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Speaker 1: W M. N H who rips the novels.

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Speaker 2: When Mattso wakes up in the morning, he gets into

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the shower and to the top of his lungs, he sings,

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I do what I want because I can't. All right,

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I'm back to the radio show now all the best Jerry.

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Speaker 3: Physic City is a mockery of the people that you

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stand on.

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Speaker 4: That's survival charge.

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Speaker 5: What casha a broken Pasan for citizens from all its.

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Speaker 6: Own weekend God figs against your creed a retro few ships, sir, say.

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Speaker 3: Your conte say, because she asks American out?

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Speaker 1: Why she asks American hy?

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Speaker 7: Because she asks American crea turns the last step.

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Speaker 4: Tradition is weapon.

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Speaker 1: Will all let a father flogging a patriot?

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Speaker 8: You're can rewind women? I never say this.

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Speaker 4: Sorry, what's try to see?

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Speaker 1: You want TV?

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Speaker 9: If you put them in their place?

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Speaker 4: A sunset bet it's a plucky to re catch she.

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Speaker 1: Sayy because she asks America out?

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Speaker 3: Hycause she asks America Okay, because she asks America up

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to your creed?

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Speaker 1: And it turns the last step Starry, sometimes I get

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the ships up blod.

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Speaker 3: The star clouds gather over this guy. Fer Way Stray

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should say, said something to say.

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Speaker 10: I tell you're this guy's got your choice.

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Speaker 8: Guys tell you there's have enough trusses.

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Speaker 11: Why should you say one?

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Speaker 2: We went sold the line.

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Speaker 8: It's time we say.

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Speaker 1: American american.

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Speaker 8: As Americana.

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Speaker 1: Click c last day.

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Speaker 3: Americana, the Americana, click on the cree Cads and last

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Dad Queen.

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Speaker 1: Yes take your last band. Liday died by account of

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the clown.

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Speaker 12: I love it.

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Speaker 13: The track is ex Americana, the band is Jersey Calling,

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and they are here with us. We're gonna speak with

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them in just a moment. Welcome everybody. We have entered

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our number two Numarrow dose of Matt Connorton Unleashed and

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we are live from the studios of wm NH ninety

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five point three FM and Glorious Manchester, New Hampshire. And

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of course you can stream the show from anywhere. Go

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to Matt connorton dot com slash live for all your

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live streaming options, social media links, contact in Fosho archives,

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et cetera, et cetera. Today is a Saturday, June twenty eight,

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twenty twenty five. Jenny is here, of course at the

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news table and joining us in studio. Let me get

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those mics on. We've got three members of the band

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Jersey calling. Welcome everybody.

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Speaker 12: Good morning, good morning, good morning.

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Speaker 13: Wonderful to have you here. I love, like I said,

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I love that song. Actually I love all of them

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that I've listened to. Great, great stuff. Let's start with you, sir.

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Let's go through and each introduce yourselves and tell us

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who you are, what you do in the band.

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Speaker 14: Hi, my name is Sean, and I play lead guitar

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in the band. And if they're really nice to me,

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they let me sing.

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Speaker 15: Oh, okay, all right, good good Hi Victoria, and I

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am cold lead singer.

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Speaker 9: And yeah, it's about it.

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Speaker 4: It play a little tamburine. That's about it.

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Speaker 13: Okay, okay, excellent.

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Speaker 1: And you.

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Speaker 12: My name is Josh. I play guitar, and I also sing.

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I played guitar worse than Sean. I sing worse than Victoria.

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I also love that Sean went first because he's the

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shyest member. Oh no kidding, it's exciting.

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Speaker 13: Yeah, throw deep end, nothing wrong with that.

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Speaker 11: So what now?

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Speaker 13: So you're on a big national tour, right you've been?

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Uh it looks like you play a lot of shows

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from what I saw online.

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Speaker 12: You know, we give that impression. No, this is just

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a weekend thing, man.

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Speaker 13: Oh oh yeah.

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Speaker 12: Yeah. We all have full time jobs and families, so

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like on the weekends sometimes we get real squirrely and

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we're like, let's drive as far as possible. Oh okay, okay,

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And that's what we did this weekend. We uh, yesterday

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we played in Boston, and tonight we're playing in western

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Massachusetts in Westfield.

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Speaker 13: Okay, excellent, excellent. Yeah, Because I was looking at at

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your stuff online, it looks like you've like, how how

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far have you gone with this as far as shows, Like,

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how far have you traveled?

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Speaker 11: I think the farthest is Nashville?

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Speaker 13: Yeah, nice, Okay, sure, which is.

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Speaker 11: A ton of fun.

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Speaker 13: Yeah.

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Speaker 11: Yeah.

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Speaker 13: It's funny because people have misconceptions about Nashville. They think it's,

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you know, like it's all just country music and cowboy

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boots and everything. But obviously, I mean, you know, Jersey

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Calling played there, so there's there's a market for a

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lot of different kinds of stuff overall.

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Speaker 11: It's just it's a music city.

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Speaker 13: Yeah, exactly, exactly. Yeah, we played.

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Speaker 12: We played with some pretty pretty red punk bands down there,

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Graveyard Kids, and uh, oh my god, why did I

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why did I put myself out there living living with Okay, Yeah, yeah,

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there we go, We got there.

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Speaker 13: Yeah yeah. How long has this band existed? How long

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has Jersey Calling been around?

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Speaker 12: That's a complicated question, Matt.

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Speaker 13: We have we have we have time.

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Speaker 12: We have time, all right. So so the short, the

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shortest answer I can give is that, like we started

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when we were like, I don't know, nineteen or twenty

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back in two thousand and two, okay, we played as

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a band. We we played pretty much locally exclusively, okay,

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for like three years. And then after that we like

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kind of, you know, adult life got in the way.

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We all started like focusing on getting a meaningful job, starting,

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starting a family and all that stuff. And then in

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twenty twenty, when the pandemic hit, I wrote a bunch

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of new songs and I called up Sean and Randy,

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and Randy's our bass player, he's not with us today,

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and they said that they wanted to play them like

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they would be down to record them with me. And

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right around that same time, I met Victoria here and

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we started dating, and I thought I would try to

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impress her with my singing and guitar playing, and then

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I heard her singing, and I was like, ah, I

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have completely overestimated my ability.

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Speaker 13: Oh no, oh that's funny.

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Speaker 11: Yeah.

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Speaker 15: I was excited for you to come over, and then

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when you brought your guitar, I'm like, cool, we'll both

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sing together.

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Speaker 4: I heard it.

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Speaker 15: He knew because I watched you on Facebook, because like you,

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he had like this live concert series like he was

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doing for twenty twenty.

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Speaker 4: So you did that, So I knew you.

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Speaker 12: You knew you were better.

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Speaker 4: No, well, I knew you could, and so I was excited.

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I'm like, yeah, let's hang out and yeah. So the

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rest is history, man.

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Speaker 12: Yeah yeah, yeah, so well yeah, since twenty twenty, we've

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been playing pretty pretty much NonStop.

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Speaker 13: Okay.

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Speaker 12: In twenty twenty three was when our newest member, John,

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our drummer, came on and he and Randy are together

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at the hotel room now okay, taking care of a

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taking care of a mishap from earlier.

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Speaker 13: Oh I got you, Yeah, I got you.

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Speaker 15: Yeah, travels tough man. It is especially earlier. It's just

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it's early morning, yeah, the morning.

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Speaker 12: Yeah, it is.

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Speaker 16: It is.

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Speaker 13: So is your drummer, what's his name?

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Speaker 12: John?

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Speaker 13: John?

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Speaker 16: Is he?

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Speaker 13: There's been a trend on the show recently, well at

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least last couple years, especially with with everybody who comes on.

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Everybody's drummer is in like ten different bands? Is John

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and ten different bands?

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Speaker 12: Yeah, I mean I assume he's in the band that

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just left.

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Speaker 13: I don't actually no, oh yeah, that's funny.

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Speaker 12: That could be why he left. He's like I got

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to go back to the hotel room. I'm like, okay, John, yeah,

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going to his next his next gig with the other band.

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Speaker 13: Yea, absolutely, yeah, it's amazing. And you know, bass players

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can be hard to come by too, But but drummers especially,

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like everybody's everybody's drummers in all kinds of different bands.

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Speaker 11: Yeah.

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Speaker 12: Man, guitarists are a diamond dozen. Like everyone plays guitar.

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Speaker 13: It is true. I mean as a bass player, I

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say that, you know, no offense, but no, yeah, no,

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but it is true. Yeah, guitar players are everywhere. Yeah, yeah,

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what do you what do you think it is with drummers?

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Why are drummers so hard to uh?

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Speaker 11: You ever?

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Speaker 12: Have you ever tried to play drums? No, it's it's

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so hard.

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Speaker 13: Well, yeah, because you got to use all four of

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your limbs. That looks like too much for me.

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Speaker 12: Yeah, it's way too much. I can't coordinate my feet

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with my hands like that.

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Speaker 15: No, my my brain and my feet have never communicated properly.

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Speaker 13: Yeah yeah.

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Speaker 14: And you know what I think it is, as the

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parents of a drummer, it's a very special person that

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allows their kid to bring a drum set into the house.

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Speaker 13: And that's always yeah, and so just.

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Speaker 14: That there are not a lot of people that get

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into it super early, and and that's why they're in

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such high demand. I tell my kid all the time,

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you will always have work if you stick with us.

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Speaker 13: Yeah yeah, now that makes sense. Yeah, that and maybe

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the tuba. You don't necessarily want your house either.

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Speaker 6: Right.

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Speaker 13: Unless you're a mummer, like yeah, yeah, yeah, the clarinet anything.

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Speaker 12: I feel like the clarinet is way more annoying because

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you get that squeaky sound when they're learning. It's like

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nails on a chalkboard.

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Speaker 4: And my sister did that, she really.

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Speaker 12: Yeah, any read instrument you're gonna get that squeak.

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Speaker 13: Yeah.

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Speaker 12: Yeah.

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Speaker 13: Now I'm curious about the name Jersey calling, uh what.

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I assume it has something to do with New Jersey,

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but but I don't know, maybe not or from Oklahoma,

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I'd be a great twist.

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Speaker 12: So when we when we formed the band, Sean and

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I were listening to a lot of the clash and nice,

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So we thought the Jersey calling would be a cooler

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band name than the band that we were in at

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the time, which was called burn Kate.

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Speaker 11: Oh we got mis builled a lot as burnt Kate.

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Speaker 12: Oh my god, Oh for really? Yeah yeah, burning burning Kate,

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Burning Cake. Yeah, it was no one ever got the

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name right.

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Speaker 13: Well, now I'm curious where that name came from.

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Speaker 12: What was that about, Sean, Why don't you take this one?

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Speaker 2: Oh?

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Speaker 14: Yeah, my my sister suggested My sister was Kate, and

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uh she told us that we were going to suck,

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and I forget exactly what was said in response, and

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she said, well, why don't you just call the band

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burn Kate? And it stuck because we were what seventeen

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at the time.

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Speaker 12: Yeah, it was, you know, a little aggressive back and

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forth sibling rivalry. Yeah thing, that's cool, good time.

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Speaker 11: Yeah all right.

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Speaker 13: So then so Jersey calling, so it just sounded it

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just sounded cool, and it.

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Speaker 14: Sounded cool, and I think we just kind of ram

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with it. Yeah, Like I think we made stickers, and uh,

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it just kind of stuck from me.

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Speaker 11: Yeah.

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Speaker 12: Once we had like T shirts and stickers made, We're like,

241
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all right, we're stuck with this now. Yeah, yep.

