Speaker 1: The makers of Campbell's Bout with Him, the Campbell Playhouse Wars,
Speaker 1: and well, what.
Speaker 2: Is the.
Speaker 3: Good evening? It is often well.
Speaker 1: Last week, if you remember, I asked you to put
Speaker 1: yourself in the position of a certain Matt Dennant, who
Speaker 1: is the center of some interest.
Speaker 3: In this week's broadcast.
Speaker 1: I invited you to conceive of yourself as a decent
Speaker 1: young man. Just out of thinking the rest of your trousers.
Speaker 1: I sketched in for you the outlines of the scene
Speaker 1: to be played by yourself as this Matt Dennant and
Speaker 1: a certain lady played by Miss Wendy Berry.
Speaker 3: Then I said good night. We went off the air tonight.
Speaker 3: My better instincts.
Speaker 1: Obliged me to admit that, while there were no misrepresentations of.
Speaker 3: Facts, my whole appeal was.
Speaker 1: Designed simply and frankly to lure you back to the
Speaker 1: Campbell Playoffs. Probably my choice of Hi spots will not
Speaker 1: be yours. Perhaps I have led you to expect something
Speaker 1: between an Hallwood Spots and a Drury Lane melodrama. If so,
Speaker 1: you will be pleasantly surprised, because John Goldsworth is a
Speaker 1: escape in spite of it faintly catch penny title and
Speaker 1: even abetted by certain elements of undeniable adventures, is a
Speaker 1: highly civilized high comedy. Indeed, in London theater audiences remember
Speaker 1: it for Nicholas Hannon's and Sir Jerrey Morier's death performances
Speaker 1: of Matt Dennis, and in New York, Lesley Howard made
Speaker 1: another of his very considerable successes in the same part.
Speaker 1: We shall strive to please, but you'll be glad to
Speaker 1: know that Wendy Berry has promised is here to help us.
Speaker 1: And now before escape and before Wendy Berry and est Chapels,
Speaker 1: mister Chapel.
Speaker 4: Thank you, orson Welles.
Speaker 1: If I were to ask each one of you to
Speaker 1: name aloud right now your favorite soup, and if I
Speaker 1: could hear your replies, I'm almost certain the soup that
Speaker 1: would top them all would be Campbell's Tomato Soup. The reason,
Speaker 1: of course, is the magic, matchless flavor of tomato soup,
Speaker 1: as Campbell's make it a flavor that speaks to have
Speaker 1: the appetite. Watch a hungry man enjoy to the last
Speaker 1: drop the racy flavor of this smooth blend of luscious tomatoes,
Speaker 1: delicate seasonings and fine table butter set a fragrant plateful
Speaker 1: of Campbell's Tomato soup before a tired appetite, and see
Speaker 1: its lively tang take hold of that appetite from the
Speaker 1: very first slip, and the way a child and a
Speaker 1: spoon and the bright glowing bowl of Campbell's tomato soup
Speaker 1: make friends is a delight to mothers. Indeed, because everybody
Speaker 1: from the youngest to the oldest in the family enjoys
Speaker 1: this soup so much, I'm tempted to call tomato, of
Speaker 1: all soups, the soup of the seven ages.
Speaker 3: It's always a happy choice for the main dish.
Speaker 1: At lunch or supper, a welcome beginning for the day's
Speaker 1: main meal. That's why Campbell's Tomato soup is the steady
Speaker 1: favorite with most families. The soup serves often and enjoyed.
Speaker 1: Always have it again soon, won't you? Perhaps tomorrow? And
Speaker 1: now our Campbell playoff's presentation of Escape with Wendy Berry
Speaker 1: and here is Dawson.
Speaker 3: Wells to set the scene.
Speaker 4: Our American version of The Golds where they play.
Speaker 3: The scene is New York.
Speaker 1: In New York, there's still a placer to where a
Speaker 1: civilized man can take his nightcap rather late it with
Speaker 1: leisure and without a flaw show. One of these is
Speaker 1: the grill room of the Plaza. Across from the Plaza
Speaker 1: the last of New York's almost extinct horse carriages, a
Speaker 1: brace of withering Victorias.
Speaker 4: Some of us still charter.
Speaker 1: These autumn nights when we'd like to take a girl
Speaker 1: around the park or smoke a pipe before turning. In
Speaker 1: the night of the Murderer, Matt Dennon found himself alone,
Speaker 1: and after a spot of something in the grill the
Speaker 1: pipes to smoke.
Speaker 3: And an urge to smoke it in the open air.
Speaker 1: He hired the dowdiest of these now the old Dowagers,
Speaker 1: and started off.
Speaker 3: That's where our story begins. Yes, were the everyone used
Speaker 3: to be. But I remember when I bought this there Elsie,
Speaker 3: the name.
Speaker 1: Alone there twenty eight years ago. That was you perhaply get.
Speaker 3: Through the park on a Sunday morning with a handsome
Speaker 3: the fla and the historic and on a night evening
Speaker 3: like good driver, Yes, will you tell me about the
Speaker 3: lake please?
Speaker 1: Thirday wore the wall. Yes. Nowadays you're lucky to get
Speaker 1: to ride a night whoa, oh, I have it once
Speaker 1: for a few steady customers like you, mister Dennant. Then
Speaker 1: that's fund of her.
Speaker 4: Thanks.
Speaker 3: Here you are get nositer dinner. Yes, I think I'll
Speaker 3: walk from here.
Speaker 2: In this part of the park at night.
Speaker 3: Sure, what's wrong with that?
Speaker 1: Okay?
Speaker 3: Good night at the dinner and then good.
Speaker 1: Night up.
Speaker 3: There? You let stay around?
Speaker 1: Hello? Hello? Is that a life?
Speaker 5: Oh?
Speaker 3: I'm sorry, I think so? Yeah?
Speaker 5: Nice, I've been holding a cigarette for a half an.
Speaker 6: Hour, won't one?
Speaker 1: No?
Speaker 3: Thanks? I have a pipe? Oh that's right, I didn't
Speaker 3: know it. I sad thirthing? Are you sure?
Speaker 2: Sometimes?
Speaker 5: I know where you've been today?
Speaker 1: Yes, you've been to the track.
Speaker 3: How'd you know that?
Speaker 5: Down on the bench? Here'll ten you alright?
Speaker 3: Well, how easy?
Speaker 5: There's a racing form in your pocket and you got
Speaker 5: few glasses.
Speaker 1: I had to make up.
Speaker 3: Fella took me to goalie last year for the previous
Speaker 3: Did you have a mother? And it shouldn't?
Speaker 1: Right? Beautiful?
Speaker 3: Not beautiful things in the world more beautiful than women,
Speaker 3: I think so present company accepted. Of course.
Speaker 1: Thanks.
Speaker 3: You mean that as much as I mean a lot
Speaker 3: of things.
Speaker 4: You learned to say a lot of things about.
Speaker 3: Women and horses.
Speaker 4: You don't like women, do you unreliable.
Speaker 3: Compared to horses.
Speaker 4: Not so much spirits.
Speaker 3: Thanks, of course, there's nothing wilder than the wild horse.
Speaker 4: Used to break them out west?
Speaker 1: What about a wild woman? Women have an excuse of horses,
Speaker 1: they've been telling ever since Eve gave at him his coffee.
Speaker 3: I guess I've been getting a lot.
Speaker 5: What's your hurry?
Speaker 3: I don't want to take up too much of good time?
Speaker 3: So on, Well, thanks for the life.
Speaker 5: I'll be asking you again sometimes maybe if you have.
Speaker 3: To feel like giving me a ring?
Speaker 2: It's my phone number, I see it.
Speaker 1: What's a man?
Speaker 6: Doesn't you like me?
Speaker 1: I'm sure I do? Why the rush?
Speaker 5: Say?
Speaker 3: Aren't you scared? Sometime you will ask the wrong guy
Speaker 3: for a light?
Speaker 6: Sure, I'm scared.
Speaker 1: What am I gonna do about it?
Speaker 3: That's right? What do you do?
Speaker 5: Horset?
Speaker 3: I used to, but now just walking around.
Speaker 2: That money's around?
Speaker 6: If I had money, do you know what i'd do?
