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<v Speaker 1>Oh, Wimbo Kelly one, kay Am.

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<v Speaker 2>Six live everywhere on the iHeartRadio app got bad news.

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<v Speaker 3>Yankees have just scored another run.

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<v Speaker 2>They're up seven to four in the bottom of the

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<v Speaker 2>eighth inning over the Dodgers first and third with one out.

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<v Speaker 2>We're continuing to monitor that hopefully won't get any worse,

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<v Speaker 2>but it's not looking good for the Dodgers at the moment.

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<v Speaker 3>Right now.

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<v Speaker 2>I wanted to talk a little bit about TV, the business,

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<v Speaker 2>and probably a show that you have been watching, or

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<v Speaker 2>it seems many people have been watching. There is the

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<v Speaker 2>show Mattlock. If you say Mattlock to me, I think

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<v Speaker 2>of Andy Griffith nineteen eighty six to nineteen ninety five.

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<v Speaker 2>I really like that show. And I thought that generally

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<v Speaker 2>you don't remake classics, you don't remake cult classics. And

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<v Speaker 2>I think that applies to TV shows as well. Yankees

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<v Speaker 2>just hit a home run ten to four. Damn it.

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<v Speaker 2>But when you do it's Historically I always thought that

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<v Speaker 2>it was a cheap way of of a studio to

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<v Speaker 2>make money. We've had any number of remakes of TV

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<v Speaker 2>shows like A Swat or Hawaii five to Zho or

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<v Speaker 2>they even did them a guiver any a night court,

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<v Speaker 2>don't forget the equalizer equalizer, and it's been hit or miss.

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<v Speaker 2>Some of them have had moderate success, some of them

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<v Speaker 2>have hung around and they've stood on their own legs

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<v Speaker 2>and been, you know, develop audiences on their own merit.

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<v Speaker 2>But by and large, I don't like it. It feels

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<v Speaker 2>dirty to me. I mentioned Matlock because from what I've seen,

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<v Speaker 2>it is a multi platform hit. Maybe it's because Kathy

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<v Speaker 2>Bates brings something completely fresh and people don't remember Metlock,

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<v Speaker 2>or they don't perceive it in the same way that

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<v Speaker 2>I do. Mark you know TV as well as anyone

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<v Speaker 2>in this building, maybe even better. Where do you come

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<v Speaker 2>out on these these remake reboot TV shows?

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<v Speaker 4>I'm with you, I really, I'm not ashamed to admit

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<v Speaker 4>that I like the old Mattlock and I'm under the

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<v Speaker 4>age of eighty. Andy Griffith was a terrific actor and

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<v Speaker 4>if you ever ever doubt that, watch a movie called

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<v Speaker 4>A Face in the Crowd and it will blow your

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<v Speaker 4>hair back. I haven't seen the new Mattlock. I obviously

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<v Speaker 4>Kathy Baits is a terrific actress, but I am prejudiced

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<v Speaker 4>against a number of remakes. I haven't watched the Queen

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<v Speaker 4>Latifa Equalizer.

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<v Speaker 3>Either.

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<v Speaker 4>They might be good, but I just it's a hard

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<v Speaker 4>sell for me because I like the originals.

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<v Speaker 2>My thing is, obviously, there's so much time that's in

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<v Speaker 2>between the Andy Griffith version and the Kathy Bates version

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<v Speaker 2>that you're not going to have a real overlap in audiences.

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<v Speaker 3>Let's be honest.

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<v Speaker 2>You know, if your core demographic is not going to

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<v Speaker 2>be the folks who are fifty five and older who

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<v Speaker 2>remember the Andy Griffith one, yeah they're all dead right, Okay,

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<v Speaker 2>thank you for saying that. But at the same time,

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<v Speaker 2>just call it something else, you know.

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<v Speaker 4>That's the thing. Yeah, make up something new. If you're

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<v Speaker 4>going to change something that much, just make a new show.

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<v Speaker 4>But you know they're not going to do that though.

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<v Speaker 4>You know they're going to keep dipping into that well,

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<v Speaker 4>and a generation from now there'll be yet another Mattlock.

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<v Speaker 4>It might be like a young person of color with

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<v Speaker 4>face piercings. You don't know.

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<v Speaker 2>Now, Sometimes they're really really, really bad, and I hate

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<v Speaker 2>to step on people's toes, but the Night Court was

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<v Speaker 2>really bad, was really really bad.

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<v Speaker 4>I mean it, it was god awful. Well, sometimes these

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<v Speaker 4>remakes all they do is make you appreciate how good

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<v Speaker 4>the original was and how good the people in the

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<v Speaker 4>original was. Harry Anderson was funny. No, that whole cast

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<v Speaker 4>was funny.

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<v Speaker 2>Yes, Marshall Warfield was a stand up comedian in her

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<v Speaker 2>own right. So you look at that cast, John Larrocat

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<v Speaker 2>Markey Posts, all of them were formidable individually.

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<v Speaker 4>I can't say that about the remake update. This is

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<v Speaker 4>some John learricket trivia. Did you know that he did

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<v Speaker 4>the narration for the Texas Chainsaw massacre?

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<v Speaker 3>I did not know that.

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<v Speaker 4>I didn't either until not long ago. But not to

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<v Speaker 4>get you off track, I've only seen the New night

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<v Speaker 4>Court without the sound on while I was working in

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<v Speaker 4>the news booth, and there's nothing about it that appealed

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<v Speaker 4>to me. I mean that that's pretty prejudice though.

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<v Speaker 2>And the only reason that I even wanted to look

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<v Speaker 2>at it once was to see did it have any

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<v Speaker 2>of the chemistry which was reminiscent of the original. The

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<v Speaker 2>type of chemistry that you can't create is just has

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<v Speaker 2>to be something special.

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<v Speaker 3>Within that cast.

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<v Speaker 2>We saw it in Cheers, We saw it in Frasier

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<v Speaker 2>as an extension of Cheers.

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<v Speaker 3>You see it in Wings.

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<v Speaker 2>There are a lot of TV shows with a cast

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<v Speaker 2>is funny because they have a rhythm all their own

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<v Speaker 2>and it can't be duplicated.

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<v Speaker 3>Yeah, I don't disagree with that.

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<v Speaker 4>I mean, I just the last couple of nights I

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<v Speaker 4>was watching a documentary about the making of Star Trek

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<v Speaker 4>the Next Year Generation, a show that I was one

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<v Speaker 4>hundred percent against and never really bonded with because I

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<v Speaker 4>like the original show. But that found its audience like

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<v Speaker 4>a lot of these do.

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<v Speaker 2>Right, all right, And I would say it found as audience,

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<v Speaker 2>and it was a completely different show.

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<v Speaker 3>It was from the same universe.

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<v Speaker 4>It was such a different show that they froze out

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<v Speaker 4>the creator of the original.

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<v Speaker 2>Show that too, But I've yet to find And I

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<v Speaker 2>don't mind the Equalizer with Queen Latifa. I don't mind it,

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<v Speaker 2>but I don't actually think of it as a remake

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<v Speaker 2>of the original Equalizer.

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<v Speaker 3>There's to me, there's nothing similar about it.

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<v Speaker 4>Well, let's also be honest here, it's much more fun

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<v Speaker 4>to say the name Edward Woodward. Okay, just sit around

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<v Speaker 4>and say Edward Woodward. Queen Latifa gives you no such satisfaction.

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<v Speaker 3>Edward woodword. Yeah, but she's like a macall.

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<v Speaker 2>She's the Acall version of of Equalizer, which is weird

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<v Speaker 2>because we're not exactly sure they've actually played with the

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<v Speaker 2>idea of making a part of the Denzil universe.

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<v Speaker 3>That there is some relation.

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<v Speaker 1>There is the rare occasion where there is a show

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<v Speaker 1>that was okay, if we're being honest with ourselves in

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<v Speaker 1>its original iteration, that becomes better when it's remade. And

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<v Speaker 1>I would say that was Battlestar Galactica. Bottlestar Galactica, it

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<v Speaker 1>was a fan favorite one when we were but but

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<v Speaker 1>the revise, the renew Battlestar, well, it was much.

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<v Speaker 3>Much better with Edward James. Almost. Yes, I like that.

