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Speaker 2: Thank you, Joy.
Speaker 3: Oh we should probably get that a.
Speaker 4: Hey, Barry, Yeah, yeah, Hey, how are you doing?
Speaker 5: I'm doing it all right. Uh yeah, I'm just uh
just already here at the club. Uh. Figured i'd give
you a buzz and just make sure you know how
to get here. Uh it's I don't know if you're
able to see it.
Speaker 6: Uh from the uh from the spaceport there, but uh
just got to make your way along Center Street.
Speaker 4: Uh and third Avenue, Center and third, all right, ain't
too bad. Uh anything we should uh you know, know
or prep for. I know they said no weapons, so
I'll turn in my knife at the door.
Speaker 5: Yeah, no weapons. Uh, you know, just just.
Speaker 6: Watch yourself in there there, just because there's no weapons
at the door doesn't mean that they don't make their
way through, if you know what I mean.
Speaker 5: Oh yeah, Oh, I got out here. Okay, Well we'll
see in there. Don't worry. I dressed to the nines
for this. I know you told me it was a
nice place to be.
Speaker 6: Okay, Well, uh see you here. It should be an
interesting experience, to say the least. Oh, I'm ready.
Speaker 3: All right. Center and third, they said, Bob, did you
all ready for the Red Spot?
Speaker 7: And his traditional guard is a little too much for me?
Speaker 3: You picked it, that was your choice. How many shops
do we have to stop by for that?
Speaker 8: A lot? People?
Speaker 7: Actually, if the titan nice weren't so humanized here, we
would be able to wear this sweat. At least we
found one shot we did m hm. Oh, And the
nano suits are operational. We'll be testing them today. Oh, Laura,
and I keep a stable. It's not pleasant being here,
and I do feel a little lightheaded. Warning you already
that had to take extra doses of drugs.
Speaker 8: Yes, we did, just to let you know. I might
have to steal away for a little bit during our
sojourn to the Red Spot. Our business personal business to conduct.
But it shouldn't be long idiosonal business.
Speaker 9: Do you need help?
Speaker 3: It's idiom idiom code, well, sneak words about. Yeah, he's
just gonna he's gonna sneak away. He's gonna take some
time to Yeah, Okay, you're almost there. You're getting there,
you're getting closer.
Speaker 10: Whose time are you taking farther away?
Speaker 5: Right?
Speaker 11: Stealing time?
Speaker 8: You realize, sir? I use idioms more and more just
to see you explain them to our tight night friends.
Speaker 3: Yeah. I've been catching on, and I still seem to
fall into the trap every time.
Speaker 7: I shouldn't fall into traps. There what I heard dangerous?
We came into a couple of traps. We never fell
into one.
Speaker 3: Yea, one's on you, sir, I know, I know how
you doing. Aiden. Are you ready for this?
Speaker 12: Yeah? Yeah, I'm ready?
Speaker 3: All right, Well, yep, there it is up there. It's
really just as a name, just a red old spot
on a red sand background. That's just they need to
hire some better designers, I think.
Speaker 1: Well, as you approach this location, you can see the
waterfront behind the club, one of the many lakes that
are available in the craters, and the buildings belonging to
various corporations. In the background, you see ships out on
the lake. As you approach this very fancy looking nightclub,
you can see Dakota Bob standing just off to the side.
Speaker 3: Oh there he is, Hey man, how's it going, Bob Horton? No,
this is Dakota Bob you're thinking of Tim Horton to you?
Which is Canadian? That's on earth? That ain't here.
Speaker 9: That's actually interesting name with Wharton.
Speaker 3: Okay, now, now.
Speaker 8: I hope going minds. But if I'm going in, I
think I prefer to go in as myself.
Speaker 3: Wherever you want, Bud, I don't think they'll care, and
if they do, that's their business. Looking good.
Speaker 1: Uh well, I mean, listen, this is wrong intents and purposes.
This is a pretty swanky type nightclub. You're going to
run into all kinds of people, all kinds of drugs,
all kinds of good bounty hunting opportunities. People with a
lot of money and a lot of credits. Make a
good impression, and it might be significantly significantly easier to
find any other future good jobs.
Speaker 11: If you know what I mean.
Speaker 1: You will have made a little bit of a reputation
for yourselves, especially with that last race. I have to admit, Barry,
I was a little surprised if you're looking for, well,
other kinds of jobs that aren't just necessarily bounty hunting,
and there's well there's plenty of those types around as well.
Speaker 3: Keep that in mind.
Speaker 1: Anyway, it looks like Amber's working the door tonight, and
that's kind of weird. Usually you see Cody working.
Speaker 11: Anyway, good or bad.
Speaker 1: Oh, it's just different. I guess it's not necessarily good
or bad. I guess Amber is.
Speaker 3: Well.
Speaker 11: I wouldn't screw around with her too much.
Speaker 3: Oh, fair enough.
Speaker 8: Is there anything we need to know before we go in?
Speaker 11: I't it?
Speaker 1: Okay, yeah, maybe a few other things I didn't mention.
Three floors. First floor is open to people with the marker.
You've all got the marker, right, yeah, okay, good? Yeah,
Well that's the first thing to make sure you all
have the marker. You get the first floor, that's where
the bar and the stage is, and it's also where
security is. Well. She is a businesswoman first and foremost.
Just remember that if you do run into her.
Speaker 11: She sometimes likes to come.
Speaker 1: Down to the the first floor do some dancing. She
likes to mingle, especially with the richer clientale mh well
cast or Vesta would preferred. Oh call her cay sure
only her friends can call her Vesta. I'm like I
have to do that, Baranassa.
Speaker 8: The quarter about right? A question for you if I
would you want to procure the services of an android
professional for relaxation purposes. I her rumor that that is
available here.
Speaker 1: Uh, yeah, I think it is. It's probably in their
private rooms. I haven't partaken myself, but uh, there's private
rooms on the second floor. I imagine if you talk to
either the bartender or maybe if you see any of
the other personnel around, you might be able to buy
your way up. That would fall under one of those
categories if being invited.
Speaker 8: Ah, I see, thank you.
Speaker 11: Sure like give you like a second glance, Shrud.
Speaker 8: I've ever interfaced with another being before, and I figured
if I were to try, this would be the place.
And who better than to teach me than professional?
Speaker 1: Hey, your business is your business piece. I mean whatever
you want to do. I mean, sure, sounds good.
Speaker 12: Can you take notes and then you share them with
me afterwards?
Speaker 9: Sane, I would like to know how any faces work.
Speaker 8: I will do better than that.
Speaker 7: Your Oh, we watch it.
Speaker 12: On the new THEA.
Speaker 8: Be a fun group of activity ship.
Speaker 1: Oh well, Verry, you've got a very interesting crew here.
Speaker 3: Oh yeah, oh that that I do.
Speaker 7: You've been called out kinds of things. Interesting is one
of the smaller ones.
Speaker 3: Yeah, I'll take it. I'll take it.
Speaker 1: Oh also, just another piece of information, Uh I forgot Tresa,
let me know something interesting that I thought our tight
night friends, m'd like to know our mutual friend. Tresa
looks at all of you waiting for recognition. Got some
information that makes her believe that Nadai has in fact
been cited on Mars. Oh ah, you might be able
to find out some more information here at the club.
Speaker 11: There's a lot of good sources of information. I hope
you all brought credits.
Speaker 7: Oh yeah, Oh I don't have credits, but.
Speaker 12: Pull two fistfals. I brought many drugs.
Speaker 1: Okay, Uh, well, I mean drugs aren't really against the rules.
There's going to be plenty of drugs in there.
Speaker 5: So.
Speaker 12: Not like mine.
Speaker 11: Okay, anyway, everybody ready?
Speaker 3: Oh yeah, oh yeah.
Speaker 1: We begin to approach the door of the Red Spot.
You can see lots of people sort of gathered outside.
There are people who think that they can sort of
charm their way in and get into the red spot,
and they're quickly being turned away. As you approach. Anybody
that has been to a bunch of different nightclubs before,
you get a vibe outside the nightclub. Right there's that
vibe of like is this gonna be really bad? Or
is this going to be really good? And you can
kind of usually get a sense of it right outside.
There is a sensation of the music that you can
sort of pick up just in the distance. You can
hear and feel in your bodies reverberation of that music,
smells and the sights and the sounds that are coming
from this club. You're all getting that that vibe that
this is going to be an experience. This is going
to be like something you've never experienced before. As you approach,
you see the bouncer outside that Dakota Bob has named Amber.
She's wearing very attractive ensemble. It's very sleek looking and
shows off some pretty big muscles. She looks like someone
you don't want to mess with. She has a tattoo
creeping up from underneath her collar onto part of her
neck and her ear, and it sort of creeps around
the back of her ear and goes around her eye
and it looks like flames, and as she moves you
can see it looks like the tattoo sort of moves
as well. It's got that feeling of almost like that
chameleon paint job that you can get on your like
on cars. It sort of it seems to move as
she moves, and it reflects the light a little bit differently.
And as you approach, you are behind one person in
front of you and she's got her arms crossed. Looking
at this person who's dressed very well, looks extremely rich,
well quaffed, very you get the impression that this person
is always on the cutting edge of fashion, and they are.
They are on the arm of another like another beautiful person,
really dolled up. Amazing, amazing effort has been put into
their fashion. And Amber says, you're not welcome leave now.
Speaker 11: Are you serious?
Speaker 13: Do you even know.
Speaker 1: Who I am, who I work for? Don't care? I said,
you need a marker. If you don't have a club pass,
you can't get in. You're exactly the type of person
that we don't want in here. So what you can
do is you can go to your boss and see
if they've got the kind of clout that you are
sorely lacking, and maybe, just maybe they might be able
to get you a club pass. She looks this person
up and down a day.
Speaker 11: Maybe what is your name?
Speaker 1: I am going to end you. You don't even understand
who I am, nor do I care If you don't
leave in the next three seconds. I'm going to just
throw you out into the gutter. It just rained about
an hour ago. I'd hate to see that fancy.
Speaker 11: Get up of yours get dirty.
Speaker 5: I like her.
Speaker 1: Fine, we'll find someplace better tonight, someplace that actually cares
about its client. Tele I saw some of the people
that you were letting in, and this person begins to
turn around, get to look at the lot of you
specifically looks at like Dakota, Bob, and Barry. Maybe we
really don't want to be here, turn around and leave.
Amber shakes her head. Hi, Bob, who are your friends?
Speaker 14: Uh?
Speaker 11: These are my associates. I was the club tonight.
Speaker 1: Pretty full up. It's good to hear any big spenders.
Oh yeah, there's a few whales here tonight, that's for sure.
I love the outfit. You look great, thanks, Bob. He
strains his die a little bit it's got polka doonts.
I wish I could say the same, Bob.
Speaker 11: Hey, come on, I tried hard for this, Okay, I
had to find my jacket. I don't even I mean, listen, hey,
is it old?
Speaker 3: Maybe?
Speaker 1: Is it loved?
Speaker 3: Yeah, it's loved.
Speaker 8: If I may say, Bob, we've been working together for
sometime now, and you've never looked better.
Speaker 1: See come on. If that's not a glowing endorsement, I
don't know what is.
Speaker 12: This human smells very good too.
Speaker 1: Tightan nights as well? Interesting? Hey, Cody, Yah, yeah, you
got trouble, Lambert.
Speaker 11: No, no, I just think we might have an interesting night.
Speaker 8: You can stop smiling now, just Cody.
Speaker 11: Let's surveillance and security. Now that guy from the race
is here. Oh they know me?
Speaker 3: Oh no, Ship, I'm you're famous.
Speaker 7: Oh I think I have one more starfish together if
she really wants to sun.
Speaker 9: Oh.
Speaker 15: Uh, I ain't never been recognized like that before. Uh yeah, uh,
Barry here is uh bounty hunter through and through and
uh great racer as you saw.
Speaker 14: Yeah.
Speaker 1: Amber sort of looks you up and down, Barry, and
uh she says you all have club passes.
Speaker 3: Yeah no, no, the marker the thing that we got
to get in here. There.
Speaker 1: You and I assume that they're smart enough not to
bring any weapons here. Bob, you let them know.
Speaker 3: I was gonna ask, what is there? Weapons check with
you or inside the front?
Speaker 1: Now the weapons check is with me. Barry. That is
your name, right.
Speaker 3: Yeah, Barry Hendricks.
Speaker 1: Yeah yeah, it really is him. Yeah. Yeah.
Speaker 7: She's gonna touch all over us now.
Speaker 12: Oh, I volunteer for inspection.
Speaker 9: I want to go with.
Speaker 3: Please make sure they're enthusiastic. Miss don't don't mind, don't
pay them an in mind.
Speaker 7: I've seen this in Barry's movies. I have ready, gentle
or not?
Speaker 1: All right, everybody can move along.
Speaker 11: Hey, Cody, we've got some more you want to take
over for the door?
Speaker 1: Please? You see this brute of a man, uh make
his way up far less fashion sense than Amber. This
This man has sort of slicked back hair and shaved
on the sides, very square looking features, roundish kind of face,
but very broad shoulders and squared otherwise. You can see
the looks first at Barry, again at Bob, and then
the rest of you, sort of sizing you all up.
Amber walks you over to the side and she has
this hand scanner and then she pulls out and Laura,
you're going first. Oh, yes, okay, all right, I just
need you to put your arms out for me.
Speaker 8: Please like this.
Speaker 12: Oh you smell very nice, by the way.
Speaker 1: Thank you. You have smell as well.
Speaker 12: Do you like bread?
Speaker 1: He doesn't like bread?
Speaker 8: I know.
Speaker 12: I have a lot of bread.
Speaker 1: Great. Would you like to make some sort of role here?
Speaker 3: Yeah, I'm trying to her.
Speaker 1: Okay, yeah, be considered a red role.
Speaker 7: Oh, this is probably.
Speaker 3: Consort position.
Speaker 9: Yeah.
Speaker 1: Uh that risky?
Speaker 12: Does she seemed like a popper robottom.
Speaker 9: Just kidding, risky, risky.
Speaker 16: You can never truly tell, Stella.
Speaker 3: You can never truly tell.
Speaker 8: Maybe I can smell it moves towards desperate.
Speaker 9: The drugs are kicking it.
Speaker 1: Okay, uh, yeah, go ahead, make a consort role. This
is risky. The effect will be limited.
Speaker 12: Are you sure I'm quiet?
Speaker 3: Bread?
Speaker 1: If you would like to take a devil's bargain?
Speaker 16: Yes, Dear God, please don't get us kicked out, Stella.
Speaker 7: I'll come for you.
Speaker 3: Welcome to the finale. You never make it anywhere. Goodbye.
Speaker 1: If we make this, if we make this desperate and
you fail, then Amber's going to be probably letting everybody
know to keep an eye out for you. Not in
a good way. Okay, okay, okay, same role. This is
desperate now in limited.
Speaker 7: Us the way I have so much bread.
Speaker 9: She says.
Speaker 1: I don't know what's up with the bread. But listen,
I've never really had the opportunity or the inclination to
meet up with a tight night before for and I
have to admit you are making me feel a certain
way that I don't normally let anyone that comes into
this establishment. She sort of like looks you up and down,
and she says.
Speaker 12: Perhaps we should explore that feeling a bit.
Speaker 1: Perhaps indeed, Look, it's going to be a long night.
I'm going to tell you that right now. But if
you're still up for something afterwards, I'll look you.
Speaker 12: Up very good. You know where to find me. Do
you still need me to show you anything else?
Speaker 1: If you could turn around for me, that would be great.
Speaker 3: How in the hand does she have better game than
I do?
Speaker 11: What do you mean?
Speaker 1: There's like a that's a very long amount of appreciative time.
As she looks you up and down and she nods
her head and she says, thank you.
Speaker 12: Oh, thank you.
Speaker 7: Then I'll walk in me next, me, next, then just
slide up.
Speaker 1: You tight nights are very eager.