242
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Speaker 13: I'm also so I'm curious about the lyrical themes in

243
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your songs. It seems like there's there's a slight political bent.

244
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Maybe I don't know, you can never be sure because

245
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you know, it's it's kind of ambiguous, so maybe maybe

246
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maybe not, Maybe I'm reading into it. I don't know,

247
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but I'm curious about lyrical themes. It seems like it

248
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seems like the songs not just not just ex Americana,

249
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but the other ones I listened to too, there's they've

250
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got that well, there's that punk ethos where you want

251
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to appeal to people who are not uh you know,

252
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to uh you know, you want to appeal to working

253
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class people. I guess is what I'm trying to say,

254
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you know what I mean? And yeah, I mean, am

255
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I am I getting the right vibe with what I'm

256
00:12:58,480 --> 00:12:59,919
what I'm hearing in your lyrics?

257
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Speaker 10: Yeah?

258
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Speaker 12: I I I would say so. I mean, I feel

259
00:13:03,360 --> 00:13:06,799
like ex Americana is a lot more explicitly. So, yeah,

260
00:13:07,039 --> 00:13:11,240
any song that we've done so far. But on the

261
00:13:11,399 --> 00:13:14,120
album Parasocial Security, I mean there there are plenty of

262
00:13:14,200 --> 00:13:18,519
songs with political themes, like Gods and Cowboys is about imperialism. Uh,

263
00:13:19,360 --> 00:13:21,639
You've got astilll Auego, which is kind of a working

264
00:13:21,720 --> 00:13:26,519
class kind of song. Yeah, got uh Queen of the Unclean,

265
00:13:26,559 --> 00:13:33,720
which is about trans rites social media content, about social media,

266
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and then you.

267
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Speaker 15: Got a little bit of love in there. So like

268
00:13:37,879 --> 00:13:40,799
you know, you got you got political, you got you know,

269
00:13:40,919 --> 00:13:42,639
social rights, you got the you.

270
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Speaker 4: Have we run the gamut.

271
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Speaker 12: Yeah, yeah, I mean like I feel like if I

272
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tried to write only political songs, I would run out

273
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of material really quickly, because I'm uh not smart enough

274
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to do that.

275
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Speaker 11: Yeah.

276
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Speaker 13: No, I think that's what part that's part of what

277
00:14:00,200 --> 00:14:03,240
me and listening to your music though, is is the

278
00:14:03,440 --> 00:14:06,039
theme the themes of because I love that stuff anyway.

279
00:14:06,080 --> 00:14:08,679
You know, we actually do politics on the show a

280
00:14:08,720 --> 00:14:10,080
long time ago, and we had to take it out,

281
00:14:10,159 --> 00:14:13,320
but but now it's, you know, we we stick to

282
00:14:14,000 --> 00:14:16,879
interviews with musicians. But but it's but I like that

283
00:14:17,039 --> 00:14:18,960
kind of I like music with a message and a

284
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point of view and and all that, So I think

285
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that's That's what part of what drew me into because

286
00:14:24,159 --> 00:14:26,320
when I was listening, because then I you know, obviously

287
00:14:26,360 --> 00:14:27,639
I listened to the tracks you sent, and then I

288
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went online and just listen to everything I could find

289
00:14:29,639 --> 00:14:33,720
of of Jersey Calling. Thank you, thanks dud, absolutely absolutely, Well,

290
00:14:33,759 --> 00:14:35,559
do you want to play another? As long as we're

291
00:14:35,600 --> 00:14:37,399
talking about all this great music, you want to play

292
00:14:37,399 --> 00:14:39,000
another studio track? And then we'll talk some more.

293
00:14:39,200 --> 00:14:41,799
Speaker 12: Yet for that, what should we go with next?

294
00:14:42,159 --> 00:14:45,360
Speaker 13: Let I'll let you all pick, assuming I don't know

295
00:14:45,360 --> 00:14:48,799
if you remember what you sent me. Uh uh, there's

296
00:14:48,840 --> 00:14:52,240
a Backseat Driver also, luego. Oh, maybe we should play

297
00:14:52,240 --> 00:14:53,600
that one because you mentioned that one.

298
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Speaker 12: Yeah sounds good. Yeah yeah, that's a crowd pleasers.

299
00:14:57,240 --> 00:14:58,120
Speaker 4: That's a wake up song.

300
00:14:58,399 --> 00:15:01,159
Speaker 13: Yeah, oh definitely. I'd say these are all wake up songs. Yeah, yeah,

301
00:15:01,159 --> 00:15:04,159
they're all. They're all pretty pretty high energy. What should

302
00:15:04,200 --> 00:15:05,759
we know about this one? Anything you want to tell us?

303
00:15:05,799 --> 00:15:07,600
Anything special about this one? We should know before we

304
00:15:07,679 --> 00:15:07,879
hear it.

305
00:15:08,200 --> 00:15:09,960
Speaker 12: Sure. A little fun fact about it was that I

306
00:15:10,080 --> 00:15:12,840
wrote this song for my kindergarten class. I'm a teacher

307
00:15:13,000 --> 00:15:15,279
okad during the day, Yeah, oh cool, I'm a Spanish

308
00:15:15,320 --> 00:15:18,919
teacher and so I wrote the chorus Asta Asta Asta lawego,

309
00:15:19,080 --> 00:15:21,600
just to teach them how to say goodbye. And I

310
00:15:21,720 --> 00:15:24,440
was after after Leslie do it a little bit, I'm like,

311
00:15:24,559 --> 00:15:26,919
this will be a cool punk song. Yeah, And so

312
00:15:27,080 --> 00:15:29,639
I wrote a verse with a lot of a lot

313
00:15:29,679 --> 00:15:31,519
of the F word in it. Okay, you know that

314
00:15:31,639 --> 00:15:34,559
that works the clear and clean verse you sent me.

315
00:15:34,720 --> 00:15:37,240
Speaker 13: You sent me the radio edit all right, which say man.

316
00:15:37,240 --> 00:15:39,200
Speaker 12: Like you're gonna get canceled for this.

317
00:15:41,279 --> 00:15:43,960
Speaker 13: Oh yeah, and ire I pre screen everything. I'm super

318
00:15:44,200 --> 00:15:46,480
I mean, granted if you if you'd sent me the

319
00:15:47,039 --> 00:15:51,559
the raw version. And I because sometimes people will send

320
00:15:51,600 --> 00:15:53,720
me stuff and it's like, oh I can't play that,

321
00:15:54,000 --> 00:15:56,200
but I can make Sometimes I'll make my own radio edit.

322
00:15:56,600 --> 00:15:58,559
I just I call it the poor man's radio edit.

323
00:15:58,600 --> 00:16:00,799
I just just reverse where the swear is.

324
00:16:01,279 --> 00:16:03,679
Speaker 12: It's so funny because like I never thought the ostill aego.

325
00:16:03,720 --> 00:16:05,840
We get played on the air, so like we're in

326
00:16:05,919 --> 00:16:09,159
the studio and he's like, should we do a radio

327
00:16:09,360 --> 00:16:11,519
edit of this? And I was like, no, no one's

328
00:16:11,600 --> 00:16:14,120
gonna want to hear this song on the air. And

329
00:16:14,240 --> 00:16:15,759
then like we're back.

330
00:16:16,639 --> 00:16:17,000
Speaker 11: You never know.

331
00:16:17,120 --> 00:16:20,799
Speaker 12: Fast forward a few months and like the main radio

332
00:16:20,879 --> 00:16:24,480
station in our area, WMMR out of Philadelphia. They're like,

333
00:16:25,240 --> 00:16:26,960
we got they picked us as the local artist of

334
00:16:27,000 --> 00:16:27,279
the month.

335
00:16:27,440 --> 00:16:27,639
Speaker 17: Yeah.

336
00:16:27,840 --> 00:16:29,960
Speaker 12: And the guy's like, hey, do you have radio edits

337
00:16:30,000 --> 00:16:31,919
of any of the songs on them there? I'm like, oh, well,

338
00:16:31,960 --> 00:16:33,960
this track's clean. This track's clean. I'm like, can we

339
00:16:34,039 --> 00:16:36,720
have a radio editive backseat driver? And he's like, what

340
00:16:36,879 --> 00:16:37,919
about astill aweg?

341
00:16:38,080 --> 00:16:39,840
Speaker 4: I'm like, oh, come on.

342
00:16:41,399 --> 00:16:41,440
Speaker 1: No.

343
00:16:41,840 --> 00:16:43,720
Speaker 15: Sometimes it just feels good to be a little right,

344
00:16:43,840 --> 00:16:44,960
especially about the right thing.

345
00:16:45,080 --> 00:16:45,759
Speaker 12: Yeah, you nailed it.

346
00:16:45,879 --> 00:16:47,519
Speaker 4: We did that. I was like, oh no, this is

347
00:16:47,720 --> 00:16:50,480
I'm like, this is gonna happen. I think, yeah, yeah, yeah.

348
00:16:50,519 --> 00:16:53,000
Speaker 12: So we ended up going back into our our studio

349
00:16:53,279 --> 00:16:56,720
and uh and coming up with not you instead of

350
00:16:57,519 --> 00:16:57,759
you know.

351
00:16:58,559 --> 00:17:04,400
Speaker 13: Okay, yatcha yatcha better lyric? Yeah yeah, I love it.

352
00:17:04,440 --> 00:17:06,440
All right, all right, let's give the suspend. This is

353
00:17:06,519 --> 00:17:08,720
the radio d at the clean version of Asa Luego.

354
00:17:08,839 --> 00:17:10,480
The band is Jersey College.

355
00:17:10,839 --> 00:17:30,680
Speaker 1: Stop, We back your Lord.

356
00:17:31,319 --> 00:17:34,359
Speaker 8: We beck to mot in spread way too long Now

357
00:17:34,480 --> 00:17:36,279
No No, And he's for spinning and the wind.

358
00:17:36,319 --> 00:17:40,799
Speaker 3: We bedcorn cott in our Pleasures, rotten from Soldiers in

359
00:17:40,920 --> 00:17:41,839
the touches.

360
00:17:41,559 --> 00:17:43,079
Speaker 4: To the workers in the fields.

361
00:17:43,240 --> 00:17:45,559
Speaker 1: Now onegether push back together.

362
00:17:46,720 --> 00:17:49,480
Speaker 8: Spass train said, minds build the race burning its.

363
00:17:49,319 --> 00:17:53,319
Speaker 1: Sign right now it's tray stream tail. We play not

364
00:17:53,519 --> 00:17:55,960
you not you, not you not you, You're cold.

365
00:17:55,799 --> 00:18:05,640
Speaker 5: Not your house stop stop stop stop, strap us stop stop,

366
00:18:07,039 --> 00:18:10,599
snows stop.

367
00:18:16,039 --> 00:18:20,200
Speaker 8: You chut to sup We strike a trailer. We kept

368
00:18:20,240 --> 00:18:21,000
our massr bid.

369
00:18:21,039 --> 00:18:22,680
Speaker 9: I'll talk to Bristo in the machine.

370
00:18:22,720 --> 00:18:23,799
Speaker 4: Now we're exhausted.

371
00:18:24,319 --> 00:18:27,680
Speaker 5: We've been accosted to find a copy.

372
00:18:27,440 --> 00:18:29,519
Speaker 8: Sutucated very six fifteen.

373
00:18:29,319 --> 00:18:30,319
Speaker 1: Not stand united.

374
00:18:30,960 --> 00:18:32,680
Speaker 10: One day Society.

375
00:18:33,000 --> 00:18:35,480
Speaker 8: Runs up and gets a master's almost massive stick.

376
00:18:35,519 --> 00:18:38,640
Speaker 9: But the firspirit suker sitting on incumber.