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<v Speaker 2>I preferred the Lorne Green one, as campy and silly

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<v Speaker 2>as it could have been at times, I preferred the original.

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<v Speaker 4>I thought we knew each other. This is shocking to me.

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<v Speaker 4>We do, and I knew this is good.

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<v Speaker 3>Shocking.

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<v Speaker 2>Look, I couldn't. I couldn't ever get into the remake,

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<v Speaker 2>as well as an intention as it was.

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<v Speaker 4>I thought the remake was so much better because they

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<v Speaker 4>took it seriously, they didn't camp it up, and everything

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<v Speaker 4>right down to the Baron McCrary score was superior to

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<v Speaker 4>the And I knew the original really well back back

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<v Speaker 4>in the old days when when we were just tots,

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<v Speaker 4>I made audio cassettes of those because we didn't have

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<v Speaker 4>you know, a Beta Max or anything like that. And

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<v Speaker 4>I was also jealous because I couldn't get my kinky

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<v Speaker 4>hair to feather like Starbuck and Apollo. Look think of

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<v Speaker 4>it this way. I remember Lost in Space.

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<v Speaker 2>Yeah, yeah, oh yeah, I thought the one on Netflix

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<v Speaker 2>was very good, but it didn't have the same feel.

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<v Speaker 1>That one was so different from the just the lost

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<v Speaker 1>and face on Netflix that was just like a sci

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<v Speaker 1>fi venture show with the family.

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<v Speaker 3>And it would have been fine. And yeah, that's kind

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<v Speaker 3>of my point.

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<v Speaker 4>I think I wrote about that for the rap and

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<v Speaker 4>the thing, You've got to have a Doctor Smith and

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<v Speaker 4>a Will Robinson because they weren't the original.

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<v Speaker 1>A compelling updated versions of the characters. Because they had

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<v Speaker 1>those characters, they weren't as compelling or nowhere near as interesting,

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<v Speaker 1>and there their play against each other wasn't as as

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<v Speaker 1>questionable serious BELI. It was just kind of like, Okay,

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<v Speaker 1>I mean I get that they're name the same, but

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<v Speaker 1>they're not the same characters.

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<v Speaker 2>Right right, And And if I am a fan of

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<v Speaker 2>Lost in Space, which I was, if I'm a fan

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<v Speaker 2>of the original Battlestar Galactica and even the campy Baltizar,

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<v Speaker 2>which I was, I want Baltar Baltar, excuse me, I

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<v Speaker 2>want something reminiscent of that in the remake.

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<v Speaker 4>Now the guy who plays Baltar has popped up in

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<v Speaker 4>Slow Horses, and he's such a terrific heel. He is

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<v Speaker 4>just wonderfully hated, still alive, the one in the Battlestar

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<v Speaker 4>Galactic a remake.

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<v Speaker 3>Oh also of the original. Oh no.

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<v Speaker 4>John Colicos was Baltar in the original. I think he's

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<v Speaker 4>long gone. And he played a Klingon in Star Trek

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<v Speaker 4>as well. Everybody, everything's related. It's very The sci fi

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<v Speaker 4>universe on TV was very incestuous back in the day.

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<v Speaker 3>You know, it's a very small community in that regard.

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<v Speaker 2>Well, I can't think of a show us out today

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<v Speaker 2>that's a remake that I'm enjoying.

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<v Speaker 3>I'm trying to think.

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<v Speaker 2>I'm just being honest. Nothing as a remake. I can't

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<v Speaker 2>think of one. You know, I've watched episodes of SWAT,

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<v Speaker 2>we featured it. I've never got into Hawaii five. Oh no, no, nothing,

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<v Speaker 2>none of those remakes.

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<v Speaker 3>It's almost like I turn off Quantum Leap. Hell no

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<v Speaker 3>no no, hell no no no no no no.

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<v Speaker 1>But but to be fair, we are also living in

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<v Speaker 1>a much more diverse television world than we did back then.

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<v Speaker 1>A remake of a television show on CBS or something

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<v Speaker 1>that forces you to sit and watch CBS at a

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<v Speaker 1>designated time on a designated day, well, you're not keeping

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<v Speaker 1>up with any of it.

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<v Speaker 3>That's why they're a multi platform now.

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<v Speaker 2>They're they're putting their combining the streaming numbers with the

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<v Speaker 2>actual broadcast numbers.

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<v Speaker 3>Yeah, because I'm not going to watch.

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<v Speaker 2>I'll probably watch Matt Locke eventually just to see what

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<v Speaker 2>it's all about, but I don't have any real desire

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<v Speaker 2>to see it. Like, for example, they will do a

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<v Speaker 2>murder she wrote, remake, Well.

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<v Speaker 5>That's a remake of Miss Marple, yes, but still they

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<v Speaker 5>will call it murder, she wrote, And I will have

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<v Speaker 5>the expectation that Angela Lansbury is gonna roll her ass

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<v Speaker 5>out there. And I always thought growing up, it was like,

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<v Speaker 5>why is it people always die when this woman is

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<v Speaker 5>around and no one ever.

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<v Speaker 4>Thinks she was the common denominator? Cabot Cove was really

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<v Speaker 4>just like the Killing Fields.

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<v Speaker 2>Yes, how is it every time you show up someone

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<v Speaker 2>drops dead and seemingly no one knows why.

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<v Speaker 4>Yeah, that doctor Seth he was busy. Think of the

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<v Speaker 4>number of autopsies he had to crank through in a week.

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<v Speaker 2>Come on, and I'm not gonna watch it because I'm

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<v Speaker 2>gonna still feel compelled.

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<v Speaker 3>It's like, this is not that.

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<v Speaker 4>No, And I gotta you know, I feel like I'm

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<v Speaker 4>aging myself by revealing all this stuff. But Murder, she wrote,

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<v Speaker 4>is a gold mine for philosophy if you pay attention

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<v Speaker 4>to the way she responds to people. She's like a

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<v Speaker 4>zen mistress.

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<v Speaker 2>She's like a super psychologist, can talk her way out

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<v Speaker 2>of anything. Because many times she was in harm's way

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<v Speaker 2>and she was getting ready to get merked, and somehow

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<v Speaker 2>she talked her way out of it.

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<v Speaker 3>Yeah.

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<v Speaker 4>Also, Angela Lansbury a terrific actress. And if you want

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<v Speaker 4>to go like the Andy Griffith rut with a face

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<v Speaker 4>in the crowd, watch her in The Manchurian Candida. Yeah,

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<v Speaker 4>she wasn't just a phone at in TV. I don't

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<v Speaker 4>know that was that was great great.

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<v Speaker 2>Just her role as mom get over gotten quote Mom,

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<v Speaker 2>we can do this all night, but we got to

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<v Speaker 2>go to break the Dodgers.

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<v Speaker 3>Well, that game's over. Let me just say that. I

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<v Speaker 3>think it's like ten to four. Now they just they just.

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<v Speaker 2>Give no because now it's eleven.

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<v Speaker 3>Now it's eleven to four. Yeah, let's start generating momentum.

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<v Speaker 2>And I'm afraid one game is gonna turn into two,

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<v Speaker 2>it's going to turn into three, and what was going

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<v Speaker 2>to be the greatest moment in Dodger history is going

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<v Speaker 2>to turn into you know, annihilation that I have to

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<v Speaker 2>watch for another forty years and I don't want that

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<v Speaker 2>to happen.

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<v Speaker 4>Well, we can drink in celebration or we can drink

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<v Speaker 4>in sadness.

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<v Speaker 3>As long as we get to drink.

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<v Speaker 6>You're listening to Later with Moe Kelly on demand from

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<v Speaker 6>KFI AM six forty.

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<v Speaker 3>What would it take?

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<v Speaker 2>Just in case you were unsure or concerned, what would

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<v Speaker 2>it take to get you back in a McDonald's Because

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<v Speaker 2>the e coli outbreak has had a profound impact on

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<v Speaker 2>the McDonald's stock, its perception, and just overall the news coverage. Wednesday,

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<v Speaker 2>the day last week, the day after the e coli

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<v Speaker 2>outbreak was announced, customer visits to McDonald's dropped six point

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<v Speaker 2>four percent. Across the country and twenty four percent in Colorado,

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<v Speaker 2>where the outbreak was most prevalent. Then last Thursday, visits

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<v Speaker 2>to McDonald's dropped nine percent nationwide and thirty one percent

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<v Speaker 2>in Colorado. And on last Friday, visits declined ten percent

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<v Speaker 2>around the country and thirty three percent in Cole Dorado.

