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Speaker 1: Yeah, really, I say.

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Speaker 2: The remotter is not okay to full tell much but

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no no to say every care everything seems fine, seeks fine.

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Speaker 3: Not to my face.

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Speaker 2: Not in your world is going to sease this just

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got to remember this one.

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Speaker 3: B bye?

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Speaker 4: What's that in front of me? That's all you got

9
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to do? What's that in front of me? Appen the survine?

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Speaker 1: A fat mine?

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Speaker 4: What's that in front of the ASO?

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Speaker 3: What's it in front of the.

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Speaker 4: What's seven front of the user?

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Speaker 1: Telling you?

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Speaker 3: Don't you do?

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Speaker 5: You say? Last night?

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Speaker 1: Bad mind?

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Speaker 4: May they always tell me you got to be brave?

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Speaker 3: But what the hell is that? Even said one? You're worst?

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And Babs dripped to.

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Speaker 4: Know mine car such an atriccus.

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Speaker 2: Of making thing to me SMOs down to a t.

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I gonna be to listen to yours fall how you

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just got your remembers?

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Speaker 1: Want the es?

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Speaker 4: What's that in front of the the that's all you

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got to do? What's in front of the.

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Speaker 6: Just that?

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Speaker 1: I a fat mine?

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Speaker 4: What's that in front of the essence?

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Speaker 5: What's up in front of the essence?

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Speaker 4: What's that in front of THEES?

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Speaker 3: And I tell you about it?

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Speaker 1: This my life are fast.

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Speaker 4: Wants you have to keep it in that ship is

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how high you thing? You feel like you won't keep

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better again?

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Speaker 3: You're go.

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Speaker 4: Got sky and night all what you want, don't come

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in time. I'm here with you usually take my bride.

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What's that in front of them? It's all you've got

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to do. What's that in front of the.

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Speaker 1: Just serve by the first mine?

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Speaker 4: What's it in front of them?

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Speaker 7: What's ever in front of the esm?

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Speaker 4: What's ever in front of the essence?

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Speaker 5: It's all you've gotta do.

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Speaker 4: As in my snape, a bad mine, A bad mine.

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Speaker 1: Oh fo.

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Speaker 4: Mistle, though there's such a entangled.

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Speaker 2: In for mind, give me my comperhide.

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Speaker 4: I see stow your footsore and your lies and well.

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Speaker 3: A fast.

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Speaker 8: And then make happier, holding on byas drink you have

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a massive armsho a bright break, drying, do the chiming homebine,

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taking me on around.

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Speaker 1: Me, Falling on your phone.

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Speaker 9: If that's stipulated, the fun recycle dissy.

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Speaker 7: In the.

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Speaker 1: Falling on your phone.

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Speaker 4: And that's stipulated. I felt that now see.

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Speaker 9: Falling Nonders, falling unders, fall in Londos, fall in.

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Speaker 10: London tells me, don't you worry, You'll be happy you'll

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be fine.

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Speaker 4: Okay, okay, see through your fo saw your eyes and rabble.

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Speaker 5: Past happen to the rest.

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Speaker 3: You're holding on by a street.

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Speaker 9: You're the mester of I'm trying to frame bring trying

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to control me?

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Speaker 4: How my recking.

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Speaker 9: Mosch maybe telling me brings falling under.

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Speaker 4: Fall and Fast stipulated.

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Speaker 1: Like the best fun the cycle of the Sea in.

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Speaker 4: The country, Falling London, fall and Fast if youate it.

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Speaker 11: Like the.

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Speaker 4: See th fun understo.

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Speaker 9: Falling Under.

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Speaker 3: London.

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Speaker 12: A couple of tracks there from the band Awaiting Abigail

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that is called Falling Under. We also played bad Mind.

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I guess it might be some kind of an issue.

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I don't know what is what it is today?

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Speaker 13: Is it a full moon tonight?

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Speaker 12: But it looks like we do not have a Waiting

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Abigail with us this morning after all. But I think

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what we're gonna do now is we just heard from

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our friend Dylan Reynolds. And if you don't know Dylan Reynolds,

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he's been a guest on the show and a couple

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of times I think an enormously talented musician. And well,

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I'm just gonna say that if you know, you know,

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you actually hear Dylan Reynolds on the show all the time.

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Speaker 13: You just don't realize it.

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Speaker 12: But uh, but I'm gonna play a song of his

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because Jenny and I heard from him earlier. We got

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a very nice message from him, and we're excited uh

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to do some more work with him. And uh and

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and he's got some really great things going on. Uh

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that is his story to tell. We'll get him on

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the show soon to talk about everything that he's doing.

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And uh, but he's such a talented guy, not only

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in musician, but as a graphic artist, et cetera. I'm

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gonna play I'm gonna play a song of his. I

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feel like playing something of Dylan's.

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Speaker 13: Uh so this is great.

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Speaker 12: This is a single called that he released called the

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City of Graves, and uh, check this out. This is

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Dylan Reynolds.

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Speaker 6: Darkness, Rays falling from the sky, The wood will list.

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Speaker 5: And no one will s fine, no clear.

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Speaker 6: Ways, discoursing through my face, dead will myes.

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Speaker 1: As, radiations, animas, take.

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Speaker 5: My hard word a side take my gray now is

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side to.

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Speaker 14: It?

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Speaker 5: Lets me fade u.

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Speaker 6: Birding gas Polly got the cloud and lay size your friends.

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Speaker 4: Cannot mean the house smoking gas.

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Speaker 3: Fill your.

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Speaker 5: Wow and the walls say take my art of.

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Speaker 1: Gass size my.

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Speaker 5: Grace now is signed to.

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Speaker 15: Fade up. You are in the city full of you,

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are in the city full of.

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Speaker 4: You.

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Speaker 6: Are read the city full of you are in the

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city at quors.

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Speaker 7: I am the one who.

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Speaker 3: Does it all.

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Speaker 7: Take the grand and don't take the ball.

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Speaker 5: Don't need now from you.

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Speaker 1: I'm right, I'll day.

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Speaker 6: Both the night.

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Speaker 7: Listen to me.

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Speaker 16: I'm always ring out gay your fans from you. Well,

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it's foof with showish sel you think like a f

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mo the whole crazy.

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Speaker 11: Smoke smells like Sindy just thinks that's all I am

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miss selfish self fucks or selfish self center, selfish self

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fucks or selfish self center.

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Speaker 7: So I don't want to think of me.

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Speaker 5: I'm the best that you will see.

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Speaker 16: I don't need any funding, giving credit, no way, I

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see everything anyways.

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Speaker 5: Every one knows that not cocky.

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Speaker 7: You show what shows well netfuck god yimty them.

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Speaker 16: No lady, crazy smoke crying again.

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Speaker 5: He just thinks that.

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Speaker 17: All your is selfish self funks or selfish self center,

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selfish self ups or selfish sell sensors.

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Speaker 7: All I care about it me don't give a crap

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what you say, but mean.

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Speaker 4: To sleep whinny or show stopek.

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Speaker 1: Feed me or crying out?

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Speaker 11: Selfish self absort, selfish.

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Speaker 1: Self centered, selfish.

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Speaker 11: Self absort, selfish.

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Speaker 15: Self centator, selfish.

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Speaker 17: Selfolk sort, selfish self cenator, selfish south folk sort, selfish

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self center.

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Speaker 18: He here'step, just like over a breaking free forced the

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same night, sparking up electricity to care what is loud?

