:13:26,039 --> 00:13:28,000
all on the same page with it. It's just it's great.

262
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All everybody has been great about that. Just yeah, they

263
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want they want to perform, but they also want to

264
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see each other perform. It's like a really friendly environment,

265
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which is great. It's always to show so anybody can

266
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show up for it. It's that's what it's good about

267
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it too.

268
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Speaker 1: Yeah, and what's the best way for people to get tickets?

269
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Sow should they get tickets?

270
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Speaker 2: That's a good question. Many ways they get tickets. So

271
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the easiest ways to go vices beest dot com. That's

272
00:13:53,080 --> 00:13:55,559
a direct way to get it. You also can get

273
00:13:55,600 --> 00:13:59,600
it off of the Strand Theater's website. Okay, and you

274
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also get it directly at the van Bright dot com

275
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or devices Fast twenty twenty five dot evan Bright dot com. So,

276
00:14:10,159 --> 00:14:12,399
but the easiest way to get just go devices fast

277
00:14:12,440 --> 00:14:14,919
dot com website. It is a link for it. Click

278
00:14:15,000 --> 00:14:18,080
you're there, you know. But it's also like online it's

279
00:14:18,159 --> 00:14:20,519
QR codes and stuff. If it's if that's what you

280
00:14:20,559 --> 00:14:22,360
want to utilize this, that's there too.

281
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Speaker 1: Okay, Okay, very good, And I'm sorry no, no, go

282
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go ahead, because i want to make sure we don't

283
00:14:28,080 --> 00:14:30,240
miss anything that you want to talk about with this.

284
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Speaker 2: Yeah. Yeah, sure, But people can also wait to the

285
00:14:34,960 --> 00:14:37,960
day of the show and get tickets that way too.

286
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And we're not one of those plans where oh you

287
00:14:40,679 --> 00:14:42,960
need to pay something in advanced for cheaper tickets. It's

288
00:14:43,000 --> 00:14:47,279
the same price. I'm not. So you go there and

289
00:14:47,320 --> 00:14:51,679
you can pay cash, Venmo, any way, PayPal, it doesn't matter.

290
00:14:51,759 --> 00:14:54,879
They'll they take it rid of them there at the door. Okay, okay,

291
00:14:55,120 --> 00:14:57,000
we made it really convenient for everybody.

292
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Speaker 1: Outstanding, No, very good, very good. I did want to

293
00:15:00,679 --> 00:15:03,120
ask you about Vices Inc. What has Vices Inc. Been

294
00:15:03,240 --> 00:15:06,559
up to and and and by the way, I I

295
00:15:07,120 --> 00:15:09,799
it's understandable if you say not too too much, only

296
00:15:09,840 --> 00:15:13,879
because you've obviously been very occupied with vices fests. So

297
00:15:13,879 --> 00:15:15,519
if you don't have a lot to tell us, I

298
00:15:15,519 --> 00:15:19,279
completely understand. But I am a fan, so I need

299
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to ask to hear that.

300
00:15:20,840 --> 00:15:23,879
Speaker 2: Well, I mean the crazy thing about Vice's Best, I'm

301
00:15:23,879 --> 00:15:27,799
advices Best Vices Inc. Is uh you know you know

302
00:15:27,840 --> 00:15:30,000
we when we told you before, we're a COVID band.

303
00:15:30,639 --> 00:15:32,879
That's how we do is record So even though we're

304
00:15:32,919 --> 00:15:35,440
busy in schedule wise with other stuff in our lives now,

305
00:15:35,600 --> 00:15:38,159
we still keep a crazy recording schedule because that's what

306
00:15:38,200 --> 00:15:42,519
we're used to. Good. Well, we are working on an

307
00:15:43,840 --> 00:15:48,759
honestly three albums at once right now. Okay, really albums

308
00:15:48,759 --> 00:15:51,919
are once and the first one comes out at the

309
00:15:52,200 --> 00:15:54,080
end of this year. It's gonna be called Into the

310
00:15:54,120 --> 00:15:58,120
Stranger Things, which is an album based off the songs

311
00:15:58,159 --> 00:16:00,159
that are in that show Shine of Things. So it's

312
00:16:00,159 --> 00:16:03,480
a cover album, so it'll be two originals and in

313
00:16:03,559 --> 00:16:05,960
the in the middle of it would be all songs

314
00:16:05,960 --> 00:16:07,440
that were on that TV show.