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<v Speaker 2>So again I asked the question, what would make you

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<v Speaker 2>want to or feel comfortable enough with going back to McDonald's.

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<v Speaker 2>I don't go to McDonald's that often. I would say

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<v Speaker 2>it's maybe once every other month. And I can tell

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<v Speaker 2>you when I would go. It would be Saturday morning

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<v Speaker 2>and I need to pick up some food real quick

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<v Speaker 2>before I go open up the dojng. I'm going to

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<v Speaker 2>teach three classes and it's right along the way. That's

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<v Speaker 2>the only time I'm geting McDonald's. And it's always breakfast food.

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<v Speaker 4>What at McDonald's lends itself to a pre workout meal

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<v Speaker 4>that doesn't teaching.

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<v Speaker 3>I didn't say workout. No no, no, no no no.

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<v Speaker 2>I would never eat McDonald's if I was getting ready

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<v Speaker 2>to work out. No, no, we're dark colored pants. I

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<v Speaker 2>would I would look. Anyone who's had a hard martial

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<v Speaker 2>arts class knows that that's the quickest way.

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<v Speaker 3>That's the direct route of throwing up. Uh huh.

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<v Speaker 2>You will throw up in the middle of class or

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<v Speaker 2>don't want to dank in the class either or right?

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<v Speaker 3>Yes, bad. Would never do that if I were going

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<v Speaker 3>to be working out.

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<v Speaker 4>Yeah, put a waste basket at the edge of the mat.

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<v Speaker 3>Look eco or not.

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<v Speaker 1>I I've sworn off of McDonald's, and I'm I'm thankful

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<v Speaker 1>that I'm at more of my kids are at that

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<v Speaker 1>age where they don't want McDonalds, and well, you know,

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<v Speaker 1>there was a point time where they were young, McDonald's

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<v Speaker 1>just get the chicken, nuggs whatever. No, now they're like, no,

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<v Speaker 1>I'm okay, I have sworn off of McDonald's forever. More so,

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<v Speaker 1>you know, to me, this egalized like okay, okay.

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<v Speaker 2>So thus just the brand McDonald's just that particular restaurant,

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<v Speaker 2>or you find going to Jack in the.

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<v Speaker 1>Box, this brand McDonald's now Jack and the crack starts

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<v Speaker 1>to having eco ee outbreaks within a man.

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<v Speaker 4>Yeah, that's that's what surprised me. The numbers you read.

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<v Speaker 4>How are they still even as high as they are

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<v Speaker 4>given the E COLI I don't know, and I thought

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<v Speaker 4>it would.

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<v Speaker 3>Have more of a measurable impact than that.

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<v Speaker 2>Yeah, it's measurable, but even more so because for me,

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<v Speaker 2>you can tell me that it only impacted the onions

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<v Speaker 2>on this particular burger, and that's all I need to

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<v Speaker 2>worry about.

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<v Speaker 3>I'm still staying.

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<v Speaker 2>Away because I always assume it's worse than.

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<v Speaker 3>What we know.

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<v Speaker 4>Yeah, I mean, what would it take to keep more

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<v Speaker 4>people than that away? People getting sick and dying clearly

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<v Speaker 4>isn't enough.

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<v Speaker 2>Well, I think for the most part, if you are

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<v Speaker 2>a big proponent of McDonald's, it doesn't really matter. It

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<v Speaker 2>doesn't really matter because you're not talking about quality of food.

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<v Speaker 2>You're not talking about health conscious food. If you're going

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<v Speaker 2>to McDonald's with any type of regularity, well.

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<v Speaker 3>That ain't me.

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<v Speaker 2>No, it's not me eat maybe once a year. No, no, No,

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<v Speaker 2>I have my other food vices. It's never been McDonald's.

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<v Speaker 2>It's never been, not since maybe I was a teenager. No,

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<v Speaker 2>I don't get it.

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<v Speaker 4>I mean, I understand that all fast food and junk

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<v Speaker 4>food and things like that are chemically engineered to make

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<v Speaker 4>you crave them and want to not stop eating them,

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00:16:00.080 --> 00:16:04.279
<v Speaker 4>suppress your fullness impulses. But none of that stuff appeals

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<v Speaker 4>to me, except just in a pinch. If I'm just

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<v Speaker 4>dying and need something and desperate.

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<v Speaker 2>I think of McDonald's particularly like I do SODA's. I

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00:16:14.080 --> 00:16:16.639
<v Speaker 2>don't drink sodas. I don't reach for sodas if I'm thirsty.

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<v Speaker 2>The last thing I want is a carbonated beverage. I

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<v Speaker 2>just don't drink it. Now, if I were in dire

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<v Speaker 2>need of something and that's the literally the only thing

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00:16:24.279 --> 00:16:26.879
<v Speaker 2>that's there, then I'll get a soda. I think of

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00:16:26.960 --> 00:16:30.360
<v Speaker 2>McDonald's the same way, with exception of McDonald's breakfast, and

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<v Speaker 2>you could have breakfast any time of the day.

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<v Speaker 4>Yeah, I have like two cans of coke a year

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00:16:34.960 --> 00:16:38.000
<v Speaker 4>if that. But do you remember in the days when

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00:16:38.000 --> 00:16:40.440
<v Speaker 4>it was just normal for people to just steadily drink

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00:16:40.480 --> 00:16:43.320
<v Speaker 4>that stuff. Yep, well, it was just part of everybody's day.

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<v Speaker 1>But again, McDonald's taps into a segment of society where

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00:16:49.480 --> 00:16:52.120
<v Speaker 1>they're eating on the go and lots of time. Even

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<v Speaker 1>when my kids were young, my giddy McDonald's consisted of

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00:16:56.320 --> 00:16:59.000
<v Speaker 1>I've picked, you know, my daughter up from dance class,

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00:16:59.000 --> 00:17:04.039
<v Speaker 1>my son up from taekwondo, and I'm in a rush

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00:17:04.079 --> 00:17:06.200
<v Speaker 1>to get them home. They need something to eat real quick.

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<v Speaker 1>They don't want you know, do you guys want a

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00:17:08.720 --> 00:17:11.960
<v Speaker 1>poil Local? No, you guys maybe want a subway sounds no,

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00:17:12.160 --> 00:17:15.160
<v Speaker 1>what McDonald's. Okay, we'retopping a by mcdonal's. Why because I'm

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00:17:15.200 --> 00:17:16.799
<v Speaker 1>in a hurry and I forgot to get them going.

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00:17:16.880 --> 00:17:20.359
<v Speaker 1>But again they if I say, you guys want some McDonald's,

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00:17:20.359 --> 00:17:23.640
<v Speaker 1>They're like, oh no, but the McDonald's just down the street.

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00:17:23.839 --> 00:17:26.640
<v Speaker 1>That line is damn near around the corner. Again to

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00:17:26.839 --> 00:17:28.720
<v Speaker 1>day when I'm pulling up to the station.

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<v Speaker 2>But I will say there is one place I will

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<v Speaker 2>make a great exception for we'll go out of my

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00:17:33.000 --> 00:17:38.799
<v Speaker 2>way for, and that's Wendy's. Absolutely, absolutely yeah, I will

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<v Speaker 2>go out of my way for some Wendy's.

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<v Speaker 4>Yes, I'm waiting for the punchline. Is there a punchline?

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00:17:42.480 --> 00:17:43.839
<v Speaker 3>No, there's no punchline.

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<v Speaker 4>Oh this isn't a bit. You're you genuinely have some

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<v Speaker 4>inexplicable love for Wendy's.

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<v Speaker 1>I would say this, and this is not because Ed

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<v Speaker 1>has treated us to delicious Windy's treats when he's dropped

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<v Speaker 1>them by. I actually stop buying Wendy's and pick up

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00:18:02.039 --> 00:18:04.960
<v Speaker 1>some of their chicken sanwiches sometimes if I have time

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00:18:05.000 --> 00:18:07.319
<v Speaker 1>to go and get something in the morning, I still

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00:18:07.359 --> 00:18:09.039
<v Speaker 1>love their potatoes.