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Speaker 5: We conquered the storm, a rebel sandstorm. Electionend is born.

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So the static cries with that'sh It's so true. I'm

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used to fire filed for me and for you.

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Speaker 3: No shame, no.

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Speaker 5: Silence, no way to contain. Stir it on bronken cut,

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streak through the lady, ain't here.

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Speaker 18: Standing song, sand it through the sky, son the die,

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you allowed a feeling.

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Speaker 3: It's like I caught a sun.

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Speaker 7: A leaf spreaking all walls, you and sand and so

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it all.

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Speaker 5: Nice?

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Speaker 6: Right days we stand.

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Speaker 18: Fighting too, I sup. No curlander just stuffs on a

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frame years with everyone defferent played.

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Speaker 12: Hey, I think we have somebody from a waiting Abigail

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on the phone, Hello, Oh wait a minute, Oh there

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we go.

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Speaker 13: I'm sorry said that again? I couldn't quite hear you.

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I got you now, Yeah, no worries.

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Speaker 19: Is James from Waiting Avgo guitar? How you doing?

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Speaker 12: Hey, James, welcome. So unfortunately we don't have a lot

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of time. We'll we'll definitely have to to have you back.

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But I did play those I played the two tracks

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that you sent us. I love those Bad Mind and

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Falling Under really good stuff. But yeah, tell us a

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little bit about the band. Where where are you from?

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You're from somewhere in Texas.

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Speaker 3: I know that.

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Speaker 19: Yeah, that's right. We're in Dallas, Texas, and we appreciate

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you playing our music. Yeah, we had a show last night.

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We're playing again today at an arts festival in Dallas.

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Speaker 20: Here.

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Speaker 19: Hopefully the weather cooperate so we don't get too wet.

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Speaker 13: You guys are in Manchester, right, Yeah, Manchester, New Hampshire.

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Speaker 19: Yes, indeed, that's awesome. Well the crazy enough. I'm actually

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very familiar with that area.

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Speaker 13: Oh no kidding, Did you used to live up here?

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Speaker 19: No, not at all. My job I worked for an airline.

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I can't really say which one. I worked for an airline.

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And we find in Manchester and stay in Nashua when we.

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Speaker 6: Go up there.

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Speaker 13: Oh, I'll be damned. Yeah, Manchester.

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Speaker 12: It's a nice airport. It's very easy, very simple. I

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know Jenny likes to you know, which she has to fly.

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She likes to fly in and out of Manchester. But yeah, no,

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that's cool. It's cool that you're familiar with the area.

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Can you tell us, Like I said, we're a little

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compressed on time, but I mean tell us about a

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waiting Nabigail. It's interesting how it's kind of multi generational

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and I think is there even a father daughter combination

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within the band everything?

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Speaker 19: Yeah, it's crazy, man, the age range goes. Abby just

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turned she just turned twenty like last week.

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Speaker 13: Oh wow.

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Speaker 19: And the Yeah, and our other guitar player, Mia Key

218
00:19:12,240 --> 00:19:16,880
is actually sixty two. So it's kind of a mashup

219
00:19:17,000 --> 00:19:20,920
of a couple different groups of people. The drummer Heather

220
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and the bass player Laurie and myself. We're all forty

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nine fifty is. We went to high school together and

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did the local band scene back in It was right

223
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after Pantera kind of broke out of the area down

224
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here and the scene was pretty hopping and we played

225
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in bands together when we were younger, and then Corey

226
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the keyboard player. Believe it or not, Mike's daughter. She

227
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was actually a music student of mine, so she's in

228
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her thirties. But yeah, there's almost somebody in every decade

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in the band. But we all just kind of got

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together personally. I kind of sma different groups of people

231
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together from different walks of life. But and then Abbey

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we found on a musician's wanted that, and man, she

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just she just killed it from the beginning. We knew,

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we knew we wanted her. Whenever she sent us an

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audition video for sure.

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Speaker 12: Wow, Yeah, that's yeah, that's an unusual Well, I don't know,

237
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maybe it's not that unusual a way for a band

238
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to start these days because of the Internet. It's changed

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everything from you know, when we were growing up, and

240
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you know, there was a time, you know, I'm old

241
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enough to remember when you'd go to a music store.

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You know, if you were putting together a band and

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you were looking for musicians. Maybe you don't know anybody.

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You know, you go to a music store and you

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look at the bulletin bard and see who's looking for

246
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You know, I'm a bass player, so I might go

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and look and see if somebody's looking for a bass

248
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player or something like that. But you know, the Internet

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has really kind of changed all of that, and you know,

250
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you almost have to wonder if a configuration like awaiting

251
00:20:52,400 --> 00:20:57,279
Abigail would even be possible pre Internet, but maybe maybe,

252
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maybe not, but it seems unlikely. So but I also

253
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think too the other observation I would make is I

254
00:21:02,920 --> 00:21:05,839
think the music that you're making has a timelessness to

255
00:21:06,000 --> 00:21:09,200
it that you know, it's not data to any particular period.

256
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I mean, you can hear you can hear influences from

257
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certain like you know, you can hear some nineties rock

258
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influences and stuff, but really there's a timelessness to it

259
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that I think anybody out of any age, of any

260
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generation could get into anyway. So it makes sense that

261
00:21:23,599 --> 00:21:25,519
that's what the combination of the people who are in

262
00:21:25,559 --> 00:21:27,480
this band, that that's what you'd be putting out something

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that really cannot I think, appeal to anybody.

264
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Speaker 19: Well, that's that's a great side effect. We're not doing

265
00:21:35,440 --> 00:21:38,640
it on purpose, but that's a great something that goes

266
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along with that. We definitely listen to a lot of

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different stuff, you know, everything from we Heather and I

268
00:21:45,799 --> 00:21:48,279
of course have a metal background from more kids and

269
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stuff and we were playing those bars. But like you know,

270
00:21:51,480 --> 00:21:55,720
she listens to like Lady Gaga. Now, Madonna Abby comes

271
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from a pop background. This is really her first rock

272
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project of her. She has a lot of solo work

273
00:22:02,160 --> 00:22:05,119
that she's done that's pop and R and B. And

274
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you know, I would say that myself and we their

275
00:22:09,200 --> 00:22:14,599
guitar players really into Kiss, so excellent. Yeah, it's definitely

276
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definitely has the nineties player because that's kind of back

277
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when we were playing or whatever that's come back and

278
00:22:22,000 --> 00:22:25,519
then adding some modern soundscapes to it's kind of what

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we've been trying to do.

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Speaker 12: Yeah, Now do you have plans to do an album,

281
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because to this point you just have singles, write a

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series of singles.

283
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Speaker 19: Yeah, there's a four song EP out and it's on

284
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all streaming services. You mentioned those two tunes. There's another one,

285
00:22:41,079 --> 00:22:43,799
I Hate You, which is kind of a parody on

286
00:22:45,839 --> 00:22:48,599
mean girls high school type thing. That one's that one's

287
00:22:48,599 --> 00:22:51,519
gotten some traction too and then people please her. So

288
00:22:51,640 --> 00:22:55,640
that's a fourth song EP. We've already got another four tunes,

289
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so we're at least going to do another EP this year.

290
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The schedule is justin of which we're trying not to

291
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let it take over our lives, you know, because.

292
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Speaker 13: We were like, all have jobs, oh sure, yeah, yeah.