Speaker 3: Get rid of it fast? That's just what I wouldn't do.
Speaker 2: Oh, I was used to talking.
Speaker 3: I didn't mean to hurt you.
Speaker 1: Just give me the guy the choice every time.
Speaker 6: He doesn't hurt half so much?
Speaker 3: What the whole business?
Speaker 4: But I'm mansterious now about the human race.
Speaker 3: Give me horses and dogs anytime. I got a cat person?
Speaker 1: Sorry of me, she's a beauty.
Speaker 5: Why don't you come out with sims?
Speaker 1: No thanks, I'd better at getting along all right?
Speaker 3: Go ahead, don't be angry and eye on the point.
Speaker 3: Good night.
Speaker 5: Yeah that's Molly to make sure.
Speaker 3: Take my word for it quite a minute.
Speaker 5: Hey, don't go to the past.
Speaker 1: Maybe I'm going your way too.
Speaker 3: Why you're not going to any place?
Speaker 1: No?
Speaker 2: Who says so I do?
Speaker 5: No, I ain't done nothing.
Speaker 3: I was only talking to a friend of mine anyway.
Speaker 5: Spoke to me first, ask himthey didn't you?
Speaker 3: Ted? You your take?
Speaker 5: Ted? I didn't bother you, mister?
Speaker 1: Did I?
Speaker 5: You talk to me because you wanted to, didn't you?
Speaker 1: Yes? This is cood, sure I did. It's got approach you.
Speaker 1: I saw it. Sit in here when you come by?
Speaker 4: Who are you take?
Speaker 1: You? Murphy's funny? Tell me? Please think I'm watching this
Speaker 1: woman for some time now. Here's the first time I've
Speaker 1: seen her.
Speaker 3: I don't know about the other time. So to be
Speaker 3: wrong about this, I spoke to it my own accord.
Speaker 1: Well I know that's a lie.
Speaker 3: It does the matter. Can't two people talk together I'm
Speaker 3: making no complaints. Look messy, you keep your eyes out
Speaker 3: of this.
Speaker 1: I know what I'm doing. I got my orders. It's
Speaker 1: the third time I watched her, that's all lie. I've
Speaker 1: never seen them in my life. I've seen you said.
Speaker 1: They're plenty. So come on, get gone.
Speaker 3: I have to go off on your way.
Speaker 4: Wise god, run you into let me, let it go.
Speaker 1: You want to come it on too? Huh? I like
Speaker 1: you at what I'm gonna have a little company. I
Speaker 1: actually let you go.
Speaker 3: I have to do it for you went off with
Speaker 3: her hand had up out of you. You need to
Speaker 3: live another there.
Speaker 1: You brought that black jack drp it hit him to
Speaker 1: show you are gonna make her go.
Speaker 3: Don't hit him?
Speaker 1: Done hit him?
Speaker 2: You shoot me?
Speaker 5: Done that?
Speaker 4: Go on now better beat it?
Speaker 3: Break comes to nobody, run go on, run Look at him.
Speaker 3: I know I hit him hard, sure you did.
Speaker 2: But look at his head.
Speaker 1: He hit his head on the railing.
Speaker 3: Railing here.
Speaker 5: Say that, copt will look right to me.
Speaker 3: What do you mean?
Speaker 1: Look at his head?
Speaker 3: Come on, let's get out of here before they come.
Speaker 3: Oh yeah, take us. I get the water to the fountain,
Speaker 3: Come on, so body go on get some water. Hey,
Speaker 3: look out, there's somebody coming. You better go. What about
Speaker 3: your wand do as I say? Run for it quickly?
Speaker 1: Right, good luck?
Speaker 2: That's yours.
Speaker 3: Hey, what's going on here? Give me that life?
Speaker 1: It's a mersey. He's hot cold? Yeah, hey, phebe's hart.
Speaker 1: I'm afraid here his head? H who are you?
Speaker 3: What are you doing here? He had an argument. I
Speaker 3: hit him. He selling hit his head on the railing.
Speaker 3: I'll say that. What's your name, Matt Dennis? You say
Speaker 3: you hit him?
Speaker 1: That's right, Ryan, put in the car, the headquarters, but
Speaker 1: the dinner you come along with me?
Speaker 3: Okay, m sure, sure I hit him. I didn't kill him, though,
Speaker 3: with a railing that killed him. They gave me five
Speaker 3: years for the railing. Five years. Yeah, manslaughter, cap Lucky
Speaker 3: you didn't burn town.
Speaker 1: If a girl had saved me, she hadn't turned up
Speaker 1: to trial and supported my story.
Speaker 3: Yeah, that was a break. That kind of a dame
Speaker 3: don off and stick a neck out like that?
Speaker 1: How much more time you got to do? Three years?
Speaker 3: Three years of.
Speaker 1: Making shoes and hoeing potatoes. I never did like potatoes.
Speaker 3: He had kind of a high toned guy. It's high toned.
Speaker 3: I don't know. I was thrown out of college and
Speaker 3: I objected being spoken to.
Speaker 7: Like a dog.
Speaker 3: If that's what you mean by it, it's no matter
Speaker 3: at the school. Just crossed the fence. Then you can't
Speaker 3: see us be far.
Speaker 1: That's starting from here.
Speaker 3: Five kipping sickond Yeah, I think it will last this
Speaker 3: time of year. Yeah, they'd be round us up at
Speaker 3: a minute. You see it.
Speaker 1: They know it's fogging. Rain makes them nervous. That's when
Speaker 1: the boys make the breaks.
Speaker 3: Breaks, they say. No one ever gets away from this.
Speaker 1: Maybe not.
Speaker 3: It's just done some good trying here. I wonder.
Speaker 1: I'm say I'd like a try.
Speaker 3: A break, And why don't you do it now? Not alone?
Speaker 1: You gotta have clothes, money and a can, friends on
Speaker 1: the outside eating. Then they get you.
Speaker 7: I don't know.
Speaker 3: Once you get going, kid yourself, brother, it can't be done.
Speaker 3: Here's the screw again.
Speaker 1: Oh h look at us hair. Here's a nice big spot,
Speaker 1: nice cower, aestate working. When you finish that roll, line
Speaker 1: up with the rest of them on the road. Why
Speaker 1: are you hear me?
Speaker 3: Okay, wait, get it, thanks, do and get gone?
Speaker 1: Nice? Kay?
Speaker 3: Wonder putting mister bed Alley tonight like a dog. Three
Speaker 3: more years of it like a dog.
Speaker 2: They ain't said, there's the fog in the rain.
Speaker 3: That's what it take some nervous. When a man's nervous,
Speaker 3: they get used to it. Yeah, well I can't get
Speaker 3: used to us.
Speaker 1: Right, ah, right, And it touches you high tone guys,
Speaker 1: angie and used the way it was.
Speaker 3: Brought out, and.
Speaker 1: Listen less have a straw over the left about three
Speaker 1: miles and us today not a five and Iaknaq was
Speaker 1: not a twelve. And it's tough going all the way.
Speaker 3: Good, don't do it, buddy, you haven't got a chance.
Speaker 3: The only thing you get in this land in the
Speaker 3: case alone.
Speaker 1: And it's better than this.
Speaker 3: And after they pick you up, it's bread and water
Speaker 3: in solitary for three months. But to try. They don't
Speaker 3: have any dog here.
Speaker 1: Do they now?
Speaker 3: But they get a school between him and a war
Speaker 3: with a gun about the war.
Speaker 1: But fifty yards did one hundred school and century yeah,
Speaker 1: and not out that you didn't look at a nuts tow.
Speaker 3: Let's school plug you before you can count five. They
Speaker 3: can see in a dark damn guy, nice quick slug
Speaker 3: in the back. Well, at least better be a change.
Speaker 1: Well, that's the.
Speaker 3: Way you feel about it to get over the wharf,
Speaker 3: stake to the main road and keep going.
Speaker 1: And this far will have to take us back before
Speaker 1: they start after you. There's some woods about a mile
Speaker 1: down the road on the left.
Speaker 3: Your safe, dad. It'll be dark in an hour. Thinks
Speaker 3: we lived on raw potato.
Speaker 1: And I'm gonna try to here.