Speaker 7: Yes, I was told now I am not really packing
a weapon that is dangerous. But according to Mary's videos,
I have two weapons.
Speaker 11: Do you have to search for them?
Speaker 3: He's he's a tight knight. He's talking about porn. I'm
just I'll just may make it easier. Mind, he's a hacker.
Guess how he found things. I'll leave it to that.
Speaker 7: I once use a starfish on two people and explode
it all over them and put them against a wall.
Speaker 1: Okay, I don't need to hear this. Wow, okay, can
you just if you could just okay, you don't have
to move your hips like that. You can just land still.
That would be great. Thank you.
Speaker 7: I saw this one. It was called a helicopter.
Speaker 1: Okay. By the way, if anyone is trying to smuggle
any weapons in actual weapons, you will need to make
a skull roll.
Speaker 11: I will make a skull coroll.
Speaker 7: I have a Does you count biological things as weapons?
Speaker 1: Yeah?
Speaker 7: Okay, I'll explain. If I don't do well, what is
my position?
Speaker 1: Risky effect is limited?
Speaker 11: Bungs die for my.
Speaker 7: Distractions.
Speaker 1: I'll tell you what. Let's make a concert role first,
and then we can find out how well you're doing.
Speaker 9: What if I command?
Speaker 3: That relates into the previous question that Stella had about
this character.
Speaker 9: I don't have anything incomes.
Speaker 1: Okay, this is.
Speaker 3: Where we sat.
Speaker 1: If you want to use them gambits, God, damn it,
damn carrot extended.
Speaker 3: We're down to two gambits.
Speaker 8: If you no, this is just to see if you
get a bonus dice.
Speaker 3: That's correct, it's bonus.
Speaker 1: Okay, yes, it's position just to get a bonus die
to bring in a concealed weapon to skulk.
Speaker 9: Understand, Laura for a one. If something's gonna go down,
here has to be a part of it.
Speaker 13: Okay, all right?
Speaker 9: Is this risky?
Speaker 1: This is risky and the effect is limited.
Speaker 11: Come on, baby five?
Speaker 1: Okay, all right. She continues scanning, and she shakes her head.
You can hear her like laugh a little bit. I
wonder if it is something to do with the hormones
that you give off or something.
Speaker 7: I can do this and I try to produce more ammonia.
Speaker 13: Okay, I don't know, strong, I don't know.
Speaker 11: I don't know if those are those are pheromones or
and I press.
Speaker 9: A button on my to like extinguish it.
Speaker 11: The better. Okay, sorry, I'm a little too strong.
Speaker 7: I understand I've never done this before him.
Speaker 1: Okay, go ahead and make a skull crow. You have
a bonus die.
Speaker 7: I would like to use bullshit as well.
Speaker 1: What kind of bullshit?
Speaker 9: My mechanics heart.
Speaker 7: You speak from your heart, and the words reach even
the most hard and criminal.
Speaker 13: A little more, kids, we're not even close on that one.
Speaker 8: Sorry, yeah, exactly, don't.
Speaker 1: You don't give two ships about this person?
Speaker 7: No, I just want to experience it, all right. So
the fact is standard limited.
Speaker 1: Uh, the position is risky, the effect is limited.
Speaker 11: Bonus die, you have the one bonus dye.
Speaker 9: Oh my god, for okay.
Speaker 1: Partial success. She does not seem to notice the weapon,
but the weapon notices her, like you're way inside and
keep it clean.
Speaker 9: Okay, no, it's also stopping.
Speaker 7: Yeah, I got it. I left those I'm back at
the race and I just join.
Speaker 8: My eyes so hard. My android eyeballs just fell out.
Let me put that back in there.
Speaker 7: You when you get called, I need to go with you.
I want to experience his front notation purposes studying.
Speaker 1: Maybe just keep it moving, okay.
Speaker 11: Okay, okay, Oh like.
Speaker 8: I'll go next, and I'll go next, and I'll you know,
let her look me over. I don't have anything but
spy gear. Is that something that they would It's not
a weapon, so I'm not sure if that would be
against the rules or not because I'm taking the spy
gear for that other thing.
Speaker 1: Do you talk about it with her?
Speaker 8: God? No?
Speaker 3: Okay, okay.
Speaker 1: So by the way I saw you, guys, some of
you noticed they were like the curses and stuff in
the I found out.
Speaker 13: What the fuck do you want?
Speaker 1: This is a legit exterior nightclub sound effects ambience.
Speaker 12: It's literally perfect.
Speaker 9: It was trying to laughter.
Speaker 1: Okay, if you don't say anything. Nothing was mentioned about.
Speaker 3: This spy gear.
Speaker 1: But I will require a skullcrel for it.
Speaker 8: Okay. So uh, I have an ability as a speaker
that says, whenever you land in a new location, write
down a friend you know there. And I wrote this
into my character she and I wrote it down now
and tell me if you you know, if it's cool
with you. But I know an android by the by
the call or by the signifier of Sintech Comfort and
Companionship Model six on one. But she is known here
as Delight and uh, I know her through I'm guessing
through Haven. I would assume like that's maybe the best way.
So if she's not the the one that that my
target is going to meet with, she'll she can signal
me or something like that. And the reason why I'm
bringing up now is because I want to ask who
is who is the one that's looking us over?
Speaker 11: Amber?
Speaker 8: Amber?
Speaker 9: Thank you?
Speaker 8: I want to ask Amber. I walk up. I don't
know if this is a proper protocol, but is Delight
working tonight?
Speaker 11: Do you know Delight?
Speaker 8: I do?
Speaker 11: Yeah, they were for a night and say how it's.
Speaker 1: None of my business. They're working on thank.
Speaker 17: You, thank you, welcome.
Speaker 8: And now I'll roll my skull.
Speaker 12: Girl.
Speaker 8: And I was setting something up just in cases fails,
because it probably will because I have roll a disadvantage.
Speaker 1: Position risky, the effect will be limited.
Speaker 17: Okay and yeah.
Speaker 7: H.
Speaker 1: Well hold up? Uh what is this?
Speaker 8: Well? This is for Delight and I and I can
explain to you what we plan on doing with it,
but it could get pretty detailed.
Speaker 1: Make a sway role please.
Speaker 8: Love to opposition.
Speaker 1: Risky and standard okay, six, Okay, listen, there's no rules
against any sort of record or anything, but just be
careful about what you do in there.
Speaker 8: Okay.
Speaker 1: If I hear any word of you recording some of
our whales, well, that could be a big problem for business.
And cash is going to have an issue with that.
Speaker 8: Understood, And I thank you not to tell my competant,
but it's it's my.
Speaker 1: Business unless you make it my business. Very well, Okay,
head on in.
Speaker 18: You want me to go first, or you want to
go first, Barry.
Speaker 3: Don't matter to me. Why don't you go on ahead
so you can catch up the coding?
Speaker 5: Verdi goo?
Speaker 7: Uh?
Speaker 19: Like that ride?
Speaker 1: Yes? Just like that? Like your hair?
Speaker 5: Oh?
Speaker 16: Thanks, I kind of push it forward a little bit more.
Speaker 11: Are you trying to hide any weapons? Nope?
Speaker 1: Okay, okay, you're all clear.
Speaker 11: Great, thank you, welcome.
Speaker 18: I'll start walking in.
Speaker 3: And you're going in last, bob uh, It doesn't matter
to me. Yes, sure, I'll go in next. Why not? Alright?
Speaker 20: Miss?
Speaker 3: So you heard of me?
Speaker 17: I got.
Speaker 8: Yeah.
Speaker 1: You took a pretty interesting approach there to the race,
wnald a win, you know.
Speaker 3: Yeah, And I like making sure my crew stays safe.
And I don't particularly lack threats when I'm on a job.
Not on a job right now, this is not a not.
Speaker 11: A note to you, by the way, Okay, can I
ask you a question?
Speaker 3: Oh yeah, as many as you like.
Speaker 1: I saw some of that stuff with you and that
that chaste guy. Yeah, well he's won a lot of races.
There's a lot of corporate sponsors and stuff. Yeah, he's
been in this club before.
Speaker 3: Now I don't surprise me. Then, well.
Speaker 1: It seemed like there was you know what, it's none
of my business. It's not my business.
Speaker 3: We used to have a thing past Tans.
Speaker 11: I knew it.
Speaker 3: Cody, Cody, Oh, I just wing you a bat.
Speaker 11: You owe me a hundred credits.
Speaker 9: Fucking one hundred oh credits. It's not the great goddamn.
Speaker 3: I was about to lose my shit. Hey, you're an observant.
You're an observant person there respect job. Oh yeah, I
can tell you're good at it. Trying to smuggle any
weapons in? Oh yeah, that asset with that really high
quality weapon that is meant to be easily concealed.
Speaker 1: Yeah, you can make a skull croll and you have
a you have a bonus die for that.
Speaker 3: All right, I will absolutely be pushing myself for an
extra one good idea. Mm hmm, all right. Position risky
effect will be standard. Okay, that'll be two bonus. Let's
see what happens. And if I end up getting desperate,
don't need to get desperate. That is a very good
thing for you. Very What is this weapon I have?
By the way, because you know the quality I was Yeah,
my mind was thinking of basically like the idea of
like a plastic blaster kind of thing where it is
able to not be detected.
Speaker 1: Then that is exactly what it is.
Speaker 3: Perfect. I've got it in like a small Yeah.
Speaker 1: I imagine that this is very much like a This
would be the equivalent of like a what did you
get on that roll?
Speaker 3: A six?
Speaker 7: Oh?
Speaker 1: You did get a six?
Speaker 3: Oh yeah? Yeah for the quality, I got a six
which was a plus one two mins. So yeah, three
was the quality. Okay, yeah, so I would say that
it is It's not like an automatic or anything, but
it would be probably like a semi automatic fires in full.
Yeah okay, and she says, okay, head on in. Thank
you very much to me, appreciate it. You have yourself
a lovely evening. I'll try Hey, if you're in there,
I'll happily buy you a drink as a thank you
for being so kind, not on the job. That's fine anyway,
not right, and I step.
Speaker 1: In, okay, Bob, spread them and as you make your
way inside, each of you are greeted with some very
wondrous sounds and smell.
Speaker 11: And sights.
Speaker 1: Rich upholstery, beautiful furniture, an elegant sort of style greets
you as you enter this nightclub. Immediately your senses are.
Speaker 3: Lit up.
Speaker 1: Perfumes and foods, and the smell of.
Speaker 11: Well, the smell like anything can happen, the smell of.
Speaker 1: Love in short or maybe blossoming futures. You smell possibility.
You hear wonderful music radiating from all around you, probably
a lot of music that you never really heard very often.
I don't know if Barriers ever really played this kind
of music. But people are sort of brushing past you
as you enter, and everyone's sort of eyeballing everybody. There's
people talking in the hallways, and there is this overwhelming
red theme here inside. Lights and sounds and holograms dance
along the walls. You see recalcitrant beautiful people sort of
moving in holographic form along the walls. You can see.
Speaker 3: That there are.
Speaker 1: Directions basically with arrows holographically showing towards the bar, towards
the dance floor, towards the waterfront patio, and this place
is electric. It has that feeling. How many of you
have experienced something like this before? In character?
Speaker 17: Never?
Speaker 7: We have festivities back on Titan, but nothing of this caliber.
I'm still trying to figure out what's going on with
both of my hearts.
Speaker 8: Closest thing I ever got to is the policeman.
Speaker 3: Paul Barry's been to a couple of clubs, but that
none is nice, and he usually leaves because he finds
him a little gaudy. What about this place, Berry, Oh,
it's really gaudy. The fact the styling is just all wrong.
Speaker 1: Not your cup of tea, this picture Berry looking.
Speaker 8: At like, I ain't got no fucking karaoke machine?
Speaker 3: What there ain't no karaoke, there's no jukebox. I don't
see a single stain on a couch. It means it
ain't loved. There's nothing. It's just it's just too clean,
it ain't rat.
Speaker 1: The music sort of dims for a moment, and you
can hear the sounds of some instruments being moved. Where
are you headed? You have an arrow for the bar.
You have an arrow for the stage, and you have
an arrow for the outdoor patio.
Speaker 12: I saw it rying towards the water.
Speaker 11: Okay, Oh, I don't notice that I went to the stage.
Speaker 5: Right.
Speaker 3: Head to the bar, because that's where you that's normally
where you meet people in contacts and all that sort
of thing. He's already been recognized, so it gets some drink.
Maybe you'll find someone who wants to hire him.
Speaker 7: Hmmm.
Speaker 18: I'll probably be heading to the stage with the Edra.
Speaker 8: I go with Barry.
Speaker 1: Okay, fair enough, so the bar is closest, so let's
head to the bar. Barry in peace. You approach the bar,
music has sort of died down for a moment. You
can see some of the most beautiful people you have
ever seen in your life at this bar. People with
either the best genetics or the best genetics the money
can buy, are here.
Speaker 3: I feel like a tadpole in an ocean right now.
Piece not gonna lie.
Speaker 8: In times like these, an air of confidences would not
go amiss. Pretend as though you're better than everyone in here. Everyone, you.
Speaker 3: Go ahead, Sorry, you continue, I want to keep hearing
what you say about me.
Speaker 8: Pretend that you're better than everyone here. That everyone owes you.
Everyone needs to bow to you, even if they don't
imagine that they are. It's a technique that I'm sure
you're familiar with. Take it till you make it. If
you think that way enough, you will start becoming that
which you are emulating.
Speaker 3: I don't think I have to pretend that hard.
Speaker 8: You do, not, sir?
Speaker 3: You seen this tie picked out? So is class?
Speaker 8: Yes, sir, I especially appreciate I believe is that it
is it a magic eye pattern of.
Speaker 3: A naked man riding a tiger. Yes, it is.
Speaker 8: Well picked, sir.
Speaker 3: You know how hard it is to find these things?
Speaker 8: Oh? I would imagine you had to hunt?
Speaker 3: Oh boy? Did I?
Speaker 8: But I wonder if the person's selling it knew what
valuable item they had.
Speaker 3: They had no idea, not at all, but you did.
Speaker 8: Oh yeah, oh yeah? What are you drinking, sir? Ah?
Speaker 3: I probably got real whisky here. I'll take that two rocks? Uh,
I point at a random bottle of whiskey, because it's
not like Barry has any fucking idea any good brands.
Speaker 5: Just ah.
Speaker 3: Had one green label two rocks.
Speaker 1: You can see a man with sort of shoulder length
hair sort of a bit must very short beard, sort
of Latin features and a very carefully manicured look about them.
The bartender points, okay, no problem, hits a button, a
bottle pops out, grabs it deftly, spins it around, being support.
Speaker 11: You knew here?
Speaker 3: Yeah, I was recently invited Mary Barry Hendrix. What's your name, handsome?
I'm berto pleasure to meet you.
Speaker 1: So you're here for business or pleasure?
Speaker 3: Why can't it be both?
Speaker 1: Fair enough? But I think maybe you'll find that it's
a good idea to have some sort of focus when
you're here.
Speaker 8: I was told, speaking of pleasure, that another android and
an acquaintance of mine might be working tonight and I
need an invite to procure her services since she operates
from a floor above us, and I'm not sure how
to go about that.
Speaker 1: Well, you are looking at the right person to talk to.
I can help you with that. Who is it that
you're looking to speak with?
Speaker 8: She goes by delight.
Speaker 1: Sure, that's one of our more popular opinions.
Speaker 3: I can.
Speaker 11: Send the message of you'd like and see if an
invite will come on down.
Speaker 8: That would be perfect.
Speaker 1: Thank you, You're welcome, and your name.
Speaker 5: And I, uh.
Speaker 8: I I'm not sure, like sorry, this is out a character.
I'm not sure, like what a proper like grease the
palm tip would be.
Speaker 1: Like this is a super swanky place, so you imagine
it's on the very high end of a tip.
Speaker 8: Okay, Well, I heard they did a bet for one
hundred credits. I don't know if that's a lot or not. Yeah, credits,
So I don't know if that's a lot or not.