293
00:23:07,680 --> 00:23:10,799
Speaker 19: Vainly and stuff, but we definitely want to We definitely

294
00:23:10,839 --> 00:23:12,160
want to do an album for sure.

295
00:23:13,039 --> 00:23:14,880
Speaker 12: Hey, by the way, so where does the name come from?

296
00:23:14,920 --> 00:23:17,880
I mean, obviously Abigail is your singer, Awaiting Abigail.

297
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Speaker 13: I'm curious.

298
00:23:19,279 --> 00:23:21,359
Speaker 12: Last week, and maybe this is one of those odd

299
00:23:21,400 --> 00:23:23,680
little synchronicities that happened, but we had a band on

300
00:23:23,759 --> 00:23:27,160
the show called Waiting for Z and Z is the

301
00:23:27,200 --> 00:23:29,480
first initial of one of the members of the band, Xander.

302
00:23:29,640 --> 00:23:33,319
So I'm curious, where does awaiting Abigail? What does that

303
00:23:33,480 --> 00:23:35,400
name come from? Just you were waiting for a singer

304
00:23:35,559 --> 00:23:38,599
like Abigail or I'm just curious about the origin.

305
00:23:38,359 --> 00:23:38,839
Speaker 13: Of the name.

306
00:23:40,240 --> 00:23:44,279
Speaker 19: Yeah, it's it's really interesting. So actually, when we were

307
00:23:44,359 --> 00:23:47,079
looking for a name, we didn't have a name before

308
00:23:47,119 --> 00:23:51,119
we had her, and so we once she auditioned and

309
00:23:51,400 --> 00:23:54,119
we we knew that we wanted to move forward as

310
00:23:54,119 --> 00:23:57,440
a band. We wanted we wanted to feature her and

311
00:23:57,519 --> 00:23:59,759
wanted it to be about her, so we wanted her

312
00:23:59,839 --> 00:24:03,559
name in it. But you know, there's already a I

313
00:24:03,599 --> 00:24:06,720
think it's a Japanese death metal band actually called Abigail,

314
00:24:08,480 --> 00:24:10,640
So that was kind of off the table, and we

315
00:24:10,799 --> 00:24:12,640
just kind of were trying to figure out something that

316
00:24:13,799 --> 00:24:16,559
that that worked, and we were tossing stuff around and

317
00:24:16,559 --> 00:24:19,160
See was stuck to the wall and a Waiting Abigail

318
00:24:19,279 --> 00:24:22,079
kind of stuck. But the real interesting part of it

319
00:24:22,240 --> 00:24:27,359
is we probably three three rehearsals in or whatever right

320
00:24:27,400 --> 00:24:29,839
after we first met her. She didn't tell us right away.

321
00:24:29,920 --> 00:24:32,039
She's like, hey, by the way, I don't even know

322
00:24:32,039 --> 00:24:33,440
how it came up. She didn't say, by the way,

323
00:24:33,960 --> 00:24:36,640
but it came up. She said, my name is I'm

324
00:24:36,640 --> 00:24:41,200
actually named after a King Diamond's album Abigail. Why did

325
00:24:41,319 --> 00:24:43,039
you tell us before that? She's like, well, I don't know.

326
00:24:43,119 --> 00:24:46,319
My mom's a metal head, you know, and so she's

327
00:24:46,480 --> 00:24:50,799
named after that album. And Awaiting I don't know if

328
00:24:50,880 --> 00:24:53,400
it's funny because people are like always asking her like

329
00:24:53,440 --> 00:24:54,680
are you guys always waiting on her?

330
00:24:55,759 --> 00:24:55,920
Speaker 7: Well?

331
00:24:56,119 --> 00:25:01,119
Speaker 19: Yeah, but no, that just came more like it sounded good.

332
00:25:01,160 --> 00:25:02,160
It kind of jammed with it.

333
00:25:02,640 --> 00:25:04,759
Speaker 12: That's why I wondered, because in Waiting for Z, the

334
00:25:04,839 --> 00:25:07,519
reason they called the band that is because apparently Xander

335
00:25:07,680 --> 00:25:09,880
is always late or he's always the last one to

336
00:25:09,920 --> 00:25:11,640
get there, so they're always waiting for Z. So I

337
00:25:11,720 --> 00:25:14,680
wondered if it was something where you know, you're always

338
00:25:14,720 --> 00:25:16,960
waiting for Abigail. No, but that's that's cool though. I

339
00:25:17,000 --> 00:25:18,880
think it's a great name. And I really like the

340
00:25:18,960 --> 00:25:21,599
logo too. Who did the logo? Is there somebody in

341
00:25:21,640 --> 00:25:23,759
the band who made that logo? Because that's a that's

342
00:25:23,759 --> 00:25:24,720
a badass logo.

343
00:25:26,680 --> 00:25:28,920
Speaker 19: Man, thanks a lot, We really dig it too. No,

344
00:25:29,240 --> 00:25:33,359
it's a our graphics guy is a Matt story who.

345
00:25:33,920 --> 00:25:36,640
I don't know if you've heard of Creeper. It's another

346
00:25:36,759 --> 00:25:40,359
local band. They're pretty big. They're pretty big and they've

347
00:25:40,359 --> 00:25:41,880
been at it for a long time. He was the

348
00:25:41,960 --> 00:25:44,920
original singer of Creeper. And so really what I did

349
00:25:45,079 --> 00:25:47,240
was I just threw it out on Facebook. I was like, hey,

350
00:25:47,359 --> 00:25:50,200
we've got a name. You know, it'd already been kind

351
00:25:50,200 --> 00:25:53,960
of networking with other people, you know, reconnecting with people

352
00:25:54,000 --> 00:25:55,759
from the past that I knew back in the day,

353
00:25:55,960 --> 00:25:57,599
meeting new people, and I just threw it up there

354
00:25:57,640 --> 00:25:59,920
and I was like, and everybody kind of knew like

355
00:26:00,000 --> 00:26:03,119
pigs band together or whatever. So I said, hey, logo services,

356
00:26:03,640 --> 00:26:06,319
and somebody popped right on there, and I mean there's

357
00:26:06,319 --> 00:26:09,119
probably twenty people on there, but I just put on

358
00:26:09,279 --> 00:26:12,119
the put them the first one that posted, which was Matt.

359
00:26:12,519 --> 00:26:14,319
So he's awesome. He does all our graphics, he does

360
00:26:14,359 --> 00:26:16,799
the EP, does the EP cover, the T shirts. Everything.

361
00:26:17,000 --> 00:26:18,839
Speaker 13: Oh, very cool, very cool, James.

362
00:26:19,400 --> 00:26:21,920
Speaker 12: Unfortunately, as I said, we're very short on time, so

363
00:26:22,039 --> 00:26:23,039
we will reschedule you.

364
00:26:23,160 --> 00:26:24,440
Speaker 13: I know you had a tech issue.

365
00:26:24,759 --> 00:26:27,200
Speaker 12: But before I let you go, and if I have time,

366
00:26:27,200 --> 00:26:29,440
I'm gonna squeeze in that song, that song I Hate You.

367
00:26:29,799 --> 00:26:31,480
There's no swears in that, I assume.

368
00:26:31,319 --> 00:26:34,359
Speaker 19: Right, No, there isn't in any of our stuffs.

369
00:26:34,759 --> 00:26:36,480
Speaker 13: I agree, I didn't think so, so I might. I

370
00:26:36,599 --> 00:26:37,799
might try to squeeze that in.