315
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Speaker 1: Oh that's a cool concept.

316
00:16:09,360 --> 00:16:12,600
Speaker 2: Yeah, we thought it would be something different, and since

317
00:16:12,639 --> 00:16:14,919
the show's ending this year, it's you know, we thought

318
00:16:14,919 --> 00:16:15,840
we'd tie into it.

319
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Speaker 1: Okay, that makes sense.

320
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Speaker 2: And then earlier next year we're releasing an album called

321
00:16:20,200 --> 00:16:22,679
Holo Go Bye, which is a more like senior soundwriter

322
00:16:22,759 --> 00:16:26,080
acoustic album. It's really different for us and we're looking

323
00:16:26,120 --> 00:16:29,039
for that because it's been something of a change for us.

324
00:16:29,679 --> 00:16:33,279
And so it's a little metal account Collie all right,

325
00:16:33,799 --> 00:16:36,240
people like that, it's great. And the end of this

326
00:16:36,360 --> 00:16:39,600
year that next year we release Suburban Decay, which is

327
00:16:39,600 --> 00:16:42,879
really to fall up to our last album, back Line Kiss,

328
00:16:43,120 --> 00:16:46,639
which is the more alternative, hard whatever sound music you

329
00:16:46,679 --> 00:16:49,960
want to call it. Yeah, And that's what's going on.

330
00:16:50,120 --> 00:16:51,320
And plenty of shows.

331
00:16:51,720 --> 00:16:54,320
Speaker 1: Wow, uh, do you have any kind of e t

332
00:16:54,440 --> 00:16:56,559
as on any of this or I mean it's it's

333
00:16:56,600 --> 00:16:57,039
a lot.

334
00:16:57,200 --> 00:17:01,759
Speaker 2: I mean, just an album comes out December for sure,

335
00:17:01,799 --> 00:17:04,720
it's already there. We're not done with it. I did

336
00:17:04,759 --> 00:17:09,160
all my work, and Christy the drummer is uh, she's

337
00:17:09,200 --> 00:17:11,000
got a couple of songs left. And Alan is the

338
00:17:11,079 --> 00:17:13,640
student of vocals. She actually did three songs over the weekend.

339
00:17:13,640 --> 00:17:15,799
I think she gets like five songs left and she's

340
00:17:15,799 --> 00:17:18,400
done too, so we're almost done with that one. Wow

341
00:17:18,440 --> 00:17:20,960
and okay, the same with the whole Goodbye. I'm done

342
00:17:21,000 --> 00:17:22,799
with it and Chrissy's done with it. And then we

343
00:17:22,880 --> 00:17:24,799
ran for Ellen or to finish her stuff and she

344
00:17:24,799 --> 00:17:27,599
will probably be done with it by I would say March,

345
00:17:27,640 --> 00:17:30,000
and we're probably coming out with it maybe two months

346
00:17:30,000 --> 00:17:34,160
after that. Okay. December of twenty twenty six is Suber

347
00:17:34,240 --> 00:17:36,960
and Decay, which is like our main album that we're

348
00:17:37,039 --> 00:17:40,240
really excited about. It's a little bit harder than it's

349
00:17:40,480 --> 00:17:42,400
it's the hardest thing we ever done before. It's it's

350
00:17:42,519 --> 00:17:43,400
edgy are for sure?

351
00:17:43,880 --> 00:17:47,559
Speaker 1: Oh cool? Okay? And where do you where do you record?

352
00:17:47,599 --> 00:17:48,920
I mean, do you have a studio that you work

353
00:17:49,000 --> 00:17:50,920
with or do you do you do it all yourselves?

354
00:17:51,000 --> 00:17:53,119
Or I know you guys are very di i y

355
00:17:53,240 --> 00:17:54,680
with everything that you do, which is.

356
00:17:54,640 --> 00:17:59,279
Speaker 2: Sure sure, are we. I I bought a house after

357
00:17:59,400 --> 00:18:02,079
I got you for my wife, and I was I

358
00:18:02,119 --> 00:18:04,319
went to school in Boston. She went to school Maine,

359
00:18:04,359 --> 00:18:06,640
and she's from New Hampshire. But she said, I fell

360
00:18:06,680 --> 00:18:08,880
in love with Maine. I said, great. We bought a

361
00:18:08,920 --> 00:18:11,039
house that used to be apartment building and it's just

362
00:18:11,640 --> 00:18:13,920
it's not a Poment building anymore. It's just our house.