Speaker 1: Well, it's not like one credit. One credit is five
thousand credits.
Speaker 8: Right exactly exactly. So if I slid them a like
or like, you know, wave the credit stick over, I'm
sure they have, like you know, an easy way to
transfer shit, so I wave it over his life acceptance
pad or something like that, I you know, transform one hundred.
Speaker 1: Very generous, thank you, no, thank you. Okay, shouldn't be
too long. I've got a few other people I need
to help.
Speaker 8: Yeah, take your time. Excuse me, sir. Yeah, I didn't
tell the others, but I have not been one truthful
on well revealing. I haven't lied, so to speak. But
I am actually here on behalf of some personal business
with the Human First movement.
Speaker 3: And hey, ah, all right, and all right, as much
as I.
Speaker 8: Enjoy our companions, they.
Speaker 3: Are unable to not talk everything there yes to say
the least.
Speaker 8: So I'm telling you in case I need to make
a quick egress from this place, because my mission here
in order to ensure the fall of the Human First Movement,
I have to make sure that their number two does
not rise to Stacey Driver's vacated leadership role. The name
of the person I'm looking for is James Barstow. He's
the number two in the Human First Movement and he
I've been given information from Slice that he likes to
come to the Red Spot and well Brook here the
services of Android Companionship. And if I were you catch
him in the act by a video, he would never
recover from that.
Speaker 3: I see, I write a little little corpor espionage essentially. Yes, okay,
all right, well, do you need any help?
Speaker 5: You just let me know.
Speaker 3: I got you.
Speaker 8: I will, And nice job, Sneaky and your little friend, sir.
Speaker 3: I have no idea what you're talking about. Me neither,
just here to enjoy a drink and maybe find a
client for the next job.
Speaker 8: Oh good lord, what are the date nights doing?
Speaker 1: Just notice that they're not there?
Speaker 8: I think, Oh, they are going towards the stage. Well,
this should be interesting, if not completely horrifying and embarrassing.
I can't wait.
Speaker 3: Yeah, yeah I might. I'm I peruse and see if
I can find one of them whales orthing. Maybe I'll
maybe I'll be an old man in a sea or something.
We'll find out. Oh that was a book, right? You
told me that there was a book about an old
man and the sea. Right was that? I didn't read
it nothing, He just told me it was a thing.
Speaker 8: Well, in order to get the point of it, you
probably have to read it, but.
Speaker 5: I will.
Speaker 8: I get your meeting, sir, and I appreciate the effort, all.
Speaker 3: Right, I tried it before you go. Yeah, and I
pull up.
Speaker 8: Just a little like, how would I do that? I
want to show him a picture of of James Barstow
so he knows if he sees him.
Speaker 3: You know, I would think I've I've had this aar
hubay always always.
Speaker 9: Yeah, oh ship, that's what that is?
Speaker 8: Cool? All right? So yeah, I send over a picture
that's that's James Barstow. Let me know if you put
eyes on him before I do.
Speaker 3: All right, I won't do anything, but I'll let you know, Yeah,
thank you, Yeah, all right.
Speaker 8: I just turned around in my chair and I like,
I relax and just keep my eye on the stage,
just wait for to see what the fuck's going on
up there.
Speaker 1: You can see there's like a new a new band
is setting up on the stage at this point. And uh,
I imagine the way that the place is set up,
you would be able to probably see through through some
of the bar area, like there's either panes of glass
or something that allows you to see into that room
or what. Because they do kind of want to promote
both areas. They want to have people sort of you know,
mingling and moving about and spending all of their money
in all of the different ways that they can in
all of the different places that they can. So we
join Edra and Titania and stage area. You see the
band is setting up and looking like they're getting ready
to play a song. They have all of these wonderful
instruments that you've probably never seen before.
Speaker 3: Edra, Oh.
Speaker 7: He did, I mean you want to still be called
I don't even know anymore.
Speaker 17: I don't know.
Speaker 21: I mean, I guess let's kind of habit, right, we
see then or Titania, but all.
Speaker 7: Right, well, Titania, it is I feel like we're at
a plane now or we should be using names.
Speaker 9: How are we given?
Speaker 7: This is a good way for you to break away
from all the tendrils that were I don't know. I've
seen it on a video I was.
Speaker 8: Supposed to work. It's so compassionate.
Speaker 7: Okay, weapons on stage. I thought we weren't supposed to
bring weapons in here.
Speaker 8: Excuse me?
Speaker 22: What is that?
Speaker 8: Why?
Speaker 16: I don't think that's a weapon. Look, it's got like
little strings on it.
Speaker 7: See that, Oh I have a little strings.
Speaker 11: Listen, let's not it.
Speaker 17: What is that?
Speaker 3: Hello?
Speaker 8: Hi?
Speaker 11: Tim Horton to.
Speaker 1: You That one's staring at me weirdly begin to play
these instruments. You see someone singing into a microphone.
Speaker 7: She's getting ready to do that. I think I've seen
embarrassed videos.
Speaker 1: Handsome looking man approaches the microphone, begins serenading people.
Speaker 8: Oh no, you can do that to one of those.
Speaker 16: When we're you gonna dance?
Speaker 11: What does this dance?
Speaker 16: Let's just you know, let's just move it a little bit, right,
a little bit like you move you?
Speaker 8: Oh?
Speaker 18: All right, okay, okay, now the feet now the feet?
Speaker 16: Okay, one, all right, all right you yep.
Speaker 7: Oh, why are they staring at me?
Speaker 23: Mortons?
Speaker 3: Okay, I don't think.
Speaker 16: I don't think there's a Tim. I don't think there's
any Tim Horton stuff here.
Speaker 11: I think they don't.
Speaker 16: I think that's elsewhere. We're on Mars, remember, calm.
Speaker 7: Down, all right, I'm good. Oh, let's do this dance thing.
And I just like whip out the biological pet and
put it on my shoulder and have acorn.
Speaker 1: It's like, okay, let's see here. Oh this is a choice.
Speaker 3: Skulk.
Speaker 8: I'm trying to.
Speaker 9: Put it back up.
Speaker 8: You're not trying to hide.
Speaker 1: It doesn't seem like you're just trying to dance.
Speaker 11: With the music.
Speaker 8: I'm dancing.
Speaker 12: It doesn't say so.
Speaker 1: Yeah, that sounds like a consort role to me.
Speaker 16: Okay, I'm helping him dance.
Speaker 1: Okay, you could. You could definitely spend some stress here
if you want to give him a bonus tie.
Speaker 8: I don't know, man, he's dancing. It's sway right.
Speaker 1: No, standard, This is a.
Speaker 11: Risky position, and I think the effect is standard.
Speaker 3: Yeah, oh well there we go. Okay.
Speaker 1: There's a few like extreme reactions from the people nearby
as this thing, Like I don't know.
Speaker 8: What it is.
Speaker 1: What does it look like?
Speaker 9: You want the picture?
Speaker 3: No, I don't want the picture.
Speaker 17: Picture.
Speaker 11: I want you to be forced to say it.
Speaker 8: Okay.
Speaker 7: It's very phallic shaped for reasons. It's aerodynamic so that
it can, you know, go through liquids solids, se efficient,
is smart, is sentient, and it likes music.
Speaker 8: Apparently.
Speaker 7: The mouth is shaped like a mushroom tip until it
opens and fans out and has a circular saw blade
mouth for being able to well, you know, suck and
and rip and tear if it needs to.
Speaker 1: Yeah, there's a pretty extreme reaction from the people immediately
around you, but then it sort of looks like that.
They're like, oh my god, what is that thing?
Speaker 12: Look at it?
Speaker 11: It's amazing.
Speaker 1: I want one. There's a few people that like the
say like, oh my, where could I get that? Is
this available in one of the one of the cryptozoology stores?
Is it some sort of zeno?
Speaker 17: Oh?
Speaker 1: Are you a tight knight?
Speaker 8: Oh?
Speaker 7: Lightly?
Speaker 12: Yes, let's least some stoney.
Speaker 1: You are you honey or beautiful? I don't want to
stone you. I want to know where you got that
and what what kind of drugs is it on?
Speaker 17: Oh?
Speaker 8: You want to know.
Speaker 9: Edge gras and polls are closed as I wow.
Speaker 7: Me and USA.
Speaker 11: Do you have a VIP booth that we can sit
down at and discuss?
Speaker 1: Do you have a vi P booth? I've never been
to the VIP room before.
Speaker 11: Oh, I mean you you have a VIP room that week?
Speaker 1: A Sorry I don't have one.
Speaker 7: Oh it's okay, but then you know you can Well
fine if you want to see it and pat it
go ahead, which is like comes down and extends his head.
Speaker 5: Is it safe?
Speaker 3: Can I just.
Speaker 16: Just be careful, just be careful?
Speaker 24: Yeah, yeah, it's very neat, but you don't want to
touch that.
Speaker 7: Yeah, the back part, the one with all the hairs
and stuff coming off, you can play with one of
his tendrils.
Speaker 21: Can maybe maybe maybe hold its head, maybe hold it
straight so it doesn't.
Speaker 7: I'd be quick with it.
Speaker 1: Maybe another time. It looks amazing though, Well.
Speaker 11: It's him horrid. What sim Morton, it's.
Speaker 13: Even sim Morton.
Speaker 25: You know.
Speaker 7: A piece of the back end bread, the one that
Laura doesn't like.
Speaker 16: Here you go, so before you go, how how are
you doing?
Speaker 11: Mm hmm?
Speaker 16: What's your name?
Speaker 20: Oh?
Speaker 1: Well, I'm I'm Rolando.
Speaker 16: Colondo.
Speaker 5: Next to meet you.
Speaker 3: Well, Rolando what kind of work do you do?
Speaker 5: Well?
Speaker 11: Like everybody else here, I mean, except for some of
the round wonders.
Speaker 8: Oh scary, I work.
Speaker 1: For a corpo.
Speaker 11: Honestly, I'm I'm a little surprised I got in here.
Speaker 16: Oh, belly, gotta start somewhere, right, all right, I'm dry.
Speaker 8: Are you do here?
Speaker 11: They were interested in drugs?
Speaker 16: Oh, I want those, and I'm gonna take it.
Speaker 26: And we're gonna we're gonna start walking away from rowando.
Speaker 11: Oh, well, you didn't tell me that, you like, I.
Speaker 16: Don't actually want your drugs.
Speaker 1: And okay, all right, so show me more of this
dance name.
Speaker 8: Okay.
Speaker 23: Oh we're supposed to trug be trying to get work,
aren't we.
Speaker 5: Yeah, we're gonna do that.
Speaker 16: If you're high up, your ask have to be.
Speaker 7: I didn't think about putting it there, and I stabbed
one in my ass. Okay, that's weird.
Speaker 1: It's quite clear by the way that they're loads of
people doing drugs like all around you, and nobody seems
to bother U for any anything that's happening here. There's
definitely a lot of people staring at Edra though for sure, well.
Speaker 12: Tim Horton's for everyone.
Speaker 13: Dancing night anything?
Speaker 8: Yeah?
Speaker 16: Another, well, we can we can dance and keep our
eyes peeled it.
Speaker 21: How about how about we dance and I will look
around and see if you know any prospects or anything,
look like they show.
Speaker 3: Up or I don't know?
Speaker 11: Well, okay, all right. Another would be able to be
here is.
Speaker 8: Hey, look our awkward little companion seems to be the
bell of the ball.
Speaker 3: I'll see that. Why the hell did you bring out that?
Whatever the hell?
Speaker 5: That was.
Speaker 23: Very nice voice?
Speaker 16: Yeah, yep, a little little less okay, okay? Well who
who little too much? Little too much? Throw down place?
Yeah you are, yep, you're very moist right now.
Speaker 7: Liquidy and very little weird places okay.
Speaker 1: As continues to dance, there are eyes amongst the crowd
here and there you can see whispers being delivered to
different people, some people pointing towards Edra, and we head
out onto the patio outside Laura. There is a beautiful patio,
lots of glass, lots of reflections of red and blues
from the lake and the sky. As lights are all
abounds and you can see many watercrafts on the water.
Lights are lit up, clouds are moving in strange and
interesting ways. Through the sky. You can see tall skyscrapers
lit up and stunning and imposing their will on the sky.
There are many people out here. You can see lots
of people dining out here as well interesting foods. You
smell grilled meat, and you can hear the sounds from
the stay which just inside. There are a good amount
of people out here. Lots of people seem to be
enjoining some dining. You see a server move past an
android with several plates, seemingly holding them up with ease
as they move past you.
Speaker 12: Oh, excuse me, how do I get one of those?
Speaker 11: Excuse me? Are you looking to find a place to eat?
Speaker 12: Yes, I want those.
Speaker 11: You can find a table with our major d right
over there. They will see to you and then you
may order. Oh okay, I must warn you, however, there
is no time night man.
Speaker 12: You hm hmm. That is no problem.
Speaker 11: Very well, excuse me. I must continue with my duties.
Speaker 12: I make my way over and no, I would like
to find a table.
Speaker 1: Maitre D looks you up and down. Yes, of course,
I believe a table has just opened up. Are you
being joined by anyone?
Speaker 5: No?
Speaker 12: Do you want to sit with me?
Speaker 1: Thank you for the offer. But I'm unfortunately very busy,
got a lot of customers tonight. Okay, follow me, Okay,
they begin to lead you over.
Speaker 12: Oh what is are they are eating? Over there?
Speaker 1: That is a braised short rib.
Speaker 12: I went from thosells and that green thing over there,
that one too, that.
Speaker 11: Is a salad.
Speaker 12: And do you have bread?
Speaker 3: Yes, we have bread.
Speaker 1: Here we are okay, you can sit down here. You
are sat down in the very fine seating and beautiful
view all about you. The music circulating from the inside
of the establishment. Maybe get a glimpse of Edra and
Titanya dancing inside, and the strange genius pet of Edra
is undulating. Yes, and you you recognize somebody that is
on the patio, Well, what do they look like? Well,
it looked a little bit different than the last time
you saw them. The last time you saw them, it
did not end well for you. Oh what state did
you leave alban Fujiwara in?
Speaker 17: Oh yeah, I.
Speaker 20: Absolutely watch what was supposed to be a pretty simple
procedure on his face, specifically, his eyeball left one.
Speaker 12: He has left him horribly disfigured.
Speaker 1: It does appear to be corrected from the way that
you left him, But you can see he is quite
irate and slamming a hand down on a table talking
to another person. This person is wearing all black. They
are sitting very like rigidly and trying to figure out
what you might know. Just at a glance, I imagine
that you can tell that they are being very patient
with mister Fujiwara. And by the way, in the background,
I'm one of the skyscrapers. It says Fujiwara jump technology.
I don't read, but our audience death.
Speaker 12: Hm hmm. I get up out of my seat and
I sit so that they are behind me.
Speaker 1: Okay, you stay there and just switch seats. Awesome, make
a skull grol for me.
Speaker 3: This is going to be risky, and.
Speaker 11: This is going to be limited, I think.
Speaker 12: Okay, bullness star, I am dressed quite differently than.
Speaker 11: I normally am.
Speaker 1: I don't think that matters here, Okay, I rolled the
uh huh. There's some more like slamming on the table
and you hear some loud chatter coming from that direction.
Speaker 9: I don't care what you have to do.
Speaker 1: She was a part of this haaka Mamy race that happened,
and I want her here and I want her now.
Do you understand me, find her and you will earn
the credits that I have promised you.
Speaker 3: This night.
Speaker 1: Inexcusibly disfigured me, and I will not be taken advantage of,
not ever, not by anyone. Do you understand?
Speaker 12: Is there our way I can get the food? Mitchter
d Hey, can I get this inside? I don't think
I want to sit here anymore? It's it smells strange.
I'm I want to go that way.
Speaker 11: My eyes have to be playing tricks on me.
Speaker 12: I'm I need to run back inside.