371
00:26:37,920 --> 00:26:39,680
Speaker 12: If I can't get in in at the end of

372
00:26:39,759 --> 00:26:42,279
this conversation, I'll play it later in the show, because

373
00:26:42,279 --> 00:26:43,680
I do want to. I do want to play it,

374
00:26:43,759 --> 00:26:47,519
but just quickly for for people listening, whether they be

375
00:26:47,599 --> 00:26:49,720
in your area, our area, or anywhere, because we have

376
00:26:49,799 --> 00:26:53,279
listeners all over. Because again, you know the internet, what

377
00:26:53,359 --> 00:26:55,640
should people know about how to find a waiting Abigail

378
00:26:55,720 --> 00:26:57,519
online to keep up with everything that you're doing.

379
00:26:58,839 --> 00:27:01,400
Speaker 19: Yeah, it's really simple. If you talking Awaiting Abigail on

380
00:27:01,440 --> 00:27:03,039
any of the socials that's going to take you to

381
00:27:03,640 --> 00:27:07,720
our site. But the website's the main jumping off point.

382
00:27:07,799 --> 00:27:10,480
So you can go to Awaiting Abigail bands dot com.

383
00:27:11,079 --> 00:27:13,960
But you shouldn't have any problem finding us on any

384
00:27:13,960 --> 00:27:16,599
of the socialists best searching for us. But yeah, follow

385
00:27:16,720 --> 00:27:21,240
us like us. We are loving the I guess kind

386
00:27:21,279 --> 00:27:26,599
of widespread network that we're building of fans and supporters.

387
00:27:26,640 --> 00:27:29,599
It's really cool. So yeah, please do follow us, and

388
00:27:29,680 --> 00:27:30,799
it's a message comment.

389
00:27:31,400 --> 00:27:34,880
Speaker 12: Look forward to meeting some people absolutely, absolutely, all right, James,

390
00:27:35,759 --> 00:27:38,039
I'm sure Jenny, we'll get with you to reschedule so

391
00:27:38,119 --> 00:27:40,119
because I have a ton more questions to ask you,

392
00:27:40,240 --> 00:27:42,839
so we'll make that happen in the near future, I'm sure.

393
00:27:42,880 --> 00:27:44,839
Speaker 13: But thank you for joining us today. Appreciate it.

394
00:27:45,960 --> 00:27:49,440
Speaker 19: Absolutely Sorry you had to Await Abigail today, so we'll

395
00:27:49,519 --> 00:27:50,240
get back with you.

396
00:27:50,559 --> 00:27:53,440
Speaker 12: Well, well played, sir. All right, James, sounds good. We'll

397
00:27:53,440 --> 00:27:55,839
talk to you soon, all right, We'll see you all right,

398
00:27:55,839 --> 00:27:56,200
bye bye.

399
00:27:56,799 --> 00:27:59,200
Speaker 13: All right. That was James from Awaiting Abigail.

400
00:27:59,359 --> 00:28:01,799
Speaker 12: We have John Dart who's gonna be calling in any

401
00:28:02,079 --> 00:28:03,839
second now, so I think what I'm gonna do is

402
00:28:04,839 --> 00:28:06,480
I'm gonna I'm gonna save I'm.

403
00:28:06,359 --> 00:28:07,200
Speaker 13: Gonna play that later.

404
00:28:07,319 --> 00:28:09,960
Speaker 12: I will play that track later, that song I hate

405
00:28:10,000 --> 00:28:11,960
You from awaiting Abigail, because I do want to give

406
00:28:12,039 --> 00:28:12,559
that a spin.

407
00:28:12,799 --> 00:28:15,000
Speaker 13: I really love their sound. They're really really good. Uh,

408
00:28:15,240 --> 00:28:17,160
but we'll save that for later in the show.

409
00:28:17,279 --> 00:28:18,519
Speaker 12: So what we're gonna do right now, You know, if

410
00:28:18,519 --> 00:28:20,440
you're listening live on Saturday, you'll hear it later.

411
00:28:20,759 --> 00:28:22,559
Speaker 13: But I'm gonna play the I believe.

412
00:28:22,640 --> 00:28:25,319
Speaker 12: This is the newest single from John poussett Dart. This

413
00:28:25,519 --> 00:28:28,839
is called Cry No More. Really beautiful song, and he's

414
00:28:28,880 --> 00:28:30,480
gonna be joining us in just a few minutes. He's

415
00:28:30,480 --> 00:28:33,119
gonna be calling in, actually literally any minute now, he's

416
00:28:33,200 --> 00:28:34,640
going to be calling in. He's got a show coming

417
00:28:34,720 --> 00:28:37,119
up at the Rex Theater right here in Manchester. So

418
00:28:37,200 --> 00:28:39,720
looking forward to speaking with him. So let's go ahead

419
00:28:39,720 --> 00:28:41,440
and give this a spin and then we'll have him

420
00:28:41,480 --> 00:28:42,680
on the phone at the end of this. This is

421
00:28:42,720 --> 00:28:45,640
called Cry No More. This is from John Poussette Dart.

422
00:28:56,559 --> 00:29:07,720
Speaker 3: Cry you don't have to cry no more, Cry no more,

423
00:29:09,519 --> 00:29:12,039
You don't have to cry no more.

424
00:29:13,359 --> 00:29:21,000
Speaker 21: When the tears all dried, no more left to fall.

425
00:29:22,880 --> 00:29:28,799
Where will you go down when you have nothing left, down,

426
00:29:30,680 --> 00:29:31,319
when your.

427
00:29:31,279 --> 00:29:37,839
Speaker 3: Eyes begin to open and all you want is gold,

428
00:29:40,200 --> 00:29:48,759
Will you still remember the feeling nuts hanging the one

429
00:29:48,920 --> 00:29:52,680
the wall let you walk away, the.

430
00:29:52,759 --> 00:29:59,680
Speaker 21: Sparks still burning strong, the moonlight hanging in the sky.

431
00:30:01,480 --> 00:30:10,640
Speaker 3: Telling you it's not gone. Cry no more, you don't

432
00:30:10,759 --> 00:30:16,799
have to cry no more. It might be your darkest tower.

433
00:30:18,559 --> 00:30:22,680
It might be in the line of day where you

434
00:30:22,880 --> 00:30:23,960
can never rest.

435
00:30:24,000 --> 00:30:28,319
Speaker 21: To me, how little time it takes for love to

436
00:30:28,559 --> 00:30:35,799
find day away. If it's slips into your corner amidst

437
00:30:35,880 --> 00:30:42,559
the phone, collar a cigarette, it won't slip out the door,

438
00:30:44,839 --> 00:30:46,319
even if you don't.

439
00:30:46,160 --> 00:30:55,839
Speaker 3: Know yet what this world has in store. Cry no more,

440
00:30:57,640 --> 00:31:24,200
You don't have to cry no more. Cried. You don't

441
00:31:24,279 --> 00:31:26,640
have to cryan nomo.

442
00:31:27,920 --> 00:31:28,400
Speaker 4: Crying.

443
00:31:29,039 --> 00:31:41,000
Speaker 3: No, you don't have to cry, no crying. No, you

444
00:31:41,240 --> 00:31:50,240
don't have to cryan nomo crying. No, you don't have

445
00:31:50,400 --> 00:31:51,079
to crying.

446
00:31:51,160 --> 00:31:51,200
Speaker 20: No.

447
00:32:06,039 --> 00:32:17,799
Speaker 3: Look comes, Look time we waited for and now I'm

448
00:32:19,519 --> 00:32:29,480
there no more. We'll wait beside, We'll.