377
00:18:39,640 --> 00:18:41,400
Speaker 1: Now, you're not you're not You're not You're.

378
00:18:41,519 --> 00:18:52,079
Speaker 10: You're going stop stop stop stop stop stop stop stop stop.

379
00:19:36,039 --> 00:19:39,240
Speaker 13: I love it, Asa Luego. The band is Jersey Calling.

380
00:19:39,400 --> 00:19:41,759
That is very, very catchy, high energy. I always say

381
00:19:41,799 --> 00:19:43,799
when I play something like that, if it doesn't get

382
00:19:43,839 --> 00:19:46,920
you moving, check your pulse, you might be dead. But uh,

383
00:19:47,319 --> 00:19:49,440
we've got three of the members of Jersey Calling here

384
00:19:49,480 --> 00:19:53,559
with us in studio. And how much how much music

385
00:19:53,640 --> 00:19:56,240
have as the band recorded? Do you have a lot

386
00:19:56,319 --> 00:19:56,799
at this point?

387
00:19:56,920 --> 00:19:59,240
Speaker 12: Yeah, we have a good amount online. So we have

388
00:20:00,480 --> 00:20:04,720
three three full length albums, Daddy Reissues, Punk Rock Retirement

389
00:20:04,920 --> 00:20:10,599
and Parasocial Security. Yeah, and then we have two single releases, Projections,

390
00:20:10,640 --> 00:20:13,519
which is actually two songs, it's Projections and poster Girl.

391
00:20:14,240 --> 00:20:17,160
And then we just released x Americana two weeks ago.

392
00:20:17,440 --> 00:20:21,880
Speaker 13: Okay, okay, excellent. Now do you have do you have

393
00:20:21,960 --> 00:20:24,720
physical CDs or do you just put things out online? Okay?

394
00:20:24,799 --> 00:20:28,160
Speaker 12: Yeah, yeah, yeah, we we get CDs of all our albums.

395
00:20:28,640 --> 00:20:33,079
We have vinyl of Parasocial Security, and then we also

396
00:20:33,160 --> 00:20:36,240
have a seven inch vinyl of these single projections with

397
00:20:36,400 --> 00:20:38,640
the B side being a poster Girl.

398
00:20:38,799 --> 00:20:40,359
Speaker 13: Oh no kidding. Yeah, that's very cool.

399
00:20:40,480 --> 00:20:43,319
Speaker 12: Yeah, we haven't done a we haven't done a physical

400
00:20:43,400 --> 00:20:46,240
release of x Americana because I mean I was kind

401
00:20:46,279 --> 00:20:48,480
of thinking we'd save it for our next album, which

402
00:20:48,480 --> 00:20:53,559
will be sometime in twenty twenty six. Yeah, but yeah, yeah,

403
00:20:53,559 --> 00:20:55,440
I don't know. It's just it's so expensive to get

404
00:20:55,440 --> 00:20:58,240
everything pressed at this point. Man, Like those seven inches

405
00:20:58,319 --> 00:21:03,759
were like, we're basically cost because it's it's tough to

406
00:21:04,119 --> 00:21:06,440
jack up the price of something with only two songs

407
00:21:06,480 --> 00:21:08,119
on it. Oh yeah, it's hard to justify.

408
00:21:08,400 --> 00:21:12,480
Speaker 13: Yeah, absolutely, Yeah, that's something that's been a subject on

409
00:21:12,559 --> 00:21:14,640
the show lately too with a lot of our guests,

410
00:21:14,759 --> 00:21:17,599
is you know, physical media because for a long time,

411
00:21:17,720 --> 00:21:20,000
so I've I've only been doing the show here at

412
00:21:20,279 --> 00:21:22,039
WMNH for about eight and a half years, but I've

413
00:21:22,079 --> 00:21:25,799
been interviewing bands for like twenty years, and and there

414
00:21:25,920 --> 00:21:28,720
was a period maybe ten years ago, maybe a little more,

415
00:21:28,960 --> 00:21:31,039
there was a period where everybody I would talk to

416
00:21:31,680 --> 00:21:34,440
would say, now, physical media is dead. We're just putting

417
00:21:34,480 --> 00:21:39,519
everything online, just Spotify and everything. And then, like, especially

418
00:21:39,640 --> 00:21:41,680
probably in the last five years, I feel like there's

419
00:21:41,680 --> 00:21:43,920
been this reversal where obviously, yeah, you do have to

420
00:21:43,920 --> 00:21:45,920
put everything online, that's important and that that should be

421
00:21:45,960 --> 00:21:49,359
the number one priority, but there's been a real recommitment

422
00:21:49,440 --> 00:21:52,240
to CDs. And of course vinyl never went away. Some

423
00:21:52,359 --> 00:21:54,759
people think Vinyl like they just stopped making vinyl at

424
00:21:54,759 --> 00:21:56,000
one point and then it came back, but it really

425
00:21:56,079 --> 00:21:58,720
never went away. But there's been a resurgence with that.

426
00:21:59,319 --> 00:22:02,400
I think it was it was either twenty twenty three

427
00:22:02,559 --> 00:22:04,480
or maybe twenty twenty two was the first year that

428
00:22:04,599 --> 00:22:09,400
vinyl actually outsold CDs since CDs became the primary medium.

429
00:22:09,519 --> 00:22:12,119
So but my theory with that is I think most

430
00:22:12,119 --> 00:22:14,519
people who buy vinyl they never even open it because

431
00:22:14,519 --> 00:22:16,519
if you're really a fan of an artist, like a

432
00:22:16,960 --> 00:22:18,759
lot of people who buy vinyl probably don't even have

433
00:22:18,799 --> 00:22:20,799
a record player, you know. They just buy it because

434
00:22:21,279 --> 00:22:22,799
if you really want to support that artist, you know,

435
00:22:22,839 --> 00:22:24,160
and then you can mount the cover art on the

436
00:22:24,240 --> 00:22:24,960
wall or something.

437
00:22:25,079 --> 00:22:28,640
Speaker 12: But the cover art does look really cool, especially on vinyl,

438
00:22:28,640 --> 00:22:32,200
because it's yeah big, you know, oh yeah, but yeah.

439
00:22:32,680 --> 00:22:32,799
Speaker 11: You know.

440
00:22:32,880 --> 00:22:35,119
Speaker 12: What's crazy to me is like the amount of young

441
00:22:35,200 --> 00:22:37,680
people that are really into vinyl. Yeah, oh yeah, like

442
00:22:37,759 --> 00:22:40,240
the students that I teach, Like I have a sixth

443
00:22:40,279 --> 00:22:45,240
grade kid who he's like really into vinyl and tapes

444
00:22:45,920 --> 00:22:49,759
and CDs, like like if it's if it's physical music,

445
00:22:49,880 --> 00:22:52,240
he is into it. Yeah, And I suspect like the

446
00:22:52,279 --> 00:22:56,000
streaming maybe is the introduction to that music. Yes, but

447
00:22:56,079 --> 00:22:58,440
if he likes it, he's going out and he's seeking

448
00:22:58,480 --> 00:22:59,839
out the physical album.

449
00:23:00,319 --> 00:23:00,519
Speaker 11: Yeah.

450
00:23:00,599 --> 00:23:02,839
Speaker 12: I mean that's I think that's super cool, you know, absolutely.

451
00:23:03,200 --> 00:23:06,079
Speaker 15: I like that there's like that option though, So like before,

452
00:23:06,240 --> 00:23:08,319
like you kind of had to either hear them live

453
00:23:08,599 --> 00:23:10,799
or just buy it and then listen and decide whether

454
00:23:10,839 --> 00:23:12,359
you like it or not. I kind of like that

455
00:23:12,480 --> 00:23:15,960
you can listen first and go no, I want that, like,

456
00:23:16,079 --> 00:23:18,480
you know, like that, I don't know if the hopes no,

457
00:23:18,559 --> 00:23:19,440
that would have saved me.

458
00:23:20,200 --> 00:23:22,400
Speaker 12: That would have saved me some money in the nineties, man,

459
00:23:22,559 --> 00:23:25,720
that really would have absolutely absolutely Yeah.

460
00:23:26,319 --> 00:23:29,160
Speaker 13: Yeah, I mean I I think it's yeah, it's nice.

461
00:23:29,240 --> 00:23:32,440
That's a great point, Victoria, because don't get me wrong,

462
00:23:32,519 --> 00:23:34,359
Like I have memories of being a kid going to

463
00:23:34,440 --> 00:23:37,000
the record store and you know, flipping through things and

464
00:23:37,079 --> 00:23:39,319
finding things that look interesting. Oh, this looks like this

465
00:23:39,440 --> 00:23:41,480
has a cool cover. Maybe this will be cool, maybe

466
00:23:41,519 --> 00:23:43,079
it won't, but I'll take the risk and buy it,

467
00:23:43,200 --> 00:23:45,240
you know. But now it's like, you know, there's no

468
00:23:45,759 --> 00:23:50,400
there's no guesswork, and you can find anything that that's

469
00:23:50,440 --> 00:23:52,440
some of the you know, because I'm I'm Generation X.

470
00:23:52,559 --> 00:23:54,519
My generation is really the last generation to grow up

471
00:23:54,519 --> 00:23:57,160
without the Internet. So I can still remember, like if

472
00:23:57,200 --> 00:23:58,839
there was a song that just popped into my brain

473
00:23:58,920 --> 00:24:00,400
one day and I'm like, oh, I haven't heard that

474
00:24:00,440 --> 00:24:02,200
in a while. I'd like to hear that. Well, what

475
00:24:02,279 --> 00:24:03,960
am I going to do if I don't. If I

476
00:24:04,000 --> 00:24:06,119
don't have it myself, I don't know anyone who has it.

477
00:24:06,200 --> 00:24:08,480
I mean it's you know, but now I can just

478
00:24:08,519 --> 00:24:10,559
go online and find it. It's amazing. We had an

479
00:24:10,599 --> 00:24:11,279
amazing time.

480
00:24:11,519 --> 00:24:11,720
Speaker 6: It is.

481
00:24:11,920 --> 00:24:14,839
Speaker 12: It is pretty crazy. I remember like I would I

482
00:24:14,880 --> 00:24:17,240
would hear I would hear a single on the radio

483
00:24:17,519 --> 00:24:19,839
or I'd see it on like MTV or something. Yeah,

484
00:24:19,880 --> 00:24:21,680
and then you had no choice. You had to go

485
00:24:21,759 --> 00:24:23,799
out and buy the album because like the single wasn't

486
00:24:23,839 --> 00:24:26,039
available or whatever. Yeah, and then you listen to the

487
00:24:26,079 --> 00:24:30,319
album and it's like I hate every other Yeah, I hate.

488
00:24:30,759 --> 00:24:34,359
I have eleven tracks of Garbage and I have one

489
00:24:34,599 --> 00:24:35,119
song that I.

490
00:24:35,160 --> 00:24:35,960
Speaker 11: Want to hear yeap.

491
00:24:36,359 --> 00:24:39,440
Speaker 12: Oh yeah that was fifteen dollars of my Heart Earned

492
00:24:39,480 --> 00:24:40,359
Allowance yep.

493
00:24:41,200 --> 00:24:41,519
Speaker 11: Stuff.

494
00:24:41,799 --> 00:24:44,839
Speaker 4: Oh yeah, taking the rash out and moments and lawns.

495
00:24:45,599 --> 00:24:49,440
Speaker 13: Yeah, I used to. I used to record off the

496
00:24:49,559 --> 00:24:52,839
radio too, oh yeah, ye save that way, just recorded

497
00:24:52,880 --> 00:24:53,720
off Oh my god, I.