363
00:18:14,400 --> 00:18:16,920
And she was really nice, which is great because she's

364
00:18:16,920 --> 00:18:19,480
always supported me. She let me have the first floor

365
00:18:19,519 --> 00:18:25,880
apartments as my studio. Nice studio. It's just really nice

366
00:18:25,920 --> 00:18:27,200
for she's great, you know.

367
00:18:27,200 --> 00:18:29,519
Speaker 1: So yeah sounds it. Yeah, that's awesome.

368
00:18:30,839 --> 00:18:34,559
Speaker 2: It does help out because I mean, obviously we weren't

369
00:18:34,559 --> 00:18:37,119
able to afford we going to studio old time, you know,

370
00:18:37,240 --> 00:18:40,039
yea to do. We got over three hundred songs online.

371
00:18:40,039 --> 00:18:43,119
It's crazy, you know, three hundred songs. It's nice.

372
00:18:44,079 --> 00:18:45,160
Speaker 1: Do you three hundred?

373
00:18:45,200 --> 00:18:49,960
Speaker 2: Really? Yeah? Yeah? We do a vices inc. Yeah, yeah,

374
00:18:50,039 --> 00:18:50,599
jesus I did.

375
00:18:51,119 --> 00:18:53,400
Speaker 1: I didn't realize you had that many.

376
00:18:53,599 --> 00:18:58,160
Speaker 2: We're nuts. At the Countary year of twenty twenty three,

377
00:18:58,640 --> 00:19:01,960
we released two two singles a month, which were A

378
00:19:02,079 --> 00:19:04,960
and B sides, so we have fourst new songs every

379
00:19:05,240 --> 00:19:08,680
month for twenty three Oh my god. And that had

380
00:19:08,720 --> 00:19:11,160
nothing to do with the albums. We will released albums too.

381
00:19:11,319 --> 00:19:14,559
We just yeah, yeah, obsessed with recorded. It's just because

382
00:19:14,599 --> 00:19:16,519
we have to be able to do any time we

383
00:19:16,559 --> 00:19:18,160
want to. And it's yeah, you know.

384
00:19:18,799 --> 00:19:21,960
Speaker 1: No, that's fantastic. I remember, I remember the last time

385
00:19:22,000 --> 00:19:23,279
that you were on the radio show with us. We

386
00:19:23,319 --> 00:19:26,640
talked about that a bit, but you know, about where

387
00:19:26,640 --> 00:19:28,960
you record and so forth, But I didn't realize the

388
00:19:29,079 --> 00:19:32,880
level of output. I honestly, I know, I'm shocked. That's amazing.

389
00:19:32,960 --> 00:19:35,359
Not good for you, that's great, it's great.

390
00:19:35,400 --> 00:19:37,519
Speaker 2: But at the same time, it's like it's it's it's

391
00:19:37,599 --> 00:19:40,799
it's it's you know, it's it's crazy to think about it.

392
00:19:40,839 --> 00:19:43,319
You know, famouth that we have that, what do you

393
00:19:43,400 --> 00:19:47,079
choose to play live? It's like it's hard. So yeah,

394
00:19:47,240 --> 00:19:49,519
for vices fast. I'll tell you a little then that

395
00:19:49,559 --> 00:19:52,119
no one knows yet. We're debuting two songs that we

396
00:19:52,240 --> 00:19:55,960
never played before that are from albums like our first

397
00:19:55,960 --> 00:19:59,359
two albums that we never played before. Everything. You know,

398
00:19:59,440 --> 00:20:01,119
we're gonna go back in time and do some of

399
00:20:01,119 --> 00:20:03,000
that stuff because otherwise were just got to move on

400
00:20:03,079 --> 00:20:06,160
from it. Forever and never try it, so right, and

401
00:20:06,200 --> 00:20:08,440
they sound great, so it's like, now, what why did

402
00:20:08,480 --> 00:20:12,240
we not play these songs live? You know? But yeah,

403
00:20:12,400 --> 00:20:14,960
that's I'm pretty excited about that.