449
00:32:29,400 --> 00:32:31,680
Speaker 1: Wait, go on and mine.

450
00:32:34,160 --> 00:32:35,880
Speaker 4: Gus is he.

451
00:32:37,440 --> 00:32:38,880
Speaker 1: You are the word.

452
00:32:41,839 --> 00:32:42,359
Speaker 3: Followed.

453
00:32:42,759 --> 00:32:47,400
Speaker 1: We have waity, always followed.

454
00:32:47,759 --> 00:32:49,000
Speaker 5: We haven't.

455
00:32:51,519 --> 00:32:54,480
Speaker 1: Now not means we know Well.

456
00:32:54,720 --> 00:33:14,640
Speaker 3: Always go when we spend im the way that everything

457
00:33:15,440 --> 00:33:17,160
fill in today.

458
00:33:19,599 --> 00:33:26,960
Speaker 1: To follow away, go away, followed, happen.

459
00:33:29,880 --> 00:33:32,240
Speaker 3: The things we don't let.

460
00:33:32,359 --> 00:33:35,680
Speaker 1: Me always follow.

461
00:33:39,920 --> 00:33:43,119
Speaker 4: All that's lost life.

462
00:33:44,960 --> 00:33:47,240
Speaker 5: That's the way step.

463
00:33:49,799 --> 00:33:52,599
Speaker 1: We lout showing that comes from.

464
00:33:52,559 --> 00:33:56,720
Speaker 4: The let go about to send me.

465
00:34:33,679 --> 00:34:36,159
Speaker 12: Such a great song that is for Love by John

466
00:34:37,119 --> 00:34:40,559
Well actually Pussett Dart Band to be precise, which is

467
00:34:40,599 --> 00:34:43,880
of course the band of John Poussett Dart. And before

468
00:34:43,920 --> 00:34:47,159
that we played the newest solo single from John Poussett Dart,

469
00:34:47,199 --> 00:34:49,000
cry No More. He's got a show coming up at

470
00:34:49,000 --> 00:34:51,800
the Rex Theater right here in Manchester, and he's supposed

471
00:34:51,800 --> 00:34:54,679
to be joining us this morning. He's supposed to call in,

472
00:34:54,800 --> 00:34:58,440
but we haven't heard from him yet because it must

473
00:34:58,480 --> 00:35:02,599
be a full moon. Nothing has gone smoothly today with guests,

474
00:35:03,639 --> 00:35:08,039
literally nothing so far. If you are listening live on Saturday,

475
00:35:08,119 --> 00:35:11,239
you understand the full context of this. As we celebrate

476
00:35:11,440 --> 00:35:15,079
eight years. Maybe the universe is trying to tell me something.

477
00:35:15,440 --> 00:35:17,719
Maybe eight years is it. No, I'm just kidding. I'm

478
00:35:17,760 --> 00:35:20,320
not giving this up for anything. This is this is

479
00:35:20,400 --> 00:35:22,360
my favorite time of the week. But no, I love

480
00:35:22,440 --> 00:35:25,840
the show and these things do happen. But maybe John

481
00:35:25,960 --> 00:35:28,199
is having an issue, a phone issue or something.

482
00:35:28,280 --> 00:35:29,320
Speaker 3: But I don't know.

483
00:35:30,199 --> 00:35:31,119
Speaker 13: I don't know what's going on.

484
00:35:31,599 --> 00:35:33,440
Speaker 12: But anyway, yeah, so we just played a couple of

485
00:35:33,519 --> 00:35:35,199
tracks from him. I think what we're gonna do now,

486
00:35:35,320 --> 00:35:36,960
because I was talking about it in a minute ago.

487
00:35:37,400 --> 00:35:39,599
I think we should go ahead and play that track

488
00:35:39,800 --> 00:35:44,079
from because we had James from Awaiting Abigail on the

489
00:35:44,159 --> 00:35:45,920
line with us and they are going to reschedule. By

490
00:35:45,960 --> 00:35:48,960
the way, James sent Jenni a message apologizing they had

491
00:35:49,000 --> 00:35:50,119
a little bit of a tech issue.

492
00:35:50,159 --> 00:35:54,480
Speaker 13: But let me let me go ahead and play this.

493
00:35:54,599 --> 00:35:55,639
We talked about this track.

494
00:35:55,760 --> 00:35:58,000
Speaker 12: This is called I Hate You and this is from

495
00:35:58,079 --> 00:36:00,719
the band Awaiting Abigail again, a great band from Texas.

496
00:36:00,760 --> 00:36:02,840
I love their sound and I'm looking forward to having

497
00:36:03,000 --> 00:36:06,760
a long form conversation with James and whomever else from

498
00:36:06,840 --> 00:36:10,000
the band wants to join because I like them tremendously.

499
00:36:10,559 --> 00:36:12,800
So again, this is from Dallas, Texas. This is a

500
00:36:12,840 --> 00:36:15,400
Waiting Abigail and this track is called I Hate You.

501
00:36:20,280 --> 00:36:24,880
Speaker 4: Oh my god, Sarcies, what's wait? I hate her so

502
00:36:25,199 --> 00:36:26,920
much I'm not doing this today.

503
00:36:27,599 --> 00:36:29,480
Speaker 5: Let's go a long way quick.

504
00:36:29,760 --> 00:36:38,280
Speaker 22: Let's go whenever you show up, you always have boy

505
00:36:38,320 --> 00:36:42,000
you being good girls and redon lie.

506
00:36:44,480 --> 00:36:45,199
Speaker 4: No, I know.

507
00:36:47,480 --> 00:36:50,760
Speaker 1: You hate came, but.

508
00:36:51,000 --> 00:36:52,440
Speaker 16: I you.

509
00:36:56,639 --> 00:37:06,239
Speaker 3: Why so so way? Mary?

510
00:37:07,920 --> 00:37:10,639
Speaker 1: You'll say Briday by.

511
00:37:11,920 --> 00:37:15,480
Speaker 5: J by so way.

512
00:37:17,360 --> 00:37:23,039
Speaker 1: By and you.

513
00:37:27,239 --> 00:37:28,239
Speaker 3: Ye, hey.

514
00:37:32,960 --> 00:37:36,440
Speaker 1: You grace for.

515
00:37:38,159 --> 00:37:53,159
Speaker 4: To say bol you played the game, but now you

516
00:37:53,320 --> 00:37:58,639
want to play. We're all the herd for all the shame?

517
00:38:01,519 --> 00:38:04,039
Speaker 1: Why so dead?

518
00:38:04,800 --> 00:38:07,039
Speaker 5: By so away?

519
00:38:10,679 --> 00:38:14,559
Speaker 3: By? You say? Are day.

520
00:38:16,760 --> 00:38:17,000
Speaker 1: Dad?

521
00:38:17,760 --> 00:38:20,079
Speaker 3: Why eye go away?

522
00:38:20,960 --> 00:38:38,719
Speaker 1: Why ye for the gas.

523
00:38:43,440 --> 00:38:44,840
Speaker 7: I can trying to find you all?

524
00:38:45,360 --> 00:38:50,679
Speaker 3: Did you know what happened to what? Yes? And for everything?

525
00:38:51,519 --> 00:38:52,960
Speaker 4: She totally deserves it?

526
00:38:54,199 --> 00:38:55,639
Speaker 3: You though, are you on?