Speaker 3: Take this order the piece of bread I say today. Thanks,
Speaker 3: hope you'll make it.
Speaker 1: Wishell's going.
Speaker 3: I think I think that's okay.
Speaker 1: I'll turn you out the other way.
Speaker 3: And start counting. When you get to twelve, I won't
Speaker 3: be here.
Speaker 1: And uh.
Speaker 3: Give my love to the ward and.
Speaker 1: Hollo M.
Speaker 3: One two.
Speaker 6: Three fine lake seven say nine.
Speaker 2: Ten.
Speaker 5: Eleven, sineteen, fourteen, fifteen, sixteenth, seventeen morning ma'am eighteen nineteen
Speaker 5: giving the mat of man twenty twenty one. Other thing
Speaker 5: I brought your aunt juth ma'am twenty two, Thank you,
Speaker 5: twenty three, twenty four, twenty five, twenty six, twenty seven,
Speaker 5: twenty eight, twenty ninety thirty.
Speaker 3: That's better.
Speaker 2: Are you sure there's nothing the matter?
Speaker 3: Ma'am just said a nightmare.
Speaker 5: I dreamt it was a man in my room. Until nightmare.
Speaker 5: I always come up the city to make sure I'm awake,
Speaker 5: So I brought the curtains.
Speaker 3: Ma'am.
Speaker 5: Please, Ellen, what sort of the days? I start the
Speaker 5: saying of yesterday, ma'am it's so foggy and rain and yeah,
Speaker 5: you know that's fundy for the state.
Speaker 2: They haven't caught him yet. Oh exciting, been out almost.
Speaker 4: Two days now. You know who he is within the papers.
Speaker 5: He's the one that killed a detective in Central Park
Speaker 5: three years ago. Remember the playboy killer, the one that made.
Speaker 2: Such a fuss Denmont, Yeah, that was his name.
Speaker 5: Who it might have been worth? I should thinking Weather.
Speaker 5: I guess you wouldn't have any trouble keeping.
Speaker 1: Away from the police. Yeah, but he's got to eat.
Speaker 5: And get closed, don'ty. And when he's consent for that,
Speaker 5: that's when they'll catch him.
Speaker 2: I'll close the window, ma'am. I suppose I have to
Speaker 2: get up.
Speaker 3: Oh, it's over with.
Speaker 5: He can't ride a fish, can't even go walking.
Speaker 2: Ellen, Yes, ma'am.
Speaker 5: Oh, Ellen, shall I get up?
Speaker 2: Or should I stay in bed all day? Yes?
Speaker 3: Did you please?
Speaker 2: Ma'am?
Speaker 5: Says I better get up, so I'm run the bat
Speaker 5: on there? Yeah, and hand me that dressing gun with him,
Speaker 5: the one on a chair.
Speaker 3: There has run like an ice house.
Speaker 5: Here are ma'am.
Speaker 3: Thanks, sorry, ma'am boy not very hot this morning.
Speaker 5: How I've settled it. I'll not take a cold out. Yes, ma'am, Ellen,
Speaker 5: you go right down and find out what's the matter?
Speaker 5: When the waters?
Speaker 3: How?
Speaker 1: You call me?
Speaker 3: Yes, ma'am.
Speaker 5: Until then, I'm.
Speaker 2: Saying right here in bed, yes, ma'am.
Speaker 3: A day.
Speaker 5: Hey, Hey, what's going on there under my bed?
Speaker 3: Oh?
Speaker 1: Shure, there's better than them?
Speaker 3: Yes, one, two, three, four, five, six, seven, eight times?
Speaker 3: Everything's all right?
Speaker 5: Ten eleven, twelve, thirteen, fourteen sixty.
Speaker 3: What are you doing in my room? I'm terribly sorry,
Speaker 3: I'm eighteen ninety quiet. I wonder if you'd mind very
Speaker 3: much speaking Peanis I know who you are? Yeah? That's right?
Speaker 1: How did you get in through the window? Ben?
Speaker 3: Under the bed?
Speaker 1: Frowers?
Speaker 3: I'm sorry? How was I to know it was a lady?
Speaker 5: Because I don't know?
Speaker 3: That's not an infallible test of sex. I didn't either.
Speaker 3: You'd have heard me you say you went to sleep
Speaker 3: under my bed?
Speaker 4: Or quite sound of course?
Speaker 3: If i'd know, really, well, aren't you going?
Speaker 1: I'd like to But where?
Speaker 2: Really?
Speaker 1: I can't look at me Where.
Speaker 3: Can I go in these clothes?
Speaker 2: The strips? Yeah, that's right.
Speaker 1: Do you expect me to lend you some hardly? I
Speaker 1: would be eternally grateful if you'd give me something to eat, anything,
Speaker 1: some candy on the table?
Speaker 5: I have one.
Speaker 1: You know you've got quite a nerve.
Speaker 5: I'll turn you over to the police. I could do it,
Speaker 5: you know, just by ringing yoursell.
Speaker 3: Of course you could. But then I don't think you will.
Speaker 1: No.
Speaker 3: No, I know who you are. Your name's in the paper.
Speaker 5: Now, look, do you really like my position?
Speaker 1: Sorry?
Speaker 3: I'm afraid I only realized my own.
Speaker 5: What am I going to do? Suppose I don't hand
Speaker 5: you over? How are you going to get out of
Speaker 5: here without being seen?
Speaker 1: Mind? If I finished the candy, very good, I've been
Speaker 1: forty hours.
Speaker 3: On two raw potatoes and a piece of bread mine.
Speaker 1: If my parmits a water, what are you doing?
Speaker 2: Nothing?
Speaker 3: I should go over it so quick?
Speaker 5: Aren't know I didn't signify?
Speaker 1: Well?
Speaker 3: Well of you must know I put my things into
Speaker 3: a draw.
Speaker 1: It's runs all.
Speaker 3: Do you know that you're only three miles from the prison. Yeah,
Speaker 3: I do, I do.
Speaker 1: The first night I thought i'd get to have a straw,
Speaker 1: but I walked around in circles, I.
Speaker 3: Say, is that a raison?
Speaker 2: I underwashed?
Speaker 5: If my husband I've known you dare touch it, I've tawd.
Speaker 1: There's a limit, you know.
Speaker 5: I'm not going to hand you a weapon, of.
Speaker 4: Course, not that you wouldn't mind if I shaved?
Speaker 5: Would you with this?
Speaker 3: I haven't a chance even if I did have clothes.
Speaker 3: I'm a very quick shait.
Speaker 1: It hits me one minute, I'll oh, I go ahead?
Speaker 1: Does his brushing is soaky? I'm sorry? There's no hot water?
Speaker 4: The hell?
Speaker 5: Have they come close to catching you yet?
Speaker 1: That's why.
Speaker 3: Twenty feet of the hall the human there's nothing so
Speaker 3: awful as a shade like I'm sorry, that's of course
Speaker 3: not having it. Can I use this to take the
Speaker 3: blue one? Thanks? Huh? That's why I have put on
Speaker 3: my shoes out of the bed. Go ahead, Thank you
Speaker 3: so much?
Speaker 5: So you actually touched under my bed?
Speaker 3: I did.
Speaker 1: Well, that's amazing, amazing it will be if I got away.
Speaker 4: No one ever has you know from that place?
Speaker 5: Tell me, mister Genals, weren't you todd with my brother?
Speaker 5: He used to talk about him at Genals who did
Speaker 5: one hundred yard dashing ten three?
Speaker 3: Quite like that. I was the Todd with a lot
Speaker 3: of brothers. What is his name? So now I can't
Speaker 3: hill that. You're right.
Speaker 1: Never tell a convict anything he can tell anybody else. Why?
Speaker 1: Really don't see what else I can do to help you.
Speaker 3: I don't know either.
Speaker 5: I read your trial.
Speaker 1: Is everything you said true gospel.
Speaker 2: I suppose the police do keep it after those girls.
Speaker 1: No wonder you lost your temper?
Speaker 3: No I didn't. I wasn't really angry with him. I
Speaker 3: hit him.
Speaker 1: I'm sorry enough with the poor guy. O, mister Jannet,
Speaker 1: Watch what happens now.