498
00:24:53,759 --> 00:24:56,440
Speaker 12: Forgot that yeah yeah oh yeah, I mean technically, like

499
00:24:56,920 --> 00:24:59,400
that's word admitting to crimes now, right, like this is

500
00:24:59,480 --> 00:25:02,079
this word. This is like a confessional. Yeah, like we

501
00:25:02,119 --> 00:25:02,720
shouldn't be that.

502
00:25:02,920 --> 00:25:04,200
Speaker 13: That's true, Yeah, that's true.

503
00:25:04,279 --> 00:25:04,400
Speaker 2: Oh.

504
00:25:04,480 --> 00:25:07,119
Speaker 13: I would record with the VCR. I would record videos

505
00:25:07,160 --> 00:25:09,480
off of MTV. Oh yeah, oh yeah.

506
00:25:09,759 --> 00:25:11,359
Speaker 12: The FCI has entered the.

507
00:25:14,839 --> 00:25:18,519
Speaker 13: Absolutely Oh our friend Marian vanishes in the chat room.

508
00:25:18,559 --> 00:25:18,680
Speaker 1: Man.

509
00:25:18,759 --> 00:25:20,720
Speaker 13: She has a question. She says, I'd like to know

510
00:25:21,480 --> 00:25:24,039
bands are artists that might have inspired them? Yeah, great,

511
00:25:24,119 --> 00:25:26,160
great subject. I want to know that too, Like who

512
00:25:26,200 --> 00:25:28,200
are your inspirations? Who are your influences?

513
00:25:28,559 --> 00:25:30,319
Speaker 12: I'm gonna throw at the sewan again because I haven't

514
00:25:30,359 --> 00:25:31,400
heard his voice in three minutes.

515
00:25:31,480 --> 00:25:31,880
Speaker 11: Oh okay.

516
00:25:32,920 --> 00:25:37,079
Speaker 14: From a guitar playing perspective, there are three guitars that

517
00:25:37,079 --> 00:25:40,400
I really like. James Bowman from Against Me, Jerry Garcia

518
00:25:40,440 --> 00:25:43,640
from The Rateful Dead, and Slash. Those are the three,

519
00:25:44,160 --> 00:25:46,519
And there are three very different guitarists, but there are

520
00:25:46,559 --> 00:25:49,200
three people that I like. Those are the solos I

521
00:25:49,319 --> 00:25:52,000
try to learn and then try to just see what

522
00:25:52,079 --> 00:25:54,000
I can fit in in Jersey calling songs.

523
00:25:54,079 --> 00:25:57,640
Speaker 12: I want to put those three in a room together. Yeah, yeah,

524
00:25:57,640 --> 00:25:59,359
I want to see those three guys in a room

525
00:25:59,400 --> 00:26:01,359
together just hanging out that rate.

526
00:26:01,839 --> 00:26:05,079
Speaker 13: Well on one of them would be hard Geregresy has

527
00:26:05,119 --> 00:26:11,240
been dead for like twenty years, yeah, thirty years? Things

528
00:26:11,279 --> 00:26:14,960
about music, Yeah, Jerry has left the building. Yeah yeah,

529
00:26:15,119 --> 00:26:16,000
how about you, Victoria?

530
00:26:16,759 --> 00:26:22,799
Speaker 15: So my influences include uh, Haley Williams from Paramour, Lizzie

531
00:26:22,839 --> 00:26:25,599
Hale from Hailstorm, and Amy Lely from Evanescence.

532
00:26:25,759 --> 00:26:27,799
Speaker 4: Those are like my three very big ones.

533
00:26:28,000 --> 00:26:31,640
Speaker 15: Yeah, but I you know, kind of like runs the

534
00:26:31,720 --> 00:26:34,400
gamut because I'm I'm also in cover bands and I

535
00:26:34,480 --> 00:26:37,440
kind of grew up on cover bands my dad did, so, yeah.

536
00:26:37,599 --> 00:26:41,519
Speaker 4: I I grew up on like, you know, Green Day.

537
00:26:41,759 --> 00:26:45,039
Speaker 15: And actually and I'm a really funny one just because

538
00:26:45,039 --> 00:26:47,119
I think it's funny. Because I like butt rock, so.

539
00:26:47,480 --> 00:26:53,880
Speaker 4: I like Pearl Jam and you know what har like like,

540
00:26:54,079 --> 00:26:56,359
I I love that, I like it.

541
00:26:57,359 --> 00:26:57,799
Speaker 12: I like it.

542
00:26:57,960 --> 00:27:00,920
Speaker 15: I like a lot of different, you know styles, but

543
00:27:01,440 --> 00:27:04,799
Avril Lavine like when she started coming out, I learned

544
00:27:04,839 --> 00:27:07,680
how to sing like I just sucked in Helium because

545
00:27:07,680 --> 00:27:12,119
of Brettey Spears. Oh yeah, yeah aad so like, you know, different,

546
00:27:12,240 --> 00:27:15,160
I have all these different influences and those so far,

547
00:27:15,599 --> 00:27:17,720
those three though, and I just got to meet Lizzie

548
00:27:17,759 --> 00:27:19,680
Hale and that was the best day of my life.

549
00:27:19,759 --> 00:27:20,799
Speaker 13: Oh nice, very cool.

550
00:27:20,960 --> 00:27:21,119
Speaker 7: Yeah.

551
00:27:21,240 --> 00:27:24,680
Speaker 15: So and then our wedding was the best day, but first,

552
00:27:25,319 --> 00:27:28,599
you know, it was you don't have to say, I'm

553
00:27:28,640 --> 00:27:31,240
just saying, but yeah, so those.

554
00:27:31,079 --> 00:27:34,119
Speaker 13: Mine excellent, excellent. You must hear a lot of new

555
00:27:34,200 --> 00:27:36,799
stuff too being a teacher.

556
00:27:37,359 --> 00:27:40,960
Speaker 12: Not really because I feel like like a lot of

557
00:27:41,000 --> 00:27:44,160
the kids nowadays, as far as rock is concerned, they

558
00:27:44,279 --> 00:27:46,519
listened to the same music that I listened to as

559
00:27:46,519 --> 00:27:49,160
a kid, so like like I'm big into like nineties

560
00:27:49,200 --> 00:27:51,920
punk and ska. It was a big SKA kid too, Yeah,

561
00:27:53,039 --> 00:27:55,839
and then they they go back even further, like like

562
00:27:56,039 --> 00:27:58,400
the same sixth grader the other day was like, hey,

563
00:27:58,519 --> 00:28:00,759
mister Kate's, uh you ever listen I'm a minor threat

564
00:28:00,799 --> 00:28:02,720
and I'm like, no, man, you're a lot more hardcore

565
00:28:02,759 --> 00:28:06,319
than Like I'm waiting for him to call me a poser.

566
00:28:07,200 --> 00:28:08,240
Speaker 13: Now it's gonna happen.

567
00:28:10,359 --> 00:28:13,319
Speaker 12: But like I don't know, like Green Day, Bad Religion,

568
00:28:13,720 --> 00:28:17,960
No Effects against Me. Really love Laura Jane Grace's solo

569
00:28:18,039 --> 00:28:22,240
stuff too. And then on the SKA side, I really

570
00:28:22,319 --> 00:28:23,759
I love Less than Jake. They were one of my

571
00:28:23,799 --> 00:28:26,880
favorite bands coming up. And then as far as like

572
00:28:27,119 --> 00:28:29,920
newer stuff, like I don't know Frank Turner, I really

573
00:28:30,039 --> 00:28:34,480
like Frank Turner. What's cool is like playing these shows

574
00:28:34,559 --> 00:28:37,720
we get to hear some like local bands that we

575
00:28:37,839 --> 00:28:41,480
actually like and I would probably never hear of like

576
00:28:41,720 --> 00:28:43,799
if it weren't for this, Like last night when we

577
00:28:43,839 --> 00:28:46,880
played with Futon Lasagna, that band was rad, but that

578
00:28:47,079 --> 00:28:50,799
was a really good band. They were also, they were

579
00:28:50,839 --> 00:28:53,000
really good. And then the Prozacs tonight they're a great

580
00:28:53,079 --> 00:28:55,799
band too. And then from around our area we got

581
00:28:55,839 --> 00:28:58,839
a backyard Superheroes that we just played with and title

582
00:28:58,880 --> 00:29:04,160
Holder like, there's a lot of really good, undiscovered talent

583
00:29:04,279 --> 00:29:06,519
out there, and uh, I think that's one of the

584
00:29:06,559 --> 00:29:08,359
coolest things about being in a local band is like

585
00:29:08,480 --> 00:29:09,880
you get to you get to hear these things.

586
00:29:09,960 --> 00:29:13,440
Speaker 13: Oh yeah, yeah, absolutely. Miriam was saying she was getting

587
00:29:13,440 --> 00:29:15,799
a little bit of a dead Milkman vibe from the

588
00:29:16,000 --> 00:29:16,759
last song we played.

589
00:29:16,799 --> 00:29:20,359
Speaker 12: I guess that is a that is the biggest Philly

590
00:29:20,519 --> 00:29:24,920
compliment that you can receive. I appreciate that. Oh my god. Yeah,

591
00:29:25,519 --> 00:29:28,599
Like they're legends. Yeah, I'm like, I'm pretty sure they're

592
00:29:28,599 --> 00:29:30,519
going to build a statue of those guys next to

593
00:29:30,559 --> 00:29:32,319
the statue of Rocky Balboa that we have.

594
00:29:32,640 --> 00:29:32,880
Speaker 13: Nice.

595
00:29:33,079 --> 00:29:34,960
Speaker 11: Yeah, that'suns accurate.

596
00:29:35,119 --> 00:29:39,039
Speaker 13: Yeah, that's awesome. That's awesome. Hey, we were talking about

597
00:29:39,039 --> 00:29:41,160
it earlier. Should we play this? We haven't planned this,

598
00:29:41,359 --> 00:29:44,960
but this track Queen of the Unclean yeah, we should

599
00:29:44,960 --> 00:29:48,000
give this a spin. What what should we know about this?

600
00:29:48,759 --> 00:29:50,799
Speaker 12: So, like I said a little bit earlier, it is

601
00:29:50,880 --> 00:29:54,440
about trans trans writes. It is like I feel like

602
00:29:55,799 --> 00:29:59,359
upon a cursory read of it, you would never get that.

603
00:30:01,039 --> 00:30:03,559
You really have to kind of like read the lyrics,

604
00:30:03,720 --> 00:30:07,720
and then upon reading it a little bit more, it's like, oh,

605
00:30:08,079 --> 00:30:10,240
all right, I kind of get what they could be

606
00:30:10,400 --> 00:30:12,960
talking about here. I didn't want to make it super

607
00:30:13,039 --> 00:30:16,200
explicit because I don't know. Like, here's the thing, I'm

608
00:30:16,240 --> 00:30:19,240
not a trans person. I can't really speak for that community.

609
00:30:19,599 --> 00:30:22,200
It's really a song about like empathy because like, I

610
00:30:22,279 --> 00:30:25,680
don't know, I feel like all people should have rights exactly.

611
00:30:25,799 --> 00:30:27,680
I know that's a really radical view.

612
00:30:27,599 --> 00:30:32,559
Speaker 13: Now, it's so crazy, like look at this guy.

613
00:30:34,960 --> 00:30:37,400
Speaker 12: But yeah, that's why I wrote that. I don't know, man, like,

614
00:30:37,440 --> 00:30:40,799
because I saw all the like outrage coming from like

615
00:30:40,920 --> 00:30:45,039
certain media sources and even like you know, like older

616
00:30:45,079 --> 00:30:48,079
friends and family members, and I'm just like why, like why,

617
00:30:48,359 --> 00:30:51,640
like why we can be this upset? I can something

618
00:30:51,680 --> 00:30:52,920
that doesn't affect you at all.