527
00:38:57,480 --> 00:38:57,639
Speaker 22: Now?

528
00:38:58,000 --> 00:39:04,119
Speaker 3: You're the one flip face? Oh loud?

529
00:39:06,360 --> 00:39:09,039
Speaker 1: Why eye so changed?

530
00:39:09,639 --> 00:39:11,960
Speaker 5: By eyes so way?

531
00:39:15,559 --> 00:39:16,000
Speaker 1: Mary?

532
00:39:17,679 --> 00:39:20,639
Speaker 5: You'll say by day you.

533
00:39:20,960 --> 00:39:23,519
Speaker 1: So Joe by eye?

534
00:39:27,119 --> 00:39:28,480
Speaker 5: I hate.

535
00:39:31,519 --> 00:39:38,320
Speaker 3: And I hate.

536
00:39:41,199 --> 00:39:43,679
Speaker 1: What I didn't see.

537
00:39:49,039 --> 00:40:12,800
Speaker 12: Th Oh my god, I love that. That is Awaiting Abigail.

538
00:40:13,079 --> 00:40:16,519
The track is called I Hate You So they sent us.

539
00:40:17,159 --> 00:40:19,280
I really like the other two tracks they sent us too,

540
00:40:19,320 --> 00:40:21,840
but I love that one. That's my Favorite's that's a

541
00:40:21,920 --> 00:40:25,159
hit right there. That is catchy as hell. That chorus

542
00:40:25,360 --> 00:40:26,079
is fantastic.

543
00:40:26,159 --> 00:40:26,519
Speaker 13: I love it.

544
00:40:26,800 --> 00:40:29,960
Speaker 12: Awaiting Abigail. Great band from Dallas, Texas. Jeez, if we

545
00:40:30,039 --> 00:40:32,960
knew that our next guest wasn't going to call in

546
00:40:33,199 --> 00:40:36,440
on time or at all. We could have talked longer

547
00:40:36,480 --> 00:40:40,159
with James but from Awaiting Abigail. But we'll get them

548
00:40:40,199 --> 00:40:42,920
rescheduled too, so it'll all work out. But if you

549
00:40:42,960 --> 00:40:45,119
are just joining us on this Saturday morning as we

550
00:40:45,239 --> 00:40:49,119
celebrate eight years of Matt Connorton Unleashed here at WMNH

551
00:40:49,239 --> 00:40:52,960
ninety five point three FM. Nothing has gone right with

552
00:40:53,199 --> 00:40:59,000
guests this morning. Harry fazackerly blew us off for the

553
00:40:59,079 --> 00:41:02,400
second time. That's two strikes. You're out for Harry, and

554
00:41:02,519 --> 00:41:07,599
then again James from Awaiting Abigail. Totally understandable. They just

555
00:41:07,719 --> 00:41:09,719
had a they had a tech issue and that's you know.

556
00:41:10,360 --> 00:41:10,480
Speaker 22: Uh.

557
00:41:10,679 --> 00:41:13,239
Speaker 12: He sent a very nice message and we'll definitely get

558
00:41:13,280 --> 00:41:15,320
them rescheduled. So that happened, so we're not we're not

559
00:41:15,480 --> 00:41:18,639
upset at all. I wouldn't have played that song if

560
00:41:18,679 --> 00:41:18,960
I was.

561
00:41:19,119 --> 00:41:19,159
Speaker 20: No.

562
00:41:19,360 --> 00:41:21,480
Speaker 12: I'm really looking forward to getting them back on the show,

563
00:41:21,519 --> 00:41:23,320
to getting them rescheduled. I want to I want to

564
00:41:23,360 --> 00:41:25,079
have a long form discussion with them because I'm a

565
00:41:25,119 --> 00:41:27,880
big fan. All these bands that we've had from Texas

566
00:41:27,960 --> 00:41:30,960
are just really good. There's a lot of great music

567
00:41:31,000 --> 00:41:34,320
coming out of Texas. So but then we're supposed to

568
00:41:34,360 --> 00:41:36,400
have John Poussett Dart was supposed to be calling us

569
00:41:36,480 --> 00:41:39,239
at ten thirty to promote his upcoming show at the

570
00:41:39,280 --> 00:41:41,719
Rex Theater. And I don't know, maybe the show's already

571
00:41:41,760 --> 00:41:43,760
sold out. So he said, uh, never mind, I don't

572
00:41:43,760 --> 00:41:45,760
know what happened. No, there might be there might be

573
00:41:45,840 --> 00:41:48,760
a good reason too. So I always I don't uh,

574
00:41:49,920 --> 00:41:54,360
I don't get upset. I just, you know, because because

575
00:41:54,480 --> 00:41:56,400
the worst thing right would be to get mad about

576
00:41:56,440 --> 00:41:58,199
it and then find out later that there was like

577
00:41:58,280 --> 00:42:01,880
some terrible emergency or something, and you like you go, oh, oh,

578
00:42:02,159 --> 00:42:02,599
I got you.

579
00:42:02,719 --> 00:42:04,760
Speaker 13: I got it okay now, and now I feel bad

580
00:42:04,760 --> 00:42:07,000
for getting upset. So I never get upset, you know.

581
00:42:08,000 --> 00:42:10,440
Speaker 3: I just we just roll with it, we go forward.

582
00:42:10,639 --> 00:42:13,000
Speaker 12: But the nice thing about doing a show like this is,

583
00:42:13,559 --> 00:42:16,320
you know, we can always do other things if something

584
00:42:16,559 --> 00:42:18,960
falls through, you know, we talk about a lot of

585
00:42:19,039 --> 00:42:21,840
music industry topics on the show, or we can play

586
00:42:21,880 --> 00:42:24,119
a song, you know, always just play a song, you know,

587
00:42:24,280 --> 00:42:29,039
so there's nothing ever worth getting upset about. That's something

588
00:42:29,079 --> 00:42:31,360
I learned pretty quickly about doing a live radio show

589
00:42:31,480 --> 00:42:33,679
that there's nothing that can go wrong, you know, unless

590
00:42:33,679 --> 00:42:35,679
you just get knocked off the air for some reason

591
00:42:35,800 --> 00:42:39,000
or something. But generally speaking, there's really not much that

592
00:42:39,079 --> 00:42:41,320
can go wrong that's just going to derail the entire

593
00:42:41,360 --> 00:42:43,920
show because you can always just you can always pivot

594
00:42:43,960 --> 00:42:44,679
to something else.

595
00:42:44,760 --> 00:42:45,639
Speaker 13: It's not a big deal.

596
00:42:47,639 --> 00:42:50,840
Speaker 12: And even if and even if the show does get

597
00:42:50,920 --> 00:42:53,320
completely derailed, is it the worst thing that's ever gonna

598
00:42:53,320 --> 00:42:54,320
happen to you in your life?

599
00:42:54,599 --> 00:42:55,159
Speaker 13: Probably not.

600
00:42:57,119 --> 00:42:57,920
Speaker 5: So we have fun.

601
00:42:58,000 --> 00:42:59,079
Speaker 13: We have a good time again.

602
00:43:00,119 --> 00:43:04,159
Speaker 12: Years this week, officially eight years that Matt Connorton Unleashed

603
00:43:04,159 --> 00:43:07,480
has been at wm and H ninety five point THREEFM

604
00:43:07,519 --> 00:43:09,800
here in Manchester. And I continue to be so honored

605
00:43:09,840 --> 00:43:12,599
and privileged and proud to be associated with this amazing

606
00:43:12,639 --> 00:43:15,480
station and everyone who plays a part in making sure

607
00:43:15,519 --> 00:43:17,440
that I get to continue to do this every week,

608
00:43:17,760 --> 00:43:20,800
and so and everybody, all the guests, even the ones

609
00:43:20,840 --> 00:43:23,599
who sometimes give us a little bit of a headache.