Speaker 3: You've been very kind. I don't want to impose on
Speaker 3: you anymore than I have to. But you know I'll
Speaker 3: never get out of here this way. Take a look
Speaker 3: out of the window. See that man down there is
Speaker 3: the police.
Speaker 5: Oh I could signal to him.
Speaker 3: Just not so easy, good.
Speaker 1: Night, good night.
Speaker 3: You wouldn't. People don't give away their own kind.
Speaker 5: No, go try down to the other room, to this space.
Speaker 2: Try the couple next towards to me.
Speaker 3: Yes, no, no, thanks, not right now? Do you think
Speaker 3: she had it? I hope not. Well thanks again. You
Speaker 3: don't know how to swear. It's been out to two
Speaker 3: years in jail to talk to a lady. I won't
Speaker 3: leave any traces.
Speaker 2: What are you going to do?
Speaker 3: Wait till the gent downstairs and looking the other way,
Speaker 3: sneak along your dualk and they drop down at the
Speaker 3: end of it and run through it again. It's still
Speaker 3: an pretty fair. I wasn't so stipid.
Speaker 1: Oh no, I look here.
Speaker 5: When I go to my bus, I'm make sure as
Speaker 5: no one in the hall. If I don't come back,
Speaker 5: go to un the stairs.
Speaker 3: Hanging by the door.
Speaker 5: You'll find my husband's raincoats, a long tweed run the stains,
Speaker 5: and a fishing run in the basket. And I'm all
Speaker 5: half a slide with p some morning.
Speaker 1: Go out the front door.
Speaker 5: The river's down to the left.
Speaker 1: Can you fish?
Speaker 3: Yes?
Speaker 2: Oh?
Speaker 3: Are you better?
Speaker 1: Then I won't be able to see you.
Speaker 5: But if you get by safely, whistle whistle the ladies
Speaker 5: in love with you?
Speaker 3: Do you know it? You know?
Speaker 6: But sure?
Speaker 3: He used to hear it in jail on the radio.
Speaker 3: I can't thank you enough. I think you're wonderful.
Speaker 2: Good luck. I'm gonna wait here, take a desk.
Speaker 5: If you see anyone looking at you, drink.
Speaker 3: Nothing gives people more confident than the land and to
Speaker 3: see him take a drink? Right, what are you going
Speaker 3: to say to your husband?
Speaker 1: Uh?
Speaker 3: Yeah, well I'll worry about that when he comes home.
Speaker 5: Oh oh, and here's ten dollars. It's all I've got
Speaker 5: with me.
Speaker 3: You know, I think you're sublime.
Speaker 2: I doubt it.
Speaker 3: If I'm caught, I'll swear I stole everything. If I
Speaker 3: get out of this frug get it, I get behind
Speaker 3: the doornot.
Speaker 2: Here we go, all right, the coach's care.
Speaker 1: Oh luis get back?
Speaker 5: She comes to me, Era, Yes, ma'am, would you mind
Speaker 5: getting me the dress I sent down to.
Speaker 2: Be pressed last night? Yes, ma'am. Is your husband back, ma'am?
Speaker 1: No?
Speaker 2: Why?
Speaker 4: Oh?
Speaker 3: I thought I had to talk.
Speaker 5: And oh I wasn't talking to anyone, Ellen, just counting,
Speaker 5: just counting to myself. All right, ma'am, I'll get the dress.
Speaker 2: Now. That's the very one, isn't it sad?
Speaker 1: That's right?
Speaker 5: Ellen, Very well, ma'am.
Speaker 1: This is getting a little hectic.
Speaker 5: Now go on quick, and when you get into the
Speaker 5: streets safely.
Speaker 1: Don't forget to whistle.
Speaker 3: Oh I won't.
Speaker 2: Goodbye, goodbye, that's good.
Speaker 1: Good afternoon.
Speaker 3: Oh hello, my an advice it here a while?
Speaker 1: Are you paish uncan. My name's Underwood, Judge Underwood.
Speaker 3: I'm retired. How do you do? Say? Too well for you?
Speaker 4: I'm afraid it's a bit bright now. Yes, for fishing,
Speaker 4: I mean, yes, they're.
Speaker 1: Seating in the world, our local croud, except maybe the
Speaker 1: Blue Croud out in Washington see one, two eight of them.
Speaker 1: Ay and delicious with butter and potatoes.
Speaker 3: I'll see Paugy this morning, wasn't it.
Speaker 1: There's quite a lot of these polls here in the valley.
Speaker 4: Only good for convicts and escape.
Speaker 3: You mean, but they never get away? I believe, no,
Speaker 3: so I'm told.
Speaker 1: But they try, you know, they do try, and always
Speaker 1: wanted what I'd do if I bumped into an escaped convict. Yes,
Speaker 1: you'd have quite a problem, there, wouldn't you? Out between
Speaker 1: the law and one's didn't prints as a gentleman. If
Speaker 1: it's a gentleman, like a whole conversation with a felon.
Speaker 4: What do you think?
Speaker 1: It seems to me anyone who tries to escape must
Speaker 1: have a lot of nerves.
Speaker 3: It's taking a long chance.
Speaker 1: Yes, I don't envy him. This is getting to be
Speaker 1: a pretty law abiding country these days. Evading the law
Speaker 1: isn't quite the glamorous thing.
Speaker 3: It used to be.
Speaker 1: Someone's probably appeal to me. I've done some escaping. My
Speaker 1: soul was that songs from school when I was.
Speaker 3: A boy ran away. That's right. I was ahead of
Speaker 3: them for two days before they caught up.
Speaker 1: Two days. Very interesting, good.
Speaker 3: Way to lose weight. Ever been on a raw potato?
Speaker 2: Dat?
Speaker 3: By the way, I hear convict go way Melsworth this
Speaker 3: day before yesterday? Yes, I saw that.
Speaker 4: Yes, well the name of Matt Dennis. I really scaped
Speaker 4: the time.
Speaker 1: Very interesting. I strike you don't believe I remember it?
Speaker 1: What that central part case? Oh?
Speaker 3: Yes, there was some girl they were trying to wrist.
Speaker 3: You know, in a case like that, they might wait
Speaker 3: till someone complain, don't you think.
Speaker 1: Well, technically, I suppose the detective were doing his duty,
Speaker 1: and yet in those cases there's always an element of doubt.
Speaker 3: The young man didn't complain.
Speaker 1: I think you have to remember father. I remember it
Speaker 1: said that he and the girl were having an intellectual conversation.
Speaker 3: That's right.
Speaker 4: I remember that as Segt.
Speaker 3: Thanks, I've got into a bad habit of coming out
Speaker 3: without the back home that thanks.
Speaker 1: As suppos one might run into that convict fellow in
Speaker 1: a minute, unless they've caught him.
Speaker 3: Do you a little like meeting a copperhead? We got
Speaker 3: a lot of them around here. Poor thing only wants
Speaker 3: to get away from you, And.
Speaker 1: Yet if you don't break us back into one, it'll
Speaker 1: bite something. I had two dogs die of snake mine.
Speaker 1: So it's a duty, perhaps, do you think so, Tody?
Speaker 1: Probably I don't always do mine?
Speaker 3: Oh don't you?
Speaker 1: Well, I'm glad of that need to do.
Speaker 3: I do you know that prison he got away from
Speaker 3: the dreary, sir, PRIs from the outside. I mean that
Speaker 3: was worth Yes, I know.
Speaker 1: And the fact is I've had the misfortune to send
Speaker 1: a good many people to prison in my time, And
Speaker 1: in those days I made a point of seeing a
Speaker 1: prison now and then, I remember I used to give
Speaker 1: my juries a past to go and see where they
Speaker 1: sent their fellow human beings. And out of a lot,
Speaker 1: how many do you think I had the curiosity? None?
Speaker 4: How'd you get.
Speaker 3: Who'd want to go into a prison?
Speaker 1: I just assume visit the more the bodies there aren't living. Anyway,
Speaker 1: you tell me, prisons are much improved nowadays. They've introduced
Speaker 1: a human feeling, have they splendid.
Speaker 4: What was the date of that? I mean, they don't
Speaker 4: shave their heads anymore?
Speaker 3: You know any convicts?
Speaker 4: I no, Well, yes, I know one?