404
00:20:15,440 --> 00:20:18,680
Speaker 1: Very cool. And then what what night do you go on?

405
00:20:18,759 --> 00:20:20,200
What night does devicesn't go on?

406
00:20:20,359 --> 00:20:23,720
Speaker 2: Okay, so the de selective amount of bands are playing

407
00:20:23,839 --> 00:20:28,480
all three nights actually, and obviously one of them. So

408
00:20:28,680 --> 00:20:32,680
we hadlined Friday and we're kind of in the middle

409
00:20:32,720 --> 00:20:35,039
of a pack on Saturday, and then we're kind of

410
00:20:35,079 --> 00:20:38,400
early on Sunday to get more other bands more exposure

411
00:20:38,400 --> 00:20:40,720
because we don't need that. I mean, we had our

412
00:20:40,799 --> 00:20:44,319
time to shine on Friday, really good spot on Saturday,

413
00:20:44,440 --> 00:20:47,599
so we're playing them afternoon on Sunday and I really

414
00:20:47,640 --> 00:20:50,319
don't care about that. So I'm excited to have other

415
00:20:50,319 --> 00:20:51,960
bands play. I' I'm a fan of these bands, so

416
00:20:51,960 --> 00:20:53,279
I just want to see him play in a way,

417
00:20:53,359 --> 00:20:58,640
so actually be playing almost inconvenience, you know. So, but yeah,

418
00:20:58,720 --> 00:21:01,559
all three nights, Night Furies playing all three nights, play

419
00:21:01,680 --> 00:21:03,920
Dad's playing all three nights. So there's a good handful

420
00:21:03,920 --> 00:21:06,759
of bands of playing all three nights, and then it's

421
00:21:06,839 --> 00:21:11,480
the other one night, so it's it's it's it's thirty

422
00:21:11,519 --> 00:21:15,039
six acts, but it's like forty five slots, if that

423
00:21:15,160 --> 00:21:15,920
makes any sense.

424
00:21:16,519 --> 00:21:20,599
Speaker 1: Yeah, good lord, how do you? I mean, I'm just amazed.

425
00:21:20,680 --> 00:21:22,359
I mean, it's impressive to me that you're able to

426
00:21:23,039 --> 00:21:25,640
pull that off and and just the logistics of all

427
00:21:25,680 --> 00:21:30,319
of that, of slotting everybody in, and that's amazing. Good

428
00:21:30,359 --> 00:21:31,799
for you, man, this is incredible.

429
00:21:31,960 --> 00:21:35,400
Speaker 2: I learned a lot when we toured, because what I

430
00:21:35,440 --> 00:21:38,160
did was I played obviously, I played mid playing shows

431
00:21:38,200 --> 00:21:41,039
for many years, and I learned a lot of lessons.

432
00:21:41,039 --> 00:21:43,240
And one of the lessons I was like, when we're

433
00:21:43,279 --> 00:21:46,519
on tour, I said, we'll be the band that shares

434
00:21:46,559 --> 00:21:49,759
equipment and make it easier for everybody. I was when

435
00:21:49,799 --> 00:21:51,599
I was younger, it was like every band by their

436
00:21:51,599 --> 00:21:53,559
own equipment and stuff, and I go, oh my god,

437
00:21:53,599 --> 00:21:55,920
it it's just it was chaotic and it's just a clusterfuck.

438
00:21:56,119 --> 00:22:00,359
So we didn't want that. Yeah, well, I decided, like,

439
00:22:00,559 --> 00:22:02,680
after that tour will be the band of backs and

440
00:22:02,680 --> 00:22:05,039
stuff up. We don't care, we share our back line.