610
00:43:24,000 --> 00:43:25,840
I appreciate all of them and.

611
00:43:27,960 --> 00:43:29,840
Speaker 13: All of it. So so honored.

612
00:43:29,840 --> 00:43:31,800
Speaker 12: And of course, you know, we've been here, Like I said,

613
00:43:31,840 --> 00:43:34,000
we've been here for eight years. I originally started just

614
00:43:34,039 --> 00:43:37,599
a little bit of quick backstory Matt Connorton Unleashed originally

615
00:43:37,679 --> 00:43:41,119
started as a podcast before the term podcast was even

616
00:43:41,679 --> 00:43:46,360
really in wide use back in twenty eleven and then

617
00:43:46,880 --> 00:43:49,719
so we just did it as a strictly online streaming

618
00:43:50,599 --> 00:43:53,519
for quite a few years, and then in twenty seventeen,

619
00:43:53,880 --> 00:43:55,840
I had the opportunity to bring the show here to

620
00:43:56,039 --> 00:44:00,519
WMNH and been here ever since and very very happy

621
00:44:00,519 --> 00:44:04,880
about it. So kind of keeping an eye on my

622
00:44:05,360 --> 00:44:07,519
messages here. I just got a message from Jenny that

623
00:44:07,599 --> 00:44:10,880
our next guest is at the door. Our next guest

624
00:44:11,400 --> 00:44:14,800
guest is here in person and is at the door.

625
00:44:14,960 --> 00:44:18,119
So I'm going to go and let that individual into

626
00:44:18,400 --> 00:44:20,639
the station. I don't have to worry about them not

627
00:44:21,280 --> 00:44:23,960
making it because they're here. But I think what we're

628
00:44:23,960 --> 00:44:26,079
gonna do is because I like this band so much.

629
00:44:26,960 --> 00:44:29,599
I'm gonna go ahead and I'm gonna play one more track.

630
00:44:29,960 --> 00:44:31,639
They have four that are available. I'm gonna play this

631
00:44:31,719 --> 00:44:35,599
track people Pleaser from our new friends from Dallas awaiting Abigail,

632
00:44:35,679 --> 00:44:37,760
because I love that last song we played. I'm gonna

633
00:44:37,760 --> 00:44:40,360
play that We're gonna give today. Of course, one of

634
00:44:40,400 --> 00:44:41,800
the things that we've been doing as well is the

635
00:44:41,840 --> 00:44:48,719
American Radio Premiere of another great track, and I want

636
00:44:48,760 --> 00:44:52,800
to make sure that I have the The only thing

637
00:44:52,840 --> 00:44:57,119
about pivoting is sometimes sometimes you get a little lost

638
00:44:57,199 --> 00:44:59,920
in what you're pivoting to and from the great new

639
00:45:00,119 --> 00:45:03,440
track from Ryan Redwood, another fantastic artist from the UK,

640
00:45:03,599 --> 00:45:06,599
the song Tomorrow, which I absolutely love. So today's the

641
00:45:06,639 --> 00:45:09,039
American radio premiere of that that has not been heard

642
00:45:09,119 --> 00:45:10,920
on any American radio station.

643
00:45:10,880 --> 00:45:11,719
Speaker 13: Prior to today.

644
00:45:12,639 --> 00:45:15,039
Speaker 12: So we're gonna give that another spin to a WM

645
00:45:15,079 --> 00:45:18,400
and H ninety five point three FM exclusive. And maybe

646
00:45:18,480 --> 00:45:22,320
we'll play another one of those nameless band songs too

647
00:45:22,440 --> 00:45:29,360
that celebrates celebrates our eight year anniversary. Actually, here's what

648
00:45:29,480 --> 00:45:31,000
we're gonna do, because we have time to do all

649
00:45:31,000 --> 00:45:33,840
three of these things. I'm gonna play I'm gonna play

650
00:45:33,880 --> 00:45:36,679
that awaiting Abigail track I was just talking about people Pleaser.

651
00:45:37,440 --> 00:45:39,440
Speaker 13: Then I'm gonna play Breaking Waves by.

652
00:45:39,440 --> 00:45:41,880
Speaker 12: Nathan Hill because Nathan Hill is in the chat room

653
00:45:41,960 --> 00:45:45,639
on Facebook and he requested a Nathan Hill song and

654
00:45:45,800 --> 00:45:48,880
Nathan was on the show recently and absolutely fantastic.

655
00:45:49,599 --> 00:45:52,480
Speaker 13: So we'll play the title track from his his EP,

656
00:45:52,679 --> 00:45:53,000
is it an.

657
00:45:52,960 --> 00:45:55,519
Speaker 12: EP or full album? Breaking Waves. We're gonna play Breaking

658
00:45:55,599 --> 00:46:02,480
Waves from Nathan Hill. Then we're gonna do uh, let's see,

659
00:46:03,559 --> 00:46:06,800
and then we'll we'll do the uh Ryan Redwood song again.

660
00:46:07,559 --> 00:46:12,480
Speaker 13: Someone's calling, Oh they're gone. Someone was calling.

661
00:46:12,519 --> 00:46:17,079
Speaker 12: Okay, never mind, Okay, So we got a few things

662
00:46:17,119 --> 00:46:19,360
to do and then Justin Hunt is going to be.

663
00:46:19,400 --> 00:46:22,039
Speaker 13: With us in the third hour. But here it is.

664
00:46:22,119 --> 00:46:24,840
This is people pleaser. From awaiting Abigail.

665
00:46:44,280 --> 00:46:51,280
Speaker 4: S is small mophies. We get a few mcs.

666
00:46:52,199 --> 00:47:02,480
Speaker 23: If we say, don't ask boy byes, I'm gotting held anyone.

667
00:47:03,159 --> 00:47:08,440
Speaker 4: I just want to be us and you always right.

668
00:47:08,760 --> 00:47:10,880
Don't like to be criticized.

669
00:47:11,159 --> 00:47:12,079
Speaker 3: People please the.

670
00:47:15,000 --> 00:47:16,599
Speaker 5: People, please ask.

671
00:47:18,800 --> 00:47:19,880
Speaker 3: People, please have.

672
00:47:22,599 --> 00:47:24,000
Speaker 5: People please ask.

673
00:47:27,440 --> 00:47:31,400
Speaker 24: Word read shouting the full armhotel.

674
00:47:32,239 --> 00:47:37,199
Speaker 4: I'll just keep doing whatever you say because I don't

675
00:47:37,639 --> 00:47:38,960
know any other way.

676
00:47:40,519 --> 00:47:41,280
Speaker 3: I don't I.

677
00:47:41,320 --> 00:47:46,559
Speaker 4: Should ask more about but I don't know how.

678
00:47:48,400 --> 00:47:52,360
Speaker 2: SAPs my men were able to make them smile.

679
00:47:52,880 --> 00:48:17,679
Speaker 4: A braid is disease. People pleasing dancing constantly reach you

680
00:48:18,079 --> 00:48:27,199
most because if I'm not perfect, I forever beyond. You

681
00:48:27,400 --> 00:48:32,000
want to hang out to know I can say no,

682
00:48:32,719 --> 00:48:35,360
even no answer, I'll cross.