Speaker 1: Really is he interesting?
Speaker 3: The most interesting man I know.
Speaker 1: And tell me suppose this man we were talking about
Speaker 1: this escape country suddenly it turned up here.
Speaker 3: What would you do? Run like a hare?
Speaker 4: Yes, I suppose it would depend.
Speaker 1: Partly on whether anyone else was around. Human nature is
Speaker 1: very sensitive. Do you like the climate? Hudson Valley has.
Speaker 4: Quite a reputation, overrated.
Speaker 3: I think been here before.
Speaker 1: No, this is my first business staying long, I hope
Speaker 1: not beautiful spot Lassy Point.
Speaker 3: I liked it better for up the river. Well, I
Speaker 3: think our call of the day anything wrong. You're not here,
Speaker 3: are you?
Speaker 1: I'm afraid I'll have to abandon the excellency guy who
Speaker 1: gave me. I've enjoyed it, but I'm.
Speaker 3: Smoking on a rather empty stumble.
Speaker 4: Oh yes, I know, best feeling.
Speaker 1: I got it one step before I was to speak
Speaker 1: at some sort of testimonial dinner. Tobacco must be one
Speaker 1: of the things you really miss in prison. And as
Speaker 1: I suppose, they get tobacco now and then though empty
Speaker 1: stomach too, I guess Yes.
Speaker 3: Here's another cigar. Try it later after you've eaten. I will,
Speaker 3: but you're passing my back. Thanks really going.
Speaker 4: Eh where I must be getting onto? It's been very pleasant.
Speaker 1: I have enjoyed our little talk. My time of life,
Speaker 1: one doesn't often get new sensation.
Speaker 3: What heaven have I given you any well?
Speaker 1: I don't remember ever having talked before to a man
Speaker 1: who'd escaped from school.
Speaker 3: Goodbye, sir, goodbye mister Dennant.
Speaker 1: Huh. I hope you have a pleasant journey, especially because
Speaker 1: no one seems to have noticed.
Speaker 3: The real chat. Would you mind telling me how you
Speaker 3: spotted me?
Speaker 4: Oh where you kept looking at your trout? Wopeishly, I
Speaker 4: think that's the word.
Speaker 1: Then, if you'll excuse me those type of trousers of
Speaker 1: yours that cotally goes so far down you know, I
Speaker 1: guess I hope you'd think I was the lead a.
Speaker 3: Fashion and there was another.
Speaker 1: Thing you're obvious sympathy for yourself.
Speaker 3: Yeah, that's a prison habit.
Speaker 1: You're not allowed to sympathize with other people for fear
Speaker 1: of contaminating them.
Speaker 3: So you sympathize with yourself. Before I got stand up,
Speaker 3: I don't remember ever feeling sorry for myself. Now, I
Speaker 3: doubt if I ever feel sorry for anyone else.
Speaker 4: It's very natural.
Speaker 3: Well, it's been most interesting because.
Speaker 1: Now you see, if I were to meet an escape convict,
Speaker 1: I know what I should do. Do you mind if
Speaker 1: I ask, well, mister Demmont, this time I say, this time,
Speaker 1: I wink the other eye. It's a good day, you,
Speaker 1: good day, thanks.
Speaker 3: From you. The moment I feel quite human again. You
Speaker 3: know that's been rather the effect on me.
Speaker 1: Well, good day. This is radio at ninety point seven
Speaker 1: w FVSM, New York. If you are listening to the
Speaker 1: Campbell Playoffs presentation of Escape, Starry Watson Wells.
Speaker 3: And Wendy Bardy. This is the Columbia Broadcasting System.
Speaker 1: LID to Ernest Chapel, Ladies and gentlemen, welcoming you back
Speaker 1: to the Campbell Playhouse. In a moment, we will resume
Speaker 1: our presentation of Escape for just a moment. Now I'd
Speaker 1: like to talk about another kind of escape, I mean,
Speaker 1: the happy escape for mother from so many of the
Speaker 1: labors of the kitchen. Time was, and it was only
Speaker 1: yesterday when Mother all but lived in the kitchen. She
Speaker 1: had to do so in order that her family might
Speaker 1: have tempting and wholesome dishes. Soup making in particular was
Speaker 1: a long and tedious family need, and so she patiently
Speaker 1: devoted herself to her soup kettle. Today times have changed,
Speaker 1: the home soup kettle is more and more going the
Speaker 1: way of the candle mold and the spinning wheel.
Speaker 3: As women everywhere have tried.
Speaker 1: Campbell's soups, They've tasted these soups of candles and realized
Speaker 1: that they are indeed made the true homeway, delicious and
Speaker 1: wholesome and nourishing. Women have watched their families enjoy them,
Speaker 1: and they've heard their husbands say, there's just.
Speaker 3: No sense either are going to all the bother of
Speaker 3: making soup anymore, not when.
Speaker 1: We can buy such fine soups disease. And so I'd
Speaker 1: like to invite you, if you haven't already done so,
Speaker 1: to try some of the twenty one tempting Campbell soups. Try,
Speaker 1: for instance, Campbell's Chicken Soup for its rich chicken flavor.
Speaker 1: Or try Campbell's Vegetable Soup with its hearty beef stock
Speaker 1: and fifteen different garden vegetables if you will. I'm pretty
Speaker 1: sure that when your family tastes.
Speaker 4: Them, they'll say to you too.
Speaker 1: Let's have these soups of Campbell's right along. Now we
Speaker 1: resume our Campbell playoffs. Presentation of escape starting Orson Welles
Speaker 1: and Wendy Very, Matt.
Speaker 3: Dennis, Matt Dennis be on lookout for Matt Dennis's age
Speaker 3: twenty eight fight five eleven inches serving five year cent
Speaker 3: or second degree murders.
Speaker 1: Escape from Elsworth's Christon Farm, October thirteenth, reported.
Speaker 3: Last night off Highway number nine w leave heading south.
Speaker 3: What last scene wearing gray raincoat, gray felt.
Speaker 1: Hats, no trousers. All right, so it cleared up my
Speaker 1: narrow thought cleared up. I made a mistake, So.
Speaker 5: So it's cleared up. So maybe as it did, you
Speaker 5: wouldn't be so smart about the climate.
Speaker 3: It's rain to rain, and you missus spotty.
Speaker 1: You'll never makes mistakes.
Speaker 5: I don't suppose you gotta have arguments here.
Speaker 2: Too all the time. Just because you're married.
Speaker 1: I don't mean you got a legal right. People are
Speaker 1: already mama, certainly. So now we're here, we're having effect making.
Speaker 1: Everything that's nice. Certainly, I think smart. Everything's very nice.
Speaker 1: I sure was hungry they to sell it there, y'all
Speaker 1: even help yourself so he please everybody remember it's free,
Speaker 1: restlessend for nothing, enjoying yourself.
Speaker 3: Oh, Jess, take for Deighton next, I mean special for
Speaker 3: your digitious cake.
Speaker 5: Say, I think you brought your clarinet?
Speaker 1: Oh I got up?
Speaker 3: Yeah, give a two.
Speaker 1: I think makes a little level in the party.
Speaker 5: Yeah.
Speaker 1: How about the when you played the other night?
Speaker 5: It's Spanish?
Speaker 1: Is something Spanish?
Speaker 2: Yeah?
Speaker 3: I know how this is going.
Speaker 1: Lamping the last some moments pop place catchall see that.
Speaker 1: I'm thinking you could thinking, but I know how it's going.
Speaker 1: And they that technical give you exact lamp hind impersona release.
Speaker 1: I know the song gets Rancho Grandel, right, go ahead,
Speaker 1: play somebody's coming. Hello, that's no good absolute.
Speaker 3: I wonder if you could put me right for Nayak,
Speaker 3: I think you've.
Speaker 1: Got lost nayank. Oh that's some high body. That must
Speaker 1: be about ten miles fifteenth that parson. Yeah, are sure
Speaker 1: you'll see your ghost out full Pearl river? You want
Speaker 1: to stand or may you walk the hell and through
Speaker 1: the left and you will see the Farnes. Maybe if
Speaker 1: you're wait a while, would give you a west No thanks,
Speaker 1: I like the exercise them. Uhhon my question profession trout
Speaker 1: I mean luck he t rather small.