619
00:30:53,039 --> 00:30:56,839
Speaker 13: I can relate to that. Yeah, yeah, absolutely, Well, let's

620
00:30:57,119 --> 00:30:59,319
let's give this a spin. This is called Queen of

621
00:30:59,359 --> 00:31:02,440
the unclean, and the band is Jersey Colling.

622
00:31:12,480 --> 00:31:14,680
Speaker 4: It's me that's keeping you a week all night.

623
00:31:14,880 --> 00:31:18,079
Speaker 1: It's me triggering a poor fight. It's me. I'm your

624
00:31:18,119 --> 00:31:18,640
worst fear.

625
00:31:18,720 --> 00:31:20,000
Speaker 12: Suck a light, it's me.

626
00:31:20,799 --> 00:31:22,359
Speaker 1: Trust me. It's me.

627
00:31:22,559 --> 00:31:24,440
Speaker 12: You're lending firsts of here.

628
00:31:24,400 --> 00:31:26,640
Speaker 8: It's me for reinning for your company here.

629
00:31:26,839 --> 00:31:27,160
Speaker 1: It's me.

630
00:31:27,279 --> 00:31:28,920
Speaker 8: In the Antheli fantom you read.

631
00:31:28,799 --> 00:31:34,599
Speaker 1: There, it's me, just me. I never won into bate.

632
00:31:37,000 --> 00:31:41,559
Speaker 6: A symptom of or just try me, Lnna. It's me

633
00:31:41,839 --> 00:31:44,680
and the culture you deny. It's me in the inter

634
00:31:44,839 --> 00:31:48,160
kitchen you didn't cry. It's me and the population villa By.

635
00:31:48,440 --> 00:31:53,799
Speaker 1: It's me, just me, I never won into bate.

636
00:31:56,200 --> 00:32:03,240
Speaker 7: A sentam of me, or can try dream LNA identity, identity.

637
00:32:02,799 --> 00:32:06,519
Speaker 1: Your strip, don't late my agency, don't let my dou

638
00:32:06,720 --> 00:32:10,079
medity and lay on me. I'm saying some.

639
00:32:10,279 --> 00:32:14,640
Speaker 7: Bread dy someth Bredby is buried on near by a tree.

640
00:32:14,880 --> 00:32:16,920
Speaker 1: It's my existence. Blasphemy.

641
00:32:17,200 --> 00:32:19,480
Speaker 2: You're queen of me, you're plays.

642
00:32:39,160 --> 00:32:51,119
Speaker 1: Who whoa whoa whoa. I never won inter be.

643
00:32:53,880 --> 00:32:56,920
Speaker 8: A symbol of your vicious SNA.

644
00:32:57,160 --> 00:33:03,279
Speaker 5: Musty sign my fiddy strip.

645
00:33:03,440 --> 00:33:08,599
Speaker 7: Don't read my agency, stole my tom menylay on me,

646
00:33:08,759 --> 00:33:13,680
I'll say start bred So Bredity is buried on no

647
00:33:13,920 --> 00:33:18,160
gread tree, my sisters, Blaspha by your queen on me

648
00:33:18,359 --> 00:33:31,279
a clay, take away your tay, Silence, say my yarn, Jimday, Sanity, Sanity,

649
00:33:31,599 --> 00:33:32,799
so package just.

650
00:33:35,799 --> 00:33:36,039
Speaker 1: On me.

651
00:33:48,839 --> 00:33:51,480
Speaker 13: I love it, Queen of the Unclean. The band is

652
00:33:51,559 --> 00:33:53,799
Jersey Calling. I'm glad that came up in conversation because

653
00:33:53,839 --> 00:33:55,599
we hadn't planned to play that one, but uh, I

654
00:33:55,799 --> 00:33:56,519
love it. Yeah.

655
00:33:56,559 --> 00:33:58,799
Speaker 12: That one's more of a deep cut. That is that

656
00:33:58,960 --> 00:34:01,559
is not that is not one of our most popular songs.

657
00:34:01,720 --> 00:34:03,319
Speaker 13: Yeah, yeah, it's catch me.

658
00:34:03,680 --> 00:34:05,759
Speaker 12: I like playing it because I don't know, like I

659
00:34:05,839 --> 00:34:08,039
get to hear his solo live and I get excited

660
00:34:08,079 --> 00:34:11,599
about that. Yeah. Yeah, Now that is really good that Randy.

661
00:34:11,599 --> 00:34:14,159
He's got a really rad bassline on that, so it's

662
00:34:14,199 --> 00:34:15,000
fun for us to play.

663
00:34:15,039 --> 00:34:15,400
Speaker 1: I like it.

664
00:34:15,559 --> 00:34:17,800
Speaker 13: Yeah, yeah, excellent, excellent.

665
00:34:18,159 --> 00:34:18,280
Speaker 12: Uh.

666
00:34:18,400 --> 00:34:20,239
Speaker 13: The band is Jersey Calling. They are here with us

667
00:34:20,320 --> 00:34:25,039
in studio. And now what is you're so you're in

668
00:34:25,159 --> 00:34:26,840
the area on your way to where do you have

669
00:34:26,920 --> 00:34:27,519
a show tonight?

670
00:34:28,039 --> 00:34:28,280
Speaker 11: Yeah?

671
00:34:28,320 --> 00:34:29,199
Speaker 13: Where are you playing tonight?

672
00:34:29,440 --> 00:34:33,119
Speaker 12: We are at Hutkey's at the Nook And that is

673
00:34:33,199 --> 00:34:38,480
in Westfield, Massachusetts, Western Massachusetts, and we're playing with all right,

674
00:34:38,519 --> 00:34:41,679
here we go. I can do this, uh overy easy,

675
00:34:44,039 --> 00:34:49,280
m J Bones always Manic and the pros X okay,

676
00:34:49,800 --> 00:34:52,199
And I think I got all of them there. Yeah,

677
00:34:52,199 --> 00:34:54,639
And I'm sorry if I missed anybody. I'm a jerk,

678
00:34:56,280 --> 00:35:00,559
right for Yeah, that was four plus us. Yeah, I

679
00:35:00,639 --> 00:35:02,480
think I got them all, he said, fo Yeah, I think.

680
00:35:04,239 --> 00:35:07,599
Speaker 4: I just making sure the song is the song.

681
00:35:08,000 --> 00:35:11,480
Speaker 12: The show is presented by four thirteen SKA uh and

682
00:35:11,599 --> 00:35:16,079
it starts tonight at uh oh man, I want to

683
00:35:16,119 --> 00:35:19,119
say seven pm. Yeah, that sounds that sounds close to right.

684
00:35:19,360 --> 00:35:19,559
Speaker 18: Sure.

685
00:35:19,760 --> 00:35:21,920
Speaker 4: Sure, you know what if you get there a little bit.

686
00:35:21,840 --> 00:35:26,280
Speaker 12: Early, I'm sure there's food available. It's delicious. Grab a beer.

687
00:35:27,000 --> 00:35:28,599
Speaker 4: You remember, hang out with us?

688
00:35:28,840 --> 00:35:29,360
Speaker 13: You did great?

689
00:35:29,760 --> 00:35:33,519
Speaker 4: I did, okay, he did awesomely appreciate that start, Yeah,

690
00:35:33,639 --> 00:35:33,920
I did.

691
00:35:34,800 --> 00:35:35,559
Speaker 11: I did my best.

692
00:35:36,679 --> 00:35:38,559
Speaker 4: Oh yeoh, what's up guy?

693
00:35:38,880 --> 00:35:43,159
Speaker 12: Yeah, it's our drummer player Money, Randy and Johnnery.

694
00:35:43,639 --> 00:35:46,679
Speaker 13: The rhythm section has has arrived, has arrived.

695
00:35:47,239 --> 00:35:47,679
Speaker 11: What's up?

696
00:35:47,960 --> 00:35:51,119
Speaker 13: Yeah, Well we'll get we'll get these guys hooked up

697
00:35:51,119 --> 00:35:54,599
with microphones. But while we do that, Jenny's helping to

698
00:35:54,599 --> 00:35:55,360
get them seated here.

699
00:35:55,440 --> 00:35:55,960
Speaker 11: Thanks Jenny.

700
00:35:56,079 --> 00:35:58,639
Speaker 13: Let's let's listen to another one of the studio Should

701
00:35:58,639 --> 00:36:00,880
we play a Backseat Driver? That's why of the studio tracks.

702
00:36:01,960 --> 00:36:04,480
Speaker 12: Yeah, that's definitely one of our bigger hits because Victoria

703
00:36:04,559 --> 00:36:06,119
sings it and her voice.

704
00:36:06,639 --> 00:36:10,480
Speaker 13: Oh nice nice. Let me uh just getting this one

705
00:36:10,559 --> 00:36:13,159
loaded up here and uh, by the way, where are

706
00:36:13,159 --> 00:36:15,639
all these recorded? Because everything sounds so good.

707
00:36:15,960 --> 00:36:19,280
Speaker 12: Almost everything that we've recorded has been through the Gradwell House,

708
00:36:20,119 --> 00:36:22,559
which is a studio in head and Heights, New Jersey.

709
00:36:23,840 --> 00:36:27,639
Almost every track is mixed, mixed and and and mastered

710
00:36:27,679 --> 00:36:31,119
by them. So mixed by Matt Weber and mastered by

711
00:36:31,239 --> 00:36:35,760
Dave Downham and they're co owners. Okay at these yeah, okay, okay,

712
00:36:35,960 --> 00:36:37,280
people excellent people.

713
00:36:37,440 --> 00:36:39,639
Speaker 13: Yeah, yeah, no, everything sounds really good. All right, let's

714
00:36:39,639 --> 00:36:41,360
give this s spend. This is Backseat Driver and the

715
00:36:41,400 --> 00:36:42,480
band is Jersey Calling.

716
00:37:01,440 --> 00:37:02,880
Speaker 1: I'm watching Crowns.

717
00:37:02,519 --> 00:37:04,880
Speaker 5: To your Cattle lack like a memo or tube for

718
00:37:04,960 --> 00:37:07,519
you're broken back, carrying across.

719
00:37:07,280 --> 00:37:11,760
Speaker 4: Like a man some good through two seeds and you've got.

720
00:37:11,599 --> 00:37:15,920
Speaker 15: Really slightly hunched took an illinger and focus and I'm

721
00:37:15,920 --> 00:37:16,960
still covering in the.

722
00:37:17,159 --> 00:37:23,440
Speaker 19: Vaccine on every car ride I like you so, I

723
00:37:23,639 --> 00:37:33,039
love you so like you, I you so, I like

724
00:37:33,280 --> 00:37:36,960
you used to lie to myself too.

725
00:37:38,639 --> 00:37:42,679
Speaker 5: And when it's on Chelsea, be all e's out ready Moore,

726
00:37:43,480 --> 00:37:44,280
I burst.

727
00:37:44,079 --> 00:37:48,199
Speaker 1: Out just at West Coast. I'd kist dam sure, because

728
00:37:48,239 --> 00:37:53,119
I've read out every time I've bread out, time I've seen.

729
00:37:53,119 --> 00:38:09,280
Speaker 8: You, don't quite a little talk to me me, but

730
00:38:09,400 --> 00:38:10,360
I can't remember all the.

731
00:38:10,400 --> 00:38:11,400
Speaker 4: Time the term had you.