441
00:22:05,200 --> 00:22:08,599
They made everything so smoothly, and that was a precursor

442
00:22:08,640 --> 00:22:11,880
to what this is, where we had we set guidelines

443
00:22:11,920 --> 00:22:14,480
about what spin used, and mostly the problem you're gonna

444
00:22:14,519 --> 00:22:17,200
have is equipment situation. And once you set those guidelines

445
00:22:17,200 --> 00:22:20,559
and people bands fall suit with that, you really won't

446
00:22:20,599 --> 00:22:24,440
have much as many issues as you would have yet

447
00:22:24,519 --> 00:22:27,079
rowdy fan base, fans and stuff like that. I'm not

448
00:22:27,119 --> 00:22:29,799
worried about that, and never we never encounter that, never

449
00:22:29,799 --> 00:22:32,599
account of that with the brands we worked with. So

450
00:22:32,640 --> 00:22:35,319
it's you know, when my younger days maybe, but not

451
00:22:35,920 --> 00:22:38,519
since you know, never anything advice to think. So we

452
00:22:38,559 --> 00:22:40,640
get security there in the ways, and I'm not a

453
00:22:40,640 --> 00:22:44,559
little worried about that. But I think for the most part,

454
00:22:44,599 --> 00:22:46,440
it's just everybody being on the same page, or at

455
00:22:46,519 --> 00:22:48,279
least being close to that same page, and then you're

456
00:22:48,279 --> 00:22:50,799
pretty good, you know. I mean, there's always gonna be

457
00:22:50,839 --> 00:22:54,279
something that comes up, right, So, yeah, some kind of thing,

458
00:22:54,359 --> 00:22:55,920
and you just got to deal with it, right and

459
00:22:55,960 --> 00:22:58,440
then you move on from it. But for the most part,

460
00:22:58,559 --> 00:23:00,519
you've got a group of people who again want the

461
00:23:00,559 --> 00:23:03,559
same thing. They have a great show. That's all they want,

462
00:23:03,720 --> 00:23:04,319
you know, to.

463
00:23:05,119 --> 00:23:07,839
Speaker 1: Right, Yeah, that's that's so important. Everybody's got to work

464
00:23:07,839 --> 00:23:11,160
as a team. And because it's all on one stage too, right.

465
00:23:11,400 --> 00:23:15,920
Speaker 2: Yes, it is, Yeah, stage so yeah, but that's a

466
00:23:15,960 --> 00:23:19,279
funny thing you say that, because when we were originally

467
00:23:19,279 --> 00:23:21,480
going to do the next one, which was gonna be

468
00:23:21,480 --> 00:23:23,599
at this place and I told you before the Cavern

469
00:23:23,640 --> 00:23:26,640
in Portland, which is not around anymore, the two floors,

470
00:23:26,839 --> 00:23:29,920
and originally we're gonna have all that senior songwriters acoustic

471
00:23:29,960 --> 00:23:32,839
acts on the first floor and all the harder acts

472
00:23:32,839 --> 00:23:35,640
and the bottom floor. Now I'm glad we didn't do

473
00:23:35,720 --> 00:23:37,279
that because that would have been too much for me,

474
00:23:37,440 --> 00:23:41,359
you know, yeah, because when I did the first one,

475
00:23:41,400 --> 00:23:43,799
I was non stop to hold down. You know. It

476
00:23:43,839 --> 00:23:46,839
was there for fourteen hours, maybe more than that, up

477
00:23:46,920 --> 00:23:48,960
and down the stairs, doing all that stuff. And it's like,

478
00:23:49,000 --> 00:23:53,200
I don't want to do that. Now, don't blame me, Yeah,

479
00:23:54,160 --> 00:23:56,519
you know, it's just I don't care how good ship

480
00:23:56,559 --> 00:23:58,799
you in. But after a while you're like, no, I

481
00:23:58,839 --> 00:23:59,680
can't do this any more.

482
00:23:59,799 --> 00:24:02,839
Speaker 1: So yeah, yeah, no, I don't. Uh, I don't blame

483
00:24:02,880 --> 00:24:06,079
you at all. Is there anything, uh? Is there anything

484
00:24:06,119 --> 00:24:07,960
about the festival that you want people to know that

485
00:24:08,000 --> 00:24:10,160
we didn't talk We didn't talk about and by the way,

486
00:24:10,200 --> 00:24:11,839
thank you for inviting Jenny and us. We wish we

487
00:24:11,880 --> 00:24:14,839
could be there. It's just so like our weekends are

488
00:24:14,839 --> 00:24:18,079
so busy now between the radio shows and and everything

489
00:24:18,079 --> 00:24:19,039
else we've got going on.

490
00:24:19,160 --> 00:24:24,240
Speaker 2: But I'm sorry what I'm still plumping you guys in

491
00:24:24,240 --> 00:24:26,440
two thoup and twenty six, I'm starting that.