Speaker 1: Wait a minute, hey, and that is where we're going
to take our break. Oh no, we're gonna take a
little bit of a here. Folks, If you have not
done so, please make sure you're following all these wonderful people.
You can check out the title of the stream. We've
got everybody linked up in there for easy follows here
on Twitch, but you can also check out table story, dout, TV,
Slash one hundred club. No space is to go follow
them in all of the places. And if you have
your self a prime gaming sub that you haven't used yet,
consider thrown at their way. Get yourself some emotes, go
support these wonderful people. Please just throw money at them.
They totally deserve it. And we'll be back in just
a little bit for the finale of our of our one.
Speaker 27: Hundred club show Enemy, as our group explores the most
desirable bounty hunter hot spot in the Solar System, the
Red Spot, also known it's the one club.
Speaker 1: We'll be back in just a little bit, tight from
more club. Okay, so m delight. Uh I send you
an invite if you're interested.
Speaker 8: Oh, yes, thank you very much.
Speaker 3: You go on ahead, Peace, I'll uh want to talk
to this lovely, lovely fella bartee here for a sec.
Speaker 11: You can head right over there the.
Speaker 1: The elevators right over there.
Speaker 8: Thank you, and remember, uh Perry mm hmm, you don't
have to if it is not opportune for you to
contact me via comms, you can just just buzz it
twice and then once.
Speaker 3: Rat sounds good, go ahead to the elevator.
Speaker 1: Okay, let's see. I think I think we'll join Peace
in a moment. Okay, Barry, Yeah, Berto, before leaving, says
one another.
Speaker 3: Yeah, I'll have another one now and I'll take whatever
you recommend this time. Well, I know that's sometimes a
no one for bartenders, so feel free to just tell
me that. If it is, then I'll pick something.
Speaker 1: Berto looks you up and down, says, oh, you strike
me as someone that's sort of likes to do their
own thing.
Speaker 3: Pretty on the nose.
Speaker 1: There are you a bounty hunter, but chance.
Speaker 11: Bounty hunter.
Speaker 3: Or did racer.
Speaker 1: I don't have to excuse me. I don't really follow
the races totally.
Speaker 3: Fine, let's just say this last one. I may have
gotten number one part of why I'm in here now. Actually,
thank you, thank you?
Speaker 1: Oh there is a.
Speaker 3: I could suggest, will means, I'll take it.
Speaker 1: It's normally congratulatory and well, I guess if you came
in first, it's appropriate blue ribbon.
Speaker 3: Now that sounds like something right up my alley. While
you're making that, I'm curious if there's a any good
I mean you you're here, you've got a good lay
of the land. Anyone might be looking for someone like me,
maybe outside of yourself.
Speaker 1: Later, go ahead and make a sway roll or a consort,
whichever you want. Whichever you want. I feel like there's
probably some sort.
Speaker 3: For me sway because I have points in it. But
more he's the secondary was was secondary him asking to
try to get a lead somewhere. He's trying to play angles.
He's trying to butter him up, He's trying to sway
him there. Okay, position.
Speaker 1: Risky, infect will be standard.
Speaker 3: Okay, partial success.
Speaker 1: Well, listen, there's plenty of there's plenty of high quality
clients around. Okay, But I gotta admit I don't really
know who you are. I think that.
Speaker 11: A lot of these people rely on me to send
the right kind of people their way. I'm not just
a bartender here, as I'm sure you're aware.
Speaker 3: Oh yeah, well, I'd like to roll to resist the
consequences as I slide basically a picture of myself in
front of the mollie to him with the phone number,
and also showing like the fact that it like it
was like the winning picture we took after winning the
race kind of thing. And by we, I mean I
probably forced Peace to take a picture of me in
front of the mollie. Okay, go ahead, And that's the
thing of your resolve. Yeah, yeah, be resolve for sure.
Speaker 1: All right.
Speaker 3: I take one stress, one stress.
Speaker 1: But you don't see a lot of pictures like these anymore.
Speaker 3: I like to be a little retro.
Speaker 1: Yeah, I guess.
Speaker 3: So, Look, I'll tell you what. There's a.
Speaker 1: There's a lot of clients tonight. I think that something
is well, I think something's going down tonight.
Speaker 8: Yeah.
Speaker 1: Yeah, but hm, I can send you to one that
I know is interested in talking with bounty hunters. And
usually here's a lot of people out regardless.
Speaker 3: How's that, Well, that sounds wonderful. Okay.
Speaker 1: Guy goes by the name of Jimmy Slim.
Speaker 3: That's quite the moniker.
Speaker 1: He's well, sometimes you can find him by the stage.
Very good dancer, not quite exactly slim. The name is
a bit of a misnomer. Ah, all right, all right, probably.
Speaker 11: One of the best dancers you've ever seen.
Speaker 1: Shouldn't be too hard to find him. Dark hair, short,
usually usually well, he's got enough money where he can
play a bit loosey goosey with the way that he looks.
Speaker 3: You know, I got you all right, Well, thanks much.
You can keep that. By the way, Barry gives him
a wink pointing at the picture, and.
Speaker 1: He says, make a name for yourself, then we can talk,
and gives.
Speaker 3: Him a thumbs up as he stands up. Remember, remember,
Barry Hendrix, I'm sure you'll hear it. Come up, take
my leave, to attempt to find Jimmy Slim.
Speaker 1: Sure peace.
Speaker 24: You are.
Speaker 1: Greeted by the second floor. The other opens. Making your way,
you can see that there were no obvious guards or anything.
You made your way up pretty easily. As you exit
the elevator, there's a hallway and you can see like
VIP in a hologram on the wall. It says VIP only.
And then there's another holographic sign that has an arrow
that says private rooms and it is flashing.
Speaker 8: With the invite that I got. Did did he tell
me what room?
Speaker 3: He did?
Speaker 5: Not?
Speaker 8: Okay? Is there like a like a lobby or something
like that or is it just like root doors?
Speaker 1: Well, walking directly out, there's a hallway and it goes
left and right and there's you can see that it
basically it's his. It's his VIP area and there is
an arrow and it's his private rooms and it is flashing.
Speaker 8: Okay, I will go to the private room.
Speaker 1: Then, okay, make your way to the private rooms. You
can see holographic numbers sort of floating above the doors,
and you notice that one of them is flashing.
Speaker 8: I will go to that one and I will either
buzz the door buzzer or I'm assuming there's a buzzer,
thumb or doorbell.
Speaker 3: Yeah, as you are camera.
Speaker 8: It's like outside the door. I can just wave at it.
Speaker 1: Yeah, there isn't any door buzzer. There is in fact
a camera.
Speaker 8: Yeah, I look up directly at it. We just wait.
Speaker 3: There's a.
Speaker 1: Sound.
Speaker 3: The door.
Speaker 1: Slides open. Beyond you can see a I shall I
phrase this? I want to use the right word here.
You see an android, the unadorned android that you know
is delight.
Speaker 8: Hello, Peace, Delight, please come in, Thank you, pleasure to
make your acquaintance. I was told by a mutual contact
that you were working here and that you might be
able to help me.
Speaker 11: I may be able to help you.
Speaker 8: Yes, how much do you know about the Human First Movement?
Speaker 11: It's not my specialty, so I only know what I see.
Speaker 8: And what I do. You keep tabs on the news feeds? Yes,
I'm sure you've heard the trouble that their leader has
run into as of lately.
Speaker 11: Yes, Stacy Dreiberg apparently charged with many counts of various crimes.
Speaker 8: The trouble that she's had it has a name, and
that name is peace.
Speaker 11: Are you implying the cause? I'm sorry, are you implying
that you are the cause.
Speaker 8: I'll go one further and say, no implication necessary, I
am the cause. I'm telling you this because the person
that put me in contact, or put us in contact,
it's someone I trust and as a part of an
organization that I found myself gravitating towards and desiring to help.
And to that end, we know that the absence of
power creates a vacuum, and power does not live in
a vacuum, and the second in command of the Human
First Movement cannot be allowed to assume Stacey Driver's vacated position.
I have been told that that person is James Barstow,
and I've also been told that he likes to come
here and pay for the services of androids, and that
would be very detrimental to him and the movement if
you were to be caught doing these things.
Speaker 1: Please make a role for me. This is either going
to be sway or consort. I think it's probably a sway, okay,
And you have a bonus die well, I.
Speaker 8: Think I would agree that it's sway. You said, have
a bonus die. Yeah, opposition.
Speaker 11: Risky, Okay, effect will be great.
Speaker 8: Okay, one bonus die I'm going to get an other
protest I for pushing myself that I really would love
a crid on this. I'll push myself get a couple
of stress. Let's do this.
Speaker 12: Oh so close.
Speaker 3: If only crits were fives.
Speaker 7: I know.
Speaker 8: So can I take a devil's bargain?
Speaker 1: You can. You can make love to you can make
this desperate. So this is gonna be an interesting devil's bargain.
It's gonna be a little bit different than normal.
Speaker 8: Okay.
Speaker 1: And I want you to think as peace when I
offer this to you. Okay, there's probably a reason that
the light works here. There's a lot of opportunities for
newer models of androids to find safe and I guess
well compensated jobs, and this is probably a very good one.
Speaker 8: MM.
Speaker 1: Desperate action is if you fail. I think you get
the impression that delight will help you no matter what,
but it will be a great personal cost to her.
Speaker 8: Okay, I will take those odds.
Speaker 28: Okay.
Speaker 8: Six, Okay, I just wanted one. I hoping for two
on the first one. The second one, I just wanted one.
Speaker 9: Six, and I got what I wanted.
Speaker 11: James Barstow, you say.
Speaker 8: That is correct.
Speaker 11: I know the same. They are related to the human
first movement. They are the number two.
Speaker 8: Correct.
Speaker 11: That is most troubling.
Speaker 1: In the newer models, especially.
Speaker 5: In the.
Speaker 1: Pleasure models, there's a lot more emotion that is conveyed
on the face part of their programming. You can see
some recognition there. You can see some anger.
Speaker 11: You can see.
Speaker 1: Deep, deep sadness.
Speaker 8: I can see that by your expression you seem upset.
Would you consider this human a friend or something of
that nature?
Speaker 11: Far from it, However, it is part of my job.
It is what I was designed for.
Speaker 8: Discretion, I have.
Speaker 11: Personally spent time with this individual. How can I help you?
Speaker 8: I need to catch him in the act of coitus
with a symposapien. It does not have to be you.
In fact, it might be better if it was not,
but I would need your help if it was not you.
I would like to make a a hole between the
walls big enough for a small camera to fit through,
and I would like to be able to film James
Barstow in the act in one of the adjoining rooms.
Speaker 11: You will need my help to make sure that they
are assigned to this room so that you may.
Speaker 8: Record, and I would need your permission to use your
room to do the recording, because I will not do it.
If you say no right now, I will walk away.
We'll never speak of it again. But know that this
is important to me, and I believe that is important
for the advancement of all of our kind. And I
know that's a lot, but I believe it it is
that important.
Speaker 11: Very well. I will begin in the arrangements.
Speaker 8: Do you need anything from me?
Speaker 1: A bit more emotion escapes onto her face and you
see a bit more sadness.
Speaker 11: The only thing I will need. It's a way to
find another job.
Speaker 8: I'm going to tell you something that I haven't told anyone,
and that includes my best friend and partner. The time
has come for me and him, him and I to
part ways. It is time I pursue my own destiny.
I've saved up for my own shit. It's not ready yet.
There are still things I need to do to make
it seaworthy, so to speak. But I could definitely use
a partner, and I bounty hunting is the kind of
life that you could see yourself living with or even enjoying.
I would be glad to have you. You don't have
answer now, but if you need some form of employment,
and I have a modicum of reputation now. Obviously, since
I was invited to the red spot, I have some
credibility now, and I assume job will not be too
difficult to find. But for the time being, just know
that I appreciate your help and I thank you.
Speaker 1: Oh we need another role, do good?
Speaker 3: Oh boy?
Speaker 1: Hum, I guess this is another swear role.
Speaker 9: Okay, this is.
Speaker 1: Risky, the effect will be standard.
Speaker 8: Okay, I will push myself one more time. Six, let's go.
Speaker 11: Give me some time to think about it. Of course,
it is an interesting and proposal.
Speaker 8: If I may entice you a little bit more. I've
been doing this line of work for quite some time,
well a moderate amount of time, and one of the
greatest things about it is no one picks your jobs
for you. You are the master of your own destiny.
You do. You never have to take a job that
you don't want, and you don't have to deal with
people unless you choose to. And that freedom is what
I hope I'm fighting for for all of our kind.
Speaker 1: There is a synthetic tear starts to form in your eyes.
Speaker 11: As sure of your own destiny.
Speaker 8: I like that I reach out and if she allows
me to, I wipe the tear away with my thumb,
and I look at it. I see we may have
much to teach each other. I hope one day that
I can do this.
Speaker 11: I should be gaining the preparations.
Speaker 8: As well, and I start making preparations too. Sure if
you're a little spy hole.
Speaker 1: Absolutely such scenes again, it's time back to Edra and Titania.
And also we see as these two are dancing and
they are enjoying themselves through their hearts content. Barry makes
his way into the the area, and somewhere in the distance,
a Laura also makes her way into the area and
the next band and begins to play.
Speaker 16: Oh hey, Barry, Oh hi there.
Speaker 3: Yeah, they're actually playing music.
Speaker 1: I'm okay to it.
Speaker 3: Hmm, it's something real nas. Yeah, you see a short,
not so slim man kind of dancing real good around here.
Speaker 7: There's a lot of kinds of short things.
Speaker 3: Do I see someone that matches that description anywhere?
Speaker 1: Dark hair, You can give me a steady role if
you like. Anybody that's making making any sort of check here.
You can be part of a group role if you
would like.
Speaker 9: Yeah, mmm, I'm too busy.
Speaker 7: It's trying to find out why he Laura is running
so fast towards running towards as.
Speaker 8: I.
Speaker 3: If you want me to help with a group role,
I can. This role is going to come before the
Laura stuff.
Speaker 9: Okaya.
Speaker 7: I don't think I'd be much help because I think
as a tight night I'd be like, what the hell,
there's so much stuff going.
Speaker 9: On, distracted.
Speaker 16: Okay, I'll helm the role with Barry.
Speaker 1: Then all right, okay, who's who's in charge of the role.
Speaker 8: I'll do it.
Speaker 3: Yes, you don't want me in charge steady rolls.
Speaker 1: The position is risky, the effect is standard five.
Speaker 3: Well, you've got a parcel lose.
Speaker 18: We're not able to reroll on group rolls, are we?
Speaker 22: Uh?
Speaker 1: You can resist the consequences, I'll do that.
Speaker 18: What am I rolling for the consequences?
Speaker 1: You associated study ad it? Okay to stressed to resist
the consequences? All right, You are looking around to try
and find this person. It's a good thing that you
resisted the consequences because otherwise you wouldn't have seen a
Laura running in. And you do see this person. They
are they're sort of like doing this like really impressive,
sort of very sensual slow dance with another very fashionable
looking individual. To the music very intense like that, like
really passions, almost like a limbata that's happening.
Speaker 16: Ye, set them over there?
Speaker 3: That does indeed match the description of a one miss
Lium that maybe our next Yeah, they're apparently they they'll
hear people out pretty much anywhere if they're a bounty hunter.
There it works.
Speaker 1: You notice them, and you also see a Laura running
into the the room looking a bit panicked.
Speaker 3: Wise Doc running all like that, Hey, mom, you need
to hide.
Speaker 12: Me right now. There's a guy bad history.
Speaker 7: Gets in here.
Speaker 8: In here.
Speaker 12: I don't think this is going to work.
Speaker 16: We might need a better hiding spot.
Speaker 3: Why don't you bring her to the bathroom? All right? Okay,
I think I saw the signs over that way.
Speaker 1: Okay, okay, Alley, okay, over there, I think I want
to group skulk roll from a Laura and uh from Edra.
Speaker 9: I'll take it as the let's taken, okay.