732
00:38:11,920 --> 00:38:12,760
Speaker 8: Now you suppressed.

733
00:38:12,800 --> 00:38:14,960
Speaker 19: I'm a too when I speak, but that I speak

734
00:38:15,039 --> 00:38:17,800
at all, And all of a sudden.

735
00:38:17,519 --> 00:38:18,599
Speaker 1: Now you're a greed.

736
00:38:18,800 --> 00:38:20,679
Speaker 8: You might never come from a century.

737
00:38:21,280 --> 00:38:23,480
Speaker 4: You let me bleeding out in the backs, eating on

738
00:38:23,719 --> 00:38:24,599
every code.

739
00:38:25,400 --> 00:38:28,159
Speaker 1: Y soon.

740
00:38:29,480 --> 00:38:31,039
Speaker 11: You soon like you?

741
00:38:36,239 --> 00:38:37,280
Speaker 1: Like you soon?

742
00:38:38,360 --> 00:38:42,639
Speaker 9: I you so lied to myself too.

743
00:38:44,280 --> 00:38:46,480
Speaker 1: In the hollow I was on in Jersey. Gad.

744
00:38:46,639 --> 00:38:49,559
Speaker 4: I'll leave South thirty more at first.

745
00:38:49,679 --> 00:38:51,199
Speaker 1: I'll just head of west cause.

746
00:38:51,079 --> 00:38:53,840
Speaker 4: I can't stand off. I'm sure because I.

747
00:38:54,039 --> 00:38:57,960
Speaker 20: Read out every time I read out, any time I

748
00:38:58,159 --> 00:39:23,480
see you, I U.

749
00:39:25,280 --> 00:39:36,480
Speaker 9: I used to lie. I used to I used to lie,

750
00:39:41,559 --> 00:39:46,000
I U S. I used to lie.

751
00:39:47,599 --> 00:39:47,800
Speaker 7: To you.

752
00:39:50,960 --> 00:39:57,000
Speaker 9: I used to and I used to lie to myself.

753
00:39:57,280 --> 00:39:59,880
Speaker 1: Tell how.

754
00:40:21,880 --> 00:40:22,320
Speaker 11: I love it?

755
00:40:22,519 --> 00:40:25,119
Speaker 13: That is so catchy. Backseat Driver and the band is

756
00:40:25,199 --> 00:40:27,440
a Jersey calling and we have. So let's see. I'm

757
00:40:27,440 --> 00:40:29,840
gonna get those mics up here because we have been

758
00:40:29,920 --> 00:40:32,119
joined in studio. I'll put the camera on them too

759
00:40:32,239 --> 00:40:36,840
for the stream here we've got two Well, basically the

760
00:40:36,960 --> 00:40:39,360
rhythm section is here, so let me turn those on

761
00:40:40,079 --> 00:40:44,880
and okay, we should be good. Hi guys, Oh good,

762
00:40:44,920 --> 00:40:47,320
I can hear you. Okay, welcome, all right, so who

763
00:40:47,400 --> 00:40:55,719
are you? Please introduce yourselves? Introduce yourselves please, John the drummer, Welcome,

764
00:40:56,079 --> 00:40:58,880
Randy the bass player, Randy the bass player, welcome.

765
00:40:58,960 --> 00:40:59,920
Speaker 11: Get full of money man.

766
00:41:00,400 --> 00:41:04,079
Speaker 12: Oh no, no one was going to throw your name

767
00:41:04,199 --> 00:41:05,119
under the bus man.

768
00:41:05,920 --> 00:41:09,039
Speaker 13: We'll do that. Well. You know, as a fellow bass player,

769
00:41:09,199 --> 00:41:12,360
we we own up to our responsibilities. Right if we

770
00:41:12,440 --> 00:41:15,440
make a mistake, we acknowledge that we uh we we

771
00:41:15,559 --> 00:41:16,599
made an error, right.

772
00:41:16,679 --> 00:41:20,440
Speaker 11: Yes, yes, owning your mistakes is key.

773
00:41:20,760 --> 00:41:28,079
Speaker 13: Yes, exactly. There you go, there you go. Well, welcome guys, yeah,

774
00:41:28,199 --> 00:41:32,400
absolutely absolutely. So, well let's let's do this. Tell us

775
00:41:32,440 --> 00:41:36,239
about your because we were talking about influences earlier, and

776
00:41:36,280 --> 00:41:38,480
I'm curious to hear what what you guys influence his

777
00:41:38,599 --> 00:41:40,639
inspirations musically and so forth.

778
00:41:41,280 --> 00:41:45,519
Speaker 21: John, I have a big range. I would go from

779
00:41:45,800 --> 00:41:49,320
like led Zeppelin to the Who and then the past.

780
00:41:49,360 --> 00:41:51,159
I don't know, ten to fifteen years. I really got

781
00:41:51,199 --> 00:41:58,559
into the Ramones Yeah. And Social Distortion Yeah. And Jersey

782
00:41:58,639 --> 00:41:59,440
Colin Yeah.

783
00:42:01,360 --> 00:42:04,199
Speaker 12: Good answer, good choice, Like a snake eating itself for

784
00:42:04,400 --> 00:42:05,440
our own influence.

785
00:42:07,159 --> 00:42:12,039
Speaker 11: A lot of my influences line up with Josh's nineties punk,

786
00:42:12,159 --> 00:42:18,840
you know, skate Punk, Green Day, Penny Wise, Offspring, Bad Religion, Yeah, yeah,

787
00:42:19,400 --> 00:42:20,559
descendants obviously.

788
00:42:20,920 --> 00:42:23,639
Speaker 12: Okay, Okay, you named a lot that I didn't name,

789
00:42:23,719 --> 00:42:24,519
and good choice.

790
00:42:25,760 --> 00:42:27,920
Speaker 11: I heard what you said, so I wanted to add

791
00:42:28,000 --> 00:42:28,199
to it.

792
00:42:28,760 --> 00:42:32,280
Speaker 13: Excellent. Now what was this? While that song was playing,

793
00:42:32,400 --> 00:42:35,519
I heard something about and the word contiguous made its

794
00:42:35,559 --> 00:42:37,280
way into Oh my gosh conversation.

795
00:42:37,400 --> 00:42:38,320
Speaker 12: I'm so glad you.

796
00:42:38,400 --> 00:42:41,079
Speaker 13: Brought that up, aren't you. I thought you might be

797
00:42:42,039 --> 00:42:42,840
from the conversation.

798
00:42:44,559 --> 00:42:47,320
Speaker 14: So my family and I I got two little kids,

799
00:42:47,360 --> 00:42:50,159
and we go on car trips. We desperately try to

800
00:42:50,239 --> 00:42:54,440
keep them entertained iPad's help, but we also have this

801
00:42:54,760 --> 00:42:57,519
licensed plate game where it's more involved than just counting

802
00:42:57,599 --> 00:42:59,960
how many different states you see, but you have to

803
00:43:00,119 --> 00:43:02,920
get a total of states that are all contiguous with

804
00:43:03,000 --> 00:43:06,639
one another. So like if you see a Wyoming plate,

805
00:43:06,679 --> 00:43:08,239
in order to count it in the total, you got

806
00:43:08,320 --> 00:43:10,719
to connect it all the way to in this case,

807
00:43:10,800 --> 00:43:14,440
like New Hampshire. Yeah, and anyway, So I've been playing

808
00:43:14,480 --> 00:43:15,639
that and they've all been making fun of me.

809
00:43:15,719 --> 00:43:18,599
Speaker 11: The whole people.

810
00:43:18,639 --> 00:43:19,760
Speaker 12: We think it's adorable.

811
00:43:19,880 --> 00:43:22,719
Speaker 11: Man. I like that. Your rule is you can't write

812
00:43:22,760 --> 00:43:25,280
down a plate for the state that you're in.

813
00:43:25,639 --> 00:43:28,000
Speaker 14: Yeah, yeah, yeah, you have to wait until you get

814
00:43:28,000 --> 00:43:30,760
out of that state and then see that state's plate

815
00:43:30,840 --> 00:43:31,480
in another state.

816
00:43:31,599 --> 00:43:34,519
Speaker 12: I was trying to help you by naming license plates

817
00:43:34,559 --> 00:43:37,360
that I saw, and I realized very quickly that I

818
00:43:37,519 --> 00:43:43,360
did not understand the game. And I'm just I'm I'm

819
00:43:43,440 --> 00:43:46,679
not good at it. I did not understand how to play.

820
00:43:46,760 --> 00:43:48,400
Speaker 11: In Pennsylvania like sixteen times.

821
00:43:49,480 --> 00:43:51,119
Speaker 12: You know, it's fun to say. It's just you know,

822
00:43:51,199 --> 00:43:52,400
it's kind of like Transylvania.

823
00:43:52,599 --> 00:43:52,840
Speaker 6: It is.

824
00:43:55,480 --> 00:43:58,159
Speaker 13: Well, very good, and it's educational, right. It teaches the kids.

825
00:43:58,239 --> 00:44:01,760
Speaker 12: It does geography, yes exactly. Yeah, shout out your kids

826
00:44:01,840 --> 00:44:02,880
say their full names.

827
00:44:03,880 --> 00:44:04,440
Speaker 11: Don't do that.

828
00:44:05,239 --> 00:44:05,559
Speaker 12: I don't.

829
00:44:09,719 --> 00:44:13,119
Speaker 13: She loves what if you just say that the name

830
00:44:13,159 --> 00:44:14,079
of the one that would be excited.

831
00:44:14,440 --> 00:44:16,639
Speaker 11: My daughter hates the spam.

832
00:44:17,239 --> 00:44:18,719
Speaker 13: Oh really, yes, why.

833
00:44:19,360 --> 00:44:22,119
Speaker 14: I think the biggest reason is because I'm here and

834
00:44:22,199 --> 00:44:25,119
not hanging out with her. We're also loud and she doesn't.

835
00:44:24,880 --> 00:44:27,679
Speaker 13: Like oh really okay, okay, well that's fair.

836
00:44:27,679 --> 00:44:29,840
Speaker 14: But it's it's very adorable how much she hates brilliant

837
00:44:29,920 --> 00:44:31,800
and she really she dives into it.

838
00:44:31,840 --> 00:44:34,599
Speaker 4: But Swift for her swift.

839
00:44:35,239 --> 00:44:37,639
Speaker 12: I think she loves to hate him. I think that's

840
00:44:37,679 --> 00:44:40,320
what it is. I think like she gets a kick.

841
00:44:40,159 --> 00:44:41,079
Speaker 11: Out of it. She does.

842
00:44:41,239 --> 00:44:45,239
Speaker 13: Okay, okay, well that's better then, yeah. Yeah, do you

843
00:44:45,320 --> 00:44:47,239
guys all like, do you have a van you all

844
00:44:47,360 --> 00:44:49,639
like ride together? How does that work as far as travel?

845
00:44:49,679 --> 00:44:50,960
Because there's five of you so much.

846
00:44:51,119 --> 00:44:54,079
Speaker 11: We're in a big cab pickup truck that I own.

847
00:44:54,320 --> 00:44:55,960
Oh really I want a trailer.

848
00:44:56,119 --> 00:45:00,360
Speaker 13: Okay, so everybody's able to fit inside the truck us.

849
00:45:00,320 --> 00:45:02,639
Speaker 11: The back to in the front. Oh comfy too.

850
00:45:02,920 --> 00:45:07,719
Speaker 12: It yeah yeah yeah, super roomy, like way way better

851
00:45:07,760 --> 00:45:08,360
than I would think.