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<v Speaker 3>Do they still have potatoes?

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<v Speaker 1>Yes, okay, I used to get There are so many

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<v Speaker 1>choice options to get there, and for me, just for me,

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00:18:20.279 --> 00:18:23.319
<v Speaker 1>they are on my way. I'm one of those individuals

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<v Speaker 1>when if I'm driving somewhere, I have to go to

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<v Speaker 1>the place on my way and on the same side

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<v Speaker 1>of the street. If it's across the street, I'm not

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<v Speaker 1>gonna go across the street, and they get back on

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<v Speaker 1>my route.

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<v Speaker 3>No.

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<v Speaker 1>After dropping off my daughter in the morning, the very

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<v Speaker 1>first spot that I hit that does not have a

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<v Speaker 1>line or the line is moving quickly is the Wendy's.

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<v Speaker 1>The McDonald's line is usually and the Madonnas on the

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<v Speaker 1>other side of the street, and the line is all

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<v Speaker 1>the way outside. And I'm like, you eat your egal

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<v Speaker 1>Ie burgers or your salwiches in the morning.

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<v Speaker 4>I hope the two of you caught last night when

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<v Speaker 4>I played a Wendy's Where's the Beef?

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<v Speaker 3>Clip? Yes, well I heard it, okay, I heard your

383
00:19:00.640 --> 00:19:01.240
<v Speaker 3>where's the beach?

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00:19:01.559 --> 00:19:04.160
<v Speaker 2>Unfortunately, it's so obscure, you know, the younger folks today

385
00:19:04.200 --> 00:19:05.640
<v Speaker 2>have no idea where that comes from.

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00:19:05.720 --> 00:19:09.799
<v Speaker 4>Yeah, watched Clara Peller and a Wendy's commercial Some Murder

387
00:19:09.839 --> 00:19:13.279
<v Speaker 4>she wrote, and then sign Your Last Will and Testament.

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<v Speaker 3>She actually did a lot of work outside of Wendy's.

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00:19:17.440 --> 00:19:19.920
<v Speaker 3>Oh I know. Yeah, her adult work was something else.

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00:19:20.359 --> 00:19:25.359
<v Speaker 3>Wait what? Never mind? Wait never mind? Where's the beef? No? No, no,

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00:19:25.839 --> 00:19:29.119
<v Speaker 3>damn it, don't have it? Come on, we haven't had

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00:19:29.160 --> 00:19:30.440
<v Speaker 3>one all night? Have we to go?

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00:19:30.799 --> 00:19:33.279
<v Speaker 2>There's a reason because no, it was what I don't

394
00:19:33.279 --> 00:19:37.880
<v Speaker 2>get it? Oh wow, I'm glad you didn't get it.

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<v Speaker 6>You're listening to Later with Moe Kelly on demand from

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00:19:42.160 --> 00:19:43.720
<v Speaker 6>KFI AM six forty.

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<v Speaker 2>But if you detest traveling, or you don't like the

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00:19:48.279 --> 00:19:51.880
<v Speaker 2>whole process of flying, well I might have some good

399
00:19:51.960 --> 00:19:55.839
<v Speaker 2>news for you. Remember those times where you were probably

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00:19:55.880 --> 00:19:59.880
<v Speaker 2>stranded on the tarmac or your flight was delayed, it

401
00:20:00.200 --> 00:20:03.880
<v Speaker 2>definitely and you didn't know when you might be taking off,

402
00:20:03.880 --> 00:20:07.279
<v Speaker 2>and you're almost being held hostage. You didn't know what

403
00:20:07.359 --> 00:20:11.039
<v Speaker 2>you should do. Should you rebook a flight on or

404
00:20:11.119 --> 00:20:13.559
<v Speaker 2>book a flight on a different airline? Should you just

405
00:20:13.680 --> 00:20:16.359
<v Speaker 2>cancel all together? And if you canceled, you couldn't get

406
00:20:16.359 --> 00:20:18.400
<v Speaker 2>your money back. I know it was a pain in

407
00:20:18.440 --> 00:20:22.039
<v Speaker 2>the ass. Well, now, if your flight is canceled or

408
00:20:22.039 --> 00:20:24.519
<v Speaker 2>delayed by more than three hours, which is not saying

409
00:20:24.599 --> 00:20:28.200
<v Speaker 2>much for any type of airline travel for a domestic

410
00:20:28.279 --> 00:20:34.000
<v Speaker 2>trip or six hours for an international one, you're automatically

411
00:20:34.279 --> 00:20:37.440
<v Speaker 2>entitled to a refund. I wish I would have known

412
00:20:37.480 --> 00:20:40.880
<v Speaker 2>about this the past fifteen times my flight was delayed.

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<v Speaker 4>You ever had to sleep in an airport?

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00:20:42.599 --> 00:20:45.480
<v Speaker 3>Oh? Yes, which one I've slept in? Lax? I've slept

415
00:20:45.480 --> 00:20:46.519
<v Speaker 3>in O'Hare.

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00:20:46.799 --> 00:20:53.880
<v Speaker 2>DC, Pittsburgh that I know of, And I want to

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00:20:53.920 --> 00:20:56.240
<v Speaker 2>say lax, if only because I did want to drive

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00:20:56.240 --> 00:20:58.039
<v Speaker 2>home and it was like maybe six hours in between

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00:20:58.079 --> 00:20:58.680
<v Speaker 2>something like that.

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<v Speaker 4>I feel like we need serious compensation if we ever

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00:21:01.960 --> 00:21:03.319
<v Speaker 4>have to go to sleep in an airport.

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00:21:03.400 --> 00:21:04.160
<v Speaker 3>Well, here's the thing.

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<v Speaker 2>I remember I had a flight issue going to Dallas

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00:21:08.720 --> 00:21:10.880
<v Speaker 2>like a year and a half ago, and they were

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00:21:10.960 --> 00:21:12.839
<v Speaker 2>nice enough to put me up in a hotel.

426
00:21:14.079 --> 00:21:16.839
<v Speaker 3>But still they didn't give me my money back.

427
00:21:17.000 --> 00:21:18.799
<v Speaker 2>They were just saying, we'll just fly you out the

428
00:21:18.839 --> 00:21:22.599
<v Speaker 2>next day and we'll give you this voucher for a hotel. Well,

429
00:21:22.599 --> 00:21:24.200
<v Speaker 2>what if I just want my money back so I

430
00:21:24.200 --> 00:21:26.759
<v Speaker 2>can jump in the car and drive off. Couldn't get

431
00:21:26.759 --> 00:21:29.319
<v Speaker 2>that no, no, no, you couldn't have that. So this

432
00:21:29.599 --> 00:21:32.000
<v Speaker 2>I could use. I could see myself using when I

433
00:21:32.039 --> 00:21:33.559
<v Speaker 2>was in college, talk about when I had to sleep

434
00:21:33.599 --> 00:21:38.160
<v Speaker 2>in an airport. I was snowed in in DC and

435
00:21:38.880 --> 00:21:41.559
<v Speaker 2>it was at Dulles Airport, which is a good forty

436
00:21:41.559 --> 00:21:44.759
<v Speaker 2>miles from Georgetown University. There was no point in trying

437
00:21:44.759 --> 00:21:47.160
<v Speaker 2>to go back to Georgetown because back then there was

438
00:21:47.160 --> 00:21:49.000
<v Speaker 2>no uber, it was a cab and it was way

439
00:21:49.039 --> 00:21:52.000
<v Speaker 2>too expensive for a college student. So I slept in

440
00:21:52.000 --> 00:21:55.839
<v Speaker 2>the airport and waited til the snow had abated, and

441
00:21:55.880 --> 00:21:58.039
<v Speaker 2>then I got a flight out the next morning. And

442
00:21:58.119 --> 00:22:02.000
<v Speaker 2>one time at Pittsburgh in a connection got snowed in

443
00:22:02.039 --> 00:22:03.640
<v Speaker 2>as well, so I had to stay at Pittsburgh.