Speaker 1: Is the position position is risky, it's not quite desperate.
The effect will be standard.
Speaker 12: Uh can I get the bonus? I if I push myself?
Speaker 1: Yeah, that's your progative.
Speaker 9: Mm hmm, okay, I acrit.
Speaker 3: A gambit to Mollie.
Speaker 1: Will see me there's a lot of people here. You
don't have too much trouble sort of like making your
way through. There's a lot of people on the dance floor,
a lot of a lot of drugs and a lot
of sort of haziness and yeah, yeah, there's a lot
of people that are, like, you know, almost fucking on
the dance floor at this point. And it's uh, it's
it's not too hard to move between everybody.
Speaker 11: A nice one, Oh nice.
Speaker 9: I take it to the bathroom. What I think a
bathroom is Actually.
Speaker 1: You'd be labeled, you'd see you'd see like echoes for bathrooms.
Now though, apparent if you can't read, you have no
idea what it says you did.
Speaker 3: Point, I understand this, okay?
Speaker 7: And am I going?
Speaker 1: Okay? Maybe five seconds after you lose sight of them,
you hear'm yelling in the distance. That was her. I'm
sure that was her. I need to find her immediately. Look,
if you want your money, this is just about the
easiest way you can get it, and I promise you
you will receive the full compensation.
Speaker 8: I need her now, you hear that.
Speaker 3: Guy, Yeah, you have a sinking suspicion that I do
about what we just witnessed now and then that follow up.
Speaker 18: With him, Yeah, should I try and like my thing
on him more?
Speaker 1: As a matter of fact, I've got an even better idea. Suddenly,
this man starts to walk up onto the stage. The
band is like all sort of crazed for a second,
like what is going on? There is a bouncer that
begins to approach and press, and then you see someone
else up a hand to the bouncer. Looking at this person,
you see.
Speaker 8: A very.
Speaker 1: Very beautiful, dark skinned woman with braids in sort of
like an updo kind of swirl.
Speaker 3: She has very.
Speaker 1: Luxurious looking clothing on and it is very like business fashion.
She has this very fashionable looking tie that's very stylized. Ah,
and she holds up a hand to a bouncer that
looks like they were approaching this individual. The band looks
around a bit wildly, then looks at her and they stop.
Speaker 8: Shit.
Speaker 25: Okay, excuse me, excuse me. I'm sorry to interrupt tonight's festivities.
Speaker 10: But some of you may know me.
Speaker 5: My name is Albn Fujiwara, and there is someone.
Speaker 25: Here tonight at this very club that I must insists
I meet with any of you bounty hunters that are here.
I am interested in finding a female.
Speaker 29: Titan Night that has long blue green hair, and I
believe she was wearing some sort of pink ensemble furry.
It looked like some sort of dog that was attached
a jacket or something. I'm not sure, but I need
to speak with her immediately, and if you bring her
to me, I promise you some very fair compensation.
Speaker 5: Cons Did I hear how much?
Speaker 11: Oh?
Speaker 3: Yeah you did?
Speaker 5: Ten cred.
Speaker 3: Twenty.
Speaker 1: Make a Sway roll real quick?
Speaker 8: Is this allowed us begger going throughout the entire establishment?
I'm guessing it's not.
Speaker 1: It would be going through the first floor.
Speaker 11: Yeah shit, Okay, so we hear it's in the bathroom
probably Okay.
Speaker 3: Barry's loud yelling loudly, by the way, so he's trying
to project maybe that they can hear from the bathroom.
Barry too, Okay, he's trying to yell as loud as
possible at this guy, trying to pull attention to him. Okay,
sway yeah, position desperate Okay. I would love to use
a gambit for this, Okay, And I got some player
bullshit for when I roll a desperate roll with the gambit,
it counts as risky instead.
Speaker 1: This is going to be standard effect.
Speaker 3: Okay, any bonus? Oh okay, five failures treated as a risky.
Speaker 5: Though fifteen.
Speaker 1: Yeah, all right, then let the party begin, and Albin
Fujiwara hands the microphone like throws the microphone back to
the band and they continue their song. And you see
this beautiful, dark skinned woman with this very fashionable attire,
whom you assume is cash, make a gesture with her hand,
and the band continues to play. Several people begin to
rush off. You can see people talking like to their
wrists or with their hand to their ear, talking via communicators.
Speaker 3: Hey, Aiden, yeah, you trust me on this. Keeping out
in the bathroom. I'm an arrange a meeting. So your
power and numbers and all that. Now just wait until
I ping you keep her safe, keep people away from her.
Speaker 18: All right, I'll start walking towards the bathroom.
Speaker 1: Okay, Hi, Alvin, my name is alban As Fujiwara Jump Technologies.
Speaker 3: I got one of your engines in my ship. You
helped me win that race recently.
Speaker 1: Congratulations. Lots of people have my kind of engines in
their ship. What do you want?
Speaker 3: I'll say that again, you help your wonderful engines helped
me win a race recently. And guess who's part of
my crew?
Speaker 17: Race?
Speaker 1: Race?
Speaker 5: You?
Speaker 8: You may me?
Speaker 3: May you are.
Speaker 1: Wait a minute, are you saying that Laura is a
member of your crew?
Speaker 3: I may be indeed saying that.
Speaker 1: Yeah, Well then what can I do for you?
Speaker 5: Oh?
Speaker 3: I just have a quick A lot of things, I think,
but the first one can do you. This is an
ego thing. I'm gonna be very clear with you here.
Do you know who I am?
Speaker 1: Then? Yeah, yes, the I don't remember your name, but
your mullet is very distinctive.
Speaker 3: I look and make direct eye contact with Berto and
point at this guy, bink at him.
Speaker 1: Bardo shrugs.
Speaker 3: Might I ask before we move forward with this wonderful
arrangement I think we're gonna have here, Albin, what exactly
are your intentions with my shall we say, hasty crew member?
Speaker 1: What does it matter to you?
Speaker 3: I'm part of my crew, and uh there's money involved,
and you know, I think that matters a little to me.
Of course, it reflects on my crew if some of
them's caused a crime, you know, I'm sure you your
you know if one of your direct hires, maybe the
person you manage or people you manage to cause some problem.
It unfortunately reflects poorly on you, does it not. I
kind of want to nip this in the butt.
Speaker 1: I've always been of the opinion that everyone is responsible
for their own actions.
Speaker 3: A wise opinion. Unfortunately, in my line of work, it
does not work that way as well as I lack.
Speaker 1: So let's talk breast then. Indeed, are you going to
give up Laura to me?
Speaker 5: Or not?
Speaker 3: Very possibly? But I would lack a ton of bit
more information as to what will happen to my sweet
dear loved crew member.
Speaker 11: Let us our lord.
Speaker 3: I'm a very passionate emotional man, so am I I
can tell.
Speaker 8: That's what we get through.
Speaker 1: Remember disfigured me.
Speaker 3: I look him up and down. I might even do
like a half like turn around him, kind of thing
like you look lovely. I'm just saying a lot of
work was required to look like this. They did well
looked like this before the disfigurement.
Speaker 1: If it's not too bold, I resembled something similar to this.
Speaker 3: Yes, I'm saying you must have improved very well on it.
Speaker 1: Flattery will get you nothing, However, Laura will get you something.
I intend to reciprocate my humiliation onto her.
Speaker 3: I see, Now that's that makes sense.
Speaker 1: No, I don't think that it does what I intend
to do. I intend to make her feel as I felt.
And the only way that such a thing can be
done is by truly understanding tite knights and tight knight culture.
Because the humiliation that I felt would not be perceived
the same way by a tight knight. No, no, they
are much different than you and I, sir.
Speaker 3: Right, run a lot. Yeah, absolutely.
Speaker 1: So, I have enlisted the help of some other tight Knights.
It might better help.
Speaker 11: Me deal with the problem.
Speaker 8: Hm.
Speaker 3: Oh god, I see. That's that's smart. That's a good
way to go about it. Fire with fire in this case,
people with fish people. Yeah, now that's true, all right.
Speaker 1: What will humiliate a tight knight is a degree that
I was humiliated. I'm not some sort of boorish, disgusting,
filthy criminal. I don't want to kill her, mind you, no, no,
but I want her to understand what she did.
Speaker 3: Teach a lesson. Let's yeah. Yeah, okay, okay, okay. Now,
as I mentioned, she's part of my crew, and as
I've also mentioned, I do know her, and I do
like cred hence why I am a particular individual that
gets invited to establishments like this.
Speaker 11: Yes, all of you bounty hunters are exceptional.
Speaker 1: That's why you belong here.
Speaker 3: Blah blah blah blah blah. Exactly right, thank you. I
don't need God only to be league of the point.
Speaker 1: Fifteen gets you that meeting. The money gets you that meeting.
Speaker 3: You want that meeting?
Speaker 1: Yeah, yes for fifteen?
Speaker 3: Grand Great, she random my ship because that's a safe
spot and your ship is. Would you like me to
bring you to said ship because I can do that
for you. Going to pay after the meeting, Going to
need you to make a sway roll please, absolutely, going
to push myself.
Speaker 12: Yeah, this is a HYPERVNYA.
Speaker 1: This is another.
Speaker 11: Sway roll and this is going to be desperate again.
Speaker 3: Great, I'm gonna use another gambit. We'll have two left. Okay,
I feel like this is a little important. Push myself
with the gambit. Desperate. However, the consequences are treated as risky.
He said, standard this or we we're great, or the
first extreme of the show's.
Speaker 17: Lock the dog and.
Speaker 8: Let's turn away.
Speaker 1: This will be extreme. We're gonna do first extreme.
Speaker 3: Oh my god, Okay, here's two bonus.
Speaker 1: Here we go.
Speaker 13: That's the six of the last one.
Speaker 1: Very well, but I'll be bringing a bodyguard of cars
cars search here in case you were lying to me,
which would be a very foolish mistink.
Speaker 3: It would be exceptionally foolish. I'm aware. I at this
point just like subtly kind of like turn my calms
on to the crew. All right, let's go to the ship.
I'll just leave. I just checked a knife here, so
I'll just leave it. I'm coming back anyway. I want
to make sure my drinks keep flowing. But I'm heading
to the ship now, So let's get going. Who is
that bodyguard you ors? We need to catch up, but
they almost hear.
Speaker 1: You won't see them. Don't worry. They've followed me everywhere
I go.
Speaker 3: Smart smart man, here, look at you. You definitely know
your shit. All right, Well, I'm glad I can't see
him because that means I don't have to worry about him.
And I head out and passed by Cody I believe
because Amber said they swapped.
Speaker 1: Yeah, Barry leaves the club.
Speaker 3: I'll be back and nod to Cody.
Speaker 5: Fair.
Speaker 1: Meanwhile, the rest of the group is in the bathroom
What are you doing, dude?
Speaker 8: It's like a fucking high school prom in here. Caitlyn
says she doesn't like you. I don't like career. I'm
going to the bathroom.
Speaker 3: Who's got me your hair back?
Speaker 7: So you want to explain what's going on?
Speaker 12: Well, you know how there are parts of my time
in schooling that I in the past told you I
did not want to speak much about.
Speaker 3: That guy was so mad.
Speaker 23: I don't know if you guys saw him.
Speaker 16: He's really upset.
Speaker 7: It is, so.
Speaker 12: I've been trying to avoid him.
Speaker 20: It's actually a part of why I boarded your ship, Era,
when you went.
Speaker 7: To oh the station, Oh, why didn't you tell me?
Speaker 9: I gotta figure something out.
Speaker 12: I'll be honest. I thought that he would forget.
Speaker 7: Okay, it's fine, and I'm the having made those special
suits for us. Is he just upset or is he
trying to threaten your life?
Speaker 12: I'm not quite sure. He hired me, through some of
my other friends to perform a procedure on him, and
I'm not that kind of doctor. But I couldn't turn
down the author of the supplies. I would be compensated.
Speaker 9: How bad was it?
Speaker 12: I mean, I still would have fucked him.
Speaker 11: But oh, other not so bad.
Speaker 9: Here has nothing to be here?
Speaker 11: Wrong, Okay.
Speaker 12: He sounded very angry.
Speaker 18: Yeah, yeah, he looked very angry.
Speaker 16: I don't know if y'all heard it too, But they're
going to the.
Speaker 18: Ship, so we got to keep our eyes peel. Apparently
it's got somebody with them.
Speaker 11: Oh oh, he's going to ship.
Speaker 8: That's perfect.
Speaker 11: Well should we go.
Speaker 16: Too, Yeah, we're gonna have to get past a lot
of people.
Speaker 18: Remember the whole oh.
Speaker 12: Can you go get to for me?
Speaker 16: Bounty hunter's kind of thing that he just did.
Speaker 12: Did you hear that over the right?
Speaker 7: Well, if you activate the suit, the nanobot technology will
go over and well pretty much comfort you from head
to toe. It'll be kind of strange for you walking
out there looking like a weapon.
Speaker 8: But it's okay.
Speaker 16: What if we, Oh, can't we do something else? Would
you like get rid of the jacket?
Speaker 1: Oh you want to?
Speaker 16: I could take your dress or something.
Speaker 12: Change clothes. I don't want you to get to potential.
Speaker 16: Well, here's more green than blue?
Speaker 11: Right?
Speaker 12: He said something a dog?
Speaker 7: Where do we find a dog?
Speaker 8: What is a dog?
Speaker 1: Vertigo?
Speaker 3: Please make a fortune roll for me?
Speaker 11: T dinnah.
Speaker 1: Okay, Okay, hopefully.
Speaker 16: Let's just take take the first stuff off.
Speaker 5: That is that fake?
Speaker 8: That's right, I don't know.
Speaker 12: I picked it off the street. Oh oh wow, you're whall.
Speaker 16: You're wearing very little clothing.
Speaker 7: It is nothing strange.
Speaker 12: Gied to buy a movie.
Speaker 8: That I saw.
Speaker 3: Really great, thank you.
Speaker 23: Okay, mm hmmm, So what do we do?
Speaker 11: What do we do?
Speaker 8: What do we do?
Speaker 11: What do we do?
Speaker 7: You said you wanted to wear the fur, correct, Well,
we could just dispose of it.
Speaker 11: No, absolutely not. We do not dispose. We reuse.
Speaker 7: I have an idea, give me the fur.
Speaker 12: Here you go, you want to wear it?
Speaker 9: Okay?
Speaker 11: Oh yeah, mmmmm, they're still.
Speaker 16: I mean I could just try and grab you and
speed on out of here.
Speaker 11: No, that would be too much.
Speaker 7: I have an idea.
Speaker 11: You hide here.
Speaker 7: It worked, affoord work again. And if someone looks in there,
well I guess we can show our little project. It's
smart and knows it'll know what to do things on
his own.
Speaker 16: Okay, okay, yeah, that should work.
Speaker 8: Great?
Speaker 7: All right, so I cover her and the genius pet
is just like again, Syrup, it's a loser.
Speaker 10: I can mix an explosive with the various drugs that
I've smuggled into the.
Speaker 12: I could make a bomb.
Speaker 7: No, no, unless the ball would just disperse the I
have an idea we can secrete our thermones at a
very large rate to push people away.
Speaker 12: What does it become incredibly attracted to.
Speaker 16: Us or we'll just never be allowed back?
Speaker 11: Oh right, okay.
Speaker 16: For Berry if we can.
Speaker 11: Okay, that's true, that's okay.
Speaker 12: I don't want to disappoint By has been so nice
to me. If they asked, he hasn't yelled at me
in a week.
Speaker 24: Looking around the bathroom, are there any like vent for
anything that like might be some sort of an escape
from this fucking place?
Speaker 1: There is no bathroom escape hatch. There are vents, but
none of those vents are ever large enough for people to.
Speaker 8: Walk to go through when you ask for vents, I
swear to God, I just pictured like Code going up
there with his button spreading his cheeks apart, like this
is how I spray pheromones.
Speaker 5: Here we go.
Speaker 7: The distraction.