Speaker 4: Here they are on the basket.
Speaker 5: Oh, I didn't mean that.
Speaker 1: Don't refuse Brodie.
Speaker 4: This is an insult.
Speaker 6: That's very nice to you.
Speaker 1: Mister certainly is thanks.
Speaker 5: Hey, you give me the newspaper serving on wrapping up here?
Speaker 2: You want want thanks?
Speaker 3: That's all right, I let it all. Roddy cut up
Speaker 3: and I atternoon, didn't it? You drive a.
Speaker 1: Spring volley even he's rolled his boyfriend.
Speaker 3: He put that in his machine.
Speaker 1: He's got relations you know anything? I have an escaped
Speaker 1: convict of scape fun. I sure thing I told you
Speaker 1: about it this morning.
Speaker 2: You remember I was speaking to your USh.
Speaker 3: He got away on the fog the night before left.
Speaker 3: I'm sure. Do you know what it reminds me?
Speaker 5: Yes, like in the movie I saw with Georgie Rats
Speaker 5: where he comes into the bedroom, you know, and then
Speaker 5: you see your hand come right.
Speaker 2: Over the pillow that I can't say.
Speaker 1: Maybe it's hearing the taper there about him.
Speaker 3: Move the fishal and give a look.
Speaker 1: I score set from the paper.
Speaker 2: Pop.
Speaker 1: Can't I tell you about it this morning? Postal number
Speaker 1: ESTEFI here fella from park? Have you the one who
Speaker 1: killed the top or centcal Park? Won't your number, Pop
Speaker 1: to play boy killer everything. He knows everything you know,
Speaker 1: for he's got mentioning the weather or the produce. Never mind, Pop,
Speaker 1: never mind. I'm a policeman. I had the cups in
Speaker 1: the state I have to have right now. So let
Speaker 1: him look, and I hope they'll catch him. There's no good.
Speaker 3: I thought he had some tough luck, you know, so.
Speaker 1: That stuff he hits the detective, he boisted his head
Speaker 1: and he killed him. So then if he come out
Speaker 1: to catch him, pathet, I found it was a quarrel.
Speaker 1: The man made no attempt to a vadeerestracides, and the
Speaker 1: detective said he hit his head on a radiar, and
Speaker 1: the doctor said he died of concussion concussion. And if
Speaker 1: I would have been but judge, I would have governed
Speaker 1: m Pop solue.
Speaker 3: For they are already is a judge now.
Speaker 1: He only got out to get you with society stopsolutely,
Speaker 1: you understand, party. The whole thing is where the social struck.
Speaker 3: If I'm sure a car out there on the road, sure.
Speaker 1: Rose, buddy, how.
Speaker 3: Does she run ops?
Speaker 1: For like twice? What you believe, mister, that I could
Speaker 1: take you on places on that machine, But have your
Speaker 1: big cars wouldn't even get you in there? Nice mechanics,
Speaker 1: I mechanic?
Speaker 3: He is that a charge?
Speaker 1: I also say it. Listen, come on, everybody here, all right?
Speaker 1: Place pop, never mind.
Speaker 3: And I hope you enjoyed the fish.
Speaker 1: You're sure you want to? Forgive you a wap? No thanks.
Speaker 3: And thanks for the.
Speaker 1: Follow it charming my shongfellows, A nice boys, a nice
Speaker 1: young man.
Speaker 3: The cheers. Please, how did you see what he did?
Speaker 3: Did you please to pet me the cheese?
Speaker 1: But how did you see what he did?
Speaker 2: All right?
Speaker 5: Then?
Speaker 1: What did he did?
Speaker 3: He snicked some of the food.
Speaker 1: He sneakeed some of this food. Why would a man
Speaker 1: like him sneach other people's food? Listen?
Speaker 5: I thought, with my young nice he took the cheesecake.
Speaker 1: He took the cheesecake, ridiculas, What are you talking about? Rolls?
Speaker 1: It took the cheesecake. Why shouldn't he take a cheesecake?
Speaker 5: He fight?
Speaker 1: I just thought something I've already thinking. Stop that you
Speaker 1: know was a fans under us? Call I am not
Speaker 1: interesting in thanks, I'm looking at his cake an his hand.
Speaker 2: He wasn't wearing anny.
Speaker 1: Listen, listen, I did a judge that he's an mechanic.
Speaker 1: That is a force player top he said, Pop, Please,
Speaker 1: don't you get on the pants. He wasn't wearing any pan.
Speaker 5: But like living a shady shop hens the mashine.
Speaker 1: Hey, sassy fatty, can you madam that fop to one
Speaker 1: of the papers. That's him, He crook, the maid of pop,
Speaker 1: the plea boy killer.
Speaker 5: That's him.
Speaker 1: Wait, like an a hold of that guy.
Speaker 3: I'll show him.
Speaker 2: Who's that?
Speaker 1: All right? Ving? All right, don't get the second because
Speaker 1: the best to take the fish can get out of
Speaker 1: here ready, he's fresh for a shove alet. How's that
Speaker 1: for a trade?
Speaker 3: Did I tell you this morning that it should have ring?
Speaker 7: Hey, Joe, look where a hind the haygetag?
Speaker 1: It's your man?
Speaker 3: Man? Yeah, you just sleep swearing a raincoat? Share? Yeah,
Speaker 3: what I think you sink?
Speaker 1: Joe?
Speaker 7: Look at his legs sweak enough?
Speaker 1: Is that known?
Speaker 3: He do the trouble? What seems to the trouble? He
Speaker 3: was just talking? Would you mind pointing out tiscot the
Speaker 3: other way?
Speaker 1: Please?
Speaker 3: Told us to be on look out for an escape convict,
Speaker 3: and we thought maybe you was it.
Speaker 1: That's good and now you see that I'm not. We
Speaker 1: don't know who you are whose place is this? Oh
Speaker 1: man conforms the conquer the recognition, constantly wanted to see
Speaker 1: you too, Joe, you go get oh Man lash his
Speaker 1: arms and to beato patch. Okay, I'll be back and
Speaker 1: Sam Well. This convict thought I must be out here somewhere,
Speaker 1: stole the car, found his little ways up the road
Speaker 1: in the ditch after cor got doing me, and he's saying,
Speaker 1: he thatt Miss Conlans decide.
Speaker 3: I don't want to be waiting for the I don't
Speaker 3: see this, mister con no. I reckon, you bet shit.
Speaker 1: Right here for spout anything. He's saying, Uh, the how
Speaker 1: are the crops that he it is?
Speaker 3: The rain must have done him a lot of good?
Speaker 1: Eh the rain?
Speaker 5: Oh?
Speaker 3: Come on? Now do I talk like a convict?
Speaker 1: Can't say? Never heard the convict talk? And if you
Speaker 1: hate him? What was he doing hiding?
Speaker 3: He had hiding?
Speaker 1: He say he had pitch log with the totition through. Okay,
Speaker 1: I've had enough of this, he say, are runny clean
Speaker 1: through this bitch park coup there.
Speaker 3: To what's going on here? Mister content? That's me.
Speaker 1: My name's Matthew, John Matthew. I'm staying in New City.
Speaker 3: These many of you have seen to think I'm a
Speaker 3: common thing.
Speaker 1: Well, key, you every kind of toast the state prison.
Speaker 3: Yes, I know, I gotta be careful when this break and.
Speaker 5: The state cooper says, this is the worst thing this
Speaker 5: man they've never had.
Speaker 3: Get along with here, want to stay the youngest daughters here. Hello, Sarah, Hello.
Speaker 1: State Cooper here less than a hour goal give a
Speaker 1: description of you pretty well, mister, You've got to get
Speaker 1: him back here.
Speaker 4: And then they talked to him.
Speaker 1: It's an ideam. Joe went down to the house called
Speaker 1: San Kelly at the courthouse. Tell me come over all right, Sarah,
Speaker 1: go along with Joe. Want to say, mister gott you
Speaker 1: say your name is Matthew Man Matthew So you're staying
Speaker 1: in New City? Yes, maybe you can tell.