444
00:22:03.680 --> 00:22:06.359
<v Speaker 4>With these airport rules, it's kind of like knowing your

445
00:22:06.480 --> 00:22:08.559
<v Speaker 4>rights to quote to a cop who pulls you over

446
00:22:08.680 --> 00:22:11.240
<v Speaker 4>or tries to take your phone. You have to sometimes

447
00:22:11.680 --> 00:22:15.119
<v Speaker 4>be able to recite what you're entitled to to the

448
00:22:15.160 --> 00:22:16.559
<v Speaker 4>person at the airport desk.

449
00:22:16.720 --> 00:22:18.720
<v Speaker 3>But it's also a leverage situation.

450
00:22:18.920 --> 00:22:22.960
<v Speaker 2>They know that they have you where you have limited options,

451
00:22:23.240 --> 00:22:26.440
<v Speaker 2>and you're trying to get somewhere relatively soon, so the

452
00:22:26.480 --> 00:22:29.640
<v Speaker 2>odds of you canceling are slim and none.

453
00:22:29.960 --> 00:22:30.119
<v Speaker 3>Yeah.

454
00:22:30.160 --> 00:22:32.359
<v Speaker 4>Also, we see these viral videos all the time of

455
00:22:32.440 --> 00:22:37.079
<v Speaker 4>people having freakouts and shouting in airport departure lounges. Those

456
00:22:37.079 --> 00:22:39.039
<v Speaker 4>are taken out of context. I think if you knew

457
00:22:39.039 --> 00:22:41.480
<v Speaker 4>the full context, you'd be on the side of the

458
00:22:41.480 --> 00:22:42.359
<v Speaker 4>person freaking out.

459
00:22:42.440 --> 00:22:44.599
<v Speaker 3>Ninety percent of the time. I probably would be on

460
00:22:44.640 --> 00:22:45.160
<v Speaker 3>their side.

461
00:22:45.200 --> 00:22:49.599
<v Speaker 2>I probably would not condone their particular behavior because I'm

462
00:22:49.640 --> 00:22:49.920
<v Speaker 2>the one.

463
00:22:50.000 --> 00:22:51.160
<v Speaker 3>I am not going to yell at you.

464
00:22:51.200 --> 00:22:54.880
<v Speaker 2>In fact, I'm going to very quietly use profanity and

465
00:22:54.920 --> 00:22:55.519
<v Speaker 2>cuss you out.

466
00:22:55.839 --> 00:22:57.920
<v Speaker 3>Yeah, you want to role play right now.

467
00:22:57.920 --> 00:22:59.799
<v Speaker 2>It'd be one of those things where I'm sorry, sir,

468
00:23:00.319 --> 00:23:04.519
<v Speaker 2>the flight's already boarded and we can't reopen the door

469
00:23:04.680 --> 00:23:07.319
<v Speaker 2>and let anybody else on. Okay, but it says on

470
00:23:07.400 --> 00:23:10.480
<v Speaker 2>my boarding past I am twelve D. Yeah, but you

471
00:23:10.599 --> 00:23:13.599
<v Speaker 2>were you were late. I did see you standing in

472
00:23:13.720 --> 00:23:15.680
<v Speaker 2>line as we were boarding, but you just didn't get

473
00:23:15.680 --> 00:23:18.119
<v Speaker 2>to the front of the line soon enough, and so

474
00:23:18.200 --> 00:23:20.119
<v Speaker 2>we're gonna have to do what we can to rebook you.

475
00:23:20.240 --> 00:23:22.240
<v Speaker 2>But you did not at any time say that the

476
00:23:22.240 --> 00:23:25.240
<v Speaker 2>boarding was closed or that you were closing the doors

477
00:23:25.240 --> 00:23:27.839
<v Speaker 2>and it was too late for me to board. I

478
00:23:28.039 --> 00:23:31.200
<v Speaker 2>have a ticket that I've paid for, and it says

479
00:23:31.359 --> 00:23:34.559
<v Speaker 2>on my boarding pass that I'm cleared to board. Now

480
00:23:35.480 --> 00:23:38.400
<v Speaker 2>I should be on that flight because obviously there's someone's

481
00:23:38.400 --> 00:23:40.799
<v Speaker 2>sitting on my seat who should not be sitting in

482
00:23:40.839 --> 00:23:41.279
<v Speaker 2>my seat.

483
00:23:41.400 --> 00:23:44.720
<v Speaker 3>Well, unfortunately, I'm looking at the plane. It has not left.

484
00:23:44.759 --> 00:23:47.119
<v Speaker 4>I hear you, sir, and please don't raise your voice

485
00:23:47.160 --> 00:23:50.640
<v Speaker 4>to me. Unfortunately, sir, there's there's nothing I can do

486
00:23:50.799 --> 00:23:51.599
<v Speaker 4>at this point.

487
00:23:51.720 --> 00:23:53.240
<v Speaker 3>Okay, I know there's nothing that you can. I can

488
00:23:53.359 --> 00:23:55.640
<v Speaker 3>give you an email to our corporate headquarters, sir.

489
00:23:55.720 --> 00:23:58.079
<v Speaker 2>Okay, what about your supervisor who's standing around and I

490
00:23:58.119 --> 00:23:59.799
<v Speaker 2>speak to that person, He's.

491
00:23:59.640 --> 00:24:01.519
<v Speaker 4>Just gonna tell you to talk to me, sir. Okay,

492
00:24:01.519 --> 00:24:02.480
<v Speaker 4>then let's do that.

493
00:24:02.559 --> 00:24:04.519
<v Speaker 2>Let's do that. Let's let's see this through to its

494
00:24:04.519 --> 00:24:08.279
<v Speaker 2>full conclusion. We've exhausted all our all our options, sir,

495
00:24:08.640 --> 00:24:10.960
<v Speaker 2>we have. We're gonna if I can give you the

496
00:24:11.000 --> 00:24:13.839
<v Speaker 2>email to corporate headquarters. Okay, thank you for the email.

497
00:24:13.920 --> 00:24:15.680
<v Speaker 2>Now let's talk to the person. Can I walk over

498
00:24:15.720 --> 00:24:16.720
<v Speaker 2>and I'll just walk over?

499
00:24:16.799 --> 00:24:18.920
<v Speaker 4>No, no, no, no no, he's gonna just steer you right

500
00:24:18.960 --> 00:24:20.160
<v Speaker 4>back here, and then you'll have to get to the

501
00:24:20.279 --> 00:24:21.880
<v Speaker 4>end of the line and wait to get all the

502
00:24:21.880 --> 00:24:23.240
<v Speaker 4>way to the front to talk to me again.

503
00:24:23.359 --> 00:24:25.640
<v Speaker 2>So, but you've already said I've missed my flight, so

504
00:24:25.680 --> 00:24:26.799
<v Speaker 2>there's nothing that I'm going.

505
00:24:26.799 --> 00:24:29.480
<v Speaker 4>To lose here. Yeah, I'm sorry. There's really nothing I

506
00:24:29.519 --> 00:24:31.160
<v Speaker 4>can do unfortunately.

507
00:24:31.240 --> 00:24:33.599
<v Speaker 2>Okay, so you can't do anything for me. Let's just

508
00:24:33.720 --> 00:24:36.079
<v Speaker 2>in the conversation. Let me just go talk to your superor.

509
00:24:36.720 --> 00:24:39.519
<v Speaker 2>What's his name or her name? I'm sorry I can't

510
00:24:39.559 --> 00:24:40.119
<v Speaker 2>help you with that.

511
00:24:40.200 --> 00:24:41.599
<v Speaker 4>And in fact, if you can move to the side

512
00:24:41.640 --> 00:24:44.160
<v Speaker 4>so I can help the next person, i'd appreciate that thing.

513
00:24:44.559 --> 00:24:47.640
<v Speaker 3>Thank you, sir. Is it mister, mister? Don't you have

514
00:24:47.680 --> 00:24:49.839
<v Speaker 3>my information in front of you? That's okay, it's it's

515
00:24:49.880 --> 00:24:52.160
<v Speaker 3>been a pleasure serving you, sir. That's okay. No, No, that's okay.