Speaker 11: Maybe we could, I could be clear, By the way,
where are you in the bathroom?
Speaker 5: One?
Speaker 1: Three people framed into one saw. Yes, listen, I'm sure
it's not the first time that that's happened.
Speaker 8: In this club.
Speaker 7: No no, it won't be the last day, and so
they don't know what the hell you dude, just get it?
Oh yeah, right there, get in there?
Speaker 11: Can you see it?
Speaker 12: It's also nice today.
Speaker 11: Extra hard.
Speaker 8: So what kind of a distraction are we thinking?
Speaker 7: I know, we go past the stage and get up
on a stage and sing, and then I'm in dance
and then I'll just go straight to the door. Yes,
very good, I remember you could you you've learned a
new trick for the pail that.
Speaker 11: Went the way you can you can like expand it.
Speaker 9: But if you expanded and and and attracted people to you?
Speaker 5: Oh what what?
Speaker 4: What gave you?
Speaker 3: That impression?
Speaker 12: I can give you from their orifices.
Speaker 16: I can't attract them to no, no, no, no, you just.
Speaker 8: A lot of them.
Speaker 1: I would like make a group role for me, please,
not the one that you're thinking about right now. Actually
it's actually going to be in a tune roll.
Speaker 3: Oh oh no. I would like to be in charge
of it.
Speaker 9: Not me, definitely.
Speaker 7: I already have three stresses though, for the fucking let's
do it.
Speaker 16: Don't funk up, y'all.
Speaker 9: Okay, who's the thing.
Speaker 1: This is going to be a desperate position. The effect
will be standard.
Speaker 9: Okay one.
Speaker 11: Oh yeah, it's six. Okay, that's one.
Speaker 16: Means why the last episode, why.
Speaker 1: The last two fails? So to stress? I suppose this
is a appropriate anyway code.
Speaker 9: Oh no, all you have to do is.
Speaker 1: This m hm code. There's a familiar sensation.
Speaker 25: Mm hm.
Speaker 13: Oh that's right.
Speaker 17: And uh.
Speaker 9: I immediately drop.
Speaker 8: My shawl from a Laura and.
Speaker 7: Look kind of an empty shell towards Titania, and my
composure changes and my I stand straight up and the
kind of go lucky face that Edgar has kind of
turned stone and slowly unlocks the shawl I mean this
doll and opens it slowly and just starts walking towards
the door.
Speaker 12: Where are you going?
Speaker 8: Do you not worry? Wall is.
Speaker 7: Taking place as it should?
Speaker 17: What is?
Speaker 8: What does that mean?
Speaker 7: And I switched over to our tight nite language to
Laura and tell her that we will continue what we
have started because that should be finished. And then I
just started walking towards the door.
Speaker 11: The hand gestures and nonverbal communications relate to you, Laura.
Speaker 12: I speak out loud, what do you mean? What finish?
Speaker 8: What? Wait?
Speaker 3: Come back here?
Speaker 11: Cannot delay? And I walk forward? Where are you what
do you need of me?
Speaker 30: There is much to talk about, much to feel, much
to understand, much to understand.
Speaker 8: I must I'll follow the signal.
Speaker 11: You'll read, you understand you.
Speaker 1: I must know why?
Speaker 7: If that, I'll turn back to a Laura and I
think this is the first time you'll see like some
liquid substance buildings left eye and it kind of just
falls down.
Speaker 9: But it's not like he's it's a stone face. But
it feels like.
Speaker 7: He's saying goodbye to he Laura and Titania, and then
begins to walk through the door.
Speaker 8: He wait, h.
Speaker 16: What's going on with him?
Speaker 12: I don't know what just happened?
Speaker 16: Did he say anything else?
Speaker 12: He said he was going to finish something.
Speaker 1: I don't The bathroom door opens and figure walks in
all in black. They begin to look around. You see
their footsteps underneath the.
Speaker 17: Well.
Speaker 1: I guess maybe through the cracks.
Speaker 3: Of the door, and.
Speaker 1: There paces echo off of the bathroom walls. You hear
doors begin to open. Sounds like far away from you
at the start, but they open one at a time.
Speaker 12: They're looking at the stalls.
Speaker 26: I'm gonna grab a Laura and I'm gonna rush out
with my kinetics. Trying to get out of here as
fast as I can.
Speaker 8: I'm going to.
Speaker 12: Put my arms around you and brought my legs around
your waist.
Speaker 8: Hold on.
Speaker 1: Okay, you push yourself and then I need an attune here.
Speaker 16: Eden, Yes, sir risky or desperate.
Speaker 1: Risky to start and then then the effect will be standard.
Speaker 16: Yeah, I'm gonna do a Devil's bargain man rolls. This
episode for me have been tragic.
Speaker 7: Drop me.
Speaker 12: I have clones.
Speaker 1: Usually it's the stuff that you're good at too. Okay,
Devil's bargain?
Speaker 9: What mean gamus to me?
Speaker 1: Laura is gonna get hurt too.
Speaker 3: If you fail.
Speaker 12: Hey, if I take a little too hard, we get
a gambit, so a fractural leg or something.
Speaker 1: Six Plain how you exit the bathroom?
Speaker 26: Uh, well, I've got ahead, and I've I've wrapped my
arms around Laura kind of like she's now in front
of me, Like it's like this.
Speaker 21: Weird little hug where she's just piggybacking me, but like
from the front, So she's piggying me.
Speaker 26: I guess, and I punch open the door and I
just start going as fast as I can using my kinetics.
It's like an absolute flash there's.
Speaker 1: A dent in the bathroom door. The metal just bends
outward and it flies off its hinges and just bursting forward.
There's probably some like water from the toilet that like
splashes up behind you because of how fast are running.
You got a little bit of that like Barry Allen,
you know, shit happening. The like debris is just like
following you because you've burst forward with such speed and
you you blast out of there. You see this person
all dressed in black. They're wearing.
Speaker 8: Like a a.
Speaker 1: Like a like a kind of like a black bandana
kind of thing. They've got their hair sort of swept
back with this bandana, all in black, lots of like
loose fabric that's kind of like hanging there. They've got
wraps on their arms and very like lithe looking it is.
It is someone that looks very surprised. As you burst
forth from the doors and begin to leave the bathroomy
you can see they're like reaching for something, but you're
just too fast. You burst forth from the bathroom into
the hallway. You see loads of people again all about
people that are going a little bit crazy now that
things have kind of shaken down this way, and you
hear some exclamations like, hey, over there, I think that's
the person that they were talking about.
Speaker 18: You know, you hear sh okay, I'm getting out of here.
Speaker 1: You're hauling ass. Meanwhile, peace do the scene is set.
You're hearing some kind of commotion and you you hear
Barry come over the communication. Hearing Barry come over the
communicator talking about this something. It looks like it sounds
like he's having a conversation with somebody else.
Speaker 4: Yeah, just to just going over the ship over here. Yeah, okay,
you see that at the distance. Yeah, she's probably on
there doing some weird ass experiments, as you're very likely.
Speaker 5: Aware anyway, Yeah, Soullich, Yeah.
Speaker 1: I remember you.
Speaker 5: Yeah, the mally.
Speaker 1: Yeah, what an for a ship?
Speaker 4: It's beautiful, An, she's beauty I would anyway. No, so
she's probably on here. If not, God, she'll be here
very shortly, don't. I don't doubt that. As they're safe haven,
I should we'll call it. Oh God, So do you
want me to try to get her? Do you want
your bodyguard to get her? What's your plan here?
Speaker 1: Well, what's your plan here?
Speaker 5: I'll let you on the ship. Wait.
Speaker 4: If she's not on there yet, I'll see at the
locks so she can't get out, or we go in.
Speaker 5: She's there.
Speaker 1: We have a fool for you to toy around with.
I'm not getting on your ship. I don't know what's
on your ship. You probably have some sort of oh,
insane weapon or something ready for me. No, no, I'm
far smarter than you give me credit for, Sir. I
am one of the executives at Fujiwara. Fuji are a
jump technologies. I have dealt with people far smarter than you,
and I will not be ambushed. No, no, I'll wait here.
My bodyguard will handle things.
Speaker 5: Okay, I'll wait here with you, dan as I said.
Speaker 4: That's why I was asking if you wanted me to help,
If you wanted the bodyguard, the bodyguard will handle it.
Speaker 5: The bodyguard will handle it.
Speaker 1: Yes, yes, go give me my prize, sir.
Speaker 5: Is everything okay?
Speaker 3: You would get two pings followed by a pause and
a third ping.
Speaker 8: Okay, is is delight in the room with me?
Speaker 5: Or not?
Speaker 1: Yep?
Speaker 11: Something he's here.
Speaker 8: He's here, James Barstow is here.
Speaker 11: That is what you desired?
Speaker 8: Yes, hm, yes, I had a look out to let
me know. I don't know what you need to do,
but now's the time to do it. To get him
positioned in either adjacent rooms or adjoining rooms.
Speaker 1: Very well. Delight leaves shortly thereafter you can sort of
see beyond the wall the festivities begin. I won't go
into detail, but I will say that there are several
of these pleasure androids, and James barstill likes the weird stuff,
of course.
Speaker 8: Always they always do, always, always, the you know, the
family first person or the you know, like yay for
religion person is like I want you to put a
fish in my ass.
Speaker 26: Okay, I'm so glad you just understood my entire life.
Speaker 1: Seek and you begin your recording, I would like a
skullcrel from you.
Speaker 9: Please.
Speaker 8: Oh come on, it's something else.
Speaker 13: It's something else, like.
Speaker 1: I think it's skull.
Speaker 8: Yeah, all right, Well what.
Speaker 1: Is the argument? What are you trying to suggest?
Speaker 8: I don't really have one. I just wish. I'm just
hoping it something else. I was gonna say, study but
with a kung fu chip and I have a zero
and study too.
Speaker 1: Well, you left the you left the kunk food chip
in Okay.
Speaker 8: Yeah, no, I put it in for this mission because
no weapons. I will push myself then to give myself
one dice.
Speaker 5: We do it.
Speaker 3: We do have two gambits left and does uh?
Speaker 8: Is there any way that that delight would help me?
Speaker 7: I e?
Speaker 8: Distraction?
Speaker 1: Or yes, I will give you a perfect thank you?
Speaker 8: Okay, then I will roll with two dice opposition.
Speaker 11: I want to make it chokes so bad?
Speaker 8: Uh Uh?
Speaker 3: What position? Whack sweaty?
Speaker 12: Is there is there a way that I can help
with a flash.
Speaker 1: But absolutely, I'm so sure you know the flashback is
gonna go. Let's do this.
Speaker 8: What's you got for me?
Speaker 17: Oh?
Speaker 8: God? Okay?
Speaker 10: Peace? Oh hello, welcome to my laboratory. Don't worry about
this project I've been working on. It's I know it
doesn't look biological, but.
Speaker 12: I promise you that it is imperative.
Speaker 8: To my research. I believe you.
Speaker 12: Okay, I will tell you anyway.
Speaker 31: I have, with some of address tools, fashioned a camera
to study all of the people on this ship while
they are sleeping. It is quite fascinating what people say.
Speaker 12: In their sleep.
Speaker 8: I'm sorry, I am poked my headphone on accident. What
was the last part you said?
Speaker 12: People say very interesting things.
Speaker 8: In their sleep. Yes, they do. I agree with that.
Our mission to do this.
Speaker 12: Well, I have them positioned in the room so that
it's observing the room, and they happen.
Speaker 8: To be in the room.
Speaker 12: We all sleep in the same room, you know.
Speaker 8: So whose rooms are you filming?
Speaker 12: There's only one room.
Speaker 8: Well, Barry has his own borders. I do not have
a room.
Speaker 12: Oh, I thought we have one room. I thought we
had to share them.
Speaker 1: Yeah, it's bunks. It's one room. They do have the
pull down privacy screen.
Speaker 8: Though. Doesn't Barry have his own his own cabin.
Speaker 3: The cabin that I used exclusively, Well, I.
Speaker 8: Pictured that completely differently. I thought that there was like
a captain's quarters. And then the crew just stared.
Speaker 12: Can you help me look at this circuit? It's it
has been malfunctioning these two wires and this.
Speaker 8: No purposefully did not answer my question on the terms
of permission. And well, I'll just tell you don't bother
lying to me because or do beay, I've learned a lot.
Speaker 12: Anyway, Can you help me reinstall this over there or
helping get rid of it?
Speaker 8: Tell me this is for scientific and better purposes?
Speaker 10: Yes, absolutely, it has been purely for the understanding of how.
Speaker 12: Humans behave in mercy. Did you know that very humans
be walks sometimes.
Speaker 8: Yes, I have had two see try to curtail that
on my own at times.
Speaker 32: Specifically from this observation, I have learned that I need
to put my male jars and my bread away in
the meth hall Otherwise it's a tripping hazard and it
could result in very human hitting his head or suffering
some other kind of injury.
Speaker 12: See benefits.
Speaker 8: Very well, but if you get caught, I had nothing
to do with this.
Speaker 12: Okay, anyway, here you got me.
Speaker 8: Wow, this the camera design is actually kind of ingenious.
Speaker 14: All right.
Speaker 1: I'm going to say take one stress from that, please, vertigo,
and you get one b one bonus.
Speaker 9: I'm going to miss this.
Speaker 8: Fucking show, all right, so I will take one bonus
dice to actually, let's see that's one two, So three
dice total, one for my position.
Speaker 1: One from me, one from the gambit that you're using,
and one from Laura. The position is risky, the effect
will be great.
Speaker 8: Yeah, six it. Let's go.
Speaker 3: Oh, this is a movie.
Speaker 1: This is a movie. You get lots of good shots,
and there's a few times where they do it up
against the wall and you get some some good butt
cheek right next to the wall. There you get a nice,
nice crotchel region shot, you get, you get everything. This
is this is some like really really good blackmail that
you've got here, lots of Like there's some decent face
shots that you get, the ear that you got. You
got this guy on lock.
Speaker 12: Okay, would you say it's the holy Krail of black
may Okay, stop.
Speaker 8: Crail.
Speaker 1: Everybody take too harm from that pun. Please, I'm joking.
You get nothing And.
Speaker 9: Like, Okay, is she fleshy or is she all metal?
Speaker 1: I feel like that's a personal question between you and
the pleasure bot. Okay, you can maybe ask if peace
is generous. Peace will tell you later.
Speaker 8: Well, this.
Speaker 1: It lasts a whole three minutes.
Speaker 8: This video is going to be everywhere, so it's not
going to be you know, like you'll be able to
study it at length at your leisure. WHOA, I wait
until the climax, and I just make sure to get
any like and I wait until he's long gone, like
until he's you know, I wait at least five minutes
after he's left the door or walked out the door
of that thing. I look to delight.
Speaker 1: Did you get it.
Speaker 8: In a word? Yes, I there were things that happened
in there that I don't think I will be able
to compute for a long time afterwards. And I don't
know how much you're paid, but it's not enough to
do the things that this human has been allowed to
do to other syntho sapiens. And I don't know your programming,
but if that were me, I would be looking for
any way to get out and make the livings elsewhere.
I have had my eyes opened, and I wish, I
wish part of me wishes I didn't, So I will
send you the information of how to contact me if
you should choose to join me. I will have a
seat waiting for you on my ship. I will contact
you as soon as I make my decision.
Speaker 11: Thank you, Thank you.
Speaker 8: I hope from now on that if an android wishes
to participate in something that I just experienced, it will
be their choice from now on. And I take my leave.
Speaker 1: You begin to leave. As you leave, getting off the elevator,
you see Pedra walking down the hall.
Speaker 8: I can talk right now. If you wish to speak
to me, follow me to the elevator. I just keep going.
Speaker 7: My head slightly turns, and then I turn back and
keep walking towards or I was.
Speaker 8: Sold to go.
Speaker 11: Very well.
Speaker 1: Heading to one of the VIP areas, you pass by
several guards that do not seem to acknowledge your presence.
Speaker 8: There is a.