Speaker 3: Me the name of the place you're staying. I'm never
Speaker 3: paying attention to the names. You remember the name of
Speaker 3: the place you're staying. And I'm right hide Joanes. That
Speaker 3: ports on the side of three winners.
Speaker 1: Uh yeah, Tian breakfast that morning that porch burned down
Speaker 1: two years ago. I guess you left in a hurry
Speaker 1: after breakfast because you forgot to put your pants on
Speaker 1: on your coat all right, it's content you win. Sheeeesh
Speaker 1: kind of thought you. Yes, let's another house run cast
Speaker 1: your heads contract, all right, don't bring out the wagon.
Speaker 3: Yes, your shame come on the fort. Give me a chance,
Speaker 3: don't you asking me? I suppose not?
Speaker 1: Well?
Speaker 3: I gave him a good run for them. One half
Speaker 3: had forty eight dollars free. Do you have a cigarette?
Speaker 1: You just a plug myself?
Speaker 3: Have you?
Speaker 1: No?
Speaker 5: Joe?
Speaker 2: Would you sign my book?
Speaker 3: That's no whe Well, I gotta get somebody, don't I.
Speaker 5: It's no fun collecting autographs. I don't get somebody.
Speaker 3: All right? He missed you signed the book for the
Speaker 3: little Girl?
Speaker 1: All right, sir, I'll sign it if you want it
Speaker 1: in ink or in blood. See that'll be swell mine
Speaker 1: or yours. Never got a pencil here. She's got a
Speaker 1: fountain with him?
Speaker 5: What to my friend Sarah Confence devoted you?
Speaker 3: My friend Sarah Conklan devoted me? All right?
Speaker 1: Yeah gee thanks mister mister dinner.
Speaker 3: Oh you're an old lady.
Speaker 1: You'll be able to say you've met murderous mats.
Speaker 3: That's a compliment. Won't you give me a chance? He's
Speaker 3: a better criminal, not me, of course, not as soon?
Speaker 4: Ashould be to ask you. Well, that's that.
Speaker 3: I guess there's nothing more to say, is there?
Speaker 1: Goodbye?
Speaker 3: Are you talking about?
Speaker 1: I said goodbye?
Speaker 3: I'm going going where?
Speaker 1: You can't do that? Why not? I don't see. You've
Speaker 1: got to stop me.
Speaker 3: Can you put on a pitch for Joe Sam?
Speaker 1: Too bad?
Speaker 3: You sent them away?
Speaker 1: Jem come back here for them no longer? Boy said
Speaker 1: to Dinner, come back here, come.
Speaker 2: Back Joe Sam.
Speaker 1: Quite a chance?
Speaker 2: Just so well?
Speaker 1: You there ahead, boy, mister Dinner had a for nothing
Speaker 1: for he hasn't a pastor get in.
Speaker 3: I hope he gets away.
Speaker 5: I sure hope he gets away.
Speaker 3: Sanctuary? Who are you? Have you been here long? I
Speaker 3: was hiding behind those coats in the vestry? Or you're
Speaker 3: the convicts they've been looking for you? Oughtn't to have
Speaker 3: come here into a church.
Speaker 1: I don't know where I'll go now, wait, close the door.
Speaker 3: I think I read about you. You're that Matt Dennis. Yes,
Speaker 3: poor fellow. I didn't mean to kill him. I've been sorry.
Speaker 3: Where have you come from?
Speaker 4: Who was chasing you?
Speaker 3: Farm down? A great contain farmer to hired hands a
Speaker 3: stake tub.
Speaker 1: The Lord knows?
Speaker 3: Who are my oparishioners.
Speaker 1: That you came to me for.
Speaker 3: Thanktual, thank you? Mind I wonder this is a situation
Speaker 3: I've never had to face, mister Dennim you just let
Speaker 3: me rest of it, That's all I'll ask, of course, sit,
Speaker 3: thank you. I locked the door, not that window. Oh no, no,
Speaker 3: they can't see him. I expect you're hungry too.
Speaker 4: No thanks, I'm beyond it, you know that feeling.
Speaker 3: No, I'm afraid we of the church lead to regular lines.
Speaker 1: Poor father, how does it look? Can you give me up?
Speaker 1: There's one man to another.
Speaker 3: Who am I to give you up? I can't help
Speaker 3: you to escape, but if you want rest, you're welcome.
Speaker 1: Wonder what our Lord would have done for that, Mister
Speaker 1: Dennis is the hardest preaching in the world.
Speaker 4: Nobody ever knows. Very tired.
Speaker 3: I never thought long to feel such. I have a
Speaker 3: little brandy here. Sometimes someone gets saint church. Thank you, Yeah,
Speaker 3: drink it down.
Speaker 1: Thanks, I do, mind you, I wonder if you return
Speaker 1: this fast form. It's empty and here's the address herat
Speaker 1: the La Coup. You might say, with unending.
Speaker 3: Gratitude, but please don't give that name away. I'll see
Speaker 3: to it.
Speaker 1: What made you escape and stick up Bob jat nccage
Speaker 1: and open the door.
Speaker 3: I'm mistaken to see what happens. Yes, I know what
Speaker 3: you're thinking. I've done my time and more. If you
Speaker 3: have a fair trial, you can't try bad luck home
Speaker 3: bad well. I oughtn't to have hit him, of course,
Speaker 3: but for an orderly knock out six weeks or something
Speaker 3: like that. About you get I got five years because
Speaker 3: of a railing. If you're quiet in your own mind.
Speaker 1: That's the only pay yountn't worry if I'll be caught,
Speaker 1: all right, I'm not worrying about that.
Speaker 3: What bothers me is my own piece of mind. I
Speaker 3: don't like the thoughts that keep rising in your op parishioners. Ah, yes,
Speaker 3: when you've gone, Shall I be entitled? Who have been
Speaker 3: silent about you? Without telling them that I've been silent?
Speaker 3: Am I entitled to refrain from helping the law without
Speaker 3: letting my parishioners know it? And if I let them
Speaker 3: know it, can I keep what little influence I now possess.
Speaker 1: It is right for a priest to go on where he.
Speaker 3: Has no influence. But that's my trouble, mister Dennis. I
Speaker 3: say I hear who is that? No, Thomas, I'm busy now.
Speaker 3: I can't let anyone into the church. Will service time
Speaker 3: my sex, hospitality demarg.
Speaker 1: Shan'ner good, fam, I don't want to be on your conscience.
Speaker 3: I'll be moving. No, wait, I'll have vestors in a
Speaker 3: few minutes. There will only be a few gathered together
Speaker 3: that I'm afraid you can rest in the vestry through
Speaker 3: the service.
Speaker 1: Nobody comes here, thanksfully, all right, I'll go and take
Speaker 1: my chance again.
Speaker 3: It's dark now, and I don't like to give up.
Speaker 3: I'll give them another run in decotiny open. You might
Speaker 3: give me your blessing. I'm not certain enough of myself.
Speaker 3: Not certain. It takes supticious police to give a blessing
Speaker 3: a real thing this time?
Speaker 1: What is it? Who is it?
Speaker 3: I give up on it. Get behind those coats and.
Speaker 2: The propp.
Speaker 1: Sorry, it's about that escape convict. I told you, Thomas,
Speaker 1: I could see no until after vests.
Speaker 3: I know, father, I know that it's this officer here.
Speaker 3: Thought you ought to be told. I saw a man
Speaker 3: coming in here a while back, the escaped convict fatherow.
Speaker 1: This man says he found him in a haystack on
Speaker 1: the South Mountain road, but.
Speaker 3: He gave him a slip and he came in here.
Speaker 1: You've been here long, honey, ah a please, Lord's lock,
Speaker 1: but I haven't done the side.
Speaker 3: Sure he's not in tide the church.
Speaker 1: I don't know whether you have the right to chearch
Speaker 1: a holy place, but but look for yourself as quietly
Speaker 1: as you can. Please, look you go with him to it?
Speaker 3: Then I suppose that concreet quite all right? Yes, father, quick?
Speaker 3: So he used to coming back? Oh, Pomplin looked already.
Speaker 1: Who can't you get through? He got away from me? Yes,
Speaker 1: he did run into it like a rabbity.
Speaker 3: Again.