516
00:24:53.119 --> 00:24:54.440
<v Speaker 3>I got time now.

517
00:24:54.920 --> 00:24:57.039
<v Speaker 4>I'm afraid I don't we we really have to get

518
00:24:57.079 --> 00:24:59.000
<v Speaker 4>moving next, please next.

519
00:24:58.880 --> 00:25:01.160
<v Speaker 2>So you're to rus so you understand what it's like

520
00:25:01.200 --> 00:25:04.359
<v Speaker 2>to be in a rush and someone who's jerking you around.

521
00:25:04.599 --> 00:25:06.680
<v Speaker 4>Sir, if you're going to use that kind of abusive language,

522
00:25:06.680 --> 00:25:09.759
<v Speaker 4>I'm unfortunately going to have to end this conversation.

523
00:25:09.920 --> 00:25:10.680
<v Speaker 3>But thank you.

524
00:25:10.720 --> 00:25:15.200
<v Speaker 2>First I thought were flying, but I didn't fly. I'm standing.

525
00:25:15.559 --> 00:25:17.799
<v Speaker 2>I'm standing, and I have a ticket and I should

526
00:25:17.799 --> 00:25:21.400
<v Speaker 2>be flying. But the door is closed and you're saying

527
00:25:21.400 --> 00:25:24.400
<v Speaker 2>that you can't open it, and the plane is still there.

528
00:25:24.759 --> 00:25:28.759
<v Speaker 2>Obviously they're waiting for something for you to tell them

529
00:25:28.799 --> 00:25:29.680
<v Speaker 2>that it's okay to leave.

530
00:25:29.799 --> 00:25:32.279
<v Speaker 4>I feel like you've escalated, sir, and we're going to

531
00:25:32.319 --> 00:25:36.279
<v Speaker 4>have to call security. So if you could just calm down.

532
00:25:36.119 --> 00:25:39.279
<v Speaker 3>Plane, I'm very calm. I have not raised my voice.

533
00:25:39.359 --> 00:25:42.640
<v Speaker 4>I need to see your hands, sir. Oh you don't

534
00:25:42.640 --> 00:25:44.640
<v Speaker 4>want to see me take your hands out of your pocket, sir.

535
00:25:44.920 --> 00:25:46.640
<v Speaker 2>No, no, no, no, because you're going to use that

536
00:25:46.680 --> 00:25:48.559
<v Speaker 2>as a sign of aggression. I'm not going to allow

537
00:25:48.599 --> 00:25:49.720
<v Speaker 2>that from you.

538
00:25:49.720 --> 00:25:53.000
<v Speaker 4>You're making me feel threatened, okay, But my feelings are

539
00:25:53.000 --> 00:25:53.680
<v Speaker 4>irrelevant here.

540
00:25:53.960 --> 00:25:56.480
<v Speaker 2>I'm just talking about the facts. I have a boarding pass,

541
00:25:56.839 --> 00:25:59.559
<v Speaker 2>I should be on that plane. Your supervisor is right

542
00:25:59.559 --> 00:26:03.160
<v Speaker 2>over there. You've that's your supervisor. So why are we

543
00:26:03.240 --> 00:26:04.279
<v Speaker 2>delaying the inevitable?

544
00:26:04.559 --> 00:26:07.960
<v Speaker 4>Maybe we can give you some free air miles or

545
00:26:08.039 --> 00:26:10.880
<v Speaker 4>something like that, but but honestly, I'm sorry to tell

546
00:26:10.920 --> 00:26:12.440
<v Speaker 4>you there's nothing else we can do for you at

547
00:26:12.440 --> 00:26:13.039
<v Speaker 4>this time.

548
00:26:13.160 --> 00:26:16.000
<v Speaker 2>But unfortunately, but I just read the other day that

549
00:26:16.279 --> 00:26:20.440
<v Speaker 2>you must grant a refund if you cannot, let's say,

550
00:26:20.480 --> 00:26:22.359
<v Speaker 2>consummate my itenerary.

551
00:26:21.920 --> 00:26:27.359
<v Speaker 4>Consummate consummate right here in the middle of the lounge. Well,

552
00:26:27.400 --> 00:26:30.240
<v Speaker 4>you know, the benches really aren't set up for any

553
00:26:30.240 --> 00:26:31.640
<v Speaker 4>form of consummation, sir.

554
00:26:31.799 --> 00:26:35.920
<v Speaker 2>Unfortunately, are you ready to give me my refund?

555
00:26:36.640 --> 00:26:39.279
<v Speaker 4>I am ready to have you take a time out,

556
00:26:39.319 --> 00:26:41.599
<v Speaker 4>sir while you de escalate, because you're you're making me

557
00:26:41.599 --> 00:26:44.640
<v Speaker 4>a little uneasy. Okay, go ahead and call security, all right, sir,

558
00:26:45.119 --> 00:26:46.960
<v Speaker 4>if you just stand right where you are, except move

559
00:26:47.000 --> 00:26:47.759
<v Speaker 4>move to the side.

560
00:26:47.599 --> 00:26:49.440
<v Speaker 3>Just a little bit so I can help the next customer.

561
00:26:49.599 --> 00:26:51.599
<v Speaker 2>No, no, no, I want you to call security, because

562
00:26:51.599 --> 00:26:53.400
<v Speaker 2>if you're going to call security, at least you get

563
00:26:53.400 --> 00:26:53.960
<v Speaker 2>my money's worth.

564
00:26:54.000 --> 00:26:55.720
<v Speaker 4>I don't like the tone in your voice, sir, And

565
00:26:56.319 --> 00:26:58.200
<v Speaker 4>if we could, I'm gonna have to well.

566
00:26:58.039 --> 00:26:59.480
<v Speaker 3>I don't like that jacket you're wearing.

567
00:27:01.559 --> 00:27:05.559
<v Speaker 2>You're gonna like what's under it even less to be truthful.

568
00:27:05.839 --> 00:27:08.880
<v Speaker 2>That is the real me, that is exactly me, Okay,

569
00:27:09.160 --> 00:27:12.880
<v Speaker 2>Because in other words, if I cannot get what I

570
00:27:13.000 --> 00:27:17.880
<v Speaker 2>feel that I am deserving a purchase, then at the

571
00:27:18.000 --> 00:27:20.759
<v Speaker 2>very minimum, I'm going to frustrate your day. At the

572
00:27:20.880 --> 00:27:23.160
<v Speaker 2>very minimum, I think you and I may be more

573
00:27:23.200 --> 00:27:27.720
<v Speaker 2>fortunate because we've had careers that have relied on talking

574
00:27:27.720 --> 00:27:30.960
<v Speaker 2>to people and persuading people and laying out cases and arguments,

575
00:27:31.640 --> 00:27:34.200
<v Speaker 2>and so the public service that we can provide on

576
00:27:34.240 --> 00:27:37.039
<v Speaker 2>the radio here is giving people ammunition, like here's what

577
00:27:37.079 --> 00:27:38.960
<v Speaker 2>you do at the water cooler, here's what you do

578
00:27:39.000 --> 00:27:41.480
<v Speaker 2>at the airport counter and right. And you have to

579
00:27:41.599 --> 00:27:45.839
<v Speaker 2>know inherently where that line is because you really don't

580
00:27:45.839 --> 00:27:48.480
<v Speaker 2>want to get arrested. You don't want to be brought

581
00:27:48.519 --> 00:27:50.920
<v Speaker 2>up on federal charges because you know airport is a

582
00:27:50.960 --> 00:27:55.279
<v Speaker 2>federal facility, so you do have to be mindful of that.

583
00:27:55.359 --> 00:27:57.519
<v Speaker 2>But at the same time, you do have rights as

584
00:27:57.519 --> 00:27:59.960
<v Speaker 2>a consumer, and that's what we're talking about right now.

585
00:28:00.279 --> 00:28:01.519
<v Speaker 3>If they cannot.

586
00:28:01.160 --> 00:28:04.759
<v Speaker 2>Give you what you paid for, well, someone still should

587
00:28:05.559 --> 00:28:08.119
<v Speaker 2>accommodate you on some level in that moment.

588
00:28:08.279 --> 00:28:10.559
<v Speaker 4>And it's easy to escalate too if you're standing there

589
00:28:10.599 --> 00:28:13.759
<v Speaker 4>in line and they're boarding and that's moving slow, right.