492
00:24:26,799 --> 00:24:29,400
Speaker 1: We we'd love to. Yeah, maybe maybe with enough planning

493
00:24:29,440 --> 00:24:31,839
we can figure it out. But that does bring to

494
00:24:31,880 --> 00:24:34,119
mind another question though, will there be video of this

495
00:24:34,279 --> 00:24:36,200
or any kind of streaming happening during the.

496
00:24:36,200 --> 00:24:39,720
Speaker 2: Show a little bit? We were going to go all

497
00:24:39,759 --> 00:24:43,559
in on a film for this. Yeah, we decided because

498
00:24:44,400 --> 00:24:47,920
I've got actually, I'm I'm able to talk about it.

499
00:24:48,000 --> 00:24:50,519
I got attend to deal with Netflix actually in prime

500
00:24:50,920 --> 00:24:55,839
to release a movie of this nice. But the requirements

501
00:24:56,039 --> 00:25:00,880
from Netflix are pretty high standards. So yeah, wow, we're

502
00:25:00,880 --> 00:25:04,279
able to able to ascertain that, but not at this time.

503
00:25:04,920 --> 00:25:09,480
So if we had worked on that six months ago

504
00:25:10,079 --> 00:25:12,240
instead of a few months ago, we would have able

505
00:25:12,319 --> 00:25:14,160
to do it. So we decided we're going to do

506
00:25:14,200 --> 00:25:16,240
in twenty twenty six because we have the whole year

507
00:25:16,279 --> 00:25:20,400
to plan on it, right, and we'll use basic footage

508
00:25:20,400 --> 00:25:22,839
from last year's and basic footage from this year's and

509
00:25:22,880 --> 00:25:26,119
incorporated in the main footage from next year. Okay, because

510
00:25:26,160 --> 00:25:28,400
we can use a little bit of footage that's not

511
00:25:28,519 --> 00:25:30,759
in their requirements at on. It's it's it's a very

512
00:25:30,799 --> 00:25:33,880
short amount of it, that makes sense. But all this

513
00:25:33,920 --> 00:25:37,079
is going to be recorded all the whole, all all

514
00:25:37,119 --> 00:25:39,799
three days, and we're going to pick a few songs

515
00:25:39,799 --> 00:25:41,640
from each band and release a live album. That's what

516
00:25:41,680 --> 00:25:42,519
we're all going to do. Though.

517
00:25:42,880 --> 00:25:44,759
Speaker 1: Oh, very cool, that's a great idea.

518
00:25:44,839 --> 00:25:46,799
Speaker 2: And all I'll send that to you if you want

519
00:25:46,799 --> 00:25:47,640
to eat a lot you have it.

520
00:25:47,960 --> 00:25:53,119
Speaker 1: Oh hell yeah, hell yeah, absolutely, absolutely fantastic. Well, let's

521
00:25:53,200 --> 00:25:55,319
just for for anyone who's joining us Late Live, and

522
00:25:55,319 --> 00:25:57,680
of course most people will hear this in the podcast

523
00:25:57,960 --> 00:26:00,039
and the podcast version will be available with it, and

524
00:26:00,200 --> 00:26:04,319
uh yeah, probably by six pm at the latest, so

525
00:26:04,559 --> 00:26:07,400
we'll we'll get that up and out quickly because obviously

526
00:26:07,440 --> 00:26:09,799
this is a time sensitive matter because this event is

527
00:26:09,839 --> 00:26:12,599
this coming weekend, so we want to make sure, we

528
00:26:12,640 --> 00:26:15,400
want to make sure people know about it. But uh

529
00:26:15,799 --> 00:26:19,160
let's remind people of course, vices Fest twenty twenty five

530
00:26:19,880 --> 00:26:22,440
and uh so it starts Friday night and or actually no,

531
00:26:22,480 --> 00:26:24,079
I'm sorry, it starts Friday afternoon.

532
00:26:24,599 --> 00:26:27,799
Speaker 2: Yeah, it does each each each day the doors open

533
00:26:27,880 --> 00:26:31,400
eleven am. Okay, so start around new time, you know,

534
00:26:32,079 --> 00:26:35,599
various times, but it's mostly about around New time, okay,

535
00:26:35,960 --> 00:26:37,799
just you know, and most of the first acts are

536
00:26:37,839 --> 00:26:40,519
more like se and Sonwerder stuff and then after three

537
00:26:40,640 --> 00:26:42,599
pm it becomes full dance.