Speaker 1: He's fought for he is. Say, I'll find them, coach more, coach.
Speaker 3: I think I'll look. Yes, that's old, has been there
Speaker 3: a few quotes.
Speaker 1: Now, that's sure is a funny Thing's gotta tryme coming
Speaker 1: in here. He's all I saw him all right outside
Speaker 1: of cause you all the trouble power.
Speaker 3: It's got to be done, you know, quite all right? Father,
Speaker 3: it's time to ring the bell for best. Yes, father, and.
Speaker 1: I'm afraid I'll have to ask you all to go
Speaker 1: to please, unless, of course he'd like to stay for
Speaker 1: the sir. No, No, can't do that I keep backward.
Speaker 3: Yes, I understand.
Speaker 1: All right, Hey, just a minute, you're part of my
Speaker 1: asking father, Are you certain you haven't seen this man?
Speaker 3: What is it you're asking me?
Speaker 1: Father? I am asking you, on your honor as a Christian,
Speaker 1: whether or not you've seen the escape convict.
Speaker 3: He hasn't. Sorry, Father, I was hidden in there. I
Speaker 3: give up. Office said okay, but we.
Speaker 1: Weren't looking here.
Speaker 3: Didn't you let me say you're.
Speaker 1: Heading this way? You think we wouldn't see you? Right? Then?
Speaker 3: The party is over.
Speaker 1: Let's go.
Speaker 4: Please, please.
Speaker 3: Be quiet? This great forgive me father? Important was coming here?
Speaker 3: Wasn't fair? It's all right.
Speaker 1: Trouble is.
Speaker 3: It's one decent self. One can't escape. Let one decent self.
Speaker 1: This concludes our Campbell Playoffs presentation of Escape, starring Rson
Speaker 1: Wells and Wendy Berry. In just the moment, mister Wells
Speaker 1: will return to the microphone with miss Berry.
Speaker 3: Meanwhile, I'd like to take long enough to tell you just.
Speaker 1: What it is. It gives Campbell's tomato soup. It's superb.
Speaker 1: It's really mashless flavor. First, of course, are the tomatoes
Speaker 1: Campbell's shoes only tomatoes grown under their supervision. Tomatoes that
Speaker 1: are extra luscious, heavy with fine flavor and decent colors.
Speaker 1: Then Campbell's take these specially grown tomatoes and smoothly blend
Speaker 1: them with golden table butters.
Speaker 3: And a delicate seasonings to bring out all the full.
Speaker 4: Rich tomato flavors.
Speaker 1: Have you had Campbell's tomato soups lately? I say lately,
Speaker 1: because this has been a great tomato year, and you'll
Speaker 1: enjoy more than ever the taste these fine tomatoes gift
Speaker 1: to Campbell's Tomato soup. So won't you take this as
Speaker 1: a friendly reminder of the rare good eating that awaits
Speaker 1: you in a stealing plateful, And remember, too, you can
Speaker 1: delightfully vary your way of serving it, sometimes by adding
Speaker 1: an equal.
Speaker 3: Quantity of milk instead.
Speaker 1: Of water to enjoy a luscious, extra nourishing cream of tomatoes.
Speaker 1: Won't you want to put on your grocery list tomorrow
Speaker 1: Campbell's Tomato Soup and now here is awesome. Well, ladies
Speaker 1: and gentlemen, it gives me great pleasure to introduce to you,
Speaker 1: our guests of the evening, one of the gayest and
Speaker 1: most charming ladies in Hollywood, and it's Wendy Berries.
Speaker 3: Thanks awesome, good evening, Ladies and gentlemen.
Speaker 1: Miss Berry's brief life has been full of surprises, Ladies
Speaker 1: and gentlemen. She was born in Hong Kong, China. By
Speaker 1: the time she was seventeen, she'd been around the world.
Speaker 3: Six times, heaven and in aff in, in and out
Speaker 3: of no.
Speaker 1: Less than seven Young Ladies Academy six.
Speaker 4: I'll never get this right.
Speaker 1: Thank you, Wendy here going into Tatures with accident. I'm
Speaker 1: sure I'm right about this. Alexander Corner caught sight of
Speaker 1: her at a luncheon table, dinner, dinner table. Within a
Speaker 1: few hours she was playing one of the lovely ladies
Speaker 1: who brightened Charles Lawton's life as Henry the Eighth.
Speaker 5: Well, that's roughly the way it happened, and in her latest.
Speaker 3: Picture RKO is highly successful. Five came back? Is that right?
Speaker 3: It was only by the closest of.
Speaker 1: Margins that she did not remain on the banks of
Speaker 1: the Amazon, afraid to blood thirty savages head Hunter's Eye
Speaker 1: for one. And I'm sure all of you ladies and
Speaker 1: gentlemen are extremely glad that she did not escape from
Speaker 1: the headhunters and survived to be whether it's on the
Speaker 1: Campbell playhoffs to night and I'm glad to Auston's terriby Dad.
Speaker 1: It's been a lot of fun playing here with you
Speaker 1: the nicest.
Speaker 4: Thanks, and I hope you will be back with us
Speaker 4: very soon, Wendy.
Speaker 1: That night in our Campbell Playhouse presentation.
Speaker 3: Of Escape, it's Wendy barret O guest slay the Lady
Speaker 3: in the Hotel.
Speaker 1: Ray Collins was more than ordinarily busy in.
Speaker 3: The roles of the murdered copy forgiving Judge and the
Speaker 3: unforgiving and.
Speaker 4: The order names Brigoli number.
Speaker 3: Two with everetts Phone, who started off as the.
Speaker 1: Convict, made a quick change into the character of Irving
Speaker 1: the young Picnicker, and routed out the evening as.
Speaker 4: The second farm hand.
Speaker 1: Edgar Berrier was the priest and the Cabby Jack Smart
Speaker 1: was another cap.
Speaker 4: And another farm hand.
Speaker 1: The Girl in the Park was played by b Bennaderrett,
Speaker 1: who was also president of the picnic Henriette Kay was
Speaker 1: the maid and Mabel Albertson with.
Speaker 4: Betty and here comes with surprise.
Speaker 3: In case you didn't guess, the foremost picnicker of.
Speaker 1: Them all was that really great and really inimitable Benny
Speaker 1: Rubin music for the camera playoffs, as always, was conducted
Speaker 1: and in part composed by Senor Bernard Hermann.
Speaker 3: And now just worry about next week's story. Next week
Speaker 3: we transflam another sign play from the other side of
Speaker 3: the Ocean, and.
Speaker 1: Hope it does as well here on the radio as
Speaker 1: it is there on the stage. If this one does not,
Speaker 1: you can blame me for it, because this one is
Speaker 1: probably the big makest hit that ever clicked in seven
Speaker 1: languages and plays have been written in trolls.
Speaker 3: The story is Lillian. Need I say more?
Speaker 1: The stars Helen Hayes, Can I say more than that?
Speaker 3: Until then?
Speaker 1: Until next Sunday night, at the same time, when Helen
Speaker 1: Hayes rejoins us on the Campbell Playhouse, my sponsors, the
Speaker 1: makers of Campbell Soup.
Speaker 3: And all of us on the Campbell Playhouse remain as
Speaker 3: always obedient to your.
Speaker 1: The make up the Campbell's Soups joint Arton Wells and
Speaker 1: inviting you to be with us at the Campbell Playhouse
Speaker 1: again next Sunday evening, when we will bring you one
Speaker 1: of your most favorite plays. WILLIAMS. Peach bring Auton Wells
Speaker 1: and Miss Helen Hayes are exclusive Campbell Playhouse stars. Remember
Speaker 1: Campbell Playhouse next Sunday evening. Meanwhile, if you've enjoyed the
Speaker 1: night's presentation, once.
Speaker 3: You tell your grocery show tomorrow when you order.
Speaker 1: Campbell's to make. This is Ernest Chappell saying thank you
Speaker 1: and good night. A great new daytime show for radio listeners.
Speaker 1: Lanny Ross Radio's popular star singing your favorite songs. Hear
Speaker 1: him every Monday, Wednesday and Friday morning over most of
Speaker 1: these stations. See your daily paper for time and station.
Speaker 1: Why not make a date for tomorrow with Lannie Ross