590
00:28:13.680 --> 00:28:15.640
<v Speaker 2>And that's why I would not get out line, because

591
00:28:15.759 --> 00:28:19.240
<v Speaker 2>I would force the issue where this person has to

592
00:28:19.319 --> 00:28:23.480
<v Speaker 2>address me and handle my situation for that line to move.

593
00:28:23.599 --> 00:28:25.400
<v Speaker 2>Now I know everyone behind me is calling me, every

594
00:28:25.480 --> 00:28:27.480
<v Speaker 2>dame in the book. But if I'm not getting on

595
00:28:27.519 --> 00:28:30.079
<v Speaker 2>the plane, none of these mother fathers behind me, you're

596
00:28:30.079 --> 00:28:32.519
<v Speaker 2>getting on the plane. Like It's like if I'm going

597
00:28:32.599 --> 00:28:35.279
<v Speaker 2>to be frustrated and I'm going to be missing out

598
00:28:35.279 --> 00:28:37.160
<v Speaker 2>on the slight sore all of you.

599
00:28:37.000 --> 00:28:39.359
<v Speaker 4>We're all in this together. That's what I like the Flintstones.

600
00:28:39.400 --> 00:28:41.039
<v Speaker 4>We don't get on a wing if we don't have

601
00:28:41.160 --> 00:28:41.799
<v Speaker 4>enough money.

602
00:28:42.359 --> 00:28:45.000
<v Speaker 2>So but the good life, the good news is that

603
00:28:45.240 --> 00:28:47.440
<v Speaker 2>if your flight is canceled or delayed by more than

604
00:28:47.519 --> 00:28:52.359
<v Speaker 2>three hours for a domestic itinerary or six hours international,

605
00:28:52.480 --> 00:28:57.160
<v Speaker 2>and I've dealt with both, you're automatically entitled to a refund. Now,

606
00:28:57.200 --> 00:28:59.559
<v Speaker 2>of course, you'll have airlines who will try to offer

607
00:29:00.160 --> 00:29:06.920
<v Speaker 2>some sort of other recompense, you know, to make you

608
00:29:06.960 --> 00:29:08.599
<v Speaker 2>not choose the reform, because they don't want to give

609
00:29:08.599 --> 00:29:10.400
<v Speaker 2>you money. They'll give you a free flight, they'll give

610
00:29:10.400 --> 00:29:13.799
<v Speaker 2>you an upgrade, they will give you free peanuts or something,

611
00:29:14.039 --> 00:29:15.680
<v Speaker 2>but they don't want to give you your money back.

612
00:29:15.720 --> 00:29:18.400
<v Speaker 2>And that's the whole point. They always want to delay

613
00:29:18.599 --> 00:29:20.319
<v Speaker 2>giving you actual money.

614
00:29:20.400 --> 00:29:23.880
<v Speaker 4>Our Secretary of Transportation, Pete buddhaj Edge, has been very

615
00:29:23.960 --> 00:29:27.720
<v Speaker 4>good about doing media hits or he explains to people. No, no, no, no,

616
00:29:27.759 --> 00:29:30.000
<v Speaker 4>you're entitled to this, this and this. They have to

617
00:29:30.000 --> 00:29:30.839
<v Speaker 4>give you this, he said.

618
00:29:30.920 --> 00:29:33.960
<v Speaker 2>Quote Passengers deserve to get their money back when an

619
00:29:34.000 --> 00:29:37.039
<v Speaker 2>airline owes them, without headaches or haggling.

620
00:29:37.960 --> 00:29:40.799
<v Speaker 3>And there you have it. Think of us the next

621
00:29:40.799 --> 00:29:44.119
<v Speaker 3>time you're in line and you've just been doing it

622
00:29:44.240 --> 00:29:46.480
<v Speaker 3>to capitate the person. Don't.

623
00:29:46.640 --> 00:29:48.599
<v Speaker 2>But no, you're right. It's Later with mo Kelly. If

624
00:29:48.640 --> 00:29:51.640
<v Speaker 2>I am six forty live everywhere on the iHeartRadio app.

625
00:29:51.839 --> 00:29:55.440
<v Speaker 6>You're listening to Later with Moe Kelly on demand from

626
00:29:55.519 --> 00:29:58.720
<v Speaker 6>KFI AM six forty.

627
00:29:58.039 --> 00:30:07.400
<v Speaker 3>Ladies and Gentlemen, Boys and girls. Dying Times here. It's

628
00:30:07.440 --> 00:30:08.240
<v Speaker 3>Later with Moll Kelly.

629
00:30:08.240 --> 00:30:13.000
<v Speaker 2>We're live everywhere on the iHeartRadio app. Dying Time is here.

630
00:30:13.160 --> 00:30:16.319
<v Speaker 2>People are killing themselves and I'm sorry, I don't exactly

631
00:30:16.319 --> 00:30:18.720
<v Speaker 2>feel sorry for them when they do it like this.

632
00:30:19.720 --> 00:30:22.440
<v Speaker 2>A thirty seven year old Kansas woman was killed after

633
00:30:22.519 --> 00:30:27.160
<v Speaker 2>she backed into a plane's spilling propeller. She did so

634
00:30:27.319 --> 00:30:33.160
<v Speaker 2>while trying to take photos. Amanda Gallagher dearly departed, a

635
00:30:33.160 --> 00:30:36.640
<v Speaker 2>photographer was on the plane to snap photos of skydivers

636
00:30:36.920 --> 00:30:40.079
<v Speaker 2>this past Saturday afternoon, and she rode the plane back

637
00:30:40.160 --> 00:30:43.359
<v Speaker 2>down after the sky divers jumped, and this is according

638
00:30:43.440 --> 00:30:46.839
<v Speaker 2>to the Air Capitol Drop Zone. The plane landed at

639
00:30:46.880 --> 00:30:49.880
<v Speaker 2>the site in Derby, outside of Wichita, and the next

640
00:30:49.960 --> 00:30:52.880
<v Speaker 2>set of jumpers went to board the Air Capitol Drop

641
00:30:52.960 --> 00:30:54.440
<v Speaker 2>Zone chip and.

642
00:30:54.400 --> 00:30:55.279
<v Speaker 3>It was a Cessna on.

643
00:30:57.039 --> 00:30:59.960
<v Speaker 2>It was on the ground, but the propellers were still spinning,

644
00:31:00.039 --> 00:31:02.440
<v Speaker 2>the engine was still running, and this is according to

645
00:31:02.440 --> 00:31:08.319
<v Speaker 2>the Sedgwick County Sheriff's Office and the FAA quote. For

646
00:31:08.519 --> 00:31:13.079
<v Speaker 2>unknown reasons, she as an Amanda, moved in front of

647
00:31:13.119 --> 00:31:17.319
<v Speaker 2>a wing, which is a violation of basic safety procedures.

648
00:31:17.839 --> 00:31:20.279
<v Speaker 2>I don't know who else was there other than the

649
00:31:20.279 --> 00:31:23.720
<v Speaker 2>pilot obviously in the plane. I can't tell you what

650
00:31:23.839 --> 00:31:28.160
<v Speaker 2>specifically she was taking photos of. If it were people,

651
00:31:28.799 --> 00:31:31.440
<v Speaker 2>I would say, why didn't the people say, hey, look out,

652
00:31:31.480 --> 00:31:36.079
<v Speaker 2>propeller behind you? But nonetheless, it goes on with her

653
00:31:36.119 --> 00:31:37.680
<v Speaker 2>camera up to shoot photos.

654
00:31:38.359 --> 00:31:41.559
<v Speaker 3>As she did so, she stepped back.

655
00:31:41.319 --> 00:31:46.640
<v Speaker 2>Slightly, moving toward and into the spinning propeller. Why she

656
00:31:46.720 --> 00:31:49.640
<v Speaker 2>did not hear it behind her, Why she did not

657
00:31:49.839 --> 00:31:53.240
<v Speaker 2>feel the wish of the air behind her, I don't know.