852
00:45:08,639 --> 00:45:10,639
Speaker 13: Yeah, yeah, that's good. That's good. That's the way to

853
00:45:10,679 --> 00:45:12,039
do it, right, because I've met bands who you know,

854
00:45:12,079 --> 00:45:15,360
they've got like three cars, you know, rolling, and it's like, uh,

855
00:45:15,639 --> 00:45:16,239
it's also.

856
00:45:16,159 --> 00:45:19,119
Speaker 12: Convenient that none of us breaks six feet in height,

857
00:45:19,400 --> 00:45:21,679
like like we're all pretty short.

858
00:45:21,880 --> 00:45:24,239
Speaker 13: Yeah yeah, is that by design?

859
00:45:24,360 --> 00:45:25,639
Speaker 11: Is that was that? Yeah?

860
00:45:25,639 --> 00:45:28,239
Speaker 4: There's a rule yeah, environment yeah.

861
00:45:29,679 --> 00:45:31,440
Speaker 11: Yeah, you gotta be under five ten. You can't be

862
00:45:31,480 --> 00:45:31,960
in his band.

863
00:45:32,119 --> 00:45:35,280
Speaker 13: Yeah yeah, that's awesome. Well, and you know that's reasonable.

864
00:45:35,360 --> 00:45:37,360
I mean five nine is a national average, right, so

865
00:45:37,599 --> 00:45:39,760
you know it doesn't doesn't close you off too much.

866
00:45:40,000 --> 00:45:42,360
Speaker 12: John showed up for the audition. I was just like, okay,

867
00:45:42,559 --> 00:45:43,199
check right.

868
00:45:45,559 --> 00:45:47,559
Speaker 4: Next to him, kind of like measured it up.

869
00:45:47,840 --> 00:45:51,960
Speaker 13: Yeah. Yeah. Now, so how long have each have you

870
00:45:52,079 --> 00:45:52,599
been in the band.

871
00:45:52,840 --> 00:45:53,599
Speaker 11: I've been in the band.

872
00:45:53,760 --> 00:45:55,519
Speaker 21: It'll be two years in September.

873
00:45:55,960 --> 00:45:59,639
Speaker 13: Are you the newest member? You're the newest member? Okay?

874
00:46:00,079 --> 00:46:01,320
Than is Randy the second newest?

875
00:46:01,800 --> 00:46:03,000
Speaker 12: Randy's a founding member.

876
00:46:03,559 --> 00:46:05,880
Speaker 11: Founding I'm a day one higher right.

877
00:46:06,320 --> 00:46:10,039
Speaker 13: Oh okay, so it's the second newest. You're the second

878
00:46:10,079 --> 00:46:15,960
newest Victoria okay, gotcha, gotcha? Okay, all right? Was so

879
00:46:16,079 --> 00:46:18,159
there was another was there a previous female.

880
00:46:17,840 --> 00:46:18,840
Speaker 11: Singer or no?

881
00:46:19,400 --> 00:46:19,440
Speaker 6: No?

882
00:46:20,159 --> 00:46:21,599
Speaker 12: Originally it was just me.

883
00:46:22,039 --> 00:46:25,159
Speaker 13: So you were doing all the vocals originally yeah yeah.

884
00:46:25,079 --> 00:46:28,840
Speaker 12: Yeah, okay, so that like that was not not that good.

885
00:46:29,679 --> 00:46:35,360
So now we have Victoria to make us sound.

886
00:46:36,679 --> 00:46:36,920
Speaker 11: Good.

887
00:46:37,320 --> 00:46:39,320
Speaker 13: Yeah, which is nice.

888
00:46:39,360 --> 00:46:42,239
Speaker 15: I think it's something different. I don't know that it

889
00:46:43,000 --> 00:46:43,760
makes it better.

890
00:46:43,920 --> 00:46:47,480
Speaker 12: I think, all right, all self deprecation aside. I think

891
00:46:47,960 --> 00:46:52,079
the the dueling male and female vocals are really cool. Like,

892
00:46:53,000 --> 00:46:54,800
I think it makes it more interesting to listen to.

893
00:46:55,119 --> 00:46:58,159
I love Victoria's voice. I love the way our voices

894
00:46:58,199 --> 00:46:58,719
work together.

895
00:46:59,239 --> 00:47:02,480
Speaker 14: I think it just adds another I think a little

896
00:47:02,519 --> 00:47:05,599
bit more depth to our songs. I think there's there's

897
00:47:05,760 --> 00:47:07,880
a story that Victory is able to tell with her voice.

898
00:47:07,960 --> 00:47:11,159
That and and give something to the lyrics that we

899
00:47:11,280 --> 00:47:14,159
write that might not have been there when we wrote

900
00:47:14,199 --> 00:47:14,880
them down at first.

901
00:47:15,079 --> 00:47:21,639
Speaker 12: So yeah, I think it helps you class and class absolutely, yeah, class.

902
00:47:26,159 --> 00:47:30,360
Speaker 13: No, that's fantastic. Well, listen, the time goes quickly. Unfortunately,

903
00:47:30,599 --> 00:47:32,519
I do want to get one more song in which

904
00:47:32,559 --> 00:47:35,119
we'll we'll play in a moment, which is the one

905
00:47:35,199 --> 00:47:38,119
that you sent that we didn't play yet. It was

906
00:47:38,280 --> 00:47:41,119
uh oh yeah projections that came up in the conversation earlier.

907
00:47:41,159 --> 00:47:42,679
But we're gonna play that in a moment to end

908
00:47:42,719 --> 00:47:45,400
the segment. But thank you all, all five of you

909
00:47:45,480 --> 00:47:46,840
for being here. This has been wonderful.

910
00:47:47,039 --> 00:47:51,960
Speaker 11: Thanks absolutely sorry about ringing your doorbell. Wanted to come in.

911
00:47:52,320 --> 00:47:53,840
Speaker 13: It's all good, it's all good. I'm glad.

912
00:47:56,800 --> 00:47:58,599
Speaker 11: I mean, you got rules for a reason.

913
00:47:58,760 --> 00:47:59,400
Speaker 13: That's that's right.

914
00:47:59,480 --> 00:48:00,400
Speaker 11: You didn't the thing.

915
00:48:01,360 --> 00:48:03,679
Speaker 12: That's my fault. I didn't know you guys were coming back.

916
00:48:03,760 --> 00:48:04,320
I'm sorry.

917
00:48:04,760 --> 00:48:07,039
Speaker 13: That's all right, that's all right. I like the spontaneity

918
00:48:07,280 --> 00:48:09,559
and it's very punk. You know, your ring a doorbell,

919
00:48:09,559 --> 00:48:10,440
you're not supposed to ring.

920
00:48:10,440 --> 00:48:12,039
Speaker 11: This something something right.

921
00:48:12,559 --> 00:48:15,079
Speaker 12: I like to think Randy's outside going, don't tell me

922
00:48:15,280 --> 00:48:15,840
what to do.

923
00:48:17,199 --> 00:48:19,599
Speaker 11: You're not my real dad, that's right, that's right.

924
00:48:19,880 --> 00:48:20,880
Speaker 13: You're not the boss of me.

925
00:48:22,920 --> 00:48:26,400
Speaker 11: We have a music video for this song that you're

926
00:48:26,400 --> 00:48:28,360
about to play. It's pretty fun.

927
00:48:28,519 --> 00:48:31,119
Speaker 12: Oh yeah, we have a ton of music like we

928
00:48:31,199 --> 00:48:33,840
have a good amount of music videos for a local band.

929
00:48:33,920 --> 00:48:36,599
Man like yeah, over ten music videos on YouTube.

930
00:48:36,760 --> 00:48:37,679
Speaker 13: Oh nice. Wow.

931
00:48:37,760 --> 00:48:41,280
Speaker 12: Please if you're listening, check us out on YouTube. We

932
00:48:41,400 --> 00:48:43,119
put a lot of work in those videos. Man, there

933
00:48:43,159 --> 00:48:46,000
were a lot of fun to make and they're time consuming. Man,

934
00:48:46,159 --> 00:48:47,159
music videos take forever.

935
00:48:47,320 --> 00:48:50,119
Speaker 13: Yeah, yeah, absolutely, yeah, I will. I will check those

936
00:48:50,159 --> 00:48:54,039
out definitely. For those listening live on Saturday, let's remind

937
00:48:54,039 --> 00:48:55,199
people where you're playing tonight.

938
00:48:55,800 --> 00:49:00,760
Speaker 12: Huckey's at the Nook. Westfield, Massachusetts. I want to say

939
00:49:00,800 --> 00:49:05,079
the addresses eight Franklin Street. You know what, I'm just

940
00:49:05,159 --> 00:49:07,360
gonna go with it. I think that's right. I'm not

941
00:49:07,400 --> 00:49:11,840
even going to check my phone. Eight Franklin Street, Westfield, Massachusetts.

942
00:49:11,920 --> 00:49:16,199
Hockey's at the Nook. Yeah you say that, you know

943
00:49:16,280 --> 00:49:18,559
I'm probably messing that up. I'm so confident about the

944
00:49:18,599 --> 00:49:20,679
address that it's like hootkeys.

945
00:49:23,280 --> 00:49:24,760
Speaker 13: Very good. And then where do you go from there?

946
00:49:24,880 --> 00:49:24,920
Speaker 3: Is?

947
00:49:25,119 --> 00:49:25,239
Speaker 11: Is that?

948
00:49:25,880 --> 00:49:27,679
Speaker 13: Uh, do you have a show tomorrow night as well?

949
00:49:27,760 --> 00:49:28,360
Or you go back?

950
00:49:28,920 --> 00:49:29,719
Speaker 11: Oria has a show.

951
00:49:29,960 --> 00:49:34,400
Speaker 12: Victoria is playing with her cover band back in New Jersey. Okay,

952
00:49:34,440 --> 00:49:37,920
so so so tonight after the show is done, I

953
00:49:38,239 --> 00:49:41,760
am drinking a lot of pre workout energy drink and

954
00:49:41,920 --> 00:49:45,679
then I'm driving overnight and I'll sleep when I'm dead.

955
00:49:45,880 --> 00:49:51,719
Speaker 21: Ye shows with Ramon in September.

956
00:49:52,000 --> 00:49:52,760
Speaker 13: Yeah, September.

957
00:49:52,880 --> 00:49:56,559
Speaker 12: Yeah, Yeah, September. We're playing at the More, Yeah, Ardmore

958
00:49:56,639 --> 00:50:00,440
Theater in Philly and uh, opening up for Marke, which

959
00:50:00,480 --> 00:50:01,920
is pretty pretty freaking cool.

960
00:50:02,000 --> 00:50:02,639
Speaker 11: That is cool.

961
00:50:02,920 --> 00:50:05,760
Speaker 13: That's very cool, very cool. Well listen, thank you again.

962
00:50:06,079 --> 00:50:08,039
I appreciate all of you coming in. This has been amazing.

963
00:50:08,119 --> 00:50:09,480
We will do it again in the future as you're

964
00:50:09,480 --> 00:50:11,280
releasing new music, you know, or next next time you're

965
00:50:11,280 --> 00:50:14,239
in the area, and uh, you know, and even if

966
00:50:14,320 --> 00:50:15,480
even if you want to do it sooner, you know,

967
00:50:15,519 --> 00:50:17,199
we can always do it, do it online or something.

968
00:50:17,280 --> 00:50:20,960
But but we're big fans love Jersey Calling. So we're

969
00:50:21,000 --> 00:50:23,400
gonna play this in a moment. And uh, if you

970
00:50:23,440 --> 00:50:25,800
are listening live on Saturday, coming up in the third hour,

971
00:50:26,000 --> 00:50:28,719
Lou Antonucci is with us and really looking forward to

972
00:50:29,039 --> 00:50:31,519
talking with him. But we will close out the segment

973
00:50:31,559 --> 00:50:33,880
with this. This is called Projections and the band is

974
00:50:34,000 --> 00:50:48,199
Jersey Calling, and thank you all again. That's the wrong song.