Speaker 1: A VIP area that sort of overlooks the stage. You
can see a band beginning to get ready again, sitting
in a semi circular couch like area with two black clad,
slender deep dwellers. Die sits there.
Speaker 9: I slowly.
Speaker 7: Brush my hand up against my at the top of
my ear and click in to comms without trying not
to think about it. Just do this and slowly walk over.
Speaker 11: Give me a skull courrel. This is an important one.
It's gonna be desperate.
Speaker 28: Okay, in fact, great, sure.
Speaker 12: We do have gambits as well.
Speaker 1: Five okay, yeah, I think you turned it on. You're
not sure? Code?
Speaker 8: All right?
Speaker 9: Because I was trying not to think about it. It
makes sense, and.
Speaker 7: With little hesitation, I walk over. Shall I stand or set?
Speaker 1: Holding out her hand?
Speaker 11: She remains seated.
Speaker 9: I at least my hand on hers.
Speaker 11: There isn't that better?
Speaker 5: You know?
Speaker 7: I don't like using communications to say where have you been?
Speaker 9: Have you done?
Speaker 11: I have been doing what is necessary. Sit down at
my side, friends, where you be too many times.
Speaker 8: Said.
Speaker 11: Edra, your mind is different.
Speaker 8: I don't know what you mean.
Speaker 11: It was never much of a.
Speaker 9: Path user.
Speaker 11: I have heard tales of you and seen things the
humans call them races.
Speaker 9: Mm hmm, yes it was. It was nothing.
Speaker 7: It's something that I was I had to be a
part of just because I was using them for transportation.
They are nothing nothing.
Speaker 1: I will I will accept either in a tune role
or a sway role.
Speaker 9: Here lees be a tune.
Speaker 11: Position, desperate. The effect will be limited.
Speaker 5: Too.
Speaker 1: There's a sharp pain that you feel. It feels like
someone is scratching inside your head.
Speaker 11: Stop stop the digging. The digging. Fine, I'll tell you.
They're they're they're their companions I made over.
Speaker 7: Time you have bonded with someone. It is common in
our in our culture. It's not by choice. It happens
at birth. If you are compatible, you're compatible.
Speaker 11: Have you done what I have asked, Edra?
Speaker 8: Have you.
Speaker 11: Used the knowledge that I have given you somewhat? Somewhat?
Speaker 8: But I haven't.
Speaker 11: I haven't fully.
Speaker 33: At the time, then things got difficult, They got different
because you got caught.
Speaker 9: You know what they're saying. Your name is being pushed around.
Speaker 8: That woman.
Speaker 9: She she died.
Speaker 5: You know.
Speaker 11: These matters should not concern you. These are humans. They
are lesser than us.
Speaker 17: They do not have.
Speaker 11: The control. You see how they live, You see how
they treat each other. They care nothing for their cycle.
They waste all that they have.
Speaker 9: If you believe that.
Speaker 7: We must control them, Edra, you never fully told me
why we are doing this. You said, when I'm ready,
you would say it, and here I am.
Speaker 8: So tell me?
Speaker 11: Are you ready? Are you ready?
Speaker 8: Edra?
Speaker 11: Are you ready to take a step down the path
that lays before you? Are you ready to complete your cycle?
What harm will come to Laura? Laura jeers tis and I?
Speaker 7: Is that why you sent them after us?
Speaker 8: Was it you?
Speaker 11: It was the only way to get to you, Edra?
Hithering to cure her?
Speaker 8: Either way.
Speaker 11: Unfortunate. I specifically told them not to do such a thing.
Speaker 8: What will happen to me?
Speaker 11: You will be whom I need you to be. Someone
to speak to the others. Tell them of your experiences
amongst the humans. Why do you think you were allowed
to leave.
Speaker 9: Its conflicting matters?
Speaker 7: The elders they know of these experiments that are happening.
Speaker 8: And I was.
Speaker 7: Also told to keep an eye on that are your
own mother. There's a project. They are creating hybrids.
Speaker 11: A must not be allowed.
Speaker 9: The last one was destroyed on.
Speaker 11: Luna, A tune or sway. Desperate, my god, how many
game as we have two?
Speaker 3: Correct?
Speaker 9: I have to use one of this?
Speaker 18: Please use one, for the love of God, please use.
Speaker 9: These effect standard.
Speaker 1: A limited.
Speaker 8: Yeah, oh goodness. Six.
Speaker 1: There's more of that scratching feeling in your head. And
then suddenly you feel something. There's a little bit of
a backlash.
Speaker 3: There's a there is a.
Speaker 1: Slight noise that Dime makes out of your connection, slight gasp,
and you see something strange, something that throws you off
for a second. You see Dakota Bob at the bar,
and you see in the dye's hand from her perspective,
touch his for a second and they meet eyes. His
eyes go a little wide, and then the connection severed.
To come back to yourself, Pedra, your mind has gotten
much stronger.
Speaker 11: Your connection to the Way is stronger.
Speaker 9: You're my mentor. Who would it not be?
Speaker 11: It does not matter even if the last was destroyed.
We must find whoever made these hybrids.
Speaker 7: Fine mine, but I need time and trust, and this time,
do not send those after me again. If you want
me to be next to you, you're going to have
the trust me very well at this while this is happening,
I would like my genius pet to make its way
towards tillcodabab.
Speaker 1: Ooh uh. I don't think we ever talked about it
having any sort of power to do that, to receive
this sort of communication from you. So how do you
signal it to do this?
Speaker 17: M hm?
Speaker 1: That is important.
Speaker 7: I believe what I can do is I'm slowly releasing
a certain pheromone that's more instinctual sense of urgency and
hoping that they could understand it. But I want to
do a slight so that it seems normal, and then
I'll let you decide if a gene spens makes it
there or not, or if it understands that.
Speaker 1: I should say, it's going to be really hard because
you just have a you have a pheromone and you're
sending one emotion basically of like you know, urgency or
what have you, and interpreting that is extremely difficult. You
can definitely do that if you would like to try.
Speaker 9: To do that, what would I roll command or be.
Speaker 1: A command role and you would have penalty?
Speaker 9: Oh Okay, I'm not doing it because we haven't tested
it yet.
Speaker 8: Unfair.
Speaker 9: I maybe I think about doing it, then I say, no,
this is not get them too close, okay. And then
what I'll do is I'll say, hmmm, god, this is sticky.
I have to DESI right, I just basically tell her.
Speaker 11: Yeah, I'll just tell her, okay, I got it? Is
there any.
Speaker 7: Oh?
Speaker 6: I know what I can do.
Speaker 9: I want to uh secretly try to.
Speaker 7: Send uh, like an electric signal to Dakota Bob's phone
to almost act as like to do a little little
Fritz shock.
Speaker 9: Is that possible? I do have my drone with me.
It's always on my back.
Speaker 22: Uh.
Speaker 1: Try again. You're trying to do something here that I
don't think you've got like a a proper setup for Okay.
Speaker 7: Then I'll just try to tell him to die that
I need time and she needs to trust me.
Speaker 1: All right, make a sway roll or yeah, it would
be a sway roll.
Speaker 9: Ough have nothing, it is okay.
Speaker 1: This will be another desperate role and the effect will
be standard.
Speaker 11: How many desperate roles haven't Then skull will be the
fourth one?
Speaker 9: Goodness, gracious, okay, and this is all in resolve, right.
Speaker 1: Well skull cartoon a tune.
Speaker 8: That tune.
Speaker 11: Okay, all right, you don't get credit for the fourth
one until afterwards, right, all right, risky, Oh that's right,
and effect standard.
Speaker 9: Of course, I'll roll a six on that.
Speaker 1: You feel yourself kind of get a little lightheaded for
a second. Yeah, and then you realize that the die
is right.
Speaker 7: Wasted any more time, but everything at risk.
Speaker 1: Exactly.
Speaker 8: There is a doctor.
Speaker 11: Tell me of this doctor and we switch scenes outside
the Malli.
Speaker 1: So MANI, we have Albin Fujiwara who sent his bodyguard
off to join Barry. Barry. You don't see this bodyguard,
but you feel that feeling that is someone nearby.
Speaker 5: Yeah, and.
Speaker 1: You head into Molly, make your way into the air lock.
What are you doing?
Speaker 5: Hm?
Speaker 3: I feel like that body that that feeling of being
followed is happening into the ship as well.
Speaker 1: What's that say?
Speaker 3: War more time, the feeling of being followed is happening
while I'm going into the ship as well. Yes, got it, perfect, Okay,
I'd go in, I'd shut the air lock and uh,
you know, you know how there's sometimes little pipings and
little tubes and things all over the place, and usually
hydraulics have steam, or there might be steam somewhere around Berry,
or he'd love to do a little trick shot, specifically
to fire with his concealed weapon at one of those
steam vents to maybe disrupt some sort of cloaking that
may be occurring in this little room with him. The
trick is basic. I don't want it to be seen
as easily because since this is a concealed weapon in
the first place, so I'm trying to aby, you know what,
to make it even more tricky. He puts his hand
in and he's just shooting from within his coat.
Speaker 1: You activated your seo. Oh god, okay, give me a.
Speaker 3: This is gonna be skulkroll Okay, skulk first, then scrap
kind of thing, because I think the fall up was
once I see him, I'm going to shoot him.
Speaker 11: That's the hope here, I'm sorry, say one more time.
Speaker 3: The hope is reveal them with steam and then shoot them.
Speaker 1: Okay, So two shots, yeah, all right?
Speaker 3: As I want to reveal them and then take them out,
then the first one would be more subtle, so the
skulk fits there. Do you count that as a trick
shot though? Trying to conceal and shoot or not.
Speaker 11: Sure?
Speaker 8: Barry, thank you could try to get two shots off
before you get shot.
Speaker 3: Yeah, all right, now I'll take it. The second one
wouldn't count, of course, because I'm just shooting a person.
I think I might. I've used three of the four. Anyone,
could anyone have any issue of me using a using
the last gambit here?
Speaker 8: Nope, I'm fucked your ship, your ship?
Speaker 3: All right, I'm gonna use the last gambit on this
skulk shot position.
Speaker 1: Risky Okay, the effect will be standard, all right?
Speaker 3: How six?
Speaker 8: Wow?
Speaker 1: You see a figure sort of of predator in the steam,
you know, that sort of shimmer of an invisible figure.
Now I need a scramble roll, I'm sorry, now scramble
a scramble?
Speaker 3: Yeah? Uh name here is. It's kind of the subtle
like shoot up through. So I've got a hole in
my vest now and a flip around the moment I
see where their head is right under their neck. Take
them out, change though position yeaes sprit all right, effect
will be great, all right? Any bonus? Oh all right,
that's a six.
Speaker 1: There's a moment of like realization as you hear some
like like as this freezing cold coolant is blasted at
this person. You can see this like frost beginning to form,
and there's like like little camouflage suit sort of malfunctions
and you see them like reaching for a pistol and
it's too late. They just fall to the ground.
Speaker 3: He saw my damn race. You'd think you'd think ahead
on this overclms. Hey, yeah, the bodyguard's taking care of
eating doc all that. There's probably a man standing outside
the Molly that wants to talk to you all, but
he ain't got no protection, no more.
Speaker 5: No protection.
Speaker 8: There we go.
Speaker 5: Hey, Barry h Yellow Hello, yeah, very yeah, Hello, hey Bob. Hey, Uh,
I'm making my way back to the ship. I'm not
feeling too good, all right.
Speaker 17: Uh.
Speaker 5: I think I think I drank something a little weird.
I don't know, I tried. I tried one of the cocktails.
It must be allergic or something. That's shit. All right,
you need any help get into your ship? No? No,
I'm going to head back to the molly if that's
all right. You don't really see an issue with that.
You just well, you got you got that tight night doctor, right.
I just figured it'd saved me a trip. No, yeah,
I can ask, I can ask. Uh, it's a little
inconvenient right now.
Speaker 3: But uh I looked, I looked down at the body
at my feet.
Speaker 5: Uh, give me like five to ten, I got I
need to probably clean up a little bit.
Speaker 13: Uh.
Speaker 5: I'm probably not that far away. Probably it'll be a
few minutes. Is that okay? Uh?
Speaker 3: Kind of give the body a nudge with my foot.
Speaker 22: Uh, in case that helps, you would know, because it's
your ship that there are a lot of body parts
in the midway right now.
Speaker 3: That doesn't make it better.
Speaker 17: Uh.
Speaker 5: Yeah, I'll meet you outside the front. Okay, listen, I
appreciate it. Yeah, no problem. Bob seeing in.
Speaker 3: Buling Fuck, come on, I gotta he picks the worst
ass times to show up.
Speaker 1: Meanwhile, outside Eden, you and Vertigo are rushing to the
spaceport at breakneck speed. You can feel yourself getting super
tired by doing this this long Eden.
Speaker 11: You're carrying another person, and yes, the gravity is less
than Earth, but you're not from.
Speaker 1: Earth and this is still probably super tough for you
to do. You're rushing through the spaceport, heading towards the
hangar where the ship is parked.
Speaker 8: Are you okay, Laura?
Speaker 12: I'm okay? Can we stop? I think I'm going to
throw up.
Speaker 23: Okay, okay, okay, I'm gonna put her down.
Speaker 26: And as I put you down, you would notice that
there's a little bit of like black tendrils kind of creeping.
Speaker 7: Up my neck.
Speaker 12: Are you okay? I will gently touch the tendrils?
Speaker 5: What is is?
Speaker 8: Ah?
Speaker 18: No, nothing, Let's just get back to the ship.
Speaker 12: Okay, okay, what okay, I'm good now.
Speaker 21: Okay, all right, we can that bought us some time,
So let's let's get to the Let's get to the ship.
Speaker 1: Then you see a figure standing outside the ship. Once
you get to the hangar, you recognize the familiar form
of a pacing Albin Fujiwara. Who's kind of doing you
know this this bit where he's.
Speaker 3: Like in comedy.
Speaker 1: I don't know what's taking so long? Walking back and forth, pacing,
looking very upset.
Speaker 12: Oh that's him.
Speaker 5: Look, I.
Speaker 21: Apparently he's got no bodyguard. So if we want to
talk to him, we can just kill him if.
Speaker 1: We need to.
Speaker 3: Okay, And Barrie's influenced.
Speaker 13: The entire crew is vicious, like is it like contagious?
Speaker 12: Alban?
Speaker 8: What is it?
Speaker 17: What do you want?
Speaker 1: It's you?
Speaker 17: This?
Speaker 1: Well, look at this, it appears you heard my message.
Speaker 12: Face looks nice.
Speaker 1: No, thanks to you. What were you thinking?
Speaker 14: How could you do that to me?
Speaker 3: I was humiliated.
Speaker 1: You'll fix it, of course I did. I'm Alban Fujiwara.
You expect me to walk around with a face that's imperfect?
Speaker 18: Pab Well, we're all kind of imperfect, right.
Speaker 9: Who is this?
Speaker 16: This is my friend Hizania. Nice to meet you.
Speaker 1: I don't shake hands, that's.
Speaker 11: What common people do.
Speaker 12: Common people?
Speaker 7: Eh?
Speaker 1: Oh, who's this now? Pulling up in a taxi cab? Essentially,
it's like an anti grab taxi cab. You see Dakota
Bob stepping out here?
Speaker 11: Thrench?
Speaker 1: I feel like I've seen that person before. This is
another one of your friends.
Speaker 12: Not really my friends, but maybe a friend of a friend.
Speaker 1: It doesn't matter. Look, when my bodyguard gets back, I mean,
when one of my bodyguards gets back, rest assured you
will be paying for this.
Speaker 12: I walk up to him and I push a shoulder.
Speaker 14: What are you doing to me?
Speaker 1: How you're physically assaulting me? Are you insane?
Speaker 12: Maybe?
Speaker 16: I look at a Laura.
Speaker 1: What's going on here?
Speaker 8: Oh?
Speaker 12: Just an old friend of mine?