658
00:31:54.039 --> 00:31:58.160
<v Speaker 2>All I do know is she's no longer living. Gallagher,

659
00:31:58.400 --> 00:32:01.440
<v Speaker 2>who was also of Wichitalk was taken to a hospital

660
00:32:01.440 --> 00:32:04.759
<v Speaker 2>where she died from her injuries. It's a very sad story,

661
00:32:04.880 --> 00:32:07.000
<v Speaker 2>but it's not like I can feel sorry for Because

662
00:32:07.039 --> 00:32:10.920
<v Speaker 2>if you are taking pictures in front of an airplane

663
00:32:10.960 --> 00:32:14.720
<v Speaker 2>while the propellers are spinning and are not aware of

664
00:32:14.759 --> 00:32:19.279
<v Speaker 2>your surroundings, and you back into the propeller while your

665
00:32:19.359 --> 00:32:23.359
<v Speaker 2>head is in that viewfinder of your phone, yeah you're.

666
00:32:23.240 --> 00:32:24.000
<v Speaker 3>Probably gonna die.

667
00:32:24.480 --> 00:32:28.359
<v Speaker 1>All I saw was that classic scene in the very

668
00:32:28.400 --> 00:32:34.000
<v Speaker 1>first Indiana Jelles film where he's fighting the Nazi soldier. Yeah,

669
00:32:34.039 --> 00:32:37.119
<v Speaker 1>and he DUTs and that propeller takes apart. That's all

670
00:32:37.160 --> 00:32:40.400
<v Speaker 1>I thought when I saw this story. Look all right,

671
00:32:40.440 --> 00:32:42.799
<v Speaker 1>I know it's all of That's all I thought.

672
00:32:43.000 --> 00:32:45.319
<v Speaker 3>All of this is something I would never do. One.

673
00:32:45.480 --> 00:32:48.759
<v Speaker 3>I would never get involved in skydiving. Okay, I'm not

674
00:32:48.759 --> 00:32:49.960
<v Speaker 3>going to go on the plane.

675
00:32:50.039 --> 00:32:53.119
<v Speaker 2>Even though she wasn't skydiving, she was there just you know,

676
00:32:53.200 --> 00:32:53.640
<v Speaker 2>hanging out.

677
00:32:53.640 --> 00:32:55.640
<v Speaker 3>I don't hang out on a sky diving plane. Okay.

678
00:32:55.880 --> 00:32:57.880
<v Speaker 2>No, I'm not going to jump out of a plane,

679
00:32:57.960 --> 00:33:00.400
<v Speaker 2>and I'm not gonna get onto a tarmac with the

680
00:33:00.400 --> 00:33:04.240
<v Speaker 2>propeller spinning and just hang around and then try to

681
00:33:04.279 --> 00:33:08.400
<v Speaker 2>take pictures of something or someone and then and obviously

682
00:33:08.400 --> 00:33:11.200
<v Speaker 2>she was aware that the plane was still around her,

683
00:33:12.000 --> 00:33:14.400
<v Speaker 2>just wasn't aware that it was right behind her.

684
00:33:14.599 --> 00:33:17.319
<v Speaker 3>How is that even possible? How do you not know

685
00:33:17.400 --> 00:33:19.240
<v Speaker 3>that there's a plane right behind you?

686
00:33:19.440 --> 00:33:23.200
<v Speaker 1>Mo the number of stories that we have added to

687
00:33:23.359 --> 00:33:27.559
<v Speaker 1>the Dying Time collection of people taking selfies and dying.

688
00:33:27.880 --> 00:33:29.799
<v Speaker 1>The woman who was taking the last time I think

689
00:33:29.839 --> 00:33:32.640
<v Speaker 1>we had a story about a woman taking selfies that

690
00:33:32.759 --> 00:33:36.160
<v Speaker 1>died was she was taking selfies near what a train

691
00:33:36.319 --> 00:33:39.720
<v Speaker 1>track and backed into the oncoming train that took her out.

692
00:33:39.880 --> 00:33:42.000
<v Speaker 1>And you say to yourself, how do you not hear

693
00:33:42.039 --> 00:33:45.319
<v Speaker 1>a train coming when people are taking selfies, they're very

694
00:33:45.319 --> 00:33:46.079
<v Speaker 1>self involved.

695
00:33:46.599 --> 00:33:49.519
<v Speaker 2>Well, in this case, if she were taking a selfie,

696
00:33:49.640 --> 00:33:52.559
<v Speaker 2>she would have noticed the propellers right behind her.

697
00:33:52.880 --> 00:33:54.400
<v Speaker 3>Maybe maybe.

698
00:33:55.720 --> 00:34:00.559
<v Speaker 1>Maybe, I only I can only imagine the scene.

699
00:34:00.640 --> 00:34:03.519
<v Speaker 2>How many people have died just because they want to

700
00:34:03.599 --> 00:34:08.000
<v Speaker 2>take a picture, to take a cool picture, to take

701
00:34:08.039 --> 00:34:12.840
<v Speaker 2>a thrilling picture, to take a picture near danger, and

702
00:34:12.960 --> 00:34:17.800
<v Speaker 2>instead end up dying in the process. This was completely avoidable.

703
00:34:17.960 --> 00:34:19.760
<v Speaker 2>It wasn't like she woke up today, oh I'm gonna

704
00:34:19.800 --> 00:34:22.119
<v Speaker 2>be you know, impaled by a a propeller today.

705
00:34:22.239 --> 00:34:26.679
<v Speaker 3>No, that wasn't an intention. But it's like, how do

706
00:34:26.719 --> 00:34:27.840
<v Speaker 3>we lose all common sense?

707
00:34:27.920 --> 00:34:30.400
<v Speaker 2>How do we not know that when you're on a tarmac,

708
00:34:30.480 --> 00:34:32.679
<v Speaker 2>that's the place where you have to be.

709
00:34:32.679 --> 00:34:36.639
<v Speaker 3>Aware at all times, at all times. Was she impelled

710
00:34:36.719 --> 00:34:38.639
<v Speaker 3>or was she chopped up? I don't know, well, I

711
00:34:38.679 --> 00:34:40.360
<v Speaker 3>was giving a benefit of doubt. They just said it

712
00:34:40.440 --> 00:34:41.239
<v Speaker 3>took her to the hospital.

713
00:34:41.360 --> 00:34:43.880
<v Speaker 2>She didn't survive her injuries, So I'm gonna assume it's

714
00:34:44.079 --> 00:34:49.199
<v Speaker 2>one both. You know, I'm thinking this, look slice dice

715
00:34:49.719 --> 00:34:50.519
<v Speaker 2>gets you knife.

716
00:34:50.599 --> 00:34:52.199
<v Speaker 3>I don't know. I don't know. It was not a

717
00:34:52.199 --> 00:34:53.800
<v Speaker 3>pretty sign. That's not a pretty sid.

718
00:34:54.000 --> 00:34:56.400
<v Speaker 1>She probably looked like a McDonald's burger after that. Oh

719
00:34:56.440 --> 00:34:59.239
<v Speaker 1>why do you got to do that to mcdye. No,

720
00:34:59.400 --> 00:35:00.440
<v Speaker 1>McDonald's a kid.

721
00:35:01.159 --> 00:35:02.360
<v Speaker 3>Oh you give him one.

722
00:35:02.639 --> 00:35:05.199
<v Speaker 2>All the work I've been doing tonight, not even one

723
00:35:05.519 --> 00:35:06.280
<v Speaker 2>grim shot, not.

724
00:35:06.239 --> 00:35:09.119
<v Speaker 3>Even one, not even Mark Runner. I'm gonna sign that

725
00:35:09.400 --> 00:35:13.840
<v Speaker 3>f Foush doing was fuddy. Come on kf I A

726
00:35:14.000 --> 00:35:16.639
<v Speaker 3>M six forty. We're live everywhere on the iHeartRadio app.

727
00:35:17.440 --> 00:35:22.320
<v Speaker 3>If it doesn't affect you, were not interested. K f

728
00:35:22.440 --> 00:35:23.480
<v Speaker 3>I K O S

729
00:35:23.559 --> 00:35:27.639
<v Speaker 2>T H D two, Los Angeles, Orange County, Live everywhere

730
00:35:27.760 --> 00:35:28.880
<v Speaker 2>on the heart radio app,