975
00:50:48,920 --> 00:50:51,239
You know, you know it's funny. Let me turn those

976
00:50:51,280 --> 00:50:53,880
mice back on for a second. You know what's funny

977
00:50:53,880 --> 00:50:55,800
about that is it did sound familiar to me. When

978
00:50:55,800 --> 00:50:57,440
it started, I was like, oh, those are the same chords.

979
00:50:58,000 --> 00:51:01,559
Speaker 12: I was just like, I'm like rocking thee yeah, yeah,

980
00:51:01,679 --> 00:51:06,920
the all punk rock sounds, the Adventures of live Radio

981
00:51:07,039 --> 00:51:07,480
my friends.

982
00:51:07,679 --> 00:51:11,320
Speaker 13: All right, I'm gonna try that again. But see, Randy,

983
00:51:11,400 --> 00:51:13,880
did you notice, though I'm a bass player, I took

984
00:51:13,960 --> 00:51:17,079
responsibility just like that's what we do. That's what bass

985
00:51:17,199 --> 00:51:17,599
players do.

986
00:51:19,119 --> 00:51:20,880
Speaker 4: I mean, we need guys to write a book.

987
00:51:20,719 --> 00:51:21,920
Speaker 12: Bacon's virtue.

988
00:51:24,079 --> 00:51:24,800
Speaker 13: That's that's right.

989
00:51:24,960 --> 00:51:25,599
Speaker 11: I like it.

990
00:51:25,679 --> 00:51:28,400
Speaker 13: I like it all right here it is. This is projections,

991
00:51:28,440 --> 00:51:30,480
and this is Jersey calling on your feet.

992
00:51:31,119 --> 00:51:32,480
Speaker 4: Stand what's the hold up?

993
00:51:32,760 --> 00:51:32,920
Speaker 1: Now?

994
00:51:33,320 --> 00:51:36,920
Speaker 8: Call me the reluctant, over thinking calcul lady.

995
00:51:37,079 --> 00:51:40,239
Speaker 2: Keep them beating loud, look them bad guy.

996
00:51:40,840 --> 00:51:41,320
Speaker 22: You're right.

997
00:51:42,760 --> 00:51:46,639
Speaker 8: The cow's john.

998
00:51:52,679 --> 00:51:53,039
Speaker 4: It's not.

999
00:52:06,119 --> 00:52:10,400
Speaker 12: Soak it down, locking it up, smile hollow round a million.

1000
00:52:10,239 --> 00:52:13,000
Speaker 3: Tiny vos to shout and chose to top up bound

1001
00:52:13,360 --> 00:52:17,440
filter figs, camera tracks, measure mewst class takes.

1002
00:52:17,320 --> 00:52:19,119
Speaker 23: The numbers, body sick it got.

1003
00:52:19,159 --> 00:52:19,840
Speaker 1: It, get up.

1004
00:52:20,000 --> 00:52:26,480
Speaker 5: Fix's never got to its minus man stepping.

1005
00:52:28,079 --> 00:52:30,599
Speaker 1: Up. It's not call SAT, just.

1006
00:52:30,719 --> 00:52:32,719
Speaker 9: Detect and seper steps up.

1007
00:52:32,760 --> 00:52:34,320
Speaker 1: My filter stands to air.

1008
00:52:37,280 --> 00:52:43,599
Speaker 5: Rat flat tax I s lad had cross cared, but

1009
00:52:43,880 --> 00:52:46,920
I con tacked and were tacking umber past.

1010
00:52:47,280 --> 00:53:22,800
Speaker 1: The single lost tattery. It's never good with the rich mine.

1011
00:53:22,960 --> 00:53:25,559
That's you a slepping and a crown to.

1012
00:53:27,239 --> 00:53:28,239
Speaker 4: It's not called.

1013
00:53:28,119 --> 00:53:30,480
Speaker 8: Flat just protection. Selfispection.

1014
00:53:30,679 --> 00:53:37,559
Speaker 1: So my circumstances that it's not what the mine, that

1015
00:53:37,760 --> 00:53:45,719
the seven and it's not called sid just projecttion, circumstance.

1016
00:53:45,800 --> 00:53:55,639
Speaker 23: Unerstand Luigi's pizza fron grow.

1017
00:53:57,639 --> 00:54:01,199
Speaker 8: Let's praises l So pod with top and to all

1018
00:54:01,320 --> 00:54:02,039
the round.

1019
00:54:02,599 --> 00:54:04,559
Speaker 1: It's a pizza barr.

1020
00:54:04,280 --> 00:54:09,480
Speaker 23: Line Luigi's Pizza Bar and Grill, seven to twelve Valley Street, Manchester.

1021
00:54:09,800 --> 00:54:12,639
Come on in or call six two two one zero

1022
00:54:12,920 --> 00:54:17,960
two one Luigi keeping the tradition alive since nineteen seventy five.

1023
00:54:19,800 --> 00:54:21,599
Speaker 4: Pizza for every one.

1024
00:54:22,280 --> 00:54:26,400
Speaker 6: Come join a beast to night With these slye sets

1025
00:54:26,440 --> 00:54:28,840
of it, everything feels.

1026
00:54:28,599 --> 00:54:29,280
Speaker 1: So right.

1027
00:54:32,280 --> 00:54:33,239
Speaker 11: In times of crisis.

1028
00:54:33,480 --> 00:54:35,559
Speaker 24: You need a law firm that stands by your side.

1029
00:54:35,920 --> 00:54:39,599
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1030
00:54:39,679 --> 00:54:43,039
to fighting for your rights. As former state prosecutors, our

1031
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1033
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1034
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and fight for the compensation you deserve. Serving all of

1035
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1036
00:54:59,679 --> 00:55:02,360
us most host. Visit Craig Atzulis dot com for a

1037
00:55:02,400 --> 00:55:06,639
free consultation. Craigan get Zulus your advocates, your allies.

1038
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Speaker 17: I'll bring your kitchen to life with Queen Citycabinetry, located

1039
00:55:11,400 --> 00:55:14,840
at eighty seven Elm Street in the historic Sunbeam Mall

1040
00:55:15,000 --> 00:55:18,719
in Manchester. Open Monday through Friday nine am to five

1041
00:55:18,880 --> 00:55:23,079
thirty pm, in Saturdays ten am to two pm. They

1042
00:55:23,159 --> 00:55:26,320
can be reached at six oh three two two two

1043
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to zero zero seven or on the web at Queen

1044
00:55:30,039 --> 00:55:36,440
citycabinatree nsh dot com. Come see the possibility is Queen Citycabinetry.

1045
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Another crowd sponsor of WMNH.

1046
00:55:39,840 --> 00:55:42,639
Speaker 25: Hey everyone, there's Rob Azevido, host of Grantite State of Mind,

1047
00:55:42,639 --> 00:55:44,440
and I want to tell you about Pembroke City Limits

1048
00:55:44,480 --> 00:55:47,760
and the historic Suncook Village. PCL's an award winning bar,

1049
00:55:48,000 --> 00:55:50,960
restaurant and music venue where there's live music five days

1050
00:55:51,000 --> 00:55:54,760
a week and twice on Saturdays, everything from blues, country, folk, funk,

1051
00:55:54,840 --> 00:55:57,119
and a whole lot of jazz. We have twelve craft

1052
00:55:57,159 --> 00:55:59,800
beers on tap dedicated to the local brewers in the area.

1053
00:56:00,079 --> 00:56:03,320
Speaker 12: Is some of the friendliest bartenders around. Please come visit.

1054
00:56:03,199 --> 00:56:05,639
Speaker 25: Pembrook City Limits at one thirty four Main Street, the

1055
00:56:05,840 --> 00:56:09,360
historic sunk Cook Village, only six miles outside of Manchester.

1056
00:56:09,760 --> 00:56:13,719
Open Tuesdays to Wednesdays four to ten Thursday's Sunday eleven

1057
00:56:13,760 --> 00:56:15,559
to ten Pembrook City Limits.

1058
00:56:15,719 --> 00:56:16,920
Speaker 12: Where it's all about the music.

1059
00:56:17,159 --> 00:56:19,800
Speaker 23: Disney's Cafe is the place to put a smile on

1060
00:56:19,880 --> 00:56:22,320
your face. Judy and the crew will take care of you,

1061
00:56:22,519 --> 00:56:26,280
bring your appetite and treat your taste buds right. Disney's

1062
00:56:26,320 --> 00:56:30,400
Cafe is always a winning choice. Breakfast, lunch or supper

1063
00:56:30,880 --> 00:56:35,159
Dizze's Cafe at eight sixty Elm Street in downtown Manchester.

1064
00:56:35,639 --> 00:56:38,519
Dine in, take out or make a reservation call six

1065
00:56:38,639 --> 00:56:42,599
oh three, six oh six two five three two, Eat,

1066
00:56:43,039 --> 00:56:45,840
drink and be happy Dizzney's Cafe.

1067
00:56:46,159 --> 00:56:48,880
Speaker 16: When it comes to keeping WMNH on the air and

1068
00:56:49,000 --> 00:56:52,800
your own personal or business computer needs, trust Groland Computers,

1069
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located on Elm Street in Manchester. Groland handles computer repair,

1070
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1071
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1073
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1074
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at six zero three six four five zero one zero

1075
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1076
00:57:25,679 --> 00:57:29,599
Speaker 9: Seven times out of ten we listened to our music

1077
00:57:29,840 --> 00:57:30,440
at night.

1078
00:57:32,440 --> 00:57:35,639
Speaker 8: That's the title book business program.

1079
00:57:35,480 --> 00:57:39,519
Speaker 18: Late Night to Light with DJ Bidas right here on WMNH, Manchester.

1080
00:57:39,760 --> 00:57:40,199
Speaker 1: You want to know.

1081
00:57:40,639 --> 00:57:45,360
Speaker 23: Because Saturdays and Sunday nights midnight to four am.

1082
00:57:46,719 --> 00:57:52,159
Speaker 22: This hour on WMNH is sponsored by CGI Business Solutions,

1083
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located at five Dartmouth Drive in Auburn. They serve all

1084
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your business needs including employee benefits, planning, corporate design and

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1086
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Their phone number is eight sixty six eight four one

1087
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forty six hundred, or on the web at CGI business

1088
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Solutions dot com.

1089
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Speaker 18: Behold the harmony of airwaves as you immerse yourself in

1090
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the captivating frequencies of w m NHLP. The sonic cardets

1091
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of Manchester, transcending through the ether at ninety five point

1092
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three megahertz frequency modulation or transmissions emanate from the zenith

1093
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of one thousand Elm Streets, insur into the hearts of

1094
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our creative realm at one nineteen Canal Street, where innovation

1095
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and sound colobe. They're the impro moder of Manchester Public

1096
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Television Service in the venerable City of Manchester, New Hampshire, USA.

1097
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Enrich your auditory journey with the depth of our license

1098
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to wesdens spent your missives. Do w MNH ninety five

1099
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to three at gmail dot com, or traverse the virtual

1100
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corridors of double Mnhradio dot or engage with our sonic

1101
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vibrations by communing with us through the digital channels or

1102
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radio reconds. Eager to enthrall you with its mes verizing

1103
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cadence and envelop you with a symony of foundless audits.

1104
00:59:12,719 --> 00:59:13,519
Speaker 11: Or is one dude

1105
00:59:17,719 --> 00:59:20,079
Speaker 22: WMNH rip the novels