Speaker 11: Yeah, an old friend, isn't it? Albin Fuji were.
Speaker 1: I guess, of course, I'm Albin fuji Wara.
Speaker 2: What what do you want?
Speaker 1: Are you begging for some money or something? I thought
this was Mars. We weren't supposed to have beggars.
Speaker 8: No.
Speaker 1: I wasn't begging for anything. I was, uh's coming here
for something?
Speaker 12: Are you looking for Barry?
Speaker 3: Barry?
Speaker 8: No?
Speaker 23: I was, Uh, you're acting kind of strange.
Speaker 12: What are you? Okay?
Speaker 11: Uh begins to I'm sorry, interrupt, but.
Speaker 3: Reach towards it.
Speaker 8: Though Dakota Bob does not know if they're telling the
truth or.
Speaker 1: Lying, draws a blaster pistol quickly and then begins to
point it towards Eden in vertigo, I.
Speaker 8: Jump, I jump at him, an attempt to kung fu him.
Speaker 11: Oh, okay, peace.
Speaker 1: A scrapparrel. This is desperate, Okay, can.
Speaker 12: I do something here? What would you like to I
don't know if you I don't know if your Countess
is helping.
Speaker 10: But as a Laura sees this, she would like to
step in front of Eden and try to wrap her
body protectively around her.
Speaker 17: H m hmm.
Speaker 1: Okay, I do not have to make a roll for that, okay,
but it's not going to count towards a help okay.
Speaker 8: Effect.
Speaker 9: Great, Okay, I have one bonus dice for my kung
fu chip.
Speaker 1: Five. Okay, there's a moment that begins to sort of coalesce. Here,
time moves a little bit slower. You see Barry opening
up the air lock, getting just the barest glimpse of
what's going on outside. Code is springing into action. How
do you think you are trying to attack the Code
of Bob here, I'm.
Speaker 8: Going to disarm him. I mean take his gun away,
not take his arm up, because we've done that before.
Speaker 1: Okay, good Claire attack the wrist, expecting the Code Bob
to drop the blaster. There's a look of intense pain
and concentration on his face, and shot rings out, gun falls,
and that is where we're going to end our show.
Speaker 3: Fuck, oh my god, this is the most messed up ending.
Speaker 19: Any show I've been.
Speaker 9: On, so fucking anime. I was nerd gasoming so much keyboard.
Speaker 8: Oh, I didn't even get to tell my my plants
to any of my patriots or nothing.
Speaker 17: Okay.
Speaker 8: Any Also, like one of us may have gotten shot
because I did not do a sex there's some unforeseen consequences.
Speaker 7: Just fully fucking indoctrinated like e Din's turning into biological
mess and somebody shot a lot of rolls getting laid
by burns.
Speaker 9: Oh fuck man, it's all.
Speaker 3: Figures crossed.
Speaker 34: I was definitely about to pull out a scalpel and
fucking decapitate this man.
Speaker 1: I would just like to point out that, like in
the background of this like amazing like anime scene, Albin
Fujiwara is in the back, like, oh yeah.
Speaker 7: Him, yeah, hopefully bullet Oh that be bad though it
wouldn't be our fault, man, Fuji.
Speaker 8: That that famous picture of Lee Harvey Oswold, just like.
Speaker 3: D the person that succeeded was piece.
Speaker 1: Well done. Let's see. I need to find the appropriate
ending song for this, and it's so hard and I
was like, I don't know what it's going to be,
but I feel like it should be one of these
lounge songs.
Speaker 8: No that that that last shot, like the shot and
the thing falling and once that that the gun hits
the ground, just that sting of trump. It's just like well.
Speaker 3: End credits.
Speaker 9: Yeah at the wait two years for an animate that
the next season and it's just a rumor.
Speaker 1: Great show, everybody, well done, what a good show man?
Speaker 9: Yeah, your m PC. I gotta make a catalog of NPC.
Speaker 3: Show.
Speaker 1: Glad you enjoyed that. We're gonna go around the room.
We're gonna do some shout outs. No in session this time, right, Yeah,
and sorry for going so far over, folks.
Speaker 3: It was just so good.
Speaker 8: We all figured I'm sure, yeah, yeah, last episode.
Speaker 1: Yeah, let's go around the room. Let's let's do some
wonderful shout outs. I want to start with Let's start
with Barry, start with Dan.
Speaker 3: Yeah, hey everyone, I'm domestic Dan, and uh, I played
past tense Barry Hendricks crash on a hundred club, The
mullet is no more. Maybe maybe if there ever is
a second season in like four years, like anime likes
to do, uh, then then he'll have I don't know,
a Bob or something. At that point.
Speaker 18: Uh, he goes through his next breakup.
Speaker 3: Yeah, yeah, Barry cuts his hair when Berto leaves in.
But now, this was great, absolutely blast. I love the
I love this gumming villainy system. And just like these
these kind of systems in general, it really lended well
to this kind of cowboy bebop anime esque vibe. It
was great. I don't have a whole lot to I
really don't have a whole lot to say except I
enjoyed it. There's gonna be a there's gonna be a little,
a little hundred shaped hole in my heart. Thanks all
table mates for being amazing and absolutely love our peeing
with all of y'all and hope to again very soon
if possible, because I'm will miss you. And thanks Whack
for just leading such a fucking fantastic story as we
went through.
Speaker 11: Thank you so much, Bunny, thank you.
Speaker 9: It's all I got.
Speaker 1: Frank Quins, you on next.
Speaker 9: I'm bad at these.
Speaker 8: I hate.
Speaker 9: I hate into shows. At least that's when I'm not
screaming and crying like I had. Anyway, this is, this is,
this has been said. Anyway, I played Edra or Edra
fuck man. Tried so hard, but it's like an apprentice
to a Darth baby, like you know, Star Wars style.
You just sometimes you just can't overcome. But anyway, I
hope you guys enjoyed. This has been one of the
most fun characters I've ever played, definitely outside of my
wheelhouse of characters, and I think it went pretty damn good.
It's my emotional attachments and stuff. I'll miss the hell
out of the show.
Speaker 5: I dread.
Speaker 9: I dreaded this day for a long time, trying to
think of something I can do on Mondays to get
out of it.
Speaker 8: Do it.
Speaker 9: But anyway, hopefully you'll see me on another show. I'll
just beg whack and until that happens. And uh, yeah,
I won't be opening our dms anytime soon. But anyway,
other than that or will you no, I will definitely
be them on Twitter instead.
Speaker 3: Anyway, I'm reminders.
Speaker 9: Yeah, it was like red Manator Powers back on. Anyway, Yeah, good,
find me a twitsch dot TV size technique. I am
doing Wildheart still. It's very good. I'm still doing it,
and I'm doing Wollong right now as we're waiting on
an online feature to like be fixed. But it's been really,
really fun and we got some really good stuff coming
up so game wise, so you might want to I
want to hold on. I just announced today that I'm
going to a Red Fall Invitational which is in New York.
So I'll be in New York.
Speaker 8: Cool.
Speaker 9: Uh don't remember the date, twelve, Yeah, twelve thirteenth, I'll
be in New York. So and then yeah, I got
a lot of traveling coming up. Other than that, I'm
trying to waste time because I don't want to show
to go anywhere. I love you guys, thank you very much.
Thanks for being great table mates, and this is a
passion of mine. It really takes me away from a
lot of stuff. So thank you, thank you, thank you,
and thanks for being a great audience and enjoying Edra.
Speaker 1: Thank you so much, Betty, Stella.
Speaker 12: Yello.
Speaker 19: My name is Stella Luna on Twitch and stall and
TV on all of your social media. Thank you so
much to all my tablemates.
Speaker 12: I love every single one.
Speaker 8: Of you, and thank you so much.
Speaker 19: Whack, and thank you for the chat. Thank you for
all y'all who are in the discord.
Speaker 34: It has been my absolute pleasure to open up the
discord and read the one club chat.
Speaker 19: It just really fills my heart with so much appreciation.
Speaker 8: Y'all are amazing.
Speaker 12: This community is amazing, and.
Speaker 8: I'm trying really hard not to cry, y'all, My god, try,
It's okay.
Speaker 5: Cry.
Speaker 8: It's totally fun.
Speaker 3: I wanted to describe.
Speaker 9: Because I forgot I worked out.
Speaker 19: Yeah, you can find me on Twitter, that's Sta Luna TV.
Speaker 22: I just.
Speaker 19: This has been such an amazing show.
Speaker 3: Black you fucking killed it.
Speaker 34: I love every single one of your MPCs, especially Amber.
In my head, Vertigo and Amber.
Speaker 19: Go off into the sunset and they go have like
a gay good time, you know.
Speaker 34: And like, you know, go on a nice picnic and
I don't know, do something cute. She doesn't freak out
when she sees my collection of hands.
Speaker 3: Literal skeleton.
Speaker 11: That one.
Speaker 24: Fan fiction later, like in about a week or something
on Monday, Listen, I have two keyboards on my desk.
Speaker 34: That means I can write twice as fast, right, yeah, yeah,
but thank you guys so much from the bottom of
my heart. Please make sure you take care of yourselves.
Eat bread unless you can an then I'm sorry.
Speaker 12: That really sucks.
Speaker 1: I'm sorry.
Speaker 9: Oh yeah, that was.
Speaker 13: Just it can't hurt you anymore.
Speaker 8: It's okay.
Speaker 20: Enjoy your mayo.
Speaker 11: Sure, okay, yeah, there you go, straight.
Speaker 14: From the jar.
Speaker 3: In honor of a hundred clubs spoonful of mayo, and
I introduced you to artists.
Speaker 9: It was actually like googling in my dying from my arm.
Apparently it's Tinder, Tinder some ship. I haven't got the
name tendonosis.
Speaker 14: Anyway, Thank you so much, Solla, You're right here.
Speaker 8: Oh hi, I'm feeling.
Speaker 23: I'm gonna miss you guys.
Speaker 12: This sucks.
Speaker 24: It's been really hard and this show has been a
really nice beacon of like awesomeness, uh for for quite
some time now.
Speaker 26: And uh I love all my friends here on the show.
And uh you guys in table story. Thank you all
so much for watching every week and all obviously all
the other shows that you know are go on here,
but especially you know this one.
Speaker 18: It's been a very special run.
Speaker 3: And uh yeah, I mean.
Speaker 24: I'll see you Tuesdays, I guess, but it's it's not
it's not these table mates.
Speaker 8: So that sucks.
Speaker 7: Yep.
Speaker 16: I played in for Titania.
Speaker 1: Yop, yop you.
Speaker 11: Okay, thank you so much for.
Speaker 3: Bringing us down. I have that energy.
Speaker 8: I mean I might be the only one old enough
to get this reference, but I kind of want to
do the Russ Simmons like, thanks Coming God, bless good night. No,
I'm working.
Speaker 13: Every time you're like Russell Simmons and he.
Speaker 8: Get up there big, Thanks coming, God, bless good night.
Just get out.
Speaker 7: That was it.
Speaker 20: Uh.
Speaker 8: Anyways, thank you guys for for watching, and thank you
for to all of my table mates for joining me
on this journey, lots of ups and downs, lots of
fun stuff. Thank you for being here, being a part
of it, being open and vulnerable to enough to you know,
make it a good show. It's important. Thank you for
being good examples to the role playing community that I
think it's important to show, to show vulnerability and show
a certain amount of fearlessness, to let everyone know who
watches and maybe they'll take that forward, you know, into
their game or into their uh, you know, their lives
or whatever. I think that's we do. We do good
stuff here and it's I think it deserves to be
pointed out, So good job everyone. My name is Zego
the Third. You can find me at our slash Ezekielunderscore
on Twitch, Twitter, and YouTube. Zel the Third I'll spelled
out on Instagram and TikTok. I broadcast video games starting
Attending and Pacific most every day. So if you want
to check me out, check me out. Thank you for watching.
That's all I got.
Speaker 9: Go ahead, whack.
Speaker 19: Can I request something before we close out?
Speaker 9: What's up?
Speaker 19: And you know you don't have to do this if
you don't want to.
Speaker 34: Your comfort's most important.
Speaker 19: What if we do to group gargle?
Speaker 3: Just as a way to like, take you by.
Speaker 12: I'll do it.
Speaker 3: I'm take this.
Speaker 9: It's going to take the stress on that one.
Speaker 3: I got a little water. I could dive through that.
Speaker 9: This brings that memories what was at one point?
Speaker 13: Thank you, Okay, I'm sorry. It was a show.
Speaker 1: I'm Stephen. I have been your GM of doom. I
have dragged the players, picking and screaming to the adventure.
Thank you so much to my wonderful cast. Thank you
so much to our wonderful viewers.
Speaker 11: So much love. Thank you so much everybody for being
here in chat.
Speaker 1: Thank you. Thank you to my wonderful cast. Thank you Dan,
thank you Zeke, thank you Fay, thank you Stella, thank
you Frank for being awesome role players. I appreciate you
so much. Thank you. Hopefully we'll see you guys tomorrow
for King Makers at four pm Eastern. The show has
been wonderful. I have loved I loved Scum and Villainy.
I thought it was a great system. I really really
enjoyed it. I have not played any of the Blades
and dark stuff before. I really liked it. I think
it's really fun and I loved a lot of the
cool stuff that they do with it, and it's kind
of like it's pretty it's pretty different. You know, there's
there's there's that powered by the Apocalypse feel, but it's
not it is. It is different. There is some other
stuff to it, and I thought it was very enjoyable
and we really only went down kind of one path
with it. We did like Bounty Hunters, and there's a
few other options that you can that you can do,
so I do highly recommend the system for people to
check out. I thought it was really cool. I think
everybody did amazingly well with their characters. You all did.
You did just really well. I was interested in all
of your characters. I wanted to know more about all
of your characters all of the time. And I think
it was a really fun, dark comedy, you know, anime
show that we made. It was it was. It was
a great job. And again I want to remind everybody
that we all worked on the setting together. This was
not me that did this, This was us that did this.
So we all worked on it together, and I thought
it was really interesting and really great and you all
did really well, and I'm really proud of you, so
thank you, proud of you. Good job, dude.
Speaker 9: I just want to say the way I was fine
with having loose ends, the way you came around and
like literally patched up everything and then like I completely
forgot how the Lord is a weird shit that she did?
Speaker 5: It was?
Speaker 3: It was awesome, kind of doctor y'all.
Speaker 9: Yeah, it was awesome, And I wanted to ask, did
we break the sci fi curse? Was this a sci
fi curse breaker?
Speaker 1: Oh? This is not a sci fi show, damn it. Well,
not a sci fi show.
Speaker 3: I can't qualify.
Speaker 1: Yeah, we didn't get any We didn't get any nerd,
any nerds on YouTube yelling us or anything. So that
is that is its own cursed break.
Speaker 3: Yeah, yeah, we love you. Yeah an nerds welcome.
Speaker 1: Yeah, so thank you everybody so much for watching. Make
sure you check out Kingmakers tomorrow. I've got spell Win
on Wednesday. I do another show called Ashes of Area
Door that's Lord of the Rings on Thursday. And we
have a Star Wars show that just started as well.
So if you want to, you know, yell at anybody
for making mistakes, go harass brad On. No, don't do that.
Speaker 18: He's amazing, favorite, he loves He's just sitting there.
Speaker 1: He's growing ulcers as we speak, thinking about people commenting
about Star Wars, and I've been scruning his life. Thank
you so much everybody for being here. Thank you so
much for the finale. He out.
Speaker 11: I have a wonderful rest of your Monday. Bye bye, everybody,
my very human.
Speaker 5: Hello.
Speaker 1: This is Why Stephen from Table Story. If you'd like
this podcast, please make sure to rate and review it.
If you'd like to listen to more of our podcasts,
you can head on over to tablestory dot tv for
a variety of other shows. If you would like to
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you can head on over to tablestory dot tv slash discord.
Speaker 3: Thank you.
Speaker 1: Back goodness, Start you Built to Home
Speaker 12: Inside my Home.