683
00:48:35,360 --> 00:48:36,320
Speaker 3: Off my list.

684
00:48:38,639 --> 00:48:46,719
Speaker 24: You always why to be treated sust people pleaser, people

685
00:48:46,920 --> 00:48:55,599
please as people pleasers, people pleasers.

686
00:49:00,639 --> 00:49:02,480
Speaker 7: Without them before my mouth.

687
00:49:02,559 --> 00:49:05,280
Speaker 17: So I'll just keep.

688
00:49:05,280 --> 00:49:09,639
Speaker 4: Doing whatever you can see, cause I don't go any

689
00:49:09,800 --> 00:49:14,400
other way. I don't I should ask for coll.

690
00:49:14,960 --> 00:49:17,760
Speaker 5: Cause I don't know how.

691
00:49:18,880 --> 00:49:22,559
Speaker 2: The sad with my mom and the hell you who

692
00:49:22,719 --> 00:49:29,280
make them smell a pain, a disease, cause people fleeing, dancing.

693
00:49:30,280 --> 00:49:48,679
Speaker 24: People, people please, people please, People'll please the.

694
00:49:51,199 --> 00:49:55,840
Speaker 4: People'll please, the people please that.

695
00:50:22,079 --> 00:50:40,840
Speaker 25: In the silence of Melin rides a storm room in

696
00:50:41,039 --> 00:50:45,719
the dark skies in alt the tide.

697
00:50:45,599 --> 00:50:51,079
Speaker 26: And bos and sways, grinding me with your rests ways,

698
00:50:51,519 --> 00:50:57,480
spit inde rinds me in there, I screamed through the

699
00:50:57,719 --> 00:51:03,480
roaring wave him shot a fine or just getting to

700
00:51:03,719 --> 00:51:05,639
these rays wave.

701
00:51:07,239 --> 00:51:07,599
Speaker 20: But w.

702
00:51:09,119 --> 00:51:11,559
Speaker 5: Play away, not.

703
00:51:11,679 --> 00:51:13,280
Speaker 3: The ship but the shows.

704
00:51:14,639 --> 00:51:22,239
Speaker 6: Semi so to com sa way spaking a mom until

705
00:51:22,480 --> 00:51:31,599
the bat the boy of rage. I'm gettin swaying, springing

706
00:51:32,480 --> 00:51:34,880
away the guys.

707
00:51:37,760 --> 00:51:39,039
Speaker 3: I can't bring.

708
00:51:41,440 --> 00:51:42,599
Speaker 5: Upside.

709
00:51:44,880 --> 00:51:45,920
Speaker 3: I got a thumb, a.

710
00:51:46,000 --> 00:51:47,159
Speaker 1: Bike at.

711
00:51:48,760 --> 00:51:49,559
Speaker 5: The space.

712
00:51:52,199 --> 00:51:59,239
Speaker 1: I've got a raising the bay round.

713
00:52:02,679 --> 00:52:06,800
Speaker 5: My fortress on some work every day.

714
00:52:08,360 --> 00:52:16,400
Speaker 6: Space. These breaking ways open the prison, the play the

715
00:52:16,519 --> 00:52:19,199
sill sways, my love down, my mom.

716
00:52:19,440 --> 00:52:22,119
Speaker 1: Mad don't says five.

717
00:52:24,320 --> 00:52:26,599
Speaker 5: These can rest track you away.

718
00:52:28,480 --> 00:52:33,519
Speaker 1: But a lot, you know a lot, the ship.

719
00:52:33,360 --> 00:52:34,280
Speaker 3: On the show.

720
00:52:35,880 --> 00:52:42,920
Speaker 6: Selling so to come, sick ways, picking my moms in

721
00:52:43,079 --> 00:52:44,000
the tea.

722
00:52:44,840 --> 00:52:46,039
Speaker 5: The more the Ray.

723
00:52:47,199 --> 00:52:58,960
Speaker 6: Five dancing and swims waiting the trans t I can

724
00:52:59,360 --> 00:53:14,559
wrings side down stay, I'm calling the wish side.

725
00:54:53,920 --> 00:54:59,000
Speaker 20: Let's escape the weather mad they run away for the winter,

726
00:55:00,960 --> 00:55:08,400
prolong the suffer and and delay the existential crisis falling

727
00:55:08,519 --> 00:55:16,719
in superavelt that old story itself. What will remain of

728
00:55:17,079 --> 00:55:19,280
us when there's nothing but.

729
00:55:22,000 --> 00:55:24,920
Speaker 5: Just get off fay when.

730
00:55:26,400 --> 00:55:34,800
Speaker 14: Ss offen lam you Surpia when fell so much?

731
00:55:35,199 --> 00:55:38,880
Speaker 6: The falls when it.

732
00:55:40,400 --> 00:55:58,760
Speaker 14: Survid hasten lamb you Surfia way since running away.

733
00:55:59,119 --> 00:56:06,440
Speaker 4: Enough when finally say shelter comedy answer, say.

734
00:56:06,320 --> 00:56:09,039
Speaker 7: You won't save us this time?

735
00:56:11,519 --> 00:56:14,679
Speaker 4: Side said the chat's not be sill.

736
00:56:14,920 --> 00:56:18,840
Speaker 3: That's three pos.

737
00:56:18,840 --> 00:56:25,920
Speaker 5: I'll say, no, it's you. It's true. Best mister doll

738
00:56:26,239 --> 00:56:28,719
say oh why web friend.

739
00:56:29,519 --> 00:56:29,880
Speaker 6: S b.

740
00:56:32,239 --> 00:56:33,039
Speaker 5: That's not fair?

741
00:56:33,320 --> 00:56:33,440
Speaker 7: Fla.

742
00:56:33,800 --> 00:56:37,159
Speaker 5: Are you to feel wagon fails?

743
00:56:38,360 --> 00:56:45,719
Speaker 14: The phone whis last whist friends who.

744
00:56:43,840 --> 00:56:47,119
Speaker 3: Bo, that's not fair?

745
00:56:47,360 --> 00:56:47,400
Speaker 4: That?

746
00:56:47,840 --> 00:57:12,360
Speaker 5: Are you to feel wet sauce come Man's West Yeah, so.

747
00:57:15,360 --> 00:57:16,760
Speaker 4: Yeah, so weds.

748
00:57:21,280 --> 00:57:21,800
Speaker 7: It's good.

749
00:57:21,920 --> 00:57:24,599
Speaker 27: I'll pay a way when it ends.

750
00:57:33,559 --> 00:57:41,800
Speaker 6: It's good I'll say no way when that's nothing.

751
00:57:43,000 --> 00:57:45,719
Speaker 3: To said, so.

752
00:57:47,679 --> 00:57:50,320
Speaker 4: Posing on this last wed.

753
00:57:54,719 --> 00:57:59,159
Speaker 6: That's nothing, that's far too teeny's.

754
00:57:59,199 --> 00:58:14,159
Speaker 27: So in times of crisis, you need a law firm

755
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756
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757
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758
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759
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760
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761
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Serving all of New Hampshire, Craigan Getzulis is here when

762
00:58:39,119 --> 00:58:42,159
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763
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764
00:58:46,960 --> 00:58:51,079
Speaker 28: Bring your kitchen to life with Queen City Cabinetry, located

765
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766
00:58:54,800 --> 00:58:58,239
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767
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768
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769
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770
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