538
00:26:43,160 --> 00:26:46,759
Speaker 1: Yeah. Oh, very cool, very cool. And where should people

539
00:26:46,799 --> 00:26:47,799
go to get tickets?

540
00:26:48,359 --> 00:26:51,720
Speaker 2: Www dot vices Fest dot com.

541
00:26:52,240 --> 00:26:52,559
Speaker 1: Very good.

542
00:26:52,640 --> 00:26:55,799
Speaker 2: Well that's that's the main place can go. Yeah, if

543
00:26:55,839 --> 00:26:58,279
you if you want to go to the stream, which

544
00:26:58,319 --> 00:27:00,759
is the Strand Theater dot com, it's also there.

545
00:27:01,240 --> 00:27:04,880
Speaker 1: Okay, okay, excellent. Well, like I said, I commend you.

546
00:27:04,920 --> 00:27:07,720
This is a huge undertaking. I think it's awesome what

547
00:27:07,759 --> 00:27:10,200
you're doing. I think it's uh, I predict great things.

548
00:27:10,240 --> 00:27:12,480
I think it's going to go very well. And uh

549
00:27:12,839 --> 00:27:15,240
and again too. Oh and one more time too for

550
00:27:15,319 --> 00:27:17,279
the band. Where should people go to learn more about

551
00:27:17,359 --> 00:27:17,920
vices Inc?

552
00:27:18,559 --> 00:27:21,640
Speaker 2: Oh jeez, that's easy w W dot advices ink dot

553
00:27:21,680 --> 00:27:25,160
com and please go because uh, we guys, we guys

554
00:27:25,200 --> 00:27:26,880
some good stuff coming out pretty soon, you know.

555
00:27:27,079 --> 00:27:29,599
Speaker 1: Yeah, yeah, you heard.

556
00:27:29,400 --> 00:27:31,640
Speaker 2: All the ansa information you got today, know one that

557
00:27:31,799 --> 00:27:33,359
people knew about you got it all?

558
00:27:33,880 --> 00:27:38,000
Speaker 1: Nice. I love I love to get an exclusive. Hell

559
00:27:38,039 --> 00:27:40,920
I didn't even know you had three hundred songs already.

560
00:27:41,480 --> 00:27:43,119
I gotta I gotta go back and listen to some

561
00:27:43,160 --> 00:27:46,240
stuff I didn't I did not realize so many. But

562
00:27:46,279 --> 00:27:49,960
that's that's fantastic. Good for you, Jagger. Thank you so much,

563
00:27:50,039 --> 00:27:53,400
my friend, and uh, good luck this weekend. Not that

564
00:27:53,480 --> 00:27:55,799
you need luck, you've got you've got this well in hand,

565
00:27:56,119 --> 00:27:58,160
but good luck anyway. I know it's gonna go great.

566
00:27:58,279 --> 00:27:59,920
And uh, thank you so much.

567
00:28:00,119 --> 00:28:02,359
Speaker 2: Well, thank you for having me. It's being signed. I

568
00:28:02,559 --> 00:28:04,839
enjoy your company all the time. You know that you're awesome,

569
00:28:04,880 --> 00:28:08,200
and we love being you know, even you know podcast radio.

570
00:28:08,240 --> 00:28:10,799
We love being on part of this and we are

571
00:28:10,839 --> 00:28:13,680
looking forward to working more with you again, you know

572
00:28:13,960 --> 00:28:17,279
soon and maybe we'll be you know, in there on

573
00:28:17,319 --> 00:28:20,839
the radio again before too long to viute that new

574
00:28:20,839 --> 00:28:21,559
album coming out.

575
00:28:21,559 --> 00:28:24,039
Speaker 1: If you're cool with that, perfect, I would love it.

576
00:28:24,119 --> 00:28:27,880
I would love it absolutely, absolutely all right, Jagger, thank you,

577
00:28:27,960 --> 00:28:33,720
and thank you everybody Sea come don't get supremely da

578
00:28:34,559 --> 00:28:35,880
Maxim